diff --git a/electronUtils/ipcUtils.js b/electronUtils/ipcUtils.js index e3ebd46..9120454 100644 --- a/electronUtils/ipcUtils.js +++ b/electronUtils/ipcUtils.js @@ -9,7 +9,7 @@ const isPackaged = app.isPackaged; const documentsFolderPath = path.join(os.homedir(), 'Documents', 'Processing Collaborative Sketches'); const processingJavaPath = isPackaged ? path.join(process.resourcesPath, 'tools', 'processing-java') - : 'processing-java'; + : path.join(__dirname, '..', 'tools', 'processing-java'); let processingProcess = null; // To store the reference to the process diff --git a/main.js b/main.js index 5806e81..902ed05 100644 --- a/main.js +++ b/main.js @@ -14,7 +14,7 @@ const { loadIpcFunctions } = require("./electronUtils/ipcUtils"); const package = require('./package.json'); // Set development mode flag -const isDev = process.env.NODE_ENV === 'development'; +const isDev = 'development'; // Initialize window management const windows = []; @@ -24,7 +24,7 @@ let splashWindow = null; const isMac = process.platform === 'darwin'; // Set up file paths -const documentsFolderPath = path.join(os.homedir(), 'Documents', 'Processing Collaborative Sketches'); +const documentsFolderPath = path.join(os.homedir(), 'Documents', 'Processing_Collaborative_Sketches'); // Load user preferences const userPreferences = loadPreferences(); @@ -35,16 +35,16 @@ const version = package.version; * Define menu template for the application * @type {Electron.MenuItemConstructorOptions[]} */ + const template = [ - { + ...(isMac ? [{ label: app.name, - role: 'appMenu', submenu: [ { label: 'About ' + app.name, role: 'about' }, { type: 'separator' }, { role: 'quit' } ] - }, + }] : []), { label: 'File', submenu: [ @@ -136,12 +136,13 @@ const createWindow = (urlPath = '') => { * @param {string} urlPath - The URL path to load */ const loadWindow = (window, urlPath = '') => { - const windowUrl = isDev ? - `http://localhost:5173#/theme/${userPreferences.theme}/${urlPath}` - : + const windowUrl = + // isDev ? + // `http://localhost:5173#/theme/${userPreferences.theme}/${urlPath}` + // : `file://${path.join(__dirname, 'build', 'index.html')}#theme/${userPreferences.theme}/${urlPath}`; window.loadURL(windowUrl); - window.hide(); + // window.hide(); window.once('ready-to-show', () => { if (splashWindow) { diff --git a/package.json b/package.json index bcc7a15..74a5613 100644 --- a/package.json +++ b/package.json @@ -8,7 +8,7 @@ "build": "cd react-ui && npm run build", "dev": "concurrently \"npm run dev:react\" \"npm run dev:electron\"", "dev:react": "cd react-ui && npm run dev", - "dev:electron": "wait-on tcp:5173 && ELECTRON_START_URL=http://localhost:5173/ NODE_ENV=development electron-forge start", + "dev:electron": "wait-on tcp:5173 && electron-forge start", "package": "electron-forge package", "make": "npm run build && electron-forge make", "make:win": "npm run build && electron-forge make --platform=win32", diff --git a/sketches/sketches.pde b/sketches/sketches.pde new file mode 100644 index 0000000..e69de29 diff --git a/tools/Java/ant-launcher.jar b/tools/Java/ant-launcher.jar deleted file mode 100644 index 7f2db31..0000000 Binary files a/tools/Java/ant-launcher.jar and /dev/null differ diff --git a/tools/Java/ant.jar b/tools/Java/ant.jar deleted file mode 100644 index a19c6f7..0000000 Binary files a/tools/Java/ant.jar and /dev/null differ diff --git a/tools/Java/core.jar b/tools/Java/core.jar deleted file mode 100644 index 257a15b..0000000 Binary files a/tools/Java/core.jar and /dev/null 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If you want to modify -# them directly, use the per-user local version of the file: - -# Users -> [username] -> AppData -> Roaming -> -# Processing -> preferences.txt (on Windows 10) - -# ~/Library -> Processing -> preferences.txt (on macOS) - -# ~/.config/processing -> preferences.txt (on Linux) - -# The exact location of your preferences file can be found at -# the bottom of the Preferences window inside Processing. - -# Because AppData and Application Data may be considered -# hidden or system folders on Windows, you'll have to ensure -# that they're visible in order to get at preferences.txt - -# You'll have problems running Processing if you incorrectly -# modify lines in this file. It will probably not start at all. - -# AGAIN, DO NOT ALTER THIS FILE! I'M ONLY YELLING BECAUSE I LOVE YOU! - - -# !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! - - -# If you don't want users to have their sketchbook default to -# "My Documents/Processing" on Windows and "Documents/Processing" on OS X, -# set this to another path that will be used by default. -# Note that this path must exist already otherwise it won't see -# the sketchbook folder, and will instead assume the sketchbook -# has gone missing, and that it should instead use the default. -# In 4.0, the location has changed. -#sketchbook.path.four= - -# Whether or not to show the Welcome screen for 4.0 -# (It's always available under Help → Welcome) -welcome.four.show = true -welcome.four.seen = false - -# Set 'true' for the default behavior before 4.0, where the -# main tab must have the same name as the sketch folder -editor.sync_folder_and_filename = true - -# By default, contributions are moved to backup folders when -# they are removed or replaced. The backups can be found at -# sketchbook/libraries/old, sketchbook/tools/old, and sketchbook/modes/old - -# true to backup contributions when "Remove" button is pressed -contribution.backup.on_remove = true -# true to backup contributions when installing a newer version -contribution.backup.on_install = true - -recent.count = 10 - -# Default to the native (AWT) file selector where possible -chooser.files.native = true -# We were shutting this off on macOS because it broke Copy/Paste: -# https://github.com/processing/processing/issues/1035 -# But removing again for 4.0 alpha 5, because the JFileChooser is awful, -# and worse on Big Sur, so a bigger problem than the Copy/Paste issue. -# https://github.com/processing/processing4/issues/77 -#chooser.files.native.macos = false - -# set to 'lab' to interpolate theme gradients using L*a*b* color space -theme.gradient.method = rgb - - -# by default, check the processing server for any updates -# (please avoid disabling, this also helps us know basic numbers -# on how many people are using Processing) -update.check = true - -# on windows, automatically associate .pde files with processing.exe -platform.auto_file_type_associations = true - - -# !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! - - -# default size for the main window -editor.window.width.default = 700 -editor.window.height.default = 600 - -editor.window.width.min = 400 -editor.window.height.min = 500 -# tested as approx 440 on OS X -editor.window.height.min.macos = 450 -# tested to be 515 on Windows XP, this leaves some room -editor.window.height.min.windows = 530 -# tested with Raspberry Pi display -editor.window.height.min.linux = 480 - -# scaling for the interface (to handle Windows and Linux HiDPI displays) -editor.zoom = 100% -# automatically set based on system dpi (only helps on Windows) -editor.zoom.auto = true - -# Use the default monospace font included in lib/fonts. -# (As of Processing 4 alpha 5, that's Source Code Pro) -editor.font.family = processing.mono -editor.font.size = 12 - -# To reset everyone's default, replaced editor.antialias with editor.smooth -# for 2.1. Fonts are unusably gross on OS X (and Linux) w/o smoothing and -# the Oracle JVM, and many longtime users have anti-aliasing turned off. -editor.smooth = true - -# blink the caret by default -editor.caret.blink = true -# change to true to use a block (instead of a bar) -editor.caret.block = false - -# enable ctrl-ins, shift-ins, shift-delete for cut/copy/paste -# on windows and linux, but disable on the mac -editor.keys.alternative_cut_copy_paste = true -editor.keys.alternative_cut_copy_paste.macos = false - -# true if shift-backspace sends the delete character, -# false if shift-backspace just means backspace -editor.keys.shift_backspace_is_delete = false - -# home and end keys should only travel to the start/end of the current line -editor.keys.home_and_end_travel_far = false -# home and end keys move to the first/last non-whitespace character, -# and move to the actual start/end when pressed a second time. -# Only works if editor.keys.home_and_end_travel_far is false. -editor.keys.home_and_end_travel_smart = true -# The OS X HI Guidelines say that home/end are relative to the document, -# but that drives some people nuts. This pref enables/disables it. -editor.keys.home_and_end_travel_far.macos = true - -# Enable/disable support for complex scripts. Used for Japanese and others, -# but disable when not needed, otherwise basic Western European chars break. -editor.input_method_support = false - -# convert tabs to spaces? how many spaces? -editor.tabs.expand = true -editor.tabs.size = 2 - -# Set to true to automatically close [ { ( " and ' -editor.completion.auto_close = false - -# automatically indent each line -editor.indent = true - -# Whether to check files to see if they've been modified externally -editor.watcher = true -# Set true to enable debugging, since this is quirky on others' machines -editor.watcher.debug = false -# The window of time (in milliseconds) in which a change won't be counted -editor.watcher.window = 1500 - -# Format and search engine to use for online queries -search.format = https://google.com/search?q=%s - -# font choice and size for the console -console.font.size = 12 - -# number of lines to show by default -console.lines = 4 - -# set to false to disable automatically clearing the console -# each time 'run' is hit -console.auto_clear = true - -# number of days of history to keep around before cleaning -# setting to 0 will never clean files -console.temp.days = 7 - -# set the maximum number of lines remembered by the console -# the default is 500, lengthen at your own peril -console.scrollback.lines = 500 -console.scrollback.chars = 40000 - -# Any additional Java options when running. -# If you change this and can't run things, it's your own durn fault. -run.options = - -# settings for the -XmsNNNm and -XmxNNNm command line option -run.options.memory = false -run.options.memory.initial = 64 -run.options.memory.maximum = 512 - -# Index of the display to use for running sketches (starts at 1). -# Kept this 1-indexed because older vesions of Processing were setting -# the preference even before it was being used. -# -1 means the default display, 0 means all displays -run.display = -1 - -# set internally because it comes from the system -#run.window.bgcolor= - -# set to false to open a new untitled window when closing the last window -# (otherwise, the environment will quit) -# default to the relative norm for the different platforms, -# but the setting can be changed in the prefs dialog anyway -#sketchbook.closing_last_window_quits = true -#sketchbook.closing_last_window_quits.macos = false - -editor.untitled.prefix=sketch_ -# The old (pre-1.0, back for 2.0) style for default sketch name. -# If you change this, be careful that this will work with your language -# settings. For instance, MMMdd won't work on Korean-language systems -# because it'll insert non-ASCII characters and break the environment. -# https://github.com/processing/processing/issues/322 -editor.untitled.suffix=yyMMdd - -# replace underscores in .pde file names with spaces -sketch.name.replace_underscore = true - -# what to use for generating sketch names (change in the prefs window) -#sketch.name.approach = - -# number of days of build history and other temp files to keep around -# these are kept around for debugging purposes, and in case code is lost -temp.days = 7 - - -# !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! - - -# whether or not to export as full screen (present) mode -export.application.fullscreen = false - -# whether to show the stop button when exporting to application -export.application.stop = true - -# embed Java by default for lower likelihood of problems -export.application.embed_java = true - -# set to false to no longer delete application folders before export -# (removed from the Preferences windows in 4.0 beta 9) -export.delete_target_folder = true - -# may be useful when attempting to debug the preprocessor -preproc.save_build_files=false - -# allows various preprocessor features to be toggled -# in case they are causing problems - -# preprocessor: pde.g -preproc.color_datatype = true -preproc.web_colors = true -preproc.enhanced_casting = true - -# preprocessor: PdeEmitter.java -preproc.substitute_floats = true - -# PdePreproc.java -# writes out the parse tree as parseTree.xml, which can be usefully -# viewed in (at least) Mozilla or IE. useful when debugging the preprocessor. -preproc.output_parse_tree = false - -# set to the program to be used for opening HTML files, folders, etc. -#launcher.linux = xdg-open - -# FULL SCREEN (PRESENT MODE) -run.present.bgcolor = #666666 -run.present.stop.color = #cccccc - -# PROXIES -# Set a proxy server for folks that require it. This will allow the update -# checker and the contrib manager to run properly in those environments. -# This changed from proxy.host and proxy.port to proxy.http.host and -# proxy.http.port in 3.0a8. In addition, https and socks were added. -proxy.http.host= -proxy.http.port= -proxy.https.host= -proxy.https.port= -proxy.socks.host= -proxy.socks.port= -# Example of usage (replace 'http' with 'https' or 'socks' as needed) -#proxy.http.host=proxy.example.com -#proxy.http.port=8080 -# Whether to use the system proxy by default -proxy.system=true - -# PDE X -pdex.errorCheckEnabled = true -pdex.warningsEnabled = true -pdex.writeErrorLogs = false - -pdex.autoSave.autoSaveEnabled = false -pdex.autoSaveInterval = 5 -pdex.autoSave.promptDisplay = true -pdex.autoSave.autoSaveByDefault = true - -# Enable auto-completion when hitting ctrl-space -pdex.completion = false -# Setting this true will show completions whenever available, not just after ctrl-space -pdex.completion.trigger = false -# Suggest libraries to import when a class is undefined/unavailable -pdex.suggest.imports = true -# Set to false to disable ctrl/cmd-click jump to definition -pdex.inspectMode.hotkey = true diff --git a/tools/Java/lib/fonts/ProcessingSans-Bold.ttf b/tools/Java/lib/fonts/ProcessingSans-Bold.ttf deleted file mode 100644 index 45ebecc..0000000 Binary files a/tools/Java/lib/fonts/ProcessingSans-Bold.ttf and /dev/null differ diff --git a/tools/Java/lib/fonts/ProcessingSans-LICENSE.md b/tools/Java/lib/fonts/ProcessingSans-LICENSE.md deleted file mode 100644 index bb8a7c8..0000000 --- a/tools/Java/lib/fonts/ProcessingSans-LICENSE.md +++ /dev/null @@ -1,8 +0,0 @@ -This is [Source Sans](https://github.com/adobe-fonts/source-sans) from Adobe, but renamed to -prevent conflicts on Windows with other versions of Source Sans. See [issue 4747](https://github.com/processing/processing/issues/4747) in the old Processing repository for details. - -The license for this font can be found [here](https://github.com/adobe-fonts/source-sans/blob/release/LICENSE.md). - -We're using [version 3.046 from 14 July 2021](https://github.com/adobe-fonts/source-sans/releases/tag/3.046R). - -After downloading the TTF, it was opened with [FontForge](https://fontforge.org/). The font and family names were changed using Element → Font Info, followed by File → Generate to create the new `.ttf` files. diff --git a/tools/Java/lib/fonts/ProcessingSans-Regular.ttf b/tools/Java/lib/fonts/ProcessingSans-Regular.ttf deleted file mode 100644 index 7b0cda5..0000000 Binary files a/tools/Java/lib/fonts/ProcessingSans-Regular.ttf and /dev/null differ diff --git a/tools/Java/lib/fonts/SourceCodePro-Bold.ttf b/tools/Java/lib/fonts/SourceCodePro-Bold.ttf deleted file mode 100644 index e0c576f..0000000 Binary files a/tools/Java/lib/fonts/SourceCodePro-Bold.ttf and /dev/null differ diff --git a/tools/Java/lib/fonts/SourceCodePro-LICENSE.txt b/tools/Java/lib/fonts/SourceCodePro-LICENSE.txt deleted file mode 100644 index 1177330..0000000 --- a/tools/Java/lib/fonts/SourceCodePro-LICENSE.txt +++ /dev/null @@ -1,93 +0,0 @@ -Copyright 2010, 2012 Adobe Systems Incorporated (http://www.adobe.com/), with Reserved Font Name 'Source'. All Rights Reserved. Source is a trademark of Adobe Systems Incorporated in the United States and/or other countries. - -This Font Software is licensed under the SIL Open Font License, Version 1.1. - -This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL - - ------------------------------------------------------------ -SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 ------------------------------------------------------------ - -PREAMBLE -The goals of the Open Font License (OFL) are to stimulate worldwide -development of collaborative font projects, to support the font creation -efforts of academic and linguistic communities, and to provide a free and -open framework in which fonts may be shared and improved in partnership -with others. - -The OFL allows the licensed fonts to be used, studied, modified and -redistributed freely as long as they are not sold by themselves. The -fonts, including any derivative works, can be bundled, embedded, -redistributed and/or sold with any software provided that any reserved -names are not used by derivative works. The fonts and derivatives, -however, cannot be released under any other type of license. The -requirement for fonts to remain under this license does not apply -to any document created using the fonts or their derivatives. - -DEFINITIONS -"Font Software" refers to the set of files released by the Copyright -Holder(s) under this license and clearly marked as such. This may -include source files, build scripts and documentation. - -"Reserved Font Name" refers to any names specified as such after the -copyright statement(s). - -"Original Version" refers to the collection of Font Software components as -distributed by the Copyright Holder(s). - -"Modified Version" refers to any derivative made by adding to, deleting, -or substituting -- in part or in whole -- any of the components of the -Original Version, by changing formats or by porting the Font Software to a -new environment. - -"Author" refers to any designer, engineer, programmer, technical -writer or other person who contributed to the Font Software. - -PERMISSION & CONDITIONS -Permission is hereby granted, free of charge, to any person obtaining -a copy of the Font Software, to use, study, copy, merge, embed, modify, -redistribute, and sell modified and unmodified copies of the Font -Software, subject to the following conditions: - -1) Neither the Font Software nor any of its individual components, -in Original or Modified Versions, may be sold by itself. - -2) Original or Modified Versions of the Font Software may be bundled, -redistributed and/or sold with any software, provided that each copy -contains the above copyright notice and this license. These can be -included either as stand-alone text files, human-readable headers or -in the appropriate machine-readable metadata fields within text or -binary files as long as those fields can be easily viewed by the user. - -3) No Modified Version of the Font Software may use the Reserved Font -Name(s) unless explicit written permission is granted by the corresponding -Copyright Holder. This restriction only applies to the primary font name as -presented to the users. - -4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font -Software shall not be used to promote, endorse or advertise any -Modified Version, except to acknowledge the contribution(s) of the -Copyright Holder(s) and the Author(s) or with their explicit written -permission. - -5) The Font Software, modified or unmodified, in part or in whole, -must be distributed entirely under this license, and must not be -distributed under any other license. The requirement for fonts to -remain under this license does not apply to any document created -using the Font Software. - -TERMINATION -This license becomes null and void if any of the above conditions are -not met. - -DISCLAIMER -THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, -EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF -MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT -OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE -COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, -INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL -DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING -FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM -OTHER DEALINGS IN THE FONT SOFTWARE. diff --git a/tools/Java/lib/fonts/SourceCodePro-Regular.ttf b/tools/Java/lib/fonts/SourceCodePro-Regular.ttf deleted file mode 100644 index 437f472..0000000 Binary files a/tools/Java/lib/fonts/SourceCodePro-Regular.ttf and /dev/null differ diff --git a/tools/Java/lib/footer/console.svg b/tools/Java/lib/footer/console.svg deleted file mode 100644 index d9b3c1f..0000000 --- a/tools/Java/lib/footer/console.svg +++ /dev/null @@ -1 +0,0 @@ -console \ No newline at end of file diff --git a/tools/Java/lib/footer/error.svg b/tools/Java/lib/footer/error.svg deleted file mode 100644 index ce531a7..0000000 --- a/tools/Java/lib/footer/error.svg +++ /dev/null @@ -1 +0,0 @@ -error \ No newline at end of file diff --git a/tools/Java/lib/icons/README.md b/tools/Java/lib/icons/README.md deleted file mode 100644 index 912f2cd..0000000 --- a/tools/Java/lib/icons/README.md +++ /dev/null @@ -1,99 +0,0 @@ -This folder contains several icons, so we'll use that as an opportunity to outline where *all* the icons are located in the repo. - -Image2Icon.app on macOS is used to create the `.icns` and `.ico` files from the Illustrator artwork that's been exported to `.png`. It's also used to create `.iconset` folders that contain the icons at several sizes. These are (manually) renamed to the versions seen below. - - -## in this folder - -Application icon for the PDE, used for the dock and windows: - - build/shared/lib/icons/app-16.png - build/shared/lib/icons/app-32.png - build/shared/lib/icons/app-48.png - build/shared/lib/icons/app-64.png - build/shared/lib/icons/app-128.png - build/shared/lib/icons/app-256.png - build/shared/lib/icons/app-512.png - build/shared/lib/icons/app-1024.png - -The 48x48 version is created from the 64x64 image using ImageMagick: - - convert -resize 48x app-64.png app-48.png - -The document icon for `.pde` files. (Prior to 4.3, the `pde-NN.png` files were the app icon, causing some confusion.) These images are only used on Linux: - - build/shared/lib/icons/pde-16.png - build/shared/lib/icons/pde-32.png - build/shared/lib/icons/pde-48.png - build/shared/lib/icons/pde-64.png - build/shared/lib/icons/pde-128.png - build/shared/lib/icons/pde-256.png - build/shared/lib/icons/pde-512.png - build/shared/lib/icons/pde-1024.png - -And to create that 48x48 version: - - convert -resize 48x pde-64.png pde-48.png - -Finally, there's the Foundation logo, which is used by the Contributions Manager: - - build/shared/lib/icons/foundation-16.png - build/shared/lib/icons/foundation-32.png - build/shared/lib/icons/foundation-64.png - - -## inside `core` - -The exported application icon, used to set the dock icon when running a sketch, or in an exported application: - - core/src/icon/icon-16.png - core/src/icon/icon-32.png - core/src/icon/icon-48.png - core/src/icon/icon-64.png - core/src/icon/icon-128.png - core/src/icon/icon-256.png - core/src/icon/icon-512.png - core/src/icon/icon-1024.png - -And of course: - - convert -resize 48x icon-64.png icon-48.png - - -## exported applications - -Exported application icon for macOS: - - java/application/application.icns - -…and for Windows: - - java/application/application.ico - -There's none in use for Linux, since we don't export `.desktop` files with applications; though maybe we should do that in the future. - - -## macOS build - -Application icon: - - build/macos/processing.icns - -Document icons, named by extension: - - build/macos/pde.icns - build/macos/pdex.icns - build/macos/pdez.icns - - -## Windows build - -Application icon: - - build/windows/processing.ico - -Document icons, named by extension: - - build/windows/pdex.ico - build/windows/pdez.ico - build/windows/pde.ico diff --git a/tools/Java/lib/icons/app-1024.png b/tools/Java/lib/icons/app-1024.png deleted file mode 100644 index 3cc3c26..0000000 Binary files a/tools/Java/lib/icons/app-1024.png and /dev/null differ diff --git a/tools/Java/lib/icons/app-128.png b/tools/Java/lib/icons/app-128.png deleted file mode 100644 index a3fe8b4..0000000 Binary files a/tools/Java/lib/icons/app-128.png and /dev/null differ diff --git a/tools/Java/lib/icons/app-16.png b/tools/Java/lib/icons/app-16.png deleted file mode 100644 index f31e468..0000000 Binary files a/tools/Java/lib/icons/app-16.png and /dev/null differ diff --git a/tools/Java/lib/icons/app-256.png b/tools/Java/lib/icons/app-256.png deleted file mode 100644 index 827ea5f..0000000 Binary files a/tools/Java/lib/icons/app-256.png and /dev/null differ diff --git a/tools/Java/lib/icons/app-32.png b/tools/Java/lib/icons/app-32.png deleted file mode 100644 index c62702e..0000000 Binary files a/tools/Java/lib/icons/app-32.png and /dev/null differ diff --git a/tools/Java/lib/icons/app-48.png b/tools/Java/lib/icons/app-48.png deleted file mode 100644 index 9210ecb..0000000 Binary files a/tools/Java/lib/icons/app-48.png and /dev/null differ diff --git a/tools/Java/lib/icons/app-512.png b/tools/Java/lib/icons/app-512.png deleted file mode 100644 index 478b7cc..0000000 Binary files a/tools/Java/lib/icons/app-512.png and /dev/null differ diff --git a/tools/Java/lib/icons/app-64.png b/tools/Java/lib/icons/app-64.png deleted file mode 100644 index 71df15f..0000000 Binary files a/tools/Java/lib/icons/app-64.png and /dev/null differ diff --git a/tools/Java/lib/icons/foundation-16.png b/tools/Java/lib/icons/foundation-16.png deleted file mode 100644 index de17524..0000000 Binary files a/tools/Java/lib/icons/foundation-16.png and /dev/null differ diff --git a/tools/Java/lib/icons/foundation-32.png b/tools/Java/lib/icons/foundation-32.png deleted file mode 100644 index 6149afc..0000000 Binary files a/tools/Java/lib/icons/foundation-32.png and /dev/null differ diff --git a/tools/Java/lib/icons/foundation-64.png b/tools/Java/lib/icons/foundation-64.png deleted file mode 100644 index 278e4fe..0000000 Binary files a/tools/Java/lib/icons/foundation-64.png and /dev/null differ diff --git a/tools/Java/lib/icons/pde-1024.png b/tools/Java/lib/icons/pde-1024.png deleted file mode 100644 index e10ba6e..0000000 Binary files a/tools/Java/lib/icons/pde-1024.png and /dev/null differ diff --git a/tools/Java/lib/icons/pde-128.png b/tools/Java/lib/icons/pde-128.png deleted file mode 100644 index 63807f6..0000000 Binary files a/tools/Java/lib/icons/pde-128.png and /dev/null differ diff --git a/tools/Java/lib/icons/pde-16.png b/tools/Java/lib/icons/pde-16.png deleted file mode 100644 index 8c03867..0000000 Binary files a/tools/Java/lib/icons/pde-16.png and /dev/null differ diff --git a/tools/Java/lib/icons/pde-256.png b/tools/Java/lib/icons/pde-256.png deleted file mode 100644 index 111cb86..0000000 Binary files a/tools/Java/lib/icons/pde-256.png and /dev/null differ diff --git a/tools/Java/lib/icons/pde-32.png b/tools/Java/lib/icons/pde-32.png deleted file mode 100644 index 370172c..0000000 Binary files a/tools/Java/lib/icons/pde-32.png and /dev/null differ diff --git a/tools/Java/lib/icons/pde-48.png b/tools/Java/lib/icons/pde-48.png deleted file mode 100644 index bd2fe0e..0000000 Binary files a/tools/Java/lib/icons/pde-48.png and /dev/null differ diff --git a/tools/Java/lib/icons/pde-512.png b/tools/Java/lib/icons/pde-512.png deleted file mode 100644 index c9261e2..0000000 Binary files a/tools/Java/lib/icons/pde-512.png and /dev/null differ diff --git a/tools/Java/lib/icons/pde-64.png b/tools/Java/lib/icons/pde-64.png deleted file mode 100644 index ff2d1d3..0000000 Binary files a/tools/Java/lib/icons/pde-64.png and /dev/null differ diff --git a/tools/Java/lib/languages/PDE.properties b/tools/Java/lib/languages/PDE.properties deleted file mode 100644 index fb2042f..0000000 --- a/tools/Java/lib/languages/PDE.properties +++ /dev/null @@ -1,657 +0,0 @@ - - -# --------------------------------------- -# Language: English (en) (default) -# --------------------------------------- - - -font.family.sans = Processing Sans -font.family.mono = Source Code Pro - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = File -menu.file.new = New -menu.file.open = Open... -menu.file.recent = Open Recent -menu.file.sketchbook = Sketchbook... -menu.file.sketchbook.empty = Empty Sketchbook -menu.file.examples = Examples... -menu.file.close = Close -menu.file.save = Save -menu.file.save_as = Save As... -menu.file.export_application = Export Application... -menu.file.page_setup = Page Setup -menu.file.print = Print... -menu.file.preferences = Preferences... -menu.file.quit = Quit - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Edit -menu.edit.undo = Undo -menu.edit.redo = Redo -menu.edit.redo.keystroke.macos = shift meta pressed Z -menu.edit.redo.keystroke.windows = ctrl pressed Y -menu.edit.redo.keystroke.linux = shift ctrl pressed Z -menu.edit.action.addition = addition -menu.edit.action.deletion = deletion -menu.edit.cut = Cut -menu.edit.copy = Copy -menu.edit.copy_as_html = Copy as HTML -menu.edit.paste = Paste -menu.edit.select_all = Select All -menu.edit.auto_format = Auto Format -menu.edit.comment_uncomment = Comment/Uncomment -menu.edit.comment_uncomment.keystroke.macos = meta pressed SLASH -menu.edit.comment_uncomment.keystroke.windows = ctrl pressed SLASH -menu.edit.comment_uncomment.keystroke.linux = ctrl pressed SLASH -menu.edit.increase_indent = → Increase Indent -menu.edit.increase_indent.keystroke.macos = meta pressed CLOSE_BRACKET -menu.edit.increase_indent.keystroke.windows = ctrl pressed CLOSE_BRACKET -menu.edit.increase_indent.keystroke.linux = ctrl pressed CLOSE_BRACKET -menu.edit.decrease_indent = ← Decrease Indent -menu.edit.decrease_indent.keystroke.macos = meta pressed OPEN_BRACKET -menu.edit.decrease_indent.keystroke.windows = ctrl pressed OPEN_BRACKET -menu.edit.decrease_indent.keystroke.linux = ctrl pressed OPEN_BRACKET -menu.edit.find = Find... -menu.edit.find_next = Find Next -menu.edit.find_previous = Find Previous -menu.edit.use_selection_for_find = Use Selection for Find - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Run -menu.sketch.present = Present -menu.sketch.tweak = Tweak -menu.sketch.stop = Stop -# --- -menu.library = Import Library... -# menu.library.add_library = Add Library... -menu.library.manage_libraries = Manage Libraries… -menu.library.contributed = Contributed -menu.library.no_core_libraries = mode has no core libraries -# --- -menu.sketch = Sketch -menu.sketch.show_sketch_folder = Show Sketch Folder -menu.sketch.add_file = Add File... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = Debug -menu.debug.enable = Enable Debugger -menu.debug.disable = Disable Debugger -#menu.debug.show_debug_toolbar = Show Debug Toolbar -#menu.debug.debug = Debug -#menu.debug.stop = Stop -# --- -menu.debug.toggle_breakpoint = Toggle Breakpoint -#menu.debug.list_breakpoints = List breakpoints -# --- -# used for both menus and toolbars -menu.debug.step = Step -menu.debug.step.keystroke.macos = meta pressed J -menu.debug.step.keystroke.windows = ctrl pressed J -menu.debug.step.keystroke.linux = ctrl pressed J -menu.debug.step_into = Step Into -menu.debug.step_into.keystroke.macos = shift meta pressed J -menu.debug.step_into.keystroke.windows = shift ctrl pressed J -menu.debug.step_into.keystroke.linux = shift ctrl pressed J -menu.debug.step_out = Step Out -menu.debug.step_out.keystroke.macos = meta alt pressed J -menu.debug.step_out.keystroke.windows = ctrl alt pressed J -menu.debug.step_out.keystroke.linux = ctrl alt pressed J -menu.debug.continue = Continue -# --- -#menu.debug.print_stack_trace = Print Stack Trace -#menu.debug.print_locals = Print Locals -#menu.debug.print_fields = Print Fields -#menu.debug.print_source_location = Print Source Location -#menu.debug.print_threads = Print Threads -# --- -#menu.debug.variable_inspector = Variable Inspector -menu.debug.show_variables = Show Variables -menu.debug.hide_variables = Hide Variables -#menu.debug.show_sketch_outline = Show Sketch Outline -#menu.debug.show_tabs_list = Show Tabs List - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Tools -menu.tools.color_selector = Color Selector... -menu.tools.create_font = Create Font... -menu.tools.archive_sketch = Archive Sketch -menu.tools.fix_the_serial_lbrary = Fix the Serial Library -menu.tools.install_processing_java = Install “processing-java” -# menu.tools.add_tool = Add Tool... -menu.tools.manage_tools = Manage Tools… - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Help -menu.help.welcome = Welcome to Processing -menu.help.about = About Processing -menu.help.environment = Environment -menu.help.reference = Reference -menu.help.find_in_reference = Find in Reference -menu.help.reference.download = Download Offline Reference -menu.help.libraries_reference = Libraries Reference -menu.help.tools_reference = Tools Reference -menu.help.empty = (empty) -menu.help.online = Online - -# Only include the .url lines in the translation file if there -# is an official translated version of the link that can be used. -# Otherwise any change here will have to be copied to all languages. -# https://github.com/processing/processing4/issues/250 -menu.help.getting_started = Getting Started -menu.help.getting_started.url = https://processing.org/tutorials/gettingstarted/ -menu.help.troubleshooting = Troubleshooting -menu.help.troubleshooting.url = https://github.com/processing/processing4/wiki/Troubleshooting -menu.help.faq = Frequently Asked Questions -menu.help.faq.url = https://github.com/processing/processing4/wiki/FAQ -menu.help.foundation = The Processing Foundation -menu.help.foundation.url = https://processing.foundation/ -menu.help.visit = Visit Processing.org -menu.help.visit.url = https://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Yes -prompt.no = No -prompt.cancel = Cancel -prompt.ok = OK -prompt.browse = Browse -prompt.export = Export - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Open a Processing sketch... - -# Save (Frame) -save = Save sketch folder as... -save.title = Do you want to save changes to %s before closing? -save.hint = If you don’t save, your changes will be lost. -save.btn.save = Save -save.btn.dont_save = Don’t Save - -# Close (Frame) also used to prompt on non-macOS machines -close.unsaved_changes = Save changes to %s? - -# Preferences (Frame) -preferences = Preferences -preferences.button.width = 80 -preferences.restart_required = Restart Processing to apply changes -preferences.sketchbook_location = Sketchbook folder -preferences.sketchbook_location.popup = Sketchbook folder -preferences.sketch_naming = Sketch name -preferences.language = Language: -preferences.editor_and_console_font = Editor and Console font: -preferences.editor_and_console_font.tip = Select the font used in the Editor and the Console.
Only monospaced (fixed-width) fonts may be used,
though the list may be imperfect. -preferences.editor_font_size = Editor font size: -preferences.console_font_size = Console font size: -preferences.interface_scale = Interface scale: -preferences.interface_scale.auto = Automatic -preferences.background_color = Background color when Presenting: -preferences.background_color.tip = Select the background color used when using Present.
Present is used to present a sketch in full-screen,
accessible from the Sketch menu. -preferences.use_smooth_text = Use smooth text in editor window -preferences.enable_complex_text = Enable complex text input -preferences.enable_complex_text.tip = Using languages such as Chinese, Japanese, and Arabic
in the Editor window require additional features to be enabled. -preferences.continuously_check = Continuously check for errors -preferences.show_warnings = Show warnings -preferences.code_completion = Code completion with -preferences.trigger_with = Trigger with -preferences.cmd_space = space -preferences.suggest_imports = Suggest import statements -preferences.increase_max_memory = Increase maximum available memory to -# preferences.delete_previous_folder_on_export = Delete previous folder on export -preferences.check_for_updates_on_startup = Allow update checking (see FAQ for information shared) -preferences.run_sketches_on_display = Run sketches on display -preferences.run_sketches_on_display.tip = Sets the display where sketches are initially placed.
As usual, if the sketch window is moved, it will re-open
at the same location, however when running in present
(full screen) mode, this display will always be used. -preferences.automatically_associate_pde_files = Automatically associate .pde files with Processing -preferences.launch_programs_in = Launch programs in -preferences.launch_programs_in.mode = mode -preferences.file = More preferences can be edited directly in the file: -preferences.file.hint = (Edit only when Processing is not running.) - -# Sketchbook Location (Frame) -sketchbook_location = Select new sketchbook folder - -# Sketchbook (Frame) -sketchbook = Sketchbook -sketchbook.tree = Sketchbook - -# Examples (Frame) -examples.title = %s Examples -examples.add_examples = Add Examples... -examples.libraries = Contributed Libraries -examples.core_libraries = Libraries -examples.contributed = Contributed Examples - -# Export (Frame) -export = Export Options -export.platforms = Platforms -export.options = Options -export.options.present = Presentation Mode -export.options.show_stop_button = Show a Stop button -export.description = Create a double-clickable application for the selected platforms: -export.unsaved_changes = Save changes before export? -export.notice.cancel.unsaved_changes = Export canceled, changes must first be saved. -export.notice.exporting = Exporting application... -export.notice.exporting.done = Done exporting. -export.notice.exporting.error = Error during export. -export.notice.exporting.cancel = Export to Application canceled. -export.tooltip.macos = macOS export is only available on macOS -export.full_screen = Full Screen -export.embed_java = Embed Java -export.include_java = Include Java in the %s application -export.code_signing = Code Signing -export.messages.is_read_only = Sketch is Read-Only -export.messages.is_read_only.description = Some files are marked “read-only,” so you will\nneed to re-save the sketch in another location,\nand try again. -export.messages.cannot_export = Cannot Export -export.messages.cannot_export.description = You cannot export a sketch that has not been saved. - -# Find (Frame) -find = Find -find.find = Find: -find.replace_with = Replace with: -find.ignore_case = Ignore Case -find.all_tabs = All Tabs -find.wrap_around = Wrap Around -find.btn.replace_all = Replace All -find.btn.replace = Replace -find.btn.replace_and_find = Replace & Find -find.btn.previous = Previous -find.btn.find = Find - -# Find in reference (Frame) -find_in_reference = Find in Reference - -# File (Frame) -file = Select an image or other data file to copy to your sketch - -# Create Font (Frame) -create_font = Create Font -create_font.label = Use this tool to create bitmap fonts for your program.\nSelect a font and size, and click ‘OK’ to generate the font.\nIt will be added to the data folder of the current sketch. -create_font.size = Size -create_font.smooth = Smooth -create_font.characters = Characters... -create_font.character_selector = Character Selector -create_font.character_selector.label = Default characters will include most bitmaps for Mac OS\nand Windows Latin scripts. Including all characters may\nrequire large amounts of memory for all of the bitmaps.\nFor greater control, you can select specific Unicode blocks. -create_font.default_characters = Default Characters -create_font.all_characters = All Characters -create_font.specific_unicode = Specific Unicode Blocks -create_font.filename = Filename - -# Color Selector (Frame) -color_selector = Color Selector - -# Archive Sketch (Frame) -archive_sketch = Archive sketch as... - -# Tweak Mode -tweak_mode = Tweak Mode -tweak_mode.save_before_tweak = Please save the sketch before running in Tweak Mode. -tweak_mode.keep_changes.line1 = Keep the changes? -tweak_mode.keep_changes.line2 = You changed some values in your sketch. Would you like to keep the changes? - -# DebugTray -debugger.name = Name -debugger.value = Value -debugger.type = Type - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Run -toolbar.present = Present -toolbar.stop = Stop -toolbar.debug = Debug -# --- -toolbar.new = New -toolbar.open = Open -toolbar.save = Save -# toolbar.export_application = Export Application -# toolbar.add_mode = Add Mode... -toolbar.manage_modes = Manage Modes… - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = Continue -#toolbar.debug.step = Step -#toolbar.debug.step_into = Step Into -#toolbar.debug.stop = Stop -#toolbar.debug.toggle_breakpoints = Toggle Breakpoint -#toolbar.debug.variable_inspector = Variable Inspector - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = New Tab -editor.header.rename = Rename -editor.header.delete = Delete -editor.header.previous_tab = Previous Tab -editor.header.previous_tab.keystroke.macos = meta alt pressed LEFT -editor.header.previous_tab.keystroke.windows = ctrl pressed PAGE_UP -editor.header.previous_tab.keystroke.linux = ctrl pressed PAGE_UP -editor.header.next_tab = Next Tab -editor.header.next_tab.keystroke.macos = meta alt pressed RIGHT -editor.header.next_tab.keystroke.windows = ctrl pressed PAGE_DOWN -editor.header.next_tab.keystroke.linux = ctrl pressed PAGE_DOWN -editor.header.delete.warning.title = Yeah, no. -editor.header.delete.warning.text = You cannot delete the main tab of the only open sketch. - -# PopUp menu -editor.popup.jump_to_declaration = Jump to Declaration -editor.popup.show_usage = Show Usage... -editor.popup.rename = Rename... - -# Tabs -editor.tab.new = New Name -editor.tab.new.description = Name for new file -editor.tab.rename = New Name -editor.tab.rename.description = New name for file - -# Sketch -editor.sketch.rename.description = New name for sketch - -editor.status.autoformat.no_changes = No changes necessary for Auto Format. -editor.status.autoformat.finished = Auto Format finished. -editor.status.find_reference.select_word_first = First select a word to find in the reference. -editor.status.find_reference.not_available = No reference available for “%s”. -editor.status.drag_and_drop.files_added.0 = No files were added to the sketch. -editor.status.drag_and_drop.files_added.1 = One file added to the sketch. -editor.status.drag_and_drop.files_added.n = %d files added to the sketch. -editor.status.saving = Saving... -editor.status.saving.done = Done saving. -editor.status.saving.canceled = Save canceled. -editor.status.printing = Printing... -editor.status.printing.done = Done printing. -editor.status.printing.error = Error while printing. -editor.status.printing.canceled = Printing canceled. -editor.status.copy_as_html = Code formatted as HTML has been copied to the clipboard. -editor.status.debug.busy = Debugger busy... -editor.status.debug.halt = Debugger halted. -editor.status.archiver.create = Created archive “%s”. -editor.status.archiver.cancel = Archive sketch canceled. - -# Errors -editor.status.warning = Warning -editor.status.error = Error -editor.status.error.syntax = Syntax Error - %s -editor.status.error_on = Error on “%s” -editor.status.missing.default = Missing “%c” -editor.status.missing.semicolon = Missing a semicolon “;” -editor.status.missing.left_sq_bracket = Missing left square bracket “[” -editor.status.missing.right_sq_bracket = Missing right square bracket “]” -editor.status.missing.left_paren = Missing left parenthesis “(” -editor.status.missing.right_paren = Missing right parenthesis “)” -editor.status.missing.left_curly_bracket = Missing left curly bracket “{” -editor.status.missing.right_curly_bracket = Missing right curly bracket “}” -editor.status.missing.add = Consider adding “%s” -editor.status.bad_curly_quote = Curly quotes like %s don’t work. Use straight quotes. Ctrl-T to autocorrect. -editor.status.reserved_words = “color” and “int” are reserved words & cannot be used as variable names -editor.status.undefined_method = The function “%s(%s)” does not exist -editor.status.undefined_constructor = The constructor “%s(%s)” does not exist -editor.status.empty_param = The function “%s()” does not expect any parameters -editor.status.wrong_param = The function “%s()” expects parameters like: “%s(%s)” -editor.status.undef_global_var = The global variable “%s” does not exist -editor.status.undef_class = The class “%s” does not exist -editor.status.undef_var = The variable “%s” does not exist -editor.status.undef_name = The name “%s” cannot be recognized -editor.status.unterm_string_curly = String literal is not closed by a straight double quote. Curly quotes like %s won’t help. -editor.status.type_mismatch = Type mismatch, “%s” does not match with “%s” -editor.status.unused_variable = The value of the local variable “%s” is not used -editor.status.uninitialized_variable = The local variable “%s” may not have been initialized -editor.status.no_effect_assignment = The assignment to variable “%s” has no effect -editor.status.hiding_enclosing_type = The class “%s” cannot have the same name as your sketch or its enclosing class - -editor.status.bad.assignment = Possible error on variable assignment near ‘%s’? -editor.status.bad.generic = Possibly missing type in generic near ‘%s’? -editor.status.bad.identifier = Bad identifier? Did you forget a variable or start an identifier with digits near ‘%s’? -editor.status.bad.parameter = Error on parameter or method declaration near ‘%s’? -editor.status.bad.import = Import not allowed here. -editor.status.bad.mixed_mode = You may be mixing active and static modes. -editor.status.extraneous = Incomplete statement or extra code near ‘%s’? -editor.status.mismatched = Missing operator, semicolon, or ‘}’ near ‘%s’? -editor.status.missing.name = Missing name or ; near ‘%s’? -editor.status.missing.type = Missing name or ; or type near ‘%s’? - - -# Footer buttons -editor.footer.errors = Errors -editor.footer.errors.problem = Problem -editor.footer.errors.tab = Tab -editor.footer.errors.line = Line -editor.footer.console = Console - -# New handler -new.messages.is_read_only = Sketch is Read-Only -new.messages.is_read_only.description = Some files are marked “read-only”, so you will\nneed to re-save the sketch in another location,\nand try again. - -# Rename handler -rename.messages.is_untitled = Sketch is Untitled -rename.messages.is_untitled.description = How about saving the sketch first\nbefore trying to rename it? -rename.messages.is_modified = Please save the sketch before renaming. -rename.messages.is_read_only = Sketch is Read-Only -rename.messages.is_read_only.description = Some files are marked “read-only”, so you will\nneed to re-save the sketch in another location,\nand try again. - -# Naming handler -name.messages.problem_renaming = Problem with rename -name.messages.starts_with_dot.description = The name cannot start with a period. -name.messages.invalid_extension.description = “.%s” is not a valid extension. -name.messages.main_java_extension.description = The first tab cannot be a .%s file.\n(It may be time for you to graduate to a\n”real” programming environment, hotshot.) -name.messages.new_sketch_exists = Nope -name.messages.new_sketch_exists.description = A file named “%s” already exists at\n”%s” -name.messages.new_folder_exists = Cannot Rename -name.messages.new_folder_exists.description = Sorry, a sketch (or folder) named “%s” already exists. -name.messages.error = Error -name.messages.no_rename_folder.description = Could not rename the sketch folder. -name.messages.no_rename_file.description = Could not rename “%s” to “%s” -name.messages.no_create_file.description = Could not create the file “%s”\nin “%s” - -# Delete handler -delete.messages.cannot_delete = Cannot Delete -delete.messages.cannot_delete.description = You cannot delete a sketch that has not been saved. -delete.messages.cannot_delete.file = Could not do it -delete.messages.cannot_delete.file.description = Could not delete -delete.messages.is_read_only = Sketch is Read-Only -delete.messages.is_read_only.description = Some files are marked “read-only”, so you will\nneed to re-save the sketch in another location,\nand try again. - -# Save handler -save_file.messages.is_read_only = Sketch is read-only -save_file.messages.is_read_only.description = Some files are marked “read-only”, so you will\nneed to re-save this sketch to another location. -save_file.messages.sketch_exists = Cannot Save -save_file.messages.sketch_exists.description = A sketch with the cleaned name\n“%s” already exists. -save_file.messages.tab_exists = Nope -save_file.messages.tab_exists.description = You cannot save the sketch as “%s”\nbecause the sketch already has a tab with that name. -save_file.messages.recursive_save = How very Borges of you -save_file.messages.recursive_save.description = You cannot save the sketch into a folder\ninside itself. This would go on forever. - -# Add handler -add_file.messages.is_read_only = Sketch is Read-Only -add_file.messages.is_read_only.description = Some files are marked “read-only”, so you will\nneed to re-save the sketch in another location,\nand try again. -add_file.messages.confirm_replace = Replace the existing version of %s? -add_file.messages.error_adding = Error adding file -add_file.messages.cannot_delete.description = Could not delete the existing ‘%s’ file. -add_file.messages.cannot_add.description = Could not add ‘%s’ to the sketch. -add_file.messages.same_file = You can’t fool me -add_file.messages.same_file.description = This file has already been copied to the\nlocation from which where you’re trying to add it.\nI ain’t not doin nuthin’. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Build folder bad -temp_dir.messages.bad_build_folder.description = Could not find a place to build the sketch. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Sketch Disappeared -ensure_exist.messages.missing_sketch.description = The sketch folder has disappeared.\nWill attempt to re-save in the same location,\nbut anything besides the code will be lost. -ensure_exist.messages.unrecoverable = Could not re-save sketch -ensure_exist.messages.unrecoverable.description = Could not properly re-save the sketch. You may be in trouble at this point,\nand it might be time to copy and paste your code to another text editor. - -# Check name -check_name.messages.is_name_modified = The sketch name had to be modified. Sketch names can only consist\nof ASCII characters and numbers (but cannot start with a number).\nThey should also be less than 64 characters long. - -# External changes detector -change_detect.reload.title=Tab modified externally -change_detect.reload.question=”%s” was modified by another program. -change_detect.reload.comment=Would you like to keep this version or load the new changes?\nEither way, the version you discard will be saved to your sketch folder. -change_detect.button.keep=Keep -change_detect.button.load_new=Load changes -change_detect.delete.title=Tab deleted externally -change_detect.delete.question=”%s” has disappeared from the sketch folder. -change_detect.delete.comment=Would you like to re-save it or remove it from your sketch? -change_detect.button.discard=Remove permanently -change_detect.button.resave=Re-save - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Contribution Manager -contrib.manager_title.update = Update Manager -contrib.manager_title.mode = Mode Manager -contrib.manager_title.tool = Tool Manager -contrib.manager_title.library = Library Manager -contrib.manager_title.examples = Examples Manager -contrib.category = Category: -contrib.filter_your_search = Filter your search... -contrib.show_only_compatible.mode = Show Only Compatible Modes -contrib.show_only_compatible.tool = Show Only Compatible Tools -contrib.show_only_compatible.library = Show Only Compatible Libraries -contrib.show_only_compatible.examples = Show Only Compatible Examples -contrib.show_only_compatible.update = Show Only Compatible Updates -contrib.restart = Restart Processing -contrib.unsaved_changes = Unsaved changes have been found -contrib.unsaved_changes.prompt = Are you sure you want to restart Processing without saving first? -contrib.messages.remove_restart = Please restart Processing to finish removing this item. -contrib.messages.install_restart = Please restart Processing to finish installing this item. -contrib.messages.update_restart = Please restart Processing to finish updating this item. -contrib.errors.list_download = Could not download the list of available contributions. -contrib.errors.list_download.timeout = Connection timed out while downloading the contribution list. -contrib.errors.download_and_install = Error during download and install of %s. -contrib.errors.description_unavailable = Description unavailable. -contrib.errors.malformed_url = The link fetched from Processing.org is not valid.\nYou can still install this library manually by visiting\nthe library\’s website. -contrib.errors.needs_repackage = %s needs to be repackaged according to the %s guidelines. -contrib.errors.no_contribution_found = Could not find %s in the downloaded file. -contrib.errors.overwriting_properties = Error overwriting .properties file. -contrib.errors.install_failed = Install failed. -contrib.errors.update_on_restart_failed = Update on restart of %s failed. -contrib.errors.temporary_directory = Could not write to temporary directory. -contrib.errors.contrib_download.timeout = Connection timed out while downloading %s. -contrib.errors.no_internet_connection = You do not seem to be connected to the Internet. -contrib.status.downloading_list = Downloading contribution list... -contrib.status.connecting = Connecting... -contrib.status.done = Done. -contrib.all = All -contrib.undo = Undo -contrib.remove = Remove -contrib.install = Install -contrib.progress.installing = Installing -contrib.progress.starting = Starting -contrib.progress.downloading = Downloading -contrib.download_error = An error occured while downloading the contribution. -contrib.missing_link = The download link for this %s is missing, please contact the author. -contrib.category.3d = 3D -contrib.category.animation = Animation -contrib.category.data = Data -contrib.category.geometry = Geometry -contrib.category.gui = GUI -contrib.category.hardware = Hardware -contrib.category.i_o = I/O -contrib.category.math = Math -contrib.category.renderer = Renderer -contrib.category.simulation = Simulation -contrib.category.sound = Sound -contrib.category.typography = Typography -contrib.category.utilities = Utilities -contrib.category.video_vision = Video & Vision -contrib.category.other = Other - -# Install on Startup -contrib.startup.errors.download_install = Error during download and install of %s -contrib.startup.errors.temp_dir = Could not write to temporary directory during download and install of %s -contrib.startup.errors.new_marker = The unupdated contribution marker seems to not like %s. You may have to install it manually to update... - -# Install on Import -contrib.import.dialog.title = Missing Libraries Available -contrib.import.dialog.primary_text = The following imported libraries are available for download, but have not been installed. -contrib.import.dialog.secondary_text = Would you like to install them now? -contrib.import.progress.download = Downloading %s... -contrib.import.progress.install = Installing %s... -contrib.import.progress.done = %s has been installed. -contrib.import.progress.final_list = The following libraries have been installed: -contrib.import.errors.link = Error: The library %s has a strange looking download link. - -# --------------------------------------- -# Warnings - -warn.delete = Delete -warn.delete.sketch_folder = Are you sure you want to delete this sketch?\nThis will remove the entire “%s” folder. -warn.delete.sketch_file = Are you sure you want to delete “%s”? -warn.cannot_change_mode.title = Cannot change mode -warn.cannot_change_mode.body = Cannot change mode,\nbecause “%s” mode is not compatible with current mode. - - -# --------------------------------------- -# Update Check - -update_check = Update -update_check.updates_available.core = A new version of Processing is available,\nwould you like to visit the Processing download page? -update_check.updates_available.contributions = There are updates available for some of the installed contributions,\nwould you like to open the the Contribution Manager now? - - -# --------------------------------------- -# Color Chooser - -color_chooser = Color Selector -color_chooser.select = Select - -# --------------------------------------- -# Movie Maker - -movie_maker = Movie Maker -movie_maker.two.title = Movie Maker II: The Revenge -movie_maker.two.blurb = Create an MPEG movie or Animated GIF from a sequence of images

To avoid artifacts caused by re-compressing images as video,
use TIFF, TGA, or PNG images as the source.

TIFF and TGA will save more quickly in a sketch, but require more disk:
saveFrame(“frames/####.tif”);
saveFrame(“frames/####.tga”);

PNG images are smaller, but your sketch will run more slowly:
saveFrame(“frames/####.png”);

Lossless 4:2:0 is still imperfect because of how MPEG-4 works.
4:4:4 should be ideal, but less compatible with other software.

Formerly QuickTime Movie Maker by Werner Randelshofer,
this was mostly rewritten to use FFmpeg for Processing 4. -movie_maker.image_folder_help_label = Drag a folder with image files into the field below: -movie_maker.choose_button = Choose... -movie_maker.select_image_folder = Select image folder... -movie_maker.sound_file_help_label = Drag a sound file into the field below (.au, .aiff, .wav, .mp3): -movie_maker.select_sound_file = Select sound file... - -movie_maker.create_movie_button = Create movie... -movie_maker.save_dialog_prompt = Save movie as... -movie_maker.width = Width: -movie_maker.height = Height: -movie_maker.compression = Compression: -movie_maker.framerate = Framerate: -movie_maker.orig_size_button = Same size as originals -movie_maker.orig_size_tooltip = Check this box if the folder contains already encoded video frames in the desired size. - -movie_maker.error.avoid_tiff = Try TGA or PNG images instead of TIFF. -movie_maker.error.badnumbers = Width and height must be whole numbers greater than zero; framerate must be a number greater than zero. -movie_maker.error.cannot_read = Could not read %s. -movie_maker.error.cannot_read_maybe_bad = Could not read %s; it may be bad. -movie_maker.error.movie_failed = Creating the QuickTime movie failed. -movie_maker.error.need_input = You need to specify the folder with image files, the sound file, or both. -movie_maker.error.no_images_found = No image files found. -movie_maker.error.sorry = Sorry -movie_maker.error.unknown_tga_format = Unknown .tga file format for %s. - -movie_maker.progress.creating_file_name = Combining images into movie file %s. -movie_maker.progress.creating_output_file = Creating output file -movie_maker.progress.initializing = Initializing... -movie_maker.progress.processing = Processing %s. - -movie_maker.progress.handling_frame = Converting frame %s of %s... diff --git a/tools/Java/lib/languages/PDE_ar.properties b/tools/Java/lib/languages/PDE_ar.properties deleted file mode 100644 index 8f15db5..0000000 --- a/tools/Java/lib/languages/PDE_ar.properties +++ /dev/null @@ -1,597 +0,0 @@ - - -# --------------------------------------- -# Language: Arabic (ar) | العربية -# --------------------------------------- - - -# Use the built-in fonts because they have full character support -font.family.sans = SansSerif -font.family.mono = Monospaced - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = ملف -menu.file.new = جديد -menu.file.open = افتح... -menu.file.recent = فتح من الملفات الأخيرة -menu.file.sketchbook = دفتر المخطوطات... -menu.file.sketchbook.empty = دفتر مخطوطات فارغ -menu.file.examples = أمثلة... -menu.file.close = إغلاق -menu.file.save = حفظ -menu.file.save_as = حفظ ك... -menu.file.export_application = تصدير التطبيق... -menu.file.page_setup = إعدادات الصفحة -menu.file.print = طباعة -menu.file.preferences = إعدادات... -menu.file.quit = خروج - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = تعديل -menu.edit.undo = تراجع -menu.edit.redo = إعادة -menu.edit.action.addition = إضافة -menu.edit.action.deletion = حذف -menu.edit.cut = قص -menu.edit.copy = نسخ -menu.edit.copy_as_html = نسخ ك HTML -menu.edit.paste = لصق -menu.edit.select_all = تحديد الكل -menu.edit.auto_format = فرمتة تلقائية -menu.edit.comment_uncomment = تعليق/إلغاء التعليق -menu.edit.increase_indent = زيادة المسافة البادئة → -menu.edit.decrease_indent = انقاص المسافة البادئة ← -menu.edit.find = بحث... -menu.edit.find_next = النتيجة التالية -menu.edit.find_previous = النتيجة السابقة -menu.edit.use_selection_for_find = ابحث عن المحدد - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = تشغيل -menu.sketch.present = تقديم -menu.sketch.tweak = تعديل -menu.sketch.stop = إيقاف -# --- -menu.library = استيراد مكتبة... -menu.library.add_library = إضافة مكتبة... -menu.library.contributed = مساهمات -menu.library.no_core_libraries = لا يوجد مكتبات أساسية لهذا الوضع -# --- -menu.sketch = المخطوط -menu.sketch.show_sketch_folder = إظهار ملف المخطوطات -menu.sketch.add_file = إضافة ملف.. - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = تنقيح -menu.debug.enable = تفعيل أداة التنقيح -menu.debug.disable = تعطيل أداة التنقيح -#menu.debug.show_debug_toolbar = إظهار شريط أدواة التنقيح -#menu.debug.debug = تنقيح -#menu.debug.stop = توقف -# --- -menu.debug.toggle_breakpoint = تبديل حالة نقطة الوقوف -#menu.debug.list_breakpoints = قائمة نقاط الوقوف -# --- -# used for both menus and toolbars -menu.debug.step = تقدم -menu.debug.step_into = تقدم إلى الأمام -menu.debug.step_out = تقدم إلى الخلف -menu.debug.continue = استمر -# --- -#menu.debug.print_stack_trace = طباعة أثر المكدس -#menu.debug.print_locals = طباعة المتغيرات المحلية -#menu.debug.print_fields = طباعة الحقول -#menu.debug.print_source_location = طباعة مكان المصدر -#menu.debug.print_threads = طباعة شرط التعليمات -# --- -#menu.debug.variable_inspector = مظهر المتغيرات -menu.debug.show_variables = إظهار المتغيرات -menu.debug.hide_variables = إخفاء المتغيرات -#menu.debug.show_sketch_outline = إظهار موجز المخطوط -#menu.debug.show_tabs_list = إظهار قائمة علامات التبويب - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = أدوات -menu.tools.color_selector = أداة اختيار الألوان... -menu.tools.create_font = أداة صناعة الخطوط -menu.tools.archive_sketch = أرشفة المخطوط -menu.tools.fix_the_serial_lbrary = إصلاح مكتبة الاتصالات التسلسلية -menu.tools.install_processing_java = تثبيت"processing-java" -menu.tools.add_tool = أضف أداة - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = مساعدة -menu.help.welcome = مرحباً بكم في Processing -menu.help.about = عن Processing -menu.help.environment = البيئة -menu.help.reference = مراجع -menu.help.find_in_reference = إبحث في مرجع -menu.help.libraries_reference = مرجع المكتبات -menu.help.tools_reference = مرجع الأدوات -menu.help.empty = (فارغ) -menu.help.online = متصل -menu.help.getting_started = البدء -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = اكتشاف الأخطاء وإصلاحها -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = الأسئلة الشائعة -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = Processing مؤسسة -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Processing.org زيارة -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = نعم -prompt.no = لا -prompt.cancel = إلغاء -prompt.ok = موافق -prompt.browse = تصفح -prompt.export = تصدير - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = فتح مخطوط بروسسنج... - -# Save (Frame) -save = حفظ ملف المخطوطات ك... -save.title = هل تريد حفظ التغييرات على %s قبل الإغلاق؟ -save.hint = في حال عدم الحفظ, ستفقد كل التغييرات على الملف -save.btn.save = حفظ -save.btn.dont_save = عدم الحفظ - -# Close (Frame) also used to prompt on non-macOS machines -close.unsaved_changes = ؟%s هل تريد حفظ التغييرات على - -# Preferences (Frame) -preferences = الإعدادات -preferences.button.width = 80 -preferences.requires_restart = تلزم إعادة تشغيل Processing -preferences.sketchbook_location = موقع دفتر المخطوطات -preferences.sketchbook_location.popup = موقع دفتر المخطوطات -preferences.language = اللغة -preferences.editor_and_console_font = خط المحرر ووحدة الأوامر -preferences.editor_and_console_font.tip = .اختر خطاً لاستخدامه في المحرر ووحدة الأوامر.
يمكن استخدام الخطوط ذات الفراغات الموحدة فقط -preferences.editor_font_size = حجم خط المحرر -preferences.console_font_size = حجم خط وحدة الأوامر -preferences.zoom = حجم الواجهة -preferences.zoom.auto = تلقائي -preferences.background_color = لون الخلفية خلال وضعية التقديم -preferences.background_color.tip = اختر لون خلفية لاستخدامها في وضعية التقديم.
وضعية التقديم تقوم بعرض المخطوطة على ملء الشاشة.
يمكن تشغيل وضعية التقديم من نافذة المخطوط. -preferences.use_smooth_text = استخدام خط سلس في نافذة المحرر -preferences.enable_complex_text_input = تفعيل وضعية الإدخال المعقدة -preferences.enable_complex_text_input_example = يقصد هنا اللغة اليابانية -preferences.continuously_check = تحقق من الأخطاء بشكل دائم -preferences.show_warnings = أظهر التحذيرات -preferences.code_completion = إكمال شفرة المصدر باستخدام -preferences.trigger_with = تفعيل باستخدام -preferences.cmd_space = فراغ -preferences.suggest_imports = اقتراح أوامر استيراد المكتبات -preferences.increase_max_memory = زيادة الذاكرة المتاحة إلى -preferences.delete_previous_folder_on_export = حذف الملف السابق بعد التصدير -preferences.check_for_updates_on_startup = السماح بالبحث التلقائي عن التحديثات (راجع الأسئلة الشائعة لتفاصيل عن المعلومات المشاركة) -preferences.run_sketches_on_display = تشغيل المخطوط على الشاشة. -preferences.run_sketches_on_display.tip = لتحديد الشاشة التي ستستخدم لعرض المخطوط.
كالعادة, إذا تم تحريك النافذة, سيعاد فتحها في المرة القادمة
في نفس هذا المكان. لكن في حال تشغيل المخطوط في وضعية
العرض (الشاشة الملئة), سيتم استخدام هذه الشاشة المحددة للعرض. -preferences.automatically_associate_pde_files = تلقائياً مع بروسسنج .pde ربط الملفات بلاحقة -preferences.launch_programs_in = بدء البرنامج في -preferences.launch_programs_in.mode = الوضع -preferences.file = يمكن تعديل المزيد من الإعدادات في الملف -preferences.file.hint = قم بالتعديل عندما يكون Processing غير مفعل - -# Sketchbook Location (Frame) -sketchbook_location = اختر مكان جديد لكتاب المخطوطات - -# Sketchbook (Frame) -sketchbook = كتاب مخطوطات -sketchbook.tree = كتاب مخطوطات - -# Examples (Frame) -examples.title = أمثلة %s -examples.add_examples = أضف أمثلة... -examples.libraries = المكتبات المشاركة -examples.core_libraries = المكتبات -examples.contributed = الأمثلة المشاركة - -# Export (Frame) -export = خيارات التصدير -export.platforms = المنصات -export.options = الخيارات -export.options.present = وضعية التقديم -export.options.show_stop_button = إظهار زر التوقف -export.description.line1 = خيار "التصدير إلى تطبيق" ينتج برامج قابلة للتنفيذ, -export.description.line2 = برنامج منفصل لمنصات محددة. -export.unsaved_changes = حفظ التغييرات قبل التصدير؟ -export.notice.cancel.unsaved_changes = تم إلغاء التصدير. يجب حفظ التغييرات أولاً. -export.notice.exporting = يتم تصدير التطبيق -export.notice.exporting.done = تم التصدير. -export.notice.exporting.error = حصل خطأ خلال التصدير. -export.notice.exporting.cancel = تم إلغاء عملية التصدير. -export.tooltip.macos = macOS متاح فقط على macOS التصدير ل -export.full_screen = ملء الشاشة -export.embed_java = تضمين جافا -export.code_signing = توقيع الشفرة المصدرية -export.messages.is_read_only = هذا المخطوط للقراءة فقط -export.messages.is_read_only.description = بعض الملفات محددة ك "للقراءة فقط", \nستحتاج لإعادة حفظ المخطوطات في مكان آخر, \nوالمحاولة لاحقاً. -export.messages.cannot_export = لا يمكن التصدير -export.messages.cannot_export.description = لا يمكنك تصدير مخطوط لم يحفظ بعد. - -# Find (Frame) -find = البحث -find.find = ابحث عن: -find.replace_with = استبدل ب: -find.ignore_case = تجاهل الحالة (لا يلزم للغة العربية) -find.all_tabs = جميع علامات التبويب -find.wrap_around = طي النص حول -find.btn.replace_all = استبدال الكل -find.btn.replace = استبدال -find.btn.replace_and_find = استبدال وبحث -find.btn.previous = سابق -find.btn.find = ابحث - -# Find in reference (Frame) -find_in_reference = البحث في المرجع - -# File (Frame) -file = اختر صورة أو ملفات بيانات أخرى ليتم نسخها إلى مخطوطتك - -# Create Font (Frame) -create_font = اصنع خط جديد -create_font.label = استخدم هذه الأداة لتوليد خطوط لبرنامحك. \nاختر الخط والحجم المطلوب, وانقر على موافق لتوليد الخط. \nستتم إضافة الخط إلى ملف البيانات الخاص بالمخطوط الحالي. -create_font.size = الحجم -create_font.smooth = سلس -create_font.characters = الأحرف... -create_font.character_selector = أداة اختيار الأحرف -create_font.character_selector.label = الرموز الافتراضية ستتضمن أغلب الأشكال اللاتينية اللازمة لنظم تشغيل وينودوز وماك. \nتضمين جميع الرموز سيتطلب مساحة ذاكرة أكبر. \nلمزيد من التحكم, يمكنك اختيار أقسام معينة من تشفير يونيكود. -create_font.default_characters = الأحرف الافتراضية -create_font.all_characters = كل الأحرف -create_font.specific_unicode = مجموعات يونيكود محددة -create_font.filename = اسم الملف - -# Color Selector (Frame) -color_selector = أداة اختيار الألوان - -# Archive Sketch (Frame) -archive_sketch = أرشف المخطوط بإسم... - -# Tweak Mode -tweak_mode = وضع التعديل -tweak_mode.save_before_tweak = يرجى حفظ التغييرات قبل تفعيل وضع التعديل. -tweak_mode.keep_changes.line1 = هل تريد اللإبقاء على التغييرات؟ -tweak_mode.keep_changes.line2 = لقد تم تغيير بعض القيم في مخطوطتك. هل تريد حفظ التغييرات؟ - -# DebugTray -debugger.name = الإسم -debugger.value = القيمة -debugger.type = النوع - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = تشغيل -toolbar.present = عرض -toolbar.stop = توقف -toolbar.debug = تنقيح -# --- -toolbar.new = جديد -toolbar.open = فتح -toolbar.save = حفظ -# toolbar.export_application = تصدير التطبيق -toolbar.add_mode = إضافة وضع جديد... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = الاستمرار -#toolbar.debug.step = خطوة -#toolbar.debug.step_into = تقدم نحو -#toolbar.debug.stop = توقف -#toolbar.debug.toggle_breakpoints = تبديل حالة نقطة التوقف -#toolbar.debug.variable_inspector = مظهر المتغيرات - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = علامة تبويب حديدة -editor.header.rename = إعادة تسمية -editor.header.delete = حذف -editor.header.previous_tab = علامة التبويب السابقة -editor.header.next_tab = علامة التبويب اللاحقة -editor.header.delete.warning.title = هممم, لا. -editor.header.delete.warning.text = لا يمكنك حذف علامة التبويت الخاصة بالمخطوط الوحيد المفتوح. - -# PopUp menu -editor.popup.jump_to_declaration = القفز إلى التعريف. -editor.popup.show_usage = أظهر الاستخدام -editor.popup.rename = إعادة تسمية - -# Tabs -editor.tab.new = إسم جديد -editor.tab.new.description = إسم الملف الجديد -editor.tab.rename = إسم جديد -editor.tab.rename.description = إسم الملف الجديد - -# Sketch -editor.sketch.rename.description = إسم المخطوط الجديد - -editor.status.autoformat.no_changes = لم تلزم أية تغييرات من الفرمتة التلقائية -editor.status.autoformat.finished = إنتهت الفرمتة التلقائية. -editor.status.find_reference.select_word_first = اختر كلمة ليتم البحث عنها. -editor.status.find_reference.not_available = تعذر العثور على "%s" في المراجع. -editor.status.drag_and_drop.files_added.0 = لم تتم إضافة أية مخطوطات إلى الملف. -editor.status.drag_and_drop.files_added.1 = تم إضافة ملف واحد إلى المخطوط -editor.status.drag_and_drop.files_added.n = تم إضافة %d ملف إلى المخطوط. -editor.status.saving = يتم الحفظ... -editor.status.saving.done = تم الحفظ... -editor.status.saving.canceled = تم إلغاء الحفظ. -editor.status.printing = تتم الطباعة... -editor.status.printing.done = تمت الطباعة. -editor.status.printing.error = حدث خطأ خلال الطباعة. -editor.status.printing.canceled = تم إلغاء الطباعة. -editor.status.copy_as_html = تم نسخ شفرة مصدرية بتشفير HTML إلى لوح المقصوصات. -editor.status.debug.busy = أداة التنقيح مشغولة. -editor.status.debug.halt = أداة التنقيح متوقفة. -editor.status.archiver.create = ."%s" تم إنشاء الأرشيف -editor.status.archiver.cancel = تم إلغاء أرشفة المخطوط. - -# Errors -editor.status.warning = تحذير -editor.status.error = خطأ -editor.status.error_on = "%s" خطأ في -editor.status.missing.default = "%c" ينقص -editor.status.missing.semicolon = ";" تنقص فاصلة منقوطة -editor.status.missing.left_sq_bracket = يوجد قوص مربع يساري ناقص "[" -editor.status.missing.right_sq_bracket = يوجد قوص مربع يميني ناقص "]" -editor.status.missing.left_paren = يوجد قوص يساري ناقص "(" -editor.status.missing.right_paren = يوجد قوص يميني ناقص ")" -editor.status.missing.left_curly_bracket = يوجد قوص مجعد يساري ناقص "{" -editor.status.missing.right_curly_bracket = يوجد قوص مجعد يميني ناقص "}" -editor.status.missing.add = قد تحتاج لإضافة "%s" -editor.status.reserved_words = "color" و "int" من الكلمات المحجوزة ولا يمكن استخدامهما كأسماء متغيرات -editor.status.undefined_method = الدالة "%s(%s)" غير معرفة -editor.status.undefined_constructor = الباني "%s(%s)" غير معرف -editor.status.empty_param = الدالة "%s()" لا تحتاج لأية معطيات -editor.status.wrong_param = "%s(%s)" الدالة "%s()" تحتاج معطيات بشكل -editor.status.undef_global_var = المتغير العالمي "%s" غير موجود -editor.status.undef_class = الصنف "%s" غير موجود -editor.status.undef_var = المتغير "%s" غير موجود -editor.status.undef_name = تعذر العثور على الإسم "%s" -editor.status.type_mismatch = الأنواع غير متطابقة. "%s" لا يطابق "%s". -editor.status.unused_variable = قيمة المتغير المحلي "%s" غير مستخدمة -editor.status.uninitialized_variable = لم يتم تعريف المتغير المحلي "%s" -editor.status.no_effect_assignment = الإسناد للمتغير "%s" ليس لديه أي مفعول -editor.status.hiding_enclosing_type = لا يمكن أن يكون إسم الصنف "%s" كإسم المخطوط أو إسم الصنف المحتوي - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error.syntax = خطأ قواعدي - %s - -# Footer buttons -editor.footer.errors = أخطاء -editor.footer.errors.problem = مشاكل -editor.footer.errors.tab = علامات تبويب -editor.footer.errors.line = سطر -editor.footer.console = لوحة أوامر - -# New handler -new.messages.is_read_only = المخطوط للقراءة فقط. -new.messages.is_read_only.description = بعض الملفات للقراءة فقط. ستحتاج \nلإعادة حفظ الملف في مكان آخر, \nثم المحاولة لاحقاً. - -# Rename handler -rename.messages.is_untitled = المخطوط غير مسمى -rename.messages.is_untitled.description = ألا تريد حفظ المخطوط قبل إعادة التسمية؟ -rename.messages.is_modified = يرجى حفظ المخطوط قبل إعادة التسمية. -rename.messages.is_read_only = المخطوط للقراءة فقط. -rename.messages.is_read_only.description = بعض الملفات للقراءة فقط. ستحتاج \nلإعادة حفظ الملف في مكان آخر, \nثم المحاولة لاحقاً. - -# Naming handler -name.messages.problem_renaming = حدثت مشكلة خلال إعادة التسمية -name.messages.starts_with_dot.description = لا يمكن أن يبدأ الإسم بنقطة. -name.messages.invalid_extension.description = اللاحقة ".%s" غير صالحة -name.messages.main_java_extension.description = .%s علامة التبويب الأولى لا يمكن أن تكون لملف من نوع -name.messages.new_sketch_exists = لا -name.messages.new_sketch_exists.description = يوجد ملف بإسم "%s" في المكان المستهدف "%s" نفسه -name.messages.new_folder_exists = لا يمكن إعادة التسمية -name.messages.new_folder_exists.description = عفواً, يوجد ملف (أو مجلد) بنفس الإسم "%s" من قبل. -name.messages.error = خطأ -name.messages.no_rename_folder.description = تعذرت إعادة تسمية ملف المخطوطات -name.messages.no_rename_file.description = تعذرت إعادة تسمية "%s" إلى "%s". -name.messages.no_create_file.description = تعذر استحداث الملف "%s"\nفي "%s" - -# Delete handler -delete.messages.cannot_delete = لا يمكن الحذف -delete.messages.cannot_delete.description = لا يمكنك حذف مخطوط قبل حفظه -delete.messages.cannot_delete.file = لم أستطع فعل هذا -delete.messages.cannot_delete.file.description = تعذر الحذف -delete.messages.is_read_only = المخطوط للقراءة فقط. -delete.messages.is_read_only.description = بعض الملفات للقراءة فقط. ستحتاج \nلإعادة حفظ الملف في مكان آخر, \nثم المحاولة لاحقاً. - -# Save handler -save_file.messages.is_read_only = المخطوط للقراءة فقط. -save_file.messages.is_read_only.description = بعض الملفات للقراءة فقط. ستحتاج \nلإعادة حفظ الملف في مكان آخر. -save_file.messages.sketch_exists = تعذر الحفظ -save_file.messages.sketch_exists.description = يوجد ملف بإسم “%s” سلفاُ. -save_file.messages.tab_exists = نوب -save_file.messages.tab_exists.description = تعذر حفظ المخطوط بإسم "%s" ,لأن المخطوط فيه علامة تبويب بهذا الإسم حالياً. -save_file.messages.recursive_save = نوب نوب نوب -save_file.messages.recursive_save.description = لا يمكنك حفظ مخطوط في ملف داخل نفسه, هذا سيحدث العديد من المشاكل. - -# Add handler -add_file.messages.is_read_only = المخطوط للقراءة فقط. -add_file.messages.is_read_only.description = بعض الملفات للقراءة فقط. ستحتاج \nلإعادة حفظ الملف في مكان آخر, \nثم المحاولة لاحقاً. -add_file.messages.confirm_replace = هل تريد استبدال النسخة الحالية من %s؟ -add_file.messages.error_adding = حدث خطأ خلال إضافة الملف -add_file.messages.cannot_delete.description = تعذر حذف ملف '%s' -add_file.messages.cannot_add.description = فشلت إضافة '%s' إلى المخطوط -add_file.messages.same_file = لا يمكنك خداعي -add_file.messages.same_file.description = تم سابقاُ نسخ هذا الملف إلى نفس المكان المستهدف. - -# Temp folder creator -temp_dir.messages.bad_build_folder = ملف بناء المخطوط غير صالح -temp_dir.messages.bad_build_folder.description = تعذر العثور على مكان لبناء المخطوط. - -# Ensure Existance -ensure_exist.messages.missing_sketch = اختفى المخطوط -ensure_exist.messages.missing_sketch.description = تعذر العثور على ملف المخطوط. \nسيتم إعادة حفظ المخطوط في نفس المكان المحدد, \nلكن كل شيء عدا الشفرة المصدرية سيضيع. -ensure_exist.messages.unrecoverable = تعذرت إعادة الحفظ -ensure_exist.messages.unrecoverable.description = تعذرت إعادة حفظ المخطوط. لتجنب خسارة كل جهد حياتك على هذا الملف, \nقم بنسخ الشفرة المصدرية ولصقها في محرر نصوص آخر, إحتياطاً. - -# Check name -check_name.messages.is_name_modified = يجب تعديل اسم المخطوط. يمكن أن تحتوي الأسماء على \nرموز وأرقام بتشفير ASCII (بشرط أن لا تبدأ برقم). \nيجب أن يكون طول الإسم أقل من 64 رمزاً. - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = مدير المشاركات -contrib.manager_title.update = مدير التحديثات -contrib.manager_title.mode = مدير الأوضاع -contrib.manager_title.tool = مدير الأدوات -contrib.manager_title.library = مدير المكتبات -contrib.manager_title.examples = مدير الأمثلة -contrib.category = الفئة: -contrib.filter_your_search = فلترة نتائج البحث.. -contrib.show_only_compatible.mode = إظهار الأوضاع المتوافقة فقط. -contrib.show_only_compatible.tool = إظهار الأدوات المتوافقة فقط. -contrib.show_only_compatible.library = إظهار المكتبات المتوافقة فقط. -contrib.show_only_compatible.examples = إظهار الأمثلة المتوافقة فقط. -contrib.show_only_compatible.update = إظهار التحديثات المتوافقة فقط. -contrib.restart = إعادة تشغيل Processing -contrib.unsaved_changes = يوجد تغييرات غير محفوظة -contrib.unsaved_changes.prompt = هل انت متأكد انك تريد إعادة تشغيل البرنامج قبل حفظ التغييرات أولاً؟ -contrib.messages.remove_restart = يرجى إعادة تشغيل البرنامح لإنهاء حذف هذا العنصر. -contrib.messages.install_restart = يرجى إعادة تشغيل البرنامح لإنهاء تثبيت هذا العنصر. -contrib.messages.update_restart = يرجى إعادة تشغيل البرنامح لإنهاء تحديث هذا العنصر. -contrib.errors.list_download = فشل تحميل قائمة المشاركات المتوفرة. -contrib.errors.list_download.timeout = حدث خطأ خلال تحميل قائمة المشاركات. -contrib.errors.download_and_install = . %s حدث خطأ خلال تحميل وتنزيل -contrib.errors.description_unavailable = لا يوجد وصف. -contrib.errors.malformed_url = الرابط الذي تم تحميله من Processing.org لا يعمل. \nبإمكانك تثبيت المكتبة بشكل يدوي عن طريق زيارة موقع المكتبة الإلكتروني. -contrib.errors.needs_repackage = يجب إعادة حزم %s وفقاً لشروط %s. -contrib.errors.no_contribution_found = تعذر العثور على %s في الملف المحمل. -contrib.errors.overwriting_properties = .properties حصل خلل خلال استبدال محتوى ملف -contrib.errors.install_failed = فشل التثبيت. -contrib.errors.update_on_restart_failed = فشل تحديث %s بعد إعادة التشغيل. -contrib.errors.temporary_directory = فشلت الكتابة في الملف المؤقت. -contrib.errors.contrib_download.timeout = حصلت مشكلة في اتصال الانترنت خلال تحميل %s. -contrib.errors.no_internet_connection = يبدو أنك غير متصل بالإنترنت... -contrib.status.downloading_list = يتم تحميل قائمة المشاركات... -contrib.status.connecting = يتم الاتصال... -contrib.status.done = تم الانتهاء -contrib.all = الكل -contrib.undo = تراجع -contrib.remove = إزالة -contrib.install = تثبيت -contrib.progress.installing = يتم تثبيت -contrib.progress.starting = يتم بدأ -contrib.progress.downloading = يتم تنزيل -contrib.download_error = حدث خطأ خلال تنزيل المشاركات -contrib.unsupported_operating_system = يبدو أن نظام التشغيل الخاص بك غير مدعوم. يرجى زيارة %s\ المكتبة للمزيد من المعلومات. -contrib.category.3d = 3D -contrib.category.animation = رسوم متحركة -contrib.category.data = بيانات ومعطيات -contrib.category.geometry = هندسيات -contrib.category.gui = واجهات مستخدم رسومية -contrib.category.hardware = عتاد مادي -contrib.category.i_o = مدخلات ومخرجات -contrib.category.math = رياضيات -contrib.category.simulation = محاكاة -contrib.category.sound = صوتيات -contrib.category.typography = تخطيط -contrib.category.utilities = خدمات -contrib.category.video_vision = فيديو ورؤية رقمية -contrib.category.other = آخر - -# Install on Startup -contrib.startup.errors.download_install = %s حدث خطأ خلال تحميل وتثبيت -contrib.startup.errors.temp_dir = فشل النسخ إلى ملف مؤقت خلال عملية تحميل وتنزيل %s -contrib.startup.errors.new_marker = يبدو أن هنالك مشكلة بين مؤشر المشاركات الغير محدثة و %s. قد تحتاج إلى تحديث المشاركة بشكل يدوي. - -# Install on Import -contrib.import.dialog.title = المكتبات المفقودة المتوفرة -contrib.import.dialog.primary_text = المكتبات المستوردة التالية متوفرة للتحميل, لكن لم يتم تثبيتها بعد. -contrib.import.dialog.secondary_text = هل تود تثبيتهم الآن؟ -contrib.import.progress.download = ...%s يتم تحميل -contrib.import.progress.install = ...%s يتم تثبيت -contrib.import.progress.done = .%s تم تثبيت -contrib.import.progress.final_list = تم تثبيت المكتبات التالية: -contrib.import.errors.link = يبدو أن رابط التحميل للمكتبة %s لا يعمل. - -# --------------------------------------- -# Warnings - -warn.delete = حذف -warn.delete.sketch = هل أنت متأكد انك تريد حذف هذا المخطوط؟ -warn.delete.file = هل انت متأكد أنك تود حذف "%s"؟ -warn.cannot_change_mode.title = لا يمكن تغيير الوضع -warn.cannot_change_mode.body = لا يمكنك تغيير الوضع, لأن وضع "%s" غير متوافق مع الوضع الحالي. - - -# --------------------------------------- -# Update Check - -update_check = تحديث -update_check.updates_available.core = يوجد نسخة جديدة من بروسسنج جاهزة للتحميل. \nهل تود زيارة الموقع الرسمي لتحميلها؟ -update_check.updates_available.contributions = يوجد تحديثات متوفرة لبعض المشاركات المثبتة. \nهل تريد الذهاب إلى مدير المشاركات الآن؟ - - -# --------------------------------------- -# Color Chooser - -color_chooser = أداة اختيار الألوان -color_chooser.select = تحديد - -# --------------------------------------- -# Movie Maker - -movie_maker = صانع الأفلام -movie_maker.title = QuickTime صانع أفلام -movie_maker.blurb = This tool creates a QuickTime movie from a sequence of images.

To avoid artifacts caused by re-compressing images as video,
use TIFF, TGA (from Processing), or PNG images as the source.

TIFF and TGA images will write more quickly, but require more disk:
saveFrame("frames/####.tif");
saveFrame("frames/####.tga");

PNG images are smaller, but your sketch will run more slowly:
saveFrame("frames/####.png");

This code is based on QuickTime Movie Maker 1.5.1 2011-01-17.
Copyright © 2010-2011 Werner Randelshofer. All rights reserved. -movie_maker.image_folder_help_label = اسحب ملف يحتوي على الصور إلى الحقل السفلي: -movie_maker.choose_button = اختر... -movie_maker.select_image_folder = اختر ملف الصور... -movie_maker.sound_file_help_label = إلى الحقل السفلي: (.au, .aiff, .wav, .mp3) اسحب ملف يحتوي على ملفات صوت بصيغة -movie_maker.select_sound_file = اختر ملف الصوت... - -movie_maker.create_movie_button = فلم جديد... -movie_maker.save_dialog_prompt = حفظ الفلم ك... -movie_maker.width = العرض -movie_maker.height = الارتفاع -movie_maker.compression = الضغط -movie_maker.compression.animation = رسوم متحركة -movie_maker.compression.jpeg = JPEG -movie_maker.compression.png = PNG -movie_maker.framerate = تردد الأطر: -movie_maker.orig_size_button = نفس الحجم الأصلي -movie_maker.orig_size_tooltip = قم باختيار هذا المربع إذا كان الملف يحتوي على أطر فيديو بالتشفير والحجم المطلوب. - -movie_maker.error.avoid_tiff = حاول باستخدام صور بلاحقة TGA أو PNG بدل TIFF. -movie_maker.error.badnumbers = يجب أن تكون قيم الطول والعرض أعداد حقيقية أكبر من الصفر, ويحب أن يكون تردد الأطر أكبر من الصفر. -movie_maker.error.cannot_read = .%s تعذرت قراءة -movie_maker.error.cannot_read_maybe_bad = تعذرت قراءة %s, قد يكون الملف سيئاً. -movie_maker.error.movie_failed = .QuickTime فشل انتاج فلم من نوع -movie_maker.error.need_input = يجب عليك تحديد ملف يحتوي على ملفات صوتية, ملفات صور, أو كلاهما. -movie_maker.error.no_images_found = لم يتم العثور على ملفات صور هنا. -movie_maker.error.sorry = عذراً -movie_maker.error.unknown_tga_format = لاحقة الملف %s من نوع .tga غير معروفة. - -movie_maker.progress.creating_file_name = .%s يتم الآن إنتاج -movie_maker.progress.creating_output_file = يتم الآن إنتاج الملف -movie_maker.progress.initializing = بدء العملية... -movie_maker.progress.processing = .%s يتم معالجة diff --git a/tools/Java/lib/languages/PDE_ca.properties b/tools/Java/lib/languages/PDE_ca.properties deleted file mode 100644 index cdff9ec..0000000 --- a/tools/Java/lib/languages/PDE_ca.properties +++ /dev/null @@ -1,657 +0,0 @@ - - -# --------------------------------------- -# Language: Catalan (ca) -# --------------------------------------- - - -font.family.sans = Processing Sans -font.family.mono = Source Code Pro - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Fitxer -menu.file.new = Nou -menu.file.open = Obre... -menu.file.recent = Obre'n un de recent -menu.file.sketchbook = Sketchbook... -menu.file.sketchbook.empty = Sketchbook buit -menu.file.examples = Exemples... -menu.file.close = Tanca -menu.file.save = Desa -menu.file.save_as = Anomena i desa... -menu.file.export_application = Exporta com a aplicació... -menu.file.page_setup = Configuració d'impressió -menu.file.print = Imprimeix... -menu.file.preferences = Preferències... -menu.file.quit = Surt - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Edita -menu.edit.undo = Desfés -menu.edit.redo = Refés -menu.edit.redo.keystroke.macos = shift meta pressed Z -menu.edit.redo.keystroke.windows = ctrl pressed Y -menu.edit.redo.keystroke.linux = shift ctrl pressed Z -menu.edit.action.addition = addició -menu.edit.action.deletion = supressió -menu.edit.cut = Talla -menu.edit.copy = Copia -menu.edit.copy_as_html = Copia com a HTML -menu.edit.paste = Enganxa -menu.edit.select_all = Selecciona-ho tot -menu.edit.auto_format = Formatació automàtica -menu.edit.comment_uncomment = Comenta/descomenta -menu.edit.comment_uncomment.keystroke.macos = meta pressed SLASH -menu.edit.comment_uncomment.keystroke.windows = ctrl pressed SLASH -menu.edit.comment_uncomment.keystroke.linux = ctrl pressed SLASH -menu.edit.increase_indent = → Augmenta el sagnat -menu.edit.increase_indent.keystroke.macos = meta pressed CLOSE_BRACKET -menu.edit.increase_indent.keystroke.windows = ctrl pressed CLOSE_BRACKET -menu.edit.increase_indent.keystroke.linux = ctrl pressed CLOSE_BRACKET -menu.edit.decrease_indent = ← Disminueix el sagnat -menu.edit.decrease_indent.keystroke.macos = meta pressed OPEN_BRACKET -menu.edit.decrease_indent.keystroke.windows = ctrl pressed OPEN_BRACKET -menu.edit.decrease_indent.keystroke.linux = ctrl pressed OPEN_BRACKET -menu.edit.find = Cerca... -menu.edit.find_next = Cerca el següent -menu.edit.find_previous = Cerca l'anterior -menu.edit.use_selection_for_find = Cerca el text seleccionat - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Executa -menu.sketch.present = Presentació -menu.sketch.tweak = Retocs en viu -menu.sketch.stop = Atura -# --- -menu.library = Importa una biblioteca... -# menu.library.add_library = Afegeix una biblioteca... -menu.library.manage_libraries = Gestiona les biblioteques... -menu.library.contributed = Contribuïdes -menu.library.no_core_libraries = aquest mode no inclou cap biblioteca -# --- -menu.sketch = Sketch -menu.sketch.show_sketch_folder = Obre la carpeta de l'sketch -menu.sketch.add_file = Afegeix un fitxer... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = Depuració -menu.debug.enable = Activa el depurador -menu.debug.disable = Desactiva el depurador -#menu.debug.show_debug_toolbar = Mostra la barra d'eines del depurador -#menu.debug.debug = Depura -#menu.debug.stop = Atura -# --- -menu.debug.toggle_breakpoint = Commuta un punt de ruptura -#menu.debug.list_breakpoints = Llista els punts de ruptura -# --- -# used for both menus and toolbars -menu.debug.step = Pas -menu.debug.step.keystroke.macos = meta pressed J -menu.debug.step.keystroke.windows = ctrl pressed J -menu.debug.step.keystroke.linux = ctrl pressed J -menu.debug.step_into = Entra -menu.debug.step_into.keystroke.macos = shift meta pressed J -menu.debug.step_into.keystroke.windows = shift ctrl pressed J -menu.debug.step_into.keystroke.linux = shift ctrl pressed J -menu.debug.step_out = Surt -menu.debug.step_out.keystroke.macos = meta alt pressed J -menu.debug.step_out.keystroke.windows = ctrl alt pressed J -menu.debug.step_out.keystroke.linux = ctrl alt pressed J -menu.debug.continue = Continua -# --- -#menu.debug.print_stack_trace = Imprimeix la traça de la pila -#menu.debug.print_locals = Imprimeix variables locals -#menu.debug.print_fields = Imprimeix variables d'instància -#menu.debug.print_source_location = Imprimeix ubicació del codi font -#menu.debug.print_threads = Imprimeix els fils d'execució -# --- -#menu.debug.variable_inspector = Inspector de variables -menu.debug.show_variables = Mostra les variables -menu.debug.hide_variables = Amaga les variables -#menu.debug.show_sketch_outline = Mostra l'esquema de l'sketch -#menu.debug.show_tabs_list = Llista les pestanyes - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Eines -menu.tools.color_selector = Selector de color... -menu.tools.create_font = Creació de fonts tipogràfiques... -menu.tools.archive_sketch = Arxiva l'sketch -menu.tools.fix_the_serial_lbrary = Arregla la «Serial Library» -menu.tools.install_processing_java = Instal·la «processing-java» -# menu.tools.add_tool = Afegeix una eina... -menu.tools.manage_tools = Gestiona les eines... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Ajuda -menu.help.welcome = Benvinguda al Processing -menu.help.about = Quant al Processing -menu.help.environment = Entorn de desenvolupament -menu.help.reference = Referència -menu.help.find_in_reference = Cerca en la referència -menu.help.reference.download = Descarrega la referència -menu.help.libraries_reference = Referències de les biblioteques -menu.help.tools_reference = Referències de les eines -menu.help.empty = (buit) -menu.help.online = En línia - -# Only include the .url lines in the translation file if there -# is an official translated version of the link that can be used. -# Otherwise any change here will have to be copied to all languages. -# https://github.com/processing/processing4/issues/250 -menu.help.getting_started = Primers passos -menu.help.getting_started.url = https://processing.org/tutorials/gettingstarted/ -menu.help.troubleshooting = Resolució de problemes -menu.help.troubleshooting.url = https://github.com/processing/processing4/wiki/Troubleshooting -menu.help.faq = Preguntes freqüents -menu.help.faq.url = https://github.com/processing/processing4/wiki/FAQ -menu.help.foundation = Fundació «Processing Foundation» -menu.help.foundation.url = https://processing.foundation/ -menu.help.visit = Visiteu Processing.org -menu.help.visit.url = https://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Sí -prompt.no = No -prompt.cancel = Cancel·la -prompt.ok = D'acord -prompt.browse = Navega -prompt.export = Exporta - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Obre un sketch del Processing... - -# Save (Frame) -save = Anomena i desa la carpeta de l'sketch... -save.title = Voleu desar els canvis de «%s» abans de tancar? -save.hint = Els canvis es perdran si no els deseu. -save.btn.save = Desa'ls -save.btn.dont_save = No els desis - -# Close (Frame) also used to prompt on non-macOS machines -close.unsaved_changes = Voleu desar els canvis de l'sketch «%s»? - -# Preferences (Frame) -preferences = Preferències -preferences.button.width = 80 -preferences.restart_required = Reinicieu el Processing per a aplicar els canvis -preferences.sketchbook_location = Sketchbook -preferences.sketchbook_location.popup = Sketchbook -preferences.sketch_naming = Noms per als nous sketch -preferences.language = Llengua: -preferences.editor_and_console_font = Font de l'editor i la consola: -preferences.editor_and_console_font.tip = Trieu la font tipogràfica de l'editor i la consola.
Només les fonts d'amplada fixa estan permeses.
És possible que la llista sigui incompleta. -preferences.editor_font_size = Mida de lletra en l'editor: -preferences.console_font_size = Mida de lletra en consola: -preferences.interface_scale = Escala de la interfície: -preferences.interface_scale.auto = Automàtica -preferences.background_color = Color de fons en el mode presentació -preferences.background_color.tip = Estableix el color de fons del mode de presentació.
En aquest mode l'sketch es mostra en pantalla completa.
Trobareu aquest mode en el menú Sketch. -preferences.use_smooth_text = Fes servir text suavitzat en l'editor -preferences.enable_complex_text = Habilita l'entrada de caràcters especials -preferences.enable_complex_text.tip = Per a escriure en l'editor en algunes llengües, com ara el xinès,
el japonès o l'àrab, cal tenir habilitades característiques especials. -preferences.continuously_check = Comprovació contínua d'errors -preferences.show_warnings = Mostra advertències -preferences.code_completion = Autocompletar codi amb -preferences.trigger_with = Activa amb -preferences.cmd_space = espai -preferences.suggest_imports = Suggereix declaracions d'importació -preferences.increase_max_memory = Augmenta el màxim de memòria disponible a -# preferences.delete_previous_folder_on_export = Elimina la carpeta anterior en exportar -preferences.check_for_updates_on_startup = Comprovar actualitzacions (consulteu les dades enviades en les PMF) -preferences.run_sketches_on_display = Mostra els sketch a la pantalla -preferences.run_sketches_on_display.tip = Defineix la pantalla per defecte en què es mostrarà la finestra dels sketch.
Si desplaceu la finestra, el Processing en recordarà la ubicació
per a obrir-n'hi les següents. En el mode de presentació (pantalla completa)
sempre es farà servir aquesta pantalla. -preferences.automatically_associate_pde_files = Associa automàticament els fitxers «.pde» amb Processing -preferences.launch_programs_in = Executa els programes en -preferences.launch_programs_in.mode = mode -preferences.file = Podeu editar més paràmetres en el fitxer: -preferences.file.hint = (Editeu-lo només quan el Processing no estigui obert.) - -# Sketchbook Location (Frame) -sketchbook_location = Nova ubicació de l'Sketchbook - -# Sketchbook (Frame) -sketchbook = Sketchbook -sketchbook.tree = Sketchbook - -# Examples (Frame) -examples.title = Exemples en %s -examples.add_examples = Afegiu exemples... -examples.libraries = Biblioteques contribuïdes -examples.core_libraries = Biblioteques -examples.contributed = Exemples contribuïts - -# Export (Frame) -export = Opcions d'exportació -export.platforms = Sistemes operatius -export.options = Opcions -export.options.present = Mode de presentació -export.options.show_stop_button = Mostra un botó d'aturada -export.description = Convertiu l'sketch en una aplicació per a diferents sistemes operatius -export.unsaved_changes = Voleu desar els canvis abans d'exportar? -export.notice.cancel.unsaved_changes = Heu de desar els canvis abans d'exportar. -export.notice.exporting = S'està exportant a una aplicació... -export.notice.exporting.done = Exportació completada. -export.notice.exporting.error = S'ha produït algun error durant l'exportació. -export.notice.exporting.cancel = S'ha cancel·lat l'exportació a una aplicació. -export.tooltip.macos = L'exportació als sistemes macOS sols és possible des de sistemes macOS -export.full_screen = Pantalla completa -export.embed_java = Incloure Java -export.include_java = Inclou Java en l'aplicació per a %s -export.code_signing = Signatura de l'aplicació -export.messages.is_read_only = Sketch només de lectura -export.messages.is_read_only.description = Alguns fitxers son només de lectura;\ndeseu l'sketch en un altre lloc i torneu a intentar-ho. -export.messages.cannot_export = No es pot exportar -export.messages.cannot_export.description = Heu de desar l'sketch abans de poder exportar-lo. - -# Find (Frame) -find = Cerca -find.find = Cerca: -find.replace_with = Reemplaça amb: -find.ignore_case = No distingir majúscules de minúscules -find.all_tabs = Totes les pestanyes -find.wrap_around = Torna a començar -find.btn.replace_all = Reemplaça-ho tot -find.btn.replace = Reemplaça -find.btn.replace_and_find = Reemplaça i cerca -find.btn.previous = Anterior -find.btn.find = Cerca - -# Find in reference (Frame) -find_in_reference = Cerca en la referència - -# File (Frame) -file = Copieu fitxers al vostre sketch - -# Create Font (Frame) -create_font = Creació de fonts tipogràfiques -create_font.label = Amb aquesta eina podeu crear fonts de mapes de bits.\nTrieu una font i una mida, i feu clic en «D'acord» per a crear-la.\nEs desarà en la carpeta de dades de l'sketch actual. -create_font.size = Mida -create_font.smooth = Suavitza -create_font.characters = Caràcters... -create_font.character_selector = Selector de caràcters -create_font.character_selector.label = L'opció «Caràcters predeterminats» inclou la majoria de mapes de bits\nde les grafies llatines per a MacOs i Windows. L'opció «Tots els\ncaràcters» requereix més mapes de bits, i per tant més memòria.\nPer a una selecció més precisa, escolliu «Blocs específics de Unicode». -create_font.default_characters = Caràcters predeterminats -create_font.all_characters = Tots els caràcters -create_font.specific_unicode = Blocs específics de Unicode -create_font.filename = Nom del fitxer - -# Color Selector (Frame) -color_selector = Selector de color - -# Archive Sketch (Frame) -archive_sketch = Arxiva l'sketch... - -# Tweak Mode -tweak_mode = Retocs en viu -tweak_mode.save_before_tweak = Heu de desar l'sketch abans d'entrar en el mode de Retocs en viu -tweak_mode.keep_changes.line1 = Voleu mantenir els canvis? -tweak_mode.keep_changes.line2 = Heu modificat alguns valors de l'sketch, voleu desar aquests canvis? - -# DebugTray -debugger.name = Nom -debugger.value = Valor -debugger.type = Tipus - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Executa -toolbar.present = Presentació -toolbar.stop = Atura -toolbar.debug = Depura -# --- -toolbar.new = Nou -toolbar.open = Obre -toolbar.save = Desa -# toolbar.export_application = Exporta com a aplicació -# toolbar.add_mode = Afegeix un mode... -toolbar.manage_modes = Gestiona els modes... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = Continua -#toolbar.debug.step = Pas -#toolbar.debug.step_into = Entra -#toolbar.debug.stop = Atura -#toolbar.debug.toggle_breakpoints = Commuta un punt de ruptura -#toolbar.debug.variable_inspector = Mostra l'inspector de variables - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Nova pestanya -editor.header.rename = Reanomena -editor.header.delete = Elimina -editor.header.previous_tab = Pestanya anterior -editor.header.previous_tab.keystroke.macos = meta alt pressed LEFT -editor.header.previous_tab.keystroke.windows = ctrl pressed PAGE_UP -editor.header.previous_tab.keystroke.linux = ctrl pressed PAGE_UP -editor.header.next_tab = Pestanya següent -editor.header.next_tab.keystroke.macos = meta alt pressed RIGHT -editor.header.next_tab.keystroke.windows = ctrl pressed PAGE_DOWN -editor.header.next_tab.keystroke.linux = ctrl pressed PAGE_DOWN -editor.header.delete.warning.title = Acció no permesa -editor.header.delete.warning.text = No es pot eliminar la pestanya principal de l'únic sketch obert. - -# PopUp menu -editor.popup.jump_to_declaration = Vés a la declaració -editor.popup.show_usage = Mostra'n l'ús... -editor.popup.rename = Reanomena... - -# Tabs -editor.tab.new = Nou fitxer -editor.tab.new.description = Nom del nou fitxer -editor.tab.rename = Reanomena fitxer -editor.tab.rename.description = Nom per al fitxer - -# Sketch -editor.sketch.rename.description = Nou nom de l'sketch - -editor.status.autoformat.no_changes = Formatació automàtica sense canvis. -editor.status.autoformat.finished = Formatació automàtica completada. -editor.status.find_reference.select_word_first = Seleccioneu una paraula per a cercar en la referència. -editor.status.find_reference.not_available = No s'ha trobat «%s» en la referènia. -editor.status.drag_and_drop.files_added.0 = No s'ha afegit cap fitxer a l'sketch. -editor.status.drag_and_drop.files_added.1 = S'ha afegit un fitxer a l'sketch. -editor.status.drag_and_drop.files_added.n = S'han afegit %d fitxers a l'sketch. -editor.status.saving = S'està desant... -editor.status.saving.done = S'ha desat l'sketch. -editor.status.saving.canceled = No s'ha desat. -editor.status.printing = S'està imprimint... -editor.status.printing.done = Impressió completada. -editor.status.printing.error = S'ha produït un error durant la impressió. -editor.status.printing.canceled = S'ha cancel·lat la impressió. -editor.status.copy_as_html = S'ha copiat el codi com a HTML al portaretalls. -editor.status.debug.busy = Depurador en funcionament... -editor.status.debug.halt = Depurador en pausa. -editor.status.archiver.create = S'ha creat l'arxiu «%s». -editor.status.archiver.cancel = S'ha cancel·lat la creació de l'arxiu. - -# Errors -editor.status.warning = Avís -editor.status.error = Error -editor.status.error.syntax = Error de sintaxi - %s -editor.status.error_on = Error en «%s» -editor.status.missing.default = Falta «%c» -editor.status.missing.semicolon = Falta un punt i coma «;» -editor.status.missing.left_sq_bracket = Falta un claudàtor esquerre «[» -editor.status.missing.right_sq_bracket = Falta un claudàtor dret «]» -editor.status.missing.left_paren = Falta un parèntesi esquerre «(» -editor.status.missing.right_paren = Falta un parèntesi dret «)» -editor.status.missing.left_curly_bracket = Falta una clau esquerra «{» -editor.status.missing.right_curly_bracket = Falta una clau dreta «}» -editor.status.missing.add = Potser falta afegir «%s» -editor.status.bad_curly_quote = Les cometes ondulades no estan permeses: «%s». Feu servir cometes rectes. Premeu Ctrl+T per a autocorrecció. -editor.status.reserved_words = «color» i «int» son paraules reservades i no es poden fer servir com a noms de variables -editor.status.undefined_method = La funció «%s(%s)» no existeix -editor.status.undefined_constructor = El constructor «%s(%s)» no existeix -editor.status.empty_param = La funció «%s()» no rep cap argument -editor.status.wrong_param = La funció «%s()» rep arguments així: «%s(%s)» -editor.status.undef_global_var = La variable global «%s» no existeix -editor.status.undef_class = La classe «%s» no existeix -editor.status.undef_var = La variable «%s» no existeix -editor.status.undef_name = No s'ha reconegut el nom «%s» -editor.status.unterm_string_curly = Literal de tipus String sense tancar amb cometes rectes: les ondulades «%s» no serveixen. -editor.status.type_mismatch = Tipus no concordants: «%s» no és compatible amb «%s» -editor.status.unused_variable = El valor de la variable local «%s» no s'utilitza -editor.status.uninitialized_variable = Potser no s'ha inicialitzat la variable local «%s» -editor.status.no_effect_assignment = L'assignació de la variable «%s» no té cap efecte -editor.status.hiding_enclosing_type = El nom de la classe «%s» no pot coincidir amb el de l'sketch o el de la classe que la conté - -editor.status.bad.assignment = Possible error d'assignació a una variable prop de «%s» -editor.status.bad.generic = Potser falta el tipus en un genèric prop de «%s». -editor.status.bad.identifier = Possible identificador invàlid prop de «%s». Potser heu oblidat declarar una variable. -editor.status.bad.parameter = Potser s'ha declarat malament un mètode/argument prop de «%s» -editor.status.bad.import = No es poden declarar importacions aquí -editor.status.bad.mixed_mode = És possible que estigueu barrejant els modes actiu i estàtic del Processing -editor.status.extraneous = Possible instrucció incompleta o codi de més, prop de «%s» -editor.status.mismatched = Potser falta un operador, un «;» o una clau «}» prop de «%s» -editor.status.missing.name = Potser falta un nom o «;» prop de «%s» -editor.status.missing.type = Potser falta un nom, un tipus o «;» prop de «%s» - - -# Footer buttons -editor.footer.errors = Errors -editor.footer.errors.problem = Problema -editor.footer.errors.tab = Pestanya -editor.footer.errors.line = Línia -editor.footer.console = Consola - -# New handler -new.messages.is_read_only = Sketch només de lectura -new.messages.is_read_only.description = Alguns fitxers son només de lectura;\ndeseu l'sketch en un altre lloc i torneu a intentar-ho. - -# Rename handler -rename.messages.is_untitled = Sketch sense nom -rename.messages.is_untitled.description = Heu de desar l'sketch per a poder reanomenar-lo -rename.messages.is_modified = Heu de desar els canvis\nde l'sketch abans de reanomenar-lo. -rename.messages.is_read_only = Sketch només de lectura -rename.messages.is_read_only.description = Alguns fitxers son només de lectura;\ndeseu l'sketch en un altre lloc i torneu a intentar-ho. - -# Naming handler -name.messages.problem_renaming = Error reanomenant -name.messages.starts_with_dot.description = El nom no pot començar amb un punt. -name.messages.invalid_extension.description = «.%s» no és una extensió vàlida. -name.messages.main_java_extension.description = La primera pestanya no pot ésser un fitxer «.%s». -name.messages.new_sketch_exists = L'sketch/fitxer ja existeix -name.messages.new_sketch_exists.description = Ja existeix un fitxer anomenat «%s» en\n«%s» -name.messages.new_folder_exists = La carpeta ja existeix -name.messages.new_folder_exists.description = Ja existeix un sketch (o una carpeta) anomenada «%s». -name.messages.error = Error -name.messages.no_rename_folder.description = No s'ha pogut reanomenar la carpeta de l'sketch. -name.messages.no_rename_file.description = No s'ha pogut reanomenar «%s» a «%s» -name.messages.no_create_file.description = No s'ha pogut crear el fitxer «%s» en «%s» - -# Delete handler -delete.messages.cannot_delete = Error eliminant -delete.messages.cannot_delete.description = No es pot eliminar un sketch que no s'ha desat. -delete.messages.cannot_delete.file = Error eliminant -delete.messages.cannot_delete.file.description = No s'ha pogut eliminar el fitxer -delete.messages.is_read_only = Sketch només de lectura -delete.messages.is_read_only.description = Alguns fitxers son només de lectura;\ndeseu l'sketch en un altre lloc i torneu a intentar-ho. - -# Save handler -save_file.messages.is_read_only = Sketch només de lectura -save_file.messages.is_read_only.description = Alguns fitxers son només de lectura;\ndeseu l'sketch en un altre lloc i torneu a intentar-ho. -save_file.messages.sketch_exists = L'sketch ja existeix -save_file.messages.sketch_exists.description = Ja existeix un sketch\namb el nom «%s» -save_file.messages.tab_exists = La pestanya ja existeix -save_file.messages.tab_exists.description = No es pot desar l'sketch com «%s»\nperquè ja conté un fitxer amb aquest nom. -save_file.messages.recursive_save = Desat recursiu -save_file.messages.recursive_save.description = No es pot desar un sketch\nen una carpeta dins del propi sketch. - -# Add handler -add_file.messages.is_read_only = Sketch només de lectura -add_file.messages.is_read_only.description = Alguns fitxers son només de lectura;\ndeseu l'sketch en un altre lloc i torneu a intentar-ho. -add_file.messages.confirm_replace = Voleu substituir el fitxer «%s» ja existent? -add_file.messages.error_adding = Error afegint fitxer -add_file.messages.cannot_delete.description = No s'ha pogut eliminar el fitxer «%s». -add_file.messages.cannot_add.description = No s'ha pogut afegir el fitxer «%s» a l'sketch. -add_file.messages.same_file = Mateix fitxer -add_file.messages.same_file.description = Aquest fitxer ja s'ha copiat. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Error muntatge sketch -temp_dir.messages.bad_build_folder.description = No s'ha trobat lloc per a muntar l'sketch. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Sketch desaparegut -ensure_exist.messages.missing_sketch.description = La carpeta de l'sketch ha desaparegut.\nS'intentarà tornar a desar en la mateixa ubicació,\nperò es perdrà tot llevat el codi. -ensure_exist.messages.unrecoverable = No es pot desar -ensure_exist.messages.unrecoverable.description = No s'ha pogut tornar a desar l'sketch. És recomanable\nque copieu el codi en un altre editor de text. - -# Check name -check_name.messages.is_name_modified = El nom de l'sketch ha estat modificat. El nom d'un sketch només pot tenir\ncaràcters ASCII i números (el primer caràcter no pot ésser un número).\nA més, ha de tenir menys de 64 caràcters. - -# External changes detector -change_detect.reload.title=Fitxer modificat externament -change_detect.reload.question=«%s» ha estat modificat per un altre programa. -change_detect.reload.comment=Voleu mantenir aquesta versió o carregar els canvis?\nEn ambdós casos, la versió que descarteu es desarà\nen la carpeta de l'sketch. -change_detect.button.keep=Mantén -change_detect.button.load_new=Carrega canvis -change_detect.delete.title=Pestanya eliminada externament -change_detect.delete.question=«%s» ha desaparegut de la carpeta de l'sketch. -change_detect.delete.comment=Voleu tornar-lo a desar o eliminar-lo de l'sketch? -change_detect.button.discard=Elimina -change_detect.button.resave=Desa - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Gestor de contribucions -contrib.manager_title.update = Gestor d'actualitzacions -contrib.manager_title.mode = Gestor de modes -contrib.manager_title.tool = Gestor d'eines -contrib.manager_title.library = Gestor de biblioteques -contrib.manager_title.examples = Gestor d'exemples -contrib.category = Categoria: -contrib.filter_your_search = Filtra la cerca... -contrib.show_only_compatible.mode = Només modes compatibles -contrib.show_only_compatible.tool = Només eines compatibles -contrib.show_only_compatible.library = Només biblioteques compatibles -contrib.show_only_compatible.examples = Només exemples compatibles -contrib.show_only_compatible.update = Només actualitzacions compatibles -contrib.restart = Reinicia el Processing -contrib.unsaved_changes = Hi ha canvis sense desar -contrib.unsaved_changes.prompt = Esteu segur que voleu reiniciar el Processing sense desar els canvis? -contrib.messages.remove_restart = Reinicieu el Processing per a acabar d'eliminar aquest element. -contrib.messages.install_restart = Reinicieu el Processing per a acabar d'instal·lar aquest element. -contrib.messages.update_restart = Reinicieu el Processing per a acabar d'actualitzar aquest element. -contrib.errors.list_download = No s'ha pogut descarregar la llista de contribucions. -contrib.errors.list_download.timeout = S'ha exhaurit el temps d'espera en la descàrrega de la llista de contribucions. -contrib.errors.download_and_install = S'ha produït un error durant la descàrrega i instal·lació de «%s». -contrib.errors.description_unavailable = Descripció no disponible. -contrib.errors.malformed_url = L'enllaç obtingut des de Processing.org no és vàlid. Podeu visitar\nel lloc web de la biblioteca per veure com instal·lar-la manualment. -contrib.errors.needs_repackage = «%s» s'ha de tornar a empaquetar d'acord amb les directrius de «%s». -contrib.errors.no_contribution_found = El fitxer descarregat no conté «%s». -contrib.errors.overwriting_properties = S'ha produït un error en sobreescriure el fitxer «.properties». -contrib.errors.install_failed = La instal·lació ha fallat. -contrib.errors.update_on_restart_failed = No s'ha pogut actualitzar «%s» durant el reinici. -contrib.errors.temporary_directory = No s'ha pogut escriure en la carpeta temporal. -contrib.errors.contrib_download.timeout = La descàrrega de «%s» ha esgotat el temps d'espera. -contrib.errors.no_internet_connection = Sembla que no teniu connexió a Internet. -contrib.status.downloading_list = Descarregant llista... -contrib.status.connecting = Connectant... -contrib.status.done = Fet. -contrib.all = Totes -contrib.undo = Desfés -contrib.remove = Elimina -contrib.install = Instal·la -contrib.progress.installing = S'està instal·lant -contrib.progress.starting = Començant instal·lació -contrib.progress.downloading = Descarregant -contrib.download_error = S'ha produït un error durant la descàrrega de la contribució. -contrib.missing_link = No s'ha trobat l'enllaç de descàrrega per a %s, contacteu amb l'autor. -contrib.category.3d = 3D -contrib.category.animation = Animació -contrib.category.data = Dades -contrib.category.geometry = Geometria -contrib.category.gui = Interfície gràfica -contrib.category.hardware = Maquinari -contrib.category.i_o = Entrada/Sortida -contrib.category.math = Matemàtiques -contrib.category.renderer = Renderització -contrib.category.simulation = Simulació -contrib.category.sound = So -contrib.category.typography = Tipografia -contrib.category.utilities = Utilitats -contrib.category.video_vision = Vídeo i visió -contrib.category.other = Altres - -# Install on Startup -contrib.startup.errors.download_install = S'ha produït un error en la descàrrega i instal·lació de «%s» -contrib.startup.errors.temp_dir = No ha estat possible escriure en la carpeta temporal durant la descàrrega i instal·lació de «%s» -contrib.startup.errors.new_marker = No es pot instal·lar «%s» mentre hi hagi contribucions desactualitzades. Potser haureu de fer una instal·lació manual. - -# Install on Import -contrib.import.dialog.title = Biblioteques necessàries -contrib.import.dialog.primary_text = Aquestes biblioteques importades no estan instal·lades i estan disponibles per a descarregar. -contrib.import.dialog.secondary_text = Voleu instal·lar-les ara? -contrib.import.progress.download = S'està descarregant «%s»... -contrib.import.progress.install = S'està instal·lant «%s»... -contrib.import.progress.done = S'ha instal·lat «%s». -contrib.import.progress.final_list = S'han instal·lat les següents biblioteques: -contrib.import.errors.link = L'enllaç de descàrrega de la biblioteca «%s» sembla sospitós. - -# --------------------------------------- -# Warnings - -warn.delete = Eliminar fitxer -warn.delete.sketch_folder = Esteu segur que voleu eliminar l'sketch?\nAixò eliminarà la carpeta «%s» i el seu contingut. -warn.delete.sketch_file = Esteu segur que voleu eliminar el fitxer «%s»? -warn.cannot_change_mode.title = Error canvi mode -warn.cannot_change_mode.body = No es pot canviar al mode «%s»\nperquè no és compatible amb l'actual. - - -# --------------------------------------- -# Update Check - -update_check = Actualitzar -update_check.updates_available.core = Hi ha una nova versió del Processing.\nVoleu anar a la seva pàgina de descàrregues? -update_check.updates_available.contributions = Hi ha actualitzacions per a algunes de les contribucions instal·lades.\nVoleu obrir el gestor de contribucions? - - -# --------------------------------------- -# Color Chooser - -color_chooser = Selector de color -color_chooser.select = Selecciona - -# --------------------------------------- -# Movie Maker - -movie_maker = Creador de pel·lícules/animacions -movie_maker.two.title = Movie Maker II: ara millorat -movie_maker.two.blurb = Creeu un vídeo en format MPEG o un GIF animat a partir d'una seqüència d'imatges

Per a evitar artefactes a causa de la recompressió d'imatges a vídeo,
feu servir imatges en format TIFF, TGA o PNG.

Els formats TIFF i TGA es desen més ràpid durant l'execució de l'sketch,
però ocupen més espai d'emmagatzematge:
saveFrame(“fotogrames/####.tif”);
saveFrame(“fotogrames/####.tga”);

El format PNG ocupa menys espai, però farà que l'sketch vagi més lent:
saveFrame(“fotogrames/####.png”);

L'opció de compressió «Lossless 4:2:0» encara és imperfecta a causa de
com funciona MPEG-4. La 4:4:4 seria la ideal, però és menys compatible
amb altres programaris.

Anteriorment QuickTime Movie Maker, creat per en Werner Randelshofer.
Se n'ha reescrit una gran part per a fer servir FFmpeg per al Processing 4. -movie_maker.image_folder_help_label = Arrossegueu en aquest camp una carpeta amb imatges: -movie_maker.choose_button = Trieu... -movie_maker.select_image_folder = Trieu una carpeta d'imatges... -movie_maker.sound_file_help_label = Arrossegueu en aquest camp un fitxer d'àudio (.au, .aiff, .wav, .mp3): -movie_maker.select_sound_file = Trieu un fitxer d'àudio... - -movie_maker.create_movie_button = Crea un vídeo... -movie_maker.save_dialog_prompt = Anomena i desa el vídeo... -movie_maker.width = Amplada: -movie_maker.height = Alçada: -movie_maker.compression = Compressió: -movie_maker.framerate = Fotogrames per segon: -movie_maker.orig_size_button = Mida dels originals -movie_maker.orig_size_tooltip = Marqueu-la si les imatges\nja tenen totes la mida que voleu. - -movie_maker.error.avoid_tiff = Feu servir imatges PNG o TGA en comptes de TIFF. -movie_maker.error.badnumbers = L'amplada i l'alçada del llenç han d'ésser nombres enters majors que zero.\nEls fotogrames per segon també ha d'ésser un nombre major que zero. -movie_maker.error.cannot_read = No s'ha pogut llegir %s. -movie_maker.error.cannot_read_maybe_bad = No s'ha pogut llegir %s; potser està malmès. -movie_maker.error.movie_failed = S'ha produït un error durant la creació del vídeo. -movie_maker.error.need_input = Especifiqueu la carpeta amb les imatges, el fitxer d'àudio, o ambdós. -movie_maker.error.no_images_found = No s'ha trobat cap imatge. -movie_maker.error.sorry = Error -movie_maker.error.unknown_tga_format = El format «.tga» del fitxer «%s» és desconegut. - -movie_maker.progress.creating_file_name = S'estan combinant les imatges en un fitxer de vídeo %s. -movie_maker.progress.creating_output_file = S'està creant el fitxer de vídeo -movie_maker.progress.initializing = S'està inicialitzant... -movie_maker.progress.processing = Processing %s. - -movie_maker.progress.handling_frame = S'està convertint la imatge %s de %s... diff --git a/tools/Java/lib/languages/PDE_de.properties b/tools/Java/lib/languages/PDE_de.properties deleted file mode 100644 index 2ffa28e..0000000 --- a/tools/Java/lib/languages/PDE_de.properties +++ /dev/null @@ -1,425 +0,0 @@ - - -# --------------------------------------- -# Language: German (Deutsch) (de) -# --------------------------------------- - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Datei -menu.file.new = Neu -menu.file.open = Öffnen ... -menu.file.recent = Letzte Dateien öffnen -menu.file.sketchbook = Sketchbook ... -menu.file.sketchbook.empty = Leeres Sketchbook -menu.file.examples = Beispiele ... -menu.file.close = Schließen -menu.file.save = Speichern -menu.file.save_as = Speichern unter ... -menu.file.export_application = Exportieren ... -menu.file.page_setup = Eine Kopie drucken -menu.file.print = Drucken ... -menu.file.preferences = Einstellungen ... -menu.file.quit = Beenden - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Bearbeiten -menu.edit.undo = Rückgängig -menu.edit.redo = Wiederholen -menu.edit.action.addition = Hinzufügen -menu.edit.action.deletion = Löschen -menu.edit.cut = Ausschneiden -menu.edit.copy = Kopieren -menu.edit.copy_as_html = Kopieren als HTML -menu.edit.paste = Einfügen -menu.edit.select_all = Alle auswählen -menu.edit.auto_format = Autoformatierung -menu.edit.comment_uncomment = Ein- und Auskommentieren -menu.edit.increase_indent = → Ausrücken -menu.edit.decrease_indent = ← Einrücken -menu.edit.find = Suchen ... -menu.edit.find_next = Weiter suchen -menu.edit.find_previous = Vorher suchen -menu.edit.use_selection_for_find = Suche in Auswahl - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Starten -menu.sketch.present = Starten im Vollbild -menu.sketch.tweak = Optimieren -menu.sketch.stop = Stoppen -# --- -menu.library = Library importieren ... -menu.library.add_library = Library hinzufügen ... -menu.library.contributed = Contributed -menu.library.no_core_libraries = Mode weist keine Kern-Libraries auf -# --- -menu.sketch = Sketch -menu.sketch.show_sketch_folder = Zeige Sketch Verzeichnis -menu.sketch.add_file = Datei hinzufügen ... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = Debugger -menu.debug.enable = Debugger einschalten -menu.debug.disable = Debugger ausschalten -#menu.debug.show_debug_toolbar = Zeige Debug Leiste -#menu.debug.debug = Debuggen -#menu.debug.stop = Stoppen -# --- -menu.debug.toggle_breakpoint = Breakpoints umschalten -menu.debug.list_breakpoints = Breakpoints auflisten -# --- -# used for both menus and toolbars -menu.debug.step = Schritt -menu.debug.step_into = Schritt vor -menu.debug.step_out = Schritt zurück -menu.debug.continue = Weiter -# --- -#menu.debug.print_stack_trace = Stack-Trace ausgeben -#menu.debug.print_locals = Locals ausgeben -#menu.debug.print_fields = Fields ausgeben -#menu.debug.print_source_location = Source-Location ausgeben -#menu.debug.print_threads = Threads ausgeben -# --- -#menu.debug.variable_inspector = Variable Inspector -menu.debug.show_variables = Variablen einblenden -menu.debug.hide_variables = Variablen ausblenden -#menu.debug.show_sketch_outline = Sketch-Outline anzeigen -#menu.debug.show_tabs_list = Tabs Liste anzeigen - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Tools -menu.tools.color_selector = Farbauswahl ... -menu.tools.create_font = Schrift erstellen ... -menu.tools.archive_sketch = Sketch archivieren ... -menu.tools.fix_the_serial_lbrary = "Serial Library" beheben ... -menu.tools.install_processing_java = "processing-java" installieren ... -#menu.tools.add_tool = Tool hinzufügen ... -menu.tools.manage_tools = Tools verwalten... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Hilfe -menu.help.welcome = Willkommen bei Processing -menu.help.about = Über Processing -menu.help.environment = Entwicklungsumgebung -menu.help.reference = Referenz -menu.help.find_in_reference = Suche in Referenz -menu.help.libraries_reference = Bibliotheken Referenz -menu.help.tools_reference = Tools Referenz -menu.help.empty = (leer) -menu.help.online = Online -menu.help.getting_started = Erste Schritte -menu.help.troubleshooting = Fehlerbehandlung -menu.help.faq = Häufig gestellte Fragen (FAQ) -menu.help.foundation = "The Processing Foundation" -menu.help.visit = Processing.org besuchen - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Ja -prompt.no = Nein -prompt.cancel = Abbrechen -prompt.ok = Ok -prompt.browse = Durchsuchen -prompt.export = Exportieren - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Processing Sketch öffnen ... - -# Save (Frame) -save = Sketch speichern unter ... -save.title = Änderungen speichern? -save.hint = Wenn nicht, gehen alle Änderungen verloren. -save.btn.save = Speichern -save.btn.dont_save = Nicht speichern - -# Close (Frame) also used to prompt on non-macOS machines -close.unsaved_changes = Änderungen an %s speichern? - -# Preferences (Frame) -preferences = Einstellungen -preferences.button.width = 110 -preferences.requires_restart = nach Neustart von Processing aktiv -preferences.sketchbook_location = Sketchbook Pfad -preferences.sketchbook_location.popup = Sketchbook -preferences.language = Sprache -preferences.editor_and_console_font = Editor und Konsolen Schriftart -preferences.editor_and_console_font.tip = \ -Wähle die Schrift für die Konsole und den Editor.
\ -Es sollte eine dicktengleiche (monospace) Schrift ausgewählt werden,
\ -da die Liste vorgeschlagener Schriftarten mangelhaft sein kann. -preferences.editor_font_size = Editor Schriftgröße -preferences.console_font_size = Konsolen Schriftgröße -preferences.zoom = Interface Skalierung -preferences.zoom.auto = automatisch -preferences.background_color = Hintergrundfarbe im Present Modus -preferences.background_color.tip = \ -Wähle die Hintergrundfarbe im Present Modus.
\ -Im Present Modus erhält ein Sketch eine vollflächige Hintergrundfarbe,
\ -welches man im Sketch Menü auswählen kann. -preferences.use_smooth_text = Editor Textglättung -preferences.enable_complex_text_input = Komplexe Sprachen erlauben -preferences.enable_complex_text_input_example = z.B. Japanisch -preferences.continuously_check = Kontinuierliche Fehlererkennung -preferences.show_warnings = Zeige Warnungen -preferences.code_completion = Codevervollständigung -preferences.trigger_with = Trigger mit -preferences.cmd_space = Leerzeichen -preferences.suggest_imports = Hinweise bei fehlerhaften Imports -preferences.increase_max_memory = Maximalen Speicher erhöhen auf -preferences.delete_previous_folder_on_export = Leere Verzeichnis beim Exportieren -preferences.hide_toolbar_background_image = Hintergrundgrafik der Toolbar ausblenden -preferences.check_for_updates_on_startup = Prüfung auf Updates bei Programmstart -preferences.run_sketches_on_display = Starte Sketch auf Bildschirm -preferences.run_sketches_on_display.tip = \ -Bestimme den Bildschirm auf dem der Sketch dargestellt werden soll.\ -Wenn das Fenster des Sketches auf einen anderen Bildschirm geschoben
\ -wird, so wird der Sketch an selber Stelle wieder geöffnet. Dabei ist es
\ -egal, ob der Sketch im Present-Modus (Fullscreen) geöffnet wird. -preferences.automatically_associate_pde_files = Öffne .pde Dateien automatisch mit Processing -preferences.launch_programs_in = Anwendungen starten im -preferences.launch_programs_in.mode = Modus -preferences.file = Weitere Einstellungen können in der folgenden Datei bearbeitet werden -preferences.file.hint = Processing darf während der Bearbeitung nicht laufen - -# Sketchbook Location (Frame) -sketchbook_location = Neuen Sketchbook Pfad auswählen - -# Examples (Frame) -examples.title = %s Beispiele -examples.add_examples = Beispiele hinzufügen ... - -# Export (Frame) -export = Export Optionen -export.platforms = Plattformen -export.options = Optionen -export.options.fullscreen = Bildschirmfüllend (Present Mode) -export.options.show_stop_button = Sichtbarer Stopp Button -export.description.line1 = Exportierte Sketches sind ausführbare An- -export.description.line2 = wendungen für die ausgewählten Plattformen. -export.unsaved_changes = Änderungen vor dem Exportieren speichern? -export.notice.cancel_unsaved_changes = Exportieren abgebrochen, weil Änderungen abgespeichert werden müssen. -export.notice.exporting = Exportiere Anwendung ... -export.notice.exporting.done = Exportieren abgeschlossen. -export.notice.exporting.error = Fehler während des Exportierens. -export.notice.exporting.cancel = Exportieren abgebrochen. -export.tooltip.macos = Der macOS Export ist nur auf macOS Systemen möglich. -export.full_screen = Fullscreen -export.embed_java = Java Einbettung -export.include_java = Java in der %s Applikation einbetten -export.code_signing = Code Signing -export.messages.is_read_only = Sketch ist Read-Only -export.messages.is_read_only.description = Einige Dateien sind schreibgeschützt.\nDer Sketch muss an einem anderen Ort gespeichert werden.\nDanach neu versuchen. -export.messages.cannot_export = Kann nicht exportieren -export.messages.cannot_export.description = Ein ungespeicherter Sketch kann nicht exportiert werden. - -# Find (Frame) -find = Suchen -find.find = Suche: -find.replace_with = Ersetzen durch: -find.ignore_case = Groß-/Kleinschreibung ignorieren -find.all_tabs = Alle Tabs -find.wrap_around = Nächsten Zeilen -find.btn.replace_all = Alle ersetzen -find.btn.replace = Ersetzen -find.btn.replace_and_find = Suchen & Ersetzen -find.btn.previous = Vorherige -find.btn.find = Suchen - -# Find in reference (Frame) -find_in_reference = Suche in Referenz - -# File (Frame) -file = Grafik oder andere Datei zum Sketch kopieren - -# Create Font (Frame) -create_font = Schrift erstellen - -# Color Selector (Frame) -color_selector = Farbauswahl - -# Archive Sketch (Frame) -archive_sketch = Sketch archivieren unter ... - - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Starten -toolbar.present = Starten im Vollbild -toolbar.stop = Stoppen -# --- -toolbar.new = Neu -toolbar.open = Öffnen -toolbar.save = Speichern -# toolbar.export_application = Exportieren -# toolbar.add_mode = Modus hinzufügen ... -toolbar.manage_modes = Modes verwalten... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -toolbar.debug.debug = Debuggen -toolbar.debug.continue = Fortsetzen -toolbar.debug.step = Schritt vor -toolbar.debug.step_into = Schritt vor -toolbar.debug.stop = Stoppen -toolbar.debug.toggle_breakpoints = Breakpoints setzen/entfernen -toolbar.debug.variable_inspector = Variable-Inspector anzeigen/ausblenden - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Neuer Tab -editor.header.rename = Umbenennen -editor.header.delete = Löschen -editor.header.previous_tab = Nächster Tab -editor.header.next_tab = Vorheriger Tab -editor.header.delete.warning.title = Yeah, nein. -editor.header.delete.warning.text = Du kannst nicht den letzten Tab des letzten Sketches löschen. - -# PopUp menu -editor.popup.jump_to_declaration = Springe zur Deklaration -editor.popup.show_usage = Zeige Verwendung... -editor.popup.rename = Umbenennen... - -# Tabs -editor.tab.new = Neuer Name -editor.tab.new.description = Name der neuen Datei -editor.tab.rename = Neuer Name -editor.tab.rename.description = Name der neuen Datei - -# Sketch -editor.sketch.rename.description = Name des neuen Sketches - -editor.status.autoformat.no_changes = Keine Änderungen für die Auto-Formatierung notwendig. -editor.status.autoformat.finished = Auto-Formatierung beendet. -editor.status.find_reference.select_word_first = Selektiere zuerst ein Wort um dieses in der Referenz zu finden. -editor.status.find_reference.not_available = "%s" ist nicht in der Referenz verfügbar. -editor.status.drag_and_drop.files_added.0 = Es sind keine Daten zum Sketch hinzugefügt worden. -editor.status.drag_and_drop.files_added.1 = Eine Datei wurde dem Sketch hinzugefügt. -editor.status.drag_and_drop.files_added.n = %d Dateien wurden dem Sketch hinzugefügt. -editor.status.saving = Speichern ... -editor.status.saving.done = Speichern beendet. -editor.status.saving.canceled = Speichern abgebrochen. -editor.status.printing = Drucken ... -editor.status.printing.done = Drucken beendet. -editor.status.printing.error = Fehler während des Druckens. -editor.status.printing.canceled = Drucken abgebrochen. -editor.status.copy_as_html = Code wurde als HTML formatiert in die Zwischenablage gespeichert. -editor.status.debug.busy = Debugger beschäftigt... -editor.status.debug.halt = Debugger angehalten. -editor.status.archiver.create = Archiv “%s” erstellt. -editor.status.archiver.cancel = Archiverstellung abgebrochen. - -# Footer buttons -editor.footer.errors = Fehler -editor.footer.errors.problem = Problem -editor.footer.errors.tab = Tab -editor.footer.errors.line = Zeile -editor.footer.console = Konsole - -# New handler -new.messages.is_read_only = Sketch ist Read-Only -new.messages.is_read_only.description = Einige Dateien sind als "read-only" markiert,\naus dem Grund musst du das Sketch an einer neuer\nStelle abspeichern, und es noch mal ausprobieren. - -# Rename handler -rename.messages.is_untitled = Umbenennen abgebrochen -rename.messages.is_untitled.description = Sketch muss zuvor abgespeichert werden\nbevor es unbenannt werden kann. -rename.messages.is_modified = Speichere Sketch vor dem Umbenennen. -rename.messages.is_read_only = Sketch ist Read-Only -rename.messages.is_read_only.description = Einige Dateien sind als "read-only" markiert,\naus dem Grund musst du das Sketch an einer neuer\nStelle abspeichern, und es noch mal ausprobieren. - -# Delete handler -delete.messages.cannot_delete = Löschen abgebrochen -delete.messages.cannot_delete.description = Ein Sketch muss zuvor abgespeichert werden\nbevor es gelöscht werden kann. -delete.messages.cannot_delete.file = Löschen nicht möglich -delete.messages.cannot_delete.file.description = Konnte nicht gelöscht werden. -delete.messages.is_read_only = Sketch ist Read-Only -delete.messages.is_read_only.description = Einige Dateien sind als "read-only" markiert,\naus dem Grund musst du das Sketch an einer neuen\nStelle abspeichern, und es noch mal ausprobieren. - - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib.category = Kategorie: -contrib.filter_your_search = Suche filtern ... -contrib.show_only_compatible.mode = Zeige nur kompatible Modes an -contrib.show_only_compatible.tool = Zeige nur kompatible Tools an -contrib.show_only_compatible.library = Zeige nur kompatible Libraries an -contrib.show_only_compatible.examples = Zeige nur kompatible Beispiele an -contrib.show_only_compatible.update = Zeige nur kompatible Updates an -contrib.restart = Neustart von Processing -contrib.unsaved_changes = Unsaved changes have been found -contrib.unsaved_changes.prompt = Ohne Speichern von Änderungen Processing neu starten? -contrib.messages.remove_restart = Bitte Processing neu starten um die Deinstallation zu beenden. -contrib.messages.install_restart = Bitte Processing neu starten um die Installation zu beenden. -contrib.messages.update_restart = Bitte Processing neu starten um die Aktualisierung zu beenden. -contrib.errors.list_download = Die Liste mit verfügbaren Paketen konnte nicht geladen werden. -contrib.errors.list_download.timeout = Verbindungs-Wartezeit beim Laden der Liste mit verfügbaren Paketen überschritten. -contrib.errors.download_and_install = Fehler beim Laden und Installieren von %s. -contrib.errors.description_unavailable = Keine Beschreibung verfügbar. -contrib.errors.malformed_url = Der angeforderte Link von Processing.org ist nicht verfügbar.\nDu kannst die Library über die Website manuell herunterladen\nund installieren. -contrib.errors.needs_repackage = %s muss neu erstellt werden um die Richtline %s zu erfüllen. -contrib.errors.no_contribution_found = Es wurde kein %s in der Download-Datei gefunden. -contrib.errors.overwriting_properties = Fehler beim Überschreiben der .properties Datei. -contrib.errors.install_failed = Installation fehlgeschlagen. -contrib.errors.update_on_restart_failed = Update beim Neustart von %s fehlgeschlagen. -contrib.errors.temporary_directory = Es konnte nicht im temporären Verzeichnis geschrieben werden. -contrib.errors.contrib_download.timeout = Verbindungs-Wartezeit beim Download von %s überschritten. -contrib.errors.no_internet_connection = Es besteht keine Internetverbindung. -contrib.status.downloading_list = Herunterladen der Liste mit verfügbaren Paketen ... -contrib.status.connecting = Verbinde... -contrib.status.done = Beendet. -contrib.all = Alle -contrib.undo = Rückgängig -contrib.remove = Entfernen -contrib.install = Installieren -contrib.progress.installing = Installiere ... -contrib.progress.starting = Starte ... -contrib.progress.downloading = Herunterladen ... -contrib.download_error = Es trat ein Fehler beim Download auf. -contrib.unsupported_operating_system = Dein Betriebssystem wird nicht unterstützt. Rufe %s für weitere Informationen auf. - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error = Fehler -editor.status.error.syntax = Syntaxfehler - %s - -# --------------------------------------- -# Warnings - -warn.delete = Löschen -warn.delete.sketch = Den Sketch endgültig löschen? -warn.delete.file = Die Datei "%s" entgültig löschen? - - -# --------------------------------------- -# Update Check - -update_check = Update -update_check.updates_available.core = Eine neue Version von Processing ist verfügbar,\nsoll der Download-Bereich aufgerufen werden? -update_check.updates_available.contributions = Es sind neue Updates von installierten Paketen verfügbar,\nsoll der Contribution Manager geöffnet werden? - - -# --------------------------------------- -# Color Chooser - -color_chooser = Color Selector -color_chooser.select = Auswählen diff --git a/tools/Java/lib/languages/PDE_el.properties b/tools/Java/lib/languages/PDE_el.properties deleted file mode 100644 index 53a8d36..0000000 --- a/tools/Java/lib/languages/PDE_el.properties +++ /dev/null @@ -1,496 +0,0 @@ - - -# --------------------------------------- -# Language: Greek (Ελληνικά) (el) -# --------------------------------------- - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Αρχείο -menu.file.new = Νέο -menu.file.open = Άνοιγμα... -menu.file.recent = Πρόσφατα -menu.file.sketchbook = Σχεδιοθήκη... -menu.file.sketchbook.empty = Άδεια Σχεδιοθήκη -menu.file.examples = Παραδείγματα... -menu.file.close = Κλείσιμο -menu.file.save = Αποθήκευση -menu.file.save_as = Αποθήκευση ως... -menu.file.export_application = Εξαγωγή Εφαρμογής... -menu.file.page_setup = Διαμόρφωση Σελίδας -menu.file.print = Εκτύπωση... -menu.file.preferences = Προτιμήσεις... -menu.file.quit = Έξοδος - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Επεξεργασία -menu.edit.undo = Αναίρεση -menu.edit.redo = Επανάληψη -menu.edit.action.addition = πρόσθεση -menu.edit.action.deletion = διαγραφή -menu.edit.cut = Αποκοπή -menu.edit.copy = Αντιγραφή -menu.edit.copy_as_html = Αντιγραφή ως HTML -menu.edit.paste = Επικόλληση -menu.edit.select_all = Επιλογή Όλων -menu.edit.auto_format = Αυτόματη Μορφοποίηση -menu.edit.comment_uncomment = Σχολιασμός/Αποσχολιασμός -menu.edit.increase_indent = → Αύξηση Εσοχής -menu.edit.decrease_indent = ← Μείωση Εσοχής -menu.edit.find = Αναζήτηση... -menu.edit.find_next = Αναζήτηση Επόμενου -menu.edit.find_previous = Αναζήτηση Προηγούμενου -menu.edit.use_selection_for_find = Χρήση Επιλογής για Αναζήτηση - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Εκτέλεση -menu.sketch.present = Παρουσίαση -menu.sketch.tweak = Τροποποίηση -menu.sketch.stop = Τερματισμός -# --- -menu.library = Εισαγωγή Βιβλιοθήκης... -menu.library.add_library = Προσθήκη Βιβλιοθήκης... -menu.library.contributed = Συνεισφερόμενα -menu.library.no_core_libraries = Αυτή η λειτουργία δεν έχει βασικές βιβλιοθήκες -# --- -menu.sketch = Σχέδιο -menu.sketch.show_sketch_folder = Προβολή Φακέλου του Σχεδίου -menu.sketch.add_file = Προσθήκη Αρχείου... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = Αποσφαλμάτωση -menu.debug.enable = Ενεργοποίηση Αποσφαλμάτωσης -menu.debug.disable = Απενεργοποίηση Αποσφαλμάτωσης -# menu.debug.show_debug_toolbar = Εμφάνιση Εργαλειοθήκης Αποσφαλμάτωσης -# menu.debug.debug = Εκκίνηση Αποσφαλμάτωσης -# menu.debug.stop = Τερματισμός -# --- -menu.debug.toggle_breakpoint = Ενεργοποίηση Σημείου Διακοπής -# menu.debug.list_breakpoints = Λίστα σημείων διακοπής -# --- -# used for both menus and toolbars -menu.debug.step = Βήμα -menu.debug.step_into = Βήμα Εντός -menu.debug.step_out = Βήμα Εκτός -menu.debug.continue = Συνέχεια -# --- -# menu.debug.print_stack_trace = Εκτύπωση Ακολουθίας Στοίβας -# menu.debug.print_locals = Εκτύπωση Τοπικών Μεταβλητών -# menu.debug.print_fields = Εκτύπωση Πεδίων -# menu.debug.print_source_location = Εκτύπωση Θέσης Πηγαίου Κώδικα -# menu.debug.print_threads = Εκτύπωση Νημάτων -# --- -# menu.debug.variable_inspector = Παρατηρητής Μεταβλητώ -menu.debug.show_variables = Εμφάνιση Μεταβλητών -menu.debug.hide_variables = Απόκρυψη Μεταβλητών -# menu.debug.show_sketch_outline = Εμφάνιση Περιγράμματος Σχεδίου -# menu.debug.show_tabs_list = Εμφάνιση Λίστας Καρτελών - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Εργαλεία -menu.tools.color_selector = Επιλογή Χρώματος... -menu.tools.create_font = Δημιουργία Γραμματοσειράς... -menu.tools.archive_sketch = Αρχειοθέτηση Σχεδίου -menu.tools.fix_the_serial_lbrary = Διόρθωση Σειριακής Βιβλιοθήκης -menu.tools.install_processing_java = Εγκατάσταση της "processing-java" -menu.tools.add_tool = Προσθήκη Εργαλείου... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Βοήθεια -menu.help.about = Σχετικά με την Processing -menu.help.environment = Περιβάλλον -menu.help.reference = Αναφορά -menu.help.find_in_reference = Αναζήτηση στην Αναφορά -menu.help.libraries_reference = Αναφορά Βιβλιοθηκών -menu.help.tools_reference = Αναφορά Εργαλείων -menu.help.empty = (άδεια) -menu.help.online = Online -menu.help.getting_started = Ξεκινώντας -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = Αντιμετώπιση Προβλημάτων -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = Συχνές Ερωτήσεις -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = Το Ίδρυμα Processing -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Επισκευθείτε την Processing.org -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Ναι -prompt.no = Όχι -prompt.cancel = Ακύρωση -prompt.ok = Εντάξει -prompt.browse = Εξερεύνηση -prompt.export = Εξαγωγή - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Άνοιγμα Σχεδίου Processing... - -# Save (Frame) -save = Αποθήκευση φακέλου Σχεδίου ως... -save.title = Θέλετε να αποθηκεύσετε τις αλλαγές σε
αυτό το Σχέδιο πριν το κλείσιμο; -save.hint = Αν δεν αποθηκεύσετε, οι αλλαγές σας θα χαθούν. -save.btn.save = Αποθήκευση -save.btn.dont_save = Χωρίς αποθήκευση - -# Preferences (Frame) -preferences = Προτιμήσεις -preferences.button.width = 80 -preferences.requires_restart = χρειάζεται επανεκκίνηση της Processing -preferences.sketchbook_location = Τοποθεσία Σχεδιοθήκης -preferences.sketchbook_location.popup = Τοποθεσία Σχεδιοθήκης -preferences.language = Γλώσσα -preferences.editor_and_console_font = Γραμματοσειρά Επεξεργαστή και Κονσόλας -preferences.editor_and_console_font.tip = Επέλεξε τη γραμματοσειρά που χρησιμοποιείται στον Επεξεργαστή και στην Κονσόλα.
Μόνο σταθερού πλάτους γραμματοσειρές μπορούν να χρησιμοποιηθούν,
όμως η λίστα μπορεί να μην είναι ολοκληρωμένη. -preferences.editor_font_size = Μέγεθος γραμματοσειράς Επεξεργαστή -preferences.console_font_size = Μέγεθος γραμματοσειράς Κονσόλας -preferences.background_color = Χρώμα φόντου κατά την Παρουσίαση -preferences.background_color.tip = Επέλεξε το χρώμα φόντου που χρησιμοποιείται κατά την Παρουσίαση.
Η Παρουσίαση χρησιμοποιείται για την προβολή ενός σχεδίου σε πλήρη οθόνη,
και είναι προσβάσιμη από το μενού Σχέδιο. -preferences.use_smooth_text = Χρήση ομαλού κειμένου στο παράθυρο επεξεργασίας -preferences.enable_complex_text_input = Ενεργοποίηση εισαγωγής σύνθετου κειμένου -preferences.enable_complex_text_input_example = π.χ. Ιαπωνικά -preferences.continuously_check = Συνεχής έλεγχος σφαλμάτων -preferences.show_warnings = Προβολή προειδοποιήσεων -preferences.code_completion = Συμπλήρωση κώδικα με -preferences.trigger_with = Αυτόματη εκτέλεση με -preferences.cmd_space = κενό -preferences.suggest_imports = Πρόταση δήλωσης εισαγωγών -preferences.increase_max_memory = Άυξηση μέγιστης διαθέσιμης μνήμης σε -preferences.delete_previous_folder_on_export = Διαγραφή προηγούμενου φακέλου κατά την Εξαγωγή -preferences.check_for_updates_on_startup = Έλεγχος ενημερώσεων κατά την εκκίνηση -preferences.run_sketches_on_display = Εκτέλεση Σχεδίων στην οθόνη -preferences.run_sketches_on_display.tip = Επιλέγει την οθόνη στην οποία τα Σχέδια τοποθετούνται
αρχικά. Συνήθως, αν το παράθυρο του Σχεδίου μετακινηθεί,
θα ανοίξει στην ίδια θέση, όμως κατά την Παρουσίαση
(πλήρης οθόνη), θα χρησιμοποιείται αυτή η οθόνη. -preferences.automatically_associate_pde_files = Αυτόματη συσχέτιση αρχείων .pde με την Processing -preferences.launch_programs_in = Εκτέλεση προγραμμάτων σε -preferences.launch_programs_in.mode = κατάσταση -preferences.file = Μπορείτε να επεξεργαστείτε περισσότερες ρυθμίσεις απευθείας στο αρχείο -preferences.file.hint = επεξεργαστείτε μόνο όταν είναι κλειστή η Processing - -# Sketchbook Location (Frame) -sketchbook_location = Επιλογή νέας τοποθεσίας Σχεδιοθήκης - -# Sketchbook (Frame) -sketchbook = Σχεδιοθήκη -sketchbook.tree = Σχεδιοθήκη - -# Examples (Frame) -examples = Παραδείγματα -examples.add_examples = Πρόσθεσε Παραδείγματα... -examples.libraries = Βιβλιοθήκες -examples.core_libraries = Κύριες Βιβλιοθήκες - -# Export (Frame) -export = Επιλογές Εξαγωγής -export.platforms = Πλατφόρμες -export.options = Επιλογές -export.options.fullscreen = Πλήρης οθόνη (Παρουσίαση) -export.options.show_stop_button = Προβολή κουμπιού τερματισμού -export.description.line1 = Η Εξαγωγή Εφαρμογής δημιουργεί αυτόνομα αρχεία που -export.description.line2 = ανοίγουν με διπλό-κλικ στις επιλεγμένες πλατφόρμες. -export.unsaved_changes = Αποθήκευση αλλαγών πριν την εξαγωγή; -export.notice.cancel.unsaved_changes = Η εξαγωγή ακυρώθηκε, οι αλλαγές πρέπει πρώτα να αποθηκευθούν. -export.notice.exporting = Εξαγωγή εφαρμογής... -export.notice.exporting.done = Η εξαγωγή ολοκληρώθηκε. -export.notice.exporting.error = Σφάλμα κατά την εξαγωγή. -export.notice.exporting.cancel = Η Εξαγωγή ακυρώθηκε. -export.tooltip.macos = Η εξαγωγή macOS είναι διαθέσιμη μόνο σε macOS -export.full_screen = Πλήρης Οθόνη -export.embed_java = Ενσωματωμένη Java -export.code_signing = Υπογραφή Κώδικα - -# Find (Frame) -find = Αναζήτηση -find.find = Αναζήτηση: -find.replace_with = Αντικατάσταση με: -find.ignore_case = Αγνόησε μικρά ή κεφαλαία -find.all_tabs = Όλες οι καρτέλες -find.wrap_around = Περιτύλιξη -find.btn.replace_all = Αντικατάσταση όλων -find.btn.replace = Αντικατάσταση -find.btn.replace_and_find = Αναζήτηση και Αντικατάσταση -find.btn.previous = Προηγούμενο -find.btn.find = Αναζήτηση - -# Find in reference (Frame) -find_in_reference = Αναζήτηση στην Αναφορά - -# File (Frame) -file = Επιλέξτε μια εικόνα ή άλλο αρχείο δεδομένων για να αντιγράψετε στο Σχέδιό σας - -# Create Font (Frame) -create_font = Δημιουργία Γραμματοσειράς -create_font.label = Χρησιμοποιήστε αυτό το εργαλείο για να δημιουργήσετε γραμματοσειρές bitmap για το πρόγραμμά σας.\nΕπιλέξτε γραμματοσειρά και μέγεθος και πατήστε "Εντάξει" για δημιουργηθεί η γραμματοσειρά.\nΘα προστεθεί στο φάκελο "data" του Σχεδίου. -create_font.size = Μέγεθος -create_font.smooth = Εξομάλυνση -create_font.characters = Χαρακτήρες -create_font.character_selector = Επιλογή Χαρακτήρων -create_font.character_selector.label = Οι προεπιλεγμένοι χαρακτήρες θα περιλαμβάνουν τα περισσότερα bitmaps για Mac OS\nκαι Windows Latin scripts. Αν συμπεριληφθούν όλοι οι χαρακτήρες μπορεί να χρειαστεί\nμεγάλη ποσότητα μνήμης για όλα τα bitmaps.\nΓια μεγαλύτερο έλεγχο, μπορείτε να επιλέξετε συγκεκριμένα μπλοκ Unicode. -create_font.default_characters = Προεπιλεγμένοι Χαρακτήρες -create_font.all_characters = Όλοι οι Χαρακτήρες -create_font.specific_unicode = Συγκεκριμένα Μπλοκ Unicode -create_font.filename = Όνομα Αρχείου - - -# Color Selector (Frame) -color_selector = Επιλογή Χρώματος... - -# Archive Sketch (Frame) -archive_sketch = Αρχειοθέτηση Σχεδίου ως... - -# Close (Frame) -close.unsaved_changes = Αποθήκευση αλλαγών στο - -# Tweak Mode -tweak_mode = Κατάσταση Τροποποίησης -tweak_mode.save_before_tweak = Παρακαλώ αποθηκεύστε το Σχέδιο πριν το τρέξετε σε Κατάσταση Τροποποίησης. -tweak_mode.keep_changes.line1 = Να διατηρηθούν οι αλλαγές; -tweak_mode.keep_changes.line2 = Έχετε αλλάξει κάποιες τιμές στο Σχέδιο. Θέλετε να κρατήσετε τις αλλαγές; - -# DebugTray -debugger.name = Όνομα -debugger.value = Τιμή -debugger.type = Τύπος - - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Εκτέλεση -toolbar.present = Παρουσίαση -toolbar.stop = Τερματισμός -toolbar.debug = Αποσφαλμάτωση - -# --- -toolbar.new = Νέο -toolbar.open = Άνοιγμα -toolbar.save = Αποθήκευση -# toolbar.export_application = Εξαγωγή Εφαρμογής -toolbar.add_mode = Προσθήκη κατάστασης... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -# toolbar.debug.debug = Αποσφαλμάτωση -# toolbar.debug.continue = Συνέχεια -# toolbar.debug.step = Βήμα -# toolbar.debug.step_into = Βήμα Εντός -# toolbar.debug.stop = Τερματισμός -# toolbar.debug.toggle_breakpoints = Ενεργοποίηση σημείων Διακοπής -# toolbar.debug.variable_inspector = Παρατηρητής Μεταβλητών - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Νέα Καρτέλα -editor.header.rename = Μετονομασία -editor.header.delete = Διαγραφή -editor.header.previous_tab = Προηγούμενη Καρτέλα -editor.header.next_tab = Επόμενη Καρτέλα -editor.header.delete.warning.title = Ναι, όχι. -editor.header.delete.warning.text = Δεν μπορείτε να διαγράψετε την κύρια καρτέλα του μοναδικού ανοιχτού σχεδίου. - -# Tabs -editor.tab.new = Νέο Όνομα -editor.tab.new.description = Όνομα για το νέο αρχείο -editor.tab.rename = Νέο Όνομα -editor.tab.rename.description = Νέο όνομα για το αρχείο - -# Sketch -editor.sketch.rename.description = Νέο όνομα για το Σχέδιο - -editor.status.autoformat.no_changes = Δεν χρειάζονται αλλαγές από την Αυτόματη Μορφοποίηση. -editor.status.autoformat.finished = Ολοκληρώθηκε η Αυτόματη Μορφοποίηση. -editor.status.find_reference.select_word_first = Επιλέξτε πρώτα μια λέξη προς αναζήτηση στην Αναφορά. -editor.status.find_reference.not_available = Δεν υπάρχει καταχώρηση για το "%s" στην Αναφορά. -editor.status.drag_and_drop.files_added.0 = Δεν προστέθηκαν αρχεία στο Σχέδιο. -editor.status.drag_and_drop.files_added.1 = Ένα αρχείο προστέθηκε στο Σχέδιο. -editor.status.drag_and_drop.files_added.n = %d αρχεία προστέθηκαν στο Σχέδιο. -editor.status.saving = Αποθήκευση... -editor.status.saving.done = Ολοκλήρωση αποθήκευσης. -editor.status.saving.canceled = Ακύρωση αποθήκευσης. -editor.status.printing = Εκτύπωση... -editor.status.printing.done = Ολοκλήρωση εκτύπωσης. -editor.status.printing.error = Σφάλμα κατά την εκτύπωση. -editor.status.printing.canceled = Ακύρωση εκτύπωσης. -editor.status.copy_as_html = Ο κώδικας μορφοποιημένος ως HTML έχει αντιγραφεί στο πρόχειρο. -editor.status.debug.busy = Αποσφαλμάτωση σε εξέλιξη... -editor.status.debug.halt = H αποσφαλμάτωση τερματίστηκε. - -# Errors -editor.status.warning = Προειδοποίηση -editor.status.error = Σφάλμα -editor.status.error_on = Σφάλμα στο "%s" -editor.status.missing.default = Λείπει το "%c" -editor.status.missing.semicolon = Λείπει το ερωτηματικό ";" -editor.status.missing.left_sq_bracket = Λείπει η αριστερή αγκύλη "[" -editor.status.missing.right_sq_bracket = Λείπει η δεξιά αγκύλη "]" -editor.status.missing.left_paren = Λείπει η αριστερή παρένθεση "(" -editor.status.missing.right_paren = Λείπει η δεξιά παρένθεση ")" -editor.status.missing.left_curly_bracket = Λείπει το αριστερό άγκιστρο "{" -editor.status.missing.right_curly_bracket = Λείπει το δεξιό άγκιστρο "}" -editor.status.missing.add = Δοκίμασε να προσθέσεις ένα "%s" -editor.status.reserved_words = Τα "color" και "int" δεν είναι έγκυρα ονόματα μεταβλητών, είναι δεσμευμένες λέξεις -editor.status.undefined_method = Η συνάρτηση "%s(%s)" δεν υπάρχει -editor.status.empty_param = Η συνάρτηση "%s()" δεν παίρνει παραμέτρους -editor.status.wrong_param = Οι παράμετροι της συνάρτησης "%s()" πρέπει να είναι κάπως έτσι: "%s(%s)" -editor.status.undef_global_var = Η καθολική μεταβλητή "%s" δεν υπάρχει -editor.status.undef_class = Η κλάση "%s" δεν υπάρχει -editor.status.undef_var = Η μεταβλητή "%s" δεν υπάρχει -editor.status.undef_name = Το όνομα "%s" δεν μπορεί να αναγνωριστεί -editor.status.type_mismatch = Δεν υπάρχει αντιστοιχία τύπων, ο "%s" δεν συνδυάζεται με τον "%s" -editor.status.unused_variable = Η τιμή της τοπικής μεταβλητής "%s" δεν χρησιμοποιείται -editor.status.uninitialized_variable = Η τοπική μεταβλητή "%s" ίσως να μην έχει αρχικοποιηθεί -editor.status.no_effect_assignment = Η ανάθεση στη μεταβλητή "%s" δεν έχει αποτέλεσμα -editor.status.archiver.create = Δημιουργήθηκε το αρχείο "%s". -editor.status.archiver.cancel = H αρχειοθέτηση σχεδίου ακυρώθηκε. - -# Limited syntax error support -editor.status.error.syntax = Σφάλμα - %s - -# Footer buttons -editor.footer.errors = Σφάλματα -editor.footer.errors.problem = Πρόβλημα -editor.footer.errors.tab = Καρτέλα -editor.footer.errors.line = Γραμμή -editor.footer.console = Κονσόλα - -# New handler -new.messages.is_read_only = Το Σχέδιο είναι Μόνο για Ανάγνωση -new.messages.is_read_only.description = Μερικά αρχεία είναι σημειωμένα "Μόνο για Ανάγνωση", οπότε θα χρειαστεί να ξανα-αποθηκεύσεις το Σχέδιο σε διαφορετική θέση,\nκαι να προσπαθήσεις ξανά. - -# Rename handler -rename.messages.is_untitled = Το Σχέδιο Δεν έχει Τίτλο -rename.messages.is_untitled.description = Τι θα έλεγες να αποθηκεύσεις το Σχέδιο\nπριν προσπαθήσεις να το μετονομάσεις; -rename.messages.is_modified = Παρακαλώ αποθήκευσε το Σχέδιο πριν το μετονομάσεις. -rename.messages.is_read_only = Το Σχέδιο είναι Μόνο για Ανάγνωση -rename.messages.is_read_only.description = Μερικά αρχεία είναι σημειωμένα "Μόνο για Ανάγνωση", οπότε θα χρειαστεί να ξανα-αποθηκεύσεις το Σχέδιο σε διαφορετική θέση,\nκαι να προσπαθήσεις ξανά. - -# Delete handler -delete.messages.cannot_delete = Αποτυχία Διαγραφής -delete.messages.cannot_delete.description = Δε μπορείς να διαγράψεις ένα Σχέδιο που δεν έχει αποθηκευτεί. -delete.messages.cannot_delete.file = Δεν τα κατάφερα -delete.messages.cannot_delete.file.description = Η διαγραφή δεν έγινε -delete.messages.is_read_only = Το Σχέδιο είναι Μόνο για Ανάγνωση -delete.messages.is_read_only.description = Μερικά αρχεία είναι σημειωμένα "Μόνο για Ανάγνωση", οπότε θα χρειαστεί να ξανα-αποθηκεύσεις το Σχέδιο σε διαφορετική θέση,\nκαι να προσπαθήσεις ξανά. - - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Διαχειριστής Συνεισφορών -contrib.manager_title.update = Διαχειριστής Ενημερώσεων -contrib.manager_title.mode = Διαχειριστής Λειτουργιών -contrib.manager_title.tool = Διαχειριστής Εργαλείων -contrib.manager_title.library = Διαχειριστής Βιβλιοθηκών -contrib.manager_title.examples = Διαχειριστής Παραδειγμάτων -contrib.category = Κατηγορία: -contrib.filter_your_search = Φιλτράρισμα αναζήτησης... -contrib.show_only_compatible.mode = Εμφάνιση Μόνο Συμβατών Λειτουργιών -contrib.show_only_compatible.tool = Εμφάνιση Μόνο Συμβατών Εργαλείων -contrib.show_only_compatible.library = Εμφάνιση Μόνο Συμβατών Βιβλιοθηκών -contrib.show_only_compatible.examples = Εμφάνιση Μόνο Συμβατών Παραδειγμάτων -contrib.show_only_compatible.update = Εμφάνιση Μόνο Συμβατών Ενημερώσεων -contrib.restart = Επανεκκίνηση Processing -contrib.unsaved_changes = Βρέθηκαν μη αποθηκευμένες ενημερώσεις -contrib.unsaved_changes.prompt = Είσαι σίγουρος ότι θέλεις να κάνεις επανεκκίνηση της Processing χωρίς να αποθηκεύσεις τις αλλαγές; -contrib.messages.remove_restart = Παρακαλώ κάνε επανεκκίνηση της Processing για να ολοκληρωθεί η αφαίρεση αυτού του αντικειμένου. -contrib.messages.install_restart = Παρακαλώ κάνε επανεκκίνηση της Processing για να ολοκληρωθεί η εγκατάσταση αυτού του αντικειμένου. -contrib.messages.update_restart = Παρακαλώ κάνε επανεκκίνηση της Processing για να ολοκληρωθεί η ενημέρωση αυτού του αντικειμένου. -contrib.errors.list_download = Δεν ήταν δυνατή η λήψη των διαθέσιμων ενημερώσεων. -contrib.errors.list_download.timeout = Η σύνδεση εξάντλησε το όριο χρόνου κατά τη λήψη αυτής της λίστας συνεισφορών. -contrib.errors.download_and_install = Σφάλμα κατά τη λήψη και εγκατάσταση του %s. -contrib.errors.description_unavailable = Μη διαθέσιμη περιγραφή. -contrib.errors.malformed_url = Ο σύνδεσμος που λήφθηκε από το Processing.org δεν είναι έγκυρος.\nΜπορείς ακόμα να εγκαταστήσεις αυτή τη βιβλιοθήκη χειροκίνητα αν επισκεφτείς\nτην ιστοσελίδα της βιβλιοθήκης. -contrib.errors.needs_repackage = Το %s χρειάζεται να ξαναπακεταριστεί σύμφωνα με τις οδηγίες τoυ %s. -contrib.errors.no_contribution_found = Δεν ήταν δυνατή η εύρεση του %s στο αρχείο που λήφθηκε. -contrib.errors.overwriting_properties = Σφάλμα κατά την αντικατάσταση του αρχείου .properties. -contrib.errors.install_failed = Η εγκατάσταση απέτυχε. -contrib.errors.update_on_restart_failed = Η ενημέρωση κατά την επανεκκίνηση του %s απέτυχε. -contrib.errors.temporary_directory = Δεν ήταν δυνατή η εγγραφή στον προσωρινό κατάλογο. -contrib.errors.contrib_download.timeout = Η σύνδεση εξάντλησε το όριο χρόνου κατά τη λήψη του %s. -contrib.errors.no_internet_connection = Μάλλον δεν είσαι συνδεδεμένος στο Internet. -contrib.status.downloading_list = Λήψη λίστας συνεισφορών. -contrib.status.connecting = Σύνδεση... -contrib.status.done = Ολοκληρώθηκε. -contrib.all = Όλα -contrib.undo = Αναίρεση -contrib.remove = Διαγραφή -contrib.install = Εγκατάσταση -contrib.progress.installing = Γίνεται εγκατάσταση -contrib.progress.starting = Εκκίνηση -contrib.progress.downloading = Λήψη -contrib.download_error = Προέκυψε σφάλμα κατά την λήψη της συνεισφοράς. -contrib.unsupported_operating_system = Το λειτουργικό σας σύστημα μάλλον δεν υποστηρίζεται. Επισκευθείτε την βιβλιοθήκη των %s για περισσότερα. - -contrib.category.3d = 3D -contrib.category.animation = Animation -contrib.category.data = Δεδομένα -contrib.category.geometry = Γεωμετρία -contrib.category.gui = GUI -contrib.category.hardware = Υλικό -contrib.category.i_o = Ε/Ε -contrib.category.math = Μαθηματικά -contrib.category.simulation = Προσομοίωση -contrib.category.sound = Ήχος -contrib.category.special = Starred -contrib.category.typography = Τυπογραφία -contrib.category.utilities = Utilities -contrib.category.video_vision = Βίντεο & Όραση -contrib.category.other = Άλλα - -# Install on Startup -contrib.startup.errors.download_install = Σφάλμα κατά τη λήψη και εγκατάσταση του %s -contrib.startup.errors.temp_dir = Αδύνατη η εγγραφή στον προσωρινό κατάλογο κατά τη λήψη και εγκατάσταση του %s -contrib.startup.errors.new_marker = The unupdated contribution marker seems to not like %s. You may have to install it manually to update... - -# Install on Import -contrib.import.dialog.title = Missing Libraries Available -contrib.import.dialog.primary_text = The following imported libraries are available for download, but have not been installed. -contrib.import.dialog.secondary_text = Would you like to install them now? -contrib.import.progress.download = Downloading %s... -contrib.import.progress.install = Installing %s... -contrib.import.progress.done = %s has been installed. -contrib.import.progress.final_list = The following libraries have been installed: -contrib.import.errors.link = Error: The library %s has a strange looking download link. - -# --------------------------------------- -# Warnings - -warn.delete = Διαγραφή -warn.delete.sketch = Είσαι σίγουρος ότι θέλεις να διαγραφεί το Σχέδιο; -warn.delete.file = Είσαι σίγουρος ότι θέλεις να διαγράψεις το "%s"; - - -# --------------------------------------- -# Update Check - -update_check = Ενημέρωση -update_check.updates_available.core = Υπάρχει διαθέσιμη μία νέα έκδοση της Processing,\nθα ήθελες να επισκεφθείς την σελίδα λήψης; -update_check.updates_available.contributions = Υπάρχουν διαθέσιμες ενημερώσεις για κάποια από τις εγκατεστημένες συνεισφορές,\nθα ήθελες να ανοίξεις τον Διαχειριστή Συνεισφορών τώρα; - - -# --------------------------------------- -# Color Chooser - -color_chooser = Επιλογή Χρώματος -color_chooser.select = Επιλογή diff --git a/tools/Java/lib/languages/PDE_en.properties b/tools/Java/lib/languages/PDE_en.properties deleted file mode 100644 index a657df4..0000000 --- a/tools/Java/lib/languages/PDE_en.properties +++ /dev/null @@ -1 +0,0 @@ -# -> PDE.properties \ No newline at end of file diff --git a/tools/Java/lib/languages/PDE_es.properties b/tools/Java/lib/languages/PDE_es.properties deleted file mode 100644 index 76bad95..0000000 --- a/tools/Java/lib/languages/PDE_es.properties +++ /dev/null @@ -1,657 +0,0 @@ - - -# --------------------------------------- -# Language: Spanish (es) -# --------------------------------------- - - -font.family.sans = Processing Sans -font.family.mono = Source Code Pro - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Archivo -menu.file.new = Nuevo -menu.file.open = Abrir... -menu.file.recent = Recientes -menu.file.sketchbook = Sketchbook... -menu.file.sketchbook.empty = Sketchbook vacío -menu.file.examples = Ejemplos... -menu.file.close = Cerrar -menu.file.save = Guardar -menu.file.save_as = Guardar como... -menu.file.export_application = Exportar como aplicación... -menu.file.page_setup = Configurar página -menu.file.print = Imprimir... -menu.file.preferences = Preferencias... -menu.file.quit = Salir - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Editar -menu.edit.undo = Deshacer -menu.edit.redo = Rehacer -menu.edit.redo.keystroke.macos = shift meta pressed Z -menu.edit.redo.keystroke.windows = ctrl pressed Y -menu.edit.redo.keystroke.linux = shift ctrl pressed Z -menu.edit.action.addition = adición -menu.edit.action.deletion = supresión -menu.edit.cut = Cortar -menu.edit.copy = Copiar -menu.edit.copy_as_html = Copiar como HTML -menu.edit.paste = Pegar -menu.edit.select_all = Seleccionar todo -menu.edit.auto_format = Autoformato -menu.edit.comment_uncomment = Comentar/Descomentar -menu.edit.comment_uncomment.keystroke.macos = meta pressed SLASH -menu.edit.comment_uncomment.keystroke.windows = ctrl pressed SLASH -menu.edit.comment_uncomment.keystroke.linux = ctrl pressed SLASH -menu.edit.increase_indent = → Aumentar sangría -menu.edit.increase_indent.keystroke.macos = meta pressed CLOSE_BRACKET -menu.edit.increase_indent.keystroke.windows = ctrl pressed CLOSE_BRACKET -menu.edit.increase_indent.keystroke.linux = ctrl pressed CLOSE_BRACKET -menu.edit.decrease_indent = ← Reducir sangría -menu.edit.decrease_indent.keystroke.macos = meta pressed OPEN_BRACKET -menu.edit.decrease_indent.keystroke.windows = ctrl pressed OPEN_BRACKET -menu.edit.decrease_indent.keystroke.linux = ctrl pressed OPEN_BRACKET -menu.edit.find = Buscar... -menu.edit.find_next = Buscar siguiente -menu.edit.find_previous = Buscar anterior -menu.edit.use_selection_for_find = Usar selección para buscar - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Ejecutar -menu.sketch.present = Presentar -menu.sketch.tweak = Retocar en vivo -menu.sketch.stop = Detener -# --- -menu.library = Importar biblioteca... -# menu.library.add_library = Añadir biblioteca... -menu.library.manage_libraries = Gestionar bibliotecas... -menu.library.contributed = Contribuidas -menu.library.no_core_libraries = este modo no incluye ninguna biblioteca -# --- -menu.sketch = Sketch -menu.sketch.show_sketch_folder = Mostrar carpeta del sketch -menu.sketch.add_file = Añadir archivo... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = Depuración -menu.debug.enable = Activar depurador -menu.debug.disable = Desactivar depurador -#menu.debug.show_debug_toolbar = Mostrar barra de herramientas de depuración -#menu.debug.debug = Depurar -#menu.debug.stop = Detener -# --- -menu.debug.toggle_breakpoint = Conmutar punto de interrupción -#menu.debug.list_breakpoints = Listar puntos de interrupción -# --- -# used for both menus and toolbars -menu.debug.step = Saltar -menu.debug.step.keystroke.macos = meta pressed J -menu.debug.step.keystroke.windows = ctrl pressed J -menu.debug.step.keystroke.linux = ctrl pressed J -menu.debug.step_into = Ingresar -menu.debug.step_into.keystroke.macos = shift meta pressed J -menu.debug.step_into.keystroke.windows = shift ctrl pressed J -menu.debug.step_into.keystroke.linux = shift ctrl pressed J -menu.debug.step_out = Salir -menu.debug.step_out.keystroke.macos = meta alt pressed J -menu.debug.step_out.keystroke.windows = ctrl alt pressed J -menu.debug.step_out.keystroke.linux = ctrl alt pressed J -menu.debug.continue = Continuar -# --- -#menu.debug.print_stack_trace = Imprimir traza de la pila -#menu.debug.print_locals = Imprimir variables locales -#menu.debug.print_fields = Imprimir variables de instancia -#menu.debug.print_source_location = Imprimir ubicación del código fuente -#menu.debug.print_threads = Imprimir hilos de ejecución -# --- -#menu.debug.variable_inspector = Mostrar/ocultar inspector de variables -menu.debug.show_variables = Mostrar variables -menu.debug.hide_variables = Ocultar variables -#menu.debug.show_sketch_outline = Mostrar esquema del sketch -#menu.debug.show_tabs_list = Mostrar lista de pestañas - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Herramientas -menu.tools.color_selector = Selector de colores... -menu.tools.create_font = Crear fuente... -menu.tools.archive_sketch = Archivar sketch -menu.tools.fix_the_serial_lbrary = Corregir «Serial library» -menu.tools.install_processing_java = Instalar «processing-java» -# menu.tools.add_tool = Añadir herramienta... -menu.tools.manage_tools = Gestionar herramientas... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Ayuda -menu.help.welcome = Bienvenida a Processing -menu.help.about = Acerca de Processing -menu.help.environment = Entorno de desarrollo -menu.help.reference = Referencia -menu.help.find_in_reference = Buscar en la referencia -menu.help.reference.download = Descargar la referencia -menu.help.libraries_reference = Referencias de bibliotecas -menu.help.tools_reference = Referencias de herramientas -menu.help.empty = (vacío) -menu.help.online = En línea - -# Only include the .url lines in the translation file if there -# is an official translated version of the link that can be used. -# Otherwise any change here will have to be copied to all languages. -# https://github.com/processing/processing4/issues/250 -menu.help.getting_started = Primeros pasos -menu.help.getting_started.url = https://processing.org/tutorials/gettingstarted/ -menu.help.troubleshooting = Resolución de problemas -menu.help.troubleshooting.url = https://github.com/processing/processing4/wiki/Troubleshooting -menu.help.faq = Preguntas frecuentes -menu.help.faq.url = https://github.com/processing/processing4/wiki/FAQ -menu.help.foundation = Fundación The Processing Foundation -menu.help.foundation.url = https://processing.foundation/ -menu.help.visit = Visitar Processing.org -menu.help.visit.url = https://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Sí -prompt.no = No -prompt.cancel = Cancelar -prompt.ok = Aceptar -prompt.browse = Buscar -prompt.export = Exportar - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Abrir un sketch de Processing... - -# Save (Frame) -save = Guardar la carpeta del sketch... -save.title = ¿Quieres guardar los cambios de «%s» antes de cerrar? -save.hint = Si no los guardas, los cambios se perderán. -save.btn.save = Guardar -save.btn.dont_save = No guardar - -# Close (Frame) also used to prompt on non-macOS machines -close.unsaved_changes = ¿Quieres guardar los cambios de «%s»? - -# Preferences (Frame) -preferences = Preferencias -preferences.button.width = 80 -preferences.restart_required = Reinicia Processing para que se apliquen los cambios -preferences.sketchbook_location = Ubicación del Sketchbook -preferences.sketchbook_location.popup = Ubicación del Sketchbook -preferences.sketch_naming = Nombres de nuevos sketches -preferences.language = Idioma: -preferences.editor_and_console_font = Fuente del editor y la consola: -preferences.editor_and_console_font.tip = Selecciona la fuente del editor y de la consola.
Solo se permiten fuentes con caracteres de ancho
fijo. Puede que no todas aparezcan en la lista. -preferences.editor_font_size = Tamaño de letra del editor: -preferences.console_font_size = Tamaño de letra de la consola: -preferences.interface_scale = Escala de la interfaz: -preferences.interface_scale.auto = Automática -preferences.background_color = Color de fondo del modo Presentación: -preferences.background_color.tip = Selecciona el color de fondo para el modo Presentación.
En este modo se presenta el sketch en pantalla completa;
puedes acceder a este modo desde el menú Sketch. -preferences.use_smooth_text = Suavizar el texto en el editor -preferences.enable_complex_text = Habilitar ingreso de caracteres complejos -preferences.enable_complex_text.tip = Para escribir en algunas lenguas en el editor,
como el chino, el japonés o el árabe, hay que tener
activadas características adicionales. -preferences.continuously_check = Comprobación continua de errores -preferences.show_warnings = Mostrar advertencias -preferences.code_completion = Autocompletar código con -preferences.trigger_with = Activar con -preferences.cmd_space = espacio -preferences.suggest_imports = Sugerir declaraciones de importación -preferences.increase_max_memory = Aumentar la memoria máxima disponible a -# preferences.delete_previous_folder_on_export = Eliminar la carpeta anterior al exportar -preferences.check_for_updates_on_startup = Comprobar actualizaciones (consultar los datos enviados en Preguntas Frecuentes) -preferences.run_sketches_on_display = Pantalla donde ejecutar sketches -preferences.run_sketches_on_display.tip = Define la pantalla donde inicialmente se abren los sketches.
Si la ventana del sketch se mueve, esta se volverá a abrir
en la misma posición. Sin embargo, en modo Presentación
(pantalla completa), se utilizará siempre esta pantalla. -preferences.automatically_associate_pde_files = Asociar automáticamente los archivos «.pde» con Processing -preferences.launch_programs_in = Ejecutar programas en -preferences.launch_programs_in.mode = modo -preferences.file = Puedes editar otras preferencias modificando directamente el archivo: -preferences.file.hint = (Editar únicamente cuando Processing no esté abierto.) - -# Sketchbook Location (Frame) -sketchbook_location = Nueva ubicación del sketchbook - -# Sketchbook (Frame) -sketchbook = Sketchbook -sketchbook.tree = Sketchbook - -# Examples (Frame) -examples.title = Ejemplos en %s -examples.add_examples = Añadir ejemplos... -examples.libraries = Bibliotecas contribuidas -examples.core_libraries = Bibliotecas -examples.contributed = Ejemplos contribuidos - -# Export (Frame) -export = Opciones de exportación -export.platforms = Sistemas operativos -export.options = Opciones -export.options.present = Modo Presentación -export.options.show_stop_button = Mostrar un botón de Detener -export.description = Convierte el sketch en una aplicación para varios sistemas operativos: -export.unsaved_changes = ¿Guardar los cambios antes de exportar? -export.notice.cancel.unsaved_changes = Exportación cancelada: debes guardar los cambios del sketch antes de exportarlo. -export.notice.exporting = Exportando como aplicación... -export.notice.exporting.done = Exportación finalizada. -export.notice.exporting.error = Ha ocurrido un error al exportar. -export.notice.exporting.cancel = Se ha cancelado la exportación como aplicación. -export.tooltip.macos = La exportación para macOS solo está disponible en macOS -export.full_screen = Pantalla completa -export.embed_java = Incluir Java -export.include_java = Incluir Java en la aplicación para %s -export.code_signing = Firma de código -export.messages.is_read_only = Sketch solo de lectura -export.messages.is_read_only.description = Algunos archivos son solo de lectura\nguarda el sketch en otra ubicación y vuelve a intentarlo. -export.messages.cannot_export = No se puede exportar -export.messages.cannot_export.description = No se puede exportar un sketch que no se ha guardado. - -# Find (Frame) -find = Buscar -find.find = Buscar: -find.replace_with = Reemplazar con: -find.ignore_case = Ignorar mayúsculas -find.all_tabs = Todas las pestañas -find.wrap_around = Continuar buscando -find.btn.replace_all = Reemplazar todo -find.btn.replace = Reemplazar -find.btn.replace_and_find = Buscar y reemplazar -find.btn.previous = Anterior -find.btn.find = Buscar - -# Find in reference (Frame) -find_in_reference = Buscar en la referencia - -# File (Frame) -file = Selecciona un archivo a copiar en el sketch - -# Create Font (Frame) -create_font = Crear fuente -create_font.label = Crea fuentes de mapas de bits con esta herramienta.\nSelecciona una fuente y un tamaño, y haz clic en «Aceptar».\nLa fuente se añadirá a la carpeta de datos del sketch. -create_font.size = Tamaño -create_font.smooth = Suavizar -create_font.characters = Caracteres... -create_font.character_selector = Selector de caracteres -create_font.character_selector.label = La opción «Caracteres predeterminados» incluye la mayoría\nde mapas de bits para las grafías latinas en MacOS y Windows.\nIncluir «Todos los caracteres» añade muchos más mapas de bits\ny requiere mucha más memoria. Para mayor control puedes\nescoger «Bloques Unicode específicos». -create_font.default_characters = Caracteres predeterminados -create_font.all_characters = Todos los caracteres -create_font.specific_unicode = Bloques Unicode específicos -create_font.filename = Nombre del archivo - -# Color Selector (Frame) -color_selector = Selector de colores - -# Archive Sketch (Frame) -archive_sketch = Archivar sketch como... - -# Tweak Mode -tweak_mode = Retocar en vivo -tweak_mode.save_before_tweak = Debes guardar el sketch antes de entrar en el modo de Retocar en vivo. -tweak_mode.keep_changes.line1 = ¿Quieres mantener los cambios? -tweak_mode.keep_changes.line2 = Has modificado algunos valores del sketch. ¿Quieres guardar esos cambios? - -# DebugTray -debugger.name = Nombre -debugger.value = Valor -debugger.type = Tipo - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Ejecutar -toolbar.present = Presentar -toolbar.stop = Detener -toolbar.debug = Depurar -# --- -toolbar.new = Nuevo -toolbar.open = Abrir -toolbar.save = Guardar -# toolbar.export_application = Exportar como aplicación -# toolbar.add_mode = Añadir modo... -toolbar.manage_modes = Gestionar modos... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = Continuar -#toolbar.debug.step = Saltar -#toolbar.debug.step_into = Ingresar -#toolbar.debug.stop = Detener -#toolbar.debug.toggle_breakpoints = Conmutar punto de interrupción -#toolbar.debug.variable_inspector = Inspector de variables - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Nueva pestaña -editor.header.rename = Renombrar -editor.header.delete = Eliminar -editor.header.previous_tab = Pestaña anterior -editor.header.previous_tab.keystroke.macos = meta alt pressed LEFT -editor.header.previous_tab.keystroke.windows = ctrl pressed PAGE_UP -editor.header.previous_tab.keystroke.linux = ctrl pressed PAGE_UP -editor.header.next_tab = Pestaña siguiente -editor.header.next_tab.keystroke.macos = meta alt pressed RIGHT -editor.header.next_tab.keystroke.windows = ctrl pressed PAGE_DOWN -editor.header.next_tab.keystroke.linux = ctrl pressed PAGE_DOWN -editor.header.delete.warning.title = Acción no permitida -editor.header.delete.warning.text = No se puede eliminar la pestaña principal del único sketch abierto. - -# PopUp menu -editor.popup.jump_to_declaration = Ir a la declaración -editor.popup.show_usage = Mostrar uso... -editor.popup.rename = Renombrar... - -# Tabs -editor.tab.new = Nuevo archivo -editor.tab.new.description = Nombre del archivo nuevo -editor.tab.rename = Renombrar archivo -editor.tab.rename.description = Nombre para el archivo - -# Sketch -editor.sketch.rename.description = Nuevo nombre para el sketch - -editor.status.autoformat.no_changes = Autoformato sin cambios. -editor.status.autoformat.finished = Autoformato completado. -editor.status.find_reference.select_word_first = Debes seleccionar una palabra para buscar en la referencia. -editor.status.find_reference.not_available = No se ha encontrado «%s» en la referencia. -editor.status.drag_and_drop.files_added.0 = No se ha añadido ningún archivo al sketch. -editor.status.drag_and_drop.files_added.1 = Se ha añadido un archivo al sketch. -editor.status.drag_and_drop.files_added.n = Se han añadido %d archivos al sketch. -editor.status.saving = Guardando... -editor.status.saving.done = Se ha guardado el sketch. -editor.status.saving.canceled = Guardado cancelado. -editor.status.printing = Imprimiendo... -editor.status.printing.done = Impresión finalizada. -editor.status.printing.error = Ha ocurrido un error durante la impresión. -editor.status.printing.canceled = Impresión cancelada. -editor.status.copy_as_html = Se ha copiado el código como HTML en el portapapeles. -editor.status.debug.busy = Depurador en funcionamiento... -editor.status.debug.halt = Depurador en pausa. -editor.status.archiver.create = Se ha creado el archivador «%s». -editor.status.archiver.cancel = Se ha cancelado la creación del archivador del sketch. - -# Errors -editor.status.warning = Advertencia -editor.status.error = Error -editor.status.error.syntax = Error de sintaxis - %s -editor.status.error_on = Error en «%s» -editor.status.missing.default = Falta «%c» -editor.status.missing.semicolon = Falta un punto y coma «;» -editor.status.missing.left_sq_bracket = Falta un corchete de apertura «[» -editor.status.missing.right_sq_bracket = Falta un corchete de cierre «]» -editor.status.missing.left_paren = Falta un paréntesis de apertura «(» -editor.status.missing.right_paren = Falta un paréntesis de cierre «)» -editor.status.missing.left_curly_bracket = Falta una llave de apertura «{» -editor.status.missing.right_curly_bracket = Falta una llave de cierre «}» -editor.status.missing.add = Quizás falta añadir «%s» -editor.status.bad_curly_quote = Las comillas onduladas «%s» no son válidas. Usa las rectas «"». Puedes corregirlo con Ctrl+T. -editor.status.reserved_words = «color» e «int» son palabras reservadas y no pueden usarse como nombres de variables -editor.status.undefined_method = No existe la función «%s(%s)» -editor.status.undefined_constructor = No existe el constructor «%s(%s)» -editor.status.empty_param = La función «%s()» no recibe ningún argumento -editor.status.wrong_param = La función «%s()» recibe argumentos de la forma: «%s(%s)» -editor.status.undef_global_var = No existe la variable global «%s» -editor.status.undef_class = No existe la clase «%s» -editor.status.undef_var = No existe la variable «%s» -editor.status.undef_name = No se reconoce el nombre «%s» -editor.status.unterm_string_curly = Cadena de texto sin cerrar con comillas rectas «"»: las onduladas no sirven «%s». -editor.status.type_mismatch = Discrepancia de tipos: «%s» no es compatible con «%s» -editor.status.unused_variable = El valor de la variable local «%s» no se utiliza -editor.status.uninitialized_variable = Quizás no se ha inicializado la variable local «%s» -editor.status.no_effect_assignment = La asignación a la variable «%s» no tiene ningún efecto -editor.status.hiding_enclosing_type = El nombre de la clase «%s» no puede coincidir con el del sketch o el de la clase que la contiene - -editor.status.bad.assignment = Posible error de asignación a una variable cerca de «%s» -editor.status.bad.generic = Quizás falta un tipo en el genérico cerca de «%s» -editor.status.bad.identifier = Posible identificador ilegal. Quizás falta declarar una variable cerca de «%s» -editor.status.bad.parameter = Posible declaración incorrecta de un método/argumento cerca de «%s» -editor.status.bad.import = No se pueden declarar importaciones aquí -editor.status.bad.mixed_mode = Quizás estás mezclando los modos activo y estático de Processing. -editor.status.extraneous = Posible instrucción incompleta o código de más cerca de «%s» -editor.status.mismatched = Quizás falta un operador, un «;» o un «}» cerca de «%s» -editor.status.missing.name = Quizás falta un nombre o un «;» cerca de «%s» -editor.status.missing.type = Quizás falta un nombre, un tipo o un «;» cerca de «%s» - - -# Footer buttons -editor.footer.errors = Errores -editor.footer.errors.problem = Problema -editor.footer.errors.tab = Pestaña -editor.footer.errors.line = Línea -editor.footer.console = Consola - -# New handler -new.messages.is_read_only = Sketch solo de lectura -new.messages.is_read_only.description = Algunos archivos son solo de lectura.\nGuarda el sketch en otro lugar e inténtalo de nuevo. - -# Rename handler -rename.messages.is_untitled = Sketch sin nombre -rename.messages.is_untitled.description = Debes guardar primero el sketch para poder cambiarle el nombre -rename.messages.is_modified = Debes guardar los cambios del sketch\nantes de cambiar el nombre. -rename.messages.is_read_only = Sketch solo de lectura -rename.messages.is_read_only.description = Algunos archivos son solo de lectura.\nGuarda el sketch en otro lugar e inténtalo de nuevo. - -# Naming handler -name.messages.problem_renaming = Error cambio de nombre -name.messages.starts_with_dot.description = El nombre no puede comenzar con un punto. -name.messages.invalid_extension.description = «.%s» no es una extensión válida. -name.messages.main_java_extension.description = La primera pestaña no puede ser un archivo «.%s». -name.messages.new_sketch_exists = Sketch/archivo ya existe -name.messages.new_sketch_exists.description = Ya existe un archivo llamado «%s» en\n«%s» -name.messages.new_folder_exists = La carpeta ya existe -name.messages.new_folder_exists.description = Ya existe un sketch (o una carpeta) con nombre «%s». -name.messages.error = Error -name.messages.no_rename_folder.description = No se ha podido renombrar la carpeta del sketch. -name.messages.no_rename_file.description = No se ha podido renombrar «%s» a «%s» -name.messages.no_create_file.description = No se ha podido crear el archivo «%s»\nen «%s» - -# Delete handler -delete.messages.cannot_delete = No se puede eliminar -delete.messages.cannot_delete.description = No se puede eliminar un sketch que no se ha guardado. -delete.messages.cannot_delete.file = Error eliminando -delete.messages.cannot_delete.file.description = No se ha podido eliminar el archivo -delete.messages.is_read_only = Sketch solo de lectura -delete.messages.is_read_only.description = Algunos archivos son solo de lectura.\nGuarda el sketch en otro lugar e inténtalo de nuevo. - -# Save handler -save_file.messages.is_read_only = Sketch solo de lectura -save_file.messages.is_read_only.description = Algunos archivos son solo de lectura.\nGuarda el sketch en otro lugar e inténtalo de nuevo. -save_file.messages.sketch_exists = El sketch ya existe -save_file.messages.sketch_exists.description = Ya existe un sketch con el nombre\nen limpio «%s». -save_file.messages.tab_exists = Una pestaña ya existe -save_file.messages.tab_exists.description = No se puede guardar el sketch como «%s»\nporque ya contiene un archivo con ese nombre. -save_file.messages.recursive_save = Guardado recursivo -save_file.messages.recursive_save.description = No se puede guardar el sketch\nen una carpeta dentro del propio sketch. - -# Add handler -add_file.messages.is_read_only = Sketch solo de lectura -add_file.messages.is_read_only.description = Algunos archivos son solo de lectura.\nGuarda el sketch en otro lugar e inténtalo de nuevo. -add_file.messages.confirm_replace = El archivo «%s» ya existe, ¿quieres sobreescribirlo? -add_file.messages.error_adding = Error añadiendo archivo -add_file.messages.cannot_delete.description = No se ha podido eliminar el archivo «%s». -add_file.messages.cannot_add.description = No se ha podido añadir el archivo «%s» al sketch. -add_file.messages.same_file = Archivo ya copiado -add_file.messages.same_file.description = Este archivo ya se ha copiado. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Error carpeta montaje -temp_dir.messages.bad_build_folder.description = No se ha encontrado una ubicación donde poder montar el sketch. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Sketch desaparecido -ensure_exist.messages.missing_sketch.description = La carpeta del sketch ha desaparecido.\nSe intentará volverlo a guardar en el mismo sitio,\npero se perderá todo menos el código. -ensure_exist.messages.unrecoverable = No se ha podido guardar -ensure_exist.messages.unrecoverable.description = No se ha podido volver a guardar el sketch. Es recomendable\nque copies el código en otro editor para no perderlo. - -# Check name -check_name.messages.is_name_modified = Se ha modificado el nombre del sketch. El nombre de un sketch\nsolo puede tener caracteres ASCII y números (no puede empezar con un número).\nEn total debe tener menos de 64 caracteres. - -# External changes detector -change_detect.reload.title=Archivo modificado externamente -change_detect.reload.question=Otro programa ha modificado «%s». -change_detect.reload.comment=¿Quieres continuar con esta versión o cargar los cambios?\nEn ambos casos, se guardará una copia del archivo que descartes en la carpeta del sketch. -change_detect.button.keep=Ignorar cambios -change_detect.button.load_new=Cargar cambios -change_detect.delete.title=Pestaña eliminada externamente -change_detect.delete.question=«%s» ha desaparecido de la carpeta del sketch. -change_detect.delete.comment=¿Quieres volver a guardarlo o prefieres eliminarlo del sketch? -change_detect.button.discard=Eliminar -change_detect.button.resave=Guardar - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Gestor de contribuciones -contrib.manager_title.update = Gestor de actualizaciones -contrib.manager_title.mode = Gestor de modos -contrib.manager_title.tool = Gestor de herramientas -contrib.manager_title.library = Gestor de bibliotecas -contrib.manager_title.examples = Gestor de ejemplos -contrib.category = Categoría: -contrib.filter_your_search = Filtrar la búsqueda... -contrib.show_only_compatible.mode = Mostrar solo modos compatibles -contrib.show_only_compatible.tool = Mostrar solo herramientas compatibles -contrib.show_only_compatible.library = Mostrar solo bibliotecas compatibles -contrib.show_only_compatible.examples = Mostrar solo ejemplos compatibles -contrib.show_only_compatible.update = Mostrar solo actualizaciones compatibles -contrib.restart = Reiniciar Processing -contrib.unsaved_changes = Hay cambios sin guardar -contrib.unsaved_changes.prompt = ¿Seguro que quieres reiniciar Processing sin guardar los cambios? -contrib.messages.remove_restart = Reinicia Processing para terminar de eliminar este ítem. -contrib.messages.install_restart = Reinicia Processing para terminar de instalar este ítem. -contrib.messages.update_restart = Reinicia Processing para terminar de actualizar este ítem. -contrib.errors.list_download = No se ha podido descargar la lista de contribuciones disponibles. -contrib.errors.list_download.timeout = El tiempo de espera para descargar la lista de contribuciones se ha agotado. -contrib.errors.download_and_install = Ha ocurrido un error durante la descarga e instalación de «%s». -contrib.errors.description_unavailable = Descripción no disponible. -contrib.errors.malformed_url = El enlace obtenido desde Processing.org no es válido.\nPuedes ir al sitio web de la biblioteca para ver\ncómo instalarla manualmente. -contrib.errors.needs_repackage = Hay que volver a empaquetar «%s» siguiendo las directrices de «%s». -contrib.errors.no_contribution_found = No se ha encontrado «%s» en el archivo descargado. -contrib.errors.overwriting_properties = Error sobreescribiendo el archivo .properties. -contrib.errors.install_failed = La instalación ha fallado. -contrib.errors.update_on_restart_failed = Ha fallado la actualización de «%s» durante el reinicio. -contrib.errors.temporary_directory = No se ha podido escribir en la carpeta temporal. -contrib.errors.contrib_download.timeout = Se ha agotado el tiempo de conexión durante la descarga de «%s». -contrib.errors.no_internet_connection = Parece que no estás conectado a Internet. -contrib.status.downloading_list = Descargando lista... -contrib.status.connecting = Conectando... -contrib.status.done = Listo. -contrib.all = Todas -contrib.undo = Deshacer -contrib.remove = Eliminar -contrib.install = Instalar -contrib.progress.installing = Instalando -contrib.progress.starting = Comenzando -contrib.progress.downloading = Descargando -contrib.download_error = Ha ocurrido un error durante la descarga de la contribución. -contrib.missing_link = No se ha encontrado el enlace de descarga de %s, contacta con el autor. -contrib.category.3d = 3D -contrib.category.animation = Animación -contrib.category.data = Datos -contrib.category.geometry = Geometría -contrib.category.gui = Interfaz gráfica -contrib.category.hardware = Hardware -contrib.category.i_o = Entrada/Salida -contrib.category.math = Matemáticas -contrib.category.renderer = Renderizar -contrib.category.simulation = Simulación -contrib.category.sound = Sonido -contrib.category.typography = Tipografía -contrib.category.utilities = Utilidades -contrib.category.video_vision = Vídeo y visión -contrib.category.other = Otros - -# Install on Startup -contrib.startup.errors.download_install = Ha ocurrido un error durante la descarga o instalación de «%s» -contrib.startup.errors.temp_dir = No se ha podido escribir en la carpeta temporal durante la descarga o instalación de «%s» -contrib.startup.errors.new_marker = El marcador de contribuciones desactualizadas tiene problemas con %s. Es posible que debas instalarlo manualmente para actualizarlo... - -# Install on Import -contrib.import.dialog.title = Bibliotecas necesarias disponibles -contrib.import.dialog.primary_text = Las siguientes bibliotecas importadas no están instaladas, pero están disponibles para descargar. -contrib.import.dialog.secondary_text = ¿Quieres instalarlas ahora? -contrib.import.progress.download = Descargando «%s»... -contrib.import.progress.install = Instalando «%s»... -contrib.import.progress.done = Instalada «%s». -contrib.import.progress.final_list = Se han instalado estas bibliotecas: -contrib.import.errors.link = Error: el enlace de descarga de la biblioteca «%s» no es válido. - -# --------------------------------------- -# Warnings - -warn.delete = Eliminar -warn.delete.sketch_folder = ¿Seguro que quieres eliminar el sketch?\nEsto suprimirá la carpeta «%s» y todo su contenido. -warn.delete.sketch_file = ¿Seguro que quieres eliminar el archivo «%s»? -warn.cannot_change_mode.title = Error cambio de modo -warn.cannot_change_mode.body = No se puede cambiar al modo «%s»\nporque no es compatible con el modo actual. - - -# --------------------------------------- -# Update Check - -update_check = Actualización -update_check.updates_available.core = Hay una nueva versión de Processing disponible,\n¿quieres ir a la página de descarga? -update_check.updates_available.contributions = Hay actualizaciones disponibles para algunas contribuciones instaladas.\n¿Quieres abrir el gestor de contribuciones? - - -# --------------------------------------- -# Color Chooser - -color_chooser = Selector de color -color_chooser.select = Seleccionar - -# --------------------------------------- -# Movie Maker - -movie_maker = Creador de películas -movie_maker.two.title = Movie Maker II: ahora aún mejor -movie_maker.two.blurb = Crea un vídeo MPEG o una animación GIF a partir de una sucesión de imágenes

Para evitar artefactos visuales debidos a la recompresión de imágenes,
utiliza imágenes en formato TIFF, TGA, o PNG.

Las imágenes en TIFF y TGA se guardan con rapidez, pero ocupan
más espacio en disco:
saveFrame(“frames/####.tif”);
saveFrame(“frames/####.tga”);

Las imágenes en PNG ocupan menos espacio, pero harán que el sketch
vaya más lento:
saveFrame(“frames/####.png”);

La opción de compresión «Lossless 4:2:0» aún es mejorable, debido a cómo
funciona MPEG-4. La opción «4:4:4» es la ideal, pero es menos compatible
con otros programas.

Anteriormente QuickTime Movie Maker de Werner Randelshofer,
se ha reescrito gran parte para poder usar FFmpeg en Processing 4. -movie_maker.image_folder_help_label = Arrastra a este campo una carpeta de imágenes: -movie_maker.choose_button = Seleccionar... -movie_maker.select_image_folder = Selecciona una carpeta de imágenes... -movie_maker.sound_file_help_label = Arrastra a este campo un archivo de audio (.au, .aiff, .wav, .mp3): -movie_maker.select_sound_file = Selecciona un archivo de audio... - -movie_maker.create_movie_button = Crear película... -movie_maker.save_dialog_prompt = Guardar película como... -movie_maker.width = Ancho: -movie_maker.height = Alto: -movie_maker.compression = Compresión: -movie_maker.framerate = Fotogramas por segundo: -movie_maker.orig_size_button = Tamaño de las originales -movie_maker.orig_size_tooltip = Márcala si las imágenes ya tienen todas\nel tamaño que quieres para la película. - -movie_maker.error.avoid_tiff = Utiliza imágenes TGA o PNG en vez de TIFF. -movie_maker.error.badnumbers = El ancho y alto de la película deben ser números enteros mayores que 0.\nLos fotogramas por segundo ha de ser un número mayor que 0. -movie_maker.error.cannot_read = No se ha podido leer «%s». -movie_maker.error.cannot_read_maybe_bad = No se ha podido leer «%s»; quizás esté corrupto. -movie_maker.error.movie_failed = Ha ocurrido un error durante la creación de la película. -movie_maker.error.need_input = Debes especificar una carpeta de imágenes, un archivo de audio, o ambos. -movie_maker.error.no_images_found = No se ha encontrado ninguna imagen. -movie_maker.error.sorry = Error -movie_maker.error.unknown_tga_format = El formato «.tga» del archivo «%s» es desconocido. - -movie_maker.progress.creating_file_name = Combinando imágenes para formar la película «%s». -movie_maker.progress.creating_output_file = Creando el archivo de salida -movie_maker.progress.initializing = Inicializando... -movie_maker.progress.processing = Procesando «%s». - -movie_maker.progress.handling_frame = Convirtiendo la imagen %s de %s... diff --git a/tools/Java/lib/languages/PDE_fr.properties b/tools/Java/lib/languages/PDE_fr.properties deleted file mode 100644 index de0c66c..0000000 --- a/tools/Java/lib/languages/PDE_fr.properties +++ /dev/null @@ -1,545 +0,0 @@ - - -# --------------------------------------- -# Language: Français (French) (fr) -# --------------------------------------- - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Fichier -menu.file.new = Nouveau -menu.file.open = Ouvrir... -menu.file.recent = Ouvrir récent -menu.file.sketchbook = Sketchbook... -menu.file.sketchbook.empty = Sketchbook Vide -menu.file.examples = Exemples... -menu.file.close = Fermer -menu.file.save = Enregistrer -menu.file.save_as = Enregistrer sous... -menu.file.export_application = Exporter... -menu.file.page_setup = Aperçu avant impression -menu.file.print = Imprimer... -menu.file.preferences = Préférences... -menu.file.quit = Quitter - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Modifier -menu.edit.undo = Annuler -menu.edit.redo = Refaire -menu.edit.action.addition = addition -menu.edit.action.deletion = suppression -menu.edit.cut = Couper -menu.edit.copy = Copier -menu.edit.copy_as_html = Copier comme HTML -menu.edit.paste = Coller -menu.edit.select_all = Sélectionner tout -menu.edit.auto_format = Mise en forme automatique -menu.edit.comment_uncomment = Commenter/Décommenter -menu.edit.comment_uncomment.keystroke = meta pressed COLON -menu.edit.increase_indent = → Augmenter l'indentation -menu.edit.decrease_indent = ← Diminuer l'indentation -menu.edit.find = Rechercher... -menu.edit.find_next = Rechercher suivant -menu.edit.find_previous = Rechercher précédent -menu.edit.use_selection_for_find = Rechercher dans la sélection - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Exécuter -menu.sketch.present = Présenter -menu.sketch.tweak = Tweak -menu.sketch.stop = Arrêter -# --- -menu.library = Importer une bibliothèque... -menu.library.add_library = Ajouter une bibliothèque... -menu.library.contributed = Contribuées -menu.library.no_core_libraries = Ce mode n'a pas de bibliothèques de base -# --- -menu.sketch = Sketch -menu.sketch.show_sketch_folder = Afficher le dossier -menu.sketch.add_file = Ajouter un fichier... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -# ... -menu.debug = Dépanner -menu.debug.show_debug_toolbar = Afficher la barre de dépannage -menu.debug.debug = Dépanner -menu.debug.continue = Continuer -menu.debug.stop = Arrêter -# --- -menu.debug.show_sketch_outline = Afficher l'aperçu du Sketch -menu.debug.show_tabs_list = Afficher la liste de onglets - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Outils -menu.tools.color_selector = Sélecteur de couleurs... -menu.tools.create_font = Générer la police... -menu.tools.archive_sketch = Archiver le sketch... -menu.tools.fix_the_serial_lbrary = Réparer la "Serial Library"... -menu.tools.install_processing_java = Installer "processing-java"... -menu.tools.add_tool = Ajouter un outil... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Aide -menu.help.about = À propos de Processing (en) -menu.help.environment = Environnement (en) -menu.help.reference = Documentation (en) -menu.help.find_in_reference = Chercher dans la documentation (en) -menu.help.online = En ligne -menu.help.getting_started = Premiers pas (en) -menu.help.troubleshooting = Dépannage (en) -menu.help.faq = Foire aux questions (en) -menu.help.foundation = "The Processing Foundation" (en) -menu.help.visit = Visiter Processing.org (en) - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Oui -prompt.no = Non -prompt.cancel = Annuler -prompt.ok = Ok -prompt.browse = Naviguer -prompt.export = Exporter - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Ouvrir un sketch Processing... - -# Save (Frame) -save = Enregistrer le dossier de sketch sous... -save.title = Voulez-vous enregistrer les modifications avant de quitter? -save.hint = Si vous ne sauvegardez pas, vos modifications seront supprimées. -save.btn.save = Enregistrer -save.btn.dont_save = Ne pas enregistrer - -# Preferences (Frame) -preferences = Préférences -preferences.button.width = 110 -preferences.requires_restart = Nécessite de redémarrer Processing -preferences.sketchbook_location = Emplacement du sketchbook -preferences.sketchbook_location.popup = Emplacement du sketchbook -preferences.language = Langue -preferences.editor_and_console_font = Police de l'éditeur et de la console -preferences.editor_font_size = Taille de police de l'éditeur -preferences.console_font_size = Taille de police de la console -preferences.background_color = Couleur d'arrière plan en mode présentation -preferences.background_color.tip = \ -Séléctionnez la couleur d'arrière plan en mode présentation
\ -Le mode présentation est utilisé pour présenter un sketch en plein écran.
\ -On peut y accéder depuis le menu Sketch. -preferences.use_smooth_text = Lissage des polices dans l'éditeur -preferences.enable_complex_text_input = Autoriser la saisie de caractères non-latins -preferences.enable_complex_text_input_example = ex.: Japonais -preferences.continuously_check = Détecter les erreurs en continu -preferences.show_warnings = Afficher les avertissements -preferences.code_completion = Autocomplétion du code -preferences.trigger_with = Forcer l'autocomplétion avec -preferences.cmd_space = Espace -preferences.suggest_imports = Suggérer les imports -preferences.increase_max_memory = Augmenter la mémoire vive disponible -preferences.delete_previous_folder_on_export = Effacer le dossier précédent lors de l'export -preferences.hide_toolbar_background_image = Masquer l'image d'arrière-plan de la barre d'outils -preferences.check_for_updates_on_startup = Vérifier les mises à jour au démarrage -preferences.run_sketches_on_display = Exécuter les sketch sur l'écran -preferences.run_sketches_on_display.tip = \ -Sélectionner l'écran où les sketches seront placés par défaut.
\ -Comme d'habitude, si la fenêtre de sketch est déplacée, elle sera
\ -rouverte au même endroit, mais lors de l'exécution en mode
\ -présentation (plein écran), cet écran sera toujours utilisé. -preferences.automatically_associate_pde_files = Ouvrir les fichiers .pde avec Processing par défaut -preferences.launch_programs_in = Lancer les programmes en -preferences.launch_programs_in.mode = mode -preferences.file = Plus de préférences peuvent être éditées directement dans le fichier suivant -preferences.file.hint = fermez toutes les instances de Processing avant d'éditer les préférences - -# Sketchbook Location (Frame) -sketchbook_location = Sélectionnez un nouvel emplacement pour le sketchbook - -# Examples (Frame) -examples.title = %s exemples -examples.add_examples = Ajouter des exemples... -examples.libraries = Bibliothèques contribuées -examples.core_libraries = Bibliothèques -examples.contributed = Exemples contribués - -# Export (Frame) -export = Options d'export -export.platforms = Plateformes -export.options = Options -export.options.fullscreen = Plein écran (Mode présentation) -export.options.show_stop_button = Afficher un bouton stop -export.description.line1 = “Exporter l’application” crée un exécutable -export.description.line2 = autonome pour chaque plateforme sélectionnée. -export.unsaved_changes = Sauvegarder les changements avant l'export? -export.notice.cancel.unsaved_changes = Échec de l'export, les changement doivent d'abord être sauvegardés. -export.notice.exporting = Export de l'application en cours... -export.notice.exporting.done = Export terminé. -export.notice.exporting.error = Erreur lors de l'export. -export.notice.exporting.cancel = Export de l'application annulé. -export.tooltip.macos = L'export pour macOS est seulement disponible sur macOS -export.full_screen = Plein écran -export.embed_java = Inclure Java -export.embed_java.for = Inclure Java pour -export.code_signing = Signature de code -export.messages.is_read_only = Le sketch est en lecture seule -export.messages.is_read_only.description = Certains fichiers sont en "lecture seule", vous devrez \nre-sauvegarder le sketch dans un autre emplacement,\net réessayer. -export.messages.cannot_export = Export impossible -export.messages.cannot_export.description = Vous ne pouvez pas exporter un sketch qui n'a pas été sauvegardé. - -# Find (Frame) -find = Rechercher -find.find = Rechercher: -find.replace_with = Remplacer par: -find.ignore_case = Ignorer la casse -find.all_tabs = Tous les onglets -find.wrap_around = Reprendre au début -find.btn.replace_all = Remplacer tout -find.btn.replace = Remplacer -find.btn.find_and_replace = Remplacer & rechercher -find.btn.previous = Précédent -find.btn.find = Rechercher - -# Find in reference (Frame) -find_in_reference = Chercher dans la doc (en) - -# File (Frame) -file = Sélectionner une image ou fichier de données à ajouter au sketch - -# Create Font (Frame) -create_font = Créer la police -create_font.label = Utilisez cet outil pour créer des polices bitmap pour votre programme. \nSélectionnez une police et une taille, puis cliquez sur "OK" pour générer la police. \nElle sera ajoutée au dossier de données du sketch actuel. -create_font.size = Taille -create_font.smooth = Lissage -create_font.characters = Caractères... -create_font.character_selector = Palette de caractères -create_font.character_selector.label = Les caractères par défaut comprennent la plupart des bitmaps pour les scripts latins de Mac OS \net de Windows. L'inclusion de tous les caractères peut nécessiter \nune grande quantité de mémoire pour tous les bitmaps. \nPour un meilleur contrôle, vous pouvez sélectionner des blocs Unicode spécifiques. -create_font.default_characters = Caractères par défaut -create_font.all_characters = Tous les caractères -create_font.specific_unicode = Blocs Unicode spécifiques -create_font.filename = Nom du fichier - -# Color Selector (Frame) -color_selector = Sélecteur de couleurs - -# Archive Sketch (Frame) -archive_sketch = Archiver le sketch sous... - -# Tweak Mode -tweak_mode = Mode Tweak -tweak_mode.save_before_tweak = Veuillez sauvegarder le sketch avant d'activer le mode Tweak. -tweak_mode.keep_changes.line1 = Conserver les modifications ? -tweak_mode.keep_changes.line2 = Vous avez modifié certaines valeurs dans votre sketch. Souhaitez-vous conserver les modifications ? - -# DebugTray -debugger.name = Nom -debugger.value = Valeur -debugger.type = Type - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Exécuter -toolbar.present = Présenter -toolbar.stop = Arrêter -# --- -toolbar.new = Nouveau -toolbar.open = Ouvrir -toolbar.save = Enregistrer -# toolbar.export_application = Exporter -toolbar.add_mode = Ajouter un mode... - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Nouvel onglet -editor.header.rename = Renommer -editor.header.delete = Supprimer -editor.header.previous_tab = Onglet précédent -editor.header.next_tab = Onglet suivant -editor.header.delete.warning.title = Ouais, mais non. -editor.header.delete.warning.text = Impossible de supprimer le dernier onglet du sketch. - -# PopUp menu -editor.popup.jump_to_declaration = Aller à la déclaration -editor.popup.show_usage = Montrer l'utilisation... -editor.popup.rename = Renommer... - -# Tabs -editor.tab.new = Nouveau Nom -editor.tab.new.description = Nom du nouveau fichier -editor.tab.rename = Nouveau Nom -editor.tab.rename.description = Nom du nouveau fichier - -# Sketch -editor.sketch.rename.description = Nouveau nom du sketch - -editor.status.autoformat.no_changes = Pas de changements nécessaires pour la mise en forme automatique. -editor.status.autoformat.finished = Mise en forme automatique terminée. -editor.status.find_reference.select_word_first = Sélectionnez d'abord un mot à trouver dans la référence. -editor.status.find_reference.not_available = Pas de référence disponible pour «%s». -editor.status.drag_and_drop.files_added.0 = Aucuns fichiers n'ont été ajoutés au sketch. -editor.status.drag_and_drop.files_added.1 = Un fichier ajouté au sketch. -editor.status.drag_and_drop.files_added.n = %d fichiers ajoutés au sketch. -editor.status.saving = Enregistrement... -editor.status.saving.done = L'enregistrement est terminé. -editor.status.saving.canceled = Enregistrement annulé. -editor.status.printing = En cours d'impression... -editor.status.printing.done = Impression terminée. -editor.status.printing.error = Erreur lors de l'impression. -editor.status.printing.canceled = Impression annulée. -editor.status.copy_as_html = Le code formaté en HTML a été copié dans le presse-papiers. -editor.status.debug.busy = Débogueur occupé... -editor.status.debug.halt = Débogueur arrêté. -editor.status.archiver.create = Archive "%s" créée. -editor.status.archiver.cancel = Archivage annulé. - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error = Erreur -editor.status.error.syntax = Erreur de syntaxe -editor.status.error_on = Erreur à "%s" -editor.status.missing.default = Caractère manquant "%c" -editor.status.missing.semicolon = Point virgule manquant ";" -editor.status.missing.left_sq_bracket = Crochet ouvrant manquant "[" -editor.status.missing.right_sq_bracket = Crochet fermant manquant "]" -editor.status.missing.left_paren = Parenthèse ouvrante manquante "(" -editor.status.missing.right_paren = Parenthèse fermante manquante ")" -editor.status.missing.left_curly_bracket = Accolade ouvrante manquante "{" -editor.status.missing.right_curly_bracket = Accolade fermante manquante "}" -editor.status.missing.add = Envisagez d'ajouter "%s" -editor.status.bad_curly_quote = Les guillemets courbes "%s" ne fonctionnent pas. Utilisez des guillemets simples droits. Ctrl-T pour corriger automatiquement. -editor.status.reserved_words = "color" et "int" sont des mots réservés et ne peuvent pas être utilisés comme noms de variable -editor.status.undefined_method = La fonction "%s(%s)" n'existe pas -editor.status.undefined_constructor = Le constructeur "%s(%s)" n'existe pas -editor.status.empty_param = La fonction "%s()" n'accepte aucun paramètre -editor.status.wrong_param = La fonction "%s()" accepte les parametres suivants: "%s(%s)" -editor.status.undef_global_var = La variable globale "%s" n'existe pas -editor.status.undef_class = La classe "%s" n'existe pas -editor.status.undef_var = La variable "%s" n'existe pas -editor.status.undef_name = Le nom "%s" n'est pas reconnu -editor.status.unterm_string_curly = Une chaîne de caractères littérale n'est pas fermée par un guillemet double droit. Les guillemets anglais de type %s ne sont d'aucune utilité. -editor.status.type_mismatch = Erreur de typage, "%s" ne correspond pas à "%s" -editor.status.unused_variable = La valeur de la variable locale "%s" n'est pas utilisée -editor.status.uninitialized_variable = La variable locale "%s" n'a peut-être pas été initialisée. -editor.status.no_effect_assignment = L'initialisation de la variable "%s" n'a aucun effet. -editor.status.hiding_enclosing_type = La classe "%s" ne peut pas avoir le même nom que votre sketch ou sa classe englobante. - -editor.status.bad.assignment = Possible erreur d'initialisation de variable '%s'? -editor.status.bad.generic = Possible type manquant dans le générique vers '%s'? -editor.status.bad.identifier = Mauvais identifiant ? Avez-vous oublié une variable ou commencé un identifiant avec des chiffres vers '%s' ? -editor.status.bad.parameter = Erreur dans la déclaration d'un paramètre ou d'une méthode vers '%s' ? -editor.status.bad.import = Importation non autorisée ici. -editor.status.extraneous = Déclaration incomplète ou code supplémentaire vers '%s'? -editor.status.mismatched = Opérateur, point-virgule ou '}' manquant vers '%s' ? -editor.status.missing.name = Nom manquant ou ; vers '%s' ? -editor.status.missing.type = Nom ou ; ou type manquant vers '%s' ? - -# Footer buttons -editor.footer.errors = Erreurs -editor.footer.errors.problem = Problèmes -editor.footer.errors.tab = Onglet -editor.footer.errors.line = Ligne -editor.footer.console = Console - -# New handler -new.messages.is_read_only = Le sketch est en lecture seule -new.messages.is_read_only.description = Certains fichiers sont en "lecture seule", vous devrez \nre-sauvegarder le sketch dans un autre emplacement,\net réessayer. - -# Rename handler -rename.messages.is_untitled = Le sketch n'a pas de titre -rename.messages.is_untitled.description = Pourquoi ne pas sauvegarder le sketch \navant d'essayer de le renommer ? -rename.messages.is_modified = Veuillez enregistrer le croquis avant de le renommer. -rename.messages.is_read_only = Le sketch est en lecture seule -rename.messages.is_read_only.description = Certains fichiers sont en "lecture seule", vous devrez \nre-sauvegarder le sketch dans un autre emplacement,\net réessayer. - -# Naming handler -name.messages.problem_renaming = Problème de renommage -name.messages.starts_with_dot.description = Le nom ne peut pas commencer par un point. -name.messages.invalid_extension.description = ".%s" n'est pas une extension valide. -name.messages.main_java_extension.description = Le premier onglet ne peut pas être un fichier .%s. \n(Il est peut-être temps pour toi de passer à un \n"vrai" environnement de programmation, champion.) -name.messages.new_sketch_exists = Non, pas là, non -name.messages.new_sketch_exists.description = Un fichier nommé "%s" existe déjà a l'emplacement suivant \n"%s" -name.messages.new_folder_exists = Impossible de renommer -name.messages.new_folder_exists.description = Désolé, un sketch (ou un dossier) nommé "%s" existe déjà. -name.messages.error = Erreur -name.messages.no_rename_folder.description = Impossible de renommer le dossier des sketchs. -name.messages.no_rename_file.description = Impossible de renommer "%s" en "%s" -name.messages.no_create_file.description = Impossible de créer le fichier "%s"\ndans "%s" - -# Delete handler -delete.messages.cannot_delete = Impossible de supprimer -delete.messages.cannot_delete.description = Vous ne pouvez pas supprimer un sketch qui n'a pas été enregistré. -delete.messages.cannot_delete.file = Impossible -delete.messages.cannot_delete.file.description = Impossible de supprimer -delete.messages.is_read_only = Le sketch est en lecture seule -delete.messages.is_read_only.description = Certains fichiers sont en "lecture seule", vous devrez \nre-sauvegarder le sketch dans un autre emplacement,\net réessayer. - -# Save handler -save_file.messages.is_read_only = Le sketch est en lecture seule -save_file.messages.is_read_only.description = Certains fichiers sont en "lecture seule", vous devrez \nre-sauvegarder le sketch dans un autre emplacement. -save_file.messages.sketch_exists = Impossible de sauvegarder -save_file.messages.sketch_exists.description = Un sketch avec le nom \n“%s” existe déjà. -save_file.messages.tab_exists = Non, pas là, non -save_file.messages.tab_exists.description = Vous ne pouvez pas enregistrer le sketch sous le nom de "%s"\nparce que le sketch possède déjà un onglet portant ce nom. -save_file.messages.recursive_save = C'est très borgésien de votre part. -save_file.messages.recursive_save.description = Vous ne pouvez pas enregistrer le sketch dans un dossier à l'intérieur de son propre dossier. Cette opération se prolongerait indéfiniment. - -# Add handler -add_file.messages.is_read_only = Le sketch est en lecture seule -add_file.messages.is_read_only.description = Certains fichiers sont en "lecture seule", vous devrez \nre-sauvegarder le sketch dans un autre emplacement,\net réessayer. -add_file.messages.confirm_replace = Remplacer la version existante de %s? -add_file.messages.error_adding = Une erreur s'est produite lors de l'ajout d'un fichier -add_file.messages.cannot_delete.description = Impossible de supprimer le fichier '%s' existant. -add_file.messages.cannot_add.description = Impossible d'ajouter '%s' au sketch. -add_file.messages.same_file = Tu m'as pris pour un jambon ? -add_file.messages.same_file.description = Ce fichier a déjà été copié à \nl'emplacement d'où vous essayez de l'ajouter. \nJe touche à rien. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Mauvais dossier de construction -temp_dir.messages.bad_build_folder.description = Impossible de trouver un emplacement pour construire le sketch. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Le sketch a disparu -ensure_exist.messages.missing_sketch.description = Le dossier des croquis a disparu. Je vais essayer de le réenregistrer au même endroit, mais toutes les données autres que le code seront perdu. -ensure_exist.messages.unrecoverable = Impossible de re-sauvegarder le sketch -ensure_exist.messages.unrecoverable.description = Impossible de réenregistrer correctement le sketch. Vous avez peut-être des problèmes à ce stade, et il est peut-être temps de copier et coller votre code dans un autre éditeur de texte. - -# Check name -check_name.messages.is_name_modified = Le nom du sketch a dû être modifié. Les noms de sketch ne peuvent être constitués que \nde caractères ASCII et de chiffres (mais ne peuvent pas commencer par un chiffre). \nIls doivent également comporter moins de 64 caractères. - -# External changes detector -change_detect.reload.title=Onglet modifié en externe -change_detect.reload.question="%s" a été modifié par un autre programme. -change_detect.reload.comment=Souhaitez-vous conserver cette version ou charger les nouvelles modifications ? \nDans tous les cas, la version que vous éliminez sera enregistrée dans votre dossier de croquis. -change_detect.button.keep=Garder -change_detect.button.load_new=Charger les modifications -change_detect.delete.title=Onglet supprimé en externe -change_detect.delete.question="%s" a disparu du dossier du sketch. -change_detect.delete.comment=Voulez-vous le réenregistrer ou le supprimer de votre sketch ? -change_detect.button.discard=Supprimer définitivement -change_detect.button.resave=Re-sauvegarder - -# --------------------------------------- -# Contribution Panel - -contrib = Contribution Manager -contrib.category = Catégorie: -contrib.filter_your_search = Filtrer la recherche... -contrib.restart = Redémarrage Processing -contrib.unsaved_changes = Les modifications non enregistrées ont été trouvées -contrib.unsaved_changes.prompt = Êtes-vous sûr(e) de vouloir redémarrer Processing sans d'abord le registrer? -contrib.messages.remove_restart = Redémarrer Processing afin que la suppression de cet article soit terminé. -contrib.messages.install_restart = Redémarrer Procesing afin que l'installation de cet article soit terminé. -contrib.messages.update_restart = Redémarrer Processing pour terminer la mise à jour de cet article. -contrib.errors.list_download = Impossible de télécharger la liste des contributions disponibles. -contrib.errors.list_download.timeout = Délai de connexion dépassé en téléchargeant la liste des contributions disponibles. -contrib.errors.download_and_install = Erreur lors du téléchargement et de l'installation. -contrib.errors.description_unavailable = Description indisponible. -contrib.errors.malformed_url = Le lien extraité de Processing.org n'est pas valide. \nVous pouvez toujours installer cette librairie manuellement en visitant le site Web de \nla librairie. -contrib.errors.needs_repackage = %s doit être reconditionné selon les directives de %s. -contrib.errors.no_contribution_found = Impossible de trouver un(e) %s dans le fichier téléchargé. -contrib.errors.overwriting_properties = Erreur écrasant le fichier «.properties». -contrib.errors.install_failed = L'installation a échoué. -contrib.errors.update_on_restart_failed = Mise à jour au redémarrage de %s a échoué. -contrib.errors.temporary_directory = Impossible d'écrire dans le répertoire temporaire. -contrib.all = Tout -contrib.undo = Annuler -contrib.remove = Supprimer -contrib.install = Installer -contrib.progress.installing = L'installation en cours -contrib.progress.starting = Commencement -contrib.progress.downloading = Téléchargement en cours -contrib.download_error = Une erreur s'est produite lors du téléchargement de la contribution. -contrib.unsupported_operating_system = Votre système d'exploitation ne semble pas être pris en charge. Vous devriez visiter la librairie de %s pour plus d'information. - -# Install on Startup -contrib.startup.errors.download_install = Erreur lors du téléchargement et de l'installation de %s -contrib.startup.errors.temp_dir = Impossible d'écrire dans le répertoire temporaire pendant le téléchargement et l'installation de %s -contrib.startup.errors.new_marker = Le marqueur de contribution non mis à jour semble ne pas aimer %s. Vous devrez peut-être l'installer manuellement pour mettre à jour... - -# Install on Import -contrib.import.dialog.title = Bibliothèques manquantes disponibles -contrib.import.dialog.primary_text = Les bibliothèques importées suivantes sont disponibles pour le téléchargement, mais n'ont pas été installées. -contrib.import.dialog.secondary_text = Voulez-vous les installer maintenant ? -contrib.import.progress.download = Téléchargement de %s en cours... -contrib.import.progress.install = Installation de %s en cours... -contrib.import.progress.done = %s a été installé. -contrib.import.progress.final_list = Les bibliothèques suivantes ont été installées: -contrib.import.errors.link = Erreur : Le lien de téléchargement de la bibliothèque %s paraît bizarre. - -# --------------------------------------- -# Warnings - -warn.delete = Supprimer -warn.delete.sketch = Êtes-vous sûr(e) de vouloir supprimer ce sketch? -warn.delete.file = Êtes-vous sûr(e) de vouloir supprimer «%s»? -warn.cannot_change_mode.title = Impossible de changer le mode -warn.cannot_change_mode.body = Impossible de changer de mode, \ncar le mode "%s" n'est pas compatible avec le mode actuel. - - - -# --------------------------------------- -# Update Check -update_check = Mise à jour -update_check.updates_available.core = Une nouvelle version de Processing est disponible, \nVoulez-vous visiter la page de téléchargement de Processing? -update_check.updates_available.contributions = Il y a des mises à jour disponibles pour certaines des contributions installées, \nVoulez-vous ouvrir le gestionnaire de contributions? - - -# --------------------------------------- -# Color Chooser -color_chooser = Sélecteur de couleurs... -color_chooser.select = Sélectionner - -# --------------------------------------- -# Movie Maker - -movie_maker = Movie Maker -movie_maker.title = QuickTime Movie Maker -movie_maker.blurb = Cet outil crée un film QuickTime à partir d'une séquence d'images.

Pour éviter les artefacts causés par la recompression des images en tant que vidéo,
utilisez des images TIFF, TGA (de Processing), ou PNG comme source.

Les images TIFF et TGA s'enregistrent plus rapidement, mais nécessitent plus d'espace disque:
saveFrame("frames/####.tif");
saveFrame("frames/####.tga");

PNG images are smaller, but your sketch will run more slowly:
saveFrame("frames/####.png");

This code is based on QuickTime Movie Maker 1.5.1 2011-01-17.
Copyright © 2010-2011 Werner Randelshofer. All rights reserved. -movie_maker.image_folder_help_label = Faites glisser un dossier contenant des fichiers image dans le champ ci-dessous : -movie_maker.choose_button = Sélectionner... -movie_maker.select_image_folder = Sélectionner le dossier d'images... -movie_maker.sound_file_help_label = Faites glisser un fichier sonore dans le champ ci-dessous (.au, .aiff, .wav, .mp3): -movie_maker.select_sound_file = Sélectionner le fichier sonore... - -movie_maker.create_movie_button = Créer un film... -movie_maker.save_dialog_prompt = Enregistrer le film sous... -movie_maker.width = Largeur: -movie_maker.height = Hauteur: -movie_maker.compression = Compression: -movie_maker.framerate = Fréquence d'images: -movie_maker.orig_size_button = Même format que les originaux -movie_maker.orig_size_tooltip = Cochez cette case si le dossier contient des images vidéo déjà encodées au format souhaité. - -movie_maker.error.avoid_tiff = Essayer les images TGA ou PNG au lieu de TIFF. -movie_maker.error.badnumbers = La largeur et la hauteur doivent être des nombres entiers supérieurs à zéro.; Fréquence d'images doit être un nombre supérieur à zéro. -movie_maker.error.cannot_read = Impossible de lire %s. -movie_maker.error.cannot_read_maybe_bad = Impossible de lire %s; c'est peut-être grave. -movie_maker.error.movie_failed = La création du film QuickTime a échoué. -movie_maker.error.need_input = Vous devez spécifier le dossier contenant les fichiers image, le fichier son, ou les deux. -movie_maker.error.no_images_found = Aucun fichier image trouvé. -movie_maker.error.sorry = Désolé -movie_maker.error.unknown_tga_format = Format de fichier .tga inconnu pour %s. - -movie_maker.progress.creating_file_name = Création de %s. -movie_maker.progress.creating_output_file = Création du fichier de sortie -movie_maker.progress.initializing = Initialisation en cours... -movie_maker.progress.processing = Traitement de %s. - -movie_maker.progress.handling_frame = Conversion de la frame %s de %s... diff --git a/tools/Java/lib/languages/PDE_it.properties b/tools/Java/lib/languages/PDE_it.properties deleted file mode 100644 index 9689c47..0000000 --- a/tools/Java/lib/languages/PDE_it.properties +++ /dev/null @@ -1,591 +0,0 @@ -Annulla - -# --------------------------------------- -# Language: Italiano (Italian) (it) -# --------------------------------------- - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = File -menu.file.new = Nuovo -menu.file.open = Apri... -menu.file.recent = Apri Recenti -menu.file.sketchbook = Cartelle degli Sketch... -menu.file.sketchbook.empty = Cartella degli Sketch vuota -menu.file.examples = Esempi... -menu.file.close = Chiudi -menu.file.save = Salva -menu.file.save_as = Salva con nome... -menu.file.export_application = Esporta Applicazione... -menu.file.page_setup = Imposta Pagina -menu.file.print = Stampa... -menu.file.preferences = Preferenze... -menu.file.quit = Esci - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Modifica -menu.edit.undo = Annulla -menu.edit.redo = Ripeti -menu.edit.action.addition = addizione -menu.edit.action.deletion = cancellazione -menu.edit.cut = Taglia -menu.edit.copy = Copia -menu.edit.copy_as_html = Copia come HTML -menu.edit.paste = Incolla -menu.edit.select_all = Seleziona Tutto -menu.edit.auto_format = Formattazione Automatica -menu.edit.comment_uncomment = Commenta/Rimuovi commento -menu.edit.increase_indent = → Aumenta Indentazione -menu.edit.decrease_indent = ← Diminuisci Indentazione -menu.edit.find = Trova... -menu.edit.find_next = Trova Successivo -menu.edit.find_previous = Trova Puccessivo -menu.edit.use_selection_for_find = Trova Testo Selezionato - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Esegui -menu.sketch.present = Presenta -menu.sketch.tweak = Tweak -menu.sketch.stop = Stop -# --- -menu.library = Importa Libreria... -menu.library.add_library = Aggiungi Libreria... -menu.library.contributed = Librerie di terze parti -menu.library.no_core_libraries = modalità senza librerie di default -# --- -menu.sketch = Sketch -menu.sketch.show_sketch_folder = Apri cartella dello Sketch -menu.sketch.add_file = Aggiungi File... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = Debug -menu.debug.enable = Abilitare Debugger -menu.debug.disable = Disabilitare Debugger -#menu.debug.show_debug_toolbar = Show Debug Toolbar -#menu.debug.debug = Debug -#menu.debug.stop = Stop -# --- -menu.debug.toggle_breakpoint = Toggle Breakpoint -#menu.debug.list_breakpoints = List breakpoints -# --- -# used for both menus and toolbars -menu.debug.step = Step -menu.debug.step_into = Step Avanti -menu.debug.step_out = Step Indietro -menu.debug.continue = Continua -# --- -#menu.debug.print_stack_trace = Print Stack Trace -#menu.debug.print_locals = Print Locals -#menu.debug.print_fields = Print Fields -#menu.debug.print_source_location = Print Source Location -#menu.debug.print_threads = Print Threads -# --- -#menu.debug.variable_inspector = Variable Inspector -menu.debug.show_variables = Mostra Variabili -menu.debug.hide_variables = Nascondi Variabili -#menu.debug.show_sketch_outline = Show Sketch Outline -#menu.debug.show_tabs_list = Show Tabs List - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Strumenti -menu.tools.color_selector = Selezionatore dei colori... -menu.tools.create_font = Crea Font... -menu.tools.archive_sketch = Archivia Sketch -menu.tools.fix_the_serial_lbrary = Ripara la "Serial Library" -menu.tools.install_processing_java = Installa "processing-java" -menu.tools.add_tool = Aggiungi Strumento... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Aiuto -menu.help.welcome = Benvenuto in Processing -menu.help.about = Riguardo a Processing -menu.help.environment = Ambiente di Sviluppo -menu.help.reference = Guida di Riferimento -menu.help.find_in_reference = Cerca nella Guida -menu.help.libraries_reference = Guida delle Librerie -menu.help.tools_reference = Guida degli Strumenti -menu.help.empty = (vuoto) -menu.help.online = Online -menu.help.getting_started = Primi Passi -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = Risoluzione dei Problemi -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = Domande Frequenti -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = La Processing Foundation -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Visita Processing.org -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Si -prompt.no = No -prompt.cancel = Cancella -prompt.ok = Ok -prompt.browse = Naviga -prompt.export = Esporta - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Apri uno sketch di Processing... - -# Save (Frame) -save = Salva la cartella degli sketch con nome... -save.title = Vuoi salvare le modifiche di %s prima di chiudere? -save.hint = Se non salverai, le tue modifiche verranno perse. -save.btn.save = Salva -save.btn.dont_save = Non salvare - -# Close (Frame) also used to prompt on non-macOS machines -close.unsaved_changes = Salvare le modifiche di %s? - -# Preferences (Frame) -preferences = Preferenze -preferences.button.width = 80 -preferences.requires_restart = richiede il riavvio di Processing -preferences.sketchbook_location = Percorso della cartella degli sketch -preferences.sketchbook_location.popup = Percorso della cartella degli sketch -preferences.language = Lingua -preferences.editor_and_console_font = Font dell'Editor e della Console -preferences.editor_and_console_font.tip = Scegli il font usato dall'Editor e dalla Console.
Solo font monospaced (larghezza fissa) possono essere usati,
sebbene la lista possa essere imperfetta. -preferences.editor_font_size = Dimensione del font dell'Editor -preferences.console_font_size = Dimensione del font della Console -preferences.zoom = Scala dell'interfaccia -preferences.zoom.auto = Automatica -preferences.background_color = Colore di sfondo durante la modalità "Presenta" -preferences.background_color.tip = Scegli il colore di sfondo durante la modalità "Presenta".
Questa modalità è utilizzata per mostrare uno sketch a tutto schermo;
è accessibile dal menù Sketch. -preferences.use_smooth_text = Usa un font semplice nell'Editor -preferences.enable_complex_text_input = Abilita la possibilità di usare caratteri complessi -preferences.enable_complex_text_input_example = per esempio Giapponese -preferences.continuously_check = Controlla continuamente la presenza di errori -preferences.show_warnings = Mostra Avvisi -preferences.code_completion = Completamento del codice con -preferences.trigger_with = Abilita con -preferences.cmd_space = spazio -preferences.suggest_imports = Suggerisci il codice di import -preferences.increase_max_memory = Aumenta la massima memoria disponibile a -preferences.delete_previous_folder_on_export = Elimina le cartelle precedenti dopo l'export -preferences.check_for_updates_on_startup = Consenti di controllare la presenza di aggiornamenti (vedi le FAQ per le informazioni condivise) -preferences.run_sketches_on_display = Esegui Sketch nel monitor -preferences.run_sketches_on_display.tip = Stabilisce il monitor nel quale gli sketch vengono inizalmente visualizzati.
Come al solito, se la finestra dello sketch viene spostata, si riaprirà nella
stessa posizione, tuttavia quando si esegue nella modalità "Presenta"
(tutto schermo), questo monitor verrà sempre utilizzato. -preferences.automatically_associate_pde_files = Associa automaticamente i file .pde con Processing -preferences.launch_programs_in = Lancia programmi in -preferences.launch_programs_in.mode = modalità -preferences.file = Più preferenze possono essere modificate nel file -preferences.file.hint = modificalo solo quando Processing non è aperto - -# Sketchbook Location (Frame) -sketchbook_location = Seleziona la nuova posizione della cartella degli Sketch - -# Sketchbook (Frame) -sketchbook = Cartella degli Sketch -sketchbook.tree = Cartella degli Sketch - -# Examples (Frame) -examples.title = %s Esempi -examples.add_examples = Aggiungi Esempi... -examples.libraries = Librerie di terze parti -examples.core_libraries = Librerie -examples.contributed = Esempi di terze parti - -# Export (Frame) -export = Opzioni di esportazione -export.platforms = Piattaforme -export.options = Opzioni -export.options.present = Modalità "Presenta" -export.options.show_stop_button = Mostra il bottone di Stop -export.description.line1 = Esporta come applicazione creerà -export.description.line2 = delle applicazioni esegubili per la piattaforma scelta. -export.unsaved_changes = Salvare le modifiche prima di esportare? -export.notice.cancel.unsaved_changes = Esportazione cancellata, prima di eseguirlo è necessario salvare. -export.notice.exporting = Esportando l'applicazione -export.notice.exporting.done = Esportazione eseguita. -export.notice.exporting.error = Errore durante l'esportazione. -export.notice.exporting.cancel = Esportazione come applicazione cancellata. -export.tooltip.macos = L'esportazione per macOS è disponibile solo su macOS -export.full_screen = Tutto Schermo -export.embed_java = Embed Java -export.code_signing = Code Signing -export.messages.is_read_only = Sketch è in modalità di sola lettura -export.messages.is_read_only.description = Alcuni files sono in modalità sola lettura, quindi dovrai\nsalvare lo Sketch in un'altra posizione\ne provare di nuovo. -export.messages.cannot_export = Non è possibile esportare -export.messages.cannot_export.description = Non puoi esportare uno Sketch che non è ancora stato salvato. - -# Find (Frame) -find = Trova -find.find = Trova: -find.replace_with = Sostituisci con: -find.ignore_case = Ignora maiuscole / minuscole -find.all_tabs = Cerca in tutte le schede -find.wrap_around = Prosegui dall'inizio -find.btn.replace_all = Sostituisci tutto -find.btn.replace = Sostituisci -find.btn.replace_and_find = Trova e sostituisci -find.btn.previous = Trova precedente -find.btn.find = Trova - -# Find in reference (Frame) -find_in_reference = Trova nella guida - -# File (Frame) -file = Seleziona un'immagine o un altro file da copiare nel tuo sketch - -# Create Font (Frame) -create_font = Crea un Font -create_font.label = Usa questo strumento per creare dei font bitmap per il tuo programma.\nSeleziona un font e la dimensione, poi clicca su 'Ok' per generare il font.\nSarà aggiunto alla cartella dei dati del tuo sketch. -create_font.size = Dimensione -create_font.smooth = Caratteri semplici -create_font.characters = Caratteri... -create_font.character_selector = Selezionatore dei caratteri -create_font.character_selector.label = I caratteri di default includono gran parte dei caratteri bitmap per Mac OS\ne Windows Latin scripts. Includere tutti i caratteri può\nrichiedere una grande quantità di memoria per tutti i bitmap.\nPEr un controllo maggiore puoi selezionare ogni specifico blocco Unicode. -create_font.default_characters = Caratteri di default -create_font.all_characters = Tutti i caratteri -create_font.specific_unicode = Blocchi specifici Unicode -create_font.filename = Nome del file - -# Color Selector (Frame) -color_selector = Selezionatore dei colori - -# Archive Sketch (Frame) -archive_sketch = Archivia sketch come... - -# Tweak Mode -tweak_mode = Modalità Tweak -tweak_mode.save_before_tweak = Per favore salva lo sketch prima di avviare la modalità Tweak. -tweak_mode.keep_changes.line1 = Salvare le modifiche? -tweak_mode.keep_changes.line2 = Hai cambiato alcuni valori nello sketch. Vuoi salvare le modifiche? - -# DebugTray -debugger.name = Nome -debugger.value = Valore -debugger.type = Tipo - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Esegui -toolbar.present = Presenta -toolbar.stop = Stop -toolbar.debug = Debug -# --- -toolbar.new = Nuovo -toolbar.open = Apri -toolbar.save = Salva -# toolbar.export_application = Export Application -toolbar.add_mode = Aggiungi modalità... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = Continue -#toolbar.debug.step = Step -#toolbar.debug.step_into = Step Into -#toolbar.debug.stop = Stop -#toolbar.debug.toggle_breakpoints = Toggle Breakpoint -#toolbar.debug.variable_inspector = Variable Inspector - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Nuova scheda -editor.header.rename = Rinomina -editor.header.delete = Elimina -editor.header.previous_tab = Scheda precedente -editor.header.next_tab = Scheda successiva -editor.header.delete.warning.title = No. -editor.header.delete.warning.text = Non puoi eliminare la scheda principale del tuo unico sketch aperto.. - -# PopUp menu -editor.popup.jump_to_declaration = Vai alla Dichiarazione -editor.popup.show_usage = Mostra utilizzo... -editor.popup.rename = Rinomina... - -# Tabs -editor.tab.new = Nuovo Nome -editor.tab.new.description = Nome del nuovo file -editor.tab.rename = Nuovo Nome -editor.tab.rename.description = Nuovo nome del file - -# Sketch -editor.sketch.rename.description = Nuovo nome dello scketch - -editor.status.autoformat.no_changes = Nessuna modifica necessaria per l'Auto Format. -editor.status.autoformat.finished = Auto Format terminato. -editor.status.find_reference.select_word_first = Per prima cosa selezionare una parola da trovare nella guida. -editor.status.find_reference.not_available = Nessuna referenza disponibile per "%s". -editor.status.drag_and_drop.files_added.0 = Nessun file aggiunto allo sketch. -editor.status.drag_and_drop.files_added.1 = Un file aggiunto allo sketch. -editor.status.drag_and_drop.files_added.n = %d file aggiunti allo sketch. -editor.status.saving = Salvataggio... -editor.status.saving.done = Salvataggio eseguito. -editor.status.saving.canceled = Salvataggio annullato. -editor.status.printing = Stampa in corso... -editor.status.printing.done = Stampa eseguita. -editor.status.printing.error = Errore durante la stampa. -editor.status.printing.canceled = Stampa annullata. -editor.status.copy_as_html = Il codice formattato in HTML è stato copiato. -editor.status.debug.busy = Debugger occupato... -editor.status.debug.halt = Debugger bloccato. -editor.status.archiver.create = Creato archivio "%s". -editor.status.archiver.cancel = Archivio sketch annullato. - -# Errors -editor.status.warning = Avviso -editor.status.error = Errore -editor.status.error_on = Errore su "%s" -editor.status.missing.default = Manca "%c" -editor.status.missing.semicolon = Manca un punto e virgola ";" -editor.status.missing.left_sq_bracket = Manca parentesi quadra sinistra "[" -editor.status.missing.right_sq_bracket = Manca parentesi quadra destra "]" -editor.status.missing.left_paren = Manca parentesi sinistra "(" -editor.status.missing.right_paren = Manca parentesi destra ")" -editor.status.missing.left_curly_bracket = Manca parentesi graffa sinistra "{" -editor.status.missing.right_curly_bracket = Manca parentesi graffa destra "}" -editor.status.missing.add = Considera di aggiungere "%s" -editor.status.reserved_words = "color" e "int" sono parole riservate e non possono essere usate come nome di una variabile -editor.status.undefined_method = La funzione "%s(%s)" non esiste -editor.status.undefined_constructor = Il costruttore "%s(%s)" non esiste -editor.status.empty_param = La funzione "%s()" non richiede alcun parametro -editor.status.wrong_param = La funzione "%s()" si aspetta dei parametri come: "%s(%s)" -editor.status.undef_global_var = La variabile globale "%s" non esiste -editor.status.undef_class = La classe "%s" non esiste -editor.status.undef_var = La variabile "%s" non esiste -editor.status.undef_name = Il nome "%s" non può essere riconosciuto -editor.status.type_mismatch = Errore di battitura, "%s" non combacia con "%s" -editor.status.unused_variable = Il valore della variabile locale "%s" non è usato -editor.status.uninitialized_variable = La variabile locale "%s" potrebbe non essere stata inizializzata -editor.status.no_effect_assignment = L'assegnazione alla variabile "%s" non ha effetto -editor.status.hiding_enclosing_type = La classe "%s" non può avere lo stesso nome del tuo sketch o della classe che la contiene - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error.syntax = Errore di sintassi - %s - -# Footer buttons -editor.footer.errors = Errori -editor.footer.errors.problem = Problemi -editor.footer.errors.tab = Tab -editor.footer.errors.line = Linea -editor.footer.console = Console - -# New handler -new.messages.is_read_only = Lo sketch è in modalità sola lettura. -new.messages.is_read_only.description = Alcuni files sono in sola lettura, quindi devi\nsalvare lo sketch in un'altra cartella,\ne provare di nuovo. - -# Rename handler -rename.messages.is_untitled = Sketch senza nome -rename.messages.is_untitled.description = Che ne dici di salvare lo sketch\nprima di provare a rinominarlo? -rename.messages.is_modified = Per favore salva lo sketch prima di rinominarlo. -rename.messages.is_read_only = Lo sketch è in modalità sola lettura. -rename.messages.is_read_only.description = Alcuni files sono in sola lettura, quindi devi\nsalvare lo sketch in un'altra cartella,\ne provare di nuovo. - -# Naming handler -name.messages.problem_renaming = Problema con nuovo nome -name.messages.starts_with_dot.description = Il nome non può iniziare con un punto. -name.messages.invalid_extension.description = ".%s" non è un'estensione valida. -name.messages.main_java_extension.description = La prima tab non può essere un file .%s.\n(Potrebbe essere il caso che tu passi a un\n"vero" ambiente di sviluppo.) -name.messages.new_sketch_exists = No -name.messages.new_sketch_exists.description = Un file chiamato "%s" esiste già in\n"%s" -name.messages.new_folder_exists = Impossibile rinominare -name.messages.new_folder_exists.description = Putroppo uno sketch (o cartella) chiamato "%s" esiste già. -name.messages.error = Errore -name.messages.no_rename_folder.description = Impossibile rinominare la cartella dello sketch. -name.messages.no_rename_file.description = Impossibile rinominare "%s" in "%s" -name.messages.no_create_file.description = Impossibile creare il file "%s"\nin "%s" - -# Delete handler -delete.messages.cannot_delete = Impossibile eliminare -delete.messages.cannot_delete.description = Non puoi eliminare uno sketch che non è stato salvato. -delete.messages.cannot_delete.file = Impossibile -delete.messages.cannot_delete.file.description = Impossibile eliminare -delete.messages.is_read_only = Lo sketch è in modalità sola lettura. -delete.messages.is_read_only.description = Alcuni files sono in sola lettura, quindi devi\nsalvare lo sketch in un'altra cartella,\ne provare di nuovo. - -# Save handler -save_file.messages.is_read_only = Lo sketch è in modalità sola lettura. -save_file.messages.is_read_only.description = Alcuni files sono in sola lettura, quindi devi\nsalvare questo sketch in un'altra cartella. -save_file.messages.sketch_exists = Impossibile salvare -save_file.messages.sketch_exists.description = Uno sketch con il nome\n“%s” esiste già. -save_file.messages.tab_exists = No -save_file.messages.tab_exists.description = Non puoi salvare lo sketch come "%s"\npoichè lo sketch ha già una tab con quel nome. -save_file.messages.recursive_save = Sei amico di Borges -save_file.messages.recursive_save.description = Non puoi salvare lo sketch in una cartella\ndentro se stessa: andrebbe avanti all'infinito. - -# Add handler -add_file.messages.is_read_only = Lo sketch è in modalità sola lettura. -add_file.messages.is_read_only.description = Alcuni files sono in sola lettura, quindi devi\nsalvare lo sketch in un'altra cartella,\ne provare di nuovo. -add_file.messages.confirm_replace = Sostituire l'esitente versione di %s? -add_file.messages.error_adding = Errore aggiungendo il file -add_file.messages.cannot_delete.description = Impossibile eliminare il corrente file '%s'. -add_file.messages.cannot_add.description = Impossibile aggiungere '%s' allo sketch. -add_file.messages.same_file = Non puoi fregarmi -add_file.messages.same_file.description = Questo file è già stato copiato nella\nquale tu stavic cercando di aggiugnerlo.\nNon lo farò. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Errore nella compilazione della cartella -temp_dir.messages.bad_build_folder.description = Impossibile trovare una cartella dove compilare lo sketch. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Sketch scomparso. -ensure_exist.messages.missing_sketch.description = Cartella dello sketch scomparsa.\nProverò a ri-salvarla nella stessa location,\nma qualsiasi cosa eccetto il codice verrà persa. -ensure_exist.messages.unrecoverable = Impossibile ri-salvare lo sketch. -ensure_exist.messages.unrecoverable.description = Impossibile ri-salvare correttamente lo sketch. Potresti incontrare qualche problema,\ne potrebbe essere l'ora di copiare e incollare il codice in un altro editor di testo. - -# Check name -check_name.messages.is_name_modified = Il nome dello sketch deve essere modificato. Il nome può consistere solo di\ncaratteri e numeri ASCII (ma non può cominciare con un numero).\nInoltre devono essere di lunghezza inferiore ai 64 caratteri. - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Manager dei Contributi -contrib.manager_title.update = Manager degli Aggiornamenti -contrib.manager_title.mode = Manager delle Modalità -contrib.manager_title.tool = Manager degli Strumenti -contrib.manager_title.library = Manager della Libreria -contrib.manager_title.examples = Manager degli esempi -contrib.category = Categoria: -contrib.filter_your_search = Filtra la tua ricerca... -contrib.show_only_compatible.mode = Mostra solo modalità compatibili -contrib.show_only_compatible.tool = Mostra solo strumenti compatibili -contrib.show_only_compatible.library = Mostra solo librerie compatibili -contrib.show_only_compatible.examples = Mostra solo esempi compatibili -contrib.show_only_compatible.update = Mostra solo aggiornamenti compatibili -contrib.restart = Riavvia Processing -contrib.unsaved_changes = Sono presenti modifiche non salvate -contrib.unsaved_changes.prompt = Sei sicuro di voler riavviare Processing senza salvare le modifiche? -contrib.messages.remove_restart = Per favore riavvia Processing per finire di rimuovere questo componente. -contrib.messages.install_restart = Per favore riavvia Processing per finire di installare questo componente. -contrib.messages.update_restart = Per favore riavvia Processing per finire di aggiornare questo componente. -contrib.errors.list_download = Impossibile scaricare la lista dei contributi disponibili. -contrib.errors.list_download.timeout = Connessione interrotta durante il download della lista dei contributi. -contrib.errors.download_and_install = Errore durante il download e l'installazione di %s. -contrib.errors.description_unavailable = Descrizione non disponibile. -contrib.errors.malformed_url = Il link ottenuto da Processing.org non è valido.\nPuoi comunque installare la libreria manualmente visitando\nil suo sito web. -contrib.errors.needs_repackage = %s necessita di ricreare il suo pacchetto secondo le %s lineeguida. -contrib.errors.no_contribution_found = Impossibile trovare un %s nel file scaricato. -contrib.errors.overwriting_properties = Errore sovrascrivendo il file .properties. -contrib.errors.install_failed = Installazione fallita -contrib.errors.update_on_restart_failed = L'aggiornamento al riavvio di %s è fallito. -contrib.errors.temporary_directory = Impossibile scrivere nella cartella temporanea. -contrib.errors.contrib_download.timeout = Connessione interrotta durante il download di %s. -contrib.errors.no_internet_connection = Sembra che tu non sia connesso a Internet. -contrib.status.downloading_list = Scaricando la lista dei contributi... -contrib.status.connecting = Connettendosi... -contrib.status.done = Fatto. -contrib.all = Tutti -contrib.undo = Annulla -contrib.remove = Rimuovi -contrib.install = Installa -contrib.progress.installing = Installando -contrib.progress.starting = Inizializzando -contrib.progress.downloading = Scaricando -contrib.download_error = Errore durante il download del contributo. -contrib.unsupported_operating_system = Il tuo sistema operativo sembra non essere supportato. Dovresti visitare %s della libreria per maggiori informazioni. -contrib.category.3d = 3D -contrib.category.animation = Animazione -contrib.category.data = Dati -contrib.category.geometry = Geometria -contrib.category.gui = GUI -contrib.category.hardware = Hardware -contrib.category.i_o = I/O -contrib.category.math = Matematica -contrib.category.simulation = Simulazione -contrib.category.sound = Suono -contrib.category.typography = Tipografia -contrib.category.utilities = Utilità -contrib.category.video_vision = Video & Grafica -contrib.category.other = Altro - -# Install on Startup -contrib.startup.errors.download_install = Errore durante il download e installazione di %s -contrib.startup.errors.temp_dir = Impossibile scrivere nella cartella temporanea durante il download e installazione di %s -contrib.startup.errors.new_marker = Il selezionatore dei contributi non aggiornato sembra non essere compatibile con %s. Dovresti installarlo manualmente per poterlo aggiornare... - -# Install on Import -contrib.import.dialog.title = Librerie mancanti disponibili -contrib.import.dialog.primary_text = Le seguenti librerie importate sono disponibili per il download, ma non sono state installate. -contrib.import.dialog.secondary_text = Vorresti installarle ora? -contrib.import.progress.download = Scaricando %s... -contrib.import.progress.install = Installando %s... -contrib.import.progress.done = %s è stato installato. -contrib.import.progress.final_list = LE seguenti librerie sono state installate: -contrib.import.errors.link = Errore: la libreria %s ha uno strano link di download. - -# --------------------------------------- -# Warnings - -warn.delete = Elimina -warn.delete.sketch = Sei sicuro di voler eliminare questo sketch? -warn.delete.file = Sei sicuro di voler eliminare "%s"? -warn.cannot_change_mode.title = Impossibile cambiare modalità -warn.cannot_change_mode.body = Impossibile cambiare modalità,\npoichè la modalità "%s" non è compatibile con quella corrente. - - -# --------------------------------------- -# Update Check - -update_check = Aggiorna -update_check.updates_available.core = Una nuova versione di Processing è disponibile,\nvuoi visitare la pagina di download del sito di Processing? -update_check.updates_available.contributions = Ci sono aggiornamenti disponibili per alcuni dei contributi installati,\nvorresti aprire il gestore dei contributi ora? - -# --------------------------------------- -# Color Chooser - -color_chooser = Selezionatore dei colori -color_chooser.select = Seleziona - -# --------------------------------------- -# Movie Maker - -movie_maker = Creatore di filmati -movie_maker.title = QuickTime Movie Maker -movie_maker.blurb = Questo strumento crea un filmato QuickTime a partire da una sequenza di immagini.

Per evitare artifatti causati dalla ri-compressone di immagini in video,
usa immagini TIFF, TGA (da Processing), o PNG come sorgenti.

Immagini TIFF e TGA verranno scritte più rapidamente, ma richiederanno più memoria:
saveFrame("frames/####.tif");
saveFrame("frames/####.tga");

Le immagini PNG sono più piccole, ma il tuo sketch verrà eseguito più lentamente:
saveFrame("frames/####.png");

This codice è basato su QuickTime Movie Maker 1.5.1 2011-01-17.
Copyright © 2010-2011 Werner Randelshofer. Tutti i diritti riservati -movie_maker.image_folder_help_label = Trascina una cartella con immagini dentro il campo qui sotto: -movie_maker.choose_button = Scegli... -movie_maker.select_image_folder = Seleziona la cartella con le immagini... -movie_maker.sound_file_help_label = Trascina un file audio nel campo qui sotto (.au, .aiff, .wav, .mp3): -movie_maker.select_sound_file = Seleziona un file audio... - -movie_maker.create_movie_button = Crea filmato... -movie_maker.save_dialog_prompt = Salva filmato come... -movie_maker.width = Larghezza: -movie_maker.height = Altezza: -movie_maker.compression = Compressione: -movie_maker.compression.animation = Animazione -movie_maker.compression.jpeg = JPEG -movie_maker.compression.png = PNG -movie_maker.framerate = Fotogrammi al secondo: -movie_maker.orig_size_button = Stessa dimensione degli originali -movie_maker.orig_size_tooltip = Seleziona questa opzione se la cartalla contiene già fotogrammi della dimensione desiderata. - -movie_maker.error.avoid_tiff = Prova immagini TGA o PNG al posto di TIFF. -movie_maker.error.badnumbers = Larghezza e altezza devono essere numeri interi positivi; il numero di fotogrammi al secondo deve essere un numero positivo. -movie_maker.error.cannot_read = Impossibile leggere %s. -movie_maker.error.cannot_read_maybe_bad = Impossibile leggere %s; potrebbe non andare bene. -movie_maker.error.movie_failed = Creazione del filmato QuickTime fallita. -movie_maker.error.need_input = Dovresti specificare la cartella con i file delle immagini o dei suoni, o entrambe. -movie_maker.error.no_images_found = Nessun file immagine trovato. -movie_maker.error.sorry = Mi dispiace -movie_maker.error.unknown_tga_format = Sconosciuto formato di file .tga per %s. - -movie_maker.progress.creating_file_name = Creando %s. -movie_maker.progress.creating_output_file = Creando il file di output -movie_maker.progress.initializing = Inizializzando... -movie_maker.progress.processing = Processando %s. diff --git a/tools/Java/lib/languages/PDE_ja.properties b/tools/Java/lib/languages/PDE_ja.properties deleted file mode 100644 index fdce4bb..0000000 --- a/tools/Java/lib/languages/PDE_ja.properties +++ /dev/null @@ -1,596 +0,0 @@ - - -# --------------------------------------- -# Language: Japanese (日本語) (ja) -# --------------------------------------- - - -# Use the built-in fonts because they have full character support -font.family.sans = SansSerif -font.family.mono = Monospaced - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = ファイル -menu.file.new = 新規 -menu.file.open = 開く... -menu.file.recent = 最近開いたファイル -menu.file.sketchbook = スケッチブック... -menu.file.sketchbook.empty = 空のスケッチブック -menu.file.examples = サンプル... -menu.file.close = 閉じる -menu.file.save = 保存 -menu.file.save_as = 名前を付けて保存... -menu.file.export_application = アプリケーションとしてエクスポート... -menu.file.page_setup = ページ設定 -menu.file.print = 印刷... -menu.file.preferences = 設定... -menu.file.quit = 終了 - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = 編集 -menu.edit.undo = 元に戻す -menu.edit.redo = やり直し -menu.edit.action.addition = addition -menu.edit.action.deletion = deletion -menu.edit.cut = 切り取り -menu.edit.copy = コピー -menu.edit.copy_as_html = HTMLとしてコピー -menu.edit.paste = 貼り付け -menu.edit.select_all = すべて選択 -menu.edit.auto_format = 自動フォーマット -menu.edit.comment_uncomment = コメント/アンコメント -menu.edit.increase_indent = → インデントを増やす -menu.edit.decrease_indent = ← インデントを減らす -menu.edit.find = 検索... -menu.edit.find_next = 次を探す -menu.edit.find_previous = 前を探す -menu.edit.use_selection_for_find = 選択を検索 - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = 実行 -menu.sketch.present = プレゼンテーション -menu.sketch.tweak = Tweak -menu.sketch.stop = 停止 -# --- -menu.library = ライブラリをインポート... -menu.library.add_library = ライブラリを追加... -menu.library.contributed = Contributed -menu.library.no_core_libraries = モードにコアライブラリがありません -# --- -menu.sketch = スケッチ -menu.sketch.show_sketch_folder = スケッチフォルダーを開く -menu.sketch.add_file = ファイルを追加... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = デバッグ -menu.debug.enable = デバッガを有効化 -menu.debug.disable = デバッガを無効化 -#menu.debug.show_debug_toolbar = Show Debug Toolbar -#menu.debug.debug = Debug -#menu.debug.stop = Stop -# --- -menu.debug.toggle_breakpoint = ブレークポイントを切り替え -#menu.debug.list_breakpoints = List breakpoints -# --- -# used for both menus and toolbars -menu.debug.step = ステップ -menu.debug.step_into = ステップイン -menu.debug.step_out = ステップアウト -menu.debug.continue = 続行 -# --- -#menu.debug.print_stack_trace = Print Stack Trace -#menu.debug.print_locals = Print Locals -#menu.debug.print_fields = Print Fields -#menu.debug.print_source_location = Print Source Location -#menu.debug.print_threads = Print Threads -# --- -#menu.debug.variable_inspector = Variable Inspector -menu.debug.show_variables = 変数を表示 -menu.debug.hide_variables = 変数を隠す -#menu.debug.show_sketch_outline = Show Sketch Outline -#menu.debug.show_tabs_list = Show Tabs List - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = ツール -menu.tools.color_selector = 色選択... -menu.tools.create_font = フォント作成... -menu.tools.archive_sketch = スケッチをアーカイブ -menu.tools.fix_the_serial_lbrary = シリアルライブラリを修正 -menu.tools.install_processing_java = "processing-java" をインストール -menu.tools.add_tool = ツールを追加... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = ヘルプ -menu.help.welcome = Processing へようこそ -menu.help.about = Processing について -menu.help.environment = 環境 -menu.help.reference = リファレンス -menu.help.find_in_reference = リファレンスから探す -menu.help.libraries_reference = ライブラリ・リファレンス -menu.help.tools_reference = ツール・リファレンス -menu.help.empty = (空) -menu.help.online = オンライン -menu.help.getting_started = はじめの一歩 -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = 問題解決 -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = よくある質問 -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = Processing Foundation -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Processing.org にアクセスする -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = はい -prompt.no = いいえ -prompt.cancel = キャンセル -prompt.ok = OK -prompt.browse = 参照 -prompt.export = エクスポート - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Processing スケッチを開く... - -# Save (Frame) -save = スケッチフォルダーを名前を付けて保存... -save.title = 閉じる前に %s への変更を保存しますか? -save.hint = 保存しなければ、変更は失われます。 -save.btn.save = 保存する -save.btn.dont_save = 保存しない - -# Close (Frame) also used to prompt on non-macOS machines -close.unsaved_changes = %s への変更を保存しますか? - -# Preferences (Frame) -preferences = 設定 -preferences.button.width = 120 -preferences.requires_restart = Processingの再起動が必要です -preferences.sketchbook_location = スケッチブックの場所 -preferences.sketchbook_location.popup = スケッチブックの場所 -preferences.language = 言語 -preferences.editor_and_console_font = エディタとコンソールのフォント -preferences.editor_and_console_font.tip = Select the font used in the Editor and the Console.
Only monospaced (fixed-width) fonts may be used,
though the list may be imperfect. -preferences.editor_font_size = エディタフォントサイズ -preferences.console_font_size = コンソールフォントサイズ -preferences.zoom = インターフェース拡大率 -preferences.zoom.auto = 自動 -preferences.background_color = プレゼンテーションの背景色 -preferences.background_color.tip = Select the background color used when using Present.
Present is used to present a sketch in full-screen,
accessible from the Sketch menu. -preferences.use_smooth_text = エディタウィンドウでスムーズテキストを使う -preferences.enable_complex_text_input = 複雑なテキスト入力を有効にする -preferences.enable_complex_text_input_example = 例：日本語 -preferences.continuously_check = エラーのために継続的にチェックする -preferences.show_warnings = 警告を表示する -preferences.code_completion = コード補完 -preferences.trigger_with = 起動 -preferences.cmd_space = space -preferences.suggest_imports = import 宣言をサジェストする -preferences.increase_max_memory = 有効な最大メモリを増やす -preferences.delete_previous_folder_on_export = エクスポート時に以前のフォルダーを削除する -preferences.check_for_updates_on_startup = 起動時に更新をチェックする -preferences.run_sketches_on_display = スケッチを実行するディスプレイ -preferences.run_sketches_on_display.tip = スケッチが最初に置かれるディスプレイをセットして下さい。
通常、スケッチウィンドウを動かすと、同じ位置に再び開かれますが、
プレゼンテーション(フルスクリーン)モードで実行している場合、
このディスプレイが常に使用されます。 -preferences.automatically_associate_pde_files = 自動的に .pde ファイルを Processing に関連付ける -preferences.launch_programs_in = プログラムを起動する -preferences.launch_programs_in.mode = モード -preferences.file = 詳細な設定は次のファイルを直接編集することで可能です -preferences.file.hint = Processing が起動していない時のみ編集できます - -# Sketchbook Location (Frame) -sketchbook_location = 新規スケッチブックの場所を選択 - -# Sketchbook (Frame) -sketchbook = スケッチブック -sketchbook.tree = スケッチブック - -# Examples (Frame) -examples.title = %s サンプル -examples.add_examples = サンプルを追加... -examples.libraries = Contributed Libraries -examples.core_libraries = ライブラリ -examples.contributed = Contributed Examples - -# Export (Frame) -export = エクスポートオプション -export.platforms = プラットフォーム -export.options = オプション -export.options.present = プレゼンテーションモード -export.options.show_stop_button = 停止ボタンを表示する -export.description.line1 = 選択されたプラットフォーム用のスタンドアロンの -export.description.line2 = アプリケーションとして書き出します。 -export.unsaved_changes = エクスポートの前に変更を保存しますか? -export.notice.cancel.unsaved_changes = Export canceled, changes must first be saved. -export.notice.exporting = アプリケーションとしてエクスポートしています... -export.notice.exporting.done = エクスポートが完了しました。 -export.notice.exporting.error = エクスポート中にエラーが発生しました。 -export.notice.exporting.cancel = アプリケーションへのエクスポートがキャンセルされました。 -export.tooltip.macos = macOS 用のエクスポートは macOS でのみ利用可能です -export.full_screen = フルスクリーン -export.embed_java = Java の埋め込み -export.code_signing = Code Signing -export.messages.is_read_only = スケッチが読込み専用です -export.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. -export.messages.cannot_export = エクスポートできません -export.messages.cannot_export.description = 保存されていないスケッチをエクスポートすることはできません。 - -# Find (Frame) -find = 検索 -find.find = 検索: -find.replace_with = 置換: -find.ignore_case = 大文字小文字を区別しない -find.all_tabs = すべてのタブ -find.wrap_around = 折り返し -find.btn.replace_all = すべて置換 -find.btn.replace = 置換 -find.btn.replace_and_find = 置換＆検索 -find.btn.previous = 前 -find.btn.find = 検索 - -# Find in reference (Frame) -find_in_reference = リファレンスから探す - -# File (Frame) -file = スケッチにコピーする画像やその他のデータファイルを選択して下さい - -# Create Font (Frame) -create_font = フォント作成 -create_font.label = Use this tool to create bitmap fonts for your program.\nSelect a font and size, and click 'OK' to generate the font.\nIt will be added to the data folder of the current sketch. -create_font.size = サイズ -create_font.smooth = スムーズ -create_font.characters = 文字... -create_font.character_selector = 文字選択 -create_font.character_selector.label = Default characters will include most bitmaps for Mac OS\nand Windows Latin scripts. Including all characters may\nrequire large amounts of memory for all of the bitmaps.\nFor greater control, you can select specific Unicode blocks. -create_font.default_characters = デフォルトの文字 -create_font.all_characters = すべての文字 -create_font.specific_unicode = 特定のUnicodeブロック -create_font.filename = ファイル名 - -# Color Selector (Frame) -color_selector = 色選択 - -# Archive Sketch (Frame) -archive_sketch = スケッチを名前を付けてアーカイブする... - -# Tweak Mode -tweak_mode = Tweak モード -tweak_mode.save_before_tweak = Tweak モードで実行する前にスケッチを保存して下さい。 -tweak_mode.keep_changes.line1 = 変更を保持しますか? -tweak_mode.keep_changes.line2 = このスケッチで値を変更しました。変更を保持しますか? - -# DebugTray -debugger.name = 名前 -debugger.value = 値 -debugger.type = 型 - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = 実行 -toolbar.present = プレゼンテーション -toolbar.stop = 停止 -toolbar.debug = デバッグ -# --- -toolbar.new = 新規 -toolbar.open = 開く -toolbar.save = 保存 - toolbar.export_application = Export Application -toolbar.add_mode = モードの追加... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = Continue -#toolbar.debug.step = Step -#toolbar.debug.step_into = Step Into -#toolbar.debug.stop = Stop -#toolbar.debug.toggle_breakpoints = Toggle Breakpoint -#toolbar.debug.variable_inspector = Variable Inspector - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = 新規タブ -editor.header.rename = 名前の変更 -editor.header.delete = 削除 -editor.header.previous_tab = 前のタブ -editor.header.next_tab = 次のタブ -editor.header.delete.warning.title = いや、うん。 -editor.header.delete.warning.text = 開いただけのスケッチのメインタブは削除できません。 - -# PopUp menu -editor.popup.jump_to_declaration = 宣言に移動 -editor.popup.show_usage = 用法の表示... -editor.popup.rename = 名前の変更... - -# Tabs -editor.tab.new = 新規名 -editor.tab.new.description = 新しいファイルの名前 -editor.tab.rename = 新規名 -editor.tab.rename.description = ファイルの新しい名前 - -# Sketch -editor.sketch.rename.description = スケッチの新しい名前 - -editor.status.autoformat.no_changes = No changes necessary for Auto Format. -editor.status.autoformat.finished = 自動フォーマットが完了しました。 -editor.status.find_reference.select_word_first = First select a word to find in the reference. -editor.status.find_reference.not_available = "%s" のリファレンスは利用できません。 -editor.status.drag_and_drop.files_added.0 = スケッチに追加されたファイルはありませんでした。 -editor.status.drag_and_drop.files_added.1 = 1 個のファイルがスケッチに追加されました。 -editor.status.drag_and_drop.files_added.n = %d 個のファイルがスケッチに追加されました。 -editor.status.saving = 保存しています... -editor.status.saving.done = 保存が完了しました。 -editor.status.saving.canceled = 保存がキャンセルされました。 -editor.status.printing = 印刷しています... -editor.status.printing.done = 印刷が完了しました。 -editor.status.printing.error = 印刷中にエラーが発生しました。 -editor.status.printing.canceled = 印刷がキャンセルされました。 -editor.status.copy_as_html = HTMLとしてフォーマットされたコードがクリップボードにコピーされました。 -editor.status.debug.busy = Debugger busy... -editor.status.debug.halt = Debugger halted. -editor.status.archiver.create = アーカイブ "%s" を作成しました。 -editor.status.archiver.cancel = スケッチのアーカイブがキャンセルされました。 - -# Errors -editor.status.warning = 警告 -editor.status.error = エラー -editor.status.error_on = "%s" でエラー -editor.status.missing.default = "%c" がありません -editor.status.missing.semicolon = セミコロン ";" がありません -editor.status.missing.left_sq_bracket = Missing left square bracket "[" -editor.status.missing.right_sq_bracket = Missing right square bracket "]" -editor.status.missing.left_paren = Missing left parenthesis "(" -editor.status.missing.right_paren = Missing right parenthesis ")" -editor.status.missing.left_curly_bracket = Missing left curly bracket "{" -editor.status.missing.right_curly_bracket = Missing right curly bracket "}" -editor.status.missing.add = "%s" の追加を考えてください -editor.status.reserved_words = "color" and "int" are reserved words & cannot be used as variable names -editor.status.undefined_method = 関数 "%s(%s)" は存在しません -editor.status.undefined_constructor = コンストラクター "%s(%s)" は存在しません -editor.status.empty_param = The function "%s()" does not expect any parameters -editor.status.wrong_param = The function "%s()" expects parameters like: "%s(%s)" -editor.status.undef_global_var = グローバル変数 "%s" は存在しません -editor.status.undef_class = クラス "%s" は存在しません -editor.status.undef_var = 変数 "%s" は存在しません -editor.status.undef_name = The name "%s" cannot be recognized -editor.status.type_mismatch = Type mismatch, "%s" does not match with "%s" -editor.status.unused_variable = ローカル変数 "%s" の値は使われていません -editor.status.uninitialized_variable = The local variable "%s" may not have been initialized -editor.status.no_effect_assignment = The assignment to variable "%s" has no effect - -# Limited syntax error support -editor.status.error.syntax = "%s" でエラー - -# Footer buttons -editor.footer.errors = エラー -editor.footer.errors.problem = 問題 -editor.footer.errors.tab = タブ -editor.footer.errors.line = 行 -editor.footer.console = コンソール - -# New handler -new.messages.is_read_only = スケッチが読込み専用です -new.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. - -# Rename handler -rename.messages.is_untitled = スケッチが無題です -rename.messages.is_untitled.description = How about saving the sketch first\nbefore trying to rename it? -rename.messages.is_modified = 名前の変更の前にスケッチを保存して下さい。 -rename.messages.is_read_only = スケッチが読込み専用です -rename.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. - -# Naming handler -name.messages.problem_renaming = 名前の変更中に問題が起きました -name.messages.starts_with_dot.description = 名前をピリオドで始めることはできません。 -name.messages.invalid_extension.description = ".%s" is not a valid extension. -name.messages.main_java_extension.description = The first tab cannot be a .%s file.\n(It may be time for you to graduate to a\n"real" programming environment, hotshot.) -name.messages.new_sketch_exists = Nope -name.messages.new_sketch_exists.description = A file named "%s" already exists at\n"%s" -name.messages.new_folder_exists = 名前を変更できません -name.messages.new_folder_exists.description = Sorry, a sketch (or folder) named "%s" already exists. -name.messages.error = エラー -name.messages.no_rename_folder.description = スケッチフォルダー名を変更できませんでした。 -name.messages.no_rename_file.description = Could not rename "%s" to "%s" -name.messages.no_create_file.description = Could not create the file "%s"\nin "%s" - -# Delete handler -delete.messages.cannot_delete = 削除できません -delete.messages.cannot_delete.description = 保存されていないスケッチを削除することはできません。 -delete.messages.cannot_delete.file = Could not do it -delete.messages.cannot_delete.file.description = 削除できませんでした -delete.messages.is_read_only = スケッチが読込み専用です -delete.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. - -# Save handler -save_file.messages.is_read_only = スケッチが読込み専用です -save_file.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save this sketch to another location. -save_file.messages.sketch_exists = 保存できません -save_file.messages.sketch_exists.description = A sketch with the cleaned name\n“%s” already exists. -save_file.messages.tab_exists = Nope -save_file.messages.tab_exists.description = You cannot save the sketch as "%s"\nbecause the sketch already has a tab with that name. -save_file.messages.recursive_save = How very Borges of you -save_file.messages.recursive_save.description = You cannot save the sketch into a folder\ninside itself. This would go on forever. - -# Add handler -add_file.messages.is_read_only = スケッチが読込み専用です -add_file.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. -add_file.messages.confirm_replace = Replace the existing version of %s? -add_file.messages.error_adding = ファイルの追加中にエラーが発生しました -add_file.messages.cannot_delete.description = Could not delete the existing '%s' file. -add_file.messages.cannot_add.description = Could not add '%s' to the sketch. -add_file.messages.same_file = You can't fool me -add_file.messages.same_file.description = This file has already been copied to the\nlocation from which where you're trying to add it.\nI ain't not doin nuthin'. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Build folder bad -temp_dir.messages.bad_build_folder.description = Could not find a place to build the sketch. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Sketch Disappeared -ensure_exist.messages.missing_sketch.description = The sketch folder has disappeared.\nWill attempt to re-save in the same location,\nbut anything besides the code will be lost. -ensure_exist.messages.unrecoverable = Could not re-save sketch -ensure_exist.messages.unrecoverable.description = Could not properly re-save the sketch. You may be in trouble at this point,\nand it might be time to copy and paste your code to another text editor. - -# Check name -check_name.messages.is_name_modified = The sketch name had to be modified. Sketch names can only consist\nof ASCII characters and numbers (but cannot start with a number).\nThey should also be less than 64 characters long. - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Contribution Manager -contrib.manager_title.update = アップデートマネージャー -contrib.manager_title.mode = モードマネージャー -contrib.manager_title.tool = ツールマネージャー -contrib.manager_title.library = ライブラリマネージャー -contrib.manager_title.examples = サンプルマネージャー -contrib.category = カテゴリ: -contrib.filter_your_search = 検索をフィルタ... -contrib.show_only_compatible.mode = Show Only Compatible Modes -contrib.show_only_compatible.tool = Show Only Compatible Tools -contrib.show_only_compatible.library = Show Only Compatible Libraries -contrib.show_only_compatible.examples = Show Only Compatible Examples -contrib.show_only_compatible.update = Show Only Compatible Updates -contrib.restart = Restart Processing -contrib.unsaved_changes = Unsaved changes have been found -contrib.unsaved_changes.prompt = Are you sure you want to restart Processing without saving first? -contrib.messages.remove_restart = Please restart Processing to finish removing this item. -contrib.messages.install_restart = Please restart Processing to finish installing this item. -contrib.messages.update_restart = Please restart Processing to finish updating this item. -contrib.errors.list_download = Could not download the list of available contributions. -contrib.errors.list_download.timeout = Connection timed out while downloading the contribution list. -contrib.errors.download_and_install = Error during download and install of %s. -contrib.errors.description_unavailable = Description unavailable. -contrib.errors.malformed_url = The link fetched from Processing.org is not valid.\nYou can still install this library manually by visiting\nthe library\'s website. -contrib.errors.needs_repackage = %s needs to be repackaged according to the %s guidelines. -contrib.errors.no_contribution_found = Could not find a %s in the downloaded file. -contrib.errors.overwriting_properties = Error overwriting .properties file. -contrib.errors.install_failed = インストールに失敗しました。 -contrib.errors.update_on_restart_failed = Update on restart of %s failed. -contrib.errors.temporary_directory = 一時ディレクトリに書き込めませんでした。 -contrib.errors.contrib_download.timeout = %sをダウンロード中に接続がタイムアウトしました。 -contrib.errors.no_internet_connection = インターネットに接続されていないようです。 -contrib.status.downloading_list = Downloading contribution list... -contrib.status.connecting = 接続しています... -contrib.status.done = Done. -contrib.all = すべて -contrib.undo = 元に戻す -contrib.remove = 削除 -contrib.install = インストール -contrib.progress.installing = インストール中 -contrib.progress.starting = 開始中 -contrib.progress.downloading = ダウンロード中 -contrib.download_error = An error occured while downloading the contribution. -contrib.unsupported_operating_system = Your operating system does not appear to be supported. You should visit the %s\'s library for more info. -contrib.category.3d = 3D -contrib.category.animation = Animation -contrib.category.data = Data -contrib.category.geometry = Geometry -contrib.category.gui = GUI -contrib.category.hardware = Hardware -contrib.category.i_o = I/O -contrib.category.math = Math -contrib.category.simulation = Simulation -contrib.category.sound = Sound -contrib.category.typography = Typography -contrib.category.utilities = Utilities -contrib.category.video_vision = Video & Vision -contrib.category.other = Other - -# Install on Startup -contrib.startup.errors.download_install = Error during download and install of %s -contrib.startup.errors.temp_dir = Could not write to temporary directory during download and install of %s -contrib.startup.errors.new_marker = The unupdated contribution marker seems to not like %s. You may have to install it manually to update... - -# Install on Import -contrib.import.dialog.title = Missing Libraries Available -contrib.import.dialog.primary_text = The following imported libraries are available for download, but have not been installed. -contrib.import.dialog.secondary_text = Would you like to install them now? -contrib.import.progress.download = %sをダウンロードしています... -contrib.import.progress.install = %sをインストールしています... -contrib.import.progress.done = %sがインストールされました。 -contrib.import.progress.final_list = The following libraries have been installed: -contrib.import.errors.link = Error: The library %s has a strange looking download link. - -# --------------------------------------- -# Warnings - -warn.delete = 削除 -warn.delete.sketch = このスケッチを削除してもよろしいですか? -warn.delete.file = "%s"を削除してもよろしいですか? -warn.cannot_change_mode.title = モード変更失敗 -warn.cannot_change_mode.body = 互換性がないため、"%s"モードに切り替えられません。 - - -# --------------------------------------- -# Update Check - -update_check = 更新 -update_check.updates_available.core = 新しいバージョンのProcessingが利用可能です。\nProcessingのダウンロードページにアクセスしますか? -update_check.updates_available.contributions = There are updates available for some of the installed contributions,\nwould you like to open the the Contribution Manager now? - - -# --------------------------------------- -# Color Chooser - -color_chooser = カラーセレクター -color_chooser.select = 選択 - -# --------------------------------------- -# Movie Maker - -movie_maker = ムービーメーカー -movie_maker.title = QuickTime ムービーメーカー -movie_maker.blurb = This tool creates a QuickTime movie from a sequence of images.

To avoid artifacts caused by re-compressing images as video,
use TIFF, TGA (from Processing), or PNG images as the source.

TIFF and TGA images will write more quickly, but require more disk:
saveFrame("frames/####.tif");
saveFrame("frames/####.tga");

PNG images are smaller, but your sketch will run more slowly:
saveFrame("frames/####.png");

This code is based on QuickTime Movie Maker 1.5.1 2011-01-17.
Copyright © 2010-2011 Werner Randelshofer. All rights reserved. -movie_maker.image_folder_help_label = Drag a folder with image files into the field below: -movie_maker.choose_button = 選択... -movie_maker.select_image_folder = 画像フォルダーを選択... -movie_maker.sound_file_help_label = Drag a sound file into the field below (.au, .aiff, .wav, .mp3): -movie_maker.select_sound_file = 音声ファイルを選択... - -movie_maker.create_movie_button = 動画を作成... -movie_maker.save_dialog_prompt = Save movie as... -movie_maker.width = 幅: -movie_maker.height = 高さ: -movie_maker.compression = 圧縮: -movie_maker.compression.animation = Animation -movie_maker.compression.jpeg = JPEG -movie_maker.compression.png = PNG -movie_maker.framerate = フレームレート: -movie_maker.orig_size_button = オリジナルと同じサイズ -movie_maker.orig_size_tooltip = Check this box if the folder contains already encoded video frames in the desired size. - -movie_maker.error.avoid_tiff = Try TGA or PNG images instead of TIFF. -movie_maker.error.badnumbers = Width and height must be whole numbers greater than zero; framerate must be a number greater than zero. -movie_maker.error.cannot_read = Could not read %s. -movie_maker.error.cannot_read_maybe_bad = Could not read %s; it may be bad. -movie_maker.error.movie_failed = Creating the QuickTime movie failed. -movie_maker.error.need_input = You need to specify the folder with image files, the sound file, or both. -movie_maker.error.no_images_found = No image files found. -movie_maker.error.sorry = Sorry -movie_maker.error.unknown_tga_format = Unknown .tga file format for %s. - -movie_maker.progress.creating_file_name = Creating %s. -movie_maker.progress.creating_output_file = Creating output file -movie_maker.progress.initializing = Initializing... -movie_maker.progress.processing = Processing %s. diff --git a/tools/Java/lib/languages/PDE_ko.properties b/tools/Java/lib/languages/PDE_ko.properties deleted file mode 100644 index 0f13cb1..0000000 --- a/tools/Java/lib/languages/PDE_ko.properties +++ /dev/null @@ -1,323 +0,0 @@ - - -# --------------------------------------- -# KOREAN (ko) -# --------------------------------------- - - -# Use the built-in fonts because they have full character support -font.family.sans = SansSerif -font.family.mono = Monospaced - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = 파일 -menu.file.new = 새 스케치 -menu.file.open = 열기... -menu.file.recent = 최근 스케치 -menu.file.sketchbook = 스케치북 -menu.file.sketchbook.empty = 빈 스케치북 -menu.file.examples = 예제... -menu.file.close = 닫기 -menu.file.save = 저장 -menu.file.save_as = 다른 이름으로 저장... -menu.file.export_application = 어플리케이션으로 내보내기... -menu.file.page_setup = 인쇄 설정 -menu.file.print = 인쇄 -menu.file.preferences = 환경 설정 -menu.file.quit = 종료 - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = 편집 -menu.edit.undo = 입력 취소 -menu.edit.redo = 다시 실행 -menu.edit.cut = 잘라내기 -menu.edit.copy = 복사하기 -menu.edit.copy_as_html = HTML 서식으로 복사 -menu.edit.paste = 붙이기 -menu.edit.select_all = 전체선택 -menu.edit.auto_format = 자동 정렬 -menu.edit.comment_uncomment = 주석 처리/해제 -menu.edit.increase_indent = → 들여쓰기 -menu.edit.decrease_indent = ← 내어쓰기 -menu.edit.find = 찾기... -menu.edit.find_next = 다음 찾기 -menu.edit.find_previous = 이전 찾기 -menu.edit.use_selection_for_find = 선택영역으로 찾기 - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = 실행하기 -menu.sketch.present = 전체화면 보기 -menu.sketch.tweak = 변수 조정하기 -menu.sketch.stop = 정지하기 -# --- -menu.library = 내부 라이브러리... -menu.library.add_library = 라이브러리 추가하기... -menu.library.contributed = 외부 라이브러리 -menu.library.no_core_libraries = 내부 라이브러리 미제공 -# --- -menu.sketch = 스케치 -menu.sketch.show_sketch_folder = 스케치 폴더 열기 -menu.sketch.add_file = 스케치 불러오기... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -# ... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = 도구 -menu.tools.create_font = 글꼴 생성... -menu.tools.color_selector = 색상 선택 -menu.tools.archive_sketch = .zip으로 압축하기 -menu.tools.fix_the_serial_lbrary = 시리얼 라이브러리 오류 수정 -menu.tools.install_processing_java = "processing-java" 설치 -menu.tools.add_tool = 추가도구 생성... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = 도움말 -menu.help.about = Processing에 관하여 -menu.help.environment = 환경 -menu.help.reference = 레퍼런스 -menu.help.find_in_reference = 레퍼런스 찾기 -menu.help.online = 온라인 -menu.help.getting_started = 시작하기 -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = 문제해결 -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = f&q -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = 프로세싱 재단 -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Processing.org -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = 예 -prompt.no = 아니오 -prompt.cancel = 취소 -prompt.ok = OK -prompt.browse = 네비게이션 -prompt.export = 내보내기 - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = 프로세싱 스케치 열기... - -# Save (Frame) -save = 다른 이름으로 해당 폴더에 저장... -save.title = 스케치의 변경 내용을 저장할까요? -save.hint = 저장하지 않으면 변경 내용은 삭제됩니다. -save.btn.save = 저장 -save.btn.dont_save = 저장 안 함 - -# Preferences (Frame) -preferences = 설정 -preferences.button.width = 80 -preferences.requires_restart = 프로세싱 재실행 시 적용 -preferences.sketchbook_location = 스케치 폴더 위치 -preferences.sketchbook_location.popup = 스케치 폴더 위치 -preferences.language = 언어 -preferences.editor_and_console_font = 스케치 에디터와 콘솔 글꼴 선택 -preferences.editor_and_console_font.tip = \ -에디터와 콘솔에서 사용할 폰트 선택하기.
\ -Monospaced (fixed-width) 폰트만 리스트에 나타나며,
\ -리스트는 불완전할 수 있습니다. -preferences.editor_font_size = 스케치 에디터 글꼴 크기 -preferences.console_font_size = 콘솔 글꼴 크기 -preferences.background_color = 전체 화면 보기 배경색상 -preferences.background_color.tip = \ -전체화면 보기에서 사용할 배경색상 선택하기.
\ -전체화면 보기는 상단 메뉴바의 스케치에서 전체화면을 선택하여 적다 가능합니다. -preferences.use_smooth_text = 에디터창 부드러운 글꼴 적용 -preferences.enable_complex_text_input = 다국어 언어 입력 허용 -preferences.enable_complex_text_input_example = 예. 한국어 -preferences.continuously_check = 오류 검사 활성화 -preferences.show_warnings = 오류 메시지 보기 -preferences.code_completion = 코드 자동 완성 -preferences.trigger_with = 자동 완성 비활성화 -preferences.cmd_space = space키 -preferences.increase_max_memory = 프로세싱의 사용 메모리 설정 -preferences.delete_previous_folder_on_export = 내보내기 시 기존 폴더 삭제 -preferences.hide_toolbar_background_image = 탭/툴바의 배경 이미지 숨기기 -preferences.check_for_updates_on_startup = 프로그램 시작 시 버전 업데이트 확인 -preferences.run_sketches_on_display = 실행 시 스케치창 디스플레이의 장치 설정 -preferences.run_sketches_on_display.tip = \ -멀티스크린 사용 시 실행된 스케치 창을 보여줄 스크린 선택하기.
\ -일반적으로, 스케치 창을 커서로 드래그하여 이동하면 재 실행 시에는 해당 스크린에서 실행되지만
\ -전체화면 모드로 실행하는 경우에 설정된 스크린에서만 실행됩니다. -preferences.automatically_associate_pde_files = .pde 파일 실행 시 프로세싱으로 자동 연결 -preferences.launch_programs_in = 프로그램 실행 -preferences.launch_programs_in.mode = 모드 -preferences.file = 기타 자세 설정은 해당 경로의 파일에서 변경 가능 -preferences.file.hint = 프로그램 종료 시에만 적용 - -# Sketchbook Location (Frame) -sketchbook_location = 새 스케치북 폴더 위치 설정 - -# Sketchbook (Frame) -sketchbook = 스케치북 -sketchbook.tree = 스케치북 - -# Examples (Frame) -examples = 예제 - -# Export (Frame) -export = 내보내 옵션 -export.platforms = 플랫폼 -export.options = 옵션 -export.options.fullscreen = 전체 화면 (보기 모드) -export.options.show_stop_button = 정지 버튼 표시 -export.description.line1 = "어플리케이션으로 내보내기"는 아래에서 선택한 플랫폼에서 -export.description.line2 = 독립적으로 실행되는 어플리케이션으로 스케치를 저장합니다. - -# Find (Frame) -find = 찾기 -find.find = 찾을 내용: -find.replace_with = 바꿀 내용: -find.ignore_case = 대소문자 구별 안 함 -find.all_tabs = 탭 전체 -find.wrap_around = 자동 줄바꿈 -find.btn.replace_all = 모두 바꾸기 -find.btn.replace = 바꾸기 -find.btn.find_and_replace = 찾기 & 바꾸기 -find.btn.previous = 이전 -find.btn.find = 찾기 - -# Find in reference (Frame) -find_in_reference = 레퍼런스에서 찾기 - -# File (Frame) -file = 선택한 이미지 또는 데이터 파일을 스케치로 불러오기 - -# Create Font (Frame) -create_font = 글꼴 생성 - -# Color Selector (Frame) -color_selector = 색상 선택기 - -# Archive Sketch (Frame) -archive_sketch = 스케치 전체를 (이미지/데이터 포함) Zip으로 압축하기... - - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = 실행 -toolbar.present = 전체 화면 -toolbar.stop = 정지 -# --- -toolbar.new = 새 스케치 -toolbar.open = 열기 -toolbar.save = 저장 -toolbar.export_application = 어플리케이션으로 내보내기 -toolbar.add_mode = 모드 추가... - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = 새 탭 -editor.header.rename = 탭 이름 변경 -editor.header.delete = 삭제 -editor.header.previous_tab = 이전 탭 -editor.header.next_tab = 다음 탭 -editor.header.delete.warning.title = Yeah, no. -editor.header.delete.warning.text = 스케치의 마지막 탭은 삭제할 수 없습니다. - -# Tabs -editor.tab.new = 새 탭 이름 -editor.tab.new.description = 파일의 새 탭 이름 -editor.tab.rename = 새 탭 이름 -editor.tab.rename.description = 파일의 새 탭 이름 - -# Sketch -editor.sketch.rename.description = 새 스케치 이름 - -editor.status.autoformat.no_changes = 변경할 서식이 없습니다. -editor.status.autoformat.finished = 자동 서식 적용 완료 -editor.status.find_reference.select_word_first = 레퍼런스에서 찾을 단어를 선택하세요. -editor.status.find_reference.not_available = "%s" 관련 레퍼런스가 없습니다. -editor.status.drag_and_drop.files_added.0 = 스케치에 추가된 파일이 없습니다. -editor.status.drag_and_drop.files_added.1 = 스케치에 1개의 파일이 추가되었습니다. -editor.status.drag_and_drop.files_added.n = 스케치에 %d개의 파일 추가되었습니다. -editor.status.saving = 저장 중... -editor.status.saving.done = 저장 완료. -editor.status.saving.canceled = 저장 취소. -editor.status.printing = 인쇄 중... -editor.status.printing.done = 인쇄 완료. -editor.status.printing.error = 인쇄 중 오류 발생. -editor.status.printing.canceled = 인쇄 취소. - - -# --------------------------------------- -# Contribution Panel - -contrib = 컨트리뷰션 매니저 -contrib.category = 카테고리: -contrib.filter_your_search = 검색 필터... -contrib.restart = 프로세싱 다시 시작하기 -contrib.unsaved_changes = 저장되지 않은 변경 사항이 발견되었습니다. -contrib.unsaved_changes.prompt = 정말 변경 사항을 저장하지 않고 프로세싱을 다시 시작하시겠습니까? -contrib.messages.remove_restart = 해당 아이템이 완전히 삭제된 후 프로세싱을 다시 시작해 주세요. -contrib.messages.install_restart = 해당 아이템이 완전히 설치된 후 프로세싱을 다시 시작해 주세요. -contrib.messages.update_restart = 해당 아이템이 완전히 업데이트된 후 프로세싱을 다시 시작해 주세요. -contrib.errors.list_download = 헤당 리스트의 파일을 다운로드 할 수 없습니다. -contrib.errors.list_download.timeout =연결시간 초과로 해당 리스트의 파일을 다운로드 할 수 없습니다. -contrib.errors.download_and_install = 다운로드 및 설치 중에 오류가 발생했습니다. -contrib.errors.description_unavailable = 제공된 추가설명이 없습니다. -contrib.errors.malformed_url = Processing.org에 잘못된 링크가 포함되어 파일을 다운로드 받을 수 없습니다. \n해당 라이브러리 웹사이트에 방문하사면 다운로드 받을 수 있습니다. -contrib.errors.needs_repackage = %s 라이브러리는 해당 프로세싱 버전에서 지원되지 않습니다. -contrib.errors.no_contribution_found = %s 파일을 다운로드 경로에서 찾을 수 없습니다. -contrib.errors.overwriting_properties = .properties 파일 덮어쓰기에 실패하였습니다. -contrib.errors.install_failed = 설치 오류 발생. -contrib.errors.update_on_restart_failed = %s 파일은 알 수 없는 오류로 재실행 후에도 사용할 수 없습니다. -contrib.errors.temporary_directory = 임시 디렉터리에 업데이트할 수 없습니다. -contrib.all = All -contrib.undo = 입력 취소 -contrib.remove = 삭제 -contrib.install = 설치 -contrib.progress.installing = 설치 중 -contrib.progress.starting = 시작 중 -contrib.progress.downloading = 다운로드 중 -contrib.download_error = 해당 파일 다운로드 중 에러 발생하였습니다. -contrib.unsupported_operating_system = 해당 파일 해당 컴퓨터의 운영체제를 지원하지 않습니다. %s의 웹페이지에 방문하여 확인해 보세요. - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error = 오류 -editor.status.error.syntax = 구문 오류 - %s - -# --------------------------------------- -# Warnings - -warn.delete = 삭제 -warn.delete.sketch = 정말 해당 스케치를 삭제하시겠습니까? -warn.delete.file = 정말 "%s"를 삭제하시겠습니까? - - -# --------------------------------------- -# Update Check -update_check = 업데이트 -update_check.updates_available.core = 새 버전의 프로세싱 설치가 가능합니다. \n해당 다운로드 페이지로 지금 이동하시겠습니까? -update_check.updates_available.contributions = 설치된 컨트리뷰션(도구, 라이브러리, 모드, 예제) 중 일부가 업데이트되었습니다,\n 컨트리뷰션 매니저로 이동하여 확인하시겠습니까? - - -# --------------------------------------- -# Color Chooser -color_chooser = 색상 선택 diff --git a/tools/Java/lib/languages/PDE_nl.properties b/tools/Java/lib/languages/PDE_nl.properties deleted file mode 100644 index 1b6b9d5..0000000 --- a/tools/Java/lib/languages/PDE_nl.properties +++ /dev/null @@ -1,320 +0,0 @@ - - -# --------------------------------------- -# Language: Dutch (Nederlands) (nl) -# --------------------------------------- - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Bestand -menu.file.new = Nieuw -menu.file.open = Openen... -menu.file.sketchbook = Schetsboek -menu.file.sketchbook.empty = Leeg Schetsboek -menu.file.recent = Recent -menu.file.examples = Voorbeelden... -menu.file.close = Sluiten -menu.file.save = Opslaan -menu.file.save_as = Opslaan Als... -menu.file.export_application = Exporteren Applicatie... -menu.file.page_setup = Pagina-instelling -menu.file.print = Afdrukken... -menu.file.preferences = Instellingen... -menu.file.quit = Afsluiten - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Bewerken -menu.edit.undo = Ongedaan Maken -menu.edit.redo = Opnieuw Uitvoeren -menu.edit.cut = Knippen -menu.edit.copy = Kopiëren -menu.edit.copy_as_html = Kopiëren als HTML -menu.edit.paste = Plakken -menu.edit.select_all = Alles Selecteren -menu.edit.auto_format = Automatische Opmaak -menu.edit.comment_uncomment = Commentaar Aan/Uit -menu.edit.increase_indent = → Inspringen Vergroten -menu.edit.decrease_indent = ← Inspringen Verkleinen -menu.edit.find = Zoeken... -menu.edit.find_next = Volgende Zoeken -menu.edit.find_previous = Vorige Zoeken -menu.edit.use_selection_for_find = Gebruik Selectie voor Zoeken - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Uitvoeren -menu.sketch.present = Presenteren -menu.sketch.tweak = Tweak -menu.sketch.stop = Stoppen -# --- -menu.library = Bibliotheek Importeren... -menu.library.add_library = Bibliotheek Toevoegen... -menu.library.contributed = Bijgedragen -menu.library.no_core_libraries = Modus heeft geen standaard bibliotheken -# --- -menu.sketch = Schets -menu.sketch.show_sketch_folder = Toon Schets Map -menu.sketch.add_file = Bestand Toevoegen... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -# ... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Tools -menu.tools.color_selector = Kleur Selecteren... -menu.tools.create_font = Lettertype Maken... -menu.tools.archive_sketch = Schets Archiveren -menu.tools.fix_the_serial_lbrary = Seriële Bibliotheek Herstellen -menu.tools.install_processing_java = Installeren "processing-java" -menu.tools.add_tool = Tool Toevoegen... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Help -menu.help.about = Over Processing -menu.help.environment = Programmeeromgeving -menu.help.reference = Handleiding -menu.help.find_in_reference = Zoeken in Handleiding -menu.help.online = Online -menu.help.getting_started = Om te beginnen -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = Bekende Problemen -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = Veelgestelde Vragen -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = Over The Processing Foundation -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Ga naar Processing.org -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Ja -prompt.no = Nee -prompt.cancel = Annuleren -prompt.ok = OK -prompt.browse = Bladeren -prompt.export = Exporteren - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Een Processing schets openen... - -# Save (Frame) -save = Schets map opslaan als... -save.title = Wilt u wijzigingen die zijn aangebracht in deze schets opslaan voor het sluiten? -save.hint = Als u niet opslaat, zullen uw wijzigingen verloren gaan. -save.btn.save = Opslaan -save.btn.dont_save = Niet Opslaan - -# Preferences (Frame) -preferences = Instellingen -preferences.button.width = 90 -preferences.requires_restart = herstart van Processing vereist -preferences.sketchbook_location = Schetsboek locatie -preferences.sketchbook_location.popup = Schetsboek locatie -preferences.language = Taal -preferences.editor_and_console_font = Editor en Console lettertype -preferences.editor_and_console_font.tip = \ -Selecteer het gebruikte lettertype in de Editor en de Console.
\ -Alleen monospace lettertypes (dezelfde breedte voor elk karakter)
\ -mogen gebruikt worden, ook al is de lijst wellicht niet geheel correct. -preferences.editor_font_size = Editor lettergrootte -preferences.console_font_size = Console lettergrootte -preferences.background_color = Achtergrond kleur in Presenteer modus -preferences.background_color.tip = \ -Selecteer de achtergrond kleur in Presenteer modus.
\ -De Presenteer modus (te vinden in het Schets menu) wordt gebruikt
\ -om een schets op het volledige scherm te tonen. -preferences.use_smooth_text = Gebruik duidelijke tekst in Editor venster -preferences.enable_complex_text_input = Complexe tekstkarakters mogelijk maken -preferences.enable_complex_text_input_example = i.e. Japans -preferences.continuously_check = Continu controleren op fouten -preferences.show_warnings = Toon waarschuwingen -preferences.code_completion = Automatische aanvulling -preferences.trigger_with = Activeren met -preferences.cmd_space = Spatie -preferences.increase_max_memory = Verhogen maximaal beschikbare geheugen naar -preferences.delete_previous_folder_on_export = Vorige map verwijderen bij exporteren -preferences.hide_toolbar_background_image = Achtergrond van toolbar verbergen -preferences.check_for_updates_on_startup = Controleren op updates bij het opstarten -preferences.run_sketches_on_display = Uitvoeren schetsen op beeld -preferences.run_sketches_on_display.tip = \ -Stelt het beeld in waarop schetsen aanvankelijk te zien zijn.
\ -Zoals gebruikelijk, als het venster wordt verplaatst, zal het heropenen
\ -op die locatie. Wanneer echter gebruik wordt gemaakt van de Presenteer
\ -modus (volledig scherm), zal altijd het gekozen beeld worden gebruikt. -preferences.automatically_associate_pde_files = Automatisch associëren .pde bestanden met Processing -preferences.launch_programs_in = Programma's starten in -preferences.launch_programs_in.mode = modus -preferences.file = Meer instellingen kunnen direct worden aangepast in het bestand -preferences.file.hint = alleen aanpassen wanneer Processing niet actief is - -# Sketchbook Location (Frame) -sketchbook_location = Selecteer nieuwe schetsboek locatie - -# Sketchbook (Frame) -sketchbook = Schetsboek -sketchbook.tree = Schetsboek - -# examples (Frame) -examples = Examples - -# Export (Frame) -export = Exporteer Opties -export.platforms = Platforms -export.options = Opties -export.options.fullscreen = Volledig Scherm (Presenteer modus) -export.options.show_stop_button = Tonen Stop knop -export.description.line1 = Exporteren naar Applicatie creëert dubbel-klikbare, -export.description.line2 = zelfstandige applicaties voor de geselecteerde platforms. - -# Find (Frame) -find = Zoeken -find.find = Zoeken naar: -find.replace_with = Vervangen door: -find.ignore_case = Case negeren -find.all_tabs = Alle Tabbladen -find.wrap_around = Rondgaan -find.btn.replace_all = Alles Vervangen -find.btn.replace = Vervangen -find.btn.find_and_replace = Zoeken & Vervangen -find.btn.previous = Vorige -find.btn.find = Zoeken - -# Find in reference (Frame) -find_in_reference = Zoeken in Handleiding - -# File (Frame) -file = Selecteer een bestand om te kopiëren naar uw schets - -# Create Font (Frame) -create_font = Lettertype Maken - -# Color Selector (Frame) -color_selector = Kleur Selecteren - -# Archive Sketch (Frame) -archive_sketch = Schets archiveren als... - - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Uitvoeren -toolbar.present = Presenteren -toolbar.stop = Stoppen -# --- -toolbar.new = Nieuw -toolbar.open = Openen -toolbar.save = Opslaan -# toolbar.export_application = Exporteren Applicatie -toolbar.add_mode = Modus toevoegen... - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Nieuw Tabblad -editor.header.rename = Naam wijzigen -editor.header.delete = Verwijderen -editor.header.previous_tab = Vorige Tabblad -editor.header.next_tab = Volgende Tabblad -editor.header.delete.warning.title = Waarschuwing -editor.header.delete.warning.text = U kunt het laatste tabblad van de laatst geopende schets niet verwijderen. - -# Tabs -editor.tab.new = Nieuwe Naam -editor.tab.new.description = Naam voor nieuw bestand -editor.tab.rename = Nieuwe Naam -editor.tab.rename.description = Nieuwe naam voor bestand - -# Sketch -editor.sketch.rename.description = Nieuwe naam voor schets - -editor.status.autoformat.no_changes = Geen wijzigingen nodig voor Automatische Opmaak. -editor.status.autoformat.finished = Automatische Opmaak gereed. -editor.status.find_reference.select_word_first = Selecteer eerst een woord om te zoeken in de handleiding. -editor.status.find_reference.not_available = Geen handleiding beschikbaar voor "%s". -editor.status.drag_and_drop.files_added.0 = Er zijn geen bestanden toegevoegd aan de schets. -editor.status.drag_and_drop.files_added.1 = Een bestand toegevoegd aan de schets. -editor.status.drag_and_drop.files_added.n = %d bestanden toegevoegd aan de schets. -editor.status.saving = Bezig met opslaan... -editor.status.saving.done = Opslaan gereed. -editor.status.saving.canceled = Opslaan geannuleerd. -editor.status.printing = Bezig met afdrukken... -editor.status.printing.done = Afdrukken gereed. -editor.status.printing.error = Fout tijdens het afdrukken. -editor.status.printing.canceled = Afdrukken geannuleerd. - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error = Fout -editor.status.error.syntax = Fout - %s - -# --------------------------------------- -# Contribution Panel - -contrib = Bijdragen Manager -contrib.category = Categorie: -contrib.filter_your_search = Filter zoekresultaten... -contrib.restart = Processing herstarten -contrib.unsaved_changes = Niet opgeslagen wijzigingen gevonden -contrib.unsaved_changes.prompt = Weet u zeker dat u Processing wil herstarten zonder eerst op te slaan? -contrib.messages.remove_restart = Herstart Processing om het verwijderen van dit item te voltooien. -contrib.messages.install_restart = Herstart Processing om het installeren van dit item te voltooien. -contrib.messages.update_restart = Herstart Processing om het updaten van dit item te voltooien. -contrib.errors.list_download = De lijst met beschikbare bijdragen kon niet worden gedownload. -contrib.errors.list_download.timeout = Verbinding time out bij het downloaden van de lijst met bijdragen. -contrib.errors.download_and_install = Fout bij het downloaden en installeren. -contrib.errors.description_unavailable = Beschrijving niet beschikbaar. -contrib.errors.malformed_url = "De van Processing.org verkregen link is niet correct.\nU kunt nog steeds de bibliotheek handmatig installeren door\nde website van de bibliotheek te bezoeken -contrib.errors.needs_repackage = %s moet opnieuw worden ingepakt volgens de %s richtlijnen. -contrib.errors.no_contribution_found = Kan geen %s vinden in het gedownloade bestand. -contrib.errors.overwriting_properties = Fout bij het overschrijven van het .properties bestand. -contrib.errors.install_failed = Installatie mislukt. -contrib.errors.update_on_restart_failed = Update bij herstart van %s mislukt. -contrib.errors.temporary_directory = Kan niet schrijven naar een tijdelijke map. -contrib.all = Alles -contrib.undo = Ongedaan maken -contrib.remove = Verwijderen -contrib.install = Installeren -contrib.progress.installing = Bezig met installeren -contrib.progress.starting = Bezig met starten -contrib.progress.downloading = Bezig met downloaden -contrib.download_error = Fout bij het downloaden van de bijdrage. -contrib.unsupported_operating_system = Uw besturingssyteem wordt schijnbaar niet ondersteund. U kunt de website van de %s bibliotheek bezoeken voor meer informatie. - - -# --------------------------------------- -# Warnings - -warn.delete = Verwijderen -warn.delete.sketch = Weet u zeker dat u deze schets wil verwijderen? -warn.delete.file = Weet u zeker dat u "%s" wil verwijderen? - - -# --------------------------------------- -# Update Check -update_check = Update -update_check.updates_available.core = Een nieuwe versie van Processing is beschikbaar,\nwilt u de Processing download pagina bezoeken? -update_check.updates_available.contributions = Er zijn updates beschikbaar voor sommige van de door u geïnstalleerde bijdragen,\nwilt u nu de Bijdragen Manager openen? - - -# --------------------------------------- -# Color Chooser -color_chooser = Kies een kleur... diff --git a/tools/Java/lib/languages/PDE_pt.properties b/tools/Java/lib/languages/PDE_pt.properties deleted file mode 100644 index 6c957c0..0000000 --- a/tools/Java/lib/languages/PDE_pt.properties +++ /dev/null @@ -1,255 +0,0 @@ - - -# --------------------------------------- -# Language: Portuguese (pt) -# --------------------------------------- - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Arquivo -menu.file.new = Novo -menu.file.open = Abrir... -menu.file.sketchbook = Sketchbook -menu.file.recent = Recentes -menu.file.examples = Exemplos... -menu.file.close = Fechar -menu.file.save = Guardar -menu.file.save_as = Guardar Como... -menu.file.export_application = Exportar Aplicação... -menu.file.page_setup = Configurar Página -menu.file.print = Imprimir... -menu.file.preferences = Preferências... -menu.file.quit = Sair - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Editar -menu.edit.undo = Desfazer -menu.edit.redo = Refazer -menu.edit.cut = Cortar -menu.edit.copy = Copiar -menu.edit.copy_as_html = Copiar como HTML -menu.edit.paste = Colar -menu.edit.select_all = Seleccionar Tudo -menu.edit.auto_format = Auto Formatar -menu.edit.comment_uncomment = Comentar/Descomentar -menu.edit.increase_indent = → Aumentar Indentação -menu.edit.decrease_indent = ← Diminuir Indentação -menu.edit.find = Procurar... -menu.edit.find_next = Procurar Seguinte -menu.edit.find_previous = Procurar Anterior -menu.edit.use_selection_for_find = Usar Selecção para Procurar - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Executar -menu.sketch.present = Apresentar -menu.sketch.tweak = Tweak -menu.sketch.stop = Parar -# --- -menu.library = Importar Biblioteca... -menu.library.add_library = Adicionar Biblioteca... -menu.library.contributed = Contribuidas -menu.library.no_core_libraries = O modo não tem bibliotecas incluídas -# --- -menu.sketch = Sketch -menu.sketch.show_sketch_folder = Ver Pasta de Sketch -menu.sketch.add_file = Adicionar Ficheiro... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -# ... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Ferramentas -menu.tools.color_selector = Selector de Cor... -menu.tools.create_font = Criar Fonte... -menu.tools.archive_sketch = Arquivar Sketch -menu.tools.fix_the_serial_lbrary = Corrijir a Biblioteca Serial -menu.tools.install_processing_java = Instalar "processing-java" -menu.tools.add_tool = Adicionar Ferramenta... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Ajuda -menu.help.about = Acerca do Processing -menu.help.environment = Ambiente -menu.help.reference = Referência -menu.help.find_in_reference = Procurar na Referência -menu.help.online = Online -menu.help.getting_started = Primeiros Passos -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = Resolução de Problemas -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = Perguntas Mais Frequentes -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = A Processing Foundation -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Visitar Processing.org -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Sim -prompt.no = Não -prompt.cancel = Cancelar -prompt.ok = OK -prompt.browse = Procurar -prompt.export = Exportar - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Abrir um sketch de Processing... - -# Save (Frame) -save = Guardar pasta do sketch como... -save.title = Deseja guardar as alterções a este sketch antes de fechar? -save.hint = Se não guardar as suas alterações serão perdidas. -save.btn.save = Guardar -save.btn.dont_save = Não Guardar - -# Preferences (Frame) -preferences = Preferências -preferences.button.width = 80 -preferences.requires_restart = requer reiniciar o Processing -preferences.sketchbook_location = Localização do Sketchook -preferences.language = Língua -preferences.editor_and_console_font = Fonte do Editor e da Consola -preferences.editor_font_size = Tamanho da fonte do Editor -preferences.console_font_size = Tamanho da fonte da Consola -preferences.background_color = Côr de fundo em modo de Apresentação -preferences.use_smooth_text = Utilizar texto suavizado na janela do editor -preferences.enable_complex_text_input = Activar inserção de caracteres complexos -preferences.enable_complex_text_input_example = ex. Japonês -preferences.continuously_check = Verificação contínua de erros -preferences.show_warnings = Mostrar avisos -preferences.code_completion = Auto-completar de código -preferences.trigger_with = Activar com -preferences.cmd_space = espaço -preferences.increase_max_memory = Aumentar tamanho máximo de memória para -preferences.delete_previous_folder_on_export = Apagar pasta anterior ao exportar -preferences.hide_toolbar_background_image = Esconder imagem de fundo da Aba/Aba de ferramentas -preferences.check_for_updates_on_startup = Verificar por actualizações ao iniciar -preferences.run_sketches_on_display = Executar sketches no ecrã -preferences.run_sketches_on_display.tip = \ -Configura o ecrã onde os sketches se abrem inicialmente.
\ -Como habitual, ao mover a janela do sketch, esta volta a abrir
\ -na mesma localização. No entanto, quando em modo de apresentação
\ -(ecrã inteiro), este ecrã será sempre utilizado. -preferences.automatically_associate_pde_files = Automaticamente associar ficheiros .pde com o Processing -preferences.launch_programs_in = Executar aplicações em -preferences.launch_programs_in.mode = modo -preferences.file = Mais preferências podem ser configuradas directamente no ficheiro -preferences.file.hint = editar apenas quando o Processing não está a ser executado - -# Sketchbook Location (Frame) -sketchbook_location = Escolha a nova loclização do sketchbook - -# Export (Frame) -export = Opções de Exportação -export.platforms = Plataformas -export.options = Opções -export.options.fullscreen = Ecrã Inteiro (Modo de Apresentação) -export.options.show_stop_button = Mostrar botão de Parar -export.description.line1 = Exportar para Aplicação cria uma aplicação executavél, -export.description.line2 = para as plataformas seleccionadas. - -# Find (Frame) -find = Procurar -find.find = Procurar: -find.replace_with = Substituir por: -find.ignore_case = Ignorar Caixa -find.all_tabs = Todas as Abas -find.wrap_around = Continuar desde início -find.btn.replace_all = Substituir Todas -find.btn.replace = Substituir -find.btn.find_and_replace = Procurar e Substituir -find.btn.previous = Anterior -find.btn.find = Seguinte - -# Find in reference (Frame) -find_in_reference = Procurar na Referência - -# File (Frame) -file = Seleccionar uma imagem ou outro ficheiro de dados para copiar para o sketch - -# Create Font (Frame) -create_font = Criar Fonte - -# Color Selector (Frame) -color_selector = Selector de Côr - -# Archive Sketch (Frame) -archive_sketch = Arquivar sketch como... - - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Executar -toolbar.present = Apresentar -toolbar.stop = Parar -# --- -toolbar.new = Novo -toolbar.open = Abrir -toolbar.save = Guardar -# toolbar.export_application = Exportar Aplicação -toolbar.add_mode = Adicionar modo... - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Nova Aba -editor.header.rename = Renomear -editor.header.delete = Apagar -editor.header.previous_tab = Aba Anterior -editor.header.next_tab = Aba Seguinte -editor.header.delete.warning.title = Ah, não. -editor.header.delete.warning.text = Não pode apagar a última aba do último sketch aberto. - -editor.status.autoformat.no_changes = Não foram necessárias alterações para a Auto Formatação. -editor.status.autoformat.finished = Auto Formatação completa. -editor.status.find_reference.select_word_first = Primeiro escolha uma palavra para procurar na referência. -editor.status.find_reference.not_available = Não existe referência disponivel para "%s". -editor.status.drag_and_drop.files_added.0 = Nenhum dos ficheiros foram adicionados ao sketch. -editor.status.drag_and_drop.files_added.1 = Um ficheiro adicionado ao sketch. -editor.status.drag_and_drop.files_added.n = %d ficheiros adicionados ao sketch. -editor.status.saving = A Guardar... -editor.status.saving.done = Guardado com sucesso. -editor.status.saving.canceled = Guardar cancelado. -editor.status.printing = A imprimir... -editor.status.printing.done = Impresso com sucesso. -editor.status.printing.error = Erro a imprimir. -editor.status.printing.canceled = Impressão cancelada. - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error = Erro -editor.status.error.syntax = Erro - %s - - -# --------------------------------------- -# Contribution Panel - -contrib.category = Categoria: -contrib.filter_your_search = Filtrar a sua procura... -contrib.undo = Desfazer -contrib.remove = Refazer -contrib.install = Instalar -contrib.progress.starting = A iniciar -contrib.progress.downloading = A descarregar -contrib.download_error = Ocorreu um erro ao descarregar a contribuição. -contrib.unsupported_operating_system = O seu sistema operativo não parece ser suportado. Deve visitar a biblioteca %s para mais informação. diff --git a/tools/Java/lib/languages/PDE_ru.properties b/tools/Java/lib/languages/PDE_ru.properties deleted file mode 100644 index f35ce1c..0000000 --- a/tools/Java/lib/languages/PDE_ru.properties +++ /dev/null @@ -1,606 +0,0 @@ - - -# --------------------------------------- -# Language: Russian (Русский) (ru) -# --------------------------------------- - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Файл -menu.file.new = Создать -menu.file.open = Открыть... -menu.file.recent = Недавние -menu.file.sketchbook = Рабочая папка... -menu.file.sketchbook.empty = Пустая рабочая папка -menu.file.examples = Примеры... -menu.file.close = Закрыть -menu.file.save = Сохранить -menu.file.save_as = Сохранить как... -menu.file.export_application = Экспорт приложения... -menu.file.page_setup = Настройка страницы -menu.file.print = Печать... -menu.file.preferences = Параметры... -menu.file.quit = Выход - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Правка -menu.edit.undo = Отменить -menu.edit.redo = Повторить -menu.edit.action.addition = добавление -menu.edit.action.deletion = удаление -menu.edit.cut = Вырезать -menu.edit.copy = Копировать -menu.edit.copy_as_html = Скопировать как HTML -menu.edit.paste = Вставить -menu.edit.select_all = Выделить всё -menu.edit.auto_format = Автоформатирование -menu.edit.comment_uncomment = Закомментировать/Раскомментировать -menu.edit.increase_indent = → Увеличить отступ -menu.edit.decrease_indent = ← Уменьшить отступ -menu.edit.find = Найти... -menu.edit.find_next = Найти следущее -menu.edit.find_previous = Найти предыдущее -menu.edit.use_selection_for_find = Найти выделенное - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Запустить -menu.sketch.present = Режим презентации -menu.sketch.tweak = Изменить -menu.sketch.stop = Остановить -# --- -menu.library = Импортировать библиотеку... -menu.library.add_library = Добавить библиотеку... -menu.library.contributed = Вклад сообщества -menu.library.no_core_libraries = отсутствуют основные библиотеки -# --- -menu.sketch = Набросок -menu.sketch.show_sketch_folder = Показать папку с набросками -menu.sketch.add_file = Добавить файл... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = Отладка -menu.debug.enable = Включить отладку -menu.debug.disable = Отключить отладку -#menu.debug.show_debug_toolbar = Показать панель отладки -#menu.debug.debug = Начать отладку -#menu.debug.stop = Остановить отладку -# --- -menu.debug.toggle_breakpoint = Поставить/снять точку останова -#menu.debug.list_breakpoints = Список точек останова -# --- -# used for both menus and toolbars -menu.debug.step = Шаг -menu.debug.step_into = Зайти в -menu.debug.step_out = Выйти из -menu.debug.continue = Продолжить -# --- -#menu.debug.print_stack_trace = Печать стека вызовов -#menu.debug.print_locals = Печать локальных переменных -#menu.debug.print_fields = Печать полей -#menu.debug.print_source_location = Печатать расположение источника -#menu.debug.print_threads = Друкувати потоки -# --- -#menu.debug.variable_inspector = Инспектор переменных -menu.debug.show_variables = Показать переменные -menu.debug.hide_variables = Спрятать переменные -#menu.debug.show_sketch_outline = Показать рамку наброска -#menu.debug.show_tabs_list = Показать список вкладок - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Инструменты -menu.tools.color_selector = Выбрать цвет... -menu.tools.create_font = Создать шрифты... -menu.tools.archive_sketch = Архивировать набросок -menu.tools.fix_the_serial_lbrary = Исправить библиотеку Serial -menu.tools.install_processing_java = Установить "processing-java" -menu.tools.add_tool = Добавить инструмент... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Помощь -menu.help.welcome = Добро пожаловать в Processing -menu.help.about = О Processing -menu.help.environment = Среда -menu.help.reference = Документация -menu.help.find_in_reference = Найти в документации -menu.help.libraries_reference = Документация библиотек -menu.help.tools_reference = Документация инструментов -menu.help.empty = (пусто) -menu.help.online = Онлайн -menu.help.getting_started = Начало работы (англ.) -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = Решение проблем (англ.) -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = Часто задаваемые вопросы (англ.) -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = The Processing Foundation (англ.) -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Постетить Processing.org (англ.) -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Да -prompt.no = Нет -prompt.cancel = Отменить -prompt.ok = ОК -prompt.browse = Просмотр -prompt.export = Экспорт - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Открыть в Processing... - -# Save (Frame) -save = Сохранить папку как... -save.title = Сохранить изменения %s перед закрытием? -save.hint = Несохранённые изменения будут потеряны. -save.btn.save = Сохранить -save.btn.dont_save = Не сохранять - -# Close (Frame) also used to prompt on non-mac machines -close.unsaved_changes = Сохранить изменения в %s? - -# Preferences (Frame) -preferences = Параметры -preferences.button.width = 95 -preferences.requires_restart = требуется перезапуск Processing -preferences.sketchbook_location = Расположение рабочей папки -preferences.sketchbook_location.popup = Расположение рабочей папки -preferences.language = Язык -preferences.editor_and_console_font = Шрифт редактора и консоли -preferences.editor_and_console_font.tip = Выбрать шрифт для использовании в редакторе и консоли.
Возможно использование только моноширинных шрифтов. -preferences.editor_font_size = Размер шрифта редактора -preferences.console_font_size = Размер шрифта консоли -preferences.zoom = Масштабирование интерфейса -preferences.zoom.auto = По умолчанию -preferences.background_color = Цвет фона в режиме презентации -preferences.background_color.tip = Выбрать фоновый цвет для режима презентации.
Режим презентации используется для полноэкранного просмотра
из меню набросок. -preferences.use_smooth_text = Рисовать сглаженный текст в окне редактора -preferences.enable_complex_text_input = Включить расширенное редактирование текста -preferences.enable_complex_text_input_example = напр. японский -preferences.continuously_check = Проверять на ошибки -preferences.show_warnings = Показать предупреждения -preferences.code_completion = Автодополнение кода -preferences.trigger_with = Запуск с помощью -preferences.cmd_space = Пробел -preferences.suggest_imports = Предлагать импорт -preferences.increase_max_memory = Увеличить лимит памяти для наброска -preferences.delete_previous_folder_on_export = Удалять предыдущую папку при экспорте -preferences.check_for_updates_on_startup = Разрешать проверку обновлений (см. ЧаВо для получения информации о используемых данных) -preferences.run_sketches_on_display = Запускать набросок на мониторе -preferences.run_sketches_on_display.tip = Задаёт монитор, на котором будут запускаться наброски.
Обычно, если окно перемещается, то оно будет перезапущено
на том месте, тем не менее при запуске в полноэкранном режиме
всегда используется выбранный монитор. -preferences.automatically_associate_pde_files = Автоматически ассоциировать файлы .pde с Processing -preferences.launch_programs_in = Запускать программы в -preferences.launch_programs_in.mode = Режим -preferences.file = В файле настроек можно найти больше параметров для настройки -preferences.file.hint = не редактируйте его при запущенном Processing - -# Sketchbook Location (Frame) -sketchbook_location = Выбрать новое раположение рабочей папки - -# Sketchbook (Frame) -sketchbook = Рабочая папка -sketchbook.tree = Рабочая папка - -# Examples (Frame) -examples.title = Примеры %s -examples.add_examples = Добавить... -examples.libraries = Библиотеки сообщества -examples.core_libraries = Библиотеки -examples.contributed = Примеры сообщества - -# Export (Frame) -export = Настройка экспорта -export.platforms = Платформы -export.options = Настройки -export.options.present = Режим презентации -export.options.show_stop_button = Показывать кнопку остановки -export.description.line1 = "Экспорт в приложение" создаёт интерактивное, -export.description.line2 = самостоятельное приложение для выбранных платформ. -export.unsaved_changes = Сохранить изменения перед экспортом? -export.notice.cancel.unsaved_changes = Экспорт отменён, сохраните сперва сделанные изменения. -export.notice.exporting = Экспорт приложения... -export.notice.exporting.done = Экспорт завершён. -export.notice.exporting.error = Ошибка при экспорте. -export.notice.exporting.cancel = Экспорт в приложение отменён. -export.tooltip.macos = Экспорт для macOS доступен только на macOS -export.full_screen = Во весь экран -export.embed_java = Встроенная Java -export.code_signing = Цифровая подпись -export.messages.is_read_only = Скетч доступен только для чтения -export.messages.is_read_only.description = Некоторые файлы помечены "только для чтения".\nНужно сперва сохранить их в другом месте\nа затем попробовать заново. -export.messages.cannot_export = Экспорт невозможен -export.messages.cannot_export.description = Нельзя экспортировать несохранённый набросок. - -# Find (Frame) -find = Поиск -find.find = Найти: -find.replace_with = Заменить на: -find.ignore_case = Игнорировать регистр -find.all_tabs = Во всех вкладках -find.wrap_around = По всему документу -find.btn.replace_all = Заменить всё -find.btn.replace = Заменить -find.btn.replace_and_find = Найти и заменить -find.btn.previous = Предыдущий -find.btn.find = Найти - -# Find in reference (Frame) -find_in_reference = Найти в документации - -# File (Frame) -file = Выбрать - -# Create Font (Frame) -create_font = Создать шрифт -create_font.label = Этот инструмент предназначен для создания пользовательских шрифтов.\nВыберите шрифт, его размер и нажмите "ОК", для создания шрифта.\nОн будет сохранён в папке с наброском. -create_font.size = Размер -create_font.smooth = Сглаживание -create_font.characters = Символы... -create_font.character_selector = Выбор символа -create_font.character_selector.label = В стандартные набор символов включены bitmap-ы для Mac OS\nи Windows Latin. Включение всех символов увеличивает потребление памяти.\nДля улучшения ситуации подключайте необходимые блоки Unicode. -create_font.default_characters = Стандартные символы -create_font.all_characters = Все символы -create_font.specific_unicode = Определённые блоки Unicode -create_font.filename = Имя файла - -# Color Selector (Frame) -color_selector = Выбрать цвет - -# Archive Sketch (Frame) -archive_sketch = Архивировать скетч в... - -# Tweak Mode -tweak_mode = Режим редактирования -tweak_mode.save_before_tweak = Сохраните набросок перед переходом в режим редактирования. -tweak_mode.keep_changes.line1 = Сохранить изменения? -tweak_mode.keep_changes.line2 = Вы изменили настройки наброска. Желаете сохранить? - -# DebugTray -debugger.name = Имя -debugger.value = Значения -debugger.type = Тип - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Запустить -toolbar.present = Показать -toolbar.stop = Остановить -toolbar.debug = Отладить -# --- -toolbar.new = Новый -toolbar.open = Открыть -toolbar.save = Сохранить -# toolbar.export_application = Экспорт приложения -toolbar.add_mode = Добавить режим... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = Продолжить -#toolbar.debug.step = Шаг -#toolbar.debug.step_into = Зайти в -#toolbar.debug.stop = Остановить -#toolbar.debug.toggle_breakpoints = Поставить/Убрать точку останова -#toolbar.debug.variable_inspector = Экран переменных - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Новая вкладка -editor.header.rename = Переименовать -editor.header.delete = Удалить -editor.header.previous_tab = Предыдущая вкладка -editor.header.next_tab = Следующая вкладка -editor.header.delete.warning.title = Да, нет. -editor.header.delete.warning.text = Нельзя удалить основную вкладку открытого наброска. - -# PopUp menu -editor.popup.jump_to_declaration = Перейти к определению -editor.popup.show_usage = Найти использование... -editor.popup.rename = Переименовать... - -# Tabs -editor.tab.new = Новое имя -editor.tab.new.description = Имя нового файла -editor.tab.rename = Новое имя -editor.tab.rename.description = Новое имя файла - -# Sketch -editor.sketch.rename.description = Имя нового наброска - -editor.status.autoformat.no_changes = Автоформатирования не требуется. -editor.status.autoformat.finished = Автоформатирование завершено. -editor.status.find_reference.select_word_first = Сначала выделите слово для поиска в документации. -editor.status.find_reference.not_available = Документация для "%s" недоступна. -editor.status.drag_and_drop.files_added.0 = В скетч не добавлено файлов. -editor.status.drag_and_drop.files_added.1 = Файл добавлен в скетч. -editor.status.drag_and_drop.files_added.n = В скетч добавлено %d файла(-ов). -editor.status.saving = Сохранение... -editor.status.saving.done = Сохранение завершено. -editor.status.saving.canceled = Сохранение отменено. -editor.status.printing = Печать... -editor.status.printing.done = Печать завершена. -editor.status.printing.error = Ошибка печати. -editor.status.printing.canceled = Печать отменена. -editor.status.copy_as_html = Код, форматированный в HTML, скопирован в буфер обмена. -editor.status.debug.busy = Отладчик занят... -editor.status.debug.halt = Отладчик остановлен. -editor.status.archiver.create = "%s" создан. -editor.status.archiver.cancel = Архивирование отменено. - -# Errors -editor.status.warning = Предупреждение -editor.status.error = Ошибка -editor.status.error_on = Ошибка в "%s" -editor.status.missing.default = Пропущен "%c" -editor.status.missing.semicolon = Пропущена ";" -editor.status.missing.left_sq_bracket = Пропущена "[" -editor.status.missing.right_sq_bracket = Пропущена "]" -editor.status.missing.left_paren = Пропущена "(" -editor.status.missing.right_paren = Пропущена ")" -editor.status.missing.left_curly_bracket = Пропущена "{" -editor.status.missing.right_curly_bracket = Пропущена "}" -editor.status.missing.add = Добавьте "%s" -editor.status.bad_curly_quote = Косые кавычки %s не работают. Используйте прямые. Ctrl-T для автозамены. -editor.status.reserved_words = "color" и "int" - зарезервированы и не могут быть использованы в качестве имён переменных -editor.status.undefined_method = Функция "%s(%s)" не определена -editor.status.undefined_constructor = Конструктор "%s(%s)" не определён -editor.status.empty_param = Функция "%s()" не имеет параметров -editor.status.wrong_param = Функция "%s()" ожидает параметры: "%s(%s)" -editor.status.undef_global_var = Глобальная переменная "%s" не определена -editor.status.undef_class = Класс "%s" не определён -editor.status.undef_var = Переменная "%s" не определена -editor.status.undef_name = Имя "%s" не может быть распознано -editor.status.unterm_string_curly = Строковый литерал не заключён в двойные кавычки. Косые кавычки %s не применимы. -editor.status.type_mismatch = Несовпадение типов "%s" и "%s" -editor.status.unused_variable = Локальная переменная "%s" нигде не используется -editor.status.uninitialized_variable = Локальная переменная "%s" не инициализирована -editor.status.no_effect_assignment = Присвоение переменной "%s" не имеет эффекта -editor.status.hiding_enclosing_type = Класс "%s" не может иметь имя наброска - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error.syntax = Синтаксическая ошибка - %s - -# Footer buttons -editor.footer.errors = Ошибки -editor.footer.errors.problem = Проблема -editor.footer.errors.tab = Вкладка -editor.footer.errors.line = Строка -editor.footer.console = Консоль - -# New handler -new.messages.is_read_only = Набросок только для чтения -new.messages.is_read_only.description = Некоторые файлы помечены "только для чтения".\nСохраните их в другом месте и попробуйте снова. - -# Rename handler -rename.messages.is_untitled = Набросок без названия -rename.messages.is_untitled.description = Сперва сохраните набросок, перед\n тем как его переименовывать -rename.messages.is_modified = Сохраните набросок, перед его переименованием. -rename.messages.is_read_only = Набросок только для чтения -rename.messages.is_read_only.description = Некоторые файлы помечены "только для чтения".\nСохраните их в другом месте и попробуйте снова. - -# Naming handler -name.messages.problem_renaming = Проблема переименования -name.messages.starts_with_dot.description = Имя не может начинаться с точки -name.messages.invalid_extension.description = ".%s" не допустимое расширениие. -name.messages.main_java_extension.description = Первая вкладка не может быть %s файлом.\n(Воспользуйтесь другой, "правильной" средой\nпрограммирования?) -name.messages.new_sketch_exists = Переименование невозможно -name.messages.new_sketch_exists.description = Файл "%s" уже существует в\n"%s" -name.messages.new_folder_exists = Переименование невозможно -name.messages.new_folder_exists.description = Набросок(или папка) "%s" уже существует. -name.messages.error = Ошибка -name.messages.no_rename_folder.description = Не удалось переименовать папку наброска. -name.messages.no_rename_file.description = Не удалось переименовать "%s" на "%s" -name.messages.no_create_file.description = Не удалось создать файл "%s"\nв "%s" - -# Delete handler -delete.messages.cannot_delete = Нельзя удалить -delete.messages.cannot_delete.description = Нельзя удалить несохранённый набросок. -delete.messages.cannot_delete.file = Не удалось -delete.messages.cannot_delete.file.description = Не получилось удалить -delete.messages.is_read_only = Набросок открыт "только для чтения" -delete.messages.is_read_only.description = Некоторые файлы помечены "только для чтения".\nСохраните их в другом месте и попробуйте снова. - -# Save handler -save_file.messages.is_read_only = Набросок только для чтения -save_file.messages.is_read_only.description = Некоторые файлы помечены "только для чтения".\nСохраните их в другом месте и попробуйте снова. -save_file.messages.sketch_exists = Набросок уже существует -save_file.messages.sketch_exists.description = Набросок с очищенным именем\n“%s” уже существует. -save_file.messages.tab_exists = Не удалось сохранить -save_file.messages.tab_exists.description = Нельзя сохранить набросок "%s"\n. Вкладка с таким именем уже открыта -save_file.messages.recursive_save = Сохранение в стиле Боргеса -save_file.messages.recursive_save.description = Нельзя сохранить набросок в папку внутри\nсамого себя. Будет циклическая зависимость. - -# Add handler -add_file.messages.is_read_only = Набросок "только для чтения" -add_file.messages.is_read_only.description = Некоторые файлы помечены "только для чтения".\nСохраните их в другом месте и попробуйте снова. -add_file.messages.confirm_replace = Заменить существующюю версию %s? -add_file.messages.error_adding = Ошибка при добавлении файла -add_file.messages.cannot_delete.description = Не получилось удалить существующий файл '%s'. -add_file.messages.cannot_add.description = Не удалось добавить '%s' в набросок. -add_file.messages.same_file = Меня не обдуришь -add_file.messages.same_file.description = Этот файл уже был скопирован в то место\nкуда вы пытаетесь его скопировать.\nНичего не будет сделано. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Плохая папка сборки -temp_dir.messages.bad_build_folder.description = Не удалось найти место для сборки. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Набросок не найден -ensure_exist.messages.missing_sketch.description = Папка с наброском не найдена.\nПопробуем сохранить заново, некоторые\nизменения возможно будут утрачены. -ensure_exist.messages.unrecoverable = Не удалось востановить набросок -ensure_exist.messages.unrecoverable.description = Не удалось повторно сохранить набросок. У вас могут возникнуть трудности,\nпри редактировании в внешнем текстовом редакторе. - -# Check name -check_name.messages.is_name_modified = Имя наброска было изменено. Имена набросков могут состоять\nтолько из ASCII-символов и цифр (но не могут начинаться с цифры).\nТакже имя не должно быть больше 64-ёх - -# External changes detector -change_detect.reload.title=Вкладка изменена вне приложения -change_detect.reload.question="%s" изменена другим приложением. -change_detect.reload.comment=Оставить или перезагрузить изменения?\nВ любом случае файл будет сохранён в папке с наброском. -change_detect.button.keep=Оставить -change_detect.button.load_new=Перезагрузить -change_detect.delete.title=Вкладка удалена вне программы -change_detect.delete.question="%s" пропала из папки с работами. -change_detect.delete.comment=Хотите пересохранить или удалить набросок? -change_detect.button.discard=Удалить -change_detect.button.resave=Пересохранить - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Управление расширениями -contrib.manager_title.update = Управление обновлениями -contrib.manager_title.mode = Управление режимами -contrib.manager_title.tool = Управление инструментами -contrib.manager_title.library = Управление библиотеками -contrib.manager_title.examples = Управление примерами -contrib.category = Категория: -contrib.filter_your_search = Фильтр поиска... -contrib.show_only_compatible.mode = Показать только совместимые режимы -contrib.show_only_compatible.tool = Показать только совместимые инструменты -contrib.show_only_compatible.library = Показать только совместимые библиотеки -contrib.show_only_compatible.examples = Показать только совместимые примеры -contrib.show_only_compatible.update = Показать только совместимые обновления -contrib.restart = Перезапустить Processing -contrib.unsaved_changes = Остались несохранённые изменения -contrib.unsaved_changes.prompt = Вы уверены, что хотите перезапустить Processing, не сохранив изменений? -contrib.messages.remove_restart = Перезапустите Processing, для завершения удаления расширения. -contrib.messages.install_restart = Перезапустите Processing, для завершения установки расширения. -contrib.messages.update_restart = Перезапустите Processing, для завершения обновления расширения. -contrib.errors.list_download = Ну удалось загрузить список доступных расширений. -contrib.errors.list_download.timeout = Тайм-аут соединения при загрузке списка расширений. -contrib.errors.download_and_install = Ошибка при загрузке и установке %s. -contrib.errors.description_unavailable = Описание недоступно. -contrib.errors.malformed_url = Ссылка полученная с Processing.org, не рабочая.\nЭту библиотеку всё ещё можно установить вручную\nзагрузив её с сайта. -contrib.errors.needs_repackage = %s требует правильной пересборки %s. -contrib.errors.no_contribution_found = Не удалось найти %s в загруженном файле. -contrib.errors.overwriting_properties = Ошибка сохранения файла .properties. -contrib.errors.install_failed = Установка не удалась. -contrib.errors.update_on_restart_failed = Не удалась установка обновления %s при перезапуске. -contrib.errors.temporary_directory = Не удалась запись во временную папку. -contrib.errors.contrib_download.timeout = Тайм-аут соединения при загрузке %s. -contrib.errors.no_internet_connection = Нет подключения к сети. -contrib.status.downloading_list = Список загрузок расширений... -contrib.status.connecting = Соединение... -contrib.status.done = Готово. -contrib.all = Всё -contrib.undo = Отменить -contrib.remove = Удалить -contrib.install = Установить -contrib.progress.installing = Установка -contrib.progress.starting = Начинаем -contrib.progress.downloading = Загрузка -contrib.download_error = Произошла ошибка при загрузке расширений. -contrib.unsupported_operating_system = Ваша система не поддерживается. Посетите %s для получения подробной информации. -contrib.category.3d = 3D -contrib.category.animation = Анимация -contrib.category.data = Данные -contrib.category.geometry = Геометрия -contrib.category.gui = Интерфейс -contrib.category.hardware = Аппаратное обеспечение -contrib.category.i_o = Ввод/Вывод -contrib.category.math = Математика -contrib.category.simulation = Симуляция -contrib.category.sound = Звук -contrib.category.typography = Типография -contrib.category.utilities = Утилиты -contrib.category.video_vision = Видео -contrib.category.other = Остальное - -# Install on Startup -contrib.startup.errors.download_install = Ошибка при загрузке и установке %s -contrib.startup.errors.temp_dir = Не удалась запись во временную папку при загрузке и установке %s -contrib.startup.errors.new_marker = Метка не обновлённых расширений не похожа на %s. Возможно потребуется обновление вручную... - -# Install on Import -contrib.import.dialog.title = Пропущены доступные бибиотеки -contrib.import.dialog.primary_text = Для следующие импортированных библиотек доступны обновления, которые ещё не установлены. -contrib.import.dialog.secondary_text = Хотите установить их сейчас? -contrib.import.progress.download = Загрузка %s... -contrib.import.progress.install = Установка %s... -contrib.import.progress.done = %s было установлено. -contrib.import.progress.final_list = Были устновлены следующие библиотеки: -contrib.import.errors.link = Ошибка: у библиотеки %s странная ссылка для загрузки. - -# --------------------------------------- -# Warnings - -warn.delete = Удалить -warn.delete.sketch = Вы уверены, что хотите удалить эскиз? -warn.delete.file = Вы уверены, что хотите удалить "%s"? -warn.cannot_change_mode.title = Нельзя сменить режим -warn.cannot_change_mode.body = Не получается изменить режим,\nтак как "%s" не совместим с текущим режимом. - - -# --------------------------------------- -# Update Check - -update_check = Обновить -update_check.updates_available.core = Доступна новая версия Processing,\nхотите перейти на страницу загрузки Processing? -update_check.updates_available.contributions = Доступны обновления сообщества,\nхотите перейти в менеджер обновлений сообщества? - - -# --------------------------------------- -# Color Chooser - -color_chooser = Выбрать цвет -color_chooser.select = Выбрать - -# --------------------------------------- -# Movie Maker - -movie_maker = Генератор видео -movie_maker.title = Генератор QuickTime -movie_maker.blurb = Этот инструмент делает QuickTime видео из последовательности изображений.

Для недопущения появления артефактов от пересжатеия изобажений в видео
используйте TIFF, TGA (из Processing) или PNG форматы.

Изображения TIFF и TGA обработаются быстрее, но получившееся видео будет занимать больше места на диске:
saveFrame("frames/####.tif");
saveFrame("frames/####.tga");

PNG изображения меньше, но набросок будет работать медленно:
saveFrame("frames/####.png");

Код на основе QuickTime Movie Maker 1.5.1 2011-01-17.
Copyright © 2010-2011 Werner Randelshofer. Все права защищены. -movie_maker.image_folder_help_label = Перетяните папку с изображениями в поле ниже: -movie_maker.choose_button = Выбрать... -movie_maker.select_image_folder = Выбрать папку с изображениями... -movie_maker.sound_file_help_label = Перенесите файл (.au, .aiff, .wav, .mp3) в поле ниже: -movie_maker.select_sound_file = Выбрать звуковой файл... - -movie_maker.create_movie_button = Создать видео... -movie_maker.save_dialog_prompt = Сохранить видео как... -movie_maker.width = Ширина: -movie_maker.height = Высота: -movie_maker.compression = Сжатие: -movie_maker.compression.animation = Анимация -movie_maker.compression.jpeg = JPEG -movie_maker.compression.png = PNG -movie_maker.framerate = Частота кадров: -movie_maker.orig_size_button = Размер, как у оригинала -movie_maker.orig_size_tooltip = Отметьте флажок, если папка уже содержит видео правильного размера. - -movie_maker.error.avoid_tiff = Попробуйте TGA или PNG вместо TIFF. -movie_maker.error.badnumbers = Ширина и высота должны быть натуральными числами; частота кадров должна быть больше нуля. -movie_maker.error.cannot_read = Не удалось прочитать %s. -movie_maker.error.cannot_read_maybe_bad = Не удалось прочитать %s; файл может быть повреждён. -movie_maker.error.movie_failed = Не удалось создать видео QuickTime. -movie_maker.error.need_input = Нужно сначала выбрать папку с изображениями, звуковыми файлами или всем сразу. -movie_maker.error.no_images_found = Не найдены файлы изображений. -movie_maker.error.sorry = Извините -movie_maker.error.unknown_tga_format = Неизвестный формат .tga для %s. - -movie_maker.progress.creating_file_name = Создаётся %s. -movie_maker.progress.creating_output_file = Создаётся выходной файл -movie_maker.progress.initializing = Инициализация... -movie_maker.progress.processing = Обработка %s. diff --git a/tools/Java/lib/languages/PDE_tr.properties b/tools/Java/lib/languages/PDE_tr.properties deleted file mode 100644 index 1da470b..0000000 --- a/tools/Java/lib/languages/PDE_tr.properties +++ /dev/null @@ -1,234 +0,0 @@ - - -# --------------------------------------- -# Language: Türkçe (Turkish) (tr) -# --------------------------------------- - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Dosya -menu.file.new = Yeni -menu.file.open = Aç... -menu.file.recent = En son -menu.file.sketchbook = Sketchbook... -menu.file.sketchbook.empty = Boş Sketchbook -menu.file.examples = Örnekler... -menu.file.close = Kapat -menu.file.save = Kaydet -menu.file.save_as = Farklı Kaydet -menu.file.export_application = Dışa Aktar -menu.file.page_setup = Sayfa Yapısı -menu.file.print = Yazdır -menu.file.preferences = Tercihler -menu.file.quit = Çıkış - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Düzenle -menu.edit.undo = Geri Al -menu.edit.redo = İleri Al -menu.edit.cut = Kes -menu.edit.copy = Kopyala -menu.edit.copy_as_html = HTML olarak Kopyala -menu.edit.paste = Yapıştır -menu.edit.select_all = Tümünü Seç -menu.edit.auto_format = Otomatik Biçimlendir -menu.edit.comment_uncomment = Yorumla/Yorumu Kaldır -menu.edit.increase_indent = → Girintiyi Artır -menu.edit.decrease_indent = ← Girintiyi Azalt -menu.edit.find = Bul.. -menu.edit.find_next = Sonrakini Bul -menu.edit.find_previous = Öncekini Bul -menu.edit.use_selection_for_find = Seçimi Bul - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Çalıştır -menu.sketch.present = Sunum Yap -menu.sketch.tweak = Ayar Çek -menu.sketch.stop = Durdur -# --- -menu.library = Kütüphane... -menu.library.add_library = Kütüphane Ekle... -menu.library.contributed = Yüklenenler -menu.library.no_core_libraries = Esas mod kütüphaneleri yoktur -# --- -menu.sketch = Sketch -menu.sketch.show_sketch_folder = Sketch Klasörünü Görüntüle -menu.sketch.add_file = Dosya Ekle... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -# ... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Araçlar -menu.tools.color_selector = Renk Seçici -menu.tools.create_font = Yazı Tipi Oluştur... -menu.tools.archive_sketch = Sketch'i Arşivle -menu.tools.fix_the_serial_lbrary = "Serial Kütüphanesi"ni Onar... -menu.tools.install_processing_java = "Processing-Java"yı Yükle... -menu.tools.add_tool = Araç Ekle... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Yardım -menu.help.about = Processing Hakkında (en) -menu.help.environment = Ortam (en) -menu.help.reference = Referanslar (en) -menu.help.find_in_reference = Referanslarda Bul (en) -menu.help.online = Çevrimiçi -menu.help.getting_started = Başlarken (en) -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = Sorun Giderme (en) -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = Sıkça Sorulan Sorular (en) -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = "Processing Vakfı" (en) -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Processing.org'u Ziyaret Et (en) -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Evet -prompt.no = Hayır -prompt.cancel = İptal -prompt.ok = Tamam -prompt.browse = Gözat -prompt.export = Dışa Aktar - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Bir Processing Sketch'i Aç... - -# Save (Frame) -save = Sketch Dosyasını Kaydet... -save.title = Kapatmadan önce yapılan son değişikleri kaydetmek istiyor musunuz? -save.hint = Kaydedilmeyen değişiklikler kaybolur -save.btn.save = Kaydet -save.btn.dont_save = Kaydetme - -# Preferences (Frame) -preferences = Tercihler -preferences.button.width = 110 -preferences.requires_restart = Processing'i yeniden başlatmalısınız -preferences.sketchbook_location = Sketchbook'un Konumu -preferences.language = Dil -preferences.editor_and_console_font = Editör ve Konsol Yazı Tipi -preferences.editor_font_size = Editör Yazı Tipi Boyutu -preferences.console_font_size = Konsol Yazı Tipi Boyutu -preferences.background_color = Sunum sırasındaki arkaplan rengi -preferences.use_smooth_text = Editör penceresinde yazıyı yumuşat -preferences.enable_complex_text_input = Latin olmayan karakter girişini etkinleştir -preferences.enable_complex_text_input_example = örn.: Japonca, -preferences.continuously_check = Hataları sürekli tespit et -preferences.show_warnings = Uyarıları göster -preferences.code_completion = Otomatik kod tamamlama -preferences.trigger_with = ile Başlat -preferences.cmd_space = Boşluk -preferences.increase_max_memory = Kullanılabilir maksimum hafızayı artır -preferences.delete_previous_folder_on_export = Aktarırken önceki uygulama klasörünü sil -preferences.hide_toolbar_background_image = Araç çubuğu arkaplan görselini gizle -preferences.check_for_updates_on_startup = Başlangıçta güncellemeleri denetle -preferences.run_sketches_on_display = Ekranda çalışan sketch sayısı -preferences.automatically_associate_pde_files = .pde dosyalarını otomatik olarak Processing'le ilişkilendir -preferences.launch_programs_in = Programları çalıştır -preferences.launch_programs_in.mode = Mod -preferences.file = Dosya menüsünde bir çok ayarı düzenleyebilirsiniz -preferences.file.hint = Tercihleri düzenlemeden önce Processing Sketchlerini kapatın - -# Sketchbook Location (Frame) -sketchbook_location = Sketchbook'un konumunu seç - -# Sketchbook (Frame) -sketchbook = Sketchbook -sketchbook.tree = Sketchbook Ağacı -# examples (Frame) -examples = Örnekler - -# Export (Frame) -export = Aktarım Seçenekleri -export.platforms = Platformlar -export.options = Seçenekler -export.options.fullscreen = Tam Ekran (Sunum Modu) -export.options.show_stop_button = Durdur butonunu göster -export.description.line1 = Uygulama Aktarımı iki platformda da bağımsız -export.description.line2 = olarak çalışabilen uygulamalar oluşturabilir. - -# Find (Frame) -find = Bul -find.find = Bul: -find.replace_with = ile Değiştir: -find.ignore_case = Büyük/Küçük Harf'i Yoksay -find.all_tabs = Tüm Sekmelerde -find.wrap_around = Başa Dön -find.btn.replace_all = Tümünü Değiştir -find.btn.replace = Değiştir -find.btn.find_and_replace = Bul ve Değiştir -find.btn.previous = Önceki -find.btn.find = Bul - -# Find in reference (Frame) -find_in_reference = Referans Bul (en) - -# File (Frame) -file = Sketch'e eklemek için görüntü veya başka bir data dosyası seç - -# Create Font (Frame) -create_font = Yazı Tipi Oluştur - -# Color Selector (Frame) -color_selector = Renk Seçici - -# Archive Sketch (Frame) -archive_sketch = ... olarak Arşivle - - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Çalıştır -toolbar.present = Sunum Yap -toolbar.stop = Durdur -# --- -toolbar.new = Yeni -toolbar.open = Aç -toolbar.save = Kaydet -# toolbar.export_application = Uygulama Aktarımı -toolbar.add_mode = Mod ekle... - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Yeni Sekme -editor.header.rename = Yeniden İsimlendir -editor.header.delete = Sil -editor.header.previous_tab = Önceki Sekme -editor.header.next_tab = Sonraki Sekme -editor.header.delete.warning.title = Evet, hayır. -editor.header.delete.warning.text = Aktif sketchteki son sekmeyi silemezsin. - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error = Hata -editor.status.error.syntax = Hata - %s - -# --------------------------------------- -# Contribution Panel - -contrib.category = Kategori: -contrib.filter_your_search = Aramayı Filtrele... diff --git a/tools/Java/lib/languages/PDE_uk.properties b/tools/Java/lib/languages/PDE_uk.properties deleted file mode 100644 index 8584ecd..0000000 --- a/tools/Java/lib/languages/PDE_uk.properties +++ /dev/null @@ -1,652 +0,0 @@ - - -# --------------------------------------- -# Language: Ukrainian (Українська) (uk) -# --------------------------------------- - - -font.family.sans = Processing Sans -font.family.mono = Source Code Pro - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = Файл -menu.file.new = Створити -menu.file.open = Відкрити... -menu.file.recent = Відкрити останні -menu.file.sketchbook = Ескізник... -menu.file.sketchbook.empty = Очистити ескізник -menu.file.examples = Приклади... -menu.file.close = Закрити -menu.file.save = Зберегти -menu.file.save_as = Зберегти як... -menu.file.export_application = Експортувати застосунок... -menu.file.page_setup = Параметри сторінки -menu.file.print = Друк... -menu.file.preferences = Налаштування... -menu.file.quit = Вийти - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = Редагування -menu.edit.undo = Скасувати -menu.edit.redo = Повторити -menu.edit.redo.keystroke.macos = shift meta pressed Z -menu.edit.redo.keystroke.windows = ctrl pressed Y -menu.edit.redo.keystroke.linux = shift ctrl pressed Z -menu.edit.action.addition = додавання -menu.edit.action.deletion = видалення -menu.edit.cut = Вирізати -menu.edit.copy = Копіювати -menu.edit.copy_as_html = Копіювати як HTML -menu.edit.paste = Вставити -menu.edit.select_all = Виділити все -menu.edit.auto_format = Автоформатування -menu.edit.comment_uncomment = Коментувати/Розкоментувати -menu.edit.comment_uncomment.keystroke.macos = meta pressed SLASH -menu.edit.comment_uncomment.keystroke.windows = ctrl pressed SLASH -menu.edit.comment_uncomment.keystroke.linux = ctrl pressed SLASH -menu.edit.increase_indent = → Збільшити відступ -menu.edit.increase_indent.keystroke.macos = meta pressed CLOSE_BRACKET -menu.edit.increase_indent.keystroke.windows = ctrl pressed CLOSE_BRACKET -menu.edit.increase_indent.keystroke.linux = ctrl pressed CLOSE_BRACKET -menu.edit.decrease_indent = ← Зменшити відступ -menu.edit.decrease_indent.keystroke.macos = meta pressed OPEN_BRACKET -menu.edit.decrease_indent.keystroke.windows = ctrl pressed OPEN_BRACKET -menu.edit.decrease_indent.keystroke.linux = ctrl pressed OPEN_BRACKET -menu.edit.find = Знайти... -menu.edit.find_next = Знайти наступне -menu.edit.find_previous = Знайти попереднє -menu.edit.use_selection_for_find = Шукати виділене - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = Запустити -menu.sketch.present = Режим презентації -menu.sketch.tweak = Модифікувати -menu.sketch.stop = Зупинити -# --- -menu.library = Імпортувати бібліотеку... -# menu.library.add_library = Додати бібліотеку... -menu.library.manage_libraries = Керувати бібліотеками... -menu.library.contributed = Користувацькі -menu.library.no_core_libraries = у режиму немає основних бібліотек -# --- -menu.sketch = Ескіз -menu.sketch.show_sketch_folder = Показати папку ескізу -menu.sketch.add_file = Додати файл... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = Налагодження -menu.debug.enable = Увімкнути налагоджувач -menu.debug.disable = Вимкнути налагоджувач -#menu.debug.show_debug_toolbar = Показати панель налагодження -#menu.debug.debug = Почати налагодження -#menu.debug.stop = Зупинити налагодження -# --- -menu.debug.toggle_breakpoint = Додати / вилучити точку зупинки -#menu.debug.list_breakpoints = Показати список точок зупинки -# --- -# used for both menus and toolbars -menu.debug.step = Крок -menu.debug.step.keystroke.macos = meta pressed J -menu.debug.step.keystroke.windows = ctrl pressed J -menu.debug.step.keystroke.linux = ctrl pressed J -menu.debug.step_into = Крок із заходом -menu.debug.step_into.keystroke.macos = shift meta pressed J -menu.debug.step_into.keystroke.windows = shift ctrl pressed J -menu.debug.step_into.keystroke.linux = shift ctrl pressed J -menu.debug.step_out = Крок із виходом -menu.debug.step_out.keystroke.macos = meta alt pressed J -menu.debug.step_out.keystroke.windows = ctrl alt pressed J -menu.debug.step_out.keystroke.linux = ctrl alt pressed J -menu.debug.continue = Продовжити -# --- -#menu.debug.print_stack_trace = Друкувати стек викликів -#menu.debug.print_locals = Друкувати локальні змінні -#menu.debug.print_fields = Друкувати поля -#menu.debug.print_source_location = Друкувати розташування джерела -#menu.debug.print_threads = Друкувати потоки -# --- -#menu.debug.variable_inspector = Інспектор змінних -menu.debug.show_variables = Показати змінні -menu.debug.hide_variables = Приховати змінні -#menu.debug.show_sketch_outline = Показати начерк ескізу -#menu.debug.show_tabs_list = Показати список вкладок - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = Інструменти -menu.tools.color_selector = Вибрати колір... -menu.tools.create_font = Створити шрифт... -menu.tools.archive_sketch = Архівувати ескіз -menu.tools.fix_the_serial_lbrary = Виправити Serial Library -menu.tools.install_processing_java = Встановити "processing-java" -# menu.tools.add_tool = Додати інструмент... -menu.tools.manage_tools = Керувати інструментами... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = Довідка -menu.help.welcome = Ласкаво просимо до Processing -menu.help.about = Про Processing -menu.help.environment = Середовище -menu.help.reference = Документація -menu.help.find_in_reference = Знайти у документації -menu.help.libraries_reference = Документація бібліотек -menu.help.tools_reference = Документація інструментів -menu.help.empty = (порожньо) -menu.help.online = Онлайн -menu.help.getting_started = Перші кроки (англ.) -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = Вирішення проблем (англ.) -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = Часті питання (англ.) -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = The Processing Foundation (англ.) -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = Відвідати Processing.org (англ.) -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = Так -prompt.no = Ні -prompt.cancel = Скасувати -prompt.ok = ОК -prompt.browse = Огляд -prompt.export = Експортувати - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Відкрити ескіз Processing... - -# Save (Frame) -save = Зберегти папку ескізу як... -save.title = Зберегти зміни до %s перед закриттям? -save.hint = Якщо не зберегти зміни, їх буде втрачено. -save.btn.save = Зберегти -save.btn.dont_save = Не зберігати - -# Close (Frame) also used to prompt on non-macOS machines -close.unsaved_changes = Зберегти зміни до %s? - -# Preferences (Frame) -preferences = Налаштування -preferences.button.width = 95 -preferences.requires_restart = потрібен перезапуск Processing -preferences.sketchbook_location = Місцезнаходження ескізника -preferences.sketchbook_location.popup = Місцезнаходження ескізника -preferences.language = Мова -preferences.editor_and_console_font = Шрифт редактора і консолі -preferences.editor_and_console_font.tip = Виберіть шрифт, що використовуватиметься у редакторі та консолі.
Можна використовувати лише моноширинні шрифти. -preferences.editor_font_size = Розмір шрифту редактора -preferences.console_font_size = Розмір шрифту консолі -preferences.zoom = Розмір інтерфейсу -preferences.zoom.auto = Автоматичний -preferences.background_color = Колір фону в режимі презентації -preferences.background_color.tip = Виберіть фоновий колір для режиму презентації.
Режим презентації використовується для повноекранної презентації ескізу
і доступний з меню Ескіз. -preferences.use_smooth_text = Використовувати згладжений текст у вікні редактора -preferences.enable_complex_text_input = Увімкнути введення складного тексту -preferences.enable_complex_text_input_example = напр. японська -preferences.continuously_check = Постійно перевіряти на помилки -preferences.show_warnings = Показувати попередження -preferences.code_completion = Доповнення коду за допомогою -preferences.trigger_with = Запуск за допомогою -preferences.cmd_space = Пробіл -preferences.suggest_imports = Пропонувати інструкції import -preferences.increase_max_memory = Збільшити максимальну доступну пам’ять до -preferences.delete_previous_folder_on_export = Видаляти попередню папку при експортуванні -preferences.check_for_updates_on_startup = Дозволяти перевірку на оновлення (див. ЧаПи щодо інформації, яка передається) -preferences.run_sketches_on_display = Запускати ескізи на моніторі -preferences.run_sketches_on_display.tip = Задає монітор, де спочатку розміщені ескізи.
Якщо вікно ескізу буде переміщено, воно відкриється у тому ж
місці, але у режимі презентації (на повний екран) завжди
використовуватиметься цей монітор. -preferences.automatically_associate_pde_files = Автоматично асоціювати файли .pde з Processing -preferences.launch_programs_in = Запускати програми у режимі - -# Intentionally left blank -# In Ukrainian "launch programs in mode X" looks nicer than "launch programs in X mode" -preferences.launch_programs_in.mode = - -preferences.file = Інші налаштування можна вручну редагувати у файлі -preferences.file.hint = не редагувати, коли Processing запущено! - -# Sketchbook Location (Frame) -sketchbook_location = Виберіть нове місцезнаходження ескізника - -# Sketchbook (Frame) -sketchbook = Ескізник -sketchbook.tree = Ескізник - -# Examples (Frame) -examples.title = Приклади %s -examples.add_examples = Додати приклади... -examples.libraries = Користувацькі бібліотеки -examples.core_libraries = Бібліотеки -examples.contributed = Користувацькі приклади - -# Export (Frame) -export = Налаштування експортування -export.platforms = Платформи -export.options = Налаштування -export.options.present = Режим презентації -export.options.show_stop_button = Показувати кнопку зупинки -export.description.line1 = "Експортування застосунку" створює інтерактивні, -export.description.line2 = незалежні застосунки для обраних платформ. -export.unsaved_changes = Зберегти зміни перед тим, як експортувати? -export.notice.cancel.unsaved_changes = Експортування скасовано, спершу потрібно зберегти зміни. -export.notice.exporting = Експортую застосунок... -export.notice.exporting.done = Експортування завершено. -export.notice.exporting.error = Помилка експортування. -export.notice.exporting.cancel = Експортування застосунку скасовано. -export.tooltip.macos = Експорт для macOS доступний лише на macOS -export.full_screen = Повний екран -export.embed_java = Вбудувати Java -export.include_java = Включати Java у додатку %s -export.code_signing = Цифровий підпис -export.messages.is_read_only = Ескіз лише для читання -export.messages.is_read_only.description = Деякі файли позначено як "лише для читання".\nЗбережіть ескіз у іншому розташуванні та\nспробуйте знову. -export.messages.cannot_export = Експортування неможливе -export.messages.cannot_export.description = Не можна експортувати ескіз, який не було збережено. - -# Find (Frame) -find = Знайти -find.find = Знайти: -find.replace_with = Замінити на: -find.ignore_case = Не враховувати регістр -find.all_tabs = По всіх вкладках -find.wrap_around = По всьому документу -find.btn.replace_all = Замінити все -find.btn.replace = Замінити -find.btn.replace_and_find = Замінити і знайти далі -find.btn.previous = Назад -find.btn.find = Знайти - -# Find in reference (Frame) -find_in_reference = Знайти у документації - -# File (Frame) -file = Виберіть зображення або інший файл з даними, щоб скопіювати його у ескіз - -# Create Font (Frame) -create_font = Створити шрифт -create_font.label = Цей інструмент призначений для створення растрових шрифтів для вашої програми.\nВиберіть шрифт та розмір і натисніть "ОК", щоб згенерувати шрифт.\nЙого буде додано до папки даних поточного ескізу. -create_font.size = Розмір -create_font.smooth = Згладжений -create_font.characters = Символи... -create_font.character_selector = Вибирач символів -create_font.character_selector.label = У стандартні символи включено більшість bitmap-ів для Mac OS\nі Windows Latin. Включення усіх символів вимагає великого\nобсягу пам’яті.\nДля кращої навігації можна обрати конкретні блоки Unicode. -create_font.default_characters = Стандартні символи -create_font.all_characters = Усі символи -create_font.specific_unicode = Конкретні блоки Unicode -create_font.filename = Ім’я файлу - -# Color Selector (Frame) -color_selector = Вибирач кольору - -# Archive Sketch (Frame) -archive_sketch = Архівувати ескіз як... - -# Tweak Mode -tweak_mode = Режим модифікування -tweak_mode.save_before_tweak = Будь ласка, збережіть ескіз перед тим, як запускати його у режимі модифікування. -tweak_mode.keep_changes.line1 = Зберегти змінні? -tweak_mode.keep_changes.line2 = Ви змінили деякі параметри у вашому ескізі. Бажаєте зберегти зміни? - -# DebugTray -debugger.name = Ім’я -debugger.value = Значення -debugger.type = Тип - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = Запустити -toolbar.present = Презентувати -toolbar.stop = Зупинити -toolbar.debug = Налагоджувати -# --- -toolbar.new = Створити -toolbar.open = Відкрити -toolbar.save = Зберегти -# toolbar.export_application = Експортувати застосунок -toolbar.add_mode = Додати режим... - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = Продовжити -#toolbar.debug.step = Крок -#toolbar.debug.step_into = Крок із заходом -#toolbar.debug.stop = Зупинити -#toolbar.debug.toggle_breakpoints = Додати / вилучити точку зупинки -#toolbar.debug.variable_inspector = Інспектор змінних - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = Нова вкладка -editor.header.rename = Перейменувати -editor.header.delete = Видалити -editor.header.previous_tab = Попередня вкладка -editor.header.previous_tab.keystroke.macos = meta alt pressed LEFT -editor.header.previous_tab.keystroke.windows = ctrl pressed PAGE_UP -editor.header.previous_tab.keystroke.linux = ctrl pressed PAGE_UP -editor.header.next_tab = Наступна вкладка -editor.header.next_tab.keystroke.macos = meta alt pressed RIGHT -editor.header.next_tab.keystroke.windows = ctrl pressed PAGE_DOWN -editor.header.next_tab.keystroke.linux = ctrl pressed PAGE_DOWN -editor.header.delete.warning.title = Хех, ні. -editor.header.delete.warning.text = Не можна видалити головну вкладку єдиного відкритого ескізу. - -# PopUp menu -editor.popup.jump_to_declaration = Перейти до визначення -editor.popup.show_usage = Показати використання... -editor.popup.rename = Перейменувати... - -# Tabs -editor.tab.new = Нове ім’я -editor.tab.new.description = Ім’я нового файлу -editor.tab.rename = Нове ім’я -editor.tab.rename.description = Нове ім’я файлу - -# Sketch -editor.sketch.rename.description = Ім’я нового ескізу - -editor.status.autoformat.no_changes = Не потрібно нічого змінювати для автоформатування. -editor.status.autoformat.finished = Автоформатування завершено. -editor.status.find_reference.select_word_first = Спершу виберіть слово, яке потрібно знайти у документації. -editor.status.find_reference.not_available = Документація для "%s" недоступна. -editor.status.drag_and_drop.files_added.0 = До ескізу не додано жодного файлу. -editor.status.drag_and_drop.files_added.1 = До ескізу додано один файл. -editor.status.drag_and_drop.files_added.n = До ескізу додано %d файли(-ів). -editor.status.saving = Зберігаю... -editor.status.saving.done = Збереження завершено. -editor.status.saving.canceled = Збереження скасовано. -editor.status.printing = Друкую... -editor.status.printing.done = Друк завершено. -editor.status.printing.error = Помилка під час друку. -editor.status.printing.canceled = Друк скасовано. -editor.status.copy_as_html = Код, форматований як HTML, скопійовано до буферу обміну. -editor.status.debug.busy = Налагоджувач зайнятий... -editor.status.debug.halt = Налагоджувач зупинено. -editor.status.archiver.create = Архів "%s" створено. -editor.status.archiver.cancel = Архівування ескізу скасовано. - -# Errors -editor.status.warning = Попередження -editor.status.error = Помилка -editor.status.error.syntax = Помилка синтаксису - %s -editor.status.error_on = Помилка на "%s" -editor.status.missing.default = Відсутні "%c" -editor.status.missing.semicolon = Відсутня ";" -editor.status.missing.left_sq_bracket = Відсутня "[" -editor.status.missing.right_sq_bracket = Відсутня "]" -editor.status.missing.left_paren = Відсутня "(" -editor.status.missing.right_paren = Відсутня ")" -editor.status.missing.left_curly_bracket = Відсутня "{" -editor.status.missing.right_curly_bracket = Відсутня "}" -editor.status.missing.add = Спробуйте додати "%s" -editor.status.bad_curly_quote = Фігурні лапки %s не працюють. Використовуйте прямі лапки. Ctrl-T для автозаміни. -editor.status.reserved_words = "color" і "int" - зарезервовані ідентифікатори і не можуть бути назвами змінних -editor.status.undefined_method = Функція "%s(%s)" не існує -editor.status.undefined_constructor = Конструктор "%s(%s)" не існує -editor.status.empty_param = Функція "%s()" не очікує параметрів -editor.status.wrong_param = Функція "%s()" очікує такі параметри: "%s(%s)" -editor.status.undef_global_var = Глобальна змінна "%s" не існує -editor.status.undef_class = Клас "%s" не існує -editor.status.undef_var = Змінна "%s" не існує -editor.status.undef_name = Ім’я "%s" не може бути розпізнано -editor.status.unterm_string_curly = Рядковий літерал не оточений прямими лапками. Фігурні лапки %s не працюють. -editor.status.type_mismatch = Неспівпадіння типів "%s" та "%s" -editor.status.unused_variable = Локальна змінна "%s" ніде не використовується -editor.status.uninitialized_variable = Локальна змінна "%s" може бути не ініціалізована -editor.status.no_effect_assignment = Присвоєння змінної "%s" не має чинності -editor.status.hiding_enclosing_type = Клас "%s" не може мати ім'я ескізу або батьківського класу. - -editor.status.bad.assignment = Можлива помилка присвоєння змінної біля '%s'? -editor.status.bad.generic = Можливо, немає типу в дженерику біля '%s'? -editor.status.bad.identifier = Помилка ідентифікатора? Можливо, неправильний ідентифікатор, або змінна починається з цифр біля '%s'? -editor.status.bad.parameter = Помилка визначення параметру чи методу біля '%s'? -editor.status.bad.import = Імпорт тут не дозволений. -editor.status.extraneous = Незакінчений рядок або зайвий код біля '%s'? -editor.status.mismatched = Не вистачає оператора, ; або '}' біля '%s'? -editor.status.missing.name = Не вистачає назви або ; біля '%s'? -editor.status.missing.type = Не вистачає назви, ; або типу '%s'? - - -# Footer buttons -editor.footer.errors = Помилки -editor.footer.errors.problem = Проблема -editor.footer.errors.tab = Вкладка -editor.footer.errors.line = Рядок -editor.footer.console = Консоль - -# New handler -new.messages.is_read_only = Ескіз лише для читання -new.messages.is_read_only.description = Деякі файли позначено як "лише для читання".\nЗбережіть ескіз у іншому розташуванні та\nспробуйте знову. - -# Rename handler -rename.messages.is_untitled = Ескіз безіменний -rename.messages.is_untitled.description = Варто зберегти ескіз\nперед тим, як перейменовувати його -rename.messages.is_modified = Будь ласка, збережіть ескіз перед перейменування. -rename.messages.is_read_only = Ескіз лише для читання -rename.messages.is_read_only.description = Деякі файли позначено як "лише для читання".\nЗбережіть ескіз у іншому розташуванні та\nспробуйте знову. - -# Naming handler -name.messages.problem_renaming = Помилка перейменовування -name.messages.starts_with_dot.description = Ім’я не може починатись з крапки. -name.messages.invalid_extension.description = ".%s" не є допустимим розширенням. -name.messages.main_java_extension.description = Перша вкладка не може бути файлом .%s.\n(А не пора тобі перейти на\n"справжнє" середовище програмування?) -name.messages.new_sketch_exists = Перейменування неможливе -name.messages.new_sketch_exists.description = Файл з назвою "%s" вже існує у\n"%s" -name.messages.new_folder_exists = Перейменування неможливе -name.messages.new_folder_exists.description = Ескіз (чи папка) з назвою "%s" вже існує. -name.messages.error = Помилка -name.messages.no_rename_folder.description = Не вдалось перейменувати папку ескізу. -name.messages.no_rename_file.description = Не вдалось перейменувати "%s" на "%s" -name.messages.no_create_file.description = Не вдалось створити файл "%s"\nу "%s" - -# Delete handler -delete.messages.cannot_delete = Видалення неможливе -delete.messages.cannot_delete.description = Не можна видалити ескіз, який не було збережено. -delete.messages.cannot_delete.file = Не вдалось це зробити -delete.messages.cannot_delete.file.description = Не вдалось видалити -delete.messages.is_read_only = Ескіз лише для читання -delete.messages.is_read_only.description = Деякі файли позначено як "лише для читання".\nЗбережіть ескіз у іншому розташуванні та\nспробуйте знову. - -# Save handler -save_file.messages.is_read_only = Ескіз лише для читання -save_file.messages.is_read_only.description = Деякі файли позначено як "лише для читання".\nЗбережіть ескіз у іншому розташуванні. -save_file.messages.sketch_exists = Не вдалось зберегти -save_file.messages.sketch_exists.description = Ескіз з очищеним іменем\n“%s” вже існує. -save_file.messages.tab_exists = Не вдалось зберегти -save_file.messages.tab_exists.description = Не можна зберегти ескіз як "%s"\nбо він вже має вкладку з таким іменем. -save_file.messages.recursive_save = Збереження в стилі Боргеса -save_file.messages.recursive_save.description = Не можна зберегти ескіз всередині\nсамого себе. Це викличе нескінченну рекурсію. - -# Add handler -add_file.messages.is_read_only = Ескіз лише для читання -add_file.messages.is_read_only.description = Деякі файли позначено як "лише для читання".\nЗбережіть ескіз у іншому розташуванні та\nспробуйте знову. -add_file.messages.confirm_replace = Замінити існуюче розширення %s? -add_file.messages.error_adding = Помилка при додаванні файлу -add_file.messages.cannot_delete.description = Не вдалось видалити існуючий файл '%s'. -add_file.messages.cannot_add.description = Не вдалось додати '%s' до ескізу. -add_file.messages.same_file = Мене не надуриш -add_file.messages.same_file.description = Цей файл уже скопійовано у\nрозташування, куди ви його копіюєте.\nЯ ніц не зроблю. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Погана папка збірки -temp_dir.messages.bad_build_folder.description = Не вдалось знайти розташування для збірки ескізу. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Ескіз зник -ensure_exist.messages.missing_sketch.description = Папка ескізу зникла.\nСпробую зберегти у тому ж розташуванні,\nале все, крім коду, зникне. -ensure_exist.messages.unrecoverable = Не вдалось зберегти ескіз -ensure_exist.messages.unrecoverable.description = Не вдалось повторно зберегти ескіз. У вас можуть бути проблеми,\nпора копіювати і вставляти код у інший текстовий редактор. - -# Check name -check_name.messages.is_name_modified = Ім’я ескізу потрібно було змінити. Імена ескізів можуть містити\nтільки ASCII-символи і числа (але не можуть починатися з числа).\nКрім того, вони мають бути не довшими за 64 символи. - -# External changes detector -change_detect.reload.title=Вкладка змінена ззовні -change_detect.reload.question="%s" була змінена іншою програмою. -change_detect.reload.comment=Бажаєте залишити цю версію чи завантажити зміни ззовні?\nТак чи інакше, файл буде збережено в папці з ескізами. -change_detect.button.keep=Залишити -change_detect.button.load_new=Завантажити зміни ззовні -change_detect.delete.title=Вкладка видалена -change_detect.delete.question="%s" зникла з папки з ескізами. -change_detect.delete.comment=Бажаєте повторно її зберегти чи видалити зі свого ескізу? -change_detect.button.discard=Видалити назавжди -change_detect.button.resave=Повторно зберегти - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Керування внесками -contrib.manager_title.update = Керування оновленнями -contrib.manager_title.mode = Керування режимами -contrib.manager_title.tool = Керування інструментами -contrib.manager_title.library = Керування бібліотеками -contrib.manager_title.examples = Керування прикладами -contrib.category = Категорія: -contrib.filter_your_search = Фільтр пошуку... -contrib.show_only_compatible.mode = Показати лише сумісні режими -contrib.show_only_compatible.tool = Показати лише сумісні інструменти -contrib.show_only_compatible.library = Показати лише сумісні бібліотеки -contrib.show_only_compatible.examples = Показати лише сумісні приклади -contrib.show_only_compatible.update = Показати лише сумісні оновлення -contrib.restart = Перезапустити Processing -contrib.unsaved_changes = Зміни не було збережено -contrib.unsaved_changes.prompt = Ви впевнені, що хочете перезапустити Processing, не зберігаючи зміни? -contrib.messages.remove_restart = Будь ласка, перезапустіть Processing, щоб завершити видалення цього внеску. -contrib.messages.install_restart = Будь ласка, перезапустіть Processing, щоб завершити встановлення цього внеску. -contrib.messages.update_restart = Будь ласка, перезапустіть Processing, щоб завершити оновлення цього внеску. -contrib.errors.list_download = Не вдалось завантажити список встановлених внесків. -contrib.errors.list_download.timeout = Тайм-аут з’єднання під час завантаження списку внесків. -contrib.errors.download_and_install = Помилка при завантаженні чи встановленні %s. -contrib.errors.description_unavailable = Опису немає. -contrib.errors.malformed_url = Посилання, отримане з Processing.org, недійсне.\nЦю бібліотеку все ще можна встановити, відвідавши\nїї сайт. -contrib.errors.needs_repackage = %s потрібно перепакувати за правилами %s. -contrib.errors.no_contribution_found = Не вдалось знайти %s у завантаженому файлі. -contrib.errors.overwriting_properties = Помилка при перезаписуванні файлу .properties. -contrib.errors.install_failed = Встановлення не вдалось. -contrib.errors.update_on_restart_failed = Помилка оновлення під час перезапуску %s. -contrib.errors.temporary_directory = Не вдалось записати у тимчасову папку. -contrib.errors.contrib_download.timeout = Тайм-аут з’єднання під час завантаження %s. -contrib.errors.no_internet_connection = Здається, ви не під’єднані до мережі Інтернет. -contrib.status.downloading_list = Завантаження списку внесків... -contrib.status.connecting = З’єднання... -contrib.status.done = Готово. -contrib.all = Усе -contrib.undo = Скасувати -contrib.remove = Видалити -contrib.install = Встановити -contrib.progress.installing = Встановлюю -contrib.progress.starting = Починаю -contrib.progress.downloading = Завантажую -contrib.download_error = Сталась помилка під час завантаження внеску. -contrib.unsupported_operating_system = Здається, ваша операційна система не підтримується. Відвідайте бібліотеку %s для детальнішої інформації. -contrib.category.3d = 3D -contrib.category.animation = Анімація -contrib.category.data = Дані -contrib.category.geometry = Геометрія -contrib.category.gui = Інтерфейс -contrib.category.hardware = Апаратне забезпечення -contrib.category.i_o = Введення/виведення -contrib.category.math = Математика -contrib.category.simulation = Симуляція -contrib.category.sound = Звук -contrib.category.typography = Типографія -contrib.category.utilities = Утиліти -contrib.category.video_vision = Відео -contrib.category.other = Інше - -# Install on Startup -contrib.startup.errors.download_install = Помилка під час завантаження чи встановлення %s -contrib.startup.errors.temp_dir = Не вдалось записати у тимчасову папку під час завантаження чи встановлення %s -contrib.startup.errors.new_marker = Здається, старому маркеру внеску не подобається %s. Можливо, потрібно оновити вручну... - -# Install on Import -contrib.import.dialog.title = Доступні відсутні бібліотеки -contrib.import.dialog.primary_text = Ці імпортовані бібліотеки доступні для завантаження, але не були встановлені. -contrib.import.dialog.secondary_text = Бажаєте встановити їх зараз? -contrib.import.progress.download = Завантаження %s... -contrib.import.progress.install = Встановлення %s... -contrib.import.progress.done = %s було встановлено. -contrib.import.progress.final_list = Було встановлено такі бібліотеки: -contrib.import.errors.link = Помилка: У бібліотеки %s недійсне посилання завантаження. - -# --------------------------------------- -# Warnings - -warn.delete = Видалення -warn.delete.sketch = Ви впевнені, що хочете видалити цей ескіз? -warn.delete.file = Ви впевнені, що хочете видалити "%s"? -warn.cannot_change_mode.title = Зміна режиму неможлива -warn.cannot_change_mode.body = Зміна режиму неможлива,\nоскільки режим "%s" несумісний з поточним режимом. - - -# --------------------------------------- -# Update Check - -update_check = Оновлення -update_check.updates_available.core = Доступна нова версія Processing,\nбажаєте відвідати сторінку завантаження Processing? -update_check.updates_available.contributions = Доступні оновлення для деяких встановлених внесків,\nбажаєте відкрити меню керування внесками зараз? - - -# --------------------------------------- -# Color Chooser - -color_chooser = Вибирач кольору -color_chooser.select = Вибрати - -# --------------------------------------- -# Movie Maker - -movie_maker = Генератор відео -movie_maker.two.title = Генератор відео II: Вендета -movie_maker.two.blurb = Цей інструмент створює MPEG-відео або анімовану GIF з послідовності зображень.

Для уникнення артефактів від повторного стиснення зображень у відео,
використовуйте зображення TIFF, TGA або PNG як джерело.

Зображення TIFF та TGA записуватимуться швидше, але вимагають більше місця на диску:
saveFrame("frames/####.tif");
saveFrame("frames/####.tga");

Зображення PNG менші, але записуватимуться повільніше:
saveFrame("frames/####.png");

Режим Lossless 4:2:0 все ще не ідеальний через нюанси в MPEG-4.
4:4:4 має бути ідеальним, але менш сумісним з іншими програмами.

Раніше відомий як QuickTime Movie Maker від Werner Randelshofer,
цей інструмент переписаний на FFmpeg для Processing 4. -movie_maker.image_folder_help_label = Перетягніть папку з файлами зображень у поле внизу: -movie_maker.choose_button = Вибрати... -movie_maker.select_image_folder = Вибрати папку зображень... -movie_maker.sound_file_help_label = Перетягніть звуковий файл (.au, .aiff, .wav, .mp3) у поле внизу: -movie_maker.select_sound_file = Вибрати звуковий файл... - -movie_maker.create_movie_button = Створити відео... -movie_maker.save_dialog_prompt = Зберегти відео як... -movie_maker.width = Ширина: -movie_maker.height = Висота: -movie_maker.compression = Стиснення: -movie_maker.framerate = Частота кадрів: -movie_maker.orig_size_button = Розмір, як в оригіналі -movie_maker.orig_size_tooltip = Відмітьте це, якщо папка вже містить закодовані кадри відео бажаного розміру. - -movie_maker.error.avoid_tiff = Спробуйте зображення TGA чи PNG замість TIFF. -movie_maker.error.badnumbers = Ширина та висота мають бути цілими додатніми числами; частота кадрів має бути додатнім числом. -movie_maker.error.cannot_read = Не вдалось прочитати %s. -movie_maker.error.cannot_read_maybe_bad = Не вдалось прочитати %s; файл може бути недійсним. -movie_maker.error.movie_failed = Не вдалось створити відео QuickTime. -movie_maker.error.need_input = Потрібно зазначити папку з файлами зображень, звуковими файлами, або і тим, і іншим. -movie_maker.error.no_images_found = Не знайдено файлів зображень. -movie_maker.error.sorry = Вибачте -movie_maker.error.unknown_tga_format = Невідомий формат файлу .tga для %s. - -movie_maker.progress.creating_file_name = Створюю %s. -movie_maker.progress.creating_output_file = Створюю вихідний файл -movie_maker.progress.initializing = Ініціалізація... -movie_maker.progress.processing = Обробляю %s. - -movie_maker.progress.handling_frame = Конвертую кадр %s з %s... \ No newline at end of file diff --git a/tools/Java/lib/languages/PDE_zh-CN.properties b/tools/Java/lib/languages/PDE_zh-CN.properties deleted file mode 100644 index 5d2f8e1..0000000 --- a/tools/Java/lib/languages/PDE_zh-CN.properties +++ /dev/null @@ -1,311 +0,0 @@ - - -# --------------------------------------- -# CHINESE (zh) -# --------------------------------------- - - -# Use the built-in fonts because they have full character support -font.family.sans = SansSerif -font.family.mono = Monospaced - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = 文件 -menu.file.new = 新建 -menu.file.open = 打开... -menu.file.recent = 打开最近项目 -menu.file.sketchbook = 速写本... -menu.file.examples = 范例程序... -menu.file.close = 关闭 -menu.file.save = 保存 -menu.file.save_as = 另存为... -menu.file.export_application = 输出程序... -menu.file.page_setup = 页面设置 -menu.file.print = 打印... -menu.file.preferences = 偏好设定... -menu.file.quit = 退出 - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = 编辑 -menu.edit.undo = 撤销 -menu.edit.redo = 重做 -menu.edit.cut = 剪切 -menu.edit.copy = 复制 -menu.edit.copy_as_html = 复制为HTML -menu.edit.paste = 黏贴 -menu.edit.select_all = 全部选择 -menu.edit.auto_format = 自动对齐 -menu.edit.comment_uncomment = 注释/取消注释 -menu.edit.increase_indent = → 增加缩进量 -menu.edit.decrease_indent = ← 减少缩进量 -menu.edit.find = 查找... -menu.edit.find_next = 查找下一个 -menu.edit.find_previous = 查找上一个 -menu.edit.use_selection_for_find = 使用当前选定查找 - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = 运行 -menu.sketch.present = 展示模式 -menu.sketch.tweak = 调整 -menu.sketch.stop = 停止 -# --- -menu.library = 引用库文件... -menu.library.add_library = 添加库文件... -menu.library.contributed = 第三方贡献库 -menu.library.no_core_libraries = 该模式下无核心库文件 -# --- -menu.sketch = 速写本 -menu.sketch.show_sketch_folder = 打开程序目录 -menu.sketch.add_file = 添加文件... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = 调试 -menu.debug.enable = 启用调试器 -menu.debug.disable = 禁用调试器 -# --- -menu.debug.toggle_breakpoint = 切换断点 -# --- -# used for both menus and toolbars -menu.debug.step = 单步 (Step) -menu.debug.step_into = 单步进入 (Step Into) -menu.debug.step_out = 单步跳出 (Step Out) -menu.debug.continue = 继续 -# --- -#menu.debug.variable_inspector = Variable Inspector -menu.debug.show_variables = 显示变量 -menu.debug.hide_variables = 隐藏变量 - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = 工具 -menu.tools.color_selector = 颜色选择器... -menu.tools.create_font = 创建字体... -menu.tools.archive_sketch = 速写本压缩输出 -menu.tools.fix_the_serial_lbrary = 修复串口库文件 -menu.tools.install_processing_java = 安装 "processing-java" -menu.tools.add_tool = 添加工具... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = 帮助 -menu.help.about = 关于 Processing -menu.help.environment = 开发环境 -menu.help.reference = 参考文档 -menu.help.find_in_reference = 在文档中查询 -menu.help.online = 在线 -menu.help.getting_started = 入门帮助 -# menu.help.getting_started.url = http://processing.org/learning/gettingstarted/ -menu.help.troubleshooting = 问题排除 -# menu.help.troubleshooting.url = http://wiki.processing.org/w/Troubleshooting -menu.help.faq = 常见问题解答 -# menu.help.faq.url = http://wiki.processing.org/w/FAQ -menu.help.foundation = The Processing Foundation -# menu.help.foundation.url = http://processing.org/foundation/ -menu.help.visit = 访问 Processing.org -# menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = 是 -prompt.no = 否 -prompt.cancel = 取消 -prompt.ok = 确认 -prompt.browse = 浏览 -prompt.export = 输出 - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = 打开 Processing 速写本... - -# Save (Frame) -save = 保存速写本文件夹为... -save.title = 在关闭前你想要保存该速写本更改内容么? -save.hint = 如果你没保存, 你所有的更改内容将丢失. -save.btn.save = 保存 -save.btn.dont_save = 不保存 - -# Preferences (Frame) -preferences = 偏好设置 -preferences.button.width = 80 -preferences.requires_restart = 需要重启 Processing -preferences.sketchbook_location = 速写本位置 -preferences.sketchbook_location.popup = 速写本位置 -preferences.language = 语言 -preferences.editor_and_console_font = 编辑器和控制台字体 -preferences.editor_and_console_font.tip = \ -为编辑器和控制台选择字体.
\ -只允许使用等宽字体，
\ -此列表可能不完全。 -preferences.editor_font_size = 编辑器字体大小 -preferences.console_font_size = 控制台字体大小 -preferences.background_color = 展示模式时的背景颜色 -preferences.background_color.tip = \ -选择背景颜色当使用展示模式时.
\ -展示模式通常被用来在全屏模式下展示速写程序,
\ -可从速写本菜单中访问. -preferences.use_smooth_text = 在编辑器窗口中使用平滑字体 -preferences.enable_complex_text_input = 启用复杂字体输入 -preferences.enable_complex_text_input_example = 例如日文 -preferences.continuously_check = 不断检查错误 -preferences.show_warnings = 显示警告 -preferences.code_completion = 代码补全 -preferences.trigger_with = 触发开关 -preferences.cmd_space = 空格 -preferences.increase_max_memory = 增加最大内存至 -preferences.delete_previous_folder_on_export = 当导出时删除先前的文件夹 -preferences.hide_toolbar_background_image = 隐藏标签/工具栏背景图片 -preferences.check_for_updates_on_startup = 在启动时检查有无更新 -preferences.run_sketches_on_display = 在此显示器中运行速写本 -preferences.run_sketches_on_display.tip = \ -Sets the display where sketches are initially placed.
\ -As usual, if the sketch window is moved, it will re-open
\ -at the same location, however when running in present
\ -(full screen) mode, this display will always be used. -preferences.automatically_associate_pde_files = 自动关联 .pde 文件通过 Processing -preferences.launch_programs_in = 加载程序的模式 -preferences.launch_programs_in.mode = 模式 -preferences.file = 更多选项可直接编辑该文件 -preferences.file.hint = 请在 Processing 未运行时编辑该文件 - -# Sketchbook Location (Frame) -sketchbook_location = 选择新速写本位置 - -# Sketchbook (Frame) -sketchbook = Sketchbook -sketchbook.tree = Sketchbook - -# examples (Frame) -examples = 范例程序 - -# Export (Frame) -export = 输出选项 -export.platforms = 系统平台 -export.options = 选项 -export.options.fullscreen = 全屏 (展示模式) -export.options.show_stop_button = 显示停止按钮 -export.description.line1 = 为输出程序创建双击事件, -export.description.line2 = 为所选系统创建独立运行程序. - -# Find (Frame) -find = 搜索 -find.find = 搜索: -find.replace_with = 替换为: -find.ignore_case = 忽略大小写 -find.all_tabs = 所有标签 -find.wrap_around = 循环遍历 -find.btn.replace_all = 全部替换 -find.btn.replace = 替换 -find.btn.find_and_replace = 搜索 & 替换 -find.btn.previous = 上一个 -find.btn.find = 搜索 - -# Find in reference (Frame) -find_in_reference = 在参考文档中搜索 - -# Library Manager (Frame) -library.category = 目录: -library.filter_your_search = 筛查需找... - -# File (Frame) -file = 选择一个图片或其它文件拷贝至你的速写本中 - -# Create Font (Frame) -create_font = 创建字体 - -# Color Selector (Frame) -color_selector = 颜色选择 - -# Archive Sketch (Frame) -archive_sketch = 速写本压缩输出... - - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = 运行 -toolbar.present = 展示模式 -toolbar.stop = 停止 -# --- -toolbar.new = 新建 -toolbar.open = 打开 -toolbar.save = 保存 -# toolbar.export_application = 导出程序 -toolbar.add_mode = 添加模式... - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = 新建标签 -editor.header.rename = 重命名 -editor.header.delete = 删除 -editor.header.previous_tab = 前一个标签 -editor.header.next_tab = 后一个标签 -editor.header.delete.warning.title = 这样不行 -editor.header.delete.warning.text = 无法删除最后一个速写本的最后一个标签 - -# Limited syntax error support, Wikipedia CC BY-SA -editor.status.error = 錯誤 -editor.status.error.syntax = 语法错误 - %s - -# Tabs -editor.tab.new = 新文件名 -editor.tab.new.description = 新文件名称 -editor.tab.rename = 新文件名 -editor.tab.rename.description = 新文件名称 - -# Sketch -editor.sketch.rename.description = 速写本的新名称 - -editor.status.autoformat.no_changes = 自动格式化不需要做更改。 -editor.status.autoformat.finished = 自动格式化完成。 -editor.status.find_reference.select_word_first = 请首先选择要查找的关键字。 -editor.status.find_reference.not_available = 没有找到 "%s" 的引用。 -editor.status.drag_and_drop.files_added.0 = 未将任何文件添加到速写本。 -editor.status.drag_and_drop.files_added.1 = 将 1 个文件添加到速写本。 -editor.status.drag_and_drop.files_added.n = 将 %d 个文件添加到速写本。 -editor.status.saving = 保存中... -editor.status.saving.done = 保存完成. -editor.status.saving.canceled = 取消保存. -editor.status.printing = 打印中... -editor.status.printing.done = 打印完毕. -editor.status.printing.error = 打印时出错. -editor.status.printing.canceled = 取消打印. - - -# --------------------------------------- -# Contribution Panel - -contrib.undo = 撤销 -contrib.remove = 移除 -contrib.install = 安装 -contrib.progress.starting = 开始 -contrib.progress.downloading = 下载 -contrib.download_error = 下载时出现问题. -contrib.unsupported_operating_system = 你当前的操作系统似乎不被支持. 你应该访问 %s 获取更多信息. - - -# --------------------------------------- -# Warnings - -warn.delete = 删除 -warn.delete.sketch = 你确定要删除该速写本? -warn.delete.file = 你确定删除 "%s"? diff --git a/tools/Java/lib/languages/PDE_zh-TW.properties b/tools/Java/lib/languages/PDE_zh-TW.properties deleted file mode 100644 index b68c848..0000000 --- a/tools/Java/lib/languages/PDE_zh-TW.properties +++ /dev/null @@ -1,635 +0,0 @@ - - -# --------------------------------------- -# Language: CHINESE (zh) -# --------------------------------------- - - -# Use the built-in fonts because they have full character support -font.family.sans = SansSerif -font.family.mono = Monospaced - - -# --------------------------------------- -# Menu - -# | File | Edit | Sketch | Debug | Tools | Help | -# | File | -menu.file = 檔案(File) -menu.file.new = 新增(New) -menu.file.open = 開啟(Open)... -menu.file.recent = 最近開啟檔案(Recent) -menu.file.sketchbook = 全部程式素描本(Sketchbook)... -menu.file.sketchbook.empty = 空白的程式素描本(Empty Sketchbook) -menu.file.examples = 範例(Examples)... -menu.file.close = 關閉(Close) -menu.file.save = 儲存(Save) -menu.file.save_as = 另存新檔(Save As)... -menu.file.export_application = 匯出應用程式(Export Application)... -menu.file.page_setup = 印列設定(Page Setup) -menu.file.print = 列印(Print)... -menu.file.preferences = 偏好設定(Preferences)... -menu.file.quit = 離開(Quit) - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Edit | -menu.edit = 編輯(Edit) -menu.edit.undo = 還原(Undo) -menu.edit.redo = 重做(Redo) -#menu.edit.redo.keystroke.macosx = shift meta pressed Z -#menu.edit.redo.keystroke.windows = ctrl pressed Y -#menu.edit.redo.keystroke.linux = shift ctrl pressed Z -menu.edit.action.addition = 增加(addition) -menu.edit.action.deletion = 刪除(deletion) -menu.edit.cut = 剪下(Cut) -menu.edit.copy = 複製(Copy) -menu.edit.copy_as_html = 複製為HTML格式(Copy as HTML) -menu.edit.paste = 貼上(Paste) -menu.edit.select_all = 全選(Select All) -menu.edit.auto_format = 自動排版(Auto Format) -menu.edit.comment_uncomment = 註解程式/取消註解(Comment/Uncomment) -#menu.edit.comment_uncomment.keystroke.macosx = meta pressed SLASH -#menu.edit.comment_uncomment.keystroke.windows = ctrl pressed SLASH -#menu.edit.comment_uncomment.keystroke.linux = ctrl pressed SLASH -menu.edit.increase_indent = → 往右增加縮排(Increase Indent) -#menu.edit.increase_indent.keystroke.macosx = meta pressed CLOSE_BRACKET -#menu.edit.increase_indent.keystroke.windows = ctrl pressed CLOSE_BRACKET -#menu.edit.increase_indent.keystroke.linux = ctrl pressed CLOSE_BRACKET -menu.edit.decrease_indent = ← 往左減少縮排(Decrease Indent) -#menu.edit.decrease_indent.keystroke.macosx = meta pressed OPEN_BRACKET -#menu.edit.decrease_indent.keystroke.windows = ctrl pressed OPEN_BRACKET -#menu.edit.decrease_indent.keystroke.linux = ctrl pressed OPEN_BRACKET -menu.edit.find = 尋找(Find)... -menu.edit.find_next = 找下一個(Find Next) -menu.edit.find_previous = 往上找(Find Previous) -menu.edit.use_selection_for_find = 只在範圍中尋找(Use Selection for find) - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Sketch | -menu.sketch.run = 執行(Run) -menu.sketch.present = 全螢幕執行(Present) -menu.sketch.tweak = 分析微調(Tweak) -menu.sketch.stop = 停止(Stop) -# --- -menu.library = 使用函式庫(Library)... -menu.library.add_library = 安裝函式庫(Add Library)... -menu.library.contributed = 其他人貢獻的函式庫(Contributed) -menu.library.no_core_libraries = 本模式沒有核心函式庫(No Core Library) -# --- -menu.sketch = 程式素描本(Sketch) -menu.sketch.show_sketch_folder = 開啟程式目錄(Show Sketch Folder) -menu.sketch.add_file = 新增檔案(Add File)... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Debug | -menu.debug = 偵錯(Debug) -menu.debug.enable = 開啟Debugger -menu.debug.disable = 關閉Debugger -#menu.debug.show_debug_toolbar = Show Debug Toolbar -#menu.debug.debug = Debug -#menu.debug.stop = Stop -# --- -menu.debug.toggle_breakpoint = 設定中斷點(Toggle Breakpoint) -#menu.debug.list_breakpoints = 列出全部中斷點(List breakpoints) -# --- -# used for both menus and toolbars -menu.debug.step = 下一步(Step) -#menu.debug.step.keystroke.macosx = meta pressed J -#menu.debug.step.keystroke.windows = ctrl pressed J -#menu.debug.step.keystroke.linux = ctrl pressed J -menu.debug.step_into = 下一步/進入函式(Step Into) -#menu.debug.step_into.keystroke.macosx = shift meta pressed J -#menu.debug.step_into.keystroke.windows = shift ctrl pressed J -#menu.debug.step_into.keystroke.linux = shift ctrl pressed J -menu.debug.step_out = 下一步/離開函式(Step Out) -#menu.debug.step_out.keystroke.macosx = meta alt pressed J -#menu.debug.step_out.keystroke.windows = ctrl alt pressed J -#menu.debug.step_out.keystroke.linux = ctrl alt pressed J -menu.debug.continue = 繼續(Continue) -# --- -#menu.debug.print_stack_trace = Print Stack Trace -#menu.debug.print_locals = Print Locals -#menu.debug.print_fields = Print Fields -#menu.debug.print_source_location = Print Source Location -#menu.debug.print_threads = Print Threads -# --- -#menu.debug.variable_inspector = Variable Inspector -menu.debug.show_variables = 秀出變數值(Show Variables) -menu.debug.hide_variables = 不秀變數值(Hide Variables) -#menu.debug.show_sketch_outline = Show Sketch Outline -#menu.debug.show_tabs_list = Show Tabs List - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Tools | -menu.tools = 工具(Tool) -menu.tools.color_selector = 顏色選擇器(Color Selector)... -menu.tools.create_font = 建字型檔(Create Font)... -menu.tools.archive_sketch = 壓縮程式專案(Archive Sketch) -menu.tools.fix_the_serial_library = 修復Serial函式庫(Fix the Serial Library) -menu.tools.install_processing_java = 安裝 "processing-java" -menu.tools.add_tool = 新增工具(Add Tool)... - -# | File | Edit | Sketch | Debug | Tools | Help | -# | Help | -menu.help = 協助(Help) -menu.help.welcome = 歡迎(Welcome to Processing 3) -menu.help.about = 關於(About Processing) -menu.help.environment = 開發環境(Environment) -menu.help.reference = 參考文件(Reference) -menu.help.find_in_reference = 查詢參考文件(Find in Reference) -menu.help.libraries_reference = 函式庫文件(Libraries Reference) -menu.help.tools_reference = 工具的文件(Tools Reference) -menu.help.empty = (empty) -menu.help.online = 線上(Online) -menu.help.getting_started = 入門教學(Getting Started) -menu.help.getting_started.url = https://processing.org/tutorials/gettingstarted/ -menu.help.troubleshooting = 問題排除(Trouble Shooting) -menu.help.troubleshooting.url = https://github.com/processing/processing/wiki/troubleshooting -menu.help.faq = 常見問與答(FAQ) -menu.help.faq.url = https://github.com/processing/processing/wiki/FAQ -menu.help.foundation = Processing基金會(The Processing Foundation) -menu.help.foundation.url = https://processingfoundation.org/ -menu.help.visit = 拜訪 Visit Processing.org -menu.help.visit.url = http://processing.org/ - - -# --------------------------------------- -# Basics - -# Buttons -prompt.yes = 是(Yes) -prompt.no = 否(No) -prompt.cancel = 取消(Cancel) -prompt.ok = 確認(OK) -prompt.browse = 瀏覽(Browse) -prompt.export = 匯出(Export) - - -# --------------------------------------- -# Frames - -# Open (Frame) -open = Open Processing Sketch 開啟程式素描本... - -# Save (Frame) -save = Save Sketch儲存程式素描本... -save.title = 你想在關閉前將 %s 儲存嗎? -save.hint = 如果Sketch沒有儲存,關閉後你的修改會全部遺失 -save.btn.save = 存檔(Save) -save.btn.dont_save = 不存檔(Don't Save) - -# Close (Frame) also used to prompt on non-OS X machines -close.unsaved_changes = 要儲存嗎? Save changes to %s? - -# Preferences (Frame) -preferences = 偏好設定Preference -preferences.button.width = 80 -preferences.requires_restart = 需重新開啟Requires Restart Processing -preferences.sketchbook_location = 程式素描本的目錄Sketch Location -preferences.sketchbook_location.popup = 程式素描本的目錄Sketch Location -preferences.language = 語言Language -preferences.editor_and_console_font = 程式編輯Edtor及主控台Console的字形 -preferences.editor_and_console_font.tip = 在程式編輯Editor及主控台Console使用的字形
必需使用Monospace等寬字形，這裡的列表可能不完整。 -preferences.editor_font_size = 程式編輯Editor的字型大小 -preferences.console_font_size = 主控台Console的字型大小 -preferences.zoom = 縮放界面的文字比例 -preferences.zoom.auto = 使用系統預設值 -preferences.background_color = 全螢幕執行的背景色彩 -preferences.background_color.tip = 全螢幕執行(Present)的背景色
Present展示模式使用Fullscreen全螢幕執行,
可以在Processing上方選單的Sketch裡找到Present展示模式 -preferences.use_smooth_text = 在程式編輯窗使用平滑(smooth)的字形 -preferences.enable_complex_text_input = 使用複雜語系輸入 -preferences.enable_complex_text_input_example = 例如中文、日文、韓文 -preferences.continuously_check = 持續檢查程式是否錯誤Error -preferences.show_warnings = 顯示警告Warning -preferences.code_completion = 自動補齊程式碼CodeComplete -preferences.trigger_with = 用...觸發 -preferences.cmd_space = Space空白鍵 -preferences.suggest_imports = 自動建議需import的函式庫 -preferences.increase_max_memory = 加大程式可用的Memory到 -preferences.delete_previous_folder_on_export = 匯出應用程式時,刪掉前一版 -preferences.check_for_updates_on_startup = 啟動時檢查是否有新版Processing -preferences.run_sketches_on_display = 多螢幕顯示時,在哪個螢幕執行(Run) -preferences.run_sketches_on_display.tip = 若有多個螢幕,可設定(某個)螢幕,顯示Run視窗。
執行時,若把Run視窗移到其他螢幕,下次保留在同一位置。
若用全螢幕執行(Sketch-Present),就會在設定的螢幕顯示。 -preferences.automatically_associate_pde_files = 預設使用Processing來開啟.pde檔 -preferences.launch_programs_in = 啟動Processing時使用 -preferences.launch_programs_in.mode = 模式 -preferences.file = 直接編輯下面的設定檔,可設定更多的選項 -preferences.file.hint = 不要在執行Processing同時修改設定檔,以免衝突 - -# Sketchbook Location (Frame) -sketchbook_location = 選擇新的Sketchbook目錄 - -# Sketchbook (Frame) -sketchbook = Sketchbook全部的程式素描本 -sketchbook.tree = Sketchbook全部的程式素描本 - -# examples (Frame) 這裡是跳出的視窗,所以英文放前面 -examples = 範例Examples -examples.add_examples = Add Examples...增加範例 -examples.libraries = Contributed Libraries第三方貢獻的函式庫 -examples.core_libraries = Libraries核心函式庫 -examples.contributed = Contributed Examples第三方貢獻的範例 - -# Export (Frame) -export = 匯出設定 Export Options -export.platforms = 選定平台 Platform -export.options = 匯出選項 Options -export.options.present = Presentation Mode(全螢幕) -export.options.show_stop_button = Show a Stop Button 要有關閉的按鈕 -export.description = 匯出應用程式後,可以點2下執行。\n並可在選定平台「獨立執行」。 -export.unsaved_changes = 在Export匯出前需先將程式存檔。
你要先存檔嗎? -export.notice.cancel.unsaved_changes = 因Export匯出前需先將程式存檔, 所以取消Export匯出。 -export.notice.exporting = 正在匯出(應用程式)... -export.notice.exporting.done = 順利匯出(應用程式) -export.notice.exporting.error = 匯出過程出現錯誤 -export.notice.exporting.cancel = 你取消匯出 -export.tooltip.macosx = macOS 匯出的程式只能在 macOS 裡執行 -export.full_screen = 是否要全螢幕 Full Screen -export.embed_java = 是否要嵌入Embed Java -export.include_java = 將Java放進你匯出的 %s 應用程式 -export.code_signing = 程式碼簽章 Code Signing -export.messages.is_read_only = 因程式碼Read-Only無法存檔 -export.messages.is_read_only.description = 有些檔案被設成read-only(可能是其他應用程式正在開啟)。\n所以你需要再試一次,改存在其他目錄裡。 -export.messages.cannot_export = 無法匯出應用程式 -export.messages.cannot_export.description = 若沒將sketch存檔,就無法Export匯出應用程式。 - -# Find (Frame) -find = 尋找 Find -find.find = 尋找 Find -find.replace_with = 替代 Replace -find.ignore_case = 忽略大小寫 Ignore Case -find.all_tabs = 在全部Tab中尋找 All Tabs -find.wrap_around = 找完從頭再找 Wrap Around -find.btn.replace_all = 全部取代 Replace All -find.btn.replace = 取代 Replace -find.btn.find_and_replace = 尋找&取代 Find & Replace -find.btn.previous = 往前找 Previous -find.btn.find = 尋找 Find - -# Find in reference (Frame) -find_in_reference = 在參考文件裡找選取的字... - -# File (Frame) -file = 選一個圖檔或要放到data目錄的檔案,會copy到你的data目錄中 - -# Create Font (Frame) -create_font = 新建字型Create Font... -create_font.label = Use this tool to create bitmap fonts for your(待查) program.\nSelect a font and size, and click 'OK' to generate the font.\nIt will be added to the data folder of the current sketch. -create_font.size = Size -create_font.smooth = Smooth -create_font.characters = Characters... -create_font.character_selector = Character Selector -create_font.character_selector.label = Default characters will include most bitmaps for Mac OS\nand Windows Latin scripts. Including all characters may\nrequire large amounts of memory for all of the bitmaps.\nFor greater control, you can select specific Unicode blocks. -create_font.default_characters = Default Characters -create_font.all_characters = All Characters -create_font.specific_unicode = Specific Unicode Blocks -create_font.filename = Filename - -# Color Selector (Frame) -color_selector = 色彩選擇器(Color Selector)... - -# Archive Sketch (Frame) -archive_sketch = 壓縮程式專案Archive Sketch... - -# Tweak Mode -tweak_mode = Tweak Mode -tweak_mode.save_before_tweak = Please save the sketch before running in Tweak Mode. -tweak_mode.keep_changes.line1 = Keep the changes? -tweak_mode.keep_changes.line2 = You changed some values in your sketch. Would you like to keep the changes? - -# DebugTray -debugger.name = Name變數名 -debugger.value = Value變數值 -debugger.type = Type變數型別 - -# --------------------------------------- -# Toolbars - -# [Run/Present] [Stop] [New] [Open] [Save] -toolbar.run = 執行(Run) -toolbar.present = 全螢幕執行(Present) -toolbar.stop = 停止執行(Stop) -toolbar.debug = 偵錯(Debug) -# --- -toolbar.new = 新增(New) -toolbar.open = 開啟(Open) -toolbar.save = 儲存(Save) -toolbar.export_application = 匯出單一應用程式(Export Application) -toolbar.add_mode = 增加新模式(Add Mode) - -# [Debug] [Continue] [Step] [Stop] [Toggle Breakpoints] [Variable Inspector] -#toolbar.debug.continue = Continue -#toolbar.debug.step = Step -#toolbar.debug.step_into = Step Into -#toolbar.debug.stop = Stop -#toolbar.debug.toggle_breakpoints = Toggle Breakpoint -#toolbar.debug.variable_inspector = Variable Inspector - - -# --------------------------------------- -# Editor - -# [Tab1] [Tab2] [v] -editor.header.new_tab = 新增分頁(New Tab) -editor.header.rename = 重新命名分頁(Rename Tab) -editor.header.delete = 刪除分頁(Delete Tab) -editor.header.previous_tab = 前一個分頁(Previous Tab) -#editor.header.previous_tab.keystroke.macosx = meta alt pressed LEFT -#editor.header.previous_tab.keystroke.windows = ctrl pressed PAGE_UP -#editor.header.previous_tab.keystroke.linux = ctrl pressed PAGE_UP -editor.header.next_tab = 下一個分頁(Next Tab) -#editor.header.next_tab.keystroke.macosx = meta alt pressed RIGHT -#editor.header.next_tab.keystroke.windows = ctrl pressed PAGE_DOWN -#editor.header.next_tab.keystroke.linux = ctrl pressed PAGE_DOWN -editor.header.delete.warning.title = 警告! 不能刪除! -editor.header.delete.warning.text = 你不能刪除這個Tab分頁 - -# PopUp menu -editor.popup.jump_to_declaration = 跳到變數宣告(Jump to Declaration) -editor.popup.show_usage = 變數哪裡使用(Show Usage...) -editor.popup.rename = 變數重新命名(Rename...) - -# Tabs -editor.tab.new = 新的分頁檔案 -editor.tab.new.description = 新的分頁檔案名 -editor.tab.rename = 新的分頁檔案改名為 -editor.tab.rename.description = 新的分頁檔案名 - -# Sketch -editor.sketch.rename.description = 程式重新命名 - -editor.status.autoformat.no_changes = 自動排版後,沒任何修改。 -editor.status.autoformat.finished = 自動排版完成。 -editor.status.find_reference.select_word_first = 要先反白關鍵字,才能找它的參考文件。 -editor.status.find_reference.not_available = 找不到"%s"的參考文件。 -editor.status.drag_and_drop.files_added.0 = 沒有檔案被加到程式速寫本中。 -editor.status.drag_and_drop.files_added.1 = 有1個檔案被加到程式速寫本中。 -editor.status.drag_and_drop.files_added.n = 有%d個檔案被加到程式速寫本中。 -editor.status.saving = 儲存中Saving... -editor.status.saving.done = 儲存完成Done. -editor.status.saving.canceled = 取消儲存Canceled. -editor.status.printing = 列印中Printing... -editor.status.printing.done = 列印完成Done. -editor.status.printing.error = 列印時出錯Error. -editor.status.printing.canceled = 取消列印Canceled. -editor.status.copy_as_html = Code formatted as HTML has been copied to the clipboard. -editor.status.debug.busy = Debugger busy... -editor.status.debug.halt = Debugger halted. -editor.status.archiver.create = Created archive "%s". -editor.status.archiver.cancel = Archive sketch canceled. - -# Errors -editor.status.warning = Warning -editor.status.error = Error -editor.status.error_on = Error on "%s" -editor.status.missing.default = Missing "%c" -editor.status.missing.semicolon = Missing a semicolon ";" -editor.status.missing.left_sq_bracket = Missing left square bracket "[" -editor.status.missing.right_sq_bracket = Missing right square bracket "]" -editor.status.missing.left_paren = Missing left parenthesis "(" -editor.status.missing.right_paren = Missing right parenthesis ")" -editor.status.missing.left_curly_bracket = Missing left curly bracket "{" -editor.status.missing.right_curly_bracket = Missing right curly bracket "}" -editor.status.missing.add = Consider adding "%s" -editor.status.bad_curly_quote = Curly quotes like %s don't work. Use straight quotes. Ctrl-T to autocorrect. -editor.status.reserved_words = "color" and "int" are reserved words & cannot be used as variable names -editor.status.undefined_method = The function "%s(%s)" does not exist -editor.status.undefined_constructor = The constructor "%s(%s)" does not exist -editor.status.empty_param = The function "%s()" does not expect any parameters -editor.status.wrong_param = The function "%s()" expects parameters like: "%s(%s)" -editor.status.undef_global_var = The global variable "%s" does not exist -editor.status.undef_class = The class "%s" does not exist -editor.status.undef_var = The variable "%s" does not exist -editor.status.undef_name = The name "%s" cannot be recognized -editor.status.unterm_string_curly = String literal is not closed by a straight double quote. Curly quotes like %s won't help. -editor.status.type_mismatch = Type mismatch, "%s" does not match with "%s" -editor.status.unused_variable = The value of the local variable "%s" is not used -editor.status.uninitialized_variable = The local variable "%s" may not have been initialized -editor.status.no_effect_assignment = The assignment to variable "%s" has no effect -editor.status.hiding_enclosing_type = The class "%s" cannot have the same name as your sketch or its enclosing class - -# Footer buttons -editor.footer.errors = Errors -editor.footer.errors.problem = Problem -editor.footer.errors.tab = Tab -editor.footer.errors.line = Line -editor.footer.console = Console - -# New handler -new.messages.is_read_only = Sketch is Read-Only -new.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. - -# Rename handler -rename.messages.is_untitled = Sketch is Untitled -rename.messages.is_untitled.description = How about saving the sketch first\nbefore trying to rename it? -rename.messages.is_modified = Please save the sketch before renaming. -rename.messages.is_read_only = Sketch is Read-Only -rename.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. - -# Naming handler -name.messages.problem_renaming = Problem with rename -name.messages.starts_with_dot.description = The name cannot start with a period. -name.messages.invalid_extension.description = ".%s" is not a valid extension. -name.messages.main_java_extension.description = The first tab cannot be a .%s file.\n(It may be time for you to graduate to a\n"real" programming environment, hotshot.) -name.messages.new_sketch_exists = Nope -name.messages.new_sketch_exists.description = A file named "%s" already exists at\n"%s" -name.messages.new_folder_exists = Cannot Rename -name.messages.new_folder_exists.description = Sorry, a sketch (or folder) named "%s" already exists. -name.messages.error = Error -name.messages.no_rename_folder.description = Could not rename the sketch folder. -name.messages.no_rename_file.description = Could not rename "%s" to "%s" -name.messages.no_create_file.description = Could not create the file "%s"\nin "%s" - -# Delete handler -delete.messages.cannot_delete = Cannot Delete -delete.messages.cannot_delete.description = You cannot delete a sketch that has not been saved. -delete.messages.cannot_delete.file = Could not do it -delete.messages.cannot_delete.file.description = Could not delete -delete.messages.is_read_only = Sketch is Read-Only -delete.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. - -# Save handler -save_file.messages.is_read_only = Sketch is read-only -save_file.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save this sketch to another location. -save_file.messages.sketch_exists = Cannot Save -save_file.messages.sketch_exists.description = A sketch with the cleaned name\n“%s” already exists. -save_file.messages.tab_exists = Nope -save_file.messages.tab_exists.description = You cannot save the sketch as "%s"\nbecause the sketch already has a tab with that name. -save_file.messages.recursive_save = How very Borges of you -save_file.messages.recursive_save.description = You cannot save the sketch into a folder\ninside itself. This would go on forever. - -# Add handler -add_file.messages.is_read_only = Sketch is Read-Only -add_file.messages.is_read_only.description = Some files are marked "read-only", so you will\nneed to re-save the sketch in another location,\nand try again. -add_file.messages.confirm_replace = Replace the existing version of %s? -add_file.messages.error_adding = Error adding file -add_file.messages.cannot_delete.description = Could not delete the existing '%s' file. -add_file.messages.cannot_add.description = Could not add '%s' to the sketch. -add_file.messages.same_file = You can't fool me -add_file.messages.same_file.description = This file has already been copied to the\nlocation from which where you're trying to add it.\nI ain't not doin nuthin'. - -# Temp folder creator -temp_dir.messages.bad_build_folder = Build folder bad -temp_dir.messages.bad_build_folder.description = Could not find a place to build the sketch. - -# Ensure Existance -ensure_exist.messages.missing_sketch = Sketch Disappeared -ensure_exist.messages.missing_sketch.description = The sketch folder has disappeared.\nWill attempt to re-save in the same location,\nbut anything besides the code will be lost. -ensure_exist.messages.unrecoverable = Could not re-save sketch -ensure_exist.messages.unrecoverable.description = Could not properly re-save the sketch. You may be in trouble at this point,\nand it might be time to copy and paste your code to another text editor. - -# Check name -check_name.messages.is_name_modified = The sketch name had to be modified. Sketch names can only consist\nof ASCII characters and numbers (but cannot start with a number).\nThey should also be less than 64 characters long. - -# External changes detector -change_detect.reload.title=Tab modified externally -change_detect.reload.question="%s" was modified by another program. -change_detect.reload.comment=Would you like to keep this version or load the new changes?\nEither way, the version you discard will be saved to your sketch folder. -change_detect.button.keep=Keep -change_detect.button.load_new=Load changes -change_detect.delete.title=Tab deleted externally -change_detect.delete.question="%s" has disappeared from the sketch folder. -change_detect.delete.comment=Would you like to re-save it or remove it from your sketch? -change_detect.button.discard=Remove permanently -change_detect.button.resave=Re-save - -# --------------------------------------- -# Contributions - -# Contribution Panel -contrib = Contribution Manager -contrib.manager_title.update = Update Manager -contrib.manager_title.mode = Mode Manager -contrib.manager_title.tool = Tool Manager -contrib.manager_title.library = Library Manager -contrib.manager_title.examples = Examples Manager -contrib.category = Category: -contrib.filter_your_search = Filter your search... -contrib.show_only_compatible.mode = Show Only Compatible Modes -contrib.show_only_compatible.tool = Show Only Compatible Tools -contrib.show_only_compatible.library = Show Only Compatible Libraries -contrib.show_only_compatible.examples = Show Only Compatible Examples -contrib.show_only_compatible.update = Show Only Compatible Updates -contrib.restart = Restart Processing -contrib.unsaved_changes = Unsaved changes have been found -contrib.unsaved_changes.prompt = Are you sure you want to restart Processing without saving first? -contrib.messages.remove_restart = Please restart Processing to finish removing this item. -contrib.messages.install_restart = Please restart Processing to finish installing this item. -contrib.messages.update_restart = Please restart Processing to finish updating this item. -contrib.errors.list_download = Could not download the list of available contributions. -contrib.errors.list_download.timeout = Connection timed out while downloading the contribution list. -contrib.errors.download_and_install = Error during download and install of %s. -contrib.errors.description_unavailable = Description unavailable. -contrib.errors.malformed_url = The link fetched from Processing.org is not valid.\nYou can still install this library manually by visiting\nthe library\'s website. -contrib.errors.needs_repackage = %s needs to be repackaged according to the %s guidelines. -contrib.errors.no_contribution_found = Could not find a %s in the downloaded file. -contrib.errors.overwriting_properties = Error overwriting .properties file. -contrib.errors.install_failed = Install failed. -contrib.errors.update_on_restart_failed = Update on restart of %s failed. -contrib.errors.temporary_directory = Could not write to temporary directory. -contrib.errors.contrib_download.timeout = Connection timed out while downloading %s. -contrib.errors.no_internet_connection = You do not seem to be connected to the Internet. -contrib.status.downloading_list = Downloading contribution list... -contrib.status.connecting = Connecting... -contrib.status.done = Done. -contrib.all = 全部All -contrib.undo = 還原Undo -contrib.remove = 移除Renove -contrib.install = 安裝Install -contrib.progress.installing = 安裝中 Installing... -contrib.progress.starting = 準備開始Starting... -contrib.progress.downloading = 下載中Downloading... -contrib.download_error = 下載出現問題Download Error. -contrib.unsupported_operating_system = 你的作業系統沒有支援這個功能。你可查查 %s 相關文件. -contrib.category.3d = 3D -contrib.category.animation = Animation -contrib.category.data = Data -contrib.category.geometry = Geometry -contrib.category.gui = GUI -contrib.category.hardware = Hardware -contrib.category.i_o = I/O -contrib.category.math = Math -contrib.category.simulation = Simulation -contrib.category.sound = Sound -contrib.category.typography = Typography -contrib.category.utilities = Utilities -contrib.category.video_vision = Video & Vision -contrib.category.other = Other - -# Install on Startup -contrib.startup.errors.download_install = Error during download and install of %s -contrib.startup.errors.temp_dir = Could not write to temporary directory during download and install of %s -contrib.startup.errors.new_marker = The unupdated contribution marker seems to not like %s. You may have to install it manually to update... - -# Install on Import -contrib.import.dialog.title = 缺的Library可下載哦! Missing Libraries Available -contrib.import.dialog.primary_text = 下面是你import想使用, 但還沒安裝的library, 可下載安裝它們。The following imported libraries are available for download, but have not been installed. -contrib.import.dialog.secondary_text = 你想要安裝它們嗎? Would you like to install them now? -contrib.import.progress.download = 下載中Downloading %s... -contrib.import.progress.install = 安裝中Installing %s... -contrib.import.progress.done = %s 已經安裝好了。 -contrib.import.progress.final_list = 下面列的libraries已安裝好: -contrib.import.errors.link = 錯誤Error: 這個library %s 的下載網址有問題。 - -# --------------------------------------- -# Warnings - -warn.delete = 刪除Delete... -warn.delete.sketch = 確定要刪除程式嗎? -warn.delete.file = 確定要刪除檔案 "%s" 嗎? -warn.cannot_change_mode.title = Cannot change mode -warn.cannot_change_mode.body = Cannot change mode,\nbecause "%s" mode is not compatible with current mode. - - -# --------------------------------------- -# Update Check - -update_check = 線上更新Update -update_check.updates_available.core = 線上更新時找到新版Processing\n你想要從Processing官網下載最新版嗎? -update_check.updates_available.contributions = 你安裝的第三方貢獻Contributions有線上更新\n你想要開啟Contribution Manager去線上更新嗎? - - -# --------------------------------------- -# Color Chooser - -color_chooser = 色彩選擇器(Color Selector) -color_chooser.select = 選擇(Select) - -# --------------------------------------- -# Movie Maker - -movie_maker = 圖片建出影片(Movie Maker) -movie_maker.title = QuickTime Movie Maker -movie_maker.blurb = 這個工具可以從一堆連續的圖片, 製作出QuickTime影片。

為了避免圖片壓縮造成不連續小瑕疵,
請在Processing存圖時使用TIFF, TGA, PNG來當連續圖片。

使用TIFF 或TGA圖檔可以快速製作影片,但需要大量的硬碟空間:
saveFrame("frames/####.tif");可存TIFF圖檔
saveFrame("frames/####.tga");可存TGA圖檔

PNG圖檔會比較小,不過程式在執行時會比較慢:
saveFrame("frames/####.png");可存PNG圖檔

這裡使用的程式是使用QuickTime Movie Maker 1.5.1 2011-01-17.
Copyright © 2010-2011 Werner Randelshofer. All rights reserved. -movie_maker.image_folder_help_label = 可在檔案總管裡直接將image目錄drag拖曳到下面欄位: -movie_maker.choose_button = 手動選擇目錄Choose... -movie_maker.select_image_folder = Select image folder... -movie_maker.sound_file_help_label = 可在檔案總管裡直接將sound檔案drag拖曳到下面欄位(.au, .aiff, .wav, .mp3): -movie_maker.select_sound_file = 請選擇一個sound聲音檔... - -movie_maker.create_movie_button = 開始製作影片Create movie... -movie_maker.save_dialog_prompt = 將影片存檔成Save movie as... -movie_maker.width = 寬度Width: -movie_maker.height = 高度Height -movie_maker.compression = 壓縮方式Compression: -movie_maker.compression.animation = Animation -movie_maker.compression.jpeg = JPEG -movie_maker.compression.png = PNG -movie_maker.framerate = 每秒幾張圖Framerate: -movie_maker.orig_size_button = 影片size與圖片相同Same size as originals -movie_maker.orig_size_tooltip = 如果勾選,表示image目錄的圖檔已是影片要使用的長寬大小。 - -movie_maker.error.avoid_tiff = 有TIFF問題,請改用TGA或PNG圖檔。 -movie_maker.error.badnumbers = 欄位有問題,寬度Width、高度height必須是比0大的整數; 每秒framerate必須是比0大的數。 -movie_maker.error.cannot_read = 無法讀取 %s. -movie_maker.error.cannot_read_maybe_bad = 無法讀取 %s; 它可能已損壞。 -movie_maker.error.movie_failed = 製作QuickTime影片時失敗。 -movie_maker.error.need_input = 你必須要設定好image目錄、sound聲音檔案。 -movie_maker.error.no_images_found = 找不到image圖檔。 -movie_maker.error.sorry = Sorry -movie_maker.error.unknown_tga_format = 這個 .tga檔案的格式無法辨識%s - -movie_maker.progress.creating_file_name = 製作中 %s -movie_maker.progress.creating_output_file = 製作output檔案中 -movie_maker.progress.initializing = 初始化Initializing... -movie_maker.progress.processing = 處理中Processing %s. diff --git a/tools/Java/lib/manager/chevron.svg b/tools/Java/lib/manager/chevron.svg deleted file mode 100644 index 8e9f189..0000000 --- a/tools/Java/lib/manager/chevron.svg +++ /dev/null @@ -1,5 +0,0 @@ - - - - diff --git a/tools/Java/lib/manager/close.svg b/tools/Java/lib/manager/close.svg deleted file mode 100644 index f3fdce2..0000000 --- a/tools/Java/lib/manager/close.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/lib/manager/foundation.svg b/tools/Java/lib/manager/foundation.svg deleted file mode 100644 index a497529..0000000 --- a/tools/Java/lib/manager/foundation.svg +++ /dev/null @@ -1,6 +0,0 @@ - - - - - - diff --git a/tools/Java/lib/manager/list-downloading.svg b/tools/Java/lib/manager/list-downloading.svg deleted file mode 100644 index 2b3b37f..0000000 --- a/tools/Java/lib/manager/list-downloading.svg +++ /dev/null @@ -1,28 +0,0 @@ - - - - - - - - - - - - - - - - - - - - - - - - - - - - diff --git a/tools/Java/lib/manager/list-incompatible.svg b/tools/Java/lib/manager/list-incompatible.svg deleted file mode 100644 index f06890e..0000000 --- a/tools/Java/lib/manager/list-incompatible.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/lib/manager/list-up-to-date.svg b/tools/Java/lib/manager/list-up-to-date.svg deleted file mode 100644 index 4ec78ee..0000000 --- a/tools/Java/lib/manager/list-up-to-date.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/lib/manager/list-update-available.svg b/tools/Java/lib/manager/list-update-available.svg deleted file mode 100644 index cd612ae..0000000 --- a/tools/Java/lib/manager/list-update-available.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/lib/manager/panel-install.svg b/tools/Java/lib/manager/panel-install.svg deleted file mode 100644 index cdb73e8..0000000 --- a/tools/Java/lib/manager/panel-install.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - \ No newline at end of file diff --git a/tools/Java/lib/manager/panel-remove.svg b/tools/Java/lib/manager/panel-remove.svg deleted file mode 100644 index 754c12a..0000000 --- a/tools/Java/lib/manager/panel-remove.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/lib/manager/panel-update.svg b/tools/Java/lib/manager/panel-update.svg deleted file mode 100644 index 6bd5320..0000000 --- a/tools/Java/lib/manager/panel-update.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/lib/manager/search-reset.svg b/tools/Java/lib/manager/search-reset.svg deleted file mode 100644 index 754c12a..0000000 --- a/tools/Java/lib/manager/search-reset.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/lib/manager/search.svg b/tools/Java/lib/manager/search.svg deleted file mode 100644 index 2dcefae..0000000 --- a/tools/Java/lib/manager/search.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/lib/naming.json b/tools/Java/lib/naming.json deleted file mode 100644 index 755056c..0000000 --- a/tools/Java/lib/naming.json +++ /dev/null @@ -1,5318 +0,0 @@ -[ - { - "name": "“Friendly” Names", - "notes": "From https://github.com/glitchdotcom/friendly-words as of 2022-08-02", - "prefixes": [ - "aback", - "abalone", - "abiding", - "ablaze", - "able", - "aboard", - "abounding", - "abrasive", - "abrupt", - "absorbed", - "absorbing", - "abstracted", - "abundance", - "abundant", - "abyssinian", - "accessible", - "accidental", - "accurate", - "achieved", - "acidic", - "acoustic", - "actually", - "acute", - "adaptable", - "adaptive", - "adhesive", - "adjoining", - "admitted", - "adorable", - "adventurous", - "aeolian", - "aerial", - "agate", - "aged", - "agreeable", - "ahead", - "airy", - "ajar", - "alabaster", - "alder", - "alert", - "alike", - "alive", - "alkaline", - "alluring", - "almond", - "almondine", - "aloud", - "alpine", - "aluminum", - "amazing", - "ambiguous", - "ambitious", - "amenable", - "amethyst", - "amplified", - "amused", - "amusing", - "ancient", - "angry", - "animated", - "antique", - "apple", - "apricot", - "aquamarine", - "aquatic", - "aromatic", - "arrow", - "artistic", - "ash", - "aspiring", - "assorted", - "astonishing", - "atlantic", - "atom", - "attractive", - "auspicious", - "automatic", - "autumn", - "available", - "awake", - "aware", - "awesome", - "axiomatic", - "azure", - "balanced", - "bald", - "ballistic", - "balsam", - "band", - "basalt", - "battle", - "bead", - "beaded", - "beautiful", - "bedecked", - "befitting", - "bejewled", - "believed", - "bemused", - "beneficial", - "berry", - "best", - "better", - "bevel", - "big", - "billowy", - "bird", - "bitter", - "bittersweet", - "blend", - "bloom", - "blossom", - "blue", - "blush", - "blushing", - "boatneck", - "boiled", - "boiling", - "bold", - "bolder", - "boom", - "booming", - "bottled", - "bottlenose", - "boulder", - "bouncy", - "boundless", - "bow", - "brainy", - "bramble", - "branch", - "branched", - "brash", - "brass", - "brassy", - "brave", - "brawny", - "brazen", - "breezy", - "brick", - "brief", - "bright", - "brindle", - "bristle", - "broad", - "broadleaf", - "broken", - "bronze", - "bronzed", - "brook", - "bubble", - "bubbly", - "bumpy", - "burly", - "bustling", - "busy", - "butter", - "buttercup", - "buttered", - "butternut", - "buttery", - "button", - "buttoned", - "bygone", - "cactus", - "cake", - "calico", - "calm", - "camp", - "canary", - "candied", - "candle", - "candy", - "canyon", - "capable", - "capricious", - "caramel", - "carefree", - "carbonated", - "careful", - "caring", - "carnation", - "carnelian", - "carpal", - "casual", - "cat", - "caterwauling", - "catkin", - "catnip", - "cautious", - "cedar", - "celestial", - "certain", - "cerulean", - "chain", - "chalk", - "chambray", - "changeable", - "charm", - "charmed", - "charming", - "chartreuse", - "chatter", - "checker", - "checkered", - "cheddar", - "cheerful", - "chemical", - "cherry", - "chestnut", - "chief", - "childish", - "childlike", - "chill", - "chip", - "chipped", - "chisel", - "chiseled", - "chivalrous", - "chlorinated", - "chocolate", - "chrome", - "circular", - "citrine", - "clammy", - "clarity", - "classic", - "classy", - "clean", - "clear", - "clever", - "cliff", - "climbing", - "closed", - "cloud", - "cloudy", - "clover", - "clumsy", - "coal", - "cobalt", - "coconut", - "coffee", - "coherent", - "cold", - "colorful", - "colossal", - "comet", - "comfortable", - "common", - "complete", - "complex", - "concise", - "concrete", - "confirmed", - "confused", - "confusion", - "congruous", - "conscious", - "continuous", - "cooing", - "cooked", - "cookie", - "cool", - "cooperative", - "coordinated", - "copper", - "copy", - "coral", - "cord", - "corner", - "cosmic", - "cotton", - "cottony", - "courageous", - "crawling", - "creative", - "crimson", - "crocus", - "crystal", - "crystalline", - "cubic", - "cuboid", - "cuddly", - "cultivate", - "cultured", - "cumbersome", - "curious", - "curse", - "curved", - "cut", - "cyan", - "cyber", - "cyclic", - "cypress", - "daffodil", - "daffy", - "daily", - "dandelion", - "dandy", - "dapper", - "dark", - "darkened", - "dashing", - "dawn", - "dazed", - "dazzling", - "deadpan", - "dear", - "debonair", - "deciduous", - "decisive", - "decorous", - "dedicated", - "deep", - "deeply", - "defiant", - "delicate", - "delicious", - "delightful", - "delirious", - "deluxe", - "denim", - "dent", - "dented", - "descriptive", - "desert", - "deserted", - "destiny", - "detailed", - "determined", - "developing", - "diagnostic", - "diamond", - "different", - "difficult", - "diligent", - "dirt", - "disco", - "discovered", - "discreet", - "distinct", - "dog", - "dolomite", - "dorian", - "dot", - "dour", - "dramatic", - "dull", - "dune", - "dust", - "dusty", - "dynamic", - "eager", - "early", - "earthy", - "east", - "eastern", - "easy", - "economic", - "educated", - "efficacious", - "efficient", - "eggplant", - "eight", - "elastic", - "elated", - "elderly", - "electric", - "elegant", - "elemental", - "elite", - "ember", - "emerald", - "eminent", - "emphasized", - "empty", - "enchanted", - "enchanting", - "encouraging", - "endurable", - "energetic", - "enormous", - "enshrined", - "entertaining", - "enthusiastic", - "equable", - "equal", - "equatorial", - "equinox", - "erratic", - "estimated", - "ethereal", - "evanescent", - "even", - "evening", - "evergreen", - "everlasting", - "excellent", - "excessive", - "excited", - "exciting", - "exclusive", - "expensive", - "experienced", - "extreme", - "exuberant", - "exultant", - "fabulous", - "faceted", - "factual", - "faint", - "fair", - "faithful", - "fallacious", - "false", - "familiar", - "famous", - "fan", - "fanatical", - "fancy", - "fantastic", - "fantasy", - "far", - "fascinated", - "fast", - "fate", - "fearless", - "feather", - "feline", - "fern", - "festive", - "few", - "field", - "fierce", - "fifth", - "fine", - "fir", - "fire", - "first", - "fish", - "five", - "fixed", - "flame", - "flannel", - "flash", - "flashy", - "flat", - "flawless", - "flax", - "flaxen", - "flicker", - "flint", - "florentine", - "flossy", - "flourish", - "flower", - "flowery", - "fluff", - "fluffy", - "fluorescent", - "fluoridated", - "fluttering", - "flying", - "foam", - "foamy", - "fog", - "foggy", - "foil", - "foregoing", - "foremost", - "forest", - "forested", - "fork", - "fortunate", - "fortune", - "fossil", - "foul", - "four", - "fourth", - "fragrant", - "freckle", - "free", - "freezing", - "frequent", - "fresh", - "friendly", - "frill", - "fringe", - "frost", - "frosted", - "fuchsia", - "full", - "functional", - "funny", - "furtive", - "future", - "futuristic", - "gainful", - "galvanized", - "gamy", - "garnet", - "garrulous", - "gaudy", - "gelatinous", - "gem", - "general", - "generated", - "gentle", - "geode", - "giant", - "giddy", - "gifted", - "gigantic", - "gilded", - "ginger", - "glacier", - "glamorous", - "glass", - "glaze", - "gleaming", - "glib", - "glimmer", - "glistening", - "glitter", - "glittery", - "global", - "glorious", - "glory", - "glossy", - "glow", - "glowing", - "gold", - "golden", - "goldenrod", - "good", - "goofy", - "gorgeous", - "gossamer", - "graceful", - "grand", - "grandiose", - "granite", - "grape", - "grass", - "grateful", - "gratis", - "grave", - "gravel", - "gray", - "great", - "green", - "gregarious", - "grey", - "grizzled", - "grizzly", - "groovy", - "grove", - "guiltless", - "gusty", - "guttural", - "habitual", - "hail", - "half", - "hallowed", - "halved", - "hammerhead", - "handsome", - "handsomely", - "handy", - "happy", - "hardly", - "harmless", - "harmonious", - "harsh", - "harvest", - "heady", - "healthy", - "heartbreaking", - "heather", - "heathered", - "heavenly", - "heavy", - "held", - "heliotrope", - "helix", - "helpful", - "hexagonal", - "hickory", - "highfalutin", - "highly", - "hilarious", - "hill", - "hip", - "hissing", - "historical", - "holistic", - "hollow", - "holy", - "honey", - "honeysuckle", - "honorable", - "honored", - "horn", - "horse", - "hospitable", - "hot", - "hulking", - "humane", - "humble", - "humdrum", - "humorous", - "hungry", - "hurricane", - "hushed", - "hyper", - "hypnotic", - "iced", - "icy", - "illustrious", - "imaginary", - "immediate", - "immense", - "imminent", - "impartial", - "important", - "imported", - "impossible", - "incandescent", - "inconclusive", - "incongruous", - "incredible", - "indecisive", - "indigo", - "indispensable", - "industrious", - "inexpensive", - "infrequent", - "ink", - "inky", - "innate", - "innovative", - "inquisitive", - "insidious", - "instinctive", - "intelligent", - "interesting", - "intermediate", - "internal", - "intriguing", - "invented", - "invincible", - "invited", - "iodized", - "ionian", - "ionized", - "iridescent", - "iris", - "iron", - "irradiated", - "island", - "ivy", - "jagged", - "jasper", - "jazzy", - "jealous", - "jelly", - "jet", - "jewel", - "jeweled", - "jolly", - "joyous", - "judicious", - "jumbled", - "jumpy", - "jungle", - "juniper", - "just", - "juvenile", - "kaput", - "keen", - "kind", - "kindhearted", - "kindly", - "kiwi", - "knotty", - "knowing", - "knowledgeable", - "lace", - "laced", - "lackadaisical", - "lacy", - "lake", - "languid", - "lapis", - "laser", - "lateral", - "lava", - "lavender", - "lavish", - "lead", - "leaf", - "lean", - "learned", - "leather", - "leeward", - "legend", - "legendary", - "lemon", - "level", - "liberating", - "light", - "lightning", - "like", - "likeable", - "lilac", - "lime", - "linen", - "literate", - "lithe", - "little", - "lively", - "living", - "lizard", - "local", - "locrian", - "lofty", - "long", - "longhaired", - "longing", - "lopsided", - "loud", - "lovely", - "loving", - "low", - "lowly", - "luck", - "lucky", - "ludicrous", - "lumbar", - "luminous", - "lunar", - "lush", - "luxuriant", - "luxurious", - "lydian", - "lying", - "lyrical", - "maddening", - "magenta", - "magic", - "magical", - "magnetic", - "magnificent", - "mahogany", - "maize", - "majestic", - "malachite", - "malleable", - "mammoth", - "mango", - "mangrove", - "maple", - "marble", - "marbled", - "marked", - "marmalade", - "maroon", - "marred", - "married", - "marsh", - "marshy", - "marvelous", - "massive", - "material", - "materialistic", - "mature", - "maze", - "meadow", - "medieval", - "mellow", - "melodic", - "melodious", - "melted", - "meowing", - "merciful", - "mercurial", - "mercury", - "mesquite", - "metal", - "meteor", - "mewing", - "mica", - "midi", - "midnight", - "mighty", - "mild", - "mildly", - "military", - "mini", - "miniature", - "mint", - "mirage", - "mire", - "mirror", - "misty", - "mixed", - "mixolydian", - "modern", - "modest", - "momentous", - "moored", - "morning", - "motley", - "mountain", - "mountainous", - "mousy", - "mud", - "muddled", - "muddy", - "mulberry", - "mutual", - "mysterious", - "narrow", - "natural", - "navy", - "near", - "neat", - "nebula", - "nebulous", - "necessary", - "neighborly", - "neon", - "nervous", - "nettle", - "nice", - "nickel", - "nifty", - "night", - "nimble", - "nine", - "ninth", - "noble", - "noiseless", - "nonchalant", - "nonstop", - "noon", - "north", - "northern", - "nostalgic", - "nosy", - "notch", - "nova", - "numerous", - "nutritious", - "oasis", - "observant", - "obsidian", - "obtainable", - "obvious", - "occipital", - "oceanic", - "octagonal", - "odd", - "oil", - "olive", - "olivine", - "omniscient", - "onyx", - "opalescent", - "opaque", - "open", - "opposite", - "orange", - "orchid", - "orderly", - "ordinary", - "organic", - "organized", - "ossified", - "outgoing", - "outrageous", - "outstanding", - "oval", - "overjoyed", - "oxidized", - "pacific", - "paint", - "painted", - "pale", - "palm", - "panoramic", - "paper", - "parallel", - "past", - "pastoral", - "patch", - "pattern", - "peaceful", - "peach", - "pear", - "peat", - "pebble", - "pentagonal", - "pepper", - "peppered", - "peppermint", - "perfect", - "peridot", - "periodic", - "periwinkle", - "perpetual", - "persistent", - "petal", - "petalite", - "petite", - "pewter", - "phantom", - "phase", - "phrygian", - "picayune", - "pickle", - "pickled", - "picturesque", - "pie", - "pine", - "pineapple", - "pinnate", - "pinto", - "piquant", - "pitch", - "placid", - "plaid", - "plain", - "planet", - "plant", - "plastic", - "platinum", - "plausible", - "playful", - "pleasant", - "plucky", - "plum", - "plume", - "plural", - "pointed", - "pointy", - "poised", - "polar", - "polarized", - "polished", - "polite", - "political", - "pollen", - "polydactyl", - "polyester", - "pond", - "pool", - "popular", - "positive", - "possible", - "potent", - "pouncing", - "power", - "powerful", - "prairie", - "precious", - "pretty", - "pricey", - "prickle", - "prickly", - "principled", - "prism", - "private", - "probable", - "productive", - "profuse", - "prong", - "protective", - "proud", - "proximal", - "psychedelic", - "puddle", - "pumped", - "purple", - "purrfect", - "purring", - "pushy", - "puzzle", - "puzzled", - "puzzling", - "pyrite", - "quaint", - "quark", - "quartz", - "quasar", - "quick", - "quickest", - "quiet", - "quill", - "quilled", - "quilt", - "quilted", - "quintessential", - "quirky", - "quiver", - "quixotic", - "radial", - "radical", - "rain", - "rainbow", - "rainy", - "rambunctious", - "rapid", - "rare", - "raspy", - "rattle", - "real", - "rebel", - "recent", - "receptive", - "recondite", - "rectangular", - "reflective", - "regal", - "regular", - "reinvented", - "reliable", - "relic", - "relieved", - "remarkable", - "reminiscent", - "repeated", - "resilient", - "resisted", - "resolute", - "resonant", - "respected", - "responsible", - "rhetorical", - "rhinestone", - "ribbon", - "rich", - "rift", - "right", - "righteous", - "rightful", - "rigorous", - "ring", - "ringed", - "ripe", - "ripple", - "ritzy", - "river", - "road", - "roan", - "roasted", - "robust", - "rocky", - "rogue", - "romantic", - "roomy", - "rose", - "rotated", - "rotating", - "rough", - "round", - "rounded", - "royal", - "rumbling", - "rune", - "rural", - "rust", - "rustic", - "saber", - "sable", - "safe", - "sage", - "salt", - "salty", - "same", - "sand", - "sandy", - "sapphire", - "sassy", - "satin", - "satisfying", - "savory", - "scalloped", - "scandalous", - "scarce", - "scarlet", - "scented", - "scientific", - "scintillating", - "scratch", - "scratched", - "scrawny", - "screeching", - "scythe", - "season", - "seasoned", - "second", - "secret", - "secretive", - "sedate", - "seed", - "seemly", - "seen", - "selective", - "separate", - "separated", - "sepia", - "sequoia", - "serene", - "serious", - "shade", - "shaded", - "shadow", - "shadowed", - "shared", - "sharp", - "sheer", - "shell", - "shelled", - "shimmer", - "shimmering", - "shine", - "shining", - "shiny", - "shocking", - "shore", - "short", - "shorthaired", - "showy", - "shrouded", - "shrub", - "shy", - "sideways", - "silent", - "silicon", - "silk", - "silken", - "silky", - "silly", - "silver", - "similar", - "simple", - "simplistic", - "sincere", - "single", - "six", - "sixth", - "skillful", - "skinny", - "skitter", - "sky", - "slash", - "sleepy", - "sleet", - "slender", - "slime", - "slimy", - "slow", - "sly", - "small", - "smart", - "smiling", - "smoggy", - "smooth", - "snapdragon", - "sneaky", - "snow", - "snowy", - "soapy", - "soft", - "solar", - "solid", - "solstice", - "somber", - "sophisticated", - "sordid", - "sore", - "sour", - "south", - "southern", - "spangle", - "spangled", - "spark", - "sparkling", - "sparkly", - "special", - "speckle", - "speckled", - "spectacled", - "spectacular", - "spectrum", - "sphenoid", - "spice", - "spiced", - "spicy", - "spiffy", - "spiky", - "spiny", - "spiral", - "spiritual", - "splashy", - "splendid", - "sponge", - "spot", - "spotless", - "spotted", - "spotty", - "spring", - "sprinkle", - "sprout", - "spurious", - "square", - "standing", - "star", - "statuesque", - "steadfast", - "steady", - "stealth", - "steel", - "steep", - "stellar", - "sticky", - "stingy", - "stirring", - "stitch", - "stone", - "storm", - "stormy", - "stream", - "strengthened", - "stripe", - "striped", - "strong", - "stump", - "stupendous", - "sturdy", - "stylish", - "suave", - "subdued", - "subsequent", - "substantial", - "successful", - "succinct", - "succulent", - "sudden", - "sudsy", - "sugar", - "sugared", - "sugary", - "sulfuric", - "sulky", - "summer", - "sumptuous", - "sun", - "sunny", - "sunrise", - "sunset", - "super", - "superb", - "superficial", - "supreme", - "surf", - "sustaining", - "swamp", - "swanky", - "sweet", - "sweltering", - "swift", - "synonymous", - "tabby", - "talented", - "tall", - "tame", - "tan", - "tangible", - "tangy", - "tar", - "tarry", - "tartan", - "tasteful", - "tasty", - "tattered", - "teal", - "telling", - "temporal", - "ten", - "tender", - "terrific", - "tested", - "thankful", - "therapeutic", - "thin", - "thinkable", - "third", - "thirsty", - "thoracic", - "thorn", - "thoughtful", - "thread", - "three", - "thrilling", - "thunder", - "thundering", - "tidal", - "tide", - "tidy", - "time", - "tin", - "tinted", - "tiny", - "titanium", - "toothsome", - "topaz", - "torch", - "torpid", - "tortoiseshell", - "tough", - "tourmaline", - "towering", - "trail", - "tranquil", - "translucent", - "transparent", - "trapezoidal", - "traveling", - "treasure", - "tree", - "tremendous", - "triangular", - "tricky", - "tricolor", - "trite", - "tropical", - "troubled", - "trusted", - "trusting", - "truth", - "truthful", - "tulip", - "tundra", - "tungsten", - "turquoise", - "twilight", - "twisty", - "typhoon", - "typical", - "ubiquitous", - "ultra", - "uncovered", - "understood", - "unequaled", - "uneven", - "unexpected", - "unique", - "universal", - "unleashed", - "unmarred", - "unruly", - "unusual", - "upbeat", - "useful", - "utopian", - "uttermost", - "vagabond", - "valiant", - "valley", - "valuable", - "vanilla", - "various", - "vast", - "vaulted", - "veil", - "veiled", - "verbena", - "verbose", - "verdant", - "versed", - "victorious", - "vigorous", - "vine", - "vintage", - "violet", - "viridian", - "visual", - "vivacious", - "vivid", - "volcano", - "voltaic", - "voracious", - "waiting", - "wakeful", - "walnut", - "wandering", - "warm", - "warp", - "wary", - "water", - "watery", - "wave", - "wax", - "wealthy", - "well", - "west", - "western", - "wheat", - "whimsical", - "whip", - "whispering", - "wholesale", - "wide", - "wiggly", - "wild", - "wind", - "winter", - "wirehaired", - "wiry", - "wise", - "wistful", - "witty", - "wobbly", - "wonderful", - "wood", - "wooded", - "wooden", - "wool", - "woolen", - "woolly", - "workable", - "working", - "worried", - "wry", - "yellow", - "yielding", - "young", - "youthful", - "zany", - "zealous", - "zenith", - "zest", - "zesty", - "zigzag", - "zinc", - "zippy", - "zircon" - ], - "suffixes": [ - "aardvark", - "aardwolf", - "abacus", - "abrosaurus", - "abstract", - "acai", - "acapella", - "accelerator", - "accordion", - "account", - "achillobator", - "acorn", - "acoustic", - "acrylic", - "act", - "action", - "activity", - "actress", - "adapter", - "adasaurus", - "addition", - "address", - "adjustment", - "advantage", - "adverb", - "aerosteon", - "afrovenator", - "aftermath", - "afternoon", - "aftershave", - "afterthought", - "agate", - "age", - "agenda", - "agreement", - "agustinia", - "air", - "airboat", - "airbus", - "airedale", - "airmail", - "airplane", - "airport", - "airship", - "akubra", - "alamosaurus", - "alarm", - "albacore", - "albatross", - "albertonykus", - "albertosaurus", - "alder", - "aletopelta", - "alfalfa", - "algebra", - "alibi", - "alley", - "alligator", - "allium", - "allosaurus", - "alloy", - "allspice", - "almanac", - "almandine", - "almond", - "alpaca", - "alphabet", - "alto", - "aluminum", - "alvarezsaurus", - "alyssum", - "amaranthus", - "amaryllis", - "amazonsaurus", - "ambert", - "ambulance", - "amethyst", - "amount", - "amp", - "ampersand", - "amphibian", - "amusement", - "anaconda", - "anatosaurus", - "anchovy", - "ancient", - "andesaurus", - "anemone", - "angelfish", - "anger", - "angle", - "anglerfish", - "angolatitan", - "angora", - "animal", - "animantarx", - "anise", - "ankle", - "ankylosaurus", - "anorak", - "answer", - "ant", - "antarctopelta", - "anteater", - "antelope", - "anthropology", - "antimatter", - "antimony", - "antique", - "antler", - "antlion", - "apartment", - "apatosaurus", - "aphid", - "apogee", - "apology", - "appalachiosaurus", - "apparatus", - "apparel", - "appeal", - "appendix", - "apple", - "appliance", - "approach", - "approval", - "apricot", - "aquarius", - "aragon", - "aragosaurus", - "arch", - "archaeology", - "archaeopteryx", - "archduchess", - "archduke", - "archeology", - "archer", - "area", - "argon", - "argument", - "aries", - "aristosuchus", - "arithmetic", - "armadillo", - "armchair", - "army", - "arrhinceratops", - "arrow", - "art", - "arthropod", - "artichoke", - "article", - "ash", - "asiago", - "asp", - "asparagus", - "aspen", - "asphalt", - "aster", - "asterisk", - "asteroid", - "astrodon", - "astronaut", - "astronomy", - "athlete", - "atlasaurus", - "atmosphere", - "atom", - "atrociraptor", - "attack", - "attempt", - "attention", - "attic", - "attraction", - "august", - "aura", - "aurora", - "auroraceratops", - "author", - "authority", - "authorization", - "avatar", - "avenue", - "avocado", - "awe", - "axolotl", - "azalea", - "azimuth", - "babcat", - "baboon", - "backbone", - "background", - "backpack", - "bactrosaurus", - "badge", - "badger", - "bag", - "bagel", - "bagpipe", - "bait", - "bakery", - "balance", - "balaur", - "ball", - "ballcap", - "balloon", - "balmoral", - "bambiraptor", - "bamboo", - "banana", - "band", - "bandana", - "bandicoot", - "bangle", - "banjo", - "bank", - "bar", - "barbecue", - "barber", - "barberry", - "bard", - "barge", - "baritone", - "barn", - "barnacle", - "barnyard", - "barometer", - "baron", - "baroness", - "barracuda", - "baryonyx", - "baseball", - "basement", - "basil", - "basilisk", - "basin", - "basket", - "basketball", - "bass", - "bassoon", - "bat", - "bath", - "bathroom", - "bathtub", - "battery", - "bay", - "bayberry", - "beach", - "bead", - "beak", - "beam", - "bean", - "beanie", - "bear", - "bearberry", - "beard", - "bearskin", - "beast", - "beat", - "beaufort", - "beauty", - "becklespinax", - "bed", - "bedbug", - "bee", - "beech", - "beechnut", - "beet", - "beetle", - "beginner", - "begonia", - "behavior", - "belief", - "bell", - "bellflower", - "bellusaurus", - "belt", - "beluga", - "bench", - "beret", - "bergamot", - "berry", - "beryllium", - "bestseller", - "bicycle", - "bike", - "bill", - "billboard", - "binder", - "biology", - "biplane", - "birch", - "bird", - "birthday", - "bismuth", - "bison", - "bistro", - "bit", - "bite", - "bittersweet", - "blackberry", - "blackbird", - "blackcurrant", - "bladder", - "blade", - "blanket", - "blarney", - "blender", - "blinker", - "blizzard", - "block", - "bloom", - "blossom", - "blouse", - "blue", - "bluebell", - "boa", - "boar", - "board", - "boat", - "boater", - "bobcat", - "bobble", - "bobolink", - "bolt", - "bongo", - "bonnet", - "bonobo", - "bonsai", - "book", - "bookcase", - "booklet", - "boot", - "booth", - "border", - "borogovia", - "boron", - "bosworth", - "botany", - "bottle", - "bottom", - "bougon", - "bounce", - "boursin", - "bow", - "bowl", - "bowler", - "box", - "boysenberry", - "brace", - "brachiosaurus", - "bracket", - "braid", - "brain", - "brake", - "bramble", - "branch", - "brand", - "brass", - "brazil", - "bread", - "breadfruit", - "break", - "breakfast", - "bream", - "breath", - "breeze", - "brick", - "bridge", - "brie", - "brisket", - "broccoli", - "brochure", - "broker", - "bromine", - "brontomerus", - "bronze", - "brook", - "broom", - "brother", - "brow", - "brownie", - "browser", - "brush", - "bubble", - "bubbler", - "buckaroo", - "bucket", - "buckthorn", - "buckthornpepperberry", - "budget", - "buffalo", - "buffer", - "buffet", - "bug", - "bugle", - "building", - "bulb", - "bumper", - "bun", - "burglar", - "burn", - "burrito", - "burst", - "bus", - "butter", - "buttercup", - "butterfly", - "butterkase", - "butternut", - "button", - "buzzard", - "cabbage", - "cabin", - "cabinet", - "cacao", - "cactus", - "cadet", - "cadmium", - "cafe", - "cairnsmore", - "cake", - "calcium", - "calculator", - "calendula", - "calf", - "calliandra", - "camel", - "camelotia", - "camera", - "camp", - "can", - "canary", - "candle", - "candy", - "candytuft", - "canidae", - "cannon", - "canoe", - "canopy", - "cantaloupe", - "canvas", - "cap", - "capacity", - "caper", - "cappelletti", - "capri", - "capricorn", - "captain", - "caption", - "capybara", - "car", - "caravan", - "caravel", - "caraway", - "carbon", - "card", - "cardamom", - "cardboard", - "cardigan", - "cardinal", - "care", - "caribou", - "carnation", - "carob", - "carol", - "carp", - "carpenter", - "carpet", - "carriage", - "carrot", - "cart", - "cartoon", - "cartwheel", - "carver", - "case", - "cashew", - "casquette", - "cast", - "castanet", - "cat", - "catamaran", - "catboat", - "catcher", - "caterpillar", - "catfish", - "cathedral", - "catmint", - "catshark", - "catsup", - "cattle", - "cauliflower", - "cause", - "caution", - "cave", - "cayenne", - "ceder", - "ceiling", - "celery", - "celestite", - "cell", - "cellar", - "cello", - "celsius", - "cement", - "cemetery", - "cent", - "centaur", - "centipede", - "century", - "cephalopod", - "ceramic", - "ceratonykus", - "cereal", - "cerise", - "cesium", - "chair", - "chalk", - "challenge", - "chameleon", - "chamomile", - "chance", - "change", - "channel", - "chanter", - "character", - "charger", - "chartreuse", - "chasmosaurus", - "chatter", - "chauffeur", - "check", - "cheddar", - "cheek", - "cheese", - "cheetah", - "chef", - "chemistry", - "cheque", - "cherry", - "cheshire", - "chess", - "chestnut", - "chevre", - "chickadee", - "chicken", - "chicory", - "child", - "chili", - "chill", - "chiller", - "chime", - "chimpanzee", - "chinchilla", - "chip", - "chipmunk", - "chips", - "chive", - "chocolate", - "chokeberry", - "chopper", - "chord", - "christmas", - "chronometer", - "chrysanthemum", - "chungkingosaurus", - "church", - "cicada", - "cilantro", - "cinema", - "cinnamon", - "circle", - "circus", - "cirrus", - "citipati", - "citizen", - "citrine", - "citron", - "citrus", - "city", - "clam", - "clarinet", - "class", - "clave", - "clavicle", - "clef", - "clematis", - "clementine", - "click", - "client", - "climb", - "clipper", - "cloak", - "cloche", - "clock", - "close", - "closet", - "cloth", - "cloud", - "cloudberry", - "clove", - "clover", - "clownfish", - "club", - "clutch", - "coal", - "coast", - "coaster", - "coat", - "cobalt", - "cobbler", - "cobra", - "cobweb", - "cockatoo", - "cockroach", - "cocoa", - "coconut", - "cod", - "coelurus", - "coffee", - "coil", - "coin", - "colby", - "cold", - "collar", - "collarbone", - "collard", - "college", - "collision", - "colony", - "color", - "colossus", - "colt", - "column", - "columnist", - "comb", - "comet", - "comfort", - "comic", - "comma", - "composer", - "computer", - "comte", - "concavenator", - "conchoraptor", - "concrete", - "condition", - "condor", - "condorraptor", - "cone", - "coneflower", - "confidence", - "conga", - "congress", - "conifer", - "conkerberry", - "consonant", - "constellation", - "constrictor", - "continent", - "contraption", - "cook", - "cookie", - "copper", - "copy", - "coral", - "cord", - "coreopsis", - "coriander", - "cork", - "corleggy", - "cormorant", - "corn", - "cornet", - "cornflower", - "cornucopia", - "cosmonaut", - "cosmos", - "cost", - "cotija", - "cotton", - "couch", - "cougar", - "cough", - "count", - "countess", - "country", - "course", - "court", - "cousin", - "cover", - "cow", - "cowbell", - "cowl", - "coyote", - "crab", - "crabapple", - "crafter", - "crane", - "crate", - "crater", - "crawdad", - "crayfish", - "crayon", - "creator", - "creature", - "credit", - "creek", - "crepe", - "cress", - "crest", - "crib", - "cricket", - "crime", - "crocodile", - "crocus", - "croissant", - "crop", - "cross", - "crow", - "crowberry", - "crowd", - "crowley", - "crown", - "cruiser", - "crustacean", - "cry", - "crystal", - "cub", - "cuckoo", - "cucumber", - "culotte", - "cup", - "cupboard", - "cupcake", - "curiosity", - "curler", - "currant", - "currency", - "curtain", - "curve", - "cushion", - "custard", - "cut", - "cuticle", - "cyclamen", - "cycle", - "cyclone", - "cylinder", - "cymbal", - "daemonosaurus", - "daffodil", - "dahlia", - "damselfly", - "dance", - "dancer", - "dandelion", - "danger", - "danthus", - "daphne", - "darkness", - "dart", - "dash", - "data", - "dataset", - "date", - "daughter", - "dawn", - "day", - "dead", - "deal", - "debt", - "decade", - "decimal", - "decision", - "dedication", - "deer", - "deerstalker", - "degree", - "delivery", - "delphinium", - "deltadromeus", - "den", - "denim", - "dentist", - "department", - "deposit", - "derby", - "desert", - "desk", - "dessert", - "detail", - "detective", - "device", - "devourer", - "dew", - "dewberry", - "diabloceratops", - "diadem", - "diagnostic", - "diagram", - "diamond", - "dianella", - "diascia", - "dibble", - "dichondra", - "dietician", - "digestion", - "digit", - "dill", - "dilophosaurus", - "dime", - "dimple", - "dinghy", - "dinner", - "dinosaur", - "diplodocus", - "diploma", - "direction", - "dirigible", - "dirt", - "discovery", - "dish", - "distance", - "ditto", - "dive", - "diver", - "dog", - "dogsled", - "dogwood", - "dollar", - "dolomite", - "dolphin", - "doppler", - "domain", - "donkey", - "donut", - "doom", - "door", - "dormouse", - "double", - "dove", - "dracopelta", - "dracorex", - "dragon", - "dragonfly", - "dragonfruit", - "drain", - "draw", - "drawbridge", - "drawer", - "dreadnought", - "dream", - "dress", - "dresser", - "drifter", - "drill", - "drink", - "drip", - "drive", - "driver", - "drizzle", - "drop", - "droplet", - "drum", - "dry", - "dryer", - "dryosaurus", - "duchess", - "duck", - "duckling", - "dugong", - "dugout", - "duke", - "dumpling", - "dungeon", - "durian", - "dust", - "dye", - "eagle", - "ear", - "earl", - "earth", - "earthquake", - "earthworm", - "earwig", - "ease", - "echidna", - "echinacea", - "echinodon", - "echium", - "echo", - "eclipse", - "edam", - "edge", - "editor", - "editorial", - "education", - "eel", - "effect", - "efraasia", - "egg", - "eggnog", - "eggplant", - "elbow", - "elderberry", - "element", - "elephant", - "elf", - "elk", - "ellipse", - "elm", - "emmental", - "emoji", - "emperor", - "empress", - "emu", - "end", - "enemy", - "energy", - "engine", - "engineer", - "english", - "enigmosaurus", - "enquiry", - "enthusiasm", - "entrance", - "entree", - "environment", - "eocursor", - "eoraptor", - "epoch", - "epoxy", - "equinox", - "equipment", - "era", - "erigeron", - "ermine", - "error", - "espadrille", - "estimate", - "ethernet", - "eucalyptus", - "euphonium", - "eustoma", - "evening", - "event", - "evergreen", - "exception", - "exhaust", - "existence", - "exoplanet", - "expansion", - "experience", - "expert", - "explanation", - "eye", - "eyebrow", - "eyelash", - "eyeliner", - "fabrosaurus", - "face", - "fact", - "factory", - "fahrenheit", - "failing", - "falcon", - "fall", - "family", - "fan", - "fanatic", - "fang", - "farm", - "farmer", - "farmhouse", - "fascinator", - "fastball", - "father", - "faucet", - "fear", - "feast", - "feather", - "fedora", - "feeling", - "feels", - "feet", - "felidae", - "femur", - "fender", - "fennel", - "fenugreek", - "fern", - "fernleaf", - "ferret", - "ferry", - "ferryboat", - "feta", - "feverfew", - "fiber", - "fibre", - "fibula", - "fiction", - "field", - "fifth", - "fig", - "fight", - "fighter", - "figure", - "filament", - "file", - "fin", - "finch", - "find", - "fine", - "fir", - "fire", - "firefly", - "fireman", - "fireplace", - "fireplant", - "firewall", - "fish", - "fisher", - "fisherman", - "flag", - "flame", - "flamingo", - "flannel", - "flare", - "flat", - "flavor", - "flax", - "flea", - "flier", - "flight", - "flock", - "flood", - "floor", - "floss", - "flower", - "fluorine", - "flute", - "fly", - "flyaway", - "flyingfish", - "foam", - "foe", - "fog", - "fold", - "fontina", - "food", - "football", - "force", - "forecast", - "forest", - "forger", - "forgery", - "fork", - "form", - "forsythia", - "fortnight", - "foundation", - "fountain", - "fowl", - "fox", - "foxglove", - "foxtail", - "foxtrot", - "fragment", - "fragrance", - "frame", - "freckle", - "freedom", - "freesia", - "freeze", - "freezer", - "freighter", - "freon", - "friction", - "friday", - "fridge", - "friend", - "frigate", - "fright", - "frill", - "frog", - "front", - "frost", - "frown", - "fruit", - "fruitadens", - "fuchsia", - "fuel", - "fukuiraptor", - "function", - "fur", - "furniture", - "gadget", - "galaxy", - "galette", - "galleon", - "galley", - "galliform", - "gallimimus", - "gallium", - "gallon", - "gambler", - "game", - "gander", - "garage", - "garden", - "gardenia", - "gargoyle", - "gargoyleosaurus", - "garlic", - "garment", - "garnet", - "gas", - "gasoline", - "gasosaurus", - "gastonia", - "gate", - "gateway", - "gatsby", - "gauge", - "gazelle", - "gear", - "gecko", - "geese", - "gem", - "gemini", - "general", - "generation", - "geography", - "geology", - "geometry", - "geranium", - "gerbera", - "gerbil", - "germanium", - "ghost", - "ghoul", - "giant", - "gibbon", - "giganotosaurus", - "gigantoraptor", - "gigantspinosaurus", - "gilmoreosaurus", - "ginger", - "giraffatitan", - "giraffe", - "girdle", - "giver", - "glade", - "gladiolus", - "glass", - "glasses", - "glazer", - "glider", - "glitter", - "globe", - "globeflower", - "glockenspiel", - "glove", - "glow", - "glue", - "goal", - "gojirasaurus", - "gold", - "goldenrod", - "goldfish", - "golf", - "gondola", - "gong", - "gooseberry", - "gopher", - "gorgonzola", - "gorilla", - "gosling", - "gouda", - "gourd", - "governor", - "grade", - "graffiti", - "grain", - "gram", - "grandiflora", - "grandparent", - "grape", - "grapple", - "grass", - "grasshopper", - "gravity", - "gray", - "grease", - "green", - "grenadilla", - "grey", - "griffin", - "grill", - "grin", - "grip", - "ground", - "group", - "grouse", - "growth", - "gruyere", - "guan", - "guanaco", - "guarantee", - "guardian", - "guava", - "guavaberry", - "guest", - "guide", - "guilty", - "guitar", - "gull", - "gum", - "guppy", - "gym", - "gymnast", - "hacksaw", - "haddock", - "hadrosaurus", - "hail", - "hair", - "haircut", - "halibut", - "hall", - "halloumi", - "hallway", - "hamburger", - "hammer", - "hamster", - "handball", - "handbell", - "handle", - "handsaw", - "handspring", - "handstand", - "harbor", - "hardboard", - "hardcover", - "hardhat", - "hardware", - "hare", - "harmonica", - "harmony", - "harp", - "harpymimus", - "harrier", - "hat", - "haumea", - "havarti", - "hawk", - "hawthorn", - "haze", - "headlight", - "headline", - "headphones", - "headstand", - "healer", - "health", - "hearing", - "heart", - "heat", - "heath", - "heather", - "heaven", - "hedge", - "hedgehog", - "height", - "helenium", - "helicona", - "helicopter", - "heliotrope", - "helium", - "hellebore", - "helmet", - "help", - "helper", - "hemisphere", - "hen", - "henley", - "hero", - "heron", - "herring", - "hexagon", - "hibiscus", - "hickory", - "hide", - "hill", - "hip", - "hippodraco", - "hippopotamus", - "hiss", - "hisser", - "hockey", - "holiday", - "hollyhock", - "homburg", - "homegrown", - "honesty", - "honey", - "honeycrisp", - "honeycup", - "honeydew", - "honeysuckle", - "hoodie", - "hoof", - "hook", - "hope", - "horesradish", - "hornet", - "horse", - "hortensia", - "hose", - "hospital", - "hosta", - "hotel", - "hound", - "hour", - "hourglass", - "house", - "houseboat", - "hovercraft", - "hoverfly", - "howler", - "hub", - "hubcap", - "huckleberry", - "hugger", - "humerus", - "humidity", - "hummingbird", - "humor", - "hunter", - "hurricane", - "hyacinth", - "hydrangea", - "hydrant", - "hydrofoil", - "hydrogen", - "hyena", - "hygienic", - "hyphen", - "hyssop", - "iberis", - "ice", - "iceberg", - "icebreaker", - "icecream", - "icicle", - "icon", - "idea", - "iguana", - "iguanacolossus", - "iguanadon", - "iguanodon", - "impala", - "impatiens", - "impulse", - "income", - "increase", - "index", - "indigo", - "individual", - "industry", - "infinity", - "ink", - "innocent", - "innovation", - "insect", - "inspiration", - "intelligence", - "interest", - "iodine", - "iridium", - "iris", - "iron", - "ironclad", - "island", - "isthmus", - "ixia", - "jaborosa", - "jackal", - "jacket", - "jackfruit", - "jackrabbit", - "jaguar", - "jam", - "jar", - "jargon", - "jasmine", - "jasper", - "jaw", - "jaxartosaurus", - "jay", - "jeans", - "jeep", - "jellyfish", - "jersey", - "jester", - "jet", - "jingle", - "jitterbug", - "jobaria", - "jodhpur", - "joggers", - "join", - "joke", - "jonquil", - "journey", - "judge", - "judo", - "juice", - "jujube", - "jump", - "jumper", - "jumpsuit", - "juniper", - "jupiter", - "juravenator", - "jury", - "justice", - "jute", - "kangaroo", - "kayak", - "keeper", - "ketch", - "ketchup", - "kettle", - "kettledrum", - "key", - "keyboard", - "kick", - "kicker", - "kidney", - "kileskus", - "kilogram", - "kilometer", - "king", - "kingfisher", - "kip", - "kitchen", - "kite", - "kitten", - "kiwi", - "knee", - "knife", - "knight", - "knot", - "knuckle", - "koala", - "koi", - "kookaburra", - "kosmoceratops", - "krill", - "krypton", - "kryptops", - "kumquat", - "laborer", - "lace", - "ladybug", - "lake", - "lamb", - "lamp", - "lamprey", - "lan", - "lancer", - "land", - "language", - "lantana", - "lantern", - "larch", - "lark", - "larkspur", - "lasagna", - "laser", - "latency", - "lathe", - "laugh", - "launch", - "laundry", - "lavender", - "law", - "lawyer", - "layer", - "lead", - "leader", - "leaf", - "learning", - "leather", - "leech", - "leek", - "legal", - "legend", - "legume", - "lemming", - "lemon", - "lemonade", - "lemongrass", - "lemur", - "lens", - "lentil", - "leo", - "leopard", - "leopon", - "leotard", - "leptoceratops", - "letter", - "lettuce", - "level", - "lever", - "libra", - "library", - "license", - "licorice", - "lifeboat", - "lift", - "lifter", - "light", - "lighter", - "lightning", - "lightyear", - "lilac", - "lillipilli", - "limburger", - "lime", - "limit", - "limpet", - "line", - "linen", - "lingo", - "lingonberry", - "link", - "linseed", - "lint", - "lion", - "lip", - "lipstick", - "liquid", - "list", - "literature", - "litter", - "liver", - "lizard", - "llama", - "loaf", - "loan", - "lobe", - "lobster", - "lock", - "locket", - "locust", - "lodge", - "log", - "loganberry", - "logic", - "longan", - "longship", - "look", - "lotus", - "louse", - "lumber", - "lunaria", - "lunch", - "lung", - "lunge", - "lungfish", - "lupin", - "lute", - "lychee", - "lycra", - "lynx", - "lyre", - "lyric", - "macadamia", - "macaroni", - "macaroon", - "macaw", - "machine", - "mackerel", - "macrame", - "magazine", - "magic", - "magician", - "magnesium", - "magnolia", - "magnosaurus", - "magpie", - "mahogany", - "maiasaura", - "mail", - "mailbox", - "mailman", - "maize", - "makemake", - "makeup", - "mall", - "mallet", - "mallow", - "mambo", - "mammal", - "manager", - "manatee", - "manchego", - "mandarin", - "mandevilla", - "mandible", - "mandolin", - "mandrill", - "mango", - "mangosteen", - "manicure", - "manner", - "manta", - "mantis", - "manuscript", - "manx", - "map", - "maple", - "mapusaurus", - "maraca", - "marble", - "march", - "mare", - "margin", - "marigold", - "marimba", - "marionberry", - "marjoram", - "market", - "marlin", - "marmoset", - "marmot", - "marquess", - "marquis", - "mars", - "marscapone", - "marshmallow", - "marsupial", - "marten", - "mascara", - "mask", - "mass", - "mastodon", - "mat", - "match", - "math", - "matrix", - "maxilla", - "may", - "mayflower", - "mayonnaise", - "meadow", - "meadowlark", - "meal", - "measure", - "meat", - "mechanic", - "medallion", - "medicine", - "medusaceratops", - "meerkat", - "meeting", - "megalosaurus", - "megaraptor", - "melody", - "melon", - "memory", - "menu", - "mercury", - "message", - "metacarpal", - "metal", - "metatarsal", - "meteor", - "meteorite", - "meteoroid", - "meteorology", - "meter", - "methane", - "mice", - "microceratops", - "microraptor", - "microwave", - "middle", - "midnight", - "mile", - "milk", - "milkshake", - "millennium", - "mimosa", - "mind", - "mine", - "minibus", - "mink", - "minnow", - "minotaurasaurus", - "mint", - "minute", - "mirror", - "mist", - "mistake", - "mitten", - "mixer", - "mixture", - "moat", - "mochi", - "mockingbird", - "modem", - "mojoceratops", - "molasses", - "mole", - "molecule", - "mollusk", - "molybdenum", - "monarch", - "monday", - "money", - "mongoose", - "monitor", - "monkey", - "month", - "mood", - "moon", - "moonflower", - "moonstone", - "moose", - "moral", - "morning", - "morocco", - "mortarboard", - "mosquito", - "moss", - "moth", - "motion", - "motor", - "motorcycle", - "motorist", - "mountain", - "mouse", - "mousepad", - "moustache", - "mouth", - "move", - "movie", - "mozzarella", - "muenster", - "mulberry", - "mule", - "mum", - "munchkin", - "muscari", - "muscle", - "muse", - "museum", - "mushroom", - "music", - "musician", - "muskmelon", - "muskox", - "mustang", - "mustard", - "myrtle", - "myth", - "nail", - "name", - "nannyberry", - "napkin", - "naranja", - "narcissus", - "narwhal", - "nasturtium", - "nation", - "nautilus", - "navy", - "nebula", - "nectarine", - "need", - "neem", - "neighbor", - "neighborhood", - "nemophila", - "neon", - "nephew", - "neptune", - "nerine", - "nerve", - "nest", - "net", - "network", - "neutral", - "newsboy", - "newspaper", - "newsprint", - "newsstand", - "newt", - "nickel", - "niece", - "nigella", - "night", - "nightingale", - "nightshade", - "ninja", - "nitrogen", - "node", - "noise", - "noodle", - "noon", - "nose", - "note", - "notebook", - "notify", - "noun", - "nova", - "novel", - "november", - "number", - "numeric", - "nurse", - "nut", - "nutmeg", - "nutria", - "nylon", - "nymphea", - "oak", - "oatmeal", - "objective", - "oboe", - "observation", - "observatory", - "ocarina", - "occupation", - "ocean", - "ocelot", - "ocicat", - "octagon", - "octave", - "october", - "octopus", - "odometer", - "offer", - "office", - "ogre", - "oil", - "okra", - "olive", - "olivine", - "omelet", - "onion", - "onyx", - "opal", - "open", - "opera", - "operation", - "ophthalmologist", - "opinion", - "opossum", - "opportunity", - "option", - "orange", - "orangutan", - "orbit", - "orca", - "orchestra", - "orchid", - "order", - "oregano", - "organ", - "organization", - "origami", - "origin", - "oriole", - "ornament", - "ostrich", - "othnielia", - "otter", - "ounce", - "outfit", - "output", - "outrigger", - "oval", - "overcoat", - "oviraptor", - "owl", - "owner", - "ox", - "oxygen", - "oyster", - "ozraraptor", - "package", - "packet", - "paddleboat", - "page", - "pail", - "paint", - "painter", - "pair", - "pajama", - "palladium", - "palm", - "pamphlet", - "pan", - "panama", - "pancake", - "pancreas", - "panda", - "paneer", - "pangolin", - "panther", - "pantry", - "pantydraco", - "papaya", - "paper", - "paperback", - "paprika", - "papyrus", - "parade", - "paradox", - "parakeet", - "parallel", - "parallelogram", - "paranthodon", - "parcel", - "parent", - "parenthesis", - "park", - "parka", - "parmesan", - "parrot", - "parrotfish", - "parsley", - "parsnip", - "part", - "particle", - "partner", - "partridge", - "party", - "passbook", - "passenger", - "passionfruit", - "passive", - "pasta", - "paste", - "pastry", - "patch", - "patella", - "path", - "patient", - "patio", - "paw", - "pawpaw", - "payment", - "pea", - "peace", - "peach", - "peacock", - "peak", - "peanut", - "pear", - "pearl", - "pecorino", - "pedestrian", - "pediatrician", - "pegasus", - "pelican", - "pen", - "penalty", - "pencil", - "pendulum", - "penguin", - "pentaceratops", - "pentagon", - "peony", - "people", - "pepper", - "pepperberry", - "perch", - "perfume", - "peridot", - "perigee", - "period", - "periodical", - "peripheral", - "periwinkle", - "persimmon", - "pet", - "petalite", - "petroleum", - "petunia", - "pewter", - "phalange", - "pharaoh", - "pheasant", - "philodendron", - "philosophy", - "phone", - "phosphorus", - "phrase", - "physician", - "piano", - "piccolo", - "pick", - "pickle", - "pickup", - "picture", - "pie", - "pig", - "pigeon", - "pigment", - "pike", - "pillow", - "pilot", - "pin", - "pincushion", - "pine", - "pineapple", - "ping", - "pink", - "pint", - "pipe", - "piper", - "piranha", - "pirate", - "pisces", - "pitcher", - "pizza", - "place", - "plain", - "planarian", - "plane", - "planet", - "plank", - "plant", - "plantain", - "plaster", - "plastic", - "plate", - "platinum", - "platypus", - "play", - "player", - "playground", - "playroom", - "pleasure", - "plier", - "plot", - "plough", - "plow", - "plum", - "plume", - "pluto", - "plutonium", - "plywood", - "pocket", - "podium", - "poet", - "poetry", - "poinsettia", - "point", - "poison", - "polish", - "politician", - "polka", - "polo", - "polonium", - "polyanthus", - "polyester", - "pomegranate", - "pomelo", - "pond", - "pony", - "popcorn", - "poppyseed", - "porch", - "porcupine", - "porkpie", - "porpoise", - "port", - "porter", - "position", - "possum", - "postage", - "postbox", - "pot", - "potassium", - "potato", - "potential", - "poultry", - "powder", - "power", - "practice", - "pram", - "prawn", - "preface", - "prepared", - "pressure", - "price", - "primrose", - "primula", - "prince", - "princess", - "principal", - "principle", - "print", - "printer", - "process", - "produce", - "product", - "production", - "professor", - "profit", - "promise", - "promotion", - "proof", - "property", - "prose", - "prosecution", - "protest", - "protoceratops", - "protocol", - "provelone", - "prune", - "pruner", - "psychiatrist", - "psychology", - "ptarmigan", - "puck", - "pudding", - "pufferfish", - "puffin", - "pull", - "pullover", - "pulsar", - "puma", - "pump", - "pumpkin", - "punch", - "punishment", - "pupil", - "puppet", - "puppy", - "purchase", - "purple", - "purpose", - "push", - "puzzle", - "pyjama", - "pyramid", - "pyrite", - "pyroraptor", - "python", - "quail", - "quality", - "quark", - "quart", - "quarter", - "quartz", - "quasar", - "quesadilla", - "question", - "quicksand", - "quiet", - "quill", - "quilt", - "quince", - "quit", - "quiver", - "quokka", - "quotation", - "rabbit", - "raccoon", - "racer", - "raclette", - "radar", - "radiator", - "radio", - "radish", - "radium", - "radius", - "radon", - "raft", - "ragamuffin", - "ragdoll", - "rail", - "railway", - "rain", - "rainbow", - "raincoat", - "rainforest", - "rainstorm", - "raisin", - "raja", - "rake", - "rambutan", - "random", - "range", - "ranunculus", - "raptor", - "raptorex", - "rat", - "rattlesnake", - "raven", - "raver", - "ravioli", - "ray", - "rayon", - "reaction", - "reader", - "reading", - "reaper", - "reason", - "receipt", - "recess", - "record", - "recorder", - "red", - "redcurrant", - "referee", - "reference", - "region", - "regnosaurus", - "reindeer", - "relation", - "relative", - "relish", - "reminder", - "repair", - "replace", - "reply", - "report", - "reptile", - "request", - "research", - "resistance", - "resolution", - "resonance", - "respect", - "responsibility", - "rest", - "restaurant", - "result", - "revolve", - "reward", - "rhinoceros", - "rhodium", - "rhubarb", - "rhythm", - "rib", - "rice", - "ricotta", - "riddle", - "ridge", - "ring", - "ringer", - "rise", - "risk", - "river", - "riverbed", - "road", - "roadrunner", - "roadway", - "roar", - "roarer", - "roast", - "robe", - "robin", - "rock", - "rocket", - "rodent", - "roll", - "romano", - "rondeletia", - "roof", - "rook", - "room", - "rooster", - "roquefort", - "rose", - "rosehip", - "rosemary", - "rotate", - "roundworm", - "router", - "rover", - "rowboat", - "rubidium", - "ruby", - "rudbeckia", - "rugby", - "rule", - "rumba", - "run", - "runner", - "rutabaga", - "safflower", - "saffron", - "saga", - "sage", - "sagittarius", - "saguaro", - "sail", - "sailboat", - "sailfish", - "sailor", - "salad", - "salamander", - "salary", - "sale", - "salesman", - "salmon", - "salmonberry", - "salsa", - "salt", - "saltasaurus", - "saltopus", - "salute", - "samba", - "sand", - "sandal", - "sandalwood", - "sandpaper", - "sandwich", - "santanaraptor", - "sapphire", - "sarahsaurus", - "sardine", - "sassafras", - "satellite", - "satin", - "saturday", - "saturn", - "saturnalia", - "sauce", - "sauroposeidon", - "save", - "saver", - "savory", - "saw", - "sawfish", - "saxophone", - "scabiosa", - "scaffold", - "scale", - "scallion", - "scallop", - "scapula", - "scar", - "scarecrow", - "scarer", - "scarf", - "scene", - "scent", - "sceptre", - "school", - "schooner", - "science", - "scilla", - "scion", - "scissor", - "scooter", - "scorpio", - "scorpion", - "scourge", - "scowl", - "scraper", - "screen", - "screwdriver", - "scribe", - "script", - "sea", - "seagull", - "seahorse", - "seal", - "seaplane", - "search", - "seashore", - "season", - "seat", - "seatbelt", - "second", - "secretary", - "secure", - "seed", - "seeder", - "seeker", - "seer", - "seismosaurus", - "selenium", - "sense", - "september", - "serpent", - "servant", - "server", - "sesame", - "session", - "settee", - "shade", - "shadow", - "shake", - "shaker", - "shallot", - "shame", - "shampoo", - "shamrock", - "shape", - "share", - "shark", - "shawl", - "shear", - "sheep", - "sheet", - "shelf", - "shell", - "sherbet", - "shield", - "shift", - "shingle", - "ship", - "shirt", - "shock", - "shoe", - "shoemaker", - "shop", - "shoulder", - "shovel", - "show", - "shrimp", - "shrine", - "shroud", - "side", - "sidecar", - "sidewalk", - "sight", - "sign", - "silence", - "silene", - "silica", - "silicon", - "silk", - "silkworm", - "silver", - "silverfish", - "sing", - "singer", - "single", - "singularity", - "sink", - "situation", - "skate", - "skateboard", - "ski", - "skipjack", - "skirt", - "skull", - "skunk", - "sky", - "slash", - "slayer", - "sled", - "sleep", - "sleet", - "slice", - "slicer", - "slide", - "slider", - "slime", - "slip", - "slipper", - "slope", - "sloth", - "slouch", - "slug", - "smartphone", - "smile", - "smoke", - "snagglefoot", - "snail", - "snake", - "snap", - "snapdragon", - "snapper", - "snarl", - "sneeze", - "sneezeweed", - "snickerdoodle", - "snipe", - "snout", - "snow", - "snowboard", - "snowdrop", - "snowflake", - "snowman", - "snowplow", - "snowshoe", - "snowstorm", - "soap", - "soapwort", - "soarer", - "soccer", - "society", - "sociology", - "sock", - "socks", - "soda", - "sodalite", - "sodium", - "sofa", - "softball", - "soil", - "soldier", - "sole", - "sombrero", - "somersault", - "son", - "song", - "soprano", - "sorrel", - "sort", - "soul", - "sound", - "soup", - "source", - "soursop", - "sousaphone", - "sovereign", - "soy", - "soybean", - "space", - "spacecraft", - "spade", - "spaghetti", - "spandex", - "spark", - "sparrow", - "spatula", - "speak", - "speaker", - "spear", - "specialist", - "spectacles", - "spectrograph", - "spectroscope", - "spectrum", - "speech", - "speedboat", - "speedwell", - "spell", - "sphere", - "sphynx", - "spice", - "spider", - "spike", - "spinach", - "spinosaurus", - "spirit", - "splash", - "spleen", - "split", - "sponge", - "spoon", - "spoonbill", - "spot", - "spring", - "sprint", - "sprite", - "sprout", - "spruce", - "spur", - "sputter", - "spy", - "square", - "squash", - "squid", - "squirrel", - "stag", - "stage", - "staircase", - "stallion", - "stamp", - "star", - "starburst", - "starfish", - "starflower", - "stargazer", - "station", - "statistic", - "stay", - "stealer", - "steam", - "steed", - "steel", - "stegosaurus", - "stem", - "step", - "sternum", - "stetson", - "stew", - "stick", - "stilton", - "sting", - "stinger", - "stingray", - "stitch", - "stoat", - "stock", - "stocking", - "stomach", - "stone", - "stop", - "stoplight", - "store", - "storm", - "story", - "stove", - "strand", - "stranger", - "straw", - "strawflower", - "stream", - "street", - "streetcar", - "stretch", - "string", - "structure", - "study", - "sturgeon", - "stygimoloch", - "style", - "subject", - "submarine", - "substance", - "subway", - "success", - "sugar", - "suggestion", - "suit", - "sulfur", - "summer", - "sun", - "sundae", - "sunday", - "sundial", - "sunfish", - "sunflower", - "sunscreen", - "sunset", - "sunshine", - "sunspot", - "sunstone", - "supermarket", - "supernova", - "supply", - "surf", - "surfboard", - "surgeon", - "surprise", - "sushi", - "swallow", - "swamp", - "swan", - "sweater", - "sweatpants", - "sweatshirt", - "swift", - "swim", - "swing", - "switch", - "swoop", - "sword", - "swordfish", - "swordtail", - "sycamore", - "sync", - "syringa", - "syrup", - "system", - "syzygy", - "table", - "tablecloth", - "tabletop", - "tachometer", - "tadpole", - "tail", - "tailor", - "taker", - "taleggio", - "talk", - "talon", - "talos", - "tamarillo", - "tamarind", - "tang", - "tangelo", - "tangerine", - "tango", - "tank", - "tanker", - "tarantula", - "tarascosaurus", - "target", - "tarn", - "tarp", - "tarragon", - "tarsal", - "tarsier", - "tartan", - "taurus", - "tax", - "taxi", - "taxicab", - "tea", - "teacher", - "teal", - "team", - "technician", - "technosaurus", - "teeth", - "telephone", - "telescope", - "television", - "teller", - "tellurium", - "temper", - "temperature", - "temple", - "tempo", - "tendency", - "tennis", - "tenor", - "tent", - "termite", - "tern", - "terrier", - "territory", - "text", - "textbook", - "texture", - "theater", - "theory", - "thief", - "thimbleberry", - "thing", - "thistle", - "thorium", - "thorn", - "thought", - "thread", - "thrill", - "throat", - "throne", - "thrush", - "thumb", - "thunbergia", - "thunder", - "thursday", - "thyme", - "tibia", - "tick", - "ticket", - "tie", - "tiger", - "tiglon", - "tilapia", - "tile", - "timbale", - "time", - "timer", - "timimus", - "timpani", - "tin", - "tip", - "tire", - "titanium", - "titanoceratops", - "titanosaurus", - "tithonia", - "title", - "toad", - "toast", - "toaster", - "today", - "tomato", - "ton", - "toothbrush", - "toothpaste", - "top", - "topaz", - "toque", - "tornado", - "tortellini", - "tortoise", - "toucan", - "tourmaline", - "towel", - "tower", - "town", - "toy", - "track", - "tracker", - "tractor", - "trade", - "trader", - "traffic", - "trail", - "train", - "trampoline", - "transport", - "trapezoid", - "travel", - "traveler", - "trawler", - "tray", - "treatment", - "tree", - "triangle", - "triceratops", - "trick", - "tricorne", - "trigonometry", - "trilby", - "trillium", - "trip", - "trollius", - "trombone", - "troodon", - "trouble", - "trouser", - "trowel", - "truck", - "truffle", - "trumpet", - "trunk", - "trust", - "tsunami", - "tub", - "tuba", - "tuberose", - "tuck", - "tuesday", - "tugboat", - "tulip", - "tumble", - "tumbleweed", - "tuna", - "tune", - "tungsten", - "turkey", - "turn", - "turner", - "turnip", - "turnover", - "turquoise", - "turret", - "turtle", - "tv", - "twig", - "twilight", - "twill", - "twin", - "twine", - "twist", - "twister", - "typhoon", - "tyrannosaurus", - "umbra", - "umbrella", - "uncle", - "unicorn", - "uniform", - "universe", - "uranium", - "ursinia", - "utahceratops", - "utahraptor", - "utensil", - "vacation", - "vacuum", - "valley", - "value", - "van", - "vanadium", - "vanilla", - "variety", - "variraptor", - "vase", - "vault", - "vegetable", - "vegetarian", - "vehicle", - "veil", - "vein", - "velociraptor", - "velvet", - "venom", - "verbena", - "verdict", - "vermicelli", - "verse", - "vertebra", - "vessel", - "vest", - "veterinarian", - "vibraphone", - "viburnum", - "vicuna", - "vinyl", - "viola", - "violet", - "violin", - "viper", - "virgo", - "visage", - "viscose", - "viscount", - "viscountess", - "vise", - "vision", - "visitor", - "visor", - "voice", - "volcano", - "vole", - "volleyball", - "voyage", - "vulcanodon", - "vulture", - "waiter", - "waitress", - "wake", - "wakeboard", - "walk", - "walker", - "walkover", - "wall", - "wallaby", - "wallet", - "walleye", - "wallflower", - "walnut", - "walrus", - "waltz", - "wander", - "wanderer", - "wandflower", - "wannanosaurus", - "war", - "warbler", - "warlock", - "warrior", - "wasabi", - "wash", - "washer", - "wasp", - "waste", - "watch", - "watcher", - "watchmaker", - "water", - "watercress", - "waterfall", - "waterlily", - "wave", - "wavelength", - "wax", - "waxflower", - "way", - "wealth", - "weather", - "weaver", - "web", - "wedelia", - "wedge", - "wednesday", - "weeder", - "week", - "weight", - "whale", - "wheel", - "whimsey", - "whip", - "whippet", - "whippoorwill", - "whistle", - "whitefish", - "wholesaler", - "widget", - "wildcat", - "wildebeest", - "wilderness", - "wildflower", - "william", - "willow", - "wind", - "windflower", - "windscreen", - "windshield", - "wineberry", - "wing", - "winter", - "winterberry", - "wire", - "wish", - "wishbone", - "wisteria", - "witch", - "witness", - "wizard", - "wok", - "wolf", - "wolfberry", - "wolfsbane", - "wolverine", - "wombat", - "wood", - "woodpecker", - "woodwind", - "wool", - "woolen", - "word", - "work", - "workshop", - "wormhole", - "wren", - "wrench", - "wrinkle", - "wrist", - "writer", - "writing", - "xenon", - "xenoposeidon", - "xylocarp", - "xylophone", - "yacht", - "yak", - "yam", - "yamamomo", - "yard", - "yarn", - "yarrow", - "year", - "yellowhorn", - "yew", - "yogurt", - "yoke", - "yttrium", - "yumberry", - "yuzu", - "zebra", - "zebu", - "zenith", - "zenobia", - "zephyr", - "ziconium", - "zinc", - "zinnia", - "zipper", - "zircon", - "zone", - "zoo", - "zucchini", - "zydeco" - ] - }, - { - "name": "Culinary Arts", - "notes": "Developed by Paul Cronan of Fathom Information Design (https://fathom.info)", - "prefixes": [ - "cooking", - "grilling", - "broiling", - "barbecuing", - "frying", - "stir frying", - "deep frying", - "baking", - "roasting", - "stewing", - "caramelizing", - "steaming", - "toasting", - "poaching", - "microwaving", - "searing", - "simmering", - "scrambling", - "glazing", - "blending", - "slicing", - "draining", - "dicing", - "pouring", - "carving", - "kneading", - "grating", - "chopping", - "measuring", - "stirring", - "mincing", - "peeling", - "dissolving", - "crushing", - "whisking", - "weighing", - "cracking", - "crackling", - "crumbling", - "tasting", - "canning", - "pickling", - "reheating", - "cutting", - "slicing", - "overcooking", - "burning", - "braising", - "ladling", - "freezing", - "thawing", - "melting", - "scooping", - "seasoning", - "slow cooking", - "sizzling", - "singed", - "slightly smoking", - "cooked", - "grilled", - "broiled", - "barbecued", - "stir fried", - "baked", - "roasted", - "stewed", - "caramelized", - "steamed", - "toasted", - "poached", - "microwaved", - "seared", - "scrambled", - "glazed", - "sliced and dried", - "diced", - "grated", - "freshly blended", - "carved", - "kneaded", - "chopped", - "stirred", - "minced", - "peeled", - "dissolved", - "crushed", - "whisked", - "cracked", - "crumbled", - "canned", - "pickled", - "reheated", - "cut", - "sliced", - "overcooked", - "braised", - "frozen", - "thawed", - "melted", - "scooped", - "seasoned", - "slow cooked", - "fried", - "deep fried", - "sauteed", - "wrapped", - "burnt", - "bland", - "aromatic", - "instant", - "pie filled with", - "vacuum sealed", - "packaged", - "store bought", - "a pinch of", - "coffeeshop", - "gourmet", - "artisanal", - "brand x", - "day old", - "stale", - "organic", - "inedible", - "crumbs of", - "bits of", - "the essence of", - "the lingering aroma of", - "homecooked", - "country style", - "sweet wafts of", - "slices of", - "a handful of", - "pounds and pounds of", - "a bushel of", - "unlabeled bag of", - "barrels of", - "hand shaved", - "enormous pile of", - "farm fresh", - "expired", - "freshly picked", - "lightly toasted", - "buckets filled with", - "shavings of", - "lightly garnished", - "a garnish of", - "seedless", - "ancient grain", - "turmeric infused", - "ripe", - "overripe", - "spicy", - "hot", - "crispy", - "crunchy", - "special", - "discount", - "classic", - "breakfast", - "midnight snack of", - "a plate of", - "a bowl of", - "a hint of", - "perfectly cubed", - "triple washed", - "spoonful of", - "tandoori", - "traditional", - "oven roasted", - "dumplings filled with", - "fresh", - "synthetic", - "artificial", - "restaurant style", - "freshly baked", - "homemade", - "assorted", - "peanut butter and", - "chocolate", - "coffee flavored", - "decaf", - "sour", - "sweet", - "bitter", - "lightly salted", - "jumbo size", - "pure", - "green tea infused", - "sugar free", - "subtly sweet", - "intense", - "freeze dried", - "finely grated", - "one tablespoon of", - "two cups of", - "extract of", - "an infusion of", - "emergency ration", - "miniature", - "sun dried", - "licorice flavored", - "cinnamon spice", - "orange flavored", - "diner style", - "expensive", - "dried strips of", - "delicious", - "five star", - "five pepper", - "cajun style", - "red hot", - "iced", - "cold brew", - "caffeinated", - "chocolate covered", - "uncooked", - "even portions of", - "vitamins made from", - "a jar of", - "impossibly good", - "a light drizzle of" - ], - "suffixes": [ - "eggs", - "toast", - "sea salt", - "nutmeg", - "cilantro", - "paprika", - "durian", - "peaches", - "watermelon", - "ketchup", - "apple skins", - "fuji apples", - "pears", - "feta", - "cashews", - "caesar salad", - "salad", - "iceberg lettuce", - "anchovies", - "sesame", - "raisin", - "oolong", - "ginseng", - "potato chips", - "yucca", - "oatmeal", - "oat milk", - "butter", - "bok choy", - "radish", - "nuts and seeds", - "soy", - "soy sauce", - "teriyaki", - "croissant", - "pretzels", - "gochujang", - "bibimbap", - "miso", - "tofu", - "shrimp", - "farfalle", - "lasagna", - "gorgonzola", - "avocado", - "granola", - "kimchi", - "seaweed", - "cabbage", - "onion", - "french onion soup", - "protein shake", - "mushroom", - "tomato paste", - "salmon", - "banana chips", - "mango", - "mango juice", - "cider", - "sriracha", - "bonito flakes", - "noodles", - "shabu shabu", - "omelette", - "ceviche", - "baguette", - "sushi", - "edamame", - "tortilla", - "lime", - "lemonade", - "wasabi", - "ginger", - "dark chocolate", - "coffee beans", - "lemon rind", - "cold cucumber soup", - "broth", - "carrot juice", - "fufu", - "poi", - "walnuts", - "banana bread", - "rice cakes", - "brown rice", - "rice", - "tea leaves", - "tapioca", - "bubble tea", - "cherries", - "asparagus", - "honey", - "honeycomb", - "mulberries", - "blackberry jam", - "kale smoothie", - "sprinkles", - "gumdrop", - "ghost pepper", - "guava", - "pancakes", - "maple syrup", - "eggplant", - "corn chowder", - "instant ramen", - "vintage wine", - "chai latte", - "milk", - "lentils", - "chives", - "beets", - "fresh panini", - "mozzarella", - "cold porridge", - "american cheese", - "sweet potato", - "plum", - "peach pits", - "bag of almonds", - "quail eggs", - "corn on the cob", - "dijon mustard", - "ice cream cones", - "guacamole", - "dried persimmon", - "lemon meringue", - "lassi", - "pepper paste", - "falafel", - "marmite", - "pastrami on rye", - "peanut butter", - "kielbasa", - "pierogis", - "souvlaki", - "frozen pizza", - "pepperoni", - "hawaiian pizza", - "paneer", - "gnocchi", - "khinkali", - "dumplings", - "sourdough", - "breadcrumbs", - "teabags", - "peach pits", - "apple cores", - "orange rind", - "strawberry", - "halva", - "marzipan", - "tomato", - "pizza crust", - "creme brulee", - "vanilla extract", - "udon", - "green peas", - "candy corn", - "cassava", - "lemon juice", - "taro", - "espresso", - "fish sauce", - "olives", - "lychee", - "coconut juice", - "red velvet cake", - "marshmallow", - "peanut brittle", - "curry", - "leftovers", - "bubble gum", - "bread", - "fruitcake", - "doughnuts", - "corndogs", - "muffins", - "cupcakes", - "arugula", - "basil", - "pesto", - "coffee creamer", - "spaghetti", - "tortilla chips", - "coconut", - "zucchini", - "rosemary", - "thyme" - ] - }, - { - "name": "Cosmos", - "notes": "Assembled by Paul Cronan of Fathom Information Design (https://fathom.info)", - "prefixes": [ - "outer", - "inner", - "orbiting", - "spinning", - "lost", - "ancient", - "eternal", - "immemorial", - "forgotten", - "deep", - "molten", - "halcyon", - "prismatic", - "primordial", - "first", - "original", - "dawn", - "hidden", - "invisible", - "dark", - "prime", - "twin", - "nocturnal", - "ethereal", - "glass", - "volcanic", - "cosmic", - "orbital", - "distant", - "futuristic", - "buried", - "lonely", - "dusty", - "frozen", - "burning", - "shattered", - "plummeting", - "elegant", - "faint contour of the", - "galactic", - "elliptical", - "triple", - "ice", - "metal", - "metallic", - "iron", - "copper", - "gold", - "silver", - "bronze", - "hydrogen", - "silicon", - "platinum", - "oxygen", - "velvet", - "indigo", - "golden", - "amber", - "iridescent", - "translucent", - "dusk", - "glowing", - "radiating", - "radiant", - "concentric", - "perfect", - "rare", - "unknown", - "silent", - "cold", - "fiery", - "fragile", - "peaceful", - "calm", - "wild", - "chaos", - "chaotic", - "quantum", - "unbound", - "unravelling", - "curving", - "spiralling", - "wandering", - "entangled", - "unfolding", - "collapsing", - "possible", - "unimaginable", - "destination", - "solar", - "looping", - "trailing", - "reflection of", - "sudden", - "imploding", - "expanding", - "simultaneous", - "cyclical", - "missing", - "deep inside the", - "shifting", - "subzero", - "tiny fragment of", - "shards of", - "surface", - "instant", - "furthest", - "beyond the", - "theoretical", - "luminous", - "bioluminescent", - "a vast open", - "arching", - "vaulting", - "mysterious", - "pulsing", - "sweeping", - "rattling", - "cylindrical", - "scattering", - "elemental", - "return to the", - "future", - "hydraulic", - "heart of the", - "dawning", - "planetary", - "shimmering", - "spectral", - "bright", - "far across the", - "rocky", - "obsidian", - "lightless", - "boiling", - "blinking", - "sunblind", - "searingly bright", - "galactic", - "bending", - "rapidly spinning", - "slowly spinning", - "final circuit of the", - "first glimpse of the", - "inside a distant", - "swirling", - "rippling", - "infinite" - ], - "suffixes": [ - "energy", - "star", - "stars", - "galaxy", - "galaxies", - "nebula", - "quasar", - "orbit", - "cosmos", - "craft", - "vessel", - "portal", - "filament", - "circuit", - "region", - "dust", - "system", - "planet", - "planets", - "exoplanet", - "sphere", - "orb", - "theory", - "hypothesis", - "coordinates", - "earth", - "earths", - "sun", - "sol", - "asteroid", - "comet", - "meteor", - "binary", - "hum", - "silence", - "rhythm", - "pattern", - "puzzle", - "eclipse", - "equinox", - "solstice", - "zenith", - "syzygy", - "parallax", - "mirror", - "wave", - "waves", - "phase", - "quanta", - "retrograde", - "ascension", - "transit", - "magnitude", - "matter", - "quark", - "atom", - "spectra", - "element", - "luminosity", - "singularity", - "parsec", - "neutrino", - "photon", - "wavelength", - "pulsar", - "radiation", - "launch", - "alignment", - "debris", - "horizon", - "axis", - "azimuth", - "aurora", - "reentry", - "velocity", - "disk", - "ellipse", - "supercluster", - "moon", - "moons", - "base", - "moon base", - "apparatus", - "path", - "geometry", - "heliosphere", - "equilibrium", - "inclination", - "irregularity", - "meteorite", - "satellite", - "magnet", - "magnetic pull", - "calculus", - "point", - "ring", - "cloud", - "storm", - "molecule", - "conundrum", - "paradox", - "perihelion", - "crater", - "engine", - "sunshield", - "observatory", - "instrument", - "engineer", - "guide", - "navigator", - "vacuum", - "core", - "membrane", - "millenium", - "arc", - "parabola", - "helix", - "spiral", - "crescent", - "vault", - "scatter", - "sweep", - "warp", - "lens", - "distortion", - "eye", - "observer", - "generation", - "descent", - "ascent", - "canyon", - "riverbed", - "delta", - "signal", - "signals", - "night", - "edge", - "shadow", - "shadows", - "eternity", - "burst", - "burst of light", - "constant thrum", - "void", - "infinity", - "infinities", - "plasma", - "sea", - "ocean", - "ocean world", - "waves on the shore", - "ocean floor", - "particles", - "microscopic world", - "field", - "lander", - "cone", - "wonder", - "spark", - "questions", - "answers", - "speck", - "origin", - "loop", - "cycle", - "light", - "beam", - "launchpad", - "sensor", - "flight", - "fire", - "vector", - "timeline", - "wind", - "mystery", - "unknown", - "message", - "event", - "transmission", - "deep", - "flare", - "obelisk", - "spin", - "leap", - "traveler", - "canal", - "pulse", - "nautilus", - "gate", - "rim", - "journey", - "voyage", - "trajectory", - "swarm", - "fossil", - "civilization", - "evidence", - "desert world", - "step", - "map", - "star chart", - "cartography", - "motor", - "age", - 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-footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #71BAFF -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #71BAFF -footer.gradient.top = #005BB8 -footer.gradient.bottom = #005BB8 -footer.tab.selected.color = #0E81E4 -footer.tab.enabled.color = #005BB8 -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #000554 -footer.updates.indicator.text.color = #C0FFFF - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #22262F -# color of System.out text -console.output.color = #9CA0AB -# text color for errors printed in the console -console.error.color = #00B7FF - -console.scrollbar.thumb.enabled.color = #51555F -console.scrollbar.thumb.rollover.color = #51555F -console.scrollbar.thumb.pressed.color = #51555F -console.scrollbar.color = #1C1F28 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #001F4A -editor.gradient.bottom = #005BB8 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #00193B - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #072D5C - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #0E81E4 -editor.scrollbar.thumb.rollover.color = #0074D4 -editor.scrollbar.thumb.pressed.color = #0074D4 -editor.scrollbar.color = #0066C5 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #C0FFFF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #374E81 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #8AB2FF - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #6AB4FF - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #001952 -errors.header.fgcolor = #8898BE -errors.bgcolor = #003184 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #9BC6FF -errors.row.bgcolor = #003184 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #346CC2 -errors.selection.error.bgcolor = #005DF5 -errors.selection.warning.bgcolor = #0052AD -errors.indicator.error.color = #3CD1FF -errors.indicator.warning.color = #0076D7 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #002551 -manager.tab.unselected.color = #001637 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #717FAA -manager.tab.gradient.top = #00072A -manager.tab.gradient.bottom = #00072A - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #00072A - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #001E63 -manager.categories.enabled.bgcolor = #2978CE -manager.categories.disabled.fgcolor = #002E77 -manager.categories.disabled.bgcolor = #2978CE -manager.categories.selected.fgcolor = #00348B -manager.categories.selected.bgcolor = #A4D4FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #2B4475 -manager.scrollbar.thumb.rollover.color = #3E5487 -manager.scrollbar.thumb.pressed.color = #3E5487 -manager.scrollbar.color = #012956 - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #7D8FC4 -manager.search.background.color = #00002D -manager.search.caret.color = #8EB6FF -manager.search.placeholder.color = #7D8FC4 -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #003072 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #002551 -manager.list.header.fgcolor = #ACCCFF -manager.list.header.bgcolor = #0E2F5D -manager.list.section.color = #002551 -manager.list.selection.color = #2475CB -manager.list.icon.color = #8DCCFF -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #9BCCFF -manager.list.incompatible.selection.color = #304067 -manager.list.incompatible.text.color = #8087A1 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #004897 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #A4D4FF -manager.panel.foundation.color = #9EE1FF - -manager.button.enabled.background.color = #002E77 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #A4D4FF -manager.button.pressed.background.color = #001759 -manager.button.pressed.text.color = #A4D4FF -manager.button.pressed.icon.color = #A4D4FF -manager.button.disabled.background.color = #003B87 -manager.button.disabled.text.color = #9FA9C5 -manager.button.disabled.icon.color = #9FA9C5 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #78AEFF -manager.progress.incomplete.fgcolor = #9FA9C5 -manager.progress.incomplete.bgcolor = #001759 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C0C5DD -theme_selector.combo_box.enabled.bgcolor = #292F42 -theme_selector.combo_box.disabled.fgcolor = #585D72 -theme_selector.combo_box.disabled.bgcolor = #292F42 -theme_selector.combo_box.selected.fgcolor = #000049 -theme_selector.combo_box.selected.bgcolor = #5584DD - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #74767F -theme_selector.link.color = #9DC4FF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #E691BC,plain -editor.token.function2.style = #E691BC,plain -editor.token.function3.style = #00B5F8,plain -editor.token.function4.style = #E691BC,bold - -editor.token.keyword1.style = #D8004F,plain -editor.token.keyword2.style = #D8004F,plain -editor.token.keyword3.style = #00B5F8,plain -editor.token.keyword4.style = #DD3632,plain -editor.token.keyword5.style = #F89300,plain -editor.token.keyword6.style = #D8004F,plain - -editor.token.literal1.style = #0083CD,plain -editor.token.literal2.style = #1A2CF1,plain - -editor.token.operator.style = #E691BC,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #F89300 -editor.completion.field.color = #1A2CF1 -editor.completion.local.color = #E691BC -editor.completion.method.color = #D8004F diff --git a/tools/Java/lib/theme/Alloys/armanty.txt b/tools/Java/lib/theme/Alloys/armanty.txt deleted file mode 100644 index 7b6269b..0000000 --- a/tools/Java/lib/theme/Alloys/armanty.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #00427A - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #00B4D7 -toolbar.gradient.bottom = #00B4D7 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #004C6C -# stolen from gradient bottom -mode.background.color = #00B4D7 -mode.outline.color = #006586 - -mode.popup.enabled.fgcolor = #1B4853 -mode.popup.enabled.bgcolor = #C8F4FF -mode.popup.disabled.fgcolor = #6F99A6 -mode.popup.disabled.bgcolor = #C8F4FF -mode.popup.selected.fgcolor = #00162D -mode.popup.selected.bgcolor = #00B4D7 - -toolbar.button.disabled.field = #009EC1 -toolbar.button.disabled.glyph = #0089AB -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #00A1FE -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #007DD7 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #003F85 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #003F85 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #49000F -status.notice.bgcolor = #B86469 -status.error.fgcolor = #00EEFF -status.error.bgcolor = #000000 -status.warning.bgcolor = #00427A -status.warning.fgcolor = #00F7FF - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #003A76 -header.text.unselected.color = #23788C -header.tab.arrow.color = #23788C -header.tab.selected.color = #90F5FF -header.tab.unselected.color = #72D9F4 -header.tab.modified.color = #000000 -header.gradient.top = #00B4D7 -header.gradient.bottom = #00B4D7 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #E79FA1 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #E79FA1 -footer.gradient.top = #75383C -footer.gradient.bottom = #75383C -footer.tab.selected.color = #A46264 -footer.tab.enabled.color = #75383C -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #2B0000 -footer.updates.indicator.text.color = #FFEBEC - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #291C1C -# color of System.out text -console.output.color = #AA9999 -# text color for errors printed in the console -console.error.color = #00EAFF - -console.scrollbar.thumb.enabled.color = #5B4C4C -console.scrollbar.thumb.rollover.color = #5B4C4C -console.scrollbar.thumb.pressed.color = #5B4C4C -console.scrollbar.color = #241717 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #00B4D7 -editor.gradient.bottom = #75383C - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #C5F9FF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #A3DDEE - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #A46264 -editor.scrollbar.thumb.rollover.color = #965658 -editor.scrollbar.thumb.pressed.color = #965658 -editor.scrollbar.color = #834548 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FFEBEC - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #0087A9 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #00427A - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #005979 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #2D0506 -errors.header.fgcolor = #AC9091 -errors.bgcolor = #4B131A -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #EDB5B6 -errors.row.bgcolor = #4B131A -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #8F4F52 -errors.selection.error.bgcolor = #0077EB -errors.selection.warning.bgcolor = #73363A -errors.indicator.error.color = #00FFFF -errors.indicator.warning.color = #9B5A5D - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #90F5FF -manager.tab.unselected.color = #56BFDA -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #006078 -manager.tab.gradient.top = #0090B2 -manager.tab.gradient.bottom = #0090B2 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #0090B2 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #FFC3C4 -manager.categories.enabled.bgcolor = #6C3035 -manager.categories.disabled.fgcolor = #7B3E41 -manager.categories.disabled.bgcolor = #6C3035 -manager.categories.selected.fgcolor = #004887 -manager.categories.selected.bgcolor = #00FBFF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #61C9E4 -manager.scrollbar.thumb.rollover.color = #49B4CF -manager.scrollbar.thumb.pressed.color = #49B4CF -manager.scrollbar.color = #8AEFFF - -manager.search.text.color = #000000 -manager.search.icon.color = #006980 -manager.search.background.color = #6ACAE4 -manager.search.caret.color = #004077 -manager.search.placeholder.color = #006980 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #00A8D5 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #90F5FF -manager.list.header.fgcolor = #003B64 -manager.list.header.bgcolor = #81E7FF -manager.list.section.color = #90F5FF -manager.list.selection.color = #CF898B -manager.list.icon.color = #00438E -manager.list.text.color = #000000 -manager.list.foundation.color = #00407E -manager.list.incompatible.selection.color = #8CD8EE -manager.list.incompatible.text.color = #537B87 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #87484B -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #00FBFF -manager.panel.foundation.color = #00FFFF - -manager.button.enabled.background.color = #5E2429 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #00FBFF -manager.button.pressed.background.color = #370005 -manager.button.pressed.text.color = #00FBFF -manager.button.pressed.icon.color = #00FBFF -manager.button.disabled.background.color = #72363A -manager.button.disabled.text.color = #C2ACAC -manager.button.disabled.icon.color = #C2ACAC - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #00D7FF -manager.progress.incomplete.fgcolor = #C2ACAC -manager.progress.incomplete.bgcolor = #370005 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #9DCEDC -theme_selector.combo_box.enabled.bgcolor = #003642 -theme_selector.combo_box.disabled.fgcolor = #346471 -theme_selector.combo_box.disabled.bgcolor = #003642 -theme_selector.combo_box.selected.fgcolor = #001F48 -theme_selector.combo_box.selected.bgcolor = #00BDFB - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #69797F -theme_selector.link.color = #00E2FF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Alloys/bacubirito.txt b/tools/Java/lib/theme/Alloys/bacubirito.txt deleted file mode 100644 index c344ea6..0000000 --- a/tools/Java/lib/theme/Alloys/bacubirito.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #4E5000 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #D7CF5C -toolbar.gradient.bottom = #D7CF5C - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #4E5000 -# stolen from gradient bottom -mode.background.color = #D7CF5C -mode.outline.color = #6F6E00 - -mode.popup.enabled.fgcolor = #484522 -mode.popup.enabled.bgcolor = #FDF6CB -mode.popup.disabled.fgcolor = #9E9971 -mode.popup.disabled.bgcolor = #FDF6CB -mode.popup.selected.fgcolor = #1A0300 -mode.popup.selected.bgcolor = #D7CF5C - -toolbar.button.disabled.field = #BFB947 -toolbar.button.disabled.glyph = #A9A431 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #A5A500 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #767A00 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #4B5000 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #4B5000 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #003917 -status.notice.bgcolor = #00A072 -status.error.fgcolor = #D0CB1E -status.error.bgcolor = #000000 -status.warning.bgcolor = #4E5000 -status.warning.fgcolor = #E3DE3C - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #3F4100 -header.text.unselected.color = #918B4C -header.tab.arrow.color = #918B4C -header.tab.selected.color = #FEF49E -header.tab.unselected.color = #EEE58F -header.tab.modified.color = #000000 -header.gradient.top = #D7CF5C -header.gradient.bottom = #D7CF5C - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #005C3C -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #005C3C -footer.gradient.top = #5DE2B8 -footer.gradient.bottom = #5DE2B8 -footer.tab.selected.color = #00A881 -footer.tab.enabled.color = #5DE2B8 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #94FFEA -footer.updates.indicator.text.color = #001A00 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #26322D -# color of System.out text -console.output.color = #99A8A2 -# text color for errors printed in the console -console.error.color = #BCC000 - -console.scrollbar.thumb.enabled.color = #53605B -console.scrollbar.thumb.rollover.color = #53605B -console.scrollbar.thumb.pressed.color = #53605B -console.scrollbar.color = #1D2925 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #D7CF5C -editor.gradient.bottom = #5DE2B8 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #F5F1D8 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #D9D5B9 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #00A881 -editor.scrollbar.thumb.rollover.color = #009772 -editor.scrollbar.thumb.pressed.color = #009772 -editor.scrollbar.color = #49D0A7 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #1A0300 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #9C9824 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #4E5000 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #747300 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #00321D -errors.header.fgcolor = #81AA9A -errors.bgcolor = #00714F -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #8AE6C6 -errors.row.bgcolor = #00714F -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #00A881 -errors.selection.error.bgcolor = #9B954F -errors.selection.warning.bgcolor = #009973 -errors.indicator.error.color = #EEE59B -errors.indicator.warning.color = #38C29A - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #FEF49E -manager.tab.unselected.color = #D2CA76 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #64610F -manager.tab.gradient.top = #A7A330 -manager.tab.gradient.bottom = #A7A330 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #A7A330 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #70F3C9 -manager.categories.enabled.bgcolor = #00704E -manager.categories.disabled.fgcolor = #006B49 -manager.categories.disabled.bgcolor = #00704E -manager.categories.selected.fgcolor = #383900 -manager.categories.selected.bgcolor = #EFE676 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #CFC773 -manager.scrollbar.thumb.rollover.color = #B8B15F -manager.scrollbar.thumb.pressed.color = #B8B15F -manager.scrollbar.color = #F8EF99 - -manager.search.text.color = #000000 -manager.search.icon.color = #636015 -manager.search.background.color = #D2CA7A -manager.search.caret.color = #343300 -manager.search.placeholder.color = #636015 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #A49F35 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #FEF49E -manager.list.header.fgcolor = #323100 -manager.list.header.bgcolor = #EFE690 -manager.list.section.color = #FEF49E -manager.list.selection.color = #26B78F -manager.list.icon.color = #333200 -manager.list.text.color = #000000 -manager.list.foundation.color = #323100 -manager.list.incompatible.selection.color = #E1D995 -manager.list.incompatible.text.color = #807C57 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #008B66 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #EFE676 -manager.panel.foundation.color = #F8F064 - -manager.button.enabled.background.color = #005637 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #EFE676 -manager.button.pressed.background.color = #00290A -manager.button.pressed.text.color = #EFE676 -manager.button.pressed.icon.color = #EFE676 -manager.button.disabled.background.color = #00704E -manager.button.disabled.text.color = #A1C3B6 -manager.button.disabled.icon.color = #A1C3B6 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #D2CA5C -manager.progress.incomplete.fgcolor = #A1C3B6 -manager.progress.incomplete.bgcolor = #00290A - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #CBC7AB -theme_selector.combo_box.enabled.bgcolor = #33311B -theme_selector.combo_box.disabled.fgcolor = #625E46 -theme_selector.combo_box.disabled.bgcolor = #33311B -theme_selector.combo_box.selected.fgcolor = #1D0400 -theme_selector.combo_box.selected.bgcolor = #D6D138 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #79776D -theme_selector.link.color = #D1CA57 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Alloys/bondoc.txt b/tools/Java/lib/theme/Alloys/bondoc.txt deleted file mode 100644 index 93d78a7..0000000 --- a/tools/Java/lib/theme/Alloys/bondoc.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #BFA2FF - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #1D1550 -toolbar.gradient.bottom = #1D1550 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #A691DB -# stolen from gradient bottom -mode.background.color = #1D1550 -mode.outline.color = #826FB7 - -mode.popup.enabled.fgcolor = #B1A8C4 -mode.popup.enabled.bgcolor = #0D011C -mode.popup.disabled.fgcolor = #58516A -mode.popup.disabled.bgcolor = #0D011C -mode.popup.selected.fgcolor = #FFF2FF -mode.popup.selected.bgcolor = #1D1550 - -toolbar.button.disabled.field = #312664 -toolbar.button.disabled.glyph = #1D1550 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #BFA2FF -toolbar.button.enabled.glyph = #0A0E5E -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #000251 -toolbar.button.pressed.glyph = #E6C3FF -toolbar.button.pressed.stroke = #E6C3FF -toolbar.button.rollover.field = #E6C3FF -toolbar.button.rollover.glyph = #0A0E5E -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #433ADB -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #260001 -status.notice.bgcolor = #7C4757 -status.error.fgcolor = #0014A6 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #BFA2FF -status.warning.fgcolor = #000A90 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #CEAFFF -header.text.unselected.color = #5F547C -header.tab.arrow.color = #5F547C -header.tab.selected.color = #0E002E -header.tab.unselected.color = #140D37 -header.tab.modified.color = #FFFFFE -header.gradient.top = #1D1550 -header.gradient.bottom = #1D1550 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #BD8E9B -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #BD8E9B -footer.gradient.top = #330E1C -footer.gradient.bottom = #330E1C -footer.tab.selected.color = #69404D -footer.tab.enabled.color = #330E1C -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #210000 -footer.updates.indicator.text.color = #FFF1FF - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #18090E -# color of System.out text -console.output.color = #A09194 -# text color for errors printed in the console -console.error.color = #B592FF - -console.scrollbar.thumb.enabled.color = #4B3E42 -console.scrollbar.thumb.rollover.color = #4B3E42 -console.scrollbar.thumb.pressed.color = #4B3E42 -console.scrollbar.color = #16060B - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #1D1550 -editor.gradient.bottom = #330E1C - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #19123D - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #2F245F - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #69404D -editor.scrollbar.thumb.rollover.color = #613845 -editor.scrollbar.thumb.pressed.color = #613845 -editor.scrollbar.color = #431D29 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FFF2FF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #544587 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #BFA2FF - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #7664AA - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #1F0007 -errors.header.fgcolor = #A08E92 -errors.bgcolor = #280211 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #D7B2BC -errors.row.bgcolor = #280211 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #5E4BB4 -errors.selection.error.bgcolor = #0016CF -errors.selection.warning.bgcolor = #4A2430 -errors.indicator.error.color = #CEA7FF -errors.indicator.warning.color = #704652 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #241B57 -manager.tab.unselected.color = #150E3C -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #8777B0 -manager.tab.gradient.top = #0E002E -manager.tab.gradient.bottom = #0E002E - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #0E002E - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #330E1C -manager.categories.enabled.bgcolor = #976A77 -manager.categories.disabled.fgcolor = #461F2C -manager.categories.disabled.bgcolor = #976A77 -manager.categories.selected.fgcolor = #211F90 -manager.categories.selected.bgcolor = #E3C1FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #493B7C -manager.scrollbar.thumb.rollover.color = #5B4B8E -manager.scrollbar.thumb.pressed.color = #5B4B8E -manager.scrollbar.color = #291F5C - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #9885CB -manager.search.background.color = #060032 -manager.search.caret.color = #C3A6FF -manager.search.placeholder.color = #9885CB -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #2B2177 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #241B57 -manager.list.header.fgcolor = #DABDFF -manager.list.header.bgcolor = #312664 -manager.list.section.color = #241B57 -manager.list.selection.color = #946875 -manager.list.icon.color = #DAB6FF -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #DAB9FF -manager.list.incompatible.selection.color = #45396C -manager.list.incompatible.text.color = #8D82A5 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #633A47 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #E3C1FF -manager.panel.foundation.color = #F0CAFF - -manager.button.enabled.background.color = #461F2C -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #E3C1FF -manager.button.pressed.background.color = #2A0513 -manager.button.pressed.text.color = #E3C1FF -manager.button.pressed.icon.color = #E3C1FF -manager.button.disabled.background.color = #542D39 -manager.button.disabled.text.color = #B5A6AA -manager.button.disabled.icon.color = #B5A6AA - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #BA9BFF -manager.progress.incomplete.fgcolor = #B5A6AA -manager.progress.incomplete.bgcolor = #2A0513 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #CBC2DF -theme_selector.combo_box.enabled.bgcolor = #332C43 -theme_selector.combo_box.disabled.fgcolor = #625A74 -theme_selector.combo_box.disabled.bgcolor = #332C43 -theme_selector.combo_box.selected.fgcolor = #00004E -theme_selector.combo_box.selected.bgcolor = #8D74E4 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #787580 -theme_selector.link.color = #D2B3FF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #F08F99,plain -editor.token.function2.style = #F08F99,plain -editor.token.function3.style = #00B9FF,plain -editor.token.function4.style = #F08F99,bold - -editor.token.keyword1.style = #DA0045,plain -editor.token.keyword2.style = #DA0045,plain -editor.token.keyword3.style = #00B9FF,plain -editor.token.keyword4.style = #E03500,plain -editor.token.keyword5.style = #9DB600,plain -editor.token.keyword6.style = #DA0045,plain - -editor.token.literal1.style = #5372CE,plain -editor.token.literal2.style = #8100F1,plain - -editor.token.operator.style = #F08F99,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #9DB600 -editor.completion.field.color = #8100F1 -editor.completion.local.color = #F08F99 -editor.completion.method.color = #DA0045 diff --git a/tools/Java/lib/theme/Alloys/brahin.txt b/tools/Java/lib/theme/Alloys/brahin.txt deleted file mode 100644 index 278fa6e..0000000 --- a/tools/Java/lib/theme/Alloys/brahin.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #86A100 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #0A1900 -toolbar.gradient.bottom = #0A1900 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #8C9C85 -# stolen from gradient bottom -mode.background.color = #0A1900 -mode.outline.color = #697862 - -mode.popup.enabled.fgcolor = #A7ADA5 -mode.popup.enabled.bgcolor = #000600 -mode.popup.disabled.fgcolor = #50554D -mode.popup.disabled.bgcolor = #000600 -mode.popup.selected.fgcolor = #F3FFEB -mode.popup.selected.bgcolor = #0A1900 - -toolbar.button.disabled.field = #1C2917 -toolbar.button.disabled.glyph = #0A1900 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #86A100 -toolbar.button.enabled.glyph = #001C00 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #001600 -toolbar.button.pressed.glyph = #C2D31C -toolbar.button.pressed.stroke = #C2D31C -toolbar.button.rollover.field = #C2D31C -toolbar.button.rollover.glyph = #001C00 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #2C5500 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #171C00 -status.notice.bgcolor = #6E7949 -status.error.fgcolor = #293700 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #86A100 -status.warning.fgcolor = #242500 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #9BB500 -header.text.unselected.color = #4C5448 -header.tab.arrow.color = #4C5448 -header.tab.selected.color = #000A00 -header.tab.unselected.color = #031100 -header.tab.modified.color = #FFFFFE -header.gradient.top = #0A1900 -header.gradient.bottom = #0A1900 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #A9B188 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #A9B188 -footer.gradient.top = #3B4320 -footer.gradient.bottom = #3B4320 -footer.tab.selected.color = #666E49 -footer.tab.enabled.color = #3B4320 -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #000500 -footer.updates.indicator.text.color = #FBFFD7 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #1F1F1F -# color of System.out text -console.output.color = #9A9D90 -# text color for errors printed in the console -console.error.color = #A6C600 - -console.scrollbar.thumb.enabled.color = #4C4F43 -console.scrollbar.thumb.rollover.color = #4C4F43 -console.scrollbar.thumb.pressed.color = #4C4F43 -console.scrollbar.color = #18190F - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #0A1900 -editor.gradient.bottom = #3B4320 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #1D1A00 - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #283000 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #666E49 -editor.scrollbar.thumb.rollover.color = #5B633E -editor.scrollbar.thumb.pressed.color = #5B633E -editor.scrollbar.color = #47502C - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FBFFD7 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #3D4B37 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #86A100 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #919972 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #101400 -errors.header.fgcolor = #959788 -errors.bgcolor = #1E2500 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #BFC5A5 -errors.row.bgcolor = #1E2500 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #456200 -errors.selection.error.bgcolor = #006400 -errors.selection.warning.bgcolor = #3E4623 -errors.indicator.error.color = #00F100 -errors.indicator.warning.color = #626A45 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #1C2917 -manager.tab.unselected.color = #0E1907 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #778472 -manager.tab.gradient.top = #000A00 -manager.tab.gradient.bottom = #000A00 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #000A00 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #191E00 -manager.categories.enabled.bgcolor = #727A54 -manager.categories.disabled.fgcolor = #262F0D -manager.categories.disabled.bgcolor = #727A54 -manager.categories.selected.fgcolor = #293B00 -manager.categories.selected.bgcolor = #CCE300 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #3B4935 -manager.scrollbar.thumb.rollover.color = #4B5A45 -manager.scrollbar.thumb.pressed.color = #4B5A45 -manager.scrollbar.color = #202D1B - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #86957F -manager.search.background.color = #000600 -manager.search.caret.color = #ACC400 -manager.search.placeholder.color = #86957F -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #0A3800 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #1C2917 -manager.list.header.fgcolor = #ABDB99 -manager.list.header.bgcolor = #263321 -manager.list.section.color = #1C2917 -manager.list.selection.color = #707852 -manager.list.icon.color = #C1DB00 -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #C3DB00 -manager.list.incompatible.selection.color = #394435 -manager.list.incompatible.text.color = #828A7F - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #414A26 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #CCE300 -manager.panel.foundation.color = #D7F100 - -manager.button.enabled.background.color = #262F0D -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #CCE300 -manager.button.pressed.background.color = #111600 -manager.button.pressed.text.color = #CCE300 -manager.button.pressed.icon.color = #CCE300 -manager.button.disabled.background.color = #343C1A -manager.button.disabled.text.color = #A9AB9F -manager.button.disabled.icon.color = #A9AB9F - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #A2BC00 -manager.progress.incomplete.fgcolor = #A9AB9F -manager.progress.incomplete.bgcolor = #111600 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C8C99D -theme_selector.combo_box.enabled.bgcolor = #2F320E -theme_selector.combo_box.disabled.fgcolor = #5F6039 -theme_selector.combo_box.disabled.bgcolor = #2F320E -theme_selector.combo_box.selected.fgcolor = #001300 -theme_selector.combo_box.selected.bgcolor = #548D43 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #787767 -theme_selector.link.color = #BBD200 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #3ABDAF,plain -editor.token.function2.style = #3ABDAF,plain -editor.token.function3.style = #00B9FF,plain -editor.token.function4.style = #3ABDAF,bold - -editor.token.keyword1.style = #008593,plain -editor.token.keyword2.style = #008593,plain -editor.token.keyword3.style = #00B9FF,plain -editor.token.keyword4.style = #7B60E5,plain -editor.token.keyword5.style = #FF50E2,plain -editor.token.keyword6.style = #008593,plain - -editor.token.literal1.style = #1E890A,plain -editor.token.literal2.style = #006A17,plain - -editor.token.operator.style = #3ABDAF,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #FF50E2 -editor.completion.field.color = #006A17 -editor.completion.local.color = #3ABDAF -editor.completion.method.color = #008593 diff --git a/tools/Java/lib/theme/Alloys/esquel.txt b/tools/Java/lib/theme/Alloys/esquel.txt deleted file mode 100644 index 3164136..0000000 --- a/tools/Java/lib/theme/Alloys/esquel.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #771F23 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #F61F3F -toolbar.gradient.bottom = #F61F3F - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #8F0000 -# stolen from gradient bottom -mode.background.color = #F61F3F -mode.outline.color = #A8000C - -mode.popup.enabled.fgcolor = #6C2C2B -mode.popup.enabled.bgcolor = #FFD1CA -mode.popup.disabled.fgcolor = #C57A75 -mode.popup.disabled.bgcolor = #FFD1CA -mode.popup.selected.fgcolor = #540000 -mode.popup.selected.bgcolor = #F61F3F - -toolbar.button.disabled.field = #DC002D -toolbar.button.disabled.glyph = #C2001C -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #C51530 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #A4001A -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #420000 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #420000 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #150F2A -status.notice.bgcolor = #72688A -status.error.fgcolor = #FF7D80 -status.error.bgcolor = #000000 -status.warning.bgcolor = #771F23 -status.warning.fgcolor = #FFA29D - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #6D0415 -header.text.unselected.color = #9D2F33 -header.tab.arrow.color = #9D2F33 -header.tab.selected.color = #FFAEA7 -header.tab.unselected.color = #FF8682 -header.tab.modified.color = #000000 -header.gradient.top = #F61F3F -header.gradient.bottom = #F61F3F - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #413A53 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #413A53 -footer.gradient.top = #A49CB9 -footer.gradient.bottom = #A49CB9 -footer.tab.selected.color = #79718D -footer.tab.enabled.color = #A49CB9 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFFAFF -footer.updates.indicator.text.color = #07001A - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #292631 -# color of System.out text -console.output.color = #A39FAD -# text color for errors printed in the console -console.error.color = #FF2B5D - -console.scrollbar.thumb.enabled.color = #595561 -console.scrollbar.thumb.rollover.color = #595561 -console.scrollbar.thumb.pressed.color = #595561 -console.scrollbar.color = #221F2A - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #F61F3F -editor.gradient.bottom = #A49CB9 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #FFE7E4 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #F4CAC6 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #79718D -editor.scrollbar.thumb.rollover.color = #6D6580 -editor.scrollbar.thumb.pressed.color = #6D6580 -editor.scrollbar.color = #978FAC - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #540000 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #CA0022 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #771F23 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #4C455E - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #241F30 -errors.header.fgcolor = #A09CA7 -errors.bgcolor = #514963 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #D3CCE3 -errors.row.bgcolor = #514963 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #69617C -errors.selection.error.bgcolor = #CB5B58 -errors.selection.warning.bgcolor = #756D89 -errors.indicator.error.color = #FFBAB3 -errors.indicator.warning.color = #9C94B1 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #FFAEA7 -manager.tab.unselected.color = #FF6D6C -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #9E0021 -manager.tab.gradient.top = #D30027 -manager.tab.gradient.bottom = #D30027 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #D30027 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #D4CBEA -manager.categories.enabled.bgcolor = #2D273E -manager.categories.disabled.fgcolor = #4A435D -manager.categories.disabled.bgcolor = #2D273E -manager.categories.selected.fgcolor = #78000B -manager.categories.selected.bgcolor = #FFA9A3 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #FF8480 -manager.scrollbar.thumb.rollover.color = #FF6F6D -manager.scrollbar.thumb.pressed.color = #FF6F6D -manager.scrollbar.color = #FFA8A2 - -manager.search.text.color = #000000 -manager.search.icon.color = #B12933 -manager.search.background.color = #FF8782 -manager.search.caret.color = #5F0511 -manager.search.placeholder.color = #B12933 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #FA4E55 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #FFAEA7 -manager.list.header.fgcolor = #7B0000 -manager.list.header.bgcolor = #FF9F9A -manager.list.section.color = #FFAEA7 -manager.list.selection.color = #9991AD -manager.list.icon.color = #6F0000 -manager.list.text.color = #000000 -manager.list.foundation.color = #6D0000 -manager.list.incompatible.selection.color = #FFA19A -manager.list.incompatible.text.color = #A25E5A - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #433D56 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFA9A3 -manager.panel.foundation.color = #FFA9A4 - -manager.button.enabled.background.color = #2B253C -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFA9A3 -manager.button.pressed.background.color = #140E24 -manager.button.pressed.text.color = #FFA9A3 -manager.button.pressed.icon.color = #FFA9A3 -manager.button.disabled.background.color = #373049 -manager.button.disabled.text.color = #A9A6AF -manager.button.disabled.icon.color = #A9A6AF - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FF817D -manager.progress.incomplete.fgcolor = #A9A6AF -manager.progress.incomplete.bgcolor = #140E24 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #DCC0BD -theme_selector.combo_box.enabled.bgcolor = #402B29 -theme_selector.combo_box.disabled.fgcolor = #705856 -theme_selector.combo_box.disabled.bgcolor = #402B29 -theme_selector.combo_box.selected.fgcolor = #5C0000 -theme_selector.combo_box.selected.bgcolor = #FF0037 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #7F7473 -theme_selector.link.color = #FFA9A3 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Alloys/gancedo.txt b/tools/Java/lib/theme/Alloys/gancedo.txt deleted file mode 100644 index cb640b1..0000000 --- a/tools/Java/lib/theme/Alloys/gancedo.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #E46000 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #5B1937 -toolbar.gradient.bottom = #5B1937 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #DD90AD -# stolen from gradient bottom -mode.background.color = #5B1937 -mode.outline.color = #BB718D - -mode.popup.enabled.fgcolor = #C3A6B0 -mode.popup.enabled.bgcolor = #1D010E -mode.popup.disabled.fgcolor = #6A5059 -mode.popup.disabled.bgcolor = #1D010E -mode.popup.selected.fgcolor = #FFE8FF -mode.popup.selected.bgcolor = #5B1937 - -toolbar.button.disabled.field = #702D49 -toolbar.button.disabled.glyph = #5B1937 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #E46000 -toolbar.button.enabled.glyph = #610033 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #480020 -toolbar.button.pressed.glyph = #FFA022 -toolbar.button.pressed.stroke = #FFA022 -toolbar.button.rollover.field = #FFA022 -toolbar.button.rollover.glyph = #610033 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #A30000 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #6A0003 -status.notice.bgcolor = #EB0060 -status.error.fgcolor = #6C0000 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #E46000 -status.warning.fgcolor = #520000 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #FF7600 -header.text.unselected.color = #885D6D -header.tab.arrow.color = #885D6D -header.tab.selected.color = #2A0013 -header.tab.unselected.color = #3B0D22 -header.tab.modified.color = #FFFFFE -header.gradient.top = #5B1937 -header.gradient.bottom = #5B1937 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #FF5D9D -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #FF5D9D -footer.gradient.top = #8B002C -footer.gradient.bottom = #8B002C -footer.tab.selected.color = #C80058 -footer.tab.enabled.color = #8B002C -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #4E0000 -footer.updates.indicator.text.color = #FFBDF4 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #201517 -# color of System.out text -console.output.color = #A59598 -# text color for errors printed in the console -console.error.color = #FF8900 - -console.scrollbar.thumb.enabled.color = #544648 -console.scrollbar.thumb.rollover.color = #544648 -console.scrollbar.thumb.pressed.color = #544648 -console.scrollbar.color = #1D1114 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #5B1937 -editor.gradient.bottom = #8B002C - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #440900 - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #621B00 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #C80058 -editor.scrollbar.thumb.rollover.color = #BB004E -editor.scrollbar.thumb.pressed.color = #BB004E -editor.scrollbar.color = #9D0038 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FFE8FF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #8F4965 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #E46000 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #B96F8C - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #480006 -errors.header.fgcolor = #C68191 -errors.bgcolor = #6B0017 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FF92B8 -errors.row.bgcolor = #6B0017 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #9B2100 -errors.selection.error.bgcolor = #B60057 -errors.selection.warning.bgcolor = #990035 -errors.indicator.error.color = #FF71E0 -errors.indicator.warning.color = #C70057 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #5B1937 -manager.tab.unselected.color = #3A0820 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #AE7389 -manager.tab.gradient.top = #2A0013 -manager.tab.gradient.bottom = #2A0013 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #2A0013 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #550019 -manager.categories.enabled.bgcolor = #D65D80 -manager.categories.disabled.fgcolor = #6E002C -manager.categories.disabled.bgcolor = #D65D80 -manager.categories.selected.fgcolor = #7B0000 -manager.categories.selected.bgcolor = #FFB000 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #7E3A56 -manager.scrollbar.thumb.rollover.color = #904A66 -manager.scrollbar.thumb.pressed.color = #904A66 -manager.scrollbar.color = #601E3C - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #C27B96 -manager.search.background.color = #2A0008 -manager.search.caret.color = #FF9000 -manager.search.placeholder.color = #C27B96 -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #660037 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #5B1937 -manager.list.header.fgcolor = #FFAFDB -manager.list.header.bgcolor = #682543 -manager.list.section.color = #5B1937 -manager.list.selection.color = #CC5477 -manager.list.icon.color = #FFA600 -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #FFA800 -manager.list.incompatible.selection.color = #723C51 -manager.list.incompatible.text.color = #AA8692 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #9B254F -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFB000 -manager.panel.foundation.color = #FFB900 - -manager.button.enabled.background.color = #72002F -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFB000 -manager.button.pressed.background.color = #4A0010 -manager.button.pressed.text.color = #FFB000 -manager.button.pressed.icon.color = #FFB000 -manager.button.disabled.background.color = #870A3E -manager.button.disabled.text.color = #CBA5AD -manager.button.disabled.icon.color = #CBA5AD - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FF8D00 -manager.progress.incomplete.fgcolor = #CBA5AD -manager.progress.incomplete.bgcolor = #4A0010 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #EABD9D -theme_selector.combo_box.enabled.bgcolor = #47280F -theme_selector.combo_box.disabled.fgcolor = #7B563A -theme_selector.combo_box.disabled.bgcolor = #47280F -theme_selector.combo_box.selected.fgcolor = #39000D -theme_selector.combo_box.selected.bgcolor = #E1699B - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #847368 -theme_selector.link.color = #FF9E00 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #CE94F0,plain -editor.token.function2.style = #CE94F0,plain -editor.token.function3.style = #FF0362,plain -editor.token.function4.style = #CE94F0,bold - -editor.token.keyword1.style = #654FED,plain -editor.token.keyword2.style = #654FED,plain -editor.token.keyword3.style = #FF0362,plain -editor.token.keyword4.style = #0087E4,plain -editor.token.keyword5.style = #00D3FF,plain -editor.token.keyword6.style = #654FED,plain - -editor.token.literal1.style = #BA5094,plain -editor.token.literal2.style = #CE0032,plain - -editor.token.operator.style = #CE94F0,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #00D3FF -editor.completion.field.color = #CE0032 -editor.completion.local.color = #CE94F0 -editor.completion.method.color = #654FED diff --git a/tools/Java/lib/theme/Alloys/hoba.txt b/tools/Java/lib/theme/Alloys/hoba.txt deleted file mode 100644 index 795a014..0000000 --- a/tools/Java/lib/theme/Alloys/hoba.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #6D2E00 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #FFD384 -toolbar.gradient.bottom = #FFD384 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #7D4700 -# stolen from gradient bottom -mode.background.color = #FFD384 -mode.outline.color = #A4681D - -mode.popup.enabled.fgcolor = #584029 -mode.popup.enabled.bgcolor = #FFF4D6 -mode.popup.disabled.fgcolor = #B2957A -mode.popup.disabled.bgcolor = #FFF4D6 -mode.popup.selected.fgcolor = #310000 -mode.popup.selected.bgcolor = #FFD384 - -toolbar.button.disabled.field = #FFBD6F -toolbar.button.disabled.glyph = #EDA75B -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #E4A35D -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #AE7430 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #994700 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #994700 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #580000 -status.notice.bgcolor = #CC4800 -status.error.fgcolor = #FFAF2A -status.error.bgcolor = #000000 -status.warning.bgcolor = #6D2E00 -status.warning.fgcolor = #FFC679 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #602000 -header.text.unselected.color = #BB9064 -header.tab.arrow.color = #BB9064 -header.tab.selected.color = #FFECB1 -header.tab.unselected.color = #FFE4A8 -header.tab.modified.color = #000000 -header.gradient.top = #FFD384 -header.gradient.bottom = #FFD384 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #7F1E00 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #7F1E00 -footer.gradient.top = #FF8B51 -footer.gradient.bottom = #FF8B51 -footer.tab.selected.color = #C95D26 -footer.tab.enabled.color = #FF8B51 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFDE9F -footer.updates.indicator.text.color = #3E0000 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #32251F -# color of System.out text -console.output.color = #AF9E96 -# text color for errors printed in the console -console.error.color = #FF9900 - -console.scrollbar.thumb.enabled.color = #63544D -console.scrollbar.thumb.rollover.color = #63544D -console.scrollbar.thumb.pressed.color = #63544D -console.scrollbar.color = #2B1E18 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #FFD384 -editor.gradient.bottom = #FF8B51 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #FFECD8 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #E9D0B9 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #C95D26 -editor.scrollbar.thumb.rollover.color = #B94F18 -editor.scrollbar.thumb.pressed.color = #B94F18 -editor.scrollbar.color = #F07D44 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #3E0000 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #D9964A - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #6D2E00 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #B4762B - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #4E0700 -errors.header.fgcolor = #C4947E -errors.bgcolor = #943000 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FFB98B -errors.row.bgcolor = #943000 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #E9773E -errors.selection.error.bgcolor = #A97A48 -errors.selection.warning.bgcolor = #C2561F -errors.indicator.error.color = #FFD49E -errors.indicator.warning.color = #F17D44 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #FFECB1 -manager.tab.unselected.color = #FFC88E -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #875A26 -manager.tab.gradient.top = #E7A256 -manager.tab.gradient.bottom = #E7A256 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #E7A256 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #FFC082 -manager.categories.enabled.bgcolor = #B94F17 -manager.categories.disabled.fgcolor = #A63F05 -manager.categories.disabled.bgcolor = #B94F17 -manager.categories.selected.fgcolor = #5C2800 -manager.categories.selected.bgcolor = #FFD681 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #F7BE85 -manager.scrollbar.thumb.rollover.color = #DFA870 -manager.scrollbar.thumb.pressed.color = #DFA870 -manager.scrollbar.color = #FFE6AB - -manager.search.text.color = #000000 -manager.search.icon.color = #805524 -manager.search.background.color = #F9C38C -manager.search.caret.color = #5C1F00 -manager.search.placeholder.color = #805524 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #D49247 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #FFECB1 -manager.list.header.fgcolor = #522200 -manager.list.header.bgcolor = #FFDEA3 -manager.list.section.color = #FFECB1 -manager.list.selection.color = #FB864C -manager.list.icon.color = #601700 -manager.list.text.color = #000000 -manager.list.foundation.color = #532100 -manager.list.incompatible.selection.color = #FFD3A4 -manager.list.incompatible.text.color = #93785F - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #D76931 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFD681 -manager.panel.foundation.color = #FFDA6F - -manager.button.enabled.background.color = #922E00 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFD681 -manager.button.pressed.background.color = #530000 -manager.button.pressed.text.color = #FFD681 -manager.button.pressed.icon.color = #FFD681 -manager.button.disabled.background.color = #B44B14 -manager.button.disabled.text.color = #E1B8A6 -manager.button.disabled.icon.color = #E1B8A6 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FFBE6A -manager.progress.incomplete.fgcolor = #E1B8A6 -manager.progress.incomplete.bgcolor = #530000 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #DDC1A8 -theme_selector.combo_box.enabled.bgcolor = #3F2C18 -theme_selector.combo_box.disabled.fgcolor = #705A44 -theme_selector.combo_box.disabled.bgcolor = #3F2C18 -theme_selector.combo_box.selected.fgcolor = #390000 -theme_selector.combo_box.selected.bgcolor = #FFCE64 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #7F756C -theme_selector.link.color = #FFB349 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Alloys/imilac.txt b/tools/Java/lib/theme/Alloys/imilac.txt deleted file mode 100644 index 9cc03ae..0000000 --- a/tools/Java/lib/theme/Alloys/imilac.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #005592 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #BDD4FF -toolbar.gradient.bottom = #BDD4FF - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #2B4F90 -# stolen from gradient bottom -mode.background.color = #BDD4FF -mode.outline.color = #516EB3 - -mode.popup.enabled.fgcolor = #3D445B -mode.popup.enabled.bgcolor = #F0F6FF -mode.popup.disabled.fgcolor = #9298B3 -mode.popup.disabled.bgcolor = #F0F6FF -mode.popup.selected.fgcolor = #00003B -mode.popup.selected.bgcolor = #BDD4FF - -toolbar.button.disabled.field = #A6BEFF -toolbar.button.disabled.glyph = #90A8F3 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #00ADFF -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #0081ED -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #0059A5 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #0059A5 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #464646 -status.notice.bgcolor = #ABABAB -status.error.fgcolor = #FFFFFE -status.error.bgcolor = #C40000 -status.warning.bgcolor = #005592 -status.warning.fgcolor = #72DFFF - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #004586 -header.text.unselected.color = #848FBB -header.tab.arrow.color = #848FBB -header.tab.selected.color = #E4F2FF -header.tab.unselected.color = #D8E6FF -header.tab.modified.color = #000000 -header.gradient.top = #BDD4FF -header.gradient.bottom = #BDD4FF - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #5E5E5E -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #5E5E5E -footer.gradient.top = #FFFFFE -footer.gradient.bottom = #FFFFFE -footer.tab.selected.color = #B8B8B8 -footer.tab.enabled.color = #FFFFFE -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFFFFE -footer.updates.indicator.text.color = #000000 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #323232 -# color of System.out text -console.output.color = #A6A6A6 -# text color for errors printed in the console -console.error.color = #00C3FF - -console.scrollbar.thumb.enabled.color = #606060 -console.scrollbar.thumb.rollover.color = #606060 -console.scrollbar.thumb.pressed.color = #606060 -console.scrollbar.color = #292929 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #BDD4FF -editor.gradient.bottom = #FFFFFE - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #E4F1FF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #C6D5EF - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #B8B8B8 -editor.scrollbar.thumb.rollover.color = #A4A4A4 -editor.scrollbar.thumb.pressed.color = #A4A4A4 -editor.scrollbar.color = #E9E9E9 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #00003B - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #809AE3 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FF002C -# squiggly line underneath warnings -editor.warning.underline.color = #005592 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #BE0000 -editor.column.warning.color = #9D9D9D - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #303030 -errors.header.fgcolor = #A5A5A5 -errors.bgcolor = #767676 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #DBDBDB -errors.row.bgcolor = #767676 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #A5A5A5 -errors.selection.error.bgcolor = #0048E1 -errors.selection.warning.bgcolor = #525252 -errors.indicator.error.color = #25C9FF -errors.indicator.warning.color = #303030 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #E4F2FF -manager.tab.unselected.color = #BCCBFF -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #4D5F92 -manager.tab.gradient.top = #8CA5F0 -manager.tab.gradient.bottom = #8CA5F0 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #8CA5F0 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #DEDEDE -manager.categories.enabled.bgcolor = #676767 -manager.categories.disabled.fgcolor = #5D5D5D -manager.categories.disabled.bgcolor = #676767 -manager.categories.selected.fgcolor = #003B89 -manager.categories.selected.bgcolor = #95E8FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #B6C5FE -manager.scrollbar.thumb.rollover.color = #A0AFE7 -manager.scrollbar.thumb.pressed.color = #A0AFE7 -manager.scrollbar.color = #DEEDFF - -manager.search.text.color = #000000 -manager.search.icon.color = #4C5C8C -manager.search.background.color = #BAC8FF -manager.search.caret.color = #00346C -manager.search.placeholder.color = #4C5C8C -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #7E9BEB - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #E4F2FF -manager.list.header.fgcolor = #002E71 -manager.list.header.bgcolor = #D5E4FF -manager.list.section.color = #E4F2FF -manager.list.selection.color = #A4A4A4 -manager.list.icon.color = #003485 -manager.list.text.color = #000000 -manager.list.foundation.color = #003480 -manager.list.incompatible.selection.color = #CCD7FF -manager.list.incompatible.text.color = #757B94 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #808080 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #95E8FF -manager.panel.foundation.color = #7AF3FF - -manager.button.enabled.background.color = #4B4B4B -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #95E8FF -manager.button.pressed.background.color = #1C1C1C -manager.button.pressed.text.color = #95E8FF -manager.button.pressed.icon.color = #95E8FF -manager.button.disabled.background.color = #656565 -manager.button.disabled.text.color = #BEBEBE -manager.button.disabled.icon.color = #BEBEBE - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #77CFFF -manager.progress.incomplete.fgcolor = #BEBEBE -manager.progress.incomplete.bgcolor = #1C1C1C - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #BDC6D8 -theme_selector.combo_box.enabled.bgcolor = #27303E -theme_selector.combo_box.disabled.fgcolor = #555E6E -theme_selector.combo_box.disabled.bgcolor = #27303E -theme_selector.combo_box.selected.fgcolor = #000054 -theme_selector.combo_box.selected.bgcolor = #A9D3FF - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #73777D -theme_selector.link.color = #94C9FF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Alloys/jepara.txt b/tools/Java/lib/theme/Alloys/jepara.txt deleted file mode 100644 index 9887380..0000000 --- a/tools/Java/lib/theme/Alloys/jepara.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #001786 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #726ACC -toolbar.gradient.bottom = #726ACC - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #19257B -# stolen from gradient bottom -mode.background.color = #726ACC -mode.outline.color = #32358E - -mode.popup.enabled.fgcolor = #413C5C -mode.popup.enabled.bgcolor = #E7DFFF -mode.popup.disabled.fgcolor = #9089AE -mode.popup.disabled.bgcolor = #E7DFFF -mode.popup.selected.fgcolor = #000049 -mode.popup.selected.bgcolor = #726ACC - -toolbar.button.disabled.field = #5C56B6 -toolbar.button.disabled.glyph = #4544A0 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #5953A9 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #3D3C8E -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #000078 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #000078 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #730000 -status.notice.bgcolor = #F21400 -status.error.fgcolor = #BDB1FF -status.error.bgcolor = #000000 -status.warning.bgcolor = #001786 -status.warning.fgcolor = #D0C1FF - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #001183 -header.text.unselected.color = #524B82 -header.tab.arrow.color = #524B82 -header.tab.selected.color = #DED1FF -header.tab.unselected.color = #B4A7F6 -header.tab.modified.color = #000000 -header.gradient.top = #726ACC -header.gradient.bottom = #726ACC - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #990000 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #990000 -footer.gradient.top = #FF7D46 -footer.gradient.bottom = #FF7D46 -footer.tab.selected.color = #EB4A16 -footer.tab.enabled.color = #FF7D46 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFCB8C -footer.updates.indicator.text.color = #4C0000 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #241610 -# color of System.out text -console.output.color = #AA958F -# text color for errors printed in the console -console.error.color = #979CFF - -console.scrollbar.thumb.enabled.color = #584641 -console.scrollbar.thumb.rollover.color = #584641 -console.scrollbar.thumb.pressed.color = #584641 -console.scrollbar.color = #21120B - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #726ACC -editor.gradient.bottom = #FF7D46 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #F3EDFF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #D6D0EF - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #EB4A16 -editor.scrollbar.thumb.rollover.color = #D93904 -editor.scrollbar.thumb.pressed.color = #D93904 -editor.scrollbar.color = #FF6E38 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #000049 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #4F4CA9 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #001786 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #B40E00 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #5F0000 -errors.header.fgcolor = #D28F78 -errors.bgcolor = #B00300 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FFAD7F -errors.row.bgcolor = #B00300 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #C52500 -errors.selection.error.bgcolor = #887EC4 -errors.selection.warning.bgcolor = #E0400C -errors.indicator.error.color = #E3D6FF -errors.indicator.warning.color = #FF6B36 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #DED1FF -manager.tab.unselected.color = #9C90DD -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #474286 -manager.tab.gradient.top = #5652B0 -manager.tab.gradient.bottom = #5652B0 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #5652B0 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #FFA471 -manager.categories.enabled.bgcolor = #660000 -manager.categories.disabled.fgcolor = #8F0600 -manager.categories.disabled.bgcolor = #660000 -manager.categories.selected.fgcolor = #182783 -manager.categories.selected.bgcolor = #D5C5FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #B4A8F6 -manager.scrollbar.thumb.rollover.color = #A095E2 -manager.scrollbar.thumb.pressed.color = #A095E2 -manager.scrollbar.color = #D9CBFF - -manager.search.text.color = #000000 -manager.search.icon.color = #5D5598 -manager.search.background.color = #B4A8F2 -manager.search.caret.color = #001D8E -manager.search.placeholder.color = #5D5598 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #897EE2 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #DED1FF -manager.list.header.fgcolor = #0A1F76 -manager.list.header.bgcolor = #D0C3FF -manager.list.section.color = #DED1FF -manager.list.selection.color = #F3683B -manager.list.icon.color = #0019A1 -manager.list.text.color = #000000 -manager.list.foundation.color = #021F79 -manager.list.incompatible.selection.color = #C6BAFA -manager.list.incompatible.text.color = #726B8E - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #820000 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #D5C5FF -manager.panel.foundation.color = #E0D0FF - -manager.button.enabled.background.color = #660000 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #D5C5FF -manager.button.pressed.background.color = #4D0000 -manager.button.pressed.text.color = #D5C5FF -manager.button.pressed.icon.color = #D5C5FF -manager.button.disabled.background.color = #740000 -manager.button.disabled.text.color = #CA9B8B -manager.button.disabled.icon.color = #CA9B8B - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #A99DFF -manager.progress.incomplete.fgcolor = #CA9B8B -manager.progress.incomplete.bgcolor = #4D0000 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C9C2E4 -theme_selector.combo_box.enabled.bgcolor = #302C48 -theme_selector.combo_box.disabled.fgcolor = #5F5A78 -theme_selector.combo_box.disabled.bgcolor = #302C48 -theme_selector.combo_box.selected.fgcolor = #00005F -theme_selector.combo_box.selected.bgcolor = #6966E8 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #787582 -theme_selector.link.color = #C2B4FF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Alloys/mbozi.txt b/tools/Java/lib/theme/Alloys/mbozi.txt deleted file mode 100644 index 2c7bd13..0000000 --- a/tools/Java/lib/theme/Alloys/mbozi.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #8E0037 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #FF5791 -toolbar.gradient.bottom = #FF5791 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #8E0037 -# stolen from gradient bottom -mode.background.color = #FF5791 -mode.outline.color = #AA004C - -mode.popup.enabled.fgcolor = #653140 -mode.popup.enabled.bgcolor = #FFD9E8 -mode.popup.disabled.fgcolor = #BD808F -mode.popup.disabled.bgcolor = #FFD9E8 -mode.popup.selected.fgcolor = #470000 -mode.popup.selected.bgcolor = #FF5791 - -toolbar.button.disabled.field = #E73E7D -toolbar.button.disabled.glyph = #CE2069 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #BE5073 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #9A2F54 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #77001D -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #77001D -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #7C0000 -status.notice.bgcolor = #FA4B00 -status.error.fgcolor = #FF81C1 -status.error.bgcolor = #000000 -status.warning.bgcolor = #8E0037 -status.warning.fgcolor = #FFADD0 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #82002D -header.text.unselected.color = #A34864 -header.tab.arrow.color = #A34864 -header.tab.selected.color = #FFBCE0 -header.tab.unselected.color = #FF9CC0 -header.tab.modified.color = #000000 -header.gradient.top = #FF5791 -header.gradient.bottom = #FF5791 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #9B1500 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #9B1500 -footer.gradient.top = #FFA041 -footer.gradient.bottom = #FFA041 -footer.tab.selected.color = #F76800 -footer.tab.enabled.color = #FFA041 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFD372 -footer.updates.indicator.text.color = #490000 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #2E221C -# color of System.out text -console.output.color = #AD9D95 -# text color for errors printed in the console -console.error.color = #FF36B2 - -console.scrollbar.thumb.enabled.color = #60524B -console.scrollbar.thumb.rollover.color = #60524B -console.scrollbar.thumb.pressed.color = #60524B -console.scrollbar.color = #281C16 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #FF5791 -editor.gradient.bottom = #FFA041 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #FFE8EF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #F0CBD3 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #F76800 -editor.scrollbar.thumb.rollover.color = #E35800 -editor.scrollbar.thumb.pressed.color = #E35800 -editor.scrollbar.color = #FF8F2F - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #470000 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #CF226A - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #8E0037 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #C74100 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #5E0000 -errors.header.fgcolor = #D19472 -errors.bgcolor = #B43000 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FFB66F -errors.row.bgcolor = #B43000 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #D64D00 -errors.selection.error.bgcolor = #D77590 -errors.selection.warning.bgcolor = #E55900 -errors.indicator.error.color = #FFC4E0 -errors.indicator.warning.color = #FF8220 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #FFBCE0 -manager.tab.unselected.color = #FF83A7 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #98224F -manager.tab.gradient.top = #D92F71 -manager.tab.gradient.bottom = #D92F71 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #D92F71 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #FFB775 -manager.categories.enabled.bgcolor = #721B00 -manager.categories.disabled.fgcolor = #893000 -manager.categories.disabled.bgcolor = #721B00 -manager.categories.selected.fgcolor = #740031 -manager.categories.selected.bgcolor = #FFB0D5 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #FF91B5 -manager.scrollbar.thumb.rollover.color = #F97DA1 -manager.scrollbar.thumb.pressed.color = #F97DA1 -manager.scrollbar.color = #FFB7DA - -manager.search.text.color = #000000 -manager.search.icon.color = #A3355B -manager.search.background.color = #FF95B6 -manager.search.caret.color = #7C002B -manager.search.placeholder.color = #A3355B -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #F05E8D - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #FFBCE0 -manager.list.header.fgcolor = #740029 -manager.list.header.bgcolor = #FFAED2 -manager.list.section.color = #FFBCE0 -manager.list.selection.color = #E67D3E -manager.list.icon.color = #850029 -manager.list.text.color = #000000 -manager.list.foundation.color = #6A0029 -manager.list.incompatible.selection.color = #FFACC7 -manager.list.incompatible.text.color = #9C6472 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #8E3400 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFB0D5 -manager.panel.foundation.color = #FFB0E1 - -manager.button.enabled.background.color = #670F00 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFB0D5 -manager.button.pressed.background.color = #460000 -manager.button.pressed.text.color = #FFB0D5 -manager.button.pressed.icon.color = #FFB0D5 -manager.button.disabled.background.color = #7A2300 -manager.button.disabled.text.color = #CBA692 -manager.button.disabled.icon.color = #CBA692 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FF8CB1 -manager.progress.incomplete.fgcolor = #CBA692 -manager.progress.incomplete.bgcolor = #460000 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #E6BBC5 -theme_selector.combo_box.enabled.bgcolor = #47262F -theme_selector.combo_box.disabled.fgcolor = #79545D -theme_selector.combo_box.disabled.bgcolor = #47262F -theme_selector.combo_box.selected.fgcolor = #510000 -theme_selector.combo_box.selected.bgcolor = #FF4090 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #827376 -theme_selector.link.color = #FF8CC1 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Alloys/morito.txt b/tools/Java/lib/theme/Alloys/morito.txt deleted file mode 100644 index cfd7428..0000000 --- a/tools/Java/lib/theme/Alloys/morito.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #EA9EFF - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #4B2564 -toolbar.gradient.bottom = #4B2564 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #C597DF -# stolen from gradient bottom -mode.background.color = #4B2564 -mode.outline.color = #A579BF - -mode.popup.enabled.fgcolor = #B9A7C2 -mode.popup.enabled.bgcolor = #17041D -mode.popup.disabled.fgcolor = #615269 -mode.popup.disabled.bgcolor = #17041D -mode.popup.selected.fgcolor = #FFEDFF -mode.popup.selected.bgcolor = #4B2564 - -toolbar.button.disabled.field = #5F3878 -toolbar.button.disabled.glyph = #4B2564 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #EA9EFF -toolbar.button.enabled.glyph = #49116F -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #2F0056 -toolbar.button.pressed.glyph = #FFB6FF -toolbar.button.pressed.stroke = #FFB6FF -toolbar.button.rollover.field = #FFB6FF -toolbar.button.rollover.glyph = #49116F -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #870CD6 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #233741 -status.notice.bgcolor = #8399A5 -status.error.fgcolor = #4F00A5 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #EA9EFF -status.warning.fgcolor = #41008D - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #FBA8FF -header.text.unselected.color = #7D638B -header.tab.arrow.color = #7D638B -header.tab.selected.color = #1D012E -header.tab.unselected.color = #2E1440 -header.tab.modified.color = #FFFFFE -header.gradient.top = #4B2564 -header.gradient.bottom = #4B2564 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #B3C4CE -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #B3C4CE -footer.gradient.top = #5F6F78 -footer.gradient.bottom = #5F6F78 -footer.tab.selected.color = #80919B -footer.tab.enabled.color = #5F6F78 -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #00030F -footer.updates.indicator.text.color = #EFFFFF - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #202E35 -# color of System.out text -console.output.color = #96A6AF -# text color for errors printed in the console -console.error.color = #FF5FFF - -console.scrollbar.thumb.enabled.color = #4E5D65 -console.scrollbar.thumb.rollover.color = #4E5D65 -console.scrollbar.thumb.pressed.color = #4E5D65 -console.scrollbar.color = #19272D - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #4B2564 -editor.gradient.bottom = #5F6F78 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #2D1141 - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #482262 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #80919B -editor.scrollbar.thumb.rollover.color = #71828B -editor.scrollbar.thumb.pressed.color = #71828B -editor.scrollbar.color = #697982 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #EFFFFF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #7C5295 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #EA9EFF - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #BACBD5 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #101B20 -errors.header.fgcolor = #959B9E -errors.bgcolor = #293941 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #BDCAD2 -errors.row.bgcolor = #293941 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #9D57CB -errors.selection.error.bgcolor = #9A00FF -errors.selection.warning.bgcolor = #4B5B64 -errors.indicator.error.color = #FF90FF -errors.indicator.warning.color = #70818A - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #4B2564 -manager.tab.unselected.color = #2C113F -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #9B78AF -manager.tab.gradient.top = #1D012E -manager.tab.gradient.bottom = #1D012E - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #1D012E - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #112028 -manager.categories.enabled.bgcolor = #7D8E97 -manager.categories.disabled.fgcolor = #24343C -manager.categories.disabled.bgcolor = #7D8E97 -manager.categories.selected.fgcolor = #52008B -manager.categories.selected.bgcolor = #FFB6FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #6C4485 -manager.scrollbar.thumb.rollover.color = #7D5396 -manager.scrollbar.thumb.pressed.color = #7D5396 -manager.scrollbar.color = #502A69 - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #AA80C3 -manager.search.background.color = #1A002C -manager.search.caret.color = #E599FF -manager.search.placeholder.color = #AA80C3 -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #490F71 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #4B2564 -manager.list.header.fgcolor = #FDB7FF -manager.list.header.bgcolor = #573170 -manager.list.section.color = #4B2564 -manager.list.selection.color = #72838C -manager.list.icon.color = #FFA7FF -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #FFADFF -manager.list.incompatible.selection.color = #644477 -manager.list.incompatible.text.color = #A08AAB - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #4B5B64 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFB6FF -manager.panel.foundation.color = #FFB7FF - -manager.button.enabled.background.color = #293840 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFB6FF -manager.button.pressed.background.color = #08181F -manager.button.pressed.text.color = #FFB6FF -manager.button.pressed.icon.color = #FFB6FF -manager.button.disabled.background.color = #3A4952 -manager.button.disabled.text.color = #ACB1B4 -manager.button.disabled.icon.color = #ACB1B4 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #EB93FF -manager.progress.incomplete.fgcolor = #ACB1B4 -manager.progress.incomplete.bgcolor = #08181F - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #D3BFDD -theme_selector.combo_box.enabled.bgcolor = #392A42 -theme_selector.combo_box.disabled.fgcolor = #695872 -theme_selector.combo_box.disabled.bgcolor = #392A42 -theme_selector.combo_box.selected.fgcolor = #190048 -theme_selector.combo_box.selected.bgcolor = #BD75EC - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #7B747F -theme_selector.link.color = #F3A7FF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #CE94F0,plain -editor.token.function2.style = #CE94F0,plain -editor.token.function3.style = #00B068,plain -editor.token.function4.style = #CE94F0,bold - -editor.token.keyword1.style = #B813C0,plain -editor.token.keyword2.style = #B813C0,plain -editor.token.keyword3.style = #00B068,plain -editor.token.keyword4.style = #CC3D92,plain -editor.token.keyword5.style = #FF4144,plain -editor.token.keyword6.style = #B813C0,plain - -editor.token.literal1.style = #008DAF,plain -editor.token.literal2.style = #0071F0,plain - -editor.token.operator.style = #CE94F0,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #FF4144 -editor.completion.field.color = #0071F0 -editor.completion.local.color = #CE94F0 -editor.completion.method.color = #B813C0 diff --git a/tools/Java/lib/theme/Alloys/omolon.txt b/tools/Java/lib/theme/Alloys/omolon.txt deleted file mode 100644 index 391f2f6..0000000 --- a/tools/Java/lib/theme/Alloys/omolon.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #999EA6 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #242528 -toolbar.gradient.bottom = #242528 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #9EA0A3 -# stolen from gradient bottom -mode.background.color = #242528 -mode.outline.color = #7D7F82 - -mode.popup.enabled.fgcolor = #ACACAE -mode.popup.enabled.bgcolor = #07080A -mode.popup.disabled.fgcolor = #555556 -mode.popup.disabled.bgcolor = #07080A -mode.popup.selected.fgcolor = #FDFFFF -mode.popup.selected.bgcolor = #242528 - -toolbar.button.disabled.field = #353639 -toolbar.button.disabled.glyph = #242528 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #999EA6 -toolbar.button.enabled.glyph = #0A233A -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #00152B -toolbar.button.pressed.glyph = #B7CEF3 -toolbar.button.pressed.stroke = #B7CEF3 -toolbar.button.rollover.field = #B7CEF3 -toolbar.button.rollover.glyph = #0A233A -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #464C58 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #181D25 -status.notice.bgcolor = #747983 -status.error.fgcolor = #003AA5 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #999EA6 -status.warning.fgcolor = #002453 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #A5B1C4 -header.text.unselected.color = #5E5F61 -header.tab.arrow.color = #5E5F61 -header.tab.selected.color = #090B0E -header.tab.unselected.color = #171819 -header.tab.modified.color = #FFFFFE -header.gradient.top = #242528 -header.gradient.bottom = #242528 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #ABB0B9 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #ABB0B9 -footer.gradient.top = #42464E -footer.gradient.bottom = #42464E -footer.tab.selected.color = #6C7078 -footer.tab.enabled.color = #42464E -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #00000C -footer.updates.indicator.text.color = #FAFFFF - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #1A1F28 -# color of System.out text -console.output.color = #979DA8 -# text color for errors printed in the console -console.error.color = #00C5FF - -console.scrollbar.thumb.enabled.color = #4A5059 -console.scrollbar.thumb.rollover.color = #4A5059 -console.scrollbar.thumb.pressed.color = #4A5059 -console.scrollbar.color = #151B23 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #242528 -editor.gradient.bottom = #42464E - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #191B1E - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #2D2F34 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #6C7078 -editor.scrollbar.thumb.rollover.color = #60656D -editor.scrollbar.thumb.pressed.color = #60656D -editor.scrollbar.color = #4E535A - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FAFFFF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #535558 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #999EA6 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #999EA6 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #101318 -errors.header.fgcolor = #95969A -errors.bgcolor = #21252C -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #BFC3C9 -errors.row.bgcolor = #21252C -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #5A5E66 -errors.selection.error.bgcolor = #005CD6 -errors.selection.warning.bgcolor = #42464E -errors.indicator.error.color = #00D9FF -errors.indicator.warning.color = #666A72 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #242528 -manager.tab.unselected.color = #151618 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #7F8083 -manager.tab.gradient.top = #090B0E -manager.tab.gradient.bottom = #090B0E - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #090B0E - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #171B22 -manager.categories.enabled.bgcolor = #72777F -manager.categories.disabled.fgcolor = #282C33 -manager.categories.disabled.bgcolor = #72777F -manager.categories.selected.fgcolor = #20344C -manager.categories.selected.bgcolor = #C5D8F7 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #434548 -manager.scrollbar.thumb.rollover.color = #545559 -manager.scrollbar.thumb.pressed.color = #545559 -manager.scrollbar.color = #28292C - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #8E9093 -manager.search.background.color = #000004 -manager.search.caret.color = #B4B8C1 -manager.search.placeholder.color = #8E9093 -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #14314E - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #242528 -manager.list.header.fgcolor = #B8D0F5 -manager.list.header.bgcolor = #2E3033 -manager.list.section.color = #242528 -manager.list.selection.color = #70747C -manager.list.icon.color = #ACD1FF -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #BCD0EE -manager.list.incompatible.selection.color = #404143 -manager.list.incompatible.text.color = #878789 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #42464E -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #C5D8F7 -manager.panel.foundation.color = #B7E7FF - -manager.button.enabled.background.color = #282C33 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #C5D8F7 -manager.button.pressed.background.color = #0F131A -manager.button.pressed.text.color = #C5D8F7 -manager.button.pressed.icon.color = #C5D8F7 -manager.button.disabled.background.color = #353940 -manager.button.disabled.text.color = #A8AAAC -manager.button.disabled.icon.color = #A8AAAC - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #9EB1CF -manager.progress.incomplete.fgcolor = #A8AAAC -manager.progress.incomplete.bgcolor = #0F131A - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C5C6C8 -theme_selector.combo_box.enabled.bgcolor = #2F3032 -theme_selector.combo_box.disabled.fgcolor = #5D5E60 -theme_selector.combo_box.disabled.bgcolor = #2F3032 -theme_selector.combo_box.selected.fgcolor = #00032A -theme_selector.combo_box.selected.bgcolor = #6A8CB9 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #767677 -theme_selector.link.color = #C1C6CF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #EB90AD,plain -editor.token.function2.style = #EB90AD,plain -editor.token.function3.style = #00B5F8,plain -editor.token.function4.style = #EB90AD,bold - -editor.token.keyword1.style = #D4006B,plain -editor.token.keyword2.style = #D4006B,plain -editor.token.keyword3.style = #00B5F8,plain -editor.token.keyword4.style = #DD3632,plain -editor.token.keyword5.style = #F89300,plain -editor.token.keyword6.style = #D4006B,plain - -editor.token.literal1.style = #0083CD,plain -editor.token.literal2.style = #1A2CF1,plain - -editor.token.operator.style = #EB90AD,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #F89300 -editor.completion.field.color = #1A2CF1 -editor.completion.local.color = #EB90AD -editor.completion.method.color = #D4006B diff --git a/tools/Java/lib/theme/Alloys/order.txt b/tools/Java/lib/theme/Alloys/order.txt deleted file mode 100644 index cc928f1..0000000 --- a/tools/Java/lib/theme/Alloys/order.txt +++ /dev/null @@ -1,16 +0,0 @@ -jepara -gancedo -imilac -bacubirito -agpalilik -mbozi -seymchan -bondoc -esquel -omolon -armanty -brahin -morito -hoba -tagish -youxi diff --git a/tools/Java/lib/theme/Alloys/seymchan.txt b/tools/Java/lib/theme/Alloys/seymchan.txt deleted file mode 100644 index 8624cb5..0000000 --- a/tools/Java/lib/theme/Alloys/seymchan.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #004429 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #5FA200 -toolbar.gradient.bottom = #5FA200 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #114500 -# stolen from gradient bottom -mode.background.color = #5FA200 -mode.outline.color = #175C00 - -mode.popup.enabled.fgcolor = #364700 -mode.popup.enabled.bgcolor = #E1F1A3 -mode.popup.disabled.fgcolor = #88974F -mode.popup.disabled.bgcolor = #E1F1A3 -mode.popup.selected.fgcolor = #001600 -mode.popup.selected.bgcolor = #5FA200 - -toolbar.button.disabled.field = #478D00 -toolbar.button.disabled.glyph = #317800 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #008851 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #006835 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #002803 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #002803 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #002600 -status.notice.bgcolor = #00855D -status.error.fgcolor = #00E69A -status.error.bgcolor = #000000 -status.warning.bgcolor = #004429 -status.warning.fgcolor = #38EEB2 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #003A1C -header.text.unselected.color = #4C6D00 -header.tab.arrow.color = #4C6D00 -header.tab.selected.color = #CAF14B -header.tab.unselected.color = #A7CF24 -header.tab.modified.color = #000000 -header.gradient.top = #5FA200 -header.gradient.bottom = #5FA200 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #65BD99 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #65BD99 -footer.gradient.top = #004B2F -footer.gradient.bottom = #004B2F -footer.tab.selected.color = #1A7959 -footer.tab.enabled.color = #004B2F -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #001500 -footer.updates.indicator.text.color = #B7FFEA - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #1B2621 -# color of System.out text -console.output.color = #94A39C -# text color for errors printed in the console -console.error.color = #00DF7E - -console.scrollbar.thumb.enabled.color = #4A5751 -console.scrollbar.thumb.rollover.color = #4A5751 -console.scrollbar.thumb.pressed.color = #4A5751 -console.scrollbar.color = #15201B - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #5FA200 -editor.gradient.bottom = #004B2F - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #D8F7E9 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #B9DCCC - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #1A7959 -editor.scrollbar.thumb.rollover.color = #026D4E -editor.scrollbar.thumb.pressed.color = #026D4E -editor.scrollbar.color = #00593B - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #B7FFEA - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #347A00 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #004429 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #114800 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #001C00 -errors.header.fgcolor = #7F9C8F -errors.bgcolor = #002C13 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #8FCFB3 -errors.row.bgcolor = #002C13 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #006345 -errors.selection.error.bgcolor = #3A5700 -errors.selection.warning.bgcolor = #004F32 -errors.indicator.error.color = #C1DA6A -errors.indicator.warning.color = #127455 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #CAF14B -manager.tab.unselected.color = #8DB600 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #2F5C00 -manager.tab.gradient.top = #3C8200 -manager.tab.gradient.bottom = #3C8200 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #3C8200 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #8BE4BF -manager.categories.enabled.bgcolor = #004226 -manager.categories.disabled.fgcolor = #00583B -manager.categories.disabled.bgcolor = #004226 -manager.categories.selected.fgcolor = #00421A -manager.categories.selected.bgcolor = #54F2B9 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #9DC616 -manager.scrollbar.thumb.rollover.color = #88B100 -manager.scrollbar.thumb.pressed.color = #88B100 -manager.scrollbar.color = #C4EB45 - -manager.search.text.color = #000000 -manager.search.icon.color = #3F6A00 -manager.search.background.color = #A0C627 -manager.search.caret.color = #00381E -manager.search.placeholder.color = #3F6A00 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #6F9F00 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #CAF14B -manager.list.header.fgcolor = #183500 -manager.list.header.bgcolor = #BBE33C -manager.list.section.color = #CAF14B -manager.list.selection.color = #50A885 -manager.list.icon.color = #003913 -manager.list.text.color = #000000 -manager.list.foundation.color = #003913 -manager.list.incompatible.selection.color = #B7D557 -manager.list.incompatible.text.color = #6A7936 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #005A3C -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #54F2B9 -manager.panel.foundation.color = #03FFBE - -manager.button.enabled.background.color = #003A20 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #54F2B9 -manager.button.pressed.background.color = #002100 -manager.button.pressed.text.color = #54F2B9 -manager.button.pressed.icon.color = #54F2B9 -manager.button.disabled.background.color = #004A2E -manager.button.disabled.text.color = #9AB2A6 -manager.button.disabled.icon.color = #9AB2A6 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #18CB95 -manager.progress.incomplete.fgcolor = #9AB2A6 -manager.progress.incomplete.bgcolor = #002100 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #B6CBC1 -theme_selector.combo_box.enabled.bgcolor = #23332C -theme_selector.combo_box.disabled.fgcolor = #506259 -theme_selector.combo_box.disabled.bgcolor = #23332C -theme_selector.combo_box.selected.fgcolor = #001700 -theme_selector.combo_box.selected.bgcolor = #59A300 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #717875 -theme_selector.link.color = #7FD7B2 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Alloys/tagish.txt b/tools/Java/lib/theme/Alloys/tagish.txt deleted file mode 100644 index 780c39f..0000000 --- a/tools/Java/lib/theme/Alloys/tagish.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #ABABAB - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #635D5B -toolbar.gradient.bottom = #635D5B - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #C0BAB7 -# stolen from gradient bottom -mode.background.color = #635D5B -mode.outline.color = #A8A19F - -mode.popup.enabled.fgcolor = #B1AFAE -mode.popup.enabled.bgcolor = #141212 -mode.popup.disabled.fgcolor = #5D5B5A -mode.popup.disabled.bgcolor = #141212 -mode.popup.selected.fgcolor = #FFFDFB -mode.popup.selected.bgcolor = #635D5B - -toolbar.button.disabled.field = #76706E -toolbar.button.disabled.glyph = #635D5B -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #ABABAB -toolbar.button.enabled.glyph = #744637 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #471F12 -toolbar.button.pressed.glyph = #D4D4D4 -toolbar.button.pressed.stroke = #D4D4D4 -toolbar.button.rollover.field = #D4D4D4 -toolbar.button.rollover.glyph = #744637 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #525252 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #630000 -status.notice.bgcolor = #D96B46 -status.error.fgcolor = #303030 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #ABABAB -status.warning.fgcolor = #232323 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #BBBBBB -header.text.unselected.color = #8E8A89 -header.tab.arrow.color = #8E8A89 -header.tab.selected.color = #1A1615 -header.tab.unselected.color = #373332 -header.tab.modified.color = #FFFFFE -header.gradient.top = #635D5B -header.gradient.bottom = #635D5B - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #FFA381 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #FFA381 -footer.gradient.top = #97462A -footer.gradient.bottom = #97462A -footer.tab.selected.color = #C36B4D -footer.tab.enabled.color = #97462A -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #350000 -footer.updates.indicator.text.color = #FFE6C1 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #33241F -# color of System.out text -console.output.color = #B19D96 -# text color for errors printed in the console -console.error.color = #B8B8B8 - -console.scrollbar.thumb.enabled.color = #65534D -console.scrollbar.thumb.rollover.color = #65534D -console.scrollbar.thumb.pressed.color = #65534D -console.scrollbar.color = #2C1D18 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #635D5B -editor.gradient.bottom = #97462A - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #272727 - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #3D3D3D - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #C36B4D -editor.scrollbar.thumb.rollover.color = #B35D40 -editor.scrollbar.thumb.pressed.color = #B35D40 -editor.scrollbar.color = #A55134 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FFFDFB - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #888280 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #ABABAB - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #BEB7B5 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #390300 -errors.header.fgcolor = #B69084 -errors.bgcolor = #5F1500 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FFB49A -errors.row.bgcolor = #5F1500 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #6A6A6A -errors.selection.error.bgcolor = #D20000 -errors.selection.warning.bgcolor = #893A1F -errors.indicator.error.color = #FF843A -errors.indicator.warning.color = #B55F41 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #635D5B -manager.tab.unselected.color = #332F2E -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #948F8D -manager.tab.gradient.top = #1A1615 -manager.tab.gradient.bottom = #1A1615 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #1A1615 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #520600 -manager.categories.enabled.bgcolor = #FFA07F -manager.categories.disabled.fgcolor = #72260E -manager.categories.disabled.bgcolor = #FFA07F -manager.categories.selected.fgcolor = #3B3B3B -manager.categories.selected.bgcolor = #FFFFFE - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #7D7775 -manager.scrollbar.thumb.rollover.color = #706A68 -manager.scrollbar.thumb.pressed.color = #706A68 -manager.scrollbar.color = #67615F - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #958F8D -manager.search.background.color = #292423 -manager.search.caret.color = #C2C2C2 -manager.search.placeholder.color = #958F8D -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #713D2B - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #635D5B -manager.list.header.fgcolor = #FFCDB6 -manager.list.header.bgcolor = #6F6967 -manager.list.section.color = #635D5B -manager.list.selection.color = #DE8263 -manager.list.icon.color = #DCDCDC -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #DCDCDC -manager.list.incompatible.selection.color = #787371 -manager.list.incompatible.text.color = #ACA8A7 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #C36B4D -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFFFFE -manager.panel.foundation.color = #FFFFFE - -manager.button.enabled.background.color = #83351B -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFFFFE -manager.button.pressed.background.color = #480000 -manager.button.pressed.text.color = #FFFFFE -manager.button.pressed.icon.color = #FFFFFE -manager.button.disabled.background.color = #A35033 -manager.button.disabled.text.color = #D8B9AE -manager.button.disabled.icon.color = #D8B9AE - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #CBCBCB -manager.progress.incomplete.fgcolor = #D8B9AE -manager.progress.incomplete.bgcolor = #480000 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C6C6C6 -theme_selector.combo_box.enabled.bgcolor = #303030 -theme_selector.combo_box.disabled.fgcolor = #5E5E5E -theme_selector.combo_box.disabled.bgcolor = #303030 -theme_selector.combo_box.selected.fgcolor = #310000 -theme_selector.combo_box.selected.bgcolor = #E7977B - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #767676 -theme_selector.link.color = #C6C6C6 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #EB90AB,plain -editor.token.function2.style = #EB90AB,plain -editor.token.function3.style = #F133FA,plain -editor.token.function4.style = #EB90AB,bold - -editor.token.keyword1.style = #D3006F,plain -editor.token.keyword2.style = #D3006F,plain -editor.token.keyword3.style = #F133FA,plain -editor.token.keyword4.style = #0087E4,plain -editor.token.keyword5.style = #00D3FF,plain -editor.token.keyword6.style = #D3006F,plain - -editor.token.literal1.style = #CD4B40,plain -editor.token.literal2.style = #B10000,plain - -editor.token.operator.style = #EB90AB,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #00D3FF -editor.completion.field.color = #B10000 -editor.completion.local.color = #EB90AB -editor.completion.method.color = #D3006F diff --git a/tools/Java/lib/theme/Alloys/youxi.txt b/tools/Java/lib/theme/Alloys/youxi.txt deleted file mode 100644 index b20264d..0000000 --- a/tools/Java/lib/theme/Alloys/youxi.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #004D41 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #C5C6C6 -toolbar.gradient.bottom = #C5C6C6 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #4A4B4B -# stolen from gradient bottom -mode.background.color = #C5C6C6 -mode.outline.color = #676867 - -mode.popup.enabled.fgcolor = #434444 -mode.popup.enabled.bgcolor = #F3F4F4 -mode.popup.disabled.fgcolor = #979797 -mode.popup.disabled.bgcolor = #F3F4F4 -mode.popup.selected.fgcolor = #000000 -mode.popup.selected.bgcolor = #C5C6C6 - -toolbar.button.disabled.field = #AFB0B0 -toolbar.button.disabled.glyph = #9A9B9B -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #00B499 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #008870 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #005445 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #005445 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #004507 -status.notice.bgcolor = #00B065 -status.error.fgcolor = #00E7C4 -status.error.bgcolor = #000000 -status.warning.bgcolor = #004D41 -status.warning.fgcolor = #00F0D4 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #004134 -header.text.unselected.color = #858686 -header.tab.arrow.color = #858686 -header.tab.selected.color = #F0F0F0 -header.tab.unselected.color = #DFDFDF -header.tab.modified.color = #000000 -header.gradient.top = #C5C6C6 -header.gradient.bottom = #C5C6C6 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #02DB99 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #02DB99 -footer.gradient.top = #007F46 -footer.gradient.bottom = #007F46 -footer.tab.selected.color = #00A568 -footer.tab.enabled.color = #007F46 -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #001E00 -footer.updates.indicator.text.color = #71FFD5 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #202C26 -# color of System.out text -console.output.color = #97A59E -# text color for errors printed in the console -console.error.color = #00E0B5 - -console.scrollbar.thumb.enabled.color = #4E5B54 -console.scrollbar.thumb.rollover.color = #4E5B54 -console.scrollbar.thumb.pressed.color = #4E5B54 -console.scrollbar.color = #19241F - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #C5C6C6 -editor.gradient.bottom = #007F46 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #D4F8F0 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #B5DCD3 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #00A568 -editor.scrollbar.thumb.rollover.color = #009459 -editor.scrollbar.thumb.pressed.color = #009459 -editor.scrollbar.color = #008A50 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #71FFD5 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #8F9090 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #004D41 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #696A6A - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #002600 -errors.header.fgcolor = #71A48B -errors.bgcolor = #004514 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #67DDAA -errors.row.bgcolor = #004514 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #009055 -errors.selection.error.bgcolor = #007E62 -errors.selection.warning.bgcolor = #006B35 -errors.indicator.error.color = #00F9D3 -errors.indicator.warning.color = #009358 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #F0F0F0 -manager.tab.unselected.color = #C4C5C4 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #5D5D5D -manager.tab.gradient.top = #9A9B9B -manager.tab.gradient.bottom = #9A9B9B - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #9A9B9B - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #69F4B9 -manager.categories.enabled.bgcolor = #006D3E -manager.categories.disabled.fgcolor = #006B3C -manager.categories.disabled.bgcolor = #006D3E -manager.categories.selected.fgcolor = #004534 -manager.categories.selected.bgcolor = #2AFCE0 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #C3C3C3 -manager.scrollbar.thumb.rollover.color = #ADAEAE -manager.scrollbar.thumb.pressed.color = #ADAEAE -manager.scrollbar.color = #EAEBEA - -manager.search.text.color = #000000 -manager.search.icon.color = #5D5E5E -manager.search.background.color = #C5C6C6 -manager.search.caret.color = #003A2F -manager.search.placeholder.color = #5D5E5E -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #71A49A - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #F0F0F0 -manager.list.header.fgcolor = #00352D -manager.list.header.bgcolor = #E1E2E2 -manager.list.section.color = #F0F0F0 -manager.list.selection.color = #17B781 -manager.list.icon.color = #003B2D -manager.list.text.color = #000000 -manager.list.foundation.color = #003C2D -manager.list.incompatible.selection.color = #D5D5D5 -manager.list.incompatible.text.color = #797A7A - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #008855 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #2AFCE0 -manager.panel.foundation.color = #00FFE9 - -manager.button.enabled.background.color = #005528 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #2AFCE0 -manager.button.pressed.background.color = #002900 -manager.button.pressed.text.color = #2AFCE0 -manager.button.pressed.icon.color = #2AFCE0 -manager.button.disabled.background.color = #006E3E -manager.button.disabled.text.color = #9FC2B0 -manager.button.disabled.icon.color = #9FC2B0 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #00DEC3 -manager.progress.incomplete.fgcolor = #9FC2B0 -manager.progress.incomplete.bgcolor = #002900 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #B7CAC6 -theme_selector.combo_box.enabled.bgcolor = #233330 -theme_selector.combo_box.disabled.fgcolor = #50615E -theme_selector.combo_box.disabled.bgcolor = #233330 -theme_selector.combo_box.selected.fgcolor = #001200 -theme_selector.combo_box.selected.bgcolor = #8BD4C5 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #717876 -theme_selector.link.color = #7FD5C5 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/antimony.txt b/tools/Java/lib/theme/Minerals/antimony.txt deleted file mode 100644 index fdd2f70..0000000 --- a/tools/Java/lib/theme/Minerals/antimony.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #72777A - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #001F2A -toolbar.gradient.bottom = #001F2A - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #7FA0AE -# stolen from gradient bottom -mode.background.color = #001F2A -mode.outline.color = #5C7D8A - -mode.popup.enabled.fgcolor = #A2AEB3 -mode.popup.enabled.bgcolor = #00080E -mode.popup.disabled.fgcolor = #4B565B -mode.popup.disabled.bgcolor = #00080E -mode.popup.selected.fgcolor = #E1FFFF -mode.popup.selected.bgcolor = #001F2A - -toolbar.button.disabled.field = #0C2F3B -toolbar.button.disabled.glyph = #001F2A -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #72777A -toolbar.button.enabled.glyph = #00213B -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #001931 -toolbar.button.pressed.glyph = #86C1D8 -toolbar.button.pressed.stroke = #86C1D8 -toolbar.button.rollover.field = #86C1D8 -toolbar.button.rollover.glyph = #00213B -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #353C3F -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #000919 -status.notice.bgcolor = #315C6C -status.error.fgcolor = #0047A5 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #72777A -status.warning.fgcolor = #002649 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #7C949E -header.text.unselected.color = #485961 -header.tab.arrow.color = #485961 -header.tab.selected.color = #000C16 -header.tab.unselected.color = #00151D -header.tab.modified.color = #FFFFFE -header.gradient.top = #001F2A -header.gradient.bottom = #001F2A - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #7FA0AE -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #7FA0AE -footer.gradient.top = #001F2A -footer.gradient.bottom = #001F2A -footer.tab.selected.color = #30505D -footer.tab.enabled.color = #001F2A -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #000715 -footer.updates.indicator.text.color = #E1FFFF - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #001117 -# color of System.out text -console.output.color = #85979F -# text color for errors printed in the console -console.error.color = #00E2FF - -console.scrollbar.thumb.enabled.color = #34444B -console.scrollbar.thumb.rollover.color = #34444B -console.scrollbar.thumb.pressed.color = #34444B -console.scrollbar.color = #000F16 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #001F2A -editor.gradient.bottom = #001F2A - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #161819 - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #2A2D2E - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #30505D -editor.scrollbar.thumb.rollover.color = #284955 -editor.scrollbar.thumb.pressed.color = #284955 -editor.scrollbar.color = #092D38 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #E1FFFF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #30505D - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #72777A - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #4F6F7C - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #000C16 -errors.header.fgcolor = #899499 -errors.bgcolor = #00151F -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #A7C0CA -errors.row.bgcolor = #00151F -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #3C4143 -errors.selection.error.bgcolor = #0055BF -errors.selection.warning.bgcolor = #123440 -errors.indicator.error.color = #00EEFF -errors.indicator.warning.color = #365663 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #042934 -manager.tab.unselected.color = #001921 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #6B848F -manager.tab.gradient.top = #000C16 -manager.tab.gradient.bottom = #000C16 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #000C16 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #001F2A -manager.categories.enabled.bgcolor = #5B7B89 -manager.categories.disabled.fgcolor = #0C2F3B -manager.categories.disabled.bgcolor = #5B7B89 -manager.categories.selected.fgcolor = #003848 -manager.categories.selected.bgcolor = #AFDEF2 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #294956 -manager.scrollbar.thumb.rollover.color = #3A5A67 -manager.scrollbar.thumb.pressed.color = #3A5A67 -manager.scrollbar.color = #092D39 - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #7695A2 -manager.search.background.color = #000615 -manager.search.caret.color = #B3B9BC -manager.search.placeholder.color = #7695A2 -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #003959 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #042934 -manager.list.header.fgcolor = #6EDCFF -manager.list.header.bgcolor = #123440 -manager.list.section.color = #042934 -manager.list.selection.color = #587986 -manager.list.icon.color = #75DBFF -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #A7D5E9 -manager.list.incompatible.selection.color = #2C444E -manager.list.incompatible.text.color = #7B8A90 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #2A4B57 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #AFDEF2 -manager.panel.foundation.color = #68F4FF - -manager.button.enabled.background.color = #0C2F3B -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #AFDEF2 -manager.button.pressed.background.color = #001721 -manager.button.pressed.text.color = #AFDEF2 -manager.button.pressed.icon.color = #AFDEF2 -manager.button.disabled.background.color = #1C3D49 -manager.button.disabled.text.color = #A2ABAF -manager.button.disabled.icon.color = #A2ABAF - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #89B7CA -manager.progress.incomplete.fgcolor = #A2ABAF -manager.progress.incomplete.bgcolor = #001721 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C5C6C7 -theme_selector.combo_box.enabled.bgcolor = #2F3031 -theme_selector.combo_box.disabled.fgcolor = #5D5E5F -theme_selector.combo_box.disabled.bgcolor = #2F3031 -theme_selector.combo_box.selected.fgcolor = #001433 -theme_selector.combo_box.selected.bgcolor = #0092BE - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #767777 -theme_selector.link.color = #C1C7CA - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #CE94F0,plain -editor.token.function2.style = #CE94F0,plain -editor.token.function3.style = #00B080,plain -editor.token.function4.style = #CE94F0,bold - -editor.token.keyword1.style = #B813C0,plain -editor.token.keyword2.style = #B813C0,plain -editor.token.keyword3.style = #00B080,plain -editor.token.keyword4.style = #D13B82,plain -editor.token.keyword5.style = #FF4144,plain -editor.token.keyword6.style = #B813C0,plain - -editor.token.literal1.style = #008DAF,plain -editor.token.literal2.style = #0071F0,plain - -editor.token.operator.style = #CE94F0,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #FF4144 -editor.completion.field.color = #0071F0 -editor.completion.local.color = #CE94F0 -editor.completion.method.color = #B813C0 diff --git a/tools/Java/lib/theme/Minerals/bauxite.txt b/tools/Java/lib/theme/Minerals/bauxite.txt deleted file mode 100644 index ed0e41a..0000000 --- a/tools/Java/lib/theme/Minerals/bauxite.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #F8954A - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #3E424C -toolbar.gradient.bottom = #3E424C - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #A9AEBA -# stolen from gradient bottom -mode.background.color = #3E424C -mode.outline.color = #8D919D - -mode.popup.enabled.fgcolor = #ACAEB3 -mode.popup.enabled.bgcolor = #0D0E13 -mode.popup.disabled.fgcolor = #57585C -mode.popup.disabled.bgcolor = #0D0E13 -mode.popup.selected.fgcolor = #FAFEFF -mode.popup.selected.bgcolor = #3E424C - -toolbar.button.disabled.field = #50545F -toolbar.button.disabled.glyph = #3E424C -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #F8954A -toolbar.button.enabled.glyph = #263A5B -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #05203E -toolbar.button.pressed.glyph = #FFB85D -toolbar.button.pressed.stroke = #FFB85D -toolbar.button.rollover.field = #FFB85D -toolbar.button.rollover.glyph = #263A5B -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #9F2700 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #151A26 -status.notice.bgcolor = #707584 -status.error.fgcolor = #700000 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #F8954A -status.warning.fgcolor = #5E0000 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #FFA351 -header.text.unselected.color = #73757C -header.tab.arrow.color = #73757C -header.tab.selected.color = #0F1219 -header.tab.unselected.color = #23262D -header.tab.modified.color = #FFFFFE -header.gradient.top = #3E424C -header.gradient.bottom = #3E424C - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #A9AEBA -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #A9AEBA -footer.gradient.top = #3E424C -footer.gradient.bottom = #3E424C -footer.tab.selected.color = #686C78 -footer.tab.enabled.color = #3E424C -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #000010 -footer.updates.indicator.text.color = #FAFEFF - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #1A1D26 -# color of System.out text -console.output.color = #989CA7 -# text color for errors printed in the console -console.error.color = #FF8400 - -console.scrollbar.thumb.enabled.color = #4A4E58 -console.scrollbar.thumb.rollover.color = #4A4E58 -console.scrollbar.thumb.pressed.color = #4A4E58 -console.scrollbar.color = #151921 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #3E424C -editor.gradient.bottom = #3E424C - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #3C1700 - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #592900 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #686C78 -editor.scrollbar.thumb.rollover.color = #5D616D -editor.scrollbar.thumb.pressed.color = #5D616D -editor.scrollbar.color = #4A4E59 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FAFEFF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #686C78 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #F8954A - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #9498A4 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #0F1219 -errors.header.fgcolor = #94969B -errors.bgcolor = #1F232D -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #BEC2CB -errors.row.bgcolor = #1F232D -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #A04C00 -errors.selection.error.bgcolor = #0055D7 -errors.selection.warning.bgcolor = #40444F -errors.indicator.error.color = #2BD2FF -errors.indicator.warning.color = #636773 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #3E424C -manager.tab.unselected.color = #20232B -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #858892 -manager.tab.gradient.top = #0F1219 -manager.tab.gradient.bottom = #0F1219 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #0F1219 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #1C202A -manager.categories.enabled.bgcolor = #9498A4 -manager.categories.disabled.fgcolor = #323640 -manager.categories.disabled.bgcolor = #9498A4 -manager.categories.selected.fgcolor = #6B1400 -manager.categories.selected.bgcolor = #FFC169 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #5B5F6A -manager.scrollbar.thumb.rollover.color = #696D79 -manager.scrollbar.thumb.pressed.color = #696D79 -manager.scrollbar.color = #424651 - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #8C909C -manager.search.background.color = #050A16 -manager.search.caret.color = #FFA256 -manager.search.placeholder.color = #8C909C -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #1C355A - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #3E424C -manager.list.header.fgcolor = #C2D5FF -manager.list.header.bgcolor = #494D58 -manager.list.section.color = #3E424C -manager.list.selection.color = #848894 -manager.list.icon.color = #FFB551 -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #FFB961 -manager.list.incompatible.selection.color = #585B64 -manager.list.incompatible.text.color = #97999F - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #616570 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFC169 -manager.panel.foundation.color = #FFC65B - -manager.button.enabled.background.color = #393D47 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFC169 -manager.button.pressed.background.color = #141821 -manager.button.pressed.text.color = #FFC169 -manager.button.pressed.icon.color = #FFC169 -manager.button.disabled.background.color = #4C505B -manager.button.disabled.text.color = #B3B5B9 -manager.button.disabled.icon.color = #B3B5B9 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FFA24B -manager.progress.incomplete.fgcolor = #B3B5B9 -manager.progress.incomplete.bgcolor = #141821 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #DEC0AD -theme_selector.combo_box.enabled.bgcolor = #402B1C -theme_selector.combo_box.disabled.fgcolor = #725948 -theme_selector.combo_box.disabled.bgcolor = #402B1C -theme_selector.combo_box.selected.fgcolor = #00002F -theme_selector.combo_box.selected.bgcolor = #809BD2 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #80746D -theme_selector.link.color = #FFAD61 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #EA90B0,plain -editor.token.function2.style = #EA90B0,plain -editor.token.function3.style = #00B5F8,plain -editor.token.function4.style = #EA90B0,bold - -editor.token.keyword1.style = #D50066,plain -editor.token.keyword2.style = #D50066,plain -editor.token.keyword3.style = #00B5F8,plain -editor.token.keyword4.style = #DD3632,plain -editor.token.keyword5.style = #F89300,plain -editor.token.keyword6.style = #D50066,plain - -editor.token.literal1.style = #0083CD,plain -editor.token.literal2.style = #1A2CF1,plain - -editor.token.operator.style = #EA90B0,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #F89300 -editor.completion.field.color = #1A2CF1 -editor.completion.local.color = #EA90B0 -editor.completion.method.color = #D50066 diff --git a/tools/Java/lib/theme/Minerals/beryl.txt b/tools/Java/lib/theme/Minerals/beryl.txt deleted file mode 100644 index 8e00681..0000000 --- a/tools/Java/lib/theme/Minerals/beryl.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #004A5B - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #009D7A -toolbar.gradient.bottom = #009D7A - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #00452B -# stolen from gradient bottom -mode.background.color = #009D7A -mode.outline.color = #005A3D - -mode.popup.enabled.fgcolor = #0F493C -mode.popup.enabled.bgcolor = #B9F3E2 -mode.popup.disabled.fgcolor = #639A8B -mode.popup.disabled.bgcolor = #B9F3E2 -mode.popup.selected.fgcolor = #001E00 -mode.popup.selected.bgcolor = #009D7A - -toolbar.button.disabled.field = #008766 -toolbar.button.disabled.glyph = #007252 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #0081BD -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #00649E -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #001D2F -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #001D2F -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #002300 -status.notice.bgcolor = #00734E -status.error.fgcolor = #00EEFF -status.error.bgcolor = #000000 -status.warning.bgcolor = #004A5B -status.warning.fgcolor = #00F0FF - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #003F56 -header.text.unselected.color = #006A55 -header.tab.arrow.color = #006A55 -header.tab.selected.color = #73F5D5 -header.tab.unselected.color = #49CFB1 -header.tab.modified.color = #000000 -header.gradient.top = #009D7A -header.gradient.bottom = #009D7A - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #00452B -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #00452B -footer.gradient.top = #009D7A -footer.gradient.bottom = #009D7A -footer.tab.selected.color = #007757 -footer.tab.enabled.color = #009D7A -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #56FFF1 -footer.updates.indicator.text.color = #001E00 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #1F2C28 -# color of System.out text -console.output.color = #96A5A0 -# text color for errors printed in the console -console.error.color = #00EAFF - -console.scrollbar.thumb.enabled.color = #4D5B57 -console.scrollbar.thumb.rollover.color = #4D5B57 -console.scrollbar.thumb.pressed.color = #4D5B57 -console.scrollbar.color = #182421 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #009D7A -editor.gradient.bottom = #009D7A - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #C5F9FF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #A3DDEE - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #007757 -editor.scrollbar.thumb.rollover.color = #006C4D -editor.scrollbar.thumb.pressed.color = #006C4D -editor.scrollbar.color = #00926F - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #001E00 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #007757 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #004A5B - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #004128 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #002A16 -errors.header.fgcolor = #6FA797 -errors.bgcolor = #005337 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #5DE1C2 -errors.row.bgcolor = #005337 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #007757 -errors.selection.error.bgcolor = #00816A -errors.selection.warning.bgcolor = #007A5A -errors.indicator.error.color = #81EDD1 -errors.indicator.warning.color = #00A27F - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #73F5D5 -manager.tab.unselected.color = #27B699 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #005E46 -manager.tab.gradient.top = #007F5E -manager.tab.gradient.bottom = #007F5E - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #007F5E - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #3EEAC5 -manager.categories.enabled.bgcolor = #003D27 -manager.categories.disabled.fgcolor = #005A3F -manager.categories.disabled.bgcolor = #003D27 -manager.categories.selected.fgcolor = #004783 -manager.categories.selected.bgcolor = #00F5FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #43CAAC -manager.scrollbar.thumb.rollover.color = #25B598 -manager.scrollbar.thumb.pressed.color = #25B598 -manager.scrollbar.color = #6DEFCF - -manager.search.text.color = #000000 -manager.search.icon.color = #006E56 -manager.search.background.color = #4DC9AC -manager.search.caret.color = #003445 -manager.search.placeholder.color = #006E56 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #00A583 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #73F5D5 -manager.list.header.fgcolor = #003A22 -manager.list.header.bgcolor = #64E7C7 -manager.list.section.color = #73F5D5 -manager.list.selection.color = #00AC8B -manager.list.icon.color = #003A64 -manager.list.text.color = #000000 -manager.list.foundation.color = #003E7A -manager.list.incompatible.selection.color = #76D8BE -manager.list.incompatible.text.color = #477B6D - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #00563C -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #00F5FF -manager.panel.foundation.color = #00FFFF - -manager.button.enabled.background.color = #003923 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #00F5FF -manager.button.pressed.background.color = #002506 -manager.button.pressed.text.color = #00F5FF -manager.button.pressed.icon.color = #00F5FF -manager.button.disabled.background.color = #00472F -manager.button.disabled.text.color = #8BB1A6 -manager.button.disabled.icon.color = #8BB1A6 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #00CDFF -manager.progress.incomplete.fgcolor = #8BB1A6 -manager.progress.incomplete.bgcolor = #002506 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #B9C9CE -theme_selector.combo_box.enabled.bgcolor = #253236 -theme_selector.combo_box.disabled.fgcolor = #526064 -theme_selector.combo_box.disabled.bgcolor = #253236 -theme_selector.combo_box.selected.fgcolor = #002300 -theme_selector.combo_box.selected.bgcolor = #00A177 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #727779 -theme_selector.link.color = #8AD0E5 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/calcite.txt b/tools/Java/lib/theme/Minerals/calcite.txt deleted file mode 100644 index 3a7cd90..0000000 --- a/tools/Java/lib/theme/Minerals/calcite.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #033D66 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #CBCED6 -toolbar.gradient.bottom = #CBCED6 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #4A4E54 -# stolen from gradient bottom -mode.background.color = #CBCED6 -mode.outline.color = #686C72 - -mode.popup.enabled.fgcolor = #434446 -mode.popup.enabled.bgcolor = #F4F5F8 -mode.popup.disabled.fgcolor = #96989A -mode.popup.disabled.bgcolor = #F4F5F8 -mode.popup.selected.fgcolor = #000009 -mode.popup.selected.bgcolor = #CBCED6 - -toolbar.button.disabled.field = #B5B8BF -toolbar.button.disabled.glyph = #9FA3AA -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #0FA7FF -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #007CDA -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #005086 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #005086 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #282C33 -status.notice.bgcolor = #878B94 -status.error.fgcolor = #FFFFFE -status.error.bgcolor = #C40000 -status.warning.bgcolor = #033D66 -status.warning.fgcolor = #80D9FF - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #003361 -header.text.unselected.color = #898B8F -header.tab.arrow.color = #898B8F -header.tab.selected.color = #EFF2F8 -header.tab.unselected.color = #E1E4E9 -header.tab.modified.color = #000000 -header.gradient.top = #CBCED6 -header.gradient.bottom = #CBCED6 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #4A4E54 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #4A4E54 -footer.gradient.top = #CBCED6 -footer.gradient.bottom = #CBCED6 -footer.tab.selected.color = #92969D -footer.tab.enabled.color = #CBCED6 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FBFFFF -footer.updates.indicator.text.color = #000009 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #20252E -# color of System.out text -console.output.color = #9AA0AB -# text color for errors printed in the console -console.error.color = #00C5FF - -console.scrollbar.thumb.enabled.color = #4F555F -console.scrollbar.thumb.rollover.color = #4F555F -console.scrollbar.thumb.pressed.color = #4F555F -console.scrollbar.color = #1A1F28 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #CBCED6 -editor.gradient.bottom = #CBCED6 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #E3F1FF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #C5D5EF - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #92969D -editor.scrollbar.thumb.rollover.color = #82868D -editor.scrollbar.thumb.pressed.color = #82868D -editor.scrollbar.color = #B9BDC4 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #000009 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #92969D - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FF002C -# squiggly line underneath warnings -editor.warning.underline.color = #033D66 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #BE0000 -editor.column.warning.color = #6E7278 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #26292D -errors.header.fgcolor = #A0A2A4 -errors.bgcolor = #5E6268 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #D2D5DA -errors.row.bgcolor = #5E6268 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #92969D -errors.selection.error.bgcolor = #009DFF -errors.selection.warning.bgcolor = #84878E -errors.indicator.error.color = #00ECFF -errors.indicator.warning.color = #ABAFB6 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #EFF2F8 -manager.tab.unselected.color = #C6C9CE -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #5D5F64 -manager.tab.gradient.top = #9DA1A8 -manager.tab.gradient.bottom = #9DA1A8 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #9DA1A8 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #D9DDE4 -manager.categories.enabled.bgcolor = #5E6168 -manager.categories.disabled.fgcolor = #585B62 -manager.categories.disabled.bgcolor = #5E6168 -manager.categories.selected.fgcolor = #003B87 -manager.categories.selected.bgcolor = #90E8FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #C2C5CA -manager.scrollbar.thumb.rollover.color = #ADAFB5 -manager.scrollbar.thumb.pressed.color = #ADAFB5 -manager.scrollbar.color = #EAEDF2 - -manager.search.text.color = #000000 -manager.search.icon.color = #5B5E62 -manager.search.background.color = #C5C8CD -manager.search.caret.color = #00335A -manager.search.placeholder.color = #5B5E62 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #859EC2 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #EFF2F8 -manager.list.header.fgcolor = #0F304D -manager.list.header.bgcolor = #E1E4EA -manager.list.section.color = #EFF2F8 -manager.list.selection.color = #9FA3AA -manager.list.icon.color = #003376 -manager.list.text.color = #000000 -manager.list.foundation.color = #00347E -manager.list.incompatible.selection.color = #D5D7DC -manager.list.incompatible.text.color = #7A7B7D - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #777A81 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #90E8FF -manager.panel.foundation.color = #73F3FF - -manager.button.enabled.background.color = #45484E -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #90E8FF -manager.button.pressed.background.color = #191C21 -manager.button.pressed.text.color = #90E8FF -manager.button.pressed.icon.color = #90E8FF -manager.button.disabled.background.color = #5D6167 -manager.button.disabled.text.color = #BBBCBE -manager.button.disabled.icon.color = #BBBCBE - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #70CDFF -manager.progress.incomplete.fgcolor = #BBBCBE -manager.progress.incomplete.bgcolor = #191C21 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #BFC6D3 -theme_selector.combo_box.enabled.bgcolor = #2A303A -theme_selector.combo_box.disabled.fgcolor = #585E69 -theme_selector.combo_box.disabled.bgcolor = #2A303A -theme_selector.combo_box.selected.fgcolor = #00032C -theme_selector.combo_box.selected.bgcolor = #ADD1FF - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #74777B -theme_selector.link.color = #A5C8FB - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/feldspar.txt b/tools/Java/lib/theme/Minerals/feldspar.txt deleted file mode 100644 index 3ea2392..0000000 --- a/tools/Java/lib/theme/Minerals/feldspar.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #5B1B00 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #CC9875 -toolbar.gradient.bottom = #CC9875 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #5D3517 -# stolen from gradient bottom -mode.background.color = #CC9875 -mode.outline.color = #784C2D - -mode.popup.enabled.fgcolor = #503E33 -mode.popup.enabled.bgcolor = #FFE8DA -mode.popup.disabled.fgcolor = #A48F82 -mode.popup.disabled.bgcolor = #FFE8DA -mode.popup.selected.fgcolor = #270000 -mode.popup.selected.bgcolor = #CC9875 - -toolbar.button.disabled.field = #B58361 -toolbar.button.disabled.glyph = #9E6E4D -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #D05F00 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #A63C00 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #5C0800 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #5C0800 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #340500 -status.notice.bgcolor = #9A6138 -status.error.fgcolor = #FFA12E -status.error.bgcolor = #000000 -status.warning.bgcolor = #5B1B00 -status.warning.fgcolor = #FFB252 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #540E00 -header.text.unselected.color = #866955 -header.tab.arrow.color = #866955 -header.tab.selected.color = #FFDEC2 -header.tab.unselected.color = #EDC3A7 -header.tab.modified.color = #000000 -header.gradient.top = #CC9875 -header.gradient.bottom = #CC9875 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #5D3517 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #5D3517 -footer.gradient.top = #CC9875 -footer.gradient.bottom = #CC9875 -footer.tab.selected.color = #9C6D4C -footer.tab.enabled.color = #CC9875 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFF3CD -footer.updates.indicator.text.color = #270000 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #271D17 -# color of System.out text -console.output.color = #A89A92 -# text color for errors printed in the console -console.error.color = #FF8400 - -console.scrollbar.thumb.enabled.color = #594D46 -console.scrollbar.thumb.rollover.color = #594D46 -console.scrollbar.thumb.pressed.color = #594D46 -console.scrollbar.color = #221811 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #CC9875 -editor.gradient.bottom = #CC9875 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #FFEBD8 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #EECEB9 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #9C6D4C -editor.scrollbar.thumb.rollover.color = #8E6040 -editor.scrollbar.thumb.pressed.color = #8E6040 -editor.scrollbar.color = #BD8A68 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #270000 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #9C6D4C - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #5B1B00 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #6B4122 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #371B01 -errors.header.fgcolor = #AF9A8D -errors.bgcolor = #6F4425 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #F2C7AB -errors.row.bgcolor = #6F4425 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #9C6D4C -errors.selection.error.bgcolor = #DE5200 -errors.selection.warning.bgcolor = #976847 -errors.indicator.error.color = #FFB11D -errors.indicator.warning.color = #C28E6C - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #FFDEC2 -manager.tab.unselected.color = #D3AA8F -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #704E36 -manager.tab.gradient.top = #A67554 -manager.tab.gradient.bottom = #A67554 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #A67554 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #FFCAA6 -manager.categories.enabled.bgcolor = #62391B -manager.categories.disabled.fgcolor = #714627 -manager.categories.disabled.bgcolor = #62391B -manager.categories.selected.fgcolor = #661A00 -manager.categories.selected.bgcolor = #FFC275 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #DDB398 -manager.scrollbar.thumb.rollover.color = #C79F84 -manager.scrollbar.thumb.pressed.color = #C79F84 -manager.scrollbar.color = #FFD9BD - -manager.search.text.color = #000000 -manager.search.icon.color = #785740 -manager.search.background.color = #DDB59B -manager.search.caret.color = #591900 -manager.search.placeholder.color = #785740 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #C68557 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #FFDEC2 -manager.list.header.fgcolor = #4F1E00 -manager.list.header.bgcolor = #FCD0B4 -manager.list.section.color = #FFDEC2 -manager.list.selection.color = #C4906E -manager.list.icon.color = #620600 -manager.list.text.color = #000000 -manager.list.foundation.color = #5D1000 -manager.list.incompatible.selection.color = #E9C6B0 -manager.list.incompatible.text.color = #857266 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #7C5031 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFC275 -manager.panel.foundation.color = #FFC766 - -manager.button.enabled.background.color = #542D0F -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFC275 -manager.button.pressed.background.color = #310C00 -manager.button.pressed.text.color = #FFC275 -manager.button.pressed.icon.color = #FFC275 -manager.button.disabled.background.color = #683E20 -manager.button.disabled.text.color = #BFAEA3 -manager.button.disabled.icon.color = #BFAEA3 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FFA155 -manager.progress.incomplete.fgcolor = #BFAEA3 -manager.progress.incomplete.bgcolor = #310C00 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #DBC1B1 -theme_selector.combo_box.enabled.bgcolor = #3F2C1F -theme_selector.combo_box.disabled.fgcolor = #6F594B -theme_selector.combo_box.disabled.bgcolor = #3F2C1F -theme_selector.combo_box.selected.fgcolor = #360000 -theme_selector.combo_box.selected.bgcolor = #E38E50 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #7E756F -theme_selector.link.color = #FFB170 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/fluorite.txt b/tools/Java/lib/theme/Minerals/fluorite.txt deleted file mode 100644 index d169c92..0000000 --- a/tools/Java/lib/theme/Minerals/fluorite.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #A49EA9 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #301753 -toolbar.gradient.bottom = #301753 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #B491D9 -# stolen from gradient bottom -mode.background.color = #301753 -mode.outline.color = #9170B6 - -mode.popup.enabled.fgcolor = #B5A7C2 -mode.popup.enabled.bgcolor = #12011B -mode.popup.disabled.fgcolor = #5D5169 -mode.popup.disabled.bgcolor = #12011B -mode.popup.selected.fgcolor = #FFEFFF -mode.popup.selected.bgcolor = #301753 - -toolbar.button.disabled.field = #442867 -toolbar.button.disabled.glyph = #301753 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #A49EA9 -toolbar.button.enabled.glyph = #2B0860 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #190050 -toolbar.button.pressed.glyph = #DFC4F5 -toolbar.button.pressed.stroke = #DFC4F5 -toolbar.button.rollover.field = #DFC4F5 -toolbar.button.rollover.glyph = #2B0860 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #524A59 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #11003C -status.notice.bgcolor = #734DA1 -status.error.fgcolor = #3F00A6 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #A49EA9 -status.warning.fgcolor = #2F0E54 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #BCADC7 -header.text.unselected.color = #6A577E -header.tab.arrow.color = #6A577E -header.tab.selected.color = #17002C -header.tab.unselected.color = #200E38 -header.tab.modified.color = #FFFFFE -header.gradient.top = #301753 -header.gradient.bottom = #301753 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #B491D9 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #B491D9 -footer.gradient.top = #301753 -footer.gradient.bottom = #301753 -footer.tab.selected.color = #654788 -footer.tab.enabled.color = #301753 -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #140031 -footer.updates.indicator.text.color = #FFEFFF - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #17101B -# color of System.out text -console.output.color = #9B94A2 -# text color for errors printed in the console -console.error.color = #F071FF - -console.scrollbar.thumb.enabled.color = #49434F -console.scrollbar.thumb.rollover.color = #49434F -console.scrollbar.thumb.pressed.color = #49434F -console.scrollbar.color = #140D19 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #301753 -editor.gradient.bottom = #301753 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #1C1A1E - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #312E34 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #654788 -editor.scrollbar.thumb.rollover.color = #5C3E7F -editor.scrollbar.thumb.pressed.color = #5C3E7F -editor.scrollbar.color = #402563 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FFEFFF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #654788 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #A49EA9 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #8968AD - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #17002C -errors.header.fgcolor = #9C8EA8 -errors.bgcolor = #1E0741 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #CEB2EA -errors.row.bgcolor = #1E0741 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #5A545E -errors.selection.error.bgcolor = #4600D5 -errors.selection.warning.bgcolor = #432765 -errors.indicator.error.color = #F896FF -errors.indicator.warning.color = #684A8C - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #301753 -manager.tab.unselected.color = #1E0B38 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #9075AC -manager.tab.gradient.top = #17002C -manager.tab.gradient.bottom = #17002C - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #17002C - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #240C47 -manager.categories.enabled.bgcolor = #8968AD -manager.categories.disabled.fgcolor = #381D5A -manager.categories.disabled.bgcolor = #8968AD -manager.categories.selected.fgcolor = #3D2C4D -manager.categories.selected.bgcolor = #E5CEF7 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #543777 -manager.scrollbar.thumb.rollover.color = #664789 -manager.scrollbar.thumb.pressed.color = #664789 -manager.scrollbar.color = #351B58 - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #A382C6 -manager.search.background.color = #14002E -manager.search.caret.color = #BCB6C1 -manager.search.placeholder.color = #A382C6 -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #3E1973 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #301753 -manager.list.header.fgcolor = #ECB7FF -manager.list.header.bgcolor = #3C225F -manager.list.section.color = #301753 -manager.list.selection.color = #8666AA -manager.list.icon.color = #E6BFFF -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #DDC6EF -manager.list.incompatible.selection.color = #4E3669 -manager.list.incompatible.text.color = #9281A2 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #553878 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #E5CEF7 -manager.panel.foundation.color = #FFD1FF - -manager.button.enabled.background.color = #381D5A -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #E5CEF7 -manager.button.pressed.background.color = #1B033E -manager.button.pressed.text.color = #E5CEF7 -manager.button.pressed.icon.color = #E5CEF7 -manager.button.disabled.background.color = #462B69 -manager.button.disabled.text.color = #B1A5BB -manager.button.disabled.icon.color = #B1A5BB - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #BEA8D0 -manager.progress.incomplete.fgcolor = #B1A5BB -manager.progress.incomplete.bgcolor = #1B033E - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C7C5C8 -theme_selector.combo_box.enabled.bgcolor = #312F32 -theme_selector.combo_box.disabled.fgcolor = #5F5D60 -theme_selector.combo_box.disabled.bgcolor = #312F32 -theme_selector.combo_box.selected.fgcolor = #05004B -theme_selector.combo_box.selected.bgcolor = #A571E4 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #777677 -theme_selector.link.color = #CAC4CF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #F18F95,plain -editor.token.function2.style = #F18F95,plain -editor.token.function3.style = #00B2FF,plain -editor.token.function4.style = #F18F95,bold - -editor.token.keyword1.style = #DD0019,plain -editor.token.keyword2.style = #DD0019,plain -editor.token.keyword3.style = #00B2FF,plain -editor.token.keyword4.style = #C65400,plain -editor.token.keyword5.style = #00CB00,plain -editor.token.keyword6.style = #DD0019,plain - -editor.token.literal1.style = #7E65CE,plain -editor.token.literal2.style = #AA00BA,plain - -editor.token.operator.style = #F18F95,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #00CB00 -editor.completion.field.color = #AA00BA -editor.completion.local.color = #F18F95 -editor.completion.method.color = #DD0019 diff --git a/tools/Java/lib/theme/Minerals/gabbro.txt b/tools/Java/lib/theme/Minerals/gabbro.txt deleted file mode 100644 index 2961de6..0000000 --- a/tools/Java/lib/theme/Minerals/gabbro.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #194200 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #869579 -toolbar.gradient.bottom = #869579 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #2F3D24 -# stolen from gradient bottom -mode.background.color = #869579 -mode.outline.color = #445138 - -mode.popup.enabled.fgcolor = #3E4339 -mode.popup.enabled.bgcolor = #E5EBDF -mode.popup.disabled.fgcolor = #8D9288 -mode.popup.disabled.bgcolor = #E5EBDF -mode.popup.selected.fgcolor = #000700 -mode.popup.selected.bgcolor = #869579 - -toolbar.button.disabled.field = #728065 -toolbar.button.disabled.glyph = #5E6C51 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #238400 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #006500 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #002400 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #002400 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #000F00 -status.notice.bgcolor = #566847 -status.error.fgcolor = #6CE010 -status.error.bgcolor = #000000 -status.warning.bgcolor = #194200 -status.warning.fgcolor = #9AE862 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #073700 -header.text.unselected.color = #5D6555 -header.tab.arrow.color = #5D6555 -header.tab.selected.color = #DAE6CF -header.tab.unselected.color = #B9C4AE -header.tab.modified.color = #000000 -header.gradient.top = #869579 -header.gradient.bottom = #869579 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #2F3D24 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #2F3D24 -footer.gradient.top = #869579 -footer.gradient.bottom = #869579 -footer.tab.selected.color = #606F54 -footer.tab.enabled.color = #869579 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #F4FFE4 -footer.updates.indicator.text.color = #000700 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #20261B -# color of System.out text -console.output.color = #9AA294 -# text color for errors printed in the console -console.error.color = #00D800 - -console.scrollbar.thumb.enabled.color = #4F5649 -console.scrollbar.thumb.rollover.color = #4F5649 -console.scrollbar.thumb.pressed.color = #4F5649 -console.scrollbar.color = #1A2015 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #869579 -editor.gradient.bottom = #869579 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #E6F5D7 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #C8D9B9 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #606F54 -editor.scrollbar.thumb.rollover.color = #556349 -editor.scrollbar.thumb.pressed.color = #556349 -editor.scrollbar.color = #7A896D - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #000700 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #606F54 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #194200 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #313F26 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #192211 -errors.header.fgcolor = #999F94 -errors.bgcolor = #3D4A31 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #C5D1BA -errors.row.bgcolor = #3D4A31 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #606F54 -errors.selection.error.bgcolor = #008E00 -errors.selection.warning.bgcolor = #606F54 -errors.indicator.error.color = #73F800 -errors.indicator.warning.color = #869579 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #DAE6CF -manager.tab.unselected.color = #A0AC96 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #4A5441 -manager.tab.gradient.top = #68765B -manager.tab.gradient.bottom = #68765B - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #68765B - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #C8D8B9 -manager.categories.enabled.bgcolor = #2D3A22 -manager.categories.disabled.fgcolor = #425036 -manager.categories.disabled.bgcolor = #2D3A22 -manager.categories.selected.fgcolor = #004000 -manager.categories.selected.bgcolor = #A3EC6D - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #B0BBA5 -manager.scrollbar.thumb.rollover.color = #9CA791 -manager.scrollbar.thumb.pressed.color = #9CA791 -manager.scrollbar.color = #D4E0C9 - -manager.search.text.color = #000000 -manager.search.icon.color = #57614E -manager.search.background.color = #B1BCA7 -manager.search.caret.color = #0E3500 -manager.search.placeholder.color = #57614E -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #799A5F - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #DAE6CF -manager.list.header.fgcolor = #143300 -manager.list.header.bgcolor = #CCD8C1 -manager.list.section.color = #DAE6CF -manager.list.selection.color = #8E9D80 -manager.list.icon.color = #003700 -manager.list.text.color = #000000 -manager.list.foundation.color = #003700 -manager.list.incompatible.selection.color = #C2CCBA -manager.list.incompatible.text.color = #70756B - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #445138 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #A3EC6D -manager.panel.foundation.color = #9EFD5C - -manager.button.enabled.background.color = #26331C -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #A3EC6D -manager.button.pressed.background.color = #0B1800 -manager.button.pressed.text.color = #A3EC6D -manager.button.pressed.icon.color = #A3EC6D -manager.button.disabled.background.color = #354229 -manager.button.disabled.text.color = #A9AEA5 -manager.button.disabled.icon.color = #A9AEA5 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #7DC649 -manager.progress.incomplete.fgcolor = #A9AEA5 -manager.progress.incomplete.bgcolor = #0B1800 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #BFC9B6 -theme_selector.combo_box.enabled.bgcolor = #2A3224 -theme_selector.combo_box.disabled.fgcolor = #586150 -theme_selector.combo_box.disabled.bgcolor = #2A3224 -theme_selector.combo_box.selected.fgcolor = #001100 -theme_selector.combo_box.selected.bgcolor = #709C4E - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #747871 -theme_selector.link.color = #A8D287 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/galena.txt b/tools/Java/lib/theme/Minerals/galena.txt deleted file mode 100644 index 5bf35c1..0000000 --- a/tools/Java/lib/theme/Minerals/galena.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #43464C - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #767980 -toolbar.gradient.bottom = #767980 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #2E3136 -# stolen from gradient bottom -mode.background.color = #767980 -mode.outline.color = #3F4248 - -mode.popup.enabled.fgcolor = #3F4042 -mode.popup.enabled.bgcolor = #E3E4E7 -mode.popup.disabled.fgcolor = #8C8E90 -mode.popup.disabled.bgcolor = #E3E4E7 -mode.popup.selected.fgcolor = #000009 -mode.popup.selected.bgcolor = #767980 - -toolbar.button.disabled.field = #62656C -toolbar.button.disabled.glyph = #4F5258 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #0063A3 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #004B88 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #00040F -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #00040F -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #00000C -status.notice.bgcolor = #4F545B -status.error.fgcolor = #FFFFFE -status.error.bgcolor = #8F0000 -status.warning.bgcolor = #43464C -status.warning.fgcolor = #ACDAFF - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #303948 -header.text.unselected.color = #525457 -header.tab.arrow.color = #525457 -header.tab.selected.color = #D9DCE1 -header.tab.unselected.color = #B0B3B8 -header.tab.modified.color = #000000 -header.gradient.top = #767980 -header.gradient.bottom = #767980 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #2E3136 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #2E3136 -footer.gradient.top = #767980 -footer.gradient.bottom = #767980 -footer.tab.selected.color = #565A60 -footer.tab.enabled.color = #767980 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FBFFFF -footer.updates.indicator.text.color = #000009 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #262C35 -# color of System.out text -console.output.color = #9DA4AE -# text color for errors printed in the console -console.error.color = #00C5FF - -console.scrollbar.thumb.enabled.color = #555B64 -console.scrollbar.thumb.rollover.color = #555B64 -console.scrollbar.thumb.pressed.color = #555B64 -console.scrollbar.color = #1F242D - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #767980 -editor.gradient.bottom = #767980 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #E3F1FF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #C5D5EF - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #565A60 -editor.scrollbar.thumb.rollover.color = #4D5157 -editor.scrollbar.thumb.pressed.color = #4D5157 -editor.scrollbar.color = #6C7076 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #000009 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #565A60 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FF002C -# squiggly line underneath warnings -editor.warning.underline.color = #43464C - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #8C0000 -editor.column.warning.color = #24272D - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #191C1F -errors.header.fgcolor = #999B9D -errors.bgcolor = #393C42 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #C7CACF -errors.row.bgcolor = #393C42 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #565A60 -errors.selection.error.bgcolor = #0075F6 -errors.selection.warning.bgcolor = #5C5F65 -errors.indicator.error.color = #00E1FF -errors.indicator.warning.color = #81858B - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #D9DCE1 -manager.tab.unselected.color = #999BA1 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #494B50 -manager.tab.gradient.top = #5C6066 -manager.tab.gradient.bottom = #5C6066 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #5C6066 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #CBCFD6 -manager.categories.enabled.bgcolor = #24272C -manager.categories.disabled.fgcolor = #42464C -manager.categories.disabled.bgcolor = #24272C -manager.categories.selected.fgcolor = #003882 -manager.categories.selected.bgcolor = #83D9FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #B0B3B8 -manager.scrollbar.thumb.rollover.color = #9C9FA4 -manager.scrollbar.thumb.pressed.color = #9C9FA4 -manager.scrollbar.color = #D3D6DB - -manager.search.text.color = #000000 -manager.search.icon.color = #5B5E62 -manager.search.background.color = #AFB2B7 -manager.search.caret.color = #292C32 -manager.search.placeholder.color = #5B5E62 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #748DB1 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #D9DCE1 -manager.list.header.fgcolor = #0A2C4A -manager.list.header.bgcolor = #CBCED3 -manager.list.section.color = #D9DCE1 -manager.list.selection.color = #90949B -manager.list.icon.color = #002D54 -manager.list.text.color = #000000 -manager.list.foundation.color = #003178 -manager.list.incompatible.selection.color = #C1C3C7 -manager.list.incompatible.text.color = #6F7072 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #3A3D43 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #83D9FF -manager.panel.foundation.color = #69E9FF - -manager.button.enabled.background.color = #23262C -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #83D9FF -manager.button.pressed.background.color = #0D1117 -manager.button.pressed.text.color = #83D9FF -manager.button.pressed.icon.color = #83D9FF -manager.button.disabled.background.color = #2E3137 -manager.button.disabled.text.color = #A5A6A8 -manager.button.disabled.icon.color = #A5A6A8 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #50B0FF -manager.progress.incomplete.fgcolor = #A5A6A8 -manager.progress.incomplete.bgcolor = #0D1117 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C5C6C8 -theme_selector.combo_box.enabled.bgcolor = #2F3031 -theme_selector.combo_box.disabled.fgcolor = #5D5E5F -theme_selector.combo_box.disabled.bgcolor = #2F3031 -theme_selector.combo_box.selected.fgcolor = #00032C -theme_selector.combo_box.selected.bgcolor = #567BAA - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #767677 -theme_selector.link.color = #C2C6CD - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/garnet.txt b/tools/Java/lib/theme/Minerals/garnet.txt deleted file mode 100644 index 3fcf0d7..0000000 --- a/tools/Java/lib/theme/Minerals/garnet.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #FF94A3 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #882737 -toolbar.gradient.bottom = #882737 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #FF939B -# stolen from gradient bottom -mode.background.color = #882737 -mode.outline.color = #E27780 - -mode.popup.enabled.fgcolor = #CFA4A6 -mode.popup.enabled.bgcolor = #260405 -mode.popup.disabled.fgcolor = #755051 -mode.popup.disabled.bgcolor = #260405 -mode.popup.selected.fgcolor = #FFDFE5 -mode.popup.selected.bgcolor = #882737 - -toolbar.button.disabled.field = #9F3C49 -toolbar.button.disabled.glyph = #882737 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FF94A3 -toolbar.button.enabled.glyph = #89002A -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #60000C -toolbar.button.pressed.glyph = #FFA7BA -toolbar.button.pressed.stroke = #FFA7BA -toolbar.button.rollover.field = #FFA7BA -toolbar.button.rollover.glyph = #89002A -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #D70034 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #5C0007 -status.notice.bgcolor = #D25061 -status.error.fgcolor = #8A0011 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #FF94A3 -status.warning.fgcolor = #7D0004 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #FF9BAC -header.text.unselected.color = #AA6C6F -header.tab.arrow.color = #AA6C6F -header.tab.selected.color = #380000 -header.tab.unselected.color = #54111D -header.tab.modified.color = #FFFFFE -header.gradient.top = #882737 -header.gradient.bottom = #882737 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #FF939B -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #FF939B -footer.gradient.top = #882737 -footer.gradient.bottom = #882737 -footer.tab.selected.color = #B9545E -footer.tab.enabled.color = #882737 -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #370000 -footer.updates.indicator.text.color = #FFDFE5 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #2A1D1E -# color of System.out text -console.output.color = #AB9A9A -# text color for errors printed in the console -console.error.color = #FF2F81 - -console.scrollbar.thumb.enabled.color = #5C4D4E -console.scrollbar.thumb.rollover.color = #5C4D4E -console.scrollbar.thumb.pressed.color = #5C4D4E -console.scrollbar.color = #251819 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #882737 -editor.gradient.bottom = #882737 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #490B17 - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #6C1A28 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #B9545E -editor.scrollbar.thumb.rollover.color = #AB4753 -editor.scrollbar.thumb.pressed.color = #AB4753 -editor.scrollbar.color = #973542 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #FFDFE5 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #B9545E - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #FF94A3 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #EF838B - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #380000 -errors.header.fgcolor = #B68D8E -errors.bgcolor = #5B0016 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FFADB1 -errors.row.bgcolor = #5B0016 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #CD3953 -errors.selection.error.bgcolor = #D2002A -errors.selection.warning.bgcolor = #852535 -errors.indicator.error.color = #FF6A9B -errors.indicator.warning.color = #B04C57 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #882737 -manager.tab.unselected.color = #520819 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #C77379 -manager.tab.gradient.top = #380000 -manager.tab.gradient.bottom = #380000 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #380000 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #540010 -manager.categories.enabled.bgcolor = #EF838B -manager.categories.disabled.fgcolor = #721026 -manager.categories.disabled.bgcolor = #EF838B -manager.categories.selected.fgcolor = #8F001F -manager.categories.selected.bgcolor = #FFC7D7 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #AA4652 -manager.scrollbar.thumb.rollover.color = #BB5560 -manager.scrollbar.thumb.pressed.color = #BB5560 -manager.scrollbar.color = #8E2D3B - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #D7727B -manager.search.background.color = #420000 -manager.search.caret.color = #FF8C9C -manager.search.placeholder.color = #D7727B -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #830025 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #882737 -manager.list.header.fgcolor = #FFACB8 -manager.list.header.bgcolor = #963542 -manager.list.section.color = #882737 -manager.list.selection.color = #D76E77 -manager.list.icon.color = #FF97AE -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #FF9FB2 -manager.list.incompatible.selection.color = #9A4B52 -manager.list.incompatible.text.color = #C59193 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #B34E5A -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFC7D7 -manager.panel.foundation.color = #FFBBD1 - -manager.button.enabled.background.color = #7D1D2F -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFC7D7 -manager.button.pressed.background.color = #4A0003 -manager.button.pressed.text.color = #FFC7D7 -manager.button.pressed.icon.color = #FFC7D7 -manager.button.disabled.background.color = #983644 -manager.button.disabled.text.color = #D3B0B1 -manager.button.disabled.icon.color = #D3B0B1 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FF899D -manager.progress.incomplete.fgcolor = #D3B0B1 -manager.progress.incomplete.bgcolor = #4A0003 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #E5BCBD -theme_selector.combo_box.enabled.bgcolor = #462729 -theme_selector.combo_box.disabled.fgcolor = #785556 -theme_selector.combo_box.disabled.bgcolor = #462729 -theme_selector.combo_box.selected.fgcolor = #440000 -theme_selector.combo_box.selected.bgcolor = #FF6D80 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #827373 -theme_selector.link.color = #FF95A4 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #E391C3,plain -editor.token.function2.style = #E391C3,plain -editor.token.function3.style = #8E6FFF,plain -editor.token.function4.style = #E391C3,bold - -editor.token.keyword1.style = #B813C0,plain -editor.token.keyword2.style = #B813C0,plain -editor.token.keyword3.style = #8E6FFF,plain -editor.token.keyword4.style = #0094E3,plain -editor.token.keyword5.style = #00D0DE,plain -editor.token.keyword6.style = #B813C0,plain - -editor.token.literal1.style = #C84C5D,plain -editor.token.literal2.style = #D10000,plain - -editor.token.operator.style = #E391C3,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #00D0DE -editor.completion.field.color = #D10000 -editor.completion.local.color = #E391C3 -editor.completion.method.color = #B813C0 diff --git a/tools/Java/lib/theme/Minerals/jasper.txt b/tools/Java/lib/theme/Minerals/jasper.txt deleted file mode 100644 index f682815..0000000 --- a/tools/Java/lib/theme/Minerals/jasper.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #790000 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #D84344 -toolbar.gradient.bottom = #D84344 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #7A0000 -# stolen from gradient bottom -mode.background.color = #D84344 -mode.outline.color = #910013 - -mode.popup.enabled.fgcolor = #63322E -mode.popup.enabled.bgcolor = #FFD5CE -mode.popup.disabled.fgcolor = #B97F79 -mode.popup.disabled.bgcolor = #FFD5CE -mode.popup.selected.fgcolor = #460000 -mode.popup.selected.bgcolor = #D84344 - -toolbar.button.disabled.field = #BF2B32 -toolbar.button.disabled.glyph = #A70721 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #AF3234 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #90111E -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #620000 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #620000 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #510000 -status.notice.bgcolor = #BA0017 -status.error.fgcolor = #FF7D7A -status.error.bgcolor = #000000 -status.warning.bgcolor = #790000 -status.warning.fgcolor = #FFA298 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #730000 -header.text.unselected.color = #8C3936 -header.tab.arrow.color = #8C3936 -header.tab.selected.color = #FFBAAF -header.tab.unselected.color = #FF9188 -header.tab.modified.color = #000000 -header.gradient.top = #D84344 -header.gradient.bottom = #D84344 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #7A0000 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #7A0000 -footer.gradient.top = #D84344 -footer.gradient.bottom = #D84344 -footer.tab.selected.color = #B11928 -footer.tab.enabled.color = #D84344 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFCEC2 -footer.updates.indicator.text.color = #460000 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #231615 -# color of System.out text -console.output.color = #A89694 -# text color for errors printed in the console -console.error.color = #FF2A55 - -console.scrollbar.thumb.enabled.color = #574745 -console.scrollbar.thumb.rollover.color = #574745 -console.scrollbar.thumb.pressed.color = #574745 -console.scrollbar.color = #201210 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #D84344 -editor.gradient.bottom = #D84344 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #FFE7E3 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #F5CAC5 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #B11928 -editor.scrollbar.thumb.rollover.color = #A50320 -editor.scrollbar.thumb.pressed.color = #A50320 -editor.scrollbar.color = #CC383C - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #460000 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #B11928 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #790000 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #6D0000 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #4F0000 -errors.header.fgcolor = #C78C86 -errors.bgcolor = #89000E -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FFA89E -errors.row.bgcolor = #89000E -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #B11928 -errors.selection.error.bgcolor = #AC4F4A -errors.selection.warning.bgcolor = #B8222D -errors.indicator.error.color = #FFBBB1 -errors.indicator.warning.color = #E7504F - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #FFBAAF -manager.tab.unselected.color = #ED7972 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #8C2527 -manager.tab.gradient.top = #B9232D -manager.tab.gradient.bottom = #B9232D - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #B9232D - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #FFA69B -manager.categories.enabled.bgcolor = #650000 -manager.categories.disabled.fgcolor = #8E0A1C -manager.categories.disabled.bgcolor = #650000 -manager.categories.selected.fgcolor = #770007 -manager.categories.selected.bgcolor = #FFA99E - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #FF9188 -manager.scrollbar.thumb.rollover.color = #F17D75 -manager.scrollbar.thumb.pressed.color = #F17D75 -manager.scrollbar.color = #FFB4A9 - -manager.search.text.color = #000000 -manager.search.icon.color = #A13D3A -manager.search.background.color = #FF9289 -manager.search.caret.color = #820000 -manager.search.placeholder.color = #A13D3A -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #EA5D59 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #FFBAAF -manager.list.header.fgcolor = #700000 -manager.list.header.bgcolor = #FFACA1 -manager.list.section.color = #FFBAAF -manager.list.selection.color = #EF6A64 -manager.list.icon.color = #8B0000 -manager.list.text.color = #000000 -manager.list.foundation.color = #6C0000 -manager.list.incompatible.selection.color = #FFA9A0 -manager.list.incompatible.text.color = #97625D - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #820014 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFA99E -manager.panel.foundation.color = #FFA99F - -manager.button.enabled.background.color = #640000 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFA99E -manager.button.pressed.background.color = #4A0000 -manager.button.pressed.text.color = #FFA99E -manager.button.pressed.icon.color = #FFA99E -manager.button.disabled.background.color = #730007 -manager.button.disabled.text.color = #C79C97 -manager.button.disabled.icon.color = #C79C97 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FF8078 -manager.progress.incomplete.fgcolor = #C79C97 -manager.progress.incomplete.bgcolor = #4A0000 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #EEBAB4 -theme_selector.combo_box.enabled.bgcolor = #4C2522 -theme_selector.combo_box.disabled.fgcolor = #7F524E -theme_selector.combo_box.disabled.bgcolor = #4C2522 -theme_selector.combo_box.selected.fgcolor = #510000 -theme_selector.combo_box.selected.bgcolor = #EB2438 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #867270 -theme_selector.link.color = #FF837E - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/kyanite.txt b/tools/Java/lib/theme/Minerals/kyanite.txt deleted file mode 100644 index 43c7782..0000000 --- a/tools/Java/lib/theme/Minerals/kyanite.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #003775 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #6BA0CC -toolbar.gradient.bottom = #6BA0CC - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #004166 -# stolen from gradient bottom -mode.background.color = #6BA0CC -mode.outline.color = #13577F - -mode.popup.enabled.fgcolor = #344351 -mode.popup.enabled.bgcolor = #DCEDFF -mode.popup.disabled.fgcolor = #8494A4 -mode.popup.disabled.bgcolor = #DCEDFF -mode.popup.selected.fgcolor = #00072B -mode.popup.selected.bgcolor = #6BA0CC - -toolbar.button.disabled.field = #558BB6 -toolbar.button.disabled.glyph = #3E76A0 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #0088F6 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #0068D1 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #002E7A -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #002E7A -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #00173F -status.notice.bgcolor = #0870A3 -status.error.fgcolor = #FFFFFE -status.error.bgcolor = #BF0019 -status.warning.bgcolor = #003775 -status.warning.fgcolor = #00DFFF - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #002F72 -header.text.unselected.color = #516C85 -header.tab.arrow.color = #516C85 -header.tab.selected.color = #C4E9FF -header.tab.unselected.color = #A6CAED -header.tab.modified.color = #000000 -header.gradient.top = #6BA0CC -header.gradient.bottom = #6BA0CC - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #004166 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #004166 -footer.gradient.top = #6BA0CC -footer.gradient.bottom = #6BA0CC -footer.tab.selected.color = #3E76A0 -footer.tab.enabled.color = #6BA0CC -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #D1FFFF -footer.updates.indicator.text.color = #00072B - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #171F27 -# color of System.out text -console.output.color = #949DA7 -# text color for errors printed in the console -console.error.color = #00CFFF - -console.scrollbar.thumb.enabled.color = #475059 -console.scrollbar.thumb.rollover.color = #475059 -console.scrollbar.thumb.pressed.color = #475059 -console.scrollbar.color = #121A22 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #6BA0CC -editor.gradient.bottom = #6BA0CC - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #DEF3FF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #BFD7EF - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #3E76A0 -editor.scrollbar.thumb.rollover.color = #306B93 -editor.scrollbar.thumb.pressed.color = #306B93 -editor.scrollbar.color = #5E93BF - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #00072B - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #3E76A0 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FF002C -# squiggly line underneath warnings -editor.warning.underline.color = #003775 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #9C0000 -editor.column.warning.color = #00496F - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #00243E -errors.header.fgcolor = #8F9FB0 -errors.bgcolor = #005076 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #AED2F5 -errors.row.bgcolor = #005076 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #3E76A0 -errors.selection.error.bgcolor = #008FFF -errors.selection.warning.bgcolor = #3B749E -errors.indicator.error.color = #00F0FF -errors.indicator.warning.color = #659BC6 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #C4E9FF -manager.tab.unselected.color = #8DB2D3 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #305774 -manager.tab.gradient.top = #477FA9 -manager.tab.gradient.bottom = #477FA9 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #477FA9 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #A6DAFF -manager.categories.enabled.bgcolor = #004268 -manager.categories.disabled.fgcolor = #09537A -manager.categories.disabled.bgcolor = #004268 -manager.categories.selected.fgcolor = #003E87 -manager.categories.selected.bgcolor = #4EE5FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #9ABEE0 -manager.scrollbar.thumb.rollover.color = #85A9CB -manager.scrollbar.thumb.pressed.color = #85A9CB -manager.scrollbar.color = #BFE3FF - -manager.search.text.color = #000000 -manager.search.icon.color = #3E617E -manager.search.background.color = #9DBFDF -manager.search.caret.color = #003675 -manager.search.placeholder.color = #3E617E -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #4899D1 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #C4E9FF -manager.list.header.fgcolor = #003262 -manager.list.header.bgcolor = #B6DBFE -manager.list.section.color = #C4E9FF -manager.list.selection.color = #6A9FCB -manager.list.icon.color = #00388C -manager.list.text.color = #000000 -manager.list.foundation.color = #00367D -manager.list.incompatible.selection.color = #B2CEEA -manager.list.incompatible.text.color = #677685 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #175A81 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #4EE5FF -manager.panel.foundation.color = #00F4FF - -manager.button.enabled.background.color = #00385D -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #4EE5FF -manager.button.pressed.background.color = #001A3B -manager.button.pressed.text.color = #4EE5FF -manager.button.pressed.icon.color = #4EE5FF -manager.button.disabled.background.color = #00496F -manager.button.disabled.text.color = #A4B0BE -manager.button.disabled.icon.color = #A4B0BE - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #00C2FF -manager.progress.incomplete.fgcolor = #A4B0BE -manager.progress.incomplete.bgcolor = #001A3B - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #B5C8DC -theme_selector.combo_box.enabled.bgcolor = #1F3241 -theme_selector.combo_box.disabled.fgcolor = #4E6071 -theme_selector.combo_box.disabled.bgcolor = #1F3241 -theme_selector.combo_box.selected.fgcolor = #000E46 -theme_selector.combo_box.selected.bgcolor = #00A4F0 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #71777E -theme_selector.link.color = #57D0FF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/malachite.txt b/tools/Java/lib/theme/Minerals/malachite.txt deleted file mode 100644 index 41f0e14..0000000 --- a/tools/Java/lib/theme/Minerals/malachite.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #17AD71 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #24302B -toolbar.gradient.bottom = #24302B - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #98A8A0 -# stolen from gradient bottom -mode.background.color = #24302B -mode.outline.color = #798881 - -mode.popup.enabled.fgcolor = #A8AEAB -mode.popup.enabled.bgcolor = #040C08 -mode.popup.disabled.fgcolor = #525755 -mode.popup.disabled.bgcolor = #040C08 -mode.popup.selected.fgcolor = #F2FFFA -mode.popup.selected.bgcolor = #24302B - -toolbar.button.disabled.field = #35423C -toolbar.button.disabled.glyph = #24302B -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #17AD71 -toolbar.button.enabled.glyph = #00301F -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #001F0D -toolbar.button.pressed.glyph = #33E599 -toolbar.button.pressed.stroke = #33E599 -toolbar.button.rollover.field = #33E599 -toolbar.button.rollover.glyph = #00301F -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #005E10 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #001105 -status.notice.bgcolor = #586A61 -status.error.fgcolor = #004100 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #17AD71 -status.warning.fgcolor = #003100 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #23C381 -header.text.unselected.color = #5F6864 -header.tab.arrow.color = #5F6864 -header.tab.selected.color = #011009 -header.tab.unselected.color = #151E1A -header.tab.modified.color = #FFFFFE -header.gradient.top = #24302B -header.gradient.bottom = #24302B - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #98A8A0 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #98A8A0 -footer.gradient.top = #24302B -footer.gradient.bottom = #24302B -footer.tab.selected.color = #515F58 -footer.tab.enabled.color = #24302B -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #000500 -footer.updates.indicator.text.color = #F2FFFA - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #0C1913 -# color of System.out text -console.output.color = #8D9B95 -# text color for errors printed in the console -console.error.color = #00DE64 - -console.scrollbar.thumb.enabled.color = #3E4B45 -console.scrollbar.thumb.rollover.color = #3E4B45 -console.scrollbar.thumb.pressed.color = #3E4B45 -console.scrollbar.color = #071610 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #24302B -editor.gradient.bottom = #24302B - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #00240C - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #003C1D - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #515F58 -editor.scrollbar.thumb.rollover.color = #48564F -editor.scrollbar.thumb.pressed.color = #48564F -editor.scrollbar.color = #313E38 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #F2FFFA - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #515F58 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #17AD71 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #75847D - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #011009 -errors.header.fgcolor = #909593 -errors.bgcolor = #101D17 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #B5C2BC -errors.row.bgcolor = #101D17 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #006631 -errors.selection.error.bgcolor = #005A1C -errors.selection.warning.bgcolor = #2F3D36 -errors.indicator.error.color = #00EF9D -errors.indicator.warning.color = #526059 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #24302B -manager.tab.unselected.color = #121C18 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #798580 -manager.tab.gradient.top = #011009 -manager.tab.gradient.bottom = #011009 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #011009 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #131F1A -manager.categories.enabled.bgcolor = #75847D -manager.categories.disabled.fgcolor = #24312C -manager.categories.disabled.bgcolor = #75847D -manager.categories.selected.fgcolor = #00430A -manager.categories.selected.bgcolor = #52F4A9 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #425049 -manager.scrollbar.thumb.rollover.color = #526059 -manager.scrollbar.thumb.pressed.color = #526059 -manager.scrollbar.color = #28352F - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #85948D -manager.search.background.color = #000500 -manager.search.caret.color = #49CF90 -manager.search.placeholder.color = #85948D -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #003825 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #24302B -manager.list.header.fgcolor = #A0DDC2 -manager.list.header.bgcolor = #2E3C35 -manager.list.section.color = #24302B -manager.list.selection.color = #6E7D76 -manager.list.icon.color = #04EE9A -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #47EBA1 -manager.list.incompatible.selection.color = #404B46 -manager.list.incompatible.text.color = #878E8B - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #45534C -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #52F4A9 -manager.panel.foundation.color = #1BFFAB - -manager.button.enabled.background.color = #26342E -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #52F4A9 -manager.button.pressed.background.color = #081711 -manager.button.pressed.text.color = #52F4A9 -manager.button.pressed.icon.color = #52F4A9 -manager.button.disabled.background.color = #35433D -manager.button.disabled.text.color = #A9AEAC -manager.button.disabled.icon.color = #A9AEAC - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #14CE86 -manager.progress.incomplete.fgcolor = #A9AEAC -manager.progress.incomplete.bgcolor = #081711 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #B0CDBC -theme_selector.combo_box.enabled.bgcolor = #1D3528 -theme_selector.combo_box.disabled.fgcolor = #4A6355 -theme_selector.combo_box.disabled.bgcolor = #1D3528 -theme_selector.combo_box.selected.fgcolor = #001400 -theme_selector.combo_box.selected.bgcolor = #519D7E - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #6F7973 -theme_selector.link.color = #59DD9D - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #00BFD8,plain -editor.token.function2.style = #00BFD8,plain -editor.token.function3.style = #00A8FF,plain -editor.token.function4.style = #00BFD8,bold - -editor.token.keyword1.style = #008BEC,plain -editor.token.keyword2.style = #008BEC,plain -editor.token.keyword3.style = #00A8FF,plain -editor.token.keyword4.style = #BA43C0,plain -editor.token.keyword5.style = #FF48A6,plain -editor.token.keyword6.style = #008BEC,plain - -editor.token.literal1.style = #008A58,plain -editor.token.literal2.style = #006C58,plain - -editor.token.operator.style = #00BFD8,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #FF48A6 -editor.completion.field.color = #006C58 -editor.completion.local.color = #00BFD8 -editor.completion.method.color = #008BEC diff --git a/tools/Java/lib/theme/Minerals/olivine.txt b/tools/Java/lib/theme/Minerals/olivine.txt deleted file mode 100644 index afd08c8..0000000 --- a/tools/Java/lib/theme/Minerals/olivine.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #1B3900 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #94AC43 -toolbar.gradient.bottom = #94AC43 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #2C4700 -# stolen from gradient bottom -mode.background.color = #94AC43 -mode.outline.color = #445F00 - -mode.popup.enabled.fgcolor = #3E4524 -mode.popup.enabled.bgcolor = #EAF1C8 -mode.popup.disabled.fgcolor = #909671 -mode.popup.disabled.bgcolor = #EAF1C8 -mode.popup.selected.fgcolor = #000D00 -mode.popup.selected.bgcolor = #94AC43 - -toolbar.button.disabled.field = #7E972E -toolbar.button.disabled.glyph = #698217 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #72882A -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #4F6601 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #193300 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #193300 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #111D00 -status.notice.bgcolor = #567A00 -status.error.fgcolor = #AAD518 -status.error.bgcolor = #000000 -status.warning.bgcolor = #1B3900 -status.warning.fgcolor = #C4DB71 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #1A3000 -header.text.unselected.color = #68743B -header.tab.arrow.color = #68743B -header.tab.selected.color = #DFEF9E -header.tab.unselected.color = #C3D383 -header.tab.modified.color = #000000 -header.gradient.top = #94AC43 -header.gradient.bottom = #94AC43 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #2C4700 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #2C4700 -footer.gradient.top = #94AC43 -footer.gradient.bottom = #94AC43 -footer.tab.selected.color = #678015 -footer.tab.enabled.color = #94AC43 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #F2FF9A -footer.updates.indicator.text.color = #000D00 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #1E2016 -# color of System.out text -console.output.color = #9C9E91 -# text color for errors printed in the console -console.error.color = #87CC00 - -console.scrollbar.thumb.enabled.color = #4F5145 -console.scrollbar.thumb.rollover.color = #4F5145 -console.scrollbar.thumb.pressed.color = #4F5145 -console.scrollbar.color = #1A1B11 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #94AC43 -editor.gradient.bottom = #94AC43 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #EEF3D7 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #D2D7B9 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #678015 -editor.scrollbar.thumb.rollover.color = #5A7401 -editor.scrollbar.thumb.pressed.color = #5A7401 -editor.scrollbar.color = #869F36 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #000D00 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #678015 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #1B3900 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #385300 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #1C2700 -errors.header.fgcolor = #9BA27C -errors.bgcolor = #3B5700 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #C7D787 -errors.row.bgcolor = #3B5700 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #678015 -errors.selection.error.bgcolor = #778642 -errors.selection.warning.bgcolor = #627C0F -errors.indicator.error.color = #D6E59A -errors.indicator.warning.color = #8AA33A - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #DFEF9E -manager.tab.unselected.color = #A9B96C -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #4A5C12 -manager.tab.gradient.top = #70891F -manager.tab.gradient.bottom = #70891F - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #70891F - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #C8E074 -manager.categories.enabled.bgcolor = #304B00 -manager.categories.disabled.fgcolor = #3D5900 -manager.categories.disabled.bgcolor = #304B00 -manager.categories.selected.fgcolor = #223C00 -manager.categories.selected.bgcolor = #CDE774 - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #B3C375 -manager.scrollbar.thumb.rollover.color = #9EAF61 -manager.scrollbar.thumb.pressed.color = #9EAF61 -manager.scrollbar.color = #D9E998 - -manager.search.text.color = #000000 -manager.search.icon.color = #54641F -manager.search.background.color = #B5C47A -manager.search.caret.color = #1B3700 -manager.search.placeholder.color = #54641F -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #859D36 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #DFEF9E -manager.list.header.fgcolor = #1E3300 -manager.list.header.bgcolor = #D0E190 -manager.list.section.color = #DFEF9E -manager.list.selection.color = #8CA53C -manager.list.icon.color = #183600 -manager.list.text.color = #000000 -manager.list.foundation.color = #1E3400 -manager.list.incompatible.selection.color = #C7D394 -manager.list.incompatible.text.color = #727956 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #486300 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #CDE774 -manager.panel.foundation.color = #D3F562 - -manager.button.enabled.background.color = #253E00 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #CDE774 -manager.button.pressed.background.color = #131D00 -manager.button.pressed.text.color = #CDE774 -manager.button.pressed.icon.color = #CDE774 -manager.button.disabled.background.color = #355100 -manager.button.disabled.text.color = #AFB495 -manager.button.disabled.icon.color = #AFB495 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #AAC453 -manager.progress.incomplete.fgcolor = #AFB495 -manager.progress.incomplete.bgcolor = #131D00 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C3C9A7 -theme_selector.combo_box.enabled.bgcolor = #2D3217 -theme_selector.combo_box.disabled.fgcolor = #5B6143 -theme_selector.combo_box.disabled.bgcolor = #2D3217 -theme_selector.combo_box.selected.fgcolor = #001000 -theme_selector.combo_box.selected.bgcolor = #8BAF14 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #76786B -theme_selector.link.color = #B0D340 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/order.txt b/tools/Java/lib/theme/Minerals/order.txt deleted file mode 100644 index 4dfe6d3..0000000 --- a/tools/Java/lib/theme/Minerals/order.txt +++ /dev/null @@ -1,16 +0,0 @@ -kyanite -calcite -olivine -beryl -galena -jasper -malachite -pyrite -gabbro -fluorite -orpiment -feldspar -antimony -serandite -bauxite -garnet diff --git a/tools/Java/lib/theme/Minerals/orpiment.txt b/tools/Java/lib/theme/Minerals/orpiment.txt deleted file mode 100644 index d93f8d4..0000000 --- a/tools/Java/lib/theme/Minerals/orpiment.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #A56200 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #FFCC5F -toolbar.gradient.bottom = #FFCC5F - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #6C4900 -# stolen from gradient bottom -mode.background.color = #FFCC5F -mode.outline.color = #906800 - -mode.popup.enabled.fgcolor = #534221 -mode.popup.enabled.bgcolor = #FFF3CB -mode.popup.disabled.fgcolor = #AC9571 -mode.popup.disabled.bgcolor = #FFF3CB -mode.popup.selected.fgcolor = #2D0000 -mode.popup.selected.bgcolor = #FFCC5F - -toolbar.button.disabled.field = #EAB64A -toolbar.button.disabled.glyph = #D1A034 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #D69A3C -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #A46E09 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #873F00 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #873F00 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #4E2700 -status.notice.bgcolor = #BA8600 -status.error.fgcolor = #FFB628 -status.error.bgcolor = #000000 -status.warning.bgcolor = #A56200 -status.warning.fgcolor = #FFD46C - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #8A4B00 -header.text.unselected.color = #AA8A4F -header.tab.arrow.color = #AA8A4F -header.tab.selected.color = #FFED9C -header.tab.unselected.color = #FFE090 -header.tab.modified.color = #000000 -header.gradient.top = #FFCC5F -header.gradient.bottom = #FFCC5F - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #6C4900 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #6C4900 -footer.gradient.top = #FFCC5F -footer.gradient.bottom = #FFCC5F -footer.tab.selected.color = #C29225 -footer.tab.enabled.color = #FFCC5F -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFF688 -footer.updates.indicator.text.color = #2D0000 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #49433A -# color of System.out text -console.output.color = #B5AEA3 -# text color for errors printed in the console -console.error.color = #FFA300 - -console.scrollbar.thumb.enabled.color = #746D63 -console.scrollbar.thumb.rollover.color = #746D63 -console.scrollbar.thumb.pressed.color = #746D63 -console.scrollbar.color = #3C362D - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #FFCC5F -editor.gradient.bottom = #FFCC5F - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #FFEDD8 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #E6D1B9 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #C29225 -editor.scrollbar.thumb.rollover.color = #AF820F -editor.scrollbar.thumb.pressed.color = #AF820F -editor.scrollbar.color = #EFBA4E - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #2D0000 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #C29225 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #A56200 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #997000 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #3F2500 -errors.header.fgcolor = #B69F7A -errors.bgcolor = #845D00 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FCCF80 -errors.row.bgcolor = #845D00 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #C29225 -errors.selection.error.bgcolor = #B49252 -errors.selection.warning.bgcolor = #AF8210 -errors.indicator.error.color = #FFDE9A -errors.indicator.warning.color = #DCAA3E - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #FFED9C -manager.tab.unselected.color = #F1C677 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #7B5B0D -manager.tab.gradient.top = #CE9E31 -manager.tab.gradient.bottom = #CE9E31 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #CE9E31 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #FFD77C -manager.categories.enabled.bgcolor = #835F00 -manager.categories.disabled.fgcolor = #795700 -manager.categories.disabled.bgcolor = #835F00 -manager.categories.selected.fgcolor = #552C00 -manager.categories.selected.bgcolor = #FFD87D - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #EBC072 -manager.scrollbar.thumb.rollover.color = #D3AA5D -manager.scrollbar.thumb.pressed.color = #D3AA5D -manager.scrollbar.color = #FFE797 - -manager.search.text.color = #000000 -manager.search.icon.color = #785911 -manager.search.background.color = #EDC379 -manager.search.caret.color = #5A2100 -manager.search.placeholder.color = #785911 -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #C49635 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #FFED9C -manager.list.header.fgcolor = #482800 -manager.list.header.bgcolor = #FFDF8F -manager.list.section.color = #FFED9C -manager.list.selection.color = #C99D45 -manager.list.icon.color = #5B1C00 -manager.list.text.color = #000000 -manager.list.foundation.color = #4D2500 -manager.list.incompatible.selection.color = #F9D394 -manager.list.incompatible.text.color = #8D7957 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #9F7820 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFD87D -manager.panel.foundation.color = #FFDE6B - -manager.button.enabled.background.color = #644500 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFD87D -manager.button.pressed.background.color = #361600 -manager.button.pressed.text.color = #FFD87D -manager.button.pressed.icon.color = #FFD87D -manager.button.disabled.background.color = #815E00 -manager.button.disabled.text.color = #CDBBA2 -manager.button.disabled.icon.color = #CDBBA2 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FDBE64 -manager.progress.incomplete.fgcolor = #CDBBA2 -manager.progress.incomplete.bgcolor = #361600 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #DDC2A1 -theme_selector.combo_box.enabled.bgcolor = #3F2C12 -theme_selector.combo_box.disabled.fgcolor = #705A3D -theme_selector.combo_box.disabled.bgcolor = #3F2C12 -theme_selector.combo_box.selected.fgcolor = #330000 -theme_selector.combo_box.selected.bgcolor = #FFCA3F - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #807569 -theme_selector.link.color = #FFB517 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/Minerals/pyrite.txt b/tools/Java/lib/theme/Minerals/pyrite.txt deleted file mode 100644 index efc9d3f..0000000 --- a/tools/Java/lib/theme/Minerals/pyrite.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #999166 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #FFFFFE -toolbar.gradient.top = #004750 -toolbar.gradient.bottom = #004750 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #77B7C0 -# stolen from gradient bottom -mode.background.color = #004750 -mode.outline.color = #5A9AA2 - -mode.popup.enabled.fgcolor = #9CB2B5 -mode.popup.enabled.bgcolor = #001214 -mode.popup.disabled.fgcolor = #485C5E -mode.popup.disabled.bgcolor = #001214 -mode.popup.selected.fgcolor = #C9FFFF -mode.popup.selected.bgcolor = #004750 - -toolbar.button.disabled.field = #125A63 -toolbar.button.disabled.glyph = #004750 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #999166 -toolbar.button.enabled.glyph = #004454 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #002939 -toolbar.button.pressed.glyph = #D3C780 -toolbar.button.pressed.stroke = #D3C780 -toolbar.button.rollover.field = #D3C780 -toolbar.button.rollover.glyph = #004454 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #FFFFFE -toolbar.button.selected.glyph = #4C4806 -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #00212B -status.notice.bgcolor = #217F8A -status.error.fgcolor = #383300 -status.error.bgcolor = #FFFFFE -status.warning.bgcolor = #999166 -status.warning.fgcolor = #2A2000 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #B0A670 -header.text.unselected.color = #57797E -header.tab.arrow.color = #57797E -header.tab.selected.color = #00181C -header.tab.unselected.color = #002A30 -header.tab.modified.color = #FFFFFE -header.gradient.top = #004750 -header.gradient.bottom = #004750 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #FFFFFE -footer.text.enabled.color = #77B7C0 -footer.icon.selected.color = #FFFFFE -footer.icon.enabled.color = #77B7C0 -footer.gradient.top = #004750 -footer.gradient.bottom = #004750 -footer.tab.selected.color = #32747C -footer.tab.enabled.color = #004750 -footer.updates.text.color = #FFFFFE -footer.updates.indicator.field.color = #000E15 -footer.updates.indicator.text.color = #C9FFFF - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #0E1F22 -# color of System.out text -console.output.color = #8B9FA2 -# text color for errors printed in the console -console.error.color = #C3BE00 - -console.scrollbar.thumb.enabled.color = #3E5153 -console.scrollbar.thumb.rollover.color = #3E5153 -console.scrollbar.thumb.pressed.color = #3E5153 -console.scrollbar.color = #091B1D - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #FFFFFE -editor.bgcolor = #000000 - -editor.gradient.top = #004750 -editor.gradient.bottom = #004750 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #24210F - -editor.caret.color = #FFFFFE -# also used by EditorHeader -editor.selection.color = #3A361F - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #32747C -editor.scrollbar.thumb.rollover.color = #256871 -editor.scrollbar.thumb.pressed.color = #256871 -editor.scrollbar.color = #06545D - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #C9FFFF - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #32747C - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FFFFFE -# squiggly line underneath warnings -editor.warning.underline.color = #999166 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #FFFFFE -editor.column.warning.color = #609FA8 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #00181C -errors.header.fgcolor = #859A9D -errors.bgcolor = #002931 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #9BC9D0 -errors.row.bgcolor = #002931 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #5D572F -errors.selection.error.bgcolor = #006AA2 -errors.selection.warning.bgcolor = #004B53 -errors.indicator.error.color = #00F9FF -errors.indicator.warning.color = #2D6F78 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #004750 -manager.tab.unselected.color = #00282E -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #FFFFFE -manager.tab.text.unselected.color = #5F9096 -manager.tab.gradient.top = #00181C -manager.tab.gradient.bottom = #00181C - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #00181C - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #00272F -manager.categories.enabled.bgcolor = #609FA8 -manager.categories.disabled.fgcolor = #003D45 -manager.categories.disabled.bgcolor = #609FA8 -manager.categories.selected.fgcolor = #3A3600 -manager.categories.selected.bgcolor = #EADF9C - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #22666E -manager.scrollbar.thumb.rollover.color = #34757D -manager.scrollbar.thumb.pressed.color = #34757D -manager.scrollbar.color = #004C54 - -manager.search.text.color = #FFFFFE -manager.search.icon.color = #5E99A2 -manager.search.background.color = #001318 -manager.search.caret.color = #C3BA8D -manager.search.placeholder.color = #5E99A2 -manager.search.selection.text.color = #FFFFFE -manager.search.selection.background.color = #004051 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #004750 -manager.list.header.fgcolor = #4BE8FB -manager.list.header.bgcolor = #04535B -manager.list.section.color = #004750 -manager.list.selection.color = #509099 -manager.list.icon.color = #E4D77F -manager.list.text.color = #FFFFFE -manager.list.foundation.color = #E2D694 -manager.list.incompatible.selection.color = #2F6067 -manager.list.incompatible.text.color = #819CA0 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #296C74 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #EADF9C -manager.panel.foundation.color = #F9EA87 - -manager.button.enabled.background.color = #00434B -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #EADF9C -manager.button.pressed.background.color = #001F26 -manager.button.pressed.text.color = #EADF9C -manager.button.pressed.icon.color = #EADF9C -manager.button.disabled.background.color = #0C575F -manager.button.disabled.text.color = #A6B7BA -manager.button.disabled.icon.color = #A6B7BA - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #C9BE7D -manager.progress.incomplete.fgcolor = #A6B7BA -manager.progress.incomplete.bgcolor = #001F26 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #C9C6BB -theme_selector.combo_box.enabled.bgcolor = #323027 -theme_selector.combo_box.disabled.fgcolor = #605E54 -theme_selector.combo_box.disabled.bgcolor = #323027 -theme_selector.combo_box.selected.fgcolor = #001926 -theme_selector.combo_box.selected.bgcolor = #00AEC4 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #787672 -theme_selector.link.color = #D0C799 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #99A6F0,plain -editor.token.function2.style = #99A6F0,plain -editor.token.function3.style = #F133FA,plain -editor.token.function4.style = #99A6F0,bold - -editor.token.keyword1.style = #654FED,plain -editor.token.keyword2.style = #654FED,plain -editor.token.keyword3.style = #F133FA,plain -editor.token.keyword4.style = #DA3756,plain -editor.token.keyword5.style = #FF7500,plain -editor.token.keyword6.style = #654FED,plain - -editor.token.literal1.style = #008B81,plain -editor.token.literal2.style = #0071B9,plain - -editor.token.operator.style = #99A6F0,plain - -editor.token.label.style = #5E5E5E,bold - -editor.token.comment1.style = #5E5E5E,plain -editor.token.comment2.style = #5E5E5E,plain - -editor.token.invalid.style = #5E5E5E,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #FF7500 -editor.completion.field.color = #0071B9 -editor.completion.local.color = #99A6F0 -editor.completion.method.color = #654FED diff --git a/tools/Java/lib/theme/Minerals/serandite.txt b/tools/Java/lib/theme/Minerals/serandite.txt deleted file mode 100644 index 9abccd3..0000000 --- a/tools/Java/lib/theme/Minerals/serandite.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #662145 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #EC6831 -toolbar.gradient.bottom = #EC6831 - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #7D0000 -# stolen from gradient bottom -mode.background.color = #EC6831 -mode.outline.color = #971E00 - -mode.popup.enabled.fgcolor = #623523 -mode.popup.enabled.bgcolor = #FFDCC3 -mode.popup.disabled.fgcolor = #BA846E -mode.popup.disabled.bgcolor = #FFDCC3 -mode.popup.selected.fgcolor = #440000 -mode.popup.selected.bgcolor = #EC6831 - -toolbar.button.disabled.field = #D2531C -toolbar.button.disabled.glyph = #B93D04 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #C73785 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #A40367 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #480026 -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #480026 -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #510000 -status.notice.bgcolor = #C22000 -status.error.fgcolor = #FF83E1 -status.error.bgcolor = #000000 -status.warning.bgcolor = #662145 -status.warning.fgcolor = #FFA7E8 - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #5E0B3B -header.text.unselected.color = #994E2E -header.tab.arrow.color = #994E2E -header.tab.selected.color = #FFC696 -header.tab.unselected.color = #FFA477 -header.tab.modified.color = #000000 -header.gradient.top = #EC6831 -header.gradient.bottom = #EC6831 - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #7D0000 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #7D0000 -footer.gradient.top = #EC6831 -footer.gradient.bottom = #EC6831 -footer.tab.selected.color = #BC4007 -footer.tab.enabled.color = #EC6831 -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #FFD797 -footer.updates.indicator.text.color = #440000 - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #30221C -# color of System.out text -console.output.color = #AF9C95 -# text color for errors printed in the console -console.error.color = #FF3EDB - -console.scrollbar.thumb.enabled.color = #62514B -console.scrollbar.thumb.rollover.color = #62514B -console.scrollbar.thumb.pressed.color = #62514B -console.scrollbar.color = #291C17 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #EC6831 -editor.gradient.bottom = #EC6831 - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #FFE8F5 - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #EDCBD9 - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #BC4007 -editor.scrollbar.thumb.rollover.color = #AE3400 -editor.scrollbar.thumb.pressed.color = #AE3400 -editor.scrollbar.color = #DE5C25 - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #440000 - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #BC4007 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #000000 -# squiggly line underneath warnings -editor.warning.underline.color = #662145 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #000000 -editor.column.warning.color = #7F0000 - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #4F0000 -errors.header.fgcolor = #C7907A -errors.bgcolor = #8E1300 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #FFB183 -errors.row.bgcolor = #8E1300 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #BC4007 -errors.selection.error.bgcolor = #B55E3A -errors.selection.warning.bgcolor = #BC4007 -errors.indicator.error.color = #FFC298 -errors.indicator.warning.color = #EC6831 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #FFC696 -manager.tab.unselected.color = #F58C60 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #8D340E -manager.tab.gradient.top = #C64811 -manager.tab.gradient.bottom = #C64811 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #C64811 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #FFAE75 -manager.categories.enabled.bgcolor = #760000 -manager.categories.disabled.fgcolor = #922100 -manager.categories.disabled.bgcolor = #760000 -manager.categories.selected.fgcolor = #720042 -manager.categories.selected.bgcolor = #FFB0EB - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #FF9C6F -manager.scrollbar.thumb.rollover.color = #F0885C -manager.scrollbar.thumb.pressed.color = #F0885C -manager.scrollbar.color = #FFC091 - -manager.search.text.color = #000000 -manager.search.icon.color = #9B441F -manager.search.background.color = #FF9E73 -manager.search.caret.color = #561037 -manager.search.placeholder.color = #9B441F -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #E96A35 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #FFC696 -manager.list.header.fgcolor = #6B0000 -manager.list.header.bgcolor = #FFB889 -manager.list.section.color = #FFC696 -manager.list.selection.color = #F1733E -manager.list.icon.color = #67003A -manager.list.text.color = #000000 -manager.list.foundation.color = #67003A -manager.list.incompatible.selection.color = #FFB38E -manager.list.incompatible.text.color = #996753 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #942300 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #FFB0EB -manager.panel.foundation.color = #FFB0FD - -manager.button.enabled.background.color = #6E0000 -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #FFB0EB -manager.button.pressed.background.color = #4C0000 -manager.button.pressed.text.color = #FFB0EB -manager.button.pressed.icon.color = #FFB0EB -manager.button.disabled.background.color = #800D00 -manager.button.disabled.text.color = #CEA391 -manager.button.disabled.icon.color = #CEA391 - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #FF8AC6 -manager.progress.incomplete.fgcolor = #CEA391 -manager.progress.incomplete.bgcolor = #4C0000 - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #D5C1C9 -theme_selector.combo_box.enabled.bgcolor = #3B2B32 -theme_selector.combo_box.disabled.fgcolor = #6B5960 -theme_selector.combo_box.disabled.bgcolor = #3B2B32 -theme_selector.combo_box.selected.fgcolor = #4E0000 -theme_selector.combo_box.selected.bgcolor = #FE5708 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #7C7578 -theme_selector.link.color = #FFAED2 - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/theme/mini.svg b/tools/Java/lib/theme/mini.svg deleted file mode 100644 index 27d4525..0000000 --- a/tools/Java/lib/theme/mini.svg +++ /dev/null @@ -1,20 +0,0 @@ - - - - - - - - - - - - - - - - - - - - diff --git a/tools/Java/lib/theme/theme.txt b/tools/Java/lib/theme/theme.txt deleted file mode 100644 index c170123..0000000 --- a/tools/Java/lib/theme/theme.txt +++ /dev/null @@ -1,347 +0,0 @@ -## Look-and-Feel Entries ## - -laf.mode = light -laf.accent.color = #003775 - -# global color used in dialog boxes that have text links -label.link.color = #cc0000 - - -## EditorToolbar ## - -# TOOLBAR BUTTON TEXT -toolbar.rollover.font = processing.sans,plain,12 -toolbar.rollover.color = #000000 -toolbar.gradient.top = #6BA0CC -toolbar.gradient.bottom = #6BA0CC - -# MODE SELECTOR (EditorToolbar) -mode.title.font = processing.sans,plain,12 -mode.title.color = #004166 -# stolen from gradient bottom -mode.background.color = #6BA0CC -mode.outline.color = #13577F - -mode.popup.enabled.fgcolor = #344351 -mode.popup.enabled.bgcolor = #DCEDFF -mode.popup.disabled.fgcolor = #8494A4 -mode.popup.disabled.bgcolor = #DCEDFF -mode.popup.selected.fgcolor = #00072B -mode.popup.selected.bgcolor = #6BA0CC - -toolbar.button.disabled.field = #558BB6 -toolbar.button.disabled.glyph = #3E76A0 -toolbar.button.disabled.stroke = none -toolbar.button.enabled.field = #FFFFFE -toolbar.button.enabled.glyph = #0088F6 -toolbar.button.enabled.stroke = none -toolbar.button.pressed.field = #0068D1 -toolbar.button.pressed.glyph = #FFFFFE -toolbar.button.pressed.stroke = #FFFFFE -toolbar.button.rollover.field = #FFFFFE -toolbar.button.rollover.glyph = #002E7A -toolbar.button.rollover.stroke = none -toolbar.button.selected.field = #002E7A -toolbar.button.selected.glyph = #FFFFFE -toolbar.button.selected.stroke = none - -toolbar.button.debug.disabled.field = #000009 -toolbar.button.debug.disabled.glyph = #E4E8E4 -toolbar.button.debug.disabled.stroke = none -toolbar.button.debug.enabled.field = #909699 -toolbar.button.debug.enabled.glyph = #DEE2DF -toolbar.button.debug.enabled.stroke = none -toolbar.button.debug.pressed.field = #909699 -toolbar.button.debug.pressed.glyph = #FFFFF2 -toolbar.button.debug.pressed.stroke = #60605B -toolbar.button.debug.rollover.field = #5B6165 -toolbar.button.debug.rollover.glyph = #FFFFF2 -toolbar.button.debug.rollover.stroke = none -toolbar.button.debug.selected.field = #FFFFF2 -toolbar.button.debug.selected.glyph = #0075FF -toolbar.button.debug.selected.stroke = none - - -## EditorStatus - status message bar directly below the editor ## - -status.font = processing.sans,plain,13 - -status.notice.fgcolor = #00173F -status.notice.bgcolor = #0870A3 -status.error.fgcolor = #FFFFFE -status.error.bgcolor = #BF0019 -status.warning.bgcolor = #003775 -status.warning.fgcolor = #00DFFF - -# applies to the entire status text if it contains url -status.url.enabled.alpha = 70 -status.url.rollover.alpha = 90 -status.url.pressed.alpha = 100 - -status.button.enabled.alpha = 50 -status.button.rollover.alpha = 70 -status.button.pressed.alpha = 90 - - -## EditorHeader - the tab area above the editor ## - -header.text.font = processing.sans,bold,14 -header.text.selected.color = #002F72 -header.text.unselected.color = #516C85 -header.tab.arrow.color = #516C85 -header.tab.selected.color = #C4E9FF -header.tab.unselected.color = #A6CAED -header.tab.modified.color = #000000 -header.gradient.top = #6BA0CC -header.gradient.bottom = #6BA0CC - - -## EditorFooter - the tabs below the editor ## - -footer.text.font = processing.sans,bold,12 -footer.text.selected.color = #000000 -footer.text.enabled.color = #004166 -footer.icon.selected.color = #000000 -footer.icon.enabled.color = #004166 -footer.gradient.top = #6BA0CC -footer.gradient.bottom = #6BA0CC -footer.tab.selected.color = #3E76A0 -footer.tab.enabled.color = #6BA0CC -footer.updates.text.color = #000000 -footer.updates.indicator.field.color = #D1FFFF -footer.updates.indicator.text.color = #00072B - - -## EditorConsole - stack traces of doom and println() ## -# The font is handled by preferences.txt, so its size/etc are modifiable. - -console.color = #171F27 -# color of System.out text -console.output.color = #949DA7 -# text color for errors printed in the console -console.error.color = #00CFFF - -console.scrollbar.thumb.enabled.color = #475059 -console.scrollbar.thumb.rollover.color = #2F6A90 -console.scrollbar.thumb.pressed.color = #2F6A90 -console.scrollbar.color = #121A22 - - -## PdeTextAreaDefaults - default colors for the editor ## - -# foreground and background colors -editor.fgcolor = #000000 -editor.bgcolor = #FFFFFE - -editor.gradient.top = #6BA0CC -editor.gradient.bottom = #6BA0CC - -# highlight for the current line -editor.line.highlight = true -editor.line.highlight.color = #DEF3FF - -editor.caret.color = #000000 -# also used by EditorHeader -editor.selection.color = #BFD7EF - -# little pooties at the end of lines that show where they finish -editor.eol_markers = false -editor.eol_markers.color = #999999 - -# bracket/brace highlighting -editor.bracket.highlight = true -editor.bracket.highlight.color = #006698 - -# colors for the custom scroll bar -editor.scrollbar.thumb.enabled.color = #3E76A0 -editor.scrollbar.thumb.rollover.color = #306B93 -editor.scrollbar.thumb.pressed.color = #306B93 -editor.scrollbar.color = #5E93BF - - -## PdeTextAreaPainter - extras added to the editor ## - -editor.gutter.text.font = processing.mono,plain,12 -editor.gutter.text.color = #00072B - -# transparency (0..100) for line numbers in gutter -editor.gutter.text.active.alpha = 70 -# transparency for lines not currently in use -editor.gutter.text.inactive.alpha = 30 - -# bgcolor for the current (highlighted) line -editor.gutter.highlight.color = #3E76A0 - -# squiggly line underneath errors in the editor -editor.error.underline.color = #FF002C -# squiggly line underneath warnings -editor.warning.underline.color = #003775 - - -## MarkerColumn - shows ticks adjacent the scroll bar ## - -# lines next to the scrollbar showing where errors are located -editor.column.error.color = #9C0000 -editor.column.warning.color = #00496F - - -## ErrorTable - second tab below the console area, lists errors and warnings ## - -errors.header.font = processing.sans,plain,12 -errors.header.bgcolor = #00243E -errors.header.fgcolor = #8F9FB0 -errors.bgcolor = #005076 -errors.row.font = processing.sans,plain,12 -errors.row.fgcolor = #AED2F5 -errors.row.bgcolor = #005076 -errors.selection.fgcolor = #FFFFFE -errors.selection.bgcolor = #3E76A0 -errors.selection.error.bgcolor = #008FFF -errors.selection.warning.bgcolor = #3B749E -errors.indicator.error.color = #00F0FF -errors.indicator.warning.color = #659BC6 - - -## ManagerTabs - tabs in the Contribution Manager ## - -manager.tab.selected.color = #C4E9FF -manager.tab.unselected.color = #8DB2D3 -manager.tab.text.font = processing.sans,bold,14 -manager.tab.text.selected.color = #000000 -manager.tab.text.unselected.color = #305774 -manager.tab.gradient.top = #477FA9 -manager.tab.gradient.bottom = #477FA9 - - -## ManagerFrame - main window for the Contribution Manager ## - -# same as manager.tab.gradient.top, because .bottom is between the tabs -manager.tab.background = #477FA9 - - -## ContributionTab - -# category chooser for libraries -manager.categories.enabled.fgcolor = #A6DAFF -manager.categories.enabled.bgcolor = #004268 -manager.categories.disabled.fgcolor = #09537A -manager.categories.disabled.bgcolor = #004268 -manager.categories.selected.fgcolor = #003E87 -manager.categories.selected.bgcolor = #4EE5FF - - -# error window (X) close button -manager.error.close.icon.color = #000000 - -manager.scrollbar.thumb.enabled.color = #9ABEE0 -manager.scrollbar.thumb.rollover.color = #85A9CB -manager.scrollbar.thumb.pressed.color = #85A9CB -manager.scrollbar.color = #BFE3FF - -manager.search.text.color = #000000 -manager.search.icon.color = #3E617E -manager.search.background.color = #9DBFDF -manager.search.caret.color = #003675 -manager.search.placeholder.color = #3E617E -manager.search.selection.text.color = #000000 -manager.search.selection.background.color = #4899D1 - - -## ListPanel – the listing inside a Contribution Manager tab ## - -manager.list.heavy.font = processing.sans,bold,14 -manager.list.background.color = #C4E9FF -manager.list.header.fgcolor = #003262 -manager.list.header.bgcolor = #B6DBFE -manager.list.section.color = #C4E9FF -manager.list.selection.color = #6A9FCB -manager.list.icon.color = #00388C -manager.list.text.color = #000000 -manager.list.foundation.color = #00367D -manager.list.incompatible.selection.color = #B2CEEA -manager.list.incompatible.text.color = #677685 - - -## StatusPanel - the bottom panel with detail about a contribution - -manager.panel.font = processing.sans,plain,11 -manager.panel.background.color = #175A81 -manager.panel.text.color = #FFFFFE -manager.panel.link.color = #4EE5FF -manager.panel.foundation.color = #00F4FF - -manager.button.enabled.background.color = #00385D -manager.button.enabled.text.color = #FFFFFE -manager.button.enabled.icon.color = #4EE5FF -manager.button.pressed.background.color = #001A3B -manager.button.pressed.text.color = #4EE5FF -manager.button.pressed.icon.color = #4EE5FF -manager.button.disabled.background.color = #00496F -manager.button.disabled.text.color = #A4B0BE -manager.button.disabled.icon.color = #A4B0BE - -manager.progress.complete.fgcolor = #FFFFFE -manager.progress.complete.bgcolor = #00C2FF -manager.progress.incomplete.fgcolor = #A4B0BE -manager.progress.incomplete.bgcolor = #001A3B - - -## ZoomTreeCellRenderer - tree for Examples and Sketchbook windows ## - -tree.font = processing.sans,plain,12 - - -## Theme Selector - stays the same across all themes ## - -# dropdown for changing the theme set -theme_selector.combo_box.enabled.fgcolor = #B5C8DC -theme_selector.combo_box.enabled.bgcolor = #1F3241 -theme_selector.combo_box.disabled.fgcolor = #4E6071 -theme_selector.combo_box.disabled.bgcolor = #1F3241 -theme_selector.combo_box.selected.fgcolor = #000E46 -theme_selector.combo_box.selected.bgcolor = #00A4F0 - -# background color for the window -theme_selector.window.color = #000000 - -# text for the labels at the bottom -theme_selector.text.color = #71777E -theme_selector.link.color = #57D0FF - - -## Token - colors for source code in the editor ## - -# For an explanation of these tags, see Token.java: -# processing/app/src/processing/app/syntax/Token.java - -editor.token.function1.style = #006698,plain -editor.token.function2.style = #006698,plain -editor.token.function3.style = #6D9810,plain -editor.token.function4.style = #006698,bold - -editor.token.keyword1.style = #30987F,plain -editor.token.keyword2.style = #30987F,plain -editor.token.keyword3.style = #6D9810,plain -editor.token.keyword4.style = #DB4D7A,plain -editor.token.keyword5.style = #E7671C,plain -editor.token.keyword6.style = #30987F,plain - -editor.token.literal1.style = #738A63,plain -editor.token.literal2.style = #754891,plain - -editor.token.operator.style = #006698,plain - -editor.token.label.style = #656565,bold - -editor.token.comment1.style = #656565,plain -editor.token.comment2.style = #656565,plain - -editor.token.invalid.style = #656565,bold - - -## Colors used for code completion icons ## - -editor.completion.class.color = #E7671C -editor.completion.field.color = #754891 -editor.completion.local.color = #006698 -editor.completion.method.color = #30987F diff --git a/tools/Java/lib/toolbar/continue.svg b/tools/Java/lib/toolbar/continue.svg deleted file mode 100644 index 1251b81..0000000 --- a/tools/Java/lib/toolbar/continue.svg +++ /dev/null @@ -1 +0,0 @@ -continue \ No newline at end of file diff --git a/tools/Java/lib/toolbar/debug.svg b/tools/Java/lib/toolbar/debug.svg deleted file mode 100644 index 361f173..0000000 --- a/tools/Java/lib/toolbar/debug.svg +++ /dev/null @@ -1 +0,0 @@ -debug \ No newline at end of file diff --git a/tools/Java/lib/toolbar/run.svg b/tools/Java/lib/toolbar/run.svg deleted file mode 100644 index 37392d0..0000000 --- a/tools/Java/lib/toolbar/run.svg +++ /dev/null @@ -1 +0,0 @@ -run \ No newline at end of file diff --git a/tools/Java/lib/toolbar/step.svg b/tools/Java/lib/toolbar/step.svg deleted file mode 100644 index 65a206e..0000000 --- a/tools/Java/lib/toolbar/step.svg +++ /dev/null @@ -1 +0,0 @@ -step \ No newline at end of file diff --git a/tools/Java/lib/toolbar/stop.svg b/tools/Java/lib/toolbar/stop.svg deleted file mode 100644 index 6e3c7a2..0000000 --- a/tools/Java/lib/toolbar/stop.svg +++ /dev/null @@ -1 +0,0 @@ -stop \ No newline at end of file diff --git a/tools/Java/lib/version.txt b/tools/Java/lib/version.txt deleted file mode 100644 index 89f71c7..0000000 --- a/tools/Java/lib/version.txt +++ /dev/null @@ -1 +0,0 @@ -4.3 \ No newline at end of file diff --git a/tools/Java/lib/welcome/examples/arctan.png b/tools/Java/lib/welcome/examples/arctan.png deleted file mode 100644 index dec50f9..0000000 Binary files a/tools/Java/lib/welcome/examples/arctan.png and /dev/null differ diff --git a/tools/Java/lib/welcome/examples/flocking.png b/tools/Java/lib/welcome/examples/flocking.png deleted file mode 100644 index e25ca1a..0000000 Binary files a/tools/Java/lib/welcome/examples/flocking.png and /dev/null differ diff --git a/tools/Java/lib/welcome/examples/mouse.png b/tools/Java/lib/welcome/examples/mouse.png deleted file mode 100644 index 7fea6c8..0000000 Binary files a/tools/Java/lib/welcome/examples/mouse.png and /dev/null differ diff --git a/tools/Java/lib/welcome/examples/rotating.png b/tools/Java/lib/welcome/examples/rotating.png deleted file mode 100644 index 670cbb2..0000000 Binary files a/tools/Java/lib/welcome/examples/rotating.png and /dev/null differ diff --git a/tools/Java/lib/welcome/index.html b/tools/Java/lib/welcome/index.html deleted file mode 100644 index 6266feb..0000000 --- a/tools/Java/lib/welcome/index.html +++ /dev/null @@ -1,71 +0,0 @@ - - - Welcome to Processing 4 - - - - -

- If you're new to Processing, start with an example: -

- - - - - - - - - - - - - - - - - - - - - - - - - -
- - - -
- Mouse interactions in 2D - - Mouse Arc Tangent -
- - - -
- Flocking - - Rotating Arcs in 3D -
- -

- Run the example; watch what happens. Modify the code. Select a keyword and navigate to Help → Find in Reference to learn about it. Open File → Examples for hundreds more. -

- -

- If this is your first time using a 4.0 release, you can read about what has changed since 3.0 and earlier releases. - -

- - Or if you're familiar with 4.0, you can read about revisions and updates in recent 4.0 releases. -

- -

- Be sure to visit Tools → Theme Selector to choose your own color scheme for the environment. Not fond of sketch_220809a? You can also select an alternate sketch naming method in the Preferences window. -

- - - diff --git a/tools/Java/lib/welcome/style.css b/tools/Java/lib/welcome/style.css deleted file mode 100644 index 3bd9713..0000000 --- a/tools/Java/lib/welcome/style.css +++ /dev/null @@ -1,51 +0,0 @@ -* { - margin: 0; - padding: 0; -} - -body { - padding-left: 20px; - padding-right: 20px; - font-family: "Processing Sans", sans-serif; -} - -h1 { - margin-bottom: 0; - /* can't get the Semibold to work properly */ - font-family: "Processing Sans", sans-serif; - font-size: 18px; - font-weight: normal; -} - -p, td { - margin-bottom: 0; - font-size: 11px; - line-height: 12px; -} - -table { - /*margin-top: 10px;*/ - margin-bottom: 0; -} - -div.inset, p.inset, table.inset { - padding: 10px; - /* background-color: rgb(224, 253, 251); */ - /* background-color: rgb(240, 240, 240); */ - background-color: white; -} - -a { - color: #2c7bb5; - text-decoration: none; -} - -ul { - margin-left: 20px; - margin-right: 0px; - padding: 0; -} - -#startButton { - margin-left: 50px; -} \ No newline at end of file diff --git a/tools/Java/modes/java/application/Info.plist.tmpl b/tools/Java/modes/java/application/Info.plist.tmpl deleted file mode 100644 index b6b5ac5..0000000 --- a/tools/Java/modes/java/application/Info.plist.tmpl +++ /dev/null @@ -1,83 +0,0 @@ - - - - - CFBundleDevelopmentRegion - English - CFBundleExecutable - @@sketch@@ - CFBundleIconFile - application.icns - CFBundleIdentifier - @@sketch@@ - CFBundleDisplayName - @@sketch@@ - CFBundleInfoDictionaryVersion - 6.0 - CFBundleName - @@sketch@@ - CFBundlePackageType - APPL - - - CFBundleShortVersionString - 1 - CFBundleVersion - 1 - CFBundleSignature - ???? - NSHumanReadableCopyright - Your copyright here - CFBundleGetInfoString - Created with Processing - - - @@jvm_runtime@@ - - JVMMainClassName - @@sketch@@ - - JVMVersion - @@jvm_version@@ - - LSMinimumSystemVersion - 10.14.6 - - NSHighResolutionCapable - - - LSArchitecturePriority - - @@lsarchitecturepriority@@ - - - LSEnvironment - - LC_CTYPE - UTF-8 - - - LSUIPresentationMode - @@lsuipresentationmode@@ - - JVMOptions - -@@jvm_options_list@@ - -Xdock:icon=$APP_ROOT/Contents/Resources/application.icns - -Djava.library.path=$APP_ROOT/Contents/Java:$APP_ROOT/Contents/Java/core/library - -Dapple.laf.useScreenMenuBar=true - -Dcom.apple.macos.use-file-dialog-packages=true - -Dcom.apple.macos.useScreenMenuBar=true - -Dcom.apple.mrj.application.apple.menu.about.name=@@sketch@@ - -Dcom.apple.smallTabs=true - - JVMArguments - - - - NSCameraUsageDescription - This app uses video camera input. - NSMicrophoneUsageDescription - This app uses microphone input. - - diff --git a/tools/Java/modes/java/application/application.icns b/tools/Java/modes/java/application/application.icns deleted file mode 100644 index c8d7b40..0000000 Binary files a/tools/Java/modes/java/application/application.icns and /dev/null differ diff --git a/tools/Java/modes/java/application/application.ico b/tools/Java/modes/java/application/application.ico deleted file mode 100644 index bc378e1..0000000 Binary files a/tools/Java/modes/java/application/application.ico and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/LICENSE.txt b/tools/Java/modes/java/application/launch4j/LICENSE.txt deleted file mode 100644 index 476f9e8..0000000 --- a/tools/Java/modes/java/application/launch4j/LICENSE.txt +++ /dev/null @@ -1,30 +0,0 @@ -Launch4j (http://launch4j.sourceforge.net/) -Cross-platform Java application wrapper for creating Windows native executables. - -Copyright (c) 2004, 2021 Grzegorz Kowal -All rights reserved. - -Redistribution and use in source and binary forms, with or without modification, -are permitted provided that the following conditions are met: - -1. Redistributions of source code must retain the above copyright notice, - this list of conditions and the following disclaimer. - -2. Redistributions in binary form must reproduce the above copyright notice, - this list of conditions and the following disclaimer in the documentation - and/or other materials provided with the distribution. - -3. Neither the name of the copyright holder nor the names of its contributors - may be used to endorse or promote products derived from this software without - specific prior written permission. - -THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" -AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, -THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE -ARE DISCLAIMED. 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See the - GNU General Public License for more details. - - You should have received a copy of the GNU General Public License - along with this program; if not, write to the Free Software - Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA - - -Also add information on how to contact you by electronic and paper mail. - -If the program is interactive, make it output a short notice like this -when it starts in an interactive mode: - - Gnomovision version 69, Copyright (C) 19yy name of author - Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'. - This is free software, and you are welcome to redistribute it - under certain conditions; type `show c' for details. - -The hypothetical commands `show w' and `show c' should show the appropriate -parts of the General Public License. Of course, the commands you use may -be called something other than `show w' and `show c'; they could even be -mouse-clicks or menu items--whatever suits your program. - -You should also get your employer (if you work as a programmer) or your -school, if any, to sign a "copyright disclaimer" for the program, if -necessary. Here is a sample; alter the names: - - Yoyodyne, Inc., hereby disclaims all copyright interest in the program - `Gnomovision' (which makes passes at compilers) written by James Hacker. - - , 1 April 1989 - Ty Coon, President of Vice - -This General Public License does not permit incorporating your program into -proprietary programs. If your program is a subroutine library, you may -consider it more useful to permit linking proprietary applications with the -library. If this is what you want to do, use the GNU Library General -Public License instead of this License. diff --git a/tools/Java/modes/java/application/launch4j/head/LICENSE.txt b/tools/Java/modes/java/application/launch4j/head/LICENSE.txt deleted file mode 100644 index e95c830..0000000 --- a/tools/Java/modes/java/application/launch4j/head/LICENSE.txt +++ /dev/null @@ -1,26 +0,0 @@ -Launch4j (http://launch4j.sourceforge.net/) -Cross-platform Java application wrapper for creating Windows native executables. - -Copyright (c) 2004, 2015 Grzegorz Kowal - -Permission is hereby granted, free of charge, to any person obtaining a copy -of this software and associated documentation files (the "Software"), to deal -in the Software without restriction, including without limitation the rights -to use, copy, modify, merge, publish, distribute, sublicense, and/or sell -copies of the Software, and to permit persons to whom the Software is -furnished to do so, subject to the following conditions: - -The above copyright notice and this permission notice shall be included in -all copies or substantial portions of the Software. - -Except as contained in this notice, the name(s) of the above copyright holders -shall not be used in advertising or otherwise to promote the sale, use or other -dealings in this Software without prior written authorization. - -THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR -IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, -FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE -AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER -LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, -OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN -THE SOFTWARE. \ No newline at end of file diff --git a/tools/Java/modes/java/application/launch4j/head/consolehead.o b/tools/Java/modes/java/application/launch4j/head/consolehead.o deleted file mode 100644 index 7859307..0000000 Binary files a/tools/Java/modes/java/application/launch4j/head/consolehead.o and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/head/guihead.o b/tools/Java/modes/java/application/launch4j/head/guihead.o deleted file mode 100644 index 689e7c2..0000000 Binary files a/tools/Java/modes/java/application/launch4j/head/guihead.o and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/head/head.o b/tools/Java/modes/java/application/launch4j/head/head.o deleted file mode 100644 index 95f051e..0000000 Binary files a/tools/Java/modes/java/application/launch4j/head/head.o and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/launch4j.jar b/tools/Java/modes/java/application/launch4j/launch4j.jar deleted file mode 100644 index fd4b5fe..0000000 Binary files a/tools/Java/modes/java/application/launch4j/launch4j.jar and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/lib/LICENSE.txt b/tools/Java/modes/java/application/launch4j/lib/LICENSE.txt deleted file mode 100644 index 9bc9763..0000000 --- a/tools/Java/modes/java/application/launch4j/lib/LICENSE.txt +++ /dev/null @@ -1,28 +0,0 @@ -(BSD Style License) - -Copyright (c) 2003-2006, Joe Walnes -Copyright (c) 2006-2019, XStream Committers -All rights reserved. - -Redistribution and use in source and binary forms, with or without -modification, are permitted provided that the following conditions are met: - -Redistributions of source code must retain the above copyright notice, this list of -conditions and the following disclaimer. Redistributions in binary form must reproduce -the above copyright notice, this list of conditions and the following disclaimer in -the documentation and/or other materials provided with the distribution. - -Neither the name of XStream nor the names of its contributors may be used to endorse -or promote products derived from this software without specific prior written -permission. - -THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY -EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES -OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT -SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, -INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED -TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR -BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN -CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY -WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH -DAMAGE. diff --git a/tools/Java/modes/java/application/launch4j/lib/xstream.jar b/tools/Java/modes/java/application/launch4j/lib/xstream.jar deleted file mode 100644 index a37a72d..0000000 Binary files a/tools/Java/modes/java/application/launch4j/lib/xstream.jar and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/LICENSE.txt b/tools/Java/modes/java/application/launch4j/w32api/LICENSE.txt deleted file mode 100644 index aea85bd..0000000 --- a/tools/Java/modes/java/application/launch4j/w32api/LICENSE.txt +++ /dev/null @@ -1,25 +0,0 @@ -MinGW - Licensing Terms - -Various pieces distributed with MinGW come with its own copyright and license: - -Basic MinGW runtime - MinGW base runtime package is uncopyrighted and placed in the public domain. - This basically means that you can do what you want with the code. - -w32api - You are free to use, modify and copy this package. - No restrictions are imposed on programs or object files compiled with this library. - You may not restrict the the usage of this library. - You may distribute this library as part of another package or as a modified package - if and only if you do not restrict the usage of the portions consisting - of this (optionally modified) library. - If distributed as a modified package then this file must be included. - - This library is distributed in the hope that it will be useful, - but WITHOUT ANY WARRANTY; without even the implied warranty - of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. - -MinGW profiling code - MinGW profiling code is distributed under the GNU General Public License. - -The development tools such as GCC, GDB, GNU Make, etc all covered by GNU General Public License. diff --git a/tools/Java/modes/java/application/launch4j/w32api/crt2.o b/tools/Java/modes/java/application/launch4j/w32api/crt2.o deleted file mode 100644 index 4f5f3be..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/crt2.o and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libadvapi32.a b/tools/Java/modes/java/application/launch4j/w32api/libadvapi32.a deleted file mode 100644 index 21a8d7b..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libadvapi32.a and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libgcc.a b/tools/Java/modes/java/application/launch4j/w32api/libgcc.a deleted file mode 100644 index f98edb8..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libgcc.a and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libkernel32.a b/tools/Java/modes/java/application/launch4j/w32api/libkernel32.a deleted file mode 100644 index 03ee7cd..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libkernel32.a and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libmingw32.a b/tools/Java/modes/java/application/launch4j/w32api/libmingw32.a deleted file mode 100644 index d849b85..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libmingw32.a and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libmingwex.a b/tools/Java/modes/java/application/launch4j/w32api/libmingwex.a deleted file mode 100644 index f742492..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libmingwex.a and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libmoldname.a b/tools/Java/modes/java/application/launch4j/w32api/libmoldname.a deleted file mode 100644 index 21897da..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libmoldname.a and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libmsvcrt.a b/tools/Java/modes/java/application/launch4j/w32api/libmsvcrt.a deleted file mode 100644 index be8ae31..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libmsvcrt.a and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libshell32.a b/tools/Java/modes/java/application/launch4j/w32api/libshell32.a deleted file mode 100644 index efdd8bc..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libshell32.a and /dev/null differ diff --git a/tools/Java/modes/java/application/launch4j/w32api/libuser32.a b/tools/Java/modes/java/application/launch4j/w32api/libuser32.a deleted file mode 100644 index cbddae6..0000000 Binary files a/tools/Java/modes/java/application/launch4j/w32api/libuser32.a and /dev/null differ diff --git a/tools/Java/modes/java/application/stub-macos-aarch64 b/tools/Java/modes/java/application/stub-macos-aarch64 deleted file mode 100644 index f56d2d7..0000000 Binary files a/tools/Java/modes/java/application/stub-macos-aarch64 and /dev/null differ diff --git a/tools/Java/modes/java/application/stub-macos-x86_64 b/tools/Java/modes/java/application/stub-macos-x86_64 deleted file mode 100644 index 9cf08c1..0000000 Binary files a/tools/Java/modes/java/application/stub-macos-x86_64 and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Arrays/Array/Array.pde b/tools/Java/modes/java/examples/Basics/Arrays/Array/Array.pde deleted file mode 100644 index 57f4ce9..0000000 --- a/tools/Java/modes/java/examples/Basics/Arrays/Array/Array.pde +++ /dev/null @@ -1,50 +0,0 @@ -/** - * Array. - * - * An array is a list of data. Each piece of data in an array - * is identified by an index number representing its position in - * the array. Arrays are zero based, which means that the first - * element in the array is [0], the second element is [1], and so on. - * In this example, an array named "coswave" is created and - * filled with the cosine values. This data is displayed three - * separate ways on the screen. - */ - - -float[] coswave; - -void setup() { - size(640, 360); - coswave = new float[width]; - for (int i = 0; i < width; i++) { - float amount = map(i, 0, width, 0, PI); - coswave[i] = abs(cos(amount)); - } - background(255); - noLoop(); -} - -void draw() { - - int y1 = 0; - int y2 = height/3; - for (int i = 0; i < width; i++) { - stroke(coswave[i]*255); - line(i, y1, i, y2); - } - - y1 = y2; - y2 = y1 + y1; - for (int i = 0; i < width; i++) { - stroke(coswave[i]*255 / 4); - line(i, y1, i, y2); - } - - y1 = y2; - y2 = height; - for (int i = 0; i < width; i++) { - stroke(255 - coswave[i]*255); - line(i, y1, i, y2); - } - -} diff --git a/tools/Java/modes/java/examples/Basics/Arrays/Array2D/Array2D.pde b/tools/Java/modes/java/examples/Basics/Arrays/Array2D/Array2D.pde deleted file mode 100644 index 0a98afc..0000000 --- a/tools/Java/modes/java/examples/Basics/Arrays/Array2D/Array2D.pde +++ /dev/null @@ -1,41 +0,0 @@ -/** - * Array 2D. - * - * Demonstrates the syntax for creating a two-dimensional (2D) array. - * Values in a 2D array are accessed through two index values. - * 2D arrays are useful for storing images. In this example, each dot - * is colored in relation to its distance from the center of the image. - */ - -float[][] distances; -float maxDistance; -int spacer; - -void setup() { - size(640, 360); - maxDistance = dist(width/2, height/2, width, height); - distances = new float[width][height]; - for (int y = 0; y < height; y++) { - for (int x = 0; x < width; x++) { - float distance = dist(width/2, height/2, x, y); - distances[x][y] = distance/maxDistance * 255; - } - } - spacer = 10; - strokeWeight(6); - noLoop(); // Run once and stop -} - -void draw() { - background(0); - // This embedded loop skips over values in the arrays based on - // the spacer variable, so there are more values in the array - // than are drawn here. Change the value of the spacer variable - // to change the density of the points - for (int y = 0; y < height; y += spacer) { - for (int x = 0; x < width; x += spacer) { - stroke(distances[x][y]); - point(x + spacer/2, y + spacer/2); - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Arrays/ArrayObjects/ArrayObjects.pde b/tools/Java/modes/java/examples/Basics/Arrays/ArrayObjects/ArrayObjects.pde deleted file mode 100644 index 1f68e75..0000000 --- a/tools/Java/modes/java/examples/Basics/Arrays/ArrayObjects/ArrayObjects.pde +++ /dev/null @@ -1,33 +0,0 @@ -/** - * Array Objects. - * - * Demonstrates the syntax for creating an array of custom objects. - */ - -int unit = 40; -int count; -Module[] mods; - -void setup() { - size(640, 360); - noStroke(); - int wideCount = width / unit; - int highCount = height / unit; - count = wideCount * highCount; - mods = new Module[count]; - - int index = 0; - for (int y = 0; y < highCount; y++) { - for (int x = 0; x < wideCount; x++) { - mods[index++] = new Module(x*unit, y*unit, unit/2, unit/2, random(0.05, 0.8), unit); - } - } -} - -void draw() { - background(0); - for (Module mod : mods) { - mod.update(); - mod.display(); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Arrays/ArrayObjects/Module.pde b/tools/Java/modes/java/examples/Basics/Arrays/ArrayObjects/Module.pde deleted file mode 100644 index b065472..0000000 --- a/tools/Java/modes/java/examples/Basics/Arrays/ArrayObjects/Module.pde +++ /dev/null @@ -1,39 +0,0 @@ -class Module { - int xOffset; - int yOffset; - float x, y; - int unit; - int xDirection = 1; - int yDirection = 1; - float speed; - - // Contructor - Module(int xOffsetTemp, int yOffsetTemp, int xTemp, int yTemp, float speedTemp, int tempUnit) { - xOffset = xOffsetTemp; - yOffset = yOffsetTemp; - x = xTemp; - y = yTemp; - speed = speedTemp; - unit = tempUnit; - } - - // Custom method for updating the variables - void update() { - x = x + (speed * xDirection); - if (x >= unit || x <= 0) { - xDirection *= -1; - x = x + (1 * xDirection); - y = y + (1 * yDirection); - } - if (y >= unit || y <= 0) { - yDirection *= -1; - y = y + (1 * yDirection); - } - } - - // Custom method for drawing the object - void display() { - fill(255); - ellipse(xOffset + x, yOffset + y, 6, 6); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Camera/MoveEye/MoveEye.pde b/tools/Java/modes/java/examples/Basics/Camera/MoveEye/MoveEye.pde deleted file mode 100644 index 6a63846..0000000 --- a/tools/Java/modes/java/examples/Basics/Camera/MoveEye/MoveEye.pde +++ /dev/null @@ -1,28 +0,0 @@ -/** - * Move Eye. - * by Simon Greenwold. - * - * The camera lifts up (controlled by mouseY) while looking at the same point. - */ - -void setup() { - size(640, 360, P3D); - fill(204); -} - -void draw() { - lights(); - background(0); - - // Change height of the camera with mouseY - camera(30.0, mouseY, 220.0, // eyeX, eyeY, eyeZ - 0.0, 0.0, 0.0, // centerX, centerY, centerZ - 0.0, 1.0, 0.0); // upX, upY, upZ - - noStroke(); - box(90); - stroke(255); - line(-100, 0, 0, 100, 0, 0); - line(0, -100, 0, 0, 100, 0); - line(0, 0, -100, 0, 0, 100); -} diff --git a/tools/Java/modes/java/examples/Basics/Camera/Orthographic/Orthographic.pde b/tools/Java/modes/java/examples/Basics/Camera/Orthographic/Orthographic.pde deleted file mode 100644 index 8c3fb3e..0000000 --- a/tools/Java/modes/java/examples/Basics/Camera/Orthographic/Orthographic.pde +++ /dev/null @@ -1,40 +0,0 @@ -/** - * Perspective vs. Ortho - * - * Move the mouse left to right to change the "far" - * parameter for the perspective() and ortho() functions. - * This parameter sets the maximum distance from the - * origin away from the viewer and will clip the geometry. - * Click a mouse button to switch between the perspective and - * orthographic projections. - */ - - -boolean showPerspective = false; - -void setup() { - size(600, 360, P3D); - noFill(); - fill(255); - noStroke(); -} - -void draw() { - lights(); - background(0); - float far = map(mouseX, 0, width, 120, 400); - if (showPerspective == true) { - perspective(PI/3.0, float(width)/float(height), 10, far); - } else { - ortho(-width/2.0, width/2.0, -height/2.0, height/2.0, 10, far); - } - translate(width/2, height/2, 0); - rotateX(-PI/6); - rotateY(PI/3); - box(180); -} - -void mousePressed() { - showPerspective = !showPerspective; -} - diff --git a/tools/Java/modes/java/examples/Basics/Camera/Perspective/Perspective.pde b/tools/Java/modes/java/examples/Basics/Camera/Perspective/Perspective.pde deleted file mode 100644 index 613e739..0000000 --- a/tools/Java/modes/java/examples/Basics/Camera/Perspective/Perspective.pde +++ /dev/null @@ -1,40 +0,0 @@ -/** - * Perspective. - * - * Move the mouse left and right to change the field of view (fov). - * Click to modify the aspect ratio. The perspective() function - * sets a perspective projection applying foreshortening, making - * distant objects appear smaller than closer ones. The parameters - * define a viewing volume with the shape of truncated pyramid. - * Objects near to the front of the volume appear their actual size, - * while farther objects appear smaller. This projection simulates - * the perspective of the world more accurately than orthographic projection. - * The version of perspective without parameters sets the default - * perspective and the version with four parameters allows the programmer - * to set the area precisely. - */ - -void setup() { - size(640, 360, P3D); - noStroke(); -} - -void draw() { - lights(); - background(0); - float cameraY = height/2.0; - float fov = mouseX/float(width) * PI/2; - float cameraZ = cameraY / tan(fov / 2.0); - float aspect = float(width)/float(height); - if (mousePressed) { - aspect = aspect / 2.0; - } - perspective(fov, aspect, cameraZ/10.0, cameraZ*10.0); - - translate(width/2+30, height/2, 0); - rotateX(-PI/6); - rotateY(PI/3 + mouseY/float(height) * PI); - box(45); - translate(0, 0, -50); - box(30); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Color/Brightness/Brightness.pde b/tools/Java/modes/java/examples/Basics/Color/Brightness/Brightness.pde deleted file mode 100644 index 7f0e409..0000000 --- a/tools/Java/modes/java/examples/Basics/Color/Brightness/Brightness.pde +++ /dev/null @@ -1,27 +0,0 @@ -/** - * Brightness - * by Rusty Robison. - * - * Brightness is the relative lightness or darkness of a color. - * Move the cursor vertically over each bar to alter its brightness. - */ - -int barWidth = 20; -int lastBar = -1; - -void setup() { - size(640, 360); - colorMode(HSB, width, 100, height); - noStroke(); - background(0); -} - -void draw() { - int whichBar = mouseX / barWidth; - if (whichBar != lastBar) { - int barX = whichBar * barWidth; - fill(barX, 100, mouseY); - rect(barX, 0, barWidth, height); - lastBar = whichBar; - } -} diff --git a/tools/Java/modes/java/examples/Basics/Color/ColorVariables/ColorVariables.pde b/tools/Java/modes/java/examples/Basics/Color/ColorVariables/ColorVariables.pde deleted file mode 100644 index 8b62969..0000000 --- a/tools/Java/modes/java/examples/Basics/Color/ColorVariables/ColorVariables.pde +++ /dev/null @@ -1,40 +0,0 @@ -/** - * Color Variables (Homage to Albers). - * - * This example creates variables for colors that may be referred to - * in the program by a name, rather than a number. - */ - -size(640, 360); -noStroke(); -background(51, 0, 0); - -color inside = color(204, 102, 0); -color middle = color(204, 153, 0); -color outside = color(153, 51, 0); - -// These statements are equivalent to the statements above. -// Programmers may use the format they prefer. -//color inside = #CC6600; -//color middle = #CC9900; -//color outside = #993300; - -pushMatrix(); -translate(80, 80); -fill(outside); -rect(0, 0, 200, 200); -fill(middle); -rect(40, 60, 120, 120); -fill(inside); -rect(60, 90, 80, 80); -popMatrix(); - -pushMatrix(); -translate(360, 80); -fill(inside); -rect(0, 0, 200, 200); -fill(outside); -rect(40, 60, 120, 120); -fill(middle); -rect(60, 90, 80, 80); -popMatrix(); diff --git a/tools/Java/modes/java/examples/Basics/Color/Hue/Hue.pde b/tools/Java/modes/java/examples/Basics/Color/Hue/Hue.pde deleted file mode 100644 index 13eb56e..0000000 --- a/tools/Java/modes/java/examples/Basics/Color/Hue/Hue.pde +++ /dev/null @@ -1,29 +0,0 @@ -/** - * Hue. - * - * Hue is the color reflected from or transmitted through an object - * and is typically referred to as the name of the color such as - * red, blue, or yellow. In this example, move the cursor vertically - * over each bar to alter its hue. - */ - -int barWidth = 20; -int lastBar = -1; - -void setup() { - size(640, 360); - colorMode(HSB, height, height, height); - noStroke(); - background(0); -} - -void draw() { - int whichBar = mouseX / barWidth; - if (whichBar != lastBar) { - int barX = whichBar * barWidth; - fill(mouseY, height, height); - rect(barX, 0, barWidth, height); - lastBar = whichBar; - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Color/LinearGradient/LinearGradient.pde b/tools/Java/modes/java/examples/Basics/Color/LinearGradient/LinearGradient.pde deleted file mode 100644 index f83b522..0000000 --- a/tools/Java/modes/java/examples/Basics/Color/LinearGradient/LinearGradient.pde +++ /dev/null @@ -1,55 +0,0 @@ -/** - * Simple Linear Gradient - * - * The lerpColor() function is useful for interpolating - * between two colors. - */ - -// Constants -int Y_AXIS = 1; -int X_AXIS = 2; -color b1, b2, c1, c2; - -void setup() { - size(640, 360); - - // Define colors - b1 = color(255); - b2 = color(0); - c1 = color(204, 102, 0); - c2 = color(0, 102, 153); - - noLoop(); -} - -void draw() { - // Background - setGradient(0, 0, width/2, height, b1, b2, X_AXIS); - setGradient(width/2, 0, width/2, height, b2, b1, X_AXIS); - // Foreground - setGradient(50, 90, 540, 80, c1, c2, Y_AXIS); - setGradient(50, 190, 540, 80, c2, c1, X_AXIS); -} - -void setGradient(int x, int y, float w, float h, color c1, color c2, int axis ) { - - noFill(); - - if (axis == Y_AXIS) { // Top to bottom gradient - for (int i = y; i <= y+h; i++) { - float inter = map(i, y, y+h, 0, 1); - color c = lerpColor(c1, c2, inter); - stroke(c); - line(x, i, x+w, i); - } - } - else if (axis == X_AXIS) { // Left to right gradient - for (int i = x; i <= x+w; i++) { - float inter = map(i, x, x+w, 0, 1); - color c = lerpColor(c1, c2, inter); - stroke(c); - line(i, y, i, y+h); - } - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Color/RadialGradient/RadialGradient.pde b/tools/Java/modes/java/examples/Basics/Color/RadialGradient/RadialGradient.pde deleted file mode 100644 index 62df103..0000000 --- a/tools/Java/modes/java/examples/Basics/Color/RadialGradient/RadialGradient.pde +++ /dev/null @@ -1,36 +0,0 @@ -/** - * Radial Gradient. - * - * Draws a series of concentric circles to create a gradient - * from one color to another. - */ - -int dim; - -void setup() { - size(640, 360); - dim = width/2; - background(0); - colorMode(HSB, 360, 100, 100); - noStroke(); - ellipseMode(RADIUS); - frameRate(1); -} - -void draw() { - background(0); - for (int x = 0; x <= width; x+=dim) { - drawGradient(x, height/2); - } -} - -void drawGradient(float x, float y) { - int radius = dim/2; - float h = random(0, 360); - for (int r = radius; r > 0; --r) { - fill(h, 90, 90); - ellipse(x, y, r, r); - h = (h + 1) % 360; - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Color/Relativity/Relativity.pde b/tools/Java/modes/java/examples/Basics/Color/Relativity/Relativity.pde deleted file mode 100644 index 6ca87cd..0000000 --- a/tools/Java/modes/java/examples/Basics/Color/Relativity/Relativity.pde +++ /dev/null @@ -1,42 +0,0 @@ -/** - * Relativity. - * - * Each color is perceived in relation to other colors. The top and bottom - * bars each contain the same component colors, but a different display order - * causes individual colors to appear differently. - */ - -color a, b, c, d, e; - -void setup() { - size(640, 360); - noStroke(); - a = color(165, 167, 20); - b = color(77, 86, 59); - c = color(42, 106, 105); - d = color(165, 89, 20); - e = color(146, 150, 127); - noLoop(); // Draw only one time -} - -void draw() { - drawBand(a, b, c, d, e, 0, width/128); - drawBand(c, a, d, b, e, height/2, width/128); -} - -void drawBand(color v, color w, color x, color y, color z, int ypos, int barWidth) { - int num = 5; - color[] colorOrder = { v, w, x, y, z }; - for(int i = 0; i < width; i += barWidth*num) { - for(int j = 0; j < num; j++) { - fill(colorOrder[j]); - rect(i+j*barWidth, ypos, barWidth, height/2); - } - } -} - - - - - - diff --git a/tools/Java/modes/java/examples/Basics/Color/Saturation/Saturation.pde b/tools/Java/modes/java/examples/Basics/Color/Saturation/Saturation.pde deleted file mode 100644 index c7a0c3c..0000000 --- a/tools/Java/modes/java/examples/Basics/Color/Saturation/Saturation.pde +++ /dev/null @@ -1,29 +0,0 @@ -/** - * Saturation. - * - * Saturation is the strength or purity of the color and represents the - * amount of gray in proportion to the hue. A "saturated" color is pure - * and an "unsaturated" color has a large percentage of gray. - * Move the cursor vertically over each bar to alter its saturation. - */ - -int barWidth = 20; -int lastBar = -1; - - -void setup() { - size(640, 360); - colorMode(HSB, width, height, 100); - noStroke(); -} - - -void draw() { - int whichBar = mouseX / barWidth; - if (whichBar != lastBar) { - int barX = whichBar * barWidth; - fill(barX, mouseY, 66); - rect(barX, 0, barWidth, height); - lastBar = whichBar; - } -} diff --git a/tools/Java/modes/java/examples/Basics/Color/WaveGradient/WaveGradient.pde b/tools/Java/modes/java/examples/Basics/Color/WaveGradient/WaveGradient.pde deleted file mode 100644 index f83f8dd..0000000 --- a/tools/Java/modes/java/examples/Basics/Color/WaveGradient/WaveGradient.pde +++ /dev/null @@ -1,41 +0,0 @@ -/** - * Wave Gradient - * by Ira Greenberg. - * - * Generate a gradient along a sin() wave. - */ - -float amplitude = 30; -float fillGap = 2.5; - -void setup() { - size(640, 360); - background(200); - - // To efficiently set all the pixels on screen, make the set() - // calls on a PImage, then write the result to the screen. - PImage gradient = createImage(width, height, RGB); - float frequency = 0; - - for (int i =- 75; i < height+75; i++){ - // Reset angle to 0, so waves stack properly - float angle = 0; - // Increasing frequency causes more gaps - frequency += 0.002; - for (float j = 0; j < width+75; j++){ - float py = i + sin(radians(angle)) * amplitude; - angle += frequency; - color c = color(abs(py-i)*255/amplitude, 255-abs(py-i)*255/amplitude, j*(255.0/(width+50))); - // Hack to fill gaps. Raise value of fillGap if you increase frequency - for (int filler = 0; filler < fillGap; filler++){ - gradient.set(int(j-filler), int(py)-filler, c); - gradient.set(int(j), int(py), c); - gradient.set(int(j+filler), int(py)+filler, c); - } - } - } - // Draw the image to the screen - set(0, 0, gradient); - // Another alternative for drawing to the screen - //image(gradient, 0, 0); -} diff --git a/tools/Java/modes/java/examples/Basics/Control/Conditionals1/Conditionals1.pde b/tools/Java/modes/java/examples/Basics/Control/Conditionals1/Conditionals1.pde deleted file mode 100644 index ae83fa3..0000000 --- a/tools/Java/modes/java/examples/Basics/Control/Conditionals1/Conditionals1.pde +++ /dev/null @@ -1,26 +0,0 @@ -/** - * Conditionals 1. - * - * Conditions are like questions. - * They allow a program to decide to take one action if - * the answer to a question is "true" or to do another action - * if the answer to the question is "false."
- * The questions asked within a program are always logical - * or relational statements. For example, if the variable 'i' is - * equal to zero then draw a line. - */ - -size(640, 360); -background(0); - -for(int i = 10; i < width; i += 10) { - // If 'i' divides by 20 with no remainder draw - // the first line, else draw the second line - if((i % 20) == 0) { - stroke(255); - line(i, 80, i, height/2); - } else { - stroke(153); - line(i, 20, i, 180); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Control/Conditionals2/Conditionals2.pde b/tools/Java/modes/java/examples/Basics/Control/Conditionals2/Conditionals2.pde deleted file mode 100644 index 72dcf9b..0000000 --- a/tools/Java/modes/java/examples/Basics/Control/Conditionals2/Conditionals2.pde +++ /dev/null @@ -1,28 +0,0 @@ -/** - * Conditionals 2. - * - * We extend the language of conditionals from the previous - * example by adding the keyword "else". This allows conditionals - * to ask two or more sequential questions, each with a different - * action. - */ - -size(640, 360); -background(0); - -for (int i = 2; i < width-2; i += 2) { - // If 'i' divides by 20 with no remainder - if ((i % 20) == 0) { - stroke(255); - line(i, 80, i, height/2); - // If 'i' divides by 10 with no remainder - } else if ((i % 10) == 0) { - stroke(153); - line(i, 20, i, 180); - // If neither of the above two conditions are met - // then draw this line - } else { - stroke(102); - line(i, height/2, i, height-20); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Control/EmbeddedIteration/EmbeddedIteration.pde b/tools/Java/modes/java/examples/Basics/Control/EmbeddedIteration/EmbeddedIteration.pde deleted file mode 100644 index a35f562..0000000 --- a/tools/Java/modes/java/examples/Basics/Control/EmbeddedIteration/EmbeddedIteration.pde +++ /dev/null @@ -1,22 +0,0 @@ -/** - * Embedding Iteration. - * - * Embedding "for" structures allows repetition in two dimensions. - * - */ - - -size(640, 360); -background(0); - -int gridSize = 40; - -for (int x = gridSize; x <= width - gridSize; x += gridSize) { - for (int y = gridSize; y <= height - gridSize; y += gridSize) { - noStroke(); - fill(255); - rect(x-1, y-1, 3, 3); - stroke(255, 100); - line(x, y, width/2, height/2); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Control/Iteration/Iteration.pde b/tools/Java/modes/java/examples/Basics/Control/Iteration/Iteration.pde deleted file mode 100644 index 268d548..0000000 --- a/tools/Java/modes/java/examples/Basics/Control/Iteration/Iteration.pde +++ /dev/null @@ -1,41 +0,0 @@ -/** - * Iteration. - * - * Iteration with a "for" structure to construct repetitive forms. - */ - -int y; -int num = 14; - -size(640, 360); -background(102); -noStroke(); - -// White bars -fill(255); -y = 60; -for(int i = 0; i < num/3; i++) { - rect(50, y, 475, 10); - y+=20; -} - -// Gray bars -fill(51); -y = 40; -for(int i = 0; i < num; i++) { - rect(405, y, 30, 10); - y += 20; -} -y = 50; -for(int i = 0; i < num; i++) { - rect(425, y, 30, 10); - y += 20; -} - -// Thin lines -y = 45; -fill(0); -for(int i = 0; i < num-1; i++) { - rect(120, y, 40, 1); - y+= 20; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Control/LogicalOperators/LogicalOperators.pde b/tools/Java/modes/java/examples/Basics/Control/LogicalOperators/LogicalOperators.pde deleted file mode 100644 index eb20ea7..0000000 --- a/tools/Java/modes/java/examples/Basics/Control/LogicalOperators/LogicalOperators.pde +++ /dev/null @@ -1,45 +0,0 @@ -/** - * Logical Operators. - * - * The logical operators for AND (&&) and OR (||) are used to - * combine simple relational statements into more complex expressions. - * The NOT (!) operator is used to negate a boolean statement. - */ - -size(640, 360); -background(126); - -boolean test = false; - -for (int i = 5; i <= height; i += 5) { - // Logical AND - stroke(0); - if((i > 35) && (i < 100)) { - line(width/4, i, width/2, i); - test = false; - } - - // Logical OR - stroke(76); - if ((i <= 35) || (i >= 100)) { - line(width/2, i, width, i); - test = true; - } - - // Testing if a boolean value is "true" - // The expression "if(test)" is equivalent to "if(test == true)" - if (test) { - stroke(0); - point(width/3, i); - } - - // Testing if a boolean value is "false" - // The expression "if(!test)" is equivalent to "if(test == false)" - if (!test) { - stroke(255); - point(width/4, i); - } -} - - - diff --git a/tools/Java/modes/java/examples/Basics/Data/CharactersStrings/CharactersStrings.pde b/tools/Java/modes/java/examples/Basics/Data/CharactersStrings/CharactersStrings.pde deleted file mode 100644 index 3be296d..0000000 --- a/tools/Java/modes/java/examples/Basics/Data/CharactersStrings/CharactersStrings.pde +++ /dev/null @@ -1,50 +0,0 @@ -/** - * Characters Strings. - * - * The character datatype, abbreviated as char, stores letters and - * symbols in the Unicode format, a coding system developed to support - * a variety of world languages. Characters are distinguished from other - * symbols by putting them between single quotes ('P').
- *
- * A string is a sequence of characters. A string is noted by surrounding - * a group of letters with double quotes ("Processing"). - * Chars and strings are most often used with the keyboard methods, - * to display text to the screen, and to load images or files.
- *
- * The String datatype must be capitalized because it is a complex datatype. - * A String is actually a class with its own methods, some of which are - * featured below. - */ - -char letter; -String words = "Begin..."; - -void setup() { - size(640, 360); - // Create the font - textFont(createFont("SourceCodePro-Regular.ttf", 36)); -} - -void draw() { - background(0); // Set background to black - - // Draw the letter to the center of the screen - textSize(14); - text("Click on the program, then type to add to the String", 50, 50); - text("Current key: " + letter, 50, 70); - text("The String is " + words.length() + " characters long", 50, 90); - - textSize(36); - text(words, 50, 120, 540, 300); -} - -void keyTyped() { - // The variable "key" always contains the value - // of the most recent key pressed. - if ((key >= 'A' && key <= 'z') || key == ' ') { - letter = key; - words = words + key; - // Write the letter to the console - println(key); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Data/CharactersStrings/data/SourceCodePro-Regular.ttf b/tools/Java/modes/java/examples/Basics/Data/CharactersStrings/data/SourceCodePro-Regular.ttf deleted file mode 100644 index b2cff92..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Data/CharactersStrings/data/SourceCodePro-Regular.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Data/DatatypeConversion/DatatypeConversion.pde b/tools/Java/modes/java/examples/Basics/Data/DatatypeConversion/DatatypeConversion.pde deleted file mode 100644 index ee7e74d..0000000 --- a/tools/Java/modes/java/examples/Basics/Data/DatatypeConversion/DatatypeConversion.pde +++ /dev/null @@ -1,33 +0,0 @@ -/** - * Datatype Conversion. - * - * It is sometimes beneficial to convert a value from one type of - * data to another. Each of the conversion functions converts its parameter - * to an equivalent representation within its datatype. - * The conversion functions include int(), float(), char(), byte(), and others. - */ - -size(640, 360); -background(0); -noStroke(); - -textFont(createFont("SourceCodePro-Regular.ttf",24)); - -char c; // Chars are used for storing alphanumeric symbols -float f; // Floats are decimal numbers -int i; // Integers are values between 2,147,483,647 and -2147483648 -byte b; // Bytes are values between -128 and 127 - -c = 'A'; -f = float(c); // Sets f = 65.0 -i = int(f * 1.4); // Sets i to 91 -b = byte(c / 2); // Sets b to 32 - -//println(f); -//println(i); -//println(b); - -text("The value of variable c is " + c, 50, 100); -text("The value of variable f is " + f, 50, 150); -text("The value of variable i is " + i, 50, 200); -text("The value of variable b is " + b, 50, 250); \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Data/DatatypeConversion/data/SourceCodePro-Regular.ttf b/tools/Java/modes/java/examples/Basics/Data/DatatypeConversion/data/SourceCodePro-Regular.ttf deleted file mode 100644 index b2cff92..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Data/DatatypeConversion/data/SourceCodePro-Regular.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Data/IntegersFloats/IntegersFloats.pde b/tools/Java/modes/java/examples/Basics/Data/IntegersFloats/IntegersFloats.pde deleted file mode 100644 index c03318b..0000000 --- a/tools/Java/modes/java/examples/Basics/Data/IntegersFloats/IntegersFloats.pde +++ /dev/null @@ -1,33 +0,0 @@ -/** - * Integers Floats. - * - * Integers and floats are two different kinds of numerical data. - * An integer (more commonly called an int) is a number without - * a decimal point. A float is a floating-point number, which means - * it is a number that has a decimal place. Floats are used when - * more precision is needed. - */ - -int a = 0; // Create a variable "a" of the datatype "int" -float b = 0.0; // Create a variable "b" of the datatype "float" - -void setup() { - size(640, 360); - stroke(255); -} - -void draw() { - background(0); - - a = a + 1; - b = b + 0.2; - line(a, 0, a, height/2); - line(b, height/2, b, height); - - if(a > width) { - a = 0; - } - if(b > width) { - b = 0; - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Data/TrueFalse/TrueFalse.pde b/tools/Java/modes/java/examples/Basics/Data/TrueFalse/TrueFalse.pde deleted file mode 100644 index 13de7b7..0000000 --- a/tools/Java/modes/java/examples/Basics/Data/TrueFalse/TrueFalse.pde +++ /dev/null @@ -1,37 +0,0 @@ -/** - * True/False. - * - * A Boolean variable has only two possible values: true or false. - * It is common to use Booleans with control statements to - * determine the flow of a program. In this example, when the - * boolean value "x" is true, vertical black lines are drawn and when - * the boolean value "x" is false, horizontal gray lines are drawn. - */ - -boolean b = false; - -size(640, 360); -background(0); -stroke(255); - -int d = 20; -int middle = width/2; - -for (int i = d; i <= width; i += d) { - - if (i < middle) { - b = true; - } else { - b = false; - } - - if (b == true) { - // Vertical line - line(i, d, i, height-d); - } - - if (b == false) { - // Horizontal line - line(middle, i - middle + d, width-d, i - middle + d); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Data/VariableScope/VariableScope.pde b/tools/Java/modes/java/examples/Basics/Data/VariableScope/VariableScope.pde deleted file mode 100644 index d1147ec..0000000 --- a/tools/Java/modes/java/examples/Basics/Data/VariableScope/VariableScope.pde +++ /dev/null @@ -1,57 +0,0 @@ -/** - * Variable Scope. - * - * Variables have a global or local "scope". - * For example, variables declared within either the - * setup() or draw() functions may be only used in these - * functions. Global variables, variables declared outside - * of setup() and draw(), may be used anywhere within the program. - * If a local variable is declared with the same name as a - * global variable, the program will use the local variable to make - * its calculations within the current scope. Variables are localized - * within each block, the space between a { and }. - */ - -int a = 80; // Create a global variable "a" - -void setup() { - size(640, 360); - background(0); - stroke(255); - noLoop(); -} - -void draw() { - // Draw a line using the global variable "a" - line(a, 0, a, height); - - // Create a new variable "a" local to the for() statement - for (int a = 120; a < 200; a += 2) { - line(a, 0, a, height); - } - - // Create a new variable "a" local to the draw() function - int a = 300; - // Draw a line using the new local variable "a" - line(a, 0, a, height); - - // Make a call to the custom function drawAnotherLine() - drawAnotherLine(); - - // Make a call to the custom function setYetAnotherLine() - drawYetAnotherLine(); -} - -void drawAnotherLine() { - // Create a new variable "a" local to this method - int a = 320; - // Draw a line using the local variable "a" - line(a, 0, a, height); -} - -void drawYetAnotherLine() { - // Because no new local variable "a" is set, - // this line draws using the original global - // variable "a", which is set to the value 80. - line(a+2, 0, a+2, height); -} diff --git a/tools/Java/modes/java/examples/Basics/Data/Variables/Variables.pde b/tools/Java/modes/java/examples/Basics/Data/Variables/Variables.pde deleted file mode 100644 index ea35e2e..0000000 --- a/tools/Java/modes/java/examples/Basics/Data/Variables/Variables.pde +++ /dev/null @@ -1,40 +0,0 @@ -/** - * Variables. - * - * Variables are used for storing values. In this example, change - * the values of variables to affect the composition. - */ - -size(640, 360); -background(0); -stroke(153); -strokeWeight(4); -strokeCap(SQUARE); - -int a = 50; -int b = 120; -int c = 180; - -line(a, b, a+c, b); -line(a, b+10, a+c, b+10); -line(a, b+20, a+c, b+20); -line(a, b+30, a+c, b+30); - -a = a + c; -b = height-b; - -line(a, b, a+c, b); -line(a, b+10, a+c, b+10); -line(a, b+20, a+c, b+20); -line(a, b+30, a+c, b+30); - -a = a + c; -b = height-b; - -line(a, b, a+c, b); -line(a, b+10, a+c, b+10); -line(a, b+20, a+c, b+20); -line(a, b+30, a+c, b+30); - - - diff --git a/tools/Java/modes/java/examples/Basics/Form/Bezier/Bezier.pde b/tools/Java/modes/java/examples/Basics/Form/Bezier/Bezier.pde deleted file mode 100644 index bf3c46a..0000000 --- a/tools/Java/modes/java/examples/Basics/Form/Bezier/Bezier.pde +++ /dev/null @@ -1,22 +0,0 @@ -/** - * Bezier. - * - * The first two parameters for the bezier() function specify the - * first point in the curve and the last two parameters specify - * the last point. The middle parameters set the control points - * that define the shape of the curve. - */ - -void setup() { - size(640, 360); - stroke(255); - noFill(); -} - -void draw() { - background(0); - for (int i = 0; i < 200; i += 20) { - bezier(mouseX-(i/2.0), 40+i, 410, 20, 440, 300, 240-(i/16.0), 300+(i/8.0)); - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Form/PieChart/PieChart.pde b/tools/Java/modes/java/examples/Basics/Form/PieChart/PieChart.pde deleted file mode 100644 index 0dd505e..0000000 --- a/tools/Java/modes/java/examples/Basics/Form/PieChart/PieChart.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * Pie Chart - * - * Uses the arc() function to generate a pie chart from the data - * stored in an array. - */ - -int[] angles = { 30, 10, 45, 35, 60, 38, 75, 67 }; - -void setup() { - size(640, 360); - noStroke(); - noLoop(); // Run once and stop -} - -void draw() { - background(100); - pieChart(300, angles); -} - -void pieChart(float diameter, int[] data) { - float lastAngle = 0; - for (int i = 0; i < data.length; i++) { - float gray = map(i, 0, data.length, 0, 255); - fill(gray); - arc(width/2, height/2, diameter, diameter, lastAngle, lastAngle+radians(data[i])); - lastAngle += radians(data[i]); - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Form/PointsLines/PointsLines.pde b/tools/Java/modes/java/examples/Basics/Form/PointsLines/PointsLines.pde deleted file mode 100644 index ec0529b..0000000 --- a/tools/Java/modes/java/examples/Basics/Form/PointsLines/PointsLines.pde +++ /dev/null @@ -1,34 +0,0 @@ -/** - * Points and Lines. - * - * Points and lines can be used to draw basic geometry. - * Change the value of the variable 'd' to scale the form. - * The four variables set the positions based on the value of 'd'. - */ - -int d = 70; -int p1 = d; -int p2 = p1+d; -int p3 = p2+d; -int p4 = p3+d; - -size(640, 360); -noSmooth(); -background(0); -translate(140, 0); - -// Draw gray box -stroke(153); -line(p3, p3, p2, p3); -line(p2, p3, p2, p2); -line(p2, p2, p3, p2); -line(p3, p2, p3, p3); - -// Draw white points -stroke(255); -point(p1, p1); -point(p1, p3); -point(p2, p4); -point(p3, p1); -point(p4, p2); -point(p4, p4); diff --git a/tools/Java/modes/java/examples/Basics/Form/Primitives3D/Primitives3D.pde b/tools/Java/modes/java/examples/Basics/Form/Primitives3D/Primitives3D.pde deleted file mode 100644 index 0533011..0000000 --- a/tools/Java/modes/java/examples/Basics/Form/Primitives3D/Primitives3D.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * Primitives 3D. - * - * Placing mathematically 3D objects in synthetic space. - * The lights() method reveals their imagined dimension. - * The box() and sphere() functions each have one parameter - * which is used to specify their size. These shapes are - * positioned using the translate() function. - */ - -size(640, 360, P3D); -background(0); -lights(); - -noStroke(); -pushMatrix(); -translate(130, height/2, 0); -rotateY(1.25); -rotateX(-0.4); -box(100); -popMatrix(); - -noFill(); -stroke(255); -pushMatrix(); -translate(500, height*0.35, -200); -sphere(280); -popMatrix(); - - diff --git a/tools/Java/modes/java/examples/Basics/Form/RegularPolygon/RegularPolygon.pde b/tools/Java/modes/java/examples/Basics/Form/RegularPolygon/RegularPolygon.pde deleted file mode 100644 index 52d8f81..0000000 --- a/tools/Java/modes/java/examples/Basics/Form/RegularPolygon/RegularPolygon.pde +++ /dev/null @@ -1,46 +0,0 @@ -/** - * Regular Polygon - * - * What is your favorite? Pentagon? Hexagon? Heptagon? - * No? What about the icosagon? The polygon() function - * created for this example is capable of drawing any - * regular polygon. Try placing different numbers into the - * polygon() function calls within draw() to explore. - */ - -void setup() { - size(640, 360); -} - -void draw() { - background(102); - - pushMatrix(); - translate(width*0.2, height*0.5); - rotate(frameCount / 200.0); - polygon(0, 0, 82, 3); // Triangle - popMatrix(); - - pushMatrix(); - translate(width*0.5, height*0.5); - rotate(frameCount / 50.0); - polygon(0, 0, 80, 20); // Icosagon - popMatrix(); - - pushMatrix(); - translate(width*0.8, height*0.5); - rotate(frameCount / -100.0); - polygon(0, 0, 70, 7); // Heptagon - popMatrix(); -} - -void polygon(float x, float y, float radius, int npoints) { - float angle = TWO_PI / npoints; - beginShape(); - for (float a = 0; a < TWO_PI; a += angle) { - float sx = x + cos(a) * radius; - float sy = y + sin(a) * radius; - vertex(sx, sy); - } - endShape(CLOSE); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Form/ShapePrimitives/ShapePrimitives.pde b/tools/Java/modes/java/examples/Basics/Form/ShapePrimitives/ShapePrimitives.pde deleted file mode 100644 index 96c630f..0000000 --- a/tools/Java/modes/java/examples/Basics/Form/ShapePrimitives/ShapePrimitives.pde +++ /dev/null @@ -1,32 +0,0 @@ -/** - * Shape Primitives. - * - * The basic shape primitive functions are triangle(), - * rect(), quad(), ellipse(), and arc(). Squares are made - * with rect() and circles are made with ellipse(). Each - * of these functions requires a number of parameters to - * determine the shape's position and size. - */ - -size(640, 360); -background(0); -noStroke(); - -fill(204); -triangle(18, 18, 18, 360, 81, 360); - -fill(102); -rect(81, 81, 63, 63); - -fill(204); -quad(189, 18, 216, 18, 216, 360, 144, 360); - -fill(255); -ellipse(252, 144, 72, 72); - -fill(204); -triangle(288, 18, 351, 360, 288, 360); - -fill(255); -arc(479, 300, 280, 280, PI, TWO_PI); - diff --git a/tools/Java/modes/java/examples/Basics/Form/Star/Star.pde b/tools/Java/modes/java/examples/Basics/Form/Star/Star.pde deleted file mode 100644 index 0136873..0000000 --- a/tools/Java/modes/java/examples/Basics/Form/Star/Star.pde +++ /dev/null @@ -1,48 +0,0 @@ -/** - * Star - * - * The star() function created for this example is capable of drawing a - * wide range of different forms. Try placing different numbers into the - * star() function calls within draw() to explore. - */ - -void setup() { - size(640, 360); -} - -void draw() { - background(102); - - pushMatrix(); - translate(width*0.2, height*0.5); - rotate(frameCount / 200.0); - star(0, 0, 5, 70, 3); - popMatrix(); - - pushMatrix(); - translate(width*0.5, height*0.5); - rotate(frameCount / 400.0); - star(0, 0, 80, 100, 40); - popMatrix(); - - pushMatrix(); - translate(width*0.8, height*0.5); - rotate(frameCount / -100.0); - star(0, 0, 30, 70, 5); - popMatrix(); -} - -void star(float x, float y, float radius1, float radius2, int npoints) { - float angle = TWO_PI / npoints; - float halfAngle = angle/2.0; - beginShape(); - for (float a = 0; a < TWO_PI; a += angle) { - float sx = x + cos(a) * radius2; - float sy = y + sin(a) * radius2; - vertex(sx, sy); - sx = x + cos(a+halfAngle) * radius1; - sy = y + sin(a+halfAngle) * radius1; - vertex(sx, sy); - } - endShape(CLOSE); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Form/TriangleStrip/TriangleStrip.pde b/tools/Java/modes/java/examples/Basics/Form/TriangleStrip/TriangleStrip.pde deleted file mode 100644 index ec479eb..0000000 --- a/tools/Java/modes/java/examples/Basics/Form/TriangleStrip/TriangleStrip.pde +++ /dev/null @@ -1,42 +0,0 @@ -/** - * Triangle Strip - * by Ira Greenberg. - * - * Generate a closed ring using the vertex() function and - * beginShape(TRIANGLE_STRIP) mode. The outsideRadius and insideRadius - * variables control ring's radii respectively. - */ - -int x; -int y; -float outsideRadius = 150; -float insideRadius = 100; - -void setup() { - size(640, 360); - background(204); - x = width/2; - y = height/2; -} - -void draw() { - background(204); - - int numPoints = int(map(mouseX, 0, width, 6, 60)); - float angle = 0; - float angleStep = 180.0/numPoints; - - beginShape(TRIANGLE_STRIP); - for (int i = 0; i <= numPoints; i++) { - float px = x + cos(radians(angle)) * outsideRadius; - float py = y + sin(radians(angle)) * outsideRadius; - angle += angleStep; - vertex(px, py); - px = x + cos(radians(angle)) * insideRadius; - py = y + sin(radians(angle)) * insideRadius; - vertex(px, py); - angle += angleStep; - } - endShape(); -} - diff --git a/tools/Java/modes/java/examples/Basics/Image/Alphamask/Alphamask.pde b/tools/Java/modes/java/examples/Basics/Image/Alphamask/Alphamask.pde deleted file mode 100644 index b27efdb..0000000 --- a/tools/Java/modes/java/examples/Basics/Image/Alphamask/Alphamask.pde +++ /dev/null @@ -1,24 +0,0 @@ -/** - * Alpha Mask. - * - * Loads a "mask" for an image to specify the transparency - * in different parts of the image. The two images are blended - * together using the mask() method of PImage. - */ - -PImage img; -PImage imgMask; - -void setup() { - size(640, 360); - img = loadImage("moonwalk.jpg"); - imgMask = loadImage("mask.jpg"); - img.mask(imgMask); - imageMode(CENTER); -} - -void draw() { - background(0, 102, 153); - image(img, width/2, height/2); - image(img, mouseX, mouseY); -} diff --git a/tools/Java/modes/java/examples/Basics/Image/Alphamask/data/mask.jpg b/tools/Java/modes/java/examples/Basics/Image/Alphamask/data/mask.jpg deleted file mode 100644 index ebf9e66..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Image/Alphamask/data/mask.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Image/Alphamask/data/moonwalk.jpg b/tools/Java/modes/java/examples/Basics/Image/Alphamask/data/moonwalk.jpg deleted file mode 100644 index 793781a..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Image/Alphamask/data/moonwalk.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Image/BackgroundImage/BackgroundImage.pde b/tools/Java/modes/java/examples/Basics/Image/BackgroundImage/BackgroundImage.pde deleted file mode 100644 index e5f4a36..0000000 --- a/tools/Java/modes/java/examples/Basics/Image/BackgroundImage/BackgroundImage.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * Background Image. - * - * This example presents the fastest way to load a background image - * into Processing. To load an image as the background, it must be - * the same width and height as the program. - */ - -PImage bg; -int y; - -void setup() { - size(640, 360); - // The background image must be the same size as the parameters - // into the size() method. In this program, the size of the image - // is 640 x 360 pixels. - bg = loadImage("moonwalk.jpg"); -} - -void draw() { - background(bg); - - stroke(226, 204, 0); - line(0, y, width, y); - - y++; - if (y > height) { - y = 0; - } -} diff --git a/tools/Java/modes/java/examples/Basics/Image/BackgroundImage/data/moonwalk.jpg b/tools/Java/modes/java/examples/Basics/Image/BackgroundImage/data/moonwalk.jpg deleted file mode 100644 index 793781a..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Image/BackgroundImage/data/moonwalk.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Image/CreateImage/CreateImage.pde b/tools/Java/modes/java/examples/Basics/Image/CreateImage/CreateImage.pde deleted file mode 100644 index f52026b..0000000 --- a/tools/Java/modes/java/examples/Basics/Image/CreateImage/CreateImage.pde +++ /dev/null @@ -1,23 +0,0 @@ -/** - * Create Image. - * - * The createImage() function provides a fresh buffer of pixels to play with. - * This example creates an image gradient. - */ - -PImage img; - -void setup() { - size(640, 360); - img = createImage(230, 230, ARGB); - for(int i = 0; i < img.pixels.length; i++) { - float a = map(i, 0, img.pixels.length, 255, 0); - img.pixels[i] = color(0, 153, 204, a); - } -} - -void draw() { - background(0); - image(img, 90, 80); - image(img, mouseX-img.width/2, mouseY-img.height/2); -} diff --git a/tools/Java/modes/java/examples/Basics/Image/LoadDisplayImage/LoadDisplayImage.pde b/tools/Java/modes/java/examples/Basics/Image/LoadDisplayImage/LoadDisplayImage.pde deleted file mode 100644 index d8db956..0000000 --- a/tools/Java/modes/java/examples/Basics/Image/LoadDisplayImage/LoadDisplayImage.pde +++ /dev/null @@ -1,22 +0,0 @@ -/** - * Load and Display - * - * Images can be loaded and displayed to the screen at their actual size - * or any other size. - */ - -PImage img; // Declare variable "a" of type PImage - -void setup() { - size(640, 360); - // The image file must be in the data folder of the current sketch - // to load successfully - img = loadImage("moonwalk.jpg"); // Load the image into the program -} - -void draw() { - // Displays the image at its actual size at point (0,0) - image(img, 0, 0); - // Displays the image at point (0, height/2) at half of its size - image(img, 0, height/2, img.width/2, img.height/2); -} diff --git a/tools/Java/modes/java/examples/Basics/Image/LoadDisplayImage/data/moonwalk.jpg b/tools/Java/modes/java/examples/Basics/Image/LoadDisplayImage/data/moonwalk.jpg deleted file mode 100644 index 793781a..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Image/LoadDisplayImage/data/moonwalk.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Image/Pointillism/Pointillism.pde b/tools/Java/modes/java/examples/Basics/Image/Pointillism/Pointillism.pde deleted file mode 100644 index 8d8234a..0000000 --- a/tools/Java/modes/java/examples/Basics/Image/Pointillism/Pointillism.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * Pointillism - * by Daniel Shiffman. - * - * Mouse horizontal location controls size of dots. - * Creates a simple pointillist effect using ellipses colored - * according to pixels in an image. - */ - -PImage img; -int smallPoint, largePoint; - -void setup() { - size(640, 360); - img = loadImage("moonwalk.jpg"); - smallPoint = 4; - largePoint = 40; - imageMode(CENTER); - noStroke(); - background(255); -} - -void draw() { - float pointillize = map(mouseX, 0, width, smallPoint, largePoint); - int x = int(random(img.width)); - int y = int(random(img.height)); - color pix = img.get(x, y); - fill(pix, 128); - ellipse(x, y, pointillize, pointillize); -} diff --git a/tools/Java/modes/java/examples/Basics/Image/Pointillism/data/moonwalk.jpg b/tools/Java/modes/java/examples/Basics/Image/Pointillism/data/moonwalk.jpg deleted file mode 100644 index 793781a..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Image/Pointillism/data/moonwalk.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Image/RequestImage/RequestImage.pde b/tools/Java/modes/java/examples/Basics/Image/RequestImage/RequestImage.pde deleted file mode 100644 index 6d838e8..0000000 --- a/tools/Java/modes/java/examples/Basics/Image/RequestImage/RequestImage.pde +++ /dev/null @@ -1,81 +0,0 @@ -/** - * Request Image - * by Ira Greenberg - * - * Shows how to use the requestImage() function with preloader animation. - * The requestImage() function loads images on a separate thread so that - * the sketch does not freeze while they load. It's useful when you are - * loading large images. These images are small for a quick download, but - * try it with your own huge images to get the full effect. - */ - -int imgCount = 12; -PImage[] imgs = new PImage[imgCount]; -float imgW; - -// Keeps track of loaded images (true or false) -boolean[] loadStates = new boolean[imgCount]; - -// For loading animation -float loaderX, loaderY, theta; - -void setup() { - size(640, 360); - imgW = width/imgCount; - - // Load images asynchronously - for (int i = 0; i < imgCount; i++){ - imgs[i] = requestImage("PT_anim"+nf(i, 4)+".gif"); - } -} - -void draw(){ - background(0); - - // Start loading animation - runLoaderAni(); - - for (int i = 0; i < imgs.length; i++){ - // Check if individual images are fully loaded - if ((imgs[i].width != 0) && (imgs[i].width != -1)){ - // As images are loaded set true in boolean array - loadStates[i] = true; - } - } - // When all images are loaded draw them to the screen - if (checkLoadStates()){ - drawImages(); - } -} - -void drawImages() { - int y = (height - imgs[0].height) / 2; - for (int i = 0; i < imgs.length; i++){ - image(imgs[i], width/imgs.length*i, y, imgs[i].height, imgs[i].height); - } -} - -// Loading animation -void runLoaderAni(){ - // Only run when images are loading - if (!checkLoadStates()){ - ellipse(loaderX, loaderY, 10, 10); - loaderX += 2; - loaderY = height/2 + sin(theta) * (height/8); - theta += PI/22; - // Reposition ellipse if it goes off the screen - if (loaderX > width + 5){ - loaderX = -5; - } - } -} - -// Return true when all images are loaded - no false values left in array -boolean checkLoadStates(){ - for (int i = 0; i < imgs.length; i++){ - if (loadStates[i] == false){ - return false; - } - } - return true; -} diff --git a/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0000.gif b/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0000.gif deleted file mode 100644 index b0e3f04..0000000 Binary files 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a/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0009.gif and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0010.gif b/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0010.gif deleted file mode 100644 index 9c008f3..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0010.gif and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0011.gif b/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0011.gif deleted file mode 100644 index db227e2..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Image/RequestImage/data/PT_anim0011.gif and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Image/Transparency/Transparency.pde b/tools/Java/modes/java/examples/Basics/Image/Transparency/Transparency.pde deleted file mode 100644 index 7467d11..0000000 --- a/tools/Java/modes/java/examples/Basics/Image/Transparency/Transparency.pde +++ /dev/null @@ -1,24 +0,0 @@ -/** - * Transparency. - * - * Move the pointer left and right across the image to change - * its position. This program overlays one image over another - * by modifying the alpha value of the image with the tint() function. - */ - -PImage img; -float offset = 0; -float easing = 0.05; - -void setup() { - size(640, 360); - img = loadImage("moonwalk.jpg"); // Load an image into the program -} - -void draw() { - image(img, 0, 0); // Display at full opacity - float dx = (mouseX-img.width/2) - offset; - offset += dx * easing; - tint(255, 127); // Display at half opacity - image(img, offset, 0); -} diff --git a/tools/Java/modes/java/examples/Basics/Image/Transparency/data/moonwalk.jpg b/tools/Java/modes/java/examples/Basics/Image/Transparency/data/moonwalk.jpg deleted file mode 100644 index 793781a..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Image/Transparency/data/moonwalk.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Input/Clock/Clock.pde b/tools/Java/modes/java/examples/Basics/Input/Clock/Clock.pde deleted file mode 100644 index 01e6105..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/Clock/Clock.pde +++ /dev/null @@ -1,62 +0,0 @@ -/** - * Clock. - * - * The current time can be read with the second(), minute(), - * and hour() functions. In this example, sin() and cos() values - * are used to set the position of the hands. - */ - -int cx, cy; -float secondsRadius; -float minutesRadius; -float hoursRadius; -float clockDiameter; - -void setup() { - size(640, 360); - stroke(255); - - int radius = min(width, height) / 2; - secondsRadius = radius * 0.72; - minutesRadius = radius * 0.60; - hoursRadius = radius * 0.50; - clockDiameter = radius * 1.8; - - cx = width / 2; - cy = height / 2; -} - -void draw() { - background(0); - - // Draw the clock background - fill(80); - noStroke(); - ellipse(cx, cy, clockDiameter, clockDiameter); - - // Angles for sin() and cos() start at 3 o'clock; - // subtract HALF_PI to make them start at the top - float s = map(second(), 0, 60, 0, TWO_PI) - HALF_PI; - float m = map(minute() + norm(second(), 0, 60), 0, 60, 0, TWO_PI) - HALF_PI; - float h = map(hour() + norm(minute(), 0, 60), 0, 24, 0, TWO_PI * 2) - HALF_PI; - - // Draw the hands of the clock - stroke(255); - strokeWeight(1); - line(cx, cy, cx + cos(s) * secondsRadius, cy + sin(s) * secondsRadius); - strokeWeight(2); - line(cx, cy, cx + cos(m) * minutesRadius, cy + sin(m) * minutesRadius); - strokeWeight(4); - line(cx, cy, cx + cos(h) * hoursRadius, cy + sin(h) * hoursRadius); - - // Draw the minute ticks - strokeWeight(2); - beginShape(POINTS); - for (int a = 0; a < 360; a+=6) { - float angle = radians(a); - float x = cx + cos(angle) * secondsRadius; - float y = cy + sin(angle) * secondsRadius; - vertex(x, y); - } - endShape(); -} diff --git a/tools/Java/modes/java/examples/Basics/Input/Constrain/Constrain.pde b/tools/Java/modes/java/examples/Basics/Input/Constrain/Constrain.pde deleted file mode 100644 index dca7382..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/Constrain/Constrain.pde +++ /dev/null @@ -1,38 +0,0 @@ -/** - * Constrain. - * - * Move the mouse across the screen to move the circle. - * The program constrains the circle to its box. - */ - -float mx; -float my; -float easing = 0.05; -int radius = 24; -int edge = 100; -int inner = edge + radius; - -void setup() { - size(640, 360); - noStroke(); - ellipseMode(RADIUS); - rectMode(CORNERS); -} - -void draw() { - background(51); - - if (abs(mouseX - mx) > 0.1) { - mx = mx + (mouseX - mx) * easing; - } - if (abs(mouseY - my) > 0.1) { - my = my + (mouseY- my) * easing; - } - - mx = constrain(mx, inner, width - inner); - my = constrain(my, inner, height - inner); - fill(76); - rect(edge, edge, width-edge, height-edge); - fill(255); - ellipse(mx, my, radius, radius); -} diff --git a/tools/Java/modes/java/examples/Basics/Input/Easing/Easing.pde b/tools/Java/modes/java/examples/Basics/Input/Easing/Easing.pde deleted file mode 100644 index ea622ab..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/Easing/Easing.pde +++ /dev/null @@ -1,33 +0,0 @@ -/** - * Easing. - * - * Move the mouse across the screen and the symbol will follow. - * Between drawing each frame of the animation, the program - * calculates the difference between the position of the - * symbol and the cursor. If the distance is larger than - * 1 pixel, the symbol moves part of the distance (0.05) from its - * current position toward the cursor. - */ - -float x; -float y; -float easing = 0.05; - -void setup() { - size(640, 360); - noStroke(); -} - -void draw() { - background(51); - - float targetX = mouseX; - float dx = targetX - x; - x += dx * easing; - - float targetY = mouseY; - float dy = targetY - y; - y += dy * easing; - - ellipse(x, y, 66, 66); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Input/Keyboard/Keyboard.pde b/tools/Java/modes/java/examples/Basics/Input/Keyboard/Keyboard.pde deleted file mode 100644 index f2c6da2..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/Keyboard/Keyboard.pde +++ /dev/null @@ -1,38 +0,0 @@ -/** - * Keyboard. - * - * Click on the image to give it focus and press the letter keys - * to create forms in time and space. Each key has a unique identifying - * number. These numbers can be used to position shapes in space. - */ - -int rectWidth; - -void setup() { - size(640, 360); - noStroke(); - background(0); - rectWidth = width/4; -} - -void draw() { - // keep draw() here to continue looping while waiting for keys -} - -void keyPressed() { - int keyIndex = -1; - if (key >= 'A' && key <= 'Z') { - keyIndex = key - 'A'; - } else if (key >= 'a' && key <= 'z') { - keyIndex = key - 'a'; - } - if (keyIndex == -1) { - // If it's not a letter key, clear the screen - background(0); - } else { - // It's a letter key, fill a rectangle - fill(millis() % 255); - float x = map(keyIndex, 0, 25, 0, width - rectWidth); - rect(x, 0, rectWidth, height); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Input/KeyboardFunctions/KeyboardFunctions.pde b/tools/Java/modes/java/examples/Basics/Input/KeyboardFunctions/KeyboardFunctions.pde deleted file mode 100644 index 062f005..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/KeyboardFunctions/KeyboardFunctions.pde +++ /dev/null @@ -1,88 +0,0 @@ -/** - * Keyboard Functions - * by Martin Gomez - * - * Click on the window to give it focus and press the letter keys to type colors. - * The keyboard function keyPressed() is called whenever - * a key is pressed. keyReleased() is another keyboard - * function that is called when a key is released. - * - * Original 'Color Typewriter' concept by John Maeda. - */ - -int maxHeight = 40; -int minHeight = 20; -int letterHeight = maxHeight; // Height of the letters -int letterWidth = 20; // Width of the letter - -int x = -letterWidth; // X position of the letters -int y = 0; // Y position of the letters - -boolean newletter; - -int numChars = 26; // There are 26 characters in the alphabet -color[] colors = new color[numChars]; - -void setup() { - size(640, 360); - noStroke(); - colorMode(HSB, numChars); - background(numChars/2); - // Set a hue value for each key - for(int i = 0; i < numChars; i++) { - colors[i] = color(i, numChars, numChars); - } -} - -void draw() { - if(newletter == true) { - // Draw the "letter" - int y_pos; - if (letterHeight == maxHeight) { - y_pos = y; - rect( x, y_pos, letterWidth, letterHeight ); - } else { - y_pos = y + minHeight; - rect( x, y_pos, letterWidth, letterHeight ); - fill(numChars/2); - rect( x, y_pos-minHeight, letterWidth, letterHeight ); - } - newletter = false; - } -} - -void keyPressed() -{ - // If the key is between 'A'(65) to 'Z' and 'a' to 'z'(122) - if((key >= 'A' && key <= 'Z') || (key >= 'a' && key <= 'z')) { - int keyIndex; - if(key <= 'Z') { - keyIndex = key-'A'; - letterHeight = maxHeight; - fill(colors[keyIndex]); - } else { - keyIndex = key-'a'; - letterHeight = minHeight; - fill(colors[keyIndex]); - } - } else { - fill(0); - letterHeight = 10; - } - - newletter = true; - - // Update the "letter" position - x = ( x + letterWidth ); - - // Wrap horizontally - if (x > width - letterWidth) { - x = 0; - y+= maxHeight; - } - - // Wrap vertically - if( y > height - letterHeight) { - y = 0; // reset y to 0 - } -} diff --git a/tools/Java/modes/java/examples/Basics/Input/Milliseconds/Milliseconds.pde b/tools/Java/modes/java/examples/Basics/Input/Milliseconds/Milliseconds.pde deleted file mode 100644 index 45977d9..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/Milliseconds/Milliseconds.pde +++ /dev/null @@ -1,24 +0,0 @@ -/** - * Milliseconds. - * - * A millisecond is 1/1000 of a second. - * Processing keeps track of the number of milliseconds a program has run. - * By modifying this number with the modulo(%) operator, - * different patterns in time are created. - */ - -float scale; - -void setup() { - size(640, 360); - noStroke(); - scale = width/20; -} - -void draw() { - for (int i = 0; i < scale; i++) { - colorMode(RGB, (i+1) * scale * 10); - fill(millis()%((i+1) * scale * 10)); - rect(i*scale, 0, scale, height); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Input/Mouse1D/Mouse1D.pde b/tools/Java/modes/java/examples/Basics/Input/Mouse1D/Mouse1D.pde deleted file mode 100644 index 6c9cf41..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/Mouse1D/Mouse1D.pde +++ /dev/null @@ -1,27 +0,0 @@ -/** - * Mouse 1D. - * - * Move the mouse left and right to shift the balance. - * The "mouseX" variable is used to control both the - * size and color of the rectangles. - */ - -void setup() { - size(640, 360); - noStroke(); - colorMode(RGB, height, height, height); - rectMode(CENTER); -} - -void draw() { - background(0.0); - - float r1 = map(mouseX, 0, width, 0, height); - float r2 = height-r1; - - fill(r1); - rect(width/2 + r1/2, height/2, r1, r1); - - fill(r2); - rect(width/2 - r2/2, height/2, r2, r2); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Input/Mouse2D/Mouse2D.pde b/tools/Java/modes/java/examples/Basics/Input/Mouse2D/Mouse2D.pde deleted file mode 100644 index 679c43c..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/Mouse2D/Mouse2D.pde +++ /dev/null @@ -1,21 +0,0 @@ -/** - * Mouse 2D. - * - * Moving the mouse changes the position and size of each box. - */ - -void setup() { - size(640, 360); - noStroke(); - rectMode(CENTER); -} - -void draw() { - background(51); - fill(255, 204); - rect(mouseX, height/2, mouseY/2+10, mouseY/2+10); - fill(255, 204); - int inverseX = width-mouseX; - int inverseY = height-mouseY; - rect(inverseX, height/2, (inverseY/2)+10, (inverseY/2)+10); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Input/MouseFunctions/MouseFunctions.pde b/tools/Java/modes/java/examples/Basics/Input/MouseFunctions/MouseFunctions.pde deleted file mode 100644 index fa8cd43..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/MouseFunctions/MouseFunctions.pde +++ /dev/null @@ -1,64 +0,0 @@ -/** - * Mouse Functions. - * - * Click on the box and drag it across the screen. - */ - -float bx; -float by; -int boxSize = 75; -boolean overBox = false; -boolean locked = false; -float xOffset = 0.0; -float yOffset = 0.0; - -void setup() { - size(640, 360); - bx = width/2.0; - by = height/2.0; - rectMode(RADIUS); -} - -void draw() { - background(0); - - // Test if the cursor is over the box - if (mouseX > bx-boxSize && mouseX < bx+boxSize && - mouseY > by-boxSize && mouseY < by+boxSize) { - overBox = true; - if(!locked) { - stroke(255); - fill(153); - } - } else { - stroke(153); - fill(153); - overBox = false; - } - - // Draw the box - rect(bx, by, boxSize, boxSize); -} - -void mousePressed() { - if(overBox) { - locked = true; - fill(255, 255, 255); - } else { - locked = false; - } - xOffset = mouseX-bx; - yOffset = mouseY-by; - -} - -void mouseDragged() { - if(locked) { - bx = mouseX-xOffset; - by = mouseY-yOffset; - } -} - -void mouseReleased() { - locked = false; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Input/MousePress/MousePress.pde b/tools/Java/modes/java/examples/Basics/Input/MousePress/MousePress.pde deleted file mode 100644 index 00d997f..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/MousePress/MousePress.pde +++ /dev/null @@ -1,24 +0,0 @@ -/** - * Mouse Press. - * - * Move the mouse to position the shape. - * Press the mouse button to invert the color. - */ - - -void setup() { - size(640, 360); - noSmooth(); - fill(126); - background(102); -} - -void draw() { - if (mousePressed) { - stroke(255); - } else { - stroke(0); - } - line(mouseX-66, mouseY, mouseX+66, mouseY); - line(mouseX, mouseY-66, mouseX, mouseY+66); -} diff --git a/tools/Java/modes/java/examples/Basics/Input/MouseSignals/MouseSignals.pde b/tools/Java/modes/java/examples/Basics/Input/MouseSignals/MouseSignals.pde deleted file mode 100644 index 7f5273f..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/MouseSignals/MouseSignals.pde +++ /dev/null @@ -1,57 +0,0 @@ -/** - * Mouse Signals - * - * Move and click the mouse to generate signals. - * The top row is the signal from "mouseX", - * the middle row is the signal from "mouseY", - * and the bottom row is the signal from "mousePressed". - */ - -int[] xvals; -int[] yvals; -int[] bvals; - -void setup() { - size(640, 360); - noSmooth(); - xvals = new int[width]; - yvals = new int[width]; - bvals = new int[width]; -} - -void draw() { - background(102); - - for (int i = 1; i < width; i++) { - xvals[i-1] = xvals[i]; - yvals[i-1] = yvals[i]; - bvals[i-1] = bvals[i]; - } - // Add the new values to the end of the array - xvals[width-1] = mouseX; - yvals[width-1] = mouseY; - - if (mousePressed == true) { - bvals[width-1] = 0; - } else { - bvals[width-1] = height/3; - } - - fill(255); - noStroke(); - rect(0, height/3, width, height/3+1); - - for(int i = 1; i < width; i++) { - // Draw the x-values - stroke(255); - point(i, map(xvals[i], 0, width, 0, height/3-1)); - - // Draw the y-values - stroke(0); - point(i, height/3+yvals[i]/3); - - // Draw the mouse presses - stroke(255); - line(i, (2*height/3) + bvals[i], i, (2*height/3) + bvals[i-1]); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Input/StoringInput/StoringInput.pde b/tools/Java/modes/java/examples/Basics/Input/StoringInput/StoringInput.pde deleted file mode 100644 index 9975da0..0000000 --- a/tools/Java/modes/java/examples/Basics/Input/StoringInput/StoringInput.pde +++ /dev/null @@ -1,35 +0,0 @@ -/** - * Storing Input. - * - * Move the mouse across the screen to change the position - * of the circles. The positions of the mouse are recorded - * into an array and played back every frame. Between each - * frame, the newest value are added to the end of each array - * and the oldest value is deleted. - */ - -int num = 60; -float mx[] = new float[num]; -float my[] = new float[num]; - -void setup() { - size(640, 360); - noStroke(); - fill(255, 153); -} - -void draw() { - background(51); - - // Cycle through the array, using a different entry on each frame. - // Using modulo (%) like this is faster than moving all the values over. - int which = frameCount % num; - mx[which] = mouseX; - my[which] = mouseY; - - for (int i = 0; i < num; i++) { - // which+1 is the smallest (the oldest in the array) - int index = (which+1 + i) % num; - ellipse(mx[index], my[index], i, i); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Lights/Directional/Directional.pde b/tools/Java/modes/java/examples/Basics/Lights/Directional/Directional.pde deleted file mode 100644 index 6a1af30..0000000 --- a/tools/Java/modes/java/examples/Basics/Lights/Directional/Directional.pde +++ /dev/null @@ -1,28 +0,0 @@ -/** - * Directional. - * - * Move the mouse the change the direction of the light. - * Directional light comes from one direction and is stronger - * when hitting a surface squarely and weaker if it hits at a - * a gentle angle. After hitting a surface, a directional lights - * scatters in all directions. - */ - -void setup() { - size(640, 360, P3D); - noStroke(); - fill(204); -} - -void draw() { - noStroke(); - background(0); - float dirY = (mouseY / float(height) - 0.5) * 2; - float dirX = (mouseX / float(width) - 0.5) * 2; - directionalLight(204, 204, 204, -dirX, -dirY, -1); - translate(width/2 - 100, height/2, 0); - sphere(80); - translate(200, 0, 0); - sphere(80); -} - diff --git a/tools/Java/modes/java/examples/Basics/Lights/Mixture/Mixture.pde b/tools/Java/modes/java/examples/Basics/Lights/Mixture/Mixture.pde deleted file mode 100644 index 50af818..0000000 --- a/tools/Java/modes/java/examples/Basics/Lights/Mixture/Mixture.pde +++ /dev/null @@ -1,34 +0,0 @@ -/** - * Mixture - * by Simon Greenwold. - * - * Display a box with three different kinds of lights. - */ - -void setup() { - size(640, 360, P3D); - noStroke(); -} - -void draw() { - background(0); - translate(width / 2, height / 2); - - // Orange point light on the right - pointLight(150, 100, 0, // Color - 200, -150, 0); // Position - - // Blue directional light from the left - directionalLight(0, 102, 255, // Color - 1, 0, 0); // The x-, y-, z-axis direction - - // Yellow spotlight from the front - spotLight(255, 255, 109, // Color - 0, 40, 200, // Position - 0, -0.5, -0.5, // Direction - PI / 2, 2); // Angle, concentration - - rotateY(map(mouseX, 0, width, 0, PI)); - rotateX(map(mouseY, 0, height, 0, PI)); - box(150); -} diff --git a/tools/Java/modes/java/examples/Basics/Lights/MixtureGrid/MixtureGrid.pde b/tools/Java/modes/java/examples/Basics/Lights/MixtureGrid/MixtureGrid.pde deleted file mode 100644 index da5d861..0000000 --- a/tools/Java/modes/java/examples/Basics/Lights/MixtureGrid/MixtureGrid.pde +++ /dev/null @@ -1,43 +0,0 @@ -/** - * Mixture Grid - * modified from an example by Simon Greenwold. - * - * Display a 2D grid of boxes with three different kinds of lights. - */ - -void setup() { - size(640, 360, P3D); - noStroke(); -} - -void draw() { - defineLights(); - background(0); - - for (int x = 0; x <= width; x += 60) { - for (int y = 0; y <= height; y += 60) { - pushMatrix(); - translate(x, y); - rotateY(map(mouseX, 0, width, 0, PI)); - rotateX(map(mouseY, 0, height, 0, PI)); - box(90); - popMatrix(); - } - } -} - -void defineLights() { - // Orange point light on the right - pointLight(150, 100, 0, // Color - 200, -150, 0); // Position - - // Blue directional light from the left - directionalLight(0, 102, 255, // Color - 1, 0, 0); // The x-, y-, z-axis direction - - // Yellow spotlight from the front - spotLight(255, 255, 109, // Color - 0, 40, 200, // Position - 0, -0.5, -0.5, // Direction - PI / 2, 2); // Angle, concentration -} diff --git a/tools/Java/modes/java/examples/Basics/Lights/OnOff/OnOff.pde b/tools/Java/modes/java/examples/Basics/Lights/OnOff/OnOff.pde deleted file mode 100644 index 03c7203..0000000 --- a/tools/Java/modes/java/examples/Basics/Lights/OnOff/OnOff.pde +++ /dev/null @@ -1,31 +0,0 @@ -/** - * On/Off. - * - * Uses the default lights to show a simple box. The lights() function - * is used to turn on the default lighting. Click the mouse to turn the - * lights off. - */ - -float spin = 0.0; - -void setup() { - size(640, 360, P3D); - noStroke(); -} - -void draw() { - background(51); - - if (!mousePressed) { - lights(); - } - - spin += 0.01; - - pushMatrix(); - translate(width/2, height/2, 0); - rotateX(PI/9); - rotateY(PI/5 + spin); - box(150); - popMatrix(); -} diff --git a/tools/Java/modes/java/examples/Basics/Lights/Reflection/Reflection.pde b/tools/Java/modes/java/examples/Basics/Lights/Reflection/Reflection.pde deleted file mode 100644 index f6a3d7a..0000000 --- a/tools/Java/modes/java/examples/Basics/Lights/Reflection/Reflection.pde +++ /dev/null @@ -1,25 +0,0 @@ -/** - * Reflection - * by Simon Greenwold. - * - * Vary the specular reflection component of a material - * with the horizontal position of the mouse. - */ - -void setup() { - size(640, 360, P3D); - noStroke(); - colorMode(RGB, 1); - fill(0.4); -} - -void draw() { - background(0); - translate(width / 2, height / 2); - // Set the specular color of lights that follow - lightSpecular(1, 1, 1); - directionalLight(0.8, 0.8, 0.8, 0, 0, -1); - float s = mouseX / float(width); - specular(s, s, s); - sphere(120); -} diff --git a/tools/Java/modes/java/examples/Basics/Lights/Spot/Spot.pde b/tools/Java/modes/java/examples/Basics/Lights/Spot/Spot.pde deleted file mode 100644 index 7bb39f9..0000000 --- a/tools/Java/modes/java/examples/Basics/Lights/Spot/Spot.pde +++ /dev/null @@ -1,29 +0,0 @@ -/** - * Spot. - * - * Move the mouse the change the position and concentation - * of a blue spot light. - */ - -void setup() { - size(640, 360, P3D); - noStroke(); - fill(204); - sphereDetail(60); -} - -void draw() { - background(0); - - // Light the bottom of the sphere - directionalLight(51, 102, 126, 0, -1, 0); - - // Orange light on the upper-right of the sphere - spotLight(204, 153, 0, 360, 160, 600, 0, 0, -1, PI/2, 600); - - // Moving spotlight that follows the mouse - spotLight(102, 153, 204, 360, mouseY, 600, 0, 0, -1, PI/2, 600); - - translate(width/2, height/2, 0); - sphere(120); -} diff --git a/tools/Java/modes/java/examples/Basics/Math/AdditiveWave/AdditiveWave.pde b/tools/Java/modes/java/examples/Basics/Math/AdditiveWave/AdditiveWave.pde deleted file mode 100644 index 45eb623..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/AdditiveWave/AdditiveWave.pde +++ /dev/null @@ -1,67 +0,0 @@ -/** - * Additive Wave - * by Daniel Shiffman. - * - * Create a more complex wave by adding two waves together. - */ - -int xspacing = 8; // How far apart should each horizontal location be spaced -int w; // Width of entire wave -int maxwaves = 4; // total # of waves to add together - -float theta = 0.0; -float[] amplitude = new float[maxwaves]; // Height of wave -float[] dx = new float[maxwaves]; // Value for incrementing X, to be calculated as a function of period and xspacing -float[] yvalues; // Using an array to store height values for the wave (not entirely necessary) - -void setup() { - size(640, 360); - frameRate(30); - colorMode(RGB, 255, 255, 255, 100); - w = width + 16; - - for (int i = 0; i < maxwaves; i++) { - amplitude[i] = random(10,30); - float period = random(100,300); // How many pixels before the wave repeats - dx[i] = (TWO_PI / period) * xspacing; - } - - yvalues = new float[w/xspacing]; -} - -void draw() { - background(0); - calcWave(); - renderWave(); -} - -void calcWave() { - // Increment theta (try different values for 'angular velocity' here - theta += 0.02; - - // Set all height values to zero - for (int i = 0; i < yvalues.length; i++) { - yvalues[i] = 0; - } - - // Accumulate wave height values - for (int j = 0; j < maxwaves; j++) { - float x = theta; - for (int i = 0; i < yvalues.length; i++) { - // Every other wave is cosine instead of sine - if (j % 2 == 0) yvalues[i] += sin(x)*amplitude[j]; - else yvalues[i] += cos(x)*amplitude[j]; - x+=dx[j]; - } - } -} - -void renderWave() { - // A simple way to draw the wave with an ellipse at each location - noStroke(); - fill(255,50); - ellipseMode(CENTER); - for (int x = 0; x < yvalues.length; x++) { - ellipse(x*xspacing,height/2+yvalues[x],16,16); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Math/Arctangent/Arctangent.pde b/tools/Java/modes/java/examples/Basics/Math/Arctangent/Arctangent.pde deleted file mode 100644 index 3653077..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Arctangent/Arctangent.pde +++ /dev/null @@ -1,57 +0,0 @@ -/** - * Arctangent. - * - * Move the mouse to change the direction of the eyes. - * The atan2() function computes the angle from each eye - * to the cursor. - */ - -Eye e1, e2, e3; - -void setup() { - size(640, 360); - noStroke(); - e1 = new Eye( 250, 16, 120); - e2 = new Eye( 164, 185, 80); - e3 = new Eye( 420, 230, 220); -} - -void draw() { - background(102); - - e1.update(mouseX, mouseY); - e2.update(mouseX, mouseY); - e3.update(mouseX, mouseY); - - e1.display(); - e2.display(); - e3.display(); -} - -class Eye { - int x, y; - int size; - float angle = 0.0; - - Eye(int tx, int ty, int ts) { - x = tx; - y = ty; - size = ts; - } - - void update(int mx, int my) { - angle = atan2(my-y, mx-x); - } - - void display() { - pushMatrix(); - translate(x, y); - fill(255); - ellipse(0, 0, size, size); - rotate(angle); - fill(153, 204, 0); - ellipse(size/4, 0, size/2, size/2); - popMatrix(); - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Math/Distance1D/Distance1D.pde b/tools/Java/modes/java/examples/Basics/Math/Distance1D/Distance1D.pde deleted file mode 100644 index 4070655..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Distance1D/Distance1D.pde +++ /dev/null @@ -1,54 +0,0 @@ -/** - * Distance 1D. - * - * Move the mouse left and right to control the - * speed and direction of the moving shapes. - */ - -float xpos1; -float xpos2; -float xpos3; -float xpos4; -int thin = 8; -int thick = 36; - -void setup() -{ - size(640, 360); - noStroke(); - xpos1 = width/2; - xpos2 = width/2; - xpos3 = width/2; - xpos4 = width/2; -} - -void draw() -{ - background(0); - - float mx = mouseX * 0.4 - width/5.0; - - fill(102); - rect(xpos2, 0, thick, height/2); - fill(204); - rect(xpos1, 0, thin, height/2); - fill(102); - rect(xpos4, height/2, thick, height/2); - fill(204); - rect(xpos3, height/2, thin, height/2); - - xpos1 += mx/16; - xpos2 += mx/64; - xpos3 -= mx/16; - xpos4 -= mx/64; - - if(xpos1 < -thin) { xpos1 = width; } - if(xpos1 > width) { xpos1 = -thin; } - if(xpos2 < -thick) { xpos2 = width; } - if(xpos2 > width) { xpos2 = -thick; } - if(xpos3 < -thin) { xpos3 = width; } - if(xpos3 > width) { xpos3 = -thin; } - if(xpos4 < -thick) { xpos4 = width; } - if(xpos4 > width) { xpos4 = -thick; } -} - diff --git a/tools/Java/modes/java/examples/Basics/Math/Distance2D/Distance2D.pde b/tools/Java/modes/java/examples/Basics/Math/Distance2D/Distance2D.pde deleted file mode 100644 index 19a803f..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Distance2D/Distance2D.pde +++ /dev/null @@ -1,27 +0,0 @@ -/** - * Distance 2D. - * - * Move the mouse across the image to obscure and reveal the matrix. - * Measures the distance from the mouse to each square and sets the - * size proportionally. - */ - -float max_distance; - -void setup() { - size(640, 360); - noStroke(); - max_distance = dist(0, 0, width, height); -} - -void draw() { - background(0); - - for(int i = 0; i <= width; i += 20) { - for(int j = 0; j <= height; j += 20) { - float size = dist(mouseX, mouseY, i, j); - size = size/max_distance * 66; - ellipse(i, j, size, size); - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Math/DoubleRandom/DoubleRandom.pde b/tools/Java/modes/java/examples/Basics/Math/DoubleRandom/DoubleRandom.pde deleted file mode 100644 index 082b32d..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/DoubleRandom/DoubleRandom.pde +++ /dev/null @@ -1,26 +0,0 @@ -/** - * Double Random - * by Ira Greenberg. - * - * Using two random() calls and the point() function - * to create an irregular sawtooth line. - */ - -int totalPts = 300; -float steps = totalPts + 1; - -void setup() { - size(640, 360); - stroke(255); - frameRate(1); -} - -void draw() { - background(0); - float rand = 0; - for (int i = 1; i < steps; i++) { - point( (width/steps) * i, (height/2) + random(-rand, rand) ); - rand += random(-5, 5); - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Math/Graphing2DEquation/Graphing2DEquation.pde b/tools/Java/modes/java/examples/Basics/Math/Graphing2DEquation/Graphing2DEquation.pde deleted file mode 100644 index 1572e85..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Graphing2DEquation/Graphing2DEquation.pde +++ /dev/null @@ -1,39 +0,0 @@ -/** - * Graphing 2D Equations - * by Daniel Shiffman. - * - * Graphics the following equation: - * sin(n*cos(r) + 5*theta) - * where n is a function of horizontal mouse location. - */ - -void setup() { - size(640, 360); -} - -void draw() { - loadPixels(); - float n = (mouseX * 10.0) / width; - float w = 16.0; // 2D space width - float h = 16.0; // 2D space height - float dx = w / width; // Increment x this amount per pixel - float dy = h / height; // Increment y this amount per pixel - float x = -w/2; // Start x at -1 * width / 2 - for (int i = 0; i < width; i++) { - float y = -h/2; // Start y at -1 * height / 2 - for (int j = 0; j < height; j++) { - float r = sqrt((x*x) + (y*y)); // Convert cartesian to polar - float theta = atan2(y,x); // Convert cartesian to polar - // Compute 2D polar coordinate function - float val = sin(n*cos(r) + 5 * theta); // Results in a value between -1 and 1 - //float val = cos(r); // Another simple function - //float val = sin(theta); // Another simple function - // Map resulting vale to grayscale value - pixels[i+j*width] = color((val + 1.0) * 255.0/2.0); // Scale to between 0 and 255 - y += dy; // Increment y - } - x += dx; // Increment x - } - updatePixels(); -} - diff --git a/tools/Java/modes/java/examples/Basics/Math/IncrementDecrement/IncrementDecrement.pde b/tools/Java/modes/java/examples/Basics/Math/IncrementDecrement/IncrementDecrement.pde deleted file mode 100644 index 49b1152..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/IncrementDecrement/IncrementDecrement.pde +++ /dev/null @@ -1,44 +0,0 @@ -/** - * Increment Decrement. - * - * Writing "a++" is equivalent to "a = a + 1". - * Writing "a--" is equivalent to "a = a - 1". - */ - -int a; -int b; -boolean direction; - -void setup() { - size(640, 360); - colorMode(RGB, width); - a = 0; - b = width; - direction = true; - frameRate(30); -} - -void draw() { - a++; - if(a > width) { - a = 0; - direction = !direction; - } - if(direction == true){ - stroke(a); - } else { - stroke(width-a); - } - line(a, 0, a, height/2); - - b--; - if(b < 0) { - b = width; - } - if(direction == true) { - stroke(width-b); - } else { - stroke(b); - } - line(b, height/2+1, b, height); -} diff --git a/tools/Java/modes/java/examples/Basics/Math/Interpolate/Interpolate.pde b/tools/Java/modes/java/examples/Basics/Math/Interpolate/Interpolate.pde deleted file mode 100644 index 091951f..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Interpolate/Interpolate.pde +++ /dev/null @@ -1,33 +0,0 @@ -/** - * Linear Interpolation. - * - * Move the mouse across the screen and the symbol will follow. - * Between drawing each frame of the animation, the ellipse moves - * part of the distance (0.05) from its current position toward - * the cursor using the lerp() function. - */ - -float x; -float y; - -void setup() { - size(640, 360); - noStroke(); -} - -void draw() { - background(51); - - // lerp() calculates a number between two numbers at a specific increment. - // The amt parameter is the amount to interpolate between the two values - // where 0.0 equal to the first point, 0.1 is very near the first point, 0.5 - // is half-way in between, etc. - - // Here we are moving 5% of the way to the mouse location each frame - x = lerp(x, mouseX, 0.05); - y = lerp(y, mouseY, 0.05); - - fill(255); - stroke(255); - ellipse(x, y, 66, 66); -} diff --git a/tools/Java/modes/java/examples/Basics/Math/Map/Map.pde b/tools/Java/modes/java/examples/Basics/Math/Map/Map.pde deleted file mode 100644 index 5bde98c..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Map/Map.pde +++ /dev/null @@ -1,24 +0,0 @@ -/** - * Map. - * - * Use the map() function to take any number and scale it to a new number - * that is more useful for the project that you are working on. For example, use the - * numbers from the mouse position to control the size or color of a shape. - * In this example, the mouse’s x-coordinate (numbers between 0 and 360) are scaled to - * new numbers to define the color and size of a circle. - */ - -void setup() { - size(640, 360); - noStroke(); -} - -void draw() { - background(0); - // Scale the mouseX value from 0 to 640 to a range between 0 and 175 - float c = map(mouseX, 0, width, 0, 175); - // Scale the mouseX value from 0 to 640 to a range between 40 and 300 - float d = map(mouseX, 0, width, 40, 300); - fill(255, c, 0); - ellipse(width/2, height/2, d, d); -} diff --git a/tools/Java/modes/java/examples/Basics/Math/Noise1D/Noise1D.pde b/tools/Java/modes/java/examples/Basics/Math/Noise1D/Noise1D.pde deleted file mode 100644 index 3b83cfa..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Noise1D/Noise1D.pde +++ /dev/null @@ -1,32 +0,0 @@ -/** - * Noise1D. - * - * Using 1D Perlin Noise to assign location. - */ - -float xoff = 0.0; -float xincrement = 0.01; - -void setup() { - size(640, 360); - background(0); - noStroke(); -} - -void draw() { - // Create an alpha blended background - fill(0, 10); - rect(0,0,width,height); - - //float n = random(0,width); // Try this line instead of noise - - // Get a noise value based on xoff and scale it according to the window's width - float n = noise(xoff)*width; - - // With each cycle, increment xoff - xoff += xincrement; - - // Draw the ellipse at the value produced by perlin noise - fill(200); - ellipse(n,height/2, 64, 64); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Math/Noise2D/Noise2D.pde b/tools/Java/modes/java/examples/Basics/Math/Noise2D/Noise2D.pde deleted file mode 100644 index b933490..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Noise2D/Noise2D.pde +++ /dev/null @@ -1,44 +0,0 @@ -/** - * Noise2D - * by Daniel Shiffman. - * - * Using 2D noise to create simple texture. - */ - -float increment = 0.02; - -void setup() { - size(640, 360); -} - -void draw() { - - loadPixels(); - - float xoff = 0.0; // Start xoff at 0 - float detail = map(mouseX, 0, width, 0.1, 0.6); - noiseDetail(8, detail); - - // For every x,y coordinate in a 2D space, calculate a noise value and produce a brightness value - for (int x = 0; x < width; x++) { - xoff += increment; // Increment xoff - float yoff = 0.0; // For every xoff, start yoff at 0 - for (int y = 0; y < height; y++) { - yoff += increment; // Increment yoff - - // Calculate noise and scale by 255 - float bright = noise(xoff, yoff) * 255; - - // Try using this line instead - //float bright = random(0,255); - - // Set each pixel onscreen to a grayscale value - pixels[x+y*width] = color(bright); - } - } - - updatePixels(); -} - - - diff --git a/tools/Java/modes/java/examples/Basics/Math/Noise3D/Noise3D.pde b/tools/Java/modes/java/examples/Basics/Math/Noise3D/Noise3D.pde deleted file mode 100644 index aa37b53..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Noise3D/Noise3D.pde +++ /dev/null @@ -1,53 +0,0 @@ -/** - * Noise3D. - * - * Using 3D noise to create simple animated texture. - * Here, the third dimension ('z') is treated as time. - */ - -float increment = 0.01; -// The noise function's 3rd argument, a global variable that increments once per cycle -float zoff = 0.0; -// We will increment zoff differently than xoff and yoff -float zincrement = 0.02; - -void setup() { - size(640, 360); - frameRate(30); -} - -void draw() { - - // Optional: adjust noise detail here - // noiseDetail(8,0.65f); - - loadPixels(); - - float xoff = 0.0; // Start xoff at 0 - - // For every x,y coordinate in a 2D space, calculate a noise value and produce a brightness value - for (int x = 0; x < width; x++) { - xoff += increment; // Increment xoff - float yoff = 0.0; // For every xoff, start yoff at 0 - for (int y = 0; y < height; y++) { - yoff += increment; // Increment yoff - - // Calculate noise and scale by 255 - float bright = noise(xoff,yoff,zoff)*255; - - // Try using this line instead - //float bright = random(0,255); - - // Set each pixel onscreen to a grayscale value - pixels[x+y*width] = color(bright,bright,bright); - } - } - updatePixels(); - - zoff += zincrement; // Increment zoff - - -} - - - diff --git a/tools/Java/modes/java/examples/Basics/Math/NoiseWave/NoiseWave.pde b/tools/Java/modes/java/examples/Basics/Math/NoiseWave/NoiseWave.pde deleted file mode 100644 index 152a00f..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/NoiseWave/NoiseWave.pde +++ /dev/null @@ -1,40 +0,0 @@ -/** - * Noise Wave - * by Daniel Shiffman. - * - * Using Perlin Noise to generate a wave-like pattern. - */ - -float yoff = 0.0; // 2nd dimension of perlin noise - -void setup() { - size(640, 360); -} - -void draw() { - background(51); - - fill(255); - // We are going to draw a polygon out of the wave points - beginShape(); - - float xoff = 0; // Option #1: 2D Noise - // float xoff = yoff; // Option #2: 1D Noise - - // Iterate over horizontal pixels - for (float x = 0; x <= width; x += 10) { - // Calculate a y value according to noise, map to - float y = map(noise(xoff, yoff), 0, 1, 200,300); // Option #1: 2D Noise - // float y = map(noise(xoff), 0, 1, 200,300); // Option #2: 1D Noise - - // Set the vertex - vertex(x, y); - // Increment x dimension for noise - xoff += 0.05; - } - // increment y dimension for noise - yoff += 0.01; - vertex(width, height); - vertex(0, height); - endShape(CLOSE); -} diff --git a/tools/Java/modes/java/examples/Basics/Math/OperatorPrecedence/OperatorPrecedence.pde b/tools/Java/modes/java/examples/Basics/Math/OperatorPrecedence/OperatorPrecedence.pde deleted file mode 100644 index b029424..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/OperatorPrecedence/OperatorPrecedence.pde +++ /dev/null @@ -1,55 +0,0 @@ -/** - * Operator Precedence - * - * If you don't direction state the order in which an - * expression is evaluated, it is decided by the operator - * precedence. For example, in the expression 4+2*8, the - * 2 will first be multiplied by 8 and then the result will - * be added to 4. This is because multiplication has a higher - * precedence than addition. To avoid ambiguity in reading - * the program, it is recommended to write the expression as - * 4+(2*8). The order of evaluation can be controlled through - * adding parenthesis in the code. - */ - -// The highest precedence is at the top of the list and -// the lowest is at the bottom. -// Multiplicative: * / % -// Additive: + - -// Relational: < > <= >= -// Equality: == != -// Logical AND: && -// Logical OR: || -// Assignment: = += -= *= /= %= - -size(640, 360); -background(51); -noFill(); -stroke(51); - -stroke(204); -for(int i=0; i< width-20; i+= 4) { - // The 30 is added to 70 and then evaluated - // if it is greater than the current value of "i" - // For clarity, write as "if (i > (30 + 70)) {" - if (i > 30 + 70) { - line(i, 0, i, 50); - } -} - -stroke(255); -// The 2 is multiplied by the 8 and the result is added to the 4 -// For clarity, write as "rect(5 + (2 * 8), 0, 90, 20);" -rect(4 + 2 * 8, 52, 290, 48); -rect((4 + 2) * 8, 100, 290, 49); - -stroke(153); -for (int i = 0; i < width; i+= 2) { - // The relational statements are evaluated - // first, and then the logical AND statements and - // finally the logical OR. For clarity, write as: - // "if(((i > 20) && (i < 50)) || ((i > 100) && (i < width-20))) {" - if (i > 20 && i < 50 || i > 100 && i < width-20) { - line(i, 151, i, height-1); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Math/PolarToCartesian/PolarToCartesian.pde b/tools/Java/modes/java/examples/Basics/Math/PolarToCartesian/PolarToCartesian.pde deleted file mode 100644 index 386ebb2..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/PolarToCartesian/PolarToCartesian.pde +++ /dev/null @@ -1,47 +0,0 @@ -/** - * Polar to Cartesian - * by Daniel Shiffman. - * - * Convert a polar coordinate (r,theta) to cartesian (x,y). - * The calculations are x=r*cos(theta) and y=r*sin(theta). - */ - -float r; - -// Angle and angular velocity, accleration -float theta; -float theta_vel; -float theta_acc; - -void setup() { - size(640, 360); - - // Initialize all values - r = height * 0.45; - theta = 0; - theta_vel = 0; - theta_acc = 0.0001; -} - -void draw() { - - background(0); - - // Translate the origin point to the center of the screen - translate(width/2, height/2); - - // Convert polar to cartesian - float x = r * cos(theta); - float y = r * sin(theta); - - // Draw the ellipse at the cartesian coordinate - ellipseMode(CENTER); - noStroke(); - fill(200); - ellipse(x, y, 32, 32); - - // Apply acceleration and velocity to angle - theta_vel += theta_acc; - theta += theta_vel; - -} diff --git a/tools/Java/modes/java/examples/Basics/Math/Random/Random.pde b/tools/Java/modes/java/examples/Basics/Math/Random/Random.pde deleted file mode 100644 index 56ac420..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Random/Random.pde +++ /dev/null @@ -1,22 +0,0 @@ -/** - * Random. - * - * Random numbers create the basis of this image. - * Each time the program is loaded the result is different. - */ - -void setup() { - size(640, 360); - background(0); - strokeWeight(20); - frameRate(2); -} - -void draw() { - for (int i = 0; i < width; i++) { - float r = random(255); - stroke(r); - line(i, 0, i, height); - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Math/RandomGaussian/RandomGaussian.pde b/tools/Java/modes/java/examples/Basics/Math/RandomGaussian/RandomGaussian.pde deleted file mode 100644 index a0321cb..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/RandomGaussian/RandomGaussian.pde +++ /dev/null @@ -1,27 +0,0 @@ -/** - * Random Gaussian. - * - * This sketch draws ellipses with x and y locations tied to a gaussian distribution of random numbers. - */ - -void setup() { - size(640, 360); - background(0); -} - -void draw() { - - // Get a gaussian random number w/ mean of 0 and standard deviation of 1.0 - float val = randomGaussian(); - - float sd = 60; // Define a standard deviation - float mean = width/2; // Define a mean value (middle of the screen along the x-axis) - float x = ( val * sd ) + mean; // Scale the gaussian random number by standard deviation and mean - - noStroke(); - fill(255, 10); - ellipse(x, height/2, 32, 32); // Draw an ellipse at our "normal" random location -} - - - diff --git a/tools/Java/modes/java/examples/Basics/Math/Sine/Sine.pde b/tools/Java/modes/java/examples/Basics/Math/Sine/Sine.pde deleted file mode 100644 index b2e7024..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/Sine/Sine.pde +++ /dev/null @@ -1,31 +0,0 @@ -/** - * Sine. - * - * Smoothly scaling size with the sin() function. - */ - -float diameter; -float angle = 0; - -void setup() { - size(640, 360); - diameter = height - 10; - noStroke(); - fill(255, 204, 0); -} - -void draw() { - - background(0); - - float d1 = 10 + (sin(angle) * diameter/2) + diameter/2; - float d2 = 10 + (sin(angle + PI/2) * diameter/2) + diameter/2; - float d3 = 10 + (sin(angle + PI) * diameter/2) + diameter/2; - - ellipse(0, height/2, d1, d1); - ellipse(width/2, height/2, d2, d2); - ellipse(width, height/2, d3, d3); - - angle += 0.02; -} - diff --git a/tools/Java/modes/java/examples/Basics/Math/SineCosine/SineCosine.pde b/tools/Java/modes/java/examples/Basics/Math/SineCosine/SineCosine.pde deleted file mode 100644 index 85fe3b7..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/SineCosine/SineCosine.pde +++ /dev/null @@ -1,47 +0,0 @@ -/** - * Sine Cosine. - * - * Linear movement with sin() and cos(). - * Numbers between 0 and PI*2 (TWO_PI which angles roughly 6.28) - * are put into these functions and numbers between -1 and 1 are - * returned. These values are then scaled to produce larger movements. - */ - -float x1, x2, y1, y2; -float angle1, angle2; -float scalar = 70; - -void setup() { - size(640, 360); - noStroke(); - rectMode(CENTER); -} - -void draw() { - background(0); - - float ang1 = radians(angle1); - float ang2 = radians(angle2); - - x1 = width/2 + (scalar * cos(ang1)); - x2 = width/2 + (scalar * cos(ang2)); - - y1 = height/2 + (scalar * sin(ang1)); - y2 = height/2 + (scalar * sin(ang2)); - - fill(255); - rect(width*0.5, height*0.5, 140, 140); - - fill(0, 102, 153); - ellipse(x1, height*0.5 - 120, scalar, scalar); - ellipse(x2, height*0.5 + 120, scalar, scalar); - - fill(255, 204, 0); - ellipse(width*0.5 - 120, y1, scalar, scalar); - ellipse(width*0.5 + 120, y2, scalar, scalar); - - angle1 += 2; - angle2 += 3; - -} - diff --git a/tools/Java/modes/java/examples/Basics/Math/SineWave/SineWave.pde b/tools/Java/modes/java/examples/Basics/Math/SineWave/SineWave.pde deleted file mode 100644 index f242b35..0000000 --- a/tools/Java/modes/java/examples/Basics/Math/SineWave/SineWave.pde +++ /dev/null @@ -1,50 +0,0 @@ -/** - * Sine Wave - * by Daniel Shiffman. - * - * Render a simple sine wave. - */ - -int xspacing = 16; // How far apart should each horizontal location be spaced -int w; // Width of entire wave - -float theta = 0.0; // Start angle at 0 -float amplitude = 75.0; // Height of wave -float period = 500.0; // How many pixels before the wave repeats -float dx; // Value for incrementing X, a function of period and xspacing -float[] yvalues; // Using an array to store height values for the wave - -void setup() { - size(640, 360); - w = width+16; - dx = (TWO_PI / period) * xspacing; - yvalues = new float[w/xspacing]; -} - -void draw() { - background(0); - calcWave(); - renderWave(); -} - -void calcWave() { - // Increment theta (try different values for 'angular velocity' here - theta += 0.02; - - // For every x value, calculate a y value with sine function - float x = theta; - for (int i = 0; i < yvalues.length; i++) { - yvalues[i] = sin(x)*amplitude; - x+=dx; - } -} - -void renderWave() { - noStroke(); - fill(255); - // A simple way to draw the wave with an ellipse at each location - for (int x = 0; x < yvalues.length; x++) { - ellipse(x*xspacing, height/2+yvalues[x], 16, 16); - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/CompositeObjects.pde b/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/CompositeObjects.pde deleted file mode 100644 index 0a4b6ed..0000000 --- a/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/CompositeObjects.pde +++ /dev/null @@ -1,23 +0,0 @@ -/** - * Composite Objects - * - * An object can include several other objects. Creating such composite objects - * is a good way to use the principles of modularity and build higher levels of - * abstraction within a program. - */ - -EggRing er1, er2; - - -void setup() { - size(640, 360); - er1 = new EggRing(width*0.45, height*0.5, 2, 120); - er2 = new EggRing(width*0.65, height*0.8, 10, 180); -} - - -void draw() { - background(0); - er1.transmit(); - er2.transmit(); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/Egg.pde b/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/Egg.pde deleted file mode 100644 index 25d6c28..0000000 --- a/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/Egg.pde +++ /dev/null @@ -1,39 +0,0 @@ -class Egg { - float x, y; // X-coordinate, y-coordinate - float tilt; // Left and right angle offset - float angle; // Used to define the tilt - float scalar; // Height of the egg - float range; - - // Constructor - Egg(float xpos, float ypos, float r, float s) { - x = xpos; - y = ypos; - tilt = 0; - scalar = s / 100.0; - range = r; - } - - void wobble() { - tilt = cos(angle) / range; - angle += 0.1; - //print (angle + "-"); - } - - void display() { - noStroke(); - fill(255); - pushMatrix(); - translate(x, y); - rotate(tilt); - scale(scalar); - beginShape(); - vertex(0, -100); - bezierVertex(25, -100, 40, -65, 40, -40); - bezierVertex(40, -15, 25, 0, 0, 0); - bezierVertex(-25, 0, -40, -15, -40, -40); - bezierVertex(-40, -65, -25, -100, 0, -100); - endShape(); - popMatrix(); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/EggRing.pde b/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/EggRing.pde deleted file mode 100644 index 699c3d1..0000000 --- a/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/EggRing.pde +++ /dev/null @@ -1,19 +0,0 @@ -class EggRing { - Egg ovoid; - Ring circle = new Ring(); - - EggRing(float x, float y, float t, float sp) { - ovoid = new Egg(x, y, t, sp); - circle.start(x, y - sp/2); - } - - void transmit() { - ovoid.wobble(); - ovoid.display(); - circle.grow(); - circle.display(); - if (circle.on == false) { - circle.on = true; - } - } -} diff --git a/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/Ring.pde b/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/Ring.pde deleted file mode 100644 index 78edb45..0000000 --- a/tools/Java/modes/java/examples/Basics/Objects/CompositeObjects/Ring.pde +++ /dev/null @@ -1,31 +0,0 @@ -class Ring { - - float x, y; // X-coordinate, y-coordinate - float diameter; // Diameter of the ring - boolean on = false; // Turns the display on and off - - void start(float xpos, float ypos) { - x = xpos; - y = ypos; - on = true; - diameter = 1; - } - - void grow() { - if (on == true) { - diameter += 0.5; - if (diameter > width*2) { - diameter = 0.0; - } - } - } - - void display() { - if (on == true) { - noFill(); - strokeWeight(4); - stroke(155, 153); - ellipse(x, y, diameter, diameter); - } - } -} diff --git a/tools/Java/modes/java/examples/Basics/Objects/Inheritance/Inheritance.pde b/tools/Java/modes/java/examples/Basics/Objects/Inheritance/Inheritance.pde deleted file mode 100644 index cf5e551..0000000 --- a/tools/Java/modes/java/examples/Basics/Objects/Inheritance/Inheritance.pde +++ /dev/null @@ -1,72 +0,0 @@ -/** - * Inheritance - * - * A class can be defined using another class as a foundation. In object-oriented - * programming terminology, one class can inherit fi elds and methods from another. - * An object that inherits from another is called a subclass, and the object it - * inherits from is called a superclass. A subclass extends the superclass. - */ - -SpinSpots spots; -SpinArm arm; - -void setup() { - size(640, 360); - arm = new SpinArm(width/2, height/2, 0.01); - spots = new SpinSpots(width/2, height/2, -0.02, 90.0); -} - -void draw() { - background(204); - arm.update(); - arm.display(); - spots.update(); - spots.display(); -} - -class Spin { - float x, y, speed; - float angle = 0.0; - Spin(float xpos, float ypos, float s) { - x = xpos; - y = ypos; - speed = s; - } - void update() { - angle += speed; - } -} - -class SpinArm extends Spin { - SpinArm(float x, float y, float s) { - super(x, y, s); - } - void display() { - strokeWeight(1); - stroke(0); - pushMatrix(); - translate(x, y); - angle += speed; - rotate(angle); - line(0, 0, 165, 0); - popMatrix(); - } -} - -class SpinSpots extends Spin { - float dim; - SpinSpots(float x, float y, float s, float d) { - super(x, y, s); - dim = d; - } - void display() { - noStroke(); - pushMatrix(); - translate(x, y); - angle += speed; - rotate(angle); - ellipse(-dim/2, 0, dim, dim); - ellipse(dim/2, 0, dim, dim); - popMatrix(); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Objects/MultipleConstructors/MultipleConstructors.pde b/tools/Java/modes/java/examples/Basics/Objects/MultipleConstructors/MultipleConstructors.pde deleted file mode 100644 index fb01916..0000000 --- a/tools/Java/modes/java/examples/Basics/Objects/MultipleConstructors/MultipleConstructors.pde +++ /dev/null @@ -1,49 +0,0 @@ -/** - * Multiple constructors - * - * A class can have multiple constructors that assign the fields in different ways. - * Sometimes it's beneficial to specify every aspect of an object's data by assigning - * parameters to the fields, but other times it might be appropriate to define only - * one or a few. - */ - -Spot sp1, sp2; - -void setup() { - size(640, 360); - background(204); - noLoop(); - // Run the constructor without parameters - sp1 = new Spot(); - // Run the constructor with three parameters - sp2 = new Spot(width*0.5, height*0.5, 120); -} - -void draw() { - sp1.display(); - sp2.display(); -} - -class Spot { - float x, y, radius; - - // First version of the Spot constructor; - // the fields are assigned default values - Spot() { - radius = 40; - x = width*0.25; - y = height*0.5; - } - - // Second version of the Spot constructor; - // the fields are assigned with parameters - Spot(float xpos, float ypos, float r) { - x = xpos; - y = ypos; - radius = r; - } - void display() { - ellipse(x, y, radius*2, radius*2); - } - -} diff --git a/tools/Java/modes/java/examples/Basics/Objects/Objects/Objects.pde b/tools/Java/modes/java/examples/Basics/Objects/Objects/Objects.pde deleted file mode 100644 index 7ba7bef..0000000 --- a/tools/Java/modes/java/examples/Basics/Objects/Objects/Objects.pde +++ /dev/null @@ -1,71 +0,0 @@ -/** - * Objects - * by hbarragan. - * - * Move the cursor across the image to change the speed and positions - * of the geometry. The class MRect defines a group of lines. - */ - -MRect r1, r2, r3, r4; - -void setup() -{ - size(640, 360); - fill(255, 204); - noStroke(); - r1 = new MRect(1, 134.0, 0.532, 0.1*height, 10.0, 60.0); - r2 = new MRect(2, 44.0, 0.166, 0.3*height, 5.0, 50.0); - r3 = new MRect(2, 58.0, 0.332, 0.4*height, 10.0, 35.0); - r4 = new MRect(1, 120.0, 0.0498, 0.9*height, 15.0, 60.0); -} - -void draw() -{ - background(0); - - r1.display(); - r2.display(); - r3.display(); - r4.display(); - - r1.move(mouseX-(width/2), mouseY+(height*0.1), 30); - r2.move((mouseX+(width*0.05))%width, mouseY+(height*0.025), 20); - r3.move(mouseX/4, mouseY-(height*0.025), 40); - r4.move(mouseX-(width/2), (height-mouseY), 50); -} - -class MRect -{ - int w; // single bar width - float xpos; // rect xposition - float h; // rect height - float ypos ; // rect yposition - float d; // single bar distance - float t; // number of bars - - MRect(int iw, float ixp, float ih, float iyp, float id, float it) { - w = iw; - xpos = ixp; - h = ih; - ypos = iyp; - d = id; - t = it; - } - - void move (float posX, float posY, float damping) { - float dif = ypos - posY; - if (abs(dif) > 1) { - ypos -= dif/damping; - } - dif = xpos - posX; - if (abs(dif) > 1) { - xpos -= dif/damping; - } - } - - void display() { - for (int i=0; i - - - - -]> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - diff --git a/tools/Java/modes/java/examples/Basics/Shape/GetChild/GetChild.pde b/tools/Java/modes/java/examples/Basics/Shape/GetChild/GetChild.pde deleted file mode 100644 index 08767f4..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/GetChild/GetChild.pde +++ /dev/null @@ -1,43 +0,0 @@ -/** - * Get Child. - * - * SVG files can be made of many individual shapes. - * Each of these shapes (called a "child") has its own name - * that can be used to extract it from the "parent" file. - * This example loads a map of the United States and creates - * two new PShape objects by extracting the data from two states. - */ - -PShape usa; -PShape michigan; -PShape ohio; - -void setup() { - size(640, 360); - usa = loadShape("usa-wikipedia.svg"); - michigan = usa.getChild("MI"); - ohio = usa.getChild("OH"); -} - -void draw() { - background(255); - - // Draw the full map - shape(usa, -600, -180); - - // Disable the colors found in the SVG file - michigan.disableStyle(); - // Set our own coloring - fill(0, 51, 102); - noStroke(); - // Draw a single state - shape(michigan, -600, -180); // Wolverines! - - // Disable the colors found in the SVG file - ohio.disableStyle(); - // Set our own coloring - fill(153, 0, 0); - noStroke(); - // Draw a single state - shape(ohio, -600, -180); // Buckeyes! -} diff --git a/tools/Java/modes/java/examples/Basics/Shape/GetChild/data/usa-wikipedia.svg b/tools/Java/modes/java/examples/Basics/Shape/GetChild/data/usa-wikipedia.svg deleted file mode 100644 index 247ba73..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/GetChild/data/usa-wikipedia.svg +++ /dev/null @@ -1,452 +0,0 @@ - - - - -]> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - diff --git a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/LoadDisplayOBJ.pde b/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/LoadDisplayOBJ.pde deleted file mode 100644 index 4d9edb5..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/LoadDisplayOBJ.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * Load and Display an OBJ Shape. - * - * The loadShape() command is used to read simple SVG (Scalable Vector Graphics) - * files and OBJ (Object) files into a Processing sketch. This example loads an - * OBJ file of a rocket and displays it to the screen. - */ - - -PShape rocket; - -float ry; - -public void setup() { - size(640, 360, P3D); - - rocket = loadShape("rocket.obj"); -} - -public void draw() { - background(0); - lights(); - - translate(width/2, height/2 + 100, -200); - rotateZ(PI); - rotateY(ry); - shape(rocket); - - ry += 0.02; -} diff --git a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/data/rocket.mtl b/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/data/rocket.mtl deleted file mode 100644 index fbce8d0..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/data/rocket.mtl +++ /dev/null @@ -1,8 +0,0 @@ -newmtl Default -illum 2 -Ka 0.698039 0.698039 0.698039 -Kd 0.698039 0.698039 0.698039 -Ks 0.710000 0.710000 0.710000 -Ns 76.109253 -map_Kd rocket.png - diff --git a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/data/rocket.obj b/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/data/rocket.obj deleted file mode 100644 index 1a3b689..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplayOBJ/data/rocket.obj +++ /dev/null @@ -1,1688 +0,0 @@ -mtllib rocket.mtl -g Rocket -v 0.088187 27.748848 0.016643 -v 25.227547 19.502979 -25.122717 -v 35.640614 19.502979 0.016642 -v 0.088185 19.502979 -35.535782 -v 0.088187 27.748848 0.016643 -v -25.051176 19.502979 -25.122717 -v -35.464237 19.502979 0.016645 -v -25.051170 19.502979 25.156006 -v 0.088191 19.502979 35.569065 -v 0.088187 27.748848 0.016643 -v 25.227552 19.502979 25.156000 -v 0.088187 27.748848 0.016643 -v 35.640614 19.502979 0.016642 -v 35.199703 86.845764 -35.094872 -v 49.743370 86.845764 0.016642 -v 25.227547 19.502979 -25.122717 -v 0.088184 86.845764 -49.638538 -v 0.088185 19.502979 -35.535782 -v -35.023331 86.845764 -35.094872 -v 0.088185 19.502979 -35.535782 -v -25.051176 19.502979 -25.122717 -v -49.566994 86.845764 0.016646 -v 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a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplaySVG/LoadDisplaySVG.pde +++ /dev/null @@ -1,23 +0,0 @@ -/** - * Load and Display a Shape. - * Illustration by George Brower. - * - * The loadShape() command is used to read simple SVG (Scalable Vector Graphics) - * files and OBJ (Object) files into a Processing sketch. This example loads an - * SVG file of a monster robot face and displays it to the screen. - */ - -PShape bot; - -void setup() { - size(640, 360); - // The file "bot1.svg" must be in the data folder - // of the current sketch to load successfully - bot = loadShape("bot1.svg"); -} - -void draw(){ - background(102); - shape(bot, 110, 90, 100, 100); // Draw at coordinate (110, 90) at size 100 x 100 - shape(bot, 280, 40); // Draw at coordinate (280, 40) at the default size -} diff --git a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplaySVG/data/bot1.svg b/tools/Java/modes/java/examples/Basics/Shape/LoadDisplaySVG/data/bot1.svg deleted file mode 100644 index 3c56f2d..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/LoadDisplaySVG/data/bot1.svg +++ /dev/null @@ -1,160 +0,0 @@ - - - - - -]> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - diff --git a/tools/Java/modes/java/examples/Basics/Shape/ScaleShape/ScaleShape.pde b/tools/Java/modes/java/examples/Basics/Shape/ScaleShape/ScaleShape.pde deleted file mode 100644 index 80428d4..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/ScaleShape/ScaleShape.pde +++ /dev/null @@ -1,25 +0,0 @@ -/** - * Scale Shape. - * Illustration by George Brower. - * - * Move the mouse left and right to zoom the SVG file. - * This shows how, unlike an imported image, the lines - * remain smooth at any size. - */ - -PShape bot; - -void setup() { - size(640, 360); - // The file "bot1.svg" must be in the data folder - // of the current sketch to load successfully - bot = loadShape("bot1.svg"); -} - -void draw() { - background(102); - translate(width/2, height/2); - float zoom = map(mouseX, 0, width, 0.1, 4.5); - scale(zoom); - shape(bot, -140, -140); -} diff --git a/tools/Java/modes/java/examples/Basics/Shape/ScaleShape/data/bot1.svg b/tools/Java/modes/java/examples/Basics/Shape/ScaleShape/data/bot1.svg deleted file mode 100644 index 3c56f2d..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/ScaleShape/data/bot1.svg +++ /dev/null @@ -1,160 +0,0 @@ - - - - - -]> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - diff --git a/tools/Java/modes/java/examples/Basics/Shape/ShapeVertices/ShapeVertices.pde b/tools/Java/modes/java/examples/Basics/Shape/ShapeVertices/ShapeVertices.pde deleted file mode 100644 index a28eeb3..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/ShapeVertices/ShapeVertices.pde +++ /dev/null @@ -1,42 +0,0 @@ -/** - * Shape Vertices. - * - * How to iterate over the vertices of a shape. - * When loading an obj or SVG, getVertexCount() - * will typically return 0 since all the vertices - * are in the child shapes. - * - * You should iterate through the children and then - * iterate through their vertices. - */ - -// The shape -PShape uk; - -void setup() { - size(640, 360); - // Load the shape - uk = loadShape("uk.svg"); -} - -void draw() { - background(51); - // Center where we will draw all the vertices - translate(width/2 - uk.width/2, height/2- uk.height/2); - - // Iterate over the children - int children = uk.getChildCount(); - for (int i = 0; i < children; i++) { - PShape child = uk.getChild(i); - int total = child.getVertexCount(); - - // Now we can actually get the vertices from each child - for (int j = 0; j < total; j++) { - PVector v = child.getVertex(j); - // Cycling brightness for each vertex - stroke((frameCount + (i+1)*j) % 255); - // Just a dot for each one - point(v.x, v.y); - } - } -} diff --git a/tools/Java/modes/java/examples/Basics/Shape/ShapeVertices/data/uk.svg b/tools/Java/modes/java/examples/Basics/Shape/ShapeVertices/data/uk.svg deleted file mode 100644 index fb56551..0000000 --- a/tools/Java/modes/java/examples/Basics/Shape/ShapeVertices/data/uk.svg +++ /dev/null @@ -1,569 +0,0 @@ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - diff --git a/tools/Java/modes/java/examples/Basics/Structure/Coordinates/Coordinates.pde b/tools/Java/modes/java/examples/Basics/Structure/Coordinates/Coordinates.pde deleted file mode 100644 index dce834d..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/Coordinates/Coordinates.pde +++ /dev/null @@ -1,37 +0,0 @@ -/** - * Coordinates. - * - * All shapes drawn to the screen have a position that is - * specified as a coordinate. All coordinates are measured - * as the distance from the origin in units of pixels. - * The origin (0, 0) is the coordinate is in the upper left - * of the window and the coordinate in the lower right is - * (width-1, height-1). - */ - -// Sets the screen to be 640 pixels wide and 360 pixels high -size(640, 360); - -// Set the background to black and turn off the fill color -background(0); -noFill(); - -// The two parameters of the point() function define its location. -// The first parameter is the x-coordinate and the second is the y-coordinate -stroke(255); -point(320, 180); -point(320, 90); - -// Coordinates are used for drawing all shapes, not just points. -// Parameters for different functions are used for different purposes. -// For example, the first two parameters to line() specify -// the coordinates of the first endpoint and the second two parameters -// specify the second endpoint -stroke(0, 153, 255); -line(0, 120, 640, 120); - -// The first two parameters to rect() are the coordinates of the -// upper-left corner and the second pair is the width and height -// of the rectangle -stroke(255, 153, 0); -rect(160, 36, 320, 288); diff --git a/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/CreateGraphics.pde b/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/CreateGraphics.pde deleted file mode 100644 index bb29edd..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/CreateGraphics.pde +++ /dev/null @@ -1,36 +0,0 @@ -/** - * Create Graphics. - * - * The createGraphics() function creates an object from - * the PGraphics class. PGraphics is the main graphics and - * rendering context for Processing. The beginDraw() method - * is necessary to prepare for drawing and endDraw() is - * necessary to finish. Use this class if you need to draw - * into an off-screen graphics buffer or to maintain two - * drawing surfaces with different properties. - */ - -PGraphics pg; - -void setup() { - size(640, 360); - pg = createGraphics(400, 200); -} - -void draw() { - fill(0, 12); - rect(0, 0, width, height); - fill(255); - noStroke(); - ellipse(mouseX, mouseY, 60, 60); - - pg.beginDraw(); - pg.background(51); - pg.noFill(); - pg.stroke(255); - pg.ellipse(mouseX-120, mouseY-60, 60, 60); - pg.endDraw(); - - // Draw the offscreen buffer to the screen with image() - image(pg, 120, 60); -} diff --git a/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/data/mask.jpg b/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/data/mask.jpg deleted file mode 100644 index bbd1382..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/data/mask.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/data/test.jpg b/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/data/test.jpg deleted file mode 100644 index 04d3fc5..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Structure/CreateGraphics/data/test.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Structure/Functions/Functions.pde b/tools/Java/modes/java/examples/Basics/Structure/Functions/Functions.pde deleted file mode 100644 index b838b61..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/Functions/Functions.pde +++ /dev/null @@ -1,29 +0,0 @@ -/** - * Functions. - * - * The drawTarget() function makes it easy to draw many distinct targets. - * Each call to drawTarget() specifies the position, size, and number of - * rings for each target. - */ - -void setup() { - size(640, 360); - background(51); - noStroke(); - noLoop(); -} - -void draw() { - drawTarget(width*0.25, height*0.4, 200, 4); - drawTarget(width*0.5, height*0.5, 300, 10); - drawTarget(width*0.75, height*0.3, 120, 6); -} - -void drawTarget(float xloc, float yloc, int size, int num) { - float grayvalues = 255/num; - float steps = size/num; - for (int i = 0; i < num; i++) { - fill(i*grayvalues); - ellipse(xloc, yloc, size - i*steps, size - i*steps); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Structure/Loop/Loop.pde b/tools/Java/modes/java/examples/Basics/Structure/Loop/Loop.pde deleted file mode 100644 index 4c9ae55..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/Loop/Loop.pde +++ /dev/null @@ -1,31 +0,0 @@ -/** - * Loop. - * - * If noLoop() is run in setup(), the code in draw() - * is only run once. In this example, click the mouse - * to run the loop() function to cause the draw() the - * run continuously. - */ - -float y = 180; - -// The statements in the setup() function -// run once when the program begins -void setup() { - size(640, 360); // Size should be the first statement - stroke(255); // Set stroke color to white - noLoop(); -} - -void draw() { - background(0); // Set the background to black - line(0, y, width, y); - y = y - 1; - if (y < 0) { - y = height; - } -} - -void mousePressed() { - loop(); -} diff --git a/tools/Java/modes/java/examples/Basics/Structure/NoLoop/NoLoop.pde b/tools/Java/modes/java/examples/Basics/Structure/NoLoop/NoLoop.pde deleted file mode 100644 index 9fc29af..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/NoLoop/NoLoop.pde +++ /dev/null @@ -1,26 +0,0 @@ -/** - * No Loop. - * - * The noLoop() function causes draw() to only run once. - * Without calling noLoop(), the code inside draw() is - * run continually. - */ - -float y = 180; - -// The statements in the setup() block -// run once when the program begins -void setup() { - size(640, 360); // Size should be the first statement - stroke(255); // Set line drawing color to white - noLoop(); -} - -// In this example, the code in the draw() block -// runs only once because of the noLoop() in setup() -void draw() { - background(0); // Set the background to black - line(0, y, width, y); - y = y - 1; - if (y < 0) { y = height; } -} diff --git a/tools/Java/modes/java/examples/Basics/Structure/Recursion/Recursion.pde b/tools/Java/modes/java/examples/Basics/Structure/Recursion/Recursion.pde deleted file mode 100644 index 5aff5ef..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/Recursion/Recursion.pde +++ /dev/null @@ -1,28 +0,0 @@ -/** - * Recursion. - * - * A demonstration of recursion, which means functions call themselves. - * Notice how the drawCircle() function calls itself at the end of its block. - * It continues to do this until the variable "level" is equal to 1. - */ - -void setup() { - size(640, 360); - noStroke(); - noLoop(); -} - -void draw() { - drawCircle(width/2, 280, 6); -} - -void drawCircle(int x, int radius, int level) { - float tt = 126 * level/4.0; - fill(tt); - ellipse(x, height/2, radius*2, radius*2); - if(level > 1) { - level = level - 1; - drawCircle(x - radius/2, radius/2, level); - drawCircle(x + radius/2, radius/2, level); - } -} diff --git a/tools/Java/modes/java/examples/Basics/Structure/Redraw/Redraw.pde b/tools/Java/modes/java/examples/Basics/Structure/Redraw/Redraw.pde deleted file mode 100644 index 41bf8c1..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/Redraw/Redraw.pde +++ /dev/null @@ -1,35 +0,0 @@ -/** - * Redraw. - * - * The redraw() function makes draw() execute once. - * In this example, draw() is executed once every time - * the mouse is clicked. - */ - -float y; - -// The statements in the setup() function -// execute once when the program begins -void setup() { - size(640, 360); // Size should be the first statement - stroke(255); // Set line drawing color to white - noLoop(); - y = height * 0.5; -} - -// The code in draw() is run until the program -// is stopped. Each statement is executed in -// sequence and after the last line is read, -// the first line is run again. -void draw() { - background(0); // Set the background to black - y = y - 4; - if (y < 0) { y = height; } - line(0, y, width, y); -} - -void mousePressed() { - redraw(); -} - - diff --git a/tools/Java/modes/java/examples/Basics/Structure/SetupDraw/SetupDraw.pde b/tools/Java/modes/java/examples/Basics/Structure/SetupDraw/SetupDraw.pde deleted file mode 100644 index 53e73d5..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/SetupDraw/SetupDraw.pde +++ /dev/null @@ -1,29 +0,0 @@ -/** - * Setup and Draw. - * - * The code inside the draw() function runs continuously - * from top to bottom until the program is stopped. The - * code in setup() is run once when the program starts. - */ - -int y = 180; - -// The statements in the setup() block run once -// when the program begins -void setup() { - size(640, 360); // Size must be the first statement - stroke(255); // Set line drawing color to white -} - -// The statements in draw() are run until the program -// is stopped. Each statement is run in sequence from top -// to bottom and after the last line is read, the -// first line is run again. -void draw() { - background(0); // Clear the screen with a black background - line(0, y, width, y); - y = y - 1; - if (y < 0) { - y = height; - } -} diff --git a/tools/Java/modes/java/examples/Basics/Structure/StatementsComments/StatementsComments.pde b/tools/Java/modes/java/examples/Basics/Structure/StatementsComments/StatementsComments.pde deleted file mode 100644 index bd99bd3..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/StatementsComments/StatementsComments.pde +++ /dev/null @@ -1,20 +0,0 @@ -/** - * Statements and Comments. - * - * Statements are the elements that make up programs. - * The ";" (semi-colon) symbol is used to end statements. - * It is called the "statement terminator." - * Comments are used for making notes to help people better understand programs. - * A comment begins with two forward slashes ("//"). - */ - -// The size function is a statement that tells the computer -// how large to make the window. -// Each function statement has zero or more parameters. -// Parameters are data passed into the function -// and are used as values for telling the computer what to do. -size(640, 360); - -// The background function is a statement that tells the computer -// which color (or gray value) to make the background of the display window -background(204, 153, 0); diff --git a/tools/Java/modes/java/examples/Basics/Structure/WidthHeight/WidthHeight.pde b/tools/Java/modes/java/examples/Basics/Structure/WidthHeight/WidthHeight.pde deleted file mode 100644 index ea5b4ec..0000000 --- a/tools/Java/modes/java/examples/Basics/Structure/WidthHeight/WidthHeight.pde +++ /dev/null @@ -1,22 +0,0 @@ -/** - * Width and Height. - * - * The 'width' and 'height' variables contain the width and height - * of the display window as defined in the size() function. - */ - -void setup() { - size(640, 360); -} - -void draw() { - background(127); - noStroke(); - for (int i = 0; i < height; i += 20) { - fill(129, 206, 15); - rect(0, i, width, 10); - fill(255); - rect(i, 0, 10, height); - } -} - diff --git a/tools/Java/modes/java/examples/Basics/Transform/Arm/Arm.pde b/tools/Java/modes/java/examples/Basics/Transform/Arm/Arm.pde deleted file mode 100644 index f339566..0000000 --- a/tools/Java/modes/java/examples/Basics/Transform/Arm/Arm.pde +++ /dev/null @@ -1,40 +0,0 @@ -/** - * Arm. - * - * The angle of each segment is controlled with the mouseX and - * mouseY position. The transformations applied to the first segment - * are also applied to the second segment because they are inside - * the same pushMatrix() and popMatrix() group. -*/ - -float x, y; -float angle1 = 0.0; -float angle2 = 0.0; -float segLength = 100; - -void setup() { - size(640, 360); - strokeWeight(30); - stroke(255, 160); - - x = width * 0.3; - y = height * 0.5; -} - -void draw() { - background(0); - - angle1 = (mouseX/float(width) - 0.5) * -PI; - angle2 = (mouseY/float(height) - 0.5) * PI; - - pushMatrix(); - segment(x, y, angle1); - segment(segLength, 0, angle2); - popMatrix(); -} - -void segment(float x, float y, float a) { - translate(x, y); - rotate(a); - line(0, 0, segLength, 0); -} diff --git a/tools/Java/modes/java/examples/Basics/Transform/Rotate/Rotate.pde b/tools/Java/modes/java/examples/Basics/Transform/Rotate/Rotate.pde deleted file mode 100644 index dd00515..0000000 --- a/tools/Java/modes/java/examples/Basics/Transform/Rotate/Rotate.pde +++ /dev/null @@ -1,34 +0,0 @@ -/** - * Rotate. - * - * Rotating a square around the Z axis. To get the results - * you expect, send the rotate function angle parameters that are - * values between 0 and PI*2 (TWO_PI which is roughly 6.28). If you prefer to - * think about angles as degrees (0-360), you can use the radians() - * method to convert your values. For example: scale(radians(90)) - * is identical to the statement scale(PI/2). - */ - -float angle; -float jitter; - -void setup() { - size(640, 360); - noStroke(); - fill(255); - rectMode(CENTER); -} - -void draw() { - background(51); - - // during even-numbered seconds (0, 2, 4, 6...) - if (second() % 2 == 0) { - jitter = random(-0.1, 0.1); - } - angle = angle + jitter; - float c = cos(angle); - translate(width/2, height/2); - rotate(c); - rect(0, 0, 180, 180); -} diff --git a/tools/Java/modes/java/examples/Basics/Transform/RotatePushPop/RotatePushPop.pde b/tools/Java/modes/java/examples/Basics/Transform/RotatePushPop/RotatePushPop.pde deleted file mode 100644 index cc5569b..0000000 --- a/tools/Java/modes/java/examples/Basics/Transform/RotatePushPop/RotatePushPop.pde +++ /dev/null @@ -1,37 +0,0 @@ -/** - * Rotate Push Pop. - * - * The push() and pop() functions allow for more control over transformations. - * The push function saves the current coordinate system to the stack - * and pop() restores the prior coordinate system. - */ - -float a; // Angle of rotation -float offset = PI/24.0; // Angle offset between boxes -int num = 12; // Number of boxes - -void setup() { - size(640, 360, P3D); - noStroke(); -} - - -void draw() { - - lights(); - - background(0, 0, 26); - translate(width/2, height/2); - - for(int i = 0; i < num; i++) { - float gray = map(i, 0, num-1, 0, 255); - pushMatrix(); - fill(gray); - rotateY(a + offset*i); - rotateX(a/2 + offset*i); - box(200); - popMatrix(); - } - - a += 0.01; -} diff --git a/tools/Java/modes/java/examples/Basics/Transform/RotateXY/RotateXY.pde b/tools/Java/modes/java/examples/Basics/Transform/RotateXY/RotateXY.pde deleted file mode 100644 index d6401c1..0000000 --- a/tools/Java/modes/java/examples/Basics/Transform/RotateXY/RotateXY.pde +++ /dev/null @@ -1,40 +0,0 @@ -/** - * Rotate 1. - * - * Rotating simultaneously in the X and Y axis. - * Transformation functions such as rotate() are additive. - * Successively calling rotate(1.0) and rotate(2.0) - * is equivalent to calling rotate(3.0). - */ - -float a = 0.0; -float rSize; // rectangle size - -void setup() { - size(640, 360, P3D); - rSize = width / 6; - noStroke(); - fill(204, 204); -} - -void draw() { - background(126); - - a += 0.005; - if(a > TWO_PI) { - a = 0.0; - } - - translate(width/2, height/2); - - rotateX(a); - rotateY(a * 2.0); - fill(255); - rect(-rSize, -rSize, rSize*2, rSize*2); - - rotateX(a * 1.001); - rotateY(a * 2.002); - fill(0); - rect(-rSize, -rSize, rSize*2, rSize*2); - -} diff --git a/tools/Java/modes/java/examples/Basics/Transform/Scale/Scale.pde b/tools/Java/modes/java/examples/Basics/Transform/Scale/Scale.pde deleted file mode 100644 index e11baa1..0000000 --- a/tools/Java/modes/java/examples/Basics/Transform/Scale/Scale.pde +++ /dev/null @@ -1,37 +0,0 @@ -/** - * Scale - * by Denis Grutze. - * - * Paramenters for the scale() function are values specified - * as decimal percentages. For example, the method call scale(2.0) - * will increase the dimension of the shape by 200 percent. - * Objects always scale from the origin. - */ - -float a = 0.0; -float s = 0.0; - -void setup() { - size(640, 360); - noStroke(); - rectMode(CENTER); - frameRate(30); -} - -void draw() { - - background(102); - - a = a + 0.04; - s = cos(a)*2; - - translate(width/2, height/2); - scale(s); - fill(51); - rect(0, 0, 50, 50); - - translate(75, 0); - fill(255); - scale(s); - rect(0, 0, 50, 50); -} diff --git a/tools/Java/modes/java/examples/Basics/Transform/Translate/Translate.pde b/tools/Java/modes/java/examples/Basics/Transform/Translate/Translate.pde deleted file mode 100644 index d701904..0000000 --- a/tools/Java/modes/java/examples/Basics/Transform/Translate/Translate.pde +++ /dev/null @@ -1,37 +0,0 @@ -/** - * Translate. - * - * The translate() function allows objects to be moved - * to any location within the window. The first parameter - * sets the x-axis offset and the second parameter sets the - * y-axis offset. - */ - -float x, y; -float dim = 80.0; - -void setup() { - size(640, 360); - noStroke(); -} - -void draw() { - background(102); - - x = x + 0.8; - - if (x > width + dim) { - x = -dim; - } - - translate(x, height/2-dim/2); - fill(255); - rect(-dim/2, -dim/2, dim, dim); - - // Transforms accumulate. Notice how this rect moves - // twice as fast as the other, but it has the same - // parameter for the x-axis value - translate(x, dim); - fill(0); - rect(-dim/2, -dim/2, dim, dim); -} diff --git a/tools/Java/modes/java/examples/Basics/Typography/Letters/Letters.pde b/tools/Java/modes/java/examples/Basics/Typography/Letters/Letters.pde deleted file mode 100644 index 12b9c8d..0000000 --- a/tools/Java/modes/java/examples/Basics/Typography/Letters/Letters.pde +++ /dev/null @@ -1,50 +0,0 @@ -/** - * Letters. - * - * Draws letters to the screen. This requires loading a font, - * setting the font, and then drawing the letters. - */ - -PFont f; - -void setup() { - size(640, 360); - background(0); - - // Create the font - printArray(PFont.list()); - f = createFont("SourceCodePro-Regular.ttf", 24); - textFont(f); - textAlign(CENTER, CENTER); -} - -void draw() { - background(0); - - // Set the left and top margin - int margin = 10; - translate(margin*4, margin*4); - - int gap = 46; - int counter = 35; - - for (int y = 0; y < height-gap; y += gap) { - for (int x = 0; x < width-gap; x += gap) { - - char letter = char(counter); - - if (letter == 'A' || letter == 'E' || letter == 'I' || letter == 'O' || letter == 'U') { - fill(255, 204, 0); - } - else { - fill(255); - } - - // Draw the letter to the screen - text(letter, x, y); - - // Increment the counter - counter++; - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Basics/Typography/Letters/data/SourceCodePro-Regular.ttf b/tools/Java/modes/java/examples/Basics/Typography/Letters/data/SourceCodePro-Regular.ttf deleted file mode 100644 index b2cff92..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Typography/Letters/data/SourceCodePro-Regular.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Typography/TextRotation/TextRotation.pde b/tools/Java/modes/java/examples/Basics/Typography/TextRotation/TextRotation.pde deleted file mode 100644 index 8ed6491..0000000 --- a/tools/Java/modes/java/examples/Basics/Typography/TextRotation/TextRotation.pde +++ /dev/null @@ -1,55 +0,0 @@ -/** - * Text Rotation. - * - * Draws letters to the screen and rotates them at different angles. - */ - -PFont f; -float angleRotate = 0.0; - -void setup() { - size(640, 360); - background(0); - - // Create the font from the .ttf file in the data folder - f = createFont("SourceCodePro-Regular.ttf", 18); - textFont(f); -} - -void draw() { - background(0); - - strokeWeight(1); - stroke(153); - - pushMatrix(); - float angle1 = radians(45); - translate(100, 180); - rotate(angle1); - text("45 DEGREES", 0, 0); - line(0, 0, 150, 0); - popMatrix(); - - pushMatrix(); - float angle2 = radians(270); - translate(200, 180); - rotate(angle2); - text("270 DEGREES", 0, 0); - line(0, 0, 150, 0); - popMatrix(); - - pushMatrix(); - translate(440, 180); - rotate(radians(angleRotate)); - text(int(angleRotate) % 360 + " DEGREES", 0, 0); - line(0, 0, 150, 0); - popMatrix(); - - angleRotate += 0.25; - - stroke(255, 0, 0); - strokeWeight(4); - point(100, 180); - point(200, 180); - point(440, 180); -} diff --git a/tools/Java/modes/java/examples/Basics/Typography/TextRotation/data/SourceCodePro-Regular.ttf b/tools/Java/modes/java/examples/Basics/Typography/TextRotation/data/SourceCodePro-Regular.ttf deleted file mode 100644 index b2cff92..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Typography/TextRotation/data/SourceCodePro-Regular.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Typography/Words/Words.pde b/tools/Java/modes/java/examples/Basics/Typography/Words/Words.pde deleted file mode 100644 index 3306c9e..0000000 --- a/tools/Java/modes/java/examples/Basics/Typography/Words/Words.pde +++ /dev/null @@ -1,41 +0,0 @@ -/** - * Words. - * - * The text() function is used for writing words to the screen. - * The letters can be aligned left, center, or right with the - * textAlign() function. - */ - -PFont f; - -void setup() { - size(640, 360); - - // Create the font - printArray(PFont.list()); - f = createFont("SpaceMono-Regular.ttf", 18); - textFont(f); -} - -void draw() { - background(102); - textAlign(RIGHT); - drawType(width * 0.25); - textAlign(CENTER); - drawType(width * 0.5); - textAlign(LEFT); - drawType(width * 0.75); -} - -void drawType(float x) { - line(x, 0, x, 65); - line(x, 220, x, height); - fill(0); - text("ichi", x, 95); - fill(51); - text("ni", x, 130); - fill(204); - text("san", x, 165); - fill(255); - text("shi", x, 210); -} diff --git a/tools/Java/modes/java/examples/Basics/Typography/Words/data/SpaceMono-Regular.ttf b/tools/Java/modes/java/examples/Basics/Typography/Words/data/SpaceMono-Regular.ttf deleted file mode 100644 index 28d7ff7..0000000 Binary files a/tools/Java/modes/java/examples/Basics/Typography/Words/data/SpaceMono-Regular.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Basics/Web/EmbeddedLinks/EmbeddedLinks.pde b/tools/Java/modes/java/examples/Basics/Web/EmbeddedLinks/EmbeddedLinks.pde deleted file mode 100644 index 376962f..0000000 --- a/tools/Java/modes/java/examples/Basics/Web/EmbeddedLinks/EmbeddedLinks.pde +++ /dev/null @@ -1,47 +0,0 @@ -/** - * Loading URLs. - * - * Click on the button to open a URL in a browser. - */ - -boolean overButton = false; - -void setup() { - size(640, 360); -} - -void draw() { - background(204); - - if (overButton == true) { - fill(255); - } else { - noFill(); - } - rect(105, 60, 75, 75); - line(135, 105, 155, 85); - line(140, 85, 155, 85); - line(155, 85, 155, 100); -} - -void mousePressed() { - if (overButton) { - link("http://www.processing.org"); - } -} - -void mouseMoved() { - checkButtons(); -} - -void mouseDragged() { - checkButtons(); -} - -void checkButtons() { - if (mouseX > 105 && mouseX < 180 && mouseY > 60 && mouseY <135) { - overButton = true; - } else { - overButton = false; - } -} diff --git a/tools/Java/modes/java/examples/Basics/Web/LoadingImages/LoadingImages.pde b/tools/Java/modes/java/examples/Basics/Web/LoadingImages/LoadingImages.pde deleted file mode 100644 index 3e5d62b..0000000 --- a/tools/Java/modes/java/examples/Basics/Web/LoadingImages/LoadingImages.pde +++ /dev/null @@ -1,23 +0,0 @@ -/** - * Loading Images. - * - * Processing applications can load images from the network. - */ - -PImage img; - -void setup() { - size(640, 360); - img = loadImage("https://processingfoundation.org/content/1-home/processing-web.png"); - noLoop(); -} - -void draw() { - background(0); - if (img != null) { - for (int i = 0; i < 5; i++) { - image(img, 0, img.height * i); - } - } -} - diff --git a/tools/Java/modes/java/examples/Demos/Graphics/DepthSort/DepthSort.pde b/tools/Java/modes/java/examples/Demos/Graphics/DepthSort/DepthSort.pde deleted file mode 100644 index 7380c77..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/DepthSort/DepthSort.pde +++ /dev/null @@ -1,50 +0,0 @@ -// Depth sorting example by Jakub Valtar -// https://github.com/JakubValtar - -void setup() { - size(640, 720, P3D); - colorMode(HSB, 100, 100, 100, 100); - - frameRate(60); -} - -void draw() { - //beginRaw(PDF, "output" + frameCount + ".pdf"); - - if (!mousePressed) { - hint(ENABLE_DEPTH_SORT); - } else { - hint(DISABLE_DEPTH_SORT); - } - - noStroke(); - - background(0); - - translate(width/2, height/2, -300); - scale(2); - - int rot = frameCount; - - rotateZ(radians(90)); - rotateX(radians(rot/60.0f * 10)); - rotateY(radians(rot/60.0f * 30)); - - blendMode(ADD); - - for (int i = 0; i < 100; i++) { - fill(map(i % 10, 0, 10, 0, 100), 100, 100, 30); - - beginShape(TRIANGLES); - vertex(200, 50, -50); - vertex(100, 100, 50); - vertex(100, 0, 20); - endShape(); - - rotateY(radians(270.0f/100)); - } - - //endRaw(); - - if (frameCount % 30 == 0) println(frameRate); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/GetTessGroups/GetTessGroups.pde b/tools/Java/modes/java/examples/Demos/Graphics/GetTessGroups/GetTessGroups.pde deleted file mode 100644 index 2e2566d..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/GetTessGroups/GetTessGroups.pde +++ /dev/null @@ -1,36 +0,0 @@ -// GetTessGroups, by Andres Colubri -// The getTessellation() function in Processing 4 returns a group shape -// where the first shape contains only the fill geometry, the second, -// the stroke lines, and third, only the points (if any). - -PShape box; -PShape tess; - -boolean onlyStrokeLines = false; - -void setup() { - size(600, 600, P3D); - - strokeWeight(5); - box = createShape(BOX, 200); - - tess = box.getTessellation(); -} - -void draw() { - background(180); - lights(); - - translate(width/2, height/2); - rotateX(frameCount * 0.01); - rotateY(frameCount * 0.01); - for (int i = 0; i < tess.getChildCount(); i++) { - if (!onlyStrokeLines || i == 1) { - shape(tess.getChild(i)); - } - } -} - -void keyPressed() { - onlyStrokeLines = !onlyStrokeLines; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/LowLevelGLVboInterleaved.pde b/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/LowLevelGLVboInterleaved.pde deleted file mode 100644 index 78800d5..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/LowLevelGLVboInterleaved.pde +++ /dev/null @@ -1,163 +0,0 @@ -// Draws a triangle using low-level OpenGL calls. - -import java.nio.*; - -PShader sh; - -float[] attribs; - -FloatBuffer attribBuffer; - -int attribVboId; - -final static int VERT_CMP_COUNT = 4; // vertex component count (x, y, z, w) -> 4 -final static int CLR_CMP_COUNT = 4; // color component count (r, g, b, a) -> 4 - -public void setup() { - size(640, 360, P3D); - - // Loads a shader to render geometry w/out - // textures and lights. - sh = loadShader("frag.glsl", "vert.glsl"); - - attribs = new float[24]; - attribBuffer = allocateDirectFloatBuffer(24); - - PGL pgl = beginPGL(); - - IntBuffer intBuffer = IntBuffer.allocate(1); - pgl.genBuffers(1, intBuffer); - - attribVboId = intBuffer.get(0); - - endPGL(); -} - -public void draw() { - - PGL pgl = beginPGL(); - - background(0); - - // The geometric transformations will be automatically passed - // to the shader. - rotate(frameCount * 0.01f, width, height, 0); - - updateGeometry(); - sh.bind(); - - // get "vertex" attribute location in the shader - final int vertLoc = pgl.getAttribLocation(sh.glProgram, "vertex"); - // enable array for "vertex" attribute - pgl.enableVertexAttribArray(vertLoc); - - // get "color" attribute location in the shader - final int colorLoc = pgl.getAttribLocation(sh.glProgram, "color"); - // enable array for "color" attribute - pgl.enableVertexAttribArray(colorLoc); - - - /* - BUFFER LAYOUT from updateGeometry() - - xyzwrgbaxyzwrgbaxyzwrgba... - - |v1 |v2 |v3 |... - |0 |4 |8 |12 |16 |20 |... - |xyzw|rgba|xyzw|rgba|xyzw|rgba|... - - stride (values per vertex) is 8 floats - vertex offset is 0 floats (starts at the beginning of each line) - color offset is 4 floats (starts after vertex coords) - - |0 |4 |8 - v1 |xyzw|rgba| - v2 |xyzw|rgba| - v3 |xyzw|rgba| - |... - */ - final int stride = (VERT_CMP_COUNT + CLR_CMP_COUNT) * Float.BYTES; - final int vertexOffset = 0 * Float.BYTES; - final int colorOffset = VERT_CMP_COUNT * Float.BYTES; - - // bind VBO - pgl.bindBuffer(PGL.ARRAY_BUFFER, attribVboId); - // fill VBO with data - pgl.bufferData(PGL.ARRAY_BUFFER, Float.BYTES * attribs.length, attribBuffer, PGL.DYNAMIC_DRAW); - // associate currently bound VBO with "vertex" shader attribute - pgl.vertexAttribPointer(vertLoc, VERT_CMP_COUNT, PGL.FLOAT, false, stride, vertexOffset); - // associate currently bound VBO with "color" shader attribute - pgl.vertexAttribPointer(colorLoc, CLR_CMP_COUNT, PGL.FLOAT, false, stride, colorOffset); - // unbind VBO - pgl.bindBuffer(PGL.ARRAY_BUFFER, 0); - - - pgl.drawArrays(PGL.TRIANGLES, 0, 3); - - - // disable arrays for attributes before unbinding the shader - pgl.disableVertexAttribArray(vertLoc); - pgl.disableVertexAttribArray(colorLoc); - - sh.unbind(); - - endPGL(); -} - -// Triggers a crash when closing the output window using the close button -//public void dispose() { -// PGL pgl = beginPGL(); - -// IntBuffer intBuffer = IntBuffer.allocate(1); -// intBuffer.put(attribVboId); -// intBuffer.rewind(); -// pgl.deleteBuffers(1, intBuffer); - -// endPGL(); -//} - -void updateGeometry() { - // Vertex 1 - attribs[0] = 0; - attribs[1] = 0; - attribs[2] = 0; - attribs[3] = 1; - - // Color 1 - attribs[4] = 1; - attribs[5] = 0; - attribs[6] = 0; - attribs[7] = 1; - - // Vertex 2 - attribs[8] = width/2; - attribs[9] = height; - attribs[10] = 0; - attribs[11] = 1; - - // Color 2 - attribs[12] = 0; - attribs[13] = 1; - attribs[14] = 0; - attribs[15] = 1; - - // Vertex 3 - attribs[16] = width; - attribs[17] = 0; - attribs[18] = 0; - attribs[19] = 1; - - // Color 3 - attribs[20] = 0; - attribs[21] = 0; - attribs[22] = 1; - attribs[23] = 1; - - attribBuffer.rewind(); - attribBuffer.put(attribs); - attribBuffer.rewind(); -} - -FloatBuffer allocateDirectFloatBuffer(int n) { - return ByteBuffer.allocateDirect(n * Float.BYTES).order(ByteOrder.nativeOrder()).asFloatBuffer(); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/data/frag.glsl b/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/data/frag.glsl deleted file mode 100644 index 16742d2..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/data/frag.glsl +++ /dev/null @@ -1,30 +0,0 @@ -/* - Part of the Processing project - http://processing.org - - Copyright (c) 2011-12 Ben Fry and Casey Reas - - This library is free software; you can redistribute it and/or - modify it under the terms of the GNU Lesser General Public - License version 2.1 as published by the Free Software Foundation. - - This library is distributed in the hope that it will be useful, - but WITHOUT ANY WARRANTY; without even the implied warranty of - MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU - Lesser General Public License for more details. - - You should have received a copy of the GNU Lesser General - Public License along with this library; if not, write to the - Free Software Foundation, Inc., 59 Temple Place, Suite 330, - Boston, MA 02111-1307 USA - */ - -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -varying vec4 vertColor; - -void main() { - gl_FragColor = vertColor; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/data/vert.glsl b/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/data/vert.glsl deleted file mode 100644 index 27c255e..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboInterleaved/data/vert.glsl +++ /dev/null @@ -1,31 +0,0 @@ -/* - Part of the Processing project - http://processing.org - - Copyright (c) 2011-12 Ben Fry and Casey Reas - - This library is free software; you can redistribute it and/or - modify it under the terms of the GNU Lesser General Public - License version 2.1 as published by the Free Software Foundation. - - This library is distributed in the hope that it will be useful, - but WITHOUT ANY WARRANTY; without even the implied warranty of - MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU - Lesser General Public License for more details. - - You should have received a copy of the GNU Lesser General - Public License along with this library; if not, write to the - Free Software Foundation, Inc., 59 Temple Place, Suite 330, - Boston, MA 02111-1307 USA - */ - -uniform mat4 transform; - -attribute vec4 vertex; -attribute vec4 color; - -varying vec4 vertColor; - -void main() { - gl_Position = transform * vertex; - vertColor = color; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/LowLevelGLVboSeparate.pde b/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/LowLevelGLVboSeparate.pde deleted file mode 100644 index 2caf653..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/LowLevelGLVboSeparate.pde +++ /dev/null @@ -1,188 +0,0 @@ -// Draws a triangle using low-level OpenGL calls. - -import java.nio.*; - -PShader sh; - -float[] vertices; -float[] colors; - -FloatBuffer vertexBuffer; -FloatBuffer colorBuffer; - -int vertexVboId; -int colorVboId; - -final static int VERT_CMP_COUNT = 4; // vertex component count (x, y, z, w) -> 4 -final static int CLR_CMP_COUNT = 4; // color component count (r, g, b, a) -> 4 - -public void setup() { - size(640, 360, P3D); - - // Loads a shader to render geometry w/out - // textures and lights. - sh = loadShader("frag.glsl", "vert.glsl"); - - vertices = new float[12]; - colors = new float[12]; - - vertexBuffer = allocateDirectFloatBuffer(12); - colorBuffer = allocateDirectFloatBuffer(12); - - PGL pgl = beginPGL(); - - // allocate buffer big enough to get all VBO ids back - IntBuffer intBuffer = IntBuffer.allocate(2); - pgl.genBuffers(2, intBuffer); - - vertexVboId = intBuffer.get(0); - colorVboId = intBuffer.get(1); - - endPGL(); -} - -public void draw() { - - PGL pgl = beginPGL(); - - background(0); - - // The geometric transformations will be automatically passed - // to the shader. - rotate(frameCount * 0.01f, width, height, 0); - - updateGeometry(); - sh.bind(); - - // get "vertex" attribute location in the shader - final int vertLoc = pgl.getAttribLocation(sh.glProgram, "vertex"); - // enable array for "vertex" attribute - pgl.enableVertexAttribArray(vertLoc); - - // get "color" attribute location in the shader - final int colorLoc = pgl.getAttribLocation(sh.glProgram, "color"); - // enable array for "color" attribute - pgl.enableVertexAttribArray(colorLoc); - - /* - BUFFER LAYOUT from updateGeometry() - - Vertex buffer: - - xyzwxyzwxyzw... - - |v1 |v2 |v3 |... - |0 |4 |8 |... - |xyzw|xyzw|xyzw|... - - - Color buffer: - - rgbargbargba... - - |v1 |v2 |v3 |... - |0 |4 |8 |... - |rgba|rgba|rgba|... - - stride (values per vertex) is 4 floats in both cases - vertex offset is 0 floats in both cases - */ - final int vertexStride = VERT_CMP_COUNT * Float.BYTES; - final int colorStride = CLR_CMP_COUNT * Float.BYTES; - final int vertexOffset = 0 * Float.BYTES; - final int colorOffset = 0 * Float.BYTES; - - - { // VERTEX - // bind VBO - pgl.bindBuffer(PGL.ARRAY_BUFFER, vertexVboId); - // fill VBO with data - pgl.bufferData(PGL.ARRAY_BUFFER, Float.BYTES * vertices.length, vertexBuffer, PGL.DYNAMIC_DRAW); - // associate currently bound VBO with shader attribute - pgl.vertexAttribPointer(vertLoc, VERT_CMP_COUNT, PGL.FLOAT, false, vertexStride, vertexOffset); - } - - { // COLOR - // bind VBO - pgl.bindBuffer(PGL.ARRAY_BUFFER, colorVboId); - // fill bound VBO with data - pgl.bufferData(PGL.ARRAY_BUFFER, Float.BYTES * colors.length, colorBuffer, PGL.DYNAMIC_DRAW); - // associate currently bound VBO with shader attribute - pgl.vertexAttribPointer(colorLoc, CLR_CMP_COUNT, PGL.FLOAT, false, colorStride, colorOffset); - } - - // unbind VBOs - pgl.bindBuffer(PGL.ARRAY_BUFFER, 0); - - - pgl.drawArrays(PGL.TRIANGLES, 0, 3); - - - // disable arrays for attributes before unbinding the shader - pgl.disableVertexAttribArray(vertLoc); - pgl.disableVertexAttribArray(colorLoc); - - sh.unbind(); - - endPGL(); -} - -// Triggers a crash when closing the output window using the close button -//public void dispose() { -// PGL pgl = beginPGL(); - -// IntBuffer intBuffer = IntBuffer.allocate(2); -// intBuffer.put(vertexVboId); -// intBuffer.put(colorVboId); -// intBuffer.rewind(); -// pgl.deleteBuffers(2, intBuffer); - -// endPGL(); -//} - -void updateGeometry() { - // Vertex 1 - vertices[0] = 0; - vertices[1] = 0; - vertices[2] = 0; - vertices[3] = 1; - - colors[0] = 1; - colors[1] = 0; - colors[2] = 0; - colors[3] = 1; - - // Vertex 2 - vertices[4] = width/2; - vertices[5] = height; - vertices[6] = 0; - vertices[7] = 1; - - colors[4] = 0; - colors[5] = 1; - colors[6] = 0; - colors[7] = 1; - - // Vertex 3 - vertices[8] = width; - vertices[9] = 0; - vertices[10] = 0; - vertices[11] = 1; - - colors[8] = 0; - colors[9] = 0; - colors[10] = 1; - colors[11] = 1; - - vertexBuffer.rewind(); - vertexBuffer.put(vertices); - vertexBuffer.rewind(); - - colorBuffer.rewind(); - colorBuffer.put(colors); - colorBuffer.rewind(); -} - -FloatBuffer allocateDirectFloatBuffer(int n) { - return ByteBuffer.allocateDirect(n * Float.BYTES).order(ByteOrder.nativeOrder()).asFloatBuffer(); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/data/frag.glsl b/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/data/frag.glsl deleted file mode 100644 index 16742d2..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/data/frag.glsl +++ /dev/null @@ -1,30 +0,0 @@ -/* - Part of the Processing project - http://processing.org - - Copyright (c) 2011-12 Ben Fry and Casey Reas - - This library is free software; you can redistribute it and/or - modify it under the terms of the GNU Lesser General Public - License version 2.1 as published by the Free Software Foundation. - - This library is distributed in the hope that it will be useful, - but WITHOUT ANY WARRANTY; without even the implied warranty of - MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU - Lesser General Public License for more details. - - You should have received a copy of the GNU Lesser General - Public License along with this library; if not, write to the - Free Software Foundation, Inc., 59 Temple Place, Suite 330, - Boston, MA 02111-1307 USA - */ - -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -varying vec4 vertColor; - -void main() { - gl_FragColor = vertColor; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/data/vert.glsl b/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/data/vert.glsl deleted file mode 100644 index 27c255e..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/LowLevelGLVboSeparate/data/vert.glsl +++ /dev/null @@ -1,31 +0,0 @@ -/* - Part of the Processing project - http://processing.org - - Copyright (c) 2011-12 Ben Fry and Casey Reas - - This library is free software; you can redistribute it and/or - modify it under the terms of the GNU Lesser General Public - License version 2.1 as published by the Free Software Foundation. - - This library is distributed in the hope that it will be useful, - but WITHOUT ANY WARRANTY; without even the implied warranty of - MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU - Lesser General Public License for more details. - - You should have received a copy of the GNU Lesser General - Public License along with this library; if not, write to the - Free Software Foundation, Inc., 59 Temple Place, Suite 330, - Boston, MA 02111-1307 USA - */ - -uniform mat4 transform; - -attribute vec4 vertex; -attribute vec4 color; - -varying vec4 vertColor; - -void main() { - gl_Position = transform * vertex; - vertColor = color; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/MeshTweening.pde b/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/MeshTweening.pde deleted file mode 100644 index 14c5e44..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/MeshTweening.pde +++ /dev/null @@ -1,50 +0,0 @@ -// Use of custom vertex attributes. -// Inspired by -// http://pyopengl.sourceforge.net/context/tutorials/shader_4.html - -PShader sh; -PShape grid; - -void setup() { - size(640, 360, P3D); - sh = loadShader("frag.glsl", "vert.glsl"); - shader(sh); - - grid = createShape(); - grid.beginShape(QUADS); - grid.noStroke(); - grid.fill(150); - float d = 10; - for (int x = -500; x < 500; x += d) { - for (int y = -500; y < 500; y += d) { - grid.fill(255 * noise(x, y)); - grid.attribPosition("tweened", x, y, 100 * noise(x, y)); - grid.vertex(x, y, 0); - - grid.fill(255 * noise(x + d, y)); - grid.attribPosition("tweened", x + d, y, 100 * noise(x + d, y)); - grid.vertex(x + d, y, 0); - - grid.fill(255 * noise(x + d, y + d)); - grid.attribPosition("tweened", x + d, y + d, 100 * noise(x + d, y + d)); - grid.vertex(x + d, y + d, 0); - - grid.fill(255 * noise(x, y + d)); - grid.attribPosition("tweened", x, y + d, 100 * noise(x, y + d)); - grid.vertex(x, y + d, 0); - } - } - grid.endShape(); -} - -void draw() { - background(255); - - sh.set("tween", map(mouseX, 0, width, 0, 1)); - - translate(width/2, height/2, 0); - rotateX(frameCount * 0.01); - rotateY(frameCount * 0.01); - - shape(grid); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/data/frag.glsl b/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/data/frag.glsl deleted file mode 100644 index 3585015..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/data/frag.glsl +++ /dev/null @@ -1,5 +0,0 @@ -varying vec4 vertColor; - -void main() { - gl_FragColor = vertColor; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/data/vert.glsl b/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/data/vert.glsl deleted file mode 100644 index 69fb682..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/MeshTweening/data/vert.glsl +++ /dev/null @@ -1,14 +0,0 @@ -uniform mat4 transformMatrix; -uniform float tween; - -attribute vec4 position; -attribute vec4 tweened; -attribute vec4 color; - -varying vec4 vertColor; - -void main() { - gl_Position = transformMatrix * ((1.0 - tween) * position + tween * tweened); - - vertColor = color; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/MultipleWindows/MultipleWindows.pde b/tools/Java/modes/java/examples/Demos/Graphics/MultipleWindows/MultipleWindows.pde deleted file mode 100644 index 96cf801..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/MultipleWindows/MultipleWindows.pde +++ /dev/null @@ -1,88 +0,0 @@ -// MultipleWindows, by Andres Colubri -// Adapted from a PixelFlow example by Thomas Diewald -// Demonstration of a multiple window sketch with OpenGL -// (P2D or P3D) renderers, including resource sharing -// across windows. - -ChildApplet childA; -ChildApplet childB; -ChildApplet childC; - -PShape pointer; - -void setup() { - size(400, 300, P2D); - println("Creating window 1"); - - // This PShape can be shared across all windows - pointer = createShape(ELLIPSE, 0, 0, 20, 20); - - childA = new ChildApplet(2, 500, 0, 400, 300); - childA.bckColor = color(227, 173, 37); - - // Change location of parent window after creating child window. - windowMove(100, 0); -} - -void draw() { - background(32); - - fill(160); - textAlign(CENTER, CENTER); - text("MAIN window", width/2, height/2); - - translate(mouseX, mouseY); - shape(pointer); - - String txt = String.format("Window 1 %6.2fps", frameRate); - windowTitle(txt); -} - -public void keyPressed() { - if (childB == null) { - childB = new ChildApplet(3, 500, 353, 400, 300); - childB.bckColor = color(137, 227, 37); - } else if (childC == null) { - childC = new ChildApplet(4, 100, 353, 400, 300); - childC.bckColor = color(51, 157, 209); - } -} - -class ChildApplet extends PApplet { - int id, vx, vy, vw, vh; - int bckColor; - - ChildApplet(int id, int vx, int vy, int vw, int vh) { - super(); - this.id = id; - this.vx = vx; - this.vy = vy; - this.vw = vw; - this.vh = vh; - - PApplet.runSketch(new String[] { this.getClass().getName() }, this); - } - - void settings() { - size(vw, vh, P2D); - smooth(0); - println("Creating window "+ id); - } - - void setup() { - windowMove(vx, vy); - windowResizable(true); - } - - void draw() { - background(bckColor); - textAlign(CENTER, CENTER); - text("CHILD window "+ id, width/2, height/2); - - translate(mouseX, mouseY); - shape(pointer); - - String txt = String.format("Window %d %6.2fps", id, frameRate); - windowTitle(txt); - } -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Particles/Particle.pde b/tools/Java/modes/java/examples/Demos/Graphics/Particles/Particle.pde deleted file mode 100644 index b205887..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Particles/Particle.pde +++ /dev/null @@ -1,59 +0,0 @@ -class Particle { - - PVector velocity; - float lifespan = 255; - - PShape part; - float partSize; - - PVector gravity = new PVector(0,0.1); - - - Particle() { - partSize = random(10,60); - part = createShape(); - part.beginShape(QUAD); - part.noStroke(); - part.texture(sprite); - part.normal(0, 0, 1); - part.vertex(-partSize/2, -partSize/2, 0, 0); - part.vertex(+partSize/2, -partSize/2, sprite.width, 0); - part.vertex(+partSize/2, +partSize/2, sprite.width, sprite.height); - part.vertex(-partSize/2, +partSize/2, 0, sprite.height); - part.endShape(); - - rebirth(width/2,height/2); - lifespan = random(255); - } - - PShape getShape() { - return part; - } - - void rebirth(float x, float y) { - float a = random(TWO_PI); - float speed = random(0.5,4); - velocity = new PVector(cos(a), sin(a)); - velocity.mult(speed); - lifespan = 255; - part.resetMatrix(); - part.translate(x, y); - } - - boolean isDead() { - if (lifespan < 0) { - return true; - } else { - return false; - } - } - - - public void update() { - lifespan = lifespan - 1; - velocity.add(gravity); - - part.setTint(color(255,lifespan)); - part.translate(velocity.x, velocity.y); - } -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Particles/ParticleSystem.pde b/tools/Java/modes/java/examples/Demos/Graphics/Particles/ParticleSystem.pde deleted file mode 100644 index 0d164dc..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Particles/ParticleSystem.pde +++ /dev/null @@ -1,36 +0,0 @@ -class ParticleSystem { - ArrayList particles; - - PShape particleShape; - - ParticleSystem(int n) { - particles = new ArrayList(); - particleShape = createShape(PShape.GROUP); - - for (int i = 0; i < n; i++) { - Particle p = new Particle(); - particles.add(p); - particleShape.addChild(p.getShape()); - } - } - - void update() { - for (Particle p : particles) { - p.update(); - } - } - - void setEmitter(float x, float y) { - for (Particle p : particles) { - if (p.isDead()) { - p.rebirth(x, y); - } - } - } - - void display() { - - shape(particleShape); - } -} - diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Particles/Particles.pde b/tools/Java/modes/java/examples/Demos/Graphics/Particles/Particles.pde deleted file mode 100644 index cb3d6da..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Particles/Particles.pde +++ /dev/null @@ -1,31 +0,0 @@ -// Particles, by Daniel Shiffman. - -ParticleSystem ps; -PImage sprite; - -void setup() { - size(1024, 768, P2D); - orientation(LANDSCAPE); - sprite = loadImage("sprite.png"); - ps = new ParticleSystem(10000); - - // Writing to the depth buffer is disabled to avoid rendering - // artifacts due to the fact that the particles are semi-transparent - // but not z-sorted. - hint(DISABLE_DEPTH_MASK); -} - -void draw () { - background(0); - ps.update(); - ps.display(); - - ps.setEmitter(mouseX,mouseY); - - fill(255); - textSize(16); - text("Frame rate: " + int(frameRate), 10, 20); - -} - - diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Particles/data/sprite.png b/tools/Java/modes/java/examples/Demos/Graphics/Particles/data/sprite.png deleted file mode 100644 index cc0f45c..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Graphics/Particles/data/sprite.png and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Patch/Patch.pde b/tools/Java/modes/java/examples/Demos/Graphics/Patch/Patch.pde deleted file mode 100644 index 2fd6163..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Patch/Patch.pde +++ /dev/null @@ -1,161 +0,0 @@ -// Bezier patch By Maritus Watz: -// http://www.openprocessing.org/sketch/57709 -// Normal calculation added by Andres Colubri -// Direct port of sample code by Paul Bourke. -// Original code: http://paulbourke.net/geometry/bezier/ - -int ni=4, nj=5, RESI=ni*10, RESJ=nj*10; -PVector outp[][], inp[][]; -PVector normp[][]; -boolean autoNormals = false; - -void setup() { - size(1024, 768, P3D); - build(); -} - -void draw() { - background(255); - translate(width/2,height/2); - lights(); - scale(0.9); - rotateY(map(mouseX,0,width,-PI,PI)); - rotateX(map(mouseY,0,height,-PI,PI)); - - noStroke(); - fill(255); - for(int i=0; i= 1) { - blend *= nn; - nn--; - if (kn > 1) { - blend /= (double)kn; - kn--; - } - if (nkn > 1) { - blend /= (double)nkn; - nkn--; - } - } - if (k > 0) - blend *= Math.pow(mu, (double)k); - if (n-k > 0) - blend *= Math.pow(1-mu, (double)(n-k)); - - return(blend); -} - -double DBezierBlend(int k, double mu, int n) { - int nn, kn, nkn; - double dblendf = 1; - - nn = n; - kn = k; - nkn = n - k; - - while (nn >= 1) { - dblendf *= nn; - nn--; - if (kn > 1) { - dblendf /= (double)kn; - kn--; - } - if (nkn > 1) { - dblendf /= (double)nkn; - nkn--; - } - } - - double fk = 1; - double dk = 0; - double fnk = 1; - double dnk = 0; - if (k > 0) { - fk = Math.pow(mu, (double)k); - dk = k*Math.pow(mu, (double)k-1); - } - if (n-k > 0) { - fnk = Math.pow(1-mu, (double)(n-k)); - dnk = (k-n)*Math.pow(1-mu, (double)(n-k-1)); - } - dblendf *= (dk * fnk + fk * dnk); - - return(dblendf); -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Planets/Perlin.pde b/tools/Java/modes/java/examples/Demos/Graphics/Planets/Perlin.pde deleted file mode 100644 index 2096349..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Planets/Perlin.pde +++ /dev/null @@ -1,261 +0,0 @@ -// Implementation of 1D, 2D, and 3D Perlin noise. Based on the -// C code by Paul Bourke: -// http://local.wasp.uwa.edu.au/~pbourke/texture_colour/perlin/ -class Perlin { - int B = 0x100; - int BM = 0xff; - int N = 0x1000; - int NP = 12; - int NM = 0xfff; - - int p[]; - float g3[][]; - float g2[][]; - float g1[]; - - void normalize2(float v[]) { - float s = sqrt(v[0] * v[0] + v[1] * v[1]); - v[0] = v[0] / s; - v[1] = v[1] / s; - } - - void normalize3(float v[]) { - float s = sqrt(v[0] * v[0] + v[1] * v[1] + v[2] * v[2]); - v[0] = v[0] / s; - v[1] = v[1] / s; - v[2] = v[2] / s; - } - - float sCurve(float t) { - return t * t * (3.0 - 2.0 * t); - } - - float at2(float q[], float rx, float ry) { - return rx * q[0] + ry * q[1]; - } - - float at3(float q[], float rx, float ry, float rz) { - return rx * q[0] + ry * q[1] + rz * q[2]; - } - - Perlin() { - p = new int[B + B + 2]; - g3 = new float[B + B + 2][3]; - g2 = new float[B + B + 2][2]; - g1 = new float[B + B + 2]; - - init(); - } - - void init() { - int i, j, k; - - for (i = 0 ; i < B ; i++) { - p[i] = i; - g1[i] = (random(B + B) - B) / B; - - for (j = 0 ; j < 2 ; j++) - g2[i][j] = (random(B + B) - B) / B; - normalize2(g2[i]); - - for (j = 0 ; j < 3 ; j++) - g3[i][j] = (random(B + B) - B) / B; - normalize3(g3[i]); - } - - while (0 < --i) { - k = p[i]; - p[i] = p[j = int(random(B))]; - p[j] = k; - } - - for (i = 0 ; i < B + 2 ; i++) { - p[B + i] = p[i]; - g1[B + i] = g1[i]; - for (j = 0 ; j < 2 ; j++) - g2[B + i][j] = g2[i][j]; - for (j = 0 ; j < 3 ; j++) - g3[B + i][j] = g3[i][j]; - } - } - - float noise1(float[] vec) { - int bx0, bx1; - float rx0, rx1, sx, t, u, v; - - t = vec[0] + N; - bx0 = int(t) & BM; - bx1 = (bx0 + 1) & BM; - rx0 = t - int(t); - rx1 = rx0 - 1.0; - - sx = sCurve(rx0); - u = rx0 * g1[p[bx0]]; - v = rx1 * g1[p[bx1]]; - - return lerp(u, v, sx); - } - - float noise2(float[] vec) { - int bx0, bx1, by0, by1, b00, b10, b01, b11; - float rx0, rx1, ry0, ry1, sx, sy, a, b, t, u, v; - float[] q; - int i, j; - - t = vec[0] + N; - bx0 = int(t) & BM; - bx1 = (bx0 + 1) & BM; - rx0 = t - int(t); - rx1 = rx0 - 1.0; - - t = vec[1] + N; - by0 = int(t) & BM; - by1 = (by0 + 1) & BM; - ry0 = t - int(t); - ry1 = ry0 - 1.0; - - i = p[bx0]; - j = p[bx1]; - - b00 = p[i + by0]; - b10 = p[j + by0]; - b01 = p[i + by1]; - b11 = p[j + by1]; - - sx = sCurve(rx0); - sy = sCurve(ry0); - - q = g2[b00]; - u = at2(q, rx0, ry0); - q = g2[b10]; - v = at2(q, rx1, ry0); - a = lerp(u, v, sx); - - q = g2[b01] ; - u = at2(q, rx0, ry1); - q = g2[b11] ; - v = at2(q, rx1, ry1); - b = lerp(u, v, sx); - - return lerp(a, b, sy); - } - - float noise3(float[] vec) { - int bx0, bx1, by0, by1, bz0, bz1, b00, b10, b01, b11; - float rx0, rx1, ry0, ry1, rz0, rz1, sy, sz, a, b, c, d, t, u, v; - float[] q; - int i, j; - - t = vec[0] + N; - bx0 = int(t) & BM; - bx1 = (bx0 + 1) & BM; - rx0 = t - int(t); - rx1 = rx0 - 1.0; - - t = vec[1] + N; - by0 = int(t) & BM; - by1 = (by0 + 1) & BM; - ry0 = t - int(t); - ry1 = ry0 - 1.0; - - t = vec[2] + N; - bz0 = int(t) & BM; - bz1 = (bz0 + 1) & BM; - rz0 = t - int(t); - rz1 = rz0 - 1.0; - - i = p[bx0]; - j = p[bx1]; - - b00 = p[i + by0]; - b10 = p[j + by0]; - b01 = p[i + by1]; - b11 = p[j + by1]; - - t = sCurve(rx0); - sy = sCurve(ry0); - sz = sCurve(rz0); - - q = g3[b00 + bz0]; - u = at3(q, rx0, ry0, rz0); - q = g3[b10 + bz0]; - v = at3(q, rx1, ry0, rz0); - a = lerp(u, v, t); - - q = g3[b01 + bz0]; - u = at3(q, rx0, ry1, rz0); - q = g3[b11 + bz0]; - v = at3(q, rx1, ry1, rz0); - b = lerp(u, v, t); - - c = lerp(a, b, sy); - - q = g3[b00 + bz1]; - u = at3(q, rx0, ry0, rz1); - q = g3[b10 + bz1]; - v = at3(q, rx1, ry0, rz1); - a = lerp(u, v, t); - - q = g3[b01 + bz1]; - u = at3(q, rx0, ry1, rz1); - q = g3[b11 + bz1]; - v = at3(q, rx1, ry1, rz1); - b = lerp(u, v, t); - - d = lerp(a, b, sy); - - return lerp(c, d, sz); - } - - // In what follows "nalpha" is the weight when the sum is formed. - // Typically it is 2, as this approaches 1 the function is noisier. - // "nbeta" is the harmonic scaling/spacing, typically 2. n is the - // number of harmonics added up in the final result. Higher number - // results in more detailed noise. - - float noise1D(float x, float nalpha, float nbeta, int n) { - float val, sum = 0; - float v[] = {x}; - float nscale = 1; - - for (int i = 0; i < n; i++) { - val = noise1(v); - sum += val / nscale; - nscale *= nalpha; - v[0] *= nbeta; - } - return sum; - } - - float noise2D(float x, float y, float nalpha, float nbeta, int n) { - float val,sum = 0; - float v[] = {x, y}; - float nscale = 1; - - for (int i = 0; i < n; i++) { - val = noise2(v); - sum += val / nscale; - nscale *= nalpha; - v[0] *= nbeta; - v[1] *= nbeta; - } - return sum; - } - - float noise3D(float x, float y, float z, float nalpha, float nbeta, int n) { - float val, sum = 0; - float v[] = {x, y, z}; - float nscale = 1; - - for (int i = 0 ; i < n; i++) { - val = noise3(v); - sum += val / nscale; - nscale *= nalpha; - v[0] *= nbeta; - v[1] *= nbeta; - v[2] *= nbeta; - } - return sum; - } -} - diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Planets/Planets.pde b/tools/Java/modes/java/examples/Demos/Graphics/Planets/Planets.pde deleted file mode 100644 index 2fae280..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Planets/Planets.pde +++ /dev/null @@ -1,109 +0,0 @@ -// Planets, by Andres Colubri -// -// Sun and mercury textures from http://planetpixelemporium.com -// Star field picture from http://www.galacticimages.com/ - -PImage starfield; - -PShape sun; -PImage suntex; - -PShape planet1; -PImage surftex1; -PImage cloudtex; - -PShape planet2; -PImage surftex2; - -void setup() { - size(1024, 768, P3D); - - starfield = loadImage("starfield.jpg"); - suntex = loadImage("sun.jpg"); - surftex1 = loadImage("planet.jpg"); - - // We need trilinear sampling for this texture so it looks good - // even when rendered very small. - //PTexture.Parameters params1 = PTexture.newParameters(ARGB, TRILINEAR); - surftex2 = loadImage("mercury.jpg"); - - /* - // The clouds texture will "move" having the values of its u - // texture coordinates displaced by adding a constant increment - // in each frame. This requires REPEAT wrapping mode so texture - // coordinates can be larger than 1. - //PTexture.Parameters params2 = PTexture.newParameters(); - //params2.wrapU = REPEAT; - cloudtex = createImage(512, 256); - - // Using 3D Perlin noise to generate a clouds texture that is seamless on - // its edges so it can be applied on a sphere. - cloudtex.loadPixels(); - Perlin perlin = new Perlin(); - for (int j = 0; j < cloudtex.height; j++) { - for (int i = 0; i < cloudtex.width; i++) { - // The angle values corresponding to each u,v pair: - float u = float(i) / cloudtex.width; - float v = float(j) / cloudtex.height; - float phi = map(u, 0, 1, TWO_PI, 0); - float theta = map(v, 0, 1, -HALF_PI, HALF_PI); - // The x, y, z point corresponding to these angles: - float x = cos(phi) * cos(theta); - float y = sin(theta); - float z = sin(phi) * cos(theta); - float n = perlin.noise3D(x, y, z, 1.2, 2, 8); - cloudtex.pixels[j * cloudtex.width + i] = color(255, 255, 255, 255 * n * n); - } - } - cloudtex.updatePixels(); - */ - - noStroke(); - fill(255); - sphereDetail(40); - - sun = createShape(SPHERE, 150); - sun.setTexture(suntex); - - planet1 = createShape(SPHERE, 150); - planet1.setTexture(surftex1); - - planet2 = createShape(SPHERE, 50); - planet2.setTexture(surftex2); -} - -void draw() { - // Even we draw a full screen image after this, it is recommended to use - // background to clear the screen anyways, otherwise A3D will think - // you want to keep each drawn frame in the framebuffer, which results in - // slower rendering. - background(0); - - // Disabling writing to the depth mask so the - // background image doesn't occludes any 3D object. - hint(DISABLE_DEPTH_MASK); - image(starfield, 0, 0, width, height); - hint(ENABLE_DEPTH_MASK); - - pushMatrix(); - translate(width/2, height/2, -300); - - pushMatrix(); - rotateY(PI * frameCount / 500); - shape(sun); - popMatrix(); - - pointLight(255, 255, 255, 0, 0, 0); - rotateY(PI * frameCount / 300); - translate(0, 0, 300); - - shape(planet2); - - popMatrix(); - - noLights(); - pointLight(255, 255, 255, 0, 0, -150); - - translate(0.75 * width, 0.6 * height, 50); - shape(planet1); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/mercury.jpg b/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/mercury.jpg deleted file mode 100644 index 9bb2c0b..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/mercury.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/planet.jpg b/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/planet.jpg deleted file mode 100644 index 8fd33bf..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/planet.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/starfield.jpg b/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/starfield.jpg deleted file mode 100644 index bf190df..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/starfield.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/sun.jpg b/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/sun.jpg deleted file mode 100644 index 46d7bea..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Graphics/Planets/data/sun.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/ArcBall.pde b/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/ArcBall.pde deleted file mode 100644 index 5c4f74c..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/ArcBall.pde +++ /dev/null @@ -1,190 +0,0 @@ -// Ariel and V3ga's arcball class with a couple tiny mods by Robert Hodgin - -class Arcball { - float center_x, center_y, radius; - Vec3 v_down, v_drag; - Quat q_now, q_down, q_drag; - Vec3[] axisSet; - int axis; - float mxv, myv; - float x, y; - - Arcball(float center_x, float center_y, float radius){ - this.center_x = center_x; - this.center_y = center_y; - this.radius = radius; - - v_down = new Vec3(); - v_drag = new Vec3(); - - q_now = new Quat(); - q_down = new Quat(); - q_drag = new Quat(); - - axisSet = new Vec3[] {new Vec3(1.0f, 0.0f, 0.0f), new Vec3(0.0f, 1.0f, 0.0f), new Vec3(0.0f, 0.0f, 1.0f)}; - axis = -1; // no constraints... - } - - void mousePressed(){ - v_down = mouse_to_sphere(mouseX, mouseY); - q_down.set(q_now); - q_drag.reset(); - } - - void mouseDragged(){ - v_drag = mouse_to_sphere(mouseX, mouseY); - q_drag.set(Vec3.dot(v_down, v_drag), Vec3.cross(v_down, v_drag)); - } - - void run(){ - q_now = Quat.mul(q_drag, q_down); - applyQuat2Matrix(q_now); - - x += mxv; - y += myv; - mxv -= mxv * .01; - myv -= myv * .01; - } - - Vec3 mouse_to_sphere(float x, float y){ - Vec3 v = new Vec3(); - v.x = (x - center_x) / radius; - v.y = (y - center_y) / radius; - - float mag = v.x * v.x + v.y * v.y; - if (mag > 1.0f){ - v.normalize(); - } else { - v.z = sqrt(1.0f - mag); - } - - return (axis == -1) ? v : constrain_vector(v, axisSet[axis]); - } - - Vec3 constrain_vector(Vec3 vector, Vec3 axis){ - Vec3 res = new Vec3(); - res.sub(vector, Vec3.mul(axis, Vec3.dot(axis, vector))); - res.normalize(); - return res; - } - - void applyQuat2Matrix(Quat q){ - // instead of transforming q into a matrix and applying it... - - float[] aa = q.getValue(); - rotate(aa[0], aa[1], aa[2], aa[3]); - } -} - -static class Vec3{ - float x, y, z; - - Vec3(){ - } - - Vec3(float x, float y, float z){ - this.x = x; - this.y = y; - this.z = z; - } - - void normalize(){ - float length = length(); - x /= length; - y /= length; - z /= length; - } - - float length(){ - return (float) Math.sqrt(x * x + y * y + z * z); - } - - static Vec3 cross(Vec3 v1, Vec3 v2){ - Vec3 res = new Vec3(); - res.x = v1.y * v2.z - v1.z * v2.y; - res.y = v1.z * v2.x - v1.x * v2.z; - res.z = v1.x * v2.y - v1.y * v2.x; - return res; - } - - static float dot(Vec3 v1, Vec3 v2){ - return v1.x * v2.x + v1.y * v2.y + v1.z * v2.z; - } - - static Vec3 mul(Vec3 v, float d){ - Vec3 res = new Vec3(); - res.x = v.x * d; - res.y = v.y * d; - res.z = v.z * d; - return res; - } - - void sub(Vec3 v1, Vec3 v2){ - x = v1.x - v2.x; - y = v1.y - v2.y; - z = v1.z - v2.z; - } -} - -static class Quat{ - float w, x, y, z; - - Quat(){ - reset(); - } - - Quat(float w, float x, float y, float z){ - this.w = w; - this.x = x; - this.y = y; - this.z = z; - } - - void reset(){ - w = 1.0f; - x = 0.0f; - y = 0.0f; - z = 0.0f; - } - - void set(float w, Vec3 v){ - this.w = w; - x = v.x; - y = v.y; - z = v.z; - } - - void set(Quat q){ - w = q.w; - x = q.x; - y = q.y; - z = q.z; - } - - static Quat mul(Quat q1, Quat q2){ - Quat res = new Quat(); - res.w = q1.w * q2.w - q1.x * q2.x - q1.y * q2.y - q1.z * q2.z; - res.x = q1.w * q2.x + q1.x * q2.w + q1.y * q2.z - q1.z * q2.y; - res.y = q1.w * q2.y + q1.y * q2.w + q1.z * q2.x - q1.x * q2.z; - res.z = q1.w * q2.z + q1.z * q2.w + q1.x * q2.y - q1.y * q2.x; - return res; - } - - float[] getValue(){ - // transforming this quat into an angle and an axis vector... - - float[] res = new float[4]; - - float sa = (float) Math.sqrt(1.0f - w * w); - if (sa < EPSILON){ - sa = 1.0f; - } - - res[0] = (float) Math.acos(w) * 2.0f; - res[1] = x / sa; - res[2] = y / sa; - res[3] = z / sa; - - return res; - } -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/BSpline.pde b/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/BSpline.pde deleted file mode 100644 index b622e84..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/BSpline.pde +++ /dev/null @@ -1,307 +0,0 @@ -final int MAX_BEZIER_ORDER = 10; // Maximum curve order. - -final float[][] BSplineMatrix = { - {-1.0/6.0, 1.0/2.0, -1.0/2.0, 1.0/6.0}, - { 1.0/2.0, -1.0, 1.0/2.0, 0.0}, - {-1.0/2.0, 0.0, 1.0/2.0, 0.0}, - { 1.0/6.0, 2.0/3.0, 1.0/6.0, 0.0} -}; - -// The element(i, n) of this array contains the binomial coefficient -// C(i, n) = n!/(i!(n-i)!) -final int[][] BinomialCoefTable = { - {1, 1, 1, 1, 1, 1, 1, 1, 1, 1}, - {1, 2, 3, 4, 5, 6, 7, 8, 9, 10}, - {0, 1, 3, 6, 10, 15, 21, 28, 36, 45}, - {0, 0, 1, 4, 10, 20, 35, 56, 84, 120}, - {0, 0, 0, 1, 5, 15, 35, 70, 126, 210}, - {0, 0, 0, 0, 1, 6, 21, 56, 126, 252}, - {0, 0, 0, 0, 0, 1, 7, 28, 84, 210}, - {0, 0, 0, 0, 0, 0, 1, 8, 36, 120}, - {0, 0, 0, 0, 0, 0, 0, 1, 9, 45}, - {0, 0, 0, 0, 0, 0, 0, 0, 1, 10}, - {0, 0, 0, 0, 0, 0, 0, 0, 0, 1} -}; - -// The element of this(i, j) of this table contains(i/10)^(3-j). -final float[][] TVectorTable = { -// t^3, t^2, t^1, t^0 - { 0, 0, 0, 1}, // t = 0.0 - {0.001, 0.01, 0.1, 1}, // t = 0.1 - {0.008, 0.04, 0.2, 1}, // t = 0.2 - {0.027, 0.09, 0.3, 1}, // t = 0.3 - {0.064, 0.16, 0.4, 1}, // t = 0.4 - {0.125, 0.25, 0.5, 1}, // t = 0.5 - {0.216, 0.36, 0.6, 1}, // t = 0.6 - {0.343, 0.49, 0.7, 1}, // t = 0.7 - {0.512, 0.64, 0.8, 1}, // u = 0.8 - {0.729, 0.81, 0.9, 1}, // t = 0.9 - { 1, 1, 1, 1} // t = 1.0 -}; - -// The element of this(i, j) of this table contains(3-j)*(i/10)^(2-j) if -// j < 3, 0 otherwise. -final float[][] DTVectorTable = { -// 3t^2, 2t^1, t^0 - { 0, 0, 1, 0}, // t = 0.0 - {0.03, 0.2, 1, 0}, // t = 0.1 - {0.12, 0.4, 1, 0}, // t = 0.2 - {0.27, 0.6, 1, 0}, // t = 0.3 - {0.48, 0.8, 1, 0}, // t = 0.4 - {0.75, 1.0, 1, 0}, // t = 0.5 - {1.08, 1.2, 1, 0}, // t = 0.6 - {1.47, 1.4, 1, 0}, // t = 0.7 - {1.92, 1.6, 1, 0}, // t = 0.8 - {2.43, 1.8, 1, 0}, // t = 0.9 - { 3, 2, 1, 0} // t = 1.0 -}; - -abstract class Curve3D { - abstract void feval(float t, PVector p); - abstract void deval(float t, PVector d); - abstract float fevalX(float t); - abstract float fevalY(float t); - abstract float fevalZ(float t); - abstract float devalX(float t); - abstract float devalY(float t); - abstract float devalZ(float t); -} - -abstract class Spline extends Curve3D { - // The factorial of n. - int factorial(int n) { - return n <= 0 ? 1 : n * factorial(n - 1); - } - - // Gives n!/(i!(n-i)!). - int binomialCoef(int i, int n) { - if ((i <= MAX_BEZIER_ORDER) && (n <= MAX_BEZIER_ORDER)) return BinomialCoefTable[i][n - 1]; - else return int(factorial(n) / (factorial(i) * factorial(n - i))); - } - - // Evaluates the Berstein polinomial(i, n) at u. - float bersteinPol(int i, int n, float u) { - return binomialCoef(i, n) * pow(u, i) * pow(1 - u, n - i); - } - - // The derivative of the Berstein polinomial. - float dbersteinPol(int i, int n, float u) { - float s1, s2; - if (i == 0) s1 = 0; - else s1 = i * pow(u, i-1) * pow(1 - u, n - i); - if (n == i) s2 = 0; - else s2 = -(n - i) * pow(u, i) * pow(1 - u, n - i - 1); - return binomialCoef(i, n) *(s1 + s2); - } -} - -class BSpline extends Spline { - // Control points. - float[][] bsplineCPoints; - - // Parameters. - boolean lookup; - - // Auxiliary arrays used in the calculations. - float[][] M3; - float[] TVector, DTVector; - - // Point and tangent vectors. - float[] pt, tg; - - BSpline() { - initParameters(true); - } - - BSpline(boolean t) { - initParameters(t); - } - - // Sets lookup table use. - void initParameters(boolean t) { - bsplineCPoints = new float[4][3]; - TVector = new float[4]; - DTVector = new float[4]; - M3 = new float[4][3]; - pt = new float[3]; - tg = new float[3]; - lookup = t; - } - - // Sets n-th control point. - void setCPoint(int n, PVector P) { - bsplineCPoints[n][0] = P.x; - bsplineCPoints[n][1] = P.y; - bsplineCPoints[n][2] = P.z; - updateMatrix3(); - } - - // Gets n-th control point. - void getCPoint(int n, PVector P) { - P.set(bsplineCPoints[n]); - } - - // Replaces the current B-spline control points(0, 1, 2) with(1, 2, 3). This - // is used when a new spline is to be joined to the recently drawn. - void shiftBSplineCPoints() { - for (int i = 0; i < 3; i++) { - bsplineCPoints[0][i] = bsplineCPoints[1][i]; - bsplineCPoints[1][i] = bsplineCPoints[2][i]; - bsplineCPoints[2][i] = bsplineCPoints[3][i]; - } - updateMatrix3(); - } - - void copyCPoints(int n_source, int n_dest) { - for (int i = 0; i < 3; i++) { - bsplineCPoints[n_dest][i] = bsplineCPoints[n_source][i]; - } - } - - // Updates the temporal matrix used in order 3 calculations. - void updateMatrix3() { - float s; - int i, j, k; - for(i = 0; i < 4; i++) { - for(j = 0; j < 3; j++) { - s = 0; - for(k = 0; k < 4; k++) s += BSplineMatrix[i][k] * bsplineCPoints[k][j]; - M3[i][j] = s; - } - } - } - - void feval(float t, PVector p) { - evalPoint(t); - p.set(pt); - } - - void deval(float t, PVector d) { - evalTangent(t); - d.set(tg); - } - - float fevalX(float t) { - evalPoint(t); - return pt[0]; - } - - float fevalY(float t) { - evalPoint(t); - return pt[1]; - } - - float fevalZ(float t) { - evalPoint(t); - return pt[2]; - } - - float devalX(float t) { - evalTangent(t); - return tg[0]; - } - - float devalY(float t) { - evalTangent(t); - return tg[1]; - } - - float devalZ(float t) { - evalTangent(t); - return tg[2]; - } - - // Point evaluation. - void evalPoint(float t) { - if (lookup) { - bsplinePointI(int(10 * t)); - } else { - bsplinePoint(t); - } - } - - // Tangent evaluation. - void evalTangent(float t) { - if (lookup) { - bsplineTangentI(int(10 * t)); - } else { - bsplineTangent(t); - } - } - - // Calculates the point on the cubic spline corresponding to the parameter value t in [0, 1]. - void bsplinePoint(float t) { - // Q(u) = UVector * BSplineMatrix * BSplineCPoints - - float s; - int i, j, k; - - for(i = 0; i < 4; i++) { - TVector[i] = pow(t, 3 - i); - } - - for(j = 0; j < 3; j++) { - s = 0; - for(k = 0; k < 4; k++) { - s += TVector[k] * M3[k][j]; - } - pt[j] = s; - } - } - - // Calculates the tangent vector of the spline at t. - void bsplineTangent(float t) { - // Q(u) = DTVector * BSplineMatrix * BSplineCPoints - - float s; - int i, j, k; - - for(i = 0; i < 4; i++) { - if (i < 3) { - DTVector[i] = (3 - i) * pow(t, 2 - i); - } else { - DTVector[i] = 0; - } - } - - for(j = 0; j < 3; j++) { - s = 0; - for(k = 0; k < 4; k++) { - s += DTVector[k] * M3[k][j]; - } - tg[j] = s; - } - } - - // Gives the point on the cubic spline corresponding to t/10(using the lookup table). - void bsplinePointI(int t) { - // Q(u) = TVectorTable[u] * BSplineMatrix * BSplineCPoints - - float s; - int j, k; - - for(j = 0; j < 3; j++) { - s = 0; - for(k = 0; k < 4; k++) { - s += TVectorTable[t][k] * M3[k][j]; - } - pt[j] = s; - } - } - - // Calulates the tangent vector of the spline at t/10. - void bsplineTangentI(int t) { - // Q(u) = DTVectorTable[u] * BSplineMatrix * BSplineCPoints - - float s; - int j, k; - - for(j = 0; j < 3; j++) { - s = 0; - for(k = 0; k < 4; k++) { - s += DTVectorTable[t][k] * M3[k][j]; - } - tg[j] = s; - } - } -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/Geometry.pde b/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/Geometry.pde deleted file mode 100644 index ca978e9..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/Geometry.pde +++ /dev/null @@ -1,497 +0,0 @@ -BSpline splineSide1; -BSpline splineCenter; -BSpline splineSide2; -PVector flipTestV; -int uspacing; - -int HELIX = 0; -int STRAND = 1; -int COIL = 2; -int LHANDED = -1; -int RHANDED = 1; - -void createRibbonModel(ArrayList residues, PShape model, ArrayList trj) { - // For line ribbons - ArrayList vertices0 = new ArrayList(); - ArrayList vertices1 = new ArrayList(); - ArrayList vertices2 = new ArrayList(); - - // For flat ribbons - ArrayList vertices = new ArrayList(); - ArrayList normals = new ArrayList(); - - if (ribbonDetail == 1) uspacing = 10; - else if (ribbonDetail == 2) uspacing = 5; - else if (ribbonDetail == 3) uspacing = 2; - else uspacing = 1; - - flipTestV = new PVector(); - splineSide1 = new BSpline(false); - splineCenter = new BSpline(false); - splineSide2 = new BSpline(false); - - int[] ss = new int[residues.size()]; - int[] handness = new int[residues.size()]; - - calculateSecStr(residues, ss, handness); - - for (int i = 0; i < residues.size(); i++) { - constructControlPoints(residues, i, ss[i], handness[i]); - - if (renderMode == 0) { - generateSpline(0, vertices0); - generateSpline(1, vertices1); - generateSpline(2, vertices2); - } - else { - generateFlatRibbon(vertices, normals); - } - } - - if (renderMode == 0) { - model = createShape(); - model.beginShape(); - model.stroke(ribbonColor); - model.noFill(); - model.beginContour(); - for (int i = 0; i < vertices0.size(); i++) { - PVector posVec = (PVector)vertices0.get(i); - model.vertex(posVec.x, posVec.y, posVec.z); - } - model.endContour(); - model.beginContour(); - for (int i = 0; i < vertices1.size(); i++) { - PVector posVec = (PVector)vertices1.get(i); - model.vertex(posVec.x, posVec.y, posVec.z); - } - model.endContour(); - model.beginContour(); - for (int i = 0; i < vertices2.size(); i++) { - PVector posVec = (PVector)vertices2.get(i); - model.vertex(posVec.x, posVec.y, posVec.z); - } - model.endContour(); - model.endShape(OPEN); - } else { - // The ribbon construction is fairly inneficient here, since - // it could use triangle strips instead to avoid duplicating - // shared vertices... - model = createShape(); - model.beginShape(TRIANGLES); - model.noStroke(); - model.fill(ribbonColor); - for (int i = 0; i < vertices.size(); i++) { - PVector posVec = (PVector)vertices.get(i); - PVector normVec = (PVector)normals.get(i); - model.normal(-normVec.x, -normVec.y, -normVec.z); - model.vertex(posVec.x, posVec.y, posVec.z); - } - model.endShape(); - } - - trj.add(model); - - if (renderMode == 0) { - int totCount = vertices0.size() + vertices1.size() + vertices2.size(); - println("Adding new model with " + totCount + " vertices."); - } else { - println("Adding new model with " + vertices.size() + " vertices."); - } -} - -float calculateGyrRadius(ArrayList atoms) { - PVector ati, atj; - float dx, dy, dz; - float r = 0; - for (int i = 0; i < atoms.size(); i++) { - ati = (PVector)atoms.get(i); - for (int j = i + 1; j < atoms.size(); j++) { - atj = (PVector)atoms.get(j); - - dx = ati.x - atj.x; - dy = ati.y - atj.y; - dz = ati.z - atj.z; - r += dx * dx + dy * dy + dz * dz; - } - } - return sqrt(r) / (atoms.size() + 1); -} - -// Does a cheap and dirty secondary structure assignment to the protein -// residues given in the array. -void calculateSecStr(ArrayList residues, int[] ss, int[] handness) { - PVector c0, n1, ca1, c1, n2; - HashMap res0, res1, res2; - int n = residues.size(); - - float[] phi = new float[n]; - float[] psi = new float[n]; - - for (int i = 0; i < n; i++) { - if (i == 0 || i == n - 1) { - phi[i] = 90; - psi[i] = 90; - } else { - res0 = (HashMap)residues.get(i - 1); - res1 = (HashMap)residues.get(i); - res2 = (HashMap)residues.get(i + 1); - - c0 = (PVector)res0.get("C"); - n1 = (PVector)res1.get("N"); - ca1 = (PVector)res1.get("CA"); - c1 = (PVector)res1.get("C"); - n2 = (PVector)res2.get("N"); - - phi[i] = calculateTorsionalAngle(c0, n1, ca1, c1); - psi[i] = calculateTorsionalAngle(n1, ca1, c1, n2); - } - } - - int firstHelix = 0; - int nconsRHelix = 0; - int nconsLHelix = 0; - int firstStrand = 0; - int nconsStrand = 0; - for (int i = 0; i < n; i++) { - // Right-handed helix - if ((dist(phi[i], psi[i], -60, -45) < 30) && (i < n - 1)) { - if (nconsRHelix == 0) firstHelix = i; - nconsRHelix++; - } - else { - if (3 <= nconsRHelix) { - for (int k = firstHelix; k < i; k++) { - ss[k] = HELIX; - handness[k] = RHANDED; - } - } - nconsRHelix = 0; - } - - // Left-handed helix - if ((dist(phi[i], psi[i], +60, +45) < 30) && (i < n - 1)) { - if (nconsLHelix == 0) firstHelix = i; - nconsLHelix++; - - } else { - if (3 <= nconsLHelix) { - for (int k = firstHelix; k < i; k++) { - ss[k] = HELIX; - handness[k] = LHANDED; - } - } - nconsLHelix = 0; - } - - // Strand - if ((dist(phi[i], psi[i], -110, +130) < 30) && (i < n - 1)) { - if (nconsStrand == 0) firstStrand = i; - nconsStrand++; - } else { - if (2 <= nconsStrand) { - for (int k = firstStrand; k < i; k++) { - ss[k] = STRAND; - handness[k] = RHANDED; - - } - } - nconsStrand = 0; - } - - ss[i] = COIL; - handness[i] = RHANDED; - } -} - -// Calculates the torsional angle defined by four atoms with positions at0, at1, at2 and at3. -float calculateTorsionalAngle(PVector at0, PVector at1, PVector at2, PVector at3) { - PVector r01 = PVector.sub(at0, at1); - PVector r32 = PVector.sub(at3, at2); - PVector r12 = PVector.sub(at1, at2); - - PVector p = r12.cross(r01); - PVector q = r12.cross(r32); - PVector r = r12.cross(q); - - float u = q.dot(q); - float v = r.dot(r); - - float a; - if (u <= 0.0 || v <= 0.0) { - a = 360.0; - } else { - float u1 = p.dot(q); // u1 = p * q - float v1 = p.dot(r); // v1 = p * r - - u = u1 / sqrt(u); - v = v1 / sqrt(v); - - if (abs(u) > 0.01 || abs(v) > 0.01) a = degrees(atan2(v, u)); - else a = 360.0; - } - return a; -} - -void generateSpline(int n, ArrayList vertices) { - int ui; - float u; - PVector v0, v1; - - v1 = new PVector(); - - if (n == 0) splineSide1.feval(0, v1); - else if (n == 1) splineCenter.feval(0, v1); - else splineSide2.feval(0, v1); - vertices.add(new PVector(v1.x, v1.y, v1.z)); - - for (ui = 1; ui <= 10; ui ++) { - if (ui % uspacing == 0) { - u = 0.1 * ui; - - if (n == 0) splineSide1.feval(u, v1); - else if (n == 1) splineCenter.feval(u, v1); - else splineSide2.feval(u, v1); - - vertices.add(new PVector(v1.x, v1.y, v1.z)); - } - } -} - -void generateFlatRibbon(ArrayList vertices, ArrayList normals) { - PVector CentPoint0, CentPoint1; - PVector Sid1Point0, Sid1Point1; - PVector Sid2Point0, Sid2Point1; - PVector Transversal, Tangent; - PVector Normal0, Normal1; - int ui; - float u; - - CentPoint0 = new PVector(); - CentPoint1 = new PVector(); - Sid1Point0 = new PVector(); - Sid1Point1 = new PVector(); - Sid2Point0 = new PVector(); - Sid2Point1 = new PVector(); - Transversal = new PVector(); - Tangent = new PVector(); - Normal0 = new PVector(); - Normal1 = new PVector(); - - // The initial geometry is generated. - splineSide1.feval(0, Sid1Point1); - splineCenter.feval(0, CentPoint1); - splineSide2.feval(0, Sid2Point1); - - // The tangents at the three previous points are the same. - splineSide2.deval(0, Tangent); - - // Vector transversal to the ribbon. - Transversal = PVector.sub(Sid1Point1, Sid2Point1); - - // The normal is calculated. - Normal1 = Transversal.cross(Tangent); - Normal1.normalize(); - - for (ui = 1; ui <= 10; ui ++) { - if (ui % uspacing == 0) { - u = 0.1 * ui; - - // The geometry of the previous iteration is saved. - Sid1Point0.set(Sid1Point1); - CentPoint0.set(CentPoint1); - Sid2Point0.set(Sid2Point1); - Normal0.set(Normal1); - - // The new geometry is generated. - splineSide1.feval(u, Sid1Point1); - splineCenter.feval(u, CentPoint1); - splineSide2.feval(u, Sid2Point1); - - // The tangents at the three previous points are the same. - splineSide2.deval(u, Tangent); - // Vector transversal to the ribbon. - Transversal = PVector.sub(Sid1Point1, Sid2Point1); - // The normal is calculated. - Normal1 = Transversal.cross(Tangent); - Normal1.normalize(); - - // The (Sid1Point0, Sid1Point1, CentPoint1) triangle is added. - vertices.add(new PVector(CentPoint1.x, CentPoint1.y, CentPoint1.z)); - normals.add(new PVector(Normal1.x, Normal1.y, Normal1.z)); - - vertices.add(new PVector(Sid1Point1.x, Sid1Point1.y, Sid1Point1.z)); - normals.add(new PVector(Normal1.x, Normal1.y, Normal1.z)); - - vertices.add(new PVector(Sid1Point0.x, Sid1Point0.y, Sid1Point0.z)); - normals.add(new PVector(Normal0.x, Normal0.y, Normal0.z)); - - // The (Sid1Point0, CentPoint1, CentPoint0) triangle is added. - vertices.add(new PVector(CentPoint0.x, CentPoint0.y, CentPoint0.z)); - normals.add(new PVector(Normal0.x, Normal0.y, Normal0.z)); - - vertices.add(new PVector(CentPoint1.x, CentPoint1.y, CentPoint1.z)); - normals.add(new PVector(Normal1.x, Normal1.y, Normal1.z)); - - vertices.add(new PVector(Sid1Point0.x, Sid1Point0.y, Sid1Point0.z)); - normals.add(new PVector(Normal0.x, Normal0.y, Normal0.z)); - - // (Sid2Point0, Sid2Point1, CentPoint1) triangle is added. - vertices.add(new PVector(Sid2Point0.x, Sid2Point0.y, Sid2Point0.z)); - normals.add(new PVector(Normal0.x, Normal0.y, Normal0.z)); - - vertices.add(new PVector(Sid2Point1.x, Sid2Point1.y, Sid2Point1.z)); - normals.add(new PVector(Normal1.x, Normal1.y, Normal1.z)); - - vertices.add(new PVector(CentPoint1.x, CentPoint1.y, CentPoint1.z)); - normals.add(new PVector(Normal1.x, Normal1.y, Normal1.z)); - - // (Sid2Point0, CentPoint1, CentPoint0) triangle is added. - vertices.add(new PVector(Sid2Point0.x, Sid2Point0.y, Sid2Point0.z)); - normals.add(new PVector(Normal0.x, Normal0.y, Normal0.z)); - - vertices.add(new PVector(CentPoint1.x, CentPoint1.y, CentPoint1.z)); - normals.add(new PVector(Normal1.x, Normal1.y, Normal1.z)); - - vertices.add(new PVector(CentPoint0.x, CentPoint0.y, CentPoint0.z)); - normals.add(new PVector(Normal0.x, Normal0.y, Normal0.z)); - } - } -} - -/****************************************************************************** - * The code in the following three functions is based in the method introduced - * in this paper: - * "Algorithm for ribbon models of proteins." - * Authors: Mike Carson and Charles E. Bugg - * Published in: J.Mol.Graphics 4, pp. 121-122 (1986) - ******************************************************************************/ - -// Shifts the control points one place to the left. -void shiftControlPoints() { - splineSide1.shiftBSplineCPoints(); - splineCenter.shiftBSplineCPoints(); - splineSide2.shiftBSplineCPoints(); -} - -// Adds a new control point to the arrays CPCenter, CPRight and CPLeft -void addControlPoints(PVector ca0, PVector ox0, PVector ca1, int ss, int handness) { - PVector A, B, C, D, p0, cpt0, cpt1, cpt2; - - A = PVector.sub(ca1, ca0); - B = PVector.sub(ox0, ca0); - - // Vector normal to the peptide plane (pointing outside in the case of the - // alpha helix). - C = A.cross(B); - - // Vector contained in the peptide plane (perpendicular to its direction). - D = C.cross(A); - - // Normalizing vectors. - C.normalize(); - D.normalize(); - - // Flipping test (to avoid self crossing in the strands). - if ((ss != HELIX) && (90.0 < degrees(PVector.angleBetween(flipTestV, D)))) { - // Flip detected. The plane vector is inverted. - D.mult(-1.0); - } - - // The central control point is constructed. - cpt0 = linearComb(0.5, ca0, 0.5, ca1); - splineCenter.setCPoint(3, cpt0); - - if (ss == HELIX) { - // When residue i is contained in a helix, the control point is moved away - // from the helix axis, along the C direction. - p0 = new PVector(); - splineCenter.getCPoint(3, p0); - cpt0 = linearComb(1.0, p0, handness * helixDiam, C); - splineCenter.setCPoint(3, cpt0); - } - - // The control points for the side ribbons are constructed. - cpt1 = linearComb(1.0, cpt0, +ribbonWidth[ss], D); - splineSide1.setCPoint(3, cpt1); - - cpt2 = linearComb(1.0, cpt0, -ribbonWidth[ss], D); - splineSide2.setCPoint(3, cpt2); - - // Saving the plane vector (for the flipping test in the next call). - flipTestV.set(D); -} - -void constructControlPoints(ArrayList residues, int res, int ss, int handness) { - PVector ca0, ox0, ca1; - PVector p0, p1, p2, p3; - - p1 = new PVector(); - p2 = new PVector(); - p3 = new PVector(); - - HashMap res0, res1; - - res0 = res1 = null; - if (res == 0) { - // The control points 2 and 3 are created. - flipTestV.set(0, 0, 0); - - res0 = (HashMap)residues.get(res); - res1 = (HashMap)residues.get(res + 1); - ca0 = (PVector)res0.get("CA"); - ox0 = (PVector)res0.get("O"); - ca1 = (PVector)res1.get("CA"); - addControlPoints(ca0, ox0, ca1, ss, handness); - splineSide1.copyCPoints(3, 2); - splineCenter.copyCPoints(3, 2); - splineSide2.copyCPoints(3, 2); - - res0 = (HashMap)residues.get(res + 1); - res1 = (HashMap)residues.get(res + 2); - ca0 = (PVector)res0.get("CA"); - ox0 = (PVector)res0.get("O"); - ca1 = (PVector)res1.get("CA"); - addControlPoints(ca0, ox0, ca1, ss, handness); - - // We still need the two first control points. - // Moving backwards along the cp_center[2] - cp_center[3] direction. - splineCenter.getCPoint(2, p2); - splineCenter.getCPoint(3, p3); - - p1 = linearComb(2.0, p2, -1, p3); - splineCenter.setCPoint(1, p1); - splineSide1.setCPoint(1, linearComb(1.0, p1, +ribbonWidth[ss], flipTestV)); - splineSide2.setCPoint(1, linearComb(1.0, p1, -ribbonWidth[ss], flipTestV)); - - p0 = linearComb(2.0, p1, -1, p2); - splineCenter.setCPoint(0, p0); - splineSide1.setCPoint(0, linearComb(1.0, p0, +ribbonWidth[ss], flipTestV)); - splineSide2.setCPoint(0, linearComb(1.0, p0, -ribbonWidth[ss], flipTestV)); - } else { - shiftControlPoints(); - if ((residues.size() - 1 == res) || (residues.size() - 2 == res)) { - // Moving forward along the cp_center[1] - cp_center[2] direction. - splineCenter.getCPoint(1, p1); - splineCenter.getCPoint(2, p2); - - p3 = linearComb(2.0, p2, -1, p1); - splineCenter.setCPoint(3, p3); - splineSide1.setCPoint(3, linearComb(1.0, p3, +ribbonWidth[ss], flipTestV)); - splineSide2.setCPoint(3, linearComb(1.0, p3, -ribbonWidth[ss], flipTestV)); - } else { - res0 = (HashMap)residues.get(res + 1); - res1 = (HashMap)residues.get(res + 2); - ca0 = (PVector)res0.get("CA"); - ox0 = (PVector)res0.get("O"); - ca1 = (PVector)res1.get("CA"); - addControlPoints(ca0, ox0, ca1, ss, handness); - } - } - splineSide1.updateMatrix3(); - splineCenter.updateMatrix3(); - splineSide2.updateMatrix3(); -} - -PVector linearComb(float scalar0, PVector vector0, float scalar1, PVector vector1) { - return PVector.add(PVector.mult(vector0, scalar0), PVector.mult(vector1, scalar1)); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/PDB.pde b/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/PDB.pde deleted file mode 100644 index c3daf44..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/PDB.pde +++ /dev/null @@ -1,115 +0,0 @@ -void readPDB(String filename) { - String strLines[]; - - float xmin, xmax, ymin, ymax, zmin, zmax; - - String xstr, ystr, zstr; - float x, y, z; - int res, res0; - int nmdl; - String atstr, resstr; - - PShape model; - ArrayList atoms; - ArrayList residues; - HashMap residue; - PVector v; - String s; - strLines = loadStrings(filename); - - models = new ArrayList(); - - xmin = ymin = zmin = 10000; - xmax = ymax = zmax = -10000; - - atoms = null; - residues = null; - residue = null; - model = null; - res0 = -1; - nmdl = -1; - for (int i = 0; i < strLines.length; i++) { - s = strLines[i]; - - if (s.startsWith("MODEL") || (s.startsWith("ATOM") && res0 == -1)) { - nmdl++; - - res0 = -1; - - atoms = new ArrayList(); - residues = new ArrayList(); - } - - if (s.startsWith("ATOM")) { - atstr = s.substring(12, 15); - atstr = atstr.trim(); - resstr = s.substring(22, 26); - resstr = resstr.trim(); - res = parseInt(resstr); - - xstr = s.substring(30, 37); - xstr = xstr.trim(); - ystr = s.substring(38, 45); - ystr = ystr.trim(); - zstr = s.substring(46, 53); - zstr = zstr.trim(); - - x = scaleFactor * parseFloat(xstr); - y = scaleFactor * parseFloat(ystr); - z = scaleFactor * parseFloat(zstr); - v = new PVector(x, y, z); - - xmin = min(xmin, x); - xmax = max(xmax, x); - - ymin = min(ymin, y); - ymax = max(ymax, y); - - zmin = min(zmin, z); - zmax = max(zmax, z); - - atoms.add(v); - - if (res0 != res) { - if (residue != null) residues.add(residue); - residue = new HashMap(); - } - residue.put(atstr, v); - - res0 = res; - } - - if (s.startsWith("ENDMDL") || s.startsWith("TER")) { - if (residue != null) residues.add(residue); - - createRibbonModel(residues, model, models); - float rgyr = calculateGyrRadius(atoms); - - res0 = -1; - residue = null; - atoms = null; - residues = null; - } - } - - if (residue != null) { - if (residue != null) residues.add(residue); - - createRibbonModel(residues, model, models); - float rgyr = calculateGyrRadius(atoms); - - atoms = null; - residues = null; - } - - // Centering models at (0, 0, 0). - float dx = -0.5f * (xmin + xmax); - float dy = -0.5f * (ymin + ymax); - float dz = -0.5f * (zmin + zmax); - for (int n = 0; n < models.size(); n++) { - model = (PShape) models.get(n); - model.translate(dx, dy, dz); - } - - println("Loaded PDB file with " + models.size() + " models."); -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/Ribbons.pde b/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/Ribbons.pde deleted file mode 100644 index 3a5acfe..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/Ribbons.pde +++ /dev/null @@ -1,51 +0,0 @@ -// Ribbons, by Andres Colubri -// ArcBall class by Ariel, V3ga and Robert Hodgin (flight404) -// This sketch loads 3D atomic coordinates of a protein molecule -// from a file in PDB format (http://www.pdb.org/) and displays -// the structure using a ribbon representation. - -String pdbFile = "4HHB.pdb"; // PDB file to read -//String pdbFile = "1CBS.pdb"; -//String pdbFile = "2POR.pdb"; - -// Some parameters to control the visual appearance: -float scaleFactor = 10; // Size factor -int renderMode = 1; // 0 = lines, 1 = flat ribbons -int ribbonDetail = 4; // Ribbon detail: from 1 (lowest) to 4 (highest) -float helixDiam = 10; // Helix diameter. -int[] ribbonWidth = {10, 7, 2}; // Ribbon widths for helix, strand and coil -color ribbonColor = color(0, 102, 153, 255); // Ribbon color - -// All the molecular models read from the PDB file (it could contain more than one) -ArrayList models; - -Arcball arcball; - -void setup() { - size(1024, 768, P3D); - - arcball = new Arcball(width/2, height/2, 600); - readPDB(pdbFile); -} - -void draw() { - background(0); - - ambient(80); - lights(); - - translate(width/2, height/2, 200); - arcball.run(); - - for (int i = 0; i < models.size(); i++) { - shape((PShape)models.get(i)); - } -} - -void mousePressed(){ - arcball.mousePressed(); -} - -void mouseDragged(){ - arcball.mouseDragged(); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/1CBS.pdb b/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/1CBS.pdb deleted file mode 100644 index 2f1693c..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/1CBS.pdb +++ /dev/null @@ -1,1573 +0,0 @@ -HEADER RETINOIC-ACID TRANSPORT 28-SEP-94 1CBS -TITLE CRYSTAL STRUCTURE OF CELLULAR RETINOIC-ACID-BINDING -TITLE 2 PROTEINS I AND II IN COMPLEX WITH ALL-TRANS-RETINOIC ACID -TITLE 3 AND A SYNTHETIC RETINOID -COMPND MOL_ID: 1; -COMPND 2 MOLECULE: CELLULAR RETINOIC ACID BINDING PROTEIN TYPE II; -COMPND 3 CHAIN: A; -COMPND 4 ENGINEERED: YES -SOURCE MOL_ID: 1; -SOURCE 2 ORGANISM_SCIENTIFIC: HOMO SAPIENS; -SOURCE 3 ORGANISM_COMMON: HUMAN; -SOURCE 4 ORGANISM_TAXID: 9606; -SOURCE 5 CELL_LINE: BL21; -SOURCE 6 GENE: HUMAN CRABP-II; -SOURCE 7 EXPRESSION_SYSTEM: ESCHERICHIA COLI BL21(DE3); -SOURCE 8 EXPRESSION_SYSTEM_TAXID: 469008; -SOURCE 9 EXPRESSION_SYSTEM_STRAIN: BL21 (DE3); -SOURCE 10 EXPRESSION_SYSTEM_PLASMID: PET-3A -KEYWDS RETINOIC-ACID TRANSPORT -EXPDTA X-RAY DIFFRACTION -AUTHOR G.J.KLEYWEGT,T.BERGFORS,T.A.JONES -REVDAT 3 24-FEB-09 1CBS 1 VERSN -REVDAT 2 01-APR-03 1CBS 1 JRNL -REVDAT 1 26-JAN-95 1CBS 0 -JRNL AUTH G.J.KLEYWEGT,T.BERGFORS,H.SENN,P.LE MOTTE,B.GSELL, -JRNL AUTH 2 K.SHUDO,T.A.JONES -JRNL TITL CRYSTAL STRUCTURES OF CELLULAR RETINOIC ACID -JRNL TITL 2 BINDING PROTEINS I AND II IN COMPLEX WITH -JRNL TITL 3 ALL-TRANS-RETINOIC ACID AND A SYNTHETIC RETINOID. -JRNL REF STRUCTURE V. 2 1241 1994 -JRNL REFN ISSN 0969-2126 -JRNL PMID 7704533 -JRNL DOI 10.1016/S0969-2126(94)00125-1 -REMARK 1 -REMARK 1 REFERENCE 1 -REMARK 1 AUTH L.BANASZAK,N.WINTER,Z.XU,D.A.BERNLOHR,S.W.COWAN, -REMARK 1 AUTH 2 T.A.JONES -REMARK 1 TITL LIPID-BINDING PROTEINS: A FAMILY OF FATTY ACID AND -REMARK 1 TITL 2 RETINOID TRANSPORT PROTEINS -REMARK 1 REF ADV.PROTEIN CHEM. V. 45 89 1994 -REMARK 1 REFN ISSN 0065-3233 -REMARK 1 REFERENCE 2 -REMARK 1 AUTH T.BERGFORS,G.J.KLEYWEGT,T.A.JONES -REMARK 1 TITL CRYSTALLISATION AND PRELIMINARY X-RAY ANALYSIS OF -REMARK 1 TITL 2 RECOMBINANT BOVINE CELLULAR RETINOIC ACID-BINDING -REMARK 1 TITL 3 PROTEIN -REMARK 1 REF ACTA CRYSTALLOGR.,SECT.D V. 50 370 1994 -REMARK 1 REFN ISSN 0907-4449 -REMARK 1 REFERENCE 3 -REMARK 1 AUTH S.W.COWAN,M.E.NEWCOMER,T.A.JONES -REMARK 1 TITL CRYSTALLOGRAPHIC STUDIES ON A FAMILY OF LIPOPHILIC -REMARK 1 TITL 2 TRANSPORT PROTEINS. REFINEMENT OF P2 MYELIN -REMARK 1 TITL 3 PROTEIN AND THE STRUCTURE DETERMINATION AND -REMARK 1 TITL 4 REFINEMENT OF CELLULAR RETINOL-BINDING PROTEIN IN -REMARK 1 TITL 5 COMPLEX WITH ALL-TRANS-RETINOL -REMARK 1 REF J.MOL.BIOL. V. 230 1225 1993 -REMARK 1 REFN ISSN 0022-2836 -REMARK 1 REFERENCE 4 -REMARK 1 AUTH T.A.JONES,T.BERGFORS,J.SEDZIK,T.UNGE -REMARK 1 TITL THE THREE-DIMENSIONAL STRUCTURE OF P2 MYELIN -REMARK 1 TITL 2 PROTEIN -REMARK 1 REF EMBO J. V. 7 1597 1988 -REMARK 1 REFN ISSN 0261-4189 -REMARK 2 -REMARK 2 RESOLUTION. 1.80 ANGSTROMS. -REMARK 3 -REMARK 3 REFINEMENT. -REMARK 3 PROGRAM : X-PLOR -REMARK 3 AUTHORS : BRUNGER -REMARK 3 -REMARK 3 DATA USED IN REFINEMENT. -REMARK 3 RESOLUTION RANGE HIGH (ANGSTROMS) : 1.80 -REMARK 3 RESOLUTION RANGE LOW (ANGSTROMS) : 8.00 -REMARK 3 DATA CUTOFF (SIGMA(F)) : 2.000 -REMARK 3 DATA CUTOFF HIGH (ABS(F)) : NULL -REMARK 3 DATA CUTOFF LOW (ABS(F)) : NULL -REMARK 3 COMPLETENESS (WORKING+TEST) (%) : 90.3 -REMARK 3 NUMBER OF REFLECTIONS : 14312 -REMARK 3 -REMARK 3 FIT TO DATA USED IN REFINEMENT. -REMARK 3 CROSS-VALIDATION METHOD : NULL -REMARK 3 FREE R VALUE TEST SET SELECTION : NULL -REMARK 3 R VALUE (WORKING SET) : 0.200 -REMARK 3 FREE R VALUE : 0.237 -REMARK 3 FREE R VALUE TEST SET SIZE (%) : NULL -REMARK 3 FREE R VALUE TEST SET COUNT : NULL -REMARK 3 ESTIMATED ERROR OF FREE R VALUE : NULL -REMARK 3 -REMARK 3 FIT IN THE HIGHEST RESOLUTION BIN. -REMARK 3 TOTAL NUMBER OF BINS USED : NULL -REMARK 3 BIN RESOLUTION RANGE HIGH (A) : NULL -REMARK 3 BIN RESOLUTION RANGE LOW (A) : NULL -REMARK 3 BIN COMPLETENESS (WORKING+TEST) (%) : NULL -REMARK 3 REFLECTIONS IN BIN (WORKING SET) : NULL -REMARK 3 BIN R VALUE (WORKING SET) : NULL -REMARK 3 BIN FREE R VALUE : NULL -REMARK 3 BIN FREE R VALUE TEST SET SIZE (%) : NULL -REMARK 3 BIN FREE R VALUE TEST SET COUNT : NULL -REMARK 3 ESTIMATED ERROR OF BIN FREE R VALUE : NULL -REMARK 3 -REMARK 3 NUMBER OF NON-HYDROGEN ATOMS USED IN REFINEMENT. -REMARK 3 PROTEIN ATOMS : 1091 -REMARK 3 NUCLEIC ACID ATOMS : 0 -REMARK 3 HETEROGEN ATOMS : 22 -REMARK 3 SOLVENT ATOMS : 100 -REMARK 3 -REMARK 3 B VALUES. -REMARK 3 FROM WILSON PLOT (A**2) : NULL -REMARK 3 MEAN B VALUE (OVERALL, A**2) : 16.60 -REMARK 3 OVERALL ANISOTROPIC B VALUE. -REMARK 3 B11 (A**2) : NULL -REMARK 3 B22 (A**2) : NULL -REMARK 3 B33 (A**2) : NULL -REMARK 3 B12 (A**2) : NULL -REMARK 3 B13 (A**2) : NULL -REMARK 3 B23 (A**2) : NULL -REMARK 3 -REMARK 3 ESTIMATED COORDINATE ERROR. -REMARK 3 ESD FROM LUZZATI PLOT (A) : 0.20 -REMARK 3 ESD FROM SIGMAA (A) : NULL -REMARK 3 LOW RESOLUTION CUTOFF (A) : NULL -REMARK 3 -REMARK 3 CROSS-VALIDATED ESTIMATED COORDINATE ERROR. -REMARK 3 ESD FROM C-V LUZZATI PLOT (A) : NULL -REMARK 3 ESD FROM C-V SIGMAA (A) : NULL -REMARK 3 -REMARK 3 RMS DEVIATIONS FROM IDEAL VALUES. -REMARK 3 BOND LENGTHS (A) : 0.010 -REMARK 3 BOND ANGLES (DEGREES) : 1.51 -REMARK 3 DIHEDRAL ANGLES (DEGREES) : 27.40 -REMARK 3 IMPROPER ANGLES (DEGREES) : 1.32 -REMARK 3 -REMARK 3 ISOTROPIC THERMAL MODEL : NULL -REMARK 3 -REMARK 3 ISOTROPIC THERMAL FACTOR RESTRAINTS. RMS SIGMA -REMARK 3 MAIN-CHAIN BOND (A**2) : NULL ; NULL -REMARK 3 MAIN-CHAIN ANGLE (A**2) : NULL ; NULL -REMARK 3 SIDE-CHAIN BOND (A**2) : NULL ; NULL -REMARK 3 SIDE-CHAIN ANGLE (A**2) : NULL ; NULL -REMARK 3 -REMARK 3 NCS MODEL : NULL -REMARK 3 -REMARK 3 NCS RESTRAINTS. RMS SIGMA/WEIGHT -REMARK 3 GROUP 1 POSITIONAL (A) : NULL ; NULL -REMARK 3 GROUP 1 B-FACTOR (A**2) : NULL ; NULL -REMARK 3 -REMARK 3 PARAMETER FILE 1 : NULL -REMARK 3 TOPOLOGY FILE 1 : NULL -REMARK 3 -REMARK 3 OTHER REFINEMENT REMARKS: NULL -REMARK 4 -REMARK 4 1CBS COMPLIES WITH FORMAT V. 3.15, 01-DEC-08 -REMARK 100 -REMARK 100 THIS ENTRY HAS BEEN PROCESSED BY BNL. -REMARK 200 -REMARK 200 EXPERIMENTAL DETAILS -REMARK 200 EXPERIMENT TYPE : X-RAY DIFFRACTION -REMARK 200 DATE OF DATA COLLECTION : NULL -REMARK 200 TEMPERATURE (KELVIN) : NULL -REMARK 200 PH : NULL -REMARK 200 NUMBER OF CRYSTALS USED : NULL -REMARK 200 -REMARK 200 SYNCHROTRON (Y/N) : NULL -REMARK 200 RADIATION SOURCE : NULL -REMARK 200 BEAMLINE : NULL -REMARK 200 X-RAY GENERATOR MODEL : NULL -REMARK 200 MONOCHROMATIC OR LAUE (M/L) : NULL -REMARK 200 WAVELENGTH OR RANGE (A) : NULL -REMARK 200 MONOCHROMATOR : NULL -REMARK 200 OPTICS : NULL -REMARK 200 -REMARK 200 DETECTOR TYPE : NULL -REMARK 200 DETECTOR MANUFACTURER : NULL -REMARK 200 INTENSITY-INTEGRATION SOFTWARE : NULL -REMARK 200 DATA SCALING SOFTWARE : NULL -REMARK 200 -REMARK 200 NUMBER OF UNIQUE REFLECTIONS : 14678 -REMARK 200 RESOLUTION RANGE HIGH (A) : NULL -REMARK 200 RESOLUTION RANGE LOW (A) : NULL -REMARK 200 REJECTION CRITERIA (SIGMA(I)) : 3.000 -REMARK 200 -REMARK 200 OVERALL. -REMARK 200 COMPLETENESS FOR RANGE (%) : 90.3 -REMARK 200 DATA REDUNDANCY : NULL -REMARK 200 R MERGE (I) : NULL -REMARK 200 R SYM (I) : NULL -REMARK 200 FOR THE DATA SET : NULL -REMARK 200 -REMARK 200 IN THE HIGHEST RESOLUTION SHELL. -REMARK 200 HIGHEST RESOLUTION SHELL, RANGE HIGH (A) : NULL -REMARK 200 HIGHEST RESOLUTION SHELL, RANGE LOW (A) : NULL -REMARK 200 COMPLETENESS FOR SHELL (%) : NULL -REMARK 200 DATA REDUNDANCY IN SHELL : NULL -REMARK 200 R MERGE FOR SHELL (I) : NULL -REMARK 200 R SYM FOR SHELL (I) : NULL -REMARK 200 FOR SHELL : NULL -REMARK 200 -REMARK 200 DIFFRACTION PROTOCOL: NULL -REMARK 200 METHOD USED TO DETERMINE THE STRUCTURE: NULL -REMARK 200 SOFTWARE USED: X-PLOR -REMARK 200 STARTING MODEL: NULL -REMARK 200 -REMARK 200 REMARK: NULL -REMARK 280 -REMARK 280 CRYSTAL -REMARK 280 SOLVENT CONTENT, VS (%): 54.49 -REMARK 280 MATTHEWS COEFFICIENT, VM (ANGSTROMS**3/DA): 2.70 -REMARK 280 -REMARK 280 CRYSTALLIZATION CONDITIONS: NULL -REMARK 290 -REMARK 290 CRYSTALLOGRAPHIC SYMMETRY -REMARK 290 SYMMETRY OPERATORS FOR SPACE GROUP: P 21 21 21 -REMARK 290 -REMARK 290 SYMOP SYMMETRY -REMARK 290 NNNMMM OPERATOR -REMARK 290 1555 X,Y,Z -REMARK 290 2555 -X+1/2,-Y,Z+1/2 -REMARK 290 3555 -X,Y+1/2,-Z+1/2 -REMARK 290 4555 X+1/2,-Y+1/2,-Z -REMARK 290 -REMARK 290 WHERE NNN -> OPERATOR NUMBER -REMARK 290 MMM -> TRANSLATION VECTOR -REMARK 290 -REMARK 290 CRYSTALLOGRAPHIC SYMMETRY TRANSFORMATIONS -REMARK 290 THE FOLLOWING TRANSFORMATIONS OPERATE ON THE ATOM/HETATM -REMARK 290 RECORDS IN THIS ENTRY TO PRODUCE CRYSTALLOGRAPHICALLY -REMARK 290 RELATED MOLECULES. -REMARK 290 SMTRY1 1 1.000000 0.000000 0.000000 0.00000 -REMARK 290 SMTRY2 1 0.000000 1.000000 0.000000 0.00000 -REMARK 290 SMTRY3 1 0.000000 0.000000 1.000000 0.00000 -REMARK 290 SMTRY1 2 -1.000000 0.000000 0.000000 22.82500 -REMARK 290 SMTRY2 2 0.000000 -1.000000 0.000000 0.00000 -REMARK 290 SMTRY3 2 0.000000 0.000000 1.000000 38.80500 -REMARK 290 SMTRY1 3 -1.000000 0.000000 0.000000 0.00000 -REMARK 290 SMTRY2 3 0.000000 1.000000 0.000000 23.78000 -REMARK 290 SMTRY3 3 0.000000 0.000000 -1.000000 38.80500 -REMARK 290 SMTRY1 4 1.000000 0.000000 0.000000 22.82500 -REMARK 290 SMTRY2 4 0.000000 -1.000000 0.000000 23.78000 -REMARK 290 SMTRY3 4 0.000000 0.000000 -1.000000 0.00000 -REMARK 290 -REMARK 290 REMARK: NULL -REMARK 300 -REMARK 300 BIOMOLECULE: 1 -REMARK 300 SEE REMARK 350 FOR THE AUTHOR PROVIDED AND/OR PROGRAM -REMARK 300 GENERATED ASSEMBLY INFORMATION FOR THE STRUCTURE IN -REMARK 300 THIS ENTRY. THE REMARK MAY ALSO PROVIDE INFORMATION ON -REMARK 300 BURIED SURFACE AREA. -REMARK 350 -REMARK 350 COORDINATES FOR A COMPLETE MULTIMER REPRESENTING THE KNOWN -REMARK 350 BIOLOGICALLY SIGNIFICANT OLIGOMERIZATION STATE OF THE -REMARK 350 MOLECULE CAN BE GENERATED BY APPLYING BIOMT TRANSFORMATIONS -REMARK 350 GIVEN BELOW. BOTH NON-CRYSTALLOGRAPHIC AND -REMARK 350 CRYSTALLOGRAPHIC OPERATIONS ARE GIVEN. -REMARK 350 -REMARK 350 BIOMOLECULE: 1 -REMARK 350 AUTHOR DETERMINED BIOLOGICAL UNIT: MONOMERIC -REMARK 350 APPLY THE FOLLOWING TO CHAINS: A -REMARK 350 BIOMT1 1 1.000000 0.000000 0.000000 0.00000 -REMARK 350 BIOMT2 1 0.000000 1.000000 0.000000 0.00000 -REMARK 350 BIOMT3 1 0.000000 0.000000 1.000000 0.00000 -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: TORSION ANGLES -REMARK 500 -REMARK 500 TORSION ANGLES OUTSIDE THE EXPECTED RAMACHANDRAN REGIONS: -REMARK 500 (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN IDENTIFIER; -REMARK 500 SSEQ=SEQUENCE NUMBER; I=INSERTION CODE). -REMARK 500 -REMARK 500 STANDARD TABLE: -REMARK 500 FORMAT:(10X,I3,1X,A3,1X,A1,I4,A1,4X,F7.2,3X,F7.2) -REMARK 500 -REMARK 500 EXPECTED VALUES: GJ KLEYWEGT AND TA JONES (1996). PHI/PSI- -REMARK 500 CHOLOGY: RAMACHANDRAN REVISITED. STRUCTURE 4, 1395 - 1400 -REMARK 500 -REMARK 500 M RES CSSEQI PSI PHI -REMARK 500 GLU A 73 -154.28 -144.94 -REMARK 500 ASP A 126 -115.96 55.69 -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 525 -REMARK 525 SOLVENT -REMARK 525 -REMARK 525 THE SOLVENT MOLECULES HAVE CHAIN IDENTIFIERS THAT -REMARK 525 INDICATE THE POLYMER CHAIN WITH WHICH THEY ARE MOST -REMARK 525 CLOSELY ASSOCIATED. THE REMARK LISTS ALL THE SOLVENT -REMARK 525 MOLECULES WHICH ARE MORE THAN 5A AWAY FROM THE -REMARK 525 NEAREST POLYMER CHAIN (M = MODEL NUMBER; -REMARK 525 RES=RESIDUE NAME; C=CHAIN IDENTIFIER; SSEQ=SEQUENCE -REMARK 525 NUMBER; I=INSERTION CODE): -REMARK 525 -REMARK 525 M RES CSSEQI -REMARK 525 HOH A 376 DISTANCE = 5.94 ANGSTROMS -REMARK 800 -REMARK 800 SITE -REMARK 800 SITE_IDENTIFIER: AC1 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE REA A 200 -DBREF 1CBS A 1 137 UNP P29373 RABP2_HUMAN 1 137 -SEQRES 1 A 137 PRO ASN PHE SER GLY ASN TRP LYS ILE ILE ARG SER GLU -SEQRES 2 A 137 ASN PHE GLU GLU LEU LEU LYS VAL LEU GLY VAL ASN VAL -SEQRES 3 A 137 MET LEU ARG LYS ILE ALA VAL ALA ALA ALA SER LYS PRO -SEQRES 4 A 137 ALA VAL GLU ILE LYS GLN GLU GLY ASP THR PHE TYR ILE -SEQRES 5 A 137 LYS THR SER THR THR VAL ARG THR THR GLU ILE ASN PHE -SEQRES 6 A 137 LYS VAL GLY GLU GLU PHE GLU GLU GLN THR VAL ASP GLY -SEQRES 7 A 137 ARG PRO CYS LYS SER LEU VAL LYS TRP GLU SER GLU ASN -SEQRES 8 A 137 LYS MET VAL CYS GLU GLN LYS LEU LEU LYS GLY GLU GLY -SEQRES 9 A 137 PRO LYS THR SER TRP THR ARG GLU LEU THR ASN ASP GLY -SEQRES 10 A 137 GLU LEU ILE LEU THR MET THR ALA ASP ASP VAL VAL CYS -SEQRES 11 A 137 THR ARG VAL TYR VAL ARG GLU -HET REA A 200 22 -HETNAM REA RETINOIC ACID -FORMUL 2 REA C20 H28 O2 -FORMUL 3 HOH *100(H2 O) -HELIX 1 1 ASN A 14 LEU A 22 1 9 -HELIX 2 2 ASN A 25 SER A 37 1 13 -SHEET 1 A10 THR A 60 LYS A 66 0 -SHEET 2 A10 THR A 49 SER A 55 -1 N PHE A 50 O PHE A 65 -SHEET 3 A10 ALA A 40 GLU A 46 -1 O ALA A 40 N SER A 55 -SHEET 4 A10 GLY A 5 GLU A 13 -1 O GLY A 5 N ILE A 43 -SHEET 5 A10 VAL A 128 ARG A 136 -1 O THR A 131 N GLU A 13 -SHEET 6 A10 LEU A 119 ALA A 125 -1 O LEU A 119 N TYR A 134 -SHEET 7 A10 THR A 107 LEU A 113 -1 O SER A 108 N THR A 124 -SHEET 8 A10 LYS A 92 LEU A 99 -1 N MET A 93 O ARG A 111 -SHEET 9 A10 PRO A 80 SER A 89 -1 N LYS A 82 O LYS A 98 -SHEET 10 A10 PHE A 71 GLN A 74 -1 O PHE A 71 N SER A 83 -SITE 1 AC1 10 GLU A 13 ALA A 32 THR A 54 VAL A 58 -SITE 2 AC1 10 VAL A 76 LEU A 121 ARG A 132 TYR A 134 -SITE 3 AC1 10 HOH A 309 HOH A 343 -CRYST1 45.650 47.560 77.610 90.00 90.00 90.00 P 21 21 21 4 -ORIGX1 1.000000 0.000000 0.000000 0.00000 -ORIGX2 0.000000 1.000000 0.000000 0.00000 -ORIGX3 0.000000 0.000000 1.000000 0.00000 -SCALE1 0.021906 0.000000 0.000000 0.00000 -SCALE2 0.000000 0.021026 0.000000 0.00000 -SCALE3 0.000000 0.000000 0.012885 0.00000 -ATOM 1 N PRO A 1 16.979 13.301 44.555 1.00 30.05 N -ATOM 2 CA PRO A 1 18.150 13.525 43.680 1.00 28.82 C -ATOM 3 C PRO A 1 18.656 14.966 43.784 1.00 26.59 C -ATOM 4 O PRO A 1 17.890 15.889 44.078 1.00 26.84 O -ATOM 5 CB PRO A 1 17.678 13.270 42.255 1.00 29.24 C -ATOM 6 CG PRO A 1 16.248 13.734 42.347 1.00 29.29 C -ATOM 7 CD PRO A 1 15.762 13.216 43.724 1.00 30.71 C -ATOM 8 N ASN A 2 19.957 15.139 43.558 1.00 24.04 N -ATOM 9 CA ASN A 2 20.576 16.457 43.578 1.00 20.79 C -ATOM 10 C ASN A 2 21.301 16.714 42.262 1.00 16.75 C -ATOM 11 O ASN A 2 22.402 16.215 42.028 1.00 15.23 O -ATOM 12 CB ASN A 2 21.559 16.620 44.724 1.00 22.81 C -ATOM 13 CG ASN A 2 22.240 17.968 44.685 1.00 24.29 C -ATOM 14 OD1 ASN A 2 21.612 18.984 44.358 1.00 21.87 O -ATOM 15 ND2 ASN A 2 23.537 17.983 44.966 1.00 27.94 N -ATOM 16 N PHE A 3 20.637 17.477 41.402 1.00 14.69 N -ATOM 17 CA PHE A 3 21.144 17.838 40.087 1.00 12.62 C -ATOM 18 C PHE A 3 22.152 18.987 40.140 1.00 12.43 C -ATOM 19 O PHE A 3 22.796 19.289 39.136 1.00 12.12 O -ATOM 20 CB PHE A 3 19.970 18.262 39.188 1.00 10.74 C -ATOM 21 CG PHE A 3 19.073 17.128 38.750 1.00 11.85 C -ATOM 22 CD1 PHE A 3 18.066 16.646 39.581 1.00 10.90 C -ATOM 23 CD2 PHE A 3 19.189 16.588 37.475 1.00 13.26 C -ATOM 24 CE1 PHE A 3 17.200 15.662 39.149 1.00 9.12 C -ATOM 25 CE2 PHE A 3 18.312 15.594 37.041 1.00 11.76 C -ATOM 26 CZ PHE A 3 17.324 15.137 37.878 1.00 10.30 C -ATOM 27 N SER A 4 22.282 19.630 41.299 1.00 11.24 N -ATOM 28 CA SER A 4 23.170 20.780 41.464 1.00 11.30 C -ATOM 29 C SER A 4 24.627 20.568 41.091 1.00 10.39 C -ATOM 30 O SER A 4 25.201 19.532 41.384 1.00 10.24 O -ATOM 31 CB SER A 4 23.112 21.301 42.906 1.00 13.53 C -ATOM 32 OG SER A 4 21.821 21.787 43.240 1.00 16.76 O -ATOM 33 N GLY A 5 25.224 21.572 40.460 1.00 9.87 N -ATOM 34 CA GLY A 5 26.628 21.486 40.103 1.00 10.86 C -ATOM 35 C GLY A 5 26.985 22.158 38.794 1.00 11.21 C -ATOM 36 O GLY A 5 26.123 22.761 38.142 1.00 9.91 O -ATOM 37 N ASN A 6 28.277 22.142 38.475 1.00 10.41 N -ATOM 38 CA ASN A 6 28.796 22.676 37.211 1.00 11.06 C -ATOM 39 C ASN A 6 29.117 21.435 36.378 1.00 10.33 C -ATOM 40 O ASN A 6 29.947 20.603 36.754 1.00 11.28 O -ATOM 41 CB ASN A 6 30.023 23.548 37.445 1.00 12.95 C -ATOM 42 CG ASN A 6 29.675 24.816 38.200 1.00 18.08 C -ATOM 43 OD1 ASN A 6 29.022 25.708 37.665 1.00 19.52 O -ATOM 44 ND2 ASN A 6 30.047 24.872 39.467 1.00 21.23 N -ATOM 45 N TRP A 7 28.399 21.289 35.272 1.00 8.66 N -ATOM 46 CA TRP A 7 28.518 20.119 34.424 1.00 8.74 C -ATOM 47 C TRP A 7 29.246 20.352 33.092 1.00 9.63 C -ATOM 48 O TRP A 7 29.064 21.389 32.440 1.00 9.45 O -ATOM 49 CB TRP A 7 27.115 19.563 34.152 1.00 8.00 C -ATOM 50 CG TRP A 7 26.325 19.198 35.391 1.00 8.01 C -ATOM 51 CD1 TRP A 7 25.556 20.031 36.159 1.00 8.29 C -ATOM 52 CD2 TRP A 7 26.174 17.885 35.947 1.00 7.60 C -ATOM 53 NE1 TRP A 7 24.922 19.308 37.156 1.00 9.20 N -ATOM 54 CE2 TRP A 7 25.286 17.987 37.046 1.00 8.73 C -ATOM 55 CE3 TRP A 7 26.694 16.625 35.618 1.00 6.99 C -ATOM 56 CZ2 TRP A 7 24.909 16.876 37.815 1.00 7.67 C -ATOM 57 CZ3 TRP A 7 26.320 15.527 36.380 1.00 7.58 C -ATOM 58 CH2 TRP A 7 25.433 15.663 37.468 1.00 5.92 C -ATOM 59 N LYS A 8 30.052 19.368 32.702 1.00 9.39 N -ATOM 60 CA LYS A 8 30.802 19.424 31.450 1.00 11.56 C -ATOM 61 C LYS A 8 30.342 18.243 30.611 1.00 10.56 C -ATOM 62 O LYS A 8 30.091 17.158 31.138 1.00 10.14 O -ATOM 63 CB LYS A 8 32.308 19.360 31.710 1.00 15.20 C -ATOM 64 CG LYS A 8 32.785 18.080 32.313 1.00 18.52 C -ATOM 65 CD LYS A 8 34.263 18.182 32.618 1.00 26.26 C -ATOM 66 CE LYS A 8 35.091 18.499 31.378 1.00 29.22 C -ATOM 67 NZ LYS A 8 35.067 17.393 30.369 1.00 32.48 N -ATOM 68 N ILE A 9 30.222 18.447 29.308 1.00 8.21 N -ATOM 69 CA ILE A 9 29.739 17.384 28.441 1.00 8.08 C -ATOM 70 C ILE A 9 30.798 16.325 28.117 1.00 7.86 C -ATOM 71 O ILE A 9 31.990 16.635 28.028 1.00 8.38 O -ATOM 72 CB ILE A 9 29.148 17.997 27.144 1.00 10.70 C -ATOM 73 CG1 ILE A 9 28.285 16.981 26.401 1.00 10.95 C -ATOM 74 CG2 ILE A 9 30.261 18.500 26.243 1.00 10.70 C -ATOM 75 CD1 ILE A 9 27.586 17.597 25.207 1.00 13.23 C -ATOM 76 N ILE A 10 30.373 15.067 27.995 1.00 7.08 N -ATOM 77 CA ILE A 10 31.288 13.988 27.656 1.00 7.45 C -ATOM 78 C ILE A 10 30.812 13.201 26.441 1.00 8.49 C -ATOM 79 O ILE A 10 31.561 12.397 25.892 1.00 9.49 O -ATOM 80 CB ILE A 10 31.586 13.023 28.847 1.00 10.28 C -ATOM 81 CG1 ILE A 10 30.304 12.393 29.382 1.00 10.51 C -ATOM 82 CG2 ILE A 10 32.349 13.756 29.963 1.00 10.10 C -ATOM 83 CD1 ILE A 10 30.578 11.242 30.325 1.00 12.18 C -ATOM 84 N ARG A 11 29.566 13.419 26.030 1.00 7.59 N -ATOM 85 CA ARG A 11 29.015 12.742 24.851 1.00 8.70 C -ATOM 86 C ARG A 11 27.821 13.500 24.290 1.00 9.41 C -ATOM 87 O ARG A 11 26.990 14.004 25.043 1.00 9.84 O -ATOM 88 CB ARG A 11 28.563 11.316 25.184 1.00 8.07 C -ATOM 89 CG ARG A 11 27.912 10.616 23.998 1.00 12.26 C -ATOM 90 CD ARG A 11 27.234 9.340 24.394 1.00 13.46 C -ATOM 91 NE ARG A 11 28.157 8.304 24.847 1.00 15.44 N -ATOM 92 CZ ARG A 11 28.815 7.470 24.037 1.00 19.59 C -ATOM 93 NH1 ARG A 11 28.677 7.559 22.714 1.00 19.40 N -ATOM 94 NH2 ARG A 11 29.521 6.467 24.547 1.00 17.50 N -ATOM 95 N SER A 12 27.748 13.594 22.965 1.00 8.84 N -ATOM 96 CA SER A 12 26.621 14.245 22.310 1.00 8.61 C -ATOM 97 C SER A 12 26.278 13.431 21.063 1.00 9.48 C -ATOM 98 O SER A 12 27.159 13.147 20.250 1.00 9.84 O -ATOM 99 CB SER A 12 26.966 15.676 21.925 1.00 9.02 C -ATOM 100 OG SER A 12 25.863 16.285 21.273 1.00 11.97 O -ATOM 101 N GLU A 13 25.016 13.038 20.924 1.00 7.59 N -ATOM 102 CA GLU A 13 24.586 12.258 19.768 1.00 9.67 C -ATOM 103 C GLU A 13 23.368 12.887 19.118 1.00 9.06 C -ATOM 104 O GLU A 13 22.457 13.343 19.815 1.00 7.34 O -ATOM 105 CB GLU A 13 24.185 10.833 20.184 1.00 9.72 C -ATOM 106 CG GLU A 13 25.257 10.018 20.895 1.00 15.17 C -ATOM 107 CD GLU A 13 26.262 9.340 19.954 1.00 18.75 C -ATOM 108 OE1 GLU A 13 26.031 9.310 18.726 1.00 18.53 O -ATOM 109 OE2 GLU A 13 27.286 8.822 20.457 1.00 19.23 O -ATOM 110 N ASN A 14 23.363 12.919 17.786 1.00 8.79 N -ATOM 111 CA ASN A 14 22.202 13.408 17.025 1.00 8.29 C -ATOM 112 C ASN A 14 21.813 14.896 17.153 1.00 7.35 C -ATOM 113 O ASN A 14 20.681 15.245 16.860 1.00 7.00 O -ATOM 114 CB ASN A 14 20.989 12.522 17.383 1.00 7.23 C -ATOM 115 CG ASN A 14 20.358 11.833 16.172 1.00 9.38 C -ATOM 116 OD1 ASN A 14 20.996 11.670 15.128 1.00 10.37 O -ATOM 117 ND2 ASN A 14 19.106 11.436 16.310 1.00 6.35 N -ATOM 118 N PHE A 15 22.734 15.777 17.536 1.00 7.26 N -ATOM 119 CA PHE A 15 22.385 17.198 17.681 1.00 9.06 C -ATOM 120 C PHE A 15 22.041 17.878 16.358 1.00 9.15 C -ATOM 121 O PHE A 15 21.041 18.578 16.265 1.00 8.64 O -ATOM 122 CB PHE A 15 23.497 17.990 18.379 1.00 10.05 C -ATOM 123 CG PHE A 15 23.102 19.397 18.746 1.00 10.57 C -ATOM 124 CD1 PHE A 15 22.032 19.633 19.605 1.00 13.39 C -ATOM 125 CD2 PHE A 15 23.813 20.485 18.254 1.00 11.47 C -ATOM 126 CE1 PHE A 15 21.678 20.929 19.968 1.00 13.52 C -ATOM 127 CE2 PHE A 15 23.467 21.784 18.609 1.00 11.60 C -ATOM 128 CZ PHE A 15 22.399 22.006 19.469 1.00 13.52 C -ATOM 129 N GLU A 16 22.878 17.699 15.342 1.00 11.17 N -ATOM 130 CA GLU A 16 22.583 18.313 14.053 1.00 12.58 C -ATOM 131 C GLU A 16 21.271 17.797 13.468 1.00 11.71 C -ATOM 132 O GLU A 16 20.503 18.567 12.888 1.00 12.66 O -ATOM 133 CB GLU A 16 23.711 18.081 13.060 1.00 15.91 C -ATOM 134 CG GLU A 16 23.274 18.337 11.626 1.00 21.31 C -ATOM 135 CD GLU A 16 24.376 18.878 10.757 1.00 25.39 C -ATOM 136 OE1 GLU A 16 25.526 18.984 11.240 1.00 27.92 O -ATOM 137 OE2 GLU A 16 24.084 19.213 9.588 1.00 28.60 O -ATOM 138 N GLU A 17 21.018 16.497 13.619 1.00 11.67 N -ATOM 139 CA GLU A 17 19.785 15.878 13.116 1.00 13.65 C -ATOM 140 C GLU A 17 18.529 16.490 13.767 1.00 13.48 C -ATOM 141 O GLU A 17 17.490 16.662 13.115 1.00 11.68 O -ATOM 142 CB GLU A 17 19.811 14.361 13.325 1.00 17.06 C -ATOM 143 CG GLU A 17 20.806 13.602 12.430 1.00 23.45 C -ATOM 144 CD GLU A 17 22.279 13.624 12.909 1.00 27.80 C -ATOM 145 OE1 GLU A 17 22.637 14.338 13.881 1.00 26.52 O -ATOM 146 OE2 GLU A 17 23.097 12.897 12.291 1.00 31.80 O -ATOM 147 N LEU A 18 18.640 16.834 15.048 1.00 10.82 N -ATOM 148 CA LEU A 18 17.547 17.468 15.777 1.00 9.45 C -ATOM 149 C LEU A 18 17.302 18.849 15.155 1.00 9.27 C -ATOM 150 O LEU A 18 16.153 19.246 14.927 1.00 9.04 O -ATOM 151 CB LEU A 18 17.931 17.644 17.253 1.00 9.77 C -ATOM 152 CG LEU A 18 16.921 18.358 18.163 1.00 11.36 C -ATOM 153 CD1 LEU A 18 15.817 17.402 18.554 1.00 13.85 C -ATOM 154 CD2 LEU A 18 17.616 18.876 19.409 1.00 12.69 C -ATOM 155 N LEU A 19 18.387 19.568 14.864 1.00 10.75 N -ATOM 156 CA LEU A 19 18.275 20.906 14.276 1.00 11.15 C -ATOM 157 C LEU A 19 17.671 20.873 12.874 1.00 12.52 C -ATOM 158 O LEU A 19 16.932 21.777 12.485 1.00 10.05 O -ATOM 159 CB LEU A 19 19.631 21.616 14.263 1.00 12.01 C -ATOM 160 CG LEU A 19 20.282 21.963 15.614 1.00 10.42 C -ATOM 161 CD1 LEU A 19 21.560 22.763 15.369 1.00 13.01 C -ATOM 162 CD2 LEU A 19 19.312 22.742 16.513 1.00 11.45 C -ATOM 163 N LYS A 20 17.944 19.795 12.150 1.00 14.41 N -ATOM 164 CA LYS A 20 17.427 19.628 10.800 1.00 16.54 C -ATOM 165 C LYS A 20 15.902 19.512 10.832 1.00 16.17 C -ATOM 166 O LYS A 20 15.201 20.164 10.053 1.00 15.90 O -ATOM 167 CB LYS A 20 18.048 18.390 10.157 1.00 20.07 C -ATOM 168 CG LYS A 20 18.592 18.643 8.765 1.00 26.61 C -ATOM 169 CD LYS A 20 18.960 17.349 8.027 1.00 30.95 C -ATOM 170 CE LYS A 20 20.226 16.690 8.579 1.00 35.68 C -ATOM 171 NZ LYS A 20 21.485 17.466 8.342 1.00 39.27 N -ATOM 172 N VAL A 21 15.395 18.700 11.759 1.00 15.31 N -ATOM 173 CA VAL A 21 13.958 18.508 11.927 1.00 14.41 C -ATOM 174 C VAL A 21 13.275 19.831 12.316 1.00 15.02 C -ATOM 175 O VAL A 21 12.150 20.119 11.878 1.00 13.59 O -ATOM 176 CB VAL A 21 13.674 17.422 12.998 1.00 14.93 C -ATOM 177 CG1 VAL A 21 12.194 17.383 13.364 1.00 17.29 C -ATOM 178 CG2 VAL A 21 14.115 16.082 12.482 1.00 15.09 C -ATOM 179 N LEU A 22 13.966 20.643 13.119 1.00 14.52 N -ATOM 180 CA LEU A 22 13.432 21.938 13.569 1.00 14.42 C -ATOM 181 C LEU A 22 13.478 22.984 12.467 1.00 15.49 C -ATOM 182 O LEU A 22 13.038 24.115 12.666 1.00 16.81 O -ATOM 183 CB LEU A 22 14.180 22.440 14.818 1.00 13.61 C -ATOM 184 CG LEU A 22 13.986 21.565 16.069 1.00 13.97 C -ATOM 185 CD1 LEU A 22 14.852 22.047 17.225 1.00 13.25 C -ATOM 186 CD2 LEU A 22 12.525 21.580 16.467 1.00 14.62 C -ATOM 187 N GLY A 23 14.062 22.618 11.328 1.00 16.41 N -ATOM 188 CA GLY A 23 14.123 23.516 10.183 1.00 17.05 C -ATOM 189 C GLY A 23 15.241 24.539 10.125 1.00 18.00 C -ATOM 190 O GLY A 23 15.112 25.545 9.425 1.00 19.45 O -ATOM 191 N VAL A 24 16.320 24.315 10.869 1.00 14.78 N -ATOM 192 CA VAL A 24 17.440 25.241 10.860 1.00 13.71 C -ATOM 193 C VAL A 24 18.289 24.983 9.607 1.00 15.09 C -ATOM 194 O VAL A 24 18.679 23.840 9.334 1.00 14.12 O -ATOM 195 CB VAL A 24 18.297 25.081 12.139 1.00 12.19 C -ATOM 196 CG1 VAL A 24 19.465 26.054 12.109 1.00 8.69 C -ATOM 197 CG2 VAL A 24 17.416 25.294 13.388 1.00 11.37 C -ATOM 198 N ASN A 25 18.595 26.047 8.866 1.00 15.37 N -ATOM 199 CA ASN A 25 19.360 25.914 7.635 1.00 17.74 C -ATOM 200 C ASN A 25 20.808 25.466 7.819 1.00 18.29 C -ATOM 201 O ASN A 25 21.377 25.592 8.903 1.00 18.05 O -ATOM 202 CB ASN A 25 19.230 27.172 6.742 1.00 19.41 C -ATOM 203 CG ASN A 25 20.090 28.351 7.200 1.00 22.35 C -ATOM 204 OD1 ASN A 25 21.207 28.189 7.698 1.00 22.64 O -ATOM 205 ND2 ASN A 25 19.602 29.558 6.933 1.00 24.15 N -ATOM 206 N VAL A 26 21.398 24.971 6.733 1.00 18.67 N -ATOM 207 CA VAL A 26 22.755 24.444 6.742 1.00 19.24 C -ATOM 208 C VAL A 26 23.825 25.280 7.421 1.00 18.39 C -ATOM 209 O VAL A 26 24.558 24.764 8.261 1.00 18.50 O -ATOM 210 CB VAL A 26 23.223 24.088 5.320 1.00 20.77 C -ATOM 211 CG1 VAL A 26 24.624 23.523 5.378 1.00 22.39 C -ATOM 212 CG2 VAL A 26 22.276 23.084 4.698 1.00 21.28 C -ATOM 213 N MET A 27 23.932 26.556 7.052 1.00 19.00 N -ATOM 214 CA MET A 27 24.948 27.433 7.628 1.00 19.54 C -ATOM 215 C MET A 27 24.734 27.741 9.099 1.00 19.04 C -ATOM 216 O MET A 27 25.702 27.820 9.849 1.00 18.28 O -ATOM 217 CB MET A 27 25.104 28.736 6.830 1.00 23.31 C -ATOM 218 CG MET A 27 25.955 28.602 5.552 1.00 29.99 C -ATOM 219 SD MET A 27 24.975 28.527 4.010 1.00 37.48 S -ATOM 220 CE MET A 27 26.198 29.150 2.776 1.00 35.24 C -ATOM 221 N LEU A 28 23.480 27.932 9.507 1.00 16.74 N -ATOM 222 CA LEU A 28 23.190 28.209 10.912 1.00 16.39 C -ATOM 223 C LEU A 28 23.477 26.954 11.722 1.00 16.86 C -ATOM 224 O LEU A 28 23.954 27.038 12.852 1.00 15.09 O -ATOM 225 CB LEU A 28 21.739 28.679 11.111 1.00 15.94 C -ATOM 226 CG LEU A 28 21.490 30.154 10.741 1.00 16.72 C -ATOM 227 CD1 LEU A 28 20.008 30.496 10.780 1.00 14.38 C -ATOM 228 CD2 LEU A 28 22.302 31.074 11.665 1.00 12.81 C -ATOM 229 N ARG A 29 23.228 25.791 11.121 1.00 16.05 N -ATOM 230 CA ARG A 29 23.498 24.524 11.798 1.00 18.43 C -ATOM 231 C ARG A 29 24.980 24.377 12.076 1.00 19.22 C -ATOM 232 O ARG A 29 25.383 23.987 13.171 1.00 17.97 O -ATOM 233 CB ARG A 29 23.030 23.334 10.969 1.00 18.63 C -ATOM 234 CG ARG A 29 21.596 22.983 11.189 1.00 21.26 C -ATOM 235 CD ARG A 29 21.339 21.572 10.739 1.00 24.71 C -ATOM 236 NE ARG A 29 20.571 21.564 9.513 1.00 29.88 N -ATOM 237 CZ ARG A 29 21.019 21.147 8.340 1.00 29.19 C -ATOM 238 NH1 ARG A 29 22.248 20.682 8.205 1.00 30.52 N -ATOM 239 NH2 ARG A 29 20.232 21.233 7.295 1.00 31.61 N -ATOM 240 N LYS A 30 25.790 24.709 11.078 1.00 19.76 N -ATOM 241 CA LYS A 30 27.235 24.619 11.198 1.00 21.96 C -ATOM 242 C LYS A 30 27.706 25.418 12.417 1.00 20.91 C -ATOM 243 O LYS A 30 28.470 24.916 13.239 1.00 22.15 O -ATOM 244 CB LYS A 30 27.894 25.143 9.915 1.00 25.07 C -ATOM 245 CG LYS A 30 29.404 25.031 9.905 1.00 30.48 C -ATOM 246 CD LYS A 30 30.013 25.631 8.639 1.00 35.43 C -ATOM 247 CE LYS A 30 31.533 25.759 8.778 1.00 37.96 C -ATOM 248 NZ LYS A 30 32.180 26.388 7.584 1.00 41.61 N -ATOM 249 N ILE A 31 27.208 26.643 12.544 1.00 18.38 N -ATOM 250 CA ILE A 31 27.557 27.527 13.652 1.00 16.41 C -ATOM 251 C ILE A 31 27.105 26.932 14.989 1.00 15.39 C -ATOM 252 O ILE A 31 27.888 26.855 15.930 1.00 14.90 O -ATOM 253 CB ILE A 31 26.881 28.920 13.471 1.00 16.63 C -ATOM 254 CG1 ILE A 31 27.419 29.606 12.208 1.00 18.74 C -ATOM 255 CG2 ILE A 31 27.071 29.791 14.713 1.00 15.71 C -ATOM 256 CD1 ILE A 31 26.735 30.946 11.858 1.00 17.27 C -ATOM 257 N ALA A 32 25.853 26.487 15.048 1.00 13.39 N -ATOM 258 CA ALA A 32 25.271 25.930 16.267 1.00 12.76 C -ATOM 259 C ALA A 32 25.994 24.685 16.775 1.00 12.11 C -ATOM 260 O ALA A 32 26.325 24.598 17.946 1.00 10.54 O -ATOM 261 CB ALA A 32 23.790 25.638 16.040 1.00 12.45 C -ATOM 262 N VAL A 33 26.252 23.731 15.886 1.00 11.95 N -ATOM 263 CA VAL A 33 26.932 22.490 16.256 1.00 13.80 C -ATOM 264 C VAL A 33 28.328 22.701 16.855 1.00 14.00 C -ATOM 265 O VAL A 33 28.693 22.048 17.832 1.00 14.07 O -ATOM 266 CB VAL A 33 27.016 21.504 15.044 1.00 13.56 C -ATOM 267 CG1 VAL A 33 27.909 20.318 15.375 1.00 16.07 C -ATOM 268 CG2 VAL A 33 25.621 21.006 14.684 1.00 14.96 C -ATOM 269 N ALA A 34 29.101 23.620 16.281 1.00 14.73 N -ATOM 270 CA ALA A 34 30.443 23.898 16.780 1.00 14.95 C -ATOM 271 C ALA A 34 30.381 24.505 18.178 1.00 15.59 C -ATOM 272 O ALA A 34 31.120 24.085 19.065 1.00 16.65 O -ATOM 273 CB ALA A 34 31.191 24.844 15.833 1.00 16.10 C -ATOM 274 N ALA A 35 29.495 25.480 18.375 1.00 13.20 N -ATOM 275 CA ALA A 35 29.371 26.134 19.671 1.00 13.04 C -ATOM 276 C ALA A 35 28.807 25.200 20.749 1.00 12.91 C -ATOM 277 O ALA A 35 29.245 25.239 21.895 1.00 12.32 O -ATOM 278 CB ALA A 35 28.517 27.387 19.552 1.00 12.14 C -ATOM 279 N ALA A 36 27.878 24.332 20.362 1.00 11.40 N -ATOM 280 CA ALA A 36 27.253 23.416 21.312 1.00 12.63 C -ATOM 281 C ALA A 36 28.128 22.256 21.770 1.00 13.40 C -ATOM 282 O ALA A 36 27.743 21.512 22.668 1.00 13.47 O -ATOM 283 CB ALA A 36 25.952 22.883 20.744 1.00 11.79 C -ATOM 284 N SER A 37 29.286 22.080 21.148 1.00 13.86 N -ATOM 285 CA SER A 37 30.169 20.983 21.520 1.00 15.95 C -ATOM 286 C SER A 37 30.938 21.245 22.818 1.00 16.46 C -ATOM 287 O SER A 37 31.488 20.320 23.406 1.00 18.23 O -ATOM 288 CB SER A 37 31.145 20.689 20.388 1.00 16.93 C -ATOM 289 OG SER A 37 32.100 21.729 20.293 1.00 21.65 O -ATOM 290 N LYS A 38 30.957 22.496 23.272 1.00 16.91 N -ATOM 291 CA LYS A 38 31.657 22.869 24.502 1.00 18.36 C -ATOM 292 C LYS A 38 30.817 23.809 25.382 1.00 15.90 C -ATOM 293 O LYS A 38 31.175 24.975 25.591 1.00 16.72 O -ATOM 294 CB LYS A 38 33.004 23.539 24.156 1.00 23.99 C -ATOM 295 CG LYS A 38 32.907 24.607 23.046 1.00 30.97 C -ATOM 296 CD LYS A 38 34.250 25.320 22.792 1.00 36.44 C -ATOM 297 CE LYS A 38 34.266 26.098 21.456 1.00 38.70 C -ATOM 298 NZ LYS A 38 33.193 27.131 21.321 1.00 39.37 N -ATOM 299 N PRO A 39 29.669 23.321 25.906 1.00 13.53 N -ATOM 300 CA PRO A 39 28.851 24.201 26.747 1.00 11.87 C -ATOM 301 C PRO A 39 29.292 24.248 28.211 1.00 12.05 C -ATOM 302 O PRO A 39 30.027 23.380 28.676 1.00 12.12 O -ATOM 303 CB PRO A 39 27.469 23.560 26.649 1.00 9.34 C -ATOM 304 CG PRO A 39 27.779 22.131 26.593 1.00 10.32 C -ATOM 305 CD PRO A 39 29.009 22.020 25.703 1.00 10.86 C -ATOM 306 N ALA A 40 28.921 25.316 28.898 1.00 11.52 N -ATOM 307 CA ALA A 40 29.192 25.423 30.329 1.00 11.84 C -ATOM 308 C ALA A 40 27.773 25.329 30.894 1.00 10.23 C -ATOM 309 O ALA A 40 26.894 26.080 30.478 1.00 10.42 O -ATOM 310 CB ALA A 40 29.830 26.767 30.673 1.00 11.40 C -ATOM 311 N VAL A 41 27.518 24.345 31.750 1.00 10.73 N -ATOM 312 CA VAL A 41 26.185 24.169 32.333 1.00 9.92 C -ATOM 313 C VAL A 41 26.226 24.295 33.854 1.00 11.64 C -ATOM 314 O VAL A 41 27.026 23.627 34.514 1.00 11.40 O -ATOM 315 CB VAL A 41 25.594 22.772 31.987 1.00 10.67 C -ATOM 316 CG1 VAL A 41 24.204 22.596 32.612 1.00 11.34 C -ATOM 317 CG2 VAL A 41 25.507 22.583 30.475 1.00 11.31 C -ATOM 318 N GLU A 42 25.364 25.147 34.399 1.00 10.94 N -ATOM 319 CA GLU A 42 25.271 25.327 35.845 1.00 12.40 C -ATOM 320 C GLU A 42 23.837 25.095 36.316 1.00 11.42 C -ATOM 321 O GLU A 42 22.898 25.720 35.825 1.00 10.46 O -ATOM 322 CB GLU A 42 25.711 26.721 36.270 1.00 16.26 C -ATOM 323 CG GLU A 42 25.495 26.947 37.768 1.00 23.78 C -ATOM 324 CD GLU A 42 25.944 28.311 38.242 1.00 27.94 C -ATOM 325 OE1 GLU A 42 25.308 29.329 37.872 1.00 29.92 O -ATOM 326 OE2 GLU A 42 26.935 28.351 39.002 1.00 32.64 O -ATOM 327 N ILE A 43 23.673 24.176 37.261 1.00 10.55 N -ATOM 328 CA ILE A 43 22.362 23.864 37.794 1.00 10.69 C -ATOM 329 C ILE A 43 22.360 24.120 39.300 1.00 11.07 C -ATOM 330 O ILE A 43 23.307 23.764 39.992 1.00 10.83 O -ATOM 331 CB ILE A 43 21.996 22.374 37.552 1.00 10.47 C -ATOM 332 CG1 ILE A 43 21.974 22.072 36.056 1.00 10.46 C -ATOM 333 CG2 ILE A 43 20.636 22.031 38.186 1.00 10.34 C -ATOM 334 CD1 ILE A 43 21.607 20.639 35.726 1.00 9.00 C -ATOM 335 N LYS A 44 21.315 24.784 39.778 1.00 12.26 N -ATOM 336 CA LYS A 44 21.127 25.051 41.201 1.00 13.96 C -ATOM 337 C LYS A 44 19.729 24.528 41.516 1.00 14.16 C -ATOM 338 O LYS A 44 18.749 24.920 40.873 1.00 14.12 O -ATOM 339 CB LYS A 44 21.220 26.545 41.503 1.00 16.58 C -ATOM 340 CG LYS A 44 22.580 27.150 41.170 1.00 22.90 C -ATOM 341 CD LYS A 44 22.571 28.654 41.385 1.00 29.01 C -ATOM 342 CE LYS A 44 23.890 29.293 40.982 1.00 31.56 C -ATOM 343 NZ LYS A 44 23.818 30.781 41.111 1.00 34.70 N -ATOM 344 N GLN A 45 19.649 23.594 42.460 1.00 15.66 N -ATOM 345 CA GLN A 45 18.377 22.993 42.852 1.00 16.03 C -ATOM 346 C GLN A 45 18.098 23.182 44.342 1.00 17.60 C -ATOM 347 O GLN A 45 18.989 23.024 45.164 1.00 17.17 O -ATOM 348 CB GLN A 45 18.397 21.498 42.544 1.00 15.51 C -ATOM 349 CG GLN A 45 17.168 20.744 43.015 1.00 13.62 C -ATOM 350 CD GLN A 45 17.312 19.256 42.838 1.00 15.68 C -ATOM 351 OE1 GLN A 45 18.348 18.769 42.397 1.00 18.84 O -ATOM 352 NE2 GLN A 45 16.276 18.521 43.177 1.00 16.73 N -ATOM 353 N GLU A 46 16.868 23.551 44.670 1.00 18.48 N -ATOM 354 CA GLU A 46 16.441 23.718 46.062 1.00 21.26 C -ATOM 355 C GLU A 46 15.108 23.004 46.105 1.00 19.06 C -ATOM 356 O GLU A 46 14.080 23.589 45.784 1.00 20.08 O -ATOM 357 CB GLU A 46 16.239 25.194 46.408 1.00 26.45 C -ATOM 358 CG GLU A 46 17.284 25.787 47.361 1.00 37.46 C -ATOM 359 CD GLU A 46 17.093 25.374 48.832 1.00 42.24 C -ATOM 360 OE1 GLU A 46 16.192 25.944 49.501 1.00 44.05 O -ATOM 361 OE2 GLU A 46 17.867 24.507 49.320 1.00 44.14 O -ATOM 362 N GLY A 47 15.131 21.720 46.429 1.00 18.35 N -ATOM 363 CA GLY A 47 13.893 20.970 46.463 1.00 18.96 C -ATOM 364 C GLY A 47 13.382 20.755 45.053 1.00 18.27 C -ATOM 365 O GLY A 47 14.067 20.157 44.238 1.00 18.05 O -ATOM 366 N ASP A 48 12.194 21.262 44.755 1.00 16.66 N -ATOM 367 CA ASP A 48 11.617 21.107 43.420 1.00 16.86 C -ATOM 368 C ASP A 48 11.771 22.378 42.566 1.00 15.92 C -ATOM 369 O ASP A 48 11.139 22.511 41.504 1.00 14.50 O -ATOM 370 CB ASP A 48 10.136 20.694 43.513 1.00 19.00 C -ATOM 371 CG ASP A 48 9.943 19.221 43.897 1.00 21.49 C -ATOM 372 OD1 ASP A 48 10.901 18.406 43.840 1.00 23.51 O -ATOM 373 OD2 ASP A 48 8.802 18.868 44.243 1.00 25.04 O -ATOM 374 N THR A 49 12.610 23.299 43.042 1.00 13.75 N -ATOM 375 CA THR A 49 12.870 24.551 42.348 1.00 13.82 C -ATOM 376 C THR A 49 14.231 24.460 41.678 1.00 13.22 C -ATOM 377 O THR A 49 15.235 24.152 42.322 1.00 12.56 O -ATOM 378 CB THR A 49 12.847 25.741 43.316 1.00 16.10 C -ATOM 379 OG1 THR A 49 11.556 25.815 43.941 1.00 17.94 O -ATOM 380 CG2 THR A 49 13.100 27.037 42.571 1.00 16.15 C -ATOM 381 N PHE A 50 14.266 24.794 40.392 1.00 12.20 N -ATOM 382 CA PHE A 50 15.485 24.704 39.602 1.00 10.82 C -ATOM 383 C PHE A 50 15.842 25.979 38.855 1.00 10.40 C -ATOM 384 O PHE A 50 14.968 26.758 38.460 1.00 9.90 O -ATOM 385 CB PHE A 50 15.338 23.591 38.547 1.00 10.78 C -ATOM 386 CG PHE A 50 15.316 22.192 39.107 1.00 13.13 C -ATOM 387 CD1 PHE A 50 14.146 21.653 39.634 1.00 11.97 C -ATOM 388 CD2 PHE A 50 16.464 21.401 39.079 1.00 14.34 C -ATOM 389 CE1 PHE A 50 14.113 20.367 40.120 1.00 12.69 C -ATOM 390 CE2 PHE A 50 16.439 20.098 39.569 1.00 14.64 C -ATOM 391 CZ PHE A 50 15.258 19.582 40.092 1.00 13.15 C -ATOM 392 N TYR A 51 17.147 26.165 38.678 1.00 10.37 N -ATOM 393 CA TYR A 51 17.709 27.258 37.910 1.00 10.95 C -ATOM 394 C TYR A 51 18.714 26.513 37.039 1.00 9.84 C -ATOM 395 O TYR A 51 19.540 25.761 37.547 1.00 9.78 O -ATOM 396 CB TYR A 51 18.436 28.284 38.790 1.00 12.57 C -ATOM 397 CG TYR A 51 19.396 29.178 38.014 1.00 12.91 C -ATOM 398 CD1 TYR A 51 18.939 30.302 37.327 1.00 15.83 C -ATOM 399 CD2 TYR A 51 20.762 28.896 37.974 1.00 14.05 C -ATOM 400 CE1 TYR A 51 19.822 31.126 36.621 1.00 16.52 C -ATOM 401 CE2 TYR A 51 21.655 29.705 37.275 1.00 14.62 C -ATOM 402 CZ TYR A 51 21.179 30.818 36.604 1.00 16.59 C -ATOM 403 OH TYR A 51 22.060 31.633 35.932 1.00 17.52 O -ATOM 404 N ILE A 52 18.610 26.676 35.726 1.00 10.57 N -ATOM 405 CA ILE A 52 19.520 26.004 34.801 1.00 9.09 C -ATOM 406 C ILE A 52 20.066 27.020 33.801 1.00 8.55 C -ATOM 407 O ILE A 52 19.296 27.652 33.086 1.00 10.49 O -ATOM 408 CB ILE A 52 18.807 24.859 34.026 1.00 8.96 C -ATOM 409 CG1 ILE A 52 18.242 23.814 35.013 1.00 9.15 C -ATOM 410 CG2 ILE A 52 19.792 24.189 33.070 1.00 10.39 C -ATOM 411 CD1 ILE A 52 17.585 22.616 34.366 1.00 8.10 C -ATOM 412 N LYS A 53 21.388 27.197 33.791 1.00 8.61 N -ATOM 413 CA LYS A 53 22.049 28.115 32.868 1.00 9.66 C -ATOM 414 C LYS A 53 22.939 27.319 31.924 1.00 8.71 C -ATOM 415 O LYS A 53 23.815 26.583 32.362 1.00 7.58 O -ATOM 416 CB LYS A 53 22.909 29.120 33.611 1.00 10.60 C -ATOM 417 CG LYS A 53 23.580 30.135 32.688 1.00 14.21 C -ATOM 418 CD LYS A 53 24.496 31.006 33.505 1.00 20.27 C -ATOM 419 CE LYS A 53 24.831 32.319 32.828 1.00 26.91 C -ATOM 420 NZ LYS A 53 25.878 33.009 33.659 1.00 29.12 N -ATOM 421 N THR A 54 22.686 27.445 30.625 1.00 8.49 N -ATOM 422 CA THR A 54 23.478 26.747 29.628 1.00 7.98 C -ATOM 423 C THR A 54 24.118 27.820 28.764 1.00 8.23 C -ATOM 424 O THR A 54 23.433 28.584 28.087 1.00 8.40 O -ATOM 425 CB THR A 54 22.621 25.817 28.789 1.00 8.33 C -ATOM 426 OG1 THR A 54 21.896 24.946 29.660 1.00 9.95 O -ATOM 427 CG2 THR A 54 23.505 24.976 27.873 1.00 4.95 C -ATOM 428 N SER A 55 25.444 27.840 28.758 1.00 8.75 N -ATOM 429 CA SER A 55 26.171 28.865 28.047 1.00 10.50 C -ATOM 430 C SER A 55 27.116 28.382 26.950 1.00 9.24 C -ATOM 431 O SER A 55 27.802 27.370 27.101 1.00 8.98 O -ATOM 432 CB SER A 55 26.934 29.694 29.082 1.00 13.09 C -ATOM 433 OG SER A 55 27.781 30.646 28.473 1.00 23.11 O -ATOM 434 N THR A 56 27.091 29.094 25.825 1.00 8.86 N -ATOM 435 CA THR A 56 27.978 28.831 24.684 1.00 8.05 C -ATOM 436 C THR A 56 28.393 30.215 24.138 1.00 8.09 C -ATOM 437 O THR A 56 27.834 31.237 24.525 1.00 7.17 O -ATOM 438 CB THR A 56 27.296 28.024 23.534 1.00 6.70 C -ATOM 439 OG1 THR A 56 26.294 28.829 22.909 1.00 9.76 O -ATOM 440 CG2 THR A 56 26.653 26.751 24.049 1.00 7.76 C -ATOM 441 N THR A 57 29.381 30.242 23.249 1.00 9.17 N -ATOM 442 CA THR A 57 29.871 31.485 22.644 1.00 8.49 C -ATOM 443 C THR A 57 28.820 32.222 21.802 1.00 7.50 C -ATOM 444 O THR A 57 28.952 33.412 21.565 1.00 9.40 O -ATOM 445 CB THR A 57 31.091 31.205 21.716 1.00 9.12 C -ATOM 446 OG1 THR A 57 30.758 30.171 20.786 1.00 9.41 O -ATOM 447 CG2 THR A 57 32.297 30.775 22.516 1.00 11.48 C -ATOM 448 N VAL A 58 27.786 31.510 21.356 1.00 8.04 N -ATOM 449 CA VAL A 58 26.733 32.090 20.500 1.00 9.09 C -ATOM 450 C VAL A 58 25.328 32.224 21.102 1.00 8.67 C -ATOM 451 O VAL A 58 24.466 32.892 20.531 1.00 6.97 O -ATOM 452 CB VAL A 58 26.602 31.287 19.155 1.00 9.96 C -ATOM 453 CG1 VAL A 58 27.976 31.161 18.454 1.00 11.08 C -ATOM 454 CG2 VAL A 58 26.010 29.890 19.404 1.00 9.41 C -ATOM 455 N ARG A 59 25.100 31.620 22.266 1.00 8.88 N -ATOM 456 CA ARG A 59 23.783 31.655 22.882 1.00 9.95 C -ATOM 457 C ARG A 59 23.843 31.140 24.303 1.00 10.14 C -ATOM 458 O ARG A 59 24.440 30.108 24.556 1.00 10.10 O -ATOM 459 CB ARG A 59 22.837 30.751 22.074 1.00 13.11 C -ATOM 460 CG ARG A 59 21.417 30.569 22.623 1.00 16.80 C -ATOM 461 CD ARG A 59 20.521 29.961 21.535 1.00 18.74 C -ATOM 462 NE ARG A 59 19.250 29.440 22.032 1.00 20.63 N -ATOM 463 CZ ARG A 59 18.147 30.165 22.193 1.00 22.94 C -ATOM 464 NH1 ARG A 59 18.138 31.462 21.894 1.00 22.55 N -ATOM 465 NH2 ARG A 59 17.051 29.594 22.686 1.00 23.68 N -ATOM 466 N THR A 60 23.183 31.849 25.211 1.00 11.23 N -ATOM 467 CA THR A 60 23.120 31.458 26.611 1.00 11.84 C -ATOM 468 C THR A 60 21.650 31.500 27.005 1.00 11.73 C -ATOM 469 O THR A 60 20.934 32.423 26.620 1.00 13.69 O -ATOM 470 CB THR A 60 23.916 32.451 27.519 1.00 10.13 C -ATOM 471 OG1 THR A 60 25.320 32.302 27.276 1.00 10.55 O -ATOM 472 CG2 THR A 60 23.632 32.181 29.003 1.00 11.01 C -ATOM 473 N THR A 61 21.183 30.470 27.706 1.00 11.78 N -ATOM 474 CA THR A 61 19.797 30.413 28.175 1.00 11.54 C -ATOM 475 C THR A 61 19.831 30.214 29.686 1.00 10.88 C -ATOM 476 O THR A 61 20.734 29.570 30.205 1.00 9.63 O -ATOM 477 CB THR A 61 18.965 29.229 27.539 1.00 12.65 C -ATOM 478 OG1 THR A 61 19.563 27.976 27.874 1.00 14.13 O -ATOM 479 CG2 THR A 61 18.889 29.336 26.012 1.00 14.15 C -ATOM 480 N GLU A 62 18.878 30.828 30.382 1.00 12.14 N -ATOM 481 CA GLU A 62 18.749 30.698 31.833 1.00 12.88 C -ATOM 482 C GLU A 62 17.283 30.444 32.100 1.00 12.21 C -ATOM 483 O GLU A 62 16.450 31.270 31.745 1.00 13.95 O -ATOM 484 CB GLU A 62 19.151 31.990 32.538 1.00 16.15 C -ATOM 485 CG GLU A 62 20.585 32.344 32.326 1.00 23.65 C -ATOM 486 CD GLU A 62 20.961 33.649 32.979 1.00 29.90 C -ATOM 487 OE1 GLU A 62 20.969 33.703 34.229 1.00 31.84 O -ATOM 488 OE2 GLU A 62 21.258 34.616 32.236 1.00 33.89 O -ATOM 489 N ILE A 63 16.943 29.292 32.657 1.00 10.43 N -ATOM 490 CA ILE A 63 15.548 29.021 32.946 1.00 11.02 C -ATOM 491 C ILE A 63 15.352 28.816 34.446 1.00 11.60 C -ATOM 492 O ILE A 63 16.286 28.434 35.144 1.00 9.20 O -ATOM 493 CB ILE A 63 14.976 27.816 32.125 1.00 11.28 C -ATOM 494 CG1 ILE A 63 15.717 26.519 32.431 1.00 10.60 C -ATOM 495 CG2 ILE A 63 15.020 28.129 30.638 1.00 11.62 C -ATOM 496 CD1 ILE A 63 15.126 25.293 31.720 1.00 13.40 C -ATOM 497 N ASN A 64 14.184 29.219 34.933 1.00 12.13 N -ATOM 498 CA ASN A 64 13.824 29.083 36.343 1.00 14.79 C -ATOM 499 C ASN A 64 12.451 28.441 36.375 1.00 13.29 C -ATOM 500 O ASN A 64 11.490 28.976 35.802 1.00 13.29 O -ATOM 501 CB ASN A 64 13.732 30.450 37.054 1.00 16.87 C -ATOM 502 CG ASN A 64 15.079 31.089 37.279 1.00 20.91 C -ATOM 503 OD1 ASN A 64 15.775 30.764 38.238 1.00 22.91 O -ATOM 504 ND2 ASN A 64 15.459 32.007 36.393 1.00 22.20 N -ATOM 505 N PHE A 65 12.347 27.301 37.044 1.00 12.90 N -ATOM 506 CA PHE A 65 11.058 26.641 37.132 1.00 12.63 C -ATOM 507 C PHE A 65 10.858 25.841 38.410 1.00 13.07 C -ATOM 508 O PHE A 65 11.811 25.531 39.121 1.00 12.50 O -ATOM 509 CB PHE A 65 10.829 25.731 35.922 1.00 11.31 C -ATOM 510 CG PHE A 65 11.794 24.586 35.825 1.00 12.32 C -ATOM 511 CD1 PHE A 65 11.549 23.386 36.494 1.00 10.31 C -ATOM 512 CD2 PHE A 65 12.947 24.706 35.070 1.00 11.23 C -ATOM 513 CE1 PHE A 65 12.441 22.329 36.413 1.00 11.00 C -ATOM 514 CE2 PHE A 65 13.847 23.645 34.984 1.00 11.69 C -ATOM 515 CZ PHE A 65 13.593 22.461 35.655 1.00 12.20 C -ATOM 516 N LYS A 66 9.599 25.560 38.713 1.00 13.15 N -ATOM 517 CA LYS A 66 9.251 24.735 39.849 1.00 13.41 C -ATOM 518 C LYS A 66 8.555 23.552 39.178 1.00 12.17 C -ATOM 519 O LYS A 66 7.763 23.747 38.251 1.00 12.93 O -ATOM 520 CB LYS A 66 8.313 25.498 40.800 1.00 16.68 C -ATOM 521 CG LYS A 66 7.722 24.639 41.907 1.00 24.60 C -ATOM 522 CD LYS A 66 7.391 25.453 43.165 1.00 28.53 C -ATOM 523 CE LYS A 66 6.664 24.585 44.213 1.00 32.17 C -ATOM 524 NZ LYS A 66 7.393 23.332 44.604 1.00 32.54 N -ATOM 525 N VAL A 67 8.918 22.329 39.562 1.00 11.82 N -ATOM 526 CA VAL A 67 8.295 21.141 38.975 1.00 10.93 C -ATOM 527 C VAL A 67 6.783 21.174 39.226 1.00 11.97 C -ATOM 528 O VAL A 67 6.343 21.480 40.342 1.00 13.54 O -ATOM 529 CB VAL A 67 8.908 19.827 39.541 1.00 10.09 C -ATOM 530 CG1 VAL A 67 8.271 18.617 38.883 1.00 10.96 C -ATOM 531 CG2 VAL A 67 10.410 19.808 39.320 1.00 10.21 C -ATOM 532 N GLY A 68 6.006 20.965 38.160 1.00 9.80 N -ATOM 533 CA GLY A 68 4.557 20.962 38.265 1.00 9.33 C -ATOM 534 C GLY A 68 3.887 22.298 38.031 1.00 10.60 C -ATOM 535 O GLY A 68 2.653 22.389 38.039 1.00 11.93 O -ATOM 536 N GLU A 69 4.688 23.337 37.809 1.00 11.12 N -ATOM 537 CA GLU A 69 4.165 24.682 37.553 1.00 12.64 C -ATOM 538 C GLU A 69 4.604 25.185 36.184 1.00 13.09 C -ATOM 539 O GLU A 69 5.774 25.107 35.820 1.00 12.17 O -ATOM 540 CB GLU A 69 4.578 25.642 38.668 1.00 12.20 C -ATOM 541 CG GLU A 69 3.857 25.282 39.964 1.00 17.44 C -ATOM 542 CD GLU A 69 4.116 26.211 41.138 1.00 21.02 C -ATOM 543 OE1 GLU A 69 4.496 27.384 40.945 1.00 21.43 O -ATOM 544 OE2 GLU A 69 3.902 25.753 42.282 1.00 23.44 O -ATOM 545 N GLU A 70 3.633 25.622 35.397 1.00 14.53 N -ATOM 546 CA GLU A 70 3.912 26.102 34.059 1.00 15.80 C -ATOM 547 C GLU A 70 4.816 27.329 34.007 1.00 13.72 C -ATOM 548 O GLU A 70 4.761 28.208 34.863 1.00 13.66 O -ATOM 549 CB GLU A 70 2.606 26.359 33.320 1.00 19.99 C -ATOM 550 CG GLU A 70 2.814 26.634 31.851 1.00 28.23 C -ATOM 551 CD GLU A 70 1.518 26.678 31.097 1.00 32.73 C -ATOM 552 OE1 GLU A 70 0.975 25.589 30.789 1.00 35.76 O -ATOM 553 OE2 GLU A 70 1.045 27.802 30.823 1.00 35.75 O -ATOM 554 N PHE A 71 5.713 27.340 33.028 1.00 12.80 N -ATOM 555 CA PHE A 71 6.638 28.448 32.837 1.00 12.36 C -ATOM 556 C PHE A 71 6.856 28.678 31.350 1.00 12.97 C -ATOM 557 O PHE A 71 6.382 27.917 30.516 1.00 12.54 O -ATOM 558 CB PHE A 71 7.975 28.243 33.589 1.00 10.02 C -ATOM 559 CG PHE A 71 8.851 27.148 33.033 1.00 10.48 C -ATOM 560 CD1 PHE A 71 8.549 25.815 33.256 1.00 9.95 C -ATOM 561 CD2 PHE A 71 10.006 27.459 32.331 1.00 9.29 C -ATOM 562 CE1 PHE A 71 9.380 24.811 32.793 1.00 9.74 C -ATOM 563 CE2 PHE A 71 10.832 26.464 31.868 1.00 9.51 C -ATOM 564 CZ PHE A 71 10.518 25.136 32.102 1.00 8.47 C -ATOM 565 N GLU A 72 7.581 29.733 31.028 1.00 15.04 N -ATOM 566 CA GLU A 72 7.826 30.063 29.644 1.00 17.19 C -ATOM 567 C GLU A 72 9.323 30.036 29.357 1.00 15.53 C -ATOM 568 O GLU A 72 10.130 30.511 30.158 1.00 16.16 O -ATOM 569 CB GLU A 72 7.248 31.448 29.379 1.00 22.03 C -ATOM 570 CG GLU A 72 6.700 31.658 28.002 1.00 30.80 C -ATOM 571 CD GLU A 72 6.157 33.060 27.827 1.00 34.75 C -ATOM 572 OE1 GLU A 72 5.014 33.309 28.276 1.00 35.88 O -ATOM 573 OE2 GLU A 72 6.885 33.912 27.255 1.00 38.91 O -ATOM 574 N GLU A 73 9.691 29.378 28.263 1.00 13.46 N -ATOM 575 CA GLU A 73 11.088 29.302 27.836 1.00 13.89 C -ATOM 576 C GLU A 73 11.083 29.318 26.301 1.00 13.70 C -ATOM 577 O GLU A 73 10.159 29.859 25.690 1.00 13.63 O -ATOM 578 CB GLU A 73 11.780 28.032 28.379 1.00 12.63 C -ATOM 579 CG GLU A 73 11.145 26.706 27.986 1.00 10.55 C -ATOM 580 CD GLU A 73 11.997 25.499 28.366 1.00 8.94 C -ATOM 581 OE1 GLU A 73 13.191 25.650 28.642 1.00 12.29 O -ATOM 582 OE2 GLU A 73 11.485 24.374 28.363 1.00 10.37 O -ATOM 583 N GLN A 74 12.115 28.751 25.685 1.00 13.09 N -ATOM 584 CA GLN A 74 12.187 28.691 24.239 1.00 13.16 C -ATOM 585 C GLN A 74 12.618 27.315 23.806 1.00 12.86 C -ATOM 586 O GLN A 74 13.290 26.596 24.552 1.00 13.17 O -ATOM 587 CB GLN A 74 13.218 29.685 23.706 1.00 15.91 C -ATOM 588 CG GLN A 74 12.803 31.133 23.779 1.00 19.68 C -ATOM 589 CD GLN A 74 13.827 32.066 23.159 1.00 21.00 C -ATOM 590 OE1 GLN A 74 15.010 31.730 23.024 1.00 22.37 O -ATOM 591 NE2 GLN A 74 13.373 33.247 22.774 1.00 24.07 N -ATOM 592 N THR A 75 12.229 26.935 22.600 1.00 10.98 N -ATOM 593 CA THR A 75 12.664 25.656 22.056 1.00 11.83 C -ATOM 594 C THR A 75 14.162 25.828 21.729 1.00 11.24 C -ATOM 595 O THR A 75 14.681 26.951 21.764 1.00 9.95 O -ATOM 596 CB THR A 75 11.895 25.325 20.757 1.00 11.93 C -ATOM 597 OG1 THR A 75 12.123 26.366 19.795 1.00 13.31 O -ATOM 598 CG2 THR A 75 10.396 25.202 21.042 1.00 13.29 C -ATOM 599 N VAL A 76 14.841 24.731 21.377 1.00 13.77 N -ATOM 600 CA VAL A 76 16.278 24.762 21.049 1.00 14.39 C -ATOM 601 C VAL A 76 16.612 25.734 19.914 1.00 12.97 C -ATOM 602 O VAL A 76 17.639 26.407 19.956 1.00 13.75 O -ATOM 603 CB VAL A 76 16.827 23.351 20.680 1.00 15.44 C -ATOM 604 CG1 VAL A 76 18.332 23.314 20.844 1.00 17.74 C -ATOM 605 CG2 VAL A 76 16.218 22.293 21.548 1.00 19.99 C -ATOM 606 N ASP A 77 15.730 25.824 18.921 1.00 13.67 N -ATOM 607 CA ASP A 77 15.933 26.727 17.789 1.00 14.47 C -ATOM 608 C ASP A 77 15.486 28.172 18.061 1.00 15.23 C -ATOM 609 O ASP A 77 15.461 29.002 17.153 1.00 14.90 O -ATOM 610 CB ASP A 77 15.301 26.158 16.503 1.00 15.63 C -ATOM 611 CG ASP A 77 13.790 26.007 16.585 1.00 15.92 C -ATOM 612 OD1 ASP A 77 13.260 25.470 17.586 1.00 14.64 O -ATOM 613 OD2 ASP A 77 13.123 26.409 15.613 1.00 17.79 O -ATOM 614 N GLY A 78 15.095 28.445 19.312 1.00 15.17 N -ATOM 615 CA GLY A 78 14.709 29.790 19.726 1.00 15.90 C -ATOM 616 C GLY A 78 13.268 30.281 19.701 1.00 16.89 C -ATOM 617 O GLY A 78 13.038 31.489 19.790 1.00 19.37 O -ATOM 618 N ARG A 79 12.292 29.389 19.620 1.00 16.76 N -ATOM 619 CA ARG A 79 10.896 29.822 19.587 1.00 18.08 C -ATOM 620 C ARG A 79 10.229 29.768 20.961 1.00 16.55 C -ATOM 621 O ARG A 79 10.379 28.787 21.680 1.00 16.57 O -ATOM 622 CB ARG A 79 10.112 28.961 18.604 1.00 20.74 C -ATOM 623 CG ARG A 79 10.667 28.997 17.194 1.00 25.89 C -ATOM 624 CD ARG A 79 9.986 27.976 16.310 1.00 29.77 C -ATOM 625 NE ARG A 79 10.144 26.626 16.842 1.00 34.52 N -ATOM 626 CZ ARG A 79 10.128 25.516 16.109 1.00 35.90 C -ATOM 627 NH1 ARG A 79 9.971 25.580 14.789 1.00 37.70 N -ATOM 628 NH2 ARG A 79 10.266 24.337 16.702 1.00 35.58 N -ATOM 629 N PRO A 80 9.501 30.830 21.352 1.00 15.98 N -ATOM 630 CA PRO A 80 8.819 30.867 22.651 1.00 15.47 C -ATOM 631 C PRO A 80 7.825 29.725 22.833 1.00 14.23 C -ATOM 632 O PRO A 80 7.058 29.393 21.926 1.00 14.56 O -ATOM 633 CB PRO A 80 8.100 32.220 22.628 1.00 15.48 C -ATOM 634 CG PRO A 80 9.010 33.057 21.846 1.00 18.18 C -ATOM 635 CD PRO A 80 9.418 32.145 20.696 1.00 17.08 C -ATOM 636 N CYS A 81 7.817 29.148 24.028 1.00 13.52 N -ATOM 637 CA CYS A 81 6.914 28.055 24.331 1.00 12.41 C -ATOM 638 C CYS A 81 6.548 28.054 25.811 1.00 12.52 C -ATOM 639 O CYS A 81 7.202 28.718 26.624 1.00 11.74 O -ATOM 640 CB CYS A 81 7.563 26.705 23.950 1.00 11.59 C -ATOM 641 SG CYS A 81 9.063 26.255 24.894 1.00 12.86 S -ATOM 642 N LYS A 82 5.448 27.379 26.121 1.00 13.86 N -ATOM 643 CA LYS A 82 4.988 27.197 27.492 1.00 14.38 C -ATOM 644 C LYS A 82 5.436 25.779 27.839 1.00 13.51 C -ATOM 645 O LYS A 82 5.227 24.842 27.063 1.00 12.69 O -ATOM 646 CB LYS A 82 3.473 27.299 27.589 1.00 18.36 C -ATOM 647 CG LYS A 82 2.940 28.716 27.584 1.00 26.02 C -ATOM 648 CD LYS A 82 3.353 29.506 28.826 1.00 31.13 C -ATOM 649 CE LYS A 82 2.686 30.894 28.832 1.00 35.39 C -ATOM 650 NZ LYS A 82 2.868 31.652 30.120 1.00 37.63 N -ATOM 651 N SER A 83 6.110 25.638 28.974 1.00 11.15 N -ATOM 652 CA SER A 83 6.624 24.352 29.397 1.00 10.10 C -ATOM 653 C SER A 83 6.083 23.931 30.752 1.00 11.16 C -ATOM 654 O SER A 83 5.721 24.769 31.575 1.00 10.21 O -ATOM 655 CB SER A 83 8.149 24.418 29.446 1.00 10.30 C -ATOM 656 OG SER A 83 8.686 24.518 28.132 1.00 11.50 O -ATOM 657 N LEU A 84 6.028 22.620 30.954 1.00 11.17 N -ATOM 658 CA LEU A 84 5.557 22.016 32.192 1.00 11.84 C -ATOM 659 C LEU A 84 6.427 20.793 32.470 1.00 10.42 C -ATOM 660 O LEU A 84 6.444 19.846 31.684 1.00 11.20 O -ATOM 661 CB LEU A 84 4.091 21.576 32.067 1.00 13.44 C -ATOM 662 CG LEU A 84 3.552 20.784 33.270 1.00 15.74 C -ATOM 663 CD1 LEU A 84 3.515 21.683 34.484 1.00 16.96 C -ATOM 664 CD2 LEU A 84 2.178 20.231 32.982 1.00 18.76 C -ATOM 665 N VAL A 85 7.146 20.828 33.589 1.00 9.60 N -ATOM 666 CA VAL A 85 8.028 19.738 34.006 1.00 9.50 C -ATOM 667 C VAL A 85 7.344 18.878 35.082 1.00 9.74 C -ATOM 668 O VAL A 85 6.680 19.404 35.985 1.00 9.28 O -ATOM 669 CB VAL A 85 9.384 20.291 34.598 1.00 8.89 C -ATOM 670 CG1 VAL A 85 10.327 19.140 34.970 1.00 8.20 C -ATOM 671 CG2 VAL A 85 10.062 21.227 33.612 1.00 8.48 C -ATOM 672 N LYS A 86 7.504 17.563 34.971 1.00 9.96 N -ATOM 673 CA LYS A 86 6.946 16.621 35.945 1.00 11.92 C -ATOM 674 C LYS A 86 8.003 15.558 36.247 1.00 11.88 C -ATOM 675 O LYS A 86 8.917 15.340 35.453 1.00 11.00 O -ATOM 676 CB LYS A 86 5.700 15.911 35.385 1.00 12.40 C -ATOM 677 CG LYS A 86 4.538 16.819 35.058 1.00 16.01 C -ATOM 678 CD LYS A 86 3.333 16.017 34.559 1.00 21.36 C -ATOM 679 CE LYS A 86 2.140 16.939 34.345 1.00 23.23 C -ATOM 680 NZ LYS A 86 0.919 16.212 33.929 1.00 28.41 N -ATOM 681 N TRP A 87 7.868 14.889 37.386 1.00 10.75 N -ATOM 682 CA TRP A 87 8.775 13.811 37.738 1.00 9.53 C -ATOM 683 C TRP A 87 8.238 12.559 37.052 1.00 9.89 C -ATOM 684 O TRP A 87 7.144 12.107 37.370 1.00 11.80 O -ATOM 685 CB TRP A 87 8.791 13.569 39.268 1.00 8.76 C -ATOM 686 CG TRP A 87 9.494 14.641 40.062 1.00 8.86 C -ATOM 687 CD1 TRP A 87 8.923 15.525 40.939 1.00 8.80 C -ATOM 688 CD2 TRP A 87 10.889 14.990 39.992 1.00 9.42 C -ATOM 689 NE1 TRP A 87 9.872 16.410 41.400 1.00 8.01 N -ATOM 690 CE2 TRP A 87 11.086 16.103 40.835 1.00 10.85 C -ATOM 691 CE3 TRP A 87 11.985 14.475 39.283 1.00 9.60 C -ATOM 692 CZ2 TRP A 87 12.340 16.716 40.994 1.00 11.45 C -ATOM 693 CZ3 TRP A 87 13.230 15.084 39.438 1.00 10.72 C -ATOM 694 CH2 TRP A 87 13.395 16.192 40.289 1.00 11.78 C -ATOM 695 N GLU A 88 8.954 12.040 36.064 1.00 9.93 N -ATOM 696 CA GLU A 88 8.526 10.807 35.416 1.00 11.30 C -ATOM 697 C GLU A 88 8.826 9.726 36.448 1.00 11.75 C -ATOM 698 O GLU A 88 8.068 8.784 36.623 1.00 12.78 O -ATOM 699 CB GLU A 88 9.337 10.541 34.156 1.00 13.50 C -ATOM 700 CG GLU A 88 8.917 9.261 33.454 1.00 18.67 C -ATOM 701 CD GLU A 88 9.756 8.958 32.226 1.00 23.49 C -ATOM 702 OE1 GLU A 88 9.581 9.650 31.205 1.00 26.53 O -ATOM 703 OE2 GLU A 88 10.587 8.025 32.276 1.00 26.54 O -ATOM 704 N SER A 89 9.972 9.870 37.103 1.00 11.49 N -ATOM 705 CA SER A 89 10.402 8.954 38.158 1.00 11.10 C -ATOM 706 C SER A 89 11.206 9.776 39.163 1.00 11.14 C -ATOM 707 O SER A 89 11.397 10.983 38.979 1.00 9.92 O -ATOM 708 CB SER A 89 11.221 7.778 37.604 1.00 12.43 C -ATOM 709 OG SER A 89 12.396 8.215 36.947 1.00 14.39 O -ATOM 710 N GLU A 90 11.674 9.130 40.227 1.00 10.17 N -ATOM 711 CA GLU A 90 12.433 9.826 41.254 1.00 10.83 C -ATOM 712 C GLU A 90 13.657 10.629 40.772 1.00 9.86 C -ATOM 713 O GLU A 90 13.932 11.715 41.289 1.00 10.30 O -ATOM 714 CB GLU A 90 12.858 8.846 42.348 1.00 11.92 C -ATOM 715 CG GLU A 90 13.536 9.572 43.487 1.00 16.53 C -ATOM 716 CD GLU A 90 13.912 8.671 44.644 1.00 19.80 C -ATOM 717 OE1 GLU A 90 14.122 7.464 44.426 1.00 21.18 O -ATOM 718 OE2 GLU A 90 14.012 9.187 45.774 1.00 22.91 O -ATOM 719 N ASN A 91 14.376 10.102 39.783 1.00 8.79 N -ATOM 720 CA ASN A 91 15.578 10.767 39.274 1.00 10.50 C -ATOM 721 C ASN A 91 15.455 11.289 37.855 1.00 9.69 C -ATOM 722 O ASN A 91 16.467 11.627 37.246 1.00 7.10 O -ATOM 723 CB ASN A 91 16.760 9.798 39.305 1.00 14.33 C -ATOM 724 CG ASN A 91 17.064 9.307 40.693 1.00 17.71 C -ATOM 725 OD1 ASN A 91 17.445 10.087 41.560 1.00 20.87 O -ATOM 726 ND2 ASN A 91 16.855 8.016 40.928 1.00 19.39 N -ATOM 727 N LYS A 92 14.230 11.387 37.352 1.00 8.60 N -ATOM 728 CA LYS A 92 14.016 11.835 35.981 1.00 8.88 C -ATOM 729 C LYS A 92 12.861 12.812 35.807 1.00 8.61 C -ATOM 730 O LYS A 92 11.721 12.511 36.168 1.00 8.95 O -ATOM 731 CB LYS A 92 13.781 10.626 35.078 1.00 9.10 C -ATOM 732 CG LYS A 92 13.566 10.996 33.618 1.00 11.95 C -ATOM 733 CD LYS A 92 13.467 9.762 32.759 1.00 14.04 C -ATOM 734 CE LYS A 92 13.333 10.124 31.299 1.00 16.33 C -ATOM 735 NZ LYS A 92 13.129 8.884 30.506 1.00 17.37 N -ATOM 736 N MET A 93 13.172 13.988 35.268 1.00 7.58 N -ATOM 737 CA MET A 93 12.159 14.985 34.995 1.00 8.21 C -ATOM 738 C MET A 93 11.915 15.038 33.496 1.00 9.18 C -ATOM 739 O MET A 93 12.833 14.838 32.690 1.00 7.74 O -ATOM 740 CB MET A 93 12.565 16.359 35.523 1.00 9.68 C -ATOM 741 CG MET A 93 13.826 16.925 34.937 1.00 13.16 C -ATOM 742 SD MET A 93 14.238 18.543 35.628 1.00 17.49 S -ATOM 743 CE MET A 93 15.009 18.106 37.076 1.00 18.53 C -ATOM 744 N VAL A 94 10.658 15.239 33.128 1.00 9.48 N -ATOM 745 CA VAL A 94 10.266 15.334 31.726 1.00 9.55 C -ATOM 746 C VAL A 94 9.516 16.639 31.528 1.00 10.10 C -ATOM 747 O VAL A 94 8.683 17.024 32.364 1.00 9.47 O -ATOM 748 CB VAL A 94 9.371 14.164 31.315 1.00 11.05 C -ATOM 749 CG1 VAL A 94 8.878 14.354 29.878 1.00 12.88 C -ATOM 750 CG2 VAL A 94 10.147 12.866 31.420 1.00 14.00 C -ATOM 751 N CYS A 95 9.802 17.312 30.413 1.00 9.49 N -ATOM 752 CA CYS A 95 9.169 18.582 30.094 1.00 8.82 C -ATOM 753 C CYS A 95 8.431 18.559 28.758 1.00 11.70 C -ATOM 754 O CYS A 95 9.014 18.215 27.723 1.00 12.29 O -ATOM 755 CB CYS A 95 10.229 19.679 30.059 1.00 8.79 C -ATOM 756 SG CYS A 95 9.620 21.322 29.690 1.00 10.97 S -ATOM 757 N GLU A 96 7.149 18.902 28.791 1.00 10.87 N -ATOM 758 CA GLU A 96 6.342 18.962 27.587 1.00 14.78 C -ATOM 759 C GLU A 96 6.267 20.439 27.182 1.00 13.83 C -ATOM 760 O GLU A 96 6.044 21.311 28.030 1.00 12.79 O -ATOM 761 CB GLU A 96 4.957 18.397 27.885 1.00 20.21 C -ATOM 762 CG GLU A 96 3.981 18.432 26.726 1.00 32.46 C -ATOM 763 CD GLU A 96 2.646 17.765 27.065 1.00 38.97 C -ATOM 764 OE1 GLU A 96 2.053 18.108 28.128 1.00 42.61 O -ATOM 765 OE2 GLU A 96 2.201 16.892 26.271 1.00 42.17 O -ATOM 766 N GLN A 97 6.513 20.725 25.903 1.00 13.39 N -ATOM 767 CA GLN A 97 6.489 22.100 25.402 1.00 13.55 C -ATOM 768 C GLN A 97 5.357 22.334 24.400 1.00 15.88 C -ATOM 769 O GLN A 97 5.013 21.455 23.591 1.00 16.25 O -ATOM 770 CB GLN A 97 7.823 22.465 24.747 1.00 12.20 C -ATOM 771 CG GLN A 97 9.033 22.324 25.650 1.00 12.55 C -ATOM 772 CD GLN A 97 10.321 22.613 24.927 1.00 14.20 C -ATOM 773 OE1 GLN A 97 10.478 22.288 23.749 1.00 12.94 O -ATOM 774 NE2 GLN A 97 11.260 23.235 25.627 1.00 14.75 N -ATOM 775 N LYS A 98 4.801 23.541 24.450 1.00 17.30 N -ATOM 776 CA LYS A 98 3.696 23.952 23.582 1.00 19.78 C -ATOM 777 C LYS A 98 3.990 25.340 23.019 1.00 18.56 C -ATOM 778 O LYS A 98 4.162 26.293 23.771 1.00 17.70 O -ATOM 779 CB LYS A 98 2.389 23.953 24.389 1.00 23.30 C -ATOM 780 CG LYS A 98 1.294 24.857 23.867 1.00 30.94 C -ATOM 781 CD LYS A 98 0.210 25.047 24.934 1.00 37.10 C -ATOM 782 CE LYS A 98 -0.849 26.072 24.520 1.00 39.73 C -ATOM 783 NZ LYS A 98 -0.326 27.476 24.541 1.00 42.46 N -ATOM 784 N LEU A 99 4.073 25.445 21.696 1.00 19.35 N -ATOM 785 CA LEU A 99 4.357 26.721 21.041 1.00 21.32 C -ATOM 786 C LEU A 99 3.307 27.770 21.351 1.00 22.86 C -ATOM 787 O LEU A 99 2.108 27.496 21.261 1.00 23.41 O -ATOM 788 CB LEU A 99 4.466 26.542 19.526 1.00 22.09 C -ATOM 789 CG LEU A 99 5.692 25.792 18.997 1.00 22.72 C -ATOM 790 CD1 LEU A 99 5.585 25.639 17.490 1.00 23.04 C -ATOM 791 CD2 LEU A 99 6.951 26.548 19.372 1.00 23.61 C -ATOM 792 N LEU A 100 3.767 28.962 21.722 1.00 24.11 N -ATOM 793 CA LEU A 100 2.879 30.070 22.051 1.00 27.59 C -ATOM 794 C LEU A 100 2.130 30.545 20.815 1.00 30.94 C -ATOM 795 O LEU A 100 0.951 30.908 20.877 1.00 31.34 O -ATOM 796 CB LEU A 100 3.680 31.227 22.640 1.00 25.50 C -ATOM 797 CG LEU A 100 4.254 30.947 24.020 1.00 24.80 C -ATOM 798 CD1 LEU A 100 4.960 32.171 24.542 1.00 26.59 C -ATOM 799 CD2 LEU A 100 3.141 30.554 24.935 1.00 24.80 C -ATOM 800 N LYS A 101 2.835 30.531 19.689 1.00 34.60 N -ATOM 801 CA LYS A 101 2.282 30.961 18.413 1.00 37.81 C -ATOM 802 C LYS A 101 2.847 30.088 17.292 1.00 37.39 C -ATOM 803 O LYS A 101 4.019 29.687 17.319 1.00 37.22 O -ATOM 804 CB LYS A 101 2.653 32.429 18.147 1.00 40.57 C -ATOM 805 CG LYS A 101 2.182 33.426 19.212 1.00 45.13 C -ATOM 806 CD LYS A 101 2.955 34.741 19.125 1.00 48.57 C -ATOM 807 CE LYS A 101 4.479 34.527 19.248 1.00 51.31 C -ATOM 808 NZ LYS A 101 4.917 33.952 20.559 1.00 51.14 N -ATOM 809 N GLY A 102 1.997 29.786 16.318 1.00 37.21 N -ATOM 810 CA GLY A 102 2.423 28.993 15.184 1.00 36.82 C -ATOM 811 C GLY A 102 2.333 27.494 15.344 1.00 36.36 C -ATOM 812 O GLY A 102 1.690 26.977 16.265 1.00 35.74 O -ATOM 813 N GLU A 103 2.954 26.803 14.395 1.00 35.74 N -ATOM 814 CA GLU A 103 2.988 25.348 14.377 1.00 35.50 C -ATOM 815 C GLU A 103 4.418 24.880 14.140 1.00 31.92 C -ATOM 816 O GLU A 103 5.281 25.654 13.723 1.00 31.61 O -ATOM 817 CB GLU A 103 2.077 24.784 13.274 1.00 39.37 C -ATOM 818 CG GLU A 103 0.652 24.422 13.712 1.00 45.52 C -ATOM 819 CD GLU A 103 -0.383 25.503 13.395 1.00 50.23 C -ATOM 820 OE1 GLU A 103 -0.130 26.346 12.499 1.00 53.12 O -ATOM 821 OE2 GLU A 103 -1.464 25.500 14.036 1.00 52.16 O -ATOM 822 N GLY A 104 4.653 23.604 14.414 1.00 28.97 N -ATOM 823 CA GLY A 104 5.967 23.024 14.231 1.00 25.41 C -ATOM 824 C GLY A 104 6.012 21.648 14.863 1.00 22.09 C -ATOM 825 O GLY A 104 4.987 21.160 15.347 1.00 21.89 O -ATOM 826 N PRO A 105 7.176 20.976 14.832 1.00 19.50 N -ATOM 827 CA PRO A 105 7.338 19.640 15.418 1.00 17.92 C -ATOM 828 C PRO A 105 7.020 19.664 16.914 1.00 15.61 C -ATOM 829 O PRO A 105 7.170 20.696 17.567 1.00 14.42 O -ATOM 830 CB PRO A 105 8.828 19.348 15.202 1.00 18.86 C -ATOM 831 CG PRO A 105 9.188 20.164 14.005 1.00 18.76 C -ATOM 832 CD PRO A 105 8.423 21.440 14.199 1.00 18.40 C -ATOM 833 N LYS A 106 6.552 18.541 17.444 1.00 16.02 N -ATOM 834 CA LYS A 106 6.255 18.453 18.868 1.00 16.93 C -ATOM 835 C LYS A 106 7.609 18.305 19.554 1.00 15.49 C -ATOM 836 O LYS A 106 8.397 17.437 19.183 1.00 14.76 O -ATOM 837 CB LYS A 106 5.387 17.229 19.174 1.00 20.98 C -ATOM 838 CG LYS A 106 5.015 17.097 20.662 1.00 27.98 C -ATOM 839 CD LYS A 106 4.463 18.433 21.229 1.00 33.23 C -ATOM 840 CE LYS A 106 4.250 18.417 22.764 1.00 35.21 C -ATOM 841 NZ LYS A 106 5.519 18.251 23.566 1.00 33.75 N -ATOM 842 N THR A 107 7.907 19.167 20.515 1.00 13.91 N -ATOM 843 CA THR A 107 9.203 19.086 21.190 1.00 12.14 C -ATOM 844 C THR A 107 9.083 18.819 22.681 1.00 11.66 C -ATOM 845 O THR A 107 8.061 19.120 23.295 1.00 10.59 O -ATOM 846 CB THR A 107 10.012 20.382 21.016 1.00 12.37 C -ATOM 847 OG1 THR A 107 9.263 21.480 21.547 1.00 12.36 O -ATOM 848 CG2 THR A 107 10.327 20.643 19.544 1.00 12.62 C -ATOM 849 N SER A 108 10.140 18.249 23.250 1.00 10.16 N -ATOM 850 CA SER A 108 10.192 17.975 24.681 1.00 9.98 C -ATOM 851 C SER A 108 11.649 17.774 25.081 1.00 9.90 C -ATOM 852 O SER A 108 12.549 17.774 24.227 1.00 8.48 O -ATOM 853 CB SER A 108 9.370 16.729 25.024 1.00 9.84 C -ATOM 854 OG SER A 108 9.844 15.601 24.313 1.00 13.87 O -ATOM 855 N TRP A 109 11.890 17.708 26.386 1.00 7.96 N -ATOM 856 CA TRP A 109 13.233 17.446 26.894 1.00 7.85 C -ATOM 857 C TRP A 109 13.109 16.693 28.209 1.00 7.56 C -ATOM 858 O TRP A 109 12.053 16.728 28.837 1.00 8.14 O -ATOM 859 CB TRP A 109 14.094 18.722 27.051 1.00 8.25 C -ATOM 860 CG TRP A 109 13.627 19.829 28.007 1.00 8.07 C -ATOM 861 CD1 TRP A 109 13.120 21.046 27.648 1.00 9.28 C -ATOM 862 CD2 TRP A 109 13.745 19.865 29.450 1.00 9.31 C -ATOM 863 NE1 TRP A 109 12.929 21.836 28.760 1.00 9.69 N -ATOM 864 CE2 TRP A 109 13.306 21.136 29.878 1.00 9.04 C -ATOM 865 CE3 TRP A 109 14.186 18.939 30.416 1.00 9.92 C -ATOM 866 CZ2 TRP A 109 13.286 21.515 31.228 1.00 9.72 C -ATOM 867 CZ3 TRP A 109 14.163 19.316 31.758 1.00 10.25 C -ATOM 868 CH2 TRP A 109 13.717 20.593 32.149 1.00 10.11 C -ATOM 869 N THR A 110 14.136 15.924 28.549 1.00 7.39 N -ATOM 870 CA THR A 110 14.168 15.176 29.808 1.00 6.23 C -ATOM 871 C THR A 110 15.577 15.334 30.395 1.00 7.40 C -ATOM 872 O THR A 110 16.558 15.563 29.652 1.00 6.43 O -ATOM 873 CB THR A 110 13.887 13.633 29.626 1.00 7.17 C -ATOM 874 OG1 THR A 110 15.000 13.002 28.973 1.00 7.49 O -ATOM 875 CG2 THR A 110 12.616 13.377 28.803 1.00 6.64 C -ATOM 876 N ARG A 111 15.669 15.293 31.727 1.00 6.72 N -ATOM 877 CA ARG A 111 16.966 15.356 32.425 1.00 6.27 C -ATOM 878 C ARG A 111 16.924 14.287 33.483 1.00 7.89 C -ATOM 879 O ARG A 111 15.928 14.156 34.193 1.00 8.35 O -ATOM 880 CB ARG A 111 17.240 16.722 33.068 1.00 6.20 C -ATOM 881 CG ARG A 111 17.703 17.765 32.060 1.00 7.38 C -ATOM 882 CD ARG A 111 18.100 19.072 32.727 1.00 8.70 C -ATOM 883 NE ARG A 111 18.783 19.965 31.784 1.00 9.83 N -ATOM 884 CZ ARG A 111 18.158 20.804 30.963 1.00 10.23 C -ATOM 885 NH1 ARG A 111 16.840 20.869 30.966 1.00 10.89 N -ATOM 886 NH2 ARG A 111 18.847 21.590 30.144 1.00 11.56 N -ATOM 887 N GLU A 112 17.957 13.464 33.534 1.00 7.64 N -ATOM 888 CA GLU A 112 17.977 12.402 34.527 1.00 10.31 C -ATOM 889 C GLU A 112 19.356 12.142 35.113 1.00 9.93 C -ATOM 890 O GLU A 112 20.367 12.273 34.425 1.00 7.92 O -ATOM 891 CB GLU A 112 17.401 11.118 33.940 1.00 14.05 C -ATOM 892 CG GLU A 112 18.213 10.489 32.836 1.00 20.37 C -ATOM 893 CD GLU A 112 17.484 9.325 32.177 1.00 25.09 C -ATOM 894 OE1 GLU A 112 17.223 8.308 32.883 1.00 22.36 O -ATOM 895 OE2 GLU A 112 17.175 9.443 30.955 1.00 25.10 O -ATOM 896 N LEU A 113 19.387 11.816 36.401 1.00 8.96 N -ATOM 897 CA LEU A 113 20.634 11.503 37.091 1.00 12.04 C -ATOM 898 C LEU A 113 20.789 9.991 37.081 1.00 12.06 C -ATOM 899 O LEU A 113 19.906 9.270 37.559 1.00 12.08 O -ATOM 900 CB LEU A 113 20.575 11.983 38.532 1.00 14.38 C -ATOM 901 CG LEU A 113 20.768 13.465 38.799 1.00 17.46 C -ATOM 902 CD1 LEU A 113 20.709 13.656 40.298 1.00 19.61 C -ATOM 903 CD2 LEU A 113 22.128 13.945 38.266 1.00 18.46 C -ATOM 904 N THR A 114 21.895 9.502 36.535 1.00 11.06 N -ATOM 905 CA THR A 114 22.110 8.062 36.452 1.00 11.74 C -ATOM 906 C THR A 114 22.816 7.522 37.686 1.00 11.41 C -ATOM 907 O THR A 114 23.327 8.282 38.501 1.00 11.47 O -ATOM 908 CB THR A 114 22.894 7.700 35.188 1.00 12.89 C -ATOM 909 OG1 THR A 114 24.109 8.451 35.164 1.00 15.50 O -ATOM 910 CG2 THR A 114 22.075 8.037 33.951 1.00 14.75 C -ATOM 911 N ASN A 115 22.834 6.202 37.808 1.00 13.23 N -ATOM 912 CA ASN A 115 23.441 5.538 38.951 1.00 16.19 C -ATOM 913 C ASN A 115 24.930 5.761 39.139 1.00 14.24 C -ATOM 914 O ASN A 115 25.432 5.626 40.256 1.00 14.74 O -ATOM 915 CB ASN A 115 23.123 4.047 38.918 1.00 21.89 C -ATOM 916 CG ASN A 115 21.703 3.754 39.357 1.00 29.77 C -ATOM 917 OD1 ASN A 115 20.955 3.046 38.669 1.00 34.83 O -ATOM 918 ND2 ASN A 115 21.313 4.310 40.516 1.00 32.90 N -ATOM 919 N ASP A 116 25.626 6.095 38.055 1.00 12.05 N -ATOM 920 CA ASP A 116 27.061 6.364 38.094 1.00 11.99 C -ATOM 921 C ASP A 116 27.424 7.821 38.397 1.00 11.45 C -ATOM 922 O ASP A 116 28.592 8.184 38.393 1.00 12.23 O -ATOM 923 CB ASP A 116 27.764 5.875 36.806 1.00 13.89 C -ATOM 924 CG ASP A 116 27.177 6.474 35.512 1.00 16.58 C -ATOM 925 OD1 ASP A 116 26.263 7.303 35.569 1.00 19.66 O -ATOM 926 OD2 ASP A 116 27.651 6.113 34.422 1.00 20.14 O -ATOM 927 N GLY A 117 26.420 8.647 38.675 1.00 10.58 N -ATOM 928 CA GLY A 117 26.669 10.042 38.997 1.00 9.83 C -ATOM 929 C GLY A 117 26.652 11.019 37.831 1.00 9.97 C -ATOM 930 O GLY A 117 26.945 12.192 38.019 1.00 10.45 O -ATOM 931 N GLU A 118 26.289 10.550 36.638 1.00 9.43 N -ATOM 932 CA GLU A 118 26.242 11.413 35.458 1.00 7.79 C -ATOM 933 C GLU A 118 24.834 11.955 35.213 1.00 7.60 C -ATOM 934 O GLU A 118 23.872 11.565 35.885 1.00 8.05 O -ATOM 935 CB GLU A 118 26.776 10.653 34.241 1.00 8.86 C -ATOM 936 CG GLU A 118 28.227 10.234 34.427 1.00 9.64 C -ATOM 937 CD GLU A 118 28.770 9.370 33.310 1.00 13.39 C -ATOM 938 OE1 GLU A 118 28.036 9.043 32.355 1.00 11.90 O -ATOM 939 OE2 GLU A 118 29.956 8.998 33.405 1.00 16.59 O -ATOM 940 N LEU A 119 24.732 12.884 34.269 1.00 7.57 N -ATOM 941 CA LEU A 119 23.467 13.513 33.917 1.00 6.94 C -ATOM 942 C LEU A 119 23.189 13.277 32.431 1.00 8.29 C -ATOM 943 O LEU A 119 24.070 13.506 31.593 1.00 8.23 O -ATOM 944 CB LEU A 119 23.556 15.023 34.184 1.00 7.83 C -ATOM 945 CG LEU A 119 22.417 15.972 33.810 1.00 9.54 C -ATOM 946 CD1 LEU A 119 21.213 15.661 34.618 1.00 11.05 C -ATOM 947 CD2 LEU A 119 22.822 17.421 34.066 1.00 12.54 C -ATOM 948 N ILE A 120 22.010 12.743 32.119 1.00 6.17 N -ATOM 949 CA ILE A 120 21.638 12.529 30.730 1.00 6.22 C -ATOM 950 C ILE A 120 20.527 13.511 30.354 1.00 7.47 C -ATOM 951 O ILE A 120 19.493 13.580 31.036 1.00 6.54 O -ATOM 952 CB ILE A 120 21.103 11.118 30.485 1.00 7.19 C -ATOM 953 CG1 ILE A 120 22.171 10.070 30.801 1.00 8.26 C -ATOM 954 CG2 ILE A 120 20.556 11.003 29.047 1.00 6.54 C -ATOM 955 CD1 ILE A 120 21.668 8.658 30.600 1.00 9.35 C -ATOM 956 N LEU A 121 20.771 14.301 29.306 1.00 6.41 N -ATOM 957 CA LEU A 121 19.783 15.236 28.779 1.00 6.25 C -ATOM 958 C LEU A 121 19.299 14.693 27.426 1.00 7.41 C -ATOM 959 O LEU A 121 20.115 14.242 26.619 1.00 6.01 O -ATOM 960 CB LEU A 121 20.400 16.624 28.526 1.00 7.37 C -ATOM 961 CG LEU A 121 19.607 17.580 27.597 1.00 7.96 C -ATOM 962 CD1 LEU A 121 18.340 18.117 28.290 1.00 7.91 C -ATOM 963 CD2 LEU A 121 20.501 18.739 27.151 1.00 7.96 C -ATOM 964 N THR A 122 17.988 14.607 27.222 1.00 6.71 N -ATOM 965 CA THR A 122 17.514 14.205 25.898 1.00 7.80 C -ATOM 966 C THR A 122 16.633 15.334 25.402 1.00 8.58 C -ATOM 967 O THR A 122 15.988 16.034 26.194 1.00 7.21 O -ATOM 968 CB THR A 122 16.754 12.843 25.832 1.00 7.51 C -ATOM 969 OG1 THR A 122 15.422 12.992 26.313 1.00 9.27 O -ATOM 970 CG2 THR A 122 17.484 11.759 26.622 1.00 7.86 C -ATOM 971 N MET A 123 16.732 15.613 24.110 1.00 7.87 N -ATOM 972 CA MET A 123 15.904 16.643 23.494 1.00 9.22 C -ATOM 973 C MET A 123 15.194 15.950 22.337 1.00 8.66 C -ATOM 974 O MET A 123 15.828 15.189 21.601 1.00 8.09 O -ATOM 975 CB MET A 123 16.760 17.818 23.019 1.00 9.37 C -ATOM 976 CG MET A 123 17.359 18.612 24.171 1.00 11.81 C -ATOM 977 SD MET A 123 18.325 20.048 23.658 1.00 16.59 S -ATOM 978 CE MET A 123 19.871 19.278 23.173 1.00 14.10 C -ATOM 979 N THR A 124 13.895 16.195 22.186 1.00 7.20 N -ATOM 980 CA THR A 124 13.133 15.534 21.134 1.00 9.54 C -ATOM 981 C THR A 124 12.407 16.513 20.222 1.00 10.12 C -ATOM 982 O THR A 124 11.941 17.563 20.665 1.00 9.54 O -ATOM 983 CB THR A 124 12.073 14.552 21.756 1.00 10.74 C -ATOM 984 OG1 THR A 124 12.740 13.544 22.535 1.00 11.99 O -ATOM 985 CG2 THR A 124 11.247 13.865 20.679 1.00 11.66 C -ATOM 986 N ALA A 125 12.346 16.167 18.935 1.00 11.06 N -ATOM 987 CA ALA A 125 11.634 16.962 17.923 1.00 11.63 C -ATOM 988 C ALA A 125 10.981 15.878 17.078 1.00 13.46 C -ATOM 989 O ALA A 125 11.669 15.144 16.352 1.00 13.11 O -ATOM 990 CB ALA A 125 12.603 17.786 17.091 1.00 13.16 C -ATOM 991 N ASP A 126 9.664 15.754 17.216 1.00 14.63 N -ATOM 992 CA ASP A 126 8.901 14.721 16.536 1.00 17.86 C -ATOM 993 C ASP A 126 9.512 13.364 16.905 1.00 18.66 C -ATOM 994 O ASP A 126 9.519 13.006 18.080 1.00 19.38 O -ATOM 995 CB ASP A 126 8.835 14.982 15.023 1.00 18.40 C -ATOM 996 CG ASP A 126 7.786 16.032 14.660 1.00 22.34 C -ATOM 997 OD1 ASP A 126 6.800 16.198 15.422 1.00 23.23 O -ATOM 998 OD2 ASP A 126 7.940 16.702 13.621 1.00 24.32 O -ATOM 999 N ASP A 127 10.064 12.629 15.945 1.00 20.19 N -ATOM 1000 CA ASP A 127 10.656 11.333 16.271 1.00 21.56 C -ATOM 1001 C ASP A 127 12.175 11.279 16.416 1.00 18.85 C -ATOM 1002 O ASP A 127 12.732 10.219 16.657 1.00 20.67 O -ATOM 1003 CB ASP A 127 10.178 10.263 15.303 1.00 26.47 C -ATOM 1004 CG ASP A 127 9.043 9.450 15.880 1.00 33.21 C -ATOM 1005 OD1 ASP A 127 7.892 9.959 15.934 1.00 36.08 O -ATOM 1006 OD2 ASP A 127 9.318 8.308 16.318 1.00 38.35 O -ATOM 1007 N VAL A 128 12.836 12.418 16.281 1.00 15.22 N -ATOM 1008 CA VAL A 128 14.286 12.486 16.407 1.00 12.83 C -ATOM 1009 C VAL A 128 14.681 12.843 17.835 1.00 11.58 C -ATOM 1010 O VAL A 128 14.176 13.811 18.408 1.00 9.74 O -ATOM 1011 CB VAL A 128 14.864 13.503 15.423 1.00 12.79 C -ATOM 1012 CG1 VAL A 128 16.338 13.757 15.706 1.00 12.93 C -ATOM 1013 CG2 VAL A 128 14.677 12.968 14.005 1.00 14.30 C -ATOM 1014 N VAL A 129 15.586 12.051 18.397 1.00 9.29 N -ATOM 1015 CA VAL A 129 16.054 12.257 19.761 1.00 7.95 C -ATOM 1016 C VAL A 129 17.558 12.546 19.842 1.00 7.49 C -ATOM 1017 O VAL A 129 18.374 11.816 19.276 1.00 8.73 O -ATOM 1018 CB VAL A 129 15.764 11.007 20.617 1.00 9.43 C -ATOM 1019 CG1 VAL A 129 16.153 11.253 22.076 1.00 9.09 C -ATOM 1020 CG2 VAL A 129 14.293 10.610 20.495 1.00 9.45 C -ATOM 1021 N CYS A 130 17.912 13.630 20.534 1.00 7.54 N -ATOM 1022 CA CYS A 130 19.305 14.010 20.756 1.00 6.47 C -ATOM 1023 C CYS A 130 19.670 13.627 22.200 1.00 6.61 C -ATOM 1024 O CYS A 130 18.955 13.992 23.135 1.00 7.53 O -ATOM 1025 CB CYS A 130 19.485 15.517 20.544 1.00 6.05 C -ATOM 1026 SG CYS A 130 21.063 16.183 21.077 1.00 8.82 S -ATOM 1027 N THR A 131 20.786 12.925 22.372 1.00 6.58 N -ATOM 1028 CA THR A 131 21.241 12.462 23.693 1.00 5.93 C -ATOM 1029 C THR A 131 22.569 13.102 24.054 1.00 6.18 C -ATOM 1030 O THR A 131 23.528 13.003 23.294 1.00 5.77 O -ATOM 1031 CB THR A 131 21.419 10.914 23.699 1.00 6.63 C -ATOM 1032 OG1 THR A 131 20.199 10.299 23.289 1.00 7.60 O -ATOM 1033 CG2 THR A 131 21.763 10.399 25.091 1.00 7.76 C -ATOM 1034 N ARG A 132 22.624 13.780 25.202 1.00 6.29 N -ATOM 1035 CA ARG A 132 23.853 14.429 25.660 1.00 7.67 C -ATOM 1036 C ARG A 132 24.108 13.960 27.093 1.00 7.19 C -ATOM 1037 O ARG A 132 23.184 13.895 27.902 1.00 8.65 O -ATOM 1038 CB ARG A 132 23.719 15.957 25.621 1.00 9.67 C -ATOM 1039 CG ARG A 132 22.945 16.470 24.429 1.00 15.02 C -ATOM 1040 CD ARG A 132 23.781 17.260 23.476 1.00 16.80 C -ATOM 1041 NE ARG A 132 24.140 18.580 23.984 1.00 12.48 N -ATOM 1042 CZ ARG A 132 25.030 19.377 23.395 1.00 12.93 C -ATOM 1043 NH1 ARG A 132 25.641 19.005 22.279 1.00 13.84 N -ATOM 1044 NH2 ARG A 132 25.398 20.506 23.973 1.00 11.57 N -ATOM 1045 N VAL A 133 25.359 13.633 27.397 1.00 5.99 N -ATOM 1046 CA VAL A 133 25.739 13.124 28.719 1.00 5.92 C -ATOM 1047 C VAL A 133 26.773 14.055 29.345 1.00 5.85 C -ATOM 1048 O VAL A 133 27.713 14.492 28.681 1.00 5.50 O -ATOM 1049 CB VAL A 133 26.333 11.698 28.608 1.00 6.37 C -ATOM 1050 CG1 VAL A 133 26.609 11.120 29.988 1.00 7.95 C -ATOM 1051 CG2 VAL A 133 25.385 10.782 27.832 1.00 6.46 C -ATOM 1052 N TYR A 134 26.619 14.337 30.635 1.00 5.35 N -ATOM 1053 CA TYR A 134 27.538 15.228 31.322 1.00 4.57 C -ATOM 1054 C TYR A 134 28.014 14.611 32.617 1.00 5.30 C -ATOM 1055 O TYR A 134 27.371 13.712 33.165 1.00 3.92 O -ATOM 1056 CB TYR A 134 26.846 16.550 31.686 1.00 6.84 C -ATOM 1057 CG TYR A 134 26.118 17.251 30.574 1.00 8.89 C -ATOM 1058 CD1 TYR A 134 24.901 16.762 30.122 1.00 10.29 C -ATOM 1059 CD2 TYR A 134 26.628 18.406 29.992 1.00 10.49 C -ATOM 1060 CE1 TYR A 134 24.212 17.386 29.133 1.00 13.03 C -ATOM 1061 CE2 TYR A 134 25.930 19.051 28.982 1.00 12.15 C -ATOM 1062 CZ TYR A 134 24.723 18.517 28.567 1.00 12.80 C -ATOM 1063 OH TYR A 134 23.991 19.082 27.567 1.00 18.07 O -ATOM 1064 N VAL A 135 29.113 15.158 33.119 1.00 6.63 N -ATOM 1065 CA VAL A 135 29.697 14.762 34.394 1.00 8.42 C -ATOM 1066 C VAL A 135 30.100 16.086 35.064 1.00 9.05 C -ATOM 1067 O VAL A 135 30.340 17.086 34.385 1.00 9.02 O -ATOM 1068 CB VAL A 135 30.925 13.815 34.204 1.00 8.05 C -ATOM 1069 CG1 VAL A 135 32.109 14.556 33.596 1.00 9.27 C -ATOM 1070 CG2 VAL A 135 31.304 13.151 35.533 1.00 10.37 C -ATOM 1071 N ARG A 136 30.117 16.133 36.390 1.00 9.57 N -ATOM 1072 CA ARG A 136 30.498 17.375 37.040 1.00 10.86 C -ATOM 1073 C ARG A 136 31.964 17.676 36.776 1.00 11.68 C -ATOM 1074 O ARG A 136 32.782 16.765 36.686 1.00 11.35 O -ATOM 1075 CB ARG A 136 30.221 17.319 38.536 1.00 11.99 C -ATOM 1076 CG ARG A 136 28.746 17.454 38.885 1.00 13.89 C -ATOM 1077 CD ARG A 136 28.576 17.533 40.382 1.00 15.85 C -ATOM 1078 NE ARG A 136 27.185 17.407 40.754 1.00 17.08 N -ATOM 1079 CZ ARG A 136 26.561 16.245 40.926 1.00 21.69 C -ATOM 1080 NH1 ARG A 136 27.217 15.102 40.754 1.00 23.26 N -ATOM 1081 NH2 ARG A 136 25.278 16.227 41.283 1.00 22.60 N -ATOM 1082 N GLU A 137 32.282 18.963 36.663 1.00 15.12 N -ATOM 1083 CA GLU A 137 33.641 19.430 36.400 1.00 18.00 C -ATOM 1084 C GLU A 137 34.615 19.038 37.493 1.00 18.96 C -ATOM 1085 O GLU A 137 34.221 19.175 38.659 1.00 17.37 O -ATOM 1086 CB GLU A 137 33.661 20.943 36.293 1.00 19.89 C -ATOM 1087 CG GLU A 137 33.092 21.492 35.035 1.00 28.03 C -ATOM 1088 CD GLU A 137 33.469 22.953 34.865 1.00 33.22 C -ATOM 1089 OE1 GLU A 137 34.630 23.217 34.473 1.00 37.31 O -ATOM 1090 OE2 GLU A 137 32.636 23.836 35.164 1.00 36.38 O -ATOM 1091 OXT GLU A 137 35.776 18.680 37.173 1.00 22.23 O -TER 1092 GLU A 137 -HETATM 1093 C1 REA A 200 21.972 29.831 16.739 1.00 15.25 C -HETATM 1094 C2 REA A 200 20.921 30.524 15.841 1.00 15.61 C -HETATM 1095 C3 REA A 200 20.245 29.635 14.848 1.00 16.19 C -HETATM 1096 C4 REA A 200 19.555 28.479 15.488 1.00 14.59 C -HETATM 1097 C5 REA A 200 20.389 27.812 16.587 1.00 14.10 C -HETATM 1098 C6 REA A 200 21.425 28.446 17.218 1.00 14.42 C -HETATM 1099 C7 REA A 200 22.242 27.851 18.297 1.00 13.89 C -HETATM 1100 C8 REA A 200 21.868 26.977 19.240 1.00 11.86 C -HETATM 1101 C9 REA A 200 22.705 26.434 20.286 1.00 10.87 C -HETATM 1102 C10 REA A 200 22.159 25.536 21.131 1.00 9.19 C -HETATM 1103 C11 REA A 200 22.875 24.924 22.234 1.00 10.35 C -HETATM 1104 C12 REA A 200 22.237 24.026 22.990 1.00 10.53 C -HETATM 1105 C13 REA A 200 22.856 23.377 24.125 1.00 10.91 C -HETATM 1106 C14 REA A 200 22.135 22.473 24.834 1.00 11.88 C -HETATM 1107 C15 REA A 200 22.563 21.710 26.016 1.00 14.86 C -HETATM 1108 C16 REA A 200 22.238 30.737 17.948 1.00 15.47 C -HETATM 1109 C17 REA A 200 23.292 29.620 15.948 1.00 13.42 C -HETATM 1110 C18 REA A 200 19.791 26.449 16.947 1.00 12.61 C -HETATM 1111 C19 REA A 200 24.181 26.841 20.385 1.00 10.08 C -HETATM 1112 C20 REA A 200 24.303 23.747 24.489 1.00 10.10 C -HETATM 1113 O1 REA A 200 23.640 21.075 25.978 1.00 13.29 O -HETATM 1114 O2 REA A 200 21.840 21.712 27.037 1.00 10.99 O -HETATM 1115 O HOH A 300 21.817 19.604 31.169 1.00 17.43 O -HETATM 1116 O HOH A 301 7.617 26.892 37.107 1.00 12.66 O -HETATM 1117 O HOH A 302 22.885 27.835 25.056 1.00 18.86 O -HETATM 1118 O HOH A 303 30.685 27.402 22.818 1.00 14.12 O -HETATM 1119 O HOH A 304 29.930 20.839 40.398 1.00 16.48 O -HETATM 1120 O HOH A 305 31.492 21.096 28.452 1.00 16.65 O -HETATM 1121 O HOH A 306 19.459 26.601 30.320 1.00 9.81 O -HETATM 1122 O HOH A 307 19.116 26.759 22.930 1.00 22.33 O -HETATM 1123 O HOH A 308 16.356 22.299 28.453 1.00 35.46 O -HETATM 1124 O HOH A 309 21.823 21.939 29.734 1.00 13.95 O -HETATM 1125 O HOH A 310 13.206 22.267 22.102 1.00 20.07 O -HETATM 1126 O HOH A 311 30.300 22.803 12.740 1.00 24.70 O -HETATM 1127 O HOH A 312 7.344 23.059 35.600 1.00 8.82 O -HETATM 1128 O HOH A 313 6.876 22.668 20.375 1.00 29.74 O -HETATM 1129 O HOH A 314 17.917 24.800 29.159 1.00 23.69 O -HETATM 1130 O HOH A 315 37.101 16.714 38.714 1.00 19.84 O -HETATM 1131 O HOH A 316 28.721 7.425 30.043 1.00 14.94 O -HETATM 1132 O HOH A 317 13.212 14.450 25.193 1.00 18.03 O -HETATM 1133 O HOH A 318 6.094 9.777 39.151 1.00 13.98 O -HETATM 1134 O HOH A 319 19.296 10.379 13.144 1.00 27.20 O -HETATM 1135 O HOH A 320 25.337 10.931 16.577 1.00 18.41 O -HETATM 1136 O HOH A 321 25.244 34.269 18.193 1.00 9.65 O -HETATM 1137 O HOH A 322 23.567 10.727 14.429 1.00 11.13 O -HETATM 1138 O HOH A 323 17.151 12.178 30.238 1.00 11.53 O -HETATM 1139 O HOH A 324 27.768 11.967 42.077 1.00 23.33 O -HETATM 1140 O HOH A 325 30.270 12.554 21.386 1.00 25.05 O -HETATM 1141 O HOH A 326 25.662 15.488 18.515 1.00 10.80 O -HETATM 1142 O HOH A 327 4.514 21.426 18.685 1.00 45.94 O -HETATM 1143 O HOH A 328 8.081 23.201 17.690 1.00 30.16 O -HETATM 1144 O HOH A 329 13.242 29.389 14.924 1.00 39.93 O -HETATM 1145 O HOH A 330 10.514 18.772 10.176 1.00 33.65 O -HETATM 1146 O HOH A 331 10.555 13.666 26.313 1.00 32.55 O -HETATM 1147 O HOH A 332 5.189 16.418 31.375 1.00 35.78 O -HETATM 1148 O HOH A 333 0.738 25.633 36.349 1.00 29.00 O -HETATM 1149 O HOH A 334 2.976 28.966 37.321 1.00 40.14 O -HETATM 1150 O HOH A 335 6.424 28.750 38.849 1.00 32.17 O -HETATM 1151 O HOH A 336 12.503 30.488 31.704 1.00 41.11 O -HETATM 1152 O HOH A 337 14.979 30.157 27.559 1.00 23.78 O -HETATM 1153 O HOH A 338 17.312 32.981 28.812 1.00 20.84 O -HETATM 1154 O HOH A 339 29.473 25.946 34.693 1.00 29.05 O -HETATM 1155 O HOH A 340 30.328 23.817 33.494 1.00 24.17 O -HETATM 1156 O HOH A 341 31.158 28.144 26.433 1.00 42.66 O -HETATM 1157 O HOH A 342 30.276 28.397 16.400 1.00 21.90 O -HETATM 1158 O HOH A 343 19.533 23.600 26.857 1.00 21.12 O -HETATM 1159 O HOH A 344 17.892 24.675 24.549 1.00 48.11 O -HETATM 1160 O HOH A 345 14.211 24.152 25.435 1.00 21.09 O -HETATM 1161 O HOH A 346 15.223 27.626 27.056 1.00 27.16 O -HETATM 1162 O HOH A 347 3.502 22.911 43.083 1.00 30.15 O -HETATM 1163 O HOH A 348 20.610 7.668 40.212 1.00 49.06 O -HETATM 1164 O HOH A 349 24.813 2.899 36.403 1.00 48.98 O -HETATM 1165 O HOH A 350 29.900 5.163 26.918 1.00 23.60 O -HETATM 1166 O HOH A 351 14.333 5.466 42.757 1.00 22.90 O -HETATM 1167 O HOH A 352 8.914 5.771 35.515 1.00 35.92 O -HETATM 1168 O HOH A 353 14.519 28.906 40.193 1.00 28.73 O -HETATM 1169 O HOH A 354 17.573 20.203 47.080 1.00 37.63 O -HETATM 1170 O HOH A 355 13.324 32.251 34.152 1.00 47.79 O -HETATM 1171 O HOH A 356 12.491 24.840 7.594 1.00 39.45 O -HETATM 1172 O HOH A 357 25.066 15.777 15.214 1.00 27.39 O -HETATM 1173 O HOH A 358 27.138 17.638 17.834 1.00 45.12 O -HETATM 1174 O HOH A 359 27.611 19.792 19.503 1.00 24.45 O -HETATM 1175 O HOH A 360 11.358 8.880 19.119 1.00 24.31 O -HETATM 1176 O HOH A 361 16.252 27.169 24.557 1.00 25.40 O -HETATM 1177 O HOH A 362 22.049 27.870 4.565 1.00 25.37 O -HETATM 1178 O HOH A 363 11.533 6.689 34.501 1.00 29.92 O -HETATM 1179 O HOH A 364 13.269 4.551 36.338 1.00 45.75 O -HETATM 1180 O HOH A 365 23.149 9.493 41.173 1.00 30.10 O -HETATM 1181 O HOH A 366 21.090 12.171 43.973 1.00 27.97 O -HETATM 1182 O HOH A 367 11.884 13.399 42.560 1.00 23.28 O -HETATM 1183 O HOH A 368 29.542 17.520 20.025 1.00 38.32 O -HETATM 1184 O HOH A 369 31.058 17.427 22.538 1.00 37.85 O -HETATM 1185 O HOH A 370 31.928 9.444 23.294 1.00 46.07 O -HETATM 1186 O HOH A 371 25.699 10.933 9.557 1.00 44.12 O -HETATM 1187 O HOH A 372 26.533 13.428 16.334 1.00 45.21 O -HETATM 1188 O HOH A 373 27.078 16.850 13.245 1.00 39.52 O -HETATM 1189 O HOH A 374 20.596 32.070 6.807 1.00 36.38 O -HETATM 1190 O HOH A 375 17.126 28.421 9.515 1.00 23.81 O -HETATM 1191 O HOH A 376 16.626 32.383 11.231 1.00 20.11 O -HETATM 1192 O HOH A 377 6.046 30.510 19.639 1.00 29.02 O -HETATM 1193 O HOH A 378 9.543 16.072 11.145 1.00 50.91 O -HETATM 1194 O HOH A 379 8.174 14.289 20.240 1.00 54.21 O -HETATM 1195 O HOH A 380 11.561 10.834 22.873 1.00 43.23 O -HETATM 1196 O HOH A 381 5.486 15.385 24.922 1.00 50.19 O -HETATM 1197 O HOH A 382 6.038 21.424 43.276 1.00 46.64 O -HETATM 1198 O HOH A 383 34.144 19.165 27.284 1.00 41.41 O -HETATM 1199 O HOH A 384 16.916 27.142 42.621 1.00 29.32 O -HETATM 1200 O HOH A 385 25.509 24.918 41.520 1.00 32.12 O -HETATM 1201 O HOH A 386 31.446 7.504 31.389 1.00 28.93 O -HETATM 1202 O HOH A 387 18.212 20.893 5.892 1.00 29.90 O -HETATM 1203 O HOH A 388 15.148 27.608 7.685 1.00 30.91 O -HETATM 1204 O HOH A 389 2.656 23.148 20.117 1.00 35.98 O -HETATM 1205 O HOH A 390 3.100 22.690 28.640 1.00 31.31 O -HETATM 1206 O HOH A 391 13.699 19.720 21.819 1.00 26.56 O -HETATM 1207 O HOH A 392 26.833 28.283 32.272 1.00 31.48 O -HETATM 1208 O HOH A 393 20.458 26.214 25.811 1.00 24.39 O -HETATM 1209 O HOH A 394 32.304 27.731 18.152 1.00 41.66 O -HETATM 1210 O HOH A 395 24.283 13.868 42.687 1.00 35.59 O -HETATM 1211 O HOH A 396 11.833 12.657 45.160 1.00 38.30 O -HETATM 1212 O HOH A 397 1.988 27.992 43.589 1.00 33.97 O -HETATM 1213 O HOH A 398 32.913 22.982 40.176 1.00 39.26 O -HETATM 1214 O HOH A 399 32.435 20.043 40.169 1.00 33.87 O -CONECT 1093 1094 1098 1108 1109 -CONECT 1094 1093 1095 -CONECT 1095 1094 1096 -CONECT 1096 1095 1097 -CONECT 1097 1096 1098 1110 -CONECT 1098 1093 1097 1099 -CONECT 1099 1098 1100 -CONECT 1100 1099 1101 -CONECT 1101 1100 1102 1111 -CONECT 1102 1101 1103 -CONECT 1103 1102 1104 -CONECT 1104 1103 1105 -CONECT 1105 1104 1106 1112 -CONECT 1106 1105 1107 -CONECT 1107 1106 1113 1114 -CONECT 1108 1093 -CONECT 1109 1093 -CONECT 1110 1097 -CONECT 1111 1101 -CONECT 1112 1105 -CONECT 1113 1107 -CONECT 1114 1107 -MASTER 264 0 1 2 10 0 3 6 1213 1 22 11 -END diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/2POR.pdb b/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/2POR.pdb deleted file mode 100644 index 67a93b8..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/2POR.pdb +++ /dev/null @@ -1,3257 +0,0 @@ -HEADER INTEGRAL MEMBRANE PROTEIN PORIN 24-APR-92 2POR -TITLE STRUCTURE OF PORIN REFINED AT 1.8 ANGSTROMS RESOLUTION -COMPND MOL_ID: 1; -COMPND 2 MOLECULE: PORIN; -COMPND 3 CHAIN: A; -COMPND 4 ENGINEERED: YES -SOURCE MOL_ID: 1; -SOURCE 2 ORGANISM_SCIENTIFIC: RHODOBACTER CAPSULATUS; -SOURCE 3 ORGANISM_TAXID: 1061 -KEYWDS INTEGRAL MEMBRANE PROTEIN PORIN -EXPDTA X-RAY DIFFRACTION -AUTHOR M.S.WEISS,G.E.SCHULZ -REVDAT 3 24-FEB-09 2POR 1 VERSN -REVDAT 2 01-APR-03 2POR 1 JRNL -REVDAT 1 15-JUL-93 2POR 0 -JRNL AUTH M.S.WEISS,G.E.SCHULZ -JRNL TITL STRUCTURE OF PORIN REFINED AT 1.8 A RESOLUTION. -JRNL REF J.MOL.BIOL. V. 227 493 1992 -JRNL REFN ISSN 0022-2836 -JRNL PMID 1328651 -JRNL DOI 10.1016/0022-2836(92)90903-W -REMARK 1 -REMARK 1 REFERENCE 1 -REMARK 1 AUTH M.S.WEISS,U.ABELE,J.WECKESSER,W.WELTE,E.SCHILTZ, -REMARK 1 AUTH 2 G.E.SCHULZ -REMARK 1 TITL MOLECULAR ARCHITECTURE AND ELECTROSTATIC -REMARK 1 TITL 2 PROPERTIES OF A BACTERIAL PORIN -REMARK 1 REF SCIENCE V. 254 1627 1991 -REMARK 1 REFN ISSN 0036-8075 -REMARK 1 REFERENCE 2 -REMARK 1 AUTH E.SCHILTZ,A.KREUSCH,U.NESTEL,G.E.SCHULZ -REMARK 1 TITL PRIMARY STRUCTURE OF PORIN FROM RHODOBACTER -REMARK 1 TITL 2 CAPSULATUS -REMARK 1 REF EUR.J.BIOCHEM. V. 199 587 1991 -REMARK 1 REFN ISSN 0014-2956 -REMARK 1 REFERENCE 3 -REMARK 1 AUTH M.S.WEISS,A.KREUSCH,E.SCHILTZ,U.NESTEL,W.WELTE, -REMARK 1 AUTH 2 J.WECKESSER,G.E.SCHULZ -REMARK 1 TITL THE STRUCTURE OF PORIN FROM RHODOBACTER CAPSULATUS -REMARK 1 TITL 2 AT 1.8 ANGSTROMS RESOLUTION -REMARK 1 REF FEBS LETT. V. 280 379 1991 -REMARK 1 REFN ISSN 0014-5793 -REMARK 1 REFERENCE 4 -REMARK 1 AUTH A.KREUSCH,M.S.WEISS,W.WELTE,J.WECKESSER,G.E.SCHULZ -REMARK 1 TITL CRYSTALS OF AN INTEGRAL MEMBRANE PROTEIN -REMARK 1 TITL 2 DIFFRACTING TO 1.8 ANGSTROMS RESOLUTION -REMARK 1 REF J.MOL.BIOL. V. 217 9 1991 -REMARK 1 REFN ISSN 0022-2836 -REMARK 1 REFERENCE 5 -REMARK 1 AUTH M.S.WEISS,T.WACKER,J.WECKESSER,W.WELTE,G.E.SCHULZ -REMARK 1 TITL THE THREE-DIMENSIONAL STRUCTURE OF PORIN FROM -REMARK 1 TITL 2 RHODOBACTER CAPSULATUS AT 3 ANGSTROMS RESOLUTION -REMARK 1 REF FEBS LETT. V. 267 268 1990 -REMARK 1 REFN ISSN 0014-5793 -REMARK 1 REFERENCE 6 -REMARK 1 AUTH M.S.WEISS,T.WACKER,U.NESTEL,D.WOITZIK,J.WECKESSER, -REMARK 1 AUTH 2 W.KREUTZ,W.WELTE,G.E.SCHULZ -REMARK 1 TITL THE STRUCTURE OF PORIN FROM RHODOBACTER CAPSULATUS -REMARK 1 TITL 2 AT 0.6 NM RESOLUTION -REMARK 1 REF FEBS LETT. V. 256 143 1989 -REMARK 1 REFN ISSN 0014-5793 -REMARK 1 REFERENCE 7 -REMARK 1 AUTH U.NESTEL,T.WACKER,D.WOITZIK,J.WECKESSER,W.KREUTZ, -REMARK 1 AUTH 2 W.WELTE -REMARK 1 TITL CRYSTALLIZATION AND PRELIMINARY X-RAY ANALYSIS OF -REMARK 1 TITL 2 PORIN FROM RHODOBACTER CAPSULATUS -REMARK 1 REF FEBS LETT. V. 242 405 1989 -REMARK 1 REFN ISSN 0014-5793 -REMARK 2 -REMARK 2 RESOLUTION. 1.80 ANGSTROMS. -REMARK 3 -REMARK 3 REFINEMENT. -REMARK 3 PROGRAM : X-PLOR -REMARK 3 AUTHORS : BRUNGER -REMARK 3 -REMARK 3 DATA USED IN REFINEMENT. -REMARK 3 RESOLUTION RANGE HIGH (ANGSTROMS) : 1.80 -REMARK 3 RESOLUTION RANGE LOW (ANGSTROMS) : 10.00 -REMARK 3 DATA CUTOFF (SIGMA(F)) : NULL -REMARK 3 DATA CUTOFF HIGH (ABS(F)) : NULL -REMARK 3 DATA CUTOFF LOW (ABS(F)) : NULL -REMARK 3 COMPLETENESS (WORKING+TEST) (%) : NULL -REMARK 3 NUMBER OF REFLECTIONS : 42851 -REMARK 3 -REMARK 3 FIT TO DATA USED IN REFINEMENT. -REMARK 3 CROSS-VALIDATION METHOD : NULL -REMARK 3 FREE R VALUE TEST SET SELECTION : NULL -REMARK 3 R VALUE (WORKING SET) : 0.186 -REMARK 3 FREE R VALUE : NULL -REMARK 3 FREE R VALUE TEST SET SIZE (%) : NULL -REMARK 3 FREE R VALUE TEST SET COUNT : NULL -REMARK 3 ESTIMATED ERROR OF FREE R VALUE : NULL -REMARK 3 -REMARK 3 FIT IN THE HIGHEST RESOLUTION BIN. -REMARK 3 TOTAL NUMBER OF BINS USED : NULL -REMARK 3 BIN RESOLUTION RANGE HIGH (A) : NULL -REMARK 3 BIN RESOLUTION RANGE LOW (A) : NULL -REMARK 3 BIN COMPLETENESS (WORKING+TEST) (%) : NULL -REMARK 3 REFLECTIONS IN BIN (WORKING SET) : NULL -REMARK 3 BIN R VALUE (WORKING SET) : NULL -REMARK 3 BIN FREE R VALUE : NULL -REMARK 3 BIN FREE R VALUE TEST SET SIZE (%) : NULL -REMARK 3 BIN FREE R VALUE TEST SET COUNT : NULL -REMARK 3 ESTIMATED ERROR OF BIN FREE R VALUE : NULL -REMARK 3 -REMARK 3 NUMBER OF NON-HYDROGEN ATOMS USED IN REFINEMENT. -REMARK 3 PROTEIN ATOMS : 2228 -REMARK 3 NUCLEIC ACID ATOMS : 0 -REMARK 3 HETEROGEN ATOMS : 87 -REMARK 3 SOLVENT ATOMS : 274 -REMARK 3 -REMARK 3 B VALUES. -REMARK 3 FROM WILSON PLOT (A**2) : NULL -REMARK 3 MEAN B VALUE (OVERALL, A**2) : NULL -REMARK 3 OVERALL ANISOTROPIC B VALUE. -REMARK 3 B11 (A**2) : NULL -REMARK 3 B22 (A**2) : NULL -REMARK 3 B33 (A**2) : NULL -REMARK 3 B12 (A**2) : NULL -REMARK 3 B13 (A**2) : NULL -REMARK 3 B23 (A**2) : NULL -REMARK 3 -REMARK 3 ESTIMATED COORDINATE ERROR. -REMARK 3 ESD FROM LUZZATI PLOT (A) : NULL -REMARK 3 ESD FROM SIGMAA (A) : NULL -REMARK 3 LOW RESOLUTION CUTOFF (A) : NULL -REMARK 3 -REMARK 3 CROSS-VALIDATED ESTIMATED COORDINATE ERROR. -REMARK 3 ESD FROM C-V LUZZATI PLOT (A) : NULL -REMARK 3 ESD FROM C-V SIGMAA (A) : NULL -REMARK 3 -REMARK 3 RMS DEVIATIONS FROM IDEAL VALUES. -REMARK 3 BOND LENGTHS (A) : 0.015 -REMARK 3 BOND ANGLES (DEGREES) : 2.80 -REMARK 3 DIHEDRAL ANGLES (DEGREES) : NULL -REMARK 3 IMPROPER ANGLES (DEGREES) : NULL -REMARK 3 -REMARK 3 ISOTROPIC THERMAL MODEL : NULL -REMARK 3 -REMARK 3 ISOTROPIC THERMAL FACTOR RESTRAINTS. RMS SIGMA -REMARK 3 MAIN-CHAIN BOND (A**2) : NULL ; NULL -REMARK 3 MAIN-CHAIN ANGLE (A**2) : NULL ; NULL -REMARK 3 SIDE-CHAIN BOND (A**2) : NULL ; NULL -REMARK 3 SIDE-CHAIN ANGLE (A**2) : NULL ; NULL -REMARK 3 -REMARK 3 NCS MODEL : NULL -REMARK 3 -REMARK 3 NCS RESTRAINTS. RMS SIGMA/WEIGHT -REMARK 3 GROUP 1 POSITIONAL (A) : NULL ; NULL -REMARK 3 GROUP 1 B-FACTOR (A**2) : NULL ; NULL -REMARK 3 -REMARK 3 PARAMETER FILE 1 : NULL -REMARK 3 TOPOLOGY FILE 1 : NULL -REMARK 3 -REMARK 3 OTHER REFINEMENT REMARKS: THE CRYSTALS HAVE FORM *B* AS -REMARK 3 DESCRIBED IN THE *JRNL* REFERENCE. RESIDUE 545 HAS NOT BEEN -REMARK 3 UNAMBIGUOUSLY IDENTIFIED. IT HAS BEEN MODELED AS A DETERGENT N -REMARK 3 -OCTYLTETRAOXYETHYLENE -REMARK 4 -REMARK 4 2POR COMPLIES WITH FORMAT V. 3.15, 01-DEC-08 -REMARK 100 -REMARK 100 THIS ENTRY HAS BEEN PROCESSED BY BNL. -REMARK 200 -REMARK 200 EXPERIMENTAL DETAILS -REMARK 200 EXPERIMENT TYPE : X-RAY DIFFRACTION -REMARK 200 DATE OF DATA COLLECTION : NULL -REMARK 200 TEMPERATURE (KELVIN) : NULL -REMARK 200 PH : NULL -REMARK 200 NUMBER OF CRYSTALS USED : NULL -REMARK 200 -REMARK 200 SYNCHROTRON (Y/N) : NULL -REMARK 200 RADIATION SOURCE : NULL -REMARK 200 BEAMLINE : NULL -REMARK 200 X-RAY GENERATOR MODEL : NULL -REMARK 200 MONOCHROMATIC OR LAUE (M/L) : NULL -REMARK 200 WAVELENGTH OR RANGE (A) : NULL -REMARK 200 MONOCHROMATOR : NULL -REMARK 200 OPTICS : NULL -REMARK 200 -REMARK 200 DETECTOR TYPE : NULL -REMARK 200 DETECTOR MANUFACTURER : NULL -REMARK 200 INTENSITY-INTEGRATION SOFTWARE : NULL -REMARK 200 DATA SCALING SOFTWARE : NULL -REMARK 200 -REMARK 200 NUMBER OF UNIQUE REFLECTIONS : NULL -REMARK 200 RESOLUTION RANGE HIGH (A) : NULL -REMARK 200 RESOLUTION RANGE LOW (A) : NULL -REMARK 200 REJECTION CRITERIA (SIGMA(I)) : NULL -REMARK 200 -REMARK 200 OVERALL. -REMARK 200 COMPLETENESS FOR RANGE (%) : NULL -REMARK 200 DATA REDUNDANCY : NULL -REMARK 200 R MERGE (I) : NULL -REMARK 200 R SYM (I) : NULL -REMARK 200 FOR THE DATA SET : NULL -REMARK 200 -REMARK 200 IN THE HIGHEST RESOLUTION SHELL. -REMARK 200 HIGHEST RESOLUTION SHELL, RANGE HIGH (A) : NULL -REMARK 200 HIGHEST RESOLUTION SHELL, RANGE LOW (A) : NULL -REMARK 200 COMPLETENESS FOR SHELL (%) : NULL -REMARK 200 DATA REDUNDANCY IN SHELL : NULL -REMARK 200 R MERGE FOR SHELL (I) : NULL -REMARK 200 R SYM FOR SHELL (I) : NULL -REMARK 200 FOR SHELL : NULL -REMARK 200 -REMARK 200 DIFFRACTION PROTOCOL: NULL -REMARK 200 METHOD USED TO DETERMINE THE STRUCTURE: NULL -REMARK 200 SOFTWARE USED: NULL -REMARK 200 STARTING MODEL: NULL -REMARK 200 -REMARK 200 REMARK: NULL -REMARK 280 -REMARK 280 CRYSTAL -REMARK 280 SOLVENT CONTENT, VS (%): 67.61 -REMARK 280 MATTHEWS COEFFICIENT, VM (ANGSTROMS**3/DA): 3.80 -REMARK 280 -REMARK 280 CRYSTALLIZATION CONDITIONS: NULL -REMARK 290 -REMARK 290 CRYSTALLOGRAPHIC SYMMETRY -REMARK 290 SYMMETRY OPERATORS FOR SPACE GROUP: H 3 -REMARK 290 -REMARK 290 SYMOP SYMMETRY -REMARK 290 NNNMMM OPERATOR -REMARK 290 1555 X,Y,Z -REMARK 290 2555 -Y,X-Y,Z -REMARK 290 3555 -X+Y,-X,Z -REMARK 290 4555 X+2/3,Y+1/3,Z+1/3 -REMARK 290 5555 -Y+2/3,X-Y+1/3,Z+1/3 -REMARK 290 6555 -X+Y+2/3,-X+1/3,Z+1/3 -REMARK 290 7555 X+1/3,Y+2/3,Z+2/3 -REMARK 290 8555 -Y+1/3,X-Y+2/3,Z+2/3 -REMARK 290 9555 -X+Y+1/3,-X+2/3,Z+2/3 -REMARK 290 -REMARK 290 WHERE NNN -> OPERATOR NUMBER -REMARK 290 MMM -> TRANSLATION VECTOR -REMARK 290 -REMARK 290 CRYSTALLOGRAPHIC SYMMETRY TRANSFORMATIONS -REMARK 290 THE FOLLOWING TRANSFORMATIONS OPERATE ON THE ATOM/HETATM -REMARK 290 RECORDS IN THIS ENTRY TO PRODUCE CRYSTALLOGRAPHICALLY -REMARK 290 RELATED MOLECULES. -REMARK 290 SMTRY1 1 1.000000 0.000000 0.000000 0.00000 -REMARK 290 SMTRY2 1 0.000000 1.000000 0.000000 0.00000 -REMARK 290 SMTRY3 1 0.000000 0.000000 1.000000 0.00000 -REMARK 290 SMTRY1 2 -0.500000 -0.866025 0.000000 0.00000 -REMARK 290 SMTRY2 2 0.866025 -0.500000 0.000000 0.00000 -REMARK 290 SMTRY3 2 0.000000 0.000000 1.000000 0.00000 -REMARK 290 SMTRY1 3 -0.500000 0.866025 0.000000 0.00000 -REMARK 290 SMTRY2 3 -0.866025 -0.500000 0.000000 0.00000 -REMARK 290 SMTRY3 3 0.000000 0.000000 1.000000 0.00000 -REMARK 290 SMTRY1 4 1.000000 0.000000 0.000000 46.15000 -REMARK 290 SMTRY2 4 0.000000 1.000000 0.000000 26.64471 -REMARK 290 SMTRY3 4 0.000000 0.000000 1.000000 48.73333 -REMARK 290 SMTRY1 5 -0.500000 -0.866025 0.000000 46.15000 -REMARK 290 SMTRY2 5 0.866025 -0.500000 0.000000 26.64471 -REMARK 290 SMTRY3 5 0.000000 0.000000 1.000000 48.73333 -REMARK 290 SMTRY1 6 -0.500000 0.866025 0.000000 46.15000 -REMARK 290 SMTRY2 6 -0.866025 -0.500000 0.000000 26.64471 -REMARK 290 SMTRY3 6 0.000000 0.000000 1.000000 48.73333 -REMARK 290 SMTRY1 7 1.000000 0.000000 0.000000 0.00000 -REMARK 290 SMTRY2 7 0.000000 1.000000 0.000000 53.28943 -REMARK 290 SMTRY3 7 0.000000 0.000000 1.000000 97.46667 -REMARK 290 SMTRY1 8 -0.500000 -0.866025 0.000000 0.00000 -REMARK 290 SMTRY2 8 0.866025 -0.500000 0.000000 53.28943 -REMARK 290 SMTRY3 8 0.000000 0.000000 1.000000 97.46667 -REMARK 290 SMTRY1 9 -0.500000 0.866025 0.000000 0.00000 -REMARK 290 SMTRY2 9 -0.866025 -0.500000 0.000000 53.28943 -REMARK 290 SMTRY3 9 0.000000 0.000000 1.000000 97.46667 -REMARK 290 -REMARK 290 REMARK: NULL -REMARK 300 -REMARK 300 BIOMOLECULE: 1 -REMARK 300 SEE REMARK 350 FOR THE AUTHOR PROVIDED AND/OR PROGRAM -REMARK 300 GENERATED ASSEMBLY INFORMATION FOR THE STRUCTURE IN -REMARK 300 THIS ENTRY. THE REMARK MAY ALSO PROVIDE INFORMATION ON -REMARK 300 BURIED SURFACE AREA. -REMARK 350 -REMARK 350 COORDINATES FOR A COMPLETE MULTIMER REPRESENTING THE KNOWN -REMARK 350 BIOLOGICALLY SIGNIFICANT OLIGOMERIZATION STATE OF THE -REMARK 350 MOLECULE CAN BE GENERATED BY APPLYING BIOMT TRANSFORMATIONS -REMARK 350 GIVEN BELOW. BOTH NON-CRYSTALLOGRAPHIC AND -REMARK 350 CRYSTALLOGRAPHIC OPERATIONS ARE GIVEN. -REMARK 350 -REMARK 350 BIOMOLECULE: 1 -REMARK 350 AUTHOR DETERMINED BIOLOGICAL UNIT: TRIMERIC -REMARK 350 APPLY THE FOLLOWING TO CHAINS: A -REMARK 350 BIOMT1 1 1.000000 0.000000 0.000000 0.00000 -REMARK 350 BIOMT2 1 0.000000 1.000000 0.000000 0.00000 -REMARK 350 BIOMT3 1 0.000000 0.000000 1.000000 0.00000 -REMARK 350 BIOMT1 2 -0.500000 -0.866025 0.000000 0.00000 -REMARK 350 BIOMT2 2 0.866025 -0.500000 0.000000 0.00000 -REMARK 350 BIOMT3 2 0.000000 0.000000 1.000000 0.00000 -REMARK 350 BIOMT1 3 -0.500000 0.866025 0.000000 0.00000 -REMARK 350 BIOMT2 3 -0.866025 -0.500000 0.000000 0.00000 -REMARK 350 BIOMT3 3 0.000000 0.000000 1.000000 0.00000 -REMARK 375 -REMARK 375 SPECIAL POSITION -REMARK 375 THE FOLLOWING ATOMS ARE FOUND TO BE WITHIN 0.15 ANGSTROMS -REMARK 375 OF A SYMMETRY RELATED ATOM AND ARE ASSUMED TO BE ON SPECIAL -REMARK 375 POSITIONS. -REMARK 375 -REMARK 375 ATOM RES CSSEQI -REMARK 375 HOH A 361 LIES ON A SPECIAL POSITION. -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: COVALENT BOND LENGTHS -REMARK 500 -REMARK 500 THE STEREOCHEMICAL PARAMETERS OF THE FOLLOWING RESIDUES -REMARK 500 HAVE VALUES WHICH DEVIATE FROM EXPECTED VALUES BY MORE -REMARK 500 THAN 6*RMSD (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN -REMARK 500 IDENTIFIER; SSEQ=SEQUENCE NUMBER; I=INSERTION CODE). -REMARK 500 -REMARK 500 STANDARD TABLE: -REMARK 500 FORMAT: (10X,I3,1X,2(A3,1X,A1,I4,A1,1X,A4,3X),1X,F6.3) -REMARK 500 -REMARK 500 EXPECTED VALUES PROTEIN: ENGH AND HUBER, 1999 -REMARK 500 EXPECTED VALUES NUCLEIC ACID: CLOWNEY ET AL 1996 -REMARK 500 -REMARK 500 M RES CSSEQI ATM1 RES CSSEQI ATM2 DEVIATION -REMARK 500 HIS A 229 NE2 HIS A 229 CD2 -0.067 -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: COVALENT BOND ANGLES -REMARK 500 -REMARK 500 THE STEREOCHEMICAL PARAMETERS OF THE FOLLOWING RESIDUES -REMARK 500 HAVE VALUES WHICH DEVIATE FROM EXPECTED VALUES BY MORE -REMARK 500 THAN 6*RMSD (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN -REMARK 500 IDENTIFIER; SSEQ=SEQUENCE NUMBER; I=INSERTION CODE). -REMARK 500 -REMARK 500 STANDARD TABLE: -REMARK 500 FORMAT: (10X,I3,1X,A3,1X,A1,I4,A1,3(1X,A4,2X),12X,F5.1) -REMARK 500 -REMARK 500 EXPECTED VALUES PROTEIN: ENGH AND HUBER, 1999 -REMARK 500 EXPECTED VALUES NUCLEIC ACID: CLOWNEY ET AL 1996 -REMARK 500 -REMARK 500 M RES CSSEQI ATM1 ATM2 ATM3 -REMARK 500 ARG A 9 NE - CZ - NH2 ANGL. DEV. = -3.2 DEGREES -REMARK 500 TRP A 19 CD1 - CG - CD2 ANGL. DEV. = 6.6 DEGREES -REMARK 500 TRP A 19 CE2 - CD2 - CG ANGL. DEV. = -5.6 DEGREES -REMARK 500 ARG A 24 NE - CZ - NH1 ANGL. DEV. = 3.1 DEGREES -REMARK 500 ASP A 101 CB - CG - OD1 ANGL. DEV. = 7.3 DEGREES -REMARK 500 TYR A 123 CB - CG - CD1 ANGL. DEV. = -3.9 DEGREES -REMARK 500 ASP A 136 CB - CG - OD1 ANGL. DEV. = 6.2 DEGREES -REMARK 500 TYR A 167 CB - CG - CD2 ANGL. DEV. = -4.2 DEGREES -REMARK 500 TYR A 263 CB - CG - CD1 ANGL. DEV. = -4.4 DEGREES -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: TORSION ANGLES -REMARK 500 -REMARK 500 TORSION ANGLES OUTSIDE THE EXPECTED RAMACHANDRAN REGIONS: -REMARK 500 (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN IDENTIFIER; -REMARK 500 SSEQ=SEQUENCE NUMBER; I=INSERTION CODE). -REMARK 500 -REMARK 500 STANDARD TABLE: -REMARK 500 FORMAT:(10X,I3,1X,A3,1X,A1,I4,A1,4X,F7.2,3X,F7.2) -REMARK 500 -REMARK 500 EXPECTED VALUES: GJ KLEYWEGT AND TA JONES (1996). PHI/PSI- -REMARK 500 CHOLOGY: RAMACHANDRAN REVISITED. STRUCTURE 4, 1395 - 1400 -REMARK 500 -REMARK 500 M RES CSSEQI PSI PHI -REMARK 500 ASP A 17 -37.35 -132.37 -REMARK 500 ASP A 93 83.99 64.70 -REMARK 500 THR A 256 -7.57 73.01 -REMARK 500 ILE A 257 -77.43 -108.97 -REMARK 500 SER A 289 112.52 -34.30 -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 525 -REMARK 525 SOLVENT -REMARK 525 -REMARK 525 THE SOLVENT MOLECULES HAVE CHAIN IDENTIFIERS THAT -REMARK 525 INDICATE THE POLYMER CHAIN WITH WHICH THEY ARE MOST -REMARK 525 CLOSELY ASSOCIATED. THE REMARK LISTS ALL THE SOLVENT -REMARK 525 MOLECULES WHICH ARE MORE THAN 5A AWAY FROM THE -REMARK 525 NEAREST POLYMER CHAIN (M = MODEL NUMBER; -REMARK 525 RES=RESIDUE NAME; C=CHAIN IDENTIFIER; SSEQ=SEQUENCE -REMARK 525 NUMBER; I=INSERTION CODE): -REMARK 525 -REMARK 525 M RES CSSEQI -REMARK 525 HOH A 446 DISTANCE = 5.96 ANGSTROMS -REMARK 525 HOH A 558 DISTANCE = 7.12 ANGSTROMS -REMARK 525 HOH A 565 DISTANCE = 6.72 ANGSTROMS -REMARK 525 HOH A 568 DISTANCE = 7.37 ANGSTROMS -REMARK 525 HOH A 571 DISTANCE = 5.80 ANGSTROMS -REMARK 525 HOH A 573 DISTANCE = 5.38 ANGSTROMS -REMARK 525 HOH A 582 DISTANCE = 5.49 ANGSTROMS -REMARK 600 -REMARK 600 HETEROGEN -REMARK 600 THIRTY FOUR DETERGENT FRAGMENTS HAVE BEEN MODELED AS WATERS -REMARK 620 -REMARK 620 METAL COORDINATION -REMARK 620 (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN IDENTIFIER; -REMARK 620 SSEQ=SEQUENCE NUMBER; I=INSERTION CODE): -REMARK 620 -REMARK 620 COORDINATION ANGLES FOR: M RES CSSEQI METAL -REMARK 620 CA A 302 CA -REMARK 620 N RES CSSEQI ATOM -REMARK 620 1 HOH A 312 O -REMARK 620 2 HOH A 307 O 79.4 -REMARK 620 3 HOH A 339 O 86.7 74.4 -REMARK 620 4 GLU A 80 OE2 80.9 75.3 148.9 -REMARK 620 5 GLU A 80 OE1 92.0 125.5 159.5 50.2 -REMARK 620 6 ASP A 108 OD2 175.3 95.8 92.3 97.7 90.6 -REMARK 620 7 HOH A 305 O 86.9 150.3 78.6 128.6 80.9 97.5 -REMARK 620 N 1 2 3 4 5 6 -REMARK 620 -REMARK 620 COORDINATION ANGLES FOR: M RES CSSEQI METAL -REMARK 620 CA A 303 CA -REMARK 620 N RES CSSEQI ATOM -REMARK 620 1 ASP A 95 OD1 -REMARK 620 2 ASN A 100 OD1 73.7 -REMARK 620 3 ASP A 101 OD1 85.1 81.2 -REMARK 620 4 HOH A 331 O 150.5 76.9 93.2 -REMARK 620 5 ASP A 93 OD1 77.7 77.7 155.8 93.5 -REMARK 620 6 ASP A 93 OD2 113.9 122.8 151.9 80.1 52.3 -REMARK 620 7 ASP A 95 OD2 49.5 123.2 94.3 159.4 87.3 84.2 -REMARK 620 8 HOH A 327 O 126.7 146.6 75.5 80.8 128.6 76.5 82.6 -REMARK 620 N 1 2 3 4 5 6 7 -REMARK 620 -REMARK 620 COORDINATION ANGLES FOR: M RES CSSEQI METAL -REMARK 620 CA A 304 CA -REMARK 620 N RES CSSEQI ATOM -REMARK 620 1 ASN A 116 OD1 -REMARK 620 2 ASP A 136 OD2 103.7 -REMARK 620 3 LYS A 138 O 81.6 128.0 -REMARK 620 4 GLY A 140 O 95.7 145.2 82.9 -REMARK 620 5 HOH A 314 O 84.5 78.0 152.9 75.4 -REMARK 620 6 ASP A 136 OD1 89.8 52.3 76.4 157.5 126.9 -REMARK 620 7 ASN A 20 OD1 174.7 81.5 94.8 79.9 97.2 93.2 -REMARK 620 N 1 2 3 4 5 6 -REMARK 700 -REMARK 700 SHEET -REMARK 700 THE SHEET PRESENTED AS *S1* ON SHEET RECORDS BELOW IS -REMARK 700 ACTUALLY A SIXTEEN-STRANDED BETA-BARREL. THIS IS -REMARK 700 REPRESENTED AS A SEVENTEEN-STRANDED SHEET IN WHICH THE -REMARK 700 FIRST AND LAST STRANDS ARE IDENTICAL. -REMARK 800 -REMARK 800 SITE -REMARK 800 SITE_IDENTIFIER: AC1 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE CA A 302 -REMARK 800 SITE_IDENTIFIER: AC2 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE CA A 303 -REMARK 800 SITE_IDENTIFIER: AC3 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE CA A 304 -REMARK 800 SITE_IDENTIFIER: AC4 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE C8E A 545 -REMARK 800 SITE_IDENTIFIER: AC5 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE C8E A 546 -REMARK 800 SITE_IDENTIFIER: AC6 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE C8E A 548 -DBREF 2POR A 1 301 UNP P31243 PORI_RHOCA 1 301 -SEQRES 1 A 301 GLU VAL LYS LEU SER GLY ASP ALA ARG MET GLY VAL MET -SEQRES 2 A 301 TYR ASN GLY ASP ASP TRP ASN PHE SER SER ARG SER ARG -SEQRES 3 A 301 VAL LEU PHE THR MET SER GLY THR THR ASP SER GLY LEU -SEQRES 4 A 301 GLU PHE GLY ALA SER PHE LYS ALA HIS GLU SER VAL GLY -SEQRES 5 A 301 ALA GLU THR GLY GLU ASP GLY THR VAL PHE LEU SER GLY -SEQRES 6 A 301 ALA PHE GLY LYS ILE GLU MET GLY ASP ALA LEU GLY ALA -SEQRES 7 A 301 SER GLU ALA LEU PHE GLY ASP LEU TYR GLU VAL GLY TYR -SEQRES 8 A 301 THR ASP LEU ASP ASP ARG GLY GLY ASN ASP ILE PRO TYR -SEQRES 9 A 301 LEU THR GLY ASP GLU ARG LEU THR ALA GLU ASP ASN PRO -SEQRES 10 A 301 VAL LEU LEU TYR THR TYR SER ALA GLY ALA PHE SER VAL -SEQRES 11 A 301 ALA ALA SER MET SER ASP GLY LYS VAL GLY GLU THR SER -SEQRES 12 A 301 GLU ASP ASP ALA GLN GLU MET ALA VAL ALA ALA ALA TYR -SEQRES 13 A 301 THR PHE GLY ASN TYR THR VAL GLY LEU GLY TYR GLU LYS -SEQRES 14 A 301 ILE ASP SER PRO ASP THR ALA LEU MET ALA ASP MET GLU -SEQRES 15 A 301 GLN LEU GLU LEU ALA ALA ILE ALA LYS PHE GLY ALA THR -SEQRES 16 A 301 ASN VAL LYS ALA TYR TYR ALA ASP GLY GLU LEU ASP ARG -SEQRES 17 A 301 ASP PHE ALA ARG ALA VAL PHE ASP LEU THR PRO VAL ALA -SEQRES 18 A 301 ALA ALA ALA THR ALA VAL ASP HIS LYS ALA TYR GLY LEU -SEQRES 19 A 301 SER VAL ASP SER THR PHE GLY ALA THR THR VAL GLY GLY -SEQRES 20 A 301 TYR VAL GLN VAL LEU ASP ILE ASP THR ILE ASP ASP VAL -SEQRES 21 A 301 THR TYR TYR GLY LEU GLY ALA SER TYR ASP LEU GLY GLY -SEQRES 22 A 301 GLY ALA SER ILE VAL GLY GLY ILE ALA ASP ASN ASP LEU -SEQRES 23 A 301 PRO ASN SER ASP MET VAL ALA ASP LEU GLY VAL LYS PHE -SEQRES 24 A 301 LYS PHE -HET CA A 302 1 -HET CA A 303 1 -HET CA A 304 1 -HET C8E A 545 21 -HET C8E A 546 21 -HET C8E A 547 21 -HET C8E A 548 21 -HETNAM CA CALCIUM ION -HETNAM C8E (HYDROXYETHYLOXY)TRI(ETHYLOXY)OCTANE -FORMUL 2 CA 3(CA 2+) -FORMUL 5 C8E 4(C16 H34 O5) -FORMUL 9 HOH *274(H2 O) -HELIX 1 H1 SER A 50 GLU A 54 1 5 -HELIX 2 H2 GLY A 77 PHE A 83 1 7 -HELIX 3 H3 ARG A 208 VAL A 214 1 7 -SHEET 1 S117 GLU A 1 ASN A 15 0 -SHEET 2 S117 ASP A 18 THR A 35 -1 O ASP A 18 N ASN A 15 -SHEET 3 S117 LEU A 39 LYS A 46 -1 O LEU A 39 N THR A 35 -SHEET 4 S117 GLY A 59 GLY A 65 -1 N THR A 60 O SER A 44 -SHEET 5 S117 GLY A 68 ASP A 74 -1 N GLY A 68 O GLY A 65 -SHEET 6 S117 VAL A 118 ALA A 125 -1 N VAL A 118 O GLY A 73 -SHEET 7 S117 PHE A 128 SER A 135 -1 N PHE A 128 O ALA A 125 -SHEET 8 S117 GLN A 148 PHE A 158 -1 O GLU A 149 N SER A 135 -SHEET 9 S117 TYR A 161 ASP A 171 -1 N TYR A 161 O PHE A 158 -SHEET 10 S117 MET A 181 PHE A 192 -1 N MET A 181 O ILE A 170 -SHEET 11 S117 THR A 195 LEU A 206 -1 N THR A 195 O PHE A 192 -SHEET 12 S117 VAL A 227 PHE A 240 -1 N VAL A 227 O LEU A 206 -SHEET 13 S117 THR A 243 ILE A 254 -1 N THR A 243 O PHE A 240 -SHEET 14 S117 ASP A 258 LEU A 271 -1 N ASP A 258 O ILE A 254 -SHEET 15 S117 ALA A 275 ASP A 285 -1 O ALA A 275 N LEU A 271 -SHEET 16 S117 VAL A 292 PHE A 301 -1 N VAL A 292 O ALA A 282 -SHEET 17 S117 GLU A 1 ASN A 15 1 N GLY A 6 O PHE A 301 -LINK CA CA A 302 O HOH A 312 1555 1555 2.28 -LINK CA CA A 302 O HOH A 307 1555 1555 2.32 -LINK CA CA A 302 O HOH A 339 1555 1555 2.38 -LINK CA CA A 302 OE2 GLU A 80 1555 1555 2.48 -LINK CA CA A 302 OE1 GLU A 80 1555 1555 2.53 -LINK CA CA A 302 OD2 ASP A 108 1555 1555 2.24 -LINK CA CA A 302 O HOH A 305 1555 1555 2.43 -LINK CA CA A 303 OD1 ASP A 95 1555 1555 2.63 -LINK CA CA A 303 OD1 ASN A 100 1555 1555 2.31 -LINK CA CA A 303 OD1 ASP A 101 1555 1555 2.25 -LINK CA CA A 303 O HOH A 331 1555 1555 2.39 -LINK CA CA A 303 OD1 ASP A 93 1555 1555 2.33 -LINK CA CA A 303 OD2 ASP A 93 1555 1555 2.45 -LINK CA CA A 303 OD2 ASP A 95 1555 1555 2.40 -LINK CA CA A 303 O HOH A 327 1555 1555 2.24 -LINK CA CA A 304 OD1 ASN A 116 1555 1555 2.16 -LINK CA CA A 304 OD2 ASP A 136 1555 1555 2.39 -LINK CA CA A 304 O LYS A 138 1555 1555 2.55 -LINK CA CA A 304 O GLY A 140 1555 1555 2.18 -LINK CA CA A 304 O HOH A 314 1555 1555 2.35 -LINK CA CA A 304 OD1 ASP A 136 1555 1555 2.35 -LINK CA CA A 304 OD1 ASN A 20 1555 2555 2.18 -SITE 1 AC1 6 GLU A 80 ASP A 108 HOH A 305 HOH A 307 -SITE 2 AC1 6 HOH A 312 HOH A 339 -SITE 1 AC2 6 ASP A 93 ASP A 95 ASN A 100 ASP A 101 -SITE 2 AC2 6 HOH A 327 HOH A 331 -SITE 1 AC3 6 ASN A 20 ASN A 116 ASP A 136 LYS A 138 -SITE 2 AC3 6 GLY A 140 HOH A 314 -SITE 1 AC4 4 GLN A 183 VAL A 214 LEU A 286 ASN A 288 -SITE 1 AC5 4 TRP A 19 MET A 134 GLN A 148 GLY A 280 -SITE 1 AC6 4 TYR A 200 TYR A 232 VAL A 249 THR A 261 -CRYST1 92.300 92.300 146.200 90.00 90.00 120.00 H 3 9 -ORIGX1 1.000000 0.000000 0.000000 0.00000 -ORIGX2 0.000000 1.000000 0.000000 0.00000 -ORIGX3 0.000000 0.000000 1.000000 0.00000 -SCALE1 0.010834 0.006255 0.000000 0.00000 -SCALE2 0.000000 0.012510 0.000000 0.00000 -SCALE3 0.000000 0.000000 0.006840 0.00000 -ATOM 1 N GLU A 1 10.975 -2.428 6.735 1.00 27.59 N -ATOM 2 CA GLU A 1 9.566 -2.578 6.405 1.00 36.06 C -ATOM 3 C GLU A 1 8.689 -3.034 7.601 1.00 22.34 C -ATOM 4 O GLU A 1 9.156 -3.908 8.335 1.00 23.38 O -ATOM 5 CB GLU A 1 9.513 -3.583 5.273 1.00 27.56 C -ATOM 6 CG GLU A 1 8.120 -3.932 4.767 1.00 46.76 C -ATOM 7 CD GLU A 1 8.059 -5.151 3.839 1.00 78.17 C -ATOM 8 OE1 GLU A 1 8.986 -5.978 3.838 1.00 83.62 O -ATOM 9 OE2 GLU A 1 7.059 -5.270 3.122 1.00 88.58 O -ATOM 10 N VAL A 2 7.445 -2.564 7.760 1.00 24.91 N -ATOM 11 CA VAL A 2 6.554 -2.916 8.868 1.00 26.19 C -ATOM 12 C VAL A 2 5.235 -3.431 8.314 1.00 21.63 C -ATOM 13 O VAL A 2 4.554 -2.685 7.614 1.00 25.05 O -ATOM 14 CB VAL A 2 6.258 -1.672 9.795 1.00 21.80 C -ATOM 15 CG1 VAL A 2 5.414 -2.151 10.975 1.00 21.14 C -ATOM 16 CG2 VAL A 2 7.526 -1.022 10.328 1.00 21.61 C -ATOM 17 N LYS A 3 4.811 -4.658 8.584 1.00 17.35 N -ATOM 18 CA LYS A 3 3.536 -5.187 8.138 1.00 16.93 C -ATOM 19 C LYS A 3 2.611 -5.431 9.336 1.00 22.75 C -ATOM 20 O LYS A 3 3.086 -5.703 10.440 1.00 24.29 O -ATOM 21 CB LYS A 3 3.712 -6.524 7.421 1.00 20.86 C -ATOM 22 CG LYS A 3 4.477 -6.434 6.116 1.00 49.31 C -ATOM 23 CD LYS A 3 4.137 -7.645 5.248 1.00 66.30 C -ATOM 24 CE LYS A 3 4.389 -7.309 3.763 1.00 91.35 C -ATOM 25 NZ LYS A 3 3.660 -6.128 3.288 1.00 86.70 N -ATOM 26 N LEU A 4 1.317 -5.393 9.102 1.00 18.28 N -ATOM 27 CA LEU A 4 0.307 -5.586 10.089 1.00 17.20 C -ATOM 28 C LEU A 4 -0.511 -6.790 9.822 1.00 25.71 C -ATOM 29 O LEU A 4 -0.857 -7.096 8.688 1.00 22.60 O -ATOM 30 CB LEU A 4 -0.658 -4.425 10.135 1.00 17.62 C -ATOM 31 CG LEU A 4 -0.154 -3.047 10.591 1.00 25.02 C -ATOM 32 CD1 LEU A 4 -1.260 -2.032 10.663 1.00 27.49 C -ATOM 33 CD2 LEU A 4 0.342 -3.158 12.001 1.00 28.78 C -ATOM 34 N SER A 5 -0.858 -7.520 10.854 1.00 18.09 N -ATOM 35 CA SER A 5 -1.843 -8.581 10.759 1.00 16.56 C -ATOM 36 C SER A 5 -2.590 -8.569 12.107 1.00 21.22 C -ATOM 37 O SER A 5 -2.231 -7.755 12.976 1.00 17.63 O -ATOM 38 CB SER A 5 -1.182 -9.918 10.543 1.00 15.90 C -ATOM 39 OG SER A 5 -0.206 -10.289 11.503 1.00 22.45 O -ATOM 40 N GLY A 6 -3.582 -9.404 12.337 1.00 22.36 N -ATOM 41 CA GLY A 6 -4.313 -9.399 13.598 1.00 18.52 C -ATOM 42 C GLY A 6 -5.194 -10.590 13.711 1.00 20.43 C -ATOM 43 O GLY A 6 -5.272 -11.470 12.839 1.00 19.89 O -ATOM 44 N ASP A 7 -5.858 -10.676 14.845 1.00 17.75 N -ATOM 45 CA ASP A 7 -6.828 -11.730 15.071 1.00 14.63 C -ATOM 46 C ASP A 7 -7.839 -11.230 16.099 1.00 17.50 C -ATOM 47 O ASP A 7 -7.656 -10.162 16.698 1.00 17.10 O -ATOM 48 CB ASP A 7 -6.157 -13.038 15.557 1.00 15.83 C -ATOM 49 CG ASP A 7 -5.230 -12.906 16.760 1.00 23.05 C -ATOM 50 OD1 ASP A 7 -5.656 -12.431 17.801 1.00 20.15 O -ATOM 51 OD2 ASP A 7 -4.071 -13.234 16.640 1.00 25.78 O -ATOM 52 N ALA A 8 -8.944 -11.946 16.224 1.00 19.52 N -ATOM 53 CA ALA A 8 -10.035 -11.603 17.141 1.00 15.71 C -ATOM 54 C ALA A 8 -10.861 -12.858 17.357 1.00 19.05 C -ATOM 55 O ALA A 8 -10.682 -13.866 16.641 1.00 18.32 O -ATOM 56 CB ALA A 8 -10.945 -10.502 16.587 1.00 14.05 C -ATOM 57 N ARG A 9 -11.662 -12.914 18.432 1.00 16.33 N -ATOM 58 CA ARG A 9 -12.501 -14.065 18.709 1.00 13.95 C -ATOM 59 C ARG A 9 -13.651 -13.601 19.567 1.00 17.40 C -ATOM 60 O ARG A 9 -13.553 -12.536 20.208 1.00 18.39 O -ATOM 61 CB ARG A 9 -11.687 -15.156 19.410 1.00 15.94 C -ATOM 62 CG ARG A 9 -11.320 -14.825 20.843 1.00 16.00 C -ATOM 63 CD ARG A 9 -10.256 -15.772 21.276 1.00 19.18 C -ATOM 64 NE ARG A 9 -10.038 -15.564 22.699 1.00 20.39 N -ATOM 65 CZ ARG A 9 -8.998 -16.081 23.374 1.00 23.61 C -ATOM 66 NH1 ARG A 9 -8.039 -16.818 22.792 1.00 19.92 N -ATOM 67 NH2 ARG A 9 -8.922 -15.805 24.689 1.00 23.34 N -ATOM 68 N MET A 10 -14.789 -14.262 19.531 1.00 15.77 N -ATOM 69 CA MET A 10 -15.931 -13.891 20.365 1.00 19.06 C -ATOM 70 C MET A 10 -16.832 -15.099 20.499 1.00 24.44 C -ATOM 71 O MET A 10 -16.838 -15.965 19.620 1.00 18.02 O -ATOM 72 CB MET A 10 -16.723 -12.707 19.809 1.00 18.72 C -ATOM 73 CG MET A 10 -17.489 -12.938 18.541 1.00 25.28 C -ATOM 74 SD MET A 10 -18.482 -11.490 18.191 1.00 30.85 S -ATOM 75 CE MET A 10 -18.740 -12.010 16.541 1.00 33.80 C -ATOM 76 N GLY A 11 -17.502 -15.304 21.642 1.00 17.85 N -ATOM 77 CA GLY A 11 -18.325 -16.491 21.829 1.00 18.79 C -ATOM 78 C GLY A 11 -18.676 -16.572 23.288 1.00 25.94 C -ATOM 79 O GLY A 11 -18.702 -15.531 23.959 1.00 21.22 O -ATOM 80 N VAL A 12 -18.929 -17.776 23.769 1.00 22.43 N -ATOM 81 CA VAL A 12 -19.310 -18.051 25.177 1.00 22.84 C -ATOM 82 C VAL A 12 -18.421 -19.118 25.753 1.00 21.81 C -ATOM 83 O VAL A 12 -18.005 -20.034 25.037 1.00 20.69 O -ATOM 84 CB VAL A 12 -20.786 -18.518 25.319 1.00 23.09 C -ATOM 85 CG1 VAL A 12 -21.639 -17.287 25.071 1.00 21.02 C -ATOM 86 CG2 VAL A 12 -21.167 -19.632 24.355 1.00 22.56 C -ATOM 87 N MET A 13 -18.010 -18.982 27.018 1.00 16.86 N -ATOM 88 CA MET A 13 -17.066 -19.909 27.604 1.00 18.95 C -ATOM 89 C MET A 13 -17.695 -20.359 28.938 1.00 26.49 C -ATOM 90 O MET A 13 -18.277 -19.533 29.649 1.00 22.68 O -ATOM 91 CB MET A 13 -15.725 -19.176 27.821 1.00 19.57 C -ATOM 92 CG AMET A 13 -14.661 -20.018 28.553 0.51 33.28 C -ATOM 93 CG BMET A 13 -14.564 -19.969 28.448 0.49 31.07 C -ATOM 94 SD AMET A 13 -14.864 -20.093 30.362 0.51 18.59 S -ATOM 95 SD BMET A 13 -14.047 -19.495 30.135 0.49 33.60 S -ATOM 96 CE AMET A 13 -14.637 -18.365 30.663 0.51 14.41 C -ATOM 97 CE BMET A 13 -13.423 -21.075 30.594 0.49 12.77 C -ATOM 98 N TYR A 14 -17.572 -21.615 29.305 1.00 23.01 N -ATOM 99 CA TYR A 14 -18.178 -22.199 30.497 1.00 25.16 C -ATOM 100 C TYR A 14 -17.029 -22.485 31.428 1.00 23.22 C -ATOM 101 O TYR A 14 -16.171 -23.295 31.063 1.00 23.70 O -ATOM 102 CB TYR A 14 -18.841 -23.482 30.133 1.00 24.00 C -ATOM 103 CG TYR A 14 -19.541 -24.129 31.300 1.00 28.72 C -ATOM 104 CD1 TYR A 14 -20.727 -23.561 31.734 1.00 29.42 C -ATOM 105 CD2 TYR A 14 -19.017 -25.283 31.856 1.00 27.77 C -ATOM 106 CE1 TYR A 14 -21.430 -24.167 32.750 1.00 32.13 C -ATOM 107 CE2 TYR A 14 -19.717 -25.895 32.876 1.00 30.23 C -ATOM 108 CZ TYR A 14 -20.915 -25.329 33.305 1.00 32.81 C -ATOM 109 OH TYR A 14 -21.626 -25.944 34.326 1.00 50.72 O -ATOM 110 N ASN A 15 -17.000 -21.905 32.638 1.00 22.01 N -ATOM 111 CA ASN A 15 -15.841 -22.047 33.535 1.00 22.52 C -ATOM 112 C ASN A 15 -15.889 -23.250 34.484 1.00 31.39 C -ATOM 113 O ASN A 15 -15.038 -23.447 35.359 1.00 32.32 O -ATOM 114 CB ASN A 15 -15.660 -20.755 34.380 1.00 24.87 C -ATOM 115 CG ASN A 15 -16.856 -20.434 35.271 1.00 23.96 C -ATOM 116 OD1 ASN A 15 -17.708 -21.291 35.515 1.00 23.91 O -ATOM 117 ND2 ASN A 15 -17.090 -19.204 35.695 1.00 26.01 N -ATOM 118 N GLY A 16 -16.865 -24.119 34.303 1.00 26.28 N -ATOM 119 CA GLY A 16 -17.013 -25.246 35.198 1.00 33.32 C -ATOM 120 C GLY A 16 -18.353 -25.113 35.878 1.00 30.42 C -ATOM 121 O GLY A 16 -18.975 -26.124 36.199 1.00 36.69 O -ATOM 122 N ASP A 17 -18.860 -23.882 36.047 1.00 29.56 N -ATOM 123 CA ASP A 17 -20.141 -23.614 36.727 1.00 29.65 C -ATOM 124 C ASP A 17 -21.077 -22.659 35.981 1.00 32.17 C -ATOM 125 O ASP A 17 -22.304 -22.831 35.929 1.00 30.83 O -ATOM 126 CB ASP A 17 -19.849 -23.042 38.165 1.00 35.32 C -ATOM 127 CG ASP A 17 -18.950 -23.913 39.090 1.00 51.32 C -ATOM 128 OD1 ASP A 17 -19.361 -25.019 39.486 1.00 59.35 O -ATOM 129 OD2 ASP A 17 -17.822 -23.488 39.391 1.00 65.43 O -ATOM 130 N ASP A 18 -20.505 -21.638 35.336 1.00 24.80 N -ATOM 131 CA ASP A 18 -21.301 -20.661 34.621 1.00 23.22 C -ATOM 132 C ASP A 18 -20.689 -20.330 33.261 1.00 26.47 C -ATOM 133 O ASP A 18 -19.485 -20.520 33.049 1.00 25.52 O -ATOM 134 CB ASP A 18 -21.381 -19.351 35.370 1.00 25.98 C -ATOM 135 CG ASP A 18 -22.210 -19.562 36.608 1.00 43.16 C -ATOM 136 OD1 ASP A 18 -23.428 -19.634 36.500 1.00 41.16 O -ATOM 137 OD2 ASP A 18 -21.610 -19.689 37.666 1.00 33.11 O -ATOM 138 N TRP A 19 -21.570 -19.845 32.394 1.00 24.02 N -ATOM 139 CA TRP A 19 -21.228 -19.334 31.074 1.00 29.52 C -ATOM 140 C TRP A 19 -20.887 -17.850 31.201 1.00 34.72 C -ATOM 141 O TRP A 19 -21.489 -17.150 32.023 1.00 26.95 O -ATOM 142 CB TRP A 19 -22.413 -19.489 30.099 1.00 20.45 C -ATOM 143 CG TRP A 19 -22.600 -20.931 29.671 1.00 34.12 C -ATOM 144 CD1 TRP A 19 -23.521 -21.735 30.283 1.00 38.42 C -ATOM 145 CD2 TRP A 19 -21.879 -21.586 28.704 1.00 43.20 C -ATOM 146 NE1 TRP A 19 -23.378 -22.907 29.705 1.00 28.98 N -ATOM 147 CE2 TRP A 19 -22.416 -22.861 28.769 1.00 43.13 C -ATOM 148 CE3 TRP A 19 -20.869 -21.291 27.804 1.00 27.67 C -ATOM 149 CZ2 TRP A 19 -21.955 -23.858 27.942 1.00 37.29 C -ATOM 150 CZ3 TRP A 19 -20.404 -22.293 26.974 1.00 26.31 C -ATOM 151 CH2 TRP A 19 -20.947 -23.560 27.045 1.00 34.35 C -ATOM 152 N ASN A 20 -19.915 -17.345 30.439 1.00 20.14 N -ATOM 153 CA ASN A 20 -19.610 -15.934 30.363 1.00 20.63 C -ATOM 154 C ASN A 20 -19.325 -15.585 28.909 1.00 21.59 C -ATOM 155 O ASN A 20 -18.824 -16.452 28.179 1.00 20.91 O -ATOM 156 CB ASN A 20 -18.358 -15.571 31.135 1.00 19.26 C -ATOM 157 CG ASN A 20 -18.632 -15.209 32.594 1.00 16.94 C -ATOM 158 OD1 ASN A 20 -18.981 -14.061 32.912 1.00 19.32 O -ATOM 159 ND2 ASN A 20 -18.356 -16.193 33.429 1.00 18.90 N -ATOM 160 N PHE A 21 -19.579 -14.348 28.511 1.00 20.31 N -ATOM 161 CA PHE A 21 -19.123 -13.839 27.208 1.00 18.80 C -ATOM 162 C PHE A 21 -17.596 -13.740 27.273 1.00 29.01 C -ATOM 163 O PHE A 21 -17.046 -13.375 28.323 1.00 18.59 O -ATOM 164 CB PHE A 21 -19.693 -12.434 26.920 1.00 15.96 C -ATOM 165 CG PHE A 21 -21.210 -12.260 26.798 1.00 16.47 C -ATOM 166 CD1 PHE A 21 -22.038 -13.317 26.450 1.00 18.25 C -ATOM 167 CD2 PHE A 21 -21.730 -11.004 27.047 1.00 17.20 C -ATOM 168 CE1 PHE A 21 -23.387 -13.081 26.366 1.00 20.58 C -ATOM 169 CE2 PHE A 21 -23.088 -10.789 26.954 1.00 18.95 C -ATOM 170 CZ PHE A 21 -23.906 -11.831 26.615 1.00 18.40 C -ATOM 171 N SER A 22 -16.849 -14.072 26.211 1.00 16.37 N -ATOM 172 CA SER A 22 -15.406 -13.978 26.201 1.00 15.71 C -ATOM 173 C SER A 22 -14.989 -13.518 24.795 1.00 27.98 C -ATOM 174 O SER A 22 -15.346 -14.160 23.810 1.00 18.52 O -ATOM 175 CB SER A 22 -14.824 -15.314 26.508 1.00 13.95 C -ATOM 176 OG SER A 22 -13.431 -15.173 26.702 1.00 17.49 O -ATOM 177 N SER A 23 -14.273 -12.416 24.652 1.00 17.53 N -ATOM 178 CA SER A 23 -13.869 -11.906 23.350 1.00 21.71 C -ATOM 179 C SER A 23 -12.546 -11.168 23.448 1.00 27.30 C -ATOM 180 O SER A 23 -12.101 -10.859 24.561 1.00 18.45 O -ATOM 181 CB SER A 23 -14.984 -11.006 22.851 1.00 13.04 C -ATOM 182 OG SER A 23 -15.192 -9.821 23.590 1.00 17.20 O -ATOM 183 N ARG A 24 -11.805 -10.927 22.371 1.00 16.47 N -ATOM 184 CA ARG A 24 -10.586 -10.139 22.390 1.00 18.28 C -ATOM 185 C ARG A 24 -10.232 -9.787 20.944 1.00 21.67 C -ATOM 186 O ARG A 24 -10.765 -10.417 20.032 1.00 17.72 O -ATOM 187 CB ARG A 24 -9.384 -10.889 22.934 1.00 14.39 C -ATOM 188 CG ARG A 24 -8.805 -12.022 22.187 1.00 17.95 C -ATOM 189 CD ARG A 24 -7.506 -12.385 22.785 1.00 18.22 C -ATOM 190 NE ARG A 24 -6.965 -13.447 21.943 1.00 16.16 N -ATOM 191 CZ ARG A 24 -5.984 -14.286 22.251 1.00 22.92 C -ATOM 192 NH1 ARG A 24 -5.364 -14.285 23.426 1.00 23.47 N -ATOM 193 NH2 ARG A 24 -5.544 -15.105 21.299 1.00 24.06 N -ATOM 194 N SER A 25 -9.355 -8.836 20.719 1.00 19.57 N -ATOM 195 CA SER A 25 -8.788 -8.593 19.406 1.00 19.55 C -ATOM 196 C SER A 25 -7.354 -8.200 19.668 1.00 22.34 C -ATOM 197 O SER A 25 -7.009 -7.632 20.724 1.00 18.07 O -ATOM 198 CB SER A 25 -9.563 -7.488 18.650 1.00 15.96 C -ATOM 199 OG SER A 25 -9.822 -6.295 19.331 1.00 31.90 O -ATOM 200 N ARG A 26 -6.442 -8.524 18.741 1.00 16.42 N -ATOM 201 CA ARG A 26 -5.006 -8.261 18.856 1.00 14.69 C -ATOM 202 C ARG A 26 -4.472 -7.806 17.479 1.00 18.06 C -ATOM 203 O ARG A 26 -5.093 -8.135 16.455 1.00 16.70 O -ATOM 204 CB ARG A 26 -4.249 -9.528 19.261 1.00 15.19 C -ATOM 205 CG ARG A 26 -4.855 -10.136 20.527 1.00 18.12 C -ATOM 206 CD ARG A 26 -3.970 -11.208 21.079 1.00 19.43 C -ATOM 207 NE ARG A 26 -3.803 -12.232 20.097 1.00 17.77 N -ATOM 208 CZ ARG A 26 -2.963 -13.245 20.234 1.00 29.11 C -ATOM 209 NH1 ARG A 26 -2.202 -13.413 21.297 1.00 20.54 N -ATOM 210 NH2 ARG A 26 -2.829 -14.114 19.235 1.00 23.76 N -ATOM 211 N VAL A 27 -3.371 -7.074 17.436 1.00 18.18 N -ATOM 212 CA VAL A 27 -2.700 -6.649 16.202 1.00 17.02 C -ATOM 213 C VAL A 27 -1.254 -7.078 16.396 1.00 20.98 C -ATOM 214 O VAL A 27 -0.700 -6.935 17.506 1.00 18.90 O -ATOM 215 CB VAL A 27 -2.810 -5.120 16.021 1.00 13.14 C -ATOM 216 CG1 VAL A 27 -1.844 -4.555 14.983 1.00 20.80 C -ATOM 217 CG2 VAL A 27 -4.232 -4.852 15.560 1.00 18.48 C -ATOM 218 N LEU A 28 -0.669 -7.658 15.334 1.00 13.21 N -ATOM 219 CA LEU A 28 0.727 -8.028 15.294 1.00 12.34 C -ATOM 220 C LEU A 28 1.508 -7.115 14.333 1.00 16.60 C -ATOM 221 O LEU A 28 1.087 -6.828 13.211 1.00 19.12 O -ATOM 222 CB LEU A 28 0.834 -9.503 14.877 1.00 15.44 C -ATOM 223 CG LEU A 28 2.234 -10.063 14.618 1.00 17.29 C -ATOM 224 CD1 LEU A 28 3.075 -10.180 15.886 1.00 19.53 C -ATOM 225 CD2 LEU A 28 2.062 -11.434 14.044 1.00 18.79 C -ATOM 226 N PHE A 29 2.623 -6.562 14.779 1.00 14.46 N -ATOM 227 CA PHE A 29 3.533 -5.760 13.971 1.00 19.10 C -ATOM 228 C PHE A 29 4.627 -6.700 13.519 1.00 28.14 C -ATOM 229 O PHE A 29 5.273 -7.290 14.396 1.00 19.55 O -ATOM 230 CB PHE A 29 4.201 -4.663 14.773 1.00 14.05 C -ATOM 231 CG PHE A 29 3.203 -3.682 15.339 1.00 21.24 C -ATOM 232 CD1 PHE A 29 2.576 -2.776 14.523 1.00 17.81 C -ATOM 233 CD2 PHE A 29 2.900 -3.706 16.696 1.00 23.31 C -ATOM 234 CE1 PHE A 29 1.646 -1.902 15.054 1.00 26.27 C -ATOM 235 CE2 PHE A 29 1.972 -2.831 17.226 1.00 20.41 C -ATOM 236 CZ PHE A 29 1.340 -1.928 16.407 1.00 22.27 C -ATOM 237 N THR A 30 4.879 -6.914 12.210 1.00 18.98 N -ATOM 238 CA THR A 30 6.001 -7.751 11.761 1.00 17.37 C -ATOM 239 C THR A 30 6.950 -6.853 11.010 1.00 18.66 C -ATOM 240 O THR A 30 6.537 -6.160 10.078 1.00 21.64 O -ATOM 241 CB THR A 30 5.535 -8.820 10.853 1.00 16.98 C -ATOM 242 OG1 THR A 30 4.602 -9.605 11.567 1.00 23.49 O -ATOM 243 CG2 THR A 30 6.660 -9.675 10.412 1.00 20.20 C -ATOM 244 N MET A 31 8.199 -6.782 11.425 1.00 16.66 N -ATOM 245 CA MET A 31 9.149 -5.864 10.838 1.00 17.95 C -ATOM 246 C MET A 31 10.236 -6.670 10.197 1.00 20.41 C -ATOM 247 O MET A 31 10.633 -7.704 10.743 1.00 16.53 O -ATOM 248 CB MET A 31 9.738 -4.957 11.902 1.00 18.36 C -ATOM 249 CG MET A 31 8.614 -4.154 12.542 1.00 28.91 C -ATOM 250 SD MET A 31 9.221 -2.829 13.578 1.00 29.44 S -ATOM 251 CE MET A 31 9.642 -3.773 14.989 1.00 24.49 C -ATOM 252 N SER A 32 10.719 -6.278 9.007 1.00 18.58 N -ATOM 253 CA SER A 32 11.747 -7.076 8.317 1.00 18.25 C -ATOM 254 C SER A 32 12.663 -6.231 7.441 1.00 17.77 C -ATOM 255 O SER A 32 12.309 -5.074 7.116 1.00 21.99 O -ATOM 256 CB SER A 32 11.084 -8.169 7.454 1.00 21.16 C -ATOM 257 OG SER A 32 10.036 -7.595 6.687 1.00 36.32 O -ATOM 258 N GLY A 33 13.846 -6.810 7.214 1.00 18.75 N -ATOM 259 CA GLY A 33 14.879 -6.169 6.423 1.00 19.45 C -ATOM 260 C GLY A 33 15.928 -7.193 5.988 1.00 19.89 C -ATOM 261 O GLY A 33 15.912 -8.349 6.429 1.00 18.98 O -ATOM 262 N THR A 34 16.861 -6.765 5.111 1.00 20.70 N -ATOM 263 CA THR A 34 17.891 -7.609 4.533 1.00 18.70 C -ATOM 264 C THR A 34 19.122 -6.741 4.408 1.00 15.56 C -ATOM 265 O THR A 34 19.002 -5.588 3.989 1.00 22.55 O -ATOM 266 CB THR A 34 17.516 -8.091 3.111 1.00 23.51 C -ATOM 267 OG1 THR A 34 16.253 -8.696 3.212 1.00 25.34 O -ATOM 268 CG2 THR A 34 18.429 -9.157 2.563 1.00 21.14 C -ATOM 269 N THR A 35 20.302 -7.237 4.741 1.00 16.89 N -ATOM 270 CA THR A 35 21.478 -6.410 4.639 1.00 19.04 C -ATOM 271 C THR A 35 21.964 -6.602 3.189 1.00 31.99 C -ATOM 272 O THR A 35 21.482 -7.478 2.459 1.00 22.91 O -ATOM 273 CB THR A 35 22.529 -6.898 5.632 1.00 21.23 C -ATOM 274 OG1 THR A 35 22.879 -8.235 5.245 1.00 19.46 O -ATOM 275 CG2 THR A 35 21.993 -6.888 7.090 1.00 20.86 C -ATOM 276 N ASP A 36 22.997 -5.869 2.796 1.00 26.13 N -ATOM 277 CA ASP A 36 23.590 -5.924 1.463 1.00 25.73 C -ATOM 278 C ASP A 36 24.060 -7.327 1.137 1.00 25.09 C -ATOM 279 O ASP A 36 23.867 -7.777 0.000 1.00 31.82 O -ATOM 280 CB ASP A 36 24.735 -4.929 1.425 1.00 23.29 C -ATOM 281 CG ASP A 36 24.297 -3.456 1.398 1.00 29.35 C -ATOM 282 OD1 ASP A 36 23.086 -3.192 1.251 1.00 32.92 O -ATOM 283 OD2 ASP A 36 25.180 -2.587 1.538 1.00 36.59 O -ATOM 284 N SER A 37 24.590 -8.117 2.070 1.00 25.70 N -ATOM 285 CA SER A 37 24.981 -9.467 1.714 1.00 23.90 C -ATOM 286 C SER A 37 23.883 -10.508 1.852 1.00 22.34 C -ATOM 287 O SER A 37 24.157 -11.702 1.670 1.00 24.38 O -ATOM 288 CB SER A 37 26.190 -9.852 2.557 1.00 30.09 C -ATOM 289 OG SER A 37 25.867 -9.979 3.940 1.00 48.00 O -ATOM 290 N GLY A 38 22.646 -10.103 2.203 1.00 21.78 N -ATOM 291 CA GLY A 38 21.563 -11.054 2.307 1.00 18.40 C -ATOM 292 C GLY A 38 21.344 -11.680 3.691 1.00 21.34 C -ATOM 293 O GLY A 38 20.692 -12.732 3.780 1.00 22.81 O -ATOM 294 N LEU A 39 21.905 -11.117 4.777 1.00 21.84 N -ATOM 295 CA LEU A 39 21.498 -11.566 6.115 1.00 23.27 C -ATOM 296 C LEU A 39 20.097 -10.977 6.290 1.00 19.54 C -ATOM 297 O LEU A 39 19.805 -9.851 5.869 1.00 23.50 O -ATOM 298 CB LEU A 39 22.375 -10.994 7.207 1.00 22.31 C -ATOM 299 CG LEU A 39 23.816 -11.396 7.138 1.00 21.30 C -ATOM 300 CD1 LEU A 39 24.572 -10.776 8.272 1.00 28.69 C -ATOM 301 CD2 LEU A 39 23.898 -12.869 7.179 1.00 25.27 C -ATOM 302 N GLU A 40 19.151 -11.696 6.862 1.00 18.39 N -ATOM 303 CA GLU A 40 17.800 -11.215 7.032 1.00 18.96 C -ATOM 304 C GLU A 40 17.670 -10.825 8.514 1.00 26.64 C -ATOM 305 O GLU A 40 18.276 -11.448 9.393 1.00 22.66 O -ATOM 306 CB GLU A 40 16.815 -12.318 6.729 1.00 21.71 C -ATOM 307 CG GLU A 40 16.895 -12.947 5.330 1.00 36.43 C -ATOM 308 CD GLU A 40 16.532 -11.980 4.209 1.00 58.73 C -ATOM 309 OE1 GLU A 40 15.614 -11.176 4.367 1.00 52.82 O -ATOM 310 OE2 GLU A 40 17.172 -12.043 3.163 1.00 61.13 O -ATOM 311 N PHE A 41 16.903 -9.813 8.825 1.00 23.28 N -ATOM 312 CA PHE A 41 16.729 -9.397 10.204 1.00 20.43 C -ATOM 313 C PHE A 41 15.288 -9.003 10.392 1.00 33.11 C -ATOM 314 O PHE A 41 14.563 -8.770 9.407 1.00 17.55 O -ATOM 315 CB PHE A 41 17.694 -8.252 10.489 1.00 17.40 C -ATOM 316 CG PHE A 41 17.603 -6.962 9.670 1.00 19.97 C -ATOM 317 CD1 PHE A 41 16.752 -5.938 10.031 1.00 18.79 C -ATOM 318 CD2 PHE A 41 18.455 -6.794 8.582 1.00 24.90 C -ATOM 319 CE1 PHE A 41 16.740 -4.744 9.333 1.00 18.42 C -ATOM 320 CE2 PHE A 41 18.444 -5.600 7.882 1.00 18.53 C -ATOM 321 CZ PHE A 41 17.594 -4.583 8.257 1.00 20.56 C -ATOM 322 N GLY A 42 14.810 -8.936 11.626 1.00 16.60 N -ATOM 323 CA GLY A 42 13.432 -8.570 11.827 1.00 15.94 C -ATOM 324 C GLY A 42 13.130 -8.441 13.326 1.00 18.51 C -ATOM 325 O GLY A 42 14.038 -8.612 14.142 1.00 17.74 O -ATOM 326 N ALA A 43 11.882 -8.141 13.619 1.00 19.68 N -ATOM 327 CA ALA A 43 11.393 -8.009 14.983 1.00 19.54 C -ATOM 328 C ALA A 43 9.876 -8.122 14.929 1.00 25.22 C -ATOM 329 O ALA A 43 9.252 -7.819 13.898 1.00 20.81 O -ATOM 330 CB ALA A 43 11.797 -6.646 15.537 1.00 16.52 C -ATOM 331 N SER A 44 9.180 -8.631 15.949 1.00 17.32 N -ATOM 332 CA SER A 44 7.736 -8.545 15.971 1.00 13.95 C -ATOM 333 C SER A 44 7.250 -8.527 17.428 1.00 17.36 C -ATOM 334 O SER A 44 7.963 -9.025 18.307 1.00 16.29 O -ATOM 335 CB SER A 44 7.093 -9.733 15.268 1.00 18.32 C -ATOM 336 OG SER A 44 7.556 -10.959 15.751 1.00 28.70 O -ATOM 337 N PHE A 45 6.076 -7.971 17.629 1.00 18.21 N -ATOM 338 CA PHE A 45 5.403 -7.974 18.916 1.00 19.59 C -ATOM 339 C PHE A 45 3.972 -7.562 18.664 1.00 21.25 C -ATOM 340 O PHE A 45 3.681 -7.002 17.593 1.00 19.84 O -ATOM 341 CB PHE A 45 6.102 -6.994 19.881 1.00 12.80 C -ATOM 342 CG PHE A 45 6.124 -5.522 19.533 1.00 16.76 C -ATOM 343 CD1 PHE A 45 5.086 -4.685 19.910 1.00 13.03 C -ATOM 344 CD2 PHE A 45 7.207 -4.996 18.829 1.00 15.77 C -ATOM 345 CE1 PHE A 45 5.134 -3.325 19.575 1.00 18.11 C -ATOM 346 CE2 PHE A 45 7.242 -3.644 18.503 1.00 14.29 C -ATOM 347 CZ PHE A 45 6.208 -2.799 18.869 1.00 18.49 C -ATOM 348 N LYS A 46 3.049 -7.825 19.601 1.00 14.65 N -ATOM 349 CA LYS A 46 1.661 -7.465 19.434 1.00 13.19 C -ATOM 350 C LYS A 46 1.393 -6.162 20.108 1.00 16.83 C -ATOM 351 O LYS A 46 2.154 -5.743 20.989 1.00 18.21 O -ATOM 352 CB LYS A 46 0.738 -8.518 20.001 1.00 14.48 C -ATOM 353 CG LYS A 46 1.038 -9.835 19.322 1.00 19.35 C -ATOM 354 CD LYS A 46 -0.003 -10.886 19.568 1.00 22.07 C -ATOM 355 CE LYS A 46 0.414 -12.179 18.892 1.00 29.45 C -ATOM 356 NZ LYS A 46 1.569 -12.753 19.553 1.00 30.58 N -ATOM 357 N ALA A 47 0.308 -5.501 19.763 1.00 13.74 N -ATOM 358 CA ALA A 47 0.078 -4.159 20.218 1.00 14.51 C -ATOM 359 C ALA A 47 -0.066 -4.148 21.761 1.00 17.84 C -ATOM 360 O ALA A 47 0.398 -3.213 22.427 1.00 16.71 O -ATOM 361 CB ALA A 47 -1.210 -3.622 19.625 1.00 13.21 C -ATOM 362 N HIS A 48 -0.708 -5.145 22.361 1.00 18.81 N -ATOM 363 CA HIS A 48 -0.891 -5.162 23.828 1.00 17.50 C -ATOM 364 C HIS A 48 0.419 -5.424 24.553 1.00 22.24 C -ATOM 365 O HIS A 48 0.466 -5.259 25.766 1.00 17.89 O -ATOM 366 CB HIS A 48 -1.945 -6.227 24.217 1.00 11.96 C -ATOM 367 CG HIS A 48 -1.534 -7.665 24.011 1.00 19.24 C -ATOM 368 ND1 HIS A 48 -1.497 -8.384 22.895 1.00 19.50 N -ATOM 369 CD2 HIS A 48 -1.086 -8.486 25.013 1.00 18.37 C -ATOM 370 CE1 HIS A 48 -1.055 -9.584 23.167 1.00 20.35 C -ATOM 371 NE2 HIS A 48 -0.808 -9.640 24.459 1.00 20.64 N -ATOM 372 N GLU A 49 1.498 -5.770 23.833 1.00 14.70 N -ATOM 373 CA GLU A 49 2.792 -6.076 24.377 1.00 14.46 C -ATOM 374 C GLU A 49 3.721 -4.937 24.115 1.00 14.22 C -ATOM 375 O GLU A 49 4.926 -5.114 24.355 1.00 15.82 O -ATOM 376 CB GLU A 49 3.502 -7.231 23.733 1.00 15.73 C -ATOM 377 CG GLU A 49 2.678 -8.470 23.628 1.00 24.60 C -ATOM 378 CD GLU A 49 3.401 -9.595 22.894 1.00 32.30 C -ATOM 379 OE1 GLU A 49 3.947 -9.415 21.802 1.00 21.35 O -ATOM 380 OE2 GLU A 49 3.405 -10.693 23.434 1.00 21.91 O -ATOM 381 N SER A 50 3.267 -3.778 23.639 1.00 14.73 N -ATOM 382 CA SER A 50 4.225 -2.763 23.249 1.00 13.74 C -ATOM 383 C SER A 50 5.102 -2.232 24.381 1.00 20.29 C -ATOM 384 O SER A 50 6.283 -1.952 24.134 1.00 16.11 O -ATOM 385 CB ASER A 50 3.509 -1.575 22.648 0.60 12.78 C -ATOM 386 CB BSER A 50 3.508 -1.603 22.576 0.40 12.35 C -ATOM 387 OG ASER A 50 2.591 -1.903 21.621 0.60 15.12 O -ATOM 388 OG BSER A 50 2.465 -1.023 23.337 0.40 13.87 O -ATOM 389 N VAL A 51 4.593 -2.082 25.643 1.00 15.56 N -ATOM 390 CA VAL A 51 5.457 -1.647 26.754 1.00 16.90 C -ATOM 391 C VAL A 51 6.573 -2.640 27.042 1.00 10.27 C -ATOM 392 O VAL A 51 7.741 -2.242 27.190 1.00 17.77 O -ATOM 393 CB VAL A 51 4.552 -1.433 27.990 1.00 16.34 C -ATOM 394 CG1 VAL A 51 5.421 -1.112 29.187 1.00 18.56 C -ATOM 395 CG2 VAL A 51 3.614 -0.273 27.756 1.00 16.82 C -ATOM 396 N GLY A 52 6.229 -3.936 27.076 1.00 12.24 N -ATOM 397 CA GLY A 52 7.179 -4.995 27.308 1.00 13.64 C -ATOM 398 C GLY A 52 8.163 -5.141 26.173 1.00 15.14 C -ATOM 399 O GLY A 52 9.333 -5.412 26.407 1.00 15.99 O -ATOM 400 N ALA A 53 7.731 -4.935 24.916 1.00 18.76 N -ATOM 401 CA ALA A 53 8.646 -5.080 23.781 1.00 14.32 C -ATOM 402 C ALA A 53 9.731 -4.043 23.846 1.00 10.54 C -ATOM 403 O ALA A 53 10.860 -4.300 23.428 1.00 15.30 O -ATOM 404 CB ALA A 53 7.858 -4.926 22.504 1.00 14.72 C -ATOM 405 N GLU A 54 9.478 -2.845 24.408 1.00 13.35 N -ATOM 406 CA GLU A 54 10.494 -1.846 24.572 1.00 13.86 C -ATOM 407 C GLU A 54 11.561 -2.194 25.631 1.00 17.54 C -ATOM 408 O GLU A 54 12.581 -1.509 25.658 1.00 17.99 O -ATOM 409 CB GLU A 54 9.754 -0.556 24.867 1.00 16.36 C -ATOM 410 CG GLU A 54 10.604 0.728 24.700 1.00 19.98 C -ATOM 411 CD GLU A 54 11.242 1.324 25.973 1.00 33.77 C -ATOM 412 OE1 GLU A 54 10.752 1.040 27.063 1.00 26.33 O -ATOM 413 OE2 GLU A 54 12.220 2.070 25.890 1.00 28.75 O -ATOM 414 N THR A 55 11.475 -3.220 26.506 1.00 19.05 N -ATOM 415 CA THR A 55 12.551 -3.557 27.444 1.00 15.96 C -ATOM 416 C THR A 55 13.110 -4.947 27.155 1.00 17.46 C -ATOM 417 O THR A 55 14.042 -5.381 27.817 1.00 21.17 O -ATOM 418 CB THR A 55 12.005 -3.513 28.919 1.00 13.94 C -ATOM 419 OG1 THR A 55 11.287 -4.727 29.108 1.00 16.77 O -ATOM 420 CG2 THR A 55 11.073 -2.348 29.195 1.00 18.93 C -ATOM 421 N GLY A 56 12.570 -5.748 26.218 1.00 18.11 N -ATOM 422 CA GLY A 56 13.084 -7.088 25.925 1.00 14.36 C -ATOM 423 C GLY A 56 12.237 -8.176 26.524 1.00 14.53 C -ATOM 424 O GLY A 56 12.434 -9.374 26.329 1.00 19.77 O -ATOM 425 N GLU A 57 11.236 -7.772 27.302 1.00 17.95 N -ATOM 426 CA GLU A 57 10.388 -8.714 28.003 1.00 14.56 C -ATOM 427 C GLU A 57 9.399 -9.429 27.094 1.00 19.55 C -ATOM 428 O GLU A 57 8.985 -10.570 27.364 1.00 18.74 O -ATOM 429 CB GLU A 57 9.647 -7.937 29.080 1.00 15.25 C -ATOM 430 CG GLU A 57 8.695 -8.852 29.844 1.00 25.44 C -ATOM 431 CD GLU A 57 7.968 -8.238 31.032 1.00 32.41 C -ATOM 432 OE1 GLU A 57 7.965 -7.015 31.165 1.00 25.94 O -ATOM 433 OE2 GLU A 57 7.404 -9.005 31.819 1.00 40.55 O -ATOM 434 N ASP A 58 8.907 -8.711 26.061 1.00 16.20 N -ATOM 435 CA ASP A 58 7.928 -9.271 25.141 1.00 12.73 C -ATOM 436 C ASP A 58 8.437 -9.040 23.703 1.00 13.30 C -ATOM 437 O ASP A 58 9.261 -8.155 23.492 1.00 14.77 O -ATOM 438 CB ASP A 58 6.608 -8.577 25.263 1.00 14.67 C -ATOM 439 CG ASP A 58 5.857 -8.919 26.553 1.00 21.34 C -ATOM 440 OD1 ASP A 58 5.853 -10.077 26.968 1.00 21.30 O -ATOM 441 OD2 ASP A 58 5.266 -8.004 27.106 1.00 23.15 O -ATOM 442 N GLY A 59 7.926 -9.816 22.763 1.00 19.15 N -ATOM 443 CA GLY A 59 8.326 -9.704 21.358 1.00 17.18 C -ATOM 444 C GLY A 59 9.697 -10.284 21.149 1.00 19.54 C -ATOM 445 O GLY A 59 10.389 -10.660 22.106 1.00 19.80 O -ATOM 446 N THR A 60 10.154 -10.452 19.904 1.00 16.10 N -ATOM 447 CA THR A 60 11.516 -10.939 19.634 1.00 16.20 C -ATOM 448 C THR A 60 12.208 -10.120 18.533 1.00 19.22 C -ATOM 449 O THR A 60 11.492 -9.446 17.781 1.00 17.59 O -ATOM 450 CB THR A 60 11.550 -12.410 19.180 1.00 22.89 C -ATOM 451 OG1 THR A 60 10.585 -12.586 18.156 1.00 24.63 O -ATOM 452 CG2 THR A 60 11.269 -13.368 20.330 1.00 22.82 C -ATOM 453 N VAL A 61 13.543 -10.107 18.509 1.00 17.23 N -ATOM 454 CA VAL A 61 14.372 -9.452 17.504 1.00 19.01 C -ATOM 455 C VAL A 61 15.238 -10.597 16.937 1.00 26.28 C -ATOM 456 O VAL A 61 15.644 -11.502 17.696 1.00 18.85 O -ATOM 457 CB VAL A 61 15.254 -8.357 18.149 1.00 17.83 C -ATOM 458 CG1 VAL A 61 16.149 -7.691 17.106 1.00 18.08 C -ATOM 459 CG2 VAL A 61 14.370 -7.300 18.743 1.00 17.74 C -ATOM 460 N PHE A 62 15.514 -10.677 15.619 1.00 19.51 N -ATOM 461 CA PHE A 62 16.360 -11.751 15.103 1.00 17.61 C -ATOM 462 C PHE A 62 17.285 -11.275 13.976 1.00 21.17 C -ATOM 463 O PHE A 62 17.061 -10.220 13.354 1.00 17.39 O -ATOM 464 CB PHE A 62 15.511 -12.906 14.593 1.00 17.41 C -ATOM 465 CG PHE A 62 14.791 -12.663 13.262 1.00 22.01 C -ATOM 466 CD1 PHE A 62 15.435 -12.942 12.052 1.00 26.08 C -ATOM 467 CD2 PHE A 62 13.491 -12.194 13.274 1.00 20.41 C -ATOM 468 CE1 PHE A 62 14.763 -12.753 10.858 1.00 24.18 C -ATOM 469 CE2 PHE A 62 12.832 -12.009 12.065 1.00 39.24 C -ATOM 470 CZ PHE A 62 13.459 -12.287 10.860 1.00 26.42 C -ATOM 471 N LEU A 63 18.313 -12.091 13.770 1.00 21.61 N -ATOM 472 CA LEU A 63 19.300 -11.936 12.695 1.00 23.98 C -ATOM 473 C LEU A 63 19.526 -13.326 12.165 1.00 24.88 C -ATOM 474 O LEU A 63 19.743 -14.212 12.996 1.00 20.07 O -ATOM 475 CB LEU A 63 20.666 -11.435 13.169 1.00 23.98 C -ATOM 476 CG LEU A 63 21.744 -11.227 12.093 1.00 27.68 C -ATOM 477 CD1 LEU A 63 21.356 -10.091 11.154 1.00 22.99 C -ATOM 478 CD2 LEU A 63 23.025 -10.825 12.760 1.00 34.32 C -ATOM 479 N SER A 64 19.433 -13.609 10.848 1.00 21.19 N -ATOM 480 CA SER A 64 19.710 -14.943 10.320 1.00 18.57 C -ATOM 481 C SER A 64 20.561 -14.868 9.041 1.00 18.66 C -ATOM 482 O SER A 64 20.680 -13.840 8.382 1.00 22.26 O -ATOM 483 CB SER A 64 18.431 -15.690 10.024 1.00 18.27 C -ATOM 484 OG SER A 64 17.538 -15.009 9.176 1.00 24.76 O -ATOM 485 N GLY A 65 21.253 -15.940 8.800 1.00 21.15 N -ATOM 486 CA GLY A 65 22.140 -16.038 7.682 1.00 24.41 C -ATOM 487 C GLY A 65 22.359 -17.507 7.432 1.00 28.66 C -ATOM 488 O GLY A 65 21.615 -18.399 7.867 1.00 22.09 O -ATOM 489 N ALA A 66 23.471 -17.768 6.775 1.00 26.28 N -ATOM 490 CA ALA A 66 23.831 -19.125 6.445 1.00 25.46 C -ATOM 491 C ALA A 66 24.142 -19.955 7.687 1.00 26.02 C -ATOM 492 O ALA A 66 24.006 -21.176 7.675 1.00 27.00 O -ATOM 493 CB ALA A 66 25.052 -19.103 5.562 1.00 28.91 C -ATOM 494 N PHE A 67 24.560 -19.236 8.733 1.00 33.18 N -ATOM 495 CA PHE A 67 24.872 -19.766 10.064 1.00 33.95 C -ATOM 496 C PHE A 67 23.639 -20.176 10.879 1.00 35.16 C -ATOM 497 O PHE A 67 23.792 -20.833 11.897 1.00 30.66 O -ATOM 498 CB PHE A 67 25.670 -18.717 10.875 1.00 23.01 C -ATOM 499 CG PHE A 67 24.970 -17.367 11.142 1.00 45.98 C -ATOM 500 CD1 PHE A 67 24.078 -17.228 12.210 1.00 41.66 C -ATOM 501 CD2 PHE A 67 25.204 -16.287 10.294 1.00 34.67 C -ATOM 502 CE1 PHE A 67 23.430 -16.028 12.410 1.00 40.95 C -ATOM 503 CE2 PHE A 67 24.550 -15.087 10.505 1.00 32.83 C -ATOM 504 CZ PHE A 67 23.665 -14.960 11.562 1.00 35.21 C -ATOM 505 N GLY A 68 22.416 -19.819 10.532 1.00 20.84 N -ATOM 506 CA GLY A 68 21.265 -20.203 11.306 1.00 21.82 C -ATOM 507 C GLY A 68 20.642 -18.916 11.769 1.00 28.92 C -ATOM 508 O GLY A 68 20.925 -17.877 11.156 1.00 24.29 O -ATOM 509 N LYS A 69 19.851 -18.891 12.843 1.00 21.72 N -ATOM 510 CA LYS A 69 19.098 -17.707 13.231 1.00 18.84 C -ATOM 511 C LYS A 69 19.320 -17.462 14.730 1.00 23.51 C -ATOM 512 O LYS A 69 19.251 -18.415 15.506 1.00 20.90 O -ATOM 513 CB LYS A 69 17.634 -17.977 12.954 1.00 16.30 C -ATOM 514 CG LYS A 69 16.700 -16.815 13.294 1.00 16.85 C -ATOM 515 CD LYS A 69 15.304 -17.356 13.064 1.00 20.17 C -ATOM 516 CE LYS A 69 14.288 -16.324 13.436 1.00 31.92 C -ATOM 517 NZ LYS A 69 12.951 -16.787 13.098 1.00 46.73 N -ATOM 518 N ILE A 70 19.558 -16.242 15.121 1.00 19.45 N -ATOM 519 CA ILE A 70 19.738 -15.850 16.517 1.00 23.74 C -ATOM 520 C ILE A 70 18.550 -14.960 16.846 1.00 25.87 C -ATOM 521 O ILE A 70 18.354 -13.935 16.184 1.00 20.11 O -ATOM 522 CB ILE A 70 21.033 -15.053 16.665 1.00 25.58 C -ATOM 523 CG1 ILE A 70 22.222 -15.938 16.316 1.00 43.31 C -ATOM 524 CG2 ILE A 70 21.155 -14.549 18.101 1.00 33.44 C -ATOM 525 CD1 ILE A 70 23.489 -15.098 16.072 1.00 57.37 C -ATOM 526 N GLU A 71 17.762 -15.262 17.870 1.00 19.38 N -ATOM 527 CA GLU A 71 16.580 -14.500 18.236 1.00 17.37 C -ATOM 528 C GLU A 71 16.710 -14.081 19.723 1.00 24.39 C -ATOM 529 O GLU A 71 17.124 -14.941 20.523 1.00 20.85 O -ATOM 530 CB GLU A 71 15.440 -15.420 18.004 1.00 15.42 C -ATOM 531 CG GLU A 71 14.084 -14.781 18.104 1.00 22.29 C -ATOM 532 CD GLU A 71 12.943 -15.740 17.774 1.00 23.14 C -ATOM 533 OE1 GLU A 71 13.125 -16.928 17.975 1.00 42.67 O -ATOM 534 OE2 GLU A 71 11.889 -15.293 17.301 1.00 53.77 O -ATOM 535 N MET A 72 16.371 -12.852 20.135 1.00 19.50 N -ATOM 536 CA MET A 72 16.509 -12.441 21.530 1.00 17.32 C -ATOM 537 C MET A 72 15.222 -11.759 21.904 1.00 23.46 C -ATOM 538 O MET A 72 14.672 -11.008 21.078 1.00 19.57 O -ATOM 539 CB MET A 72 17.661 -11.496 21.646 1.00 18.57 C -ATOM 540 CG MET A 72 18.009 -11.158 23.111 1.00 19.11 C -ATOM 541 SD MET A 72 19.490 -10.156 23.277 1.00 23.42 S -ATOM 542 CE MET A 72 20.692 -11.366 22.863 1.00 18.32 C -ATOM 543 N GLY A 73 14.688 -12.049 23.105 1.00 17.35 N -ATOM 544 CA GLY A 73 13.504 -11.376 23.637 1.00 14.94 C -ATOM 545 C GLY A 73 12.683 -12.424 24.343 1.00 13.51 C -ATOM 546 O GLY A 73 13.232 -13.308 25.002 1.00 18.04 O -ATOM 547 N ASP A 74 11.386 -12.433 24.107 1.00 15.69 N -ATOM 548 CA ASP A 74 10.515 -13.406 24.681 1.00 17.65 C -ATOM 549 C ASP A 74 10.486 -14.603 23.728 1.00 22.75 C -ATOM 550 O ASP A 74 9.524 -14.828 23.003 1.00 21.21 O -ATOM 551 CB ASP A 74 9.137 -12.740 24.892 1.00 14.59 C -ATOM 552 CG ASP A 74 8.076 -13.590 25.598 1.00 19.98 C -ATOM 553 OD1 ASP A 74 8.318 -14.775 25.902 1.00 18.00 O -ATOM 554 OD2 ASP A 74 6.980 -13.063 25.837 1.00 24.40 O -ATOM 555 N ALA A 75 11.532 -15.419 23.750 1.00 18.50 N -ATOM 556 CA ALA A 75 11.713 -16.573 22.864 1.00 19.75 C -ATOM 557 C ALA A 75 11.337 -17.890 23.491 1.00 25.86 C -ATOM 558 O ALA A 75 11.278 -18.023 24.725 1.00 24.49 O -ATOM 559 CB ALA A 75 13.178 -16.655 22.429 1.00 15.70 C -ATOM 560 N LEU A 76 11.070 -18.878 22.664 1.00 18.04 N -ATOM 561 CA LEU A 76 10.802 -20.214 23.107 1.00 15.51 C -ATOM 562 C LEU A 76 12.092 -20.838 23.503 1.00 14.71 C -ATOM 563 O LEU A 76 13.152 -20.342 23.143 1.00 17.59 O -ATOM 564 CB LEU A 76 10.206 -21.060 22.015 1.00 16.00 C -ATOM 565 CG LEU A 76 8.883 -20.535 21.479 1.00 22.46 C -ATOM 566 CD1 LEU A 76 8.475 -21.434 20.341 1.00 21.79 C -ATOM 567 CD2 LEU A 76 7.799 -20.480 22.572 1.00 22.12 C -ATOM 568 N GLY A 77 12.076 -21.891 24.310 1.00 17.76 N -ATOM 569 CA GLY A 77 13.327 -22.567 24.572 1.00 17.10 C -ATOM 570 C GLY A 77 13.556 -23.559 23.419 1.00 17.15 C -ATOM 571 O GLY A 77 12.610 -23.809 22.655 1.00 18.35 O -ATOM 572 N ALA A 78 14.754 -24.139 23.296 1.00 20.25 N -ATOM 573 CA ALA A 78 15.128 -25.036 22.197 1.00 16.35 C -ATOM 574 C ALA A 78 14.198 -26.183 21.912 1.00 23.67 C -ATOM 575 O ALA A 78 13.814 -26.393 20.755 1.00 22.78 O -ATOM 576 CB ALA A 78 16.462 -25.588 22.481 1.00 18.71 C -ATOM 577 N SER A 79 13.714 -26.937 22.908 1.00 18.97 N -ATOM 578 CA SER A 79 12.786 -28.017 22.665 1.00 20.71 C -ATOM 579 C SER A 79 11.439 -27.556 22.153 1.00 27.48 C -ATOM 580 O SER A 79 10.922 -28.131 21.189 1.00 21.54 O -ATOM 581 CB SER A 79 12.560 -28.836 23.938 1.00 24.34 C -ATOM 582 OG SER A 79 13.824 -29.214 24.459 1.00 24.45 O -ATOM 583 N GLU A 80 10.819 -26.536 22.748 1.00 20.47 N -ATOM 584 CA GLU A 80 9.535 -26.056 22.298 1.00 18.48 C -ATOM 585 C GLU A 80 9.685 -25.501 20.868 1.00 15.64 C -ATOM 586 O GLU A 80 8.783 -25.769 20.080 1.00 21.68 O -ATOM 587 CB GLU A 80 9.069 -24.969 23.223 1.00 14.52 C -ATOM 588 CG GLU A 80 7.633 -24.660 22.893 1.00 19.36 C -ATOM 589 CD GLU A 80 6.848 -23.844 23.889 1.00 21.31 C -ATOM 590 OE1 GLU A 80 7.308 -23.565 24.990 1.00 23.28 O -ATOM 591 OE2 GLU A 80 5.698 -23.516 23.611 1.00 17.31 O -ATOM 592 N ALA A 81 10.788 -24.801 20.564 1.00 18.80 N -ATOM 593 CA ALA A 81 11.098 -24.231 19.243 1.00 19.97 C -ATOM 594 C ALA A 81 11.057 -25.363 18.192 1.00 25.91 C -ATOM 595 O ALA A 81 10.494 -25.167 17.108 1.00 26.82 O -ATOM 596 CB ALA A 81 12.488 -23.601 19.244 1.00 18.56 C -ATOM 597 N LEU A 82 11.536 -26.581 18.470 1.00 24.81 N -ATOM 598 CA LEU A 82 11.430 -27.667 17.504 1.00 20.49 C -ATOM 599 C LEU A 82 10.182 -28.507 17.592 1.00 30.61 C -ATOM 600 O LEU A 82 9.701 -28.908 16.531 1.00 30.38 O -ATOM 601 CB LEU A 82 12.645 -28.604 17.602 1.00 18.07 C -ATOM 602 CG LEU A 82 14.010 -27.947 17.469 1.00 23.91 C -ATOM 603 CD1 LEU A 82 15.093 -28.988 17.327 1.00 21.74 C -ATOM 604 CD2 LEU A 82 13.996 -27.023 16.282 1.00 22.55 C -ATOM 605 N PHE A 83 9.531 -28.797 18.743 1.00 23.86 N -ATOM 606 CA PHE A 83 8.420 -29.760 18.772 1.00 18.13 C -ATOM 607 C PHE A 83 7.055 -29.177 18.997 1.00 21.39 C -ATOM 608 O PHE A 83 6.075 -29.879 18.742 1.00 24.29 O -ATOM 609 CB PHE A 83 8.669 -30.868 19.847 1.00 20.46 C -ATOM 610 CG PHE A 83 10.096 -31.430 19.770 1.00 31.47 C -ATOM 611 CD1 PHE A 83 10.595 -31.925 18.569 1.00 36.76 C -ATOM 612 CD2 PHE A 83 10.920 -31.396 20.884 1.00 29.87 C -ATOM 613 CE1 PHE A 83 11.894 -32.359 18.508 1.00 29.95 C -ATOM 614 CE2 PHE A 83 12.217 -31.832 20.811 1.00 27.18 C -ATOM 615 CZ PHE A 83 12.701 -32.308 19.620 1.00 28.91 C -ATOM 616 N GLY A 84 6.950 -27.901 19.432 1.00 21.59 N -ATOM 617 CA GLY A 84 5.655 -27.273 19.633 1.00 19.54 C -ATOM 618 C GLY A 84 4.752 -27.918 20.688 1.00 20.13 C -ATOM 619 O GLY A 84 5.208 -28.576 21.628 1.00 24.79 O -ATOM 620 N ASP A 85 3.452 -27.708 20.541 1.00 18.15 N -ATOM 621 CA ASP A 85 2.428 -28.142 21.477 1.00 22.04 C -ATOM 622 C ASP A 85 1.488 -29.149 20.869 1.00 32.84 C -ATOM 623 O ASP A 85 1.564 -29.420 19.679 1.00 25.86 O -ATOM 624 CB ASP A 85 1.613 -26.922 21.969 1.00 21.66 C -ATOM 625 CG ASP A 85 2.469 -26.050 22.883 1.00 22.97 C -ATOM 626 OD1 ASP A 85 3.261 -26.564 23.668 1.00 22.67 O -ATOM 627 OD2 ASP A 85 2.388 -24.840 22.763 1.00 22.22 O -ATOM 628 N LEU A 86 0.563 -29.709 21.643 1.00 21.52 N -ATOM 629 CA LEU A 86 -0.397 -30.678 21.160 1.00 19.15 C -ATOM 630 C LEU A 86 -1.549 -29.874 20.579 1.00 18.35 C -ATOM 631 O LEU A 86 -1.559 -28.627 20.662 1.00 21.62 O -ATOM 632 CB LEU A 86 -0.857 -31.592 22.322 1.00 18.02 C -ATOM 633 CG LEU A 86 0.206 -32.397 23.057 1.00 21.20 C -ATOM 634 CD1 LEU A 86 -0.562 -33.296 24.012 1.00 24.06 C -ATOM 635 CD2 LEU A 86 1.083 -33.271 22.144 1.00 22.07 C -ATOM 636 N TYR A 87 -2.516 -30.554 19.969 1.00 20.03 N -ATOM 637 CA TYR A 87 -3.665 -29.918 19.323 1.00 23.10 C -ATOM 638 C TYR A 87 -4.395 -28.937 20.251 1.00 35.01 C -ATOM 639 O TYR A 87 -4.824 -29.313 21.327 1.00 21.25 O -ATOM 640 CB TYR A 87 -4.648 -31.014 18.836 1.00 22.33 C -ATOM 641 CG TYR A 87 -5.850 -30.450 18.083 1.00 24.26 C -ATOM 642 CD1 TYR A 87 -5.703 -29.865 16.826 1.00 29.11 C -ATOM 643 CD2 TYR A 87 -7.092 -30.502 18.680 1.00 25.25 C -ATOM 644 CE1 TYR A 87 -6.812 -29.336 16.187 1.00 24.19 C -ATOM 645 CE2 TYR A 87 -8.197 -29.969 18.054 1.00 23.60 C -ATOM 646 CZ TYR A 87 -8.038 -29.393 16.820 1.00 32.01 C -ATOM 647 OH TYR A 87 -9.141 -28.823 16.238 1.00 38.33 O -ATOM 648 N GLU A 88 -4.612 -27.696 19.830 1.00 24.04 N -ATOM 649 CA GLU A 88 -5.228 -26.664 20.628 1.00 23.00 C -ATOM 650 C GLU A 88 -6.711 -26.782 20.555 1.00 28.26 C -ATOM 651 O GLU A 88 -7.325 -26.777 19.487 1.00 25.13 O -ATOM 652 CB GLU A 88 -4.745 -25.312 20.120 1.00 19.61 C -ATOM 653 CG GLU A 88 -5.293 -24.187 20.941 1.00 19.84 C -ATOM 654 CD GLU A 88 -4.733 -22.814 20.603 1.00 19.96 C -ATOM 655 OE1 GLU A 88 -3.531 -22.588 20.634 1.00 22.24 O -ATOM 656 OE2 GLU A 88 -5.525 -21.927 20.345 1.00 28.96 O -ATOM 657 N VAL A 89 -7.293 -26.892 21.731 1.00 20.98 N -ATOM 658 CA VAL A 89 -8.725 -27.043 21.863 1.00 19.79 C -ATOM 659 C VAL A 89 -9.368 -25.772 22.381 1.00 21.24 C -ATOM 660 O VAL A 89 -8.820 -25.141 23.301 1.00 25.75 O -ATOM 661 CB VAL A 89 -8.985 -28.240 22.811 1.00 21.18 C -ATOM 662 CG1 VAL A 89 -10.471 -28.313 23.162 1.00 20.32 C -ATOM 663 CG2 VAL A 89 -8.500 -29.529 22.147 1.00 23.18 C -ATOM 664 N GLY A 90 -10.544 -25.508 21.775 1.00 18.46 N -ATOM 665 CA GLY A 90 -11.503 -24.447 22.072 1.00 17.42 C -ATOM 666 C GLY A 90 -11.182 -23.088 21.423 1.00 16.29 C -ATOM 667 O GLY A 90 -10.017 -22.772 21.178 1.00 21.52 O -ATOM 668 N TYR A 91 -12.170 -22.231 21.137 1.00 15.81 N -ATOM 669 CA TYR A 91 -11.894 -20.937 20.537 1.00 16.90 C -ATOM 670 C TYR A 91 -11.119 -20.046 21.479 1.00 20.78 C -ATOM 671 O TYR A 91 -10.452 -19.147 20.996 1.00 20.06 O -ATOM 672 CB TYR A 91 -13.201 -20.266 20.121 1.00 14.86 C -ATOM 673 CG TYR A 91 -13.911 -19.353 21.115 1.00 20.42 C -ATOM 674 CD1 TYR A 91 -13.614 -18.019 21.136 1.00 17.43 C -ATOM 675 CD2 TYR A 91 -14.866 -19.845 21.983 1.00 21.36 C -ATOM 676 CE1 TYR A 91 -14.268 -17.195 22.018 1.00 21.64 C -ATOM 677 CE2 TYR A 91 -15.536 -19.021 22.871 1.00 17.13 C -ATOM 678 CZ TYR A 91 -15.218 -17.704 22.874 1.00 16.53 C -ATOM 679 OH TYR A 91 -15.829 -16.860 23.749 1.00 19.49 O -ATOM 680 N THR A 92 -11.188 -20.209 22.824 1.00 22.98 N -ATOM 681 CA THR A 92 -10.447 -19.354 23.771 1.00 20.64 C -ATOM 682 C THR A 92 -9.123 -20.013 24.167 1.00 19.15 C -ATOM 683 O THR A 92 -8.362 -19.403 24.901 1.00 20.90 O -ATOM 684 CB THR A 92 -11.280 -19.076 25.084 1.00 15.66 C -ATOM 685 OG1 THR A 92 -11.525 -20.348 25.670 1.00 19.23 O -ATOM 686 CG2 THR A 92 -12.624 -18.457 24.881 1.00 13.61 C -ATOM 687 N ASP A 93 -8.787 -21.221 23.667 1.00 18.00 N -ATOM 688 CA ASP A 93 -7.643 -22.059 24.031 1.00 18.24 C -ATOM 689 C ASP A 93 -7.851 -22.464 25.485 1.00 25.81 C -ATOM 690 O ASP A 93 -7.377 -21.806 26.430 1.00 22.47 O -ATOM 691 CB ASP A 93 -6.291 -21.317 23.863 1.00 17.88 C -ATOM 692 CG ASP A 93 -5.053 -22.146 24.152 1.00 20.65 C -ATOM 693 OD1 ASP A 93 -5.084 -23.364 24.383 1.00 25.25 O -ATOM 694 OD2 ASP A 93 -3.957 -21.594 24.164 1.00 20.38 O -ATOM 695 N LEU A 94 -8.639 -23.527 25.668 1.00 23.49 N -ATOM 696 CA LEU A 94 -9.100 -23.935 27.007 1.00 22.32 C -ATOM 697 C LEU A 94 -8.008 -24.604 27.802 1.00 20.94 C -ATOM 698 O LEU A 94 -7.974 -25.821 27.928 1.00 22.40 O -ATOM 699 CB LEU A 94 -10.273 -24.902 26.917 1.00 24.80 C -ATOM 700 CG LEU A 94 -11.581 -24.375 26.447 1.00 24.83 C -ATOM 701 CD1 LEU A 94 -12.516 -25.561 26.131 1.00 24.63 C -ATOM 702 CD2 LEU A 94 -12.146 -23.440 27.488 1.00 23.77 C -ATOM 703 N ASP A 95 -7.099 -23.826 28.366 1.00 18.41 N -ATOM 704 CA ASP A 95 -6.002 -24.365 29.143 1.00 18.77 C -ATOM 705 C ASP A 95 -6.284 -24.434 30.644 1.00 24.15 C -ATOM 706 O ASP A 95 -5.442 -24.795 31.454 1.00 20.30 O -ATOM 707 CB ASP A 95 -4.809 -23.519 28.974 1.00 17.45 C -ATOM 708 CG ASP A 95 -4.129 -23.674 27.640 1.00 24.99 C -ATOM 709 OD1 ASP A 95 -4.161 -24.728 27.031 1.00 21.65 O -ATOM 710 OD2 ASP A 95 -3.530 -22.716 27.180 1.00 22.05 O -ATOM 711 N ASP A 96 -7.492 -24.085 31.012 1.00 20.70 N -ATOM 712 CA ASP A 96 -7.930 -23.954 32.391 1.00 32.92 C -ATOM 713 C ASP A 96 -7.735 -25.224 33.224 1.00 36.10 C -ATOM 714 O ASP A 96 -7.517 -25.108 34.428 1.00 35.21 O -ATOM 715 CB ASP A 96 -9.409 -23.549 32.372 1.00 30.21 C -ATOM 716 CG ASP A 96 -9.729 -22.319 31.536 1.00 59.42 C -ATOM 717 OD1 ASP A 96 -9.849 -22.388 30.298 1.00 30.49 O -ATOM 718 OD2 ASP A 96 -9.838 -21.277 32.168 1.00 41.87 O -ATOM 719 N ARG A 97 -7.799 -26.443 32.668 1.00 26.01 N -ATOM 720 CA ARG A 97 -7.645 -27.688 33.412 1.00 19.44 C -ATOM 721 C ARG A 97 -6.329 -28.368 33.142 1.00 21.06 C -ATOM 722 O ARG A 97 -6.125 -29.539 33.499 1.00 27.98 O -ATOM 723 CB ARG A 97 -8.821 -28.616 33.064 1.00 19.30 C -ATOM 724 CG ARG A 97 -10.199 -28.149 33.511 1.00 23.19 C -ATOM 725 CD ARG A 97 -10.293 -28.108 35.047 1.00 30.26 C -ATOM 726 NE ARG A 97 -11.599 -27.602 35.423 1.00 30.05 N -ATOM 727 CZ ARG A 97 -11.841 -26.321 35.774 1.00 29.77 C -ATOM 728 NH1 ARG A 97 -10.861 -25.427 35.835 1.00 40.21 N -ATOM 729 NH2 ARG A 97 -13.097 -25.868 35.956 1.00 29.73 N -ATOM 730 N GLY A 98 -5.379 -27.669 32.518 1.00 22.17 N -ATOM 731 CA GLY A 98 -4.081 -28.250 32.166 1.00 19.78 C -ATOM 732 C GLY A 98 -3.587 -27.777 30.785 1.00 21.06 C -ATOM 733 O GLY A 98 -2.408 -27.445 30.590 1.00 26.48 O -ATOM 734 N GLY A 99 -4.531 -27.865 29.847 1.00 26.61 N -ATOM 735 CA GLY A 99 -4.325 -27.364 28.504 1.00 26.18 C -ATOM 736 C GLY A 99 -3.553 -28.261 27.572 1.00 24.45 C -ATOM 737 O GLY A 99 -3.059 -29.334 27.906 1.00 23.54 O -ATOM 738 N ASN A 100 -3.380 -27.785 26.358 1.00 25.90 N -ATOM 739 CA ASN A 100 -2.760 -28.567 25.281 1.00 19.24 C -ATOM 740 C ASN A 100 -1.272 -28.389 25.247 1.00 19.02 C -ATOM 741 O ASN A 100 -0.561 -29.090 24.545 1.00 22.88 O -ATOM 742 CB ASN A 100 -3.383 -28.115 23.946 1.00 23.30 C -ATOM 743 CG ASN A 100 -3.047 -26.667 23.616 1.00 22.39 C -ATOM 744 OD1 ASN A 100 -3.379 -25.727 24.342 1.00 24.51 O -ATOM 745 ND2 ASN A 100 -2.335 -26.428 22.526 1.00 21.36 N -ATOM 746 N ASP A 101 -0.712 -27.422 25.954 1.00 21.84 N -ATOM 747 CA ASP A 101 0.699 -27.106 25.874 1.00 16.59 C -ATOM 748 C ASP A 101 1.559 -28.190 26.422 1.00 26.25 C -ATOM 749 O ASP A 101 1.207 -28.795 27.422 1.00 24.73 O -ATOM 750 CB ASP A 101 0.994 -25.823 26.639 1.00 17.86 C -ATOM 751 CG ASP A 101 0.141 -24.622 26.220 1.00 18.10 C -ATOM 752 OD1 ASP A 101 -1.064 -24.668 25.870 1.00 23.14 O -ATOM 753 OD2 ASP A 101 0.747 -23.573 26.231 1.00 23.00 O -ATOM 754 N ILE A 102 2.666 -28.500 25.798 1.00 19.76 N -ATOM 755 CA ILE A 102 3.537 -29.509 26.333 1.00 21.70 C -ATOM 756 C ILE A 102 4.321 -28.842 27.477 1.00 22.28 C -ATOM 757 O ILE A 102 4.686 -27.665 27.349 1.00 20.29 O -ATOM 758 CB ILE A 102 4.443 -30.043 25.154 1.00 19.72 C -ATOM 759 CG1 ILE A 102 3.599 -30.939 24.230 1.00 25.08 C -ATOM 760 CG2 ILE A 102 5.665 -30.807 25.682 1.00 18.10 C -ATOM 761 CD1 ILE A 102 4.422 -31.467 23.005 1.00 22.45 C -ATOM 762 N PRO A 103 4.621 -29.544 28.600 1.00 24.84 N -ATOM 763 CA PRO A 103 5.227 -28.946 29.789 1.00 28.04 C -ATOM 764 C PRO A 103 6.720 -28.787 29.684 1.00 25.87 C -ATOM 765 O PRO A 103 7.484 -29.523 30.324 1.00 26.05 O -ATOM 766 CB PRO A 103 4.775 -29.866 30.923 1.00 21.68 C -ATOM 767 CG PRO A 103 4.679 -31.225 30.267 1.00 24.38 C -ATOM 768 CD PRO A 103 4.108 -30.899 28.902 1.00 21.16 C -ATOM 769 N TYR A 104 7.182 -27.838 28.863 1.00 18.31 N -ATOM 770 CA TYR A 104 8.608 -27.635 28.761 1.00 18.73 C -ATOM 771 C TYR A 104 9.073 -26.921 30.023 1.00 20.07 C -ATOM 772 O TYR A 104 8.361 -26.098 30.593 1.00 21.70 O -ATOM 773 CB TYR A 104 8.971 -26.789 27.514 1.00 20.72 C -ATOM 774 CG TYR A 104 8.556 -27.514 26.228 1.00 20.99 C -ATOM 775 CD1 TYR A 104 9.331 -28.550 25.758 1.00 23.25 C -ATOM 776 CD2 TYR A 104 7.414 -27.137 25.529 1.00 21.35 C -ATOM 777 CE1 TYR A 104 8.951 -29.198 24.590 1.00 23.05 C -ATOM 778 CE2 TYR A 104 7.042 -27.786 24.360 1.00 18.76 C -ATOM 779 CZ TYR A 104 7.830 -28.816 23.914 1.00 22.33 C -ATOM 780 OH TYR A 104 7.505 -29.528 22.797 1.00 26.62 O -ATOM 781 N LEU A 105 10.287 -27.267 30.428 1.00 19.68 N -ATOM 782 CA LEU A 105 10.892 -26.687 31.606 1.00 27.46 C -ATOM 783 C LEU A 105 11.398 -25.269 31.384 1.00 24.74 C -ATOM 784 O LEU A 105 11.335 -24.466 32.314 1.00 18.69 O -ATOM 785 CB LEU A 105 12.060 -27.619 32.094 1.00 24.81 C -ATOM 786 CG LEU A 105 12.850 -27.282 33.414 1.00 23.54 C -ATOM 787 CD1 LEU A 105 11.903 -27.421 34.607 1.00 22.08 C -ATOM 788 CD2 LEU A 105 14.036 -28.212 33.581 1.00 19.57 C -ATOM 789 N THR A 106 11.939 -24.878 30.204 1.00 22.99 N -ATOM 790 CA THR A 106 12.566 -23.563 30.052 1.00 22.98 C -ATOM 791 C THR A 106 11.922 -22.739 28.921 1.00 18.20 C -ATOM 792 O THR A 106 11.066 -23.276 28.199 1.00 21.22 O -ATOM 793 CB THR A 106 14.132 -23.718 29.810 1.00 29.35 C -ATOM 794 OG1 THR A 106 14.327 -24.208 28.473 1.00 25.92 O -ATOM 795 CG2 THR A 106 14.823 -24.635 30.873 1.00 19.42 C -ATOM 796 N GLY A 107 12.329 -21.461 28.785 1.00 17.26 N -ATOM 797 CA GLY A 107 11.894 -20.551 27.729 1.00 18.97 C -ATOM 798 C GLY A 107 10.440 -20.263 27.925 1.00 27.01 C -ATOM 799 O GLY A 107 9.838 -20.634 28.939 1.00 22.34 O -ATOM 800 N ASP A 108 9.898 -19.520 26.977 1.00 18.09 N -ATOM 801 CA ASP A 108 8.489 -19.175 26.967 1.00 14.02 C -ATOM 802 C ASP A 108 8.007 -18.619 28.318 1.00 16.56 C -ATOM 803 O ASP A 108 7.084 -19.135 28.971 1.00 19.46 O -ATOM 804 CB ASP A 108 7.652 -20.396 26.617 1.00 14.02 C -ATOM 805 CG ASP A 108 6.232 -20.071 26.186 1.00 20.04 C -ATOM 806 OD1 ASP A 108 5.930 -18.919 25.882 1.00 22.75 O -ATOM 807 OD2 ASP A 108 5.399 -20.983 26.091 1.00 21.20 O -ATOM 808 N GLU A 109 8.764 -17.583 28.705 1.00 18.15 N -ATOM 809 CA GLU A 109 8.495 -16.749 29.872 1.00 24.76 C -ATOM 810 C GLU A 109 8.816 -17.406 31.222 1.00 28.53 C -ATOM 811 O GLU A 109 8.360 -16.907 32.248 1.00 24.18 O -ATOM 812 CB GLU A 109 7.031 -16.306 29.903 1.00 23.74 C -ATOM 813 CG GLU A 109 6.609 -15.513 28.685 1.00 39.02 C -ATOM 814 CD GLU A 109 5.164 -15.091 28.776 1.00 35.83 C -ATOM 815 OE1 GLU A 109 4.307 -15.965 28.666 1.00 42.26 O -ATOM 816 OE2 GLU A 109 4.922 -13.901 28.984 1.00 50.54 O -ATOM 817 N ARG A 110 9.587 -18.495 31.296 1.00 23.57 N -ATOM 818 CA ARG A 110 10.058 -19.072 32.572 1.00 25.84 C -ATOM 819 C ARG A 110 10.919 -18.036 33.304 1.00 30.43 C -ATOM 820 O ARG A 110 10.672 -17.724 34.475 1.00 24.85 O -ATOM 821 CB ARG A 110 10.883 -20.353 32.319 1.00 21.39 C -ATOM 822 CG ARG A 110 11.404 -21.078 33.569 1.00 23.85 C -ATOM 823 CD ARG A 110 10.161 -21.588 34.342 1.00 24.89 C -ATOM 824 NE ARG A 110 9.647 -22.774 33.671 1.00 27.06 N -ATOM 825 CZ ARG A 110 8.375 -23.149 33.571 1.00 24.00 C -ATOM 826 NH1 ARG A 110 7.435 -22.413 34.118 1.00 34.29 N -ATOM 827 NH2 ARG A 110 8.022 -24.277 32.956 1.00 26.57 N -ATOM 828 N LEU A 111 11.915 -17.438 32.657 1.00 17.88 N -ATOM 829 CA LEU A 111 12.745 -16.429 33.264 1.00 18.66 C -ATOM 830 C LEU A 111 12.707 -15.080 32.576 1.00 19.35 C -ATOM 831 O LEU A 111 13.309 -14.108 33.051 1.00 18.67 O -ATOM 832 CB LEU A 111 14.157 -16.942 33.296 1.00 19.31 C -ATOM 833 CG LEU A 111 14.430 -18.083 34.253 1.00 24.75 C -ATOM 834 CD1 LEU A 111 15.824 -18.593 34.125 1.00 28.02 C -ATOM 835 CD2 LEU A 111 14.261 -17.553 35.646 1.00 33.78 C -ATOM 836 N THR A 112 12.007 -14.963 31.439 1.00 18.03 N -ATOM 837 CA THR A 112 11.980 -13.716 30.682 1.00 18.21 C -ATOM 838 C THR A 112 11.282 -12.671 31.542 1.00 16.40 C -ATOM 839 O THR A 112 10.238 -12.982 32.125 1.00 21.37 O -ATOM 840 CB THR A 112 11.196 -13.930 29.365 1.00 20.52 C -ATOM 841 OG1 THR A 112 11.651 -15.180 28.849 1.00 21.48 O -ATOM 842 CG2 THR A 112 11.362 -12.778 28.399 1.00 16.54 C -ATOM 843 N ALA A 113 11.761 -11.438 31.610 1.00 17.64 N -ATOM 844 CA ALA A 113 11.156 -10.417 32.442 1.00 22.16 C -ATOM 845 C ALA A 113 11.625 -9.054 31.967 1.00 23.20 C -ATOM 846 O ALA A 113 12.433 -8.975 31.031 1.00 21.50 O -ATOM 847 CB ALA A 113 11.606 -10.647 33.900 1.00 20.45 C -ATOM 848 N GLU A 114 11.168 -7.983 32.636 1.00 17.56 N -ATOM 849 CA GLU A 114 11.550 -6.643 32.300 1.00 17.62 C -ATOM 850 C GLU A 114 13.050 -6.545 32.268 1.00 20.21 C -ATOM 851 O GLU A 114 13.744 -7.079 33.127 1.00 19.38 O -ATOM 852 CB GLU A 114 10.943 -5.731 33.326 1.00 21.43 C -ATOM 853 CG GLU A 114 11.353 -4.286 33.067 1.00 31.92 C -ATOM 854 CD GLU A 114 10.679 -3.178 33.891 1.00 50.58 C -ATOM 855 OE1 GLU A 114 9.970 -3.484 34.845 1.00 58.25 O -ATOM 856 OE2 GLU A 114 10.863 -1.999 33.570 1.00 57.25 O -ATOM 857 N ASP A 115 13.595 -5.983 31.191 1.00 18.34 N -ATOM 858 CA ASP A 115 15.035 -5.858 30.963 1.00 18.30 C -ATOM 859 C ASP A 115 15.803 -7.156 30.977 1.00 14.16 C -ATOM 860 O ASP A 115 17.021 -7.232 31.237 1.00 18.02 O -ATOM 861 CB ASP A 115 15.700 -4.964 32.002 1.00 19.01 C -ATOM 862 CG ASP A 115 15.275 -3.526 32.012 1.00 25.40 C -ATOM 863 OD1 ASP A 115 14.861 -3.002 30.973 1.00 28.95 O -ATOM 864 OD2 ASP A 115 15.386 -2.918 33.069 1.00 32.28 O -ATOM 865 N ASN A 116 15.080 -8.231 30.694 1.00 16.08 N -ATOM 866 CA ASN A 116 15.715 -9.515 30.775 1.00 21.18 C -ATOM 867 C ASN A 116 15.183 -10.408 29.648 1.00 17.53 C -ATOM 868 O ASN A 116 14.329 -11.285 29.847 1.00 18.38 O -ATOM 869 CB ASN A 116 15.462 -10.131 32.189 1.00 13.57 C -ATOM 870 CG ASN A 116 16.452 -11.274 32.370 1.00 13.13 C -ATOM 871 OD1 ASN A 116 17.716 -11.114 32.335 1.00 22.25 O -ATOM 872 ND2 ASN A 116 15.861 -12.462 32.579 1.00 17.70 N -ATOM 873 N PRO A 117 15.676 -10.216 28.405 1.00 19.89 N -ATOM 874 CA PRO A 117 15.360 -11.102 27.297 1.00 22.27 C -ATOM 875 C PRO A 117 16.088 -12.442 27.412 1.00 18.54 C -ATOM 876 O PRO A 117 17.132 -12.521 28.078 1.00 18.89 O -ATOM 877 CB PRO A 117 15.760 -10.264 26.087 1.00 15.27 C -ATOM 878 CG PRO A 117 16.976 -9.504 26.572 1.00 17.83 C -ATOM 879 CD PRO A 117 16.553 -9.125 27.988 1.00 17.26 C -ATOM 880 N VAL A 118 15.596 -13.518 26.766 1.00 16.16 N -ATOM 881 CA VAL A 118 16.341 -14.777 26.664 1.00 16.43 C -ATOM 882 C VAL A 118 16.766 -14.959 25.175 1.00 25.34 C -ATOM 883 O VAL A 118 16.320 -14.206 24.289 1.00 19.32 O -ATOM 884 CB VAL A 118 15.473 -16.017 27.179 1.00 18.45 C -ATOM 885 CG1 VAL A 118 15.247 -15.671 28.696 1.00 15.26 C -ATOM 886 CG2 VAL A 118 14.085 -16.264 26.552 1.00 15.58 C -ATOM 887 N LEU A 119 17.618 -15.929 24.877 1.00 20.33 N -ATOM 888 CA LEU A 119 18.212 -16.171 23.561 1.00 20.99 C -ATOM 889 C LEU A 119 17.806 -17.484 22.914 1.00 20.18 C -ATOM 890 O LEU A 119 17.746 -18.515 23.600 1.00 19.36 O -ATOM 891 CB LEU A 119 19.702 -16.108 23.761 1.00 19.83 C -ATOM 892 CG LEU A 119 20.525 -16.192 22.531 1.00 29.38 C -ATOM 893 CD1 LEU A 119 20.499 -14.841 21.877 1.00 33.62 C -ATOM 894 CD2 LEU A 119 21.929 -16.539 22.872 1.00 28.54 C -ATOM 895 N LEU A 120 17.509 -17.596 21.616 1.00 16.23 N -ATOM 896 CA LEU A 120 17.189 -18.885 21.005 1.00 12.16 C -ATOM 897 C LEU A 120 17.994 -18.923 19.717 1.00 23.81 C -ATOM 898 O LEU A 120 17.999 -17.948 18.969 1.00 18.46 O -ATOM 899 CB LEU A 120 15.739 -19.008 20.630 1.00 14.54 C -ATOM 900 CG LEU A 120 15.309 -20.190 19.798 1.00 17.59 C -ATOM 901 CD1 LEU A 120 15.600 -21.483 20.543 1.00 20.38 C -ATOM 902 CD2 LEU A 120 13.811 -20.074 19.496 1.00 15.97 C -ATOM 903 N TYR A 121 18.739 -19.971 19.482 1.00 22.12 N -ATOM 904 CA TYR A 121 19.505 -20.129 18.261 1.00 23.52 C -ATOM 905 C TYR A 121 18.888 -21.304 17.518 1.00 22.86 C -ATOM 906 O TYR A 121 18.665 -22.334 18.165 1.00 23.27 O -ATOM 907 CB TYR A 121 20.961 -20.421 18.590 1.00 22.24 C -ATOM 908 CG TYR A 121 21.739 -20.937 17.382 1.00 25.99 C -ATOM 909 CD1 TYR A 121 22.117 -20.087 16.352 1.00 34.91 C -ATOM 910 CD2 TYR A 121 21.999 -22.288 17.324 1.00 26.29 C -ATOM 911 CE1 TYR A 121 22.758 -20.613 15.256 1.00 27.38 C -ATOM 912 CE2 TYR A 121 22.633 -22.826 16.234 1.00 35.27 C -ATOM 913 CZ TYR A 121 23.005 -21.983 15.214 1.00 36.17 C -ATOM 914 OH TYR A 121 23.631 -22.562 14.125 1.00 35.43 O -ATOM 915 N THR A 122 18.599 -21.227 16.193 1.00 22.81 N -ATOM 916 CA THR A 122 18.112 -22.375 15.451 1.00 19.32 C -ATOM 917 C THR A 122 18.914 -22.461 14.151 1.00 27.70 C -ATOM 918 O THR A 122 19.473 -21.465 13.656 1.00 21.98 O -ATOM 919 CB THR A 122 16.640 -22.248 15.110 1.00 21.37 C -ATOM 920 OG1 THR A 122 16.478 -20.913 14.669 1.00 27.26 O -ATOM 921 CG2 THR A 122 15.706 -22.489 16.285 1.00 29.49 C -ATOM 922 N TYR A 123 18.931 -23.678 13.643 1.00 26.58 N -ATOM 923 CA TYR A 123 19.626 -23.982 12.406 1.00 28.58 C -ATOM 924 C TYR A 123 19.029 -25.198 11.750 1.00 30.09 C -ATOM 925 O TYR A 123 18.779 -26.203 12.416 1.00 26.30 O -ATOM 926 CB TYR A 123 21.060 -24.251 12.713 1.00 29.46 C -ATOM 927 CG TYR A 123 21.859 -24.701 11.507 1.00 31.07 C -ATOM 928 CD1 TYR A 123 22.355 -23.720 10.683 1.00 39.10 C -ATOM 929 CD2 TYR A 123 22.061 -26.048 11.277 1.00 34.75 C -ATOM 930 CE1 TYR A 123 23.083 -24.079 9.583 1.00 35.87 C -ATOM 931 CE2 TYR A 123 22.787 -26.421 10.180 1.00 42.57 C -ATOM 932 CZ TYR A 123 23.284 -25.427 9.354 1.00 47.35 C -ATOM 933 OH TYR A 123 24.014 -25.777 8.240 1.00 53.04 O -ATOM 934 N SER A 124 18.827 -25.167 10.444 1.00 29.07 N -ATOM 935 CA SER A 124 18.380 -26.360 9.780 1.00 25.74 C -ATOM 936 C SER A 124 19.212 -26.528 8.512 1.00 32.52 C -ATOM 937 O SER A 124 19.737 -25.560 7.954 1.00 28.10 O -ATOM 938 CB SER A 124 16.959 -26.266 9.361 1.00 29.36 C -ATOM 939 OG SER A 124 16.102 -26.031 10.448 1.00 40.97 O -ATOM 940 N ALA A 125 19.358 -27.755 8.074 1.00 38.12 N -ATOM 941 CA ALA A 125 20.047 -28.066 6.845 1.00 28.40 C -ATOM 942 C ALA A 125 19.350 -29.333 6.392 1.00 30.58 C -ATOM 943 O ALA A 125 19.430 -30.369 7.065 1.00 39.26 O -ATOM 944 CB ALA A 125 21.487 -28.341 7.146 1.00 24.99 C -ATOM 945 N GLY A 126 18.578 -29.298 5.319 1.00 37.02 N -ATOM 946 CA GLY A 126 17.941 -30.499 4.836 1.00 31.57 C -ATOM 947 C GLY A 126 16.898 -31.059 5.780 1.00 47.32 C -ATOM 948 O GLY A 126 15.877 -30.451 6.108 1.00 45.65 O -ATOM 949 N ALA A 127 17.180 -32.278 6.195 1.00 33.24 N -ATOM 950 CA ALA A 127 16.275 -33.037 7.039 1.00 42.64 C -ATOM 951 C ALA A 127 16.458 -32.822 8.549 1.00 33.08 C -ATOM 952 O ALA A 127 15.702 -33.301 9.402 1.00 40.51 O -ATOM 953 CB ALA A 127 16.490 -34.498 6.705 1.00 35.42 C -ATOM 954 N PHE A 128 17.468 -32.083 8.902 1.00 27.81 N -ATOM 955 CA PHE A 128 17.848 -32.020 10.258 1.00 28.97 C -ATOM 956 C PHE A 128 17.701 -30.613 10.786 1.00 40.19 C -ATOM 957 O PHE A 128 17.975 -29.634 10.085 1.00 29.96 O -ATOM 958 CB PHE A 128 19.218 -32.562 10.176 1.00 27.26 C -ATOM 959 CG PHE A 128 20.062 -32.313 11.399 1.00 62.21 C -ATOM 960 CD1 PHE A 128 19.988 -33.205 12.457 1.00 68.83 C -ATOM 961 CD2 PHE A 128 20.908 -31.200 11.430 1.00 68.66 C -ATOM 962 CE1 PHE A 128 20.783 -32.970 13.564 1.00 68.63 C -ATOM 963 CE2 PHE A 128 21.699 -30.972 12.540 1.00 72.56 C -ATOM 964 CZ PHE A 128 21.630 -31.866 13.601 1.00 71.50 C -ATOM 965 N SER A 129 17.331 -30.540 12.060 1.00 32.05 N -ATOM 966 CA SER A 129 17.219 -29.262 12.751 1.00 30.97 C -ATOM 967 C SER A 129 17.830 -29.309 14.144 1.00 26.59 C -ATOM 968 O SER A 129 17.736 -30.344 14.808 1.00 27.36 O -ATOM 969 CB SER A 129 15.772 -28.871 12.897 1.00 27.55 C -ATOM 970 OG SER A 129 15.072 -28.729 11.673 1.00 47.00 O -ATOM 971 N VAL A 130 18.521 -28.261 14.560 1.00 28.17 N -ATOM 972 CA VAL A 130 19.019 -28.143 15.916 1.00 29.20 C -ATOM 973 C VAL A 130 18.641 -26.796 16.512 1.00 40.17 C -ATOM 974 O VAL A 130 18.516 -25.799 15.787 1.00 25.40 O -ATOM 975 CB VAL A 130 20.511 -28.239 16.012 1.00 24.69 C -ATOM 976 CG1 VAL A 130 20.801 -29.679 15.851 1.00 34.50 C -ATOM 977 CG2 VAL A 130 21.225 -27.340 15.037 1.00 27.14 C -ATOM 978 N ALA A 131 18.434 -26.730 17.829 1.00 24.58 N -ATOM 979 CA ALA A 131 18.111 -25.468 18.511 1.00 21.75 C -ATOM 980 C ALA A 131 18.877 -25.407 19.842 1.00 27.70 C -ATOM 981 O ALA A 131 19.246 -26.460 20.409 1.00 27.02 O -ATOM 982 CB ALA A 131 16.591 -25.405 18.742 1.00 16.82 C -ATOM 983 N ALA A 132 19.238 -24.228 20.323 1.00 24.98 N -ATOM 984 CA ALA A 132 19.932 -24.098 21.596 1.00 25.03 C -ATOM 985 C ALA A 132 19.448 -22.801 22.221 1.00 34.14 C -ATOM 986 O ALA A 132 19.250 -21.814 21.513 1.00 20.34 O -ATOM 987 CB ALA A 132 21.444 -24.029 21.375 1.00 23.74 C -ATOM 988 N SER A 133 19.188 -22.737 23.518 1.00 21.23 N -ATOM 989 CA SER A 133 18.664 -21.524 24.131 1.00 18.46 C -ATOM 990 C SER A 133 19.284 -21.285 25.516 1.00 24.03 C -ATOM 991 O SER A 133 19.802 -22.239 26.115 1.00 22.23 O -ATOM 992 CB SER A 133 17.176 -21.672 24.250 1.00 14.79 C -ATOM 993 OG SER A 133 16.814 -22.952 24.768 1.00 19.72 O -ATOM 994 N MET A 134 19.303 -20.077 26.055 1.00 22.25 N -ATOM 995 CA MET A 134 19.802 -19.845 27.405 1.00 21.58 C -ATOM 996 C MET A 134 19.357 -18.485 27.899 1.00 33.98 C -ATOM 997 O MET A 134 18.998 -17.634 27.066 1.00 19.01 O -ATOM 998 CB MET A 134 21.317 -19.910 27.405 1.00 18.41 C -ATOM 999 CG MET A 134 21.955 -18.746 26.654 1.00 25.36 C -ATOM 1000 SD MET A 134 23.758 -18.772 26.669 1.00 35.96 S -ATOM 1001 CE MET A 134 24.092 -18.494 28.385 1.00 37.35 C -ATOM 1002 N SER A 135 19.314 -18.261 29.212 1.00 18.02 N -ATOM 1003 CA SER A 135 19.041 -16.944 29.746 1.00 16.76 C -ATOM 1004 C SER A 135 20.400 -16.477 30.208 1.00 16.94 C -ATOM 1005 O SER A 135 21.361 -17.253 30.182 1.00 20.09 O -ATOM 1006 CB SER A 135 18.034 -17.017 30.907 1.00 20.02 C -ATOM 1007 OG SER A 135 18.468 -17.881 31.957 1.00 20.86 O -ATOM 1008 N ASP A 136 20.575 -15.243 30.638 1.00 16.31 N -ATOM 1009 CA ASP A 136 21.896 -14.789 30.953 1.00 16.45 C -ATOM 1010 C ASP A 136 22.306 -14.956 32.433 1.00 22.62 C -ATOM 1011 O ASP A 136 23.431 -14.549 32.746 1.00 22.11 O -ATOM 1012 CB ASP A 136 22.008 -13.322 30.545 1.00 18.28 C -ATOM 1013 CG ASP A 136 21.118 -12.306 31.234 1.00 26.65 C -ATOM 1014 OD1 ASP A 136 20.599 -12.470 32.340 1.00 23.99 O -ATOM 1015 OD2 ASP A 136 20.891 -11.237 30.680 1.00 20.64 O -ATOM 1016 N GLY A 137 21.469 -15.440 33.377 1.00 24.48 N -ATOM 1017 CA GLY A 137 21.879 -15.654 34.775 1.00 23.91 C -ATOM 1018 C GLY A 137 21.825 -14.434 35.682 1.00 26.85 C -ATOM 1019 O GLY A 137 22.169 -14.569 36.854 1.00 25.96 O -ATOM 1020 N LYS A 138 21.421 -13.236 35.265 1.00 17.66 N -ATOM 1021 CA LYS A 138 21.367 -12.055 36.104 1.00 18.17 C -ATOM 1022 C LYS A 138 20.022 -11.408 35.986 1.00 30.18 C -ATOM 1023 O LYS A 138 19.466 -11.268 34.880 1.00 21.24 O -ATOM 1024 CB LYS A 138 22.372 -10.986 35.727 1.00 16.38 C -ATOM 1025 CG LYS A 138 23.792 -11.496 35.715 1.00 23.82 C -ATOM 1026 CD LYS A 138 24.140 -11.859 37.123 1.00 27.64 C -ATOM 1027 CE LYS A 138 25.533 -12.379 37.245 1.00 44.82 C -ATOM 1028 NZ LYS A 138 26.012 -11.923 38.538 1.00 46.52 N -ATOM 1029 N VAL A 139 19.474 -10.987 37.108 1.00 18.51 N -ATOM 1030 CA VAL A 139 18.174 -10.375 37.172 1.00 17.22 C -ATOM 1031 C VAL A 139 18.172 -9.096 36.379 1.00 17.48 C -ATOM 1032 O VAL A 139 19.123 -8.335 36.540 1.00 19.74 O -ATOM 1033 CB VAL A 139 17.788 -10.042 38.624 1.00 22.74 C -ATOM 1034 CG1 VAL A 139 16.425 -9.380 38.662 1.00 20.52 C -ATOM 1035 CG2 VAL A 139 17.643 -11.326 39.407 1.00 19.66 C -ATOM 1036 N GLY A 140 17.163 -8.830 35.530 1.00 20.23 N -ATOM 1037 CA GLY A 140 17.145 -7.617 34.718 1.00 18.19 C -ATOM 1038 C GLY A 140 18.483 -7.470 33.993 1.00 15.63 C -ATOM 1039 O GLY A 140 19.102 -8.463 33.521 1.00 24.74 O -ATOM 1040 N GLU A 141 18.944 -6.222 34.012 1.00 20.17 N -ATOM 1041 CA GLU A 141 20.259 -5.874 33.503 1.00 22.48 C -ATOM 1042 C GLU A 141 21.126 -5.535 34.696 1.00 27.63 C -ATOM 1043 O GLU A 141 22.035 -4.706 34.600 1.00 24.54 O -ATOM 1044 CB GLU A 141 20.171 -4.664 32.566 1.00 23.70 C -ATOM 1045 CG GLU A 141 19.722 -5.124 31.158 1.00 28.35 C -ATOM 1046 CD GLU A 141 19.280 -4.042 30.161 1.00 35.14 C -ATOM 1047 OE1 GLU A 141 19.521 -2.849 30.346 1.00 29.71 O -ATOM 1048 OE2 GLU A 141 18.647 -4.398 29.172 1.00 26.87 O -ATOM 1049 N THR A 142 20.874 -6.205 35.825 1.00 24.87 N -ATOM 1050 CA THR A 142 21.602 -5.920 37.045 1.00 26.14 C -ATOM 1051 C THR A 142 22.691 -6.951 37.228 1.00 26.00 C -ATOM 1052 O THR A 142 22.900 -7.827 36.391 1.00 26.49 O -ATOM 1053 CB THR A 142 20.652 -5.937 38.303 1.00 22.12 C -ATOM 1054 OG1 THR A 142 20.367 -7.309 38.664 1.00 23.47 O -ATOM 1055 CG2 THR A 142 19.428 -5.058 38.051 1.00 22.33 C -ATOM 1056 N SER A 143 23.421 -6.876 38.341 1.00 25.41 N -ATOM 1057 CA SER A 143 24.368 -7.911 38.667 1.00 24.21 C -ATOM 1058 C SER A 143 23.801 -8.929 39.653 1.00 29.13 C -ATOM 1059 O SER A 143 24.544 -9.831 40.060 1.00 29.64 O -ATOM 1060 CB SER A 143 25.611 -7.272 39.238 1.00 30.36 C -ATOM 1061 OG SER A 143 26.293 -6.538 38.236 1.00 34.01 O -ATOM 1062 N GLU A 144 22.512 -8.883 40.023 1.00 25.37 N -ATOM 1063 CA GLU A 144 21.989 -9.861 40.964 1.00 23.57 C -ATOM 1064 C GLU A 144 21.841 -11.232 40.318 1.00 32.22 C -ATOM 1065 O GLU A 144 21.251 -11.321 39.236 1.00 26.96 O -ATOM 1066 CB GLU A 144 20.651 -9.323 41.474 1.00 30.98 C -ATOM 1067 CG GLU A 144 20.131 -10.086 42.704 1.00 55.43 C -ATOM 1068 CD GLU A 144 18.655 -9.917 43.094 1.00 68.87 C -ATOM 1069 OE1 GLU A 144 18.059 -8.877 42.796 1.00 57.51 O -ATOM 1070 OE2 GLU A 144 18.102 -10.844 43.704 1.00 82.75 O -ATOM 1071 N ASP A 145 22.347 -12.300 40.937 1.00 24.45 N -ATOM 1072 CA ASP A 145 22.274 -13.644 40.397 1.00 23.62 C -ATOM 1073 C ASP A 145 20.885 -14.160 40.292 1.00 31.40 C -ATOM 1074 O ASP A 145 20.085 -13.976 41.211 1.00 27.58 O -ATOM 1075 CB ASP A 145 23.020 -14.680 41.223 1.00 27.22 C -ATOM 1076 CG ASP A 145 24.550 -14.597 41.158 1.00 43.72 C -ATOM 1077 OD1 ASP A 145 25.098 -14.301 40.098 1.00 55.35 O -ATOM 1078 OD2 ASP A 145 25.207 -14.860 42.168 1.00 70.49 O -ATOM 1079 N ASP A 146 20.597 -14.825 39.175 1.00 23.66 N -ATOM 1080 CA ASP A 146 19.260 -15.333 38.926 1.00 18.81 C -ATOM 1081 C ASP A 146 19.452 -16.804 38.675 1.00 10.77 C -ATOM 1082 O ASP A 146 20.572 -17.306 38.563 1.00 22.23 O -ATOM 1083 CB ASP A 146 18.641 -14.610 37.668 1.00 21.54 C -ATOM 1084 CG ASP A 146 17.119 -14.645 37.537 1.00 31.62 C -ATOM 1085 OD1 ASP A 146 16.459 -15.328 38.315 1.00 34.30 O -ATOM 1086 OD2 ASP A 146 16.552 -13.985 36.671 1.00 26.76 O -ATOM 1087 N ALA A 147 18.352 -17.567 38.662 1.00 16.46 N -ATOM 1088 CA ALA A 147 18.384 -18.938 38.146 1.00 23.36 C -ATOM 1089 C ALA A 147 18.787 -18.819 36.658 1.00 25.54 C -ATOM 1090 O ALA A 147 18.528 -17.764 36.053 1.00 21.29 O -ATOM 1091 CB ALA A 147 17.004 -19.572 38.198 1.00 18.36 C -ATOM 1092 N GLN A 148 19.417 -19.794 36.046 1.00 20.67 N -ATOM 1093 CA GLN A 148 19.780 -19.644 34.654 1.00 21.13 C -ATOM 1094 C GLN A 148 19.249 -20.829 33.907 1.00 28.17 C -ATOM 1095 O GLN A 148 19.476 -21.942 34.380 1.00 24.20 O -ATOM 1096 CB GLN A 148 21.233 -19.585 34.578 1.00 21.13 C -ATOM 1097 CG GLN A 148 21.619 -19.436 33.129 1.00 25.80 C -ATOM 1098 CD GLN A 148 23.080 -19.135 32.982 1.00 34.87 C -ATOM 1099 OE1 GLN A 148 23.490 -18.474 32.035 1.00 38.87 O -ATOM 1100 NE2 GLN A 148 23.954 -19.503 33.912 1.00 47.02 N -ATOM 1101 N GLU A 149 18.555 -20.666 32.777 1.00 17.81 N -ATOM 1102 CA GLU A 149 18.010 -21.814 32.074 1.00 17.51 C -ATOM 1103 C GLU A 149 18.825 -22.040 30.814 1.00 20.63 C -ATOM 1104 O GLU A 149 19.517 -21.103 30.376 1.00 18.55 O -ATOM 1105 CB GLU A 149 16.573 -21.597 31.681 1.00 19.12 C -ATOM 1106 CG GLU A 149 16.351 -20.335 30.838 1.00 18.36 C -ATOM 1107 CD GLU A 149 14.915 -19.997 30.523 1.00 20.39 C -ATOM 1108 OE1 GLU A 149 14.001 -20.666 31.017 1.00 21.55 O -ATOM 1109 OE2 GLU A 149 14.713 -19.031 29.780 1.00 21.49 O -ATOM 1110 N MET A 150 18.765 -23.266 30.310 1.00 18.17 N -ATOM 1111 CA MET A 150 19.475 -23.652 29.080 1.00 20.14 C -ATOM 1112 C MET A 150 18.815 -24.867 28.505 1.00 28.58 C -ATOM 1113 O MET A 150 18.294 -25.697 29.249 1.00 27.20 O -ATOM 1114 CB MET A 150 20.897 -24.106 29.266 1.00 27.78 C -ATOM 1115 CG MET A 150 21.860 -23.060 29.696 1.00 64.16 C -ATOM 1116 SD MET A 150 23.096 -23.853 30.745 1.00 78.93 S -ATOM 1117 CE MET A 150 24.207 -22.466 30.751 1.00 70.32 C -ATOM 1118 N ALA A 151 18.839 -25.057 27.189 1.00 21.76 N -ATOM 1119 CA ALA A 151 18.277 -26.257 26.591 1.00 22.34 C -ATOM 1120 C ALA A 151 18.943 -26.437 25.223 1.00 22.98 C -ATOM 1121 O ALA A 151 19.548 -25.489 24.661 1.00 20.23 O -ATOM 1122 CB ALA A 151 16.789 -26.128 26.374 1.00 15.31 C -ATOM 1123 N VAL A 152 18.928 -27.676 24.774 1.00 21.53 N -ATOM 1124 CA VAL A 152 19.474 -28.033 23.471 1.00 23.07 C -ATOM 1125 C VAL A 152 18.471 -29.062 22.924 1.00 29.71 C -ATOM 1126 O VAL A 152 17.850 -29.818 23.689 1.00 27.21 O -ATOM 1127 CB VAL A 152 20.971 -28.628 23.592 1.00 25.13 C -ATOM 1128 CG1AVAL A 152 21.917 -27.575 24.154 0.53 28.48 C -ATOM 1129 CG1BVAL A 152 21.452 -29.025 22.205 0.26 24.20 C -ATOM 1130 CG1CVAL A 152 21.013 -29.912 24.410 0.21 26.31 C -ATOM 1131 CG2AVAL A 152 20.993 -29.863 24.477 0.53 23.43 C -ATOM 1132 CG2BVAL A 152 21.950 -27.615 24.169 0.26 29.11 C -ATOM 1133 CG2CVAL A 152 21.509 -28.858 22.190 0.21 24.18 C -ATOM 1134 N ALA A 153 18.188 -29.091 21.614 1.00 27.54 N -ATOM 1135 CA ALA A 153 17.282 -30.081 21.038 1.00 23.02 C -ATOM 1136 C ALA A 153 17.694 -30.354 19.578 1.00 25.00 C -ATOM 1137 O ALA A 153 18.306 -29.478 18.939 1.00 23.08 O -ATOM 1138 CB ALA A 153 15.849 -29.557 21.074 1.00 20.58 C -ATOM 1139 N ALA A 154 17.409 -31.528 19.045 1.00 25.22 N -ATOM 1140 CA ALA A 154 17.720 -31.854 17.658 1.00 31.60 C -ATOM 1141 C ALA A 154 16.571 -32.634 17.111 1.00 28.50 C -ATOM 1142 O ALA A 154 15.874 -33.314 17.860 1.00 28.42 O -ATOM 1143 CB ALA A 154 18.932 -32.711 17.543 1.00 24.29 C -ATOM 1144 N ALA A 155 16.262 -32.535 15.825 1.00 26.24 N -ATOM 1145 CA ALA A 155 15.174 -33.295 15.245 1.00 31.59 C -ATOM 1146 C ALA A 155 15.619 -33.740 13.846 1.00 32.78 C -ATOM 1147 O ALA A 155 16.532 -33.181 13.226 1.00 27.08 O -ATOM 1148 CB ALA A 155 13.908 -32.446 15.078 1.00 29.48 C -ATOM 1149 N TYR A 156 14.961 -34.772 13.379 1.00 27.28 N -ATOM 1150 CA TYR A 156 15.207 -35.330 12.082 1.00 27.65 C -ATOM 1151 C TYR A 156 13.878 -35.745 11.455 1.00 25.30 C -ATOM 1152 O TYR A 156 13.049 -36.464 12.029 1.00 31.37 O -ATOM 1153 CB TYR A 156 16.168 -36.499 12.279 1.00 40.64 C -ATOM 1154 CG TYR A 156 16.505 -37.195 10.962 1.00 72.25 C -ATOM 1155 CD1 TYR A 156 17.270 -36.535 10.007 1.00 68.07 C -ATOM 1156 CD2 TYR A 156 15.995 -38.472 10.714 1.00 78.75 C -ATOM 1157 CE1 TYR A 156 17.511 -37.161 8.799 1.00 70.03 C -ATOM 1158 CE2 TYR A 156 16.239 -39.101 9.507 1.00 76.52 C -ATOM 1159 CZ TYR A 156 16.995 -38.430 8.559 1.00 81.42 C -ATOM 1160 OH TYR A 156 17.234 -39.034 7.335 1.00 98.25 O -ATOM 1161 N THR A 157 13.640 -35.245 10.249 1.00 33.54 N -ATOM 1162 CA THR A 157 12.446 -35.609 9.529 1.00 41.02 C -ATOM 1163 C THR A 157 12.781 -36.673 8.478 1.00 45.31 C -ATOM 1164 O THR A 157 13.782 -36.556 7.773 1.00 47.36 O -ATOM 1165 CB THR A 157 11.885 -34.354 8.890 1.00 31.49 C -ATOM 1166 OG1 THR A 157 11.816 -33.382 9.932 1.00 47.00 O -ATOM 1167 CG2 THR A 157 10.503 -34.583 8.279 1.00 34.86 C -ATOM 1168 N PHE A 158 12.016 -37.750 8.382 1.00 40.52 N -ATOM 1169 CA PHE A 158 12.155 -38.795 7.393 1.00 46.68 C -ATOM 1170 C PHE A 158 10.739 -39.174 7.005 1.00 44.70 C -ATOM 1171 O PHE A 158 9.926 -39.803 7.693 1.00 50.08 O -ATOM 1172 CB PHE A 158 12.915 -40.006 7.961 1.00 40.11 C -ATOM 1173 CG PHE A 158 12.415 -40.654 9.250 1.00 60.39 C -ATOM 1174 CD1 PHE A 158 12.675 -40.063 10.478 1.00 73.87 C -ATOM 1175 CD2 PHE A 158 11.701 -41.847 9.191 1.00 75.24 C -ATOM 1176 CE1 PHE A 158 12.219 -40.663 11.632 1.00 73.60 C -ATOM 1177 CE2 PHE A 158 11.249 -42.442 10.357 1.00 79.76 C -ATOM 1178 CZ PHE A 158 11.509 -41.848 11.575 1.00 79.46 C -ATOM 1179 N GLY A 159 10.399 -38.592 5.878 1.00 54.47 N -ATOM 1180 CA GLY A 159 9.112 -38.851 5.291 1.00 53.05 C -ATOM 1181 C GLY A 159 8.071 -38.135 6.113 1.00 50.28 C -ATOM 1182 O GLY A 159 8.189 -36.924 6.359 1.00 60.39 O -ATOM 1183 N ASN A 160 7.122 -38.958 6.579 1.00 40.08 N -ATOM 1184 CA ASN A 160 5.983 -38.481 7.367 1.00 58.74 C -ATOM 1185 C ASN A 160 6.321 -38.149 8.812 1.00 49.02 C -ATOM 1186 O ASN A 160 5.490 -37.547 9.498 1.00 47.25 O -ATOM 1187 CB ASN A 160 4.845 -39.503 7.494 1.00 63.82 C -ATOM 1188 CG ASN A 160 4.460 -40.322 6.266 1.00 89.40 C -ATOM 1189 OD1 ASN A 160 5.283 -41.093 5.758 1.00107.52 O -ATOM 1190 ND2 ASN A 160 3.234 -40.234 5.751 1.00 92.23 N -ATOM 1191 N TYR A 161 7.518 -38.572 9.221 1.00 38.38 N -ATOM 1192 CA TYR A 161 7.993 -38.571 10.582 1.00 39.40 C -ATOM 1193 C TYR A 161 9.020 -37.553 10.920 1.00 45.36 C -ATOM 1194 O TYR A 161 9.923 -37.343 10.126 1.00 41.06 O -ATOM 1195 CB TYR A 161 8.619 -39.886 10.939 1.00 34.37 C -ATOM 1196 CG TYR A 161 7.655 -40.974 10.566 1.00 57.59 C -ATOM 1197 CD1 TYR A 161 6.653 -41.311 11.450 1.00 69.71 C -ATOM 1198 CD2 TYR A 161 7.725 -41.562 9.317 1.00 70.14 C -ATOM 1199 CE1 TYR A 161 5.689 -42.237 11.087 1.00 73.90 C -ATOM 1200 CE2 TYR A 161 6.765 -42.487 8.947 1.00 73.04 C -ATOM 1201 CZ TYR A 161 5.750 -42.816 9.836 1.00 78.64 C -ATOM 1202 OH TYR A 161 4.758 -43.712 9.471 1.00 85.47 O -ATOM 1203 N THR A 162 8.891 -36.915 12.069 1.00 30.45 N -ATOM 1204 CA THR A 162 9.994 -36.168 12.600 1.00 27.25 C -ATOM 1205 C THR A 162 10.140 -36.784 13.950 1.00 35.32 C -ATOM 1206 O THR A 162 9.140 -37.069 14.615 1.00 33.92 O -ATOM 1207 CB THR A 162 9.703 -34.725 12.782 1.00 31.07 C -ATOM 1208 OG1 THR A 162 9.394 -34.238 11.483 1.00 39.71 O -ATOM 1209 CG2 THR A 162 10.889 -33.987 13.414 1.00 29.14 C -ATOM 1210 N VAL A 163 11.356 -37.105 14.293 1.00 27.12 N -ATOM 1211 CA VAL A 163 11.576 -37.553 15.642 1.00 37.49 C -ATOM 1212 C VAL A 163 12.619 -36.613 16.222 1.00 30.21 C -ATOM 1213 O VAL A 163 13.349 -35.952 15.479 1.00 33.78 O -ATOM 1214 CB VAL A 163 12.069 -39.057 15.742 1.00 34.36 C -ATOM 1215 CG1 VAL A 163 10.966 -39.939 15.165 1.00 32.38 C -ATOM 1216 CG2 VAL A 163 13.420 -39.271 15.075 1.00 43.54 C -ATOM 1217 N GLY A 164 12.688 -36.440 17.536 1.00 28.78 N -ATOM 1218 CA GLY A 164 13.703 -35.572 18.098 1.00 30.23 C -ATOM 1219 C GLY A 164 13.877 -35.769 19.601 1.00 28.31 C -ATOM 1220 O GLY A 164 13.120 -36.518 20.239 1.00 28.35 O -ATOM 1221 N LEU A 165 14.870 -35.075 20.147 1.00 24.05 N -ATOM 1222 CA LEU A 165 15.090 -35.081 21.571 1.00 31.20 C -ATOM 1223 C LEU A 165 15.630 -33.765 22.024 1.00 23.08 C -ATOM 1224 O LEU A 165 16.230 -33.001 21.279 1.00 27.04 O -ATOM 1225 CB LEU A 165 16.049 -36.185 21.995 1.00 40.23 C -ATOM 1226 CG LEU A 165 17.491 -36.359 21.615 1.00 55.61 C -ATOM 1227 CD1 LEU A 165 18.360 -36.288 22.871 1.00 64.27 C -ATOM 1228 CD2 LEU A 165 17.674 -37.743 20.975 1.00 58.44 C -ATOM 1229 N GLY A 166 15.339 -33.481 23.275 1.00 28.71 N -ATOM 1230 CA GLY A 166 15.723 -32.228 23.857 1.00 24.37 C -ATOM 1231 C GLY A 166 16.128 -32.454 25.298 1.00 22.71 C -ATOM 1232 O GLY A 166 15.752 -33.451 25.916 1.00 23.22 O -ATOM 1233 N TYR A 167 16.924 -31.547 25.782 1.00 22.54 N -ATOM 1234 CA TYR A 167 17.385 -31.601 27.114 1.00 21.68 C -ATOM 1235 C TYR A 167 17.386 -30.166 27.552 1.00 22.97 C -ATOM 1236 O TYR A 167 18.019 -29.272 26.994 1.00 25.70 O -ATOM 1237 CB TYR A 167 18.742 -32.178 27.097 1.00 19.60 C -ATOM 1238 CG TYR A 167 19.294 -32.136 28.482 1.00 30.51 C -ATOM 1239 CD1 TYR A 167 18.831 -33.005 29.458 1.00 31.48 C -ATOM 1240 CD2 TYR A 167 20.232 -31.163 28.747 1.00 35.86 C -ATOM 1241 CE1 TYR A 167 19.337 -32.873 30.737 1.00 34.71 C -ATOM 1242 CE2 TYR A 167 20.735 -31.024 30.022 1.00 45.09 C -ATOM 1243 CZ TYR A 167 20.279 -31.881 31.001 1.00 45.63 C -ATOM 1244 OH TYR A 167 20.781 -31.711 32.274 1.00 43.91 O -ATOM 1245 N GLU A 168 16.761 -30.020 28.698 1.00 25.32 N -ATOM 1246 CA GLU A 168 16.579 -28.730 29.323 1.00 22.85 C -ATOM 1247 C GLU A 168 17.031 -28.704 30.781 1.00 23.46 C -ATOM 1248 O GLU A 168 16.833 -29.685 31.510 1.00 21.97 O -ATOM 1249 CB GLU A 168 15.129 -28.374 29.303 1.00 23.96 C -ATOM 1250 CG GLU A 168 14.336 -28.524 28.005 1.00 18.08 C -ATOM 1251 CD GLU A 168 12.978 -27.879 28.137 1.00 17.37 C -ATOM 1252 OE1 GLU A 168 12.883 -26.660 28.050 1.00 19.97 O -ATOM 1253 OE2 GLU A 168 11.995 -28.566 28.325 1.00 21.50 O -ATOM 1254 N LYS A 169 17.600 -27.609 31.238 1.00 21.91 N -ATOM 1255 CA LYS A 169 17.934 -27.489 32.645 1.00 26.98 C -ATOM 1256 C LYS A 169 17.850 -26.074 33.211 1.00 33.90 C -ATOM 1257 O LYS A 169 17.944 -25.073 32.479 1.00 21.78 O -ATOM 1258 CB LYS A 169 19.311 -28.049 32.861 1.00 22.39 C -ATOM 1259 CG LYS A 169 20.349 -27.286 32.129 1.00 33.73 C -ATOM 1260 CD LYS A 169 21.591 -27.849 32.707 1.00 55.00 C -ATOM 1261 CE LYS A 169 22.497 -26.654 32.902 1.00 70.05 C -ATOM 1262 NZ LYS A 169 23.579 -27.016 33.806 1.00 76.45 N -ATOM 1263 N ILE A 170 17.570 -25.964 34.531 1.00 24.31 N -ATOM 1264 CA ILE A 170 17.564 -24.681 35.251 1.00 26.64 C -ATOM 1265 C ILE A 170 18.554 -24.824 36.423 1.00 22.64 C -ATOM 1266 O ILE A 170 18.462 -25.750 37.218 1.00 26.39 O -ATOM 1267 CB ILE A 170 16.144 -24.293 35.810 1.00 22.23 C -ATOM 1268 CG1 ILE A 170 15.068 -24.222 34.712 1.00 18.13 C -ATOM 1269 CG2 ILE A 170 16.296 -22.936 36.512 1.00 20.59 C -ATOM 1270 CD1 ILE A 170 13.666 -23.890 35.214 1.00 22.57 C -ATOM 1271 N ASP A 171 19.579 -24.004 36.473 1.00 21.42 N -ATOM 1272 CA ASP A 171 20.512 -23.901 37.562 1.00 22.65 C -ATOM 1273 C ASP A 171 20.069 -22.845 38.533 1.00 24.81 C -ATOM 1274 O ASP A 171 19.879 -21.676 38.196 1.00 25.52 O -ATOM 1275 CB ASP A 171 21.876 -23.496 37.110 1.00 24.09 C -ATOM 1276 CG ASP A 171 22.500 -24.534 36.202 1.00 37.12 C -ATOM 1277 OD1 ASP A 171 22.150 -25.716 36.302 1.00 39.08 O -ATOM 1278 OD2 ASP A 171 23.325 -24.134 35.385 1.00 63.64 O -ATOM 1279 N SER A 172 19.937 -23.309 39.769 1.00 28.50 N -ATOM 1280 CA SER A 172 19.500 -22.508 40.890 1.00 29.34 C -ATOM 1281 C SER A 172 20.603 -21.582 41.329 1.00 19.80 C -ATOM 1282 O SER A 172 21.745 -22.025 41.398 1.00 27.09 O -ATOM 1283 CB SER A 172 19.152 -23.383 42.069 1.00 25.55 C -ATOM 1284 OG SER A 172 18.727 -22.499 43.089 1.00 28.00 O -ATOM 1285 N PRO A 173 20.365 -20.329 41.698 1.00 23.04 N -ATOM 1286 CA PRO A 173 21.386 -19.495 42.291 1.00 24.44 C -ATOM 1287 C PRO A 173 21.652 -19.986 43.713 1.00 46.59 C -ATOM 1288 O PRO A 173 22.743 -19.708 44.184 1.00 45.87 O -ATOM 1289 CB PRO A 173 20.825 -18.111 42.244 1.00 21.93 C -ATOM 1290 CG PRO A 173 19.367 -18.345 42.486 1.00 24.05 C -ATOM 1291 CD PRO A 173 19.060 -19.699 41.802 1.00 23.65 C -ATOM 1292 N ASP A 174 20.755 -20.703 44.425 1.00 32.74 N -ATOM 1293 CA ASP A 174 21.015 -21.137 45.794 1.00 29.56 C -ATOM 1294 C ASP A 174 20.241 -22.413 46.005 1.00 19.81 C -ATOM 1295 O ASP A 174 19.009 -22.376 46.189 1.00 27.36 O -ATOM 1296 CB ASP A 174 20.540 -20.070 46.777 1.00 37.96 C -ATOM 1297 CG ASP A 174 20.907 -20.292 48.261 1.00 44.06 C -ATOM 1298 OD1 ASP A 174 21.200 -21.404 48.694 1.00 35.40 O -ATOM 1299 OD2 ASP A 174 20.893 -19.320 49.006 1.00 47.06 O -ATOM 1300 N THR A 175 20.975 -23.537 46.006 1.00 25.91 N -ATOM 1301 CA THR A 175 20.332 -24.837 46.136 1.00 31.18 C -ATOM 1302 C THR A 175 19.824 -25.196 47.551 1.00 37.44 C -ATOM 1303 O THR A 175 19.134 -26.220 47.700 1.00 34.89 O -ATOM 1304 CB THR A 175 21.284 -25.941 45.576 1.00 35.52 C -ATOM 1305 OG1 THR A 175 22.537 -25.807 46.225 1.00 41.72 O -ATOM 1306 CG2 THR A 175 21.422 -25.836 44.040 1.00 30.09 C -ATOM 1307 N ALA A 176 20.096 -24.349 48.577 1.00 36.77 N -ATOM 1308 CA ALA A 176 19.430 -24.459 49.880 1.00 34.55 C -ATOM 1309 C ALA A 176 18.005 -23.977 49.703 1.00 34.09 C -ATOM 1310 O ALA A 176 17.077 -24.499 50.335 1.00 32.18 O -ATOM 1311 CB ALA A 176 20.016 -23.557 50.947 1.00 29.40 C -ATOM 1312 N LEU A 177 17.824 -22.983 48.808 1.00 25.68 N -ATOM 1313 CA LEU A 177 16.506 -22.431 48.562 1.00 24.25 C -ATOM 1314 C LEU A 177 15.700 -23.029 47.398 1.00 30.49 C -ATOM 1315 O LEU A 177 14.464 -23.081 47.479 1.00 25.58 O -ATOM 1316 CB LEU A 177 16.683 -20.949 48.375 1.00 34.03 C -ATOM 1317 CG LEU A 177 17.151 -20.199 49.612 1.00 41.02 C -ATOM 1318 CD1 LEU A 177 17.335 -18.758 49.257 1.00 40.73 C -ATOM 1319 CD2 LEU A 177 16.116 -20.270 50.711 1.00 41.14 C -ATOM 1320 N MET A 178 16.328 -23.506 46.315 1.00 27.88 N -ATOM 1321 CA MET A 178 15.605 -24.068 45.157 1.00 24.64 C -ATOM 1322 C MET A 178 16.543 -25.061 44.535 1.00 15.20 C -ATOM 1323 O MET A 178 17.697 -24.725 44.299 1.00 22.04 O -ATOM 1324 CB MET A 178 15.272 -22.965 44.134 1.00 24.97 C -ATOM 1325 CG MET A 178 14.350 -23.526 43.050 1.00 37.40 C -ATOM 1326 SD MET A 178 14.025 -22.325 41.726 1.00 34.16 S -ATOM 1327 CE MET A 178 15.624 -22.293 40.939 1.00 28.69 C -ATOM 1328 N ALA A 179 16.135 -26.306 44.380 1.00 18.97 N -ATOM 1329 CA ALA A 179 16.960 -27.343 43.800 1.00 21.25 C -ATOM 1330 C ALA A 179 17.175 -27.052 42.312 1.00 32.90 C -ATOM 1331 O ALA A 179 16.345 -26.407 41.660 1.00 23.82 O -ATOM 1332 CB ALA A 179 16.276 -28.705 43.867 1.00 19.86 C -ATOM 1333 N ASP A 180 18.275 -27.497 41.758 1.00 25.51 N -ATOM 1334 CA ASP A 180 18.459 -27.512 40.305 1.00 29.77 C -ATOM 1335 C ASP A 180 17.437 -28.418 39.632 1.00 35.87 C -ATOM 1336 O ASP A 180 17.017 -29.425 40.230 1.00 25.57 O -ATOM 1337 CB ASP A 180 19.804 -28.048 39.948 1.00 22.82 C -ATOM 1338 CG ASP A 180 20.966 -27.176 40.326 1.00 19.28 C -ATOM 1339 OD1 ASP A 180 20.783 -25.984 40.534 1.00 24.24 O -ATOM 1340 OD2 ASP A 180 22.072 -27.706 40.385 1.00 34.46 O -ATOM 1341 N MET A 181 17.040 -28.135 38.384 1.00 21.42 N -ATOM 1342 CA MET A 181 16.020 -28.935 37.732 1.00 19.55 C -ATOM 1343 C MET A 181 16.540 -29.368 36.348 1.00 26.26 C -ATOM 1344 O MET A 181 17.428 -28.705 35.790 1.00 23.03 O -ATOM 1345 CB MET A 181 14.741 -28.115 37.558 1.00 20.30 C -ATOM 1346 CG MET A 181 14.208 -27.429 38.832 1.00 22.93 C -ATOM 1347 SD MET A 181 12.538 -26.784 38.747 1.00 27.32 S -ATOM 1348 CE MET A 181 13.039 -25.172 39.188 1.00 22.23 C -ATOM 1349 N GLU A 182 16.055 -30.464 35.782 1.00 23.25 N -ATOM 1350 CA GLU A 182 16.419 -30.849 34.433 1.00 28.22 C -ATOM 1351 C GLU A 182 15.314 -31.697 33.888 1.00 22.99 C -ATOM 1352 O GLU A 182 14.491 -32.218 34.658 1.00 23.60 O -ATOM 1353 CB GLU A 182 17.693 -31.633 34.372 1.00 27.70 C -ATOM 1354 CG GLU A 182 17.653 -32.917 35.150 1.00 39.91 C -ATOM 1355 CD GLU A 182 18.798 -33.865 34.827 1.00 49.50 C -ATOM 1356 OE1 GLU A 182 19.958 -33.436 34.775 1.00 46.27 O -ATOM 1357 OE2 GLU A 182 18.494 -35.043 34.614 1.00 81.45 O -ATOM 1358 N GLN A 183 15.218 -31.801 32.555 1.00 23.57 N -ATOM 1359 CA GLN A 183 14.186 -32.607 31.917 1.00 20.27 C -ATOM 1360 C GLN A 183 14.734 -33.027 30.559 1.00 24.71 C -ATOM 1361 O GLN A 183 15.397 -32.226 29.892 1.00 25.60 O -ATOM 1362 CB GLN A 183 12.923 -31.774 31.752 1.00 21.67 C -ATOM 1363 CG GLN A 183 11.739 -32.520 31.215 1.00 22.57 C -ATOM 1364 CD GLN A 183 10.536 -31.621 31.271 1.00 34.59 C -ATOM 1365 OE1 GLN A 183 10.031 -31.397 32.344 1.00 33.27 O -ATOM 1366 NE2 GLN A 183 9.947 -31.040 30.243 1.00 26.73 N -ATOM 1367 N LEU A 184 14.506 -34.276 30.212 1.00 25.90 N -ATOM 1368 CA LEU A 184 14.900 -34.830 28.935 1.00 25.47 C -ATOM 1369 C LEU A 184 13.623 -35.127 28.194 1.00 30.93 C -ATOM 1370 O LEU A 184 12.692 -35.640 28.813 1.00 29.59 O -ATOM 1371 CB LEU A 184 15.656 -36.119 29.106 1.00 30.36 C -ATOM 1372 CG LEU A 184 16.019 -36.860 27.796 1.00 53.58 C -ATOM 1373 CD1 LEU A 184 17.325 -36.325 27.169 1.00 41.36 C -ATOM 1374 CD2 LEU A 184 16.137 -38.333 28.120 1.00 61.50 C -ATOM 1375 N GLU A 185 13.503 -34.832 26.895 1.00 24.93 N -ATOM 1376 CA GLU A 185 12.284 -35.106 26.139 1.00 21.56 C -ATOM 1377 C GLU A 185 12.589 -35.929 24.871 1.00 20.96 C -ATOM 1378 O GLU A 185 13.661 -35.744 24.270 1.00 25.62 O -ATOM 1379 CB GLU A 185 11.596 -33.838 25.621 1.00 28.40 C -ATOM 1380 CG GLU A 185 11.036 -32.816 26.599 1.00 33.30 C -ATOM 1381 CD GLU A 185 11.903 -31.609 26.892 1.00 31.54 C -ATOM 1382 OE1 GLU A 185 12.775 -31.231 26.123 1.00 27.29 O -ATOM 1383 OE2 GLU A 185 11.691 -31.016 27.928 1.00 25.85 O -ATOM 1384 N LEU A 186 11.646 -36.789 24.489 1.00 24.15 N -ATOM 1385 CA LEU A 186 11.653 -37.500 23.212 1.00 28.00 C -ATOM 1386 C LEU A 186 10.327 -37.093 22.629 1.00 28.26 C -ATOM 1387 O LEU A 186 9.305 -37.108 23.330 1.00 29.09 O -ATOM 1388 CB LEU A 186 11.600 -39.020 23.305 1.00 30.48 C -ATOM 1389 CG LEU A 186 12.737 -39.599 24.072 1.00 49.76 C -ATOM 1390 CD1 LEU A 186 12.437 -41.058 24.322 1.00 56.71 C -ATOM 1391 CD2 LEU A 186 14.029 -39.335 23.332 1.00 41.46 C -ATOM 1392 N ALA A 187 10.310 -36.701 21.364 1.00 23.92 N -ATOM 1393 CA ALA A 187 9.078 -36.291 20.743 1.00 23.34 C -ATOM 1394 C ALA A 187 9.031 -36.945 19.363 1.00 27.75 C -ATOM 1395 O ALA A 187 10.069 -37.214 18.757 1.00 26.70 O -ATOM 1396 CB ALA A 187 9.074 -34.777 20.610 1.00 24.93 C -ATOM 1397 N ALA A 188 7.853 -37.216 18.873 1.00 25.88 N -ATOM 1398 CA ALA A 188 7.663 -37.789 17.563 1.00 34.01 C -ATOM 1399 C ALA A 188 6.512 -37.031 16.935 1.00 33.31 C -ATOM 1400 O ALA A 188 5.540 -36.744 17.644 1.00 29.55 O -ATOM 1401 CB ALA A 188 7.278 -39.264 17.674 1.00 26.52 C -ATOM 1402 N ILE A 189 6.550 -36.671 15.649 1.00 36.39 N -ATOM 1403 CA ILE A 189 5.415 -36.037 14.968 1.00 27.67 C -ATOM 1404 C ILE A 189 5.231 -36.770 13.625 1.00 37.92 C -ATOM 1405 O ILE A 189 6.221 -37.089 12.968 1.00 33.44 O -ATOM 1406 CB ILE A 189 5.690 -34.555 14.703 1.00 29.72 C -ATOM 1407 CG1 ILE A 189 5.971 -33.831 15.991 1.00 39.00 C -ATOM 1408 CG2 ILE A 189 4.471 -33.934 14.052 1.00 33.27 C -ATOM 1409 CD1 ILE A 189 7.077 -32.793 15.839 1.00 38.17 C -ATOM 1410 N ALA A 190 4.005 -37.054 13.215 1.00 34.42 N -ATOM 1411 CA ALA A 190 3.697 -37.834 12.044 1.00 33.15 C -ATOM 1412 C ALA A 190 2.509 -37.223 11.388 1.00 43.94 C -ATOM 1413 O ALA A 190 1.528 -36.880 12.068 1.00 36.50 O -ATOM 1414 CB ALA A 190 3.273 -39.248 12.368 1.00 29.97 C -ATOM 1415 N LYS A 191 2.600 -37.037 10.076 1.00 49.78 N -ATOM 1416 CA LYS A 191 1.414 -36.648 9.317 1.00 48.56 C -ATOM 1417 C LYS A 191 1.095 -37.790 8.400 1.00 51.68 C -ATOM 1418 O LYS A 191 1.979 -38.318 7.727 1.00 65.27 O -ATOM 1419 CB LYS A 191 1.596 -35.413 8.439 1.00 49.42 C -ATOM 1420 CG LYS A 191 2.988 -35.255 7.842 1.00 75.96 C -ATOM 1421 CD LYS A 191 3.450 -33.831 8.138 1.00 86.39 C -ATOM 1422 CE LYS A 191 3.796 -33.646 9.617 1.00 88.43 C -ATOM 1423 NZ LYS A 191 3.690 -32.249 10.002 1.00 91.69 N -ATOM 1424 N PHE A 192 -0.144 -38.241 8.423 1.00 57.59 N -ATOM 1425 CA PHE A 192 -0.631 -39.312 7.574 1.00 49.63 C -ATOM 1426 C PHE A 192 -1.764 -38.691 6.778 1.00 55.22 C -ATOM 1427 O PHE A 192 -2.963 -38.943 6.982 1.00 60.13 O -ATOM 1428 CB PHE A 192 -1.160 -40.470 8.406 1.00 52.90 C -ATOM 1429 CG PHE A 192 -0.106 -41.110 9.279 1.00 55.44 C -ATOM 1430 CD1 PHE A 192 1.159 -41.341 8.773 1.00 63.13 C -ATOM 1431 CD2 PHE A 192 -0.444 -41.441 10.573 1.00 62.68 C -ATOM 1432 CE1 PHE A 192 2.102 -41.910 9.584 1.00 71.79 C -ATOM 1433 CE2 PHE A 192 0.510 -42.012 11.376 1.00 64.06 C -ATOM 1434 CZ PHE A 192 1.776 -42.244 10.882 1.00 66.40 C -ATOM 1435 N GLY A 193 -1.361 -37.770 5.903 1.00 53.26 N -ATOM 1436 CA GLY A 193 -2.343 -37.079 5.097 1.00 64.96 C -ATOM 1437 C GLY A 193 -3.109 -36.029 5.906 1.00 72.86 C -ATOM 1438 O GLY A 193 -2.497 -35.117 6.471 1.00 83.89 O -ATOM 1439 N ALA A 194 -4.437 -36.170 6.010 1.00 65.54 N -ATOM 1440 CA ALA A 194 -5.274 -35.195 6.707 1.00 58.81 C -ATOM 1441 C ALA A 194 -5.139 -35.243 8.241 1.00 53.68 C -ATOM 1442 O ALA A 194 -5.696 -34.378 8.931 1.00 41.71 O -ATOM 1443 CB ALA A 194 -6.725 -35.456 6.319 1.00 56.03 C -ATOM 1444 N THR A 195 -4.446 -36.286 8.739 1.00 51.68 N -ATOM 1445 CA THR A 195 -4.191 -36.606 10.142 1.00 43.81 C -ATOM 1446 C THR A 195 -2.808 -36.267 10.679 1.00 45.19 C -ATOM 1447 O THR A 195 -1.786 -36.640 10.106 1.00 37.22 O -ATOM 1448 CB THR A 195 -4.464 -38.101 10.326 1.00 33.57 C -ATOM 1449 OG1 THR A 195 -5.800 -38.272 9.841 1.00 41.80 O -ATOM 1450 CG2 THR A 195 -4.342 -38.606 11.756 1.00 33.82 C -ATOM 1451 N ASN A 196 -2.749 -35.582 11.812 1.00 33.40 N -ATOM 1452 CA ASN A 196 -1.485 -35.230 12.428 1.00 34.17 C -ATOM 1453 C ASN A 196 -1.419 -35.980 13.746 1.00 26.07 C -ATOM 1454 O ASN A 196 -2.456 -36.072 14.427 1.00 31.07 O -ATOM 1455 CB ASN A 196 -1.462 -33.757 12.688 1.00 34.94 C -ATOM 1456 CG ASN A 196 -1.494 -32.946 11.405 1.00 37.97 C -ATOM 1457 OD1 ASN A 196 -0.518 -32.901 10.654 1.00 38.93 O -ATOM 1458 ND2 ASN A 196 -2.596 -32.276 11.098 1.00 35.68 N -ATOM 1459 N VAL A 197 -0.292 -36.559 14.121 1.00 27.67 N -ATOM 1460 CA VAL A 197 -0.188 -37.257 15.380 1.00 27.06 C -ATOM 1461 C VAL A 197 1.051 -36.667 16.017 1.00 32.58 C -ATOM 1462 O VAL A 197 2.038 -36.440 15.321 1.00 35.46 O -ATOM 1463 CB VAL A 197 -0.021 -38.766 15.163 1.00 26.96 C -ATOM 1464 CG1 VAL A 197 0.146 -39.477 16.495 1.00 31.44 C -ATOM 1465 CG2 VAL A 197 -1.285 -39.339 14.562 1.00 30.72 C -ATOM 1466 N LYS A 198 1.028 -36.336 17.304 1.00 28.97 N -ATOM 1467 CA LYS A 198 2.191 -35.794 17.991 1.00 23.59 C -ATOM 1468 C LYS A 198 2.177 -36.537 19.331 1.00 20.72 C -ATOM 1469 O LYS A 198 1.100 -36.798 19.904 1.00 25.42 O -ATOM 1470 CB LYS A 198 2.030 -34.282 18.191 1.00 22.91 C -ATOM 1471 CG LYS A 198 3.317 -33.727 18.781 1.00 31.46 C -ATOM 1472 CD LYS A 198 3.327 -32.223 18.990 1.00 27.19 C -ATOM 1473 CE LYS A 198 3.301 -31.529 17.642 1.00 27.71 C -ATOM 1474 NZ LYS A 198 3.444 -30.081 17.745 1.00 22.82 N -ATOM 1475 N ALA A 199 3.360 -36.920 19.792 1.00 23.92 N -ATOM 1476 CA ALA A 199 3.512 -37.643 21.050 1.00 29.51 C -ATOM 1477 C ALA A 199 4.826 -37.264 21.694 1.00 31.31 C -ATOM 1478 O ALA A 199 5.773 -36.903 20.976 1.00 27.54 O -ATOM 1479 CB ALA A 199 3.547 -39.137 20.831 1.00 29.98 C -ATOM 1480 N TYR A 200 4.948 -37.287 23.029 1.00 24.08 N -ATOM 1481 CA TYR A 200 6.232 -36.978 23.647 1.00 25.77 C -ATOM 1482 C TYR A 200 6.312 -37.781 24.957 1.00 19.77 C -ATOM 1483 O TYR A 200 5.285 -38.229 25.471 1.00 25.09 O -ATOM 1484 CB TYR A 200 6.366 -35.468 23.965 1.00 21.68 C -ATOM 1485 CG TYR A 200 5.449 -35.011 25.114 1.00 27.89 C -ATOM 1486 CD1 TYR A 200 4.100 -34.740 24.906 1.00 23.60 C -ATOM 1487 CD2 TYR A 200 5.979 -34.928 26.414 1.00 26.80 C -ATOM 1488 CE1 TYR A 200 3.280 -34.398 25.985 1.00 21.78 C -ATOM 1489 CE2 TYR A 200 5.167 -34.592 27.493 1.00 21.58 C -ATOM 1490 CZ TYR A 200 3.825 -34.331 27.276 1.00 29.96 C -ATOM 1491 OH TYR A 200 3.038 -34.016 28.377 1.00 24.28 O -ATOM 1492 N TYR A 201 7.499 -37.895 25.487 1.00 22.60 N -ATOM 1493 CA TYR A 201 7.706 -38.468 26.778 1.00 24.74 C -ATOM 1494 C TYR A 201 8.768 -37.559 27.381 1.00 26.88 C -ATOM 1495 O TYR A 201 9.741 -37.191 26.708 1.00 24.56 O -ATOM 1496 CB TYR A 201 8.194 -39.901 26.603 1.00 25.19 C -ATOM 1497 CG TYR A 201 8.675 -40.448 27.936 1.00 34.01 C -ATOM 1498 CD1 TYR A 201 7.727 -40.932 28.815 1.00 36.14 C -ATOM 1499 CD2 TYR A 201 10.031 -40.414 28.250 1.00 34.68 C -ATOM 1500 CE1 TYR A 201 8.137 -41.392 30.041 1.00 36.17 C -ATOM 1501 CE2 TYR A 201 10.442 -40.870 29.481 1.00 35.36 C -ATOM 1502 CZ TYR A 201 9.481 -41.356 30.357 1.00 36.59 C -ATOM 1503 OH TYR A 201 9.869 -41.825 31.601 1.00 56.03 O -ATOM 1504 N ALA A 202 8.630 -37.196 28.663 1.00 27.52 N -ATOM 1505 CA ALA A 202 9.600 -36.329 29.339 1.00 25.10 C -ATOM 1506 C ALA A 202 9.877 -36.931 30.722 1.00 25.08 C -ATOM 1507 O ALA A 202 8.982 -37.486 31.356 1.00 25.54 O -ATOM 1508 CB ALA A 202 9.058 -34.895 29.564 1.00 22.21 C -ATOM 1509 N ASP A 203 11.085 -36.782 31.198 1.00 24.00 N -ATOM 1510 CA ASP A 203 11.489 -37.363 32.447 1.00 28.68 C -ATOM 1511 C ASP A 203 12.535 -36.459 33.079 1.00 29.57 C -ATOM 1512 O ASP A 203 13.419 -35.951 32.363 1.00 32.82 O -ATOM 1513 CB ASP A 203 12.041 -38.754 32.119 1.00 37.41 C -ATOM 1514 CG ASP A 203 12.421 -39.547 33.336 1.00 48.02 C -ATOM 1515 OD1 ASP A 203 11.555 -40.148 33.968 1.00 75.41 O -ATOM 1516 OD2 ASP A 203 13.595 -39.536 33.663 1.00 67.85 O -ATOM 1517 N GLY A 204 12.517 -36.218 34.397 1.00 32.61 N -ATOM 1518 CA GLY A 204 13.595 -35.437 34.988 1.00 28.05 C -ATOM 1519 C GLY A 204 13.367 -35.210 36.468 1.00 28.93 C -ATOM 1520 O GLY A 204 12.778 -36.061 37.158 1.00 27.42 O -ATOM 1521 N GLU A 205 13.792 -34.049 36.946 1.00 23.03 N -ATOM 1522 CA GLU A 205 13.529 -33.721 38.332 1.00 27.54 C -ATOM 1523 C GLU A 205 13.293 -32.246 38.482 1.00 28.34 C -ATOM 1524 O GLU A 205 13.832 -31.424 37.742 1.00 25.57 O -ATOM 1525 CB GLU A 205 14.677 -34.139 39.236 1.00 27.61 C -ATOM 1526 CG GLU A 205 15.986 -33.454 38.992 1.00 43.67 C -ATOM 1527 CD GLU A 205 17.151 -34.034 39.790 1.00 51.38 C -ATOM 1528 OE1 GLU A 205 17.227 -35.262 39.922 1.00 51.17 O -ATOM 1529 OE2 GLU A 205 17.983 -33.235 40.248 1.00 66.67 O -ATOM 1530 N LEU A 206 12.434 -31.947 39.450 1.00 21.41 N -ATOM 1531 CA LEU A 206 11.951 -30.610 39.719 1.00 19.79 C -ATOM 1532 C LEU A 206 12.248 -30.216 41.161 1.00 33.84 C -ATOM 1533 O LEU A 206 12.428 -31.096 42.002 1.00 26.21 O -ATOM 1534 CB LEU A 206 10.459 -30.554 39.522 1.00 20.83 C -ATOM 1535 CG LEU A 206 9.898 -30.808 38.130 1.00 25.89 C -ATOM 1536 CD1 LEU A 206 8.383 -30.698 38.181 1.00 25.84 C -ATOM 1537 CD2 LEU A 206 10.522 -29.805 37.148 1.00 21.85 C -ATOM 1538 N ASP A 207 12.317 -28.920 41.474 1.00 24.31 N -ATOM 1539 CA ASP A 207 12.413 -28.443 42.833 1.00 26.55 C -ATOM 1540 C ASP A 207 11.104 -28.863 43.501 1.00 29.31 C -ATOM 1541 O ASP A 207 10.014 -28.742 42.920 1.00 22.97 O -ATOM 1542 CB ASP A 207 12.536 -26.942 42.841 1.00 22.03 C -ATOM 1543 CG ASP A 207 12.384 -26.355 44.241 1.00 23.24 C -ATOM 1544 OD1 ASP A 207 13.308 -26.532 45.038 1.00 24.98 O -ATOM 1545 OD2 ASP A 207 11.350 -25.751 44.519 1.00 24.03 O -ATOM 1546 N ARG A 208 11.204 -29.311 44.760 1.00 26.76 N -ATOM 1547 CA ARG A 208 10.052 -29.752 45.541 1.00 22.68 C -ATOM 1548 C ARG A 208 8.952 -28.731 45.619 1.00 17.48 C -ATOM 1549 O ARG A 208 7.799 -29.036 45.306 1.00 22.76 O -ATOM 1550 CB ARG A 208 10.450 -30.093 46.997 1.00 24.59 C -ATOM 1551 CG ARG A 208 9.280 -30.540 47.905 1.00 26.44 C -ATOM 1552 CD ARG A 208 9.711 -30.470 49.382 1.00 20.80 C -ATOM 1553 NE ARG A 208 9.912 -29.091 49.803 1.00 20.58 N -ATOM 1554 CZ ARG A 208 11.067 -28.707 50.348 1.00 17.56 C -ATOM 1555 NH1 ARG A 208 12.081 -29.547 50.557 1.00 22.76 N -ATOM 1556 NH2 ARG A 208 11.220 -27.432 50.651 1.00 19.37 N -ATOM 1557 N ASP A 209 9.283 -27.519 46.063 1.00 16.79 N -ATOM 1558 CA ASP A 209 8.224 -26.561 46.241 1.00 17.98 C -ATOM 1559 C ASP A 209 7.692 -26.008 44.913 1.00 25.82 C -ATOM 1560 O ASP A 209 6.514 -25.676 44.824 1.00 23.17 O -ATOM 1561 CB ASP A 209 8.746 -25.456 47.156 1.00 24.37 C -ATOM 1562 CG ASP A 209 8.958 -25.951 48.609 1.00 28.77 C -ATOM 1563 OD1 ASP A 209 8.332 -26.917 49.039 1.00 22.89 O -ATOM 1564 OD2 ASP A 209 9.773 -25.356 49.292 1.00 27.21 O -ATOM 1565 N PHE A 210 8.491 -25.966 43.857 1.00 24.91 N -ATOM 1566 CA PHE A 210 7.994 -25.609 42.515 1.00 27.45 C -ATOM 1567 C PHE A 210 6.967 -26.694 42.077 1.00 21.30 C -ATOM 1568 O PHE A 210 5.830 -26.381 41.667 1.00 22.41 O -ATOM 1569 CB PHE A 210 9.258 -25.511 41.609 1.00 24.74 C -ATOM 1570 CG PHE A 210 9.033 -25.362 40.108 1.00 36.77 C -ATOM 1571 CD1 PHE A 210 8.844 -26.489 39.318 1.00 36.73 C -ATOM 1572 CD2 PHE A 210 9.010 -24.107 39.535 1.00 48.62 C -ATOM 1573 CE1 PHE A 210 8.629 -26.361 37.958 1.00 42.01 C -ATOM 1574 CE2 PHE A 210 8.796 -23.984 38.169 1.00 38.96 C -ATOM 1575 CZ PHE A 210 8.605 -25.107 37.388 1.00 34.54 C -ATOM 1576 N ALA A 211 7.288 -27.989 42.248 1.00 18.70 N -ATOM 1577 CA ALA A 211 6.367 -29.070 41.962 1.00 17.41 C -ATOM 1578 C ALA A 211 5.078 -28.999 42.740 1.00 21.61 C -ATOM 1579 O ALA A 211 3.986 -29.206 42.197 1.00 23.50 O -ATOM 1580 CB ALA A 211 7.087 -30.370 42.259 1.00 20.52 C -ATOM 1581 N ARG A 212 5.119 -28.675 44.039 1.00 24.46 N -ATOM 1582 CA ARG A 212 3.907 -28.580 44.840 1.00 21.96 C -ATOM 1583 C ARG A 212 3.031 -27.442 44.354 1.00 20.18 C -ATOM 1584 O ARG A 212 1.803 -27.553 44.346 1.00 23.86 O -ATOM 1585 CB ARG A 212 4.259 -28.343 46.321 1.00 19.67 C -ATOM 1586 CG ARG A 212 5.020 -29.538 46.960 1.00 22.71 C -ATOM 1587 CD ARG A 212 5.446 -29.292 48.472 1.00 23.65 C -ATOM 1588 NE ARG A 212 4.273 -28.986 49.277 1.00 20.64 N -ATOM 1589 CZ ARG A 212 3.513 -29.926 49.838 1.00 19.45 C -ATOM 1590 NH1 ARG A 212 3.829 -31.205 49.748 1.00 22.61 N -ATOM 1591 NH2 ARG A 212 2.434 -29.615 50.517 1.00 22.43 N -ATOM 1592 N ALA A 213 3.637 -26.328 43.942 1.00 22.64 N -ATOM 1593 CA ALA A 213 2.875 -25.177 43.421 1.00 24.94 C -ATOM 1594 C ALA A 213 2.142 -25.528 42.113 1.00 28.90 C -ATOM 1595 O ALA A 213 1.063 -24.985 41.886 1.00 28.23 O -ATOM 1596 CB ALA A 213 3.804 -23.997 43.173 1.00 18.67 C -ATOM 1597 N VAL A 214 2.628 -26.470 41.272 1.00 27.53 N -ATOM 1598 CA VAL A 214 1.899 -26.961 40.096 1.00 24.66 C -ATOM 1599 C VAL A 214 0.549 -27.454 40.554 1.00 28.81 C -ATOM 1600 O VAL A 214 -0.439 -27.180 39.876 1.00 36.46 O -ATOM 1601 CB VAL A 214 2.580 -28.169 39.376 1.00 28.48 C -ATOM 1602 CG1 VAL A 214 1.708 -28.805 38.273 1.00 34.90 C -ATOM 1603 CG2 VAL A 214 3.853 -27.658 38.787 1.00 30.97 C -ATOM 1604 N PHE A 215 0.479 -28.167 41.701 1.00 30.95 N -ATOM 1605 CA PHE A 215 -0.780 -28.734 42.192 1.00 22.46 C -ATOM 1606 C PHE A 215 -1.475 -27.849 43.206 1.00 22.21 C -ATOM 1607 O PHE A 215 -2.456 -28.240 43.854 1.00 31.72 O -ATOM 1608 CB PHE A 215 -0.532 -30.139 42.785 1.00 25.11 C -ATOM 1609 CG PHE A 215 -0.220 -31.216 41.740 1.00 24.68 C -ATOM 1610 CD1 PHE A 215 -1.257 -31.912 41.157 1.00 29.63 C -ATOM 1611 CD2 PHE A 215 1.084 -31.461 41.357 1.00 33.02 C -ATOM 1612 CE1 PHE A 215 -0.979 -32.845 40.185 1.00 29.05 C -ATOM 1613 CE2 PHE A 215 1.353 -32.394 40.383 1.00 34.93 C -ATOM 1614 CZ PHE A 215 0.323 -33.079 39.802 1.00 28.48 C -ATOM 1615 N ASP A 216 -0.985 -26.613 43.281 1.00 21.70 N -ATOM 1616 CA ASP A 216 -1.535 -25.593 44.127 1.00 28.43 C -ATOM 1617 C ASP A 216 -1.438 -25.965 45.612 1.00 31.75 C -ATOM 1618 O ASP A 216 -2.385 -25.730 46.383 1.00 34.20 O -ATOM 1619 CB ASP A 216 -2.975 -25.386 43.685 1.00 30.70 C -ATOM 1620 CG ASP A 216 -3.447 -23.971 43.857 1.00 58.07 C -ATOM 1621 OD1 ASP A 216 -2.615 -23.066 43.765 1.00 71.62 O -ATOM 1622 OD2 ASP A 216 -4.644 -23.792 44.079 1.00 83.68 O -ATOM 1623 N LEU A 217 -0.302 -26.558 45.999 1.00 27.44 N -ATOM 1624 CA LEU A 217 -0.097 -27.045 47.363 1.00 27.84 C -ATOM 1625 C LEU A 217 0.868 -26.098 48.046 1.00 27.78 C -ATOM 1626 O LEU A 217 1.775 -25.587 47.365 1.00 26.69 O -ATOM 1627 CB LEU A 217 0.482 -28.462 47.339 1.00 22.43 C -ATOM 1628 CG LEU A 217 -0.368 -29.545 46.687 1.00 21.31 C -ATOM 1629 CD1 LEU A 217 0.425 -30.812 46.668 1.00 20.93 C -ATOM 1630 CD2 LEU A 217 -1.675 -29.707 47.397 1.00 24.17 C -ATOM 1631 N THR A 218 0.654 -25.760 49.335 1.00 24.26 N -ATOM 1632 CA THR A 218 1.603 -24.878 50.056 1.00 27.38 C -ATOM 1633 C THR A 218 2.998 -25.499 50.095 1.00 19.15 C -ATOM 1634 O THR A 218 3.123 -26.738 50.111 1.00 25.68 O -ATOM 1635 CB THR A 218 1.172 -24.558 51.583 1.00 30.12 C -ATOM 1636 OG1 THR A 218 0.441 -25.619 52.157 1.00 46.14 O -ATOM 1637 CG2 THR A 218 0.361 -23.302 51.629 1.00 61.20 C -ATOM 1638 N PRO A 219 4.068 -24.709 50.157 1.00 21.50 N -ATOM 1639 CA PRO A 219 5.423 -25.218 50.277 1.00 23.92 C -ATOM 1640 C PRO A 219 5.713 -25.861 51.643 1.00 32.60 C -ATOM 1641 O PRO A 219 4.957 -25.603 52.600 1.00 29.02 O -ATOM 1642 CB PRO A 219 6.264 -24.003 49.999 1.00 26.19 C -ATOM 1643 CG PRO A 219 5.428 -22.849 50.465 1.00 25.43 C -ATOM 1644 CD PRO A 219 4.030 -23.251 50.079 1.00 20.73 C -ATOM 1645 N VAL A 220 6.764 -26.694 51.739 1.00 33.44 N -ATOM 1646 CA VAL A 220 7.141 -27.212 53.041 1.00 28.14 C -ATOM 1647 C VAL A 220 8.321 -26.376 53.539 1.00 37.97 C -ATOM 1648 O VAL A 220 9.198 -25.938 52.775 1.00 26.48 O -ATOM 1649 CB VAL A 220 7.474 -28.788 53.044 1.00 32.32 C -ATOM 1650 CG1 VAL A 220 6.828 -29.437 51.860 1.00 24.32 C -ATOM 1651 CG2 VAL A 220 8.915 -29.093 53.141 1.00 34.39 C -ATOM 1652 N ALA A 221 8.313 -26.094 54.847 1.00 25.77 N -ATOM 1653 CA ALA A 221 9.325 -25.258 55.460 1.00 22.75 C -ATOM 1654 C ALA A 221 10.534 -26.080 55.804 1.00 34.19 C -ATOM 1655 O ALA A 221 10.722 -26.485 56.955 1.00 35.48 O -ATOM 1656 CB ALA A 221 8.750 -24.626 56.716 1.00 25.04 C -ATOM 1657 N ALA A 222 11.347 -26.358 54.787 1.00 25.99 N -ATOM 1658 CA ALA A 222 12.566 -27.158 54.881 1.00 20.53 C -ATOM 1659 C ALA A 222 13.474 -26.719 53.755 1.00 27.31 C -ATOM 1660 O ALA A 222 13.019 -25.985 52.869 1.00 32.70 O -ATOM 1661 CB ALA A 222 12.334 -28.656 54.664 1.00 17.91 C -ATOM 1662 N ALA A 223 14.750 -27.089 53.799 1.00 27.27 N -ATOM 1663 CA ALA A 223 15.696 -26.836 52.713 1.00 33.28 C -ATOM 1664 C ALA A 223 15.235 -27.607 51.455 1.00 43.31 C -ATOM 1665 O ALA A 223 14.658 -28.721 51.516 1.00 26.72 O -ATOM 1666 CB ALA A 223 17.090 -27.326 53.081 1.00 24.82 C -ATOM 1667 N ALA A 224 15.479 -26.956 50.312 1.00 32.68 N -ATOM 1668 CA ALA A 224 15.033 -27.446 49.021 1.00 27.30 C -ATOM 1669 C ALA A 224 15.546 -28.827 48.722 1.00 25.24 C -ATOM 1670 O ALA A 224 16.683 -29.196 49.031 1.00 29.56 O -ATOM 1671 CB ALA A 224 15.531 -26.539 47.921 1.00 25.05 C -ATOM 1672 N THR A 225 14.685 -29.618 48.132 1.00 24.13 N -ATOM 1673 CA THR A 225 15.074 -30.941 47.687 1.00 25.61 C -ATOM 1674 C THR A 225 14.543 -31.084 46.261 1.00 36.20 C -ATOM 1675 O THR A 225 13.669 -30.284 45.868 1.00 26.28 O -ATOM 1676 CB THR A 225 14.448 -32.041 48.615 1.00 32.35 C -ATOM 1677 OG1 THR A 225 13.015 -31.944 48.645 1.00 30.23 O -ATOM 1678 CG2 THR A 225 14.976 -31.857 50.034 1.00 42.70 C -ATOM 1679 N ALA A 226 15.011 -32.065 45.487 1.00 30.91 N -ATOM 1680 CA ALA A 226 14.462 -32.311 44.154 1.00 36.76 C -ATOM 1681 C ALA A 226 13.513 -33.515 44.156 1.00 34.85 C -ATOM 1682 O ALA A 226 13.738 -34.427 44.952 1.00 40.82 O -ATOM 1683 CB ALA A 226 15.588 -32.581 43.203 1.00 25.21 C -ATOM 1684 N VAL A 227 12.415 -33.564 43.381 1.00 31.55 N -ATOM 1685 CA VAL A 227 11.510 -34.715 43.239 1.00 25.98 C -ATOM 1686 C VAL A 227 11.584 -35.229 41.797 1.00 37.72 C -ATOM 1687 O VAL A 227 11.799 -34.425 40.888 1.00 30.25 O -ATOM 1688 CB VAL A 227 10.031 -34.368 43.536 1.00 26.42 C -ATOM 1689 CG1 VAL A 227 9.922 -34.313 45.040 1.00 35.42 C -ATOM 1690 CG2 VAL A 227 9.569 -33.052 42.897 1.00 24.43 C -ATOM 1691 N ASP A 228 11.438 -36.512 41.495 1.00 28.65 N -ATOM 1692 CA ASP A 228 11.515 -37.003 40.118 1.00 30.27 C -ATOM 1693 C ASP A 228 10.189 -36.852 39.473 1.00 27.49 C -ATOM 1694 O ASP A 228 9.171 -36.951 40.160 1.00 27.44 O -ATOM 1695 CB ASP A 228 11.888 -38.488 40.051 1.00 29.18 C -ATOM 1696 CG ASP A 228 13.287 -38.733 40.626 1.00 36.93 C -ATOM 1697 OD1 ASP A 228 14.240 -38.049 40.232 1.00 60.99 O -ATOM 1698 OD2 ASP A 228 13.419 -39.588 41.502 1.00 67.40 O -ATOM 1699 N HIS A 229 10.128 -36.639 38.165 1.00 27.81 N -ATOM 1700 CA HIS A 229 8.830 -36.503 37.511 1.00 27.57 C -ATOM 1701 C HIS A 229 8.896 -37.122 36.125 1.00 22.47 C -ATOM 1702 O HIS A 229 9.984 -37.331 35.560 1.00 25.44 O -ATOM 1703 CB HIS A 229 8.397 -35.013 37.341 1.00 24.81 C -ATOM 1704 CG HIS A 229 9.312 -34.181 36.403 1.00 25.52 C -ATOM 1705 ND1 HIS A 229 10.615 -33.896 36.508 1.00 26.06 N -ATOM 1706 CD2 HIS A 229 8.872 -33.550 35.242 1.00 26.80 C -ATOM 1707 CE1 HIS A 229 10.975 -33.137 35.493 1.00 31.27 C -ATOM 1708 NE2 HIS A 229 9.917 -32.942 34.749 1.00 24.74 N -ATOM 1709 N LYS A 230 7.707 -37.415 35.634 1.00 25.04 N -ATOM 1710 CA LYS A 230 7.595 -37.800 34.269 1.00 31.02 C -ATOM 1711 C LYS A 230 6.333 -37.202 33.715 1.00 29.49 C -ATOM 1712 O LYS A 230 5.422 -36.866 34.461 1.00 24.54 O -ATOM 1713 CB LYS A 230 7.587 -39.292 34.172 1.00 26.28 C -ATOM 1714 CG LYS A 230 6.388 -40.093 34.564 1.00 47.78 C -ATOM 1715 CD LYS A 230 6.930 -41.543 34.609 1.00 73.52 C -ATOM 1716 CE LYS A 230 8.071 -41.699 35.655 1.00 89.17 C -ATOM 1717 NZ LYS A 230 8.899 -42.887 35.501 1.00101.19 N -ATOM 1718 N ALA A 231 6.307 -36.988 32.407 1.00 28.59 N -ATOM 1719 CA ALA A 231 5.160 -36.419 31.722 1.00 23.31 C -ATOM 1720 C ALA A 231 5.135 -37.079 30.339 1.00 23.75 C -ATOM 1721 O ALA A 231 6.189 -37.406 29.764 1.00 27.95 O -ATOM 1722 CB ALA A 231 5.364 -34.920 31.575 1.00 23.08 C -ATOM 1723 N TYR A 232 3.972 -37.375 29.801 1.00 23.45 N -ATOM 1724 CA TYR A 232 3.874 -37.908 28.445 1.00 32.26 C -ATOM 1725 C TYR A 232 2.487 -37.605 27.895 1.00 29.25 C -ATOM 1726 O TYR A 232 1.550 -37.348 28.668 1.00 27.46 O -ATOM 1727 CB TYR A 232 4.162 -39.439 28.413 1.00 28.02 C -ATOM 1728 CG TYR A 232 3.494 -40.240 29.515 1.00 27.17 C -ATOM 1729 CD1 TYR A 232 4.167 -40.375 30.718 1.00 35.93 C -ATOM 1730 CD2 TYR A 232 2.236 -40.789 29.331 1.00 30.56 C -ATOM 1731 CE1 TYR A 232 3.571 -41.057 31.753 1.00 40.00 C -ATOM 1732 CE2 TYR A 232 1.634 -41.488 30.366 1.00 39.00 C -ATOM 1733 CZ TYR A 232 2.312 -41.611 31.573 1.00 38.48 C -ATOM 1734 OH TYR A 232 1.717 -42.278 32.642 1.00 56.10 O -ATOM 1735 N GLY A 233 2.285 -37.561 26.574 1.00 22.51 N -ATOM 1736 CA GLY A 233 0.985 -37.244 26.014 1.00 24.02 C -ATOM 1737 C GLY A 233 0.950 -37.507 24.514 1.00 26.25 C -ATOM 1738 O GLY A 233 1.941 -37.833 23.856 1.00 24.83 O -ATOM 1739 N LEU A 234 -0.223 -37.323 23.996 1.00 25.95 N -ATOM 1740 CA LEU A 234 -0.460 -37.640 22.618 1.00 24.03 C -ATOM 1741 C LEU A 234 -1.584 -36.777 22.103 1.00 28.04 C -ATOM 1742 O LEU A 234 -2.514 -36.506 22.890 1.00 28.24 O -ATOM 1743 CB LEU A 234 -0.866 -39.070 22.566 1.00 31.10 C -ATOM 1744 CG LEU A 234 -1.539 -39.544 21.317 1.00 41.38 C -ATOM 1745 CD1 LEU A 234 -0.480 -39.786 20.245 1.00 34.15 C -ATOM 1746 CD2 LEU A 234 -2.356 -40.751 21.648 1.00 42.03 C -ATOM 1747 N SER A 235 -1.534 -36.329 20.833 1.00 26.13 N -ATOM 1748 CA SER A 235 -2.724 -35.732 20.265 1.00 25.83 C -ATOM 1749 C SER A 235 -2.895 -36.213 18.836 1.00 25.93 C -ATOM 1750 O SER A 235 -1.899 -36.580 18.179 1.00 28.39 O -ATOM 1751 CB SER A 235 -2.699 -34.190 20.226 1.00 32.71 C -ATOM 1752 OG SER A 235 -1.734 -33.546 19.431 1.00 30.62 O -ATOM 1753 N VAL A 236 -4.162 -36.183 18.415 1.00 24.17 N -ATOM 1754 CA VAL A 236 -4.537 -36.596 17.082 1.00 35.92 C -ATOM 1755 C VAL A 236 -5.526 -35.562 16.575 1.00 30.98 C -ATOM 1756 O VAL A 236 -6.478 -35.231 17.299 1.00 29.40 O -ATOM 1757 CB VAL A 236 -5.242 -37.999 17.076 1.00 37.21 C -ATOM 1758 CG1 VAL A 236 -5.538 -38.410 15.632 1.00 36.84 C -ATOM 1759 CG2 VAL A 236 -4.348 -39.079 17.632 1.00 26.11 C -ATOM 1760 N ASP A 237 -5.348 -35.028 15.361 1.00 32.91 N -ATOM 1761 CA ASP A 237 -6.394 -34.211 14.758 1.00 25.51 C -ATOM 1762 C ASP A 237 -6.495 -34.598 13.289 1.00 35.12 C -ATOM 1763 O ASP A 237 -5.479 -35.003 12.696 1.00 26.89 O -ATOM 1764 CB ASP A 237 -6.092 -32.730 14.842 1.00 18.52 C -ATOM 1765 CG ASP A 237 -4.815 -32.240 14.216 1.00 30.05 C -ATOM 1766 OD1 ASP A 237 -3.766 -32.292 14.847 1.00 32.68 O -ATOM 1767 OD2 ASP A 237 -4.885 -31.769 13.090 1.00 32.21 O -ATOM 1768 N SER A 238 -7.670 -34.485 12.706 1.00 26.63 N -ATOM 1769 CA SER A 238 -7.842 -34.834 11.317 1.00 37.70 C -ATOM 1770 C SER A 238 -8.823 -33.890 10.690 1.00 32.20 C -ATOM 1771 O SER A 238 -9.807 -33.469 11.318 1.00 31.51 O -ATOM 1772 CB SER A 238 -8.377 -36.244 11.179 1.00 41.15 C -ATOM 1773 OG SER A 238 -8.165 -36.687 9.837 1.00 71.90 O -ATOM 1774 N THR A 239 -8.540 -33.586 9.431 1.00 36.96 N -ATOM 1775 CA THR A 239 -9.398 -32.696 8.670 1.00 32.71 C -ATOM 1776 C THR A 239 -10.155 -33.389 7.544 1.00 36.75 C -ATOM 1777 O THR A 239 -9.556 -34.067 6.710 1.00 49.53 O -ATOM 1778 CB THR A 239 -8.536 -31.582 8.106 1.00 32.24 C -ATOM 1779 OG1 THR A 239 -7.852 -30.961 9.187 1.00 37.41 O -ATOM 1780 CG2 THR A 239 -9.370 -30.533 7.409 1.00 43.12 C -ATOM 1781 N PHE A 240 -11.462 -33.214 7.506 1.00 32.39 N -ATOM 1782 CA PHE A 240 -12.341 -33.703 6.445 1.00 34.60 C -ATOM 1783 C PHE A 240 -13.163 -32.519 5.907 1.00 35.95 C -ATOM 1784 O PHE A 240 -14.186 -32.080 6.472 1.00 35.29 O -ATOM 1785 CB PHE A 240 -13.350 -34.771 6.926 1.00 44.97 C -ATOM 1786 CG PHE A 240 -13.345 -35.118 8.409 1.00 76.78 C -ATOM 1787 CD1 PHE A 240 -12.351 -35.948 8.916 1.00 80.80 C -ATOM 1788 CD2 PHE A 240 -14.340 -34.611 9.227 1.00 80.91 C -ATOM 1789 CE1 PHE A 240 -12.351 -36.280 10.251 1.00 68.89 C -ATOM 1790 CE2 PHE A 240 -14.331 -34.950 10.563 1.00 82.55 C -ATOM 1791 CZ PHE A 240 -13.340 -35.778 11.067 1.00 81.89 C -ATOM 1792 N GLY A 241 -12.680 -31.948 4.808 1.00 34.25 N -ATOM 1793 CA GLY A 241 -13.350 -30.824 4.204 1.00 33.96 C -ATOM 1794 C GLY A 241 -13.040 -29.537 4.968 1.00 29.52 C -ATOM 1795 O GLY A 241 -11.882 -29.126 5.127 1.00 42.22 O -ATOM 1796 N ALA A 242 -14.115 -28.897 5.419 1.00 36.46 N -ATOM 1797 CA ALA A 242 -14.010 -27.686 6.217 1.00 38.95 C -ATOM 1798 C ALA A 242 -13.882 -28.010 7.720 1.00 32.64 C -ATOM 1799 O ALA A 242 -13.627 -27.086 8.491 1.00 34.81 O -ATOM 1800 CB ALA A 242 -15.262 -26.850 5.969 1.00 29.62 C -ATOM 1801 N THR A 243 -14.038 -29.268 8.161 1.00 28.72 N -ATOM 1802 CA THR A 243 -14.065 -29.689 9.551 1.00 32.77 C -ATOM 1803 C THR A 243 -12.794 -30.303 10.043 1.00 38.01 C -ATOM 1804 O THR A 243 -12.331 -31.287 9.467 1.00 34.60 O -ATOM 1805 CB THR A 243 -15.173 -30.719 9.790 1.00 29.34 C -ATOM 1806 OG1 THR A 243 -16.361 -30.152 9.254 1.00 38.80 O -ATOM 1807 CG2 THR A 243 -15.431 -31.019 11.255 1.00 36.27 C -ATOM 1808 N THR A 244 -12.219 -29.739 11.095 1.00 27.70 N -ATOM 1809 CA THR A 244 -11.122 -30.407 11.774 1.00 21.95 C -ATOM 1810 C THR A 244 -11.688 -30.849 13.123 1.00 38.04 C -ATOM 1811 O THR A 244 -12.524 -30.149 13.726 1.00 29.47 O -ATOM 1812 CB THR A 244 -10.004 -29.457 11.967 1.00 27.11 C -ATOM 1813 OG1 THR A 244 -9.643 -29.054 10.641 1.00 30.63 O -ATOM 1814 CG2 THR A 244 -8.854 -30.056 12.776 1.00 22.16 C -ATOM 1815 N VAL A 245 -11.298 -32.053 13.533 1.00 32.84 N -ATOM 1816 CA VAL A 245 -11.691 -32.672 14.799 1.00 23.59 C -ATOM 1817 C VAL A 245 -10.380 -33.151 15.399 1.00 30.46 C -ATOM 1818 O VAL A 245 -9.480 -33.587 14.666 1.00 28.97 O -ATOM 1819 CB VAL A 245 -12.643 -33.860 14.564 1.00 26.50 C -ATOM 1820 CG1 VAL A 245 -12.936 -34.616 15.851 1.00 42.06 C -ATOM 1821 CG2 VAL A 245 -13.983 -33.313 14.105 1.00 29.56 C -ATOM 1822 N GLY A 246 -10.217 -32.981 16.715 1.00 30.97 N -ATOM 1823 CA GLY A 246 -8.989 -33.402 17.357 1.00 28.37 C -ATOM 1824 C GLY A 246 -9.056 -33.404 18.881 1.00 31.52 C -ATOM 1825 O GLY A 246 -10.015 -32.875 19.467 1.00 29.24 O -ATOM 1826 N GLY A 247 -8.033 -33.959 19.524 1.00 26.92 N -ATOM 1827 CA GLY A 247 -8.013 -34.006 20.963 1.00 25.58 C -ATOM 1828 C GLY A 247 -6.646 -34.406 21.421 1.00 36.99 C -ATOM 1829 O GLY A 247 -5.803 -34.741 20.587 1.00 25.32 O -ATOM 1830 N TYR A 248 -6.416 -34.408 22.735 1.00 23.62 N -ATOM 1831 CA TYR A 248 -5.115 -34.748 23.270 1.00 20.94 C -ATOM 1832 C TYR A 248 -5.325 -35.358 24.660 1.00 20.63 C -ATOM 1833 O TYR A 248 -6.406 -35.164 25.255 1.00 21.90 O -ATOM 1834 CB TYR A 248 -4.231 -33.486 23.387 1.00 21.56 C -ATOM 1835 CG TYR A 248 -4.760 -32.431 24.364 1.00 25.21 C -ATOM 1836 CD1 TYR A 248 -4.438 -32.548 25.708 1.00 27.92 C -ATOM 1837 CD2 TYR A 248 -5.615 -31.411 23.968 1.00 24.90 C -ATOM 1838 CE1 TYR A 248 -4.966 -31.665 26.639 1.00 26.26 C -ATOM 1839 CE2 TYR A 248 -6.151 -30.519 24.904 1.00 31.70 C -ATOM 1840 CZ TYR A 248 -5.819 -30.648 26.258 1.00 26.70 C -ATOM 1841 OH TYR A 248 -6.318 -29.797 27.251 1.00 25.24 O -ATOM 1842 N VAL A 249 -4.321 -36.040 25.195 1.00 24.77 N -ATOM 1843 CA VAL A 249 -4.367 -36.470 26.593 1.00 27.74 C -ATOM 1844 C VAL A 249 -2.923 -36.423 27.059 1.00 28.50 C -ATOM 1845 O VAL A 249 -1.975 -36.725 26.318 1.00 24.37 O -ATOM 1846 CB VAL A 249 -5.003 -37.894 26.729 1.00 30.76 C -ATOM 1847 CG1 VAL A 249 -4.158 -38.959 26.069 1.00 36.77 C -ATOM 1848 CG2 VAL A 249 -5.154 -38.207 28.211 1.00 29.16 C -ATOM 1849 N GLN A 250 -2.715 -35.905 28.269 1.00 22.78 N -ATOM 1850 CA GLN A 250 -1.387 -35.776 28.807 1.00 23.77 C -ATOM 1851 C GLN A 250 -1.468 -36.243 30.256 1.00 25.06 C -ATOM 1852 O GLN A 250 -2.549 -36.178 30.872 1.00 21.33 O -ATOM 1853 CB GLN A 250 -0.900 -34.339 28.864 1.00 23.22 C -ATOM 1854 CG GLN A 250 -1.124 -33.547 27.625 1.00 24.76 C -ATOM 1855 CD GLN A 250 -0.215 -32.353 27.600 1.00 18.99 C -ATOM 1856 OE1 GLN A 250 0.992 -32.480 27.720 1.00 23.92 O -ATOM 1857 NE2 GLN A 250 -0.707 -31.141 27.461 1.00 20.19 N -ATOM 1858 N VAL A 251 -0.358 -36.761 30.770 1.00 29.03 N -ATOM 1859 CA VAL A 251 -0.307 -37.017 32.189 1.00 26.98 C -ATOM 1860 C VAL A 251 1.015 -36.492 32.676 1.00 25.15 C -ATOM 1861 O VAL A 251 2.068 -36.481 32.014 1.00 26.27 O -ATOM 1862 CB VAL A 251 -0.510 -38.552 32.608 1.00 33.15 C -ATOM 1863 CG1 VAL A 251 -0.968 -39.355 31.434 1.00 26.27 C -ATOM 1864 CG2 VAL A 251 0.702 -39.104 33.283 1.00 32.70 C -ATOM 1865 N LEU A 252 0.873 -35.954 33.891 1.00 23.70 N -ATOM 1866 CA LEU A 252 2.023 -35.435 34.601 1.00 21.27 C -ATOM 1867 C LEU A 252 2.033 -36.219 35.906 1.00 26.27 C -ATOM 1868 O LEU A 252 0.990 -36.303 36.555 1.00 26.01 O -ATOM 1869 CB LEU A 252 1.825 -33.976 34.863 1.00 22.83 C -ATOM 1870 CG LEU A 252 2.836 -33.284 35.749 1.00 32.44 C -ATOM 1871 CD1 LEU A 252 4.251 -33.390 35.206 1.00 25.21 C -ATOM 1872 CD2 LEU A 252 2.333 -31.861 35.904 1.00 28.50 C -ATOM 1873 N ASP A 253 3.167 -36.799 36.251 1.00 25.12 N -ATOM 1874 CA ASP A 253 3.301 -37.651 37.415 1.00 34.71 C -ATOM 1875 C ASP A 253 4.503 -37.199 38.247 1.00 25.50 C -ATOM 1876 O ASP A 253 5.652 -37.463 37.851 1.00 26.91 O -ATOM 1877 CB ASP A 253 3.454 -39.066 36.865 1.00 31.51 C -ATOM 1878 CG ASP A 253 3.436 -40.240 37.841 1.00 52.04 C -ATOM 1879 OD1 ASP A 253 3.598 -40.015 39.040 1.00 49.77 O -ATOM 1880 OD2 ASP A 253 3.257 -41.381 37.389 1.00 67.89 O -ATOM 1881 N ILE A 254 4.327 -36.531 39.394 1.00 24.18 N -ATOM 1882 CA ILE A 254 5.467 -36.087 40.166 1.00 23.34 C -ATOM 1883 C ILE A 254 5.483 -36.909 41.440 1.00 30.07 C -ATOM 1884 O ILE A 254 4.540 -36.908 42.249 1.00 29.61 O -ATOM 1885 CB ILE A 254 5.378 -34.625 40.550 1.00 20.78 C -ATOM 1886 CG1 ILE A 254 5.120 -33.770 39.278 1.00 23.54 C -ATOM 1887 CG2 ILE A 254 6.696 -34.241 41.236 1.00 20.01 C -ATOM 1888 CD1 ILE A 254 4.936 -32.261 39.497 1.00 30.48 C -ATOM 1889 N ASP A 255 6.606 -37.585 41.539 1.00 27.10 N -ATOM 1890 CA ASP A 255 6.902 -38.482 42.630 1.00 37.11 C -ATOM 1891 C ASP A 255 6.845 -37.723 43.957 1.00 34.48 C -ATOM 1892 O ASP A 255 7.377 -36.618 44.107 1.00 33.20 O -ATOM 1893 CB ASP A 255 8.290 -39.064 42.417 1.00 36.96 C -ATOM 1894 CG ASP A 255 8.690 -40.163 43.403 1.00 61.77 C -ATOM 1895 OD1 ASP A 255 7.879 -41.053 43.678 1.00 63.74 O -ATOM 1896 OD2 ASP A 255 9.818 -40.132 43.893 1.00 54.70 O -ATOM 1897 N THR A 256 6.132 -38.389 44.869 1.00 38.04 N -ATOM 1898 CA THR A 256 5.860 -37.972 46.235 1.00 27.79 C -ATOM 1899 C THR A 256 4.849 -36.835 46.246 1.00 45.76 C -ATOM 1900 O THR A 256 4.408 -36.503 47.344 1.00 49.10 O -ATOM 1901 CB THR A 256 7.129 -37.485 47.075 1.00 37.48 C -ATOM 1902 OG1 THR A 256 7.491 -36.195 46.656 1.00 37.65 O -ATOM 1903 CG2 THR A 256 8.331 -38.390 46.918 1.00 36.65 C -ATOM 1904 N ILE A 257 4.398 -36.198 45.147 1.00 46.16 N -ATOM 1905 CA ILE A 257 3.436 -35.093 45.238 1.00 36.33 C -ATOM 1906 C ILE A 257 2.150 -35.643 44.702 1.00 45.12 C -ATOM 1907 O ILE A 257 1.300 -36.026 45.495 1.00 39.40 O -ATOM 1908 CB ILE A 257 3.835 -33.831 44.393 1.00 30.69 C -ATOM 1909 CG1 ILE A 257 5.261 -33.393 44.729 1.00 26.95 C -ATOM 1910 CG2 ILE A 257 2.776 -32.750 44.585 1.00 28.34 C -ATOM 1911 CD1 ILE A 257 5.617 -33.165 46.186 1.00 47.06 C -ATOM 1912 N ASP A 258 1.980 -35.772 43.386 1.00 26.70 N -ATOM 1913 CA ASP A 258 0.726 -36.235 42.834 1.00 20.95 C -ATOM 1914 C ASP A 258 0.900 -36.477 41.310 1.00 21.68 C -ATOM 1915 O ASP A 258 1.987 -36.248 40.781 1.00 25.33 O -ATOM 1916 CB ASP A 258 -0.359 -35.176 43.097 1.00 24.31 C -ATOM 1917 CG ASP A 258 -1.793 -35.738 43.188 1.00 39.02 C -ATOM 1918 OD1 ASP A 258 -2.027 -36.953 43.009 1.00 36.22 O -ATOM 1919 OD2 ASP A 258 -2.705 -34.944 43.447 1.00 49.23 O -ATOM 1920 N ASP A 259 -0.152 -36.966 40.657 1.00 32.03 N -ATOM 1921 CA ASP A 259 -0.230 -37.188 39.229 1.00 35.51 C -ATOM 1922 C ASP A 259 -1.548 -36.603 38.763 1.00 29.00 C -ATOM 1923 O ASP A 259 -2.461 -36.390 39.566 1.00 29.90 O -ATOM 1924 CB ASP A 259 -0.192 -38.674 38.860 1.00 29.16 C -ATOM 1925 CG ASP A 259 -1.224 -39.576 39.537 1.00 32.42 C -ATOM 1926 OD1 ASP A 259 -2.393 -39.544 39.181 1.00 53.80 O -ATOM 1927 OD2 ASP A 259 -0.846 -40.322 40.433 1.00 66.04 O -ATOM 1928 N VAL A 260 -1.665 -36.276 37.483 1.00 23.61 N -ATOM 1929 CA VAL A 260 -2.910 -35.780 36.928 1.00 21.31 C -ATOM 1930 C VAL A 260 -2.886 -36.211 35.452 1.00 25.64 C -ATOM 1931 O VAL A 260 -1.818 -36.338 34.836 1.00 25.09 O -ATOM 1932 CB VAL A 260 -2.958 -34.221 37.123 1.00 21.65 C -ATOM 1933 CG1 VAL A 260 -1.779 -33.495 36.460 1.00 22.43 C -ATOM 1934 CG2 VAL A 260 -4.300 -33.747 36.600 1.00 23.25 C -ATOM 1935 N THR A 261 -4.073 -36.529 34.953 1.00 26.37 N -ATOM 1936 CA THR A 261 -4.323 -36.788 33.551 1.00 29.83 C -ATOM 1937 C THR A 261 -5.306 -35.690 33.145 1.00 28.17 C -ATOM 1938 O THR A 261 -6.336 -35.465 33.799 1.00 27.71 O -ATOM 1939 CB THR A 261 -4.949 -38.190 33.349 1.00 28.09 C -ATOM 1940 OG1 THR A 261 -3.930 -39.126 33.734 1.00 29.64 O -ATOM 1941 CG2 THR A 261 -5.462 -38.417 31.908 1.00 25.84 C -ATOM 1942 N TYR A 262 -4.983 -34.982 32.066 1.00 29.21 N -ATOM 1943 CA TYR A 262 -5.785 -33.861 31.598 1.00 24.79 C -ATOM 1944 C TYR A 262 -5.915 -34.030 30.083 1.00 23.96 C -ATOM 1945 O TYR A 262 -5.044 -34.609 29.415 1.00 24.24 O -ATOM 1946 CB TYR A 262 -5.088 -32.537 31.993 1.00 24.82 C -ATOM 1947 CG TYR A 262 -3.579 -32.350 31.796 1.00 25.17 C -ATOM 1948 CD1 TYR A 262 -2.604 -33.061 32.501 1.00 21.56 C -ATOM 1949 CD2 TYR A 262 -3.159 -31.368 30.913 1.00 32.68 C -ATOM 1950 CE1 TYR A 262 -1.248 -32.785 32.330 1.00 28.66 C -ATOM 1951 CE2 TYR A 262 -1.802 -31.079 30.741 1.00 24.26 C -ATOM 1952 CZ TYR A 262 -0.855 -31.784 31.449 1.00 29.01 C -ATOM 1953 OH TYR A 262 0.468 -31.450 31.285 1.00 26.50 O -ATOM 1954 N TYR A 263 -7.042 -33.622 29.559 1.00 22.32 N -ATOM 1955 CA TYR A 263 -7.335 -33.906 28.175 1.00 30.67 C -ATOM 1956 C TYR A 263 -8.337 -32.893 27.616 1.00 32.19 C -ATOM 1957 O TYR A 263 -8.975 -32.135 28.353 1.00 24.76 O -ATOM 1958 CB TYR A 263 -7.857 -35.363 28.104 1.00 25.45 C -ATOM 1959 CG TYR A 263 -9.175 -35.513 28.819 1.00 36.72 C -ATOM 1960 CD1 TYR A 263 -10.316 -35.199 28.093 1.00 42.51 C -ATOM 1961 CD2 TYR A 263 -9.207 -35.844 30.165 1.00 40.64 C -ATOM 1962 CE1 TYR A 263 -11.539 -35.174 28.691 1.00 50.49 C -ATOM 1963 CE2 TYR A 263 -10.438 -35.822 30.778 1.00 36.33 C -ATOM 1964 CZ TYR A 263 -11.580 -35.477 30.032 1.00 50.61 C -ATOM 1965 OH TYR A 263 -12.823 -35.358 30.642 1.00 80.92 O -ATOM 1966 N GLY A 264 -8.571 -32.889 26.313 1.00 25.91 N -ATOM 1967 CA GLY A 264 -9.496 -31.983 25.661 1.00 21.27 C -ATOM 1968 C GLY A 264 -9.816 -32.541 24.276 1.00 23.07 C -ATOM 1969 O GLY A 264 -9.062 -33.344 23.705 1.00 25.86 O -ATOM 1970 N LEU A 265 -10.947 -32.088 23.794 1.00 23.56 N -ATOM 1971 CA LEU A 265 -11.537 -32.566 22.562 1.00 26.65 C -ATOM 1972 C LEU A 265 -12.237 -31.344 21.956 1.00 27.04 C -ATOM 1973 O LEU A 265 -13.041 -30.658 22.628 1.00 23.67 O -ATOM 1974 CB LEU A 265 -12.584 -33.655 22.879 1.00 27.27 C -ATOM 1975 CG LEU A 265 -12.649 -34.995 22.175 1.00 60.41 C -ATOM 1976 CD1 LEU A 265 -12.763 -34.816 20.658 1.00 50.33 C -ATOM 1977 CD2 LEU A 265 -11.395 -35.779 22.546 1.00 66.28 C -ATOM 1978 N GLY A 266 -11.951 -31.022 20.694 1.00 24.66 N -ATOM 1979 CA GLY A 266 -12.640 -29.907 20.061 1.00 28.90 C -ATOM 1980 C GLY A 266 -12.729 -30.028 18.549 1.00 30.41 C -ATOM 1981 O GLY A 266 -12.123 -30.912 17.929 1.00 27.92 O -ATOM 1982 N ALA A 267 -13.472 -29.113 17.964 1.00 24.95 N -ATOM 1983 CA ALA A 267 -13.627 -29.097 16.532 1.00 33.88 C -ATOM 1984 C ALA A 267 -13.626 -27.690 16.016 1.00 31.63 C -ATOM 1985 O ALA A 267 -13.943 -26.760 16.764 1.00 24.94 O -ATOM 1986 CB ALA A 267 -14.947 -29.688 16.119 1.00 24.74 C -ATOM 1987 N SER A 268 -13.311 -27.544 14.737 1.00 29.24 N -ATOM 1988 CA SER A 268 -13.505 -26.275 14.076 1.00 25.82 C -ATOM 1989 C SER A 268 -14.077 -26.503 12.695 1.00 31.52 C -ATOM 1990 O SER A 268 -13.861 -27.550 12.082 1.00 28.68 O -ATOM 1991 CB SER A 268 -12.188 -25.504 13.964 1.00 24.92 C -ATOM 1992 OG SER A 268 -11.044 -26.303 13.739 1.00 39.59 O -ATOM 1993 N TYR A 269 -14.763 -25.494 12.230 1.00 26.59 N -ATOM 1994 CA TYR A 269 -15.364 -25.502 10.940 1.00 25.66 C -ATOM 1995 C TYR A 269 -14.905 -24.252 10.228 1.00 25.81 C -ATOM 1996 O TYR A 269 -15.202 -23.132 10.648 1.00 25.05 O -ATOM 1997 CB TYR A 269 -16.841 -25.513 11.147 1.00 23.54 C -ATOM 1998 CG TYR A 269 -17.518 -25.612 9.808 1.00 33.37 C -ATOM 1999 CD1 TYR A 269 -17.639 -26.848 9.204 1.00 29.64 C -ATOM 2000 CD2 TYR A 269 -17.940 -24.462 9.180 1.00 39.37 C -ATOM 2001 CE1 TYR A 269 -18.189 -26.926 7.938 1.00 52.56 C -ATOM 2002 CE2 TYR A 269 -18.482 -24.534 7.916 1.00 51.57 C -ATOM 2003 CZ TYR A 269 -18.605 -25.768 7.301 1.00 58.86 C -ATOM 2004 OH TYR A 269 -19.150 -25.833 6.027 1.00 61.25 O -ATOM 2005 N ASP A 270 -14.225 -24.389 9.114 1.00 22.56 N -ATOM 2006 CA ASP A 270 -13.728 -23.239 8.392 1.00 20.61 C -ATOM 2007 C ASP A 270 -14.818 -22.578 7.539 1.00 29.68 C -ATOM 2008 O ASP A 270 -15.426 -23.238 6.697 1.00 34.39 O -ATOM 2009 CB ASP A 270 -12.550 -23.739 7.549 1.00 24.95 C -ATOM 2010 CG ASP A 270 -11.686 -22.678 6.877 1.00 33.53 C -ATOM 2011 OD1 ASP A 270 -12.079 -21.518 6.858 1.00 33.68 O -ATOM 2012 OD2 ASP A 270 -10.599 -23.005 6.391 1.00 54.40 O -ATOM 2013 N LEU A 271 -15.094 -21.291 7.724 1.00 24.09 N -ATOM 2014 CA LEU A 271 -16.068 -20.546 6.940 1.00 21.32 C -ATOM 2015 C LEU A 271 -15.387 -19.861 5.747 1.00 23.96 C -ATOM 2016 O LEU A 271 -16.039 -19.186 4.965 1.00 23.54 O -ATOM 2017 CB LEU A 271 -16.718 -19.450 7.764 1.00 19.85 C -ATOM 2018 CG LEU A 271 -17.482 -19.817 9.037 1.00 23.59 C -ATOM 2019 CD1 LEU A 271 -18.005 -18.566 9.724 1.00 24.13 C -ATOM 2020 CD2 LEU A 271 -18.614 -20.710 8.684 1.00 25.97 C -ATOM 2021 N GLY A 272 -14.077 -19.917 5.657 1.00 21.11 N -ATOM 2022 CA GLY A 272 -13.297 -19.265 4.646 1.00 20.61 C -ATOM 2023 C GLY A 272 -13.020 -17.808 4.960 1.00 23.49 C -ATOM 2024 O GLY A 272 -13.642 -17.214 5.841 1.00 26.07 O -ATOM 2025 N GLY A 273 -12.048 -17.183 4.294 1.00 16.10 N -ATOM 2026 CA GLY A 273 -11.850 -15.758 4.404 1.00 15.88 C -ATOM 2027 C GLY A 273 -11.120 -15.370 5.693 1.00 23.40 C -ATOM 2028 O GLY A 273 -10.858 -14.193 5.896 1.00 24.50 O -ATOM 2029 N GLY A 274 -10.716 -16.337 6.529 1.00 27.38 N -ATOM 2030 CA GLY A 274 -10.024 -16.087 7.796 1.00 27.44 C -ATOM 2031 C GLY A 274 -10.951 -16.319 9.003 1.00 31.13 C -ATOM 2032 O GLY A 274 -10.559 -15.962 10.109 1.00 26.17 O -ATOM 2033 N ALA A 275 -12.150 -16.880 8.849 1.00 21.61 N -ATOM 2034 CA ALA A 275 -13.084 -17.081 9.935 1.00 21.23 C -ATOM 2035 C ALA A 275 -13.397 -18.550 10.106 1.00 31.65 C -ATOM 2036 O ALA A 275 -13.438 -19.304 9.129 1.00 22.67 O -ATOM 2037 CB ALA A 275 -14.384 -16.338 9.664 1.00 16.02 C -ATOM 2038 N SER A 276 -13.567 -19.003 11.350 1.00 19.43 N -ATOM 2039 CA SER A 276 -13.933 -20.370 11.654 1.00 19.76 C -ATOM 2040 C SER A 276 -14.798 -20.406 12.926 1.00 25.83 C -ATOM 2041 O SER A 276 -14.736 -19.480 13.750 1.00 23.50 O -ATOM 2042 CB SER A 276 -12.659 -21.228 11.821 1.00 21.87 C -ATOM 2043 OG SER A 276 -11.650 -20.655 12.638 1.00 34.39 O -ATOM 2044 N ILE A 277 -15.679 -21.387 13.049 1.00 22.23 N -ATOM 2045 CA ILE A 277 -16.508 -21.592 14.227 1.00 22.99 C -ATOM 2046 C ILE A 277 -15.711 -22.641 14.979 1.00 28.21 C -ATOM 2047 O ILE A 277 -15.281 -23.638 14.373 1.00 23.58 O -ATOM 2048 CB ILE A 277 -17.884 -22.116 13.800 1.00 26.04 C -ATOM 2049 CG1 ILE A 277 -18.611 -21.066 13.027 1.00 28.06 C -ATOM 2050 CG2 ILE A 277 -18.730 -22.472 15.023 1.00 24.61 C -ATOM 2051 CD1 ILE A 277 -19.860 -21.684 12.370 1.00 28.49 C -ATOM 2052 N VAL A 278 -15.414 -22.462 16.276 1.00 24.26 N -ATOM 2053 CA VAL A 278 -14.525 -23.365 17.035 1.00 25.14 C -ATOM 2054 C VAL A 278 -15.179 -23.631 18.396 1.00 25.78 C -ATOM 2055 O VAL A 278 -15.724 -22.712 19.016 1.00 23.74 O -ATOM 2056 CB VAL A 278 -13.131 -22.725 17.291 1.00 22.54 C -ATOM 2057 CG1 VAL A 278 -12.205 -23.783 17.813 1.00 18.27 C -ATOM 2058 CG2 VAL A 278 -12.549 -22.120 16.040 1.00 24.97 C -ATOM 2059 N GLY A 279 -15.140 -24.844 18.907 1.00 22.69 N -ATOM 2060 CA GLY A 279 -15.720 -25.165 20.201 1.00 23.27 C -ATOM 2061 C GLY A 279 -14.945 -26.330 20.772 1.00 25.33 C -ATOM 2062 O GLY A 279 -14.236 -27.024 20.031 1.00 26.35 O -ATOM 2063 N GLY A 280 -15.009 -26.605 22.070 1.00 22.79 N -ATOM 2064 CA GLY A 280 -14.234 -27.694 22.641 1.00 23.14 C -ATOM 2065 C GLY A 280 -14.617 -27.915 24.096 1.00 20.25 C -ATOM 2066 O GLY A 280 -15.400 -27.157 24.669 1.00 22.34 O -ATOM 2067 N ILE A 281 -14.043 -28.956 24.637 1.00 18.86 N -ATOM 2068 CA ILE A 281 -14.332 -29.423 25.969 1.00 27.28 C -ATOM 2069 C ILE A 281 -12.965 -29.757 26.547 1.00 24.01 C -ATOM 2070 O ILE A 281 -12.083 -30.231 25.818 1.00 25.84 O -ATOM 2071 CB ILE A 281 -15.335 -30.615 25.721 1.00 34.33 C -ATOM 2072 CG1 ILE A 281 -16.473 -30.269 26.569 1.00 32.29 C -ATOM 2073 CG2 ILE A 281 -14.878 -32.035 26.009 1.00 32.21 C -ATOM 2074 CD1 ILE A 281 -17.453 -29.412 25.782 1.00 41.67 C -ATOM 2075 N ALA A 282 -12.689 -29.490 27.833 1.00 25.05 N -ATOM 2076 CA ALA A 282 -11.411 -29.873 28.421 1.00 21.98 C -ATOM 2077 C ALA A 282 -11.621 -30.175 29.916 1.00 30.82 C -ATOM 2078 O ALA A 282 -12.518 -29.625 30.583 1.00 25.28 O -ATOM 2079 CB ALA A 282 -10.373 -28.757 28.319 1.00 19.90 C -ATOM 2080 N ASP A 283 -10.792 -31.067 30.451 1.00 29.24 N -ATOM 2081 CA ASP A 283 -10.865 -31.448 31.852 1.00 27.15 C -ATOM 2082 C ASP A 283 -9.629 -32.154 32.344 1.00 28.94 C -ATOM 2083 O ASP A 283 -8.650 -32.367 31.612 1.00 25.65 O -ATOM 2084 CB ASP A 283 -12.056 -32.351 32.044 1.00 25.99 C -ATOM 2085 CG ASP A 283 -12.651 -32.316 33.442 1.00 44.57 C -ATOM 2086 OD1 ASP A 283 -12.188 -31.605 34.358 1.00 33.69 O -ATOM 2087 OD2 ASP A 283 -13.632 -33.032 33.566 1.00 35.12 O -ATOM 2088 N ASN A 284 -9.624 -32.469 33.630 1.00 25.13 N -ATOM 2089 CA ASN A 284 -8.575 -33.323 34.132 1.00 24.84 C -ATOM 2090 C ASN A 284 -9.281 -34.178 35.168 1.00 32.53 C -ATOM 2091 O ASN A 284 -10.446 -33.966 35.501 1.00 27.71 O -ATOM 2092 CB ASN A 284 -7.428 -32.531 34.784 1.00 22.73 C -ATOM 2093 CG ASN A 284 -7.841 -31.655 35.937 1.00 35.10 C -ATOM 2094 OD1 ASN A 284 -8.594 -32.043 36.830 1.00 32.48 O -ATOM 2095 ND2 ASN A 284 -7.398 -30.419 35.956 1.00 26.62 N -ATOM 2096 N ASP A 285 -8.571 -35.160 35.662 1.00 26.45 N -ATOM 2097 CA ASP A 285 -9.119 -36.062 36.668 1.00 41.39 C -ATOM 2098 C ASP A 285 -8.918 -35.651 38.136 1.00 38.31 C -ATOM 2099 O ASP A 285 -9.037 -36.477 39.045 1.00 41.71 O -ATOM 2100 CB ASP A 285 -8.515 -37.458 36.442 1.00 22.77 C -ATOM 2101 CG ASP A 285 -7.018 -37.619 36.682 1.00 23.18 C -ATOM 2102 OD1 ASP A 285 -6.299 -36.642 36.961 1.00 33.04 O -ATOM 2103 OD2 ASP A 285 -6.564 -38.760 36.574 1.00 41.33 O -ATOM 2104 N LEU A 286 -8.522 -34.433 38.464 1.00 31.53 N -ATOM 2105 CA LEU A 286 -8.375 -34.096 39.864 1.00 25.13 C -ATOM 2106 C LEU A 286 -9.781 -34.072 40.470 1.00 41.07 C -ATOM 2107 O LEU A 286 -10.786 -33.987 39.738 1.00 43.63 O -ATOM 2108 CB LEU A 286 -7.705 -32.751 39.998 1.00 27.21 C -ATOM 2109 CG LEU A 286 -6.270 -32.835 39.611 1.00 27.72 C -ATOM 2110 CD1 LEU A 286 -5.760 -31.443 39.694 1.00 35.20 C -ATOM 2111 CD2 LEU A 286 -5.476 -33.794 40.484 1.00 33.80 C -ATOM 2112 N PRO A 287 -9.877 -34.225 41.816 1.00 72.08 N -ATOM 2113 CA PRO A 287 -11.137 -34.283 42.564 1.00 57.25 C -ATOM 2114 C PRO A 287 -12.204 -33.202 42.339 1.00 55.50 C -ATOM 2115 O PRO A 287 -13.372 -33.508 42.071 1.00 64.32 O -ATOM 2116 CB PRO A 287 -10.653 -34.366 44.012 1.00 64.34 C -ATOM 2117 CG PRO A 287 -9.230 -33.836 43.996 1.00 69.23 C -ATOM 2118 CD PRO A 287 -8.755 -34.511 42.729 1.00 60.19 C -ATOM 2119 N ASN A 288 -11.828 -31.922 42.497 1.00 54.09 N -ATOM 2120 CA ASN A 288 -12.770 -30.799 42.318 1.00 73.15 C -ATOM 2121 C ASN A 288 -13.272 -30.582 40.876 1.00 74.10 C -ATOM 2122 O ASN A 288 -14.484 -30.447 40.665 1.00 75.41 O -ATOM 2123 CB ASN A 288 -12.090 -29.477 42.876 1.00 81.36 C -ATOM 2124 CG ASN A 288 -12.242 -28.127 42.121 1.00 97.42 C -ATOM 2125 OD1 ASN A 288 -13.325 -27.546 41.955 1.00 97.46 O -ATOM 2126 ND2 ASN A 288 -11.144 -27.539 41.643 1.00101.92 N -ATOM 2127 N SER A 289 -12.316 -30.570 39.928 1.00 69.19 N -ATOM 2128 CA SER A 289 -12.486 -30.226 38.533 1.00 50.17 C -ATOM 2129 C SER A 289 -13.769 -30.567 37.808 1.00 43.85 C -ATOM 2130 O SER A 289 -14.129 -31.734 37.591 1.00 46.69 O -ATOM 2131 CB SER A 289 -11.310 -30.821 37.778 1.00 52.12 C -ATOM 2132 OG SER A 289 -10.127 -30.246 38.340 1.00 71.82 O -ATOM 2133 N ASP A 290 -14.474 -29.478 37.467 1.00 38.06 N -ATOM 2134 CA ASP A 290 -15.638 -29.592 36.585 1.00 44.01 C -ATOM 2135 C ASP A 290 -15.048 -29.256 35.203 1.00 33.18 C -ATOM 2136 O ASP A 290 -14.076 -28.504 35.098 1.00 32.33 O -ATOM 2137 CB ASP A 290 -16.736 -28.563 36.815 1.00 56.50 C -ATOM 2138 CG ASP A 290 -16.866 -28.005 38.221 1.00 77.24 C -ATOM 2139 OD1 ASP A 290 -16.176 -27.018 38.549 1.00 84.59 O -ATOM 2140 OD2 ASP A 290 -17.688 -28.568 38.949 1.00 73.57 O -ATOM 2141 N MET A 291 -15.650 -29.801 34.153 1.00 36.97 N -ATOM 2142 CA MET A 291 -15.240 -29.609 32.773 1.00 34.70 C -ATOM 2143 C MET A 291 -15.491 -28.176 32.316 1.00 26.12 C -ATOM 2144 O MET A 291 -16.588 -27.636 32.596 1.00 28.32 O -ATOM 2145 CB MET A 291 -16.046 -30.548 31.941 1.00 33.14 C -ATOM 2146 CG MET A 291 -15.721 -30.633 30.469 1.00 52.66 C -ATOM 2147 SD MET A 291 -17.054 -31.586 29.705 1.00 48.22 S -ATOM 2148 CE MET A 291 -18.376 -30.408 29.816 1.00 41.88 C -ATOM 2149 N VAL A 292 -14.461 -27.601 31.653 1.00 30.89 N -ATOM 2150 CA VAL A 292 -14.602 -26.296 30.995 1.00 28.79 C -ATOM 2151 C VAL A 292 -15.001 -26.548 29.519 1.00 27.78 C -ATOM 2152 O VAL A 292 -14.798 -27.642 28.964 1.00 23.47 O -ATOM 2153 CB VAL A 292 -13.278 -25.451 31.060 1.00 21.26 C -ATOM 2154 CG1 VAL A 292 -13.068 -25.121 32.513 1.00 24.54 C -ATOM 2155 CG2 VAL A 292 -12.062 -26.151 30.493 1.00 17.97 C -ATOM 2156 N ALA A 293 -15.630 -25.598 28.853 1.00 24.90 N -ATOM 2157 CA ALA A 293 -16.075 -25.765 27.478 1.00 28.34 C -ATOM 2158 C ALA A 293 -16.194 -24.388 26.843 1.00 31.62 C -ATOM 2159 O ALA A 293 -16.271 -23.380 27.571 1.00 21.58 O -ATOM 2160 CB ALA A 293 -17.455 -26.411 27.425 1.00 21.46 C -ATOM 2161 N ASP A 294 -16.208 -24.253 25.507 1.00 20.79 N -ATOM 2162 CA ASP A 294 -16.521 -22.962 24.906 1.00 18.22 C -ATOM 2163 C ASP A 294 -17.085 -23.151 23.509 1.00 23.81 C -ATOM 2164 O ASP A 294 -16.994 -24.277 22.981 1.00 21.81 O -ATOM 2165 CB ASP A 294 -15.275 -22.092 24.862 1.00 16.80 C -ATOM 2166 CG ASP A 294 -14.135 -22.482 23.933 1.00 28.79 C -ATOM 2167 OD1 ASP A 294 -14.298 -23.157 22.922 1.00 23.51 O -ATOM 2168 OD2 ASP A 294 -13.027 -22.066 24.222 1.00 20.09 O -ATOM 2169 N LEU A 295 -17.630 -22.092 22.934 1.00 22.29 N -ATOM 2170 CA LEU A 295 -18.156 -22.143 21.590 1.00 23.66 C -ATOM 2171 C LEU A 295 -18.129 -20.735 21.068 1.00 20.00 C -ATOM 2172 O LEU A 295 -18.736 -19.833 21.657 1.00 18.17 O -ATOM 2173 CB LEU A 295 -19.584 -22.665 21.597 1.00 22.86 C -ATOM 2174 CG LEU A 295 -20.239 -22.727 20.174 1.00 36.71 C -ATOM 2175 CD1 LEU A 295 -19.494 -23.716 19.279 1.00 28.60 C -ATOM 2176 CD2 LEU A 295 -21.662 -23.194 20.270 1.00 32.46 C -ATOM 2177 N GLY A 296 -17.427 -20.481 19.963 1.00 17.67 N -ATOM 2178 CA GLY A 296 -17.406 -19.135 19.432 1.00 17.33 C -ATOM 2179 C GLY A 296 -16.815 -19.125 18.034 1.00 21.99 C -ATOM 2180 O GLY A 296 -16.764 -20.163 17.371 1.00 20.73 O -ATOM 2181 N VAL A 297 -16.360 -17.965 17.591 1.00 23.91 N -ATOM 2182 CA VAL A 297 -15.762 -17.790 16.259 1.00 24.04 C -ATOM 2183 C VAL A 297 -14.373 -17.194 16.384 1.00 27.04 C -ATOM 2184 O VAL A 297 -14.139 -16.389 17.291 1.00 20.84 O -ATOM 2185 CB VAL A 297 -16.662 -16.873 15.351 1.00 20.97 C -ATOM 2186 CG1 VAL A 297 -17.934 -17.628 15.031 1.00 27.35 C -ATOM 2187 CG2 VAL A 297 -17.101 -15.596 16.010 1.00 23.73 C -ATOM 2188 N LYS A 298 -13.401 -17.578 15.569 1.00 18.69 N -ATOM 2189 CA LYS A 298 -12.053 -17.027 15.608 1.00 16.67 C -ATOM 2190 C LYS A 298 -11.825 -16.348 14.264 1.00 23.47 C -ATOM 2191 O LYS A 298 -12.314 -16.874 13.261 1.00 24.58 O -ATOM 2192 CB LYS A 298 -11.017 -18.111 15.770 1.00 19.12 C -ATOM 2193 CG LYS A 298 -10.986 -18.627 17.195 1.00 21.33 C -ATOM 2194 CD LYS A 298 -10.117 -19.822 17.223 1.00 18.34 C -ATOM 2195 CE LYS A 298 -8.728 -19.349 17.070 1.00 21.34 C -ATOM 2196 NZ LYS A 298 -7.845 -20.499 17.110 1.00 30.35 N -ATOM 2197 N PHE A 299 -11.150 -15.210 14.187 1.00 18.24 N -ATOM 2198 CA PHE A 299 -10.953 -14.448 12.960 1.00 17.66 C -ATOM 2199 C PHE A 299 -9.485 -14.163 12.794 1.00 26.51 C -ATOM 2200 O PHE A 299 -8.769 -13.944 13.784 1.00 22.18 O -ATOM 2201 CB PHE A 299 -11.681 -13.135 13.055 1.00 14.69 C -ATOM 2202 CG PHE A 299 -13.179 -13.199 13.267 1.00 21.01 C -ATOM 2203 CD1 PHE A 299 -13.978 -14.058 12.533 1.00 22.78 C -ATOM 2204 CD2 PHE A 299 -13.765 -12.359 14.185 1.00 20.84 C -ATOM 2205 CE1 PHE A 299 -15.346 -14.077 12.712 1.00 23.54 C -ATOM 2206 CE2 PHE A 299 -15.137 -12.388 14.348 1.00 22.22 C -ATOM 2207 CZ PHE A 299 -15.934 -13.240 13.619 1.00 21.26 C -ATOM 2208 N LYS A 300 -8.952 -14.173 11.593 1.00 17.76 N -ATOM 2209 CA LYS A 300 -7.572 -13.787 11.346 1.00 17.46 C -ATOM 2210 C LYS A 300 -7.649 -12.631 10.356 1.00 24.16 C -ATOM 2211 O LYS A 300 -8.564 -12.607 9.499 1.00 26.46 O -ATOM 2212 CB LYS A 300 -6.813 -14.912 10.727 1.00 22.55 C -ATOM 2213 CG LYS A 300 -6.657 -16.072 11.650 1.00 34.41 C -ATOM 2214 CD LYS A 300 -5.385 -16.857 11.324 1.00 54.10 C -ATOM 2215 CE LYS A 300 -5.453 -17.720 10.063 1.00 75.73 C -ATOM 2216 NZ LYS A 300 -4.221 -18.486 9.901 1.00 84.85 N -ATOM 2217 N PHE A 301 -6.747 -11.655 10.457 1.00 19.50 N -ATOM 2218 CA PHE A 301 -6.819 -10.437 9.678 1.00 18.21 C -ATOM 2219 C PHE A 301 -5.466 -10.102 9.104 1.00 22.86 C -ATOM 2220 O PHE A 301 -4.454 -10.631 9.571 1.00 17.64 O -ATOM 2221 CB PHE A 301 -7.251 -9.193 10.471 1.00 18.80 C -ATOM 2222 CG PHE A 301 -8.614 -9.367 11.100 1.00 24.96 C -ATOM 2223 CD1 PHE A 301 -9.760 -9.256 10.344 1.00 18.68 C -ATOM 2224 CD2 PHE A 301 -8.718 -9.610 12.461 1.00 23.97 C -ATOM 2225 CE1 PHE A 301 -11.019 -9.379 10.920 1.00 19.16 C -ATOM 2226 CE2 PHE A 301 -9.983 -9.730 13.030 1.00 19.39 C -ATOM 2227 CZ PHE A 301 -11.135 -9.616 12.275 1.00 20.43 C -ATOM 2228 OXT PHE A 301 -5.445 -9.316 8.144 1.00 28.38 O -TER 2229 PHE A 301 -HETATM 2230 CA CA A 302 5.011 -23.190 25.968 1.00 21.26 CA -HETATM 2231 CA CA A 303 -2.860 -23.590 25.053 1.00 18.82 CA -HETATM 2232 CA CA A 304 19.713 -10.305 32.535 1.00 19.02 CA -HETATM 2233 C1 C8E A 545 8.213 -29.709 34.111 0.88 42.96 C -HETATM 2234 C2 C8E A 545 7.552 -28.411 34.504 0.88 41.67 C -HETATM 2235 C3 C8E A 545 6.087 -28.660 34.394 0.88 42.57 C -HETATM 2236 C4 C8E A 545 5.485 -27.321 34.709 0.88 43.55 C -HETATM 2237 C5 C8E A 545 4.152 -27.105 34.003 0.88 44.03 C -HETATM 2238 C6 C8E A 545 3.097 -28.172 34.277 0.88 42.16 C -HETATM 2239 C7 C8E A 545 1.680 -27.738 33.857 0.88 39.75 C -HETATM 2240 C8 C8E A 545 0.806 -28.916 34.194 0.88 37.75 C -HETATM 2241 O9 C8E A 545 -0.600 -28.806 34.267 0.88 38.94 O -HETATM 2242 C10 C8E A 545 -1.108 -29.343 35.484 0.88 40.72 C -HETATM 2243 C11 C8E A 545 -2.584 -29.539 35.411 0.88 45.43 C -HETATM 2244 O12 C8E A 545 -3.364 -29.456 36.593 0.88 54.18 O -HETATM 2245 C13 C8E A 545 -3.888 -28.142 36.821 0.88 63.79 C -HETATM 2246 C14 C8E A 545 -3.546 -27.475 38.160 0.88 72.45 C -HETATM 2247 O15 C8E A 545 -3.840 -28.181 39.385 0.88 79.05 O -HETATM 2248 C16 C8E A 545 -4.714 -27.481 40.299 0.88 84.79 C -HETATM 2249 C17 C8E A 545 -6.141 -28.045 40.520 0.88 88.54 C -HETATM 2250 O18 C8E A 545 -6.994 -27.791 41.671 0.88 91.31 O -HETATM 2251 C19 C8E A 545 -6.710 -28.672 42.798 0.88 93.11 C -HETATM 2252 C20 C8E A 545 -7.835 -29.597 43.315 0.88 93.71 C -HETATM 2253 O21 C8E A 545 -8.715 -29.939 42.235 0.88 93.34 O -HETATM 2254 C1 C8E A 546 -16.910 -30.948 20.987 0.83 50.61 C -HETATM 2255 C2 C8E A 546 -17.003 -29.492 20.487 0.83 51.77 C -HETATM 2256 C3 C8E A 546 -18.226 -28.681 20.944 0.83 50.98 C -HETATM 2257 C4 C8E A 546 -18.230 -28.157 22.386 0.83 51.13 C -HETATM 2258 C5 C8E A 546 -19.478 -27.295 22.528 0.83 52.63 C -HETATM 2259 C6 C8E A 546 -19.775 -26.873 23.954 0.83 55.60 C -HETATM 2260 C7 C8E A 546 -21.264 -26.522 24.126 0.83 60.07 C -HETATM 2261 C8 C8E A 546 -21.652 -25.072 23.799 0.83 64.27 C -HETATM 2262 O9 C8E A 546 -23.025 -24.744 23.463 0.83 66.21 O -HETATM 2263 C10 C8E A 546 -23.879 -24.185 24.492 0.83 66.45 C -HETATM 2264 C11 C8E A 546 -24.241 -22.690 24.589 0.83 65.91 C -HETATM 2265 O12 C8E A 546 -25.371 -22.371 25.423 0.83 65.26 O -HETATM 2266 C13 C8E A 546 -25.072 -21.784 26.706 0.83 65.04 C -HETATM 2267 C14 C8E A 546 -25.775 -20.508 27.231 0.83 64.60 C -HETATM 2268 O15 C8E A 546 -25.456 -19.172 26.782 0.83 63.35 O -HETATM 2269 C16 C8E A 546 -25.077 -18.304 27.864 0.83 61.87 C -HETATM 2270 C17 C8E A 546 -25.057 -16.798 27.655 0.83 60.37 C -HETATM 2271 O18 C8E A 546 -24.686 -15.946 28.736 0.83 60.64 O -HETATM 2272 C19 C8E A 546 -25.722 -14.991 28.972 0.83 62.75 C -HETATM 2273 C20 C8E A 546 -26.625 -15.182 30.187 0.83 65.74 C -HETATM 2274 O21 C8E A 546 -27.717 -14.265 30.253 0.83 68.59 O -HETATM 2275 C1 C8E A 547 -27.555 -14.778 24.966 0.69 53.41 C -HETATM 2276 C2 C8E A 547 -26.516 -15.667 24.244 0.69 52.85 C -HETATM 2277 C3 C8E A 547 -25.613 -14.788 23.406 0.69 51.32 C -HETATM 2278 C4 C8E A 547 -24.590 -15.611 22.646 0.69 50.00 C -HETATM 2279 C5 C8E A 547 -23.742 -14.660 21.812 0.69 48.73 C -HETATM 2280 C6 C8E A 547 -22.770 -15.402 20.910 0.69 49.05 C -HETATM 2281 C7 C8E A 547 -21.887 -14.406 20.188 0.69 50.17 C -HETATM 2282 C8 C8E A 547 -20.855 -15.059 19.282 0.69 51.75 C -HETATM 2283 O9 C8E A 547 -21.254 -15.638 18.040 0.69 53.80 O -HETATM 2284 C10 C8E A 547 -20.727 -16.961 17.815 0.69 55.39 C -HETATM 2285 C11 C8E A 547 -21.412 -18.239 18.340 0.69 57.31 C -HETATM 2286 O12 C8E A 547 -20.997 -19.520 17.825 0.69 59.43 O -HETATM 2287 C13 C8E A 547 -21.900 -20.072 16.839 0.69 62.71 C -HETATM 2288 C14 C8E A 547 -21.762 -19.847 15.315 0.69 66.12 C -HETATM 2289 O15 C8E A 547 -21.863 -18.520 14.749 0.69 68.53 O -HETATM 2290 C16 C8E A 547 -21.503 -18.438 13.354 0.69 69.38 C -HETATM 2291 C17 C8E A 547 -22.432 -17.855 12.267 0.69 69.19 C -HETATM 2292 O18 C8E A 547 -23.574 -18.559 11.772 0.69 69.55 O -HETATM 2293 C19 C8E A 547 -23.224 -19.417 10.680 0.69 71.17 C -HETATM 2294 C20 C8E A 547 -23.699 -19.093 9.256 0.69 73.02 C -HETATM 2295 O21 C8E A 547 -23.190 -19.997 8.271 0.69 74.35 O -HETATM 2296 C1 C8E A 548 8.635 -40.960 22.015 0.66 38.33 C -HETATM 2297 C2 C8E A 548 7.129 -40.823 22.217 0.66 39.82 C -HETATM 2298 C3 C8E A 548 6.553 -41.828 23.201 0.66 42.86 C -HETATM 2299 C4 C8E A 548 5.132 -41.410 23.650 0.66 46.04 C -HETATM 2300 C5 C8E A 548 4.404 -42.484 24.470 0.66 48.47 C -HETATM 2301 C6 C8E A 548 3.158 -42.049 25.250 0.66 49.60 C -HETATM 2302 C7 C8E A 548 1.937 -41.675 24.427 0.66 50.98 C -HETATM 2303 C8 C8E A 548 0.665 -42.117 25.157 0.66 53.35 C -HETATM 2304 O9 C8E A 548 0.300 -41.619 26.461 0.66 56.73 O -HETATM 2305 C10 C8E A 548 -1.055 -41.115 26.530 0.66 60.75 C -HETATM 2306 C11 C8E A 548 -1.893 -41.075 27.835 0.66 64.78 C -HETATM 2307 O12 C8E A 548 -2.307 -42.251 28.554 0.66 68.03 O -HETATM 2308 C13 C8E A 548 -3.602 -42.750 28.183 0.66 70.92 C -HETATM 2309 C14 C8E A 548 -4.589 -43.152 29.296 0.66 73.54 C -HETATM 2310 O15 C8E A 548 -5.324 -42.194 30.083 0.66 75.50 O -HETATM 2311 C16 C8E A 548 -6.755 -42.418 30.010 0.66 77.12 C -HETATM 2312 C17 C8E A 548 -7.846 -41.611 30.782 0.66 78.17 C -HETATM 2313 O18 C8E A 548 -8.228 -40.241 30.482 0.66 78.30 O -HETATM 2314 C19 C8E A 548 -9.532 -40.067 29.908 0.66 78.18 C -HETATM 2315 C20 C8E A 548 -9.622 -39.737 28.426 0.66 78.11 C -HETATM 2316 O21 C8E A 548 -10.967 -39.509 28.017 0.66 79.53 O -HETATM 2317 O HOH A 305 6.190 -23.830 27.989 1.00 20.83 O -HETATM 2318 O HOH A 306 -2.513 -6.904 20.688 1.00 16.79 O -HETATM 2319 O HOH A 307 3.039 -23.016 24.751 1.00 20.86 O -HETATM 2320 O HOH A 308 17.950 -13.715 34.357 1.00 19.18 O -HETATM 2321 O HOH A 309 -4.859 -6.074 21.898 1.00 17.25 O -HETATM 2322 O HOH A 310 6.039 -11.790 23.498 1.00 19.05 O -HETATM 2323 O HOH A 311 18.294 -13.615 30.404 1.00 18.03 O -HETATM 2324 O HOH A 312 4.466 -25.396 25.736 1.00 18.77 O -HETATM 2325 O HOH A 313 -6.309 -26.069 24.210 1.00 19.97 O -HETATM 2326 O HOH A 314 19.069 -8.882 30.781 1.00 16.16 O -HETATM 2327 O HOH A 315 18.817 -16.108 33.989 1.00 22.41 O -HETATM 2328 O HOH A 316 10.011 -23.278 25.760 1.00 19.18 O -HETATM 2329 O HOH A 317 18.991 -18.503 7.840 1.00 26.78 O -HETATM 2330 O HOH A 318 -7.473 -27.703 26.057 1.00 23.41 O -HETATM 2331 O HOH A 319 -13.465 -11.566 27.451 1.00 17.66 O -HETATM 2332 O HOH A 320 11.714 -25.598 25.532 1.00 19.10 O -HETATM 2333 O HOH A 321 13.702 -8.194 22.282 1.00 17.80 O -HETATM 2334 O HOH A 322 -2.605 -12.728 24.049 1.00 21.07 O -HETATM 2335 O HOH A 323 -7.669 -27.382 30.103 1.00 21.64 O -HETATM 2336 O HOH A 324 8.492 -23.381 29.404 1.00 23.75 O -HETATM 2337 O HOH A 325 -11.446 -14.377 24.890 1.00 23.49 O -HETATM 2338 O HOH A 326 -7.805 -13.385 19.252 1.00 21.15 O -HETATM 2339 O HOH A 327 -1.282 -22.004 25.223 1.00 26.61 O -HETATM 2340 O HOH A 328 10.411 -16.311 26.801 1.00 17.22 O -HETATM 2341 O HOH A 329 16.385 -22.562 27.462 1.00 18.42 O -HETATM 2342 O HOH A 330 15.053 -19.043 24.819 1.00 21.28 O -HETATM 2343 O HOH A 331 -2.033 -23.630 22.810 1.00 20.17 O -HETATM 2344 O HOH A 332 16.071 -18.702 16.398 1.00 23.35 O -HETATM 2345 O HOH A 333 11.348 -6.919 22.129 1.00 20.95 O -HETATM 2346 O HOH A 334 10.900 -18.006 19.817 1.00 19.73 O -HETATM 2347 O HOH A 335 2.111 -8.782 11.097 1.00 21.76 O -HETATM 2348 O HOH A 336 15.747 -19.876 27.405 1.00 21.38 O -HETATM 2349 O HOH A 337 8.435 0.102 28.114 1.00 20.97 O -HETATM 2350 O HOH A 338 14.119 -13.294 35.691 1.00 24.59 O -HETATM 2351 O HOH A 339 3.274 -23.071 27.583 1.00 22.54 O -HETATM 2352 O HOH A 340 3.727 -5.504 27.684 1.00 30.10 O -HETATM 2353 O HOH A 341 20.299 -15.296 4.898 1.00 27.64 O -HETATM 2354 O HOH A 342 -7.206 -29.986 29.888 1.00 24.28 O -HETATM 2355 O HOH A 343 -7.959 -18.152 20.294 1.00 28.57 O -HETATM 2356 O HOH A 344 8.762 -4.598 30.296 1.00 31.66 O -HETATM 2357 O HOH A 345 -7.654 -16.035 18.504 1.00 27.53 O -HETATM 2358 O HOH A 346 5.672 -25.355 30.536 1.00 33.44 O -HETATM 2359 O HOH A 347 7.619 -6.968 7.308 1.00 28.72 O -HETATM 2360 O HOH A 348 12.106 -27.183 47.407 1.00 24.32 O -HETATM 2361 O HOH A 349 0.478 -23.170 21.728 1.00 32.87 O -HETATM 2362 O HOH A 350 18.157 -15.935 6.506 1.00 25.47 O -HETATM 2363 O HOH A 351 12.279 -17.795 29.840 1.00 20.42 O -HETATM 2364 O HOH A 352 14.939 -10.637 35.420 1.00 23.31 O -HETATM 2365 O HOH A 353 -17.331 -18.796 32.329 1.00 28.26 O -HETATM 2366 O HOH A 354 -10.692 -19.212 6.721 1.00 31.00 O -HETATM 2367 O HOH A 355 -10.459 -12.836 28.783 1.00 28.25 O -HETATM 2368 O HOH A 356 -11.477 -26.875 19.463 1.00 29.65 O -HETATM 2369 O HOH A 357 16.141 -3.886 4.277 1.00 31.85 O -HETATM 2370 O HOH A 358 4.524 -23.752 21.031 1.00 29.74 O -HETATM 2371 O HOH A 359 -10.030 -18.674 11.768 1.00 26.75 O -HETATM 2372 O HOH A 360 -24.381 -19.610 33.507 1.00 42.24 O -HETATM 2373 O HOH A 361 0.000 0.000 29.011 1.00 48.27 O -HETATM 2374 O HOH A 362 4.589 -24.630 46.774 1.00 32.73 O -HETATM 2375 O HOH A 363 6.578 -32.633 49.463 1.00 37.66 O -HETATM 2376 O HOH A 364 25.694 -6.688 4.569 1.00 40.03 O -HETATM 2377 O HOH A 365 1.755 -2.930 26.627 1.00 29.16 O -HETATM 2378 O HOH A 366 -5.526 -19.104 20.325 1.00 43.77 O -HETATM 2379 O HOH A 367 -7.843 -16.280 15.397 1.00 34.97 O -HETATM 2380 O HOH A 368 19.857 -29.108 43.670 1.00 37.84 O -HETATM 2381 O HOH A 369 -11.211 -17.107 28.043 1.00 35.39 O -HETATM 2382 O HOH A 370 14.990 0.034 26.464 1.00 36.44 O -HETATM 2383 O HOH A 371 -8.092 -22.145 19.499 1.00 36.57 O -HETATM 2384 O HOH A 372 10.405 -22.698 48.281 1.00 43.83 O -HETATM 2385 O HOH A 373 11.850 -23.603 46.017 1.00 33.68 O -HETATM 2386 O HOH A 374 4.425 -11.538 20.182 1.00 35.76 O -HETATM 2387 O HOH A 375 7.444 -13.328 21.435 1.00 32.10 O -HETATM 2388 O HOH A 376 -2.266 -33.722 16.734 1.00 27.51 O -HETATM 2389 O HOH A 377 6.830 -21.304 30.790 1.00 40.21 O -HETATM 2390 O HOH A 378 -2.927 -15.540 24.275 1.00 47.68 O -HETATM 2391 O HOH A 379 -10.545 -20.059 28.206 1.00 34.03 O -HETATM 2392 O HOH A 380 -1.346 -12.314 13.279 1.00 43.15 O -HETATM 2393 O HOH A 381 13.767 -31.917 11.168 1.00 41.20 O -HETATM 2394 O HOH A 382 17.255 -3.976 35.357 1.00 36.40 O -HETATM 2395 O HOH A 383 0.396 -4.333 6.326 1.00 39.85 O -HETATM 2396 O HOH A 384 -12.123 -22.655 35.807 1.00 48.67 O -HETATM 2397 O HOH A 385 23.092 -24.324 40.946 1.00 47.58 O -HETATM 2398 O HOH A 386 25.532 -15.924 6.357 1.00 40.32 O -HETATM 2399 O HOH A 387 13.903 -23.443 52.205 1.00 38.71 O -HETATM 2400 O HOH A 388 0.585 -6.342 28.179 1.00 38.73 O -HETATM 2401 O HOH A 389 -6.137 -17.395 25.246 1.00 39.55 O -HETATM 2402 O HOH A 390 -11.281 -26.866 9.706 1.00 44.19 O -HETATM 2403 O HOH A 391 15.765 -28.449 56.448 1.00 44.93 O -HETATM 2404 O HOH A 392 9.171 -8.256 34.890 1.00 41.01 O -HETATM 2405 O HOH A 393 -6.013 -32.205 10.535 1.00 37.42 O -HETATM 2406 O HOH A 394 18.746 -31.079 42.115 1.00 49.33 O -HETATM 2407 O HOH A 395 6.332 -11.876 18.420 1.00 53.49 O -HETATM 2408 O HOH A 396 8.026 -2.478 31.687 1.00 46.06 O -HETATM 2409 O HOH A 397 -0.055 -34.380 47.695 1.00 50.52 O -HETATM 2410 O HOH A 398 21.271 -25.134 5.337 1.00 44.63 O -HETATM 2411 O HOH A 399 -9.488 -22.353 13.924 1.00 46.80 O -HETATM 2412 O HOH A 400 15.734 -19.165 9.159 1.00 56.53 O -HETATM 2413 O HOH A 401 2.338 -26.278 18.066 1.00 41.82 O -HETATM 2414 O HOH A 402 10.433 -23.644 51.740 1.00 40.08 O -HETATM 2415 O HOH A 403 12.597 -21.278 37.850 1.00 51.56 O -HETATM 2416 O HOH A 404 -25.186 -24.967 30.656 1.00 54.32 O -HETATM 2417 O HOH A 405 18.299 -6.839 40.824 1.00 44.63 O -HETATM 2418 O HOH A 406 4.650 -23.154 18.361 1.00 75.55 O -HETATM 2419 O HOH A 407 -0.008 -4.901 30.754 1.00 49.18 O -HETATM 2420 O HOH A 408 1.872 -33.925 49.640 1.00 57.48 O -HETATM 2421 O HOH A 409 7.040 -24.438 17.754 1.00 42.07 O -HETATM 2422 O HOH A 410 -3.254 -13.637 11.943 1.00 48.26 O -HETATM 2423 O HOH A 411 18.028 -20.224 9.740 1.00 48.76 O -HETATM 2424 O HOH A 412 25.458 -8.685 6.151 1.00 61.69 O -HETATM 2425 O HOH A 413 12.316 1.336 29.307 1.00 45.17 O -HETATM 2426 O HOH A 414 -12.699 -18.312 34.507 1.00 42.63 O -HETATM 2427 O HOH A 415 16.663 -21.820 11.396 1.00 53.03 O -HETATM 2428 O HOH A 416 7.348 -12.211 28.736 1.00 39.48 O -HETATM 2429 O HOH A 417 10.478 -12.015 14.973 1.00 46.65 O -HETATM 2430 O HOH A 418 -5.879 -30.859 46.808 1.00 48.30 O -HETATM 2431 O HOH A 419 13.821 -10.350 6.801 1.00 53.86 O -HETATM 2432 O HOH A 420 10.873 -19.767 38.963 1.00 68.06 O -HETATM 2433 O HOH A 421 -3.553 -27.075 16.792 1.00 49.89 O -HETATM 2434 O HOH A 422 -4.659 -28.801 12.842 1.00 61.39 O -HETATM 2435 O HOH A 423 4.059 -19.738 23.834 1.00 57.43 O -HETATM 2436 O HOH A 424 0.410 -28.151 30.141 1.00 41.42 O -HETATM 2437 O HOH A 425 7.366 -39.760 38.638 1.00 50.68 O -HETATM 2438 O HOH A 426 1.421 -2.870 29.704 1.00 45.66 O -HETATM 2439 O HOH A 427 -7.977 -18.799 13.558 1.00 51.14 O -HETATM 2440 O HOH A 428 -9.936 -18.793 30.658 1.00 40.22 O -HETATM 2441 O HOH A 429 -0.583 -26.657 18.732 1.00 42.31 O -HETATM 2442 O HOH A 430 9.412 -14.531 34.411 1.00 46.27 O -HETATM 2443 O HOH A 431 -11.155 -17.058 32.393 1.00 49.31 O -HETATM 2444 O HOH A 432 4.672 -9.906 30.002 1.00 51.14 O -HETATM 2445 O HOH A 433 9.764 -22.104 43.517 1.00 61.72 O -HETATM 2446 O HOH A 434 3.091 -25.536 29.792 1.00 54.50 O -HETATM 2447 O HOH A 435 -3.234 -19.131 23.927 1.00 48.27 O -HETATM 2448 O HOH A 436 7.747 -11.972 31.658 1.00 44.09 O -HETATM 2449 O HOH A 437 -21.260 -27.979 29.311 1.00 52.83 O -HETATM 2450 O HOH A 438 -3.320 -15.277 14.229 1.00 60.95 O -HETATM 2451 O HOH A 439 -3.236 -23.883 48.320 1.00 57.64 O -HETATM 2452 O HOH A 440 6.985 -0.498 5.672 1.00 55.03 O -HETATM 2453 O HOH A 441 13.244 -18.776 16.145 1.00 47.33 O -HETATM 2454 O HOH A 442 12.435 -24.416 49.444 1.00 42.38 O -HETATM 2455 O HOH A 443 11.545 -34.010 48.466 1.00 47.66 O -HETATM 2456 O HOH A 444 7.079 -16.967 24.430 1.00 44.53 O -HETATM 2457 O HOH A 445 -13.286 -27.152 39.025 1.00 62.40 O -HETATM 2458 O HOH A 446 5.906 -18.733 19.699 1.00 74.18 O -HETATM 2459 O HOH A 447 23.374 -11.624 43.898 1.00 50.06 O -HETATM 2460 O HOH A 448 8.721 0.013 30.916 1.00 39.51 O -HETATM 2461 O HOH A 449 -3.066 -8.233 6.997 1.00 53.63 O -HETATM 2462 O HOH A 450 -7.364 -20.734 29.488 1.00 37.68 O -HETATM 2463 O HOH A 451 5.654 -12.347 12.613 1.00 53.20 O -HETATM 2464 O HOH A 452 -8.412 -26.868 14.398 1.00 47.15 O -HETATM 2465 O HOH A 453 4.183 -22.036 46.452 1.00 58.11 O -HETATM 2466 O HOH A 454 -16.832 -30.212 5.669 1.00 66.31 O -HETATM 2467 O HOH A 455 18.868 -33.707 4.064 1.00 70.96 O -HETATM 2468 O HOH A 456 -3.664 -39.512 36.539 1.00 51.90 O -HETATM 2469 O HOH A 457 27.016 -12.573 5.049 1.00 76.94 O -HETATM 2470 O HOH A 458 -25.119 -23.325 33.171 1.00 75.09 O -HETATM 2471 O HOH A 459 -1.458 -7.896 28.585 1.00 56.50 O -HETATM 2472 O HOH A 460 11.504 -38.042 43.991 1.00 45.95 O -HETATM 2473 O HOH A 461 -11.171 -18.623 1.902 1.00 59.14 O -HETATM 2474 O HOH A 462 10.010 -10.532 10.832 1.00 52.16 O -HETATM 2475 O HOH A 463 13.737 -7.752 35.913 1.00 35.27 O -HETATM 2476 O HOH A 464 25.692 -15.689 34.348 1.00 67.65 O -HETATM 2477 O HOH A 465 15.408 -35.291 2.794 1.00 73.43 O -HETATM 2478 O HOH A 466 8.907 -34.814 48.496 1.00 57.98 O -HETATM 2479 O HOH A 467 4.516 -34.612 49.401 1.00 72.32 O -HETATM 2480 O HOH A 468 -9.019 -15.380 28.445 1.00 70.17 O -HETATM 2481 O HOH A 469 -10.223 -12.395 26.157 1.00 36.34 O -HETATM 2482 O HOH A 470 -5.859 -25.485 16.336 1.00 56.33 O -HETATM 2483 O HOH A 471 13.126 -33.897 4.119 1.00 75.50 O -HETATM 2484 O HOH A 472 -1.899 -19.466 26.293 1.00 66.81 O -HETATM 2485 O HOH A 473 -5.232 -26.610 46.500 1.00 54.10 O -HETATM 2486 O HOH A 474 3.194 -39.452 42.635 1.00 58.95 O -HETATM 2487 O HOH A 475 5.417 -19.041 32.998 1.00 64.71 O -HETATM 2488 O HOH A 476 -5.159 -20.076 27.294 1.00 53.66 O -HETATM 2489 O HOH A 477 -7.560 -20.565 33.886 1.00 74.59 O -HETATM 2490 O HOH A 478 14.733 -29.399 8.426 1.00 52.60 O -HETATM 2491 O HOH A 479 12.989 -5.891 3.303 1.00 73.28 O -HETATM 2492 O HOH A 480 11.888 -4.745 37.090 1.00 79.45 O -HETATM 2493 O HOH A 481 -9.719 -33.018 3.473 1.00 79.74 O -HETATM 2494 O HOH A 482 -4.477 -30.281 44.408 1.00 55.45 O -HETATM 2495 O HOH A 483 23.282 -4.364 40.147 1.00 62.96 O -HETATM 2496 O HOH A 484 -2.579 -20.233 21.451 1.00 54.07 O -HETATM 2497 O HOH A 485 -0.965 -23.721 18.378 1.00 69.32 O -HETATM 2498 O HOH A 486 4.489 -3.984 31.120 1.00 70.03 O -HETATM 2499 O HOH A 487 8.811 -22.700 16.234 1.00 66.77 O -HETATM 2500 O HOH A 488 2.660 -12.859 10.427 1.00 58.10 O -HETATM 2501 O HOH A 489 -1.387 -22.273 29.103 1.00 65.27 O -HETATM 2502 O HOH A 490 -24.219 -16.069 32.703 1.00 56.86 O -HETATM 2503 O HOH A 491 13.243 -24.599 13.470 1.00 56.42 O -HETATM 2504 O HOH A 492 12.805 -39.013 36.774 1.00 56.25 O -HETATM 2505 O HOH A 493 -9.880 -19.986 9.385 1.00 49.66 O -HETATM 2506 O HOH A 494 13.601 -14.414 38.762 1.00 62.01 O -HETATM 2507 O HOH A 495 -3.474 -42.227 33.006 1.00 61.29 O -HETATM 2508 O HOH A 496 10.775 -20.406 17.335 1.00 61.82 O -HETATM 2509 O HOH A 497 -16.983 -22.582 4.035 1.00 81.82 O -HETATM 2510 O HOH A 498 -0.061 -32.045 16.343 1.00 52.03 O -HETATM 2511 O HOH A 499 1.700 -8.945 27.927 1.00 55.91 O -HETATM 2512 O HOH A 500 6.985 -35.205 10.094 1.00 54.60 O -HETATM 2513 O HOH A 501 -18.744 -29.204 33.911 1.00 62.48 O -HETATM 2514 O HOH A 502 -3.013 -32.508 44.619 1.00 56.15 O -HETATM 2515 O HOH A 503 -9.599 -26.433 17.708 1.00 47.52 O -HETATM 2516 O HOH A 504 23.100 -23.126 5.577 1.00 66.96 O -HETATM 2517 O HOH A 505 -9.245 -18.936 35.479 1.00 88.14 O -HETATM 2518 O HOH A 506 2.537 -11.203 26.087 1.00 70.57 O -HETATM 2519 O HOH A 507 25.103 -27.995 42.947 1.00 77.52 O -HETATM 2520 O HOH A 508 10.413 -40.233 37.531 1.00 68.06 O -HETATM 2521 O HOH A 509 -0.334 -29.010 17.030 1.00 60.83 O -HETATM 2522 O HOH A 510 -9.223 -11.719 6.742 1.00 43.72 O -HETATM 2523 O HOH A 511 -1.417 -2.836 32.189 1.00 64.23 O -HETATM 2524 O HOH A 512 2.862 -14.652 12.746 1.00 67.86 O -HETATM 2525 O HOH A 513 -1.741 -11.688 16.055 1.00 48.46 O -HETATM 2526 O HOH A 514 1.544 -22.784 46.295 1.00 58.53 O -HETATM 2527 O HOH A 515 18.967 -28.869 46.391 1.00 49.61 O -HETATM 2528 O HOH A 516 18.900 -1.671 35.946 1.00 63.03 O -HETATM 2529 O HOH A 517 25.588 -9.757 43.162 1.00 70.54 O -HETATM 2530 O HOH A 518 -5.187 -16.800 15.371 1.00 71.25 O -HETATM 2531 O HOH A 519 23.680 -16.891 38.002 1.00 49.95 O -HETATM 2532 O HOH A 520 22.376 -19.370 38.400 1.00 48.64 O -HETATM 2533 O HOH A 521 3.024 -14.199 16.344 1.00 66.81 O -HETATM 2534 O HOH A 522 -20.871 -27.856 37.688 1.00 77.42 O -HETATM 2535 O HOH A 523 14.349 -31.425 53.433 1.00 76.39 O -HETATM 2536 O HOH A 524 25.962 -3.949 39.123 1.00 73.03 O -HETATM 2537 O HOH A 525 -1.900 -17.739 19.749 1.00 77.39 O -HETATM 2538 O HOH A 526 15.300 -15.636 5.977 1.00 67.58 O -HETATM 2539 O HOH A 527 14.023 -21.234 12.521 1.00 62.67 O -HETATM 2540 O HOH A 528 -2.577 -33.369 47.317 1.00 67.32 O -HETATM 2541 O HOH A 529 3.580 -21.150 21.484 1.00 76.35 O -HETATM 2542 O HOH A 530 13.429 -0.224 31.429 1.00 66.81 O -HETATM 2543 O HOH A 531 24.396 -18.463 40.400 1.00 71.46 O -HETATM 2544 O HOH A 532 8.064 -11.657 35.360 1.00 79.97 O -HETATM 2545 O HOH A 533 4.163 -19.214 29.519 1.00 65.18 O -HETATM 2546 O HOH A 534 16.247 -4.931 40.302 1.00 66.98 O -HETATM 2547 O HOH A 535 -12.361 -20.969 33.706 1.00 57.49 O -HETATM 2548 O HOH A 536 2.542 -10.157 8.311 1.00 63.19 O -HETATM 2549 O HOH A 537 -10.391 -21.350 3.340 1.00 61.09 O -HETATM 2550 O HOH A 538 22.816 -29.263 43.850 1.00 71.51 O -HETATM 2551 O HOH A 539 1.548 -32.124 14.108 1.00 65.27 O -HETATM 2552 O HOH A 540 4.442 -14.466 22.488 1.00 66.67 O -HETATM 2553 O HOH A 541 14.949 -15.727 9.137 1.00 57.15 O -HETATM 2554 O HOH A 542 -3.841 -17.336 21.933 1.00 73.37 O -HETATM 2555 O HOH A 543 0.148 -1.579 25.046 1.00 57.28 O -HETATM 2556 O HOH A 544 1.772 -33.983 12.170 1.00 64.62 O -HETATM 2557 O HOH A 549 -17.923 -26.775 15.606 1.00 45.08 O -HETATM 2558 O HOH A 550 23.530 -24.401 25.957 1.00 57.73 O -HETATM 2559 O HOH A 551 26.759 -24.207 11.635 1.00 54.12 O -HETATM 2560 O HOH A 552 23.462 -20.651 22.231 1.00 49.12 O -HETATM 2561 O HOH A 553 -23.391 -27.104 30.643 1.00 53.13 O -HETATM 2562 O HOH A 554 3.998 -44.799 28.989 1.00 65.70 O -HETATM 2563 O HOH A 555 -8.344 -38.052 23.422 1.00 51.43 O -HETATM 2564 O HOH A 556 -19.689 -30.737 11.462 1.00 74.75 O -HETATM 2565 O HOH A 557 23.241 -22.420 24.265 1.00 58.01 O -HETATM 2566 O HOH A 558 20.793 -38.159 27.686 1.00 76.00 O -HETATM 2567 O HOH A 559 25.724 -26.198 13.506 1.00 63.30 O -HETATM 2568 O HOH A 560 28.575 -20.254 8.172 1.00 78.96 O -HETATM 2569 O HOH A 561 -6.785 -38.481 21.333 1.00 56.46 O -HETATM 2570 O HOH A 562 -8.442 -40.548 13.066 1.00 74.14 O -HETATM 2571 O HOH A 563 5.420 -44.518 31.307 1.00 72.99 O -HETATM 2572 O HOH A 564 -9.958 -37.743 18.331 1.00 62.33 O -HETATM 2573 O HOH A 565 -18.589 -32.618 15.228 1.00 72.81 O -HETATM 2574 O HOH A 566 18.004 -36.417 16.015 1.00 60.73 O -HETATM 2575 O HOH A 567 -20.827 -28.396 26.744 1.00 60.68 O -HETATM 2576 O HOH A 568 18.980 -40.765 25.192 1.00 66.66 O -HETATM 2577 O HOH A 569 20.580 -34.799 24.845 1.00 69.04 O -HETATM 2578 O HOH A 570 -9.200 -42.458 17.427 1.00 71.01 O -HETATM 2579 O HOH A 571 9.238 -44.707 26.611 1.00 69.97 O -HETATM 2580 O HOH A 572 -7.335 -42.291 15.281 1.00 83.29 O -HETATM 2581 O HOH A 573 -23.107 -27.093 18.628 1.00 74.27 O -HETATM 2582 O HOH A 574 -4.629 -42.624 14.481 1.00 69.37 O -HETATM 2583 O HOH A 575 20.398 -33.206 22.405 1.00 58.19 O -HETATM 2584 O HOH A 576 -9.431 -37.868 15.541 1.00 74.36 O -HETATM 2585 O HOH A 577 -17.338 -34.648 10.071 1.00 89.58 O -HETATM 2586 O HOH A 578 22.986 -33.974 26.496 1.00 75.72 O -HETATM 2587 O HOH A 579 22.497 -27.333 27.869 1.00 68.59 O -HETATM 2588 O HOH A 580 -10.506 -37.902 25.211 1.00 58.90 O -HETATM 2589 O HOH A 581 5.670 -43.729 27.194 1.00 69.01 O -HETATM 2590 O HOH A 582 -22.243 -24.640 11.035 1.00 82.74 O -CONECT 590 2230 -CONECT 591 2230 -CONECT 693 2231 -CONECT 694 2231 -CONECT 709 2231 -CONECT 710 2231 -CONECT 744 2231 -CONECT 752 2231 -CONECT 807 2230 -CONECT 871 2232 -CONECT 1014 2232 -CONECT 1015 2232 -CONECT 1023 2232 -CONECT 1039 2232 -CONECT 2230 590 591 807 2317 -CONECT 2230 2319 2324 2351 -CONECT 2231 693 694 709 710 -CONECT 2231 744 752 2339 2343 -CONECT 2232 871 1014 1015 1023 -CONECT 2232 1039 2326 -CONECT 2233 2234 -CONECT 2234 2233 2235 -CONECT 2235 2234 2236 -CONECT 2236 2235 2237 -CONECT 2237 2236 2238 -CONECT 2238 2237 2239 -CONECT 2239 2238 2240 -CONECT 2240 2239 2241 -CONECT 2241 2240 2242 -CONECT 2242 2241 2243 -CONECT 2243 2242 2244 -CONECT 2244 2243 2245 -CONECT 2245 2244 2246 -CONECT 2246 2245 2247 -CONECT 2247 2246 2248 -CONECT 2248 2247 2249 -CONECT 2249 2248 2250 -CONECT 2250 2249 2251 -CONECT 2251 2250 2252 -CONECT 2252 2251 2253 -CONECT 2253 2252 -CONECT 2254 2255 -CONECT 2255 2254 2256 -CONECT 2256 2255 2257 -CONECT 2257 2256 2258 -CONECT 2258 2257 2259 -CONECT 2259 2258 2260 -CONECT 2260 2259 2261 -CONECT 2261 2260 2262 -CONECT 2262 2261 2263 -CONECT 2263 2262 2264 -CONECT 2264 2263 2265 -CONECT 2265 2264 2266 -CONECT 2266 2265 2267 -CONECT 2267 2266 2268 -CONECT 2268 2267 2269 -CONECT 2269 2268 2270 -CONECT 2270 2269 2271 -CONECT 2271 2270 2272 -CONECT 2272 2271 2273 -CONECT 2273 2272 2274 -CONECT 2274 2273 -CONECT 2275 2276 -CONECT 2276 2275 2277 -CONECT 2277 2276 2278 -CONECT 2278 2277 2279 -CONECT 2279 2278 2280 -CONECT 2280 2279 2281 -CONECT 2281 2280 2282 -CONECT 2282 2281 2283 -CONECT 2283 2282 2284 -CONECT 2284 2283 2285 -CONECT 2285 2284 2286 -CONECT 2286 2285 2287 -CONECT 2287 2286 2288 -CONECT 2288 2287 2289 -CONECT 2289 2288 2290 -CONECT 2290 2289 2291 -CONECT 2291 2290 2292 -CONECT 2292 2291 2293 -CONECT 2293 2292 2294 -CONECT 2294 2293 2295 -CONECT 2295 2294 -CONECT 2296 2297 -CONECT 2297 2296 2298 -CONECT 2298 2297 2299 -CONECT 2299 2298 2300 -CONECT 2300 2299 2301 -CONECT 2301 2300 2302 -CONECT 2302 2301 2303 -CONECT 2303 2302 2304 -CONECT 2304 2303 2305 -CONECT 2305 2304 2306 -CONECT 2306 2305 2307 -CONECT 2307 2306 2308 -CONECT 2308 2307 2309 -CONECT 2309 2308 2310 -CONECT 2310 2309 2311 -CONECT 2311 2310 2312 -CONECT 2312 2311 2313 -CONECT 2313 2312 2314 -CONECT 2314 2313 2315 -CONECT 2315 2314 2316 -CONECT 2316 2315 -CONECT 2317 2230 -CONECT 2319 2230 -CONECT 2324 2230 -CONECT 2326 2232 -CONECT 2339 2231 -CONECT 2343 2231 -CONECT 2351 2230 -MASTER 438 4 7 3 17 17 9 6 2589 1 111 24 -END diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/4HHB.pdb b/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/4HHB.pdb deleted file mode 100644 index 8a55a28..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Ribbons/data/4HHB.pdb +++ /dev/null @@ -1,5991 +0,0 @@ -HEADER OXYGEN TRANSPORT 07-MAR-84 4HHB -TITLE THE CRYSTAL STRUCTURE OF HUMAN DEOXYHAEMOGLOBIN AT 1.74 -TITLE 2 ANGSTROMS RESOLUTION -COMPND MOL_ID: 1; -COMPND 2 MOLECULE: HEMOGLOBIN (DEOXY) (ALPHA CHAIN); -COMPND 3 CHAIN: A, C; -COMPND 4 ENGINEERED: YES; -COMPND 5 MOL_ID: 2; -COMPND 6 MOLECULE: HEMOGLOBIN (DEOXY) (BETA CHAIN); -COMPND 7 CHAIN: B, D; -COMPND 8 ENGINEERED: YES -SOURCE MOL_ID: 1; -SOURCE 2 ORGANISM_SCIENTIFIC: HOMO SAPIENS; -SOURCE 3 ORGANISM_COMMON: HUMAN; -SOURCE 4 ORGANISM_TAXID: 9606; -SOURCE 5 MOL_ID: 2; -SOURCE 6 ORGANISM_SCIENTIFIC: HOMO SAPIENS; -SOURCE 7 ORGANISM_COMMON: HUMAN; -SOURCE 8 ORGANISM_TAXID: 9606 -KEYWDS OXYGEN TRANSPORT -EXPDTA X-RAY DIFFRACTION -AUTHOR G.FERMI,M.F.PERUTZ -REVDAT 4 24-FEB-09 4HHB 1 VERSN -REVDAT 3 01-APR-03 4HHB 1 JRNL -REVDAT 2 15-OCT-89 4HHB 3 MTRIX -REVDAT 1 17-JUL-84 4HHB 0 -SPRSDE 17-JUL-84 4HHB 1HHB -JRNL AUTH G.FERMI,M.F.PERUTZ,B.SHAANAN,R.FOURME -JRNL TITL THE CRYSTAL STRUCTURE OF HUMAN DEOXYHAEMOGLOBIN AT -JRNL TITL 2 1.74 A RESOLUTION -JRNL REF J.MOL.BIOL. V. 175 159 1984 -JRNL REFN ISSN 0022-2836 -JRNL PMID 6726807 -JRNL DOI 10.1016/0022-2836(84)90472-8 -REMARK 1 -REMARK 1 REFERENCE 1 -REMARK 1 AUTH M.F.PERUTZ,S.S.HASNAIN,P.J.DUKE,J.L.SESSLER, -REMARK 1 AUTH 2 J.E.HAHN -REMARK 1 TITL STEREOCHEMISTRY OF IRON IN DEOXYHAEMOGLOBIN -REMARK 1 REF NATURE V. 295 535 1982 -REMARK 1 REFN ISSN 0028-0836 -REMARK 1 REFERENCE 2 -REMARK 1 AUTH G.FERMI,M.F.PERUTZ -REMARK 1 REF HAEMOGLOBIN AND MYOGLOBIN. V. 2 1981 -REMARK 1 REF 2 ATLAS OF MOLECULAR -REMARK 1 REF 3 STRUCTURES IN BIOLOGY -REMARK 1 PUBL OXFORD UNIVERSITY PRESS -REMARK 1 REFN -REMARK 1 REFERENCE 3 -REMARK 1 AUTH M.F.PERUTZ -REMARK 1 TITL REGULATION OF OXYGEN AFFINITY OF HEMOGLOBIN. -REMARK 1 TITL 2 INFLUENCE OF STRUCTURE OF THE GLOBIN ON THE HEME -REMARK 1 TITL 3 IRON -REMARK 1 REF ANNU.REV.BIOCHEM. V. 48 327 1979 -REMARK 1 REFN ISSN 0066-4154 -REMARK 1 REFERENCE 4 -REMARK 1 AUTH L.F.TENEYCK,A.ARNONE -REMARK 1 TITL THREE-DIMENSIONAL FOURIER SYNTHESIS OF HUMAN -REMARK 1 TITL 2 DEOXYHEMOGLOBIN AT 2.5 ANGSTROMS RESOLUTION, -REMARK 1 TITL 3 I.X-RAY ANALYSIS -REMARK 1 REF J.MOL.BIOL. V. 100 3 1976 -REMARK 1 REFN ISSN 0022-2836 -REMARK 1 REFERENCE 5 -REMARK 1 AUTH G.FERMI -REMARK 1 TITL THREE-DIMENSIONAL FOURIER SYNTHESIS OF HUMAN -REMARK 1 TITL 2 DEOXYHAEMOGLOBIN AT 2.5 ANGSTROMS RESOLUTION, -REMARK 1 TITL 3 REFINEMENT OF THE ATOMIC MODEL -REMARK 1 REF J.MOL.BIOL. V. 97 237 1975 -REMARK 1 REFN ISSN 0022-2836 -REMARK 1 REFERENCE 6 -REMARK 1 AUTH H.MUIRHEAD,J.GREER -REMARK 1 TITL THREE-DIMENSIONAL FOURIER SYNTHESIS OF HUMAN -REMARK 1 TITL 2 DEOXYHAEMOGLOBIN AT 3.5 ANGSTROMS RESOLUTION -REMARK 1 REF NATURE V. 228 516 1970 -REMARK 1 REFN ISSN 0028-0836 -REMARK 1 REFERENCE 7 -REMARK 1 EDIT M.O.DAYHOFF -REMARK 1 REF ATLAS OF PROTEIN SEQUENCE V. 5 56 1972 -REMARK 1 REF 2 AND STRUCTURE (DATA SECTION) -REMARK 1 PUBL NATIONAL BIOMEDICAL RESEARCH FOUNDATION, SILVER -REMARK 1 PUBL 2 SPRING,MD. -REMARK 1 REFN -REMARK 1 REFERENCE 8 -REMARK 1 EDIT M.O.DAYHOFF -REMARK 1 REF ATLAS OF PROTEIN SEQUENCE V. 5 64 1972 -REMARK 1 REF 2 AND STRUCTURE (DATA SECTION) -REMARK 1 PUBL NATIONAL BIOMEDICAL RESEARCH FOUNDATION, SILVER -REMARK 1 PUBL 2 SPRING,MD. -REMARK 1 REFN -REMARK 2 -REMARK 2 RESOLUTION. 1.74 ANGSTROMS. -REMARK 3 -REMARK 3 REFINEMENT. -REMARK 3 PROGRAM : NULL -REMARK 3 AUTHORS : NULL -REMARK 3 -REMARK 3 DATA USED IN REFINEMENT. -REMARK 3 RESOLUTION RANGE HIGH (ANGSTROMS) : 1.74 -REMARK 3 RESOLUTION RANGE LOW (ANGSTROMS) : NULL -REMARK 3 DATA CUTOFF (SIGMA(F)) : NULL -REMARK 3 DATA CUTOFF HIGH (ABS(F)) : NULL -REMARK 3 DATA CUTOFF LOW (ABS(F)) : NULL -REMARK 3 COMPLETENESS (WORKING+TEST) (%) : NULL -REMARK 3 NUMBER OF REFLECTIONS : NULL -REMARK 3 -REMARK 3 FIT TO DATA USED IN REFINEMENT. -REMARK 3 CROSS-VALIDATION METHOD : NULL -REMARK 3 FREE R VALUE TEST SET SELECTION : NULL -REMARK 3 R VALUE (WORKING SET) : 0.135 -REMARK 3 FREE R VALUE : NULL -REMARK 3 FREE R VALUE TEST SET SIZE (%) : NULL -REMARK 3 FREE R VALUE TEST SET COUNT : NULL -REMARK 3 ESTIMATED ERROR OF FREE R VALUE : NULL -REMARK 3 -REMARK 3 FIT IN THE HIGHEST RESOLUTION BIN. -REMARK 3 TOTAL NUMBER OF BINS USED : NULL -REMARK 3 BIN RESOLUTION RANGE HIGH (A) : NULL -REMARK 3 BIN RESOLUTION RANGE LOW (A) : NULL -REMARK 3 BIN COMPLETENESS (WORKING+TEST) (%) : NULL -REMARK 3 REFLECTIONS IN BIN (WORKING SET) : NULL -REMARK 3 BIN R VALUE (WORKING SET) : NULL -REMARK 3 BIN FREE R VALUE : NULL -REMARK 3 BIN FREE R VALUE TEST SET SIZE (%) : NULL -REMARK 3 BIN FREE R VALUE TEST SET COUNT : NULL -REMARK 3 ESTIMATED ERROR OF BIN FREE R VALUE : NULL -REMARK 3 -REMARK 3 NUMBER OF NON-HYDROGEN ATOMS USED IN REFINEMENT. -REMARK 3 PROTEIN ATOMS : 4384 -REMARK 3 NUCLEIC ACID ATOMS : 0 -REMARK 3 HETEROGEN ATOMS : 174 -REMARK 3 SOLVENT ATOMS : 221 -REMARK 3 -REMARK 3 B VALUES. -REMARK 3 FROM WILSON PLOT (A**2) : NULL -REMARK 3 MEAN B VALUE (OVERALL, A**2) : NULL -REMARK 3 OVERALL ANISOTROPIC B VALUE. -REMARK 3 B11 (A**2) : NULL -REMARK 3 B22 (A**2) : NULL -REMARK 3 B33 (A**2) : NULL -REMARK 3 B12 (A**2) : NULL -REMARK 3 B13 (A**2) : NULL -REMARK 3 B23 (A**2) : NULL -REMARK 3 -REMARK 3 ESTIMATED COORDINATE ERROR. -REMARK 3 ESD FROM LUZZATI PLOT (A) : NULL -REMARK 3 ESD FROM SIGMAA (A) : NULL -REMARK 3 LOW RESOLUTION CUTOFF (A) : NULL -REMARK 3 -REMARK 3 CROSS-VALIDATED ESTIMATED COORDINATE ERROR. -REMARK 3 ESD FROM C-V LUZZATI PLOT (A) : NULL -REMARK 3 ESD FROM C-V SIGMAA (A) : NULL -REMARK 3 -REMARK 3 RMS DEVIATIONS FROM IDEAL VALUES. -REMARK 3 BOND LENGTHS (A) : NULL -REMARK 3 BOND ANGLES (DEGREES) : NULL -REMARK 3 DIHEDRAL ANGLES (DEGREES) : NULL -REMARK 3 IMPROPER ANGLES (DEGREES) : NULL -REMARK 3 -REMARK 3 ISOTROPIC THERMAL MODEL : NULL -REMARK 3 -REMARK 3 ISOTROPIC THERMAL FACTOR RESTRAINTS. RMS SIGMA -REMARK 3 MAIN-CHAIN BOND (A**2) : NULL ; NULL -REMARK 3 MAIN-CHAIN ANGLE (A**2) : NULL ; NULL -REMARK 3 SIDE-CHAIN BOND (A**2) : NULL ; NULL -REMARK 3 SIDE-CHAIN ANGLE (A**2) : NULL ; NULL -REMARK 3 -REMARK 3 NCS MODEL : NULL -REMARK 3 -REMARK 3 NCS RESTRAINTS. RMS SIGMA/WEIGHT -REMARK 3 GROUP 1 POSITIONAL (A) : NULL ; NULL -REMARK 3 GROUP 1 B-FACTOR (A**2) : NULL ; NULL -REMARK 3 -REMARK 3 PARAMETER FILE 1 : NULL -REMARK 3 TOPOLOGY FILE 1 : NULL -REMARK 3 -REMARK 3 OTHER REFINEMENT REMARKS: THE COORDINATES GIVEN HERE ARE IN -REMARK 3 THE ORTHOGONAL ANGSTROM SYSTEM STANDARD FOR HEMOGLOBINS. THE Y -REMARK 3 AXIS IS THE (NON CRYSTALLOGRAPHIC) MOLECULAR DIAD AND THE X -REMARK 3 AXIS IS THE PSEUDO DIAD WHICH RELATES THE ALPHA-1 AND BETA-1 -REMARK 3 CHAINS. THE TRANSFORMATION GIVEN IN THE *MTRIX* RECORDS BELOW -REMARK 3 WILL GENERATE COORDINATES FOR THE *C* AND *D* CHAINS FROM THE -REMARK 3 *A* AND *B* CHAINS RESPECTIVELY. -REMARK 4 -REMARK 4 4HHB COMPLIES WITH FORMAT V. 3.15, 01-DEC-08 -REMARK 100 -REMARK 100 THIS ENTRY HAS BEEN PROCESSED BY BNL. -REMARK 200 -REMARK 200 EXPERIMENTAL DETAILS -REMARK 200 EXPERIMENT TYPE : X-RAY DIFFRACTION -REMARK 200 DATE OF DATA COLLECTION : NULL -REMARK 200 TEMPERATURE (KELVIN) : NULL -REMARK 200 PH : NULL -REMARK 200 NUMBER OF CRYSTALS USED : NULL -REMARK 200 -REMARK 200 SYNCHROTRON (Y/N) : NULL -REMARK 200 RADIATION SOURCE : NULL -REMARK 200 BEAMLINE : NULL -REMARK 200 X-RAY GENERATOR MODEL : NULL -REMARK 200 MONOCHROMATIC OR LAUE (M/L) : NULL -REMARK 200 WAVELENGTH OR RANGE (A) : NULL -REMARK 200 MONOCHROMATOR : NULL -REMARK 200 OPTICS : NULL -REMARK 200 -REMARK 200 DETECTOR TYPE : NULL -REMARK 200 DETECTOR MANUFACTURER : NULL -REMARK 200 INTENSITY-INTEGRATION SOFTWARE : NULL -REMARK 200 DATA SCALING SOFTWARE : NULL -REMARK 200 -REMARK 200 NUMBER OF UNIQUE REFLECTIONS : NULL -REMARK 200 RESOLUTION RANGE HIGH (A) : NULL -REMARK 200 RESOLUTION RANGE LOW (A) : NULL -REMARK 200 REJECTION CRITERIA (SIGMA(I)) : NULL -REMARK 200 -REMARK 200 OVERALL. -REMARK 200 COMPLETENESS FOR RANGE (%) : NULL -REMARK 200 DATA REDUNDANCY : NULL -REMARK 200 R MERGE (I) : NULL -REMARK 200 R SYM (I) : NULL -REMARK 200 FOR THE DATA SET : NULL -REMARK 200 -REMARK 200 IN THE HIGHEST RESOLUTION SHELL. -REMARK 200 HIGHEST RESOLUTION SHELL, RANGE HIGH (A) : NULL -REMARK 200 HIGHEST RESOLUTION SHELL, RANGE LOW (A) : NULL -REMARK 200 COMPLETENESS FOR SHELL (%) : NULL -REMARK 200 DATA REDUNDANCY IN SHELL : NULL -REMARK 200 R MERGE FOR SHELL (I) : NULL -REMARK 200 R SYM FOR SHELL (I) : NULL -REMARK 200 FOR SHELL : NULL -REMARK 200 -REMARK 200 DIFFRACTION PROTOCOL: NULL -REMARK 200 METHOD USED TO DETERMINE THE STRUCTURE: NULL -REMARK 200 SOFTWARE USED: NULL -REMARK 200 STARTING MODEL: NULL -REMARK 200 -REMARK 200 REMARK: NULL -REMARK 280 -REMARK 280 CRYSTAL -REMARK 280 SOLVENT CONTENT, VS (%): 45.48 -REMARK 280 MATTHEWS COEFFICIENT, VM (ANGSTROMS**3/DA): 2.26 -REMARK 280 -REMARK 280 CRYSTALLIZATION CONDITIONS: NULL -REMARK 290 -REMARK 290 CRYSTALLOGRAPHIC SYMMETRY -REMARK 290 SYMMETRY OPERATORS FOR SPACE GROUP: P 1 21 1 -REMARK 290 -REMARK 290 SYMOP SYMMETRY -REMARK 290 NNNMMM OPERATOR -REMARK 290 1555 X,Y,Z -REMARK 290 2555 -X,Y+1/2,-Z -REMARK 290 -REMARK 290 WHERE NNN -> OPERATOR NUMBER -REMARK 290 MMM -> TRANSLATION VECTOR -REMARK 290 -REMARK 290 CRYSTALLOGRAPHIC SYMMETRY TRANSFORMATIONS -REMARK 290 THE FOLLOWING TRANSFORMATIONS OPERATE ON THE ATOM/HETATM -REMARK 290 RECORDS IN THIS ENTRY TO PRODUCE CRYSTALLOGRAPHICALLY -REMARK 290 RELATED MOLECULES. -REMARK 290 SMTRY1 1 1.000000 0.000000 0.000000 0.00000 -REMARK 290 SMTRY2 1 0.000000 1.000000 0.000000 0.00000 -REMARK 290 SMTRY3 1 0.000000 0.000000 1.000000 0.00000 -REMARK 290 SMTRY1 2 -0.949456 -0.312801 -0.025883 -6.64347 -REMARK 290 SMTRY2 2 -0.312858 0.936202 0.160212 41.12228 -REMARK 290 SMTRY3 2 -0.025884 0.160188 -0.986745 3.40218 -REMARK 290 -REMARK 290 REMARK: NULL -REMARK 300 -REMARK 300 BIOMOLECULE: 1 -REMARK 300 SEE REMARK 350 FOR THE AUTHOR PROVIDED AND/OR PROGRAM -REMARK 300 GENERATED ASSEMBLY INFORMATION FOR THE STRUCTURE IN -REMARK 300 THIS ENTRY. THE REMARK MAY ALSO PROVIDE INFORMATION ON -REMARK 300 BURIED SURFACE AREA. -REMARK 350 -REMARK 350 COORDINATES FOR A COMPLETE MULTIMER REPRESENTING THE KNOWN -REMARK 350 BIOLOGICALLY SIGNIFICANT OLIGOMERIZATION STATE OF THE -REMARK 350 MOLECULE CAN BE GENERATED BY APPLYING BIOMT TRANSFORMATIONS -REMARK 350 GIVEN BELOW. BOTH NON-CRYSTALLOGRAPHIC AND -REMARK 350 CRYSTALLOGRAPHIC OPERATIONS ARE GIVEN. -REMARK 350 -REMARK 350 BIOMOLECULE: 1 -REMARK 350 AUTHOR DETERMINED BIOLOGICAL UNIT: TETRAMERIC -REMARK 350 SOFTWARE DETERMINED QUATERNARY STRUCTURE: TETRAMERIC -REMARK 350 SOFTWARE USED: PISA -REMARK 350 TOTAL BURIED SURFACE AREA: 11630 ANGSTROM**2 -REMARK 350 SURFACE AREA OF THE COMPLEX: 24010 ANGSTROM**2 -REMARK 350 CHANGE IN SOLVENT FREE ENERGY: -98.0 KCAL/MOL -REMARK 350 APPLY THE FOLLOWING TO CHAINS: A, B, C, D -REMARK 350 BIOMT1 1 1.000000 0.000000 0.000000 0.00000 -REMARK 350 BIOMT2 1 0.000000 1.000000 0.000000 0.00000 -REMARK 350 BIOMT3 1 0.000000 0.000000 1.000000 0.00000 -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: CLOSE CONTACTS IN SAME ASYMMETRIC UNIT -REMARK 500 -REMARK 500 THE FOLLOWING ATOMS ARE IN CLOSE CONTACT. -REMARK 500 -REMARK 500 ATM1 RES C SSEQI ATM2 RES C SSEQI DISTANCE -REMARK 500 CB THR D 4 OE2 GLU D 6 2.00 -REMARK 500 NZ LYS D 66 O1A HEM D 148 2.06 -REMARK 500 OD2 ASP D 73 O HOH D 174 2.10 -REMARK 500 OG1 THR D 4 OE2 GLU D 6 2.19 -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: CLOSE CONTACTS -REMARK 500 -REMARK 500 THE FOLLOWING ATOMS THAT ARE RELATED BY CRYSTALLOGRAPHIC -REMARK 500 SYMMETRY ARE IN CLOSE CONTACT. AN ATOM LOCATED WITHIN 0.15 -REMARK 500 ANGSTROMS OF A SYMMETRY RELATED ATOM IS ASSUMED TO BE ON A -REMARK 500 SPECIAL POSITION AND IS, THEREFORE, LISTED IN REMARK 375 -REMARK 500 INSTEAD OF REMARK 500. ATOMS WITH NON-BLANK ALTERNATE -REMARK 500 LOCATION INDICATORS ARE NOT INCLUDED IN THE CALCULATIONS. -REMARK 500 -REMARK 500 DISTANCE CUTOFF: -REMARK 500 2.2 ANGSTROMS FOR CONTACTS NOT INVOLVING HYDROGEN ATOMS -REMARK 500 1.6 ANGSTROMS FOR CONTACTS INVOLVING HYDROGEN ATOMS -REMARK 500 -REMARK 500 ATM1 RES C SSEQI ATM2 RES C SSEQI SSYMOP DISTANCE -REMARK 500 OD2 ASP C 85 O HOH B 204 2657 1.41 -REMARK 500 O HOH B 204 O HOH C 161 2647 2.02 -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: COVALENT BOND LENGTHS -REMARK 500 -REMARK 500 THE STEREOCHEMICAL PARAMETERS OF THE FOLLOWING RESIDUES -REMARK 500 HAVE VALUES WHICH DEVIATE FROM EXPECTED VALUES BY MORE -REMARK 500 THAN 6*RMSD (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN -REMARK 500 IDENTIFIER; SSEQ=SEQUENCE NUMBER; I=INSERTION CODE). -REMARK 500 -REMARK 500 STANDARD TABLE: -REMARK 500 FORMAT: (10X,I3,1X,2(A3,1X,A1,I4,A1,1X,A4,3X),1X,F6.3) -REMARK 500 -REMARK 500 EXPECTED VALUES PROTEIN: ENGH AND HUBER, 1999 -REMARK 500 EXPECTED VALUES NUCLEIC ACID: CLOWNEY ET AL 1996 -REMARK 500 -REMARK 500 M RES CSSEQI ATM1 RES CSSEQI ATM2 DEVIATION -REMARK 500 VAL A 1 N VAL A 1 CA -0.295 -REMARK 500 VAL A 1 CA VAL A 1 CB 0.299 -REMARK 500 VAL A 1 CB VAL A 1 CG1 -0.206 -REMARK 500 VAL A 1 CB VAL A 1 CG2 -0.283 -REMARK 500 LEU A 2 CA LEU A 2 C 0.249 -REMARK 500 SER A 3 N SER A 3 CA 0.167 -REMARK 500 SER A 3 CB SER A 3 OG -0.132 -REMARK 500 LEU A 2 C SER A 3 N -0.320 -REMARK 500 PRO A 4 N PRO A 4 CA -0.149 -REMARK 500 PRO A 4 CA PRO A 4 CB 0.200 -REMARK 500 SER A 3 C PRO A 4 N 0.282 -REMARK 500 ALA A 5 N ALA A 5 CA -0.130 -REMARK 500 ALA A 5 CA ALA A 5 CB 0.247 -REMARK 500 PRO A 4 C ALA A 5 N 0.257 -REMARK 500 LYS A 7 N LYS A 7 CA 0.157 -REMARK 500 THR A 8 CA THR A 8 CB 0.178 -REMARK 500 THR A 8 CB THR A 8 OG1 -0.173 -REMARK 500 THR A 8 CB THR A 8 CG2 -0.245 -REMARK 500 THR A 8 CA THR A 8 C -0.174 -REMARK 500 LYS A 7 C THR A 8 N 0.258 -REMARK 500 THR A 8 C ASN A 9 N 0.179 -REMARK 500 VAL A 10 CB VAL A 10 CG2 -0.179 -REMARK 500 VAL A 10 CA VAL A 10 C 0.160 -REMARK 500 LYS A 11 N LYS A 11 CA 0.131 -REMARK 500 LYS A 11 CA LYS A 11 CB -0.137 -REMARK 500 LYS A 11 CB LYS A 11 CG -0.196 -REMARK 500 LYS A 11 CG LYS A 11 CD -0.206 -REMARK 500 LYS A 11 CD LYS A 11 CE 0.454 -REMARK 500 ALA A 12 N ALA A 12 CA -0.133 -REMARK 500 ALA A 12 C ALA A 12 O 0.225 -REMARK 500 ALA A 13 CA ALA A 13 C 0.201 -REMARK 500 TRP A 14 CA TRP A 14 CB 0.291 -REMARK 500 TRP A 14 CB TRP A 14 CG -0.274 -REMARK 500 TRP A 14 CG TRP A 14 CD1 0.306 -REMARK 500 TRP A 14 CD1 TRP A 14 NE1 0.158 -REMARK 500 TRP A 14 NE1 TRP A 14 CE2 -0.234 -REMARK 500 TRP A 14 CE2 TRP A 14 CZ2 -0.243 -REMARK 500 TRP A 14 CE2 TRP A 14 CD2 0.221 -REMARK 500 TRP A 14 CH2 TRP A 14 CZ2 -0.217 -REMARK 500 GLY A 15 CA GLY A 15 C 0.182 -REMARK 500 GLY A 15 C GLY A 15 O 0.437 -REMARK 500 LYS A 16 CB LYS A 16 CG 0.164 -REMARK 500 LYS A 16 CG LYS A 16 CD 0.488 -REMARK 500 LYS A 16 CD LYS A 16 CE 0.410 -REMARK 500 LYS A 16 C LYS A 16 O -0.149 -REMARK 500 GLY A 15 C LYS A 16 N -0.418 -REMARK 500 VAL A 17 N VAL A 17 CA -0.191 -REMARK 500 VAL A 17 CA VAL A 17 CB -0.168 -REMARK 500 VAL A 17 CA VAL A 17 C 0.432 -REMARK 500 VAL A 17 C VAL A 17 O -0.483 -REMARK 500 -REMARK 500 THIS ENTRY HAS 1277 BOND DEVIATIONS. -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: COVALENT BOND ANGLES -REMARK 500 -REMARK 500 THE STEREOCHEMICAL PARAMETERS OF THE FOLLOWING RESIDUES -REMARK 500 HAVE VALUES WHICH DEVIATE FROM EXPECTED VALUES BY MORE -REMARK 500 THAN 6*RMSD (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN -REMARK 500 IDENTIFIER; SSEQ=SEQUENCE NUMBER; I=INSERTION CODE). -REMARK 500 -REMARK 500 STANDARD TABLE: -REMARK 500 FORMAT: (10X,I3,1X,A3,1X,A1,I4,A1,3(1X,A4,2X),12X,F5.1) -REMARK 500 -REMARK 500 EXPECTED VALUES PROTEIN: ENGH AND HUBER, 1999 -REMARK 500 EXPECTED VALUES NUCLEIC ACID: CLOWNEY ET AL 1996 -REMARK 500 -REMARK 500 M RES CSSEQI ATM1 ATM2 ATM3 -REMARK 500 VAL A 1 CG1 - CB - CG2 ANGL. DEV. = 27.5 DEGREES -REMARK 500 VAL A 1 CA - CB - CG2 ANGL. DEV. = -25.9 DEGREES -REMARK 500 LEU A 2 N - CA - CB ANGL. DEV. = -17.9 DEGREES -REMARK 500 LEU A 2 CB - CG - CD1 ANGL. DEV. = 13.0 DEGREES -REMARK 500 LEU A 2 CA - C - O ANGL. DEV. = -21.8 DEGREES -REMARK 500 VAL A 1 CA - C - N ANGL. DEV. = -13.3 DEGREES -REMARK 500 VAL A 1 O - C - N ANGL. DEV. = 12.7 DEGREES -REMARK 500 LEU A 2 C - N - CA ANGL. DEV. = -20.6 DEGREES -REMARK 500 SER A 3 N - CA - CB ANGL. DEV. = -9.7 DEGREES -REMARK 500 SER A 3 CA - C - O ANGL. DEV. = 15.9 DEGREES -REMARK 500 LEU A 2 O - C - N ANGL. DEV. = 30.2 DEGREES -REMARK 500 PRO A 4 CB - CA - C ANGL. DEV. = -30.7 DEGREES -REMARK 500 PRO A 4 CA - CB - CG ANGL. DEV. = -14.9 DEGREES -REMARK 500 PRO A 4 N - CD - CG ANGL. DEV. = -12.4 DEGREES -REMARK 500 SER A 3 O - C - N ANGL. DEV. = -14.6 DEGREES -REMARK 500 PRO A 4 C - N - CA ANGL. DEV. = -14.1 DEGREES -REMARK 500 ALA A 5 CB - CA - C ANGL. DEV. = -10.8 DEGREES -REMARK 500 PRO A 4 O - C - N ANGL. DEV. = -9.9 DEGREES -REMARK 500 ASP A 6 CB - CG - OD1 ANGL. DEV. = 6.5 DEGREES -REMARK 500 ASP A 6 CB - CG - OD2 ANGL. DEV. = -8.8 DEGREES -REMARK 500 LYS A 7 N - CA - CB ANGL. DEV. = -13.5 DEGREES -REMARK 500 LYS A 7 CD - CE - NZ ANGL. DEV. = -27.4 DEGREES -REMARK 500 LYS A 7 N - CA - C ANGL. DEV. = 22.1 DEGREES -REMARK 500 ASP A 6 O - C - N ANGL. DEV. = 14.8 DEGREES -REMARK 500 LYS A 7 C - N - CA ANGL. DEV. = -20.2 DEGREES -REMARK 500 THR A 8 CA - CB - CG2 ANGL. DEV. = -10.7 DEGREES -REMARK 500 THR A 8 CA - C - O ANGL. DEV. = 21.3 DEGREES -REMARK 500 LYS A 7 CA - C - N ANGL. DEV. = -20.1 DEGREES -REMARK 500 THR A 8 C - N - CA ANGL. DEV. = -15.7 DEGREES -REMARK 500 VAL A 10 O - C - N ANGL. DEV. = 11.4 DEGREES -REMARK 500 ALA A 12 CB - CA - C ANGL. DEV. = -29.5 DEGREES -REMARK 500 ALA A 12 N - CA - CB ANGL. DEV. = -14.5 DEGREES -REMARK 500 ALA A 12 C - N - CA ANGL. DEV. = -22.9 DEGREES -REMARK 500 ALA A 12 O - C - N ANGL. DEV. = -25.9 DEGREES -REMARK 500 TRP A 14 CA - CB - CG ANGL. DEV. = -22.4 DEGREES -REMARK 500 TRP A 14 CG - CD1 - NE1 ANGL. DEV. = -13.5 DEGREES -REMARK 500 TRP A 14 CD1 - NE1 - CE2 ANGL. DEV. = 19.8 DEGREES -REMARK 500 TRP A 14 NE1 - CE2 - CZ2 ANGL. DEV. = 11.2 DEGREES -REMARK 500 TRP A 14 CH2 - CZ2 - CE2 ANGL. DEV. = 13.2 DEGREES -REMARK 500 ALA A 13 O - C - N ANGL. DEV. = 13.6 DEGREES -REMARK 500 GLY A 15 N - CA - C ANGL. DEV. = -24.3 DEGREES -REMARK 500 GLY A 15 CA - C - O ANGL. DEV. = -21.6 DEGREES -REMARK 500 GLY A 15 C - N - CA ANGL. DEV. = -19.0 DEGREES -REMARK 500 LYS A 16 N - CA - CB ANGL. DEV. = 14.8 DEGREES -REMARK 500 LYS A 16 CG - CD - CE ANGL. DEV. = -48.6 DEGREES -REMARK 500 LYS A 16 CD - CE - NZ ANGL. DEV. = 17.9 DEGREES -REMARK 500 GLY A 15 CA - C - N ANGL. DEV. = 25.6 DEGREES -REMARK 500 GLY A 15 O - C - N ANGL. DEV. = -10.0 DEGREES -REMARK 500 LYS A 16 C - N - CA ANGL. DEV. = 15.1 DEGREES -REMARK 500 VAL A 17 N - CA - CB ANGL. DEV. = 15.3 DEGREES -REMARK 500 -REMARK 500 THIS ENTRY HAS 1473 ANGLE DEVIATIONS. -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: TORSION ANGLES -REMARK 500 -REMARK 500 TORSION ANGLES OUTSIDE THE EXPECTED RAMACHANDRAN REGIONS: -REMARK 500 (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN IDENTIFIER; -REMARK 500 SSEQ=SEQUENCE NUMBER; I=INSERTION CODE). -REMARK 500 -REMARK 500 STANDARD TABLE: -REMARK 500 FORMAT:(10X,I3,1X,A3,1X,A1,I4,A1,4X,F7.2,3X,F7.2) -REMARK 500 -REMARK 500 EXPECTED VALUES: GJ KLEYWEGT AND TA JONES (1996). PHI/PSI- -REMARK 500 CHOLOGY: RAMACHANDRAN REVISITED. STRUCTURE 4, 1395 - 1400 -REMARK 500 -REMARK 500 M RES CSSEQI PSI PHI -REMARK 500 SER A 3 -176.01 -60.80 -REMARK 500 LYS A 16 -55.41 -1.55 -REMARK 500 ALA A 21 -76.55 -47.40 -REMARK 500 LEU A 48 40.81 -103.90 -REMARK 500 SER A 52 150.87 -47.80 -REMARK 500 HIS A 122 -70.12 -41.02 -REMARK 500 THR B 4 -176.32 -55.07 -REMARK 500 GLU B 7 -71.39 -64.26 -REMARK 500 PHE B 45 -9.16 -52.07 -REMARK 500 ASN B 80 59.72 -142.35 -REMARK 500 TYR B 145 130.62 -35.71 -REMARK 500 SER C 3 172.94 -57.29 -REMARK 500 VAL C 17 -70.34 -65.44 -REMARK 500 LEU C 48 32.06 -92.63 -REMARK 500 ASP C 75 72.45 -151.27 -REMARK 500 LYS C 90 -77.18 -122.52 -REMARK 500 LEU C 113 71.25 -107.78 -REMARK 500 LEU D 3 -163.80 -100.24 -REMARK 500 ASN D 19 94.43 -63.05 -REMARK 500 GLN D 39 0.49 -67.48 -REMARK 500 SER D 72 -71.73 -40.75 -REMARK 500 ASP D 73 -43.09 -22.67 -REMARK 500 ALA D 76 7.73 -63.28 -REMARK 500 HIS D 77 62.58 -172.71 -REMARK 500 LEU D 78 -50.86 -25.69 -REMARK 500 ASN D 80 85.05 -167.04 -REMARK 500 HIS D 97 35.26 76.08 -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: NON-CIS, NON-TRANS -REMARK 500 -REMARK 500 THE FOLLOWING PEPTIDE BONDS DEVIATE SIGNIFICANTLY FROM BOTH -REMARK 500 CIS AND TRANS CONFORMATION. CIS BONDS, IF ANY, ARE LISTED -REMARK 500 ON CISPEP RECORDS. TRANS IS DEFINED AS 180 +/- 30 AND -REMARK 500 CIS IS DEFINED AS 0 +/- 30 DEGREES. -REMARK 500 MODEL OMEGA -REMARK 500 GLY A 18 ALA A 19 -145.49 -REMARK 500 SER B 49 THR B 50 113.74 -REMARK 500 LEU D 3 THR D 4 148.65 -REMARK 500 VAL D 18 ASN D 19 148.41 -REMARK 500 LEU D 48 SER D 49 -144.37 -REMARK 500 SER D 49 THR D 50 143.57 -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: PLANAR GROUPS -REMARK 500 -REMARK 500 PLANAR GROUPS IN THE FOLLOWING RESIDUES HAVE A TOTAL -REMARK 500 RMS DISTANCE OF ALL ATOMS FROM THE BEST-FIT PLANE -REMARK 500 BY MORE THAN AN EXPECTED VALUE OF 6*RMSD, WITH AN -REMARK 500 RMSD 0.02 ANGSTROMS, OR AT LEAST ONE ATOM HAS -REMARK 500 AN RMSD GREATER THAN THIS VALUE -REMARK 500 (M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN IDENTIFIER; -REMARK 500 SSEQ=SEQUENCE NUMBER; I=INSERTION CODE). -REMARK 500 -REMARK 500 M RES CSSEQI RMS TYPE -REMARK 500 HIS A 20 0.17 SIDE_CHAIN -REMARK 500 GLU A 23 0.25 SIDE_CHAIN -REMARK 500 TYR A 24 0.10 SIDE_CHAIN -REMARK 500 PHE A 36 0.09 SIDE_CHAIN -REMARK 500 HIS A 45 0.11 SIDE_CHAIN -REMARK 500 HIS A 50 0.20 SIDE_CHAIN -REMARK 500 GLN A 54 0.10 SIDE_CHAIN -REMARK 500 ASP A 64 0.14 SIDE_CHAIN -REMARK 500 HIS A 72 0.24 SIDE_CHAIN -REMARK 500 ASN A 78 0.08 SIDE_CHAIN -REMARK 500 ASP A 85 0.09 SIDE_CHAIN -REMARK 500 ARG A 92 0.08 SIDE_CHAIN -REMARK 500 ASP A 126 0.10 SIDE_CHAIN -REMARK 500 ARG A 141 0.08 SIDE_CHAIN -REMARK 500 HIS B 2 0.16 SIDE_CHAIN -REMARK 500 GLU B 6 0.16 SIDE_CHAIN -REMARK 500 ASN B 19 0.08 SIDE_CHAIN -REMARK 500 ASP B 21 0.15 SIDE_CHAIN -REMARK 500 GLU B 22 0.51 SIDE_CHAIN -REMARK 500 GLU B 26 0.38 SIDE_CHAIN -REMARK 500 ASP B 47 0.14 SIDE_CHAIN -REMARK 500 ASP B 52 0.19 SIDE_CHAIN -REMARK 500 HIS B 63 0.11 SIDE_CHAIN -REMARK 500 ASP B 79 0.11 SIDE_CHAIN -REMARK 500 ASN B 80 0.20 SIDE_CHAIN -REMARK 500 GLU B 90 0.15 SIDE_CHAIN -REMARK 500 ARG B 104 0.39 SIDE_CHAIN -REMARK 500 HIS B 117 0.22 SIDE_CHAIN -REMARK 500 PHE B 118 0.13 SIDE_CHAIN -REMARK 500 GLU B 121 0.26 SIDE_CHAIN -REMARK 500 HIS B 143 0.10 SIDE_CHAIN -REMARK 500 HIS B 146 0.31 SIDE_CHAIN -REMARK 500 ASN C 9 0.08 SIDE_CHAIN -REMARK 500 HIS C 20 0.14 SIDE_CHAIN -REMARK 500 GLU C 23 0.30 SIDE_CHAIN -REMARK 500 HIS C 45 0.10 SIDE_CHAIN -REMARK 500 PHE C 46 0.10 SIDE_CHAIN -REMARK 500 ASP C 47 0.15 SIDE_CHAIN -REMARK 500 ASP C 64 0.08 SIDE_CHAIN -REMARK 500 ASP C 75 0.07 SIDE_CHAIN -REMARK 500 ASN C 78 0.11 SIDE_CHAIN -REMARK 500 ARG C 92 0.20 SIDE_CHAIN -REMARK 500 GLU C 116 0.09 SIDE_CHAIN -REMARK 500 ASP C 126 0.11 SIDE_CHAIN -REMARK 500 ARG C 141 0.08 SIDE_CHAIN -REMARK 500 HIS D 2 0.10 SIDE_CHAIN -REMARK 500 GLU D 6 0.17 SIDE_CHAIN -REMARK 500 GLU D 7 0.10 SIDE_CHAIN -REMARK 500 ASN D 19 0.38 SIDE_CHAIN -REMARK 500 ASP D 21 0.18 SIDE_CHAIN -REMARK 500 GLU D 22 0.21 SIDE_CHAIN -REMARK 500 GLU D 26 0.54 SIDE_CHAIN -REMARK 500 ARG D 40 0.12 SIDE_CHAIN -REMARK 500 GLU D 43 0.15 SIDE_CHAIN -REMARK 500 ASP D 52 0.33 SIDE_CHAIN -REMARK 500 HIS D 63 0.18 SIDE_CHAIN -REMARK 500 HIS D 77 0.14 SIDE_CHAIN -REMARK 500 ASP D 79 0.33 SIDE_CHAIN -REMARK 500 GLU D 90 0.34 SIDE_CHAIN -REMARK 500 HIS D 92 0.08 SIDE_CHAIN -REMARK 500 ASP D 94 0.08 SIDE_CHAIN -REMARK 500 GLU D 101 0.10 SIDE_CHAIN -REMARK 500 ARG D 104 0.29 SIDE_CHAIN -REMARK 500 ASN D 108 0.10 SIDE_CHAIN -REMARK 500 HIS D 117 0.08 SIDE_CHAIN -REMARK 500 PHE D 118 0.10 SIDE_CHAIN -REMARK 500 GLU D 121 0.32 SIDE_CHAIN -REMARK 500 GLN D 127 0.07 SIDE_CHAIN -REMARK 500 ASN D 139 0.21 SIDE_CHAIN -REMARK 500 HIS D 143 0.09 SIDE_CHAIN -REMARK 500 HIS D 146 0.10 SIDE_CHAIN -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: MAIN CHAIN PLANARITY -REMARK 500 -REMARK 500 THE FOLLOWING RESIDUES HAVE A PSEUDO PLANARITY -REMARK 500 TORSION, C(I) - CA(I) - N(I+1) - O(I), GREATER -REMARK 500 10.0 DEGREES. (M=MODEL NUMBER; RES=RESIDUE NAME; -REMARK 500 C=CHAIN IDENTIFIER; SSEQ=SEQUENCE NUMBER; -REMARK 500 I=INSERTION CODE). -REMARK 500 -REMARK 500 M RES CSSEQI ANGLE -REMARK 500 VAL A 1 -12.66 -REMARK 500 SER A 3 -13.96 -REMARK 500 PRO A 4 -17.06 -REMARK 500 ASN A 9 10.02 -REMARK 500 LYS A 11 -14.58 -REMARK 500 ALA A 12 -29.94 -REMARK 500 GLY A 15 25.08 -REMARK 500 ALA A 19 -16.87 -REMARK 500 ALA A 21 26.61 -REMARK 500 GLY A 22 15.67 -REMARK 500 THR A 41 10.65 -REMARK 500 PHE A 46 -10.97 -REMARK 500 LEU A 48 -25.01 -REMARK 500 SER A 52 -10.23 -REMARK 500 LYS A 56 14.67 -REMARK 500 GLY A 59 -10.71 -REMARK 500 LYS A 61 -11.09 -REMARK 500 ALA A 63 -17.65 -REMARK 500 ASP A 74 18.25 -REMARK 500 ASP A 75 -17.02 -REMARK 500 MET A 76 -10.23 -REMARK 500 ASN A 78 -10.93 -REMARK 500 SER A 81 -10.91 -REMARK 500 ALA A 82 11.29 -REMARK 500 LEU A 83 -10.53 -REMARK 500 ASP A 85 -12.19 -REMARK 500 ALA A 88 11.87 -REMARK 500 LYS A 90 -14.75 -REMARK 500 ASN A 97 -10.48 -REMARK 500 LYS A 99 -15.40 -REMARK 500 LEU A 101 -10.99 -REMARK 500 LEU A 106 -10.02 -REMARK 500 ALA A 111 10.63 -REMARK 500 PRO A 114 -12.36 -REMARK 500 THR A 118 -18.84 -REMARK 500 HIS A 122 17.52 -REMARK 500 VAL B 1 34.93 -REMARK 500 LEU B 3 14.19 -REMARK 500 THR B 4 -16.98 -REMARK 500 GLU B 7 12.85 -REMARK 500 LEU B 14 12.16 -REMARK 500 ASP B 21 -10.62 -REMARK 500 THR B 38 14.87 -REMARK 500 GLU B 43 -24.15 -REMARK 500 SER B 44 54.71 -REMARK 500 ASP B 47 16.36 -REMARK 500 SER B 49 -74.55 -REMARK 500 GLY B 56 -31.39 -REMARK 500 LYS B 59 -12.59 -REMARK 500 VAL B 60 10.98 -REMARK 500 LYS B 61 -15.00 -REMARK 500 ALA B 62 10.49 -REMARK 500 HIS B 63 -10.22 -REMARK 500 LEU B 78 -25.59 -REMARK 500 ASP B 79 22.50 -REMARK 500 ASN B 80 -11.76 -REMARK 500 LEU B 81 11.29 -REMARK 500 THR B 84 10.62 -REMARK 500 GLU B 90 -10.55 -REMARK 500 PRO B 100 -11.02 -REMARK 500 GLU B 101 -10.37 -REMARK 500 LEU B 114 12.32 -REMARK 500 THR B 123 -10.84 -REMARK 500 VAL B 126 -11.54 -REMARK 500 GLN B 131 -10.69 -REMARK 500 ASN B 139 -17.46 -REMARK 500 LEU B 141 16.07 -REMARK 500 SER C 3 -11.99 -REMARK 500 ALA C 5 12.77 -REMARK 500 TRP C 14 -12.14 -REMARK 500 VAL C 17 12.38 -REMARK 500 GLY C 18 -13.67 -REMARK 500 ALA C 21 -14.14 -REMARK 500 GLY C 25 -12.75 -REMARK 500 PRO C 44 -13.45 -REMARK 500 HIS C 45 12.45 -REMARK 500 PHE C 46 -11.87 -REMARK 500 ASP C 47 19.24 -REMARK 500 LEU C 48 -13.66 -REMARK 500 ALA C 69 11.81 -REMARK 500 ALA C 71 22.14 -REMARK 500 HIS C 72 13.20 -REMARK 500 ASP C 74 12.29 -REMARK 500 ASP C 75 -23.66 -REMARK 500 LEU C 80 -11.12 -REMARK 500 LEU C 83 -10.01 -REMARK 500 ALA C 88 13.88 -REMARK 500 PRO C 95 -13.42 -REMARK 500 LEU C 109 16.42 -REMARK 500 ALA C 110 13.99 -REMARK 500 ALA C 111 15.47 -REMARK 500 HIS C 112 15.18 -REMARK 500 LEU C 113 -20.94 -REMARK 500 PRO C 114 -32.91 -REMARK 500 GLU C 116 -12.30 -REMARK 500 PRO C 119 11.39 -REMARK 500 LEU C 125 -10.17 -REMARK 500 VAL C 135 14.71 -REMARK 500 SER C 138 10.64 -REMARK 500 VAL D 1 -18.79 -REMARK 500 HIS D 2 -12.81 -REMARK 500 LEU D 3 -69.40 -REMARK 500 PRO D 5 -10.95 -REMARK 500 LYS D 8 -16.56 -REMARK 500 LYS D 17 10.52 -REMARK 500 ASP D 21 -17.88 -REMARK 500 GLU D 22 23.39 -REMARK 500 VAL D 33 11.00 -REMARK 500 VAL D 34 11.48 -REMARK 500 PHE D 42 10.18 -REMARK 500 GLY D 46 -18.80 -REMARK 500 LEU D 48 13.68 -REMARK 500 SER D 49 -21.45 -REMARK 500 ASP D 52 12.37 -REMARK 500 GLY D 56 17.16 -REMARK 500 VAL D 60 10.39 -REMARK 500 GLY D 64 -10.31 -REMARK 500 LYS D 66 16.91 -REMARK 500 ASP D 73 -11.34 -REMARK 500 LEU D 75 15.44 -REMARK 500 ALA D 76 -28.12 -REMARK 500 ASP D 79 -15.13 -REMARK 500 ASN D 80 -17.79 -REMARK 500 GLY D 83 -24.24 -REMARK 500 THR D 84 23.01 -REMARK 500 HIS D 92 -12.19 -REMARK 500 LEU D 96 11.44 -REMARK 500 HIS D 117 12.17 -REMARK 500 LYS D 120 -25.33 -REMARK 500 VAL D 137 -19.82 -REMARK 500 LYS D 144 17.08 -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 500 -REMARK 500 GEOMETRY AND STEREOCHEMISTRY -REMARK 500 SUBTOPIC: CHIRAL CENTERS -REMARK 500 -REMARK 500 UNEXPECTED CONFIGURATION OF THE FOLLOWING CHIRAL -REMARK 500 CENTER(S) USING IMPROPER CA--C--CB--N CHIRALITY -REMARK 500 M=MODEL NUMBER; RES=RESIDUE NAME; C=CHAIN -REMARK 500 IDENTIFIER; SSEQ=SEQUENCE NUMBER; I=INSERTION CODE -REMARK 500 -REMARK 500 STANDARD TABLE: -REMARK 500 FORMAT: (11X,I3,1X,A3,1X,A1,I4,A1,6X,F5.1,6X,A1,10X,A1,3X,A16) -REMARK 500 -REMARK 500 M RES CSSEQI IMPROPER EXPECTED FOUND DETAILS -REMARK 500 SER A 3 47.5 L L OUTSIDE RANGE -REMARK 500 LYS A 7 22.9 L L OUTSIDE RANGE -REMARK 500 LYS A 16 14.6 L L OUTSIDE RANGE -REMARK 500 VAL A 17 18.2 L L OUTSIDE RANGE -REMARK 500 ALA A 26 18.6 L L OUTSIDE RANGE -REMARK 500 PHE A 33 25.0 L L OUTSIDE RANGE -REMARK 500 SER A 49 47.6 L L OUTSIDE RANGE -REMARK 500 LYS A 56 14.8 L L OUTSIDE RANGE -REMARK 500 LYS A 60 22.7 L L OUTSIDE RANGE -REMARK 500 ALA A 71 48.3 L L OUTSIDE RANGE -REMARK 500 PRO A 77 16.7 L L OUTSIDE RANGE -REMARK 500 SER A 84 23.0 L L OUTSIDE RANGE -REMARK 500 HIS A 89 23.9 L L OUTSIDE RANGE -REMARK 500 LYS A 90 17.4 L L OUTSIDE RANGE -REMARK 500 HIS A 103 22.3 L L OUTSIDE RANGE -REMARK 500 ALA A 111 21.3 L L OUTSIDE RANGE -REMARK 500 PRO A 114 49.5 L L OUTSIDE RANGE -REMARK 500 PHE A 117 21.9 L L OUTSIDE RANGE -REMARK 500 ALA A 120 20.3 L L OUTSIDE RANGE -REMARK 500 HIS A 122 46.2 L L OUTSIDE RANGE -REMARK 500 TYR A 140 23.5 L L OUTSIDE RANGE -REMARK 500 PRO B 5 18.3 L L OUTSIDE RANGE -REMARK 500 SER B 9 13.0 L L OUTSIDE RANGE -REMARK 500 ALA B 13 23.4 L L OUTSIDE RANGE -REMARK 500 LEU B 28 16.4 L L OUTSIDE RANGE -REMARK 500 THR B 38 24.4 L L OUTSIDE RANGE -REMARK 500 GLU B 43 46.6 L L OUTSIDE RANGE -REMARK 500 ASP B 47 45.8 L L OUTSIDE RANGE -REMARK 500 SER B 49 53.4 L L OUTSIDE RANGE -REMARK 500 VAL B 60 24.9 L L OUTSIDE RANGE -REMARK 500 LYS B 65 20.6 L L OUTSIDE RANGE -REMARK 500 HIS B 77 47.6 L L OUTSIDE RANGE -REMARK 500 ASP B 79 51.3 L L OUTSIDE RANGE -REMARK 500 ASN B 80 45.3 L L OUTSIDE RANGE -REMARK 500 LYS B 82 47.0 L L OUTSIDE RANGE -REMARK 500 THR B 84 23.8 L L OUTSIDE RANGE -REMARK 500 GLU B 90 11.1 L L OUTSIDE RANGE -REMARK 500 LEU B 96 22.2 L L OUTSIDE RANGE -REMARK 500 ASP B 99 47.0 L L OUTSIDE RANGE -REMARK 500 HIS B 117 22.8 L L OUTSIDE RANGE -REMARK 500 GLN B 127 23.5 L L OUTSIDE RANGE -REMARK 500 VAL B 134 20.6 L L OUTSIDE RANGE -REMARK 500 TYR B 145 13.6 L L OUTSIDE RANGE -REMARK 500 VAL C 1 85.9 L L OUTSIDE RANGE -REMARK 500 ALA C 5 23.1 L L OUTSIDE RANGE -REMARK 500 ALA C 12 13.9 L L OUTSIDE RANGE -REMARK 500 LYS C 16 18.8 L L OUTSIDE RANGE -REMARK 500 VAL C 17 23.9 L L OUTSIDE RANGE -REMARK 500 TYR C 24 23.1 L L OUTSIDE RANGE -REMARK 500 ALA C 26 24.5 L L OUTSIDE RANGE -REMARK 500 PRO C 44 49.8 L L OUTSIDE RANGE -REMARK 500 ALA C 53 18.8 L L OUTSIDE RANGE -REMARK 500 HIS C 72 10.8 L L OUTSIDE RANGE -REMARK 500 VAL C 73 21.3 L L OUTSIDE RANGE -REMARK 500 ASP C 75 50.5 L L OUTSIDE RANGE -REMARK 500 PRO C 77 23.1 L L OUTSIDE RANGE -REMARK 500 ASN C 78 7.6 L D EXPECTING SP3 -REMARK 500 SER C 84 22.3 L L OUTSIDE RANGE -REMARK 500 ALA C 88 23.4 L L OUTSIDE RANGE -REMARK 500 HIS C 89 24.6 L L OUTSIDE RANGE -REMARK 500 LYS C 90 16.1 L L OUTSIDE RANGE -REMARK 500 LYS C 99 23.5 L L OUTSIDE RANGE -REMARK 500 VAL C 107 23.4 L L OUTSIDE RANGE -REMARK 500 PRO C 114 58.4 L L OUTSIDE RANGE -REMARK 500 ALA C 115 17.3 L L OUTSIDE RANGE -REMARK 500 ARG C 141 24.7 L L OUTSIDE RANGE -REMARK 500 HIS D 2 0.2 L D EXPECTING SP3 -REMARK 500 THR D 4 19.6 L L OUTSIDE RANGE -REMARK 500 ALA D 10 48.1 L L OUTSIDE RANGE -REMARK 500 ALA D 13 16.1 L L OUTSIDE RANGE -REMARK 500 LYS D 17 21.9 L L OUTSIDE RANGE -REMARK 500 ASN D 19 20.8 L L OUTSIDE RANGE -REMARK 500 VAL D 20 14.8 L L OUTSIDE RANGE -REMARK 500 ASP D 21 18.2 L L OUTSIDE RANGE -REMARK 500 LEU D 31 23.7 L L OUTSIDE RANGE -REMARK 500 ASP D 47 70.5 L L OUTSIDE RANGE -REMARK 500 ASP D 52 59.4 L L OUTSIDE RANGE -REMARK 500 ALA D 53 24.1 L L OUTSIDE RANGE -REMARK 500 LYS D 59 23.2 L L OUTSIDE RANGE -REMARK 500 SER D 72 4.3 L D EXPECTING SP3 -REMARK 500 ASP D 73 7.4 L D EXPECTING SP3 -REMARK 500 ALA D 76 83.0 L L OUTSIDE RANGE -REMARK 500 LEU D 78 -0.1 L D EXPECTING SP3 -REMARK 500 HIS D 92 48.8 L L OUTSIDE RANGE -REMARK 500 ASP D 94 47.8 L L OUTSIDE RANGE -REMARK 500 PRO D 100 22.6 L L OUTSIDE RANGE -REMARK 500 CYS D 112 22.5 L L OUTSIDE RANGE -REMARK 500 PHE D 122 45.5 L L OUTSIDE RANGE -REMARK 500 GLN D 131 24.7 L L OUTSIDE RANGE -REMARK 500 VAL D 137 22.8 L L OUTSIDE RANGE -REMARK 500 HIS D 143 24.9 L L OUTSIDE RANGE -REMARK 500 LYS D 144 3.0 L D EXPECTING SP3 -REMARK 500 TYR D 145 23.9 L L OUTSIDE RANGE -REMARK 500 HIS D 146 48.0 L L OUTSIDE RANGE -REMARK 500 -REMARK 500 REMARK: NULL -REMARK 610 -REMARK 610 MISSING HETEROATOM -REMARK 610 THE FOLLOWING RESIDUES HAVE MISSING ATOMS (M=MODEL NUMBER; -REMARK 610 RES=RESIDUE NAME; C=CHAIN IDENTIFIER; SSEQ=SEQUENCE NUMBER; -REMARK 610 I=INSERTION CODE): -REMARK 610 M RES C SSEQI -REMARK 610 PO4 D 147 -REMARK 610 PO4 B 147 -REMARK 800 -REMARK 800 SITE -REMARK 800 SITE_IDENTIFIER: AC1 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE PO4 D 147 -REMARK 800 SITE_IDENTIFIER: AC2 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE PO4 B 147 -REMARK 800 SITE_IDENTIFIER: AC3 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE HEM A 142 -REMARK 800 SITE_IDENTIFIER: AC4 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE HEM B 148 -REMARK 800 SITE_IDENTIFIER: AC5 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE HEM C 142 -REMARK 800 SITE_IDENTIFIER: AC6 -REMARK 800 EVIDENCE_CODE: SOFTWARE -REMARK 800 SITE_DESCRIPTION: BINDING SITE FOR RESIDUE HEM D 148 -REMARK 900 -REMARK 900 RELATED ENTRIES -REMARK 900 RELATED ID: 2HHB RELATED DB: PDB -REMARK 900 REFINED BY THE METHOD OF JACK AND LEVITT. THIS ENTRY -REMARK 900 PRESENTS THE BEST ESTIMATE OF THE COORDINATES. -REMARK 900 RELATED ID: 3HHB RELATED DB: PDB -REMARK 900 SYMMETRY AVERAGED ABOUT THE (NON-CRYSTALLOGRAPHIC) -REMARK 900 MOLECULAR AXIS AND THEN RE-REGULARIZED BY THE ENERGY -REMARK 900 REFINEMENT METHOD OF LEVITT. THIS ENTRY PRESENTS -REMARK 900 COORDINATES THAT ARE ADEQUATE FOR MOST PURPOSES, SUCH AS -REMARK 900 COMPARISON WITH OTHER STRUCTURES. -REMARK 900 RELATED ID: 1GLI RELATED DB: PDB -DBREF 4HHB A 1 141 UNP P69905 HBA_HUMAN 1 141 -DBREF 4HHB B 1 146 UNP P68871 HBB_HUMAN 1 146 -DBREF 4HHB C 1 141 UNP P69905 HBA_HUMAN 1 141 -DBREF 4HHB D 1 146 UNP P68871 HBB_HUMAN 1 146 -SEQRES 1 A 141 VAL LEU SER PRO ALA ASP LYS THR ASN VAL LYS ALA ALA -SEQRES 2 A 141 TRP GLY LYS VAL GLY ALA HIS ALA GLY GLU TYR GLY ALA -SEQRES 3 A 141 GLU ALA LEU GLU ARG MET PHE LEU SER PHE PRO THR THR -SEQRES 4 A 141 LYS THR TYR PHE PRO HIS PHE ASP LEU SER HIS GLY SER -SEQRES 5 A 141 ALA GLN VAL LYS GLY HIS GLY LYS LYS VAL ALA ASP ALA -SEQRES 6 A 141 LEU THR ASN ALA VAL ALA HIS VAL ASP ASP MET PRO ASN -SEQRES 7 A 141 ALA LEU SER ALA LEU SER ASP LEU HIS ALA HIS LYS LEU -SEQRES 8 A 141 ARG VAL ASP PRO VAL ASN PHE LYS LEU LEU SER HIS CYS -SEQRES 9 A 141 LEU LEU VAL THR LEU ALA ALA HIS LEU PRO ALA GLU PHE -SEQRES 10 A 141 THR PRO ALA VAL HIS ALA SER LEU ASP LYS PHE LEU ALA -SEQRES 11 A 141 SER VAL SER THR VAL LEU THR SER LYS TYR ARG -SEQRES 1 B 146 VAL HIS LEU THR PRO GLU GLU LYS SER ALA VAL THR ALA -SEQRES 2 B 146 LEU TRP GLY LYS VAL ASN VAL ASP GLU VAL GLY GLY GLU -SEQRES 3 B 146 ALA LEU GLY ARG LEU LEU VAL VAL TYR PRO TRP THR GLN -SEQRES 4 B 146 ARG PHE PHE GLU SER PHE GLY ASP LEU SER THR PRO ASP -SEQRES 5 B 146 ALA VAL MET GLY ASN PRO LYS VAL LYS ALA HIS GLY LYS -SEQRES 6 B 146 LYS VAL LEU GLY ALA PHE SER ASP GLY LEU ALA HIS LEU -SEQRES 7 B 146 ASP ASN LEU LYS GLY THR PHE ALA THR LEU SER GLU LEU -SEQRES 8 B 146 HIS CYS ASP LYS LEU HIS VAL ASP PRO GLU ASN PHE ARG -SEQRES 9 B 146 LEU LEU GLY ASN VAL LEU VAL CYS VAL LEU ALA HIS HIS -SEQRES 10 B 146 PHE GLY LYS GLU PHE THR PRO PRO VAL GLN ALA ALA TYR -SEQRES 11 B 146 GLN LYS VAL VAL ALA GLY VAL ALA ASN ALA LEU ALA HIS -SEQRES 12 B 146 LYS TYR HIS -SEQRES 1 C 141 VAL LEU SER PRO ALA ASP LYS THR ASN VAL LYS ALA ALA -SEQRES 2 C 141 TRP GLY LYS VAL GLY ALA HIS ALA GLY GLU TYR GLY ALA -SEQRES 3 C 141 GLU ALA LEU GLU ARG MET PHE LEU SER PHE PRO THR THR -SEQRES 4 C 141 LYS THR TYR PHE PRO HIS PHE ASP LEU SER HIS GLY SER -SEQRES 5 C 141 ALA GLN VAL LYS GLY HIS GLY LYS LYS VAL ALA ASP ALA -SEQRES 6 C 141 LEU THR ASN ALA VAL ALA HIS VAL ASP ASP MET PRO ASN -SEQRES 7 C 141 ALA LEU SER ALA LEU SER ASP LEU HIS ALA HIS LYS LEU -SEQRES 8 C 141 ARG VAL ASP PRO VAL ASN PHE LYS LEU LEU SER HIS CYS -SEQRES 9 C 141 LEU LEU VAL THR LEU ALA ALA HIS LEU PRO ALA GLU PHE -SEQRES 10 C 141 THR PRO ALA VAL HIS ALA SER LEU ASP LYS PHE LEU ALA -SEQRES 11 C 141 SER VAL SER THR VAL LEU THR SER LYS TYR ARG -SEQRES 1 D 146 VAL HIS LEU THR PRO GLU GLU LYS SER ALA VAL THR ALA -SEQRES 2 D 146 LEU TRP GLY LYS VAL ASN VAL ASP GLU VAL GLY GLY GLU -SEQRES 3 D 146 ALA LEU GLY ARG LEU LEU VAL VAL TYR PRO TRP THR GLN -SEQRES 4 D 146 ARG PHE PHE GLU SER PHE GLY ASP LEU SER THR PRO ASP -SEQRES 5 D 146 ALA VAL MET GLY ASN PRO LYS VAL LYS ALA HIS GLY LYS -SEQRES 6 D 146 LYS VAL LEU GLY ALA PHE SER ASP GLY LEU ALA HIS LEU -SEQRES 7 D 146 ASP ASN LEU LYS GLY THR PHE ALA THR LEU SER GLU LEU -SEQRES 8 D 146 HIS CYS ASP LYS LEU HIS VAL ASP PRO GLU ASN PHE ARG -SEQRES 9 D 146 LEU LEU GLY ASN VAL LEU VAL CYS VAL LEU ALA HIS HIS -SEQRES 10 D 146 PHE GLY LYS GLU PHE THR PRO PRO VAL GLN ALA ALA TYR -SEQRES 11 D 146 GLN LYS VAL VAL ALA GLY VAL ALA ASN ALA LEU ALA HIS -SEQRES 12 D 146 LYS TYR HIS -HET PO4 D 147 1 -HET PO4 B 147 1 -HET HEM A 142 43 -HET HEM B 148 43 -HET HEM C 142 43 -HET HEM D 148 43 -HETNAM PO4 PHOSPHATE ION -HETNAM HEM PROTOPORPHYRIN IX CONTAINING FE -HETSYN HEM HEME -FORMUL 5 PO4 2(O4 P 3-) -FORMUL 7 HEM 4(C34 H32 FE N4 O4) -FORMUL 11 HOH *221(H2 O) -HELIX 1 AA SER A 3 GLY A 18 1 16 -HELIX 2 AB HIS A 20 SER A 35 1 16 -HELIX 3 AC PHE A 36 TYR A 42 1 7 -HELIX 4 AD HIS A 50 GLY A 51 1DEGEN 2 RES HLX RETAIN HOMOL 2 -HELIX 5 AE SER A 52 ALA A 71 1 20 -HELIX 6 AF LEU A 80 ALA A 88 1 9 -HELIX 7 AG ASP A 94 HIS A 112 1 19 -HELIX 8 AH THR A 118 SER A 138 1 21 -HELIX 9 BA THR B 4 VAL B 18 1 15 -HELIX 10 BB ASN B 19 VAL B 34 1 16 -HELIX 11 BC TYR B 35 PHE B 41 1 7 -HELIX 12 BD THR B 50 GLY B 56 1 7 -HELIX 13 BE ASN B 57 ALA B 76 1 20 -HELIX 14 BF PHE B 85 CYS B 93 1 9 -HELIX 15 BG ASP B 99 HIS B 117 1 19 -HELIX 16 BH THR B 123 HIS B 143 1 21 -HELIX 17 CA SER C 3 GLY C 18 1 16 -HELIX 18 CB HIS C 20 SER C 35 1 16 -HELIX 19 CC PHE C 36 TYR C 42 1 7 -HELIX 20 CD HIS C 50 GLY C 51 1DEGEN 2 RES HLX RETAIN HOMOL 2 -HELIX 21 CE SER C 52 ALA C 71 1 20 -HELIX 22 CF LEU C 80 ALA C 88 1 9 -HELIX 23 CG ASP C 94 HIS C 112 1 19 -HELIX 24 CH THR C 118 SER C 138 1 21 -HELIX 25 DA THR D 4 VAL D 18 1 15 -HELIX 26 DB ASN D 19 VAL D 34 1 16 -HELIX 27 DC TYR D 35 PHE D 41 1 7 -HELIX 28 DD THR D 50 GLY D 56 1 7 -HELIX 29 DE ASN D 57 ALA D 76 1 20 -HELIX 30 DF PHE D 85 CYS D 93 1 9 -HELIX 31 DG ASP D 99 HIS D 117 1 19 -HELIX 32 DH THR D 123 HIS D 143 1 21 -LINK NE2 HIS A 87 FE HEM A 142 1555 1555 2.14 -LINK NE2 HIS B 92 FE HEM B 148 1555 1555 2.22 -LINK NE2 HIS C 87 FE HEM C 142 1555 1555 2.26 -LINK NE2 HIS D 92 FE HEM D 148 1555 1555 1.98 -SITE 1 AC1 1 VAL D 1 -SITE 1 AC2 1 HOH B 197 -SITE 1 AC3 16 TYR A 42 PHE A 43 HIS A 45 PHE A 46 -SITE 2 AC3 16 HIS A 58 LYS A 61 LEU A 86 HIS A 87 -SITE 3 AC3 16 LEU A 91 VAL A 93 ASN A 97 PHE A 98 -SITE 4 AC3 16 LEU A 101 LEU A 136 HOH A 144 HOH A 159 -SITE 1 AC4 13 ALA A 53 HOH A 145 PHE B 41 HIS B 63 -SITE 2 AC4 13 LYS B 66 VAL B 67 HIS B 92 LEU B 96 -SITE 3 AC4 13 ASN B 102 PHE B 103 LEU B 141 HOH B 175 -SITE 4 AC4 13 HOH B 193 -SITE 1 AC5 15 TYR C 42 PHE C 43 HIS C 45 HIS C 58 -SITE 2 AC5 15 LYS C 61 LEU C 83 LEU C 86 HIS C 87 -SITE 3 AC5 15 LEU C 91 VAL C 93 ASN C 97 PHE C 98 -SITE 4 AC5 15 LEU C 136 HOH C 149 HOH C 164 -SITE 1 AC6 7 HIS D 63 LYS D 66 VAL D 67 HIS D 92 -SITE 2 AC6 7 LEU D 96 ASN D 102 LEU D 141 -CRYST1 63.150 83.590 53.800 90.00 99.34 90.00 P 1 21 1 4 -ORIGX1 0.963457 0.136613 0.230424 16.61000 -ORIGX2 -0.158977 0.983924 0.081383 13.72000 -ORIGX3 -0.215598 -0.115048 0.969683 37.65000 -SCALE1 0.015462 0.002192 0.003698 0.26656 -SCALE2 -0.001902 0.011771 0.000974 0.16413 -SCALE3 -0.001062 -0.001721 0.018728 0.75059 -MTRIX1 1 -1.000000 0.000000 0.000000 0.00001 1 -MTRIX2 1 0.000000 1.000000 0.000000 0.00002 1 -MTRIX3 1 0.000000 0.000000 -1.000000 0.00002 1 -ATOM 1 N VAL A 1 6.204 16.869 4.854 1.00 49.05 N -ATOM 2 CA VAL A 1 6.913 17.759 4.607 1.00 43.14 C -ATOM 3 C VAL A 1 8.504 17.378 4.797 1.00 24.80 C -ATOM 4 O VAL A 1 8.805 17.011 5.943 1.00 37.68 O -ATOM 5 CB VAL A 1 6.369 19.044 5.810 1.00 72.12 C -ATOM 6 CG1 VAL A 1 7.009 20.127 5.418 1.00 61.79 C -ATOM 7 CG2 VAL A 1 5.246 18.533 5.681 1.00 80.12 C -ATOM 8 N LEU A 2 9.096 18.040 3.857 1.00 26.44 N -ATOM 9 CA LEU A 2 10.600 17.889 4.283 1.00 26.32 C -ATOM 10 C LEU A 2 11.265 19.184 5.297 1.00 32.96 C -ATOM 11 O LEU A 2 10.813 20.177 4.647 1.00 31.90 O -ATOM 12 CB LEU A 2 11.099 18.007 2.815 1.00 29.23 C -ATOM 13 CG LEU A 2 11.322 16.956 1.934 1.00 37.71 C -ATOM 14 CD1 LEU A 2 11.468 15.596 2.337 1.00 39.10 C -ATOM 15 CD2 LEU A 2 11.423 17.268 0.300 1.00 37.47 C -ATOM 16 N SER A 3 11.584 18.730 6.148 1.00 28.01 N -ATOM 17 CA SER A 3 12.263 19.871 7.087 1.00 26.03 C -ATOM 18 C SER A 3 13.304 20.329 6.300 1.00 25.99 C -ATOM 19 O SER A 3 14.085 19.818 5.364 1.00 25.98 O -ATOM 20 CB SER A 3 12.744 19.045 8.223 1.00 23.41 C -ATOM 21 OG SER A 3 13.781 18.286 8.179 1.00 30.00 O -ATOM 22 N PRO A 4 14.196 21.422 7.097 1.00 37.49 N -ATOM 23 CA PRO A 4 15.048 21.890 6.206 1.00 38.81 C -ATOM 24 C PRO A 4 16.464 21.282 6.288 1.00 25.63 C -ATOM 25 O PRO A 4 17.212 20.899 5.409 1.00 34.38 O -ATOM 26 CB PRO A 4 15.814 23.113 7.166 1.00 50.44 C -ATOM 27 CG PRO A 4 14.493 23.536 7.638 1.00 43.42 C -ATOM 28 CD PRO A 4 13.298 22.523 7.651 1.00 42.77 C -ATOM 29 N ALA A 5 16.399 20.279 7.524 1.00 24.33 N -ATOM 30 CA ALA A 5 17.552 19.622 7.588 1.00 24.06 C -ATOM 31 C ALA A 5 17.376 18.283 6.601 1.00 20.01 C -ATOM 32 O ALA A 5 18.422 17.849 6.010 1.00 24.46 O -ATOM 33 CB ALA A 5 17.454 18.830 9.164 1.00 28.15 C -ATOM 34 N ASP A 6 16.050 17.799 6.298 1.00 21.19 N -ATOM 35 CA ASP A 6 15.881 16.887 5.120 1.00 23.14 C -ATOM 36 C ASP A 6 16.573 17.497 3.915 1.00 15.75 C -ATOM 37 O ASP A 6 17.240 16.611 3.235 1.00 18.92 O -ATOM 38 CB ASP A 6 14.530 16.515 4.983 1.00 18.68 C -ATOM 39 CG ASP A 6 13.966 15.638 6.125 1.00 21.70 C -ATOM 40 OD1 ASP A 6 14.573 14.751 6.678 1.00 19.76 O -ATOM 41 OD2 ASP A 6 12.734 15.931 6.321 1.00 21.26 O -ATOM 42 N LYS A 7 16.082 18.800 3.719 1.00 15.62 N -ATOM 43 CA LYS A 7 16.897 19.255 2.400 1.00 26.74 C -ATOM 44 C LYS A 7 18.354 19.319 2.072 1.00 24.82 C -ATOM 45 O LYS A 7 18.858 18.855 1.145 1.00 21.36 O -ATOM 46 CB LYS A 7 16.022 20.503 2.054 1.00 28.73 C -ATOM 47 CG LYS A 7 14.518 20.443 2.287 1.00 34.11 C -ATOM 48 CD LYS A 7 13.833 21.967 2.124 1.00 46.50 C -ATOM 49 CE LYS A 7 12.524 21.830 2.733 1.00 40.75 C -ATOM 50 NZ LYS A 7 12.310 23.286 2.231 1.00 50.05 N -ATOM 51 N THR A 8 18.879 19.583 3.554 1.00 20.80 N -ATOM 52 CA THR A 8 20.359 19.452 3.495 1.00 23.21 C -ATOM 53 C THR A 8 21.000 18.322 3.125 1.00 17.85 C -ATOM 54 O THR A 8 21.907 17.957 2.500 1.00 20.04 O -ATOM 55 CB THR A 8 20.762 20.269 4.939 1.00 31.90 C -ATOM 56 OG1 THR A 8 20.363 21.458 4.886 1.00 31.01 O -ATOM 57 CG2 THR A 8 22.026 20.115 4.978 1.00 43.78 C -ATOM 58 N ASN A 9 20.249 17.203 3.818 1.00 16.13 N -ATOM 59 CA ASN A 9 20.591 15.889 3.728 1.00 17.84 C -ATOM 60 C ASN A 9 20.630 15.286 2.184 1.00 14.45 C -ATOM 61 O ASN A 9 21.319 14.475 1.822 1.00 21.78 O -ATOM 62 CB ASN A 9 19.836 14.946 4.644 1.00 20.10 C -ATOM 63 CG ASN A 9 20.193 15.272 6.089 1.00 34.82 C -ATOM 64 OD1 ASN A 9 21.294 15.680 6.444 1.00 26.93 O -ATOM 65 ND2 ASN A 9 19.527 14.719 6.950 1.00 28.08 N -ATOM 66 N VAL A 10 19.435 15.546 1.583 1.00 19.64 N -ATOM 67 CA VAL A 10 19.157 15.110 0.179 1.00 13.04 C -ATOM 68 C VAL A 10 20.341 15.904 -0.719 1.00 18.71 C -ATOM 69 O VAL A 10 20.832 15.221 -1.618 1.00 22.34 O -ATOM 70 CB VAL A 10 17.776 15.394 -0.119 1.00 19.07 C -ATOM 71 CG1 VAL A 10 17.623 15.138 -1.549 1.00 21.59 C -ATOM 72 CG2 VAL A 10 16.816 14.756 0.575 1.00 22.75 C -ATOM 73 N LYS A 11 20.392 17.201 -0.404 1.00 18.31 N -ATOM 74 CA LYS A 11 21.297 18.030 -1.415 1.00 24.80 C -ATOM 75 C LYS A 11 22.762 17.451 -1.066 1.00 19.51 C -ATOM 76 O LYS A 11 23.584 17.190 -2.069 1.00 22.33 O -ATOM 77 CB LYS A 11 21.334 19.381 -1.059 1.00 39.77 C -ATOM 78 CG LYS A 11 20.229 20.052 -1.350 1.00 34.41 C -ATOM 79 CD LYS A 11 20.256 21.365 -1.389 1.00 46.95 C -ATOM 80 CE LYS A 11 18.633 21.891 -2.358 1.00 49.55 C -ATOM 81 NZ LYS A 11 18.398 23.088 -1.720 1.00 78.67 N -ATOM 82 N ALA A 12 23.031 16.766 0.069 1.00 20.60 N -ATOM 83 CA ALA A 12 24.347 16.671 -0.059 1.00 25.98 C -ATOM 84 C ALA A 12 24.529 15.278 -0.129 1.00 38.04 C -ATOM 85 O ALA A 12 25.505 14.711 -1.045 1.00 31.19 O -ATOM 86 CB ALA A 12 24.641 16.359 1.529 1.00 28.13 C -ATOM 87 N ALA A 13 23.581 14.281 -0.261 1.00 21.69 N -ATOM 88 CA ALA A 13 23.822 13.010 -0.701 1.00 19.11 C -ATOM 89 C ALA A 13 23.807 12.890 -2.423 1.00 22.93 C -ATOM 90 O ALA A 13 24.517 12.116 -2.938 1.00 24.98 O -ATOM 91 CB ALA A 13 22.612 12.109 -0.160 1.00 23.17 C -ATOM 92 N TRP A 14 22.807 13.763 -2.832 1.00 22.14 N -ATOM 93 CA TRP A 14 22.715 13.681 -4.311 1.00 21.27 C -ATOM 94 C TRP A 14 24.007 14.453 -5.015 1.00 28.97 C -ATOM 95 O TRP A 14 24.452 13.999 -6.086 1.00 27.61 O -ATOM 96 CB TRP A 14 21.129 14.484 -4.728 1.00 29.00 C -ATOM 97 CG TRP A 14 21.116 13.951 -5.830 1.00 25.79 C -ATOM 98 CD1 TRP A 14 21.182 14.904 -7.199 1.00 22.38 C -ATOM 99 CD2 TRP A 14 20.358 12.768 -6.306 1.00 20.46 C -ATOM 100 NE1 TRP A 14 20.545 13.886 -8.152 1.00 29.74 N -ATOM 101 CE2 TRP A 14 20.127 12.855 -7.917 1.00 27.75 C -ATOM 102 CE3 TRP A 14 19.993 11.556 -5.760 1.00 34.00 C -ATOM 103 CZ2 TRP A 14 19.685 11.924 -8.428 1.00 34.81 C -ATOM 104 CZ3 TRP A 14 19.443 10.605 -6.677 1.00 42.11 C -ATOM 105 CH2 TRP A 14 19.361 10.910 -7.988 1.00 47.54 C -ATOM 106 N GLY A 15 24.563 15.294 -4.064 1.00 40.92 N -ATOM 107 CA GLY A 15 25.545 16.032 -4.810 1.00 38.97 C -ATOM 108 C GLY A 15 26.606 14.720 -4.643 1.00 34.61 C -ATOM 109 O GLY A 15 27.532 14.956 -6.011 1.00 36.24 O -ATOM 110 N LYS A 16 27.023 14.192 -4.019 1.00 35.37 N -ATOM 111 CA LYS A 16 27.691 12.809 -3.990 1.00 29.09 C -ATOM 112 C LYS A 16 27.692 11.980 -5.322 1.00 27.28 C -ATOM 113 O LYS A 16 28.444 11.335 -5.752 1.00 36.62 O -ATOM 114 CB LYS A 16 27.773 11.881 -2.758 1.00 30.47 C -ATOM 115 CG LYS A 16 29.128 10.897 -2.949 1.00 47.02 C -ATOM 116 CD LYS A 16 30.512 12.265 -2.454 1.00 66.41 C -ATOM 117 CE LYS A 16 31.160 10.590 -3.127 1.00 65.00 C -ATOM 118 NZ LYS A 16 31.293 9.343 -2.468 1.00 69.28 N -ATOM 119 N VAL A 17 26.231 11.894 -5.716 1.00 40.63 N -ATOM 120 CA VAL A 17 25.763 11.093 -6.580 1.00 32.19 C -ATOM 121 C VAL A 17 26.644 11.417 -8.297 1.00 51.53 C -ATOM 122 O VAL A 17 27.090 10.850 -8.486 1.00 36.95 O -ATOM 123 CB VAL A 17 24.455 10.688 -6.704 1.00 24.77 C -ATOM 124 CG1 VAL A 17 24.024 10.418 -8.088 1.00 21.73 C -ATOM 125 CG2 VAL A 17 23.718 9.922 -5.546 1.00 23.90 C -ATOM 126 N GLY A 18 26.340 12.947 -7.963 1.00 36.07 N -ATOM 127 CA GLY A 18 27.063 13.723 -8.931 1.00 37.64 C -ATOM 128 C GLY A 18 26.574 12.969 -10.560 1.00 27.84 C -ATOM 129 O GLY A 18 25.253 13.110 -10.707 1.00 34.16 O -ATOM 130 N ALA A 19 27.657 12.515 -11.022 1.00 35.70 N -ATOM 131 CA ALA A 19 27.728 12.613 -12.429 1.00 37.59 C -ATOM 132 C ALA A 19 27.500 10.976 -12.552 1.00 34.69 C -ATOM 133 O ALA A 19 27.084 10.420 -13.842 1.00 48.59 O -ATOM 134 CB ALA A 19 29.012 12.664 -13.280 1.00 46.19 C -ATOM 135 N HIS A 20 27.156 10.119 -11.606 1.00 20.24 N -ATOM 136 CA HIS A 20 26.883 8.665 -11.713 1.00 19.03 C -ATOM 137 C HIS A 20 25.297 8.749 -11.742 1.00 17.82 C -ATOM 138 O HIS A 20 24.744 7.547 -11.745 1.00 20.59 O -ATOM 139 CB HIS A 20 27.211 8.007 -10.561 1.00 31.92 C -ATOM 140 CG HIS A 20 28.495 7.629 -10.284 1.00 45.35 C -ATOM 141 ND1 HIS A 20 29.488 7.023 -11.531 1.00 52.86 N -ATOM 142 CD2 HIS A 20 29.445 8.698 -9.743 1.00 43.12 C -ATOM 143 CE1 HIS A 20 30.546 7.246 -10.801 1.00 68.75 C -ATOM 144 NE2 HIS A 20 30.729 7.865 -10.003 1.00 55.89 N -ATOM 145 N ALA A 21 24.687 9.784 -11.799 1.00 29.55 N -ATOM 146 CA ALA A 21 23.159 9.917 -11.488 1.00 29.36 C -ATOM 147 C ALA A 21 22.579 8.284 -12.650 1.00 46.23 C -ATOM 148 O ALA A 21 21.659 8.109 -12.129 1.00 27.88 O -ATOM 149 CB ALA A 21 22.561 11.174 -11.335 1.00 28.64 C -ATOM 150 N GLY A 22 22.741 9.029 -13.713 1.00 27.74 N -ATOM 151 CA GLY A 22 22.302 7.955 -14.644 1.00 29.10 C -ATOM 152 C GLY A 22 22.405 6.768 -14.523 1.00 40.30 C -ATOM 153 O GLY A 22 21.884 5.714 -14.971 1.00 33.08 O -ATOM 154 N GLU A 23 23.751 6.163 -14.331 1.00 22.76 N -ATOM 155 CA GLU A 23 24.084 4.748 -14.144 1.00 14.60 C -ATOM 156 C GLU A 23 23.211 4.210 -12.893 1.00 13.41 C -ATOM 157 O GLU A 23 22.937 3.039 -12.842 1.00 16.24 O -ATOM 158 CB GLU A 23 25.664 4.939 -13.797 1.00 20.16 C -ATOM 159 CG GLU A 23 26.201 3.519 -13.776 1.00 40.65 C -ATOM 160 CD GLU A 23 28.243 3.900 -13.483 1.00 70.75 C -ATOM 161 OE1 GLU A 23 27.931 3.380 -11.875 1.00 57.57 O -ATOM 162 OE2 GLU A 23 28.452 5.212 -13.971 1.00 57.46 O -ATOM 163 N TYR A 24 23.179 5.044 -11.863 1.00 18.60 N -ATOM 164 CA TYR A 24 22.505 4.593 -10.679 1.00 26.35 C -ATOM 165 C TYR A 24 21.016 4.562 -11.095 1.00 17.67 C -ATOM 166 O TYR A 24 20.360 3.603 -10.478 1.00 17.15 O -ATOM 167 CB TYR A 24 22.464 5.807 -9.581 1.00 21.47 C -ATOM 168 CG TYR A 24 23.992 5.643 -8.868 1.00 17.94 C -ATOM 169 CD1 TYR A 24 24.282 6.445 -7.897 1.00 25.54 C -ATOM 170 CD2 TYR A 24 24.950 4.858 -9.353 1.00 18.41 C -ATOM 171 CE1 TYR A 24 25.677 6.369 -7.422 1.00 27.77 C -ATOM 172 CE2 TYR A 24 26.305 4.768 -8.960 1.00 24.84 C -ATOM 173 CZ TYR A 24 26.528 5.702 -7.748 1.00 28.92 C -ATOM 174 OH TYR A 24 27.827 5.849 -7.564 1.00 33.79 O -ATOM 175 N GLY A 25 20.378 5.478 -11.759 1.00 17.58 N -ATOM 176 CA GLY A 25 19.016 5.420 -12.390 1.00 16.95 C -ATOM 177 C GLY A 25 18.833 4.130 -12.941 1.00 12.93 C -ATOM 178 O GLY A 25 17.819 3.343 -12.872 1.00 14.53 O -ATOM 179 N ALA A 26 19.615 3.604 -13.915 1.00 15.78 N -ATOM 180 CA ALA A 26 19.582 2.579 -14.539 1.00 18.05 C -ATOM 181 C ALA A 26 19.480 1.089 -13.772 1.00 13.38 C -ATOM 182 O ALA A 26 18.901 0.084 -13.805 1.00 13.68 O -ATOM 183 CB ALA A 26 20.556 2.124 -15.501 1.00 21.17 C -ATOM 184 N GLU A 27 20.535 1.124 -12.715 1.00 13.26 N -ATOM 185 CA GLU A 27 20.575 0.021 -11.753 1.00 15.73 C -ATOM 186 C GLU A 27 19.308 -0.043 -10.886 1.00 9.69 C -ATOM 187 O GLU A 27 18.918 -1.164 -10.735 1.00 13.70 O -ATOM 188 CB GLU A 27 21.903 0.397 -10.962 1.00 17.47 C -ATOM 189 CG GLU A 27 21.998 -0.702 -9.888 1.00 16.72 C -ATOM 190 CD GLU A 27 23.378 -0.554 -8.914 1.00 28.34 C -ATOM 191 OE1 GLU A 27 23.164 -0.938 -7.844 1.00 20.53 O -ATOM 192 OE2 GLU A 27 24.282 0.068 -9.385 1.00 20.32 O -ATOM 193 N ALA A 28 18.802 1.101 -10.459 1.00 11.71 N -ATOM 194 CA ALA A 28 17.589 1.092 -9.707 1.00 14.08 C -ATOM 195 C ALA A 28 16.437 0.281 -10.410 1.00 18.50 C -ATOM 196 O ALA A 28 15.609 -0.358 -10.010 1.00 12.43 O -ATOM 197 CB ALA A 28 17.166 2.432 -9.252 1.00 19.09 C -ATOM 198 N LEU A 29 16.400 0.918 -11.698 1.00 12.19 N -ATOM 199 CA LEU A 29 15.328 0.075 -12.594 1.00 17.48 C -ATOM 200 C LEU A 29 15.559 -1.439 -12.734 1.00 9.74 C -ATOM 201 O LEU A 29 14.606 -2.189 -12.644 1.00 10.80 O -ATOM 202 CB LEU A 29 15.302 0.859 -14.203 1.00 12.13 C -ATOM 203 CG LEU A 29 14.894 2.291 -14.067 1.00 14.66 C -ATOM 204 CD1 LEU A 29 15.261 2.690 -15.515 1.00 16.80 C -ATOM 205 CD2 LEU A 29 13.402 2.225 -13.944 1.00 18.58 C -ATOM 206 N GLU A 30 16.843 -1.859 -13.083 1.00 9.20 N -ATOM 207 CA GLU A 30 17.065 -3.260 -13.067 1.00 11.66 C -ATOM 208 C GLU A 30 16.682 -4.043 -11.806 1.00 13.48 C -ATOM 209 O GLU A 30 16.222 -5.112 -11.842 1.00 17.00 O -ATOM 210 CB GLU A 30 18.445 -3.450 -13.556 1.00 19.11 C -ATOM 211 CG GLU A 30 18.613 -4.789 -13.421 1.00 27.23 C -ATOM 212 CD GLU A 30 20.397 -5.050 -14.290 1.00 43.77 C -ATOM 213 OE1 GLU A 30 21.034 -4.018 -14.191 1.00 45.21 O -ATOM 214 OE2 GLU A 30 20.320 -6.204 -14.925 1.00 45.13 O -ATOM 215 N ARG A 31 17.074 -3.325 -10.709 1.00 11.70 N -ATOM 216 CA ARG A 31 16.706 -3.885 -9.384 1.00 13.69 C -ATOM 217 C ARG A 31 15.116 -4.077 -9.266 1.00 13.95 C -ATOM 218 O ARG A 31 14.772 -5.201 -8.729 1.00 16.42 O -ATOM 219 CB ARG A 31 17.207 -3.143 -8.212 1.00 9.32 C -ATOM 220 CG ARG A 31 18.786 -3.298 -8.162 1.00 14.85 C -ATOM 221 CD ARG A 31 19.223 -2.383 -7.101 1.00 20.12 C -ATOM 222 NE ARG A 31 20.863 -2.372 -6.759 1.00 14.83 N -ATOM 223 CZ ARG A 31 21.361 -3.431 -6.210 1.00 13.22 C -ATOM 224 NH1 ARG A 31 20.746 -4.460 -5.716 1.00 11.40 N -ATOM 225 NH2 ARG A 31 22.719 -3.344 -6.301 1.00 17.34 N -ATOM 226 N MET A 32 14.439 -3.020 -9.681 1.00 11.37 N -ATOM 227 CA MET A 32 13.032 -3.139 -9.600 1.00 10.16 C -ATOM 228 C MET A 32 12.471 -4.206 -10.484 1.00 12.10 C -ATOM 229 O MET A 32 11.562 -5.027 -10.075 1.00 12.78 O -ATOM 230 CB MET A 32 12.387 -1.842 -9.978 1.00 12.48 C -ATOM 231 CG MET A 32 10.889 -1.620 -9.930 1.00 17.73 C -ATOM 232 SD MET A 32 10.285 -0.089 -10.543 1.00 15.12 S -ATOM 233 CE MET A 32 10.633 -0.449 -12.284 1.00 11.32 C -ATOM 234 N PHE A 33 12.859 -4.341 -11.658 1.00 13.98 N -ATOM 235 CA PHE A 33 12.423 -5.476 -12.584 1.00 16.07 C -ATOM 236 C PHE A 33 12.551 -6.737 -12.305 1.00 12.29 C -ATOM 237 O PHE A 33 11.788 -7.686 -12.349 1.00 14.84 O -ATOM 238 CB PHE A 33 12.947 -5.237 -13.990 1.00 11.16 C -ATOM 239 CG PHE A 33 12.536 -3.998 -14.641 1.00 10.01 C -ATOM 240 CD1 PHE A 33 11.466 -3.383 -14.673 1.00 13.62 C -ATOM 241 CD2 PHE A 33 13.679 -3.464 -15.536 1.00 19.46 C -ATOM 242 CE1 PHE A 33 11.074 -2.180 -15.483 1.00 17.65 C -ATOM 243 CE2 PHE A 33 13.177 -2.070 -16.087 1.00 14.83 C -ATOM 244 CZ PHE A 33 12.158 -1.591 -16.095 1.00 12.93 C -ATOM 245 N LEU A 34 13.735 -6.963 -11.432 1.00 16.04 N -ATOM 246 CA LEU A 34 14.079 -8.337 -11.022 1.00 14.57 C -ATOM 247 C LEU A 34 13.293 -8.578 -9.676 1.00 17.64 C -ATOM 248 O LEU A 34 12.997 -9.724 -9.442 1.00 18.98 O -ATOM 249 CB LEU A 34 15.453 -8.526 -10.814 1.00 18.08 C -ATOM 250 CG LEU A 34 16.401 -8.680 -11.761 1.00 28.60 C -ATOM 251 CD1 LEU A 34 17.957 -8.573 -11.703 1.00 25.37 C -ATOM 252 CD2 LEU A 34 15.936 -9.330 -12.871 1.00 34.83 C -ATOM 253 N SER A 35 13.220 -7.510 -8.706 1.00 15.41 N -ATOM 254 CA SER A 35 12.815 -7.908 -7.502 1.00 14.95 C -ATOM 255 C SER A 35 11.238 -7.909 -7.418 1.00 15.69 C -ATOM 256 O SER A 35 10.517 -8.531 -6.585 1.00 14.29 O -ATOM 257 CB SER A 35 13.131 -6.749 -6.442 1.00 13.14 C -ATOM 258 OG SER A 35 14.485 -7.014 -6.085 1.00 17.78 O -ATOM 259 N PHE A 36 10.680 -7.033 -8.262 1.00 13.54 N -ATOM 260 CA PHE A 36 9.195 -6.850 -8.454 1.00 13.46 C -ATOM 261 C PHE A 36 8.843 -6.910 -9.927 1.00 8.62 C -ATOM 262 O PHE A 36 8.478 -5.788 -10.556 1.00 14.12 O -ATOM 263 CB PHE A 36 8.936 -5.457 -7.919 1.00 16.50 C -ATOM 264 CG PHE A 36 9.418 -4.974 -6.493 1.00 13.63 C -ATOM 265 CD1 PHE A 36 10.591 -4.292 -6.329 1.00 11.92 C -ATOM 266 CD2 PHE A 36 8.828 -5.831 -5.362 1.00 19.28 C -ATOM 267 CE1 PHE A 36 11.048 -4.090 -5.054 1.00 15.75 C -ATOM 268 CE2 PHE A 36 9.372 -5.629 -4.112 1.00 13.78 C -ATOM 269 CZ PHE A 36 10.535 -4.872 -4.007 1.00 15.33 C -ATOM 270 N PRO A 37 8.621 -8.156 -10.145 1.00 14.18 N -ATOM 271 CA PRO A 37 8.292 -8.333 -11.715 1.00 17.12 C -ATOM 272 C PRO A 37 7.088 -7.804 -12.224 1.00 17.85 C -ATOM 273 O PRO A 37 6.976 -7.542 -13.453 1.00 18.50 O -ATOM 274 CB PRO A 37 8.433 -9.844 -11.897 1.00 23.37 C -ATOM 275 CG PRO A 37 8.573 -10.410 -10.572 1.00 28.27 C -ATOM 276 CD PRO A 37 8.857 -9.204 -9.532 1.00 20.43 C -ATOM 277 N THR A 38 6.105 -7.481 -11.322 1.00 18.86 N -ATOM 278 CA THR A 38 4.849 -6.949 -11.938 1.00 14.66 C -ATOM 279 C THR A 38 5.134 -5.609 -12.568 1.00 12.72 C -ATOM 280 O THR A 38 4.433 -5.064 -13.326 1.00 15.75 O -ATOM 281 CB THR A 38 3.879 -6.749 -10.732 1.00 19.10 C -ATOM 282 OG1 THR A 38 4.340 -6.112 -9.661 1.00 18.82 O -ATOM 283 CG2 THR A 38 3.543 -8.224 -10.416 1.00 22.69 C -ATOM 284 N THR A 39 6.269 -4.882 -12.154 1.00 14.27 N -ATOM 285 CA THR A 39 6.491 -3.556 -12.776 1.00 10.19 C -ATOM 286 C THR A 39 6.886 -3.690 -14.302 1.00 10.17 C -ATOM 287 O THR A 39 6.836 -2.719 -14.886 1.00 14.01 O -ATOM 288 CB THR A 39 7.510 -2.917 -11.996 1.00 15.56 C -ATOM 289 OG1 THR A 39 8.881 -3.562 -11.937 1.00 14.68 O -ATOM 290 CG2 THR A 39 7.258 -2.652 -10.511 1.00 20.52 C -ATOM 291 N LYS A 40 7.174 -4.831 -14.593 1.00 14.72 N -ATOM 292 CA LYS A 40 7.574 -4.871 -15.954 1.00 15.89 C -ATOM 293 C LYS A 40 6.392 -4.785 -17.012 1.00 21.37 C -ATOM 294 O LYS A 40 6.437 -4.614 -18.103 1.00 15.72 O -ATOM 295 CB LYS A 40 8.145 -6.482 -16.338 1.00 11.64 C -ATOM 296 CG LYS A 40 9.529 -6.584 -15.725 1.00 16.19 C -ATOM 297 CD LYS A 40 10.167 -7.889 -16.138 1.00 23.35 C -ATOM 298 CE LYS A 40 9.677 -9.033 -15.597 1.00 24.42 C -ATOM 299 NZ LYS A 40 10.352 -10.362 -15.922 1.00 19.04 N -ATOM 300 N THR A 41 5.127 -4.865 -16.397 1.00 13.16 N -ATOM 301 CA THR A 41 3.875 -4.707 -17.174 1.00 14.78 C -ATOM 302 C THR A 41 3.932 -3.487 -17.746 1.00 15.32 C -ATOM 303 O THR A 41 3.044 -3.054 -18.672 1.00 15.67 O -ATOM 304 CB THR A 41 2.612 -5.037 -16.228 1.00 15.38 C -ATOM 305 OG1 THR A 41 2.526 -4.071 -15.248 1.00 14.93 O -ATOM 306 CG2 THR A 41 2.578 -6.405 -15.884 1.00 16.57 C -ATOM 307 N TYR A 42 4.610 -2.356 -17.311 1.00 10.46 N -ATOM 308 CA TYR A 42 4.398 -1.015 -17.861 1.00 12.73 C -ATOM 309 C TYR A 42 5.571 -0.792 -19.101 1.00 7.07 C -ATOM 310 O TYR A 42 5.611 0.312 -19.642 1.00 12.11 O -ATOM 311 CB TYR A 42 4.898 -0.049 -16.794 1.00 14.67 C -ATOM 312 CG TYR A 42 3.618 0.026 -15.875 1.00 13.54 C -ATOM 313 CD1 TYR A 42 2.437 0.794 -16.095 1.00 19.68 C -ATOM 314 CD2 TYR A 42 3.661 -0.765 -14.634 1.00 18.38 C -ATOM 315 CE1 TYR A 42 1.433 0.570 -15.142 1.00 23.98 C -ATOM 316 CE2 TYR A 42 2.601 -0.739 -13.758 1.00 13.41 C -ATOM 317 CZ TYR A 42 1.469 -0.048 -14.033 1.00 18.96 C -ATOM 318 OH TYR A 42 0.436 -0.054 -13.115 1.00 19.81 O -ATOM 319 N PHE A 43 6.476 -1.826 -19.154 1.00 17.11 N -ATOM 320 CA PHE A 43 7.621 -1.843 -20.115 1.00 18.18 C -ATOM 321 C PHE A 43 7.472 -2.895 -21.133 1.00 24.86 C -ATOM 322 O PHE A 43 8.506 -3.413 -21.456 1.00 22.13 O -ATOM 323 CB PHE A 43 8.883 -1.731 -19.445 1.00 15.44 C -ATOM 324 CG PHE A 43 9.117 -0.406 -18.576 1.00 14.36 C -ATOM 325 CD1 PHE A 43 8.554 -0.479 -17.198 1.00 14.47 C -ATOM 326 CD2 PHE A 43 9.564 0.739 -18.886 1.00 16.54 C -ATOM 327 CE1 PHE A 43 8.777 0.624 -16.478 1.00 20.56 C -ATOM 328 CE2 PHE A 43 9.747 1.973 -18.107 1.00 17.61 C -ATOM 329 CZ PHE A 43 9.344 1.707 -16.778 1.00 18.88 C -ATOM 330 N PRO A 44 6.315 -3.239 -21.641 1.00 18.09 N -ATOM 331 CA PRO A 44 6.381 -4.414 -22.439 1.00 22.24 C -ATOM 332 C PRO A 44 7.028 -3.933 -24.077 1.00 24.15 C -ATOM 333 O PRO A 44 7.495 -4.754 -24.733 1.00 24.01 O -ATOM 334 CB PRO A 44 5.048 -4.531 -22.752 1.00 28.44 C -ATOM 335 CG PRO A 44 4.370 -3.210 -22.675 1.00 24.77 C -ATOM 336 CD PRO A 44 5.151 -2.594 -21.501 1.00 21.37 C -ATOM 337 N HIS A 45 7.181 -2.759 -24.200 1.00 22.61 N -ATOM 338 CA HIS A 45 7.861 -2.190 -25.416 1.00 32.33 C -ATOM 339 C HIS A 45 9.330 -2.042 -25.421 1.00 27.50 C -ATOM 340 O HIS A 45 9.974 -1.539 -26.257 1.00 22.34 O -ATOM 341 CB HIS A 45 7.358 -0.919 -25.693 1.00 28.91 C -ATOM 342 CG HIS A 45 7.192 0.375 -24.801 1.00 24.48 C -ATOM 343 ND1 HIS A 45 6.886 -0.058 -23.407 1.00 28.61 N -ATOM 344 CD2 HIS A 45 7.956 1.463 -24.795 1.00 25.11 C -ATOM 345 CE1 HIS A 45 7.011 1.085 -22.716 1.00 26.97 C -ATOM 346 NE2 HIS A 45 7.765 2.042 -23.628 1.00 30.40 N -ATOM 347 N PHE A 46 10.122 -2.386 -24.054 1.00 17.28 N -ATOM 348 CA PHE A 46 11.455 -2.262 -23.909 1.00 16.89 C -ATOM 349 C PHE A 46 12.005 -3.636 -24.127 1.00 16.17 C -ATOM 350 O PHE A 46 11.604 -4.686 -23.635 1.00 18.14 O -ATOM 351 CB PHE A 46 11.684 -1.700 -22.434 1.00 19.02 C -ATOM 352 CG PHE A 46 11.699 -0.399 -22.451 1.00 24.73 C -ATOM 353 CD1 PHE A 46 12.430 0.377 -21.434 1.00 19.60 C -ATOM 354 CD2 PHE A 46 11.298 0.412 -23.118 1.00 32.07 C -ATOM 355 CE1 PHE A 46 12.410 1.666 -21.260 1.00 16.62 C -ATOM 356 CE2 PHE A 46 11.265 1.969 -23.113 1.00 32.95 C -ATOM 357 CZ PHE A 46 11.777 2.738 -22.175 1.00 26.82 C -ATOM 358 N ASP A 47 13.392 -3.464 -24.534 1.00 19.28 N -ATOM 359 CA ASP A 47 14.201 -4.676 -24.267 1.00 21.11 C -ATOM 360 C ASP A 47 14.839 -4.498 -22.659 1.00 19.86 C -ATOM 361 O ASP A 47 15.431 -3.489 -22.547 1.00 21.26 O -ATOM 362 CB ASP A 47 15.523 -4.420 -25.240 1.00 18.49 C -ATOM 363 CG ASP A 47 16.401 -5.761 -25.037 1.00 31.25 C -ATOM 364 OD1 ASP A 47 16.311 -6.607 -24.275 1.00 29.75 O -ATOM 365 OD2 ASP A 47 17.439 -5.328 -25.588 1.00 43.41 O -ATOM 366 N LEU A 48 14.368 -5.324 -22.041 1.00 24.03 N -ATOM 367 CA LEU A 48 14.753 -5.341 -20.734 1.00 18.27 C -ATOM 368 C LEU A 48 15.791 -6.404 -20.198 1.00 36.02 C -ATOM 369 O LEU A 48 16.171 -6.209 -19.141 1.00 39.74 O -ATOM 370 CB LEU A 48 13.415 -5.610 -19.721 1.00 19.69 C -ATOM 371 CG LEU A 48 12.489 -4.486 -19.789 1.00 21.82 C -ATOM 372 CD1 LEU A 48 11.174 -5.208 -18.951 1.00 33.27 C -ATOM 373 CD2 LEU A 48 12.620 -3.262 -19.549 1.00 24.10 C -ATOM 374 N SER A 49 16.783 -6.499 -21.225 1.00 29.95 N -ATOM 375 CA SER A 49 18.122 -7.384 -21.060 1.00 36.57 C -ATOM 376 C SER A 49 18.846 -6.374 -20.277 1.00 27.84 C -ATOM 377 O SER A 49 19.000 -5.086 -20.358 1.00 22.88 O -ATOM 378 CB SER A 49 18.154 -8.122 -22.211 1.00 37.22 C -ATOM 379 OG SER A 49 18.651 -7.428 -22.904 1.00 43.53 O -ATOM 380 N HIS A 50 19.910 -7.126 -19.381 1.00 28.70 N -ATOM 381 CA HIS A 50 20.458 -5.929 -18.816 1.00 33.73 C -ATOM 382 C HIS A 50 21.497 -5.179 -19.493 1.00 26.32 C -ATOM 383 O HIS A 50 22.162 -5.918 -20.594 1.00 31.00 O -ATOM 384 CB HIS A 50 21.839 -7.147 -17.996 1.00 52.72 C -ATOM 385 CG HIS A 50 22.748 -6.326 -17.477 1.00 44.40 C -ATOM 386 ND1 HIS A 50 22.626 -5.701 -16.215 1.00 33.80 N -ATOM 387 CD2 HIS A 50 24.218 -6.937 -17.247 1.00 47.43 C -ATOM 388 CE1 HIS A 50 23.812 -5.042 -15.891 1.00 41.56 C -ATOM 389 NE2 HIS A 50 24.721 -5.696 -16.698 1.00 46.05 N -ATOM 390 N GLY A 51 21.750 -4.254 -19.494 1.00 24.77 N -ATOM 391 CA GLY A 51 22.455 -3.151 -20.084 1.00 47.57 C -ATOM 392 C GLY A 51 21.857 -2.536 -21.373 1.00 38.90 C -ATOM 393 O GLY A 51 22.594 -2.038 -22.085 1.00 36.29 O -ATOM 394 N SER A 52 20.675 -3.017 -21.484 1.00 31.32 N -ATOM 395 CA SER A 52 19.963 -2.196 -22.851 1.00 26.23 C -ATOM 396 C SER A 52 20.134 -0.997 -22.782 1.00 16.57 C -ATOM 397 O SER A 52 19.933 -0.129 -21.983 1.00 20.02 O -ATOM 398 CB SER A 52 18.619 -2.881 -22.964 1.00 27.24 C -ATOM 399 OG SER A 52 17.746 -2.046 -22.388 1.00 23.82 O -ATOM 400 N ALA A 53 20.194 -0.382 -24.103 1.00 17.74 N -ATOM 401 CA ALA A 53 20.270 0.998 -24.154 1.00 23.86 C -ATOM 402 C ALA A 53 18.923 1.773 -23.848 1.00 16.18 C -ATOM 403 O ALA A 53 18.953 2.849 -23.330 1.00 19.42 O -ATOM 404 CB ALA A 53 20.303 1.395 -25.787 1.00 25.47 C -ATOM 405 N GLN A 54 17.736 0.981 -23.874 1.00 20.85 N -ATOM 406 CA GLN A 54 16.512 1.657 -23.573 1.00 13.59 C -ATOM 407 C GLN A 54 16.574 1.828 -21.914 1.00 19.26 C -ATOM 408 O GLN A 54 15.942 2.867 -21.609 1.00 20.48 O -ATOM 409 CB GLN A 54 15.353 0.611 -23.904 1.00 15.39 C -ATOM 410 CG GLN A 54 14.983 0.803 -25.364 1.00 20.40 C -ATOM 411 CD GLN A 54 14.209 -0.311 -25.782 1.00 15.48 C -ATOM 412 OE1 GLN A 54 14.579 -1.521 -25.849 1.00 23.45 O -ATOM 413 NE2 GLN A 54 13.268 -0.063 -26.856 1.00 19.86 N -ATOM 414 N VAL A 55 16.964 0.770 -21.300 1.00 16.87 N -ATOM 415 CA VAL A 55 17.057 0.967 -19.825 1.00 16.48 C -ATOM 416 C VAL A 55 17.956 2.003 -19.318 1.00 17.36 C -ATOM 417 O VAL A 55 17.791 2.873 -18.570 1.00 18.40 O -ATOM 418 CB VAL A 55 17.306 -0.514 -19.268 1.00 14.78 C -ATOM 419 CG1 VAL A 55 17.609 -0.401 -17.796 1.00 21.77 C -ATOM 420 CG2 VAL A 55 16.107 -1.297 -19.446 1.00 16.83 C -ATOM 421 N LYS A 56 19.228 1.986 -19.953 1.00 16.43 N -ATOM 422 CA LYS A 56 20.094 3.039 -19.797 1.00 16.52 C -ATOM 423 C LYS A 56 19.566 4.272 -19.699 1.00 21.58 C -ATOM 424 O LYS A 56 19.825 5.350 -19.163 1.00 20.11 O -ATOM 425 CB LYS A 56 21.563 2.786 -20.316 1.00 18.35 C -ATOM 426 CG LYS A 56 21.968 1.412 -19.848 1.00 28.49 C -ATOM 427 CD LYS A 56 23.832 1.798 -20.631 1.00 44.71 C -ATOM 428 CE LYS A 56 24.647 0.185 -20.276 1.00 47.65 C -ATOM 429 NZ LYS A 56 26.042 0.618 -20.926 1.00 52.31 N -ATOM 430 N GLY A 57 19.018 4.549 -21.123 1.00 17.21 N -ATOM 431 CA GLY A 57 18.386 5.829 -21.439 1.00 25.10 C -ATOM 432 C GLY A 57 17.163 6.322 -20.441 1.00 19.44 C -ATOM 433 O GLY A 57 17.339 7.478 -20.078 1.00 20.54 O -ATOM 434 N HIS A 58 16.465 5.322 -20.170 1.00 18.79 N -ATOM 435 CA HIS A 58 15.350 5.701 -19.218 1.00 20.27 C -ATOM 436 C HIS A 58 15.995 6.080 -17.623 1.00 13.51 C -ATOM 437 O HIS A 58 15.432 7.056 -17.182 1.00 17.47 O -ATOM 438 CB HIS A 58 14.449 4.447 -19.262 1.00 17.90 C -ATOM 439 CG HIS A 58 13.058 4.996 -18.478 1.00 15.76 C -ATOM 440 ND1 HIS A 58 12.287 6.114 -18.800 1.00 20.40 N -ATOM 441 CD2 HIS A 58 12.522 4.394 -17.450 1.00 20.31 C -ATOM 442 CE1 HIS A 58 11.473 6.092 -17.719 1.00 20.13 C -ATOM 443 NE2 HIS A 58 11.497 5.103 -17.065 1.00 21.08 N -ATOM 444 N GLY A 59 16.881 5.222 -17.443 1.00 14.95 N -ATOM 445 CA GLY A 59 17.562 5.623 -16.096 1.00 18.11 C -ATOM 446 C GLY A 59 18.124 6.806 -15.942 1.00 19.85 C -ATOM 447 O GLY A 59 17.932 7.718 -15.003 1.00 15.36 O -ATOM 448 N LYS A 60 18.701 7.399 -17.074 1.00 17.17 N -ATOM 449 CA LYS A 60 19.105 8.846 -17.109 1.00 18.34 C -ATOM 450 C LYS A 60 18.266 9.905 -16.940 1.00 18.03 C -ATOM 451 O LYS A 60 18.249 10.847 -16.377 1.00 18.72 O -ATOM 452 CB LYS A 60 20.142 9.096 -18.402 1.00 30.65 C -ATOM 453 CG LYS A 60 20.617 10.355 -18.546 1.00 41.57 C -ATOM 454 CD LYS A 60 21.486 10.272 -19.721 1.00 63.44 C -ATOM 455 CE LYS A 60 22.042 12.123 -19.760 1.00 44.10 C -ATOM 456 NZ LYS A 60 23.253 10.931 -21.838 1.00 49.08 N -ATOM 457 N LYS A 61 17.057 9.480 -17.740 1.00 16.33 N -ATOM 458 CA LYS A 61 15.986 10.442 -17.612 1.00 17.87 C -ATOM 459 C LYS A 61 15.127 10.479 -16.158 1.00 14.89 C -ATOM 460 O LYS A 61 14.981 11.608 -15.829 1.00 19.71 O -ATOM 461 CB LYS A 61 14.717 10.033 -18.529 1.00 25.67 C -ATOM 462 CG LYS A 61 14.971 10.361 -20.143 1.00 41.04 C -ATOM 463 CD LYS A 61 13.959 9.646 -21.043 1.00 54.25 C -ATOM 464 CE LYS A 61 14.061 9.666 -21.851 1.00 78.95 C -ATOM 465 NZ LYS A 61 13.029 9.011 -23.092 1.00 43.58 N -ATOM 466 N VAL A 62 15.316 9.304 -15.709 1.00 15.10 N -ATOM 467 CA VAL A 62 14.699 9.322 -14.234 1.00 16.18 C -ATOM 468 C VAL A 62 15.686 10.200 -13.093 1.00 18.93 C -ATOM 469 O VAL A 62 15.095 11.051 -12.555 1.00 16.64 O -ATOM 470 CB VAL A 62 14.660 7.890 -13.835 1.00 13.59 C -ATOM 471 CG1 VAL A 62 14.141 7.704 -12.419 1.00 20.28 C -ATOM 472 CG2 VAL A 62 13.407 7.365 -14.552 1.00 17.24 C -ATOM 473 N ALA A 63 16.863 9.822 -13.546 1.00 18.60 N -ATOM 474 CA ALA A 63 17.806 10.661 -12.634 1.00 14.91 C -ATOM 475 C ALA A 63 18.050 11.967 -12.922 1.00 18.47 C -ATOM 476 O ALA A 63 17.940 12.889 -11.976 1.00 18.58 O -ATOM 477 CB ALA A 63 19.170 9.768 -12.782 1.00 37.76 C -ATOM 478 N ASP A 64 17.821 12.573 -14.198 1.00 16.80 N -ATOM 479 CA ASP A 64 17.733 13.912 -14.174 1.00 24.74 C -ATOM 480 C ASP A 64 16.549 14.773 -13.697 1.00 17.12 C -ATOM 481 O ASP A 64 16.672 15.717 -13.116 1.00 22.08 O -ATOM 482 CB ASP A 64 17.603 14.212 -15.737 1.00 35.97 C -ATOM 483 CG ASP A 64 19.349 14.293 -16.612 1.00 31.06 C -ATOM 484 OD1 ASP A 64 20.156 13.672 -15.497 1.00 35.72 O -ATOM 485 OD2 ASP A 64 18.977 14.172 -17.839 1.00 43.58 O -ATOM 486 N ALA A 65 15.332 13.912 -13.869 1.00 13.28 N -ATOM 487 CA ALA A 65 14.329 14.415 -13.017 1.00 17.27 C -ATOM 488 C ALA A 65 14.445 14.482 -11.415 1.00 13.03 C -ATOM 489 O ALA A 65 13.989 15.536 -11.013 1.00 17.77 O -ATOM 490 CB ALA A 65 12.982 13.578 -13.361 1.00 23.35 C -ATOM 491 N LEU A 66 15.162 13.498 -11.063 1.00 15.51 N -ATOM 492 CA LEU A 66 15.339 13.706 -9.605 1.00 11.63 C -ATOM 493 C LEU A 66 16.337 14.754 -9.333 1.00 19.15 C -ATOM 494 O LEU A 66 16.146 15.585 -8.334 1.00 19.52 O -ATOM 495 CB LEU A 66 15.829 12.371 -9.144 1.00 13.76 C -ATOM 496 CG LEU A 66 14.823 11.115 -8.963 1.00 19.82 C -ATOM 497 CD1 LEU A 66 15.489 9.880 -8.746 1.00 18.79 C -ATOM 498 CD2 LEU A 66 13.658 11.434 -8.143 1.00 21.54 C -ATOM 499 N THR A 67 17.286 14.890 -10.137 1.00 15.35 N -ATOM 500 CA THR A 67 18.223 15.978 -10.096 1.00 19.22 C -ATOM 501 C THR A 67 17.538 17.420 -10.103 1.00 19.35 C -ATOM 502 O THR A 67 17.647 18.426 -9.135 1.00 25.50 O -ATOM 503 CB THR A 67 19.391 15.815 -10.975 1.00 27.92 C -ATOM 504 OG1 THR A 67 20.048 14.951 -10.890 1.00 31.77 O -ATOM 505 CG2 THR A 67 20.007 17.263 -11.105 1.00 31.55 C -ATOM 506 N ASN A 68 16.575 17.470 -11.016 1.00 18.73 N -ATOM 507 CA ASN A 68 15.744 18.747 -11.028 1.00 18.68 C -ATOM 508 C ASN A 68 14.923 18.912 -9.894 1.00 24.52 C -ATOM 509 O ASN A 68 14.765 20.137 -9.247 1.00 25.75 O -ATOM 510 CB ASN A 68 14.756 18.608 -12.121 1.00 25.79 C -ATOM 511 CG ASN A 68 13.735 19.831 -12.299 1.00 36.65 C -ATOM 512 OD1 ASN A 68 14.126 20.875 -12.151 1.00 38.63 O -ATOM 513 ND2 ASN A 68 12.596 19.698 -13.037 1.00 39.67 N -ATOM 514 N ALA A 69 14.365 17.791 -9.099 1.00 17.85 N -ATOM 515 CA ALA A 69 13.480 18.120 -7.964 1.00 16.12 C -ATOM 516 C ALA A 69 14.454 18.477 -6.733 1.00 15.28 C -ATOM 517 O ALA A 69 14.055 19.178 -5.996 1.00 20.90 O -ATOM 518 CB ALA A 69 13.019 16.796 -7.635 1.00 21.91 C -ATOM 519 N VAL A 70 15.742 17.807 -6.739 1.00 18.42 N -ATOM 520 CA VAL A 70 16.670 18.320 -5.560 1.00 18.79 C -ATOM 521 C VAL A 70 17.052 19.774 -5.743 1.00 21.40 C -ATOM 522 O VAL A 70 16.986 20.472 -4.749 1.00 22.44 O -ATOM 523 CB VAL A 70 17.782 17.521 -5.616 1.00 19.75 C -ATOM 524 CG1 VAL A 70 19.021 17.739 -4.714 1.00 24.49 C -ATOM 525 CG2 VAL A 70 17.476 16.043 -5.206 1.00 30.23 C -ATOM 526 N ALA A 71 17.156 20.293 -6.971 1.00 20.17 N -ATOM 527 CA ALA A 71 17.389 21.815 -7.308 1.00 23.56 C -ATOM 528 C ALA A 71 16.370 22.294 -6.912 1.00 25.98 C -ATOM 529 O ALA A 71 16.635 23.655 -6.511 1.00 33.09 O -ATOM 530 CB ALA A 71 17.654 21.789 -8.655 1.00 32.78 C -ATOM 531 N HIS A 72 15.081 22.080 -6.888 1.00 23.78 N -ATOM 532 CA HIS A 72 13.997 22.837 -6.617 1.00 21.95 C -ATOM 533 C HIS A 72 13.181 22.411 -5.617 1.00 20.17 C -ATOM 534 O HIS A 72 11.897 22.212 -5.613 1.00 23.99 O -ATOM 535 CB HIS A 72 12.821 22.953 -7.947 1.00 35.07 C -ATOM 536 CG HIS A 72 13.866 23.277 -8.689 1.00 34.89 C -ATOM 537 ND1 HIS A 72 13.873 24.932 -9.510 1.00 43.74 N -ATOM 538 CD2 HIS A 72 14.464 23.117 -10.031 1.00 29.96 C -ATOM 539 CE1 HIS A 72 15.153 25.255 -9.959 1.00 41.69 C -ATOM 540 NE2 HIS A 72 15.223 24.225 -10.948 1.00 44.85 N -ATOM 541 N VAL A 73 13.752 21.857 -4.446 1.00 23.31 N -ATOM 542 CA VAL A 73 13.057 21.077 -3.315 1.00 23.32 C -ATOM 543 C VAL A 73 12.075 21.651 -2.904 1.00 32.07 C -ATOM 544 O VAL A 73 10.955 21.485 -2.533 1.00 42.18 O -ATOM 545 CB VAL A 73 13.998 20.556 -2.485 1.00 41.19 C -ATOM 546 CG1 VAL A 73 14.923 21.399 -1.795 1.00 52.76 C -ATOM 547 CG2 VAL A 73 13.799 19.262 -2.036 1.00 47.91 C -ATOM 548 N ASP A 74 12.275 23.065 -2.789 1.00 30.40 N -ATOM 549 CA ASP A 74 11.145 24.002 -2.142 1.00 34.95 C -ATOM 550 C ASP A 74 10.049 24.015 -3.350 1.00 50.97 C -ATOM 551 O ASP A 74 9.132 24.778 -2.717 1.00 49.62 O -ATOM 552 CB ASP A 74 11.678 25.422 -2.020 1.00 42.77 C -ATOM 553 CG ASP A 74 12.830 25.304 -0.645 1.00 52.01 C -ATOM 554 OD1 ASP A 74 12.752 24.865 0.015 1.00 49.67 O -ATOM 555 OD2 ASP A 74 14.337 25.661 -0.918 1.00 51.46 O -ATOM 556 N ASP A 75 9.922 23.915 -4.261 1.00 36.55 N -ATOM 557 CA ASP A 75 8.668 23.936 -5.208 1.00 36.46 C -ATOM 558 C ASP A 75 8.874 22.788 -6.315 1.00 19.07 C -ATOM 559 O ASP A 75 8.567 23.036 -7.581 1.00 22.77 O -ATOM 560 CB ASP A 75 9.451 25.163 -6.540 1.00 64.13 C -ATOM 561 CG ASP A 75 8.868 25.436 -6.330 1.00 74.46 C -ATOM 562 OD1 ASP A 75 7.314 26.337 -6.605 1.00 47.43 O -ATOM 563 OD2 ASP A 75 8.881 25.994 -8.289 1.00 60.83 O -ATOM 564 N MET A 76 8.625 21.775 -5.634 1.00 28.83 N -ATOM 565 CA MET A 76 8.674 20.530 -6.647 1.00 25.75 C -ATOM 566 C MET A 76 7.271 20.288 -7.401 1.00 26.47 C -ATOM 567 O MET A 76 7.358 19.996 -8.579 1.00 25.06 O -ATOM 568 CB MET A 76 8.643 19.305 -5.552 1.00 26.87 C -ATOM 569 CG MET A 76 9.740 19.092 -5.553 1.00 44.91 C -ATOM 570 SD MET A 76 10.207 17.317 -4.716 1.00 43.69 S -ATOM 571 CE MET A 76 10.186 17.272 -3.278 1.00 47.45 C -ATOM 572 N PRO A 77 6.289 20.734 -6.858 1.00 24.72 N -ATOM 573 CA PRO A 77 5.288 21.011 -7.720 1.00 32.25 C -ATOM 574 C PRO A 77 5.404 21.500 -8.895 1.00 33.71 C -ATOM 575 O PRO A 77 4.843 20.983 -10.107 1.00 27.50 O -ATOM 576 CB PRO A 77 3.868 21.504 -6.885 1.00 35.42 C -ATOM 577 CG PRO A 77 4.538 21.027 -5.570 1.00 42.65 C -ATOM 578 CD PRO A 77 5.873 20.979 -5.490 1.00 26.77 C -ATOM 579 N ASN A 78 5.832 22.745 -9.066 1.00 28.71 N -ATOM 580 CA ASN A 78 5.931 23.542 -10.146 1.00 29.25 C -ATOM 581 C ASN A 78 7.105 22.960 -10.923 1.00 25.30 C -ATOM 582 O ASN A 78 7.043 22.562 -12.258 1.00 31.49 O -ATOM 583 CB ASN A 78 6.292 25.075 -10.189 1.00 52.85 C -ATOM 584 CG ASN A 78 5.615 25.627 -10.060 1.00 62.76 C -ATOM 585 OD1 ASN A 78 4.765 26.184 -8.258 1.00 71.55 O -ATOM 586 ND2 ASN A 78 4.594 25.811 -10.486 1.00 72.60 N -ATOM 587 N ALA A 79 8.114 22.456 -10.315 1.00 21.06 N -ATOM 588 CA ALA A 79 9.264 21.897 -10.989 1.00 28.88 C -ATOM 589 C ALA A 79 8.963 20.522 -11.944 1.00 27.69 C -ATOM 590 O ALA A 79 9.465 20.431 -13.022 1.00 25.51 O -ATOM 591 CB ALA A 79 10.294 21.701 -10.105 1.00 35.64 C -ATOM 592 N LEU A 80 8.232 19.781 -11.312 1.00 22.21 N -ATOM 593 CA LEU A 80 7.767 18.341 -11.815 1.00 24.91 C -ATOM 594 C LEU A 80 6.510 18.562 -12.698 1.00 29.49 C -ATOM 595 O LEU A 80 5.875 17.479 -12.950 1.00 21.47 O -ATOM 596 CB LEU A 80 7.734 17.285 -10.765 1.00 17.03 C -ATOM 597 CG LEU A 80 9.126 17.077 -10.078 1.00 26.04 C -ATOM 598 CD1 LEU A 80 8.930 16.109 -9.016 1.00 30.97 C -ATOM 599 CD2 LEU A 80 10.040 16.545 -11.282 1.00 40.31 C -ATOM 600 N SER A 81 5.857 19.827 -12.942 1.00 21.07 N -ATOM 601 CA SER A 81 4.431 19.687 -13.335 1.00 18.09 C -ATOM 602 C SER A 81 4.363 19.087 -14.671 1.00 20.48 C -ATOM 603 O SER A 81 3.314 18.257 -14.890 1.00 25.77 O -ATOM 604 CB SER A 81 4.467 21.619 -13.861 1.00 32.64 C -ATOM 605 OG SER A 81 2.994 21.456 -13.913 1.00 44.30 O -ATOM 606 N ALA A 82 5.219 18.957 -15.594 1.00 23.80 N -ATOM 607 CA ALA A 82 5.295 18.397 -16.849 1.00 21.23 C -ATOM 608 C ALA A 82 5.047 16.984 -16.596 1.00 19.91 C -ATOM 609 O ALA A 82 4.419 16.133 -17.266 1.00 24.36 O -ATOM 610 CB ALA A 82 6.433 18.664 -17.830 1.00 22.94 C -ATOM 611 N LEU A 83 6.039 16.444 -15.755 1.00 18.35 N -ATOM 612 CA LEU A 83 5.983 14.900 -15.664 1.00 19.01 C -ATOM 613 C LEU A 83 4.967 14.491 -14.735 1.00 18.91 C -ATOM 614 O LEU A 83 4.393 13.347 -14.967 1.00 18.17 O -ATOM 615 CB LEU A 83 7.250 14.624 -14.735 1.00 22.27 C -ATOM 616 CG LEU A 83 8.130 13.821 -15.009 1.00 34.66 C -ATOM 617 CD1 LEU A 83 8.449 13.918 -16.558 1.00 28.24 C -ATOM 618 CD2 LEU A 83 9.756 14.153 -14.680 1.00 38.79 C -ATOM 619 N SER A 84 4.321 15.210 -13.869 1.00 13.22 N -ATOM 620 CA SER A 84 3.091 14.769 -13.309 1.00 14.54 C -ATOM 621 C SER A 84 1.806 14.643 -14.240 1.00 13.50 C -ATOM 622 O SER A 84 1.081 13.802 -14.037 1.00 20.19 O -ATOM 623 CB SER A 84 2.316 15.701 -11.953 1.00 25.45 C -ATOM 624 OG SER A 84 3.028 16.684 -12.075 1.00 36.19 O -ATOM 625 N ASP A 85 1.894 15.645 -15.194 1.00 15.99 N -ATOM 626 CA ASP A 85 0.657 15.457 -16.246 1.00 18.10 C -ATOM 627 C ASP A 85 0.872 14.320 -17.117 1.00 20.71 C -ATOM 628 O ASP A 85 0.085 13.524 -17.249 1.00 20.01 O -ATOM 629 CB ASP A 85 0.847 16.636 -17.207 1.00 30.89 C -ATOM 630 CG ASP A 85 0.240 17.791 -16.350 1.00 57.00 C -ATOM 631 OD1 ASP A 85 -0.408 17.890 -15.984 1.00 51.34 O -ATOM 632 OD2 ASP A 85 0.645 19.250 -17.189 1.00 50.68 O -ATOM 633 N LEU A 86 2.217 13.883 -17.444 1.00 20.13 N -ATOM 634 CA LEU A 86 2.516 12.802 -18.225 1.00 17.03 C -ATOM 635 C LEU A 86 2.094 11.499 -17.604 1.00 14.48 C -ATOM 636 O LEU A 86 1.613 10.536 -18.155 1.00 18.46 O -ATOM 637 CB LEU A 86 4.085 12.859 -18.555 1.00 16.01 C -ATOM 638 CG LEU A 86 4.479 11.856 -19.204 1.00 23.66 C -ATOM 639 CD1 LEU A 86 4.217 11.927 -20.682 1.00 40.43 C -ATOM 640 CD2 LEU A 86 6.063 11.399 -19.455 1.00 33.72 C -ATOM 641 N HIS A 87 2.488 11.534 -16.185 1.00 12.17 N -ATOM 642 CA HIS A 87 2.237 10.125 -15.649 1.00 12.85 C -ATOM 643 C HIS A 87 0.524 10.055 -15.280 1.00 15.39 C -ATOM 644 O HIS A 87 0.114 8.957 -15.394 1.00 15.03 O -ATOM 645 CB HIS A 87 2.873 10.043 -14.177 1.00 13.63 C -ATOM 646 CG HIS A 87 4.357 9.531 -14.510 1.00 14.91 C -ATOM 647 ND1 HIS A 87 5.315 10.638 -14.847 1.00 15.35 N -ATOM 648 CD2 HIS A 87 5.128 8.461 -14.450 1.00 17.85 C -ATOM 649 CE1 HIS A 87 6.425 9.938 -15.110 1.00 15.29 C -ATOM 650 NE2 HIS A 87 6.410 8.672 -14.776 1.00 15.64 N -ATOM 651 N ALA A 88 0.070 11.240 -15.092 1.00 19.56 N -ATOM 652 CA ALA A 88 -1.450 11.245 -14.731 1.00 16.45 C -ATOM 653 C ALA A 88 -2.307 10.782 -16.164 1.00 28.29 C -ATOM 654 O ALA A 88 -3.217 10.321 -15.884 1.00 25.27 O -ATOM 655 CB ALA A 88 -1.985 12.408 -13.954 1.00 17.34 C -ATOM 656 N HIS A 89 -1.856 11.542 -17.115 1.00 21.56 N -ATOM 657 CA HIS A 89 -2.652 11.471 -18.284 1.00 29.42 C -ATOM 658 C HIS A 89 -2.430 10.590 -19.375 1.00 27.17 C -ATOM 659 O HIS A 89 -3.237 9.974 -20.183 1.00 22.35 O -ATOM 660 CB HIS A 89 -2.855 12.836 -18.839 1.00 26.26 C -ATOM 661 CG HIS A 89 -3.474 13.775 -17.933 1.00 44.45 C -ATOM 662 ND1 HIS A 89 -4.582 13.545 -17.082 1.00 45.59 N -ATOM 663 CD2 HIS A 89 -3.036 15.133 -17.376 1.00 45.61 C -ATOM 664 CE1 HIS A 89 -4.931 14.373 -15.965 1.00 42.72 C -ATOM 665 NE2 HIS A 89 -3.969 15.212 -16.507 1.00 43.49 N -ATOM 666 N LYS A 90 -1.237 10.085 -19.553 1.00 18.65 N -ATOM 667 CA LYS A 90 -0.701 9.212 -20.311 1.00 28.92 C -ATOM 668 C LYS A 90 -0.235 7.836 -20.094 1.00 28.09 C -ATOM 669 O LYS A 90 -0.814 6.865 -20.213 1.00 25.04 O -ATOM 670 CB LYS A 90 0.483 9.973 -21.248 1.00 32.47 C -ATOM 671 CG LYS A 90 -0.258 11.271 -22.102 1.00 49.97 C -ATOM 672 CD LYS A 90 -1.161 11.150 -22.865 1.00 58.54 C -ATOM 673 CE LYS A 90 -0.717 12.584 -23.928 1.00 66.22 C -ATOM 674 NZ LYS A 90 -3.148 11.648 -24.501 1.00 63.54 N -ATOM 675 N LEU A 91 0.684 7.834 -19.083 1.00 17.50 N -ATOM 676 CA LEU A 91 1.357 6.678 -18.728 1.00 15.47 C -ATOM 677 C LEU A 91 0.469 5.814 -17.729 1.00 18.54 C -ATOM 678 O LEU A 91 0.360 4.623 -17.933 1.00 17.03 O -ATOM 679 CB LEU A 91 2.810 6.867 -17.956 1.00 13.84 C -ATOM 680 CG LEU A 91 3.828 7.564 -18.848 1.00 16.01 C -ATOM 681 CD1 LEU A 91 4.943 7.934 -18.256 1.00 18.27 C -ATOM 682 CD2 LEU A 91 3.998 6.811 -20.081 1.00 22.12 C -ATOM 683 N ARG A 92 -0.013 6.544 -16.785 1.00 18.03 N -ATOM 684 CA ARG A 92 -1.120 5.962 -15.831 1.00 14.41 C -ATOM 685 C ARG A 92 -0.663 4.876 -15.136 1.00 15.84 C -ATOM 686 O ARG A 92 -1.280 3.746 -14.964 1.00 17.92 O -ATOM 687 CB ARG A 92 -2.457 5.762 -16.768 1.00 18.61 C -ATOM 688 CG ARG A 92 -3.108 6.901 -17.068 1.00 25.14 C -ATOM 689 CD ARG A 92 -3.735 6.578 -19.206 1.00 53.25 C -ATOM 690 NE ARG A 92 -4.375 7.010 -18.108 1.00 51.61 N -ATOM 691 CZ ARG A 92 -5.273 6.721 -20.498 1.00 59.18 C -ATOM 692 NH1 ARG A 92 -4.092 6.059 -21.138 1.00 31.30 N -ATOM 693 NH2 ARG A 92 -6.080 6.715 -20.222 1.00 36.70 N -ATOM 694 N VAL A 93 0.444 4.876 -14.510 1.00 14.32 N -ATOM 695 CA VAL A 93 1.119 3.933 -13.665 1.00 16.19 C -ATOM 696 C VAL A 93 0.472 3.844 -12.448 1.00 13.83 C -ATOM 697 O VAL A 93 0.272 4.879 -11.643 1.00 14.88 O -ATOM 698 CB VAL A 93 2.564 4.273 -13.453 1.00 12.60 C -ATOM 699 CG1 VAL A 93 3.153 3.301 -12.513 1.00 15.68 C -ATOM 700 CG2 VAL A 93 3.314 4.342 -14.815 1.00 15.91 C -ATOM 701 N ASP A 94 0.015 2.696 -11.867 1.00 14.66 N -ATOM 702 CA ASP A 94 -0.813 2.633 -10.611 1.00 11.73 C -ATOM 703 C ASP A 94 0.271 3.244 -9.468 1.00 12.54 C -ATOM 704 O ASP A 94 1.339 2.859 -9.516 1.00 16.42 O -ATOM 705 CB ASP A 94 -1.010 1.197 -10.262 1.00 12.92 C -ATOM 706 CG ASP A 94 -1.972 1.228 -9.080 1.00 22.91 C -ATOM 707 OD1 ASP A 94 -3.187 1.146 -9.201 1.00 22.17 O -ATOM 708 OD2 ASP A 94 -1.457 1.316 -7.935 1.00 19.01 O -ATOM 709 N PRO A 95 -0.249 3.901 -8.527 1.00 16.46 N -ATOM 710 CA PRO A 95 0.567 4.636 -7.596 1.00 14.67 C -ATOM 711 C PRO A 95 1.260 3.622 -6.816 1.00 17.74 C -ATOM 712 O PRO A 95 2.400 4.046 -6.219 1.00 22.38 O -ATOM 713 CB PRO A 95 -0.368 5.238 -6.654 1.00 22.16 C -ATOM 714 CG PRO A 95 -1.377 5.777 -7.565 1.00 21.38 C -ATOM 715 CD PRO A 95 -1.576 4.623 -8.536 1.00 20.78 C -ATOM 716 N VAL A 96 0.927 2.374 -6.618 1.00 13.01 N -ATOM 717 CA VAL A 96 1.730 1.539 -5.762 1.00 11.93 C -ATOM 718 C VAL A 96 3.098 1.350 -6.142 1.00 21.27 C -ATOM 719 O VAL A 96 4.069 1.031 -5.537 1.00 16.07 O -ATOM 720 CB VAL A 96 0.857 0.099 -5.620 1.00 29.83 C -ATOM 721 CG1 VAL A 96 0.923 -0.687 -6.401 1.00 48.43 C -ATOM 722 CG2 VAL A 96 1.322 -0.240 -4.779 1.00 70.91 C -ATOM 723 N ASN A 97 3.269 1.470 -7.559 1.00 15.63 N -ATOM 724 CA ASN A 97 4.615 1.047 -8.098 1.00 10.10 C -ATOM 725 C ASN A 97 5.675 2.262 -7.895 1.00 4.91 C -ATOM 726 O ASN A 97 6.828 1.839 -7.860 1.00 9.67 O -ATOM 727 CB ASN A 97 4.581 0.892 -9.670 1.00 13.43 C -ATOM 728 CG ASN A 97 3.716 -0.282 -9.938 1.00 17.91 C -ATOM 729 OD1 ASN A 97 4.086 -1.378 -9.937 1.00 10.92 O -ATOM 730 ND2 ASN A 97 2.339 0.119 -10.294 1.00 21.96 N -ATOM 731 N PHE A 98 5.251 3.390 -7.458 1.00 9.20 N -ATOM 732 CA PHE A 98 6.132 4.482 -7.110 1.00 12.10 C -ATOM 733 C PHE A 98 6.958 4.075 -5.773 1.00 12.02 C -ATOM 734 O PHE A 98 8.240 4.323 -5.676 1.00 11.50 O -ATOM 735 CB PHE A 98 5.590 5.923 -6.936 1.00 16.66 C -ATOM 736 CG PHE A 98 5.051 6.336 -8.208 1.00 14.23 C -ATOM 737 CD1 PHE A 98 5.894 7.220 -8.806 1.00 16.70 C -ATOM 738 CD2 PHE A 98 3.842 5.962 -8.759 1.00 12.76 C -ATOM 739 CE1 PHE A 98 5.529 7.688 -9.904 1.00 23.57 C -ATOM 740 CE2 PHE A 98 3.513 6.440 -10.107 1.00 15.74 C -ATOM 741 CZ PHE A 98 4.374 7.231 -10.516 1.00 17.50 C -ATOM 742 N LYS A 99 6.362 3.356 -4.846 1.00 13.69 N -ATOM 743 CA LYS A 99 7.109 2.770 -3.687 1.00 13.57 C -ATOM 744 C LYS A 99 7.912 1.744 -3.941 1.00 14.35 C -ATOM 745 O LYS A 99 9.044 1.864 -3.350 1.00 13.29 O -ATOM 746 CB LYS A 99 5.909 2.378 -2.665 1.00 22.01 C -ATOM 747 CG LYS A 99 5.016 2.967 -2.454 1.00 54.35 C -ATOM 748 CD LYS A 99 4.488 3.000 -1.609 1.00 72.56 C -ATOM 749 CE LYS A 99 2.959 1.795 -1.600 1.00 73.99 C -ATOM 750 NZ LYS A 99 1.741 2.896 -0.134 1.00 80.12 N -ATOM 751 N LEU A 100 7.785 1.013 -5.037 1.00 9.89 N -ATOM 752 CA LEU A 100 8.665 -0.028 -5.354 1.00 8.80 C -ATOM 753 C LEU A 100 9.884 0.546 -6.019 1.00 9.28 C -ATOM 754 O LEU A 100 11.014 0.165 -5.616 1.00 12.09 O -ATOM 755 CB LEU A 100 8.009 -1.084 -6.185 1.00 11.00 C -ATOM 756 CG LEU A 100 6.724 -1.520 -5.691 1.00 16.83 C -ATOM 757 CD1 LEU A 100 6.069 -2.688 -6.703 1.00 20.94 C -ATOM 758 CD2 LEU A 100 7.065 -2.491 -4.548 1.00 18.49 C -ATOM 759 N LEU A 101 9.812 1.484 -6.927 1.00 8.39 N -ATOM 760 CA LEU A 101 10.986 2.076 -7.511 1.00 10.30 C -ATOM 761 C LEU A 101 11.701 2.979 -6.551 1.00 14.49 C -ATOM 762 O LEU A 101 12.986 2.948 -6.333 1.00 16.14 O -ATOM 763 CB LEU A 101 10.485 2.971 -8.570 1.00 11.44 C -ATOM 764 CG LEU A 101 11.708 3.704 -9.282 1.00 15.06 C -ATOM 765 CD1 LEU A 101 12.805 2.937 -9.771 1.00 17.72 C -ATOM 766 CD2 LEU A 101 11.060 4.651 -10.427 1.00 19.38 C -ATOM 767 N SER A 102 11.019 3.662 -5.475 1.00 15.17 N -ATOM 768 CA SER A 102 11.653 4.426 -4.454 1.00 9.19 C -ATOM 769 C SER A 102 12.577 3.423 -3.620 1.00 9.91 C -ATOM 770 O SER A 102 13.768 3.831 -3.267 1.00 14.07 O -ATOM 771 CB SER A 102 10.597 5.003 -3.570 1.00 12.36 C -ATOM 772 OG SER A 102 9.919 6.079 -4.248 1.00 16.52 O -ATOM 773 N HIS A 103 12.034 2.275 -3.168 1.00 12.27 N -ATOM 774 CA HIS A 103 12.685 1.217 -2.471 1.00 10.16 C -ATOM 775 C HIS A 103 14.063 1.009 -3.068 1.00 13.13 C -ATOM 776 O HIS A 103 15.226 0.862 -2.602 1.00 13.37 O -ATOM 777 CB HIS A 103 11.949 0.073 -2.013 1.00 12.31 C -ATOM 778 CG HIS A 103 12.674 -1.002 -1.380 1.00 10.33 C -ATOM 779 ND1 HIS A 103 12.899 -2.229 -2.007 1.00 10.01 N -ATOM 780 CD2 HIS A 103 13.318 -0.937 -0.179 1.00 9.56 C -ATOM 781 CE1 HIS A 103 13.687 -2.798 -1.043 1.00 12.63 C -ATOM 782 NE2 HIS A 103 14.053 -2.093 0.083 1.00 10.77 N -ATOM 783 N CYS A 104 13.914 0.657 -4.439 1.00 11.06 N -ATOM 784 CA CYS A 104 15.233 0.205 -5.307 1.00 11.72 C -ATOM 785 C CYS A 104 16.049 1.418 -5.518 1.00 9.58 C -ATOM 786 O CYS A 104 17.228 1.081 -5.567 1.00 14.10 O -ATOM 787 CB CYS A 104 14.671 -0.439 -6.552 1.00 16.81 C -ATOM 788 SG CYS A 104 13.797 -1.958 -6.414 1.00 14.76 S -ATOM 789 N LEU A 105 15.618 2.594 -5.516 1.00 7.99 N -ATOM 790 CA LEU A 105 16.723 3.634 -5.593 1.00 10.43 C -ATOM 791 C LEU A 105 17.448 3.890 -4.202 1.00 11.96 C -ATOM 792 O LEU A 105 18.594 3.985 -4.326 1.00 15.19 O -ATOM 793 CB LEU A 105 15.765 4.895 -6.092 1.00 16.93 C -ATOM 794 CG LEU A 105 15.765 5.438 -7.260 1.00 44.57 C -ATOM 795 CD1 LEU A 105 14.641 6.498 -7.442 1.00 40.98 C -ATOM 796 CD2 LEU A 105 16.687 5.564 -8.008 1.00 33.21 C -ATOM 797 N LEU A 106 16.617 3.676 -3.143 1.00 10.40 N -ATOM 798 CA LEU A 106 17.322 3.635 -1.869 1.00 15.02 C -ATOM 799 C LEU A 106 18.190 2.641 -1.668 1.00 13.79 C -ATOM 800 O LEU A 106 19.481 2.857 -1.263 1.00 13.12 O -ATOM 801 CB LEU A 106 16.241 3.634 -0.757 1.00 16.59 C -ATOM 802 CG LEU A 106 15.821 4.348 0.036 1.00 26.87 C -ATOM 803 CD1 LEU A 106 14.832 4.036 0.973 1.00 28.01 C -ATOM 804 CD2 LEU A 106 16.399 5.824 0.153 1.00 18.73 C -ATOM 805 N VAL A 107 18.054 1.391 -2.126 1.00 9.58 N -ATOM 806 CA VAL A 107 18.953 0.372 -2.172 1.00 10.69 C -ATOM 807 C VAL A 107 20.116 0.640 -3.008 1.00 12.39 C -ATOM 808 O VAL A 107 21.316 0.322 -2.651 1.00 13.09 O -ATOM 809 CB VAL A 107 18.301 -0.968 -2.671 1.00 14.48 C -ATOM 810 CG1 VAL A 107 19.286 -1.955 -2.913 1.00 19.64 C -ATOM 811 CG2 VAL A 107 17.236 -1.532 -1.566 1.00 13.81 C -ATOM 812 N THR A 108 19.963 1.288 -4.127 1.00 12.66 N -ATOM 813 CA THR A 108 21.110 1.595 -5.027 1.00 11.04 C -ATOM 814 C THR A 108 21.986 2.516 -4.350 1.00 11.25 C -ATOM 815 O THR A 108 23.209 2.402 -4.407 1.00 13.68 O -ATOM 816 CB THR A 108 20.373 2.089 -6.467 1.00 8.55 C -ATOM 817 OG1 THR A 108 19.740 1.009 -7.110 1.00 9.51 O -ATOM 818 CG2 THR A 108 21.547 2.322 -7.342 1.00 15.85 C -ATOM 819 N LEU A 109 21.371 3.638 -3.771 1.00 11.20 N -ATOM 820 CA LEU A 109 22.189 4.682 -3.080 1.00 12.61 C -ATOM 821 C LEU A 109 23.015 3.976 -1.882 1.00 16.09 C -ATOM 822 O LEU A 109 24.210 4.291 -1.739 1.00 14.60 O -ATOM 823 CB LEU A 109 21.280 5.707 -2.657 1.00 17.08 C -ATOM 824 CG LEU A 109 20.748 6.795 -3.713 1.00 24.50 C -ATOM 825 CD1 LEU A 109 19.679 7.424 -3.306 1.00 22.52 C -ATOM 826 CD2 LEU A 109 21.379 6.943 -4.782 1.00 32.08 C -ATOM 827 N ALA A 110 22.243 3.090 -1.228 1.00 13.55 N -ATOM 828 CA ALA A 110 22.985 2.551 -0.107 1.00 19.86 C -ATOM 829 C ALA A 110 24.128 1.797 -0.396 1.00 18.59 C -ATOM 830 O ALA A 110 25.285 1.654 0.094 1.00 14.76 O -ATOM 831 CB ALA A 110 21.957 1.572 0.573 1.00 17.34 C -ATOM 832 N ALA A 111 24.211 0.998 -1.558 1.00 15.15 N -ATOM 833 CA ALA A 111 25.062 0.161 -2.216 1.00 13.42 C -ATOM 834 C ALA A 111 26.376 1.017 -2.643 1.00 16.84 C -ATOM 835 O ALA A 111 27.331 0.420 -2.883 1.00 21.50 O -ATOM 836 CB ALA A 111 24.726 -0.813 -3.252 1.00 16.85 C -ATOM 837 N HIS A 112 26.089 2.220 -3.063 1.00 17.71 N -ATOM 838 CA HIS A 112 27.174 3.032 -3.686 1.00 25.83 C -ATOM 839 C HIS A 112 27.556 4.174 -2.656 1.00 21.86 C -ATOM 840 O HIS A 112 28.710 4.609 -3.162 1.00 23.07 O -ATOM 841 CB HIS A 112 26.642 3.736 -5.093 1.00 17.12 C -ATOM 842 CG HIS A 112 26.500 2.730 -6.083 1.00 18.91 C -ATOM 843 ND1 HIS A 112 27.696 2.669 -6.792 1.00 20.25 N -ATOM 844 CD2 HIS A 112 25.457 2.082 -6.643 1.00 13.97 C -ATOM 845 CE1 HIS A 112 27.065 1.572 -7.791 1.00 16.16 C -ATOM 846 NE2 HIS A 112 25.728 1.142 -7.624 1.00 16.17 N -ATOM 847 N LEU A 113 26.962 4.473 -1.633 1.00 16.18 N -ATOM 848 CA LEU A 113 27.430 5.708 -0.856 1.00 18.52 C -ATOM 849 C LEU A 113 27.676 5.161 0.490 1.00 15.09 C -ATOM 850 O LEU A 113 26.991 5.652 1.418 1.00 22.00 O -ATOM 851 CB LEU A 113 26.385 6.569 -0.567 1.00 26.60 C -ATOM 852 CG LEU A 113 25.991 7.546 -1.915 1.00 26.91 C -ATOM 853 CD1 LEU A 113 25.025 8.844 -1.799 1.00 38.78 C -ATOM 854 CD2 LEU A 113 27.117 7.882 -2.870 1.00 35.29 C -ATOM 855 N PRO A 114 28.523 4.242 0.795 1.00 18.92 N -ATOM 856 CA PRO A 114 28.714 3.528 2.218 1.00 24.61 C -ATOM 857 C PRO A 114 29.102 4.799 3.218 1.00 23.92 C -ATOM 858 O PRO A 114 28.415 4.826 4.106 1.00 21.99 O -ATOM 859 CB PRO A 114 30.033 2.940 1.849 1.00 23.94 C -ATOM 860 CG PRO A 114 30.698 3.344 0.612 1.00 18.92 C -ATOM 861 CD PRO A 114 29.469 3.904 -0.168 1.00 16.59 C -ATOM 862 N ALA A 115 29.794 5.877 2.767 1.00 18.42 N -ATOM 863 CA ALA A 115 30.159 6.863 3.921 1.00 21.98 C -ATOM 864 C ALA A 115 28.895 7.716 4.285 1.00 22.41 C -ATOM 865 O ALA A 115 28.703 8.192 5.284 1.00 22.94 O -ATOM 866 CB ALA A 115 31.247 7.657 3.369 1.00 30.20 C -ATOM 867 N GLU A 116 28.136 8.035 3.290 1.00 15.58 N -ATOM 868 CA GLU A 116 27.073 9.160 3.429 1.00 17.43 C -ATOM 869 C GLU A 116 25.648 8.548 3.788 1.00 15.97 C -ATOM 870 O GLU A 116 24.768 9.367 4.171 1.00 23.49 O -ATOM 871 CB GLU A 116 26.875 9.750 1.910 1.00 21.21 C -ATOM 872 CG GLU A 116 27.948 10.674 1.482 1.00 24.18 C -ATOM 873 CD GLU A 116 28.950 9.665 0.967 1.00 26.12 C -ATOM 874 OE1 GLU A 116 28.992 8.438 0.543 1.00 28.16 O -ATOM 875 OE2 GLU A 116 30.132 10.301 0.462 1.00 33.82 O -ATOM 876 N PHE A 117 25.414 7.310 3.661 1.00 16.62 N -ATOM 877 CA PHE A 117 24.245 6.614 3.985 1.00 14.17 C -ATOM 878 C PHE A 117 23.918 6.335 5.559 1.00 17.74 C -ATOM 879 O PHE A 117 23.649 5.222 5.819 1.00 19.92 O -ATOM 880 CB PHE A 117 23.936 5.421 3.086 1.00 12.47 C -ATOM 881 CG PHE A 117 22.448 4.906 2.825 1.00 9.61 C -ATOM 882 CD1 PHE A 117 21.681 5.713 2.037 1.00 15.09 C -ATOM 883 CD2 PHE A 117 22.071 3.807 3.568 1.00 15.73 C -ATOM 884 CE1 PHE A 117 20.396 5.197 1.858 1.00 17.90 C -ATOM 885 CE2 PHE A 117 20.593 3.448 3.517 1.00 23.05 C -ATOM 886 CZ PHE A 117 19.914 4.171 2.606 1.00 14.00 C -ATOM 887 N THR A 118 23.856 7.434 6.252 1.00 11.56 N -ATOM 888 CA THR A 118 23.660 7.280 7.655 1.00 10.93 C -ATOM 889 C THR A 118 22.259 6.982 7.820 1.00 15.34 C -ATOM 890 O THR A 118 21.447 7.435 7.051 1.00 14.33 O -ATOM 891 CB THR A 118 23.982 8.621 8.138 1.00 22.78 C -ATOM 892 OG1 THR A 118 23.375 9.780 7.827 1.00 25.00 O -ATOM 893 CG2 THR A 118 25.586 8.842 8.226 1.00 25.00 C -ATOM 894 N PRO A 119 21.833 6.884 9.086 1.00 16.93 N -ATOM 895 CA PRO A 119 20.398 6.708 9.436 1.00 7.97 C -ATOM 896 C PRO A 119 19.633 7.821 9.121 1.00 9.71 C -ATOM 897 O PRO A 119 18.484 7.899 8.632 1.00 13.14 O -ATOM 898 CB PRO A 119 20.352 6.336 10.909 1.00 15.02 C -ATOM 899 CG PRO A 119 21.556 5.500 11.105 1.00 20.08 C -ATOM 900 CD PRO A 119 22.686 6.188 10.125 1.00 23.85 C -ATOM 901 N ALA A 120 20.184 9.026 9.484 1.00 18.30 N -ATOM 902 CA ALA A 120 19.624 10.215 9.304 1.00 20.48 C -ATOM 903 C ALA A 120 19.441 10.650 7.769 1.00 11.11 C -ATOM 904 O ALA A 120 18.342 11.025 7.255 1.00 14.90 O -ATOM 905 CB ALA A 120 20.042 11.527 10.014 1.00 21.25 C -ATOM 906 N VAL A 121 20.278 10.312 7.027 1.00 15.02 N -ATOM 907 CA VAL A 121 20.243 10.488 5.614 1.00 11.64 C -ATOM 908 C VAL A 121 19.214 9.526 4.899 1.00 13.80 C -ATOM 909 O VAL A 121 18.469 9.919 4.066 1.00 15.60 O -ATOM 910 CB VAL A 121 21.606 10.473 4.939 1.00 16.28 C -ATOM 911 CG1 VAL A 121 21.595 10.524 3.309 1.00 17.80 C -ATOM 912 CG2 VAL A 121 22.496 11.659 5.330 1.00 19.30 C -ATOM 913 N HIS A 122 19.312 8.350 5.306 1.00 15.45 N -ATOM 914 CA HIS A 122 18.254 7.136 4.913 1.00 11.57 C -ATOM 915 C HIS A 122 16.950 7.952 5.022 1.00 13.88 C -ATOM 916 O HIS A 122 16.085 7.716 4.230 1.00 13.87 O -ATOM 917 CB HIS A 122 18.754 5.950 5.667 1.00 12.36 C -ATOM 918 CG HIS A 122 17.848 4.887 5.471 1.00 15.49 C -ATOM 919 ND1 HIS A 122 18.318 3.588 6.013 1.00 14.41 N -ATOM 920 CD2 HIS A 122 16.770 4.643 4.716 1.00 16.00 C -ATOM 921 CE1 HIS A 122 17.238 2.617 5.530 1.00 20.76 C -ATOM 922 NE2 HIS A 122 16.304 3.230 4.756 1.00 17.17 N -ATOM 923 N ALA A 123 16.659 8.268 6.248 1.00 12.31 N -ATOM 924 CA ALA A 123 15.409 8.791 6.637 1.00 12.34 C -ATOM 925 C ALA A 123 14.961 9.969 5.694 1.00 12.36 C -ATOM 926 O ALA A 123 13.756 10.012 5.125 1.00 16.22 O -ATOM 927 CB ALA A 123 15.295 9.229 8.074 1.00 18.20 C -ATOM 928 N SER A 124 15.970 10.909 5.411 1.00 11.72 N -ATOM 929 CA SER A 124 15.641 12.024 4.678 1.00 15.71 C -ATOM 930 C SER A 124 15.409 11.594 3.146 1.00 11.97 C -ATOM 931 O SER A 124 14.491 12.176 2.530 1.00 13.78 O -ATOM 932 CB SER A 124 16.719 13.075 4.649 1.00 17.31 C -ATOM 933 OG SER A 124 16.856 13.618 5.975 1.00 19.36 O -ATOM 934 N LEU A 125 16.244 10.663 2.745 1.00 11.45 N -ATOM 935 CA LEU A 125 16.012 10.336 1.348 1.00 9.77 C -ATOM 936 C LEU A 125 14.814 9.607 1.165 1.00 13.87 C -ATOM 937 O LEU A 125 14.134 9.697 0.072 1.00 12.03 O -ATOM 938 CB LEU A 125 17.131 9.446 0.945 1.00 14.61 C -ATOM 939 CG LEU A 125 18.555 9.965 0.565 1.00 15.39 C -ATOM 940 CD1 LEU A 125 19.590 8.976 0.528 1.00 26.84 C -ATOM 941 CD2 LEU A 125 18.455 10.851 -0.577 1.00 19.46 C -ATOM 942 N ASP A 126 14.277 8.735 2.034 1.00 13.89 N -ATOM 943 CA ASP A 126 13.042 7.997 2.040 1.00 14.28 C -ATOM 944 C ASP A 126 11.977 8.930 1.898 1.00 13.60 C -ATOM 945 O ASP A 126 10.911 8.959 1.188 1.00 12.25 O -ATOM 946 CB ASP A 126 12.901 7.025 3.127 1.00 9.77 C -ATOM 947 CG ASP A 126 11.751 5.958 3.086 1.00 17.51 C -ATOM 948 OD1 ASP A 126 11.597 5.517 1.933 1.00 22.67 O -ATOM 949 OD2 ASP A 126 10.812 6.013 3.738 1.00 20.83 O -ATOM 950 N LYS A 127 11.945 10.077 2.732 1.00 11.87 N -ATOM 951 CA LYS A 127 11.051 11.143 2.756 1.00 11.94 C -ATOM 952 C LYS A 127 11.080 11.794 1.382 1.00 16.34 C -ATOM 953 O LYS A 127 9.925 12.173 0.922 1.00 15.26 O -ATOM 954 CB LYS A 127 11.131 11.830 4.210 1.00 27.23 C -ATOM 955 CG LYS A 127 10.719 12.405 4.298 1.00 41.38 C -ATOM 956 CD LYS A 127 10.893 12.716 6.240 1.00 22.35 C -ATOM 957 CE LYS A 127 10.245 13.990 6.093 1.00 24.85 C -ATOM 958 NZ LYS A 127 10.431 14.893 7.319 1.00 27.43 N -ATOM 959 N PHE A 128 12.109 12.155 0.978 1.00 9.60 N -ATOM 960 CA PHE A 128 12.219 12.896 -0.315 1.00 9.45 C -ATOM 961 C PHE A 128 11.648 12.055 -1.437 1.00 11.35 C -ATOM 962 O PHE A 128 10.825 12.624 -2.222 1.00 13.72 O -ATOM 963 CB PHE A 128 13.691 13.118 -0.597 1.00 10.04 C -ATOM 964 CG PHE A 128 13.845 13.645 -2.016 1.00 12.71 C -ATOM 965 CD1 PHE A 128 13.433 15.022 -2.350 1.00 22.47 C -ATOM 966 CD2 PHE A 128 14.442 12.953 -2.821 1.00 15.10 C -ATOM 967 CE1 PHE A 128 13.646 15.369 -3.684 1.00 21.90 C -ATOM 968 CE2 PHE A 128 15.006 13.229 -4.197 1.00 24.41 C -ATOM 969 CZ PHE A 128 14.491 14.511 -4.397 1.00 19.00 C -ATOM 970 N LEU A 129 11.863 10.701 -1.438 1.00 10.92 N -ATOM 971 CA LEU A 129 11.247 9.983 -2.588 1.00 8.59 C -ATOM 972 C LEU A 129 9.888 9.762 -2.445 1.00 15.58 C -ATOM 973 O LEU A 129 9.123 9.780 -3.420 1.00 12.33 O -ATOM 974 CB LEU A 129 11.971 8.639 -2.709 1.00 11.08 C -ATOM 975 CG LEU A 129 13.553 8.574 -3.067 1.00 16.43 C -ATOM 976 CD1 LEU A 129 14.162 7.385 -2.920 1.00 21.21 C -ATOM 977 CD2 LEU A 129 13.509 9.197 -4.648 1.00 24.11 C -ATOM 978 N ALA A 130 9.315 9.777 -1.285 1.00 13.59 N -ATOM 979 CA ALA A 130 7.861 9.751 -0.992 1.00 12.80 C -ATOM 980 C ALA A 130 7.198 11.000 -1.487 1.00 13.10 C -ATOM 981 O ALA A 130 6.124 11.123 -2.087 1.00 16.72 O -ATOM 982 CB ALA A 130 7.566 9.549 0.507 1.00 11.70 C -ATOM 983 N SER A 131 7.929 12.205 -1.316 1.00 12.15 N -ATOM 984 CA SER A 131 7.318 13.421 -1.788 1.00 17.97 C -ATOM 985 C SER A 131 7.403 13.484 -3.383 1.00 14.23 C -ATOM 986 O SER A 131 6.313 14.078 -3.819 1.00 17.89 O -ATOM 987 CB SER A 131 8.230 14.652 -1.217 1.00 19.09 C -ATOM 988 OG SER A 131 7.985 14.599 -0.027 1.00 34.89 O -ATOM 989 N VAL A 132 8.509 13.092 -3.817 1.00 11.02 N -ATOM 990 CA VAL A 132 8.474 13.187 -5.332 1.00 13.44 C -ATOM 991 C VAL A 132 7.379 12.239 -5.739 1.00 13.26 C -ATOM 992 O VAL A 132 6.574 12.766 -6.727 1.00 14.28 O -ATOM 993 CB VAL A 132 9.676 12.669 -5.775 1.00 17.47 C -ATOM 994 CG1 VAL A 132 9.886 12.366 -7.268 1.00 23.96 C -ATOM 995 CG2 VAL A 132 10.893 13.605 -5.556 1.00 15.24 C -ATOM 996 N SER A 133 7.084 11.034 -5.279 1.00 11.44 N -ATOM 997 CA SER A 133 6.003 10.145 -5.616 1.00 14.28 C -ATOM 998 C SER A 133 4.653 10.824 -5.346 1.00 22.70 C -ATOM 999 O SER A 133 3.857 10.661 -6.312 1.00 18.73 O -ATOM 1000 CB SER A 133 6.206 8.913 -4.797 1.00 14.07 C -ATOM 1001 OG SER A 133 7.326 8.157 -5.136 1.00 16.41 O -ATOM 1002 N THR A 134 4.415 11.603 -4.390 1.00 14.75 N -ATOM 1003 CA THR A 134 3.185 12.188 -4.293 1.00 11.93 C -ATOM 1004 C THR A 134 3.018 13.180 -5.135 1.00 12.33 C -ATOM 1005 O THR A 134 1.906 13.411 -5.657 1.00 15.87 O -ATOM 1006 CB THR A 134 3.337 12.691 -2.840 1.00 23.98 C -ATOM 1007 OG1 THR A 134 3.226 11.963 -1.926 1.00 24.65 O -ATOM 1008 CG2 THR A 134 2.127 13.740 -2.527 1.00 35.48 C -ATOM 1009 N VAL A 135 3.914 14.063 -5.633 1.00 16.85 N -ATOM 1010 CA VAL A 135 3.773 15.122 -6.561 1.00 15.02 C -ATOM 1011 C VAL A 135 3.692 14.401 -7.901 1.00 18.49 C -ATOM 1012 O VAL A 135 2.676 14.854 -8.623 1.00 17.84 O -ATOM 1013 CB VAL A 135 5.097 16.044 -6.643 1.00 21.41 C -ATOM 1014 CG1 VAL A 135 5.125 16.829 -7.908 1.00 28.88 C -ATOM 1015 CG2 VAL A 135 5.265 16.767 -5.381 1.00 18.54 C -ATOM 1016 N LEU A 136 4.254 13.322 -8.291 1.00 15.13 N -ATOM 1017 CA LEU A 136 3.951 12.616 -9.538 1.00 14.14 C -ATOM 1018 C LEU A 136 2.480 12.083 -9.717 1.00 16.82 C -ATOM 1019 O LEU A 136 2.071 11.725 -10.914 1.00 16.56 O -ATOM 1020 CB LEU A 136 5.082 11.671 -9.878 1.00 19.05 C -ATOM 1021 CG LEU A 136 6.468 12.174 -10.486 1.00 19.99 C -ATOM 1022 CD1 LEU A 136 7.357 11.046 -10.401 1.00 23.33 C -ATOM 1023 CD2 LEU A 136 6.502 13.371 -11.272 1.00 20.84 C -ATOM 1024 N THR A 137 1.951 11.790 -8.618 1.00 14.14 N -ATOM 1025 CA THR A 137 0.509 10.996 -8.584 1.00 17.11 C -ATOM 1026 C THR A 137 -0.385 12.070 -8.267 1.00 15.43 C -ATOM 1027 O THR A 137 -1.637 11.700 -8.230 1.00 15.99 O -ATOM 1028 CB THR A 137 0.560 9.964 -6.978 1.00 17.27 C -ATOM 1029 OG1 THR A 137 1.278 8.939 -8.074 1.00 28.37 O -ATOM 1030 CG2 THR A 137 1.320 10.263 -6.388 1.00 47.04 C -ATOM 1031 N SER A 138 -0.164 13.266 -8.168 1.00 16.91 N -ATOM 1032 CA SER A 138 -0.947 14.363 -7.753 1.00 23.51 C -ATOM 1033 C SER A 138 -2.266 14.743 -8.597 1.00 23.60 C -ATOM 1034 O SER A 138 -3.250 14.937 -8.017 1.00 27.80 O -ATOM 1035 CB SER A 138 0.046 16.222 -7.976 1.00 22.76 C -ATOM 1036 OG SER A 138 -0.261 15.617 -6.862 1.00 45.85 O -ATOM 1037 N LYS A 139 -2.026 14.453 -9.807 1.00 19.13 N -ATOM 1038 CA LYS A 139 -3.058 14.995 -10.892 1.00 21.43 C -ATOM 1039 C LYS A 139 -3.804 13.721 -11.284 1.00 18.35 C -ATOM 1040 O LYS A 139 -4.384 13.814 -12.266 1.00 22.16 O -ATOM 1041 CB LYS A 139 -2.474 15.794 -11.975 1.00 24.13 C -ATOM 1042 CG LYS A 139 -1.839 16.973 -11.481 1.00 28.98 C -ATOM 1043 CD LYS A 139 -0.886 17.619 -12.549 1.00 33.18 C -ATOM 1044 CE LYS A 139 -0.495 18.885 -12.192 1.00 52.82 C -ATOM 1045 NZ LYS A 139 0.788 19.253 -13.621 1.00 55.02 N -ATOM 1046 N TYR A 140 -3.715 12.530 -10.777 1.00 17.12 N -ATOM 1047 CA TYR A 140 -4.275 11.374 -11.162 1.00 22.48 C -ATOM 1048 C TYR A 140 -5.830 11.291 -11.160 1.00 18.75 C -ATOM 1049 O TYR A 140 -6.423 10.704 -12.162 1.00 22.47 O -ATOM 1050 CB TYR A 140 -3.896 10.028 -10.426 1.00 23.15 C -ATOM 1051 CG TYR A 140 -2.655 9.444 -11.006 1.00 15.57 C -ATOM 1052 CD1 TYR A 140 -2.495 7.940 -11.096 1.00 16.98 C -ATOM 1053 CD2 TYR A 140 -1.471 10.093 -11.392 1.00 18.11 C -ATOM 1054 CE1 TYR A 140 -1.296 7.400 -11.625 1.00 19.97 C -ATOM 1055 CE2 TYR A 140 -0.267 9.379 -11.806 1.00 14.94 C -ATOM 1056 CZ TYR A 140 -0.246 7.948 -11.911 1.00 17.89 C -ATOM 1057 OH TYR A 140 0.808 7.493 -12.283 1.00 18.05 O -ATOM 1058 N ARG A 141 -6.399 12.034 -10.391 1.00 17.59 N -ATOM 1059 CA ARG A 141 -8.000 12.137 -10.191 1.00 24.58 C -ATOM 1060 C ARG A 141 -8.327 13.610 -9.572 1.00 44.44 C -ATOM 1061 O ARG A 141 -7.492 14.016 -8.882 1.00 21.81 O -ATOM 1062 CB ARG A 141 -8.478 10.914 -9.869 1.00 33.40 C -ATOM 1063 CG ARG A 141 -8.068 10.650 -8.145 1.00 17.28 C -ATOM 1064 CD ARG A 141 -9.053 9.446 -7.867 1.00 14.66 C -ATOM 1065 NE ARG A 141 -8.372 9.269 -6.610 1.00 22.73 N -ATOM 1066 CZ ARG A 141 -9.233 8.420 -5.781 1.00 26.88 C -ATOM 1067 NH1 ARG A 141 -10.147 7.455 -6.079 1.00 23.24 N -ATOM 1068 NH2 ARG A 141 -8.672 8.328 -4.506 1.00 33.34 N -ATOM 1069 OXT ARG A 141 -9.474 13.682 -9.742 1.00 31.52 O -TER 1070 ARG A 141 -ATOM 1071 N VAL B 1 9.223 -20.614 1.365 1.00 46.08 N -ATOM 1072 CA VAL B 1 8.694 -20.026 -0.123 1.00 70.96 C -ATOM 1073 C VAL B 1 9.668 -21.068 -1.645 1.00 69.74 C -ATOM 1074 O VAL B 1 9.370 -22.612 -0.994 1.00 71.82 O -ATOM 1075 CB VAL B 1 9.283 -18.281 -0.381 1.00 59.18 C -ATOM 1076 CG1 VAL B 1 7.449 -17.518 -0.791 1.00 57.89 C -ATOM 1077 CG2 VAL B 1 10.416 -18.038 0.066 1.00 44.20 C -ATOM 1078 N HIS B 2 9.270 -20.650 -2.180 1.00 53.55 N -ATOM 1079 CA HIS B 2 10.245 -21.378 -3.143 1.00 62.62 C -ATOM 1080 C HIS B 2 11.419 -20.331 -4.099 1.00 51.71 C -ATOM 1081 O HIS B 2 11.252 -19.250 -5.024 1.00 48.42 O -ATOM 1082 CB HIS B 2 9.225 -20.955 -4.825 1.00 62.58 C -ATOM 1083 CG HIS B 2 9.378 -21.082 -5.634 1.00 73.96 C -ATOM 1084 ND1 HIS B 2 9.645 -19.683 -6.869 1.00 80.12 N -ATOM 1085 CD2 HIS B 2 10.077 -22.950 -6.116 1.00 63.02 C -ATOM 1086 CE1 HIS B 2 10.672 -21.165 -8.087 1.00 76.40 C -ATOM 1087 NE2 HIS B 2 11.344 -22.584 -7.734 1.00 62.86 N -ATOM 1088 N LEU B 3 12.365 -20.722 -3.649 1.00 43.89 N -ATOM 1089 CA LEU B 3 13.611 -20.183 -4.477 1.00 43.79 C -ATOM 1090 C LEU B 3 14.557 -21.356 -5.125 1.00 32.77 C -ATOM 1091 O LEU B 3 14.340 -22.536 -4.780 1.00 41.84 O -ATOM 1092 CB LEU B 3 14.522 -19.852 -2.996 1.00 28.80 C -ATOM 1093 CG LEU B 3 13.980 -18.598 -2.183 1.00 28.70 C -ATOM 1094 CD1 LEU B 3 14.846 -18.445 -1.199 1.00 63.39 C -ATOM 1095 CD2 LEU B 3 14.509 -17.517 -3.001 1.00 32.10 C -ATOM 1096 N THR B 4 14.840 -20.756 -6.280 1.00 42.35 N -ATOM 1097 CA THR B 4 15.864 -21.825 -6.744 1.00 41.74 C -ATOM 1098 C THR B 4 16.873 -22.187 -6.071 1.00 36.91 C -ATOM 1099 O THR B 4 17.370 -21.395 -5.237 1.00 31.57 O -ATOM 1100 CB THR B 4 15.949 -21.050 -8.090 1.00 38.91 C -ATOM 1101 OG1 THR B 4 16.952 -20.015 -8.082 1.00 52.85 O -ATOM 1102 CG2 THR B 4 14.967 -20.467 -9.056 1.00 56.94 C -ATOM 1103 N PRO B 5 17.854 -23.111 -6.524 1.00 45.56 N -ATOM 1104 CA PRO B 5 18.731 -23.731 -6.023 1.00 47.54 C -ATOM 1105 C PRO B 5 19.935 -22.444 -5.760 1.00 37.80 C -ATOM 1106 O PRO B 5 20.658 -22.372 -4.793 1.00 33.06 O -ATOM 1107 CB PRO B 5 19.534 -24.900 -6.291 1.00 62.12 C -ATOM 1108 CG PRO B 5 18.296 -25.318 -7.157 1.00 42.55 C -ATOM 1109 CD PRO B 5 17.186 -24.560 -7.385 1.00 48.08 C -ATOM 1110 N GLU B 6 19.819 -21.815 -6.978 1.00 27.00 N -ATOM 1111 CA GLU B 6 20.898 -20.991 -7.230 1.00 34.37 C -ATOM 1112 C GLU B 6 20.521 -19.635 -6.155 1.00 23.02 C -ATOM 1113 O GLU B 6 21.687 -18.920 -5.617 1.00 28.54 O -ATOM 1114 CB GLU B 6 20.842 -20.165 -8.661 1.00 37.20 C -ATOM 1115 CG GLU B 6 20.141 -19.957 -9.396 1.00 66.65 C -ATOM 1116 CD GLU B 6 19.153 -21.597 -10.181 1.00 60.44 C -ATOM 1117 OE1 GLU B 6 20.183 -22.830 -9.731 1.00 63.16 O -ATOM 1118 OE2 GLU B 6 18.299 -21.975 -10.007 1.00 70.62 O -ATOM 1119 N GLU B 7 19.362 -19.413 -5.964 1.00 31.47 N -ATOM 1120 CA GLU B 7 18.560 -18.284 -5.124 1.00 34.08 C -ATOM 1121 C GLU B 7 19.160 -18.789 -3.682 1.00 21.49 C -ATOM 1122 O GLU B 7 19.620 -17.847 -3.008 1.00 27.04 O -ATOM 1123 CB GLU B 7 17.625 -18.097 -5.359 1.00 35.55 C -ATOM 1124 CG GLU B 7 17.103 -17.196 -6.791 1.00 33.74 C -ATOM 1125 CD GLU B 7 15.759 -16.911 -6.659 1.00 31.89 C -ATOM 1126 OE1 GLU B 7 15.476 -15.756 -7.225 1.00 52.51 O -ATOM 1127 OE2 GLU B 7 14.748 -17.803 -6.419 1.00 32.56 O -ATOM 1128 N LYS B 8 18.747 -19.865 -3.237 1.00 26.08 N -ATOM 1129 CA LYS B 8 19.026 -20.305 -2.016 1.00 32.23 C -ATOM 1130 C LYS B 8 20.466 -20.216 -1.796 1.00 26.59 C -ATOM 1131 O LYS B 8 21.162 -19.731 -0.601 1.00 26.11 O -ATOM 1132 CB LYS B 8 18.395 -21.925 -1.875 1.00 36.34 C -ATOM 1133 CG LYS B 8 18.802 -22.252 -1.182 1.00 64.20 C -ATOM 1134 CD LYS B 8 18.769 -23.771 -0.248 1.00 73.64 C -ATOM 1135 CE LYS B 8 19.461 -24.137 0.849 1.00 79.30 C -ATOM 1136 NZ LYS B 8 19.874 -26.365 1.034 1.00 66.73 N -ATOM 1137 N SER B 9 21.467 -20.675 -2.533 1.00 23.88 N -ATOM 1138 CA SER B 9 22.559 -20.677 -2.426 1.00 36.76 C -ATOM 1139 C SER B 9 23.490 -19.070 -2.230 1.00 37.61 C -ATOM 1140 O SER B 9 24.284 -18.831 -1.430 1.00 28.84 O -ATOM 1141 CB SER B 9 23.619 -21.853 -3.256 1.00 36.63 C -ATOM 1142 OG SER B 9 23.958 -20.627 -4.033 1.00 64.02 O -ATOM 1143 N ALA B 10 22.719 -18.196 -3.034 1.00 21.54 N -ATOM 1144 CA ALA B 10 23.262 -17.029 -2.963 1.00 32.77 C -ATOM 1145 C ALA B 10 22.792 -16.202 -1.459 1.00 23.64 C -ATOM 1146 O ALA B 10 23.628 -15.408 -0.898 1.00 26.26 O -ATOM 1147 CB ALA B 10 22.504 -16.176 -3.856 1.00 30.88 C -ATOM 1148 N VAL B 11 21.589 -16.575 -0.940 1.00 22.75 N -ATOM 1149 CA VAL B 11 21.174 -16.108 0.417 1.00 18.12 C -ATOM 1150 C VAL B 11 22.242 -16.512 1.434 1.00 18.13 C -ATOM 1151 O VAL B 11 22.655 -15.680 2.245 1.00 19.40 O -ATOM 1152 CB VAL B 11 19.853 -16.542 0.518 1.00 19.48 C -ATOM 1153 CG1 VAL B 11 19.403 -16.415 1.946 1.00 26.15 C -ATOM 1154 CG2 VAL B 11 18.815 -15.702 -0.276 1.00 23.37 C -ATOM 1155 N THR B 12 22.386 -17.775 1.358 1.00 19.01 N -ATOM 1156 CA THR B 12 23.153 -18.592 2.377 1.00 25.04 C -ATOM 1157 C THR B 12 24.569 -18.098 2.437 1.00 20.68 C -ATOM 1158 O THR B 12 25.254 -17.692 3.335 1.00 23.87 O -ATOM 1159 CB THR B 12 23.196 -20.284 2.185 1.00 42.63 C -ATOM 1160 OG1 THR B 12 22.010 -20.433 2.444 1.00 42.78 O -ATOM 1161 CG2 THR B 12 23.729 -20.348 1.974 1.00 67.38 C -ATOM 1162 N ALA B 13 25.190 -17.913 1.267 1.00 22.79 N -ATOM 1163 CA ALA B 13 26.401 -17.387 1.166 1.00 26.66 C -ATOM 1164 C ALA B 13 26.828 -16.135 1.582 1.00 26.26 C -ATOM 1165 O ALA B 13 27.614 -15.809 2.378 1.00 27.07 O -ATOM 1166 CB ALA B 13 26.857 -17.378 -0.445 1.00 26.35 C -ATOM 1167 N LEU B 14 25.928 -14.999 1.236 1.00 15.70 N -ATOM 1168 CA LEU B 14 26.092 -13.737 1.994 1.00 15.10 C -ATOM 1169 C LEU B 14 25.996 -13.791 3.419 1.00 17.25 C -ATOM 1170 O LEU B 14 26.440 -13.013 4.127 1.00 15.43 O -ATOM 1171 CB LEU B 14 25.023 -12.816 1.145 1.00 16.82 C -ATOM 1172 CG LEU B 14 25.284 -11.388 1.257 1.00 27.27 C -ATOM 1173 CD1 LEU B 14 26.470 -10.984 0.911 1.00 40.43 C -ATOM 1174 CD2 LEU B 14 23.923 -10.655 1.151 1.00 24.81 C -ATOM 1175 N TRP B 15 24.847 -14.542 3.847 1.00 17.75 N -ATOM 1176 CA TRP B 15 24.543 -14.533 5.293 1.00 20.73 C -ATOM 1177 C TRP B 15 25.779 -15.040 6.144 1.00 17.66 C -ATOM 1178 O TRP B 15 25.791 -14.500 7.295 1.00 18.75 O -ATOM 1179 CB TRP B 15 23.337 -15.255 5.477 1.00 17.11 C -ATOM 1180 CG TRP B 15 22.785 -14.972 6.964 1.00 17.91 C -ATOM 1181 CD1 TRP B 15 22.809 -15.647 8.020 1.00 21.87 C -ATOM 1182 CD2 TRP B 15 21.992 -13.854 7.213 1.00 17.58 C -ATOM 1183 NE1 TRP B 15 22.135 -15.153 9.079 1.00 18.04 N -ATOM 1184 CE2 TRP B 15 21.659 -13.824 8.669 1.00 16.29 C -ATOM 1185 CE3 TRP B 15 21.610 -12.684 6.475 1.00 16.29 C -ATOM 1186 CZ2 TRP B 15 20.847 -12.810 9.252 1.00 25.87 C -ATOM 1187 CZ3 TRP B 15 20.839 -11.689 7.176 1.00 17.96 C -ATOM 1188 CH2 TRP B 15 20.450 -11.898 8.453 1.00 24.12 C -ATOM 1189 N GLY B 16 26.491 -15.885 5.456 1.00 18.59 N -ATOM 1190 CA GLY B 16 27.793 -16.367 6.203 1.00 18.72 C -ATOM 1191 C GLY B 16 28.640 -15.293 6.479 1.00 24.14 C -ATOM 1192 O GLY B 16 29.526 -15.462 7.418 1.00 24.08 O -ATOM 1193 N LYS B 17 28.533 -14.214 5.902 1.00 16.20 N -ATOM 1194 CA LYS B 17 29.341 -13.100 6.055 1.00 17.17 C -ATOM 1195 C LYS B 17 28.732 -12.165 6.877 1.00 17.84 C -ATOM 1196 O LYS B 17 29.459 -11.044 7.345 1.00 23.03 O -ATOM 1197 CB LYS B 17 29.636 -12.212 4.866 1.00 27.63 C -ATOM 1198 CG LYS B 17 30.260 -13.332 3.793 1.00 26.84 C -ATOM 1199 CD LYS B 17 30.681 -12.758 2.663 1.00 36.92 C -ATOM 1200 CE LYS B 17 31.201 -13.748 1.394 1.00 48.09 C -ATOM 1201 NZ LYS B 17 31.749 -12.471 0.760 1.00 51.60 N -ATOM 1202 N VAL B 18 27.632 -12.163 7.561 1.00 19.79 N -ATOM 1203 CA VAL B 18 26.839 -11.228 8.296 1.00 15.59 C -ATOM 1204 C VAL B 18 27.221 -11.355 9.806 1.00 24.20 C -ATOM 1205 O VAL B 18 27.181 -12.396 10.461 1.00 22.49 O -ATOM 1206 CB VAL B 18 25.375 -11.611 8.249 1.00 13.43 C -ATOM 1207 CG1 VAL B 18 24.680 -10.797 9.203 1.00 20.38 C -ATOM 1208 CG2 VAL B 18 25.124 -10.816 6.753 1.00 25.54 C -ATOM 1209 N ASN B 19 27.508 -10.243 10.525 1.00 20.52 N -ATOM 1210 CA ASN B 19 27.647 -10.334 12.056 1.00 15.58 C -ATOM 1211 C ASN B 19 26.161 -10.008 12.553 1.00 13.56 C -ATOM 1212 O ASN B 19 25.706 -8.798 12.411 1.00 14.77 O -ATOM 1213 CB ASN B 19 28.532 -9.065 12.579 1.00 26.08 C -ATOM 1214 CG ASN B 19 28.340 -8.916 14.065 1.00 29.11 C -ATOM 1215 OD1 ASN B 19 27.732 -9.412 14.784 1.00 27.77 O -ATOM 1216 ND2 ASN B 19 29.702 -8.401 14.383 1.00 33.88 N -ATOM 1217 N VAL B 20 25.621 -11.024 13.009 1.00 18.83 N -ATOM 1218 CA VAL B 20 24.087 -11.031 13.284 1.00 19.05 C -ATOM 1219 C VAL B 20 23.851 -10.149 14.214 1.00 20.02 C -ATOM 1220 O VAL B 20 22.901 -9.142 14.245 1.00 17.50 O -ATOM 1221 CB VAL B 20 23.694 -12.517 13.598 1.00 25.16 C -ATOM 1222 CG1 VAL B 20 22.215 -12.356 13.912 1.00 29.32 C -ATOM 1223 CG2 VAL B 20 23.748 -13.338 12.333 1.00 21.26 C -ATOM 1224 N ASP B 21 24.547 -9.725 15.239 1.00 19.64 N -ATOM 1225 CA ASP B 21 24.274 -8.816 16.395 1.00 20.67 C -ATOM 1226 C ASP B 21 24.562 -7.492 15.870 1.00 18.97 C -ATOM 1227 O ASP B 21 23.606 -6.622 16.080 1.00 21.29 O -ATOM 1228 CB ASP B 21 25.312 -9.108 17.415 1.00 34.10 C -ATOM 1229 CG ASP B 21 25.029 -10.570 18.492 1.00 53.28 C -ATOM 1230 OD1 ASP B 21 23.848 -10.805 18.323 1.00 40.86 O -ATOM 1231 OD2 ASP B 21 25.861 -10.240 19.644 1.00 50.69 O -ATOM 1232 N GLU B 22 25.464 -7.225 14.999 1.00 17.77 N -ATOM 1233 CA GLU B 22 25.739 -5.702 14.538 1.00 21.32 C -ATOM 1234 C GLU B 22 24.523 -5.287 13.546 1.00 17.53 C -ATOM 1235 O GLU B 22 23.957 -4.290 13.703 1.00 21.51 O -ATOM 1236 CB GLU B 22 27.018 -5.846 13.812 1.00 24.38 C -ATOM 1237 CG GLU B 22 27.214 -4.730 13.144 1.00 38.60 C -ATOM 1238 CD GLU B 22 28.169 -3.862 11.812 1.00 75.75 C -ATOM 1239 OE1 GLU B 22 28.555 -5.400 11.034 1.00 53.89 O -ATOM 1240 OE2 GLU B 22 29.808 -4.745 12.821 1.00 65.14 O -ATOM 1241 N VAL B 23 24.347 -6.274 12.578 1.00 19.15 N -ATOM 1242 CA VAL B 23 23.303 -6.039 11.518 1.00 16.52 C -ATOM 1243 C VAL B 23 21.857 -5.985 12.342 1.00 19.25 C -ATOM 1244 O VAL B 23 20.964 -5.128 11.822 1.00 16.10 O -ATOM 1245 CB VAL B 23 23.294 -7.123 10.403 1.00 21.83 C -ATOM 1246 CG1 VAL B 23 22.065 -7.019 9.672 1.00 26.98 C -ATOM 1247 CG2 VAL B 23 24.689 -6.722 9.825 1.00 24.14 C -ATOM 1248 N GLY B 24 21.684 -6.753 13.284 1.00 11.83 N -ATOM 1249 CA GLY B 24 20.512 -6.666 14.003 1.00 15.96 C -ATOM 1250 C GLY B 24 20.131 -5.391 14.689 1.00 15.32 C -ATOM 1251 O GLY B 24 19.133 -4.694 14.628 1.00 13.59 O -ATOM 1252 N GLY B 25 21.093 -4.853 15.395 1.00 19.52 N -ATOM 1253 CA GLY B 25 21.202 -3.549 15.972 1.00 15.79 C -ATOM 1254 C GLY B 25 20.921 -2.401 14.917 1.00 12.82 C -ATOM 1255 O GLY B 25 20.200 -1.481 15.135 1.00 18.05 O -ATOM 1256 N GLU B 26 21.598 -2.510 13.849 1.00 12.16 N -ATOM 1257 CA GLU B 26 21.567 -1.493 12.736 1.00 11.32 C -ATOM 1258 C GLU B 26 20.042 -1.534 12.176 1.00 13.79 C -ATOM 1259 O GLU B 26 19.605 -0.362 11.944 1.00 14.59 O -ATOM 1260 CB GLU B 26 22.564 -1.757 11.778 1.00 13.18 C -ATOM 1261 CG GLU B 26 23.022 -0.301 10.974 1.00 29.90 C -ATOM 1262 CD GLU B 26 23.535 0.894 10.508 1.00 51.34 C -ATOM 1263 OE1 GLU B 26 23.767 -0.209 7.916 1.00 54.93 O -ATOM 1264 OE2 GLU B 26 24.549 -1.302 10.298 1.00 37.93 O -ATOM 1265 N ALA B 27 19.659 -2.698 11.904 1.00 13.14 N -ATOM 1266 CA ALA B 27 18.339 -2.622 11.197 1.00 9.05 C -ATOM 1267 C ALA B 27 17.188 -2.188 12.064 1.00 10.83 C -ATOM 1268 O ALA B 27 16.247 -1.538 11.698 1.00 11.12 O -ATOM 1269 CB ALA B 27 18.124 -4.039 10.850 1.00 14.07 C -ATOM 1270 N LEU B 28 17.097 -2.654 13.364 1.00 11.19 N -ATOM 1271 CA LEU B 28 16.289 -2.225 14.403 1.00 14.47 C -ATOM 1272 C LEU B 28 16.216 -0.842 14.498 1.00 12.13 C -ATOM 1273 O LEU B 28 15.292 -0.024 14.599 1.00 12.32 O -ATOM 1274 CB LEU B 28 16.089 -3.101 15.599 1.00 9.21 C -ATOM 1275 CG LEU B 28 14.602 -2.613 16.344 1.00 20.67 C -ATOM 1276 CD1 LEU B 28 13.558 -3.287 15.723 1.00 17.60 C -ATOM 1277 CD2 LEU B 28 15.036 -3.349 17.556 1.00 34.99 C -ATOM 1278 N GLY B 29 17.488 -0.244 14.733 1.00 10.00 N -ATOM 1279 CA GLY B 29 17.555 1.107 14.942 1.00 15.27 C -ATOM 1280 C GLY B 29 17.147 1.979 13.686 1.00 10.88 C -ATOM 1281 O GLY B 29 16.406 2.945 13.855 1.00 14.42 O -ATOM 1282 N ARG B 30 17.503 1.503 12.514 1.00 11.39 N -ATOM 1283 CA ARG B 30 17.138 2.392 11.410 1.00 14.49 C -ATOM 1284 C ARG B 30 15.517 2.168 11.180 1.00 10.79 C -ATOM 1285 O ARG B 30 14.997 3.218 10.749 1.00 13.81 O -ATOM 1286 CB ARG B 30 17.883 1.854 10.134 1.00 19.88 C -ATOM 1287 CG ARG B 30 19.264 2.550 9.848 1.00 16.11 C -ATOM 1288 CD ARG B 30 19.816 1.919 8.615 1.00 14.71 C -ATOM 1289 NE ARG B 30 21.229 2.190 8.567 1.00 21.05 N -ATOM 1290 CZ ARG B 30 21.899 3.048 7.943 1.00 18.56 C -ATOM 1291 NH1 ARG B 30 21.169 3.859 7.078 1.00 19.13 N -ATOM 1292 NH2 ARG B 30 23.126 3.441 7.930 1.00 19.91 N -ATOM 1293 N LEU B 31 14.954 1.034 11.546 1.00 12.04 N -ATOM 1294 CA LEU B 31 13.557 0.954 11.581 1.00 10.54 C -ATOM 1295 C LEU B 31 13.079 2.129 12.312 1.00 13.93 C -ATOM 1296 O LEU B 31 12.053 2.837 11.993 1.00 14.67 O -ATOM 1297 CB LEU B 31 12.999 -0.394 11.933 1.00 12.99 C -ATOM 1298 CG LEU B 31 11.476 -0.524 12.150 1.00 10.97 C -ATOM 1299 CD1 LEU B 31 11.036 -0.535 10.722 1.00 19.46 C -ATOM 1300 CD2 LEU B 31 11.106 -1.700 13.040 1.00 13.98 C -ATOM 1301 N LEU B 32 13.531 2.329 13.530 1.00 10.13 N -ATOM 1302 CA LEU B 32 12.882 3.156 14.401 1.00 11.52 C -ATOM 1303 C LEU B 32 13.149 4.616 14.057 1.00 12.11 C -ATOM 1304 O LEU B 32 12.467 5.633 14.438 1.00 15.31 O -ATOM 1305 CB LEU B 32 13.453 3.038 15.919 1.00 11.75 C -ATOM 1306 CG LEU B 32 12.805 1.940 16.581 1.00 16.68 C -ATOM 1307 CD1 LEU B 32 12.104 0.941 16.260 1.00 22.26 C -ATOM 1308 CD2 LEU B 32 13.566 1.603 17.835 1.00 28.90 C -ATOM 1309 N VAL B 33 14.250 4.899 13.351 1.00 10.32 N -ATOM 1310 CA VAL B 33 14.628 6.174 12.868 1.00 11.98 C -ATOM 1311 C VAL B 33 13.704 6.548 11.535 1.00 12.10 C -ATOM 1312 O VAL B 33 13.345 7.771 11.481 1.00 13.28 O -ATOM 1313 CB VAL B 33 16.139 6.304 12.522 1.00 14.87 C -ATOM 1314 CG1 VAL B 33 16.518 7.591 11.880 1.00 11.54 C -ATOM 1315 CG2 VAL B 33 16.745 6.275 13.788 1.00 16.57 C -ATOM 1316 N VAL B 34 13.820 5.650 10.638 1.00 13.66 N -ATOM 1317 CA VAL B 34 13.156 6.096 9.258 1.00 9.59 C -ATOM 1318 C VAL B 34 11.591 6.042 9.368 1.00 8.72 C -ATOM 1319 O VAL B 34 11.052 6.910 8.763 1.00 9.42 O -ATOM 1320 CB VAL B 34 13.681 5.042 8.326 1.00 9.09 C -ATOM 1321 CG1 VAL B 34 13.079 5.328 6.958 1.00 9.82 C -ATOM 1322 CG2 VAL B 34 15.076 5.133 8.253 1.00 17.00 C -ATOM 1323 N TYR B 35 11.088 5.155 10.260 1.00 10.80 N -ATOM 1324 CA TYR B 35 9.613 5.019 10.405 1.00 13.73 C -ATOM 1325 C TYR B 35 9.249 5.241 11.959 1.00 14.87 C -ATOM 1326 O TYR B 35 9.056 4.156 12.514 1.00 16.30 O -ATOM 1327 CB TYR B 35 9.162 3.628 9.962 1.00 14.97 C -ATOM 1328 CG TYR B 35 9.590 3.397 8.554 1.00 16.57 C -ATOM 1329 CD1 TYR B 35 9.059 4.138 7.400 1.00 17.11 C -ATOM 1330 CD2 TYR B 35 10.495 2.446 8.096 1.00 21.02 C -ATOM 1331 CE1 TYR B 35 9.473 3.862 6.085 1.00 16.53 C -ATOM 1332 CE2 TYR B 35 10.987 2.455 6.905 1.00 21.07 C -ATOM 1333 CZ TYR B 35 10.434 2.948 5.860 1.00 16.91 C -ATOM 1334 OH TYR B 35 11.073 2.851 4.537 1.00 21.07 O -ATOM 1335 N PRO B 36 9.337 6.384 12.381 1.00 18.32 N -ATOM 1336 CA PRO B 36 9.299 6.665 13.797 1.00 15.72 C -ATOM 1337 C PRO B 36 8.010 6.232 14.403 1.00 27.07 C -ATOM 1338 O PRO B 36 8.028 5.977 15.694 1.00 15.67 O -ATOM 1339 CB PRO B 36 9.448 8.143 14.056 1.00 16.26 C -ATOM 1340 CG PRO B 36 9.504 8.813 12.839 1.00 21.27 C -ATOM 1341 CD PRO B 36 9.498 7.681 11.841 1.00 25.93 C -ATOM 1342 N TRP B 37 6.917 5.884 13.840 1.00 14.10 N -ATOM 1343 CA TRP B 37 5.821 5.395 14.601 1.00 12.74 C -ATOM 1344 C TRP B 37 5.965 3.976 15.036 1.00 15.06 C -ATOM 1345 O TRP B 37 5.268 3.465 15.926 1.00 15.27 O -ATOM 1346 CB TRP B 37 4.670 5.475 13.490 1.00 19.41 C -ATOM 1347 CG TRP B 37 4.766 4.831 12.253 1.00 14.79 C -ATOM 1348 CD1 TRP B 37 4.298 3.513 11.774 1.00 18.82 C -ATOM 1349 CD2 TRP B 37 5.265 5.442 10.984 1.00 18.23 C -ATOM 1350 NE1 TRP B 37 4.669 3.435 10.535 1.00 23.72 N -ATOM 1351 CE2 TRP B 37 5.184 4.400 9.923 1.00 22.13 C -ATOM 1352 CE3 TRP B 37 5.947 6.691 10.672 1.00 21.52 C -ATOM 1353 CZ2 TRP B 37 5.584 4.556 8.589 1.00 18.19 C -ATOM 1354 CZ3 TRP B 37 6.183 6.773 9.398 1.00 31.71 C -ATOM 1355 CH2 TRP B 37 6.069 5.844 8.520 1.00 14.12 C -ATOM 1356 N THR B 38 7.039 3.221 14.646 1.00 14.17 N -ATOM 1357 CA THR B 38 7.466 1.912 14.979 1.00 13.46 C -ATOM 1358 C THR B 38 7.760 1.960 16.519 1.00 16.65 C -ATOM 1359 O THR B 38 8.073 0.918 17.118 1.00 18.86 O -ATOM 1360 CB THR B 38 8.456 1.107 14.212 1.00 12.74 C -ATOM 1361 OG1 THR B 38 9.507 1.962 14.105 1.00 14.09 O -ATOM 1362 CG2 THR B 38 7.863 1.128 12.798 1.00 15.42 C -ATOM 1363 N GLN B 39 8.203 3.108 16.922 1.00 19.91 N -ATOM 1364 CA GLN B 39 8.656 3.567 18.379 1.00 23.22 C -ATOM 1365 C GLN B 39 7.604 3.201 19.358 1.00 19.19 C -ATOM 1366 O GLN B 39 7.968 2.987 20.495 1.00 19.29 O -ATOM 1367 CB GLN B 39 9.277 4.878 18.529 1.00 24.35 C -ATOM 1368 CG GLN B 39 10.405 5.137 17.759 1.00 25.27 C -ATOM 1369 CD GLN B 39 10.983 6.633 17.918 1.00 24.35 C -ATOM 1370 OE1 GLN B 39 10.480 7.189 18.922 1.00 26.75 O -ATOM 1371 NE2 GLN B 39 11.852 7.006 16.956 1.00 30.18 N -ATOM 1372 N ARG B 40 6.347 3.079 18.900 1.00 20.02 N -ATOM 1373 CA ARG B 40 5.184 2.850 19.816 1.00 21.80 C -ATOM 1374 C ARG B 40 5.511 1.455 20.630 1.00 29.36 C -ATOM 1375 O ARG B 40 4.888 1.619 21.749 1.00 24.42 O -ATOM 1376 CB ARG B 40 3.944 2.700 18.938 1.00 16.52 C -ATOM 1377 CG ARG B 40 3.694 1.420 18.404 1.00 20.34 C -ATOM 1378 CD ARG B 40 2.451 1.519 17.302 1.00 25.31 C -ATOM 1379 NE ARG B 40 1.370 1.856 17.810 1.00 29.70 N -ATOM 1380 CZ ARG B 40 0.400 1.022 18.648 1.00 34.46 C -ATOM 1381 NH1 ARG B 40 0.678 -0.097 18.556 1.00 31.34 N -ATOM 1382 NH2 ARG B 40 -0.783 2.010 18.877 1.00 39.12 N -ATOM 1383 N PHE B 41 6.149 0.541 20.453 1.00 19.21 N -ATOM 1384 CA PHE B 41 6.133 -0.730 21.151 1.00 16.53 C -ATOM 1385 C PHE B 41 7.442 -0.621 22.343 1.00 21.34 C -ATOM 1386 O PHE B 41 7.412 -1.538 22.897 1.00 23.45 O -ATOM 1387 CB PHE B 41 6.675 -1.804 20.080 1.00 10.39 C -ATOM 1388 CG PHE B 41 5.553 -1.984 19.152 1.00 13.84 C -ATOM 1389 CD1 PHE B 41 5.763 -1.448 17.828 1.00 17.38 C -ATOM 1390 CD2 PHE B 41 4.239 -2.655 19.578 1.00 25.55 C -ATOM 1391 CE1 PHE B 41 4.713 -1.720 16.922 1.00 15.72 C -ATOM 1392 CE2 PHE B 41 3.272 -2.680 18.459 1.00 21.40 C -ATOM 1393 CZ PHE B 41 3.586 -2.146 17.207 1.00 13.46 C -ATOM 1394 N PHE B 42 8.072 0.397 22.159 1.00 18.41 N -ATOM 1395 CA PHE B 42 9.433 0.476 22.639 1.00 17.88 C -ATOM 1396 C PHE B 42 9.683 1.552 23.631 1.00 26.28 C -ATOM 1397 O PHE B 42 10.712 1.963 24.025 1.00 30.16 O -ATOM 1398 CB PHE B 42 10.561 0.553 21.602 1.00 16.57 C -ATOM 1399 CG PHE B 42 10.524 -0.621 20.906 1.00 18.87 C -ATOM 1400 CD1 PHE B 42 10.208 -0.431 19.261 1.00 17.08 C -ATOM 1401 CD2 PHE B 42 10.804 -1.937 21.065 1.00 17.75 C -ATOM 1402 CE1 PHE B 42 10.137 -1.716 18.672 1.00 12.34 C -ATOM 1403 CE2 PHE B 42 10.625 -2.998 20.314 1.00 16.32 C -ATOM 1404 CZ PHE B 42 10.370 -2.870 18.826 1.00 14.29 C -ATOM 1405 N GLU B 43 8.703 2.022 24.176 1.00 32.94 N -ATOM 1406 CA GLU B 43 9.021 3.274 25.060 1.00 42.17 C -ATOM 1407 C GLU B 43 9.315 2.924 26.617 1.00 21.09 C -ATOM 1408 O GLU B 43 10.204 3.362 27.291 1.00 37.55 O -ATOM 1409 CB GLU B 43 7.798 3.586 25.059 1.00 73.91 C -ATOM 1410 CG GLU B 43 6.528 3.291 25.915 1.00 61.81 C -ATOM 1411 CD GLU B 43 4.777 4.930 25.558 1.00 78.77 C -ATOM 1412 OE1 GLU B 43 5.276 5.543 25.252 1.00 63.33 O -ATOM 1413 OE2 GLU B 43 4.274 3.783 26.403 1.00 59.41 O -ATOM 1414 N SER B 44 9.424 1.477 26.805 1.00 22.68 N -ATOM 1415 CA SER B 44 10.261 0.951 28.039 1.00 28.45 C -ATOM 1416 C SER B 44 11.527 1.680 27.935 1.00 36.10 C -ATOM 1417 O SER B 44 12.578 0.776 28.511 1.00 25.24 O -ATOM 1418 CB SER B 44 9.957 -0.409 28.119 1.00 27.61 C -ATOM 1419 OG SER B 44 10.204 -1.503 27.766 1.00 37.26 O -ATOM 1420 N PHE B 45 12.292 1.349 26.626 1.00 28.36 N -ATOM 1421 CA PHE B 45 13.648 1.329 26.186 1.00 25.47 C -ATOM 1422 C PHE B 45 14.197 2.590 26.508 1.00 26.28 C -ATOM 1423 O PHE B 45 15.451 2.670 26.190 1.00 31.39 O -ATOM 1424 CB PHE B 45 13.618 0.947 24.623 1.00 22.10 C -ATOM 1425 CG PHE B 45 13.541 -0.652 24.249 1.00 18.85 C -ATOM 1426 CD1 PHE B 45 13.939 -0.880 22.983 1.00 29.27 C -ATOM 1427 CD2 PHE B 45 12.982 -1.450 24.626 1.00 31.57 C -ATOM 1428 CE1 PHE B 45 13.682 -2.441 22.618 1.00 29.02 C -ATOM 1429 CE2 PHE B 45 12.642 -2.810 24.625 1.00 30.34 C -ATOM 1430 CZ PHE B 45 13.202 -2.999 23.312 1.00 36.33 C -ATOM 1431 N GLY B 46 13.772 3.730 26.937 1.00 39.28 N -ATOM 1432 CA GLY B 46 14.529 4.785 27.301 1.00 46.90 C -ATOM 1433 C GLY B 46 14.720 5.977 26.137 1.00 45.06 C -ATOM 1434 O GLY B 46 13.492 6.152 25.410 1.00 36.42 O -ATOM 1435 N ASP B 47 15.717 6.365 26.037 1.00 38.00 N -ATOM 1436 CA ASP B 47 15.729 7.801 25.184 1.00 38.15 C -ATOM 1437 C ASP B 47 16.096 7.362 23.534 1.00 25.86 C -ATOM 1438 O ASP B 47 16.860 6.380 23.281 1.00 25.46 O -ATOM 1439 CB ASP B 47 17.237 8.136 25.516 1.00 44.07 C -ATOM 1440 CG ASP B 47 17.345 9.494 25.209 1.00 52.06 C -ATOM 1441 OD1 ASP B 47 18.506 10.069 24.917 1.00 44.54 O -ATOM 1442 OD2 ASP B 47 16.192 10.248 24.076 1.00 35.33 O -ATOM 1443 N LEU B 48 14.758 7.696 22.981 1.00 25.27 N -ATOM 1444 CA LEU B 48 14.475 7.473 21.435 1.00 28.75 C -ATOM 1445 C LEU B 48 14.468 8.903 20.740 1.00 27.19 C -ATOM 1446 O LEU B 48 13.953 8.921 19.724 1.00 27.20 O -ATOM 1447 CB LEU B 48 13.484 6.505 21.317 1.00 23.96 C -ATOM 1448 CG LEU B 48 13.754 5.148 21.718 1.00 24.35 C -ATOM 1449 CD1 LEU B 48 12.414 4.237 21.541 1.00 34.74 C -ATOM 1450 CD2 LEU B 48 14.775 4.377 21.408 1.00 34.58 C -ATOM 1451 N SER B 49 15.103 9.812 21.342 1.00 41.94 N -ATOM 1452 CA SER B 49 14.421 11.168 20.634 1.00 46.28 C -ATOM 1453 C SER B 49 15.582 11.613 20.219 1.00 38.86 C -ATOM 1454 O SER B 49 14.817 12.605 18.942 1.00 41.94 O -ATOM 1455 CB SER B 49 14.717 12.244 22.089 1.00 37.98 C -ATOM 1456 OG SER B 49 16.403 12.088 22.302 1.00 37.71 O -ATOM 1457 N THR B 50 16.507 11.264 19.343 1.00 28.29 N -ATOM 1458 CA THR B 50 17.236 11.360 18.289 1.00 30.77 C -ATOM 1459 C THR B 50 17.885 10.175 17.455 1.00 28.12 C -ATOM 1460 O THR B 50 17.899 9.107 18.221 1.00 25.38 O -ATOM 1461 CB THR B 50 18.076 12.160 18.824 1.00 33.39 C -ATOM 1462 OG1 THR B 50 19.415 11.795 19.160 1.00 37.96 O -ATOM 1463 CG2 THR B 50 18.083 13.812 19.397 1.00 29.64 C -ATOM 1464 N PRO B 51 18.477 10.443 16.283 1.00 28.96 N -ATOM 1465 CA PRO B 51 18.840 9.268 15.580 1.00 22.25 C -ATOM 1466 C PRO B 51 20.003 8.659 16.259 1.00 19.80 C -ATOM 1467 O PRO B 51 20.229 7.322 16.651 1.00 21.55 O -ATOM 1468 CB PRO B 51 19.279 9.752 14.257 1.00 27.29 C -ATOM 1469 CG PRO B 51 18.236 10.849 14.019 1.00 23.54 C -ATOM 1470 CD PRO B 51 18.120 11.592 15.204 1.00 26.04 C -ATOM 1471 N ASP B 52 20.955 9.490 16.887 1.00 21.99 N -ATOM 1472 CA ASP B 52 22.107 9.063 17.596 1.00 20.50 C -ATOM 1473 C ASP B 52 21.711 8.282 18.816 1.00 16.32 C -ATOM 1474 O ASP B 52 22.264 7.261 19.307 1.00 25.55 O -ATOM 1475 CB ASP B 52 22.971 10.246 17.966 1.00 32.17 C -ATOM 1476 CG ASP B 52 24.234 10.367 16.728 1.00 47.24 C -ATOM 1477 OD1 ASP B 52 24.140 9.731 15.886 1.00 41.78 O -ATOM 1478 OD2 ASP B 52 24.041 11.689 16.359 1.00 62.08 O -ATOM 1479 N ALA B 53 20.654 8.843 19.515 1.00 23.18 N -ATOM 1480 CA ALA B 53 20.143 8.181 20.776 1.00 24.60 C -ATOM 1481 C ALA B 53 19.728 6.737 20.669 1.00 20.91 C -ATOM 1482 O ALA B 53 19.736 5.693 21.187 1.00 20.19 O -ATOM 1483 CB ALA B 53 19.176 8.937 21.371 1.00 23.45 C -ATOM 1484 N VAL B 54 18.925 6.610 19.428 1.00 19.02 N -ATOM 1485 CA VAL B 54 18.396 5.367 18.970 1.00 17.30 C -ATOM 1486 C VAL B 54 19.363 4.542 18.660 1.00 15.03 C -ATOM 1487 O VAL B 54 19.429 3.266 19.120 1.00 19.06 O -ATOM 1488 CB VAL B 54 17.268 5.613 17.733 1.00 27.63 C -ATOM 1489 CG1 VAL B 54 17.019 4.214 17.213 1.00 22.46 C -ATOM 1490 CG2 VAL B 54 16.224 6.564 17.992 1.00 27.27 C -ATOM 1491 N MET B 55 20.370 4.888 17.834 1.00 21.73 N -ATOM 1492 CA MET B 55 21.262 3.920 17.351 1.00 17.86 C -ATOM 1493 C MET B 55 22.215 3.437 18.454 1.00 32.16 C -ATOM 1494 O MET B 55 22.701 2.355 18.174 1.00 26.15 O -ATOM 1495 CB MET B 55 22.167 4.509 16.152 1.00 19.12 C -ATOM 1496 CG MET B 55 21.367 4.924 14.914 1.00 18.10 C -ATOM 1497 SD MET B 55 20.328 3.573 14.221 1.00 21.28 S -ATOM 1498 CE MET B 55 21.373 2.471 13.659 1.00 20.66 C -ATOM 1499 N GLY B 56 22.406 4.339 19.361 1.00 24.42 N -ATOM 1500 CA GLY B 56 23.329 3.841 20.456 1.00 36.79 C -ATOM 1501 C GLY B 56 22.514 3.565 21.746 1.00 33.28 C -ATOM 1502 O GLY B 56 23.093 2.903 22.699 1.00 24.94 O -ATOM 1503 N ASN B 57 21.348 2.997 21.778 1.00 22.01 N -ATOM 1504 CA ASN B 57 20.559 2.685 22.827 1.00 15.71 C -ATOM 1505 C ASN B 57 20.755 1.267 22.976 1.00 17.88 C -ATOM 1506 O ASN B 57 20.502 0.300 22.098 1.00 18.04 O -ATOM 1507 CB ASN B 57 19.144 2.920 22.701 1.00 21.80 C -ATOM 1508 CG ASN B 57 18.247 2.358 23.776 1.00 18.78 C -ATOM 1509 OD1 ASN B 57 18.261 1.376 24.212 1.00 23.41 O -ATOM 1510 ND2 ASN B 57 17.583 3.338 24.270 1.00 26.53 N -ATOM 1511 N PRO B 58 21.174 0.662 24.086 1.00 24.81 N -ATOM 1512 CA PRO B 58 21.379 -0.699 24.384 1.00 24.38 C -ATOM 1513 C PRO B 58 20.320 -1.707 24.238 1.00 16.45 C -ATOM 1514 O PRO B 58 20.621 -2.865 23.942 1.00 22.03 O -ATOM 1515 CB PRO B 58 22.199 -0.585 25.810 1.00 41.00 C -ATOM 1516 CG PRO B 58 21.985 0.546 26.007 1.00 36.46 C -ATOM 1517 CD PRO B 58 21.572 1.751 25.438 1.00 41.75 C -ATOM 1518 N LYS B 59 19.129 -1.092 24.601 1.00 16.03 N -ATOM 1519 CA LYS B 59 17.877 -2.002 24.599 1.00 22.04 C -ATOM 1520 C LYS B 59 17.389 -2.185 23.113 1.00 13.98 C -ATOM 1521 O LYS B 59 17.132 -3.370 22.712 1.00 15.67 O -ATOM 1522 CB LYS B 59 16.893 -1.439 25.346 1.00 22.22 C -ATOM 1523 CG LYS B 59 17.003 -1.840 26.817 1.00 45.70 C -ATOM 1524 CD LYS B 59 17.133 -0.988 27.329 1.00 44.05 C -ATOM 1525 CE LYS B 59 17.311 -2.126 29.392 1.00 71.22 C -ATOM 1526 NZ LYS B 59 16.304 -0.516 29.672 1.00 61.54 N -ATOM 1527 N VAL B 60 17.762 -1.228 22.435 1.00 17.28 N -ATOM 1528 CA VAL B 60 17.489 -1.267 20.987 1.00 18.21 C -ATOM 1529 C VAL B 60 18.198 -2.383 20.467 1.00 17.60 C -ATOM 1530 O VAL B 60 18.065 -3.331 19.597 1.00 19.11 O -ATOM 1531 CB VAL B 60 17.415 0.000 20.196 1.00 19.15 C -ATOM 1532 CG1 VAL B 60 17.700 -0.242 18.743 1.00 20.44 C -ATOM 1533 CG2 VAL B 60 16.452 0.957 20.699 1.00 20.64 C -ATOM 1534 N LYS B 61 19.612 -2.162 20.575 1.00 16.19 N -ATOM 1535 CA LYS B 61 20.529 -3.146 20.062 1.00 15.00 C -ATOM 1536 C LYS B 61 20.399 -4.610 20.622 1.00 17.90 C -ATOM 1537 O LYS B 61 20.213 -5.649 19.890 1.00 20.52 O -ATOM 1538 CB LYS B 61 21.934 -2.794 20.686 1.00 23.50 C -ATOM 1539 CG LYS B 61 22.389 -1.790 20.123 1.00 34.21 C -ATOM 1540 CD LYS B 61 23.914 -1.121 21.095 1.00 48.05 C -ATOM 1541 CE LYS B 61 24.659 -0.514 19.697 1.00 65.12 C -ATOM 1542 NZ LYS B 61 25.928 0.153 20.694 1.00 66.26 N -ATOM 1543 N ALA B 62 19.935 -4.789 21.817 1.00 18.99 N -ATOM 1544 CA ALA B 62 19.613 -6.179 22.281 1.00 20.11 C -ATOM 1545 C ALA B 62 18.327 -6.740 21.532 1.00 23.44 C -ATOM 1546 O ALA B 62 18.260 -7.852 21.400 1.00 21.26 O -ATOM 1547 CB ALA B 62 19.287 -6.023 23.792 1.00 28.90 C -ATOM 1548 N HIS B 63 17.361 -5.800 21.608 1.00 20.40 N -ATOM 1549 CA HIS B 63 16.190 -6.291 20.805 1.00 18.39 C -ATOM 1550 C HIS B 63 16.516 -6.639 19.256 1.00 14.88 C -ATOM 1551 O HIS B 63 16.111 -7.828 18.863 1.00 18.29 O -ATOM 1552 CB HIS B 63 15.116 -5.410 20.859 1.00 22.46 C -ATOM 1553 CG HIS B 63 13.751 -5.776 20.554 1.00 25.19 C -ATOM 1554 ND1 HIS B 63 13.281 -7.248 21.117 1.00 24.68 N -ATOM 1555 CD2 HIS B 63 13.005 -5.716 19.310 1.00 20.46 C -ATOM 1556 CE1 HIS B 63 11.969 -7.447 20.274 1.00 21.48 C -ATOM 1557 NE2 HIS B 63 11.891 -6.627 19.400 1.00 20.00 N -ATOM 1558 N GLY B 64 17.369 -5.912 18.807 1.00 15.81 N -ATOM 1559 CA GLY B 64 17.753 -6.266 17.372 1.00 16.57 C -ATOM 1560 C GLY B 64 18.356 -7.523 17.041 1.00 14.05 C -ATOM 1561 O GLY B 64 18.321 -8.353 16.306 1.00 17.38 O -ATOM 1562 N LYS B 65 19.222 -7.845 18.080 1.00 15.77 N -ATOM 1563 CA LYS B 65 19.749 -9.096 18.187 1.00 17.79 C -ATOM 1564 C LYS B 65 18.945 -10.321 18.319 1.00 18.32 C -ATOM 1565 O LYS B 65 19.205 -11.332 17.796 1.00 19.33 O -ATOM 1566 CB LYS B 65 21.117 -9.195 19.352 1.00 34.65 C -ATOM 1567 CG LYS B 65 20.823 -9.337 19.828 1.00 64.04 C -ATOM 1568 CD LYS B 65 22.866 -9.404 21.254 1.00 58.77 C -ATOM 1569 CE LYS B 65 21.591 -11.376 21.213 1.00 64.47 C -ATOM 1570 NZ LYS B 65 22.762 -11.190 23.512 1.00 67.19 N -ATOM 1571 N LYS B 66 17.979 -10.126 19.094 1.00 17.45 N -ATOM 1572 CA LYS B 66 17.297 -11.071 19.293 1.00 20.10 C -ATOM 1573 C LYS B 66 16.171 -11.403 18.033 1.00 21.06 C -ATOM 1574 O LYS B 66 15.915 -12.596 17.725 1.00 17.84 O -ATOM 1575 CB LYS B 66 16.183 -10.827 20.504 1.00 22.19 C -ATOM 1576 CG LYS B 66 15.115 -11.668 20.860 1.00 40.97 C -ATOM 1577 CD LYS B 66 14.348 -11.289 22.165 1.00 49.22 C -ATOM 1578 CE LYS B 66 14.883 -13.426 23.031 1.00 72.58 C -ATOM 1579 NZ LYS B 66 13.505 -13.329 24.195 1.00 70.66 N -ATOM 1580 N VAL B 67 15.722 -10.213 17.591 1.00 16.93 N -ATOM 1581 CA VAL B 67 14.967 -10.430 16.204 1.00 19.22 C -ATOM 1582 C VAL B 67 15.793 -10.926 15.110 1.00 11.08 C -ATOM 1583 O VAL B 67 15.419 -12.032 14.481 1.00 14.57 O -ATOM 1584 CB VAL B 67 14.239 -9.056 15.913 1.00 21.56 C -ATOM 1585 CG1 VAL B 67 13.929 -8.835 14.427 1.00 18.58 C -ATOM 1586 CG2 VAL B 67 13.400 -8.550 17.010 1.00 21.34 C -ATOM 1587 N LEU B 68 16.954 -10.461 14.916 1.00 11.62 N -ATOM 1588 CA LEU B 68 17.765 -11.045 13.835 1.00 15.23 C -ATOM 1589 C LEU B 68 18.198 -12.546 14.030 1.00 13.22 C -ATOM 1590 O LEU B 68 18.576 -13.320 13.014 1.00 14.49 O -ATOM 1591 CB LEU B 68 18.788 -10.157 13.424 1.00 22.80 C -ATOM 1592 CG LEU B 68 18.947 -9.620 11.990 1.00 26.57 C -ATOM 1593 CD1 LEU B 68 20.192 -10.323 11.868 1.00 62.38 C -ATOM 1594 CD2 LEU B 68 17.922 -9.301 11.306 1.00 35.30 C -ATOM 1595 N GLY B 69 18.512 -12.954 15.230 1.00 14.77 N -ATOM 1596 CA GLY B 69 18.843 -14.169 15.499 1.00 20.29 C -ATOM 1597 C GLY B 69 17.847 -15.440 15.178 1.00 17.59 C -ATOM 1598 O GLY B 69 17.982 -16.324 14.534 1.00 19.02 O -ATOM 1599 N ALA B 70 16.471 -14.870 15.541 1.00 19.76 N -ATOM 1600 CA ALA B 70 15.432 -15.582 15.055 1.00 20.35 C -ATOM 1601 C ALA B 70 15.296 -15.691 13.506 1.00 16.36 C -ATOM 1602 O ALA B 70 14.996 -16.706 12.805 1.00 18.12 O -ATOM 1603 CB ALA B 70 14.137 -15.174 15.556 1.00 18.92 C -ATOM 1604 N PHE B 71 15.441 -14.520 12.868 1.00 14.47 N -ATOM 1605 CA PHE B 71 15.473 -14.523 11.393 1.00 18.37 C -ATOM 1606 C PHE B 71 16.681 -15.484 10.885 1.00 23.80 C -ATOM 1607 O PHE B 71 16.324 -16.238 10.064 1.00 20.23 O -ATOM 1608 CB PHE B 71 15.760 -13.050 11.104 1.00 13.73 C -ATOM 1609 CG PHE B 71 15.796 -12.885 9.606 1.00 18.08 C -ATOM 1610 CD1 PHE B 71 14.729 -12.558 8.930 1.00 25.10 C -ATOM 1611 CD2 PHE B 71 17.072 -12.967 8.830 1.00 17.17 C -ATOM 1612 CE1 PHE B 71 14.623 -12.282 7.460 1.00 19.10 C -ATOM 1613 CE2 PHE B 71 16.901 -12.741 7.550 1.00 22.20 C -ATOM 1614 CZ PHE B 71 15.701 -12.364 6.812 1.00 12.94 C -ATOM 1615 N SER B 72 17.595 -15.502 11.393 1.00 20.10 N -ATOM 1616 CA SER B 72 18.969 -16.288 11.125 1.00 20.52 C -ATOM 1617 C SER B 72 18.446 -17.702 11.027 1.00 24.58 C -ATOM 1618 O SER B 72 18.709 -18.593 10.064 1.00 22.06 O -ATOM 1619 CB SER B 72 20.232 -15.732 11.864 1.00 15.28 C -ATOM 1620 OG SER B 72 21.400 -16.267 11.544 1.00 25.10 O -ATOM 1621 N ASP B 73 17.933 -17.999 12.102 1.00 27.59 N -ATOM 1622 CA ASP B 73 17.456 -19.508 12.282 1.00 37.45 C -ATOM 1623 C ASP B 73 16.631 -19.746 11.447 1.00 25.08 C -ATOM 1624 O ASP B 73 16.306 -20.962 10.848 1.00 31.64 O -ATOM 1625 CB ASP B 73 17.022 -19.613 13.914 1.00 36.32 C -ATOM 1626 CG ASP B 73 18.407 -19.595 14.926 1.00 45.09 C -ATOM 1627 OD1 ASP B 73 19.800 -19.407 14.506 1.00 37.33 O -ATOM 1628 OD2 ASP B 73 18.096 -19.496 15.880 1.00 52.94 O -ATOM 1629 N GLY B 74 15.535 -19.019 10.954 1.00 21.04 N -ATOM 1630 CA GLY B 74 14.735 -19.149 9.973 1.00 15.14 C -ATOM 1631 C GLY B 74 14.988 -19.490 8.722 1.00 22.81 C -ATOM 1632 O GLY B 74 14.637 -20.071 7.621 1.00 25.94 O -ATOM 1633 N LEU B 75 16.509 -18.919 8.215 1.00 20.94 N -ATOM 1634 CA LEU B 75 17.037 -19.090 6.965 1.00 15.84 C -ATOM 1635 C LEU B 75 17.465 -20.570 6.842 1.00 26.11 C -ATOM 1636 O LEU B 75 17.646 -20.979 5.741 1.00 28.14 O -ATOM 1637 CB LEU B 75 18.377 -18.389 6.691 1.00 21.09 C -ATOM 1638 CG LEU B 75 18.160 -17.146 6.885 1.00 27.76 C -ATOM 1639 CD1 LEU B 75 19.415 -16.065 6.621 1.00 33.03 C -ATOM 1640 CD2 LEU B 75 17.192 -16.405 5.891 1.00 30.01 C -ATOM 1641 N ALA B 76 17.528 -21.312 7.923 1.00 21.21 N -ATOM 1642 CA ALA B 76 17.717 -22.609 7.710 1.00 22.79 C -ATOM 1643 C ALA B 76 16.647 -23.681 7.464 1.00 40.88 C -ATOM 1644 O ALA B 76 16.656 -24.527 7.123 1.00 38.44 O -ATOM 1645 CB ALA B 76 18.164 -23.328 9.061 1.00 29.05 C -ATOM 1646 N HIS B 77 15.219 -22.886 7.385 1.00 23.87 N -ATOM 1647 CA HIS B 77 13.929 -23.700 7.284 1.00 21.57 C -ATOM 1648 C HIS B 77 13.284 -22.870 6.150 1.00 18.37 C -ATOM 1649 O HIS B 77 12.059 -22.798 6.220 1.00 23.13 O -ATOM 1650 CB HIS B 77 13.250 -23.395 8.460 1.00 29.02 C -ATOM 1651 CG HIS B 77 14.079 -24.146 9.683 1.00 36.16 C -ATOM 1652 ND1 HIS B 77 14.936 -23.842 10.757 1.00 45.10 N -ATOM 1653 CD2 HIS B 77 14.095 -25.953 9.360 1.00 41.12 C -ATOM 1654 CE1 HIS B 77 15.178 -24.891 11.130 1.00 37.52 C -ATOM 1655 NE2 HIS B 77 14.852 -25.983 10.561 1.00 42.04 N -ATOM 1656 N LEU B 78 13.874 -22.553 5.099 1.00 22.31 N -ATOM 1657 CA LEU B 78 13.302 -21.614 4.148 1.00 20.28 C -ATOM 1658 C LEU B 78 12.283 -22.522 3.216 1.00 31.20 C -ATOM 1659 O LEU B 78 11.288 -21.899 3.087 1.00 34.80 O -ATOM 1660 CB LEU B 78 14.257 -21.383 2.881 1.00 19.92 C -ATOM 1661 CG LEU B 78 14.986 -19.978 3.420 1.00 39.49 C -ATOM 1662 CD1 LEU B 78 16.407 -19.926 2.680 1.00 34.16 C -ATOM 1663 CD2 LEU B 78 14.406 -18.731 3.892 1.00 31.09 C -ATOM 1664 N ASP B 79 12.097 -23.916 3.393 1.00 31.59 N -ATOM 1665 CA ASP B 79 11.104 -24.882 2.602 1.00 37.85 C -ATOM 1666 C ASP B 79 9.843 -24.653 3.569 1.00 38.72 C -ATOM 1667 O ASP B 79 9.096 -25.342 3.631 1.00 37.62 O -ATOM 1668 CB ASP B 79 11.737 -26.234 3.104 1.00 48.10 C -ATOM 1669 CG ASP B 79 12.662 -26.319 2.384 1.00 61.60 C -ATOM 1670 OD1 ASP B 79 13.286 -27.317 2.464 1.00 57.05 O -ATOM 1671 OD2 ASP B 79 12.655 -25.818 0.790 1.00 50.26 O -ATOM 1672 N ASN B 80 10.028 -24.212 4.945 1.00 35.73 N -ATOM 1673 CA ASN B 80 8.836 -24.555 6.146 1.00 42.30 C -ATOM 1674 C ASN B 80 9.062 -22.961 6.944 1.00 30.43 C -ATOM 1675 O ASN B 80 8.998 -23.185 7.997 1.00 27.17 O -ATOM 1676 CB ASN B 80 9.098 -25.723 6.800 1.00 45.64 C -ATOM 1677 CG ASN B 80 7.793 -26.259 7.837 1.00 49.79 C -ATOM 1678 OD1 ASN B 80 6.751 -25.228 7.493 1.00 49.18 O -ATOM 1679 ND2 ASN B 80 8.556 -26.466 8.946 1.00 48.18 N -ATOM 1680 N LEU B 81 8.851 -21.845 6.271 1.00 31.23 N -ATOM 1681 CA LEU B 81 8.683 -20.637 7.429 1.00 24.59 C -ATOM 1682 C LEU B 81 7.679 -20.724 8.281 1.00 25.32 C -ATOM 1683 O LEU B 81 7.523 -20.208 9.309 1.00 23.54 O -ATOM 1684 CB LEU B 81 8.987 -19.631 6.449 1.00 29.09 C -ATOM 1685 CG LEU B 81 10.160 -19.226 5.665 1.00 21.46 C -ATOM 1686 CD1 LEU B 81 10.084 -18.185 4.643 1.00 28.62 C -ATOM 1687 CD2 LEU B 81 11.341 -18.875 6.546 1.00 30.82 C -ATOM 1688 N LYS B 82 6.283 -21.136 7.490 1.00 26.15 N -ATOM 1689 CA LYS B 82 5.156 -20.862 8.452 1.00 24.25 C -ATOM 1690 C LYS B 82 5.202 -21.643 9.461 1.00 23.08 C -ATOM 1691 O LYS B 82 4.869 -21.389 10.597 1.00 24.88 O -ATOM 1692 CB LYS B 82 4.142 -21.433 7.392 1.00 40.41 C -ATOM 1693 CG LYS B 82 3.479 -20.229 6.738 1.00 39.73 C -ATOM 1694 CD LYS B 82 2.160 -20.747 5.755 1.00 66.91 C -ATOM 1695 CE LYS B 82 1.685 -20.767 6.266 1.00 59.33 C -ATOM 1696 NZ LYS B 82 -0.023 -22.087 5.346 1.00 80.12 N -ATOM 1697 N GLY B 83 5.725 -22.942 9.358 1.00 26.18 N -ATOM 1698 CA GLY B 83 5.798 -23.724 10.746 1.00 41.64 C -ATOM 1699 C GLY B 83 6.819 -23.249 11.591 1.00 31.59 C -ATOM 1700 O GLY B 83 6.621 -23.464 12.858 1.00 36.40 O -ATOM 1701 N THR B 84 7.985 -22.864 11.019 1.00 26.72 N -ATOM 1702 CA THR B 84 9.150 -22.242 11.744 1.00 25.47 C -ATOM 1703 C THR B 84 8.609 -21.278 12.796 1.00 33.72 C -ATOM 1704 O THR B 84 8.964 -20.907 13.790 1.00 27.43 O -ATOM 1705 CB THR B 84 10.394 -21.742 11.042 1.00 25.58 C -ATOM 1706 OG1 THR B 84 10.806 -23.108 10.337 1.00 39.04 O -ATOM 1707 CG2 THR B 84 11.362 -21.482 11.789 1.00 30.76 C -ATOM 1708 N PHE B 85 7.740 -20.301 12.125 1.00 23.61 N -ATOM 1709 CA PHE B 85 7.236 -18.963 12.749 1.00 21.59 C -ATOM 1710 C PHE B 85 5.980 -19.056 13.414 1.00 28.51 C -ATOM 1711 O PHE B 85 5.496 -18.006 13.809 1.00 18.85 O -ATOM 1712 CB PHE B 85 7.575 -17.733 11.855 1.00 18.34 C -ATOM 1713 CG PHE B 85 8.914 -17.486 11.587 1.00 13.87 C -ATOM 1714 CD1 PHE B 85 9.583 -17.701 10.358 1.00 16.61 C -ATOM 1715 CD2 PHE B 85 9.616 -17.039 12.693 1.00 18.32 C -ATOM 1716 CE1 PHE B 85 11.009 -17.444 10.305 1.00 27.99 C -ATOM 1717 CE2 PHE B 85 11.013 -16.752 12.253 1.00 21.68 C -ATOM 1718 CZ PHE B 85 11.837 -16.973 11.161 1.00 21.59 C -ATOM 1719 N ALA B 86 5.328 -20.141 13.373 1.00 22.16 N -ATOM 1720 CA ALA B 86 3.899 -20.242 13.948 1.00 23.14 C -ATOM 1721 C ALA B 86 3.715 -19.788 15.246 1.00 20.99 C -ATOM 1722 O ALA B 86 2.881 -18.975 15.595 1.00 20.07 O -ATOM 1723 CB ALA B 86 3.272 -21.660 13.783 1.00 23.69 C -ATOM 1724 N THR B 87 4.501 -20.280 16.157 1.00 14.82 N -ATOM 1725 CA THR B 87 4.271 -19.764 17.443 1.00 18.61 C -ATOM 1726 C THR B 87 4.737 -18.271 17.729 1.00 25.42 C -ATOM 1727 O THR B 87 4.013 -17.569 18.383 1.00 23.63 O -ATOM 1728 CB THR B 87 5.631 -20.439 18.664 1.00 36.27 C -ATOM 1729 OG1 THR B 87 5.010 -21.597 18.659 1.00 56.82 O -ATOM 1730 CG2 THR B 87 4.455 -20.311 20.305 1.00 60.80 C -ATOM 1731 N LEU B 88 5.836 -17.770 16.978 1.00 19.44 N -ATOM 1732 CA LEU B 88 5.984 -16.362 17.087 1.00 17.97 C -ATOM 1733 C LEU B 88 4.882 -15.510 16.526 1.00 11.34 C -ATOM 1734 O LEU B 88 4.682 -14.416 16.964 1.00 17.71 O -ATOM 1735 CB LEU B 88 7.361 -16.058 16.476 1.00 20.20 C -ATOM 1736 CG LEU B 88 8.654 -16.553 17.229 1.00 27.17 C -ATOM 1737 CD1 LEU B 88 9.614 -15.962 16.454 1.00 32.32 C -ATOM 1738 CD2 LEU B 88 8.631 -15.491 18.343 1.00 27.72 C -ATOM 1739 N SER B 89 4.254 -16.087 15.451 1.00 12.58 N -ATOM 1740 CA SER B 89 3.084 -15.313 14.877 1.00 15.21 C -ATOM 1741 C SER B 89 1.999 -14.995 15.898 1.00 14.13 C -ATOM 1742 O SER B 89 1.472 -13.894 16.189 1.00 14.29 O -ATOM 1743 CB SER B 89 2.771 -16.248 13.670 1.00 18.34 C -ATOM 1744 OG SER B 89 1.531 -15.441 13.107 1.00 17.85 O -ATOM 1745 N GLU B 90 1.628 -16.201 16.484 1.00 14.25 N -ATOM 1746 CA GLU B 90 0.931 -16.070 17.617 1.00 20.50 C -ATOM 1747 C GLU B 90 0.876 -15.142 18.820 1.00 13.47 C -ATOM 1748 O GLU B 90 0.179 -14.243 19.122 1.00 16.05 O -ATOM 1749 CB GLU B 90 0.387 -17.706 18.270 1.00 21.76 C -ATOM 1750 CG GLU B 90 0.049 -18.266 17.145 1.00 48.13 C -ATOM 1751 CD GLU B 90 -0.726 -20.095 17.710 1.00 78.64 C -ATOM 1752 OE1 GLU B 90 -1.132 -19.837 18.495 1.00 55.55 O -ATOM 1753 OE2 GLU B 90 0.235 -20.950 17.492 1.00 74.37 O -ATOM 1754 N LEU B 91 2.312 -15.215 19.185 1.00 13.36 N -ATOM 1755 CA LEU B 91 2.718 -14.253 20.128 1.00 14.20 C -ATOM 1756 C LEU B 91 2.527 -12.831 19.767 1.00 8.80 C -ATOM 1757 O LEU B 91 2.160 -11.906 20.481 1.00 10.74 O -ATOM 1758 CB LEU B 91 4.110 -14.807 20.432 1.00 12.00 C -ATOM 1759 CG LEU B 91 4.669 -13.801 21.348 1.00 18.50 C -ATOM 1760 CD1 LEU B 91 4.127 -14.212 22.834 1.00 20.79 C -ATOM 1761 CD2 LEU B 91 5.943 -13.652 21.455 1.00 37.40 C -ATOM 1762 N HIS B 92 3.059 -12.662 18.493 1.00 10.78 N -ATOM 1763 CA HIS B 92 3.032 -11.268 18.253 1.00 11.85 C -ATOM 1764 C HIS B 92 1.536 -10.600 17.895 1.00 11.06 C -ATOM 1765 O HIS B 92 1.291 -9.431 18.158 1.00 13.45 O -ATOM 1766 CB HIS B 92 3.754 -11.078 16.807 1.00 9.95 C -ATOM 1767 CG HIS B 92 5.289 -10.900 17.051 1.00 15.50 C -ATOM 1768 ND1 HIS B 92 6.099 -12.172 17.134 1.00 15.27 N -ATOM 1769 CD2 HIS B 92 6.215 -9.905 16.994 1.00 23.76 C -ATOM 1770 CE1 HIS B 92 7.432 -11.572 17.375 1.00 16.99 C -ATOM 1771 NE2 HIS B 92 7.367 -10.337 17.129 1.00 14.76 N -ATOM 1772 N CYS B 93 0.636 -11.512 17.534 1.00 14.83 N -ATOM 1773 CA CYS B 93 -0.706 -11.057 17.499 1.00 12.23 C -ATOM 1774 C CYS B 93 -1.360 -10.953 18.986 1.00 10.49 C -ATOM 1775 O CYS B 93 -1.843 -9.987 19.222 1.00 18.01 O -ATOM 1776 CB CYS B 93 -1.330 -12.054 16.605 1.00 15.43 C -ATOM 1777 SG CYS B 93 -3.259 -11.741 16.494 1.00 18.37 S -ATOM 1778 N ASP B 94 -1.338 -12.094 19.598 1.00 13.11 N -ATOM 1779 CA ASP B 94 -2.308 -12.076 20.721 1.00 15.32 C -ATOM 1780 C ASP B 94 -1.586 -11.449 21.803 1.00 25.71 C -ATOM 1781 O ASP B 94 -2.319 -10.827 22.800 1.00 21.65 O -ATOM 1782 CB ASP B 94 -2.522 -13.477 21.183 1.00 21.65 C -ATOM 1783 CG ASP B 94 -3.443 -14.553 20.246 1.00 42.42 C -ATOM 1784 OD1 ASP B 94 -3.967 -13.792 19.626 1.00 30.02 O -ATOM 1785 OD2 ASP B 94 -3.094 -15.441 20.443 1.00 43.30 O -ATOM 1786 N LYS B 95 -0.348 -11.361 22.144 1.00 18.55 N -ATOM 1787 CA LYS B 95 0.080 -10.591 23.184 1.00 19.10 C -ATOM 1788 C LYS B 95 0.803 -9.499 23.130 1.00 19.57 C -ATOM 1789 O LYS B 95 0.736 -8.565 23.699 1.00 21.87 O -ATOM 1790 CB LYS B 95 1.151 -11.737 23.890 1.00 25.95 C -ATOM 1791 CG LYS B 95 0.477 -13.054 24.377 1.00 24.86 C -ATOM 1792 CD LYS B 95 -0.659 -12.473 25.407 1.00 36.14 C -ATOM 1793 CE LYS B 95 -1.063 -13.745 26.122 1.00 47.76 C -ATOM 1794 NZ LYS B 95 -2.126 -13.501 26.952 1.00 55.91 N -ATOM 1795 N LEU B 96 1.669 -9.358 21.897 1.00 12.40 N -ATOM 1796 CA LEU B 96 2.264 -8.159 21.581 1.00 11.86 C -ATOM 1797 C LEU B 96 1.626 -7.005 20.824 1.00 15.10 C -ATOM 1798 O LEU B 96 2.002 -5.926 20.849 1.00 17.50 O -ATOM 1799 CB LEU B 96 3.645 -8.491 21.134 1.00 14.08 C -ATOM 1800 CG LEU B 96 4.528 -9.722 21.739 1.00 12.34 C -ATOM 1801 CD1 LEU B 96 5.778 -9.939 20.848 1.00 13.78 C -ATOM 1802 CD2 LEU B 96 4.863 -8.876 23.113 1.00 22.81 C -ATOM 1803 N HIS B 97 0.616 -7.508 20.069 1.00 15.44 N -ATOM 1804 CA HIS B 97 -0.223 -6.510 19.374 1.00 18.15 C -ATOM 1805 C HIS B 97 0.581 -5.736 18.319 1.00 12.24 C -ATOM 1806 O HIS B 97 0.337 -4.532 18.056 1.00 15.82 O -ATOM 1807 CB HIS B 97 -1.053 -5.508 20.203 1.00 17.74 C -ATOM 1808 CG HIS B 97 -1.716 -6.273 21.483 1.00 16.77 C -ATOM 1809 ND1 HIS B 97 -2.602 -7.310 21.250 1.00 19.56 N -ATOM 1810 CD2 HIS B 97 -1.189 -6.197 22.703 1.00 23.33 C -ATOM 1811 CE1 HIS B 97 -2.759 -7.812 22.476 1.00 19.82 C -ATOM 1812 NE2 HIS B 97 -2.056 -7.104 23.341 1.00 20.39 N -ATOM 1813 N VAL B 98 1.359 -6.524 17.506 1.00 13.81 N -ATOM 1814 CA VAL B 98 2.284 -5.763 16.567 1.00 9.22 C -ATOM 1815 C VAL B 98 1.443 -5.905 15.109 1.00 9.86 C -ATOM 1816 O VAL B 98 1.420 -7.012 14.615 1.00 12.90 O -ATOM 1817 CB VAL B 98 3.592 -6.460 16.393 1.00 9.87 C -ATOM 1818 CG1 VAL B 98 4.438 -5.824 15.405 1.00 14.91 C -ATOM 1819 CG2 VAL B 98 4.444 -6.258 17.798 1.00 11.36 C -ATOM 1820 N ASP B 99 1.147 -4.763 14.513 1.00 11.46 N -ATOM 1821 CA ASP B 99 0.360 -4.723 13.272 1.00 9.02 C -ATOM 1822 C ASP B 99 1.555 -5.328 12.375 1.00 15.41 C -ATOM 1823 O ASP B 99 2.744 -4.931 12.235 1.00 10.63 O -ATOM 1824 CB ASP B 99 0.336 -3.327 12.907 1.00 9.79 C -ATOM 1825 CG ASP B 99 -0.231 -3.002 11.431 1.00 10.69 C -ATOM 1826 OD1 ASP B 99 -0.535 -1.748 11.309 1.00 15.04 O -ATOM 1827 OD2 ASP B 99 -0.299 -4.052 10.734 1.00 11.07 O -ATOM 1828 N PRO B 100 1.274 -6.350 11.556 1.00 10.46 N -ATOM 1829 CA PRO B 100 2.264 -7.099 10.669 1.00 11.87 C -ATOM 1830 C PRO B 100 2.744 -6.170 9.522 1.00 13.04 C -ATOM 1831 O PRO B 100 3.883 -6.627 8.995 1.00 13.79 O -ATOM 1832 CB PRO B 100 1.545 -8.233 10.081 1.00 17.03 C -ATOM 1833 CG PRO B 100 0.234 -8.243 10.793 1.00 17.33 C -ATOM 1834 CD PRO B 100 -0.030 -7.028 11.592 1.00 9.97 C -ATOM 1835 N GLU B 101 2.300 -4.973 9.393 1.00 9.66 N -ATOM 1836 CA GLU B 101 2.927 -3.983 8.469 1.00 11.29 C -ATOM 1837 C GLU B 101 4.322 -3.633 8.825 1.00 17.59 C -ATOM 1838 O GLU B 101 5.293 -3.640 8.196 1.00 16.98 O -ATOM 1839 CB GLU B 101 2.178 -2.819 8.156 1.00 18.71 C -ATOM 1840 CG GLU B 101 2.755 -1.760 7.270 1.00 30.25 C -ATOM 1841 CD GLU B 101 2.569 -2.612 5.445 1.00 26.27 C -ATOM 1842 OE1 GLU B 101 1.725 -3.411 5.564 1.00 25.29 O -ATOM 1843 OE2 GLU B 101 3.441 -1.765 5.293 1.00 34.30 O -ATOM 1844 N ASN B 102 4.601 -3.752 10.314 1.00 12.60 N -ATOM 1845 CA ASN B 102 5.969 -3.548 10.721 1.00 9.48 C -ATOM 1846 C ASN B 102 6.861 -4.572 10.309 1.00 8.44 C -ATOM 1847 O ASN B 102 8.118 -4.224 10.106 1.00 13.92 O -ATOM 1848 CB ASN B 102 5.901 -3.665 12.265 1.00 18.27 C -ATOM 1849 CG ASN B 102 5.284 -2.285 12.825 1.00 26.18 C -ATOM 1850 OD1 ASN B 102 5.641 -1.422 12.815 1.00 20.87 O -ATOM 1851 ND2 ASN B 102 4.003 -2.618 13.502 1.00 25.76 N -ATOM 1852 N PHE B 103 6.584 -5.846 10.057 1.00 11.66 N -ATOM 1853 CA PHE B 103 7.332 -6.920 9.605 1.00 11.79 C -ATOM 1854 C PHE B 103 7.931 -6.435 8.177 1.00 19.35 C -ATOM 1855 O PHE B 103 8.997 -6.751 7.762 1.00 16.06 O -ATOM 1856 CB PHE B 103 6.816 -8.253 9.574 1.00 12.75 C -ATOM 1857 CG PHE B 103 6.173 -8.727 10.951 1.00 17.48 C -ATOM 1858 CD1 PHE B 103 6.884 -8.372 12.079 1.00 13.65 C -ATOM 1859 CD2 PHE B 103 5.035 -9.335 10.925 1.00 13.36 C -ATOM 1860 CE1 PHE B 103 6.240 -8.652 13.315 1.00 14.94 C -ATOM 1861 CE2 PHE B 103 4.498 -9.665 12.273 1.00 14.24 C -ATOM 1862 CZ PHE B 103 5.298 -9.364 13.368 1.00 19.61 C -ATOM 1863 N ARG B 104 6.970 -5.873 7.380 1.00 13.60 N -ATOM 1864 CA ARG B 104 7.430 -5.624 6.005 1.00 17.00 C -ATOM 1865 C ARG B 104 8.326 -4.499 5.935 1.00 13.66 C -ATOM 1866 O ARG B 104 9.337 -4.368 5.141 1.00 13.41 O -ATOM 1867 CB ARG B 104 6.018 -5.177 5.223 1.00 18.62 C -ATOM 1868 CG ARG B 104 5.137 -6.280 4.965 1.00 31.60 C -ATOM 1869 CD ARG B 104 3.494 -6.093 4.370 1.00 44.99 C -ATOM 1870 NE ARG B 104 2.810 -7.429 5.065 1.00 53.69 N -ATOM 1871 CZ ARG B 104 1.600 -6.829 3.420 1.00 80.12 C -ATOM 1872 NH1 ARG B 104 0.761 -5.157 3.344 1.00 72.76 N -ATOM 1873 NH2 ARG B 104 1.186 -8.540 2.528 1.00 80.07 N -ATOM 1874 N LEU B 105 8.064 -3.438 6.831 1.00 12.29 N -ATOM 1875 CA LEU B 105 8.899 -2.275 6.982 1.00 11.07 C -ATOM 1876 C LEU B 105 10.327 -2.808 7.482 1.00 13.91 C -ATOM 1877 O LEU B 105 11.317 -2.347 6.887 1.00 14.94 O -ATOM 1878 CB LEU B 105 8.443 -1.409 8.005 1.00 12.50 C -ATOM 1879 CG LEU B 105 7.121 -0.514 7.549 1.00 17.21 C -ATOM 1880 CD1 LEU B 105 6.747 0.236 8.813 1.00 19.52 C -ATOM 1881 CD2 LEU B 105 7.420 0.384 6.353 1.00 25.82 C -ATOM 1882 N LEU B 106 10.302 -3.738 8.415 1.00 16.16 N -ATOM 1883 CA LEU B 106 11.679 -4.227 8.855 1.00 11.19 C -ATOM 1884 C LEU B 106 12.325 -4.914 7.713 1.00 11.49 C -ATOM 1885 O LEU B 106 13.544 -4.734 7.492 1.00 14.59 O -ATOM 1886 CB LEU B 106 11.615 -5.043 10.074 1.00 9.57 C -ATOM 1887 CG LEU B 106 12.904 -5.567 10.740 1.00 14.52 C -ATOM 1888 CD1 LEU B 106 13.738 -4.483 11.015 1.00 20.21 C -ATOM 1889 CD2 LEU B 106 12.609 -6.504 11.567 1.00 25.23 C -ATOM 1890 N GLY B 107 11.728 -5.699 6.854 1.00 8.80 N -ATOM 1891 CA GLY B 107 12.297 -6.476 5.851 1.00 11.35 C -ATOM 1892 C GLY B 107 12.781 -5.426 4.844 1.00 11.83 C -ATOM 1893 O GLY B 107 13.958 -5.700 4.332 1.00 14.42 O -ATOM 1894 N ASN B 108 12.187 -4.243 4.553 1.00 11.55 N -ATOM 1895 CA ASN B 108 12.802 -3.506 3.538 1.00 9.47 C -ATOM 1896 C ASN B 108 14.026 -2.647 4.184 1.00 9.85 C -ATOM 1897 O ASN B 108 14.983 -2.466 3.460 1.00 13.16 O -ATOM 1898 CB ASN B 108 11.824 -2.458 3.182 1.00 16.47 C -ATOM 1899 CG ASN B 108 10.727 -3.234 1.924 1.00 25.36 C -ATOM 1900 OD1 ASN B 108 11.335 -4.320 1.398 1.00 28.00 O -ATOM 1901 ND2 ASN B 108 10.036 -2.270 2.100 1.00 42.45 N -ATOM 1902 N VAL B 109 14.008 -2.327 5.491 1.00 11.97 N -ATOM 1903 CA VAL B 109 15.193 -1.717 6.001 1.00 8.99 C -ATOM 1904 C VAL B 109 16.259 -2.676 6.124 1.00 12.55 C -ATOM 1905 O VAL B 109 17.518 -2.304 5.902 1.00 13.71 O -ATOM 1906 CB VAL B 109 14.853 -1.250 7.488 1.00 15.07 C -ATOM 1907 CG1 VAL B 109 16.100 -0.810 8.069 1.00 19.91 C -ATOM 1908 CG2 VAL B 109 13.852 0.066 7.393 1.00 15.78 C -ATOM 1909 N LEU B 110 16.030 -4.023 6.388 1.00 9.97 N -ATOM 1910 CA LEU B 110 17.059 -5.101 6.357 1.00 9.78 C -ATOM 1911 C LEU B 110 17.764 -5.056 5.040 1.00 13.14 C -ATOM 1912 O LEU B 110 18.980 -5.187 4.895 1.00 11.97 O -ATOM 1913 CB LEU B 110 16.410 -6.369 6.847 1.00 11.11 C -ATOM 1914 CG LEU B 110 17.490 -7.596 6.862 1.00 18.59 C -ATOM 1915 CD1 LEU B 110 18.696 -7.290 7.723 1.00 24.07 C -ATOM 1916 CD2 LEU B 110 17.031 -8.897 7.193 1.00 21.67 C -ATOM 1917 N VAL B 111 17.015 -5.083 3.938 1.00 10.25 N -ATOM 1918 CA VAL B 111 17.517 -5.121 2.535 1.00 8.08 C -ATOM 1919 C VAL B 111 18.459 -3.959 2.465 1.00 10.10 C -ATOM 1920 O VAL B 111 19.605 -3.960 1.822 1.00 14.18 O -ATOM 1921 CB VAL B 111 16.320 -5.216 1.576 1.00 11.95 C -ATOM 1922 CG1 VAL B 111 16.949 -4.942 0.196 1.00 16.64 C -ATOM 1923 CG2 VAL B 111 15.888 -6.643 1.659 1.00 12.92 C -ATOM 1924 N CYS B 112 18.155 -2.685 2.811 1.00 10.01 N -ATOM 1925 CA CYS B 112 18.863 -1.400 2.699 1.00 9.19 C -ATOM 1926 C CYS B 112 20.143 -1.657 3.581 1.00 14.92 C -ATOM 1927 O CYS B 112 21.199 -1.284 3.015 1.00 13.93 O -ATOM 1928 CB CYS B 112 18.369 -0.230 3.207 1.00 15.04 C -ATOM 1929 SG CYS B 112 16.911 0.308 2.042 1.00 18.10 S -ATOM 1930 N VAL B 113 19.969 -2.202 4.651 1.00 9.52 N -ATOM 1931 CA VAL B 113 21.202 -2.512 5.398 1.00 11.92 C -ATOM 1932 C VAL B 113 22.035 -3.532 4.865 1.00 15.57 C -ATOM 1933 O VAL B 113 23.397 -3.138 4.862 1.00 13.38 O -ATOM 1934 CB VAL B 113 20.888 -2.948 6.932 1.00 12.70 C -ATOM 1935 CG1 VAL B 113 22.031 -3.383 7.663 1.00 17.23 C -ATOM 1936 CG2 VAL B 113 20.282 -1.893 7.694 1.00 17.43 C -ATOM 1937 N LEU B 114 21.768 -4.615 4.224 1.00 10.74 N -ATOM 1938 CA LEU B 114 22.632 -5.454 3.485 1.00 10.20 C -ATOM 1939 C LEU B 114 23.346 -4.641 2.455 1.00 10.87 C -ATOM 1940 O LEU B 114 24.522 -5.071 2.156 1.00 12.76 O -ATOM 1941 CB LEU B 114 21.856 -6.600 3.242 1.00 6.84 C -ATOM 1942 CG LEU B 114 21.362 -7.530 4.328 1.00 10.74 C -ATOM 1943 CD1 LEU B 114 20.435 -8.554 3.798 1.00 15.38 C -ATOM 1944 CD2 LEU B 114 22.500 -8.141 5.077 1.00 21.35 C -ATOM 1945 N ALA B 115 22.472 -3.897 1.677 1.00 9.28 N -ATOM 1946 CA ALA B 115 23.134 -3.206 0.546 1.00 9.22 C -ATOM 1947 C ALA B 115 24.284 -2.278 1.091 1.00 9.44 C -ATOM 1948 O ALA B 115 25.320 -2.142 0.446 1.00 12.10 O -ATOM 1949 CB ALA B 115 21.930 -2.539 -0.036 1.00 12.15 C -ATOM 1950 N HIS B 116 23.975 -1.612 2.171 1.00 13.11 N -ATOM 1951 CA HIS B 116 25.023 -0.593 2.641 1.00 12.81 C -ATOM 1952 C HIS B 116 26.176 -1.395 3.061 1.00 18.85 C -ATOM 1953 O HIS B 116 27.357 -0.986 2.878 1.00 16.05 O -ATOM 1954 CB HIS B 116 24.442 0.070 3.767 1.00 17.43 C -ATOM 1955 CG HIS B 116 25.164 1.158 4.279 1.00 27.80 C -ATOM 1956 ND1 HIS B 116 25.567 1.157 5.736 1.00 27.30 N -ATOM 1957 CD2 HIS B 116 25.793 2.195 3.793 1.00 25.62 C -ATOM 1958 CE1 HIS B 116 26.226 2.480 5.818 1.00 29.22 C -ATOM 1959 NE2 HIS B 116 26.570 2.986 4.660 1.00 26.05 N -ATOM 1960 N HIS B 117 26.066 -2.490 3.850 1.00 11.35 N -ATOM 1961 CA HIS B 117 27.064 -3.366 4.194 1.00 18.75 C -ATOM 1962 C HIS B 117 27.881 -3.985 3.242 1.00 20.53 C -ATOM 1963 O HIS B 117 29.104 -4.114 3.403 1.00 17.07 O -ATOM 1964 CB HIS B 117 26.621 -4.637 5.175 1.00 19.57 C -ATOM 1965 CG HIS B 117 27.096 -4.621 6.444 1.00 39.90 C -ATOM 1966 ND1 HIS B 117 26.039 -3.036 6.824 1.00 47.73 N -ATOM 1967 CD2 HIS B 117 28.146 -5.329 7.512 1.00 38.82 C -ATOM 1968 CE1 HIS B 117 26.295 -2.928 8.550 1.00 27.38 C -ATOM 1969 NE2 HIS B 117 26.763 -4.335 8.924 1.00 51.83 N -ATOM 1970 N PHE B 118 27.367 -4.628 2.104 1.00 13.44 N -ATOM 1971 CA PHE B 118 27.888 -5.419 1.096 1.00 13.47 C -ATOM 1972 C PHE B 118 28.280 -4.574 -0.126 1.00 14.52 C -ATOM 1973 O PHE B 118 29.082 -5.219 -0.874 1.00 15.85 O -ATOM 1974 CB PHE B 118 27.174 -6.618 0.947 1.00 14.99 C -ATOM 1975 CG PHE B 118 27.310 -7.470 1.980 1.00 22.65 C -ATOM 1976 CD1 PHE B 118 26.224 -7.666 2.855 1.00 28.61 C -ATOM 1977 CD2 PHE B 118 28.549 -8.159 2.601 1.00 34.26 C -ATOM 1978 CE1 PHE B 118 26.242 -8.675 3.981 1.00 29.50 C -ATOM 1979 CE2 PHE B 118 28.351 -9.080 3.277 1.00 36.60 C -ATOM 1980 CZ PHE B 118 27.627 -9.130 4.417 1.00 30.15 C -ATOM 1981 N GLY B 119 27.701 -3.412 -0.335 1.00 13.81 N -ATOM 1982 CA GLY B 119 28.107 -2.567 -1.533 1.00 14.28 C -ATOM 1983 C GLY B 119 27.814 -3.353 -2.686 1.00 17.07 C -ATOM 1984 O GLY B 119 26.808 -4.212 -2.888 1.00 16.48 O -ATOM 1985 N LYS B 120 28.740 -3.472 -3.465 1.00 19.17 N -ATOM 1986 CA LYS B 120 28.535 -4.059 -4.848 1.00 27.00 C -ATOM 1987 C LYS B 120 28.486 -5.640 -4.886 1.00 25.94 C -ATOM 1988 O LYS B 120 27.868 -6.039 -5.935 1.00 20.66 O -ATOM 1989 CB LYS B 120 29.863 -3.838 -5.852 1.00 31.85 C -ATOM 1990 CG LYS B 120 30.960 -4.510 -5.562 1.00 36.58 C -ATOM 1991 CD LYS B 120 32.161 -4.170 -6.625 1.00 49.76 C -ATOM 1992 CE LYS B 120 33.201 -5.292 -5.966 1.00 55.47 C -ATOM 1993 NZ LYS B 120 34.292 -5.686 -6.589 1.00 71.03 N -ATOM 1994 N GLU B 121 28.720 -6.302 -3.902 1.00 20.26 N -ATOM 1995 CA GLU B 121 28.393 -7.556 -3.778 1.00 15.17 C -ATOM 1996 C GLU B 121 26.786 -7.871 -3.622 1.00 13.63 C -ATOM 1997 O GLU B 121 26.362 -9.055 -3.923 1.00 17.16 O -ATOM 1998 CB GLU B 121 29.233 -8.318 -2.533 1.00 29.40 C -ATOM 1999 CG GLU B 121 29.541 -9.342 -2.700 1.00 50.25 C -ATOM 2000 CD GLU B 121 30.241 -9.882 -0.830 1.00 42.74 C -ATOM 2001 OE1 GLU B 121 29.786 -11.667 -1.141 1.00 47.83 O -ATOM 2002 OE2 GLU B 121 31.217 -9.425 -1.168 1.00 34.52 O -ATOM 2003 N PHE B 122 26.054 -6.831 -3.241 1.00 14.63 N -ATOM 2004 CA PHE B 122 24.581 -7.077 -3.075 1.00 15.34 C -ATOM 2005 C PHE B 122 24.015 -6.737 -4.532 1.00 13.61 C -ATOM 2006 O PHE B 122 23.478 -5.701 -4.760 1.00 14.29 O -ATOM 2007 CB PHE B 122 24.133 -6.005 -1.987 1.00 12.07 C -ATOM 2008 CG PHE B 122 22.750 -6.466 -1.525 1.00 11.02 C -ATOM 2009 CD1 PHE B 122 22.540 -7.652 -0.894 1.00 16.65 C -ATOM 2010 CD2 PHE B 122 21.790 -5.593 -1.747 1.00 10.83 C -ATOM 2011 CE1 PHE B 122 21.288 -8.069 -0.329 1.00 13.73 C -ATOM 2012 CE2 PHE B 122 20.427 -5.937 -1.325 1.00 12.97 C -ATOM 2013 CZ PHE B 122 20.322 -7.247 -0.672 1.00 16.05 C -ATOM 2014 N THR B 123 24.216 -7.664 -5.332 1.00 18.07 N -ATOM 2015 CA THR B 123 23.866 -7.444 -6.796 1.00 21.03 C -ATOM 2016 C THR B 123 22.176 -7.347 -6.888 1.00 27.18 C -ATOM 2017 O THR B 123 21.678 -7.911 -6.078 1.00 14.31 O -ATOM 2018 CB THR B 123 24.352 -8.535 -7.622 1.00 19.82 C -ATOM 2019 OG1 THR B 123 24.030 -9.746 -7.305 1.00 17.47 O -ATOM 2020 CG2 THR B 123 25.945 -8.568 -7.681 1.00 22.67 C -ATOM 2021 N PRO B 124 21.821 -7.033 -7.981 1.00 19.47 N -ATOM 2022 CA PRO B 124 20.309 -7.060 -8.306 1.00 20.19 C -ATOM 2023 C PRO B 124 19.874 -8.457 -8.199 1.00 20.69 C -ATOM 2024 O PRO B 124 18.738 -8.543 -7.455 1.00 13.34 O -ATOM 2025 CB PRO B 124 20.074 -6.480 -9.678 1.00 17.09 C -ATOM 2026 CG PRO B 124 21.308 -5.510 -9.842 1.00 18.87 C -ATOM 2027 CD PRO B 124 22.649 -6.190 -9.202 1.00 24.42 C -ATOM 2028 N PRO B 125 20.354 -9.489 -8.576 1.00 16.20 N -ATOM 2029 CA PRO B 125 19.952 -10.892 -8.433 1.00 16.84 C -ATOM 2030 C PRO B 125 19.925 -11.341 -6.992 1.00 14.92 C -ATOM 2031 O PRO B 125 18.950 -11.983 -6.530 1.00 16.05 O -ATOM 2032 CB PRO B 125 20.675 -11.924 -9.198 1.00 19.48 C -ATOM 2033 CG PRO B 125 21.240 -11.056 -10.143 1.00 21.56 C -ATOM 2034 CD PRO B 125 21.611 -9.723 -9.654 1.00 25.73 C -ATOM 2035 N VAL B 126 20.904 -10.923 -6.329 1.00 13.83 N -ATOM 2036 CA VAL B 126 20.919 -11.183 -4.904 1.00 19.80 C -ATOM 2037 C VAL B 126 20.061 -10.295 -4.143 1.00 14.89 C -ATOM 2038 O VAL B 126 19.229 -10.946 -3.203 1.00 13.92 O -ATOM 2039 CB VAL B 126 22.424 -10.769 -4.382 1.00 19.55 C -ATOM 2040 CG1 VAL B 126 22.408 -11.156 -2.912 1.00 21.55 C -ATOM 2041 CG2 VAL B 126 23.366 -11.841 -4.809 1.00 27.82 C -ATOM 2042 N GLN B 127 19.711 -9.155 -4.321 1.00 13.64 N -ATOM 2043 CA GLN B 127 18.607 -8.382 -3.880 1.00 9.72 C -ATOM 2044 C GLN B 127 17.397 -9.130 -3.899 1.00 16.14 C -ATOM 2045 O GLN B 127 16.431 -9.272 -3.189 1.00 12.24 O -ATOM 2046 CB GLN B 127 18.574 -6.951 -4.292 1.00 13.15 C -ATOM 2047 CG GLN B 127 17.258 -6.340 -3.818 1.00 13.42 C -ATOM 2048 CD GLN B 127 17.180 -5.056 -4.465 1.00 16.28 C -ATOM 2049 OE1 GLN B 127 17.979 -4.488 -5.247 1.00 16.20 O -ATOM 2050 NE2 GLN B 127 16.107 -4.400 -4.118 1.00 19.47 N -ATOM 2051 N ALA B 128 17.014 -9.478 -5.230 1.00 15.15 N -ATOM 2052 CA ALA B 128 15.847 -10.225 -5.543 1.00 15.02 C -ATOM 2053 C ALA B 128 15.496 -11.450 -4.737 1.00 11.97 C -ATOM 2054 O ALA B 128 14.413 -11.642 -4.228 1.00 16.35 O -ATOM 2055 CB ALA B 128 15.759 -10.403 -7.092 1.00 17.08 C -ATOM 2056 N ALA B 129 16.462 -12.287 -4.461 1.00 13.66 N -ATOM 2057 CA ALA B 129 16.408 -13.427 -3.647 1.00 13.76 C -ATOM 2058 C ALA B 129 16.208 -12.966 -2.160 1.00 10.22 C -ATOM 2059 O ALA B 129 15.192 -13.627 -1.584 1.00 10.46 O -ATOM 2060 CB ALA B 129 17.632 -14.165 -3.702 1.00 13.23 C -ATOM 2061 N TYR B 130 16.867 -11.953 -1.693 1.00 10.66 N -ATOM 2062 CA TYR B 130 16.462 -11.629 -0.331 1.00 13.05 C -ATOM 2063 C TYR B 130 15.102 -10.929 -0.163 1.00 11.70 C -ATOM 2064 O TYR B 130 14.473 -11.012 0.813 1.00 11.83 O -ATOM 2065 CB TYR B 130 17.543 -10.575 0.161 1.00 11.97 C -ATOM 2066 CG TYR B 130 18.623 -11.287 0.924 1.00 13.90 C -ATOM 2067 CD1 TYR B 130 18.650 -11.526 2.272 1.00 15.61 C -ATOM 2068 CD2 TYR B 130 19.782 -11.574 0.237 1.00 14.18 C -ATOM 2069 CE1 TYR B 130 19.630 -12.272 2.811 1.00 19.97 C -ATOM 2070 CE2 TYR B 130 20.865 -12.543 0.889 1.00 19.65 C -ATOM 2071 CZ TYR B 130 20.770 -12.571 2.260 1.00 22.28 C -ATOM 2072 OH TYR B 130 21.731 -13.339 2.902 1.00 21.52 O -ATOM 2073 N GLN B 131 14.606 -10.236 -1.202 1.00 12.03 N -ATOM 2074 CA GLN B 131 13.282 -9.830 -1.214 1.00 12.03 C -ATOM 2075 C GLN B 131 12.216 -10.851 -1.125 1.00 12.76 C -ATOM 2076 O GLN B 131 11.369 -10.664 -0.189 1.00 15.09 O -ATOM 2077 CB GLN B 131 12.944 -9.078 -2.464 1.00 14.85 C -ATOM 2078 CG GLN B 131 13.735 -7.716 -2.449 1.00 19.57 C -ATOM 2079 CD GLN B 131 13.251 -6.548 -1.638 1.00 22.82 C -ATOM 2080 OE1 GLN B 131 13.981 -5.553 -1.833 1.00 18.44 O -ATOM 2081 NE2 GLN B 131 12.251 -6.415 -0.990 1.00 16.43 N -ATOM 2082 N LYS B 132 12.503 -11.991 -1.746 1.00 12.50 N -ATOM 2083 CA LYS B 132 11.644 -13.098 -1.708 1.00 14.23 C -ATOM 2084 C LYS B 132 11.592 -13.603 -0.224 1.00 17.46 C -ATOM 2085 O LYS B 132 10.599 -13.851 0.497 1.00 14.87 O -ATOM 2086 CB LYS B 132 11.937 -14.147 -2.452 1.00 19.74 C -ATOM 2087 CG LYS B 132 11.561 -13.879 -3.966 1.00 26.28 C -ATOM 2088 CD LYS B 132 11.989 -15.031 -4.739 1.00 31.58 C -ATOM 2089 CE LYS B 132 11.660 -14.274 -6.180 1.00 32.98 C -ATOM 2090 NZ LYS B 132 12.119 -15.998 -6.779 1.00 37.48 N -ATOM 2091 N VAL B 133 12.856 -13.702 0.483 1.00 17.22 N -ATOM 2092 CA VAL B 133 13.038 -14.205 1.805 1.00 11.45 C -ATOM 2093 C VAL B 133 12.401 -13.319 2.840 1.00 11.90 C -ATOM 2094 O VAL B 133 11.556 -13.799 3.731 1.00 13.71 O -ATOM 2095 CB VAL B 133 14.459 -14.401 2.160 1.00 16.41 C -ATOM 2096 CG1 VAL B 133 14.632 -14.683 3.511 1.00 36.18 C -ATOM 2097 CG2 VAL B 133 15.014 -15.541 1.250 1.00 15.51 C -ATOM 2098 N VAL B 134 12.512 -11.981 2.749 1.00 13.21 N -ATOM 2099 CA VAL B 134 12.091 -11.081 3.574 1.00 12.26 C -ATOM 2100 C VAL B 134 10.632 -11.128 3.483 1.00 16.19 C -ATOM 2101 O VAL B 134 9.763 -10.888 4.517 1.00 17.40 O -ATOM 2102 CB VAL B 134 12.356 -9.643 3.780 1.00 11.96 C -ATOM 2103 CG1 VAL B 134 13.841 -9.777 4.082 1.00 18.38 C -ATOM 2104 CG2 VAL B 134 12.314 -8.873 2.475 1.00 14.78 C -ATOM 2105 N ALA B 135 9.938 -11.113 2.262 1.00 13.32 N -ATOM 2106 CA ALA B 135 8.505 -11.237 2.119 1.00 21.37 C -ATOM 2107 C ALA B 135 7.942 -12.494 2.777 1.00 17.09 C -ATOM 2108 O ALA B 135 6.829 -12.512 3.348 1.00 17.43 O -ATOM 2109 CB ALA B 135 8.135 -10.953 0.769 1.00 28.77 C -ATOM 2110 N GLY B 136 8.572 -13.635 2.636 1.00 18.26 N -ATOM 2111 CA GLY B 136 8.219 -15.058 3.189 1.00 19.82 C -ATOM 2112 C GLY B 136 8.146 -14.912 4.633 1.00 16.67 C -ATOM 2113 O GLY B 136 7.260 -15.405 5.231 1.00 15.34 O -ATOM 2114 N VAL B 137 9.300 -14.354 5.275 1.00 19.06 N -ATOM 2115 CA VAL B 137 9.275 -14.229 6.676 1.00 13.40 C -ATOM 2116 C VAL B 137 8.222 -13.320 7.172 1.00 14.98 C -ATOM 2117 O VAL B 137 7.448 -13.726 8.127 1.00 15.32 O -ATOM 2118 CB VAL B 137 10.681 -13.683 7.141 1.00 12.05 C -ATOM 2119 CG1 VAL B 137 10.587 -13.517 8.589 1.00 24.37 C -ATOM 2120 CG2 VAL B 137 11.663 -14.723 6.701 1.00 11.44 C -ATOM 2121 N ALA B 138 7.830 -12.223 6.567 1.00 14.63 N -ATOM 2122 CA ALA B 138 6.739 -11.343 6.960 1.00 14.97 C -ATOM 2123 C ALA B 138 5.477 -12.035 7.025 1.00 14.00 C -ATOM 2124 O ALA B 138 4.520 -11.965 7.766 1.00 15.18 O -ATOM 2125 CB ALA B 138 6.733 -10.129 6.135 1.00 21.60 C -ATOM 2126 N ASN B 139 5.257 -12.632 5.801 1.00 14.76 N -ATOM 2127 CA ASN B 139 3.965 -13.443 5.693 1.00 19.56 C -ATOM 2128 C ASN B 139 3.788 -14.741 6.508 1.00 16.64 C -ATOM 2129 O ASN B 139 2.773 -14.813 7.122 1.00 15.66 O -ATOM 2130 CB ASN B 139 3.915 -14.281 4.273 1.00 32.30 C -ATOM 2131 CG ASN B 139 3.642 -13.817 3.893 1.00 58.46 C -ATOM 2132 OD1 ASN B 139 3.350 -12.337 3.410 1.00 49.38 O -ATOM 2133 ND2 ASN B 139 4.138 -13.358 1.997 1.00 59.02 N -ATOM 2134 N ALA B 140 4.975 -15.279 6.996 1.00 12.53 N -ATOM 2135 CA ALA B 140 4.880 -16.341 7.880 1.00 19.39 C -ATOM 2136 C ALA B 140 4.686 -15.725 9.225 1.00 15.37 C -ATOM 2137 O ALA B 140 3.890 -16.337 10.107 1.00 15.92 O -ATOM 2138 CB ALA B 140 6.298 -17.186 7.962 1.00 22.20 C -ATOM 2139 N LEU B 141 5.135 -14.663 9.697 1.00 12.47 N -ATOM 2140 CA LEU B 141 4.897 -13.957 10.913 1.00 15.63 C -ATOM 2141 C LEU B 141 3.480 -13.697 11.034 1.00 21.66 C -ATOM 2142 O LEU B 141 2.905 -13.294 12.092 1.00 17.40 O -ATOM 2143 CB LEU B 141 5.926 -12.962 11.275 1.00 15.12 C -ATOM 2144 CG LEU B 141 7.158 -13.407 11.868 1.00 17.02 C -ATOM 2145 CD1 LEU B 141 8.083 -12.226 12.076 1.00 19.94 C -ATOM 2146 CD2 LEU B 141 7.122 -13.935 13.238 1.00 21.74 C -ATOM 2147 N ALA B 142 2.836 -13.244 9.876 1.00 12.86 N -ATOM 2148 CA ALA B 142 1.608 -12.628 9.849 1.00 14.61 C -ATOM 2149 C ALA B 142 0.405 -13.995 9.823 1.00 20.31 C -ATOM 2150 O ALA B 142 -0.813 -13.424 10.022 1.00 18.06 O -ATOM 2151 CB ALA B 142 1.282 -11.676 8.702 1.00 21.40 C -ATOM 2152 N HIS B 143 0.842 -15.030 9.582 1.00 17.95 N -ATOM 2153 CA HIS B 143 0.024 -16.256 9.074 1.00 26.37 C -ATOM 2154 C HIS B 143 -1.200 -16.456 10.329 1.00 19.76 C -ATOM 2155 O HIS B 143 -2.306 -16.886 9.956 1.00 21.59 O -ATOM 2156 CB HIS B 143 0.773 -17.382 8.911 1.00 35.96 C -ATOM 2157 CG HIS B 143 -0.236 -18.629 8.237 1.00 57.59 C -ATOM 2158 ND1 HIS B 143 0.057 -19.594 9.608 1.00 48.44 N -ATOM 2159 CD2 HIS B 143 -0.841 -18.281 7.293 1.00 54.87 C -ATOM 2160 CE1 HIS B 143 -0.983 -20.316 8.077 1.00 74.03 C -ATOM 2161 NE2 HIS B 143 -1.640 -19.381 7.013 1.00 57.99 N -ATOM 2162 N LYS B 144 -0.804 -16.302 11.559 1.00 18.69 N -ATOM 2163 CA LYS B 144 -1.735 -16.737 12.588 1.00 14.86 C -ATOM 2164 C LYS B 144 -2.396 -15.617 12.962 1.00 16.55 C -ATOM 2165 O LYS B 144 -3.129 -15.705 14.113 1.00 18.03 O -ATOM 2166 CB LYS B 144 -0.819 -17.365 13.621 1.00 17.13 C -ATOM 2167 CG LYS B 144 -0.392 -18.897 13.123 1.00 20.99 C -ATOM 2168 CD LYS B 144 -1.238 -19.970 13.316 1.00 34.56 C -ATOM 2169 CE LYS B 144 -2.035 -21.775 13.683 1.00 62.41 C -ATOM 2170 NZ LYS B 144 -0.955 -22.424 15.226 1.00 62.40 N -ATOM 2171 N TYR B 145 -2.408 -14.424 12.668 1.00 19.33 N -ATOM 2172 CA TYR B 145 -3.111 -13.193 12.851 1.00 25.80 C -ATOM 2173 C TYR B 145 -4.833 -13.485 12.942 1.00 37.10 C -ATOM 2174 O TYR B 145 -4.989 -14.273 11.858 1.00 25.59 O -ATOM 2175 CB TYR B 145 -2.815 -11.990 12.502 1.00 20.19 C -ATOM 2176 CG TYR B 145 -1.513 -11.202 13.062 1.00 16.11 C -ATOM 2177 CD1 TYR B 145 -1.713 -10.043 13.732 1.00 13.84 C -ATOM 2178 CD2 TYR B 145 -0.444 -12.052 12.964 1.00 19.35 C -ATOM 2179 CE1 TYR B 145 -0.716 -9.470 14.306 1.00 14.00 C -ATOM 2180 CE2 TYR B 145 0.824 -11.431 13.760 1.00 16.15 C -ATOM 2181 CZ TYR B 145 0.705 -10.123 14.396 1.00 11.23 C -ATOM 2182 OH TYR B 145 1.824 -9.505 14.779 1.00 11.07 O -ATOM 2183 N HIS B 146 -5.455 -13.156 13.610 1.00 22.40 N -ATOM 2184 CA HIS B 146 -7.082 -13.260 13.817 1.00 24.36 C -ATOM 2185 C HIS B 146 -7.642 -12.243 14.547 1.00 19.29 C -ATOM 2186 O HIS B 146 -6.896 -11.423 15.229 1.00 20.20 O -ATOM 2187 CB HIS B 146 -7.319 -14.676 14.251 1.00 17.91 C -ATOM 2188 CG HIS B 146 -7.349 -14.408 16.278 1.00 30.29 C -ATOM 2189 ND1 HIS B 146 -7.504 -15.329 16.577 1.00 56.02 N -ATOM 2190 CD2 HIS B 146 -5.754 -14.700 16.400 1.00 32.02 C -ATOM 2191 CE1 HIS B 146 -6.763 -15.571 18.243 1.00 45.40 C -ATOM 2192 NE2 HIS B 146 -6.023 -14.569 17.782 1.00 35.25 N -ATOM 2193 OXT HIS B 146 -8.867 -12.118 14.478 1.00 28.98 O -TER 2194 HIS B 146 -ATOM 2195 N VAL C 1 -6.932 15.801 -4.736 1.00 53.78 N -ATOM 2196 CA VAL C 1 -6.986 18.132 -4.726 1.00 39.83 C -ATOM 2197 C VAL C 1 -8.725 18.013 -5.289 1.00 29.73 C -ATOM 2198 O VAL C 1 -9.322 17.317 -6.202 1.00 31.20 O -ATOM 2199 CB VAL C 1 -6.406 17.702 -5.747 1.00 52.94 C -ATOM 2200 CG1 VAL C 1 -7.045 19.788 -6.149 1.00 47.73 C -ATOM 2201 CG2 VAL C 1 -5.138 19.765 -5.197 1.00 67.01 C -ATOM 2202 N LEU C 2 -9.481 18.489 -4.357 1.00 33.50 N -ATOM 2203 CA LEU C 2 -10.829 18.318 -4.244 1.00 35.54 C -ATOM 2204 C LEU C 2 -11.593 19.461 -5.392 1.00 25.83 C -ATOM 2205 O LEU C 2 -11.224 20.587 -4.763 1.00 37.30 O -ATOM 2206 CB LEU C 2 -11.320 18.570 -2.993 1.00 38.49 C -ATOM 2207 CG LEU C 2 -11.368 17.191 -2.068 1.00 34.89 C -ATOM 2208 CD1 LEU C 2 -11.559 17.406 -0.855 1.00 40.00 C -ATOM 2209 CD2 LEU C 2 -11.556 16.072 -2.571 1.00 36.30 C -ATOM 2210 N SER C 3 -12.051 19.126 -6.445 1.00 20.82 N -ATOM 2211 CA SER C 3 -12.764 20.102 -7.265 1.00 16.99 C -ATOM 2212 C SER C 3 -13.851 20.641 -6.492 1.00 19.86 C -ATOM 2213 O SER C 3 -14.562 20.118 -5.605 1.00 23.30 O -ATOM 2214 CB SER C 3 -12.915 19.412 -8.479 1.00 21.69 C -ATOM 2215 OG SER C 3 -14.045 18.617 -8.438 1.00 24.96 O -ATOM 2216 N PRO C 4 -14.614 21.747 -7.040 1.00 27.73 N -ATOM 2217 CA PRO C 4 -15.686 22.248 -6.606 1.00 18.30 C -ATOM 2218 C PRO C 4 -16.940 21.185 -6.683 1.00 21.79 C -ATOM 2219 O PRO C 4 -17.669 21.118 -5.776 1.00 30.78 O -ATOM 2220 CB PRO C 4 -16.024 23.555 -7.534 1.00 35.17 C -ATOM 2221 CG PRO C 4 -14.548 23.940 -7.997 1.00 39.10 C -ATOM 2222 CD PRO C 4 -13.753 22.599 -7.931 1.00 33.69 C -ATOM 2223 N ALA C 5 -16.700 20.569 -7.707 1.00 20.53 N -ATOM 2224 CA ALA C 5 -17.694 19.448 -7.877 1.00 15.17 C -ATOM 2225 C ALA C 5 -17.668 18.427 -6.566 1.00 17.36 C -ATOM 2226 O ALA C 5 -18.567 17.818 -6.161 1.00 18.86 O -ATOM 2227 CB ALA C 5 -17.845 18.678 -9.144 1.00 14.70 C -ATOM 2228 N ASP C 6 -16.408 17.997 -6.530 1.00 17.28 N -ATOM 2229 CA ASP C 6 -16.090 17.056 -5.440 1.00 13.65 C -ATOM 2230 C ASP C 6 -16.737 17.558 -4.126 1.00 16.19 C -ATOM 2231 O ASP C 6 -17.234 16.746 -3.292 1.00 18.77 O -ATOM 2232 CB ASP C 6 -14.589 16.808 -5.234 1.00 14.90 C -ATOM 2233 CG ASP C 6 -14.039 15.955 -6.391 1.00 15.46 C -ATOM 2234 OD1 ASP C 6 -14.772 14.926 -6.958 1.00 20.59 O -ATOM 2235 OD2 ASP C 6 -12.866 16.168 -6.605 1.00 19.80 O -ATOM 2236 N LYS C 7 -16.400 18.816 -3.902 1.00 17.95 N -ATOM 2237 CA LYS C 7 -17.103 19.561 -2.483 1.00 25.53 C -ATOM 2238 C LYS C 7 -18.248 19.426 -2.208 1.00 19.12 C -ATOM 2239 O LYS C 7 -18.931 19.046 -1.371 1.00 19.71 O -ATOM 2240 CB LYS C 7 -16.318 20.793 -2.391 1.00 27.50 C -ATOM 2241 CG LYS C 7 -14.901 20.741 -2.614 1.00 53.71 C -ATOM 2242 CD LYS C 7 -13.993 22.186 -1.677 1.00 60.72 C -ATOM 2243 CE LYS C 7 -13.186 22.490 -2.528 1.00 63.74 C -ATOM 2244 NZ LYS C 7 -12.305 23.225 -2.858 1.00 80.12 N -ATOM 2245 N THR C 8 -18.940 19.776 -3.501 1.00 18.59 N -ATOM 2246 CA THR C 8 -20.439 19.567 -3.523 1.00 17.68 C -ATOM 2247 C THR C 8 -21.010 18.410 -3.219 1.00 15.92 C -ATOM 2248 O THR C 8 -21.956 18.189 -2.497 1.00 18.11 O -ATOM 2249 CB THR C 8 -21.005 20.281 -5.121 1.00 18.41 C -ATOM 2250 OG1 THR C 8 -20.596 21.570 -4.936 1.00 22.00 O -ATOM 2251 CG2 THR C 8 -22.332 20.382 -5.020 1.00 19.72 C -ATOM 2252 N ASN C 9 -20.389 17.337 -3.881 1.00 14.52 N -ATOM 2253 CA ASN C 9 -20.679 15.854 -3.720 1.00 11.76 C -ATOM 2254 C ASN C 9 -20.524 15.368 -2.372 1.00 13.43 C -ATOM 2255 O ASN C 9 -21.452 14.760 -1.788 1.00 14.77 O -ATOM 2256 CB ASN C 9 -19.952 14.978 -4.802 1.00 15.52 C -ATOM 2257 CG ASN C 9 -20.502 14.902 -6.224 1.00 21.23 C -ATOM 2258 OD1 ASN C 9 -21.551 15.460 -6.366 1.00 17.78 O -ATOM 2259 ND2 ASN C 9 -19.655 14.764 -7.036 1.00 16.93 N -ATOM 2260 N VAL C 10 -19.456 15.819 -1.845 1.00 15.37 N -ATOM 2261 CA VAL C 10 -19.214 15.430 -0.511 1.00 15.09 C -ATOM 2262 C VAL C 10 -20.248 16.151 0.791 1.00 19.82 C -ATOM 2263 O VAL C 10 -20.653 15.344 1.499 1.00 21.55 O -ATOM 2264 CB VAL C 10 -17.776 15.740 -0.056 1.00 23.83 C -ATOM 2265 CG1 VAL C 10 -17.369 15.319 1.491 1.00 26.38 C -ATOM 2266 CG2 VAL C 10 -16.835 14.843 -0.837 1.00 22.96 C -ATOM 2267 N LYS C 11 -20.423 17.395 0.515 1.00 19.06 N -ATOM 2268 CA LYS C 11 -21.545 18.040 1.267 1.00 21.27 C -ATOM 2269 C LYS C 11 -22.705 17.621 1.194 1.00 24.36 C -ATOM 2270 O LYS C 11 -23.497 17.219 2.050 1.00 26.88 O -ATOM 2271 CB LYS C 11 -21.200 19.455 1.180 1.00 24.11 C -ATOM 2272 CG LYS C 11 -19.982 20.187 1.471 1.00 39.96 C -ATOM 2273 CD LYS C 11 -20.184 21.708 1.326 1.00 36.60 C -ATOM 2274 CE LYS C 11 -19.119 22.424 1.599 1.00 40.99 C -ATOM 2275 NZ LYS C 11 -18.303 23.379 0.156 1.00 57.68 N -ATOM 2276 N ALA C 12 -23.071 17.255 -0.098 1.00 26.89 N -ATOM 2277 CA ALA C 12 -24.190 16.574 -0.166 1.00 22.80 C -ATOM 2278 C ALA C 12 -24.709 15.466 0.479 1.00 22.96 C -ATOM 2279 O ALA C 12 -25.641 14.894 1.303 1.00 25.17 O -ATOM 2280 CB ALA C 12 -24.758 16.354 -1.436 1.00 30.68 C -ATOM 2281 N ALA C 13 -23.698 14.326 0.213 1.00 19.81 N -ATOM 2282 CA ALA C 13 -23.581 12.980 0.775 1.00 20.52 C -ATOM 2283 C ALA C 13 -23.620 13.074 2.219 1.00 17.10 C -ATOM 2284 O ALA C 13 -24.459 12.346 2.958 1.00 22.70 O -ATOM 2285 CB ALA C 13 -22.559 12.176 0.137 1.00 20.00 C -ATOM 2286 N TRP C 14 -22.646 13.784 2.878 1.00 18.93 N -ATOM 2287 CA TRP C 14 -22.430 13.732 4.346 1.00 19.61 C -ATOM 2288 C TRP C 14 -23.567 14.473 4.894 1.00 29.50 C -ATOM 2289 O TRP C 14 -24.277 14.100 6.022 1.00 22.89 O -ATOM 2290 CB TRP C 14 -21.334 14.670 4.695 1.00 20.94 C -ATOM 2291 CG TRP C 14 -20.803 14.092 5.924 1.00 20.44 C -ATOM 2292 CD1 TRP C 14 -21.097 15.028 7.151 1.00 25.06 C -ATOM 2293 CD2 TRP C 14 -20.135 12.848 6.216 1.00 19.23 C -ATOM 2294 NE1 TRP C 14 -20.337 14.117 8.027 1.00 26.03 N -ATOM 2295 CE2 TRP C 14 -19.941 12.969 7.773 1.00 27.20 C -ATOM 2296 CE3 TRP C 14 -19.861 11.878 5.555 1.00 24.26 C -ATOM 2297 CZ2 TRP C 14 -19.510 11.822 8.284 1.00 29.42 C -ATOM 2298 CZ3 TRP C 14 -19.277 10.605 6.015 1.00 27.47 C -ATOM 2299 CH2 TRP C 14 -19.230 10.798 7.728 1.00 31.11 C -ATOM 2300 N GLY C 15 -24.359 15.298 4.516 1.00 39.26 N -ATOM 2301 CA GLY C 15 -25.631 16.086 4.525 1.00 27.60 C -ATOM 2302 C GLY C 15 -26.650 15.043 4.748 1.00 35.88 C -ATOM 2303 O GLY C 15 -27.292 14.929 6.180 1.00 44.35 O -ATOM 2304 N LYS C 16 -26.927 14.192 4.125 1.00 34.61 N -ATOM 2305 CA LYS C 16 -27.870 13.141 3.632 1.00 36.98 C -ATOM 2306 C LYS C 16 -27.538 12.020 5.023 1.00 26.09 C -ATOM 2307 O LYS C 16 -28.345 11.313 5.635 1.00 33.01 O -ATOM 2308 CB LYS C 16 -28.251 12.406 2.440 1.00 27.30 C -ATOM 2309 CG LYS C 16 -30.036 12.836 1.831 1.00 50.84 C -ATOM 2310 CD LYS C 16 -30.158 11.081 2.262 1.00 68.28 C -ATOM 2311 CE LYS C 16 -32.371 10.866 2.370 1.00 73.16 C -ATOM 2312 NZ LYS C 16 -32.038 9.453 3.272 1.00 69.52 N -ATOM 2313 N VAL C 17 -26.252 12.133 5.573 1.00 35.88 N -ATOM 2314 CA VAL C 17 -25.770 11.297 6.645 1.00 27.62 C -ATOM 2315 C VAL C 17 -26.612 11.695 7.685 1.00 30.67 C -ATOM 2316 O VAL C 17 -27.281 11.042 8.701 1.00 29.27 O -ATOM 2317 CB VAL C 17 -24.169 10.853 6.795 1.00 24.84 C -ATOM 2318 CG1 VAL C 17 -23.946 10.589 8.064 1.00 24.66 C -ATOM 2319 CG2 VAL C 17 -23.794 9.916 5.483 1.00 36.95 C -ATOM 2320 N GLY C 18 -26.104 13.085 7.958 1.00 37.42 N -ATOM 2321 CA GLY C 18 -26.962 13.614 9.161 1.00 36.79 C -ATOM 2322 C GLY C 18 -26.609 13.344 10.447 1.00 35.54 C -ATOM 2323 O GLY C 18 -25.379 12.833 10.941 1.00 34.05 O -ATOM 2324 N ALA C 19 -27.875 13.044 10.943 1.00 30.07 N -ATOM 2325 CA ALA C 19 -27.686 12.652 12.207 1.00 42.34 C -ATOM 2326 C ALA C 19 -27.441 11.246 12.497 1.00 38.75 C -ATOM 2327 O ALA C 19 -27.016 10.579 13.697 1.00 34.11 O -ATOM 2328 CB ALA C 19 -28.889 12.929 12.875 1.00 49.98 C -ATOM 2329 N HIS C 20 -27.337 10.243 11.555 1.00 27.23 N -ATOM 2330 CA HIS C 20 -26.912 8.767 11.705 1.00 31.96 C -ATOM 2331 C HIS C 20 -25.296 8.716 11.689 1.00 24.34 C -ATOM 2332 O HIS C 20 -24.833 7.499 11.716 1.00 23.07 O -ATOM 2333 CB HIS C 20 -27.281 8.149 10.528 1.00 47.99 C -ATOM 2334 CG HIS C 20 -28.926 8.104 10.076 1.00 49.70 C -ATOM 2335 ND1 HIS C 20 -29.432 7.280 11.405 1.00 46.00 N -ATOM 2336 CD2 HIS C 20 -29.730 9.020 9.630 1.00 46.72 C -ATOM 2337 CE1 HIS C 20 -31.098 7.852 11.111 1.00 49.28 C -ATOM 2338 NE2 HIS C 20 -30.830 8.671 9.800 1.00 51.94 N -ATOM 2339 N ALA C 21 -24.619 9.813 11.399 1.00 28.71 N -ATOM 2340 CA ALA C 21 -23.098 9.802 11.331 1.00 32.59 C -ATOM 2341 C ALA C 21 -22.391 9.015 12.473 1.00 33.22 C -ATOM 2342 O ALA C 21 -21.700 8.030 11.964 1.00 25.05 O -ATOM 2343 CB ALA C 21 -22.805 11.312 11.238 1.00 28.99 C -ATOM 2344 N GLY C 22 -22.670 8.973 13.605 1.00 30.50 N -ATOM 2345 CA GLY C 22 -22.269 8.117 14.625 1.00 25.20 C -ATOM 2346 C GLY C 22 -22.605 6.970 14.498 1.00 28.87 C -ATOM 2347 O GLY C 22 -21.738 5.901 14.583 1.00 21.09 O -ATOM 2348 N GLU C 23 -23.752 6.203 14.168 1.00 19.95 N -ATOM 2349 CA GLU C 23 -24.151 4.976 13.969 1.00 21.38 C -ATOM 2350 C GLU C 23 -23.181 4.329 12.723 1.00 15.02 C -ATOM 2351 O GLU C 23 -22.815 3.097 12.742 1.00 16.54 O -ATOM 2352 CB GLU C 23 -25.689 4.819 13.452 1.00 29.82 C -ATOM 2353 CG GLU C 23 -26.106 3.452 13.736 1.00 36.93 C -ATOM 2354 CD GLU C 23 -28.202 3.924 13.602 1.00 80.12 C -ATOM 2355 OE1 GLU C 23 -27.795 2.922 11.489 1.00 66.02 O -ATOM 2356 OE2 GLU C 23 -27.964 4.694 13.267 1.00 59.79 O -ATOM 2357 N TYR C 24 -23.207 5.173 11.697 1.00 21.28 N -ATOM 2358 CA TYR C 24 -22.418 4.812 10.585 1.00 19.46 C -ATOM 2359 C TYR C 24 -20.849 4.466 10.860 1.00 15.33 C -ATOM 2360 O TYR C 24 -20.148 3.754 10.360 1.00 13.77 O -ATOM 2361 CB TYR C 24 -22.651 5.606 9.406 1.00 16.14 C -ATOM 2362 CG TYR C 24 -24.080 5.727 8.793 1.00 13.71 C -ATOM 2363 CD1 TYR C 24 -24.170 6.732 7.640 1.00 24.76 C -ATOM 2364 CD2 TYR C 24 -25.002 4.824 9.337 1.00 21.84 C -ATOM 2365 CE1 TYR C 24 -25.645 6.832 7.377 1.00 25.66 C -ATOM 2366 CE2 TYR C 24 -26.453 4.934 8.784 1.00 17.49 C -ATOM 2367 CZ TYR C 24 -26.325 5.877 7.791 1.00 27.32 C -ATOM 2368 OH TYR C 24 -27.810 6.069 7.401 1.00 31.23 O -ATOM 2369 N GLY C 25 -20.290 5.421 11.638 1.00 18.29 N -ATOM 2370 CA GLY C 25 -19.027 5.388 12.069 1.00 15.33 C -ATOM 2371 C GLY C 25 -18.807 4.272 12.918 1.00 12.64 C -ATOM 2372 O GLY C 25 -17.733 3.304 12.661 1.00 15.23 O -ATOM 2373 N ALA C 26 -19.542 3.599 13.820 1.00 16.00 N -ATOM 2374 CA ALA C 26 -19.471 2.386 14.471 1.00 11.42 C -ATOM 2375 C ALA C 26 -19.307 1.193 13.564 1.00 10.94 C -ATOM 2376 O ALA C 26 -18.739 0.230 13.578 1.00 13.65 O -ATOM 2377 CB ALA C 26 -20.512 2.232 15.656 1.00 11.99 C -ATOM 2378 N GLU C 27 -20.425 1.260 12.521 1.00 12.87 N -ATOM 2379 CA GLU C 27 -20.638 0.028 11.636 1.00 15.51 C -ATOM 2380 C GLU C 27 -19.412 0.022 10.785 1.00 12.84 C -ATOM 2381 O GLU C 27 -18.849 -1.119 10.534 1.00 15.95 O -ATOM 2382 CB GLU C 27 -21.715 0.427 10.623 1.00 15.50 C -ATOM 2383 CG GLU C 27 -21.926 -0.710 9.772 1.00 17.08 C -ATOM 2384 CD GLU C 27 -23.164 -0.586 8.872 1.00 30.48 C -ATOM 2385 OE1 GLU C 27 -23.095 -0.770 7.588 1.00 18.71 O -ATOM 2386 OE2 GLU C 27 -24.194 0.119 9.312 1.00 24.16 O -ATOM 2387 N ALA C 28 -18.789 1.258 10.332 1.00 11.36 N -ATOM 2388 CA ALA C 28 -17.460 1.158 9.500 1.00 9.58 C -ATOM 2389 C ALA C 28 -16.340 0.418 10.332 1.00 9.29 C -ATOM 2390 O ALA C 28 -15.677 -0.370 9.760 1.00 12.64 O -ATOM 2391 CB ALA C 28 -17.171 2.523 9.159 1.00 13.35 C -ATOM 2392 N LEU C 29 -16.325 0.834 11.666 1.00 12.01 N -ATOM 2393 CA LEU C 29 -15.240 0.036 12.460 1.00 9.42 C -ATOM 2394 C LEU C 29 -15.351 -1.296 12.531 1.00 8.04 C -ATOM 2395 O LEU C 29 -14.557 -2.221 12.462 1.00 11.27 O -ATOM 2396 CB LEU C 29 -15.253 0.792 13.944 1.00 13.39 C -ATOM 2397 CG LEU C 29 -14.671 2.120 14.000 1.00 14.28 C -ATOM 2398 CD1 LEU C 29 -15.060 2.641 15.229 1.00 21.17 C -ATOM 2399 CD2 LEU C 29 -13.328 2.186 13.586 1.00 17.52 C -ATOM 2400 N GLU C 30 -16.582 -1.891 12.768 1.00 12.13 N -ATOM 2401 CA GLU C 30 -17.039 -3.158 12.830 1.00 15.15 C -ATOM 2402 C GLU C 30 -16.575 -3.834 11.597 1.00 15.74 C -ATOM 2403 O GLU C 30 -16.144 -4.973 11.643 1.00 15.15 O -ATOM 2404 CB GLU C 30 -18.512 -3.390 13.241 1.00 16.95 C -ATOM 2405 CG GLU C 30 -18.749 -4.796 13.397 1.00 22.01 C -ATOM 2406 CD GLU C 30 -20.492 -5.310 14.125 1.00 33.25 C -ATOM 2407 OE1 GLU C 30 -20.859 -4.170 14.215 1.00 33.78 O -ATOM 2408 OE2 GLU C 30 -20.298 -6.063 14.309 1.00 40.59 O -ATOM 2409 N ARG C 31 -17.016 -3.172 10.500 1.00 9.68 N -ATOM 2410 CA ARG C 31 -16.706 -3.791 9.173 1.00 8.70 C -ATOM 2411 C ARG C 31 -15.092 -4.029 9.070 1.00 13.62 C -ATOM 2412 O ARG C 31 -14.706 -5.080 8.618 1.00 13.67 O -ATOM 2413 CB ARG C 31 -17.211 -2.898 8.144 1.00 12.42 C -ATOM 2414 CG ARG C 31 -18.743 -3.121 7.942 1.00 11.84 C -ATOM 2415 CD ARG C 31 -19.136 -2.201 6.911 1.00 15.20 C -ATOM 2416 NE ARG C 31 -20.701 -2.256 6.631 1.00 14.19 N -ATOM 2417 CZ ARG C 31 -21.363 -3.224 5.977 1.00 11.42 C -ATOM 2418 NH1 ARG C 31 -20.645 -4.259 5.462 1.00 11.92 N -ATOM 2419 NH2 ARG C 31 -22.607 -3.167 6.110 1.00 15.15 N -ATOM 2420 N MET C 32 -14.391 -2.999 9.390 1.00 10.57 N -ATOM 2421 CA MET C 32 -12.880 -2.985 9.431 1.00 8.16 C -ATOM 2422 C MET C 32 -12.304 -4.106 10.303 1.00 7.80 C -ATOM 2423 O MET C 32 -11.482 -4.880 9.804 1.00 11.64 O -ATOM 2424 CB MET C 32 -12.387 -1.587 9.793 1.00 8.09 C -ATOM 2425 CG MET C 32 -10.949 -1.623 9.744 1.00 11.10 C -ATOM 2426 SD MET C 32 -10.226 -0.081 10.328 1.00 18.02 S -ATOM 2427 CE MET C 32 -10.638 -0.209 12.043 1.00 20.04 C -ATOM 2428 N PHE C 33 -12.802 -4.206 11.603 1.00 13.50 N -ATOM 2429 CA PHE C 33 -12.271 -5.320 12.432 1.00 12.85 C -ATOM 2430 C PHE C 33 -12.547 -6.578 11.951 1.00 15.05 C -ATOM 2431 O PHE C 33 -11.717 -7.551 12.143 1.00 13.38 O -ATOM 2432 CB PHE C 33 -12.756 -5.046 13.817 1.00 12.45 C -ATOM 2433 CG PHE C 33 -12.568 -3.710 14.467 1.00 10.81 C -ATOM 2434 CD1 PHE C 33 -11.266 -3.320 14.428 1.00 14.60 C -ATOM 2435 CD2 PHE C 33 -13.526 -3.151 15.305 1.00 15.15 C -ATOM 2436 CE1 PHE C 33 -10.894 -2.155 15.062 1.00 15.80 C -ATOM 2437 CE2 PHE C 33 -13.010 -1.947 15.768 1.00 13.43 C -ATOM 2438 CZ PHE C 33 -11.786 -1.494 15.661 1.00 22.23 C -ATOM 2439 N LEU C 34 -13.672 -6.909 11.292 1.00 11.85 N -ATOM 2440 CA LEU C 34 -14.025 -8.262 10.744 1.00 12.31 C -ATOM 2441 C LEU C 34 -13.308 -8.546 9.433 1.00 15.72 C -ATOM 2442 O LEU C 34 -12.814 -9.634 9.197 1.00 19.67 O -ATOM 2443 CB LEU C 34 -15.490 -8.519 10.506 1.00 16.89 C -ATOM 2444 CG LEU C 34 -16.308 -8.523 11.809 1.00 26.21 C -ATOM 2445 CD1 LEU C 34 -17.801 -8.703 11.585 1.00 26.59 C -ATOM 2446 CD2 LEU C 34 -15.886 -9.544 12.837 1.00 38.34 C -ATOM 2447 N SER C 35 -13.287 -7.520 8.527 1.00 12.82 N -ATOM 2448 CA SER C 35 -12.594 -7.794 7.329 1.00 10.93 C -ATOM 2449 C SER C 35 -11.162 -7.828 7.166 1.00 14.27 C -ATOM 2450 O SER C 35 -10.505 -8.327 6.376 1.00 16.71 O -ATOM 2451 CB SER C 35 -13.015 -6.732 6.237 1.00 13.98 C -ATOM 2452 OG SER C 35 -14.406 -6.851 5.967 1.00 18.75 O -ATOM 2453 N PHE C 36 -10.441 -6.974 8.104 1.00 11.09 N -ATOM 2454 CA PHE C 36 -9.024 -6.696 8.153 1.00 10.70 C -ATOM 2455 C PHE C 36 -8.606 -6.742 9.707 1.00 13.97 C -ATOM 2456 O PHE C 36 -8.344 -5.778 10.402 1.00 16.32 O -ATOM 2457 CB PHE C 36 -8.759 -5.327 7.682 1.00 12.71 C -ATOM 2458 CG PHE C 36 -9.244 -5.034 6.227 1.00 14.13 C -ATOM 2459 CD1 PHE C 36 -10.405 -4.227 6.071 1.00 14.98 C -ATOM 2460 CD2 PHE C 36 -8.716 -5.826 5.029 1.00 21.47 C -ATOM 2461 CE1 PHE C 36 -10.962 -3.950 4.805 1.00 23.41 C -ATOM 2462 CE2 PHE C 36 -9.304 -5.498 3.966 1.00 24.62 C -ATOM 2463 CZ PHE C 36 -10.428 -4.612 3.839 1.00 15.55 C -ATOM 2464 N PRO C 37 -8.487 -8.050 9.947 1.00 18.65 N -ATOM 2465 CA PRO C 37 -8.320 -8.334 11.359 1.00 17.35 C -ATOM 2466 C PRO C 37 -6.962 -7.708 12.012 1.00 18.35 C -ATOM 2467 O PRO C 37 -6.854 -7.465 13.248 1.00 14.04 O -ATOM 2468 CB PRO C 37 -8.349 -9.870 11.562 1.00 27.87 C -ATOM 2469 CG PRO C 37 -8.429 -10.372 10.373 1.00 37.42 C -ATOM 2470 CD PRO C 37 -8.767 -9.192 9.450 1.00 22.48 C -ATOM 2471 N THR C 38 -6.066 -7.410 11.173 1.00 12.63 N -ATOM 2472 CA THR C 38 -4.834 -6.636 11.753 1.00 17.25 C -ATOM 2473 C THR C 38 -5.049 -5.478 12.414 1.00 15.32 C -ATOM 2474 O THR C 38 -4.264 -5.001 13.219 1.00 11.09 O -ATOM 2475 CB THR C 38 -3.639 -7.011 10.452 1.00 12.40 C -ATOM 2476 OG1 THR C 38 -4.178 -5.757 9.596 1.00 15.33 O -ATOM 2477 CG2 THR C 38 -4.507 -7.126 9.385 1.00 80.12 C -ATOM 2478 N THR C 39 -6.072 -4.797 11.866 1.00 10.35 N -ATOM 2479 CA THR C 39 -6.458 -3.530 12.499 1.00 11.60 C -ATOM 2480 C THR C 39 -6.867 -3.675 13.987 1.00 11.25 C -ATOM 2481 O THR C 39 -6.719 -2.683 14.751 1.00 15.31 O -ATOM 2482 CB THR C 39 -7.618 -2.839 11.782 1.00 10.41 C -ATOM 2483 OG1 THR C 39 -8.902 -3.535 11.780 1.00 8.43 O -ATOM 2484 CG2 THR C 39 -7.110 -2.694 10.278 1.00 7.27 C -ATOM 2485 N LYS C 40 -7.142 -4.800 14.416 1.00 12.10 N -ATOM 2486 CA LYS C 40 -7.571 -4.948 15.946 1.00 12.37 C -ATOM 2487 C LYS C 40 -6.340 -4.815 16.822 1.00 12.69 C -ATOM 2488 O LYS C 40 -6.554 -4.646 17.995 1.00 13.50 O -ATOM 2489 CB LYS C 40 -8.135 -6.441 16.142 1.00 13.01 C -ATOM 2490 CG LYS C 40 -9.508 -6.644 15.446 1.00 16.35 C -ATOM 2491 CD LYS C 40 -9.585 -8.284 15.551 1.00 21.60 C -ATOM 2492 CE LYS C 40 -10.395 -8.518 15.432 1.00 41.58 C -ATOM 2493 NZ LYS C 40 -10.104 -10.161 15.709 1.00 24.62 N -ATOM 2494 N THR C 41 -5.213 -4.883 16.231 1.00 15.39 N -ATOM 2495 CA THR C 41 -3.858 -4.878 17.048 1.00 15.24 C -ATOM 2496 C THR C 41 -3.895 -3.538 17.513 1.00 24.53 C -ATOM 2497 O THR C 41 -3.052 -3.276 18.625 1.00 20.94 O -ATOM 2498 CB THR C 41 -2.611 -5.058 16.204 1.00 10.27 C -ATOM 2499 OG1 THR C 41 -2.473 -4.084 15.265 1.00 10.56 O -ATOM 2500 CG2 THR C 41 -2.649 -6.370 15.637 1.00 13.16 C -ATOM 2501 N TYR C 42 -4.559 -2.347 17.313 1.00 15.74 N -ATOM 2502 CA TYR C 42 -4.420 -1.045 17.757 1.00 10.60 C -ATOM 2503 C TYR C 42 -5.479 -0.829 18.921 1.00 12.75 C -ATOM 2504 O TYR C 42 -5.553 0.201 19.530 1.00 15.68 O -ATOM 2505 CB TYR C 42 -4.800 0.068 16.774 1.00 16.68 C -ATOM 2506 CG TYR C 42 -3.607 -0.087 15.746 1.00 10.99 C -ATOM 2507 CD1 TYR C 42 -2.328 0.661 16.011 1.00 17.16 C -ATOM 2508 CD2 TYR C 42 -3.699 -0.743 14.478 1.00 12.51 C -ATOM 2509 CE1 TYR C 42 -1.337 0.521 15.154 1.00 15.83 C -ATOM 2510 CE2 TYR C 42 -2.696 -0.758 13.617 1.00 12.91 C -ATOM 2511 CZ TYR C 42 -1.386 -0.114 13.943 1.00 12.97 C -ATOM 2512 OH TYR C 42 -0.401 -0.078 12.976 1.00 13.25 O -ATOM 2513 N PHE C 43 -6.271 -1.850 19.113 1.00 15.49 N -ATOM 2514 CA PHE C 43 -7.459 -1.760 20.167 1.00 17.75 C -ATOM 2515 C PHE C 43 -7.514 -3.016 21.053 1.00 20.04 C -ATOM 2516 O PHE C 43 -8.605 -3.535 21.334 1.00 17.05 O -ATOM 2517 CB PHE C 43 -8.817 -1.519 19.333 1.00 26.70 C -ATOM 2518 CG PHE C 43 -8.906 -0.392 18.437 1.00 14.42 C -ATOM 2519 CD1 PHE C 43 -8.473 -0.554 17.054 1.00 15.73 C -ATOM 2520 CD2 PHE C 43 -9.700 0.777 18.998 1.00 15.90 C -ATOM 2521 CE1 PHE C 43 -8.663 0.579 16.317 1.00 16.99 C -ATOM 2522 CE2 PHE C 43 -9.585 1.781 18.059 1.00 19.76 C -ATOM 2523 CZ PHE C 43 -9.193 1.883 16.726 1.00 10.96 C -ATOM 2524 N PRO C 44 -6.303 -3.266 21.758 1.00 17.51 N -ATOM 2525 CA PRO C 44 -6.430 -4.575 22.577 1.00 22.01 C -ATOM 2526 C PRO C 44 -7.021 -4.034 23.952 1.00 23.34 C -ATOM 2527 O PRO C 44 -7.479 -5.004 24.549 1.00 23.67 O -ATOM 2528 CB PRO C 44 -4.725 -4.600 22.823 1.00 28.76 C -ATOM 2529 CG PRO C 44 -4.302 -3.265 22.722 1.00 30.00 C -ATOM 2530 CD PRO C 44 -5.000 -2.496 21.564 1.00 18.17 C -ATOM 2531 N HIS C 45 -7.313 -2.986 24.170 1.00 23.82 N -ATOM 2532 CA HIS C 45 -8.129 -2.454 25.363 1.00 24.33 C -ATOM 2533 C HIS C 45 -9.774 -2.425 25.223 1.00 36.67 C -ATOM 2534 O HIS C 45 -10.201 -1.856 26.159 1.00 32.61 O -ATOM 2535 CB HIS C 45 -7.724 -1.122 25.714 1.00 29.73 C -ATOM 2536 CG HIS C 45 -7.512 0.207 24.830 1.00 29.43 C -ATOM 2537 ND1 HIS C 45 -6.904 -0.240 23.536 1.00 26.84 N -ATOM 2538 CD2 HIS C 45 -8.212 1.313 24.765 1.00 33.54 C -ATOM 2539 CE1 HIS C 45 -7.241 0.770 23.119 1.00 37.75 C -ATOM 2540 NE2 HIS C 45 -7.901 1.880 23.651 1.00 39.11 N -ATOM 2541 N PHE C 46 -10.097 -2.588 23.981 1.00 19.71 N -ATOM 2542 CA PHE C 46 -11.427 -2.447 23.784 1.00 16.71 C -ATOM 2543 C PHE C 46 -11.984 -3.704 23.878 1.00 21.27 C -ATOM 2544 O PHE C 46 -11.601 -4.890 23.408 1.00 23.84 O -ATOM 2545 CB PHE C 46 -11.721 -1.909 22.223 1.00 21.57 C -ATOM 2546 CG PHE C 46 -11.812 -0.571 22.355 1.00 17.89 C -ATOM 2547 CD1 PHE C 46 -12.584 0.134 21.407 1.00 29.22 C -ATOM 2548 CD2 PHE C 46 -11.092 0.466 22.932 1.00 29.35 C -ATOM 2549 CE1 PHE C 46 -12.539 1.579 21.231 1.00 23.51 C -ATOM 2550 CE2 PHE C 46 -11.283 1.342 22.737 1.00 34.19 C -ATOM 2551 CZ PHE C 46 -11.794 2.381 21.680 1.00 30.38 C -ATOM 2552 N ASP C 47 -13.484 -3.924 24.123 1.00 21.22 N -ATOM 2553 CA ASP C 47 -14.200 -5.093 23.710 1.00 21.17 C -ATOM 2554 C ASP C 47 -14.972 -4.945 22.231 1.00 15.44 C -ATOM 2555 O ASP C 47 -15.394 -3.747 22.085 1.00 19.22 O -ATOM 2556 CB ASP C 47 -15.564 -4.912 24.743 1.00 26.87 C -ATOM 2557 CG ASP C 47 -16.291 -6.456 24.524 1.00 44.60 C -ATOM 2558 OD1 ASP C 47 -16.314 -6.539 23.491 1.00 38.14 O -ATOM 2559 OD2 ASP C 47 -17.247 -6.397 25.386 1.00 35.16 O -ATOM 2560 N LEU C 48 -14.283 -5.744 21.445 1.00 20.23 N -ATOM 2561 CA LEU C 48 -14.738 -5.455 19.945 1.00 22.13 C -ATOM 2562 C LEU C 48 -15.716 -6.250 19.550 1.00 26.79 C -ATOM 2563 O LEU C 48 -16.269 -6.380 18.272 1.00 28.79 O -ATOM 2564 CB LEU C 48 -13.468 -5.863 19.207 1.00 20.10 C -ATOM 2565 CG LEU C 48 -12.283 -5.143 19.138 1.00 22.13 C -ATOM 2566 CD1 LEU C 48 -10.976 -5.443 18.455 1.00 30.66 C -ATOM 2567 CD2 LEU C 48 -12.440 -3.412 19.024 1.00 21.27 C -ATOM 2568 N SER C 49 -16.750 -6.795 20.348 1.00 29.67 N -ATOM 2569 CA SER C 49 -17.996 -7.682 20.348 1.00 26.45 C -ATOM 2570 C SER C 49 -18.688 -6.784 19.661 1.00 19.97 C -ATOM 2571 O SER C 49 -18.950 -5.536 19.662 1.00 20.96 O -ATOM 2572 CB SER C 49 -18.391 -8.577 21.574 1.00 26.72 C -ATOM 2573 OG SER C 49 -18.238 -7.994 22.499 1.00 34.29 O -ATOM 2574 N HIS C 50 -19.776 -7.581 18.833 1.00 28.23 N -ATOM 2575 CA HIS C 50 -20.784 -6.859 18.155 1.00 26.06 C -ATOM 2576 C HIS C 50 -21.742 -6.003 19.283 1.00 24.81 C -ATOM 2577 O HIS C 50 -21.976 -6.730 20.143 1.00 27.33 O -ATOM 2578 CB HIS C 50 -21.772 -7.860 17.171 1.00 33.58 C -ATOM 2579 CG HIS C 50 -22.495 -6.997 16.501 1.00 21.75 C -ATOM 2580 ND1 HIS C 50 -24.098 -7.224 16.903 1.00 37.61 N -ATOM 2581 CD2 HIS C 50 -22.721 -6.030 15.749 1.00 24.11 C -ATOM 2582 CE1 HIS C 50 -24.713 -6.289 16.301 1.00 35.12 C -ATOM 2583 NE2 HIS C 50 -23.972 -5.305 15.362 1.00 42.35 N -ATOM 2584 N GLY C 51 -21.911 -4.827 19.019 1.00 24.42 N -ATOM 2585 CA GLY C 51 -22.633 -4.098 19.831 1.00 26.56 C -ATOM 2586 C GLY C 51 -22.082 -3.387 20.930 1.00 23.39 C -ATOM 2587 O GLY C 51 -22.536 -2.501 21.731 1.00 25.53 O -ATOM 2588 N SER C 52 -20.724 -3.498 20.885 1.00 22.06 N -ATOM 2589 CA SER C 52 -19.739 -2.846 21.982 1.00 25.03 C -ATOM 2590 C SER C 52 -19.903 -1.593 22.193 1.00 31.37 C -ATOM 2591 O SER C 52 -19.945 -0.663 21.200 1.00 22.94 O -ATOM 2592 CB SER C 52 -18.376 -3.162 21.704 1.00 30.26 C -ATOM 2593 OG SER C 52 -17.567 -2.497 22.631 1.00 21.66 O -ATOM 2594 N ALA C 53 -20.311 -0.885 23.302 1.00 22.15 N -ATOM 2595 CA ALA C 53 -20.223 0.561 23.639 1.00 29.32 C -ATOM 2596 C ALA C 53 -19.008 1.341 23.195 1.00 23.50 C -ATOM 2597 O ALA C 53 -19.144 2.489 22.964 1.00 19.56 O -ATOM 2598 CB ALA C 53 -21.016 0.770 24.778 1.00 46.37 C -ATOM 2599 N GLN C 54 -18.075 0.456 23.565 1.00 20.69 N -ATOM 2600 CA GLN C 54 -16.671 1.124 23.388 1.00 22.13 C -ATOM 2601 C GLN C 54 -16.498 1.625 21.724 1.00 21.00 C -ATOM 2602 O GLN C 54 -15.986 2.677 21.452 1.00 19.66 O -ATOM 2603 CB GLN C 54 -15.533 0.388 23.780 1.00 23.01 C -ATOM 2604 CG GLN C 54 -15.387 0.264 25.146 1.00 26.98 C -ATOM 2605 CD GLN C 54 -14.244 -0.704 25.751 1.00 17.64 C -ATOM 2606 OE1 GLN C 54 -14.213 -1.867 25.317 1.00 23.97 O -ATOM 2607 NE2 GLN C 54 -13.269 -0.029 26.343 1.00 35.16 N -ATOM 2608 N VAL C 55 -16.998 0.495 20.976 1.00 18.58 N -ATOM 2609 CA VAL C 55 -16.782 0.728 19.397 1.00 18.23 C -ATOM 2610 C VAL C 55 -17.788 1.835 19.121 1.00 15.73 C -ATOM 2611 O VAL C 55 -17.557 2.638 18.250 1.00 16.15 O -ATOM 2612 CB VAL C 55 -17.023 -0.655 18.769 1.00 16.13 C -ATOM 2613 CG1 VAL C 55 -17.141 -0.282 17.289 1.00 22.56 C -ATOM 2614 CG2 VAL C 55 -15.953 -1.526 19.088 1.00 16.34 C -ATOM 2615 N LYS C 56 -19.064 1.844 19.638 1.00 17.00 N -ATOM 2616 CA LYS C 56 -20.011 2.798 19.335 1.00 18.57 C -ATOM 2617 C LYS C 56 -19.657 4.015 19.595 1.00 20.36 C -ATOM 2618 O LYS C 56 -19.638 5.117 18.950 1.00 20.10 O -ATOM 2619 CB LYS C 56 -21.306 2.565 20.099 1.00 27.04 C -ATOM 2620 CG LYS C 56 -22.017 1.239 19.517 1.00 42.35 C -ATOM 2621 CD LYS C 56 -23.983 2.334 19.796 1.00 43.36 C -ATOM 2622 CE LYS C 56 -24.238 -0.016 19.420 1.00 48.38 C -ATOM 2623 NZ LYS C 56 -25.547 0.420 20.454 1.00 67.70 N -ATOM 2624 N GLY C 57 -18.873 4.239 20.758 1.00 16.00 N -ATOM 2625 CA GLY C 57 -18.397 5.432 21.231 1.00 21.54 C -ATOM 2626 C GLY C 57 -17.299 6.086 20.387 1.00 18.61 C -ATOM 2627 O GLY C 57 -17.174 7.416 20.069 1.00 24.59 O -ATOM 2628 N HIS C 58 -16.421 5.133 20.063 1.00 15.81 N -ATOM 2629 CA HIS C 58 -15.259 5.492 19.163 1.00 16.10 C -ATOM 2630 C HIS C 58 -15.968 5.977 17.705 1.00 21.16 C -ATOM 2631 O HIS C 58 -15.334 6.873 17.165 1.00 17.74 O -ATOM 2632 CB HIS C 58 -14.298 4.450 19.037 1.00 15.43 C -ATOM 2633 CG HIS C 58 -13.084 4.816 18.336 1.00 18.98 C -ATOM 2634 ND1 HIS C 58 -12.377 5.886 18.887 1.00 21.14 N -ATOM 2635 CD2 HIS C 58 -12.537 4.339 17.359 1.00 16.95 C -ATOM 2636 CE1 HIS C 58 -11.397 5.896 17.811 1.00 21.77 C -ATOM 2637 NE2 HIS C 58 -11.418 4.951 16.789 1.00 17.45 N -ATOM 2638 N GLY C 59 -16.820 5.155 17.321 1.00 20.04 N -ATOM 2639 CA GLY C 59 -17.341 5.505 16.148 1.00 24.32 C -ATOM 2640 C GLY C 59 -18.005 6.810 15.949 1.00 16.44 C -ATOM 2641 O GLY C 59 -17.768 7.655 14.926 1.00 16.63 O -ATOM 2642 N LYS C 60 -18.641 7.304 17.045 1.00 14.40 N -ATOM 2643 CA LYS C 60 -19.047 8.674 17.195 1.00 14.87 C -ATOM 2644 C LYS C 60 -18.066 9.704 17.103 1.00 17.20 C -ATOM 2645 O LYS C 60 -18.083 10.725 16.452 1.00 19.10 O -ATOM 2646 CB LYS C 60 -20.090 8.722 18.417 1.00 20.14 C -ATOM 2647 CG LYS C 60 -20.474 10.102 18.286 1.00 36.22 C -ATOM 2648 CD LYS C 60 -21.736 10.498 19.120 1.00 67.45 C -ATOM 2649 CE LYS C 60 -22.281 11.583 18.549 1.00 61.41 C -ATOM 2650 NZ LYS C 60 -21.104 12.754 19.691 1.00 67.02 N -ATOM 2651 N LYS C 61 -16.927 9.423 17.774 1.00 17.79 N -ATOM 2652 CA LYS C 61 -15.858 10.357 17.767 1.00 21.13 C -ATOM 2653 C LYS C 61 -15.164 10.595 16.162 1.00 16.24 C -ATOM 2654 O LYS C 61 -14.881 11.695 15.808 1.00 15.80 O -ATOM 2655 CB LYS C 61 -14.696 9.830 18.603 1.00 23.05 C -ATOM 2656 CG LYS C 61 -15.062 10.074 19.860 1.00 29.48 C -ATOM 2657 CD LYS C 61 -14.168 9.693 20.841 1.00 35.76 C -ATOM 2658 CE LYS C 61 -14.859 10.184 22.437 1.00 58.26 C -ATOM 2659 NZ LYS C 61 -13.290 9.055 22.853 1.00 59.87 N -ATOM 2660 N VAL C 62 -15.053 9.278 15.522 1.00 15.31 N -ATOM 2661 CA VAL C 62 -14.623 9.355 14.153 1.00 17.56 C -ATOM 2662 C VAL C 62 -15.371 10.194 13.113 1.00 16.25 C -ATOM 2663 O VAL C 62 -15.014 11.087 12.455 1.00 13.61 O -ATOM 2664 CB VAL C 62 -14.380 7.809 13.720 1.00 18.84 C -ATOM 2665 CG1 VAL C 62 -14.183 7.763 12.290 1.00 17.19 C -ATOM 2666 CG2 VAL C 62 -13.252 7.305 14.521 1.00 18.33 C -ATOM 2667 N ALA C 63 -16.701 9.866 13.495 1.00 13.67 N -ATOM 2668 CA ALA C 63 -17.818 10.501 12.645 1.00 21.56 C -ATOM 2669 C ALA C 63 -17.715 11.855 12.728 1.00 19.04 C -ATOM 2670 O ALA C 63 -17.832 12.775 11.974 1.00 17.01 O -ATOM 2671 CB ALA C 63 -19.206 9.890 12.827 1.00 17.02 C -ATOM 2672 N ASP C 64 -17.653 12.417 13.991 1.00 16.51 N -ATOM 2673 CA ASP C 64 -17.709 13.830 14.243 1.00 19.49 C -ATOM 2674 C ASP C 64 -16.540 14.535 13.748 1.00 14.91 C -ATOM 2675 O ASP C 64 -16.584 15.604 13.224 1.00 19.95 O -ATOM 2676 CB ASP C 64 -17.991 14.096 15.799 1.00 24.76 C -ATOM 2677 CG ASP C 64 -19.393 13.818 16.643 1.00 34.25 C -ATOM 2678 OD1 ASP C 64 -20.152 13.414 15.899 1.00 28.85 O -ATOM 2679 OD2 ASP C 64 -19.056 13.688 17.650 1.00 27.13 O -ATOM 2680 N ALA C 65 -15.369 13.857 13.860 1.00 16.65 N -ATOM 2681 CA ALA C 65 -14.163 14.481 13.291 1.00 16.32 C -ATOM 2682 C ALA C 65 -14.252 14.735 11.694 1.00 13.95 C -ATOM 2683 O ALA C 65 -13.994 15.689 11.048 1.00 16.33 O -ATOM 2684 CB ALA C 65 -13.017 13.593 13.359 1.00 16.15 C -ATOM 2685 N LEU C 66 -15.064 13.712 10.969 1.00 17.13 N -ATOM 2686 CA LEU C 66 -15.337 13.726 9.525 1.00 13.55 C -ATOM 2687 C LEU C 66 -16.272 14.810 9.233 1.00 14.32 C -ATOM 2688 O LEU C 66 -16.159 15.647 8.296 1.00 15.99 O -ATOM 2689 CB LEU C 66 -15.780 12.400 8.970 1.00 12.37 C -ATOM 2690 CG LEU C 66 -14.557 11.353 8.900 1.00 14.22 C -ATOM 2691 CD1 LEU C 66 -15.162 10.177 8.798 1.00 25.53 C -ATOM 2692 CD2 LEU C 66 -13.636 11.641 7.894 1.00 14.43 C -ATOM 2693 N THR C 67 -17.292 14.977 10.145 1.00 14.80 N -ATOM 2694 CA THR C 67 -18.300 16.119 9.983 1.00 15.27 C -ATOM 2695 C THR C 67 -17.479 17.374 10.100 1.00 19.15 C -ATOM 2696 O THR C 67 -17.741 18.262 9.274 1.00 21.53 O -ATOM 2697 CB THR C 67 -19.282 15.886 11.189 1.00 13.22 C -ATOM 2698 OG1 THR C 67 -20.066 14.785 10.961 1.00 17.30 O -ATOM 2699 CG2 THR C 67 -20.207 17.226 11.132 1.00 30.44 C -ATOM 2700 N ASN C 68 -16.541 17.536 11.125 1.00 19.52 N -ATOM 2701 CA ASN C 68 -15.765 18.613 11.088 1.00 21.49 C -ATOM 2702 C ASN C 68 -14.901 18.833 9.858 1.00 19.25 C -ATOM 2703 O ASN C 68 -14.653 20.197 9.353 1.00 22.73 O -ATOM 2704 CB ASN C 68 -14.964 18.621 12.362 1.00 16.47 C -ATOM 2705 CG ASN C 68 -13.974 19.880 12.584 1.00 43.34 C -ATOM 2706 OD1 ASN C 68 -14.128 20.746 12.326 1.00 49.22 O -ATOM 2707 ND2 ASN C 68 -12.524 19.654 13.058 1.00 50.67 N -ATOM 2708 N ALA C 69 -14.378 17.793 9.402 1.00 16.22 N -ATOM 2709 CA ALA C 69 -13.526 17.929 8.006 1.00 15.27 C -ATOM 2710 C ALA C 69 -14.531 18.551 6.897 1.00 20.32 C -ATOM 2711 O ALA C 69 -13.858 19.250 6.103 1.00 22.38 O -ATOM 2712 CB ALA C 69 -12.891 16.615 7.759 1.00 15.52 C -ATOM 2713 N VAL C 70 -15.649 17.853 6.837 1.00 18.62 N -ATOM 2714 CA VAL C 70 -16.708 18.432 5.673 1.00 21.72 C -ATOM 2715 C VAL C 70 -16.947 20.121 6.025 1.00 33.94 C -ATOM 2716 O VAL C 70 -16.795 20.608 4.872 1.00 26.93 O -ATOM 2717 CB VAL C 70 -17.884 17.598 5.765 1.00 16.50 C -ATOM 2718 CG1 VAL C 70 -18.759 18.120 4.709 1.00 19.06 C -ATOM 2719 CG2 VAL C 70 -17.623 16.139 5.358 1.00 16.14 C -ATOM 2720 N ALA C 71 -17.135 20.362 6.965 1.00 27.30 N -ATOM 2721 CA ALA C 71 -17.392 21.922 7.494 1.00 22.92 C -ATOM 2722 C ALA C 71 -16.435 22.534 6.896 1.00 25.79 C -ATOM 2723 O ALA C 71 -16.374 23.836 6.718 1.00 24.88 O -ATOM 2724 CB ALA C 71 -17.865 21.980 8.684 1.00 26.73 C -ATOM 2725 N HIS C 72 -15.134 22.254 6.980 1.00 25.11 N -ATOM 2726 CA HIS C 72 -13.948 22.613 6.662 1.00 31.54 C -ATOM 2727 C HIS C 72 -13.174 22.493 5.762 1.00 23.73 C -ATOM 2728 O HIS C 72 -11.739 22.306 5.638 1.00 26.60 O -ATOM 2729 CB HIS C 72 -12.834 22.798 8.133 1.00 34.18 C -ATOM 2730 CG HIS C 72 -13.458 23.235 9.080 1.00 46.84 C -ATOM 2731 ND1 HIS C 72 -13.546 24.937 9.646 1.00 41.84 N -ATOM 2732 CD2 HIS C 72 -14.636 22.949 10.155 1.00 36.64 C -ATOM 2733 CE1 HIS C 72 -14.088 24.896 10.559 1.00 46.81 C -ATOM 2734 NE2 HIS C 72 -14.920 23.926 11.193 1.00 49.65 N -ATOM 2735 N VAL C 73 -13.783 21.917 4.647 1.00 19.28 N -ATOM 2736 CA VAL C 73 -13.123 21.287 3.673 1.00 19.45 C -ATOM 2737 C VAL C 73 -11.827 22.122 2.987 1.00 29.84 C -ATOM 2738 O VAL C 73 -10.987 21.361 2.509 1.00 35.51 O -ATOM 2739 CB VAL C 73 -14.122 20.427 2.448 1.00 30.11 C -ATOM 2740 CG1 VAL C 73 -14.780 21.629 2.180 1.00 33.72 C -ATOM 2741 CG2 VAL C 73 -13.307 19.397 1.916 1.00 28.74 C -ATOM 2742 N ASP C 74 -12.046 23.454 3.145 1.00 28.51 N -ATOM 2743 CA ASP C 74 -10.850 24.295 2.500 1.00 28.33 C -ATOM 2744 C ASP C 74 -9.537 24.483 3.294 1.00 41.00 C -ATOM 2745 O ASP C 74 -8.999 25.130 2.953 1.00 39.68 O -ATOM 2746 CB ASP C 74 -11.641 25.551 2.038 1.00 34.16 C -ATOM 2747 CG ASP C 74 -12.636 25.691 1.138 1.00 52.11 C -ATOM 2748 OD1 ASP C 74 -12.809 24.845 -0.109 1.00 41.95 O -ATOM 2749 OD2 ASP C 74 -13.725 26.027 1.050 1.00 57.27 O -ATOM 2750 N ASP C 75 -9.900 24.071 4.497 1.00 29.36 N -ATOM 2751 CA ASP C 75 -8.638 24.283 5.628 1.00 35.73 C -ATOM 2752 C ASP C 75 -9.022 23.128 6.558 1.00 33.10 C -ATOM 2753 O ASP C 75 -8.649 23.257 7.697 1.00 33.04 O -ATOM 2754 CB ASP C 75 -9.160 25.604 6.376 1.00 60.97 C -ATOM 2755 CG ASP C 75 -8.310 26.492 7.214 1.00 66.84 C -ATOM 2756 OD1 ASP C 75 -7.090 26.471 6.833 1.00 48.92 O -ATOM 2757 OD2 ASP C 75 -9.269 26.482 8.164 1.00 62.98 O -ATOM 2758 N MET C 76 -8.644 21.799 5.775 1.00 27.58 N -ATOM 2759 CA MET C 76 -8.452 20.656 6.738 1.00 27.89 C -ATOM 2760 C MET C 76 -7.374 20.534 7.506 1.00 27.58 C -ATOM 2761 O MET C 76 -7.529 20.166 8.646 1.00 20.50 O -ATOM 2762 CB MET C 76 -8.792 19.438 5.724 1.00 26.12 C -ATOM 2763 CG MET C 76 -10.257 19.383 5.400 1.00 43.36 C -ATOM 2764 SD MET C 76 -10.271 17.473 4.652 1.00 37.03 S -ATOM 2765 CE MET C 76 -9.415 17.721 3.291 1.00 44.39 C -ATOM 2766 N PRO C 77 -6.212 20.856 6.950 1.00 20.45 N -ATOM 2767 CA PRO C 77 -5.120 20.876 8.013 1.00 25.45 C -ATOM 2768 C PRO C 77 -5.008 21.386 9.255 1.00 36.43 C -ATOM 2769 O PRO C 77 -4.686 20.931 10.357 1.00 30.57 O -ATOM 2770 CB PRO C 77 -3.910 21.274 7.011 1.00 26.13 C -ATOM 2771 CG PRO C 77 -4.232 21.298 5.608 1.00 24.41 C -ATOM 2772 CD PRO C 77 -5.794 21.507 5.765 1.00 18.39 C -ATOM 2773 N ASN C 78 -5.556 22.597 9.438 1.00 27.78 N -ATOM 2774 CA ASN C 78 -6.067 23.245 10.604 1.00 53.47 C -ATOM 2775 C ASN C 78 -6.714 22.831 11.450 1.00 25.06 C -ATOM 2776 O ASN C 78 -6.836 22.551 12.629 1.00 27.11 O -ATOM 2777 CB ASN C 78 -5.848 24.913 10.378 1.00 49.62 C -ATOM 2778 CG ASN C 78 -5.937 25.817 11.891 1.00 27.09 C -ATOM 2779 OD1 ASN C 78 -5.094 25.489 12.673 1.00 25.78 O -ATOM 2780 ND2 ASN C 78 -7.164 26.163 12.327 1.00 30.98 N -ATOM 2781 N ALA C 79 -8.038 22.510 10.822 1.00 21.32 N -ATOM 2782 CA ALA C 79 -9.063 21.943 11.591 1.00 21.47 C -ATOM 2783 C ALA C 79 -8.803 20.510 12.317 1.00 24.81 C -ATOM 2784 O ALA C 79 -9.440 20.242 13.323 1.00 25.13 O -ATOM 2785 CB ALA C 79 -10.333 21.459 10.764 1.00 25.42 C -ATOM 2786 N LEU C 80 -8.034 19.757 11.542 1.00 14.71 N -ATOM 2787 CA LEU C 80 -7.693 18.364 12.080 1.00 14.80 C -ATOM 2788 C LEU C 80 -6.147 18.320 12.632 1.00 13.69 C -ATOM 2789 O LEU C 80 -5.765 17.251 13.012 1.00 17.02 O -ATOM 2790 CB LEU C 80 -7.618 17.425 10.975 1.00 23.31 C -ATOM 2791 CG LEU C 80 -9.017 17.241 10.096 1.00 28.90 C -ATOM 2792 CD1 LEU C 80 -8.888 16.179 9.066 1.00 22.59 C -ATOM 2793 CD2 LEU C 80 -9.912 16.862 11.126 1.00 28.24 C -ATOM 2794 N SER C 81 -5.642 19.595 13.022 1.00 15.20 N -ATOM 2795 CA SER C 81 -4.176 19.598 13.532 1.00 16.69 C -ATOM 2796 C SER C 81 -4.082 18.751 14.821 1.00 15.66 C -ATOM 2797 O SER C 81 -3.121 18.036 14.913 1.00 18.30 O -ATOM 2798 CB SER C 81 -4.200 21.212 13.927 1.00 20.04 C -ATOM 2799 OG SER C 81 -2.662 21.194 13.956 1.00 27.86 O -ATOM 2800 N ALA C 82 -4.975 18.951 15.740 1.00 16.14 N -ATOM 2801 CA ALA C 82 -4.666 18.152 16.940 1.00 27.63 C -ATOM 2802 C ALA C 82 -4.666 16.766 16.844 1.00 26.48 C -ATOM 2803 O ALA C 82 -4.201 15.804 17.443 1.00 22.53 O -ATOM 2804 CB ALA C 82 -5.631 18.625 18.033 1.00 26.01 C -ATOM 2805 N LEU C 83 -5.794 16.171 15.738 1.00 16.69 N -ATOM 2806 CA LEU C 83 -5.833 14.767 15.713 1.00 11.24 C -ATOM 2807 C LEU C 83 -4.721 14.342 14.699 1.00 14.18 C -ATOM 2808 O LEU C 83 -4.218 13.107 15.018 1.00 18.82 O -ATOM 2809 CB LEU C 83 -7.049 14.621 14.641 1.00 19.57 C -ATOM 2810 CG LEU C 83 -8.323 14.343 15.598 1.00 31.08 C -ATOM 2811 CD1 LEU C 83 -9.453 13.945 14.510 1.00 37.56 C -ATOM 2812 CD2 LEU C 83 -8.174 13.408 16.783 1.00 31.25 C -ATOM 2813 N SER C 84 -4.154 15.133 13.918 1.00 17.80 N -ATOM 2814 CA SER C 84 -2.888 14.776 13.267 1.00 16.31 C -ATOM 2815 C SER C 84 -1.740 14.590 14.181 1.00 16.72 C -ATOM 2816 O SER C 84 -0.882 13.728 14.196 1.00 20.08 O -ATOM 2817 CB SER C 84 -1.928 15.701 12.069 1.00 25.74 C -ATOM 2818 OG SER C 84 -2.988 16.059 11.690 1.00 36.74 O -ATOM 2819 N ASP C 85 -1.671 15.596 15.245 1.00 14.56 N -ATOM 2820 CA ASP C 85 -0.682 15.299 16.354 1.00 16.51 C -ATOM 2821 C ASP C 85 -0.794 14.103 17.109 1.00 12.46 C -ATOM 2822 O ASP C 85 0.064 13.405 17.411 1.00 15.88 O -ATOM 2823 CB ASP C 85 -0.758 16.459 17.195 1.00 24.70 C -ATOM 2824 CG ASP C 85 -0.167 17.721 16.629 1.00 34.11 C -ATOM 2825 OD1 ASP C 85 0.446 17.900 15.796 1.00 25.15 O -ATOM 2826 OD2 ASP C 85 -0.625 18.754 17.406 1.00 33.76 O -ATOM 2827 N LEU C 86 -2.190 13.771 17.337 1.00 12.70 N -ATOM 2828 CA LEU C 86 -2.467 12.693 18.111 1.00 16.53 C -ATOM 2829 C LEU C 86 -2.015 11.303 17.695 1.00 14.13 C -ATOM 2830 O LEU C 86 -1.425 10.432 18.116 1.00 17.79 O -ATOM 2831 CB LEU C 86 -3.980 12.638 18.447 1.00 18.93 C -ATOM 2832 CG LEU C 86 -4.506 11.657 19.521 1.00 29.36 C -ATOM 2833 CD1 LEU C 86 -3.802 11.791 20.879 1.00 25.18 C -ATOM 2834 CD2 LEU C 86 -5.938 11.585 19.602 1.00 37.62 C -ATOM 2835 N HIS C 87 -2.350 11.290 16.308 1.00 15.64 N -ATOM 2836 CA HIS C 87 -2.196 9.988 15.684 1.00 15.27 C -ATOM 2837 C HIS C 87 -0.432 9.776 15.294 1.00 11.96 C -ATOM 2838 O HIS C 87 -0.010 8.655 15.509 1.00 15.54 O -ATOM 2839 CB HIS C 87 -2.877 9.761 14.248 1.00 15.31 C -ATOM 2840 CG HIS C 87 -4.370 9.569 14.496 1.00 12.16 C -ATOM 2841 ND1 HIS C 87 -5.204 10.514 14.931 1.00 15.96 N -ATOM 2842 CD2 HIS C 87 -5.162 8.339 14.571 1.00 14.58 C -ATOM 2843 CE1 HIS C 87 -6.508 9.921 15.132 1.00 13.46 C -ATOM 2844 NE2 HIS C 87 -6.403 8.796 14.850 1.00 17.27 N -ATOM 2845 N ALA C 88 0.106 11.030 15.024 1.00 14.25 N -ATOM 2846 CA ALA C 88 1.440 11.027 14.747 1.00 15.37 C -ATOM 2847 C ALA C 88 2.402 10.439 15.994 1.00 19.72 C -ATOM 2848 O ALA C 88 3.419 9.888 15.742 1.00 18.60 O -ATOM 2849 CB ALA C 88 2.009 12.263 14.095 1.00 17.41 C -ATOM 2850 N HIS C 89 2.139 11.270 17.065 1.00 17.52 N -ATOM 2851 CA HIS C 89 2.856 11.246 18.393 1.00 20.01 C -ATOM 2852 C HIS C 89 2.445 10.295 19.376 1.00 19.52 C -ATOM 2853 O HIS C 89 3.400 9.856 20.127 1.00 22.69 O -ATOM 2854 CB HIS C 89 3.204 12.750 18.766 1.00 26.82 C -ATOM 2855 CG HIS C 89 3.898 13.462 17.550 1.00 23.76 C -ATOM 2856 ND1 HIS C 89 5.028 13.110 16.879 1.00 28.14 N -ATOM 2857 CD2 HIS C 89 3.344 14.574 17.213 1.00 25.55 C -ATOM 2858 CE1 HIS C 89 4.845 14.030 16.064 1.00 32.36 C -ATOM 2859 NE2 HIS C 89 4.173 15.010 16.064 1.00 29.26 N -ATOM 2860 N LYS C 90 1.340 9.800 19.443 1.00 16.72 N -ATOM 2861 CA LYS C 90 0.718 9.223 20.440 1.00 20.32 C -ATOM 2862 C LYS C 90 0.299 7.707 20.002 1.00 20.91 C -ATOM 2863 O LYS C 90 0.862 6.631 20.320 1.00 23.22 O -ATOM 2864 CB LYS C 90 -0.138 9.844 21.447 1.00 20.81 C -ATOM 2865 CG LYS C 90 -0.560 8.580 22.285 1.00 29.14 C -ATOM 2866 CD LYS C 90 -1.751 9.734 23.205 1.00 67.74 C -ATOM 2867 CE LYS C 90 -1.793 8.441 24.607 1.00 66.29 C -ATOM 2868 NZ LYS C 90 -1.676 10.047 25.898 1.00 56.99 N -ATOM 2869 N LEU C 91 -0.852 7.689 19.140 1.00 13.37 N -ATOM 2870 CA LEU C 91 -1.388 6.384 18.683 1.00 10.47 C -ATOM 2871 C LEU C 91 -0.395 5.670 17.757 1.00 15.87 C -ATOM 2872 O LEU C 91 -0.337 4.504 17.810 1.00 17.45 O -ATOM 2873 CB LEU C 91 -2.734 6.916 18.060 1.00 11.80 C -ATOM 2874 CG LEU C 91 -3.503 7.677 18.936 1.00 14.59 C -ATOM 2875 CD1 LEU C 91 -4.817 8.063 18.135 1.00 18.31 C -ATOM 2876 CD2 LEU C 91 -3.927 6.656 20.006 1.00 19.42 C -ATOM 2877 N ARG C 92 0.163 6.386 16.757 1.00 17.30 N -ATOM 2878 CA ARG C 92 1.225 5.888 15.973 1.00 16.69 C -ATOM 2879 C ARG C 92 0.801 4.590 15.144 1.00 18.80 C -ATOM 2880 O ARG C 92 1.289 3.690 14.985 1.00 19.26 O -ATOM 2881 CB ARG C 92 2.462 5.556 16.835 1.00 13.64 C -ATOM 2882 CG ARG C 92 3.207 6.871 17.042 1.00 14.42 C -ATOM 2883 CD ARG C 92 4.320 6.680 18.089 1.00 27.16 C -ATOM 2884 NE ARG C 92 4.955 7.507 17.826 1.00 44.94 N -ATOM 2885 CZ ARG C 92 5.808 6.749 20.563 1.00 38.22 C -ATOM 2886 NH1 ARG C 92 4.053 6.376 21.084 1.00 33.94 N -ATOM 2887 NH2 ARG C 92 6.026 7.349 19.817 1.00 48.21 N -ATOM 2888 N VAL C 93 -0.511 4.844 14.546 1.00 13.36 N -ATOM 2889 CA VAL C 93 -1.122 3.790 13.672 1.00 14.31 C -ATOM 2890 C VAL C 93 -0.425 3.861 12.310 1.00 12.63 C -ATOM 2891 O VAL C 93 -0.266 4.875 11.618 1.00 14.78 O -ATOM 2892 CB VAL C 93 -2.622 4.322 13.422 1.00 8.72 C -ATOM 2893 CG1 VAL C 93 -3.298 3.413 12.409 1.00 14.83 C -ATOM 2894 CG2 VAL C 93 -3.256 4.402 14.761 1.00 15.34 C -ATOM 2895 N ASP C 94 -0.069 2.672 11.865 1.00 14.84 N -ATOM 2896 CA ASP C 94 0.516 2.634 10.645 1.00 17.19 C -ATOM 2897 C ASP C 94 -0.337 3.187 9.492 1.00 13.94 C -ATOM 2898 O ASP C 94 -1.496 2.844 9.436 1.00 13.55 O -ATOM 2899 CB ASP C 94 1.001 1.175 10.166 1.00 19.19 C -ATOM 2900 CG ASP C 94 2.066 1.114 9.015 1.00 25.98 C -ATOM 2901 OD1 ASP C 94 3.132 1.101 9.167 1.00 23.44 O -ATOM 2902 OD2 ASP C 94 1.457 1.246 7.818 1.00 20.10 O -ATOM 2903 N PRO C 95 0.336 3.997 8.656 1.00 13.43 N -ATOM 2904 CA PRO C 95 -0.533 4.680 7.482 1.00 16.10 C -ATOM 2905 C PRO C 95 -1.120 3.788 6.667 1.00 11.12 C -ATOM 2906 O PRO C 95 -2.331 4.229 6.243 1.00 14.55 O -ATOM 2907 CB PRO C 95 0.512 5.399 6.750 1.00 19.09 C -ATOM 2908 CG PRO C 95 1.437 5.610 7.677 1.00 18.28 C -ATOM 2909 CD PRO C 95 1.704 4.489 8.616 1.00 15.64 C -ATOM 2910 N VAL C 96 -0.975 2.426 6.418 1.00 15.60 N -ATOM 2911 CA VAL C 96 -1.688 1.553 5.597 1.00 13.24 C -ATOM 2912 C VAL C 96 -3.093 1.373 6.108 1.00 11.50 C -ATOM 2913 O VAL C 96 -4.125 1.168 5.337 1.00 13.19 O -ATOM 2914 CB VAL C 96 -0.963 0.166 5.595 1.00 20.64 C -ATOM 2915 CG1 VAL C 96 0.380 0.545 5.130 1.00 37.75 C -ATOM 2916 CG2 VAL C 96 -0.986 -0.723 6.614 1.00 28.85 C -ATOM 2917 N ASN C 97 -3.362 1.525 7.446 1.00 9.54 N -ATOM 2918 CA ASN C 97 -4.626 1.297 7.971 1.00 11.68 C -ATOM 2919 C ASN C 97 -5.641 2.261 7.562 1.00 9.63 C -ATOM 2920 O ASN C 97 -6.898 1.950 7.745 1.00 9.95 O -ATOM 2921 CB ASN C 97 -4.431 1.174 9.336 1.00 13.42 C -ATOM 2922 CG ASN C 97 -3.599 -0.084 9.836 1.00 14.06 C -ATOM 2923 OD1 ASN C 97 -3.997 -1.327 9.652 1.00 8.45 O -ATOM 2924 ND2 ASN C 97 -2.374 0.157 10.197 1.00 18.92 N -ATOM 2925 N PHE C 98 -5.236 3.438 7.306 1.00 11.20 N -ATOM 2926 CA PHE C 98 -6.082 4.528 6.931 1.00 10.00 C -ATOM 2927 C PHE C 98 -6.998 4.116 5.628 1.00 12.29 C -ATOM 2928 O PHE C 98 -8.203 4.405 5.580 1.00 11.85 O -ATOM 2929 CB PHE C 98 -5.520 5.917 6.784 1.00 11.84 C -ATOM 2930 CG PHE C 98 -4.966 6.392 8.161 1.00 10.85 C -ATOM 2931 CD1 PHE C 98 -5.796 7.234 8.908 1.00 20.50 C -ATOM 2932 CD2 PHE C 98 -3.900 5.913 8.688 1.00 15.66 C -ATOM 2933 CE1 PHE C 98 -5.555 7.714 10.141 1.00 25.62 C -ATOM 2934 CE2 PHE C 98 -3.735 6.528 10.021 1.00 23.17 C -ATOM 2935 CZ PHE C 98 -4.378 7.442 10.790 1.00 16.17 C -ATOM 2936 N LYS C 99 -6.268 3.417 4.783 1.00 12.40 N -ATOM 2937 CA LYS C 99 -6.999 2.958 3.593 1.00 16.89 C -ATOM 2938 C LYS C 99 -8.208 2.150 3.790 1.00 16.36 C -ATOM 2939 O LYS C 99 -9.081 1.954 3.131 1.00 12.00 O -ATOM 2940 CB LYS C 99 -5.965 2.519 2.404 1.00 37.75 C -ATOM 2941 CG LYS C 99 -5.634 1.867 2.299 1.00 60.42 C -ATOM 2942 CD LYS C 99 -4.523 1.328 0.960 1.00 80.12 C -ATOM 2943 CE LYS C 99 -5.145 -0.811 1.345 1.00 54.41 C -ATOM 2944 NZ LYS C 99 -4.072 -1.896 0.975 1.00 73.17 N -ATOM 2945 N LEU C 100 -7.771 1.248 4.812 1.00 11.58 N -ATOM 2946 CA LEU C 100 -8.668 0.083 5.298 1.00 10.08 C -ATOM 2947 C LEU C 100 -9.923 0.739 5.824 1.00 15.81 C -ATOM 2948 O LEU C 100 -11.033 0.328 5.495 1.00 12.64 O -ATOM 2949 CB LEU C 100 -7.919 -0.962 6.095 1.00 11.52 C -ATOM 2950 CG LEU C 100 -6.700 -1.456 5.659 1.00 12.29 C -ATOM 2951 CD1 LEU C 100 -6.140 -2.487 6.602 1.00 13.43 C -ATOM 2952 CD2 LEU C 100 -6.937 -2.037 4.366 1.00 20.82 C -ATOM 2953 N LEU C 101 -9.764 1.698 6.763 1.00 9.97 N -ATOM 2954 CA LEU C 101 -10.983 2.177 7.355 1.00 11.48 C -ATOM 2955 C LEU C 101 -11.756 3.062 6.216 1.00 15.63 C -ATOM 2956 O LEU C 101 -12.976 2.978 6.299 1.00 14.14 O -ATOM 2957 CB LEU C 101 -10.599 3.208 8.498 1.00 14.89 C -ATOM 2958 CG LEU C 101 -11.670 3.902 9.072 1.00 22.22 C -ATOM 2959 CD1 LEU C 101 -12.818 2.883 9.487 1.00 22.49 C -ATOM 2960 CD2 LEU C 101 -11.241 4.642 10.285 1.00 23.89 C -ATOM 2961 N SER C 102 -11.033 3.737 5.313 1.00 13.80 N -ATOM 2962 CA SER C 102 -11.714 4.605 4.376 1.00 7.27 C -ATOM 2963 C SER C 102 -12.532 3.565 3.508 1.00 8.13 C -ATOM 2964 O SER C 102 -13.716 4.048 3.196 1.00 14.48 O -ATOM 2965 CB SER C 102 -10.627 5.223 3.513 1.00 12.53 C -ATOM 2966 OG SER C 102 -9.908 6.246 4.205 1.00 16.99 O -ATOM 2967 N HIS C 103 -12.013 2.448 3.076 1.00 9.47 N -ATOM 2968 CA HIS C 103 -12.856 1.553 2.231 1.00 7.87 C -ATOM 2969 C HIS C 103 -13.969 1.179 3.005 1.00 9.96 C -ATOM 2970 O HIS C 103 -15.145 1.064 2.463 1.00 11.06 O -ATOM 2971 CB HIS C 103 -12.045 0.334 2.007 1.00 13.28 C -ATOM 2972 CG HIS C 103 -12.687 -0.723 1.251 1.00 12.69 C -ATOM 2973 ND1 HIS C 103 -12.940 -2.084 2.021 1.00 13.59 N -ATOM 2974 CD2 HIS C 103 -13.286 -0.768 0.111 1.00 11.80 C -ATOM 2975 CE1 HIS C 103 -13.607 -2.702 0.895 1.00 18.03 C -ATOM 2976 NE2 HIS C 103 -13.846 -2.052 -0.281 1.00 12.75 N -ATOM 2977 N CYS C 104 -13.956 0.809 4.281 1.00 11.32 N -ATOM 2978 CA CYS C 104 -15.102 0.402 5.220 1.00 10.36 C -ATOM 2979 C CYS C 104 -16.128 1.576 5.312 1.00 10.40 C -ATOM 2980 O CYS C 104 -17.326 1.230 5.408 1.00 13.45 O -ATOM 2981 CB CYS C 104 -14.679 -0.210 6.511 1.00 10.60 C -ATOM 2982 SG CYS C 104 -13.758 -1.766 6.256 1.00 14.84 S -ATOM 2983 N LEU C 105 -15.610 2.759 5.400 1.00 7.19 N -ATOM 2984 CA LEU C 105 -16.550 3.718 5.401 1.00 7.94 C -ATOM 2985 C LEU C 105 -17.308 3.811 4.064 1.00 12.20 C -ATOM 2986 O LEU C 105 -18.557 4.127 4.121 1.00 10.34 O -ATOM 2987 CB LEU C 105 -15.878 5.040 5.656 1.00 21.49 C -ATOM 2988 CG LEU C 105 -16.527 6.202 6.207 1.00 44.61 C -ATOM 2989 CD1 LEU C 105 -16.548 5.934 7.976 1.00 29.90 C -ATOM 2990 CD2 LEU C 105 -14.638 7.055 6.645 1.00 67.41 C -ATOM 2991 N LEU C 106 -16.563 3.801 3.055 1.00 12.01 N -ATOM 2992 CA LEU C 106 -17.399 3.653 1.720 1.00 11.59 C -ATOM 2993 C LEU C 106 -18.331 2.701 1.716 1.00 13.18 C -ATOM 2994 O LEU C 106 -19.445 3.007 1.174 1.00 13.67 O -ATOM 2995 CB LEU C 106 -16.393 3.784 0.463 1.00 15.01 C -ATOM 2996 CG LEU C 106 -15.665 4.920 0.043 1.00 26.98 C -ATOM 2997 CD1 LEU C 106 -14.786 4.477 -0.938 1.00 27.15 C -ATOM 2998 CD2 LEU C 106 -16.427 6.222 -0.197 1.00 28.82 C -ATOM 2999 N VAL C 107 -18.135 1.497 2.015 1.00 9.69 N -ATOM 3000 CA VAL C 107 -18.836 0.268 2.127 1.00 13.59 C -ATOM 3001 C VAL C 107 -20.197 0.605 2.883 1.00 17.84 C -ATOM 3002 O VAL C 107 -21.451 0.519 2.577 1.00 16.17 O -ATOM 3003 CB VAL C 107 -18.247 -1.024 2.534 1.00 6.66 C -ATOM 3004 CG1 VAL C 107 -19.313 -1.975 2.757 1.00 10.41 C -ATOM 3005 CG2 VAL C 107 -17.243 -1.377 1.493 1.00 9.95 C -ATOM 3006 N THR C 108 -20.022 1.317 4.069 1.00 12.50 N -ATOM 3007 CA THR C 108 -21.156 1.586 4.961 1.00 12.00 C -ATOM 3008 C THR C 108 -22.004 2.672 4.235 1.00 8.53 C -ATOM 3009 O THR C 108 -23.266 2.600 4.430 1.00 13.95 O -ATOM 3010 CB THR C 108 -20.489 2.175 6.313 1.00 10.15 C -ATOM 3011 OG1 THR C 108 -19.618 1.211 6.782 1.00 10.65 O -ATOM 3012 CG2 THR C 108 -21.574 2.581 7.303 1.00 9.30 C -ATOM 3013 N LEU C 109 -21.432 3.696 3.675 1.00 9.01 N -ATOM 3014 CA LEU C 109 -22.256 4.765 2.941 1.00 9.31 C -ATOM 3015 C LEU C 109 -23.120 4.001 2.078 1.00 15.85 C -ATOM 3016 O LEU C 109 -24.157 4.405 1.752 1.00 14.26 O -ATOM 3017 CB LEU C 109 -21.296 5.848 2.566 1.00 11.02 C -ATOM 3018 CG LEU C 109 -20.716 6.843 3.619 1.00 19.91 C -ATOM 3019 CD1 LEU C 109 -19.558 7.677 2.954 1.00 29.96 C -ATOM 3020 CD2 LEU C 109 -21.630 7.225 4.484 1.00 27.29 C -ATOM 3021 N ALA C 110 -22.355 3.185 1.097 1.00 14.51 N -ATOM 3022 CA ALA C 110 -22.975 2.438 -0.100 1.00 13.69 C -ATOM 3023 C ALA C 110 -24.179 1.916 0.467 1.00 24.66 C -ATOM 3024 O ALA C 110 -25.339 1.691 -0.205 1.00 18.31 O -ATOM 3025 CB ALA C 110 -21.958 1.541 -0.721 1.00 13.14 C -ATOM 3026 N ALA C 111 -24.108 1.069 1.636 1.00 17.30 N -ATOM 3027 CA ALA C 111 -25.131 0.205 2.227 1.00 14.98 C -ATOM 3028 C ALA C 111 -26.406 1.141 2.649 1.00 17.59 C -ATOM 3029 O ALA C 111 -27.374 0.392 2.964 1.00 18.70 O -ATOM 3030 CB ALA C 111 -24.528 -0.603 3.334 1.00 14.01 C -ATOM 3031 N HIS C 112 -26.145 2.311 3.092 1.00 17.57 N -ATOM 3032 CA HIS C 112 -27.157 3.218 3.684 1.00 17.81 C -ATOM 3033 C HIS C 112 -27.592 4.143 2.662 1.00 23.35 C -ATOM 3034 O HIS C 112 -28.643 4.846 3.027 1.00 25.70 O -ATOM 3035 CB HIS C 112 -26.632 3.907 4.985 1.00 19.09 C -ATOM 3036 CG HIS C 112 -26.731 2.953 5.878 1.00 25.33 C -ATOM 3037 ND1 HIS C 112 -25.315 2.095 6.535 1.00 35.05 N -ATOM 3038 CD2 HIS C 112 -27.507 2.446 6.914 1.00 26.57 C -ATOM 3039 CE1 HIS C 112 -25.696 1.397 7.484 1.00 18.65 C -ATOM 3040 NE2 HIS C 112 -27.041 1.550 7.786 1.00 32.92 N -ATOM 3041 N LEU C 113 -27.112 4.669 1.736 1.00 23.20 N -ATOM 3042 CA LEU C 113 -27.336 5.646 0.694 1.00 19.73 C -ATOM 3043 C LEU C 113 -27.527 4.917 -0.780 1.00 24.44 C -ATOM 3044 O LEU C 113 -26.931 5.709 -1.436 1.00 27.49 O -ATOM 3045 CB LEU C 113 -26.346 6.534 0.722 1.00 30.36 C -ATOM 3046 CG LEU C 113 -26.291 7.305 1.871 1.00 29.78 C -ATOM 3047 CD1 LEU C 113 -24.949 8.197 1.187 1.00 35.69 C -ATOM 3048 CD2 LEU C 113 -27.165 7.743 2.593 1.00 47.79 C -ATOM 3049 N PRO C 114 -28.533 4.269 -1.071 1.00 23.63 N -ATOM 3050 CA PRO C 114 -28.972 3.222 -2.364 1.00 26.62 C -ATOM 3051 C PRO C 114 -29.185 4.694 -3.555 1.00 35.32 C -ATOM 3052 O PRO C 114 -28.033 5.030 -4.238 1.00 38.93 O -ATOM 3053 CB PRO C 114 -29.692 2.344 -1.692 1.00 32.82 C -ATOM 3054 CG PRO C 114 -30.705 3.466 -1.031 1.00 48.45 C -ATOM 3055 CD PRO C 114 -29.572 3.964 0.093 1.00 44.41 C -ATOM 3056 N ALA C 115 -29.614 5.816 -3.110 1.00 34.13 N -ATOM 3057 CA ALA C 115 -29.733 6.788 -3.943 1.00 25.13 C -ATOM 3058 C ALA C 115 -28.814 7.547 -4.176 1.00 23.70 C -ATOM 3059 O ALA C 115 -28.484 8.189 -5.293 1.00 28.59 O -ATOM 3060 CB ALA C 115 -31.178 7.688 -4.040 1.00 49.66 C -ATOM 3061 N GLU C 116 -27.955 7.979 -3.256 1.00 19.87 N -ATOM 3062 CA GLU C 116 -26.996 9.192 -3.337 1.00 15.46 C -ATOM 3063 C GLU C 116 -25.546 8.615 -3.591 1.00 17.63 C -ATOM 3064 O GLU C 116 -24.903 9.456 -4.305 1.00 21.65 O -ATOM 3065 CB GLU C 116 -26.603 9.453 -1.769 1.00 24.21 C -ATOM 3066 CG GLU C 116 -28.465 8.862 -0.493 1.00 64.07 C -ATOM 3067 CD GLU C 116 -28.940 10.160 -0.964 1.00 64.09 C -ATOM 3068 OE1 GLU C 116 -28.783 10.922 -1.780 1.00 59.54 O -ATOM 3069 OE2 GLU C 116 -30.228 9.634 -0.550 1.00 58.51 O -ATOM 3070 N PHE C 117 -25.343 7.424 -3.452 1.00 18.06 N -ATOM 3071 CA PHE C 117 -24.055 6.750 -3.919 1.00 15.96 C -ATOM 3072 C PHE C 117 -23.837 6.451 -5.366 1.00 17.62 C -ATOM 3073 O PHE C 117 -23.697 5.333 -5.682 1.00 20.40 O -ATOM 3074 CB PHE C 117 -23.795 5.597 -3.019 1.00 11.69 C -ATOM 3075 CG PHE C 117 -22.482 5.073 -2.755 1.00 15.94 C -ATOM 3076 CD1 PHE C 117 -21.516 5.939 -2.024 1.00 20.23 C -ATOM 3077 CD2 PHE C 117 -21.879 3.939 -3.352 1.00 18.29 C -ATOM 3078 CE1 PHE C 117 -20.010 5.429 -1.856 1.00 21.74 C -ATOM 3079 CE2 PHE C 117 -20.499 3.543 -3.388 1.00 15.69 C -ATOM 3080 CZ PHE C 117 -19.734 4.357 -2.542 1.00 19.08 C -ATOM 3081 N THR C 118 -23.888 7.554 -6.187 1.00 16.36 N -ATOM 3082 CA THR C 118 -23.750 7.200 -7.579 1.00 24.73 C -ATOM 3083 C THR C 118 -22.162 7.085 -7.979 1.00 20.24 C -ATOM 3084 O THR C 118 -21.404 7.258 -6.938 1.00 17.57 O -ATOM 3085 CB THR C 118 -23.989 8.809 -8.229 1.00 24.50 C -ATOM 3086 OG1 THR C 118 -25.423 9.053 -8.024 1.00 43.24 O -ATOM 3087 CG2 THR C 118 -23.399 9.727 -8.021 1.00 20.86 C -ATOM 3088 N PRO C 119 -21.965 6.771 -8.980 1.00 16.01 N -ATOM 3089 CA PRO C 119 -20.523 6.700 -9.434 1.00 19.05 C -ATOM 3090 C PRO C 119 -19.780 7.932 -9.012 1.00 19.72 C -ATOM 3091 O PRO C 119 -18.600 7.893 -8.606 1.00 14.74 O -ATOM 3092 CB PRO C 119 -20.464 6.235 -10.815 1.00 21.12 C -ATOM 3093 CG PRO C 119 -21.872 5.425 -11.078 1.00 19.58 C -ATOM 3094 CD PRO C 119 -22.940 6.131 -10.122 1.00 19.86 C -ATOM 3095 N ALA C 120 -20.252 9.094 -9.502 1.00 19.86 N -ATOM 3096 CA ALA C 120 -19.548 10.276 -9.334 1.00 18.74 C -ATOM 3097 C ALA C 120 -19.388 10.637 -7.832 1.00 10.87 C -ATOM 3098 O ALA C 120 -18.248 11.251 -7.450 1.00 14.38 O -ATOM 3099 CB ALA C 120 -20.260 11.491 -9.979 1.00 23.51 C -ATOM 3100 N VAL C 121 -20.385 10.350 -7.040 1.00 15.38 N -ATOM 3101 CA VAL C 121 -20.425 10.526 -5.562 1.00 17.86 C -ATOM 3102 C VAL C 121 -19.282 9.640 -4.960 1.00 13.56 C -ATOM 3103 O VAL C 121 -18.551 10.181 -4.182 1.00 14.98 O -ATOM 3104 CB VAL C 121 -21.712 10.598 -4.961 1.00 16.82 C -ATOM 3105 CG1 VAL C 121 -21.586 10.574 -3.474 1.00 15.23 C -ATOM 3106 CG2 VAL C 121 -22.399 11.837 -5.508 1.00 18.21 C -ATOM 3107 N HIS C 122 -19.274 8.429 -5.423 1.00 13.62 N -ATOM 3108 CA HIS C 122 -18.258 7.352 -4.974 1.00 13.41 C -ATOM 3109 C HIS C 122 -16.927 7.953 -5.183 1.00 19.70 C -ATOM 3110 O HIS C 122 -16.069 7.929 -4.270 1.00 15.94 O -ATOM 3111 CB HIS C 122 -18.661 6.175 -5.608 1.00 13.44 C -ATOM 3112 CG HIS C 122 -17.896 4.996 -5.506 1.00 11.42 C -ATOM 3113 ND1 HIS C 122 -18.152 3.694 -5.975 1.00 16.43 N -ATOM 3114 CD2 HIS C 122 -16.677 4.952 -4.678 1.00 17.04 C -ATOM 3115 CE1 HIS C 122 -17.175 2.906 -5.621 1.00 20.17 C -ATOM 3116 NE2 HIS C 122 -16.333 3.490 -4.734 1.00 16.87 N -ATOM 3117 N ALA C 123 -16.663 8.527 -6.359 1.00 13.94 N -ATOM 3118 CA ALA C 123 -15.263 8.979 -6.644 1.00 17.63 C -ATOM 3119 C ALA C 123 -14.878 10.124 -5.801 1.00 15.63 C -ATOM 3120 O ALA C 123 -13.855 10.169 -5.195 1.00 16.32 O -ATOM 3121 CB ALA C 123 -15.304 9.355 -8.200 1.00 21.15 C -ATOM 3122 N SER C 124 -15.845 11.044 -5.588 1.00 11.75 N -ATOM 3123 CA SER C 124 -15.443 12.245 -4.719 1.00 15.01 C -ATOM 3124 C SER C 124 -15.332 11.744 -3.177 1.00 15.67 C -ATOM 3125 O SER C 124 -14.471 12.374 -2.655 1.00 13.45 O -ATOM 3126 CB SER C 124 -16.754 13.206 -4.754 1.00 14.78 C -ATOM 3127 OG SER C 124 -17.033 13.770 -6.107 1.00 17.64 O -ATOM 3128 N LEU C 125 -16.158 10.923 -2.823 1.00 10.43 N -ATOM 3129 CA LEU C 125 -15.983 10.431 -1.427 1.00 12.66 C -ATOM 3130 C LEU C 125 -14.705 9.708 -1.135 1.00 12.01 C -ATOM 3131 O LEU C 125 -13.873 9.973 -0.196 1.00 10.58 O -ATOM 3132 CB LEU C 125 -17.093 9.515 -1.060 1.00 10.32 C -ATOM 3133 CG LEU C 125 -18.393 10.264 -0.600 1.00 16.01 C -ATOM 3134 CD1 LEU C 125 -19.493 9.231 -0.642 1.00 21.31 C -ATOM 3135 CD2 LEU C 125 -18.244 11.194 0.645 1.00 19.17 C -ATOM 3136 N ASP C 126 -14.179 8.973 -2.132 1.00 15.23 N -ATOM 3137 CA ASP C 126 -12.896 8.220 -2.060 1.00 15.01 C -ATOM 3138 C ASP C 126 -11.877 9.262 -2.029 1.00 17.34 C -ATOM 3139 O ASP C 126 -10.873 9.161 -1.311 1.00 17.16 O -ATOM 3140 CB ASP C 126 -12.829 7.258 -3.164 1.00 14.23 C -ATOM 3141 CG ASP C 126 -11.630 6.072 -2.962 1.00 15.33 C -ATOM 3142 OD1 ASP C 126 -11.594 5.816 -1.849 1.00 21.18 O -ATOM 3143 OD2 ASP C 126 -10.723 6.195 -3.670 1.00 18.49 O -ATOM 3144 N LYS C 127 -11.889 10.369 -2.865 1.00 10.51 N -ATOM 3145 CA LYS C 127 -10.843 11.346 -2.937 1.00 9.26 C -ATOM 3146 C LYS C 127 -10.985 12.090 -1.550 1.00 10.60 C -ATOM 3147 O LYS C 127 -9.736 12.501 -1.011 1.00 13.38 O -ATOM 3148 CB LYS C 127 -11.128 12.473 -4.012 1.00 12.57 C -ATOM 3149 CG LYS C 127 -10.837 11.844 -5.259 1.00 21.03 C -ATOM 3150 CD LYS C 127 -11.084 12.905 -6.433 1.00 27.03 C -ATOM 3151 CE LYS C 127 -10.200 14.180 -6.287 1.00 36.89 C -ATOM 3152 NZ LYS C 127 -10.401 15.128 -7.495 1.00 25.75 N -ATOM 3153 N PHE C 128 -12.089 12.351 -1.096 1.00 12.44 N -ATOM 3154 CA PHE C 128 -12.150 13.112 0.060 1.00 14.73 C -ATOM 3155 C PHE C 128 -11.573 12.159 1.379 1.00 19.70 C -ATOM 3156 O PHE C 128 -10.742 12.890 2.141 1.00 15.58 O -ATOM 3157 CB PHE C 128 -13.559 13.504 0.502 1.00 11.17 C -ATOM 3158 CG PHE C 128 -13.873 13.981 2.080 1.00 11.86 C -ATOM 3159 CD1 PHE C 128 -13.416 15.303 2.300 1.00 15.77 C -ATOM 3160 CD2 PHE C 128 -14.468 13.060 2.611 1.00 23.89 C -ATOM 3161 CE1 PHE C 128 -13.803 15.496 3.630 1.00 14.00 C -ATOM 3162 CE2 PHE C 128 -14.618 13.544 4.103 1.00 26.48 C -ATOM 3163 CZ PHE C 128 -14.347 14.715 4.443 1.00 15.47 C -ATOM 3164 N LEU C 129 -11.958 10.929 1.410 1.00 14.00 N -ATOM 3165 CA LEU C 129 -11.373 10.116 2.580 1.00 13.04 C -ATOM 3166 C LEU C 129 -9.834 9.957 2.377 1.00 17.30 C -ATOM 3167 O LEU C 129 -8.955 10.001 3.360 1.00 14.75 O -ATOM 3168 CB LEU C 129 -11.850 8.796 2.608 1.00 12.12 C -ATOM 3169 CG LEU C 129 -13.240 8.898 3.000 1.00 20.92 C -ATOM 3170 CD1 LEU C 129 -14.044 7.674 2.880 1.00 26.64 C -ATOM 3171 CD2 LEU C 129 -13.522 9.300 4.355 1.00 35.02 C -ATOM 3172 N ALA C 130 -9.238 9.941 1.192 1.00 16.20 N -ATOM 3173 CA ALA C 130 -7.860 10.006 0.893 1.00 14.56 C -ATOM 3174 C ALA C 130 -7.216 11.214 1.438 1.00 19.27 C -ATOM 3175 O ALA C 130 -5.982 11.322 1.999 1.00 14.14 O -ATOM 3176 CB ALA C 130 -7.442 9.870 -0.423 1.00 17.10 C -ATOM 3177 N SER C 131 -7.839 12.284 1.109 1.00 18.74 N -ATOM 3178 CA SER C 131 -7.158 13.685 1.577 1.00 19.45 C -ATOM 3179 C SER C 131 -7.424 13.831 3.307 1.00 14.53 C -ATOM 3180 O SER C 131 -6.317 14.261 3.681 1.00 12.58 O -ATOM 3181 CB SER C 131 -8.220 14.954 1.086 1.00 22.90 C -ATOM 3182 OG SER C 131 -8.002 14.782 -0.395 1.00 37.64 O -ATOM 3183 N VAL C 132 -8.436 13.257 3.800 1.00 12.03 N -ATOM 3184 CA VAL C 132 -8.508 13.199 5.238 1.00 13.41 C -ATOM 3185 C VAL C 132 -7.272 12.425 5.809 1.00 19.42 C -ATOM 3186 O VAL C 132 -6.491 12.809 6.794 1.00 14.00 O -ATOM 3187 CB VAL C 132 -9.726 12.697 5.713 1.00 15.91 C -ATOM 3188 CG1 VAL C 132 -9.619 12.379 7.255 1.00 17.14 C -ATOM 3189 CG2 VAL C 132 -11.022 13.817 5.553 1.00 19.41 C -ATOM 3190 N SER C 133 -7.133 11.157 5.180 1.00 14.01 N -ATOM 3191 CA SER C 133 -6.066 10.266 5.421 1.00 13.12 C -ATOM 3192 C SER C 133 -4.733 10.965 5.281 1.00 21.83 C -ATOM 3193 O SER C 133 -3.772 10.686 6.325 1.00 18.12 O -ATOM 3194 CB SER C 133 -5.938 8.996 4.603 1.00 13.61 C -ATOM 3195 OG SER C 133 -7.161 8.346 5.111 1.00 18.98 O -ATOM 3196 N THR C 134 -4.427 11.617 4.350 1.00 17.53 N -ATOM 3197 CA THR C 134 -3.144 12.409 4.136 1.00 15.95 C -ATOM 3198 C THR C 134 -2.914 13.473 5.177 1.00 16.97 C -ATOM 3199 O THR C 134 -1.750 13.477 5.831 1.00 20.39 O -ATOM 3200 CB THR C 134 -3.269 13.086 2.683 1.00 18.28 C -ATOM 3201 OG1 THR C 134 -3.148 12.134 1.784 1.00 22.72 O -ATOM 3202 CG2 THR C 134 -2.059 13.978 2.401 1.00 22.70 C -ATOM 3203 N VAL C 135 -3.965 14.094 5.504 1.00 15.13 N -ATOM 3204 CA VAL C 135 -3.754 15.191 6.579 1.00 16.51 C -ATOM 3205 C VAL C 135 -3.260 14.323 7.873 1.00 16.40 C -ATOM 3206 O VAL C 135 -2.487 14.902 8.617 1.00 15.94 O -ATOM 3207 CB VAL C 135 -5.059 16.100 6.780 1.00 18.21 C -ATOM 3208 CG1 VAL C 135 -5.021 16.981 8.022 1.00 17.40 C -ATOM 3209 CG2 VAL C 135 -5.230 16.888 5.569 1.00 19.71 C -ATOM 3210 N LEU C 136 -4.222 13.312 8.307 1.00 12.10 N -ATOM 3211 CA LEU C 136 -4.023 12.675 9.630 1.00 15.98 C -ATOM 3212 C LEU C 136 -2.564 12.099 9.666 1.00 16.04 C -ATOM 3213 O LEU C 136 -2.112 11.725 10.867 1.00 16.42 O -ATOM 3214 CB LEU C 136 -5.060 11.690 9.725 1.00 16.86 C -ATOM 3215 CG LEU C 136 -6.464 12.340 9.949 1.00 24.99 C -ATOM 3216 CD1 LEU C 136 -7.273 11.133 10.442 1.00 18.69 C -ATOM 3217 CD2 LEU C 136 -6.479 13.221 11.104 1.00 43.05 C -ATOM 3218 N THR C 137 -1.948 11.875 8.493 1.00 14.30 N -ATOM 3219 CA THR C 137 -0.644 11.078 8.570 1.00 16.72 C -ATOM 3220 C THR C 137 0.600 12.250 8.229 1.00 20.27 C -ATOM 3221 O THR C 137 1.641 11.779 8.219 1.00 19.99 O -ATOM 3222 CB THR C 137 -0.616 9.898 7.452 1.00 21.82 C -ATOM 3223 OG1 THR C 137 -0.747 10.397 6.348 1.00 20.00 O -ATOM 3224 CG2 THR C 137 -1.429 8.802 8.131 1.00 20.00 C -ATOM 3225 N SER C 138 0.217 13.432 7.965 1.00 21.45 N -ATOM 3226 CA SER C 138 1.195 14.450 7.576 1.00 24.00 C -ATOM 3227 C SER C 138 2.427 14.664 8.641 1.00 26.98 C -ATOM 3228 O SER C 138 3.195 15.345 8.032 1.00 21.99 O -ATOM 3229 CB SER C 138 0.001 16.139 8.122 1.00 21.69 C -ATOM 3230 OG SER C 138 0.377 15.823 6.927 1.00 42.20 O -ATOM 3231 N LYS C 139 2.133 14.403 9.912 1.00 22.73 N -ATOM 3232 CA LYS C 139 3.191 14.934 10.883 1.00 27.59 C -ATOM 3233 C LYS C 139 3.975 13.581 11.372 1.00 19.22 C -ATOM 3234 O LYS C 139 4.646 13.643 12.389 1.00 14.35 O -ATOM 3235 CB LYS C 139 2.358 15.487 11.974 1.00 19.55 C -ATOM 3236 CG LYS C 139 2.071 17.001 11.340 1.00 22.79 C -ATOM 3237 CD LYS C 139 1.307 17.445 12.283 1.00 42.21 C -ATOM 3238 CE LYS C 139 1.086 19.324 11.798 1.00 36.26 C -ATOM 3239 NZ LYS C 139 -0.244 18.940 13.010 1.00 30.87 N -ATOM 3240 N TYR C 140 3.750 12.465 10.738 1.00 18.17 N -ATOM 3241 CA TYR C 140 4.409 11.291 11.242 1.00 17.49 C -ATOM 3242 C TYR C 140 5.879 11.300 11.241 1.00 19.10 C -ATOM 3243 O TYR C 140 6.366 10.507 12.197 1.00 22.35 O -ATOM 3244 CB TYR C 140 3.865 10.055 10.357 1.00 16.87 C -ATOM 3245 CG TYR C 140 2.674 9.300 10.891 1.00 12.61 C -ATOM 3246 CD1 TYR C 140 2.521 8.093 11.003 1.00 19.13 C -ATOM 3247 CD2 TYR C 140 1.410 10.025 11.225 1.00 16.63 C -ATOM 3248 CE1 TYR C 140 1.365 7.496 11.459 1.00 21.26 C -ATOM 3249 CE2 TYR C 140 0.269 9.420 11.748 1.00 17.45 C -ATOM 3250 CZ TYR C 140 0.153 8.203 11.775 1.00 14.84 C -ATOM 3251 OH TYR C 140 -0.838 7.429 12.277 1.00 15.53 O -ATOM 3252 N ARG C 141 6.450 11.994 10.246 1.00 20.34 N -ATOM 3253 CA ARG C 141 7.886 11.986 10.168 1.00 25.59 C -ATOM 3254 C ARG C 141 8.484 13.451 9.626 1.00 21.46 C -ATOM 3255 O ARG C 141 7.587 13.891 9.012 1.00 24.60 O -ATOM 3256 CB ARG C 141 8.511 10.698 9.627 1.00 27.67 C -ATOM 3257 CG ARG C 141 8.124 10.586 8.132 1.00 20.44 C -ATOM 3258 CD ARG C 141 8.972 9.192 7.851 1.00 27.35 C -ATOM 3259 NE ARG C 141 8.521 8.970 6.409 1.00 21.57 N -ATOM 3260 CZ ARG C 141 9.349 8.234 5.557 1.00 17.72 C -ATOM 3261 NH1 ARG C 141 10.182 7.400 5.980 1.00 16.11 N -ATOM 3262 NH2 ARG C 141 8.583 8.168 4.338 1.00 19.55 N -ATOM 3263 OXT ARG C 141 9.695 13.488 9.645 1.00 22.97 O -TER 3264 ARG C 141 -ATOM 3265 N VAL D 1 -8.916 -20.986 -1.208 1.00 44.53 N -ATOM 3266 CA VAL D 1 -8.728 -19.973 0.230 1.00 40.54 C -ATOM 3267 C VAL D 1 -9.597 -21.119 1.649 1.00 54.57 C -ATOM 3268 O VAL D 1 -10.511 -21.747 0.927 1.00 46.03 O -ATOM 3269 CB VAL D 1 -9.741 -18.620 0.365 1.00 59.62 C -ATOM 3270 CG1 VAL D 1 -8.976 -17.356 -0.533 1.00 56.25 C -ATOM 3271 CG2 VAL D 1 -10.766 -18.689 -0.199 1.00 44.49 C -ATOM 3272 N HIS D 2 -9.359 -20.204 2.359 1.00 54.55 N -ATOM 3273 CA HIS D 2 -10.028 -20.478 3.617 1.00 76.16 C -ATOM 3274 C HIS D 2 -11.503 -19.997 4.189 1.00 40.79 C -ATOM 3275 O HIS D 2 -10.949 -18.900 5.117 1.00 42.23 O -ATOM 3276 CB HIS D 2 -8.550 -21.746 4.671 1.00 61.25 C -ATOM 3277 CG HIS D 2 -9.111 -22.384 5.289 1.00 73.35 C -ATOM 3278 ND1 HIS D 2 -9.292 -20.744 7.139 1.00 63.32 N -ATOM 3279 CD2 HIS D 2 -10.298 -23.586 6.052 1.00 68.03 C -ATOM 3280 CE1 HIS D 2 -10.663 -21.227 8.362 1.00 55.48 C -ATOM 3281 NE2 HIS D 2 -10.906 -22.743 7.235 1.00 54.14 N -ATOM 3282 N LEU D 3 -12.538 -20.903 4.013 1.00 31.51 N -ATOM 3283 CA LEU D 3 -13.638 -20.047 4.223 1.00 32.74 C -ATOM 3284 C LEU D 3 -13.624 -20.741 5.723 1.00 43.55 C -ATOM 3285 O LEU D 3 -14.592 -22.168 5.344 1.00 38.09 O -ATOM 3286 CB LEU D 3 -14.958 -19.886 3.451 1.00 39.97 C -ATOM 3287 CG LEU D 3 -14.306 -18.748 2.457 1.00 33.25 C -ATOM 3288 CD1 LEU D 3 -15.545 -18.399 1.653 1.00 35.36 C -ATOM 3289 CD2 LEU D 3 -14.311 -17.477 2.906 1.00 43.98 C -ATOM 3290 N THR D 4 -14.873 -20.575 6.573 1.00 40.52 N -ATOM 3291 CA THR D 4 -15.571 -21.118 7.446 1.00 35.01 C -ATOM 3292 C THR D 4 -16.965 -21.835 7.057 1.00 36.50 C -ATOM 3293 O THR D 4 -17.217 -21.032 5.924 1.00 26.93 O -ATOM 3294 CB THR D 4 -15.866 -20.187 8.979 1.00 42.32 C -ATOM 3295 OG1 THR D 4 -16.874 -19.360 8.569 1.00 35.61 O -ATOM 3296 CG2 THR D 4 -14.805 -19.826 9.491 1.00 41.74 C -ATOM 3297 N PRO D 5 -17.421 -22.638 7.348 1.00 38.01 N -ATOM 3298 CA PRO D 5 -18.819 -22.801 6.165 1.00 45.26 C -ATOM 3299 C PRO D 5 -19.967 -21.905 6.477 1.00 40.88 C -ATOM 3300 O PRO D 5 -20.833 -21.591 5.783 1.00 35.71 O -ATOM 3301 CB PRO D 5 -19.489 -24.074 7.971 1.00 80.12 C -ATOM 3302 CG PRO D 5 -18.622 -24.429 8.450 1.00 36.53 C -ATOM 3303 CD PRO D 5 -17.099 -23.867 8.283 1.00 38.83 C -ATOM 3304 N GLU D 6 -19.807 -20.993 7.524 1.00 38.95 N -ATOM 3305 CA GLU D 6 -20.826 -20.251 7.892 1.00 54.36 C -ATOM 3306 C GLU D 6 -20.257 -18.491 6.516 1.00 29.53 C -ATOM 3307 O GLU D 6 -21.186 -18.231 6.189 1.00 34.33 O -ATOM 3308 CB GLU D 6 -20.808 -19.128 9.200 1.00 67.37 C -ATOM 3309 CG GLU D 6 -20.143 -19.295 9.841 1.00 68.32 C -ATOM 3310 CD GLU D 6 -19.833 -20.908 10.929 1.00 80.07 C -ATOM 3311 OE1 GLU D 6 -19.263 -21.552 10.554 1.00 62.33 O -ATOM 3312 OE2 GLU D 6 -17.422 -20.947 9.979 1.00 75.27 O -ATOM 3313 N GLU D 7 -19.046 -18.647 6.494 1.00 32.30 N -ATOM 3314 CA GLU D 7 -18.571 -17.615 5.450 1.00 26.92 C -ATOM 3315 C GLU D 7 -19.016 -18.399 3.955 1.00 36.61 C -ATOM 3316 O GLU D 7 -19.572 -17.530 3.297 1.00 31.61 O -ATOM 3317 CB GLU D 7 -17.035 -17.606 5.380 1.00 22.74 C -ATOM 3318 CG GLU D 7 -16.644 -16.558 6.886 1.00 25.68 C -ATOM 3319 CD GLU D 7 -15.325 -16.832 6.956 1.00 21.07 C -ATOM 3320 OE1 GLU D 7 -14.977 -15.445 7.269 1.00 41.17 O -ATOM 3321 OE2 GLU D 7 -14.302 -17.526 6.337 1.00 26.19 O -ATOM 3322 N LYS D 8 -18.754 -19.547 3.890 1.00 24.35 N -ATOM 3323 CA LYS D 8 -19.098 -20.158 2.364 1.00 27.18 C -ATOM 3324 C LYS D 8 -20.384 -20.203 2.052 1.00 23.43 C -ATOM 3325 O LYS D 8 -21.074 -19.662 1.178 1.00 23.08 O -ATOM 3326 CB LYS D 8 -18.527 -21.857 2.829 1.00 28.41 C -ATOM 3327 CG LYS D 8 -18.698 -21.991 1.053 1.00 48.31 C -ATOM 3328 CD LYS D 8 -18.147 -23.072 0.880 1.00 69.34 C -ATOM 3329 CE LYS D 8 -18.957 -23.705 -0.872 1.00 38.29 C -ATOM 3330 NZ LYS D 8 -17.931 -25.269 -1.374 1.00 72.55 N -ATOM 3331 N SER D 9 -21.307 -20.301 3.110 1.00 21.45 N -ATOM 3332 CA SER D 9 -22.632 -20.010 2.800 1.00 23.49 C -ATOM 3333 C SER D 9 -23.050 -18.608 2.651 1.00 32.73 C -ATOM 3334 O SER D 9 -24.111 -18.558 1.973 1.00 27.24 O -ATOM 3335 CB SER D 9 -23.425 -20.879 3.815 1.00 48.80 C -ATOM 3336 OG SER D 9 -24.248 -20.636 4.597 1.00 54.12 O -ATOM 3337 N ALA D 10 -22.340 -17.847 3.521 1.00 26.97 N -ATOM 3338 CA ALA D 10 -23.067 -16.421 3.397 1.00 27.01 C -ATOM 3339 C ALA D 10 -22.551 -15.974 1.781 1.00 23.29 C -ATOM 3340 O ALA D 10 -23.475 -15.280 1.185 1.00 20.87 O -ATOM 3341 CB ALA D 10 -22.056 -15.660 3.934 1.00 28.42 C -ATOM 3342 N VAL D 11 -21.472 -16.449 1.276 1.00 31.33 N -ATOM 3343 CA VAL D 11 -21.016 -15.993 -0.163 1.00 25.10 C -ATOM 3344 C VAL D 11 -21.923 -16.557 -1.184 1.00 18.64 C -ATOM 3345 O VAL D 11 -22.347 -15.774 -1.949 1.00 19.73 O -ATOM 3346 CB VAL D 11 -19.580 -16.599 -0.312 1.00 18.52 C -ATOM 3347 CG1 VAL D 11 -19.332 -16.430 -1.555 1.00 28.45 C -ATOM 3348 CG2 VAL D 11 -18.563 -15.544 0.540 1.00 21.05 C -ATOM 3349 N THR D 12 -22.095 -17.881 -0.865 1.00 19.99 N -ATOM 3350 CA THR D 12 -23.012 -18.659 -2.043 1.00 26.25 C -ATOM 3351 C THR D 12 -24.298 -18.196 -1.973 1.00 24.29 C -ATOM 3352 O THR D 12 -25.087 -17.804 -3.054 1.00 26.52 O -ATOM 3353 CB THR D 12 -23.024 -20.432 -1.285 1.00 24.72 C -ATOM 3354 OG1 THR D 12 -21.642 -20.629 -1.920 1.00 32.38 O -ATOM 3355 CG2 THR D 12 -24.127 -20.769 -2.067 1.00 56.05 C -ATOM 3356 N ALA D 13 -24.939 -17.863 -0.966 1.00 25.46 N -ATOM 3357 CA ALA D 13 -26.249 -17.368 -0.697 1.00 25.21 C -ATOM 3358 C ALA D 13 -26.716 -16.016 -1.505 1.00 24.39 C -ATOM 3359 O ALA D 13 -27.502 -15.783 -2.239 1.00 27.12 O -ATOM 3360 CB ALA D 13 -26.840 -17.284 0.237 1.00 40.91 C -ATOM 3361 N LEU D 14 -25.588 -15.038 -1.202 1.00 21.51 N -ATOM 3362 CA LEU D 14 -25.805 -13.895 -1.844 1.00 19.28 C -ATOM 3363 C LEU D 14 -25.557 -13.900 -3.355 1.00 20.58 C -ATOM 3364 O LEU D 14 -26.325 -13.141 -4.012 1.00 19.87 O -ATOM 3365 CB LEU D 14 -24.748 -12.802 -1.037 1.00 18.39 C -ATOM 3366 CG LEU D 14 -24.944 -11.344 -1.539 1.00 32.12 C -ATOM 3367 CD1 LEU D 14 -25.966 -10.962 -0.374 1.00 41.26 C -ATOM 3368 CD2 LEU D 14 -23.927 -10.587 -1.223 1.00 34.27 C -ATOM 3369 N TRP D 15 -24.663 -14.787 -3.692 1.00 16.79 N -ATOM 3370 CA TRP D 15 -24.253 -14.609 -5.178 1.00 13.47 C -ATOM 3371 C TRP D 15 -25.414 -15.354 -5.958 1.00 22.23 C -ATOM 3372 O TRP D 15 -25.691 -14.922 -7.051 1.00 22.75 O -ATOM 3373 CB TRP D 15 -23.003 -15.504 -5.278 1.00 17.27 C -ATOM 3374 CG TRP D 15 -22.390 -15.264 -6.607 1.00 18.39 C -ATOM 3375 CD1 TRP D 15 -22.417 -16.024 -7.714 1.00 29.85 C -ATOM 3376 CD2 TRP D 15 -21.683 -13.937 -6.966 1.00 19.14 C -ATOM 3377 NE1 TRP D 15 -21.775 -15.472 -8.770 1.00 25.67 N -ATOM 3378 CE2 TRP D 15 -21.205 -14.132 -8.458 1.00 18.90 C -ATOM 3379 CE3 TRP D 15 -21.251 -12.883 -6.227 1.00 24.35 C -ATOM 3380 CZ2 TRP D 15 -20.568 -13.098 -9.104 1.00 22.83 C -ATOM 3381 CZ3 TRP D 15 -20.364 -11.928 -6.894 1.00 24.62 C -ATOM 3382 CH2 TRP D 15 -20.127 -12.198 -8.397 1.00 30.44 C -ATOM 3383 N GLY D 16 -26.279 -16.244 -5.358 1.00 23.06 N -ATOM 3384 CA GLY D 16 -27.474 -16.657 -6.225 1.00 23.16 C -ATOM 3385 C GLY D 16 -28.300 -15.570 -6.485 1.00 26.54 C -ATOM 3386 O GLY D 16 -29.203 -15.791 -7.472 1.00 26.11 O -ATOM 3387 N LYS D 17 -28.475 -14.360 -5.980 1.00 18.84 N -ATOM 3388 CA LYS D 17 -29.272 -13.270 -5.974 1.00 24.96 C -ATOM 3389 C LYS D 17 -29.000 -12.271 -6.961 1.00 22.00 C -ATOM 3390 O LYS D 17 -29.037 -11.079 -7.508 1.00 24.63 O -ATOM 3391 CB LYS D 17 -29.587 -12.449 -4.588 1.00 28.33 C -ATOM 3392 CG LYS D 17 -30.108 -13.362 -3.795 1.00 27.71 C -ATOM 3393 CD LYS D 17 -30.415 -12.422 -2.822 1.00 33.37 C -ATOM 3394 CE LYS D 17 -30.390 -12.386 -1.399 1.00 43.68 C -ATOM 3395 NZ LYS D 17 -31.873 -11.072 -1.369 1.00 36.22 N -ATOM 3396 N VAL D 18 -27.474 -12.385 -7.448 1.00 33.39 N -ATOM 3397 CA VAL D 18 -26.489 -11.309 -8.320 1.00 24.51 C -ATOM 3398 C VAL D 18 -27.096 -11.570 -9.917 1.00 27.24 C -ATOM 3399 O VAL D 18 -26.940 -12.785 -10.011 1.00 26.54 O -ATOM 3400 CB VAL D 18 -25.245 -11.428 -8.185 1.00 31.98 C -ATOM 3401 CG1 VAL D 18 -24.320 -10.896 -8.917 1.00 31.25 C -ATOM 3402 CG2 VAL D 18 -24.647 -11.020 -6.542 1.00 22.12 C -ATOM 3403 N ASN D 19 -27.428 -10.545 -10.401 1.00 25.81 N -ATOM 3404 CA ASN D 19 -27.299 -10.403 -11.802 1.00 27.55 C -ATOM 3405 C ASN D 19 -26.159 -10.452 -12.333 1.00 24.31 C -ATOM 3406 O ASN D 19 -25.632 -9.111 -12.336 1.00 20.67 O -ATOM 3407 CB ASN D 19 -28.399 -9.524 -12.285 1.00 40.49 C -ATOM 3408 CG ASN D 19 -28.856 -10.175 -13.808 1.00 44.62 C -ATOM 3409 OD1 ASN D 19 -27.731 -9.601 -14.786 1.00 45.68 O -ATOM 3410 ND2 ASN D 19 -29.658 -8.823 -14.484 1.00 50.78 N -ATOM 3411 N VAL D 20 -25.460 -11.215 -12.835 1.00 22.82 N -ATOM 3412 CA VAL D 20 -23.926 -10.940 -13.321 1.00 40.38 C -ATOM 3413 C VAL D 20 -23.628 -9.968 -13.933 1.00 37.93 C -ATOM 3414 O VAL D 20 -22.741 -9.105 -14.256 1.00 32.18 O -ATOM 3415 CB VAL D 20 -22.926 -12.781 -13.318 1.00 54.80 C -ATOM 3416 CG1 VAL D 20 -22.524 -12.140 -14.217 1.00 63.33 C -ATOM 3417 CG2 VAL D 20 -23.373 -13.095 -12.306 1.00 34.72 C -ATOM 3418 N ASP D 21 -24.469 -9.996 -15.091 1.00 36.66 N -ATOM 3419 CA ASP D 21 -24.588 -8.635 -15.872 1.00 54.12 C -ATOM 3420 C ASP D 21 -24.717 -7.685 -15.749 1.00 46.84 C -ATOM 3421 O ASP D 21 -23.610 -6.686 -15.937 1.00 32.53 O -ATOM 3422 CB ASP D 21 -25.603 -8.934 -17.011 1.00 60.03 C -ATOM 3423 CG ASP D 21 -25.523 -10.565 -17.717 1.00 75.30 C -ATOM 3424 OD1 ASP D 21 -24.242 -11.481 -17.893 1.00 51.52 O -ATOM 3425 OD2 ASP D 21 -25.948 -10.502 -18.826 1.00 64.70 O -ATOM 3426 N GLU D 22 -25.623 -7.162 -14.906 1.00 27.09 N -ATOM 3427 CA GLU D 22 -25.919 -5.886 -14.386 1.00 23.15 C -ATOM 3428 C GLU D 22 -24.427 -5.530 -13.395 1.00 19.08 C -ATOM 3429 O GLU D 22 -24.197 -4.407 -13.172 1.00 21.80 O -ATOM 3430 CB GLU D 22 -27.280 -5.934 -13.774 1.00 35.52 C -ATOM 3431 CG GLU D 22 -27.211 -5.635 -13.083 1.00 68.74 C -ATOM 3432 CD GLU D 22 -28.960 -4.398 -12.033 1.00 80.12 C -ATOM 3433 OE1 GLU D 22 -29.624 -5.184 -11.024 1.00 61.13 O -ATOM 3434 OE2 GLU D 22 -29.463 -4.100 -13.136 1.00 73.88 O -ATOM 3435 N VAL D 23 -24.426 -6.315 -12.392 1.00 20.94 N -ATOM 3436 CA VAL D 23 -23.348 -6.099 -11.326 1.00 17.82 C -ATOM 3437 C VAL D 23 -21.966 -6.004 -12.061 1.00 15.07 C -ATOM 3438 O VAL D 23 -21.155 -5.154 -11.664 1.00 21.11 O -ATOM 3439 CB VAL D 23 -23.341 -7.268 -10.216 1.00 18.64 C -ATOM 3440 CG1 VAL D 23 -22.169 -7.160 -9.566 1.00 21.45 C -ATOM 3441 CG2 VAL D 23 -24.676 -6.892 -9.537 1.00 21.02 C -ATOM 3442 N GLY D 24 -21.629 -6.780 -12.936 1.00 12.96 N -ATOM 3443 CA GLY D 24 -20.442 -6.846 -13.669 1.00 18.39 C -ATOM 3444 C GLY D 24 -20.261 -5.559 -14.312 1.00 16.60 C -ATOM 3445 O GLY D 24 -19.233 -4.768 -14.272 1.00 15.31 O -ATOM 3446 N GLY D 25 -21.132 -4.866 -15.117 1.00 17.32 N -ATOM 3447 CA GLY D 25 -21.127 -3.499 -15.792 1.00 16.45 C -ATOM 3448 C GLY D 25 -21.008 -2.525 -14.804 1.00 12.17 C -ATOM 3449 O GLY D 25 -20.114 -1.633 -15.055 1.00 21.20 O -ATOM 3450 N GLU D 26 -21.690 -2.622 -13.683 1.00 15.97 N -ATOM 3451 CA GLU D 26 -21.600 -1.628 -12.730 1.00 13.66 C -ATOM 3452 C GLU D 26 -20.044 -1.546 -12.031 1.00 11.75 C -ATOM 3453 O GLU D 26 -19.572 -0.450 -11.864 1.00 13.88 O -ATOM 3454 CB GLU D 26 -22.662 -1.686 -11.514 1.00 18.62 C -ATOM 3455 CG GLU D 26 -23.979 0.008 -11.890 1.00 39.81 C -ATOM 3456 CD GLU D 26 -22.700 -0.395 -10.542 1.00 31.77 C -ATOM 3457 OE1 GLU D 26 -23.368 1.259 -10.392 1.00 34.99 O -ATOM 3458 OE2 GLU D 26 -24.210 -0.810 -9.865 1.00 54.79 O -ATOM 3459 N ALA D 27 -19.673 -2.710 -11.707 1.00 12.60 N -ATOM 3460 CA ALA D 27 -18.269 -2.901 -11.078 1.00 17.85 C -ATOM 3461 C ALA D 27 -17.180 -2.341 -11.937 1.00 15.51 C -ATOM 3462 O ALA D 27 -16.331 -1.489 -11.550 1.00 14.90 O -ATOM 3463 CB ALA D 27 -18.048 -4.225 -10.534 1.00 15.58 C -ATOM 3464 N LEU D 28 -17.183 -2.729 -13.203 1.00 16.04 N -ATOM 3465 CA LEU D 28 -16.186 -2.309 -14.163 1.00 11.08 C -ATOM 3466 C LEU D 28 -16.248 -0.897 -14.292 1.00 13.51 C -ATOM 3467 O LEU D 28 -15.238 -0.124 -14.487 1.00 14.05 O -ATOM 3468 CB LEU D 28 -16.275 -3.066 -15.497 1.00 12.20 C -ATOM 3469 CG LEU D 28 -14.973 -2.764 -16.433 1.00 28.52 C -ATOM 3470 CD1 LEU D 28 -13.779 -3.087 -15.679 1.00 36.95 C -ATOM 3471 CD2 LEU D 28 -15.242 -3.401 -17.606 1.00 34.25 C -ATOM 3472 N GLY D 29 -17.518 -0.283 -14.622 1.00 12.33 N -ATOM 3473 CA GLY D 29 -17.751 1.088 -14.735 1.00 13.25 C -ATOM 3474 C GLY D 29 -17.136 1.954 -13.603 1.00 12.50 C -ATOM 3475 O GLY D 29 -16.531 3.012 -13.890 1.00 16.69 O -ATOM 3476 N ARG D 30 -17.539 1.491 -12.441 1.00 15.15 N -ATOM 3477 CA ARG D 30 -17.026 2.243 -11.337 1.00 17.77 C -ATOM 3478 C ARG D 30 -15.527 2.171 -11.160 1.00 14.35 C -ATOM 3479 O ARG D 30 -14.968 3.218 -10.798 1.00 14.59 O -ATOM 3480 CB ARG D 30 -17.892 1.792 -10.040 1.00 15.53 C -ATOM 3481 CG ARG D 30 -19.275 2.313 -9.820 1.00 16.65 C -ATOM 3482 CD ARG D 30 -19.931 1.839 -8.709 1.00 28.01 C -ATOM 3483 NE ARG D 30 -21.099 2.164 -8.522 1.00 23.10 N -ATOM 3484 CZ ARG D 30 -21.731 3.109 -7.922 1.00 16.06 C -ATOM 3485 NH1 ARG D 30 -22.965 3.397 -7.723 1.00 17.46 N -ATOM 3486 NH2 ARG D 30 -21.050 3.807 -6.871 1.00 10.32 N -ATOM 3487 N LEU D 31 -14.961 1.160 -11.442 1.00 15.53 N -ATOM 3488 CA LEU D 31 -13.554 1.103 -11.546 1.00 14.63 C -ATOM 3489 C LEU D 31 -12.894 2.305 -12.254 1.00 16.67 C -ATOM 3490 O LEU D 31 -11.964 2.890 -11.986 1.00 15.33 O -ATOM 3491 CB LEU D 31 -12.961 -0.342 -11.951 1.00 12.02 C -ATOM 3492 CG LEU D 31 -11.524 -0.502 -11.963 1.00 17.81 C -ATOM 3493 CD1 LEU D 31 -10.867 -0.718 -10.607 1.00 18.94 C -ATOM 3494 CD2 LEU D 31 -11.112 -1.549 -12.889 1.00 18.38 C -ATOM 3495 N LEU D 32 -13.461 2.265 -13.601 1.00 8.95 N -ATOM 3496 CA LEU D 32 -13.016 3.232 -14.475 1.00 13.61 C -ATOM 3497 C LEU D 32 -13.249 4.589 -14.109 1.00 13.07 C -ATOM 3498 O LEU D 32 -12.457 5.593 -14.562 1.00 15.98 O -ATOM 3499 CB LEU D 32 -13.512 2.944 -15.805 1.00 14.00 C -ATOM 3500 CG LEU D 32 -12.943 1.707 -16.403 1.00 23.55 C -ATOM 3501 CD1 LEU D 32 -13.857 1.407 -17.761 1.00 25.80 C -ATOM 3502 CD2 LEU D 32 -11.759 1.263 -16.551 1.00 26.67 C -ATOM 3503 N VAL D 33 -14.340 4.892 -13.280 1.00 13.83 N -ATOM 3504 CA VAL D 33 -14.717 6.296 -12.776 1.00 13.13 C -ATOM 3505 C VAL D 33 -13.702 6.655 -11.697 1.00 16.82 C -ATOM 3506 O VAL D 33 -13.288 7.735 -11.589 1.00 15.10 O -ATOM 3507 CB VAL D 33 -16.181 6.271 -12.468 1.00 11.59 C -ATOM 3508 CG1 VAL D 33 -16.396 7.592 -11.833 1.00 21.42 C -ATOM 3509 CG2 VAL D 33 -16.955 6.215 -13.830 1.00 18.60 C -ATOM 3510 N VAL D 34 -13.788 5.741 -10.696 1.00 12.61 N -ATOM 3511 CA VAL D 34 -13.205 6.102 -9.422 1.00 13.03 C -ATOM 3512 C VAL D 34 -11.709 6.268 -9.501 1.00 15.88 C -ATOM 3513 O VAL D 34 -11.074 6.862 -8.702 1.00 16.40 O -ATOM 3514 CB VAL D 34 -13.754 5.224 -8.226 1.00 15.07 C -ATOM 3515 CG1 VAL D 34 -13.038 5.375 -6.973 1.00 13.90 C -ATOM 3516 CG2 VAL D 34 -15.220 5.422 -8.063 1.00 18.23 C -ATOM 3517 N TYR D 35 -11.136 5.248 -10.266 1.00 11.62 N -ATOM 3518 CA TYR D 35 -9.629 5.095 -10.409 1.00 14.47 C -ATOM 3519 C TYR D 35 -9.420 5.204 -11.973 1.00 16.31 C -ATOM 3520 O TYR D 35 -9.060 4.177 -12.606 1.00 17.14 O -ATOM 3521 CB TYR D 35 -9.241 3.705 -9.961 1.00 14.04 C -ATOM 3522 CG TYR D 35 -9.664 3.371 -8.620 1.00 16.50 C -ATOM 3523 CD1 TYR D 35 -9.076 4.102 -7.605 1.00 16.28 C -ATOM 3524 CD2 TYR D 35 -10.520 2.540 -8.304 1.00 21.92 C -ATOM 3525 CE1 TYR D 35 -9.315 3.966 -6.162 1.00 18.51 C -ATOM 3526 CE2 TYR D 35 -10.873 2.362 -6.966 1.00 25.13 C -ATOM 3527 CZ TYR D 35 -10.254 3.015 -5.920 1.00 19.91 C -ATOM 3528 OH TYR D 35 -10.861 2.820 -4.629 1.00 21.91 O -ATOM 3529 N PRO D 36 -9.392 6.463 -12.417 1.00 14.59 N -ATOM 3530 CA PRO D 36 -9.346 6.600 -14.037 1.00 16.73 C -ATOM 3531 C PRO D 36 -8.099 6.185 -14.723 1.00 13.23 C -ATOM 3532 O PRO D 36 -8.183 5.907 -15.944 1.00 15.17 O -ATOM 3533 CB PRO D 36 -9.750 8.096 -14.119 1.00 24.30 C -ATOM 3534 CG PRO D 36 -9.458 8.680 -12.746 1.00 25.67 C -ATOM 3535 CD PRO D 36 -9.575 7.632 -11.872 1.00 17.58 C -ATOM 3536 N TRP D 37 -6.974 5.929 -13.940 1.00 13.75 N -ATOM 3537 CA TRP D 37 -5.897 5.496 -14.615 1.00 15.13 C -ATOM 3538 C TRP D 37 -5.961 4.094 -15.089 1.00 14.32 C -ATOM 3539 O TRP D 37 -5.292 3.617 -16.098 1.00 19.70 O -ATOM 3540 CB TRP D 37 -4.642 5.522 -13.687 1.00 13.13 C -ATOM 3541 CG TRP D 37 -4.793 4.873 -12.298 1.00 8.65 C -ATOM 3542 CD1 TRP D 37 -4.494 3.633 -11.929 1.00 13.10 C -ATOM 3543 CD2 TRP D 37 -5.201 5.532 -10.999 1.00 14.59 C -ATOM 3544 NE1 TRP D 37 -4.604 3.407 -10.644 1.00 17.65 N -ATOM 3545 CE2 TRP D 37 -5.232 4.530 -10.117 1.00 16.05 C -ATOM 3546 CE3 TRP D 37 -5.786 6.762 -10.728 1.00 11.20 C -ATOM 3547 CZ2 TRP D 37 -5.541 4.775 -8.606 1.00 26.88 C -ATOM 3548 CZ3 TRP D 37 -6.287 7.021 -9.443 1.00 11.28 C -ATOM 3549 CH2 TRP D 37 -5.996 6.001 -8.551 1.00 16.90 C -ATOM 3550 N THR D 38 -6.984 3.333 -14.581 1.00 16.64 N -ATOM 3551 CA THR D 38 -7.362 1.995 -14.995 1.00 14.14 C -ATOM 3552 C THR D 38 -7.792 2.033 -16.539 1.00 18.16 C -ATOM 3553 O THR D 38 -7.920 0.930 -17.161 1.00 16.15 O -ATOM 3554 CB THR D 38 -8.440 1.318 -14.155 1.00 11.09 C -ATOM 3555 OG1 THR D 38 -9.618 2.008 -14.130 1.00 14.48 O -ATOM 3556 CG2 THR D 38 -7.730 1.043 -12.892 1.00 16.14 C -ATOM 3557 N GLN D 39 -8.345 3.275 -16.962 1.00 12.07 N -ATOM 3558 CA GLN D 39 -8.833 3.256 -18.352 1.00 10.72 C -ATOM 3559 C GLN D 39 -7.732 3.116 -19.349 1.00 16.84 C -ATOM 3560 O GLN D 39 -7.933 2.801 -20.471 1.00 21.52 O -ATOM 3561 CB GLN D 39 -9.205 4.786 -18.517 1.00 13.63 C -ATOM 3562 CG GLN D 39 -10.419 4.929 -17.639 1.00 17.04 C -ATOM 3563 CD GLN D 39 -10.861 6.282 -17.855 1.00 23.47 C -ATOM 3564 OE1 GLN D 39 -10.432 7.200 -18.833 1.00 25.04 O -ATOM 3565 NE2 GLN D 39 -11.740 6.840 -16.888 1.00 28.38 N -ATOM 3566 N ARG D 40 -6.331 2.999 -19.002 1.00 12.32 N -ATOM 3567 CA ARG D 40 -5.095 2.844 -19.730 1.00 16.79 C -ATOM 3568 C ARG D 40 -5.433 1.605 -20.411 1.00 17.58 C -ATOM 3569 O ARG D 40 -4.682 1.315 -21.633 1.00 20.86 O -ATOM 3570 CB ARG D 40 -3.966 2.461 -18.813 1.00 22.83 C -ATOM 3571 CG ARG D 40 -3.694 1.460 -18.189 1.00 37.26 C -ATOM 3572 CD ARG D 40 -2.418 1.834 -17.304 1.00 23.75 C -ATOM 3573 NE ARG D 40 -1.279 2.091 -17.831 1.00 28.71 N -ATOM 3574 CZ ARG D 40 -0.609 1.176 -18.760 1.00 41.77 C -ATOM 3575 NH1 ARG D 40 -0.700 0.067 -18.486 1.00 31.05 N -ATOM 3576 NH2 ARG D 40 0.625 1.911 -19.038 1.00 37.79 N -ATOM 3577 N PHE D 41 -6.207 0.540 -20.107 1.00 15.17 N -ATOM 3578 CA PHE D 41 -6.336 -0.770 -20.711 1.00 16.55 C -ATOM 3579 C PHE D 41 -7.612 -0.691 -21.880 1.00 20.00 C -ATOM 3580 O PHE D 41 -7.651 -1.868 -22.265 1.00 23.52 O -ATOM 3581 CB PHE D 41 -6.568 -1.995 -19.811 1.00 13.75 C -ATOM 3582 CG PHE D 41 -5.344 -2.033 -18.714 1.00 12.41 C -ATOM 3583 CD1 PHE D 41 -5.592 -1.379 -17.449 1.00 16.97 C -ATOM 3584 CD2 PHE D 41 -4.233 -2.496 -19.084 1.00 18.05 C -ATOM 3585 CE1 PHE D 41 -4.371 -1.693 -16.818 1.00 23.07 C -ATOM 3586 CE2 PHE D 41 -3.008 -2.505 -18.298 1.00 24.82 C -ATOM 3587 CZ PHE D 41 -3.359 -2.006 -17.025 1.00 25.09 C -ATOM 3588 N PHE D 42 -8.192 0.386 -21.832 1.00 15.21 N -ATOM 3589 CA PHE D 42 -9.461 0.148 -22.436 1.00 14.18 C -ATOM 3590 C PHE D 42 -9.645 1.104 -23.586 1.00 19.41 C -ATOM 3591 O PHE D 42 -10.690 1.871 -23.828 1.00 18.71 O -ATOM 3592 CB PHE D 42 -10.613 0.298 -21.592 1.00 21.58 C -ATOM 3593 CG PHE D 42 -10.602 -1.034 -20.710 1.00 17.63 C -ATOM 3594 CD1 PHE D 42 -10.145 -0.545 -19.164 1.00 20.37 C -ATOM 3595 CD2 PHE D 42 -11.012 -2.318 -21.048 1.00 20.14 C -ATOM 3596 CE1 PHE D 42 -10.225 -1.848 -18.434 1.00 27.02 C -ATOM 3597 CE2 PHE D 42 -10.887 -3.301 -20.223 1.00 27.08 C -ATOM 3598 CZ PHE D 42 -10.474 -2.972 -18.757 1.00 18.28 C -ATOM 3599 N GLU D 43 -8.375 1.400 -24.058 1.00 32.32 N -ATOM 3600 CA GLU D 43 -8.561 2.747 -24.914 1.00 33.61 C -ATOM 3601 C GLU D 43 -9.574 2.656 -26.563 1.00 12.75 C -ATOM 3602 O GLU D 43 -9.904 3.604 -26.926 1.00 26.94 O -ATOM 3603 CB GLU D 43 -7.590 2.897 -25.572 1.00 65.31 C -ATOM 3604 CG GLU D 43 -6.882 2.859 -25.890 1.00 43.00 C -ATOM 3605 CD GLU D 43 -6.060 4.011 -24.596 1.00 32.00 C -ATOM 3606 OE1 GLU D 43 -6.764 5.450 -24.611 1.00 29.89 O -ATOM 3607 OE2 GLU D 43 -4.721 4.728 -24.142 1.00 58.55 O -ATOM 3608 N SER D 44 -9.605 1.289 -26.702 1.00 19.02 N -ATOM 3609 CA SER D 44 -10.333 0.707 -27.924 1.00 25.67 C -ATOM 3610 C SER D 44 -11.604 0.898 -27.554 1.00 26.66 C -ATOM 3611 O SER D 44 -12.646 0.619 -28.203 1.00 32.13 O -ATOM 3612 CB SER D 44 -10.139 -0.585 -28.237 1.00 42.87 C -ATOM 3613 OG SER D 44 -10.504 -1.572 -27.556 1.00 44.29 O -ATOM 3614 N PHE D 45 -12.328 1.230 -26.297 1.00 27.34 N -ATOM 3615 CA PHE D 45 -13.753 1.140 -25.852 1.00 24.93 C -ATOM 3616 C PHE D 45 -14.575 2.593 -26.282 1.00 23.30 C -ATOM 3617 O PHE D 45 -15.815 2.187 -25.861 1.00 31.71 O -ATOM 3618 CB PHE D 45 -13.703 0.919 -24.328 1.00 26.07 C -ATOM 3619 CG PHE D 45 -13.645 -0.527 -24.075 1.00 19.10 C -ATOM 3620 CD1 PHE D 45 -14.209 -0.901 -22.815 1.00 43.96 C -ATOM 3621 CD2 PHE D 45 -13.155 -1.495 -24.645 1.00 26.17 C -ATOM 3622 CE1 PHE D 45 -14.066 -2.469 -22.506 1.00 29.49 C -ATOM 3623 CE2 PHE D 45 -12.912 -2.782 -24.307 1.00 32.75 C -ATOM 3624 CZ PHE D 45 -13.459 -3.397 -23.316 1.00 28.04 C -ATOM 3625 N GLY D 46 -14.104 3.279 -26.525 1.00 35.08 N -ATOM 3626 CA GLY D 46 -14.935 4.262 -26.788 1.00 34.51 C -ATOM 3627 C GLY D 46 -15.024 5.841 -25.884 1.00 32.00 C -ATOM 3628 O GLY D 46 -13.703 5.710 -25.436 1.00 42.65 O -ATOM 3629 N ASP D 47 -16.270 6.088 -25.501 1.00 33.75 N -ATOM 3630 CA ASP D 47 -15.315 7.928 -25.257 1.00 43.29 C -ATOM 3631 C ASP D 47 -15.918 7.002 -23.097 1.00 24.69 C -ATOM 3632 O ASP D 47 -17.090 6.340 -23.091 1.00 33.08 O -ATOM 3633 CB ASP D 47 -17.246 8.111 -25.348 1.00 48.49 C -ATOM 3634 CG ASP D 47 -17.316 9.636 -24.481 1.00 50.77 C -ATOM 3635 OD1 ASP D 47 -18.624 9.821 -24.553 1.00 57.75 O -ATOM 3636 OD2 ASP D 47 -16.233 10.163 -24.247 1.00 45.03 O -ATOM 3637 N LEU D 48 -14.887 7.498 -22.782 1.00 25.73 N -ATOM 3638 CA LEU D 48 -14.700 7.013 -21.145 1.00 29.97 C -ATOM 3639 C LEU D 48 -14.723 8.417 -20.213 1.00 32.06 C -ATOM 3640 O LEU D 48 -13.912 8.444 -19.219 1.00 36.43 O -ATOM 3641 CB LEU D 48 -13.472 6.468 -21.109 1.00 41.80 C -ATOM 3642 CG LEU D 48 -13.862 5.004 -21.634 1.00 22.03 C -ATOM 3643 CD1 LEU D 48 -12.363 4.146 -21.342 1.00 37.56 C -ATOM 3644 CD2 LEU D 48 -15.085 4.189 -21.243 1.00 29.67 C -ATOM 3645 N SER D 49 -15.191 9.523 -21.130 1.00 38.40 N -ATOM 3646 CA SER D 49 -14.387 10.788 -20.677 1.00 43.30 C -ATOM 3647 C SER D 49 -15.473 11.721 -19.486 1.00 46.97 C -ATOM 3648 O SER D 49 -14.763 12.145 -18.356 1.00 46.32 O -ATOM 3649 CB SER D 49 -14.644 11.939 -21.771 1.00 47.25 C -ATOM 3650 OG SER D 49 -16.017 12.123 -22.081 1.00 49.74 O -ATOM 3651 N THR D 50 -16.621 11.041 -19.530 1.00 43.91 N -ATOM 3652 CA THR D 50 -16.855 11.313 -17.860 1.00 36.95 C -ATOM 3653 C THR D 50 -18.023 10.172 -17.341 1.00 36.10 C -ATOM 3654 O THR D 50 -18.171 9.157 -18.076 1.00 28.99 O -ATOM 3655 CB THR D 50 -18.590 12.293 -18.547 1.00 37.26 C -ATOM 3656 OG1 THR D 50 -19.750 11.618 -19.297 1.00 36.38 O -ATOM 3657 CG2 THR D 50 -18.025 13.508 -19.178 1.00 56.40 C -ATOM 3658 N PRO D 51 -18.501 10.284 -16.193 1.00 37.42 N -ATOM 3659 CA PRO D 51 -19.225 9.303 -15.560 1.00 32.59 C -ATOM 3660 C PRO D 51 -20.269 8.625 -16.174 1.00 29.25 C -ATOM 3661 O PRO D 51 -20.632 7.313 -16.333 1.00 26.15 O -ATOM 3662 CB PRO D 51 -19.687 9.933 -14.153 1.00 37.41 C -ATOM 3663 CG PRO D 51 -18.587 10.776 -13.939 1.00 36.57 C -ATOM 3664 CD PRO D 51 -18.147 11.586 -15.357 1.00 42.54 C -ATOM 3665 N ASP D 52 -21.166 9.545 -16.896 1.00 30.65 N -ATOM 3666 CA ASP D 52 -22.575 8.738 -17.587 1.00 39.40 C -ATOM 3667 C ASP D 52 -21.861 8.056 -18.864 1.00 56.69 C -ATOM 3668 O ASP D 52 -22.611 7.193 -19.113 1.00 40.69 O -ATOM 3669 CB ASP D 52 -23.192 10.048 -17.807 1.00 43.19 C -ATOM 3670 CG ASP D 52 -24.003 11.080 -16.646 1.00 63.04 C -ATOM 3671 OD1 ASP D 52 -23.975 10.324 -15.803 1.00 49.71 O -ATOM 3672 OD2 ASP D 52 -21.902 12.263 -16.248 1.00 60.40 O -ATOM 3673 N ALA D 53 -21.035 8.713 -19.489 1.00 26.05 N -ATOM 3674 CA ALA D 53 -20.460 8.256 -20.648 1.00 33.75 C -ATOM 3675 C ALA D 53 -19.850 6.612 -20.478 1.00 42.76 C -ATOM 3676 O ALA D 53 -20.052 5.785 -20.744 1.00 38.58 O -ATOM 3677 CB ALA D 53 -19.424 8.739 -21.252 1.00 40.18 C -ATOM 3678 N VAL D 54 -18.829 6.696 -19.306 1.00 27.10 N -ATOM 3679 CA VAL D 54 -18.358 5.224 -18.836 1.00 25.12 C -ATOM 3680 C VAL D 54 -19.446 4.410 -18.467 1.00 26.50 C -ATOM 3681 O VAL D 54 -19.614 3.128 -18.953 1.00 24.76 O -ATOM 3682 CB VAL D 54 -17.388 5.607 -17.705 1.00 26.67 C -ATOM 3683 CG1 VAL D 54 -17.066 4.042 -17.246 1.00 25.19 C -ATOM 3684 CG2 VAL D 54 -16.359 6.289 -17.975 1.00 31.48 C -ATOM 3685 N MET D 55 -20.628 4.739 -17.700 1.00 25.87 N -ATOM 3686 CA MET D 55 -21.589 3.767 -17.229 1.00 29.84 C -ATOM 3687 C MET D 55 -22.865 3.307 -18.556 1.00 35.52 C -ATOM 3688 O MET D 55 -23.112 2.208 -18.285 1.00 32.07 O -ATOM 3689 CB MET D 55 -22.456 4.472 -15.982 1.00 26.28 C -ATOM 3690 CG MET D 55 -21.631 4.626 -15.056 1.00 36.16 C -ATOM 3691 SD MET D 55 -20.389 3.558 -14.111 1.00 25.36 S -ATOM 3692 CE MET D 55 -21.479 2.431 -13.702 1.00 19.21 C -ATOM 3693 N GLY D 56 -22.639 4.442 -19.311 1.00 30.97 N -ATOM 3694 CA GLY D 56 -23.658 3.737 -20.126 1.00 35.09 C -ATOM 3695 C GLY D 56 -22.967 3.067 -21.283 1.00 44.75 C -ATOM 3696 O GLY D 56 -23.331 2.815 -22.514 1.00 34.49 O -ATOM 3697 N ASN D 57 -21.558 3.094 -21.617 1.00 25.90 N -ATOM 3698 CA ASN D 57 -20.747 2.578 -22.658 1.00 29.86 C -ATOM 3699 C ASN D 57 -21.034 1.130 -22.652 1.00 26.15 C -ATOM 3700 O ASN D 57 -20.989 0.128 -21.968 1.00 26.55 O -ATOM 3701 CB ASN D 57 -19.324 2.902 -22.444 1.00 30.42 C -ATOM 3702 CG ASN D 57 -18.502 2.332 -23.503 1.00 23.49 C -ATOM 3703 OD1 ASN D 57 -18.423 1.194 -24.009 1.00 31.02 O -ATOM 3704 ND2 ASN D 57 -17.712 3.179 -23.808 1.00 27.30 N -ATOM 3705 N PRO D 58 -21.467 0.671 -23.926 1.00 29.25 N -ATOM 3706 CA PRO D 58 -21.926 -0.726 -24.096 1.00 25.97 C -ATOM 3707 C PRO D 58 -20.503 -1.629 -24.124 1.00 16.05 C -ATOM 3708 O PRO D 58 -20.837 -2.940 -23.655 1.00 24.61 O -ATOM 3709 CB PRO D 58 -22.522 -0.927 -25.620 1.00 33.18 C -ATOM 3710 CG PRO D 58 -21.947 0.977 -25.418 1.00 59.49 C -ATOM 3711 CD PRO D 58 -21.892 1.180 -25.502 1.00 43.36 C -ATOM 3712 N LYS D 59 -19.460 -1.283 -24.501 1.00 21.03 N -ATOM 3713 CA LYS D 59 -18.361 -2.042 -24.450 1.00 25.38 C -ATOM 3714 C LYS D 59 -17.715 -2.407 -22.856 1.00 17.84 C -ATOM 3715 O LYS D 59 -17.308 -3.569 -22.731 1.00 21.39 O -ATOM 3716 CB LYS D 59 -17.227 -1.661 -25.270 1.00 32.15 C -ATOM 3717 CG LYS D 59 -17.383 -1.768 -26.732 1.00 48.59 C -ATOM 3718 CD LYS D 59 -16.823 -1.145 -27.228 1.00 53.12 C -ATOM 3719 CE LYS D 59 -15.877 -1.703 -28.754 1.00 53.54 C -ATOM 3720 NZ LYS D 59 -16.728 -0.847 -29.838 1.00 62.98 N -ATOM 3721 N VAL D 60 -18.099 -1.250 -22.201 1.00 18.98 N -ATOM 3722 CA VAL D 60 -17.893 -1.490 -20.566 1.00 19.06 C -ATOM 3723 C VAL D 60 -18.582 -2.535 -20.118 1.00 17.34 C -ATOM 3724 O VAL D 60 -18.311 -3.436 -19.262 1.00 23.46 O -ATOM 3725 CB VAL D 60 -17.740 -0.068 -19.973 1.00 21.26 C -ATOM 3726 CG1 VAL D 60 -17.894 -0.452 -18.381 1.00 33.14 C -ATOM 3727 CG2 VAL D 60 -16.838 0.852 -20.547 1.00 22.06 C -ATOM 3728 N LYS D 61 -20.037 -2.374 -20.306 1.00 22.59 N -ATOM 3729 CA LYS D 61 -21.055 -3.383 -19.935 1.00 26.15 C -ATOM 3730 C LYS D 61 -20.810 -4.741 -20.319 1.00 17.30 C -ATOM 3731 O LYS D 61 -20.683 -5.728 -19.595 1.00 21.45 O -ATOM 3732 CB LYS D 61 -22.507 -2.996 -20.257 1.00 26.85 C -ATOM 3733 CG LYS D 61 -22.914 -1.601 -19.668 1.00 38.21 C -ATOM 3734 CD LYS D 61 -23.980 -1.298 -20.293 1.00 63.66 C -ATOM 3735 CE LYS D 61 -25.073 -0.202 -19.530 1.00 68.06 C -ATOM 3736 NZ LYS D 61 -26.116 0.022 -20.150 1.00 60.84 N -ATOM 3737 N ALA D 62 -20.349 -4.906 -21.599 1.00 19.16 N -ATOM 3738 CA ALA D 62 -20.005 -6.284 -22.177 1.00 20.58 C -ATOM 3739 C ALA D 62 -18.862 -7.045 -21.486 1.00 20.27 C -ATOM 3740 O ALA D 62 -18.872 -8.142 -21.107 1.00 20.37 O -ATOM 3741 CB ALA D 62 -19.803 -6.090 -23.619 1.00 22.88 C -ATOM 3742 N HIS D 63 -17.847 -6.087 -21.291 1.00 19.01 N -ATOM 3743 CA HIS D 63 -16.655 -6.703 -20.657 1.00 22.19 C -ATOM 3744 C HIS D 63 -16.866 -6.900 -19.133 1.00 18.77 C -ATOM 3745 O HIS D 63 -16.263 -7.930 -18.702 1.00 19.91 O -ATOM 3746 CB HIS D 63 -15.613 -5.996 -20.822 1.00 33.38 C -ATOM 3747 CG HIS D 63 -13.969 -6.285 -20.598 1.00 22.34 C -ATOM 3748 ND1 HIS D 63 -13.645 -7.369 -21.205 1.00 25.81 N -ATOM 3749 CD2 HIS D 63 -13.423 -5.898 -19.324 1.00 33.81 C -ATOM 3750 CE1 HIS D 63 -12.413 -7.623 -20.166 1.00 24.99 C -ATOM 3751 NE2 HIS D 63 -12.303 -6.521 -19.735 1.00 32.42 N -ATOM 3752 N GLY D 64 -17.554 -5.957 -18.637 1.00 15.38 N -ATOM 3753 CA GLY D 64 -17.922 -6.237 -17.300 1.00 18.66 C -ATOM 3754 C GLY D 64 -18.656 -7.558 -16.822 1.00 23.30 C -ATOM 3755 O GLY D 64 -18.361 -8.374 -16.052 1.00 21.27 O -ATOM 3756 N LYS D 65 -19.546 -7.946 -17.963 1.00 22.12 N -ATOM 3757 CA LYS D 65 -20.149 -9.350 -17.810 1.00 26.40 C -ATOM 3758 C LYS D 65 -19.206 -10.475 -18.054 1.00 25.29 C -ATOM 3759 O LYS D 65 -19.376 -11.449 -17.320 1.00 24.58 O -ATOM 3760 CB LYS D 65 -21.237 -9.249 -19.016 1.00 42.10 C -ATOM 3761 CG LYS D 65 -21.741 -10.662 -18.763 1.00 41.04 C -ATOM 3762 CD LYS D 65 -22.779 -10.191 -20.722 1.00 41.66 C -ATOM 3763 CE LYS D 65 -22.954 -12.381 -20.558 1.00 58.61 C -ATOM 3764 NZ LYS D 65 -24.294 -12.168 -21.421 1.00 49.59 N -ATOM 3765 N LYS D 66 -18.192 -10.318 -18.949 1.00 22.59 N -ATOM 3766 CA LYS D 66 -17.187 -11.342 -19.305 1.00 23.91 C -ATOM 3767 C LYS D 66 -16.648 -11.569 -17.853 1.00 25.32 C -ATOM 3768 O LYS D 66 -16.190 -12.713 -17.500 1.00 23.23 O -ATOM 3769 CB LYS D 66 -16.360 -10.927 -20.397 1.00 18.18 C -ATOM 3770 CG LYS D 66 -15.506 -11.226 -21.025 1.00 49.93 C -ATOM 3771 CD LYS D 66 -15.452 -11.136 -23.086 1.00 31.44 C -ATOM 3772 CE LYS D 66 -14.594 -13.236 -23.101 1.00 50.83 C -ATOM 3773 NZ LYS D 66 -13.105 -13.073 -24.350 1.00 53.30 N -ATOM 3774 N VAL D 67 -16.012 -10.379 -17.238 1.00 17.89 N -ATOM 3775 CA VAL D 67 -15.129 -10.761 -16.039 1.00 17.07 C -ATOM 3776 C VAL D 67 -15.858 -11.174 -14.995 1.00 11.37 C -ATOM 3777 O VAL D 67 -15.392 -12.090 -14.267 1.00 18.26 O -ATOM 3778 CB VAL D 67 -14.485 -9.126 -15.950 1.00 18.16 C -ATOM 3779 CG1 VAL D 67 -14.204 -9.183 -14.372 1.00 22.61 C -ATOM 3780 CG2 VAL D 67 -13.683 -8.637 -17.078 1.00 19.30 C -ATOM 3781 N LEU D 68 -17.081 -10.772 -14.714 1.00 12.24 N -ATOM 3782 CA LEU D 68 -17.709 -11.246 -13.544 1.00 14.83 C -ATOM 3783 C LEU D 68 -18.294 -12.710 -13.662 1.00 13.25 C -ATOM 3784 O LEU D 68 -18.430 -13.575 -12.845 1.00 18.25 O -ATOM 3785 CB LEU D 68 -18.960 -10.522 -12.977 1.00 23.35 C -ATOM 3786 CG LEU D 68 -19.065 -9.950 -11.782 1.00 32.52 C -ATOM 3787 CD1 LEU D 68 -18.211 -10.021 -10.888 1.00 40.78 C -ATOM 3788 CD2 LEU D 68 -20.119 -9.201 -11.516 1.00 39.22 C -ATOM 3789 N GLY D 69 -18.532 -13.001 -15.044 1.00 22.38 N -ATOM 3790 CA GLY D 69 -18.677 -14.387 -15.364 1.00 27.48 C -ATOM 3791 C GLY D 69 -17.639 -15.482 -15.016 1.00 17.57 C -ATOM 3792 O GLY D 69 -17.849 -16.416 -14.366 1.00 21.01 O -ATOM 3793 N ALA D 70 -16.381 -14.966 -15.333 1.00 17.61 N -ATOM 3794 CA ALA D 70 -15.237 -15.816 -14.969 1.00 17.42 C -ATOM 3795 C ALA D 70 -15.098 -15.818 -13.537 1.00 19.59 C -ATOM 3796 O ALA D 70 -14.642 -16.873 -12.761 1.00 18.72 O -ATOM 3797 CB ALA D 70 -14.109 -15.221 -15.702 1.00 18.83 C -ATOM 3798 N PHE D 71 -15.369 -14.689 -12.922 1.00 18.97 N -ATOM 3799 CA PHE D 71 -15.352 -14.546 -11.295 1.00 24.55 C -ATOM 3800 C PHE D 71 -16.405 -15.564 -10.716 1.00 22.73 C -ATOM 3801 O PHE D 71 -15.988 -16.296 -9.916 1.00 26.00 O -ATOM 3802 CB PHE D 71 -15.526 -13.076 -10.943 1.00 18.78 C -ATOM 3803 CG PHE D 71 -15.587 -12.889 -9.418 1.00 15.63 C -ATOM 3804 CD1 PHE D 71 -14.330 -12.356 -8.913 1.00 23.81 C -ATOM 3805 CD2 PHE D 71 -16.955 -13.108 -8.941 1.00 34.86 C -ATOM 3806 CE1 PHE D 71 -14.431 -12.324 -7.507 1.00 19.91 C -ATOM 3807 CE2 PHE D 71 -16.645 -13.000 -7.472 1.00 36.36 C -ATOM 3808 CZ PHE D 71 -15.423 -12.584 -6.796 1.00 26.08 C -ATOM 3809 N SER D 72 -17.526 -15.632 -11.448 1.00 19.94 N -ATOM 3810 CA SER D 72 -18.560 -16.484 -11.205 1.00 23.38 C -ATOM 3811 C SER D 72 -18.098 -17.836 -10.814 1.00 24.72 C -ATOM 3812 O SER D 72 -18.305 -18.802 -9.908 1.00 26.53 O -ATOM 3813 CB SER D 72 -20.212 -16.588 -11.400 1.00 29.23 C -ATOM 3814 OG SER D 72 -20.268 -15.282 -11.624 1.00 41.11 O -ATOM 3815 N ASP D 73 -17.601 -18.307 -12.047 1.00 28.33 N -ATOM 3816 CA ASP D 73 -16.810 -19.464 -12.087 1.00 41.54 C -ATOM 3817 C ASP D 73 -16.106 -20.105 -11.342 1.00 28.94 C -ATOM 3818 O ASP D 73 -15.997 -21.061 -10.645 1.00 34.21 O -ATOM 3819 CB ASP D 73 -16.190 -20.100 -13.720 1.00 46.96 C -ATOM 3820 CG ASP D 73 -17.426 -20.027 -14.053 1.00 54.92 C -ATOM 3821 OD1 ASP D 73 -18.701 -19.481 -14.810 1.00 44.49 O -ATOM 3822 OD2 ASP D 73 -16.811 -19.333 -16.112 1.00 50.27 O -ATOM 3823 N GLY D 74 -15.211 -19.059 -10.501 1.00 26.75 N -ATOM 3824 CA GLY D 74 -14.376 -19.390 -9.473 1.00 22.69 C -ATOM 3825 C GLY D 74 -14.851 -19.537 -8.039 1.00 23.14 C -ATOM 3826 O GLY D 74 -14.419 -20.191 -7.094 1.00 29.20 O -ATOM 3827 N LEU D 75 -16.177 -18.924 -8.005 1.00 21.18 N -ATOM 3828 CA LEU D 75 -16.870 -19.385 -6.815 1.00 34.17 C -ATOM 3829 C LEU D 75 -17.117 -20.780 -6.565 1.00 37.46 C -ATOM 3830 O LEU D 75 -17.563 -21.063 -5.534 1.00 40.90 O -ATOM 3831 CB LEU D 75 -18.078 -18.207 -6.714 1.00 36.63 C -ATOM 3832 CG LEU D 75 -17.957 -16.908 -6.209 1.00 28.96 C -ATOM 3833 CD1 LEU D 75 -16.674 -16.783 -5.652 1.00 54.84 C -ATOM 3834 CD2 LEU D 75 -18.450 -15.831 -6.570 1.00 41.72 C -ATOM 3835 N ALA D 76 -17.372 -21.329 -7.689 1.00 36.74 N -ATOM 3836 CA ALA D 76 -17.490 -23.239 -8.009 1.00 46.27 C -ATOM 3837 C ALA D 76 -16.460 -23.394 -7.753 1.00 39.68 C -ATOM 3838 O ALA D 76 -16.371 -24.793 -7.251 1.00 39.55 O -ATOM 3839 CB ALA D 76 -18.034 -22.779 -9.158 1.00 52.59 C -ATOM 3840 N HIS D 77 -15.221 -22.931 -7.252 1.00 34.88 N -ATOM 3841 CA HIS D 77 -14.175 -23.705 -7.014 1.00 37.75 C -ATOM 3842 C HIS D 77 -12.911 -22.947 -6.253 1.00 36.30 C -ATOM 3843 O HIS D 77 -11.715 -22.807 -6.207 1.00 30.91 O -ATOM 3844 CB HIS D 77 -13.016 -23.968 -8.303 1.00 35.95 C -ATOM 3845 CG HIS D 77 -13.662 -24.672 -9.381 1.00 39.15 C -ATOM 3846 ND1 HIS D 77 -14.327 -23.756 -10.232 1.00 58.22 N -ATOM 3847 CD2 HIS D 77 -13.455 -26.062 -9.566 1.00 48.66 C -ATOM 3848 CE1 HIS D 77 -15.214 -25.034 -11.337 1.00 49.77 C -ATOM 3849 NE2 HIS D 77 -14.945 -25.798 -10.683 1.00 36.55 N -ATOM 3850 N LEU D 78 -13.652 -22.590 -4.941 1.00 30.38 N -ATOM 3851 CA LEU D 78 -13.049 -22.225 -3.904 1.00 35.53 C -ATOM 3852 C LEU D 78 -11.853 -22.307 -3.241 1.00 31.52 C -ATOM 3853 O LEU D 78 -11.095 -21.930 -2.681 1.00 30.87 O -ATOM 3854 CB LEU D 78 -14.166 -21.218 -2.929 1.00 35.71 C -ATOM 3855 CG LEU D 78 -14.517 -19.696 -3.089 1.00 42.09 C -ATOM 3856 CD1 LEU D 78 -16.000 -19.812 -2.269 1.00 40.33 C -ATOM 3857 CD2 LEU D 78 -14.206 -18.936 -3.409 1.00 43.79 C -ATOM 3858 N ASP D 79 -11.841 -23.798 -3.366 1.00 27.09 N -ATOM 3859 CA ASP D 79 -10.671 -24.163 -2.603 1.00 39.93 C -ATOM 3860 C ASP D 79 -9.351 -24.818 -3.691 1.00 38.31 C -ATOM 3861 O ASP D 79 -8.220 -24.950 -3.380 1.00 37.24 O -ATOM 3862 CB ASP D 79 -11.204 -25.807 -2.720 1.00 49.19 C -ATOM 3863 CG ASP D 79 -12.348 -25.806 -2.280 1.00 60.14 C -ATOM 3864 OD1 ASP D 79 -12.747 -27.563 -1.436 1.00 58.54 O -ATOM 3865 OD2 ASP D 79 -11.720 -25.378 -0.450 1.00 49.76 O -ATOM 3866 N ASN D 80 -9.928 -24.165 -4.813 1.00 33.30 N -ATOM 3867 CA ASN D 80 -8.432 -24.074 -5.725 1.00 41.52 C -ATOM 3868 C ASN D 80 -8.757 -22.972 -7.024 1.00 29.72 C -ATOM 3869 O ASN D 80 -8.410 -23.186 -8.009 1.00 26.63 O -ATOM 3870 CB ASN D 80 -8.335 -25.027 -6.387 1.00 65.88 C -ATOM 3871 CG ASN D 80 -8.226 -26.006 -7.178 1.00 79.70 C -ATOM 3872 OD1 ASN D 80 -6.646 -26.141 -7.665 1.00 64.12 O -ATOM 3873 ND2 ASN D 80 -9.445 -26.052 -7.340 1.00 80.04 N -ATOM 3874 N LEU D 81 -8.454 -21.884 -6.206 1.00 24.36 N -ATOM 3875 CA LEU D 81 -8.539 -20.715 -7.081 1.00 25.83 C -ATOM 3876 C LEU D 81 -7.273 -20.637 -8.041 1.00 31.94 C -ATOM 3877 O LEU D 81 -7.415 -20.270 -9.214 1.00 25.17 O -ATOM 3878 CB LEU D 81 -8.579 -19.629 -6.126 1.00 20.37 C -ATOM 3879 CG LEU D 81 -9.997 -19.259 -5.589 1.00 25.65 C -ATOM 3880 CD1 LEU D 81 -9.956 -18.414 -4.674 1.00 40.59 C -ATOM 3881 CD2 LEU D 81 -11.103 -19.225 -6.396 1.00 23.30 C -ATOM 3882 N LYS D 82 -6.051 -20.893 -7.415 1.00 30.20 N -ATOM 3883 CA LYS D 82 -4.933 -20.852 -8.394 1.00 28.24 C -ATOM 3884 C LYS D 82 -5.124 -21.707 -9.528 1.00 33.91 C -ATOM 3885 O LYS D 82 -4.821 -21.459 -10.648 1.00 25.48 O -ATOM 3886 CB LYS D 82 -3.611 -21.239 -7.521 1.00 33.73 C -ATOM 3887 CG LYS D 82 -3.123 -20.210 -6.921 1.00 40.61 C -ATOM 3888 CD LYS D 82 -1.453 -20.533 -6.100 1.00 64.29 C -ATOM 3889 CE LYS D 82 -2.245 -18.592 -4.901 1.00 50.61 C -ATOM 3890 NZ LYS D 82 -1.640 -20.210 -4.012 1.00 57.77 N -ATOM 3891 N GLY D 83 -5.684 -23.133 -9.543 1.00 30.21 N -ATOM 3892 CA GLY D 83 -5.556 -24.039 -10.631 1.00 23.41 C -ATOM 3893 C GLY D 83 -6.710 -23.708 -11.373 1.00 31.79 C -ATOM 3894 O GLY D 83 -6.545 -23.384 -12.827 1.00 27.38 O -ATOM 3895 N THR D 84 -7.929 -22.850 -10.943 1.00 27.06 N -ATOM 3896 CA THR D 84 -8.896 -22.475 -11.769 1.00 31.17 C -ATOM 3897 C THR D 84 -8.254 -21.368 -12.862 1.00 35.08 C -ATOM 3898 O THR D 84 -9.023 -21.163 -13.732 1.00 26.93 O -ATOM 3899 CB THR D 84 -10.186 -21.934 -10.990 1.00 26.68 C -ATOM 3900 OG1 THR D 84 -10.450 -22.939 -10.341 1.00 41.82 O -ATOM 3901 CG2 THR D 84 -11.436 -21.350 -11.615 1.00 32.36 C -ATOM 3902 N PHE D 85 -7.713 -20.405 -12.026 1.00 23.78 N -ATOM 3903 CA PHE D 85 -7.538 -18.984 -12.806 1.00 17.94 C -ATOM 3904 C PHE D 85 -6.138 -19.115 -13.564 1.00 20.32 C -ATOM 3905 O PHE D 85 -5.528 -18.116 -14.137 1.00 18.46 O -ATOM 3906 CB PHE D 85 -7.425 -17.913 -11.819 1.00 16.82 C -ATOM 3907 CG PHE D 85 -8.885 -17.567 -11.680 1.00 15.41 C -ATOM 3908 CD1 PHE D 85 -9.422 -17.861 -10.346 1.00 21.43 C -ATOM 3909 CD2 PHE D 85 -9.605 -16.833 -12.552 1.00 29.52 C -ATOM 3910 CE1 PHE D 85 -10.820 -17.512 -9.993 1.00 27.35 C -ATOM 3911 CE2 PHE D 85 -11.060 -16.678 -12.198 1.00 23.38 C -ATOM 3912 CZ PHE D 85 -11.788 -16.979 -10.988 1.00 20.96 C -ATOM 3913 N ALA D 86 -5.306 -20.190 -13.510 1.00 16.78 N -ATOM 3914 CA ALA D 86 -3.786 -20.129 -13.990 1.00 21.66 C -ATOM 3915 C ALA D 86 -3.859 -19.751 -15.592 1.00 13.70 C -ATOM 3916 O ALA D 86 -2.977 -18.900 -15.942 1.00 16.83 O -ATOM 3917 CB ALA D 86 -3.276 -21.717 -14.150 1.00 23.60 C -ATOM 3918 N THR D 87 -4.799 -20.235 -16.291 1.00 17.09 N -ATOM 3919 CA THR D 87 -4.700 -19.770 -17.696 1.00 15.85 C -ATOM 3920 C THR D 87 -4.913 -18.223 -17.934 1.00 17.61 C -ATOM 3921 O THR D 87 -4.226 -17.589 -18.665 1.00 21.97 O -ATOM 3922 CB THR D 87 -5.803 -20.551 -18.552 1.00 23.34 C -ATOM 3923 OG1 THR D 87 -5.495 -21.943 -18.388 1.00 26.37 O -ATOM 3924 CG2 THR D 87 -5.595 -20.344 -19.930 1.00 26.08 C -ATOM 3925 N LEU D 88 -5.980 -17.807 -17.359 1.00 19.60 N -ATOM 3926 CA LEU D 88 -6.271 -16.457 -17.415 1.00 18.18 C -ATOM 3927 C LEU D 88 -5.187 -15.518 -16.684 1.00 15.66 C -ATOM 3928 O LEU D 88 -4.841 -14.368 -17.168 1.00 16.54 O -ATOM 3929 CB LEU D 88 -7.631 -16.058 -16.725 1.00 24.93 C -ATOM 3930 CG LEU D 88 -8.806 -16.413 -17.604 1.00 29.68 C -ATOM 3931 CD1 LEU D 88 -9.913 -16.362 -16.626 1.00 33.11 C -ATOM 3932 CD2 LEU D 88 -8.780 -15.785 -18.779 1.00 21.96 C -ATOM 3933 N SER D 89 -4.550 -16.190 -15.577 1.00 21.20 N -ATOM 3934 CA SER D 89 -3.384 -15.545 -14.950 1.00 17.78 C -ATOM 3935 C SER D 89 -2.295 -15.067 -15.986 1.00 16.70 C -ATOM 3936 O SER D 89 -1.619 -14.055 -16.257 1.00 15.86 O -ATOM 3937 CB SER D 89 -2.725 -16.272 -13.880 1.00 19.29 C -ATOM 3938 OG SER D 89 -1.733 -15.529 -13.240 1.00 14.95 O -ATOM 3939 N GLU D 90 -1.806 -16.218 -16.719 1.00 15.58 N -ATOM 3940 CA GLU D 90 -0.961 -16.101 -17.900 1.00 21.65 C -ATOM 3941 C GLU D 90 -1.319 -15.129 -19.030 1.00 13.57 C -ATOM 3942 O GLU D 90 -0.576 -14.403 -19.451 1.00 18.38 O -ATOM 3943 CB GLU D 90 -0.700 -17.640 -18.253 1.00 19.08 C -ATOM 3944 CG GLU D 90 0.585 -17.390 -19.009 1.00 38.09 C -ATOM 3945 CD GLU D 90 0.916 -19.788 -19.196 1.00 62.85 C -ATOM 3946 OE1 GLU D 90 0.495 -19.279 -20.696 1.00 54.38 O -ATOM 3947 OE2 GLU D 90 -0.172 -20.134 -18.632 1.00 49.69 O -ATOM 3948 N LEU D 91 -2.614 -15.260 -19.279 1.00 12.64 N -ATOM 3949 CA LEU D 91 -2.918 -14.282 -20.199 1.00 11.29 C -ATOM 3950 C LEU D 91 -2.769 -12.767 -19.975 1.00 14.82 C -ATOM 3951 O LEU D 91 -2.486 -11.814 -20.708 1.00 14.36 O -ATOM 3952 CB LEU D 91 -4.443 -14.616 -20.526 1.00 13.30 C -ATOM 3953 CG LEU D 91 -5.325 -13.643 -21.412 1.00 17.13 C -ATOM 3954 CD1 LEU D 91 -4.702 -13.618 -23.000 1.00 25.95 C -ATOM 3955 CD2 LEU D 91 -6.752 -13.787 -21.472 1.00 20.87 C -ATOM 3956 N HIS D 92 -3.278 -12.509 -18.598 1.00 14.55 N -ATOM 3957 CA HIS D 92 -3.429 -10.968 -18.356 1.00 18.41 C -ATOM 3958 C HIS D 92 -1.750 -10.659 -17.942 1.00 25.22 C -ATOM 3959 O HIS D 92 -1.542 -9.487 -18.276 1.00 15.09 O -ATOM 3960 CB HIS D 92 -3.870 -11.061 -16.956 1.00 16.94 C -ATOM 3961 CG HIS D 92 -5.443 -10.779 -17.044 1.00 14.87 C -ATOM 3962 ND1 HIS D 92 -6.226 -12.088 -17.324 1.00 14.65 N -ATOM 3963 CD2 HIS D 92 -6.494 -9.930 -17.027 1.00 12.93 C -ATOM 3964 CE1 HIS D 92 -7.513 -11.488 -17.344 1.00 12.97 C -ATOM 3965 NE2 HIS D 92 -7.794 -10.264 -17.456 1.00 18.10 N -ATOM 3966 N CYS D 93 -0.853 -11.610 -17.750 1.00 16.12 N -ATOM 3967 CA CYS D 93 0.671 -11.156 -17.799 1.00 16.35 C -ATOM 3968 C CYS D 93 1.184 -10.895 -19.303 1.00 18.55 C -ATOM 3969 O CYS D 93 1.616 -9.948 -19.471 1.00 17.22 O -ATOM 3970 CB CYS D 93 1.177 -12.201 -16.844 1.00 20.93 C -ATOM 3971 SG CYS D 93 3.106 -11.680 -16.838 1.00 18.90 S -ATOM 3972 N ASP D 94 1.071 -12.148 -19.853 1.00 14.32 N -ATOM 3973 CA ASP D 94 2.076 -12.170 -21.195 1.00 16.01 C -ATOM 3974 C ASP D 94 1.351 -11.461 -22.242 1.00 19.68 C -ATOM 3975 O ASP D 94 1.981 -11.016 -23.089 1.00 27.14 O -ATOM 3976 CB ASP D 94 2.163 -13.661 -21.334 1.00 20.44 C -ATOM 3977 CG ASP D 94 3.220 -14.533 -20.409 1.00 36.43 C -ATOM 3978 OD1 ASP D 94 3.523 -13.728 -19.788 1.00 32.86 O -ATOM 3979 OD2 ASP D 94 2.735 -15.960 -20.657 1.00 40.09 O -ATOM 3980 N LYS D 95 0.079 -11.509 -22.378 1.00 14.90 N -ATOM 3981 CA LYS D 95 -0.657 -10.830 -23.618 1.00 16.76 C -ATOM 3982 C LYS D 95 -1.037 -9.542 -23.369 1.00 18.82 C -ATOM 3983 O LYS D 95 -1.025 -8.517 -23.887 1.00 19.72 O -ATOM 3984 CB LYS D 95 -1.739 -11.719 -24.171 1.00 24.57 C -ATOM 3985 CG LYS D 95 -1.405 -13.254 -24.270 1.00 49.61 C -ATOM 3986 CD LYS D 95 0.033 -12.822 -25.830 1.00 60.17 C -ATOM 3987 CE LYS D 95 0.875 -13.698 -26.541 1.00 57.82 C -ATOM 3988 NZ LYS D 95 1.951 -12.652 -27.842 1.00 59.53 N -ATOM 3989 N LEU D 96 -1.816 -9.347 -21.943 1.00 16.80 N -ATOM 3990 CA LEU D 96 -2.489 -8.095 -21.711 1.00 16.58 C -ATOM 3991 C LEU D 96 -1.557 -6.998 -20.981 1.00 16.01 C -ATOM 3992 O LEU D 96 -2.025 -5.870 -20.986 1.00 15.73 O -ATOM 3993 CB LEU D 96 -3.813 -8.447 -21.040 1.00 21.01 C -ATOM 3994 CG LEU D 96 -4.799 -9.421 -21.657 1.00 22.06 C -ATOM 3995 CD1 LEU D 96 -6.039 -9.748 -20.763 1.00 15.50 C -ATOM 3996 CD2 LEU D 96 -5.152 -8.823 -22.921 1.00 34.04 C -ATOM 3997 N HIS D 97 -0.781 -7.579 -20.217 1.00 18.03 N -ATOM 3998 CA HIS D 97 0.244 -6.637 -19.580 1.00 18.48 C -ATOM 3999 C HIS D 97 -0.432 -5.796 -18.443 1.00 13.60 C -ATOM 4000 O HIS D 97 -0.253 -4.620 -18.215 1.00 15.07 O -ATOM 4001 CB HIS D 97 0.990 -5.653 -20.400 1.00 24.24 C -ATOM 4002 CG HIS D 97 1.776 -6.391 -21.656 1.00 28.24 C -ATOM 4003 ND1 HIS D 97 2.554 -7.432 -21.385 1.00 26.25 N -ATOM 4004 CD2 HIS D 97 1.271 -6.244 -22.910 1.00 35.10 C -ATOM 4005 CE1 HIS D 97 3.136 -7.961 -22.703 1.00 25.85 C -ATOM 4006 NE2 HIS D 97 2.325 -7.208 -23.322 1.00 28.28 N -ATOM 4007 N VAL D 98 -1.455 -6.545 -17.703 1.00 15.21 N -ATOM 4008 CA VAL D 98 -2.210 -5.794 -16.736 1.00 14.55 C -ATOM 4009 C VAL D 98 -1.489 -5.841 -15.285 1.00 10.52 C -ATOM 4010 O VAL D 98 -1.368 -7.002 -14.827 1.00 11.77 O -ATOM 4011 CB VAL D 98 -3.549 -6.468 -16.502 1.00 15.30 C -ATOM 4012 CG1 VAL D 98 -4.339 -5.933 -15.325 1.00 15.30 C -ATOM 4013 CG2 VAL D 98 -4.285 -6.152 -17.968 1.00 17.14 C -ATOM 4014 N ASP D 99 -1.167 -4.730 -14.701 1.00 9.86 N -ATOM 4015 CA ASP D 99 -0.610 -4.765 -13.282 1.00 10.99 C -ATOM 4016 C ASP D 99 -1.652 -5.465 -12.445 1.00 12.34 C -ATOM 4017 O ASP D 99 -2.837 -4.921 -12.433 1.00 15.90 O -ATOM 4018 CB ASP D 99 -0.421 -3.334 -12.976 1.00 12.59 C -ATOM 4019 CG ASP D 99 0.231 -3.018 -11.481 1.00 12.64 C -ATOM 4020 OD1 ASP D 99 0.529 -1.770 -11.464 1.00 11.35 O -ATOM 4021 OD2 ASP D 99 0.421 -4.097 -10.818 1.00 14.04 O -ATOM 4022 N PRO D 100 -1.293 -6.422 -11.755 1.00 16.57 N -ATOM 4023 CA PRO D 100 -2.075 -7.130 -10.712 1.00 11.14 C -ATOM 4024 C PRO D 100 -2.767 -6.164 -9.672 1.00 11.03 C -ATOM 4025 O PRO D 100 -3.730 -6.728 -9.131 1.00 12.40 O -ATOM 4026 CB PRO D 100 -1.455 -8.509 -10.454 1.00 18.57 C -ATOM 4027 CG PRO D 100 -0.120 -8.351 -10.644 1.00 16.52 C -ATOM 4028 CD PRO D 100 0.008 -7.085 -11.678 1.00 15.61 C -ATOM 4029 N GLU D 101 -2.120 -5.022 -9.432 1.00 9.29 N -ATOM 4030 CA GLU D 101 -2.721 -4.184 -8.535 1.00 12.45 C -ATOM 4031 C GLU D 101 -4.150 -3.766 -8.894 1.00 20.07 C -ATOM 4032 O GLU D 101 -5.139 -3.640 -8.044 1.00 15.47 O -ATOM 4033 CB GLU D 101 -1.898 -2.971 -8.352 1.00 18.48 C -ATOM 4034 CG GLU D 101 -2.751 -1.912 -7.301 1.00 30.49 C -ATOM 4035 CD GLU D 101 -2.928 -2.595 -5.361 1.00 32.99 C -ATOM 4036 OE1 GLU D 101 -1.814 -3.251 -5.501 1.00 22.72 O -ATOM 4037 OE2 GLU D 101 -3.790 -1.433 -5.275 1.00 37.16 O -ATOM 4038 N ASN D 102 -4.416 -3.866 -10.222 1.00 14.86 N -ATOM 4039 CA ASN D 102 -5.827 -3.553 -10.820 1.00 14.38 C -ATOM 4040 C ASN D 102 -6.730 -4.706 -10.375 1.00 12.83 C -ATOM 4041 O ASN D 102 -8.073 -4.305 -10.051 1.00 15.98 O -ATOM 4042 CB ASN D 102 -5.825 -3.726 -12.202 1.00 15.85 C -ATOM 4043 CG ASN D 102 -5.178 -2.418 -12.728 1.00 20.86 C -ATOM 4044 OD1 ASN D 102 -5.594 -1.386 -12.707 1.00 17.49 O -ATOM 4045 ND2 ASN D 102 -3.900 -2.610 -13.401 1.00 22.52 N -ATOM 4046 N PHE D 103 -6.450 -5.902 -10.088 1.00 11.06 N -ATOM 4047 CA PHE D 103 -7.223 -7.062 -9.594 1.00 11.10 C -ATOM 4048 C PHE D 103 -7.838 -6.627 -8.138 1.00 14.83 C -ATOM 4049 O PHE D 103 -9.038 -6.926 -7.755 1.00 12.07 O -ATOM 4050 CB PHE D 103 -6.641 -8.378 -9.453 1.00 14.26 C -ATOM 4051 CG PHE D 103 -5.978 -8.685 -10.884 1.00 14.43 C -ATOM 4052 CD1 PHE D 103 -6.722 -8.442 -12.150 1.00 22.91 C -ATOM 4053 CD2 PHE D 103 -4.777 -9.418 -10.920 1.00 19.84 C -ATOM 4054 CE1 PHE D 103 -6.285 -8.812 -13.376 1.00 22.48 C -ATOM 4055 CE2 PHE D 103 -4.350 -9.752 -12.200 1.00 13.44 C -ATOM 4056 CZ PHE D 103 -4.988 -9.426 -13.435 1.00 16.91 C -ATOM 4057 N ARG D 104 -6.979 -6.041 -7.313 1.00 14.96 N -ATOM 4058 CA ARG D 104 -7.236 -5.640 -5.946 1.00 18.64 C -ATOM 4059 C ARG D 104 -8.352 -4.439 -5.984 1.00 17.76 C -ATOM 4060 O ARG D 104 -9.251 -4.482 -5.206 1.00 14.29 O -ATOM 4061 CB ARG D 104 -5.925 -5.205 -5.097 1.00 19.67 C -ATOM 4062 CG ARG D 104 -5.188 -6.366 -5.055 1.00 39.66 C -ATOM 4063 CD ARG D 104 -3.686 -6.042 -4.324 1.00 67.99 C -ATOM 4064 NE ARG D 104 -3.285 -7.833 -4.405 1.00 67.11 N -ATOM 4065 CZ ARG D 104 -0.829 -7.130 -4.074 1.00 80.12 C -ATOM 4066 NH1 ARG D 104 -1.228 -5.714 -3.904 1.00 77.56 N -ATOM 4067 NH2 ARG D 104 -1.024 -7.904 -3.149 1.00 80.12 N -ATOM 4068 N LEU D 105 -8.019 -3.490 -6.857 1.00 14.78 N -ATOM 4069 CA LEU D 105 -8.933 -2.377 -6.997 1.00 11.66 C -ATOM 4070 C LEU D 105 -10.366 -2.815 -7.384 1.00 13.52 C -ATOM 4071 O LEU D 105 -11.325 -2.484 -6.781 1.00 12.56 O -ATOM 4072 CB LEU D 105 -8.385 -1.463 -7.865 1.00 16.32 C -ATOM 4073 CG LEU D 105 -7.155 -0.533 -7.691 1.00 23.61 C -ATOM 4074 CD1 LEU D 105 -6.564 0.347 -8.601 1.00 25.65 C -ATOM 4075 CD2 LEU D 105 -7.175 -0.008 -6.272 1.00 30.28 C -ATOM 4076 N LEU D 106 -10.388 -3.731 -8.359 1.00 11.11 N -ATOM 4077 CA LEU D 106 -11.776 -4.169 -8.774 1.00 10.81 C -ATOM 4078 C LEU D 106 -12.425 -4.909 -7.735 1.00 7.04 C -ATOM 4079 O LEU D 106 -13.596 -4.860 -7.508 1.00 8.65 O -ATOM 4080 CB LEU D 106 -11.565 -5.136 -9.996 1.00 12.84 C -ATOM 4081 CG LEU D 106 -12.908 -5.591 -10.559 1.00 16.25 C -ATOM 4082 CD1 LEU D 106 -13.855 -4.506 -11.046 1.00 16.77 C -ATOM 4083 CD2 LEU D 106 -12.516 -6.548 -11.540 1.00 20.04 C -ATOM 4084 N GLY D 107 -11.735 -5.688 -6.939 1.00 12.52 N -ATOM 4085 CA GLY D 107 -12.179 -6.516 -5.777 1.00 16.15 C -ATOM 4086 C GLY D 107 -12.899 -5.574 -4.792 1.00 14.99 C -ATOM 4087 O GLY D 107 -14.015 -5.773 -4.332 1.00 12.81 O -ATOM 4088 N ASN D 108 -12.285 -4.436 -4.514 1.00 12.36 N -ATOM 4089 CA ASN D 108 -12.802 -3.491 -3.621 1.00 14.00 C -ATOM 4090 C ASN D 108 -13.963 -2.724 -4.098 1.00 11.43 C -ATOM 4091 O ASN D 108 -15.056 -2.507 -3.385 1.00 12.39 O -ATOM 4092 CB ASN D 108 -11.844 -2.454 -3.053 1.00 18.57 C -ATOM 4093 CG ASN D 108 -10.617 -3.293 -1.988 1.00 22.26 C -ATOM 4094 OD1 ASN D 108 -11.199 -4.293 -1.311 1.00 22.78 O -ATOM 4095 ND2 ASN D 108 -9.853 -2.344 -1.843 1.00 30.03 N -ATOM 4096 N VAL D 109 -13.924 -2.387 -5.385 1.00 10.09 N -ATOM 4097 CA VAL D 109 -15.064 -1.848 -6.032 1.00 8.21 C -ATOM 4098 C VAL D 109 -16.234 -2.783 -6.101 1.00 9.89 C -ATOM 4099 O VAL D 109 -17.335 -2.321 -5.728 1.00 11.76 O -ATOM 4100 CB VAL D 109 -14.656 -1.351 -7.492 1.00 11.59 C -ATOM 4101 CG1 VAL D 109 -15.861 -0.846 -8.320 1.00 17.96 C -ATOM 4102 CG2 VAL D 109 -13.771 -0.178 -7.377 1.00 17.98 C -ATOM 4103 N LEU D 110 -15.952 -4.083 -6.403 1.00 9.62 N -ATOM 4104 CA LEU D 110 -17.024 -5.059 -6.369 1.00 14.08 C -ATOM 4105 C LEU D 110 -17.831 -5.035 -5.141 1.00 11.97 C -ATOM 4106 O LEU D 110 -19.008 -5.257 -4.826 1.00 10.97 O -ATOM 4107 CB LEU D 110 -16.600 -6.309 -6.770 1.00 15.34 C -ATOM 4108 CG LEU D 110 -17.478 -7.458 -6.761 1.00 14.97 C -ATOM 4109 CD1 LEU D 110 -18.670 -7.282 -7.592 1.00 23.21 C -ATOM 4110 CD2 LEU D 110 -16.862 -8.829 -7.132 1.00 26.92 C -ATOM 4111 N VAL D 111 -16.932 -5.013 -3.909 1.00 14.50 N -ATOM 4112 CA VAL D 111 -17.557 -5.003 -2.482 1.00 11.82 C -ATOM 4113 C VAL D 111 -18.496 -3.835 -2.339 1.00 14.01 C -ATOM 4114 O VAL D 111 -19.560 -3.938 -1.746 1.00 12.03 O -ATOM 4115 CB VAL D 111 -16.468 -5.174 -1.423 1.00 12.62 C -ATOM 4116 CG1 VAL D 111 -17.105 -4.887 -0.077 1.00 15.85 C -ATOM 4117 CG2 VAL D 111 -15.845 -6.615 -1.505 1.00 10.77 C -ATOM 4118 N CYS D 112 -17.954 -2.598 -2.876 1.00 13.62 N -ATOM 4119 CA CYS D 112 -18.674 -1.428 -2.875 1.00 13.72 C -ATOM 4120 C CYS D 112 -20.245 -1.545 -3.397 1.00 20.10 C -ATOM 4121 O CYS D 112 -21.199 -1.153 -2.984 1.00 16.56 O -ATOM 4122 CB CYS D 112 -18.077 -0.213 -3.441 1.00 12.95 C -ATOM 4123 SG CYS D 112 -16.890 0.371 -2.238 1.00 15.21 S -ATOM 4124 N VAL D 113 -20.090 -2.259 -4.565 1.00 17.02 N -ATOM 4125 CA VAL D 113 -21.229 -2.476 -5.537 1.00 12.28 C -ATOM 4126 C VAL D 113 -22.216 -3.415 -4.943 1.00 12.56 C -ATOM 4127 O VAL D 113 -23.393 -3.166 -4.833 1.00 15.84 O -ATOM 4128 CB VAL D 113 -20.819 -3.012 -6.914 1.00 17.85 C -ATOM 4129 CG1 VAL D 113 -22.007 -3.440 -7.657 1.00 18.74 C -ATOM 4130 CG2 VAL D 113 -20.123 -1.688 -7.807 1.00 21.41 C -ATOM 4131 N LEU D 114 -21.799 -4.480 -4.273 1.00 10.75 N -ATOM 4132 CA LEU D 114 -22.611 -5.453 -3.526 1.00 10.78 C -ATOM 4133 C LEU D 114 -23.336 -4.689 -2.455 1.00 19.00 C -ATOM 4134 O LEU D 114 -24.454 -4.811 -2.196 1.00 11.46 O -ATOM 4135 CB LEU D 114 -21.815 -6.582 -3.114 1.00 14.56 C -ATOM 4136 CG LEU D 114 -21.183 -7.401 -4.241 1.00 17.11 C -ATOM 4137 CD1 LEU D 114 -20.368 -8.591 -3.652 1.00 17.06 C -ATOM 4138 CD2 LEU D 114 -22.473 -8.135 -5.021 1.00 20.86 C -ATOM 4139 N ALA D 115 -22.573 -3.965 -1.677 1.00 11.71 N -ATOM 4140 CA ALA D 115 -23.177 -3.124 -0.512 1.00 11.69 C -ATOM 4141 C ALA D 115 -24.286 -2.193 -1.056 1.00 15.12 C -ATOM 4142 O ALA D 115 -25.190 -2.078 -0.405 1.00 15.47 O -ATOM 4143 CB ALA D 115 -22.014 -2.336 0.283 1.00 12.28 C -ATOM 4144 N HIS D 116 -23.996 -1.420 -2.116 1.00 15.03 N -ATOM 4145 CA HIS D 116 -24.955 -0.497 -2.730 1.00 12.09 C -ATOM 4146 C HIS D 116 -26.163 -1.244 -3.183 1.00 12.50 C -ATOM 4147 O HIS D 116 -27.367 -0.733 -2.977 1.00 15.93 O -ATOM 4148 CB HIS D 116 -24.260 0.137 -3.930 1.00 20.66 C -ATOM 4149 CG HIS D 116 -25.177 1.236 -4.511 1.00 27.72 C -ATOM 4150 ND1 HIS D 116 -25.302 1.194 -5.752 1.00 29.99 N -ATOM 4151 CD2 HIS D 116 -25.633 2.207 -3.823 1.00 30.96 C -ATOM 4152 CE1 HIS D 116 -26.002 2.415 -6.103 1.00 27.26 C -ATOM 4153 NE2 HIS D 116 -26.344 3.000 -4.762 1.00 28.89 N -ATOM 4154 N HIS D 117 -26.018 -2.363 -3.828 1.00 13.33 N -ATOM 4155 CA HIS D 117 -27.076 -3.136 -4.425 1.00 15.24 C -ATOM 4156 C HIS D 117 -27.870 -3.712 -3.255 1.00 17.50 C -ATOM 4157 O HIS D 117 -29.133 -3.855 -3.315 1.00 16.06 O -ATOM 4158 CB HIS D 117 -26.496 -4.135 -5.434 1.00 17.22 C -ATOM 4159 CG HIS D 117 -27.385 -4.774 -6.024 1.00 54.91 C -ATOM 4160 ND1 HIS D 117 -28.250 -3.991 -7.312 1.00 47.40 N -ATOM 4161 CD2 HIS D 117 -28.517 -5.901 -5.930 1.00 49.34 C -ATOM 4162 CE1 HIS D 117 -29.253 -5.278 -7.522 1.00 48.36 C -ATOM 4163 NE2 HIS D 117 -29.230 -6.041 -6.924 1.00 37.10 N -ATOM 4164 N PHE D 118 -27.360 -4.464 -2.297 1.00 14.50 N -ATOM 4165 CA PHE D 118 -28.031 -5.299 -1.218 1.00 19.30 C -ATOM 4166 C PHE D 118 -28.313 -4.501 -0.028 1.00 20.52 C -ATOM 4167 O PHE D 118 -29.066 -5.081 0.915 1.00 18.09 O -ATOM 4168 CB PHE D 118 -27.213 -6.481 -0.908 1.00 18.97 C -ATOM 4169 CG PHE D 118 -27.223 -7.413 -2.204 1.00 18.93 C -ATOM 4170 CD1 PHE D 118 -26.304 -7.801 -3.109 1.00 24.34 C -ATOM 4171 CD2 PHE D 118 -28.509 -8.118 -2.367 1.00 26.48 C -ATOM 4172 CE1 PHE D 118 -26.170 -8.548 -4.227 1.00 20.81 C -ATOM 4173 CE2 PHE D 118 -28.524 -8.992 -3.636 1.00 22.90 C -ATOM 4174 CZ PHE D 118 -27.563 -8.928 -4.575 1.00 38.52 C -ATOM 4175 N GLY D 119 -27.754 -3.376 0.316 1.00 12.95 N -ATOM 4176 CA GLY D 119 -28.196 -2.563 1.458 1.00 17.60 C -ATOM 4177 C GLY D 119 -27.642 -3.404 2.740 1.00 22.58 C -ATOM 4178 O GLY D 119 -26.745 -4.123 2.946 1.00 17.60 O -ATOM 4179 N LYS D 120 -28.738 -3.418 3.697 1.00 21.46 N -ATOM 4180 CA LYS D 120 -28.403 -3.844 5.025 1.00 20.05 C -ATOM 4181 C LYS D 120 -28.472 -5.257 5.045 1.00 21.98 C -ATOM 4182 O LYS D 120 -27.730 -5.889 5.925 1.00 18.57 O -ATOM 4183 CB LYS D 120 -29.674 -3.273 5.899 1.00 27.28 C -ATOM 4184 CG LYS D 120 -30.525 -4.321 5.995 1.00 44.07 C -ATOM 4185 CD LYS D 120 -31.907 -4.631 6.867 1.00 48.21 C -ATOM 4186 CE LYS D 120 -33.041 -5.118 5.873 1.00 53.23 C -ATOM 4187 NZ LYS D 120 -34.578 -6.152 7.224 1.00 62.54 N -ATOM 4188 N GLU D 121 -28.504 -6.080 4.008 1.00 25.88 N -ATOM 4189 CA GLU D 121 -28.273 -7.343 3.934 1.00 20.02 C -ATOM 4190 C GLU D 121 -26.675 -7.822 3.749 1.00 18.96 C -ATOM 4191 O GLU D 121 -26.335 -8.975 4.074 1.00 16.05 O -ATOM 4192 CB GLU D 121 -29.032 -8.153 2.527 1.00 28.13 C -ATOM 4193 CG GLU D 121 -28.995 -9.238 2.561 1.00 40.20 C -ATOM 4194 CD GLU D 121 -30.346 -10.237 1.461 1.00 49.97 C -ATOM 4195 OE1 GLU D 121 -29.357 -11.293 1.004 1.00 36.73 O -ATOM 4196 OE2 GLU D 121 -30.336 -9.346 0.552 1.00 38.86 O -ATOM 4197 N PHE D 122 -26.073 -6.783 3.271 1.00 14.83 N -ATOM 4198 CA PHE D 122 -24.573 -7.060 3.133 1.00 20.37 C -ATOM 4199 C PHE D 122 -23.961 -6.641 4.530 1.00 15.94 C -ATOM 4200 O PHE D 122 -23.307 -5.592 4.698 1.00 17.73 O -ATOM 4201 CB PHE D 122 -24.256 -6.093 2.128 1.00 14.63 C -ATOM 4202 CG PHE D 122 -22.862 -6.484 1.494 1.00 12.39 C -ATOM 4203 CD1 PHE D 122 -22.569 -7.575 0.927 1.00 14.73 C -ATOM 4204 CD2 PHE D 122 -21.593 -5.712 1.717 1.00 15.96 C -ATOM 4205 CE1 PHE D 122 -21.227 -8.021 0.354 1.00 19.03 C -ATOM 4206 CE2 PHE D 122 -20.268 -6.011 1.383 1.00 16.31 C -ATOM 4207 CZ PHE D 122 -20.290 -7.145 0.714 1.00 19.86 C -ATOM 4208 N THR D 123 -24.154 -7.525 5.413 1.00 12.54 N -ATOM 4209 CA THR D 123 -23.654 -7.132 6.808 1.00 13.34 C -ATOM 4210 C THR D 123 -22.221 -7.283 6.854 1.00 15.73 C -ATOM 4211 O THR D 123 -21.546 -7.802 6.060 1.00 13.84 O -ATOM 4212 CB THR D 123 -24.160 -8.212 7.778 1.00 17.72 C -ATOM 4213 OG1 THR D 123 -23.892 -9.520 7.414 1.00 19.04 O -ATOM 4214 CG2 THR D 123 -25.951 -8.264 7.657 1.00 20.06 C -ATOM 4215 N PRO D 124 -21.722 -6.789 8.010 1.00 17.46 N -ATOM 4216 CA PRO D 124 -20.251 -6.940 8.311 1.00 14.41 C -ATOM 4217 C PRO D 124 -19.706 -8.259 8.132 1.00 12.05 C -ATOM 4218 O PRO D 124 -18.668 -8.405 7.486 1.00 13.28 O -ATOM 4219 CB PRO D 124 -20.088 -6.243 9.615 1.00 14.54 C -ATOM 4220 CG PRO D 124 -21.223 -5.227 9.715 1.00 15.93 C -ATOM 4221 CD PRO D 124 -22.358 -6.045 9.113 1.00 14.57 C -ATOM 4222 N PRO D 125 -20.257 -9.372 8.599 1.00 11.40 N -ATOM 4223 CA PRO D 125 -19.807 -10.596 8.366 1.00 17.87 C -ATOM 4224 C PRO D 125 -19.690 -11.236 6.993 1.00 15.21 C -ATOM 4225 O PRO D 125 -18.781 -11.857 6.488 1.00 14.41 O -ATOM 4226 CB PRO D 125 -20.651 -11.465 9.240 1.00 23.30 C -ATOM 4227 CG PRO D 125 -21.148 -10.683 10.183 1.00 26.37 C -ATOM 4228 CD PRO D 125 -21.413 -9.462 9.802 1.00 17.49 C -ATOM 4229 N VAL D 126 -20.833 -10.714 6.263 1.00 17.66 N -ATOM 4230 CA VAL D 126 -20.828 -11.114 4.812 1.00 21.55 C -ATOM 4231 C VAL D 126 -19.574 -10.424 3.938 1.00 16.49 C -ATOM 4232 O VAL D 126 -19.053 -10.988 3.156 1.00 13.46 O -ATOM 4233 CB VAL D 126 -22.452 -10.640 4.161 1.00 13.98 C -ATOM 4234 CG1 VAL D 126 -22.335 -11.055 2.842 1.00 20.70 C -ATOM 4235 CG2 VAL D 126 -23.218 -11.661 4.994 1.00 18.54 C -ATOM 4236 N GLN D 127 -19.567 -8.990 4.377 1.00 10.60 N -ATOM 4237 CA GLN D 127 -18.404 -8.336 3.872 1.00 12.83 C -ATOM 4238 C GLN D 127 -17.168 -9.034 3.964 1.00 13.74 C -ATOM 4239 O GLN D 127 -16.333 -9.154 3.044 1.00 12.71 O -ATOM 4240 CB GLN D 127 -18.494 -6.875 4.230 1.00 11.73 C -ATOM 4241 CG GLN D 127 -17.167 -6.142 3.667 1.00 13.68 C -ATOM 4242 CD GLN D 127 -16.957 -4.845 4.400 1.00 11.81 C -ATOM 4243 OE1 GLN D 127 -17.847 -4.243 5.015 1.00 13.99 O -ATOM 4244 NE2 GLN D 127 -15.920 -4.250 3.871 1.00 15.96 N -ATOM 4245 N ALA D 128 -16.860 -9.470 5.254 1.00 12.61 N -ATOM 4246 CA ALA D 128 -15.629 -10.118 5.636 1.00 9.64 C -ATOM 4247 C ALA D 128 -15.294 -11.332 4.779 1.00 7.66 C -ATOM 4248 O ALA D 128 -14.216 -11.498 4.302 1.00 11.68 O -ATOM 4249 CB ALA D 128 -15.618 -10.468 7.105 1.00 13.80 C -ATOM 4250 N ALA D 129 -16.442 -11.965 4.516 1.00 13.18 N -ATOM 4251 CA ALA D 129 -16.351 -13.231 3.750 1.00 11.17 C -ATOM 4252 C ALA D 129 -15.929 -12.840 2.277 1.00 11.52 C -ATOM 4253 O ALA D 129 -15.098 -13.537 1.657 1.00 13.56 O -ATOM 4254 CB ALA D 129 -17.591 -14.039 3.811 1.00 14.35 C -ATOM 4255 N TYR D 130 -16.661 -11.959 1.697 1.00 13.36 N -ATOM 4256 CA TYR D 130 -16.475 -11.445 0.343 1.00 13.72 C -ATOM 4257 C TYR D 130 -15.053 -10.791 0.256 1.00 15.10 C -ATOM 4258 O TYR D 130 -14.355 -11.020 -0.750 1.00 13.21 O -ATOM 4259 CB TYR D 130 -17.422 -10.440 -0.057 1.00 13.30 C -ATOM 4260 CG TYR D 130 -18.539 -11.158 -0.682 1.00 15.19 C -ATOM 4261 CD1 TYR D 130 -18.456 -11.539 -1.989 1.00 16.58 C -ATOM 4262 CD2 TYR D 130 -19.661 -11.646 -0.093 1.00 11.73 C -ATOM 4263 CE1 TYR D 130 -19.348 -12.381 -2.950 1.00 20.28 C -ATOM 4264 CE2 TYR D 130 -20.692 -12.412 -0.867 1.00 14.90 C -ATOM 4265 CZ TYR D 130 -20.584 -12.824 -2.071 1.00 22.05 C -ATOM 4266 OH TYR D 130 -21.522 -13.470 -2.725 1.00 20.92 O -ATOM 4267 N GLN D 131 -14.583 -10.235 1.300 1.00 12.24 N -ATOM 4268 CA GLN D 131 -13.174 -9.715 1.275 1.00 13.72 C -ATOM 4269 C GLN D 131 -12.128 -10.656 1.064 1.00 20.69 C -ATOM 4270 O GLN D 131 -11.251 -10.668 0.401 1.00 17.83 O -ATOM 4271 CB GLN D 131 -12.830 -8.708 2.421 1.00 13.45 C -ATOM 4272 CG GLN D 131 -13.616 -7.579 2.534 1.00 20.19 C -ATOM 4273 CD GLN D 131 -13.161 -6.166 1.573 1.00 18.43 C -ATOM 4274 OE1 GLN D 131 -14.035 -5.385 1.692 1.00 14.48 O -ATOM 4275 NE2 GLN D 131 -12.233 -6.377 0.841 1.00 16.06 N -ATOM 4276 N LYS D 132 -12.389 -11.876 1.744 1.00 12.67 N -ATOM 4277 CA LYS D 132 -11.377 -12.991 1.725 1.00 15.63 C -ATOM 4278 C LYS D 132 -11.407 -13.587 0.293 1.00 18.80 C -ATOM 4279 O LYS D 132 -10.481 -13.843 -0.328 1.00 14.05 O -ATOM 4280 CB LYS D 132 -11.780 -14.083 2.621 1.00 24.81 C -ATOM 4281 CG LYS D 132 -11.356 -13.759 4.081 1.00 25.97 C -ATOM 4282 CD LYS D 132 -11.952 -14.985 5.007 1.00 26.81 C -ATOM 4283 CE LYS D 132 -12.396 -14.023 6.345 1.00 50.23 C -ATOM 4284 NZ LYS D 132 -12.099 -16.364 7.125 1.00 63.38 N -ATOM 4285 N VAL D 133 -12.646 -13.574 -0.320 1.00 13.42 N -ATOM 4286 CA VAL D 133 -12.819 -14.186 -1.656 1.00 18.27 C -ATOM 4287 C VAL D 133 -12.113 -13.235 -2.641 1.00 19.39 C -ATOM 4288 O VAL D 133 -11.376 -13.757 -3.529 1.00 15.06 O -ATOM 4289 CB VAL D 133 -14.347 -14.459 -2.009 1.00 17.40 C -ATOM 4290 CG1 VAL D 133 -14.482 -14.527 -3.527 1.00 22.79 C -ATOM 4291 CG2 VAL D 133 -14.897 -15.429 -1.020 1.00 19.90 C -ATOM 4292 N VAL D 134 -12.419 -12.044 -2.631 1.00 14.66 N -ATOM 4293 CA VAL D 134 -11.817 -11.184 -3.697 1.00 17.41 C -ATOM 4294 C VAL D 134 -10.205 -10.998 -3.622 1.00 17.93 C -ATOM 4295 O VAL D 134 -9.555 -11.088 -4.632 1.00 17.13 O -ATOM 4296 CB VAL D 134 -12.523 -9.795 -3.826 1.00 16.69 C -ATOM 4297 CG1 VAL D 134 -13.942 -9.809 -3.996 1.00 22.42 C -ATOM 4298 CG2 VAL D 134 -12.135 -9.012 -2.596 1.00 16.30 C -ATOM 4299 N ALA D 135 -9.754 -11.116 -2.425 1.00 16.25 N -ATOM 4300 CA ALA D 135 -8.338 -11.031 -2.088 1.00 14.79 C -ATOM 4301 C ALA D 135 -7.743 -12.494 -2.790 1.00 21.70 C -ATOM 4302 O ALA D 135 -6.667 -12.571 -3.342 1.00 16.89 O -ATOM 4303 CB ALA D 135 -7.946 -11.087 -0.719 1.00 18.34 C -ATOM 4304 N GLY D 136 -8.430 -13.631 -2.593 1.00 17.40 N -ATOM 4305 CA GLY D 136 -8.238 -14.854 -2.994 1.00 16.77 C -ATOM 4306 C GLY D 136 -8.046 -14.863 -4.547 1.00 21.35 C -ATOM 4307 O GLY D 136 -7.103 -15.386 -5.248 1.00 16.80 O -ATOM 4308 N VAL D 137 -9.061 -14.287 -5.106 1.00 23.70 N -ATOM 4309 CA VAL D 137 -9.117 -14.207 -6.516 1.00 26.49 C -ATOM 4310 C VAL D 137 -8.271 -13.386 -7.311 1.00 33.07 C -ATOM 4311 O VAL D 137 -7.434 -13.729 -8.023 1.00 30.90 O -ATOM 4312 CB VAL D 137 -10.635 -13.731 -7.203 1.00 15.94 C -ATOM 4313 CG1 VAL D 137 -10.606 -13.355 -8.722 1.00 21.57 C -ATOM 4314 CG2 VAL D 137 -11.540 -14.757 -6.690 1.00 21.46 C -ATOM 4315 N ALA D 138 -7.804 -12.254 -6.635 1.00 14.66 N -ATOM 4316 CA ALA D 138 -6.688 -11.339 -7.074 1.00 18.95 C -ATOM 4317 C ALA D 138 -5.417 -12.079 -7.070 1.00 18.17 C -ATOM 4318 O ALA D 138 -4.593 -11.997 -7.851 1.00 14.81 O -ATOM 4319 CB ALA D 138 -6.540 -10.040 -6.183 1.00 19.78 C -ATOM 4320 N ASN D 139 -5.187 -12.811 -5.928 1.00 15.30 N -ATOM 4321 CA ASN D 139 -3.937 -13.374 -5.586 1.00 18.41 C -ATOM 4322 C ASN D 139 -3.703 -14.483 -6.697 1.00 25.63 C -ATOM 4323 O ASN D 139 -2.635 -14.913 -7.329 1.00 23.38 O -ATOM 4324 CB ASN D 139 -3.989 -14.050 -4.592 1.00 50.89 C -ATOM 4325 CG ASN D 139 -3.194 -13.790 -3.503 1.00 63.06 C -ATOM 4326 OD1 ASN D 139 -2.135 -15.017 -3.938 1.00 52.41 O -ATOM 4327 ND2 ASN D 139 -3.072 -12.228 -3.482 1.00 29.84 N -ATOM 4328 N ALA D 140 -4.873 -15.260 -6.949 1.00 19.40 N -ATOM 4329 CA ALA D 140 -5.005 -16.402 -7.986 1.00 23.09 C -ATOM 4330 C ALA D 140 -4.740 -15.710 -9.403 1.00 18.16 C -ATOM 4331 O ALA D 140 -3.930 -16.420 -10.089 1.00 16.51 O -ATOM 4332 CB ALA D 140 -6.303 -16.997 -8.071 1.00 18.14 C -ATOM 4333 N LEU D 141 -5.172 -14.659 -9.775 1.00 14.97 N -ATOM 4334 CA LEU D 141 -4.899 -14.068 -11.011 1.00 14.94 C -ATOM 4335 C LEU D 141 -3.434 -13.602 -11.198 1.00 11.73 C -ATOM 4336 O LEU D 141 -2.840 -13.285 -12.242 1.00 15.21 O -ATOM 4337 CB LEU D 141 -6.006 -12.939 -11.311 1.00 15.16 C -ATOM 4338 CG LEU D 141 -7.325 -13.394 -11.757 1.00 17.87 C -ATOM 4339 CD1 LEU D 141 -7.836 -12.121 -12.278 1.00 24.86 C -ATOM 4340 CD2 LEU D 141 -6.860 -13.940 -13.382 1.00 16.07 C -ATOM 4341 N ALA D 142 -2.826 -13.097 -10.036 1.00 14.26 N -ATOM 4342 CA ALA D 142 -1.439 -12.718 -10.054 1.00 17.21 C -ATOM 4343 C ALA D 142 -0.379 -13.783 -9.991 1.00 18.46 C -ATOM 4344 O ALA D 142 0.751 -13.412 -10.228 1.00 18.92 O -ATOM 4345 CB ALA D 142 -1.279 -11.774 -8.892 1.00 19.11 C -ATOM 4346 N HIS D 143 -0.748 -15.020 -9.767 1.00 19.75 N -ATOM 4347 CA HIS D 143 0.079 -16.200 -9.518 1.00 26.63 C -ATOM 4348 C HIS D 143 1.176 -16.436 -10.670 1.00 23.72 C -ATOM 4349 O HIS D 143 2.224 -16.803 -10.136 1.00 24.41 O -ATOM 4350 CB HIS D 143 -0.669 -17.339 -8.942 1.00 25.89 C -ATOM 4351 CG HIS D 143 0.097 -18.406 -8.683 1.00 56.45 C -ATOM 4352 ND1 HIS D 143 0.122 -19.475 -9.292 1.00 44.25 N -ATOM 4353 CD2 HIS D 143 1.035 -18.261 -7.098 1.00 48.81 C -ATOM 4354 CE1 HIS D 143 1.293 -20.089 -8.356 1.00 56.93 C -ATOM 4355 NE2 HIS D 143 1.407 -19.517 -7.123 1.00 49.27 N -ATOM 4356 N LYS D 144 0.773 -16.313 -11.824 1.00 19.26 N -ATOM 4357 CA LYS D 144 1.442 -16.574 -13.172 1.00 33.94 C -ATOM 4358 C LYS D 144 2.421 -15.633 -13.479 1.00 32.28 C -ATOM 4359 O LYS D 144 2.996 -15.637 -14.654 1.00 23.60 O -ATOM 4360 CB LYS D 144 1.055 -17.526 -13.968 1.00 31.20 C -ATOM 4361 CG LYS D 144 0.220 -18.870 -13.388 1.00 40.85 C -ATOM 4362 CD LYS D 144 1.002 -19.972 -13.512 1.00 59.03 C -ATOM 4363 CE LYS D 144 0.888 -21.048 -13.306 1.00 56.19 C -ATOM 4364 NZ LYS D 144 1.510 -22.846 -14.338 1.00 70.96 N -ATOM 4365 N TYR D 145 2.435 -14.424 -12.946 1.00 24.92 N -ATOM 4366 CA TYR D 145 3.207 -13.372 -13.244 1.00 29.13 C -ATOM 4367 C TYR D 145 4.717 -13.524 -13.102 1.00 38.17 C -ATOM 4368 O TYR D 145 5.061 -14.114 -12.139 1.00 27.99 O -ATOM 4369 CB TYR D 145 2.744 -12.016 -12.590 1.00 17.99 C -ATOM 4370 CG TYR D 145 1.621 -11.268 -13.262 1.00 17.42 C -ATOM 4371 CD1 TYR D 145 1.523 -10.110 -13.925 1.00 16.93 C -ATOM 4372 CD2 TYR D 145 0.375 -12.020 -13.134 1.00 18.60 C -ATOM 4373 CE1 TYR D 145 0.498 -9.521 -14.492 1.00 17.99 C -ATOM 4374 CE2 TYR D 145 -0.813 -11.356 -13.802 1.00 14.96 C -ATOM 4375 CZ TYR D 145 -0.763 -10.275 -14.381 1.00 12.85 C -ATOM 4376 OH TYR D 145 -1.813 -9.580 -14.987 1.00 13.31 O -ATOM 4377 N HIS D 146 5.428 -13.165 -14.072 1.00 26.11 N -ATOM 4378 CA HIS D 146 7.054 -13.167 -14.050 1.00 31.89 C -ATOM 4379 C HIS D 146 7.429 -12.153 -15.048 1.00 21.33 C -ATOM 4380 O HIS D 146 6.931 -11.249 -15.530 1.00 27.92 O -ATOM 4381 CB HIS D 146 7.223 -14.769 -14.665 1.00 30.13 C -ATOM 4382 CG HIS D 146 6.497 -14.789 -15.882 1.00 40.51 C -ATOM 4383 ND1 HIS D 146 7.552 -14.702 -17.398 1.00 47.51 N -ATOM 4384 CD2 HIS D 146 5.784 -14.325 -16.776 1.00 45.49 C -ATOM 4385 CE1 HIS D 146 7.188 -14.800 -17.949 1.00 56.67 C -ATOM 4386 NE2 HIS D 146 5.714 -14.339 -18.353 1.00 37.33 N -ATOM 4387 OXT HIS D 146 8.812 -12.134 -14.847 1.00 21.61 O -TER 4388 HIS D 146 -HETATM 4389 FE HEM A 142 8.116 7.403 -15.045 1.00 18.07 FE -HETATM 4390 CHA HEM A 142 8.585 7.902 -18.282 1.00 16.31 C -HETATM 4391 CHB HEM A 142 10.355 9.805 -14.208 1.00 26.27 C -HETATM 4392 CHC HEM A 142 8.341 6.363 -11.589 1.00 13.23 C -HETATM 4393 CHD HEM A 142 6.988 4.088 -15.744 1.00 14.77 C -HETATM 4394 NA HEM A 142 9.397 8.686 -16.211 1.00 16.46 N -HETATM 4395 C1A HEM A 142 9.141 8.725 -17.504 1.00 17.40 C -HETATM 4396 C2A HEM A 142 10.098 9.952 -17.887 1.00 18.53 C -HETATM 4397 C3A HEM A 142 10.636 10.499 -16.796 1.00 18.36 C -HETATM 4398 C4A HEM A 142 10.137 9.679 -15.611 1.00 16.88 C -HETATM 4399 CMA HEM A 142 11.613 11.590 -16.732 1.00 21.20 C -HETATM 4400 CAA HEM A 142 10.403 10.367 -19.312 1.00 25.54 C -HETATM 4401 CBA HEM A 142 9.552 11.270 -19.659 1.00 31.38 C -HETATM 4402 CGA HEM A 142 10.793 12.286 -21.342 1.00 44.82 C -HETATM 4403 O1A HEM A 142 9.887 11.345 -21.943 1.00 39.10 O -HETATM 4404 O2A HEM A 142 9.308 12.698 -21.487 1.00 54.71 O -HETATM 4405 NB HEM A 142 9.343 8.012 -13.298 1.00 12.29 N -HETATM 4406 C1B HEM A 142 9.938 9.271 -13.145 1.00 23.63 C -HETATM 4407 C2B HEM A 142 10.318 9.380 -11.838 1.00 11.67 C -HETATM 4408 C3B HEM A 142 9.660 8.341 -11.052 1.00 17.41 C -HETATM 4409 C4B HEM A 142 9.028 7.467 -11.975 1.00 14.84 C -HETATM 4410 CMB HEM A 142 11.048 10.634 -11.389 1.00 12.32 C -HETATM 4411 CAB HEM A 142 9.567 8.336 -9.634 1.00 24.30 C -HETATM 4412 CBB HEM A 142 10.576 8.441 -8.785 1.00 28.40 C -HETATM 4413 NC HEM A 142 7.604 5.533 -13.949 1.00 15.07 N -HETATM 4414 C1C HEM A 142 7.680 5.498 -12.499 1.00 13.39 C -HETATM 4415 C2C HEM A 142 7.270 4.198 -12.170 1.00 11.20 C -HETATM 4416 C3C HEM A 142 6.975 3.441 -13.304 1.00 8.94 C -HETATM 4417 C4C HEM A 142 7.207 4.445 -14.517 1.00 10.29 C -HETATM 4418 CMC HEM A 142 7.098 3.618 -10.845 1.00 13.77 C -HETATM 4419 CAC HEM A 142 6.342 2.184 -13.525 1.00 13.45 C -HETATM 4420 CBC HEM A 142 6.722 1.153 -12.766 1.00 11.27 C -HETATM 4421 ND HEM A 142 7.715 6.202 -16.788 1.00 13.07 N -HETATM 4422 C1D HEM A 142 7.302 4.989 -16.733 1.00 11.32 C -HETATM 4423 C2D HEM A 142 7.141 4.644 -18.240 1.00 16.69 C -HETATM 4424 C3D HEM A 142 7.540 5.718 -18.887 1.00 20.49 C -HETATM 4425 C4D HEM A 142 8.172 6.582 -18.158 1.00 16.46 C -HETATM 4426 CMD HEM A 142 6.354 3.385 -18.817 1.00 19.45 C -HETATM 4427 CAD HEM A 142 7.621 5.740 -20.408 1.00 21.31 C -HETATM 4428 CBD HEM A 142 8.764 5.354 -20.767 1.00 38.22 C -HETATM 4429 CGD HEM A 142 9.138 5.049 -22.798 1.00 41.21 C -HETATM 4430 O1D HEM A 142 9.998 5.836 -22.703 1.00 42.81 O -HETATM 4431 O2D HEM A 142 8.349 4.920 -23.144 1.00 40.12 O -HETATM 4432 P PO4 B 147 5.931 -21.573 3.319 1.00 32.97 P -HETATM 4433 FE HEM B 148 9.333 -9.335 17.389 1.00 15.00 FE -HETATM 4434 CHA HEM B 148 9.659 -10.155 20.773 1.00 21.59 C -HETATM 4435 CHB HEM B 148 11.121 -12.190 16.575 1.00 16.50 C -HETATM 4436 CHC HEM B 148 9.762 -8.175 14.122 1.00 16.82 C -HETATM 4437 CHD HEM B 148 8.223 -6.187 18.294 1.00 16.19 C -HETATM 4438 NA HEM B 148 10.260 -10.823 18.453 1.00 15.64 N -HETATM 4439 C1A HEM B 148 10.199 -10.977 19.856 1.00 24.57 C -HETATM 4440 C2A HEM B 148 10.940 -12.186 20.114 1.00 17.10 C -HETATM 4441 C3A HEM B 148 11.529 -12.852 19.028 1.00 13.46 C -HETATM 4442 C4A HEM B 148 10.911 -11.942 17.916 1.00 18.78 C -HETATM 4443 CMA HEM B 148 12.211 -14.084 18.855 1.00 20.21 C -HETATM 4444 CAA HEM B 148 11.171 -12.750 21.554 1.00 21.16 C -HETATM 4445 CBA HEM B 148 10.089 -13.674 21.941 1.00 27.78 C -HETATM 4446 CGA HEM B 148 9.936 -14.643 23.585 1.00 59.12 C -HETATM 4447 O1A HEM B 148 10.040 -13.299 24.151 1.00 44.32 O -HETATM 4448 O2A HEM B 148 9.582 -15.171 23.405 1.00 46.16 O -HETATM 4449 NB HEM B 148 10.199 -10.051 15.722 1.00 12.71 N -HETATM 4450 C1B HEM B 148 10.820 -11.284 15.524 1.00 10.36 C -HETATM 4451 C2B HEM B 148 11.247 -11.528 14.048 1.00 7.33 C -HETATM 4452 C3B HEM B 148 10.827 -10.448 13.495 1.00 15.63 C -HETATM 4453 C4B HEM B 148 10.176 -9.458 14.534 1.00 15.33 C -HETATM 4454 CMB HEM B 148 11.793 -12.748 13.802 1.00 14.96 C -HETATM 4455 CAB HEM B 148 10.965 -10.083 11.934 1.00 19.63 C -HETATM 4456 CBB HEM B 148 12.063 -10.466 11.288 1.00 39.39 C -HETATM 4457 NC HEM B 148 9.104 -7.643 16.544 1.00 11.22 N -HETATM 4458 C1C HEM B 148 9.223 -7.280 15.193 1.00 14.39 C -HETATM 4459 C2C HEM B 148 8.943 -5.947 14.698 1.00 10.78 C -HETATM 4460 C3C HEM B 148 8.461 -5.188 15.934 1.00 10.68 C -HETATM 4461 C4C HEM B 148 8.575 -6.422 16.809 1.00 8.70 C -HETATM 4462 CMC HEM B 148 9.067 -5.306 13.381 1.00 13.95 C -HETATM 4463 CAC HEM B 148 7.915 -3.899 16.132 1.00 11.87 C -HETATM 4464 CBC HEM B 148 8.359 -2.863 15.599 1.00 12.63 C -HETATM 4465 ND HEM B 148 9.090 -8.239 19.067 1.00 16.72 N -HETATM 4466 C1D HEM B 148 8.576 -7.046 19.346 1.00 18.32 C -HETATM 4467 C2D HEM B 148 8.195 -6.791 20.753 1.00 15.48 C -HETATM 4468 C3D HEM B 148 8.512 -8.051 21.256 1.00 14.57 C -HETATM 4469 C4D HEM B 148 9.290 -8.905 20.340 1.00 20.76 C -HETATM 4470 CMD HEM B 148 7.722 -5.449 21.269 1.00 27.50 C -HETATM 4471 CAD HEM B 148 8.696 -7.989 22.865 1.00 13.85 C -HETATM 4472 CBD HEM B 148 10.051 -7.739 23.453 1.00 17.11 C -HETATM 4473 CGD HEM B 148 10.333 -8.222 25.219 1.00 27.09 C -HETATM 4474 O1D HEM B 148 11.372 -7.572 25.386 1.00 27.49 O -HETATM 4475 O2D HEM B 148 9.169 -8.132 25.625 1.00 23.65 O -HETATM 4476 FE HEM C 142 -8.129 7.348 15.002 1.00 16.89 FE -HETATM 4477 CHA HEM C 142 -8.630 7.776 18.352 1.00 18.96 C -HETATM 4478 CHB HEM C 142 -10.320 10.048 14.384 1.00 20.49 C -HETATM 4479 CHC HEM C 142 -8.304 6.446 11.794 1.00 15.25 C -HETATM 4480 CHD HEM C 142 -6.900 4.052 15.698 1.00 14.70 C -HETATM 4481 NA HEM C 142 -9.276 8.702 16.089 1.00 16.55 N -HETATM 4482 C1A HEM C 142 -9.195 8.664 17.417 1.00 16.72 C -HETATM 4483 C2A HEM C 142 -10.045 9.791 17.916 1.00 15.73 C -HETATM 4484 C3A HEM C 142 -10.613 10.462 16.942 1.00 17.27 C -HETATM 4485 C4A HEM C 142 -10.077 9.749 15.710 1.00 12.07 C -HETATM 4486 CMA HEM C 142 -11.422 11.658 16.756 1.00 31.88 C -HETATM 4487 CAA HEM C 142 -10.321 10.351 19.308 1.00 24.60 C -HETATM 4488 CBA HEM C 142 -9.201 11.341 19.696 1.00 36.28 C -HETATM 4489 CGA HEM C 142 -10.014 12.024 21.724 1.00 43.70 C -HETATM 4490 O1A HEM C 142 -9.511 10.786 22.089 1.00 38.93 O -HETATM 4491 O2A HEM C 142 -9.503 12.583 21.415 1.00 46.28 O -HETATM 4492 NB HEM C 142 -9.138 8.185 13.333 1.00 12.79 N -HETATM 4493 C1B HEM C 142 -9.882 9.419 13.260 1.00 18.45 C -HETATM 4494 C2B HEM C 142 -10.342 9.474 11.782 1.00 12.95 C -HETATM 4495 C3B HEM C 142 -9.631 8.558 11.160 1.00 12.49 C -HETATM 4496 C4B HEM C 142 -8.945 7.665 12.157 1.00 8.33 C -HETATM 4497 CMB HEM C 142 -11.015 10.631 11.441 1.00 15.16 C -HETATM 4498 CAB HEM C 142 -9.701 8.335 9.552 1.00 21.83 C -HETATM 4499 CBB HEM C 142 -10.742 8.875 9.052 1.00 33.11 C -HETATM 4500 NC HEM C 142 -7.518 5.627 13.990 1.00 12.28 N -HETATM 4501 C1C HEM C 142 -7.751 5.629 12.596 1.00 15.97 C -HETATM 4502 C2C HEM C 142 -7.320 4.232 12.130 1.00 9.41 C -HETATM 4503 C3C HEM C 142 -6.879 3.543 13.304 1.00 11.73 C -HETATM 4504 C4C HEM C 142 -7.009 4.441 14.484 1.00 15.36 C -HETATM 4505 CMC HEM C 142 -7.210 3.774 10.722 1.00 13.23 C -HETATM 4506 CAC HEM C 142 -6.459 2.233 13.437 1.00 19.55 C -HETATM 4507 CBC HEM C 142 -6.761 1.082 12.572 1.00 14.52 C -HETATM 4508 ND HEM C 142 -7.740 6.303 16.793 1.00 12.30 N -HETATM 4509 C1D HEM C 142 -7.305 4.996 16.751 1.00 11.54 C -HETATM 4510 C2D HEM C 142 -6.959 4.620 18.250 1.00 12.94 C -HETATM 4511 C3D HEM C 142 -7.527 5.654 18.907 1.00 11.38 C -HETATM 4512 C4D HEM C 142 -7.947 6.663 18.081 1.00 11.29 C -HETATM 4513 CMD HEM C 142 -6.299 3.375 18.648 1.00 13.29 C -HETATM 4514 CAD HEM C 142 -7.594 5.618 20.504 1.00 15.84 C -HETATM 4515 CBD HEM C 142 -8.833 5.076 20.877 1.00 21.27 C -HETATM 4516 CGD HEM C 142 -9.085 5.314 22.774 1.00 26.94 C -HETATM 4517 O1D HEM C 142 -10.036 5.486 22.824 1.00 30.21 O -HETATM 4518 O2D HEM C 142 -8.326 4.541 23.113 1.00 25.95 O -HETATM 4519 P PO4 D 147 -6.147 -21.111 -3.332 1.00 31.17 P -HETATM 4520 FE HEM D 148 -9.504 -9.265 -17.387 1.00 15.46 FE -HETATM 4521 CHA HEM D 148 -9.813 -9.884 -20.599 1.00 19.84 C -HETATM 4522 CHB HEM D 148 -11.252 -11.989 -16.610 1.00 16.61 C -HETATM 4523 CHC HEM D 148 -9.951 -8.302 -14.119 1.00 13.93 C -HETATM 4524 CHD HEM D 148 -8.200 -5.985 -18.127 1.00 15.88 C -HETATM 4525 NA HEM D 148 -10.454 -10.804 -18.459 1.00 15.98 N -HETATM 4526 C1A HEM D 148 -10.428 -10.865 -19.783 1.00 28.09 C -HETATM 4527 C2A HEM D 148 -11.318 -12.071 -20.258 1.00 22.30 C -HETATM 4528 C3A HEM D 148 -11.693 -12.664 -19.188 1.00 22.59 C -HETATM 4529 C4A HEM D 148 -11.051 -11.756 -18.004 1.00 25.38 C -HETATM 4530 CMA HEM D 148 -12.566 -13.772 -18.973 1.00 20.23 C -HETATM 4531 CAA HEM D 148 -11.486 -12.464 -21.884 1.00 19.24 C -HETATM 4532 CBA HEM D 148 -10.405 -12.971 -22.194 1.00 50.08 C -HETATM 4533 CGA HEM D 148 -9.805 -13.296 -24.484 1.00 47.00 C -HETATM 4534 O1A HEM D 148 -11.117 -13.581 -24.158 1.00 49.99 O -HETATM 4535 O2A HEM D 148 -9.172 -14.946 -24.346 1.00 55.24 O -HETATM 4536 NB HEM D 148 -10.364 -9.999 -15.688 1.00 14.27 N -HETATM 4537 C1B HEM D 148 -10.937 -11.332 -15.462 1.00 14.32 C -HETATM 4538 C2B HEM D 148 -11.232 -11.509 -14.176 1.00 15.75 C -HETATM 4539 C3B HEM D 148 -10.801 -10.525 -13.479 1.00 14.95 C -HETATM 4540 C4B HEM D 148 -10.217 -9.585 -14.421 1.00 12.78 C -HETATM 4541 CMB HEM D 148 -11.799 -12.726 -13.757 1.00 18.74 C -HETATM 4542 CAB HEM D 148 -10.869 -10.291 -11.895 1.00 16.19 C -HETATM 4543 CBB HEM D 148 -11.756 -10.396 -11.494 1.00 34.22 C -HETATM 4544 NC HEM D 148 -9.228 -7.489 -16.235 1.00 12.21 N -HETATM 4545 C1C HEM D 148 -9.469 -7.417 -14.891 1.00 14.15 C -HETATM 4546 C2C HEM D 148 -8.915 -5.898 -14.609 1.00 16.84 C -HETATM 4547 C3C HEM D 148 -8.353 -5.322 -15.741 1.00 13.21 C -HETATM 4548 C4C HEM D 148 -8.605 -6.360 -16.751 1.00 15.07 C -HETATM 4549 CMC HEM D 148 -9.128 -5.229 -13.166 1.00 18.77 C -HETATM 4550 CAC HEM D 148 -7.843 -4.077 -15.916 1.00 13.84 C -HETATM 4551 CBC HEM D 148 -8.331 -3.032 -15.408 1.00 20.77 C -HETATM 4552 ND HEM D 148 -9.282 -8.209 -19.162 1.00 12.94 N -HETATM 4553 C1D HEM D 148 -8.465 -7.065 -19.281 1.00 18.28 C -HETATM 4554 C2D HEM D 148 -8.394 -6.595 -20.574 1.00 20.40 C -HETATM 4555 C3D HEM D 148 -8.861 -7.841 -21.341 1.00 19.16 C -HETATM 4556 C4D HEM D 148 -9.573 -8.702 -20.531 1.00 19.80 C -HETATM 4557 CMD HEM D 148 -7.686 -5.397 -21.106 1.00 25.65 C -HETATM 4558 CAD HEM D 148 -8.956 -7.733 -22.890 1.00 23.94 C -HETATM 4559 CBD HEM D 148 -10.040 -6.949 -23.304 1.00 45.78 C -HETATM 4560 CGD HEM D 148 -10.579 -7.365 -25.200 1.00 48.49 C -HETATM 4561 O1D HEM D 148 -9.907 -5.916 -25.395 1.00 40.71 O -HETATM 4562 O2D HEM D 148 -9.982 -7.978 -25.490 1.00 45.79 O -HETATM 4563 O HOH A 143 27.864 0.667 0.584 1.00 21.15 O -HETATM 4564 O HOH A 144 10.459 5.072 -14.201 1.00 29.96 O -HETATM 4565 O HOH A 145 17.782 -1.325 -26.109 1.00 23.65 O -HETATM 4566 O HOH A 146 13.825 2.114 3.861 1.00 23.17 O -HETATM 4567 O HOH A 147 16.741 12.813 9.083 1.00 26.86 O -HETATM 4568 O HOH A 148 22.374 9.235 11.515 1.00 30.53 O -HETATM 4569 O HOH A 149 25.903 -1.921 -7.245 1.00 27.68 O -HETATM 4570 O HOH A 150 11.472 3.167 0.508 1.00 27.27 O -HETATM 4571 O HOH A 151 30.661 6.822 -0.101 1.00 29.31 O -HETATM 4572 O HOH A 152 -3.585 1.717 -5.969 1.00 29.54 O -HETATM 4573 O HOH A 153 32.341 10.298 6.014 1.00 35.74 O -HETATM 4574 O HOH A 154 34.406 10.442 4.080 1.00 31.58 O -HETATM 4575 O HOH A 155 30.017 0.297 -1.177 1.00 37.73 O -HETATM 4576 O HOH A 156 21.428 14.396 -13.024 1.00 37.58 O -HETATM 4577 O HOH A 157 10.103 6.463 -0.224 1.00 29.83 O -HETATM 4578 O HOH A 158 28.011 -0.672 -5.493 1.00 34.75 O -HETATM 4579 O HOH A 159 12.221 6.676 -21.742 1.00 35.95 O -HETATM 4580 O HOH A 160 0.070 13.369 -11.506 1.00 27.36 O -HETATM 4581 O HOH A 161 6.073 -7.542 -8.224 1.00 27.80 O -HETATM 4582 O HOH A 162 0.959 -1.910 -19.919 1.00 29.65 O -HETATM 4583 O HOH A 163 -5.435 9.067 -14.288 1.00 30.27 O -HETATM 4584 O HOH A 164 3.108 18.897 -10.351 1.00 37.13 O -HETATM 4585 O HOH A 165 9.253 2.690 -0.595 1.00 31.92 O -HETATM 4586 O HOH A 166 3.509 1.516 -20.390 1.00 30.86 O -HETATM 4587 O HOH A 167 7.323 6.472 -2.528 1.00 34.91 O -HETATM 4588 O HOH A 168 8.069 21.100 -2.836 1.00 34.13 O -HETATM 4589 O HOH A 169 22.069 5.076 -17.599 1.00 36.10 O -HETATM 4590 O HOH A 170 12.511 23.031 -13.238 1.00 37.77 O -HETATM 4591 O HOH A 171 27.846 5.439 7.283 1.00 39.01 O -HETATM 4592 O HOH A 172 16.593 -6.697 -7.432 1.00 35.74 O -HETATM 4593 O HOH A 173 19.969 -3.554 -17.319 1.00 36.03 O -HETATM 4594 O HOH A 174 14.440 13.918 -17.292 1.00 34.06 O -HETATM 4595 O HOH A 175 30.151 3.417 -5.741 1.00 35.04 O -HETATM 4596 O HOH A 176 8.360 5.321 2.557 1.00 38.02 O -HETATM 4597 O HOH A 177 -6.479 11.748 -17.967 1.00 39.72 O -HETATM 4598 O HOH A 178 8.608 18.432 -15.341 1.00 36.40 O -HETATM 4599 O HOH A 179 13.827 13.620 8.994 1.00 37.52 O -HETATM 4600 O HOH A 180 16.070 12.039 11.262 1.00 38.53 O -HETATM 4601 O HOH A 181 2.747 5.937 -4.128 1.00 42.85 O -HETATM 4602 O HOH A 182 7.523 20.881 -15.648 1.00 39.27 O -HETATM 4603 O HOH A 183 11.712 -10.960 -5.769 1.00 38.61 O -HETATM 4604 O HOH A 184 30.119 4.139 -8.587 1.00 34.80 O -HETATM 4605 O HOH A 185 25.533 1.205 -11.184 1.00 42.30 O -HETATM 4606 O HOH A 186 -4.812 12.384 -7.265 1.00 38.29 O -HETATM 4607 O HOH A 187 23.809 19.925 1.758 1.00 39.37 O -HETATM 4608 O HOH A 188 26.015 11.766 5.159 1.00 40.95 O -HETATM 4609 O HOH A 189 14.639 24.823 -4.300 1.00 41.35 O -HETATM 4610 O HOH A 190 14.903 5.393 -23.047 1.00 37.45 O -HETATM 4611 O HOH A 191 16.650 -5.137 -16.717 1.00 39.12 O -HETATM 4612 O HOH A 192 7.424 -6.700 -20.085 1.00 38.62 O -HETATM 4613 O HOH A 193 23.120 -3.118 -12.992 1.00 37.05 O -HETATM 4614 O HOH A 194 23.664 0.968 -14.389 1.00 36.25 O -HETATM 4615 O HOH A 195 25.698 7.981 -15.362 1.00 35.85 O -HETATM 4616 O HOH A 196 30.009 16.347 -6.794 1.00 37.62 O -HETATM 4617 O HOH A 197 27.728 16.677 -1.376 1.00 42.54 O -HETATM 4618 O HOH A 198 8.142 18.836 1.041 1.00 39.90 O -HETATM 4619 O HOH B 149 0.093 -2.470 16.222 1.00 21.64 O -HETATM 4620 O HOH B 150 -5.404 -9.289 14.863 1.00 29.94 O -HETATM 4621 O HOH B 151 17.543 -13.863 -8.044 1.00 26.33 O -HETATM 4622 O HOH B 152 10.126 -8.396 -0.639 1.00 27.87 O -HETATM 4623 O HOH B 153 25.765 -4.888 -7.482 1.00 33.60 O -HETATM 4624 O HOH B 154 31.028 -6.924 -0.005 1.00 27.86 O -HETATM 4625 O HOH B 155 10.572 -9.505 7.329 1.00 34.89 O -HETATM 4626 O HOH B 156 2.908 -19.221 10.523 1.00 29.82 O -HETATM 4627 O HOH B 157 27.245 -11.383 -5.263 1.00 34.30 O -HETATM 4628 O HOH B 158 5.726 -17.664 4.076 1.00 29.36 O -HETATM 4629 O HOH B 159 30.677 -1.382 -3.264 1.00 34.23 O -HETATM 4630 O HOH B 160 21.396 -19.202 9.299 1.00 34.06 O -HETATM 4631 O HOH B 161 3.400 -4.625 22.878 1.00 34.98 O -HETATM 4632 O HOH B 162 23.029 7.858 13.868 1.00 34.02 O -HETATM 4633 O HOH B 163 10.054 0.537 2.970 1.00 33.29 O -HETATM 4634 O HOH B 164 16.523 -14.815 19.144 1.00 32.12 O -HETATM 4635 O HOH B 165 -3.521 -7.996 18.788 1.00 35.56 O -HETATM 4636 O HOH B 166 9.429 -6.067 3.140 1.00 34.98 O -HETATM 4637 O HOH B 167 25.800 -14.208 -2.740 1.00 37.65 O -HETATM 4638 O HOH B 168 0.313 -14.430 5.859 1.00 34.45 O -HETATM 4639 O HOH B 169 25.879 -15.224 10.033 1.00 33.37 O -HETATM 4640 O HOH B 170 35.602 -4.153 -9.289 1.00 35.71 O -HETATM 4641 O HOH B 171 20.781 6.254 23.632 1.00 38.68 O -HETATM 4642 O HOH B 172 21.800 -18.543 12.994 1.00 40.56 O -HETATM 4643 O HOH B 173 7.807 -19.735 16.230 1.00 34.56 O -HETATM 4644 O HOH B 174 -2.047 -12.487 30.048 1.00 36.28 O -HETATM 4645 O HOH B 175 13.681 -7.349 23.790 1.00 31.60 O -HETATM 4646 O HOH B 176 24.831 -18.968 5.896 1.00 34.00 O -HETATM 4647 O HOH B 177 5.475 -5.297 23.977 1.00 36.71 O -HETATM 4648 O HOH B 178 15.904 -5.466 24.689 1.00 34.84 O -HETATM 4649 O HOH B 179 22.123 0.182 16.584 1.00 33.20 O -HETATM 4650 O HOH B 180 19.207 -15.705 -9.408 1.00 37.19 O -HETATM 4651 O HOH B 181 25.174 -12.029 -8.381 1.00 35.87 O -HETATM 4652 O HOH B 182 -10.362 -13.333 12.465 1.00 36.08 O -HETATM 4653 O HOH B 183 12.092 8.997 23.297 1.00 38.22 O -HETATM 4654 O HOH B 184 7.727 5.204 22.116 1.00 43.17 O -HETATM 4655 O HOH B 185 30.137 -14.006 10.129 1.00 36.03 O -HETATM 4656 O HOH B 186 13.730 -18.833 14.202 1.00 39.57 O -HETATM 4657 O HOH B 187 22.379 8.870 23.585 1.00 37.45 O -HETATM 4658 O HOH B 188 -4.205 -14.646 8.671 1.00 38.65 O -HETATM 4659 O HOH B 189 12.589 14.261 19.653 1.00 36.93 O -HETATM 4660 O HOH B 190 24.652 6.230 17.996 1.00 42.01 O -HETATM 4661 O HOH B 191 8.775 -23.438 16.055 1.00 42.33 O -HETATM 4662 O HOH B 192 -7.480 -10.898 17.998 1.00 38.06 O -HETATM 4663 O HOH B 193 11.388 -11.044 24.763 1.00 39.34 O -HETATM 4664 O HOH B 194 3.735 -3.643 2.734 1.00 42.17 O -HETATM 4665 O HOH B 195 3.149 -0.692 2.083 1.00 41.40 O -HETATM 4666 O HOH B 196 4.511 -25.886 13.006 1.00 39.83 O -HETATM 4667 O HOH B 197 8.712 -21.655 3.577 1.00 43.08 O -HETATM 4668 O HOH B 198 22.926 -4.304 24.079 1.00 38.10 O -HETATM 4669 O HOH B 199 11.435 9.654 20.618 1.00 40.23 O -HETATM 4670 O HOH B 200 18.099 5.542 27.744 1.00 39.03 O -HETATM 4671 O HOH B 201 12.174 9.951 9.804 1.00 44.34 O -HETATM 4672 O HOH B 202 24.745 -2.501 15.270 1.00 39.78 O -HETATM 4673 O HOH B 203 24.231 0.100 14.764 1.00 42.94 O -HETATM 4674 O HOH B 204 23.324 -18.136 10.981 1.00 53.60 O -HETATM 4675 O HOH B 205 25.576 -22.211 6.309 1.00 45.18 O -HETATM 4676 O HOH C 143 -2.661 -3.608 9.261 1.00 21.26 O -HETATM 4677 O HOH C 144 0.111 13.200 11.373 1.00 21.54 O -HETATM 4678 O HOH C 145 -16.704 12.691 -9.201 1.00 23.30 O -HETATM 4679 O HOH C 146 -13.774 2.466 -4.032 1.00 22.15 O -HETATM 4680 O HOH C 147 5.273 9.077 14.193 1.00 28.02 O -HETATM 4681 O HOH C 148 -11.466 3.494 -0.405 1.00 32.97 O -HETATM 4682 O HOH C 149 -10.454 4.898 14.327 1.00 33.04 O -HETATM 4683 O HOH C 150 -7.824 6.701 2.273 1.00 27.40 O -HETATM 4684 O HOH C 151 -1.248 -1.596 20.098 1.00 29.84 O -HETATM 4685 O HOH C 152 2.150 -0.244 14.446 1.00 30.74 O -HETATM 4686 O HOH C 153 -2.060 18.771 19.773 1.00 29.22 O -HETATM 4687 O HOH C 154 -21.154 14.002 13.362 1.00 32.40 O -HETATM 4688 O HOH C 155 -9.105 3.030 0.663 1.00 28.46 O -HETATM 4689 O HOH C 156 0.739 12.802 4.676 1.00 38.51 O -HETATM 4690 O HOH C 157 -8.549 18.107 15.436 1.00 35.20 O -HETATM 4691 O HOH C 158 -3.358 1.489 20.400 1.00 39.88 O -HETATM 4692 O HOH C 159 -2.351 -4.643 6.766 1.00 36.39 O -HETATM 4693 O HOH C 160 -9.995 6.820 0.255 1.00 29.81 O -HETATM 4694 O HOH C 161 -1.621 21.259 16.530 1.00 33.74 O -HETATM 4695 O HOH C 162 -5.469 23.850 15.062 1.00 31.03 O -HETATM 4696 O HOH C 163 3.572 1.751 6.044 1.00 29.72 O -HETATM 4697 O HOH C 164 -12.295 6.520 21.611 1.00 31.11 O -HETATM 4698 O HOH C 165 -14.251 13.845 17.234 1.00 30.77 O -HETATM 4699 O HOH C 166 -17.414 -5.952 27.962 1.00 34.94 O -HETATM 4700 O HOH C 167 -3.547 16.435 20.027 1.00 34.58 O -HETATM 4701 O HOH C 168 -16.355 -6.652 7.174 1.00 37.69 O -HETATM 4702 O HOH C 169 -7.541 12.855 -2.773 1.00 34.39 O -HETATM 4703 O HOH C 170 -4.225 9.070 1.455 1.00 35.72 O -HETATM 4704 O HOH C 171 -25.974 -1.828 7.173 1.00 32.50 O -HETATM 4705 O HOH C 172 -9.581 -6.364 21.942 1.00 37.91 O -HETATM 4706 O HOH C 173 -14.874 4.521 23.126 1.00 36.81 O -HETATM 4707 O HOH C 174 -15.534 20.875 -10.339 1.00 37.83 O -HETATM 4708 O HOH C 175 -8.242 21.385 2.969 1.00 35.70 O -HETATM 4709 O HOH C 176 -5.634 24.523 6.954 1.00 37.22 O -HETATM 4710 O HOH C 177 -22.981 14.501 -8.660 1.00 34.30 O -HETATM 4711 O HOH C 178 -13.871 16.688 -10.143 1.00 36.92 O -HETATM 4712 O HOH C 179 -20.275 19.235 8.097 1.00 34.30 O -HETATM 4713 O HOH C 180 1.720 15.273 3.670 1.00 39.46 O -HETATM 4714 O HOH C 181 -2.824 18.993 10.315 1.00 37.49 O -HETATM 4715 O HOH C 182 -2.160 0.091 22.111 1.00 39.39 O -HETATM 4716 O HOH C 183 7.922 12.037 14.216 1.00 34.40 O -HETATM 4717 O HOH C 184 -2.698 5.986 4.174 1.00 37.01 O -HETATM 4718 O HOH C 185 6.321 10.115 3.931 1.00 35.17 O -HETATM 4719 O HOH C 186 -7.096 21.140 15.539 1.00 35.39 O -HETATM 4720 O HOH C 187 -10.581 17.364 16.459 1.00 39.95 O -HETATM 4721 O HOH C 188 -4.668 13.050 -0.747 1.00 39.36 O -HETATM 4722 O HOH C 189 -4.764 -6.228 5.515 1.00 40.89 O -HETATM 4723 O HOH C 190 4.693 12.083 7.558 1.00 40.24 O -HETATM 4724 O HOH C 191 -4.731 16.453 2.295 1.00 36.37 O -HETATM 4725 O HOH C 192 -1.055 11.866 -0.448 1.00 43.19 O -HETATM 4726 O HOH C 193 -18.517 -8.355 15.267 1.00 35.55 O -HETATM 4727 O HOH C 194 6.547 9.706 16.296 1.00 41.86 O -HETATM 4728 O HOH C 195 0.029 22.606 14.164 1.00 43.02 O -HETATM 4729 O HOH C 196 -11.367 0.306 28.463 1.00 44.30 O -HETATM 4730 O HOH C 197 -19.950 -10.635 14.301 1.00 40.17 O -HETATM 4731 O HOH C 198 -7.047 -6.324 20.098 1.00 36.98 O -HETATM 4732 O HOH C 199 -23.876 1.108 14.102 1.00 33.31 O -HETATM 4733 O HOH C 200 -34.199 8.033 11.037 1.00 40.72 O -HETATM 4734 O HOH C 201 -14.173 13.393 -8.778 1.00 43.21 O -HETATM 4735 O HOH D 149 0.061 -2.494 -16.397 1.00 18.64 O -HETATM 4736 O HOH D 150 -8.041 -19.581 -16.153 1.00 26.28 O -HETATM 4737 O HOH D 151 2.825 -3.769 -9.602 1.00 23.08 O -HETATM 4738 O HOH D 152 -2.494 -0.118 -14.151 1.00 25.33 O -HETATM 4739 O HOH D 153 -9.792 -8.060 0.750 1.00 30.48 O -HETATM 4740 O HOH D 154 -6.518 -22.534 -15.665 1.00 34.60 O -HETATM 4741 O HOH D 155 -17.398 -13.549 8.357 1.00 35.82 O -HETATM 4742 O HOH D 156 5.350 -9.378 -15.018 1.00 27.68 O -HETATM 4743 O HOH D 157 -6.300 -24.347 -19.100 1.00 35.93 O -HETATM 4744 O HOH D 158 -9.520 7.447 -21.130 1.00 40.04 O -HETATM 4745 O HOH D 159 -16.425 -5.250 -24.764 1.00 32.57 O -HETATM 4746 O HOH D 160 -7.987 -14.493 1.146 1.00 34.30 O -HETATM 4747 O HOH D 161 -3.890 0.572 -11.856 1.00 34.78 O -HETATM 4748 O HOH D 162 -29.504 -0.198 -4.474 1.00 38.63 O -HETATM 4749 O HOH D 163 -25.631 -15.732 -9.906 1.00 33.22 O -HETATM 4750 O HOH D 164 -2.623 -18.453 -21.128 1.00 35.47 O -HETATM 4751 O HOH D 165 -2.780 -19.130 -10.800 1.00 30.23 O -HETATM 4752 O HOH D 166 -25.734 -4.456 7.605 1.00 34.33 O -HETATM 4753 O HOH D 167 -11.771 -10.816 5.496 1.00 38.68 O -HETATM 4754 O HOH D 168 -9.924 0.291 -2.970 1.00 38.71 O -HETATM 4755 O HOH D 169 -25.514 -14.066 2.449 1.00 36.60 O -HETATM 4756 O HOH D 170 -5.455 -17.392 -4.316 1.00 34.43 O -HETATM 4757 O HOH D 171 2.688 -11.418 -8.564 1.00 35.73 O -HETATM 4758 O HOH D 172 7.091 -10.993 -18.224 1.00 32.39 O -HETATM 4759 O HOH D 173 -9.377 -6.399 -3.029 1.00 35.44 O -HETATM 4760 O HOH D 174 -16.565 -17.782 -17.506 1.00 41.02 O -HETATM 4761 O HOH D 175 -8.141 -3.463 -24.390 1.00 37.14 O -HETATM 4762 O HOH D 176 -16.560 -15.177 -19.016 1.00 34.89 O -HETATM 4763 O HOH D 177 3.477 -8.048 -19.033 1.00 35.94 O -HETATM 4764 O HOH D 178 -24.698 -11.573 8.724 1.00 38.01 O -HETATM 4765 O HOH D 179 2.193 -4.435 -6.557 1.00 38.51 O -HETATM 4766 O HOH D 180 -29.898 -16.926 -2.135 1.00 36.37 O -HETATM 4767 O HOH D 181 -7.374 8.034 -17.831 1.00 34.05 O -HETATM 4768 O HOH D 182 -24.015 0.401 -15.301 1.00 39.14 O -HETATM 4769 O HOH D 183 -12.141 9.790 -10.238 1.00 38.30 O -HETATM 4770 O HOH D 184 -5.765 -3.569 -23.682 1.00 36.68 O -HETATM 4771 O HOH D 185 -4.860 -9.811 -2.967 1.00 37.10 O -HETATM 4772 O HOH D 186 -23.107 -4.490 -24.359 1.00 37.97 O -HETATM 4773 O HOH D 187 -10.377 -9.632 -7.043 1.00 38.85 O -HETATM 4774 O HOH D 188 -7.871 -9.078 2.406 1.00 43.37 O -HETATM 4775 O HOH D 189 -27.610 -10.991 5.353 1.00 43.46 O -HETATM 4776 O HOH D 190 -14.034 2.806 -30.367 1.00 41.77 O -HETATM 4777 O HOH D 191 -32.905 -9.033 0.480 1.00 43.68 O -HETATM 4778 O HOH D 192 -28.749 -13.315 1.938 1.00 45.36 O -HETATM 4779 O HOH D 193 0.516 -8.074 -26.354 1.00 41.53 O -HETATM 4780 O HOH D 194 -20.080 -9.873 -22.862 1.00 36.25 O -HETATM 4781 O HOH D 195 -13.442 9.778 -13.572 1.00 39.70 O -HETATM 4782 O HOH D 196 -24.804 -2.608 -15.488 1.00 37.79 O -HETATM 4783 O HOH D 197 -1.263 -2.837 -21.251 1.00 45.10 O -CONECT 650 4389 -CONECT 1771 4433 -CONECT 2844 4476 -CONECT 3965 4520 -CONECT 4389 650 4394 4405 4413 -CONECT 4389 4421 -CONECT 4390 4395 4425 -CONECT 4391 4398 4406 -CONECT 4392 4409 4414 -CONECT 4393 4417 4422 -CONECT 4394 4389 4395 4398 -CONECT 4395 4390 4394 4396 -CONECT 4396 4395 4397 4400 -CONECT 4397 4396 4398 4399 -CONECT 4398 4391 4394 4397 -CONECT 4399 4397 -CONECT 4400 4396 4401 -CONECT 4401 4400 4402 -CONECT 4402 4401 4403 4404 -CONECT 4403 4402 -CONECT 4404 4402 -CONECT 4405 4389 4406 4409 -CONECT 4406 4391 4405 4407 -CONECT 4407 4406 4408 4410 -CONECT 4408 4407 4409 4411 -CONECT 4409 4392 4405 4408 -CONECT 4410 4407 -CONECT 4411 4408 4412 -CONECT 4412 4411 -CONECT 4413 4389 4414 4417 -CONECT 4414 4392 4413 4415 -CONECT 4415 4414 4416 4418 -CONECT 4416 4415 4417 4419 -CONECT 4417 4393 4413 4416 -CONECT 4418 4415 -CONECT 4419 4416 4420 -CONECT 4420 4419 -CONECT 4421 4389 4422 4425 -CONECT 4422 4393 4421 4423 -CONECT 4423 4422 4424 4426 -CONECT 4424 4423 4425 4427 -CONECT 4425 4390 4421 4424 -CONECT 4426 4423 -CONECT 4427 4424 4428 -CONECT 4428 4427 4429 -CONECT 4429 4428 4430 4431 -CONECT 4430 4429 -CONECT 4431 4429 -CONECT 4433 1771 4438 4449 4457 -CONECT 4433 4465 -CONECT 4434 4439 4469 -CONECT 4435 4442 4450 -CONECT 4436 4453 4458 -CONECT 4437 4461 4466 -CONECT 4438 4433 4439 4442 -CONECT 4439 4434 4438 4440 -CONECT 4440 4439 4441 4444 -CONECT 4441 4440 4442 4443 -CONECT 4442 4435 4438 4441 -CONECT 4443 4441 -CONECT 4444 4440 4445 -CONECT 4445 4444 4446 -CONECT 4446 4445 4447 4448 -CONECT 4447 4446 -CONECT 4448 4446 -CONECT 4449 4433 4450 4453 -CONECT 4450 4435 4449 4451 -CONECT 4451 4450 4452 4454 -CONECT 4452 4451 4453 4455 -CONECT 4453 4436 4449 4452 -CONECT 4454 4451 -CONECT 4455 4452 4456 -CONECT 4456 4455 -CONECT 4457 4433 4458 4461 -CONECT 4458 4436 4457 4459 -CONECT 4459 4458 4460 4462 -CONECT 4460 4459 4461 4463 -CONECT 4461 4437 4457 4460 -CONECT 4462 4459 -CONECT 4463 4460 4464 -CONECT 4464 4463 -CONECT 4465 4433 4466 4469 -CONECT 4466 4437 4465 4467 -CONECT 4467 4466 4468 4470 -CONECT 4468 4467 4469 4471 -CONECT 4469 4434 4465 4468 -CONECT 4470 4467 -CONECT 4471 4468 4472 -CONECT 4472 4471 4473 -CONECT 4473 4472 4474 4475 -CONECT 4474 4473 -CONECT 4475 4473 -CONECT 4476 2844 4481 4492 4500 -CONECT 4476 4508 -CONECT 4477 4482 4512 -CONECT 4478 4485 4493 -CONECT 4479 4496 4501 -CONECT 4480 4504 4509 -CONECT 4481 4476 4482 4485 -CONECT 4482 4477 4481 4483 -CONECT 4483 4482 4484 4487 -CONECT 4484 4483 4485 4486 -CONECT 4485 4478 4481 4484 -CONECT 4486 4484 -CONECT 4487 4483 4488 -CONECT 4488 4487 4489 -CONECT 4489 4488 4490 4491 -CONECT 4490 4489 -CONECT 4491 4489 -CONECT 4492 4476 4493 4496 -CONECT 4493 4478 4492 4494 -CONECT 4494 4493 4495 4497 -CONECT 4495 4494 4496 4498 -CONECT 4496 4479 4492 4495 -CONECT 4497 4494 -CONECT 4498 4495 4499 -CONECT 4499 4498 -CONECT 4500 4476 4501 4504 -CONECT 4501 4479 4500 4502 -CONECT 4502 4501 4503 4505 -CONECT 4503 4502 4504 4506 -CONECT 4504 4480 4500 4503 -CONECT 4505 4502 -CONECT 4506 4503 4507 -CONECT 4507 4506 -CONECT 4508 4476 4509 4512 -CONECT 4509 4480 4508 4510 -CONECT 4510 4509 4511 4513 -CONECT 4511 4510 4512 4514 -CONECT 4512 4477 4508 4511 -CONECT 4513 4510 -CONECT 4514 4511 4515 -CONECT 4515 4514 4516 -CONECT 4516 4515 4517 4518 -CONECT 4517 4516 -CONECT 4518 4516 -CONECT 4520 3965 4525 4536 4544 -CONECT 4520 4552 -CONECT 4521 4526 4556 -CONECT 4522 4529 4537 -CONECT 4523 4540 4545 -CONECT 4524 4548 4553 -CONECT 4525 4520 4526 4529 -CONECT 4526 4521 4525 4527 -CONECT 4527 4526 4528 4531 -CONECT 4528 4527 4529 4530 -CONECT 4529 4522 4525 4528 -CONECT 4530 4528 -CONECT 4531 4527 4532 -CONECT 4532 4531 4533 -CONECT 4533 4532 4534 4535 -CONECT 4534 4533 -CONECT 4535 4533 -CONECT 4536 4520 4537 4540 -CONECT 4537 4522 4536 4538 -CONECT 4538 4537 4539 4541 -CONECT 4539 4538 4540 4542 -CONECT 4540 4523 4536 4539 -CONECT 4541 4538 -CONECT 4542 4539 4543 -CONECT 4543 4542 -CONECT 4544 4520 4545 4548 -CONECT 4545 4523 4544 4546 -CONECT 4546 4545 4547 4549 -CONECT 4547 4546 4548 4550 -CONECT 4548 4524 4544 4547 -CONECT 4549 4546 -CONECT 4550 4547 4551 -CONECT 4551 4550 -CONECT 4552 4520 4553 4556 -CONECT 4553 4524 4552 4554 -CONECT 4554 4553 4555 4557 -CONECT 4555 4554 4556 4558 -CONECT 4556 4521 4552 4555 -CONECT 4557 4554 -CONECT 4558 4555 4559 -CONECT 4559 4558 4560 -CONECT 4560 4559 4561 4562 -CONECT 4561 4560 -CONECT 4562 4560 -MASTER 868 1 6 32 0 0 16 9 4779 4 180 46 -END diff --git a/tools/Java/modes/java/examples/Demos/Graphics/RotatingArcs/RotatingArcs.pde b/tools/Java/modes/java/examples/Demos/Graphics/RotatingArcs/RotatingArcs.pde deleted file mode 100644 index 64a430e..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/RotatingArcs/RotatingArcs.pde +++ /dev/null @@ -1,168 +0,0 @@ -/** - * Geometry - * by Marius Watz. - * - * Using sin/cos, blends colors, and draws a series of - * rotating arcs on the screen. -*/ - -final int COUNT = 150; - -float[] pt; -int[] style; - - -void setup() { - size(1024, 768, P3D); - background(255); - //randomSeed(100); // use this to get the same result each time - - pt = new float[6 * COUNT]; // rotx, roty, deg, rad, w, speed - style = new int[2 * COUNT]; // color, render style - - // Set up arc shapes - int index = 0; - for (int i = 0; i < COUNT; i++) { - pt[index++] = random(TAU); // Random X axis rotation - pt[index++] = random(TAU); // Random Y axis rotation - - pt[index++] = random(60,80); // Short to quarter-circle arcs - if (random(100) > 90) { - pt[index] = floor(random(8,27)) * 10; - } - - pt[index++] = int(random(2,50)*5); // Radius. Space them out nicely - - pt[index++] = random(4,32); // Width of band - if (random(100) > 90) { - pt[index] = random(40,60); // Width of band - } - - pt[index++] = radians(random(5,30)) / 5; // Speed of rotation - - /* - // alternate color scheme - float prob = random(100); - if (prob < 30) { - style[i*2] = colorBlended(random(1), 255,0,100, 255,0,0, 210); - } else if (prob < 70) { - style[i*2] = colorBlended(random(1), 0,153,255, 170,225,255, 210); - } else if (prob < 90) { - style[i*2] = colorBlended(random(1), 200,255,0, 150,255,0, 210); - } else { - style[i*2] = color(255,255,255, 220); - } - */ - - float prob = random(100); - if (prob < 50) { - style[i*2] = colorBlended(random(1), 200,255,0, 50,120,0, 210); - } else if (prob <90) { - style[i*2] = colorBlended(random(1), 255,100,0, 255,255,0, 210); - } else { - style[i*2] = color(255,255,255, 220); - } - - style[i*2+1] = floor(random(100)) % 3; - } -} - - -void draw() { - background(0); - - translate(width/2, height/2, 0); - rotateX(PI / 6); - rotateY(PI / 6); - - int index = 0; - for (int i = 0; i < COUNT; i++) { - pushMatrix(); - rotateX(pt[index++]); - rotateY(pt[index++]); - - if (style[i*2+1] == 0) { - stroke(style[i*2]); - noFill(); - strokeWeight(1); - arcLine(0, 0, pt[index++], pt[index++], pt[index++]); - - } else if(style[i*2+1] == 1) { - fill(style[i*2]); - noStroke(); - arcLineBars(0, 0, pt[index++], pt[index++], pt[index++]); - - } else { - fill(style[i*2]); - noStroke(); - arc(0, 0, pt[index++], pt[index++], pt[index++]); - } - - // increase rotation - pt[index-5] += pt[index] / 10; - pt[index-4] += pt[index++] / 20; - - popMatrix(); - } -} - - -// Get blend of two colors -int colorBlended(float fract, - float r, float g, float b, - float r2, float g2, float b2, float a) { - return color(r + (r2 - r) * fract, - g + (g2 - g) * fract, - b + (b2 - b) * fract, a); -} - - -// Draw arc line -void arcLine(float x, float y, float degrees, float radius, float w) { - int lineCount = floor(w/2); - - for (int j = 0; j < lineCount; j++) { - beginShape(); - for (int i = 0; i < degrees; i++) { // one step for each degree - float angle = radians(i); - vertex(x + cos(angle) * radius, - y + sin(angle) * radius); - } - endShape(); - radius += 2; - } -} - - -// Draw arc line with bars -void arcLineBars(float x, float y, float degrees, float radius, float w) { - beginShape(QUADS); - for (int i = 0; i < degrees/4; i += 4) { // degrees, but in steps of 4 - float angle = radians(i); - vertex(x + cos(angle) * radius, - y + sin(angle) * radius); - vertex(x + cos(angle) * (radius+w), - y + sin(angle) * (radius+w)); - - angle = radians(i+2); - vertex(x + cos(angle) * (radius+w), - y + sin(angle) * (radius+w)); - vertex(x + cos(angle) * radius, - y + sin(angle) * radius); - } - endShape(); -} - - -// Draw solid arc -void arc(float x, float y, float degrees, float radius, float w) { - beginShape(QUAD_STRIP); - for (int i = 0; i < degrees; i++) { - float angle = radians(i); - vertex(x + cos(angle) * radius, - y + sin(angle) * radius); - vertex(x + cos(angle) * (radius+w), - y + sin(angle) * (radius+w)); - } - endShape(); -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/TessUpdate/TessUpdate.pde b/tools/Java/modes/java/examples/Demos/Graphics/TessUpdate/TessUpdate.pde deleted file mode 100644 index ff0697d..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/TessUpdate/TessUpdate.pde +++ /dev/null @@ -1,64 +0,0 @@ -// TessUpdate, by Andres Colubri -// The begin/endTessallation API in Processing 4 -// enables dynamic modification of PShape objects. - -PShape group; - -int numBoxes = 100000; -float boxSize = 2; - -PMatrix3D mat = new PMatrix3D(); - -int fcount, lastm; -float frate; -int fint = 3; - -void setup() { - size(600, 600, P3D); - noSmooth(); - - noStroke(); - group = createShape(GROUP); - - for (int i = 0; i < numBoxes; i++) { - PShape s = createShape(BOX, boxSize, boxSize, boxSize); - s.setFill(#F5CB40); - s.translate(random(-width/2, width/2), random(-height/2, height/2), random(-1000, 1000)); - group.addChild(s); - } -} - -void draw() { - background(0); - lights(); - PVector v = new PVector(); - - // PShape.set*() calls between beginTessellation() and endTessellation - // will modify the tessellated geometry directly, so this should result - // better performance for shapes that change dynamically during drawing - group.beginTessellation(TRIANGLES); - // getChildCount() returns number of vertices in the tessellated geometry, - // which could be different from the original number of vertices in the shape. - for (int ci = 0; ci < group.getChildCount(); ci++) { - PShape child = group.getChild(ci); - float rx = random(-1, 1); - float ry = random(-1, 1); - float rz = random(-1, 1); - for (int vi = 0; vi < child.getVertexCount(); vi++) { - child.getVertex(vi, v); - v.x += rx; - v.y += ry; - v.z += rz; - child.setVertex(vi, v.x, v.y, v.z); - } - } - group.endTessellation(); - - translate(width/2, height/2, 0); - rotateY(frameCount * 0.001); - rotateX(frameCount * 0.001); - shape(group); - - String txt = String.format("FPS: %6.2fps", frameRate); - windowTitle(txt); -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/Surface.pde b/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/Surface.pde deleted file mode 100644 index 5a6e92b..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/Surface.pde +++ /dev/null @@ -1,105 +0,0 @@ -// Code to draw a trefoil knot surface, with normals and texture -// coordinates. -// Adapted from the parametric equations example by Philip Rideout: -// http://iphone-3d-programming.labs.oreilly.com/ch03.html - -// This function draws a trefoil knot surface as a triangle mesh derived -// from its parametric equation. -PShape createTrefoil(float s, int ny, int nx, PImage tex) { - PVector p0, p1, p2; - PVector n0, n1, n2; - float u0, u1, v0, v1; - - PShape obj = createShape(); - obj.beginShape(TRIANGLES); - obj.texture(tex); - - for (int j = 0; j < nx; j++) { - u0 = float(j) / nx; - u1 = float(j + 1) / nx; - for (int i = 0; i < ny; i++) { - v0 = float(i) / ny; - v1 = float(i + 1) / ny; - - p0 = evalPoint(u0, v0); - n0 = evalNormal(u0, v0); - - p1 = evalPoint(u0, v1); - n1 = evalNormal(u0, v1); - - p2 = evalPoint(u1, v1); - n2 = evalNormal(u1, v1); - - // Triangle p0-p1-p2 - obj.normal(n0.x, n0.y, n0.z); - obj.vertex(s * p0.x, s * p0.y, s * p0.z, u0, v0); - obj.normal(n1.x, n1.y, n1.z); - obj.vertex(s * p1.x, s * p1.y, s * p1.z, u0, v1); - obj.normal(n2.x, n2.y, n2.z); - obj.vertex(s * p2.x, s * p2.y, s * p2.z, u1, v1); - - p1 = evalPoint(u1, v0); - n1 = evalNormal(u1, v0); - - // Triangle p0-p2-p1 - obj.normal(n0.x, n0.y, n0.z); - obj.vertex(s * p0.x, s * p0.y, s * p0.z, u0, v0); - obj.normal(n2.x, n2.y, n2.z); - obj.vertex(s * p2.x, s * p2.y, s * p2.z, u1, v1); - obj.normal(n1.x, n1.y, n1.z); - obj.vertex(s * p1.x, s * p1.y, s * p1.z, u1, v0); - } - } - obj.endShape(); - return obj; -} - -// Evaluates the surface normal corresponding to normalized -// parameters (u, v) -PVector evalNormal(float u, float v) { - // Compute the tangents and their cross product. - PVector p = evalPoint(u, v); - PVector tangU = evalPoint(u + 0.01, v); - PVector tangV = evalPoint(u, v + 0.01); - tangU.sub(p); - tangV.sub(p); - - PVector normUV = tangV.cross(tangU); - normUV.normalize(); - return normUV; -} - -// Evaluates the surface point corresponding to normalized -// parameters (u, v) -PVector evalPoint(float u, float v) { - float a = 0.5; - float b = 0.3; - float c = 0.5; - float d = 0.1; - float s = TWO_PI * u; - float t = (TWO_PI * (1 - v)) * 2; - - float r = a + b * cos(1.5 * t); - float x = r * cos(t); - float y = r * sin(t); - float z = c * sin(1.5 * t); - - PVector dv = new PVector(); - dv.x = -1.5 * b * sin(1.5 * t) * cos(t) - - (a + b * cos(1.5 * t)) * sin(t); - dv.y = -1.5 * b * sin(1.5 * t) * sin(t) + - (a + b * cos(1.5 * t)) * cos(t); - dv.z = 1.5 * c * cos(1.5 * t); - - PVector q = dv; - q.normalize(); - PVector qvn = new PVector(q.y, -q.x, 0); - qvn.normalize(); - PVector ww = q.cross(qvn); - - PVector pt = new PVector(); - pt.x = x + d * (qvn.x * cos(s) + ww.x * sin(s)); - pt.y = y + d * (qvn.y * cos(s) + ww.y * sin(s)); - pt.z = z + d * ww.z * sin(s); - return pt; -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/Trefoil.pde b/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/Trefoil.pde deleted file mode 100644 index a367004..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/Trefoil.pde +++ /dev/null @@ -1,42 +0,0 @@ -// Trefoil, by Andres Colubri -// A parametric surface is textured procedurally -// by drawing on an offscreen PGraphics surface. - -PGraphics pg; -PShape trefoil; - -void setup() { - size(1024, 768, P3D); - - textureMode(NORMAL); - noStroke(); - - // Creating offscreen surface for 3D rendering. - pg = createGraphics(32, 512, P3D); - pg.beginDraw(); - pg.background(0, 0); - pg.noStroke(); - pg.fill(255, 0, 0, 200); - pg.endDraw(); - - // Saving trefoil surface into a PShape3D object - trefoil = createTrefoil(350, 60, 15, pg); -} - -void draw() { - background(0); - - pg.beginDraw(); - pg.ellipse(random(pg.width), random(pg.height), 4, 4); - pg.endDraw(); - - ambient(250, 250, 250); - pointLight(255, 255, 255, 0, 0, 200); - - pushMatrix(); - translate(width/2, height/2, -200); - rotateX(frameCount * PI / 500); - rotateY(frameCount * PI / 500); - shape(trefoil); - popMatrix(); -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/data/particle.png b/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/data/particle.png deleted file mode 100644 index cc0f45c..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Graphics/Trefoil/data/particle.png and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Wiggling/Wiggling.pde b/tools/Java/modes/java/examples/Demos/Graphics/Wiggling/Wiggling.pde deleted file mode 100644 index 06f77ad..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Wiggling/Wiggling.pde +++ /dev/null @@ -1,143 +0,0 @@ -// Press 'w' to start wiggling, space to restore -// original positions. - -PShape cube; -float cubeSize = 320; -float circleRad = 100; -int circleRes = 40; -float noiseMag = 1; - -boolean wiggling = false; - -void setup() { - size(1024, 768, P3D); - - createCube(); -} - -void draw() { - background(0); - - translate(width/2, height/2); - rotateX(frameCount * 0.01f); - rotateY(frameCount * 0.01f); - - shape(cube); - - if (wiggling) { - PVector pos = null; - for (int i = 0; i < cube.getChildCount(); i++) { - PShape face = cube.getChild(i); - for (int j = 0; j < face.getVertexCount(); j++) { - pos = face.getVertex(j, pos); - pos.x += random(-noiseMag/2, +noiseMag/2); - pos.y += random(-noiseMag/2, +noiseMag/2); - pos.z += random(-noiseMag/2, +noiseMag/2); - face.setVertex(j, pos.x, pos.y, pos.z); - } - } - } - - if (frameCount % 60 == 0) println(frameRate); -} - -public void keyPressed() { - if (key == 'w') { - wiggling = !wiggling; - } else if (key == ' ') { - restoreCube(); - } else if (key == '1') { - cube.setStrokeWeight(1); - } else if (key == '2') { - cube.setStrokeWeight(5); - } else if (key == '3') { - cube.setStrokeWeight(10); - } -} - -void createCube() { - cube = createShape(GROUP); - - PShape face; - - // Create all faces at front position - for (int i = 0; i < 6; i++) { - face = createShape(); - createFaceWithHole(face); - cube.addChild(face); - } - - // Rotate all the faces to their positions - - // Front face - already correct - face = cube.getChild(0); - - // Back face - face = cube.getChild(1); - face.rotateY(radians(180)); - - // Right face - face = cube.getChild(2); - face.rotateY(radians(90)); - - // Left face - face = cube.getChild(3); - face.rotateY(radians(-90)); - - // Top face - face = cube.getChild(4); - face.rotateX(radians(90)); - - // Bottom face - face = cube.getChild(5); - face.rotateX(radians(-90)); -} - -void createFaceWithHole(PShape face) { - face.beginShape(POLYGON); - face.stroke(255, 0, 0); - face.fill(255); - - // Draw main shape Clockwise - face.vertex(-cubeSize/2, -cubeSize/2, +cubeSize/2); - face.vertex(+cubeSize/2, -cubeSize/2, +cubeSize/2); - face.vertex(+cubeSize/2, +cubeSize/2, +cubeSize/2); - face.vertex(-cubeSize / 2, +cubeSize / 2, +cubeSize / 2); - - // Draw contour (hole) Counter-Clockwise - face.beginContour(); - for (int i = 0; i < circleRes; i++) { - float angle = TWO_PI * i / circleRes; - float x = circleRad * sin(angle); - float y = circleRad * cos(angle); - float z = +cubeSize/2; - face.vertex(x, y, z); - } - face.endContour(); - - face.endShape(CLOSE); -} - -void restoreCube() { - // Rotation of faces is preserved, so we just reset them - // the same way as the "front" face and they will stay - // rotated correctly - for (int i = 0; i < 6; i++) { - PShape face = cube.getChild(i); - restoreFaceWithHole(face); - } -} - -void restoreFaceWithHole(PShape face) { - face.setVertex(0, -cubeSize/2, -cubeSize/2, +cubeSize/2); - face.setVertex(1, +cubeSize/2, -cubeSize/2, +cubeSize/2); - face.setVertex(2, +cubeSize/2, +cubeSize/2, +cubeSize/2); - face.setVertex(3, -cubeSize/2, +cubeSize/2, +cubeSize/2); - for (int i = 0; i < circleRes; i++) { - float angle = TWO_PI * i / circleRes; - float x = circleRad * sin(angle); - float y = circleRad * cos(angle); - float z = +cubeSize/2; - face.setVertex(4 + i, x, y, z); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Gesture.pde b/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Gesture.pde deleted file mode 100644 index 64382e9..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Gesture.pde +++ /dev/null @@ -1,256 +0,0 @@ -class Gesture { - - float damp = 5.0; - float dampInv = 1.0 / damp; - float damp1 = damp - 1; - - int w; - int h; - int capacity; - - Vec3f path[]; - int crosses[]; - Polygon polygons[]; - int nPoints; - int nPolys; - - float jumpDx, jumpDy; - boolean exists; - float INIT_TH = 14; - float thickness = INIT_TH; - - Gesture(int mw, int mh) { - w = mw; - h = mh; - capacity = 600; - path = new Vec3f[capacity]; - polygons = new Polygon[capacity]; - crosses = new int[capacity]; - for (int i=0;i= capacity) { - // there are all sorts of possible solutions here, - // but for abject simplicity, I don't do anything. - } - else { - float v = distToLast(x, y); - float p = getPressureFromVelocity(v); - path[nPoints++].set(x,y,p); - - if (nPoints > 1) { - exists = true; - jumpDx = path[nPoints-1].x - path[0].x; - jumpDy = path[nPoints-1].y - path[0].y; - } - } - - } - - float getPressureFromVelocity(float v) { - final float scale = 18; - final float minP = 0.02; - final float oldP = (nPoints > 0) ? path[nPoints-1].p : 0; - return ((minP + max(0, 1.0 - v/scale)) + (damp1*oldP))*dampInv; - } - - void setPressures() { - // pressures vary from 0...1 - float pressure; - Vec3f tmp; - float t = 0; - float u = 1.0 / (nPoints - 1)*TWO_PI; - for (int i = 0; i < nPoints; i++) { - pressure = sqrt((1.0 - cos(t))*0.5); - path[i].p = pressure; - t += u; - } - } - - float distToLast(float ix, float iy) { - if (nPoints > 0) { - Vec3f v = path[nPoints-1]; - float dx = v.x - ix; - float dy = v.y - iy; - return mag(dx, dy); - } - else { - return 30; - } - } - - void compile() { - // compute the polygons from the path of Vec3f's - if (exists) { - clearPolys(); - - Vec3f p0, p1, p2; - float radius0, radius1; - float ax, bx, cx, dx; - float ay, by, cy, dy; - int axi, bxi, cxi, dxi, axip, axid; - int ayi, byi, cyi, dyi, ayip, ayid; - float p1x, p1y; - float dx01, dy01, hp01, si01, co01; - float dx02, dy02, hp02, si02, co02; - float dx13, dy13, hp13, si13, co13; - float taper = 1.0; - - int nPathPoints = nPoints - 1; - int lastPolyIndex = nPathPoints - 1; - float npm1finv = 1.0 / max(1, nPathPoints - 1); - - // handle the first point - p0 = path[0]; - p1 = path[1]; - radius0 = p0.p * thickness; - dx01 = p1.x - p0.x; - dy01 = p1.y - p0.y; - hp01 = sqrt(dx01*dx01 + dy01*dy01); - if (hp01 == 0) { - hp02 = 0.0001; - } - co01 = radius0 * dx01 / hp01; - si01 = radius0 * dy01 / hp01; - ax = p0.x - si01; - ay = p0.y + co01; - bx = p0.x + si01; - by = p0.y - co01; - - int xpts[]; - int ypts[]; - - int LC = 20; - int RC = w-LC; - int TC = 20; - int BC = h-TC; - float mint = 0.618; - float tapow = 0.4; - - // handle the middle points - int i = 1; - Polygon apoly; - for (i = 1; i < nPathPoints; i++) { - taper = pow((lastPolyIndex-i)*npm1finv,tapow); - - p0 = path[i-1]; - p1 = path[i ]; - p2 = path[i+1]; - p1x = p1.x; - p1y = p1.y; - radius1 = Math.max(mint,taper*p1.p*thickness); - - // assumes all segments are roughly the same length... - dx02 = p2.x - p0.x; - dy02 = p2.y - p0.y; - hp02 = (float) Math.sqrt(dx02*dx02 + dy02*dy02); - if (hp02 != 0) { - hp02 = radius1/hp02; - } - co02 = dx02 * hp02; - si02 = dy02 * hp02; - - // translate the integer coordinates to the viewing rectangle - axi = axip = (int)ax; - ayi = ayip = (int)ay; - axi=(axi<0)?(w-((-axi)%w)):axi%w; - axid = axi-axip; - ayi=(ayi<0)?(h-((-ayi)%h)):ayi%h; - ayid = ayi-ayip; - - // set the vertices of the polygon - apoly = polygons[nPolys++]; - xpts = apoly.xpoints; - ypts = apoly.ypoints; - xpts[0] = axi = axid + axip; - xpts[1] = bxi = axid + (int) bx; - xpts[2] = cxi = axid + (int)(cx = p1x + si02); - xpts[3] = dxi = axid + (int)(dx = p1x - si02); - ypts[0] = ayi = ayid + ayip; - ypts[1] = byi = ayid + (int) by; - ypts[2] = cyi = ayid + (int)(cy = p1y - co02); - ypts[3] = dyi = ayid + (int)(dy = p1y + co02); - - // keep a record of where we cross the edge of the screen - crosses[i] = 0; - if ((axi<=LC)||(bxi<=LC)||(cxi<=LC)||(dxi<=LC)) { - crosses[i]|=1; - } - if ((axi>=RC)||(bxi>=RC)||(cxi>=RC)||(dxi>=RC)) { - crosses[i]|=2; - } - if ((ayi<=TC)||(byi<=TC)||(cyi<=TC)||(dyi<=TC)) { - crosses[i]|=4; - } - if ((ayi>=BC)||(byi>=BC)||(cyi>=BC)||(dyi>=BC)) { - crosses[i]|=8; - } - - //swap data for next time - ax = dx; - ay = dy; - bx = cx; - by = cy; - } - - // handle the last point - p2 = path[nPathPoints]; - apoly = polygons[nPolys++]; - xpts = apoly.xpoints; - ypts = apoly.ypoints; - - xpts[0] = (int)ax; - xpts[1] = (int)bx; - xpts[2] = (int)(p2.x); - xpts[3] = (int)(p2.x); - - ypts[0] = (int)ay; - ypts[1] = (int)by; - ypts[2] = (int)(p2.y); - ypts[3] = (int)(p2.y); - - } - } - - void smooth() { - // average neighboring points - - final float weight = 18; - final float scale = 1.0 / (weight + 2); - int nPointsMinusTwo = nPoints - 2; - Vec3f lower, upper, center; - - for (int i = 1; i < nPointsMinusTwo; i++) { - lower = path[i-1]; - center = path[i]; - upper = path[i+1]; - - center.x = (lower.x + weight*center.x + upper.x)*scale; - center.y = (lower.y + weight*center.y + upper.y)*scale; - } - } -} - diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Vec3f.pde b/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Vec3f.pde deleted file mode 100644 index 865d3c3..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Vec3f.pde +++ /dev/null @@ -1,19 +0,0 @@ -class Vec3f { - float x; - float y; - float p; // Pressure - - Vec3f() { - set(0, 0, 0); - } - - Vec3f(float ix, float iy, float ip) { - set(ix, iy, ip); - } - - void set(float ix, float iy, float ip) { - x = ix; - y = iy; - p = ip; - } -} diff --git a/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Yellowtail.pde b/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Yellowtail.pde deleted file mode 100644 index 5a28ea8..0000000 --- a/tools/Java/modes/java/examples/Demos/Graphics/Yellowtail/Yellowtail.pde +++ /dev/null @@ -1,189 +0,0 @@ -/** - * Yellowtail - * by Golan Levin (www.flong.com). - * - * Click, drag, and release to create a kinetic gesture. - * - * Yellowtail (1998-2000) is an interactive software system for the gestural - * creation and performance of real-time abstract animation. Yellowtail repeats - * a user's strokes end-over-end, enabling simultaneous specification of a - * line's shape and quality of movement. Each line repeats according to its - * own period, producing an ever-changing and responsive display of lively, - * worm-like textures. - */ - - -import java.awt.Polygon; - -Gesture gestureArray[]; -final int nGestures = 36; // Number of gestures -final int minMove = 3; // Minimum travel for a new point -int currentGestureID; - -Polygon tempP; -int tmpXp[]; -int tmpYp[]; - - -void setup() { - size(1024, 768, P2D); - background(0, 0, 0); - noStroke(); - - currentGestureID = -1; - gestureArray = new Gesture[nGestures]; - for (int i = 0; i < nGestures; i++) { - gestureArray[i] = new Gesture(width, height); - } - clearGestures(); -} - - -void draw() { - background(0); - - updateGeometry(); - fill(255, 255, 245); - for (int i = 0; i < nGestures; i++) { - renderGesture(gestureArray[i], width, height); - } -} - -void mousePressed() { - currentGestureID = (currentGestureID+1) % nGestures; - Gesture G = gestureArray[currentGestureID]; - G.clear(); - G.clearPolys(); - G.addPoint(mouseX, mouseY); -} - - -void mouseDragged() { - if (currentGestureID >= 0) { - Gesture G = gestureArray[currentGestureID]; - if (G.distToLast(mouseX, mouseY) > minMove) { - G.addPoint(mouseX, mouseY); - G.smooth(); - G.compile(); - } - } -} - - -void keyPressed() { - if (key == '+' || key == '=') { - if (currentGestureID >= 0) { - float th = gestureArray[currentGestureID].thickness; - gestureArray[currentGestureID].thickness = min(96, th+1); - gestureArray[currentGestureID].compile(); - } - } else if (key == '-') { - if (currentGestureID >= 0) { - float th = gestureArray[currentGestureID].thickness; - gestureArray[currentGestureID].thickness = max(2, th-1); - gestureArray[currentGestureID].compile(); - } - } else if (key == ' ') { - clearGestures(); - } -} - - -void renderGesture(Gesture gesture, int w, int h) { - if (gesture.exists) { - if (gesture.nPolys > 0) { - Polygon polygons[] = gesture.polygons; - int crosses[] = gesture.crosses; - - int xpts[]; - int ypts[]; - Polygon p; - int cr; - - beginShape(QUADS); - int gnp = gesture.nPolys; - for (int i=0; i 0) { - if ((cr & 3)>0) { - vertex(xpts[0]+w, ypts[0]); - vertex(xpts[1]+w, ypts[1]); - vertex(xpts[2]+w, ypts[2]); - vertex(xpts[3]+w, ypts[3]); - - vertex(xpts[0]-w, ypts[0]); - vertex(xpts[1]-w, ypts[1]); - vertex(xpts[2]-w, ypts[2]); - vertex(xpts[3]-w, ypts[3]); - } - if ((cr & 12)>0) { - vertex(xpts[0], ypts[0]+h); - vertex(xpts[1], ypts[1]+h); - vertex(xpts[2], ypts[2]+h); - vertex(xpts[3], ypts[3]+h); - - vertex(xpts[0], ypts[0]-h); - vertex(xpts[1], ypts[1]-h); - vertex(xpts[2], ypts[2]-h); - vertex(xpts[3], ypts[3]-h); - } - - // I have knowingly retained the small flaw of not - // completely dealing with the corner conditions - // (the case in which both of the above are true). - } - } - endShape(); - } - } -} - -void updateGeometry() { - Gesture J; - for (int g=0; g 0) { - path = gesture.path; - for (int i = nPts1; i > 0; i--) { - path[i].x = path[i-1].x; - path[i].y = path[i-1].y; - } - path[0].x = path[nPts1].x - jx; - path[0].y = path[nPts1].y - jy; - gesture.compile(); - } - } -} - -void clearGestures() { - for (int i = 0; i < nGestures; i++) { - gestureArray[i].clear(); - } -} diff --git a/tools/Java/modes/java/examples/Demos/Performance/CubicGridImmediate/CubicGridImmediate.pde b/tools/Java/modes/java/examples/Demos/Performance/CubicGridImmediate/CubicGridImmediate.pde deleted file mode 100644 index c6089cd..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/CubicGridImmediate/CubicGridImmediate.pde +++ /dev/null @@ -1,65 +0,0 @@ -/** - * Cubic Grid - * by Ira Greenberg. - * - * 3D translucent colored grid uses nested pushMatrix() - * and popMatrix() functions. - */ - -float boxSize = 20; -float margin = boxSize*2; -float depth = 400; -color boxFill; - -int fcount, lastm; -float frate; -int fint = 3; - -void setup() { - size(640, 360, P3D); - frameRate(60); - noSmooth(); - noStroke(); -} - -void draw() { - background(255); - - hint(DISABLE_DEPTH_TEST); - - // Center and spin grid - pushMatrix(); - translate(width/2, height/2, -depth); - rotateY(frameCount * 0.01); - rotateX(frameCount * 0.01); - - // Build grid using multiple translations - for (float i =- depth/2+margin; i <= depth/2-margin; i += boxSize){ - for (float j =- height+margin; j <= height-margin; j += boxSize){ - for (float k =- width+margin; k <= width-margin; k += boxSize){ - // Base fill color on counter values, abs function - // ensures values stay within legal range - boxFill = color(abs(i), abs(j), abs(k), 50); - pushMatrix(); - translate(k, j, i); - fill(boxFill); - box(boxSize, boxSize, boxSize); - popMatrix(); - } - } - } - popMatrix(); - - hint(ENABLE_DEPTH_TEST); - - fcount += 1; - int m = millis(); - if (m - lastm > 1000 * fint) { - frate = float(fcount) / fint; - fcount = 0; - lastm = m; - println("fps: " + frate); - } - fill(0); - text("fps: " + frate, 10, 20); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Performance/CubicGridRetained/CubicGridRetained.pde b/tools/Java/modes/java/examples/Demos/Performance/CubicGridRetained/CubicGridRetained.pde deleted file mode 100644 index 70906fb..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/CubicGridRetained/CubicGridRetained.pde +++ /dev/null @@ -1,67 +0,0 @@ -/* CubicGridRetained - * - * You may need to increase the maximum available memory in the - * Processing preferences menu. -*/ -float boxSize = 20; -float margin = boxSize*2; -float depth = 400; -color boxFill; - -PShape grid; - -int fcount, lastm; -float frate; -int fint = 3; - -void setup() { - size(640, 360, P3D); - frameRate(60); - noSmooth(); - noStroke(); - - grid = createShape(GROUP); - - // Build grid using multiple translations - for (float i =- depth/2+margin; i <= depth/2-margin; i += boxSize){ - for (float j =- height+margin; j <= height-margin; j += boxSize){ - for (float k =- width+margin; k <= width-margin; k += boxSize){ - // Base fill color on counter values, abs function - // ensures values stay within legal range - boxFill = color(abs(i), abs(j), abs(k), 50); - PShape cube = createShape(BOX, boxSize, boxSize, boxSize); - cube.setFill(boxFill); - cube.translate(k, j, i); - grid.addChild(cube); - } - } - } -} - -void draw() { - background(255); - - hint(DISABLE_DEPTH_TEST); - - // Center and spin grid - pushMatrix(); - translate(width/2, height/2, -depth); - rotateY(frameCount * 0.01); - rotateX(frameCount * 0.01); - - shape(grid); - popMatrix(); - - hint(ENABLE_DEPTH_TEST); - - fcount += 1; - int m = millis(); - if (m - lastm > 1000 * fint) { - frate = float(fcount) / fint; - fcount = 0; - lastm = m; - println("fps: " + frate); - } - fill(0); - text("fps: " + frate, 10, 20); -} diff --git a/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesImmediate/DynamicParticlesImmediate.pde b/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesImmediate/DynamicParticlesImmediate.pde deleted file mode 100644 index edc5d15..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesImmediate/DynamicParticlesImmediate.pde +++ /dev/null @@ -1,118 +0,0 @@ -PImage sprite; - -int npartTotal = 10000; -int npartPerFrame = 25; -float speed = 1.0; -float gravity = 0.05; -float partSize = 20; - -int partLifetime; -PVector positions[]; -PVector velocities[]; -int lifetimes[]; - -int fcount, lastm; -float frate; -int fint = 3; - -void setup() { - size(640, 480, P3D); - frameRate(120); - - sprite = loadImage("sprite.png"); - - partLifetime = npartTotal / npartPerFrame; - initPositions(); - initVelocities(); - initLifetimes(); - - // Writing to the depth buffer is disabled to avoid rendering - // artifacts due to the fact that the particles are semi-transparent - // but not z-sorted. - hint(DISABLE_DEPTH_MASK); - - // Testing some hints - //hint(DISABLE_TRANSFORM_CACHE); - //hint(ENABLE_ACCURATE_2D); -} - -void draw () { - background(0); - - for (int n = 0; n < npartTotal; n++) { - lifetimes[n]++; - if (lifetimes[n] == partLifetime) { - lifetimes[n] = 0; - } - - if (0 <= lifetimes[n]) { - float opacity = 1.0 - float(lifetimes[n]) / partLifetime; - - if (lifetimes[n] == 0) { - // Re-spawn dead particle - positions[n].x = mouseX; - positions[n].y = mouseY; - - float angle = random(0, TWO_PI); - float s = random(0.5 * speed, 0.5 * speed); - velocities[n].x = s * cos(angle); - velocities[n].y = s * sin(angle); - } else { - positions[n].x += velocities[n].x; - positions[n].y += velocities[n].y; - - velocities[n].y += gravity; - } - drawParticle(positions[n], opacity); - } - } - - fcount += 1; - int m = millis(); - if (m - lastm > 1000 * fint) { - frate = float(fcount) / fint; - fcount = 0; - lastm = m; - println("fps: " + frate); - } -} - -void drawParticle(PVector center, float opacity) { - beginShape(QUAD); - noStroke(); - tint(255, opacity * 255); - texture(sprite); - normal(0, 0, 1); - vertex(center.x - partSize/2, center.y - partSize/2, 0, 0); - vertex(center.x + partSize/2, center.y - partSize/2, sprite.width, 0); - vertex(center.x + partSize/2, center.y + partSize/2, sprite.width, sprite.height); - vertex(center.x - partSize/2, center.y + partSize/2, 0, sprite.height); - endShape(); -} - -void initPositions() { - positions = new PVector[npartTotal]; - for (int n = 0; n < positions.length; n++) { - positions[n] = new PVector(); - } -} - -void initVelocities() { - velocities = new PVector[npartTotal]; - for (int n = 0; n < velocities.length; n++) { - velocities[n] = new PVector(); - } -} - -void initLifetimes() { - // Initializing particles with negative lifetimes so they are added - // progressively into the screen during the first frames of the sketch - lifetimes = new int[npartTotal]; - int t = -1; - for (int n = 0; n < lifetimes.length; n++) { - if (n % npartPerFrame == 0) { - t++; - } - lifetimes[n] = -t; - } -} diff --git a/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesImmediate/data/sprite.png b/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesImmediate/data/sprite.png deleted file mode 100644 index cc0f45c..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesImmediate/data/sprite.png and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesRetained/DynamicParticlesRetained.pde b/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesRetained/DynamicParticlesRetained.pde deleted file mode 100644 index 5216579..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesRetained/DynamicParticlesRetained.pde +++ /dev/null @@ -1,111 +0,0 @@ -PShape particles; -PImage sprite; - -int npartTotal = 10000; -int npartPerFrame = 25; -float speed = 1.0; -float gravity = 0.05; -float partSize = 20; - -int partLifetime; -PVector velocities[]; -int lifetimes[]; - -int fcount, lastm; -float frate; -int fint = 3; - -void setup() { - size(640, 480, P3D); - frameRate(120); - - particles = createShape(PShape.GROUP); - sprite = loadImage("sprite.png"); - - for (int n = 0; n < npartTotal; n++) { - PShape part = createShape(); - part.beginShape(QUAD); - part.noStroke(); - part.texture(sprite); - part.normal(0, 0, 1); - part.vertex(-partSize/2, -partSize/2, 0, 0); - part.vertex(+partSize/2, -partSize/2, sprite.width, 0); - part.vertex(+partSize/2, +partSize/2, sprite.width, sprite.height); - part.vertex(-partSize/2, +partSize/2, 0, sprite.height); - part.endShape(); - particles.addChild(part); - } - - partLifetime = npartTotal / npartPerFrame; - initVelocities(); - initLifetimes(); - - // Writing to the depth buffer is disabled to avoid rendering - // artifacts due to the fact that the particles are semi-transparent - // but not z-sorted. - hint(DISABLE_DEPTH_MASK); -} - -void draw () { - background(0); - - for (int n = 0; n < particles.getChildCount(); n++) { - PShape part = particles.getChild(n); - - lifetimes[n]++; - if (lifetimes[n] == partLifetime) { - lifetimes[n] = 0; - } - - if (0 <= lifetimes[n]) { - float opacity = 1.0 - float(lifetimes[n]) / partLifetime; - part.setTint(color(255, opacity * 255)); - - if (lifetimes[n] == 0) { - // Re-spawn dead particle - part.resetMatrix(); - part.translate(mouseX, mouseY); - float angle = random(0, TWO_PI); - float s = random(0.5 * speed, 0.5 * speed); - velocities[n].x = s * cos(angle); - velocities[n].y = s * sin(angle); - } else { - part.translate(velocities[n].x, velocities[n].y); - velocities[n].y += gravity; - } - } else { - part.setTint(color(0)); - } - } - - shape(particles); - - fcount += 1; - int m = millis(); - if (m - lastm > 1000 * fint) { - frate = float(fcount) / fint; - fcount = 0; - lastm = m; - println("fps: " + frate); - } -} - -void initVelocities() { - velocities = new PVector[npartTotal]; - for (int n = 0; n < velocities.length; n++) { - velocities[n] = new PVector(); - } -} - -void initLifetimes() { - // Initializing particles with negative lifetimes so they are added - // progressively into the screen during the first frames of the sketch - lifetimes = new int[npartTotal]; - int t = -1; - for (int n = 0; n < lifetimes.length; n++) { - if (n % npartPerFrame == 0) { - t++; - } - lifetimes[n] = -t; - } -} diff --git a/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesRetained/data/sprite.png b/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesRetained/data/sprite.png deleted file mode 100644 index cc0f45c..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Performance/DynamicParticlesRetained/data/sprite.png and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Performance/Esfera/Esfera.pde b/tools/Java/modes/java/examples/Demos/Performance/Esfera/Esfera.pde deleted file mode 100644 index 1b84f29..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/Esfera/Esfera.pde +++ /dev/null @@ -1,90 +0,0 @@ -/** - * Esfera - * by David Pena. - * - * Distribucion aleatoria uniforme sobre la superficie de una esfera. - */ - -int cuantos = 16000; -Pelo[] lista ; -float radio = 200; -float rx = 0; -float ry =0; - -void setup() { - size(1024, 768, P3D); - - radio = height/3.5; - - lista = new Pelo[cuantos]; - for (int i = 0; i < lista.length; i++) { - lista[i] = new Pelo(); - } - noiseDetail(3); -} - -void draw() { - background(0); - - float rxp = (mouseX-(width/2)) * 0.005; - float ryp = (mouseY-(height/2)) * 0.005; - rx = rx*0.9 + rxp*0.1; - ry = ry*0.9 + ryp*0.1; - - translate(width/2, height/2); - rotateY(rx); - rotateX(ry); - fill(0); - noStroke(); - sphere(radio); - - for (int i = 0; i < lista.length; i++) { - lista[i].dibujar(); - } - -} - - -class Pelo -{ - float z = random(-radio, radio); - float phi = random(TWO_PI); - float largo = random(1.15, 1.2); - float theta = asin(z/radio); - - Pelo() { // what's wrong with a constructor here - z = random(-radio, radio); - phi = random(TWO_PI); - largo = random(1.15, 1.2); - theta = asin(z/radio); - } - - void dibujar() { - - float off = (noise(millis() * 0.0005, sin(phi))-0.5) * 0.3; - float offb = (noise(millis() * 0.0007, sin(z) * 0.01)-0.5) * 0.3; - - float thetaff = theta+off; - float phff = phi+offb; - float x = radio * cos(theta) * cos(phi); - float y = radio * cos(theta) * sin(phi); - float z = radio * sin(theta); - - float xo = radio * cos(thetaff) * cos(phff); - float yo = radio * cos(thetaff) * sin(phff); - float zo = radio * sin(thetaff); - - float xb = xo * largo; - float yb = yo * largo; - float zb = zo * largo; - - strokeWeight(1); - beginShape(LINES); - stroke(0); - vertex(x, y, z); - stroke(200, 150); - vertex(xb, yb, zb); - endShape(); - } -} - diff --git a/tools/Java/modes/java/examples/Demos/Performance/LineRendering/LineRendering.pde b/tools/Java/modes/java/examples/Demos/Performance/LineRendering/LineRendering.pde deleted file mode 100644 index 2323e86..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/LineRendering/LineRendering.pde +++ /dev/null @@ -1,24 +0,0 @@ - -public void setup() { - size(800, 600, P2D); -} - -public void draw() { - background(255); - stroke(0, 10); - for (int i = 0; i < 50000; i++) { - float x0 = random(width); - float y0 = random(height); - float z0 = random(-100, 100); - float x1 = random(width); - float y1 = random(height); - float z1 = random(-100, 100); - - // purely 2D lines will trigger the GLU - // tessellator to add accurate line caps, - // but performance will be substantially - // lower. - line(x0, y0, z0, x1, y1, z1); - } - if (frameCount % 10 == 0) println(frameRate); -} diff --git a/tools/Java/modes/java/examples/Demos/Performance/QuadRendering/QuadRendering.pde b/tools/Java/modes/java/examples/Demos/Performance/QuadRendering/QuadRendering.pde deleted file mode 100644 index 8323b42..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/QuadRendering/QuadRendering.pde +++ /dev/null @@ -1,17 +0,0 @@ - -public void setup() { - size(800, 600, P2D); - - noStroke(); - fill(0, 1); -} - -public void draw() { - background(255); - for (int i = 0; i < 50000; i++) { - float x = random(width); - float y = random(height); - rect(x, y, 30, 30); - } - if (frameCount % 10 == 0) println(frameRate); -} diff --git a/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesImmediate/StaticParticlesImmediate.pde b/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesImmediate/StaticParticlesImmediate.pde deleted file mode 100644 index 366f9f7..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesImmediate/StaticParticlesImmediate.pde +++ /dev/null @@ -1,65 +0,0 @@ -PImage sprite; - -int npartTotal = 50000; -float partSize = 20; - -PVector positions[]; - -int fcount, lastm; -float frate; -int fint = 3; - -void setup() { - size(800, 600, P3D); - frameRate(60); - - sprite = loadImage("sprite.png"); - - initPositions(); - - // Writing to the depth buffer is disabled to avoid rendering - // artifacts due to the fact that the particles are semi-transparent - // but not z-sorted. - hint(DISABLE_DEPTH_MASK); -} - -void draw () { - background(0); - - translate(width/2, height/2); - rotateY(frameCount * 0.01); - - for (int n = 0; n < npartTotal; n++) { - drawParticle(positions[n]); - } - - fcount += 1; - int m = millis(); - if (m - lastm > 1000 * fint) { - frate = float(fcount) / fint; - fcount = 0; - lastm = m; - println("fps: " + frate); - } -} - -void drawParticle(PVector center) { - beginShape(QUAD); - noStroke(); - tint(255); - texture(sprite); - normal(0, 0, 1); - vertex(center.x - partSize/2, center.y - partSize/2, center.z, 0, 0); - vertex(center.x + partSize/2, center.y - partSize/2, center.z, sprite.width, 0); - vertex(center.x + partSize/2, center.y + partSize/2, center.z, sprite.width, sprite.height); - vertex(center.x - partSize/2, center.y + partSize/2, center.z, 0, sprite.height); - endShape(); -} - -void initPositions() { - positions = new PVector[npartTotal]; - for (int n = 0; n < positions.length; n++) { - positions[n] = new PVector(random(-500, +500), random(-500, +500), random(-500, +500)); - } -} - diff --git a/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesImmediate/data/sprite.png b/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesImmediate/data/sprite.png deleted file mode 100644 index cc0f45c..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesImmediate/data/sprite.png and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesRetained/StaticParticlesRetained.pde b/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesRetained/StaticParticlesRetained.pde deleted file mode 100644 index 76f8074..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesRetained/StaticParticlesRetained.pde +++ /dev/null @@ -1,60 +0,0 @@ -PShape particles; -PImage sprite; - -int npartTotal = 50000; -float partSize = 20; - -int fcount, lastm; -float frate; -int fint = 3; - -void setup() { - size(800, 600, P3D); - frameRate(60); - - particles = createShape(PShape.GROUP); - sprite = loadImage("sprite.png"); - - for (int n = 0; n < npartTotal; n++) { - float cx = random(-500, +500); - float cy = random(-500, +500); - float cz = random(-500, +500); - - PShape part = createShape(); - part.beginShape(QUAD); - part.noStroke(); - part.tint(255); - part.texture(sprite); - part.normal(0, 0, 1); - part.vertex(cx - partSize/2, cy - partSize/2, cz, 0, 0); - part.vertex(cx + partSize/2, cy - partSize/2, cz, sprite.width, 0); - part.vertex(cx + partSize/2, cy + partSize/2, cz, sprite.width, sprite.height); - part.vertex(cx - partSize/2, cy + partSize/2, cz, 0, sprite.height); - part.endShape(); - particles.addChild(part); - } - - // Writing to the depth buffer is disabled to avoid rendering - // artifacts due to the fact that the particles are semi-transparent - // but not z-sorted. - hint(DISABLE_DEPTH_MASK); -} - -void draw () { - background(0); - - translate(width/2, height/2); - rotateY(frameCount * 0.01); - - shape(particles); - - fcount += 1; - int m = millis(); - if (m - lastm > 1000 * fint) { - frate = float(fcount) / fint; - fcount = 0; - lastm = m; - println("fps: " + frate); - } -} - diff --git a/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesRetained/data/sprite.png b/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesRetained/data/sprite.png deleted file mode 100644 index cc0f45c..0000000 Binary files a/tools/Java/modes/java/examples/Demos/Performance/StaticParticlesRetained/data/sprite.png and /dev/null differ diff --git a/tools/Java/modes/java/examples/Demos/Performance/TextRendering/TextRendering.pde b/tools/Java/modes/java/examples/Demos/Performance/TextRendering/TextRendering.pde deleted file mode 100644 index ddb144e..0000000 --- a/tools/Java/modes/java/examples/Demos/Performance/TextRendering/TextRendering.pde +++ /dev/null @@ -1,15 +0,0 @@ - -public void setup() { - size(800, 600, P2D); - fill(0); -} - -public void draw() { - background(255); - for (int i = 0; i < 10000; i++) { - float x = random(width); - float y = random(height); - text("HELLO", x, y); - } - if (frameCount % 10 == 0) println(frameRate); -} diff --git a/tools/Java/modes/java/examples/Demos/Tests/MultipleWindows/Arcball.pde b/tools/Java/modes/java/examples/Demos/Tests/MultipleWindows/Arcball.pde deleted file mode 100644 index 914e0d1..0000000 --- a/tools/Java/modes/java/examples/Demos/Tests/MultipleWindows/Arcball.pde +++ /dev/null @@ -1,194 +0,0 @@ -// Ariel and V3ga's arcball class with a couple tiny mods by Robert Hodgin - -class Arcball { - PApplet parent; - float center_x, center_y, radius; - Vec3 v_down, v_drag; - Quat q_now, q_down, q_drag; - Vec3[] axisSet; - int axis; - float mxv, myv; - float x, y; - - Arcball(PApplet parent, float radius){ - this.parent = parent; - this.radius = radius; - - v_down = new Vec3(); - v_drag = new Vec3(); - - q_now = new Quat(); - q_down = new Quat(); - q_drag = new Quat(); - - axisSet = new Vec3[] {new Vec3(1.0f, 0.0f, 0.0f), new Vec3(0.0f, 1.0f, 0.0f), new Vec3(0.0f, 0.0f, 1.0f)}; - axis = -1; // no constraints... - } - - void mousePressed(){ - v_down = mouse_to_sphere(parent.mouseX, parent.mouseY); - q_down.set(q_now); - q_drag.reset(); - } - - void mouseDragged(){ - v_drag = mouse_to_sphere(parent.mouseX, parent.mouseY); - q_drag.set(Vec3.dot(v_down, v_drag), Vec3.cross(v_down, v_drag)); - } - - void run(){ - center_x = parent.width/2.0; - center_y = parent.height/2.0; - - q_now = Quat.mul(q_drag, q_down); - parent.translate(center_x, center_y); - applyQuat2Matrix(q_now); - - x += mxv; - y += myv; - mxv -= mxv * .01; - myv -= myv * .01; - } - - Vec3 mouse_to_sphere(float x, float y){ - Vec3 v = new Vec3(); - v.x = (x - center_x) / radius; - v.y = (y - center_y) / radius; - - float mag = v.x * v.x + v.y * v.y; - if (mag > 1.0f){ - v.normalize(); - } else { - v.z = sqrt(1.0f - mag); - } - - return (axis == -1) ? v : constrain_vector(v, axisSet[axis]); - } - - Vec3 constrain_vector(Vec3 vector, Vec3 axis){ - Vec3 res = new Vec3(); - res.sub(vector, Vec3.mul(axis, Vec3.dot(axis, vector))); - res.normalize(); - return res; - } - - void applyQuat2Matrix(Quat q){ - // instead of transforming q into a matrix and applying it... - - float[] aa = q.getValue(); - parent.rotate(aa[0], aa[1], aa[2], aa[3]); - } -} - -static class Vec3{ - float x, y, z; - - Vec3(){ - } - - Vec3(float x, float y, float z){ - this.x = x; - this.y = y; - this.z = z; - } - - void normalize(){ - float length = length(); - x /= length; - y /= length; - z /= length; - } - - float length(){ - return (float) Math.sqrt(x * x + y * y + z * z); - } - - static Vec3 cross(Vec3 v1, Vec3 v2){ - Vec3 res = new Vec3(); - res.x = v1.y * v2.z - v1.z * v2.y; - res.y = v1.z * v2.x - v1.x * v2.z; - res.z = v1.x * v2.y - v1.y * v2.x; - return res; - } - - static float dot(Vec3 v1, Vec3 v2){ - return v1.x * v2.x + v1.y * v2.y + v1.z * v2.z; - } - - static Vec3 mul(Vec3 v, float d){ - Vec3 res = new Vec3(); - res.x = v.x * d; - res.y = v.y * d; - res.z = v.z * d; - return res; - } - - void sub(Vec3 v1, Vec3 v2){ - x = v1.x - v2.x; - y = v1.y - v2.y; - z = v1.z - v2.z; - } -} - -static class Quat{ - float w, x, y, z; - - Quat(){ - reset(); - } - - Quat(float w, float x, float y, float z){ - this.w = w; - this.x = x; - this.y = y; - this.z = z; - } - - void reset(){ - w = 1.0f; - x = 0.0f; - y = 0.0f; - z = 0.0f; - } - - void set(float w, Vec3 v){ - this.w = w; - x = v.x; - y = v.y; - z = v.z; - } - - void set(Quat q){ - w = q.w; - x = q.x; - y = q.y; - z = q.z; - } - - static Quat mul(Quat q1, Quat q2){ - Quat res = new Quat(); - res.w = q1.w * q2.w - q1.x * q2.x - q1.y * q2.y - q1.z * q2.z; - res.x = q1.w * q2.x + q1.x * q2.w + q1.y * q2.z - q1.z * q2.y; - res.y = q1.w * q2.y + q1.y * q2.w + q1.z * q2.x - q1.x * q2.z; - res.z = q1.w * q2.z + q1.z * q2.w + q1.x * q2.y - q1.y * q2.x; - return res; - } - - float[] getValue(){ - // transforming this quat into an angle and an axis vector... - - float[] res = new float[4]; - - float sa = (float) Math.sqrt(1.0f - w * w); - if (sa < EPSILON){ - sa = 1.0f; - } - - res[0] = (float) Math.acos(w) * 2.0f; - res[1] = x / sa; - res[2] = y / sa; - res[3] = z / sa; - - return res; - } -} diff --git a/tools/Java/modes/java/examples/Demos/Tests/MultipleWindows/MultipleWindows.pde b/tools/Java/modes/java/examples/Demos/Tests/MultipleWindows/MultipleWindows.pde deleted file mode 100644 index db25800..0000000 --- a/tools/Java/modes/java/examples/Demos/Tests/MultipleWindows/MultipleWindows.pde +++ /dev/null @@ -1,90 +0,0 @@ -// Based on code by GeneKao (https://github.com/GeneKao) - -ChildApplet child; -boolean mousePressedOnParent = false; -Arcball arcball, arcball2; - -void settings() { - size(320, 240, P3D); - smooth(); -} - -void setup() { - windowTitle("Main sketch"); - arcball = new Arcball(this, 300); - child = new ChildApplet(); -} - -void draw() { - background(250); - arcball.run(); - if (mousePressed) { - fill(0); - text("Mouse pressed on parent.", 10, 10); - fill(0, 240, 0); - ellipse(mouseX, mouseY, 60, 60); - mousePressedOnParent = true; - } else { - fill(20); - ellipse(width/2, height/2, 60, 60); - mousePressedOnParent = false; - } - box(100); - if (child.mousePressed) { - text("Mouse pressed on child.", 10, 30); - } -} - -void mousePressed() { - arcball.mousePressed(); -} - -void mouseDragged() { - arcball.mouseDragged(); -} - -class ChildApplet extends PApplet { - //JFrame frame; - - public ChildApplet() { - super(); - PApplet.runSketch(new String[]{this.getClass().getName()}, this); - } - - public void settings() { - size(400, 400, P3D); - smooth(); - } - public void setup() { - windowTitle("Child sketch"); - arcball2 = new Arcball(this, 300); - } - - public void draw() { - background(0); - arcball2.run(); - if (mousePressed) { - fill(240, 0, 0); - ellipse(mouseX, mouseY, 20, 20); - fill(255); - text("Mouse pressed on child.", 10, 30); - } else { - fill(255); - ellipse(width/2, height/2, 20, 20); - } - - box(100, 200, 100); - if (mousePressedOnParent) { - fill(255); - text("Mouse pressed on parent", 20, 20); - } - } - - public void mousePressed() { - arcball2.mousePressed(); - } - - public void mouseDragged() { - arcball2.mouseDragged(); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Tests/NoBackgroundTest/NoBackgroundTest.pde b/tools/Java/modes/java/examples/Demos/Tests/NoBackgroundTest/NoBackgroundTest.pde deleted file mode 100644 index a5a1d5a..0000000 --- a/tools/Java/modes/java/examples/Demos/Tests/NoBackgroundTest/NoBackgroundTest.pde +++ /dev/null @@ -1,10 +0,0 @@ -void setup() { - size(400, 400, P2D); - background(255, 0, 0); - fill(255, 150); -} - -void draw() { - ellipse(mouseX, mouseY, 100, 100); -} - diff --git a/tools/Java/modes/java/examples/Demos/Tests/OffscreenTest/OffscreenTest.pde b/tools/Java/modes/java/examples/Demos/Tests/OffscreenTest/OffscreenTest.pde deleted file mode 100644 index 8cd3eb7..0000000 --- a/tools/Java/modes/java/examples/Demos/Tests/OffscreenTest/OffscreenTest.pde +++ /dev/null @@ -1,19 +0,0 @@ -PGraphics pg; - -void setup() { - size(400, 400, P3D); - - pg = createGraphics(400, 400, P3D); - pg.smooth(4); -} - -void draw() { - background(0); - - pg.beginDraw(); - pg.background(255, 0, 0); - pg.ellipse(mouseX, mouseY, 100, 100); - pg.endDraw(); - - image(pg, 0, 0, 400, 400); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Demos/Tests/RedrawTest/RedrawTest.pde b/tools/Java/modes/java/examples/Demos/Tests/RedrawTest/RedrawTest.pde deleted file mode 100644 index 7cd3527..0000000 --- a/tools/Java/modes/java/examples/Demos/Tests/RedrawTest/RedrawTest.pde +++ /dev/null @@ -1,14 +0,0 @@ -void setup() { - size(400, 400, P3D); - noLoop(); -} - -void draw() { - background(255, 0, 0); - ellipse(mouseX, mouseY, 100, 50); - println("draw"); -} - -void keyPressed() { - redraw(); -} diff --git a/tools/Java/modes/java/examples/Demos/Tests/ResizeTest/ResizeTest.pde b/tools/Java/modes/java/examples/Demos/Tests/ResizeTest/ResizeTest.pde deleted file mode 100644 index db8c713..0000000 --- a/tools/Java/modes/java/examples/Demos/Tests/ResizeTest/ResizeTest.pde +++ /dev/null @@ -1,10 +0,0 @@ -void setup() { - size(400, 400, P3D); - windowResizable(true); -} - -void draw() { - background(255, 0, 0); - ellipse(width/2, height/2, 100, 50); -} - diff --git a/tools/Java/modes/java/examples/Demos/Tests/SpecsTest/SpecsTest.pde b/tools/Java/modes/java/examples/Demos/Tests/SpecsTest/SpecsTest.pde deleted file mode 100644 index 4f4d38e..0000000 --- a/tools/Java/modes/java/examples/Demos/Tests/SpecsTest/SpecsTest.pde +++ /dev/null @@ -1,7 +0,0 @@ -size(100, 100, P3D); -PGraphicsOpenGL pg = (PGraphicsOpenGL)g; -println(PGraphicsOpenGL.OPENGL_VENDOR); -println(PGraphicsOpenGL.OPENGL_RENDERER); -println(PGraphicsOpenGL.OPENGL_VERSION); -println(PGraphicsOpenGL.GLSL_VERSION); -println(PGraphicsOpenGL.OPENGL_EXTENSIONS); \ No newline at end of file diff --git a/tools/Java/modes/java/examples/README.md b/tools/Java/modes/java/examples/README.md deleted file mode 100644 index 91e14f2..0000000 --- a/tools/Java/modes/java/examples/README.md +++ /dev/null @@ -1,10 +0,0 @@ -# processing-examples -Example files for "processing4" and "processing-website" - -There are many more examples included with the Processing software download than appear on the Processing.org site. If a change needs to be made with an example on the website, it should be changed here. A script in the website build process copies over the PDE files from this repository. If a website example is changed, there are additional files that need to be changed within "processing-website": - -- A JSON file with the metadata for the example -- A PNG image with output of the example -- A liveSketch.js file with a translated p5.js sketch of the PDE code - -The examples without a credit line were written by Casey Reas or Ben Fry and they are in the public domain. Daniel Shiffman's examples are in the public domain. We appreciate a link back to the original and/or an acknowledgement when they are used. The copyrights for other credited files remains with the original authors. diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/ArrayListClass/ArrayListClass.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/ArrayListClass/ArrayListClass.pde deleted file mode 100644 index 475d834..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/ArrayListClass/ArrayListClass.pde +++ /dev/null @@ -1,51 +0,0 @@ -/** - * ArrayList of objects - * by Daniel Shiffman. - * - * This example demonstrates how to use a Java ArrayList to store - * a variable number of objects. Items can be added and removed - * from the ArrayList. - * - * Click the mouse to add bouncing balls. - */ - -ArrayList balls; -int ballWidth = 48; - -void setup() { - size(640, 360); - noStroke(); - - // Create an empty ArrayList (will store Ball objects) - balls = new ArrayList(); - - // Start by adding one element - balls.add(new Ball(width/2, 0, ballWidth)); -} - -void draw() { - background(255); - - // With an array, we say balls.length, with an ArrayList, we say balls.size() - // The length of an ArrayList is dynamic - // Notice how we are looping through the ArrayList backwards - // This is because we are deleting elements from the list - for (int i = balls.size()-1; i >= 0; i--) { - // An ArrayList doesn't know what it is storing so we have to cast the object coming out - Ball ball = balls.get(i); - ball.move(); - ball.display(); - if (ball.finished()) { - // Items can be deleted with remove() - balls.remove(i); - } - - } - -} - -void mousePressed() { - // A new ball object is added to the ArrayList (by default to the end) - balls.add(new Ball(mouseX, mouseY, ballWidth)); -} - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/ArrayListClass/Ball.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/ArrayListClass/Ball.pde deleted file mode 100644 index 3f613b7..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/ArrayListClass/Ball.pde +++ /dev/null @@ -1,50 +0,0 @@ -// Simple bouncing ball class - -class Ball { - - float x; - float y; - float speed; - float gravity; - float w; - float life = 255; - - Ball(float tempX, float tempY, float tempW) { - x = tempX; - y = tempY; - w = tempW; - speed = 0; - gravity = 0.1; - } - - void move() { - // Add gravity to speed - speed = speed + gravity; - // Add speed to y location - y = y + speed; - // If square reaches the bottom - // Reverse speed - if (y > height) { - // Dampening - speed = speed * -0.8; - y = height; - } - } - - boolean finished() { - // Balls fade out - life--; - if (life < 0) { - return true; - } else { - return false; - } - } - - void display() { - // Display the circle - fill(0,life); - //stroke(0,life); - ellipse(x,y,w,w); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/CountingStrings.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/CountingStrings.pde deleted file mode 100644 index 79764bb..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/CountingStrings.pde +++ /dev/null @@ -1,80 +0,0 @@ -/** - * CountingString example - * by Daniel Shiffman. - * - * This example demonstrates how to use a IntDict to store - * a number associated with a String. Java HashMaps can also - * be used for this, however, this example uses the IntDict - * class offered by Processing's data package for simplicity - * and added functionality. - * - * This example uses the IntDict to perform a simple concordance - * http://en.wikipedia.org/wiki/Concordance_(publishing) - * - */ - -// An IntDict pairs Strings with integers -IntDict concordance; - -// The raw array of words in -String[] tokens; -int counter = 0; - -void setup() { - size(640, 360); - - concordance = new IntDict(); - - // Load file and chop it up - String[] lines = loadStrings("dracula.txt"); - String allText = join(lines, " ").toLowerCase(); - tokens = splitTokens(allText, " ,.?!:;[]-\""); - - // Create the font - textFont(createFont("SourceCodePro-Regular.ttf", 24)); -} - -void draw() { - background(51); - fill(255); - - // Look at words one at a time - if (counter < tokens.length) { - String s = tokens[counter]; - counter++; - concordance.increment(s); - } - - // x and y will be used to locate each word - float x = 0; - float y = 48; - - concordance.sortValues(); - - String[] keys = concordance.keyArray(); - - // Look at each word - for (String word : keys) { - int count = concordance.get(word); - - // Only display words that appear 3 times - if (count > 3) { - // The size is the count - int fsize = constrain(count, 0, 48); - textSize(fsize); - text(word, x, y); - // Move along the x-axis - x += textWidth(word + " "); - } - - // If x gets to the end, move y - if (x > width) { - x = 0; - y += 48; - // If y gets to the end, we're done - if (y > height) { - break; - } - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/data/SourceCodePro-Regular.ttf b/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/data/SourceCodePro-Regular.ttf deleted file mode 100644 index b2cff92..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/data/SourceCodePro-Regular.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/data/dracula.txt b/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/data/dracula.txt deleted file mode 100644 index 7fb73f5..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/CountingStrings/data/dracula.txt +++ /dev/null @@ -1,16624 +0,0 @@ -The Project Gutenberg EBook of Dracula, by Bram Stoker - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.net - - -Title: Dracula - -Author: Bram Stoker - -Release Date: May 9, 2008 [EBook #345] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK DRACULA *** - - - - - - - - - - - - - - -DRACULA - -by - -Bram Stoker - - -1897 edition - - - - -TABLE OF CONTENTS - - -CHAPTER - - 1 Jonathan Harker's Journal - 2 Jonathan Harker's Journal - 3 Jonathan Harker's Journal - 4 Jonathan Harker's Journal - 5 Letter From Miss Mina Murray To Miss Lucy Westenra - 6 Mina Murray's Journal - 7 Cutting From "The Dailygraph", 8 August - 8 Mina Murray's Journal - 9 Letter, Mina Harker To Lucy Westenra - 10 Letter, Dr. Seward To Hon. Arthur Holmwood - 11 Lucy Westenra's Diary - 12 Dr. Seward's Diary - 13 Dr. Seward's Diary - 14 Mina Harker's Journal - 15 Dr. Seward's Diary - 16 Dr. Seward's Diary - 17 Dr. Seward's Diary - 18 Dr. Seward's Diary - 19 Jonathan Harker's Journal - 20 Jonathan Harker's Journal - 21 Dr. Seward's Diary - 22 Jonathan Harker's Journal - 23 Dr. Seward's Diary - 24 Dr. Seward's Phonograph Diary - 25 Dr. Seward's Diary - 26 Dr. Seward's Diary - 27 Mina Harker's Journal - - - - -CHAPTER 1 - - -Jonathan Harker's Journal - -3 May. Bistritz.--Left Munich at 8:35 P.M., on 1st May, arriving at -Vienna early next morning; should have arrived at 6:46, but train was -an hour late. Buda-Pesth seems a wonderful place, from the glimpse -which I got of it from the train and the little I could walk through -the streets. I feared to go very far from the station, as we had -arrived late and would start as near the correct time as possible. - -The impression I had was that we were leaving the West and entering the -East; the most western of splendid bridges over the Danube, which is -here of noble width and depth, took us among the traditions of Turkish -rule. - -We left in pretty good time, and came after nightfall to Klausenburgh. -Here I stopped for the night at the Hotel Royale. I had for dinner, -or rather supper, a chicken done up some way with red pepper, which -was very good but thirsty. (Mem. get recipe for Mina.) I asked the -waiter, and he said it was called "paprika hendl," and that, as it was -a national dish, I should be able to get it anywhere along the -Carpathians. - -I found my smattering of German very useful here, indeed, I don't know -how I should be able to get on without it. - -Having had some time at my disposal when in London, I had visited the -British Museum, and made search among the books and maps in the -library regarding Transylvania; it had struck me that some -foreknowledge of the country could hardly fail to have some importance -in dealing with a nobleman of that country. - - -I find that the district he named is in the extreme east of the -country, just on the borders of three states, Transylvania, Moldavia, -and Bukovina, in the midst of the Carpathian mountains; one of the -wildest and least known portions of Europe. - -I was not able to light on any map or work giving the exact locality -of the Castle Dracula, as there are no maps of this country as yet to -compare with our own Ordance Survey Maps; but I found that Bistritz, -the post town named by Count Dracula, is a fairly well-known place. I -shall enter here some of my notes, as they may refresh my memory when -I talk over my travels with Mina. - -In the population of Transylvania there are four distinct -nationalities: Saxons in the South, and mixed with them the Wallachs, -who are the descendants of the Dacians; Magyars in the West, and -Szekelys in the East and North. I am going among the latter, who -claim to be descended from Attila and the Huns. This may be so, for -when the Magyars conquered the country in the eleventh century they -found the Huns settled in it. - -I read that every known superstition in the world is gathered into the -horseshoe of the Carpathians, as if it were the centre of some sort of -imaginative whirlpool; if so my stay may be very interesting. (Mem., -I must ask the Count all about them.) - -I did not sleep well, though my bed was comfortable enough, for I had -all sorts of queer dreams. There was a dog howling all night under my -window, which may have had something to do with it; or it may have -been the paprika, for I had to drink up all the water in my carafe, -and was still thirsty. Towards morning I slept and was wakened by the -continuous knocking at my door, so I guess I must have been sleeping -soundly then. - -I had for breakfast more paprika, and a sort of porridge of maize -flour which they said was "mamaliga", and egg-plant stuffed with -forcemeat, a very excellent dish, which they call "impletata". (Mem., -get recipe for this also.) - -I had to hurry breakfast, for the train started a little before eight, -or rather it ought to have done so, for after rushing to the station -at 7:30 I had to sit in the carriage for more than an hour before we -began to move. - -It seems to me that the further east you go the more unpunctual are -the trains. What ought they to be in China? - -All day long we seemed to dawdle through a country which was full of -beauty of every kind. Sometimes we saw little towns or castles on the -top of steep hills such as we see in old missals; sometimes we ran by -rivers and streams which seemed from the wide stony margin on each -side of them to be subject to great floods. It takes a lot of water, -and running strong, to sweep the outside edge of a river clear. - -At every station there were groups of people, sometimes crowds, and in -all sorts of attire. Some of them were just like the peasants at home -or those I saw coming through France and Germany, with short jackets, -and round hats, and home-made trousers; but others were very -picturesque. - -The women looked pretty, except when you got near them, but they were -very clumsy about the waist. They had all full white sleeves of some -kind or other, and most of them had big belts with a lot of strips of -something fluttering from them like the dresses in a ballet, but of -course there were petticoats under them. - -The strangest figures we saw were the Slovaks, who were more barbarian -than the rest, with their big cow-boy hats, great baggy dirty-white -trousers, white linen shirts, and enormous heavy leather belts, nearly -a foot wide, all studded over with brass nails. They wore high boots, -with their trousers tucked into them, and had long black hair and -heavy black moustaches. They are very picturesque, but do not look -prepossessing. On the stage they would be set down at once as some -old Oriental band of brigands. They are, however, I am told, very -harmless and rather wanting in natural self-assertion. - -It was on the dark side of twilight when we got to Bistritz, which is -a very interesting old place. Being practically on the frontier--for -the Borgo Pass leads from it into Bukovina--it has had a very stormy -existence, and it certainly shows marks of it. Fifty years ago a -series of great fires took place, which made terrible havoc on five -separate occasions. At the very beginning of the seventeenth century -it underwent a siege of three weeks and lost 13,000 people, the -casualties of war proper being assisted by famine and disease. - -Count Dracula had directed me to go to the Golden Krone Hotel, which I -found, to my great delight, to be thoroughly old-fashioned, for of -course I wanted to see all I could of the ways of the country. - -I was evidently expected, for when I got near the door I faced a -cheery-looking elderly woman in the usual peasant dress--white -undergarment with a long double apron, front, and back, of coloured -stuff fitting almost too tight for modesty. When I came close she -bowed and said, "The Herr Englishman?" - -"Yes," I said, "Jonathan Harker." - -She smiled, and gave some message to an elderly man in white -shirtsleeves, who had followed her to the door. - -He went, but immediately returned with a letter: - -"My friend.--Welcome to the Carpathians. I am anxiously expecting -you. Sleep well tonight. At three tomorrow the diligence will -start for Bukovina; a place on it is kept for you. At the Borgo -Pass my carriage will await you and will bring you to me. I trust -that your journey from London has been a happy one, and that you -will enjoy your stay in my beautiful land.--Your friend, Dracula." - - -4 May--I found that my landlord had got a letter from the Count, -directing him to secure the best place on the coach for me; but on -making inquiries as to details he seemed somewhat reticent, and -pretended that he could not understand my German. - -This could not be true, because up to then he had understood it -perfectly; at least, he answered my questions exactly as if he did. - -He and his wife, the old lady who had received me, looked at each -other in a frightened sort of way. He mumbled out that the money had -been sent in a letter, and that was all he knew. When I asked him if -he knew Count Dracula, and could tell me anything of his castle, both -he and his wife crossed themselves, and, saying that they knew nothing -at all, simply refused to speak further. It was so near the time of -starting that I had no time to ask anyone else, for it was all very -mysterious and not by any means comforting. - -Just before I was leaving, the old lady came up to my room and said in -a hysterical way: "Must you go? Oh! Young Herr, must you go?" She -was in such an excited state that she seemed to have lost her grip of -what German she knew, and mixed it all up with some other language -which I did not know at all. I was just able to follow her by asking -many questions. When I told her that I must go at once, and that I -was engaged on important business, she asked again: - -"Do you know what day it is?" I answered that it was the fourth of -May. She shook her head as she said again: - -"Oh, yes! I know that! I know that, but do you know what day it is?" - -On my saying that I did not understand, she went on: - -"It is the eve of St. George's Day. Do you not know that tonight, -when the clock strikes midnight, all the evil things in the world will -have full sway? Do you know where you are going, and what you are -going to?" She was in such evident distress that I tried to comfort -her, but without effect. Finally, she went down on her knees and -implored me not to go; at least to wait a day or two before starting. - -It was all very ridiculous but I did not feel comfortable. However, -there was business to be done, and I could allow nothing to interfere -with it. - -I tried to raise her up, and said, as gravely as I could, that I -thanked her, but my duty was imperative, and that I must go. - -She then rose and dried her eyes, and taking a crucifix from her neck -offered it to me. - -I did not know what to do, for, as an English Churchman, I have been -taught to regard such things as in some measure idolatrous, and yet it -seemed so ungracious to refuse an old lady meaning so well and in such -a state of mind. - -She saw, I suppose, the doubt in my face, for she put the rosary round -my neck and said, "For your mother's sake," and went out of the room. - -I am writing up this part of the diary whilst I am waiting for the -coach, which is, of course, late; and the crucifix is still round my -neck. - -Whether it is the old lady's fear, or the many ghostly traditions of -this place, or the crucifix itself, I do not know, but I am not -feeling nearly as easy in my mind as usual. - -If this book should ever reach Mina before I do, let it bring my -goodbye. Here comes the coach! - - -5 May. The Castle.--The gray of the morning has passed, and the sun -is high over the distant horizon, which seems jagged, whether with -trees or hills I know not, for it is so far off that big things and -little are mixed. - -I am not sleepy, and, as I am not to be called till I awake, naturally -I write till sleep comes. - -There are many odd things to put down, and, lest who reads them may -fancy that I dined too well before I left Bistritz, let me put down my -dinner exactly. - -I dined on what they called "robber steak"--bits of bacon, onion, and -beef, seasoned with red pepper, and strung on sticks, and roasted over -the fire, in simple style of the London cat's meat! - -The wine was Golden Mediasch, which produces a queer sting on the -tongue, which is, however, not disagreeable. - -I had only a couple of glasses of this, and nothing else. - -When I got on the coach, the driver had not taken his seat, and I saw -him talking to the landlady. - -They were evidently talking of me, for every now and then they looked -at me, and some of the people who were sitting on the bench outside -the door--came and listened, and then looked at me, most of them -pityingly. I could hear a lot of words often repeated, queer words, -for there were many nationalities in the crowd, so I quietly got my -polyglot dictionary from my bag and looked them out. - -I must say they were not cheering to me, for amongst them were -"Ordog"--Satan, "Pokol"--hell, "stregoica"--witch, "vrolok" and -"vlkoslak"--both mean the same thing, one being Slovak and the other -Servian for something that is either werewolf or vampire. (Mem., I -must ask the Count about these superstitions.) - -When we started, the crowd round the inn door, which had by this time -swelled to a considerable size, all made the sign of the cross and -pointed two fingers towards me. - -With some difficulty, I got a fellow passenger to tell me what they -meant. He would not answer at first, but on learning that I was -English, he explained that it was a charm or guard against the evil -eye. - -This was not very pleasant for me, just starting for an unknown place -to meet an unknown man. But everyone seemed so kind-hearted, and so -sorrowful, and so sympathetic that I could not but be touched. - -I shall never forget the last glimpse which I had of the inn yard and -its crowd of picturesque figures, all crossing themselves, as they -stood round the wide archway, with its background of rich foliage of -oleander and orange trees in green tubs clustered in the centre of the -yard. - -Then our driver, whose wide linen drawers covered the whole front of -the boxseat,--"gotza" they call them--cracked his big whip over his -four small horses, which ran abreast, and we set off on our journey. - -I soon lost sight and recollection of ghostly fears in the beauty of -the scene as we drove along, although had I known the language, or -rather languages, which my fellow-passengers were speaking, I might -not have been able to throw them off so easily. Before us lay a green -sloping land full of forests and woods, with here and there steep -hills, crowned with clumps of trees or with farmhouses, the blank -gable end to the road. There was everywhere a bewildering mass of -fruit blossom--apple, plum, pear, cherry. And as we drove by I could -see the green grass under the trees spangled with the fallen petals. -In and out amongst these green hills of what they call here the -"Mittel Land" ran the road, losing itself as it swept round the grassy -curve, or was shut out by the straggling ends of pine woods, which -here and there ran down the hillsides like tongues of flame. The road -was rugged, but still we seemed to fly over it with a feverish haste. -I could not understand then what the haste meant, but the driver was -evidently bent on losing no time in reaching Borgo Prund. I was told -that this road is in summertime excellent, but that it had not yet -been put in order after the winter snows. In this respect it is -different from the general run of roads in the Carpathians, for it is -an old tradition that they are not to be kept in too good order. Of -old the Hospadars would not repair them, lest the Turk should think -that they were preparing to bring in foreign troops, and so hasten the -war which was always really at loading point. - -Beyond the green swelling hills of the Mittel Land rose mighty slopes -of forest up to the lofty steeps of the Carpathians themselves. Right -and left of us they towered, with the afternoon sun falling full upon -them and bringing out all the glorious colours of this beautiful -range, deep blue and purple in the shadows of the peaks, green and -brown where grass and rock mingled, and an endless perspective of -jagged rock and pointed crags, till these were themselves lost in the -distance, where the snowy peaks rose grandly. Here and there seemed -mighty rifts in the mountains, through which, as the sun began to -sink, we saw now and again the white gleam of falling water. One of -my companions touched my arm as we swept round the base of a hill and -opened up the lofty, snow-covered peak of a mountain, which seemed, as -we wound on our serpentine way, to be right before us. - -"Look! Isten szek!"--"God's seat!"--and he crossed himself reverently. - -As we wound on our endless way, and the sun sank lower and lower -behind us, the shadows of the evening began to creep round us. This -was emphasized by the fact that the snowy mountain-top still held the -sunset, and seemed to glow out with a delicate cool pink. Here and -there we passed Cszeks and slovaks, all in picturesque attire, but I -noticed that goitre was painfully prevalent. By the roadside were -many crosses, and as we swept by, my companions all crossed -themselves. Here and there was a peasant man or woman kneeling before -a shrine, who did not even turn round as we approached, but seemed in -the self-surrender of devotion to have neither eyes nor ears for the -outer world. There were many things new to me. For instance, -hay-ricks in the trees, and here and there very beautiful masses of -weeping birch, their white stems shining like silver through the -delicate green of the leaves. - -Now and again we passed a leiter-wagon--the ordinary peasants's -cart--with its long, snakelike vertebra, calculated to suit the -inequalities of the road. On this were sure to be seated quite a -group of homecoming peasants, the Cszeks with their white, and the -Slovaks with their coloured sheepskins, the latter carrying -lance-fashion their long staves, with axe at end. As the evening fell -it began to get very cold, and the growing twilight seemed to merge -into one dark mistiness the gloom of the trees, oak, beech, and pine, -though in the valleys which ran deep between the spurs of the hills, -as we ascended through the Pass, the dark firs stood out here and -there against the background of late-lying snow. Sometimes, as the -road was cut through the pine woods that seemed in the darkness to be -closing down upon us, great masses of greyness which here and there -bestrewed the trees, produced a peculiarly weird and solemn effect, -which carried on the thoughts and grim fancies engendered earlier in -the evening, when the falling sunset threw into strange relief the -ghost-like clouds which amongst the Carpathians seem to wind -ceaselessly through the valleys. Sometimes the hills were so steep -that, despite our driver's haste, the horses could only go slowly. I -wished to get down and walk up them, as we do at home, but the driver -would not hear of it. "No, no," he said. "You must not walk here. -The dogs are too fierce." And then he added, with what he evidently -meant for grim pleasantry--for he looked round to catch the approving -smile of the rest--"And you may have enough of such matters before you -go to sleep." The only stop he would make was a moment's pause to -light his lamps. - -When it grew dark there seemed to be some excitement amongst the -passengers, and they kept speaking to him, one after the other, as -though urging him to further speed. He lashed the horses unmercifully -with his long whip, and with wild cries of encouragement urged them on -to further exertions. Then through the darkness I could see a sort of -patch of grey light ahead of us, as though there were a cleft in the -hills. The excitement of the passengers grew greater. The crazy -coach rocked on its great leather springs, and swayed like a boat -tossed on a stormy sea. I had to hold on. The road grew more level, -and we appeared to fly along. Then the mountains seemed to come -nearer to us on each side and to frown down upon us. We were entering -on the Borgo Pass. One by one several of the passengers offered me -gifts, which they pressed upon me with an earnestness which would take -no denial. These were certainly of an odd and varied kind, but each -was given in simple good faith, with a kindly word, and a blessing, -and that same strange mixture of fear-meaning movements which I had -seen outside the hotel at Bistritz--the sign of the cross and the -guard against the evil eye. Then, as we flew along, the driver leaned -forward, and on each side the passengers, craning over the edge of the -coach, peered eagerly into the darkness. It was evident that -something very exciting was either happening or expected, but though I -asked each passenger, no one would give me the slightest explanation. -This state of excitement kept on for some little time. And at last we -saw before us the Pass opening out on the eastern side. There were -dark, rolling clouds overhead, and in the air the heavy, oppressive -sense of thunder. It seemed as though the mountain range had -separated two atmospheres, and that now we had got into the thunderous -one. I was now myself looking out for the conveyance which was to -take me to the Count. Each moment I expected to see the glare of -lamps through the blackness, but all was dark. The only light was the -flickering rays of our own lamps, in which the steam from our -hard-driven horses rose in a white cloud. We could see now the sandy -road lying white before us, but there was on it no sign of a vehicle. -The passengers drew back with a sigh of gladness, which seemed to mock -my own disappointment. I was already thinking what I had best do, -when the driver, looking at his watch, said to the others something -which I could hardly hear, it was spoken so quietly and in so low a -tone, I thought it was "An hour less than the time." Then turning to -me, he spoke in German worse than my own. - -"There is no carriage here. The Herr is not expected after all. He -will now come on to Bukovina, and return tomorrow or the next day, -better the next day." Whilst he was speaking the horses began to -neigh and snort and plunge wildly, so that the driver had to hold them -up. Then, amongst a chorus of screams from the peasants and a -universal crossing of themselves, a caleche, with four horses, drove -up behind us, overtook us, and drew up beside the coach. I could see -from the flash of our lamps as the rays fell on them, that the horses -were coal-black and splendid animals. They were driven by a tall man, -with a long brown beard and a great black hat, which seemed to hide -his face from us. I could only see the gleam of a pair of very bright -eyes, which seemed red in the lamplight, as he turned to us. - -He said to the driver, "You are early tonight, my friend." - -The man stammered in reply, "The English Herr was in a hurry." - -To which the stranger replied, "That is why, I suppose, you wished him -to go on to Bukovina. You cannot deceive me, my friend. I know too -much, and my horses are swift." - -As he spoke he smiled, and the lamplight fell on a hard-looking mouth, -with very red lips and sharp-looking teeth, as white as ivory. One of -my companions whispered to another the line from Burger's "Lenore". - -"Denn die Todten reiten Schnell." ("For the dead travel fast.") - -The strange driver evidently heard the words, for he looked up with a -gleaming smile. The passenger turned his face away, at the same time -putting out his two fingers and crossing himself. "Give me the Herr's -luggage," said the driver, and with exceeding alacrity my bags were -handed out and put in the caleche. Then I descended from the side of -the coach, as the caleche was close alongside, the driver helping me -with a hand which caught my arm in a grip of steel. His strength must -have been prodigious. - -Without a word he shook his reins, the horses turned, and we swept -into the darkness of the pass. As I looked back I saw the steam from -the horses of the coach by the light of the lamps, and projected -against it the figures of my late companions crossing themselves. -Then the driver cracked his whip and called to his horses, and off -they swept on their way to Bukovina. As they sank into the darkness I -felt a strange chill, and a lonely feeling come over me. But a cloak -was thrown over my shoulders, and a rug across my knees, and the -driver said in excellent German--"The night is chill, mein Herr, and -my master the Count bade me take all care of you. There is a flask of -slivovitz (the plum brandy of the country) underneath the seat, if you -should require it." - -I did not take any, but it was a comfort to know it was there all the -same. I felt a little strangely, and not a little frightened. I -think had there been any alternative I should have taken it, instead -of prosecuting that unknown night journey. The carriage went at a -hard pace straight along, then we made a complete turn and went along -another straight road. It seemed to me that we were simply going over -and over the same ground again, and so I took note of some salient -point, and found that this was so. I would have liked to have asked -the driver what this all meant, but I really feared to do so, for I -thought that, placed as I was, any protest would have had no effect in -case there had been an intention to delay. - -By-and-by, however, as I was curious to know how time was passing, I -struck a match, and by its flame looked at my watch. It was within a -few minutes of midnight. This gave me a sort of shock, for I suppose -the general superstition about midnight was increased by my recent -experiences. I waited with a sick feeling of suspense. - -Then a dog began to howl somewhere in a farmhouse far down the road, a -long, agonized wailing, as if from fear. The sound was taken up by -another dog, and then another and another, till, borne on the wind -which now sighed softly through the Pass, a wild howling began, which -seemed to come from all over the country, as far as the imagination -could grasp it through the gloom of the night. - -At the first howl the horses began to strain and rear, but the driver -spoke to them soothingly, and they quieted down, but shivered and -sweated as though after a runaway from sudden fright. Then, far off -in the distance, from the mountains on each side of us began a louder -and a sharper howling, that of wolves, which affected both the horses -and myself in the same way. For I was minded to jump from the caleche -and run, whilst they reared again and plunged madly, so that the -driver had to use all his great strength to keep them from bolting. -In a few minutes, however, my own ears got accustomed to the sound, -and the horses so far became quiet that the driver was able to descend -and to stand before them. - -He petted and soothed them, and whispered something in their ears, as -I have heard of horse-tamers doing, and with extraordinary effect, for -under his caresses they became quite manageable again, though they -still trembled. The driver again took his seat, and shaking his -reins, started off at a great pace. This time, after going to the far -side of the Pass, he suddenly turned down a narrow roadway which ran -sharply to the right. - -Soon we were hemmed in with trees, which in places arched right over -the roadway till we passed as through a tunnel. And again great -frowning rocks guarded us boldly on either side. Though we were in -shelter, we could hear the rising wind, for it moaned and whistled -through the rocks, and the branches of the trees crashed together as -we swept along. It grew colder and colder still, and fine, powdery -snow began to fall, so that soon we and all around us were covered -with a white blanket. The keen wind still carried the howling of the -dogs, though this grew fainter as we went on our way. The baying of -the wolves sounded nearer and nearer, as though they were closing -round on us from every side. I grew dreadfully afraid, and the horses -shared my fear. The driver, however, was not in the least disturbed. -He kept turning his head to left and right, but I could not see -anything through the darkness. - -Suddenly, away on our left I saw a faint flickering blue flame. The -driver saw it at the same moment. He at once checked the horses, and, -jumping to the ground, disappeared into the darkness. I did not know -what to do, the less as the howling of the wolves grew closer. But -while I wondered, the driver suddenly appeared again, and without a -word took his seat, and we resumed our journey. I think I must have -fallen asleep and kept dreaming of the incident, for it seemed to be -repeated endlessly, and now looking back, it is like a sort of awful -nightmare. Once the flame appeared so near the road, that even in the -darkness around us I could watch the driver's motions. He went -rapidly to where the blue flame arose, it must have been very faint, -for it did not seem to illumine the place around it at all, and -gathering a few stones, formed them into some device. - -Once there appeared a strange optical effect. When he stood between -me and the flame he did not obstruct it, for I could see its ghostly -flicker all the same. This startled me, but as the effect was only -momentary, I took it that my eyes deceived me straining through the -darkness. Then for a time there were no blue flames, and we sped -onwards through the gloom, with the howling of the wolves around us, -as though they were following in a moving circle. - -At last there came a time when the driver went further afield than he -had yet gone, and during his absence, the horses began to tremble -worse than ever and to snort and scream with fright. I could not see -any cause for it, for the howling of the wolves had ceased altogether. -But just then the moon, sailing through the black clouds, appeared -behind the jagged crest of a beetling, pine-clad rock, and by its -light I saw around us a ring of wolves, with white teeth and lolling -red tongues, with long, sinewy limbs and shaggy hair. They were a -hundred times more terrible in the grim silence which held them than -even when they howled. For myself, I felt a sort of paralysis of -fear. It is only when a man feels himself face to face with such -horrors that he can understand their true import. - -All at once the wolves began to howl as though the moonlight had had -some peculiar effect on them. The horses jumped about and reared, and -looked helplessly round with eyes that rolled in a way painful to -see. But the living ring of terror encompassed them on every side, -and they had perforce to remain within it. I called to the coachman -to come, for it seemed to me that our only chance was to try to break -out through the ring and to aid his approach, I shouted and beat the -side of the caleche, hoping by the noise to scare the wolves from the -side, so as to give him a chance of reaching the trap. How he came -there, I know not, but I heard his voice raised in a tone of imperious -command, and looking towards the sound, saw him stand in the roadway. -As he swept his long arms, as though brushing aside some impalpable -obstacle, the wolves fell back and back further still. Just then a -heavy cloud passed across the face of the moon, so that we were again -in darkness. - -When I could see again the driver was climbing into the caleche, and -the wolves disappeared. This was all so strange and uncanny that a -dreadful fear came upon me, and I was afraid to speak or move. The -time seemed interminable as we swept on our way, now in almost -complete darkness, for the rolling clouds obscured the moon. - -We kept on ascending, with occasional periods of quick descent, but in -the main always ascending. Suddenly, I became conscious of the fact -that the driver was in the act of pulling up the horses in the -courtyard of a vast ruined castle, from whose tall black windows came -no ray of light, and whose broken battlements showed a jagged line -against the sky. - - - - -CHAPTER 2 - - -Jonathan Harker's Journal Continued - -5 May.--I must have been asleep, for certainly if I had been fully -awake I must have noticed the approach of such a remarkable place. In -the gloom the courtyard looked of considerable size, and as several -dark ways led from it under great round arches, it perhaps seemed -bigger than it really is. I have not yet been able to see it by -daylight. - -When the caleche stopped, the driver jumped down and held out his hand -to assist me to alight. Again I could not but notice his prodigious -strength. His hand actually seemed like a steel vice that could have -crushed mine if he had chosen. Then he took my traps, and placed them -on the ground beside me as I stood close to a great door, old and -studded with large iron nails, and set in a projecting doorway of -massive stone. I could see even in the dim light that the stone was -massively carved, but that the carving had been much worn by time and -weather. As I stood, the driver jumped again into his seat and shook -the reins. The horses started forward, and trap and all disappeared -down one of the dark openings. - -I stood in silence where I was, for I did not know what to do. Of -bell or knocker there was no sign. Through these frowning walls and -dark window openings it was not likely that my voice could penetrate. -The time I waited seemed endless, and I felt doubts and fears crowding -upon me. What sort of place had I come to, and among what kind of -people? What sort of grim adventure was it on which I had embarked? -Was this a customary incident in the life of a solicitor's clerk sent -out to explain the purchase of a London estate to a foreigner? -Solicitor's clerk! Mina would not like that. Solicitor, for just -before leaving London I got word that my examination was successful, -and I am now a full-blown solicitor! I began to rub my eyes and pinch -myself to see if I were awake. It all seemed like a horrible -nightmare to me, and I expected that I should suddenly awake, and find -myself at home, with the dawn struggling in through the windows, as I -had now and again felt in the morning after a day of overwork. But my -flesh answered the pinching test, and my eyes were not to be -deceived. I was indeed awake and among the Carpathians. All I could -do now was to be patient, and to wait the coming of morning. - -Just as I had come to this conclusion I heard a heavy step approaching -behind the great door, and saw through the chinks the gleam of a -coming light. Then there was the sound of rattling chains and the -clanking of massive bolts drawn back. A key was turned with the loud -grating noise of long disuse, and the great door swung back. - -Within, stood a tall old man, clean shaven save for a long white -moustache, and clad in black from head to foot, without a single speck -of colour about him anywhere. He held in his hand an antique silver -lamp, in which the flame burned without a chimney or globe of any -kind, throwing long quivering shadows as it flickered in the draught -of the open door. The old man motioned me in with his right hand with -a courtly gesture, saying in excellent English, but with a strange -intonation. - -"Welcome to my house! Enter freely and of your own free will!" He -made no motion of stepping to meet me, but stood like a statue, as -though his gesture of welcome had fixed him into stone. The instant, -however, that I had stepped over the threshold, he moved impulsively -forward, and holding out his hand grasped mine with a strength which -made me wince, an effect which was not lessened by the fact that it -seemed cold as ice, more like the hand of a dead than a living man. -Again he said, - -"Welcome to my house! Enter freely. Go safely, and leave something -of the happiness you bring!" The strength of the handshake was so -much akin to that which I had noticed in the driver, whose face I had -not seen, that for a moment I doubted if it were not the same person -to whom I was speaking. So to make sure, I said interrogatively, -"Count Dracula?" - -He bowed in a courtly way as he replied, "I am Dracula, and I bid you -welcome, Mr. Harker, to my house. Come in, the night air is chill, -and you must need to eat and rest." As he was speaking, he put the lamp -on a bracket on the wall, and stepping out, took my luggage. He had -carried it in before I could forestall him. I protested, but he -insisted. - -"Nay, sir, you are my guest. It is late, and my people are not -available. Let me see to your comfort myself." He insisted on carrying -my traps along the passage, and then up a great winding stair, and -along another great passage, on whose stone floor our steps rang -heavily. At the end of this he threw open a heavy door, and I -rejoiced to see within a well-lit room in which a table was spread for -supper, and on whose mighty hearth a great fire of logs, freshly -replenished, flamed and flared. - -The Count halted, putting down my bags, closed the door, and crossing -the room, opened another door, which led into a small octagonal room -lit by a single lamp, and seemingly without a window of any sort. -Passing through this, he opened another door, and motioned me to -enter. It was a welcome sight. For here was a great bedroom well -lighted and warmed with another log fire, also added to but lately, -for the top logs were fresh, which sent a hollow roar up the wide -chimney. The Count himself left my luggage inside and withdrew, -saying, before he closed the door. - -"You will need, after your journey, to refresh yourself by making your -toilet. I trust you will find all you wish. When you are ready, come -into the other room, where you will find your supper prepared." - -The light and warmth and the Count's courteous welcome seemed to have -dissipated all my doubts and fears. Having then reached my normal -state, I discovered that I was half famished with hunger. So making a -hasty toilet, I went into the other room. - -I found supper already laid out. My host, who stood on one side of -the great fireplace, leaning against the stonework, made a graceful -wave of his hand to the table, and said, - -"I pray you, be seated and sup how you please. You will I trust, -excuse me that I do not join you, but I have dined already, and I do -not sup." - -I handed to him the sealed letter which Mr. Hawkins had entrusted to -me. He opened it and read it gravely. Then, with a charming smile, -he handed it to me to read. One passage of it, at least, gave me a -thrill of pleasure. - -"I must regret that an attack of gout, from which malady I am a -constant sufferer, forbids absolutely any travelling on my part for -some time to come. But I am happy to say I can send a sufficient -substitute, one in whom I have every possible confidence. He is a -young man, full of energy and talent in his own way, and of a very -faithful disposition. He is discreet and silent, and has grown into -manhood in my service. He shall be ready to attend on you when you -will during his stay, and shall take your instructions in all -matters." - -The count himself came forward and took off the cover of a dish, and I -fell to at once on an excellent roast chicken. This, with some cheese -and a salad and a bottle of old tokay, of which I had two glasses, was -my supper. During the time I was eating it the Count asked me many -questions as to my journey, and I told him by degrees all I had -experienced. - -By this time I had finished my supper, and by my host's desire had -drawn up a chair by the fire and begun to smoke a cigar which he -offered me, at the same time excusing himself that he did not smoke. -I had now an opportunity of observing him, and found him of a very -marked physiognomy. - -His face was a strong, a very strong, aquiline, with high bridge of -the thin nose and peculiarly arched nostrils, with lofty domed -forehead, and hair growing scantily round the temples but profusely -elsewhere. His eyebrows were very massive, almost meeting over the -nose, and with bushy hair that seemed to curl in its own profusion. -The mouth, so far as I could see it under the heavy moustache, was -fixed and rather cruel-looking, with peculiarly sharp white teeth. -These protruded over the lips, whose remarkable ruddiness showed -astonishing vitality in a man of his years. For the rest, his ears -were pale, and at the tops extremely pointed. The chin was broad and -strong, and the cheeks firm though thin. The general effect was one -of extraordinary pallor. - -Hitherto I had noticed the backs of his hands as they lay on his knees -in the firelight, and they had seemed rather white and fine. But -seeing them now close to me, I could not but notice that they were -rather coarse, broad, with squat fingers. Strange to say, there were -hairs in the centre of the palm. The nails were long and fine, and -cut to a sharp point. As the Count leaned over me and his hands -touched me, I could not repress a shudder. It may have been that his -breath was rank, but a horrible feeling of nausea came over me, which, -do what I would, I could not conceal. - -The Count, evidently noticing it, drew back. And with a grim sort of -smile, which showed more than he had yet done his protruberant teeth, -sat himself down again on his own side of the fireplace. We were both -silent for a while, and as I looked towards the window I saw the first -dim streak of the coming dawn. There seemed a strange stillness over -everything. But as I listened, I heard as if from down below in the -valley the howling of many wolves. The Count's eyes gleamed, and he -said. - -"Listen to them, the children of the night. What music they make!" -Seeing, I suppose, some expression in my face strange to him, he -added, "Ah, sir, you dwellers in the city cannot enter into the -feelings of the hunter." Then he rose and said. - -"But you must be tired. Your bedroom is all ready, and tomorrow you -shall sleep as late as you will. I have to be away till the -afternoon, so sleep well and dream well!" With a courteous bow, he -opened for me himself the door to the octagonal room, and I entered my -bedroom. - -I am all in a sea of wonders. I doubt. I fear. I think strange -things, which I dare not confess to my own soul. God keep me, if only -for the sake of those dear to me! - - -7 May.--It is again early morning, but I have rested and enjoyed the -last twenty-four hours. I slept till late in the day, and awoke of my -own accord. When I had dressed myself I went into the room where we -had supped, and found a cold breakfast laid out, with coffee kept hot -by the pot being placed on the hearth. There was a card on the table, -on which was written--"I have to be absent for a while. Do not wait -for me. D." I set to and enjoyed a hearty meal. When I had done, I -looked for a bell, so that I might let the servants know I had -finished, but I could not find one. There are certainly odd -deficiencies in the house, considering the extraordinary evidences of -wealth which are round me. The table service is of gold, and so -beautifully wrought that it must be of immense value. The curtains -and upholstery of the chairs and sofas and the hangings of my bed are -of the costliest and most beautiful fabrics, and must have been of -fabulous value when they were made, for they are centuries old, though -in excellent order. I saw something like them in Hampton Court, but -they were worn and frayed and moth-eaten. But still in none of the -rooms is there a mirror. There is not even a toilet glass on my -table, and I had to get the little shaving glass from my bag before I -could either shave or brush my hair. I have not yet seen a servant -anywhere, or heard a sound near the castle except the howling of -wolves. Some time after I had finished my meal, I do not know whether -to call it breakfast or dinner, for it was between five and six -o'clock when I had it, I looked about for something to read, for I did -not like to go about the castle until I had asked the Count's -permission. There was absolutely nothing in the room, book, -newspaper, or even writing materials, so I opened another door in the -room and found a sort of library. The door opposite mine I tried, but -found locked. - -In the library I found, to my great delight, a vast number of English -books, whole shelves full of them, and bound volumes of magazines and -newspapers. A table in the centre was littered with English magazines -and newspapers, though none of them were of very recent date. The -books were of the most varied kind, history, geography, politics, -political economy, botany, geology, law, all relating to England and -English life and customs and manners. There were even such books of -reference as the London Directory, the "Red" and "Blue" books, -Whitaker's Almanac, the Army and Navy Lists, and it somehow gladdened -my heart to see it, the Law List. - -Whilst I was looking at the books, the door opened, and the Count -entered. He saluted me in a hearty way, and hoped that I had had a -good night's rest. Then he went on. - -"I am glad you found your way in here, for I am sure there is much -that will interest you. These companions," and he laid his hand on -some of the books, "have been good friends to me, and for some years -past, ever since I had the idea of going to London, have given me -many, many hours of pleasure. Through them I have come to know your -great England, and to know her is to love her. I long to go through -the crowded streets of your mighty London, to be in the midst of the -whirl and rush of humanity, to share its life, its change, its death, -and all that makes it what it is. But alas! As yet I only know your -tongue through books. To you, my friend, I look that I know it to -speak." - -"But, Count," I said, "You know and speak English thoroughly!" He -bowed gravely. - -"I thank you, my friend, for your all too-flattering estimate, but yet -I fear that I am but a little way on the road I would travel. True, I -know the grammar and the words, but yet I know not how to speak them." - -"Indeed," I said, "You speak excellently." - -"Not so," he answered. "Well, I know that, did I move and speak in -your London, none there are who would not know me for a stranger. That -is not enough for me. Here I am noble. I am a Boyar. The common -people know me, and I am master. But a stranger in a strange land, he -is no one. Men know him not, and to know not is to care not for. I -am content if I am like the rest, so that no man stops if he sees me, -or pauses in his speaking if he hears my words, 'Ha, ha! A stranger!' -I have been so long master that I would be master still, or at least -that none other should be master of me. You come to me not alone as -agent of my friend Peter Hawkins, of Exeter, to tell me all about my -new estate in London. You shall, I trust, rest here with me a while, -so that by our talking I may learn the English intonation. And I -would that you tell me when I make error, even of the smallest, in my -speaking. I am sorry that I had to be away so long today, but you -will, I know forgive one who has so many important affairs in hand." - -Of course I said all I could about being willing, and asked if I might -come into that room when I chose. He answered, "Yes, certainly," and -added. - -"You may go anywhere you wish in the castle, except where the doors -are locked, where of course you will not wish to go. There is reason -that all things are as they are, and did you see with my eyes and know -with my knowledge, you would perhaps better understand." I said I was -sure of this, and then he went on. - -"We are in Transylvania, and Transylvania is not England. Our ways -are not your ways, and there shall be to you many strange things. Nay, -from what you have told me of your experiences already, you know -something of what strange things there may be." - -This led to much conversation, and as it was evident that he wanted to -talk, if only for talking's sake, I asked him many questions regarding -things that had already happened to me or come within my notice. -Sometimes he sheered off the subject, or turned the conversation by -pretending not to understand, but generally he answered all I asked -most frankly. Then as time went on, and I had got somewhat bolder, I -asked him of some of the strange things of the preceding night, as for -instance, why the coachman went to the places where he had seen the -blue flames. He then explained to me that it was commonly believed -that on a certain night of the year, last night, in fact, when all -evil spirits are supposed to have unchecked sway, a blue flame is seen -over any place where treasure has been concealed. - -"That treasure has been hidden," he went on, "in the region through -which you came last night, there can be but little doubt. For it was -the ground fought over for centuries by the Wallachian, the Saxon, and -the Turk. Why, there is hardly a foot of soil in all this region that -has not been enriched by the blood of men, patriots or invaders. In -the old days there were stirring times, when the Austrian and the -Hungarian came up in hordes, and the patriots went out to meet them, -men and women, the aged and the children too, and waited their coming -on the rocks above the passes, that they might sweep destruction on -them with their artificial avalanches. When the invader was -triumphant he found but little, for whatever there was had been -sheltered in the friendly soil." - -"But how," said I, "can it have remained so long undiscovered, when -there is a sure index to it if men will but take the trouble to look?" -The Count smiled, and as his lips ran back over his gums, the long, -sharp, canine teeth showed out strangely. He answered: - -"Because your peasant is at heart a coward and a fool! Those flames -only appear on one night, and on that night no man of this land will, -if he can help it, stir without his doors. And, dear sir, even if he -did he would not know what to do. Why, even the peasant that you tell -me of who marked the place of the flame would not know where to look -in daylight even for his own work. Even you would not, I dare be -sworn, be able to find these places again?" - -"There you are right," I said. "I know no more than the dead where -even to look for them." Then we drifted into other matters. - -"Come," he said at last, "tell me of London and of the house which you -have procured for me." With an apology for my remissness, I went into -my own room to get the papers from my bag. Whilst I was placing them -in order I heard a rattling of china and silver in the next room, and -as I passed through, noticed that the table had been cleared and the -lamp lit, for it was by this time deep into the dark. The lamps were -also lit in the study or library, and I found the Count lying on the -sofa, reading, of all things in the world, an English Bradshaw's -Guide. When I came in he cleared the books and papers from the table, -and with him I went into plans and deeds and figures of all sorts. He -was interested in everything, and asked me a myriad questions about -the place and its surroundings. He clearly had studied beforehand all -he could get on the subject of the neighbourhood, for he evidently at -the end knew very much more than I did. When I remarked this, he -answered. - -"Well, but, my friend, is it not needful that I should? When I go -there I shall be all alone, and my friend Harker Jonathan, nay, pardon -me. I fall into my country's habit of putting your patronymic first, -my friend Jonathan Harker will not be by my side to correct and aid -me. He will be in Exeter, miles away, probably working at papers of -the law with my other friend, Peter Hawkins. So!" - -We went thoroughly into the business of the purchase of the estate at -Purfleet. When I had told him the facts and got his signature to the -necessary papers, and had written a letter with them ready to post to -Mr. Hawkins, he began to ask me how I had come across so suitable a -place. I read to him the notes which I had made at the time, and -which I inscribe here. - -"At Purfleet, on a byroad, I came across just such a place as seemed -to be required, and where was displayed a dilapidated notice that the -place was for sale. It was surrounded by a high wall, of ancient -structure, built of heavy stones, and has not been repaired for a -large number of years. The closed gates are of heavy old oak and -iron, all eaten with rust. - -"The estate is called Carfax, no doubt a corruption of the old Quatre -Face, as the house is four sided, agreeing with the cardinal points of -the compass. It contains in all some twenty acres, quite surrounded -by the solid stone wall above mentioned. There are many trees on it, -which make it in places gloomy, and there is a deep, dark-looking pond -or small lake, evidently fed by some springs, as the water is clear -and flows away in a fair-sized stream. The house is very large and of -all periods back, I should say, to mediaeval times, for one part is of -stone immensely thick, with only a few windows high up and heavily -barred with iron. It looks like part of a keep, and is close to an -old chapel or church. I could not enter it, as I had not the key of -the door leading to it from the house, but I have taken with my Kodak -views of it from various points. The house had been added to, but in -a very straggling way, and I can only guess at the amount of ground it -covers, which must be very great. There are but few houses close at -hand, one being a very large house only recently added to and formed -into a private lunatic asylum. It is not, however, visible from the -grounds." - -When I had finished, he said, "I am glad that it is old and big. I -myself am of an old family, and to live in a new house would kill me. -A house cannot be made habitable in a day, and after all, how few days -go to make up a century. I rejoice also that there is a chapel of old -times. We Transylvanian nobles love not to think that our bones may -lie amongst the common dead. I seek not gaiety nor mirth, not the -bright voluptuousness of much sunshine and sparkling waters which -please the young and gay. I am no longer young, and my heart, through -weary years of mourning over the dead, is not attuned to mirth. Moreover, -the walls of my castle are broken. The shadows are many, and the wind -breathes cold through the broken battlements and casements. I love -the shade and the shadow, and would be alone with my thoughts when I -may." Somehow his words and his look did not seem to accord, or else -it was that his cast of face made his smile look malignant and -saturnine. - -Presently, with an excuse, he left me, asking me to pull my papers -together. He was some little time away, and I began to look at some -of the books around me. One was an atlas, which I found opened -naturally to England, as if that map had been much used. On looking -at it I found in certain places little rings marked, and on examining -these I noticed that one was near London on the east side, manifestly -where his new estate was situated. The other two were Exeter, and -Whitby on the Yorkshire coast. - -It was the better part of an hour when the Count returned. "Aha!" he -said. "Still at your books? Good! But you must not work always. -Come! I am informed that your supper is ready." He took my arm, and -we went into the next room, where I found an excellent supper ready on -the table. The Count again excused himself, as he had dined out on -his being away from home. But he sat as on the previous night, and -chatted whilst I ate. After supper I smoked, as on the last evening, -and the Count stayed with me, chatting and asking questions on every -conceivable subject, hour after hour. I felt that it was getting very -late indeed, but I did not say anything, for I felt under obligation -to meet my host's wishes in every way. I was not sleepy, as the long -sleep yesterday had fortified me, but I could not help experiencing -that chill which comes over one at the coming of the dawn, which is -like, in its way, the turn of the tide. They say that people who are -near death die generally at the change to dawn or at the turn of the -tide. Anyone who has when tired, and tied as it were to his post, -experienced this change in the atmosphere can well believe it. All at -once we heard the crow of the cock coming up with preternatural -shrillness through the clear morning air. - -Count Dracula, jumping to his feet, said, "Why there is the morning -again! How remiss I am to let you stay up so long. You must make -your conversation regarding my dear new country of England less -interesting, so that I may not forget how time flies by us," and with -a courtly bow, he quickly left me. - -I went into my room and drew the curtains, but there was little to -notice. My window opened into the courtyard, all I could see was the -warm grey of quickening sky. So I pulled the curtains again, and have -written of this day. - - -8 May.--I began to fear as I wrote in this book that I was getting too -diffuse. But now I am glad that I went into detail from the first, -for there is something so strange about this place and all in it that -I cannot but feel uneasy. I wish I were safe out of it, or that I had -never come. It may be that this strange night existence is telling on -me, but would that that were all! If there were any one to talk to I -could bear it, but there is no one. I have only the Count to speak -with, and he--I fear I am myself the only living soul within the -place. Let me be prosaic so far as facts can be. It will help me to -bear up, and imagination must not run riot with me. If it does I am -lost. Let me say at once how I stand, or seem to. - -I only slept a few hours when I went to bed, and feeling that I could -not sleep any more, got up. I had hung my shaving glass by the -window, and was just beginning to shave. Suddenly I felt a hand on my -shoulder, and heard the Count's voice saying to me, "Good morning." I -started, for it amazed me that I had not seen him, since the -reflection of the glass covered the whole room behind me. In starting -I had cut myself slightly, but did not notice it at the moment. Having -answered the Count's salutation, I turned to the glass again to see -how I had been mistaken. This time there could be no error, for the -man was close to me, and I could see him over my shoulder. But there -was no reflection of him in the mirror! The whole room behind me was -displayed, but there was no sign of a man in it, except myself. - -This was startling, and coming on the top of so many strange things, -was beginning to increase that vague feeling of uneasiness which I -always have when the Count is near. But at the instant I saw that the -cut had bled a little, and the blood was trickling over my chin. I -laid down the razor, turning as I did so half round to look for some -sticking plaster. When the Count saw my face, his eyes blazed with a -sort of demoniac fury, and he suddenly made a grab at my throat. I -drew away and his hand touched the string of beads which held the -crucifix. It made an instant change in him, for the fury passed so -quickly that I could hardly believe that it was ever there. - -"Take care," he said, "take care how you cut yourself. It is more -dangerous that you think in this country." Then seizing the shaving -glass, he went on, "And this is the wretched thing that has done the -mischief. It is a foul bauble of man's vanity. Away with it!" And -opening the window with one wrench of his terrible hand, he flung out -the glass, which was shattered into a thousand pieces on the stones of -the courtyard far below. Then he withdrew without a word. It is very -annoying, for I do not see how I am to shave, unless in my watch-case -or the bottom of the shaving pot, which is fortunately of metal. - -When I went into the dining room, breakfast was prepared, but I could -not find the Count anywhere. So I breakfasted alone. It is strange -that as yet I have not seen the Count eat or drink. He must be a very -peculiar man! After breakfast I did a little exploring in the -castle. I went out on the stairs, and found a room looking towards -the South. - -The view was magnificent, and from where I stood there was every -opportunity of seeing it. The castle is on the very edge of a -terrific precipice. A stone falling from the window would fall a -thousand feet without touching anything! As far as the eye can reach -is a sea of green tree tops, with occasionally a deep rift where there -is a chasm. Here and there are silver threads where the rivers wind -in deep gorges through the forests. - -But I am not in heart to describe beauty, for when I had seen the view -I explored further. Doors, doors, doors everywhere, and all locked -and bolted. In no place save from the windows in the castle walls is -there an available exit. The castle is a veritable prison, and I am a -prisoner! - - - - -CHAPTER 3 - - -Jonathan Harker's Journal Continued - -When I found that I was a prisoner a sort of wild feeling came over -me. I rushed up and down the stairs, trying every door and peering -out of every window I could find, but after a little the conviction of -my helplessness overpowered all other feelings. When I look back -after a few hours I think I must have been mad for the time, for I -behaved much as a rat does in a trap. When, however, the conviction -had come to me that I was helpless I sat down quietly, as quietly as I -have ever done anything in my life, and began to think over what was -best to be done. I am thinking still, and as yet have come to no -definite conclusion. Of one thing only am I certain. That it is no -use making my ideas known to the Count. He knows well that I am -imprisoned, and as he has done it himself, and has doubtless his own -motives for it, he would only deceive me if I trusted him fully with -the facts. So far as I can see, my only plan will be to keep my -knowledge and my fears to myself, and my eyes open. I am, I know, -either being deceived, like a baby, by my own fears, or else I am in -desperate straits, and if the latter be so, I need, and shall need, -all my brains to get through. - -I had hardly come to this conclusion when I heard the great door below -shut, and knew that the Count had returned. He did not come at once -into the library, so I went cautiously to my own room and found him -making the bed. This was odd, but only confirmed what I had all along -thought, that there are no servants in the house. When later I saw -him through the chink of the hinges of the door laying the table in -the dining room, I was assured of it. For if he does himself all -these menial offices, surely it is proof that there is no one else in -the castle, it must have been the Count himself who was the driver of -the coach that brought me here. This is a terrible thought, for if -so, what does it mean that he could control the wolves, as he did, by -only holding up his hand for silence? How was it that all the people -at Bistritz and on the coach had some terrible fear for me? What -meant the giving of the crucifix, of the garlic, of the wild rose, of -the mountain ash? - -Bless that good, good woman who hung the crucifix round my neck! For -it is a comfort and a strength to me whenever I touch it. It is odd -that a thing which I have been taught to regard with disfavour and as -idolatrous should in a time of loneliness and trouble be of help. Is -it that there is something in the essence of the thing itself, or that -it is a medium, a tangible help, in conveying memories of sympathy and -comfort? Some time, if it may be, I must examine this matter and try -to make up my mind about it. In the meantime I must find out all I -can about Count Dracula, as it may help me to understand. Tonight he -may talk of himself, if I turn the conversation that way. I must be -very careful, however, not to awake his suspicion. - - -Midnight.--I have had a long talk with the Count. I asked him a few -questions on Transylvania history, and he warmed up to the subject -wonderfully. In his speaking of things and people, and especially of -battles, he spoke as if he had been present at them all. This he -afterwards explained by saying that to a Boyar the pride of his house -and name is his own pride, that their glory is his glory, that their -fate is his fate. Whenever he spoke of his house he always said "we", -and spoke almost in the plural, like a king speaking. I wish I could -put down all he said exactly as he said it, for to me it was most -fascinating. It seemed to have in it a whole history of the country. -He grew excited as he spoke, and walked about the room pulling his -great white moustache and grasping anything on which he laid his hands -as though he would crush it by main strength. One thing he said which -I shall put down as nearly as I can, for it tells in its way the story -of his race. - -"We Szekelys have a right to be proud, for in our veins flows the -blood of many brave races who fought as the lion fights, for lordship. -Here, in the whirlpool of European races, the Ugric tribe bore down -from Iceland the fighting spirit which Thor and Wodin gave them, which -their Berserkers displayed to such fell intent on the seaboards of -Europe, aye, and of Asia and Africa too, till the peoples thought that -the werewolves themselves had come. Here, too, when they came, they -found the Huns, whose warlike fury had swept the earth like a living -flame, till the dying peoples held that in their veins ran the blood -of those old witches, who, expelled from Scythia had mated with the -devils in the desert. Fools, fools! What devil or what witch was -ever so great as Attila, whose blood is in these veins?" He held up -his arms. "Is it a wonder that we were a conquering race, that we -were proud, that when the Magyar, the Lombard, the Avar, the Bulgar, -or the Turk poured his thousands on our frontiers, we drove them back? -Is it strange that when Arpad and his legions swept through the -Hungarian fatherland he found us here when he reached the frontier, -that the Honfoglalas was completed there? And when the Hungarian -flood swept eastward, the Szekelys were claimed as kindred by the -victorious Magyars, and to us for centuries was trusted the guarding -of the frontier of Turkeyland. Aye, and more than that, endless duty -of the frontier guard, for as the Turks say, 'water sleeps, and the -enemy is sleepless.' Who more gladly than we throughout the Four -Nations received the 'bloody sword,' or at its warlike call flocked -quicker to the standard of the King? When was redeemed that great -shame of my nation, the shame of Cassova, when the flags of the -Wallach and the Magyar went down beneath the Crescent? Who was it but -one of my own race who as Voivode crossed the Danube and beat the Turk -on his own ground? This was a Dracula indeed! Woe was it that his -own unworthy brother, when he had fallen, sold his people to the Turk -and brought the shame of slavery on them! Was it not this Dracula, -indeed, who inspired that other of his race who in a later age again -and again brought his forces over the great river into Turkeyland, -who, when he was beaten back, came again, and again, though he had to -come alone from the bloody field where his troops were being -slaughtered, since he knew that he alone could ultimately triumph! -They said that he thought only of himself. Bah! What good are -peasants without a leader? Where ends the war without a brain and -heart to conduct it? Again, when, after the battle of Mohacs, we -threw off the Hungarian yoke, we of the Dracula blood were amongst -their leaders, for our spirit would not brook that we were not free. -Ah, young sir, the Szekelys, and the Dracula as their heart's blood, -their brains, and their swords, can boast a record that mushroom -growths like the Hapsburgs and the Romanoffs can never reach. The -warlike days are over. Blood is too precious a thing in these days of -dishonourable peace, and the glories of the great races are as a tale -that is told." - -It was by this time close on morning, and we went to bed. (Mem., this -diary seems horribly like the beginning of the "Arabian Nights," for -everything has to break off at cockcrow, or like the ghost of Hamlet's -father.) - - -12 May.--Let me begin with facts, bare, meager facts, verified by -books and figures, and of which there can be no doubt. I must not -confuse them with experiences which will have to rest on my own -observation, or my memory of them. Last evening when the Count came -from his room he began by asking me questions on legal matters and on -the doing of certain kinds of business. I had spent the day wearily -over books, and, simply to keep my mind occupied, went over some of -the matters I had been examined in at Lincoln's Inn. There was a -certain method in the Count's inquiries, so I shall try to put them -down in sequence. The knowledge may somehow or some time be useful to -me. - -First, he asked if a man in England might have two solicitors or more. -I told him he might have a dozen if he wished, but that it would not -be wise to have more than one solicitor engaged in one transaction, as -only one could act at a time, and that to change would be certain to -militate against his interest. He seemed thoroughly to understand, -and went on to ask if there would be any practical difficulty in having -one man to attend, say, to banking, and another to look after -shipping, in case local help were needed in a place far from the home -of the banking solicitor. I asked to explain more fully, so that I -might not by any chance mislead him, so he said, - -"I shall illustrate. Your friend and mine, Mr. Peter Hawkins, from -under the shadow of your beautiful cathedral at Exeter, which is far -from London, buys for me through your good self my place at London. -Good! Now here let me say frankly, lest you should think it strange -that I have sought the services of one so far off from London instead -of some one resident there, that my motive was that no local interest -might be served save my wish only, and as one of London residence -might, perhaps, have some purpose of himself or friend to serve, I -went thus afield to seek my agent, whose labours should be only to my -interest. Now, suppose I, who have much of affairs, wish to ship -goods, say, to Newcastle, or Durham, or Harwich, or Dover, might it -not be that it could with more ease be done by consigning to one in -these ports?" - -I answered that certainly it would be most easy, but that we -solicitors had a system of agency one for the other, so that local -work could be done locally on instruction from any solicitor, so that -the client, simply placing himself in the hands of one man, could have -his wishes carried out by him without further trouble. - -"But," said he, "I could be at liberty to direct myself. Is it not -so?" - -"Of course," I replied, and "Such is often done by men of business, -who do not like the whole of their affairs to be known by any one -person." - -"Good!" he said, and then went on to ask about the means of making -consignments and the forms to be gone through, and of all sorts of -difficulties which might arise, but by forethought could be guarded -against. I explained all these things to him to the best of my -ability, and he certainly left me under the impression that he would -have made a wonderful solicitor, for there was nothing that he did not -think of or foresee. For a man who was never in the country, and who -did not evidently do much in the way of business, his knowledge and -acumen were wonderful. When he had satisfied himself on these points -of which he had spoken, and I had verified all as well as I could by -the books available, he suddenly stood up and said, "Have you written -since your first letter to our friend Mr. Peter Hawkins, or to any -other?" - -It was with some bitterness in my heart that I answered that I had -not, that as yet I had not seen any opportunity of sending letters to -anybody. - -"Then write now, my young friend," he said, laying a heavy hand on my -shoulder, "write to our friend and to any other, and say, if it will -please you, that you shall stay with me until a month from now." - -"Do you wish me to stay so long?" I asked, for my heart grew cold at -the thought. - -"I desire it much, nay I will take no refusal. When your master, -employer, what you will, engaged that someone should come on his -behalf, it was understood that my needs only were to be consulted. I -have not stinted. Is it not so?" - -What could I do but bow acceptance? It was Mr. Hawkins' interest, not -mine, and I had to think of him, not myself, and besides, while Count -Dracula was speaking, there was that in his eyes and in his bearing -which made me remember that I was a prisoner, and that if I wished it -I could have no choice. The Count saw his victory in my bow, and his -mastery in the trouble of my face, for he began at once to use them, -but in his own smooth, resistless way. - -"I pray you, my good young friend, that you will not discourse of -things other than business in your letters. It will doubtless please -your friends to know that you are well, and that you look forward to -getting home to them. Is it not so?" As he spoke he handed me three -sheets of note paper and three envelopes. They were all of the -thinnest foreign post, and looking at them, then at him, and noticing -his quiet smile, with the sharp, canine teeth lying over the red -underlip, I understood as well as if he had spoken that I should be -more careful what I wrote, for he would be able to read it. So I -determined to write only formal notes now, but to write fully to Mr. -Hawkins in secret, and also to Mina, for to her I could write -shorthand, which would puzzle the Count, if he did see it. When I had -written my two letters I sat quiet, reading a book whilst the Count -wrote several notes, referring as he wrote them to some books on his -table. Then he took up my two and placed them with his own, and put -by his writing materials, after which, the instant the door had closed -behind him, I leaned over and looked at the letters, which were face -down on the table. I felt no compunction in doing so for under the -circumstances I felt that I should protect myself in every way I -could. - -One of the letters was directed to Samuel F. Billington, No. 7, The -Crescent, Whitby, another to Herr Leutner, Varna. The third was to -Coutts & Co., London, and the fourth to Herren Klopstock & Billreuth, -bankers, Buda Pesth. The second and fourth were unsealed. I was just -about to look at them when I saw the door handle move. I sank back in -my seat, having just had time to resume my book before the Count, -holding still another letter in his hand, entered the room. He took -up the letters on the table and stamped them carefully, and then -turning to me, said, - -"I trust you will forgive me, but I have much work to do in private -this evening. You will, I hope, find all things as you wish." At the -door he turned, and after a moment's pause said, "Let me advise you, -my dear young friend. Nay, let me warn you with all seriousness, that -should you leave these rooms you will not by any chance go to sleep in -any other part of the castle. It is old, and has many memories, and -there are bad dreams for those who sleep unwisely. Be warned! Should -sleep now or ever overcome you, or be like to do, then haste to your -own chamber or to these rooms, for your rest will then be safe. But -if you be not careful in this respect, then," He finished his speech -in a gruesome way, for he motioned with his hands as if he were washing -them. I quite understood. My only doubt was as to whether any dream -could be more terrible than the unnatural, horrible net of gloom and -mystery which seemed closing around me. - - -Later.--I endorse the last words written, but this time there is no -doubt in question. I shall not fear to sleep in any place where he is -not. I have placed the crucifix over the head of my bed, I imagine -that my rest is thus freer from dreams, and there it shall remain. - -When he left me I went to my room. After a little while, not hearing -any sound, I came out and went up the stone stair to where I could -look out towards the South. There was some sense of freedom in the -vast expanse, inaccessible though it was to me, as compared with the -narrow darkness of the courtyard. Looking out on this, I felt that I -was indeed in prison, and I seemed to want a breath of fresh air, -though it were of the night. I am beginning to feel this nocturnal -existence tell on me. It is destroying my nerve. I start at my own -shadow, and am full of all sorts of horrible imaginings. God knows -that there is ground for my terrible fear in this accursed place! I -looked out over the beautiful expanse, bathed in soft yellow moonlight -till it was almost as light as day. In the soft light the distant -hills became melted, and the shadows in the valleys and gorges of -velvety blackness. The mere beauty seemed to cheer me. There was -peace and comfort in every breath I drew. As I leaned from the window -my eye was caught by something moving a storey below me, and somewhat -to my left, where I imagined, from the order of the rooms, that the -windows of the Count's own room would look out. The window at which I -stood was tall and deep, stone-mullioned, and though weatherworn, was -still complete. But it was evidently many a day since the case had -been there. I drew back behind the stonework, and looked carefully -out. - -What I saw was the Count's head coming out from the window. I did not -see the face, but I knew the man by the neck and the movement of his -back and arms. In any case I could not mistake the hands which I had -had some many opportunities of studying. I was at first interested -and somewhat amused, for it is wonderful how small a matter will -interest and amuse a man when he is a prisoner. But my very feelings -changed to repulsion and terror when I saw the whole man slowly emerge -from the window and begin to crawl down the castle wall over the -dreadful abyss, face down with his cloak spreading out around him like -great wings. At first I could not believe my eyes. I thought it was -some trick of the moonlight, some weird effect of shadow, but I kept -looking, and it could be no delusion. I saw the fingers and toes -grasp the corners of the stones, worn clear of the mortar by the -stress of years, and by thus using every projection and inequality -move downwards with considerable speed, just as a lizard moves along a -wall. - -What manner of man is this, or what manner of creature, is it in the -semblance of man? I feel the dread of this horrible place -overpowering me. I am in fear, in awful fear, and there is no escape -for me. I am encompassed about with terrors that I dare not think of. - - -15 May.--Once more I have seen the count go out in his lizard fashion. -He moved downwards in a sidelong way, some hundred feet down, and a -good deal to the left. He vanished into some hole or window. When -his head had disappeared, I leaned out to try and see more, but -without avail. The distance was too great to allow a proper angle of -sight. I knew he had left the castle now, and thought to use the -opportunity to explore more than I had dared to do as yet. I went -back to the room, and taking a lamp, tried all the doors. They were -all locked, as I had expected, and the locks were comparatively new. -But I went down the stone stairs to the hall where I had entered -originally. I found I could pull back the bolts easily enough and -unhook the great chains. But the door was locked, and the key was -gone! That key must be in the Count's room. I must watch should his -door be unlocked, so that I may get it and escape. I went on to make -a thorough examination of the various stairs and passages, and to try -the doors that opened from them. One or two small rooms near the hall -were open, but there was nothing to see in them except old furniture, -dusty with age and moth-eaten. At last, however, I found one door at -the top of the stairway which, though it seemed locked, gave a little -under pressure. I tried it harder, and found that it was not really -locked, but that the resistance came from the fact that the hinges had -fallen somewhat, and the heavy door rested on the floor. Here was an -opportunity which I might not have again, so I exerted myself, and -with many efforts forced it back so that I could enter. I was now in -a wing of the castle further to the right than the rooms I knew and a -storey lower down. From the windows I could see that the suite of -rooms lay along to the south of the castle, the windows of the end -room looking out both west and south. On the latter side, as well as -to the former, there was a great precipice. The castle was built on -the corner of a great rock, so that on three sides it was quite -impregnable, and great windows were placed here where sling, or bow, -or culverin could not reach, and consequently light and comfort, -impossible to a position which had to be guarded, were secured. To -the west was a great valley, and then, rising far away, great jagged -mountain fastnesses, rising peak on peak, the sheer rock studded with -mountain ash and thorn, whose roots clung in cracks and crevices and -crannies of the stone. This was evidently the portion of the castle -occupied by the ladies in bygone days, for the furniture had more an -air of comfort than any I had seen. - -The windows were curtainless, and the yellow moonlight, flooding in -through the diamond panes, enabled one to see even colours, whilst it -softened the wealth of dust which lay over all and disguised in some -measure the ravages of time and moth. My lamp seemed to be of little -effect in the brilliant moonlight, but I was glad to have it with me, -for there was a dread loneliness in the place which chilled my heart -and made my nerves tremble. Still, it was better than living alone in -the rooms which I had come to hate from the presence of the Count, and -after trying a little to school my nerves, I found a soft quietude -come over me. Here I am, sitting at a little oak table where in old -times possibly some fair lady sat to pen, with much thought and many -blushes, her ill-spelt love letter, and writing in my diary in -shorthand all that has happened since I closed it last. It is the -nineteenth century up-to-date with a vengeance. And yet, unless my -senses deceive me, the old centuries had, and have, powers of their -own which mere "modernity" cannot kill. - - -Later: The morning of 16 May.--God preserve my sanity, for to this I -am reduced. Safety and the assurance of safety are things of the -past. Whilst I live on here there is but one thing to hope for, that -I may not go mad, if, indeed, I be not mad already. If I be sane, -then surely it is maddening to think that of all the foul things that -lurk in this hateful place the Count is the least dreadful to me, that -to him alone I can look for safety, even though this be only whilst I -can serve his purpose. Great God! Merciful God, let me be calm, for -out of that way lies madness indeed. I begin to get new lights on -certain things which have puzzled me. Up to now I never quite knew -what Shakespeare meant when he made Hamlet say, "My tablets! Quick, -my tablets! 'tis meet that I put it down," etc., For now, feeling as -though my own brain were unhinged or as if the shock had come which -must end in its undoing, I turn to my diary for repose. The habit of -entering accurately must help to soothe me. - -The Count's mysterious warning frightened me at the time. It frightens -me more not when I think of it, for in the future he has a fearful -hold upon me. I shall fear to doubt what he may say! - -When I had written in my diary and had fortunately replaced the book -and pen in my pocket I felt sleepy. The Count's warning came into my -mind, but I took pleasure in disobeying it. The sense of sleep was -upon me, and with it the obstinacy which sleep brings as outrider. The -soft moonlight soothed, and the wide expanse without gave a sense of -freedom which refreshed me. I determined not to return tonight to the -gloom-haunted rooms, but to sleep here, where, of old, ladies had sat -and sung and lived sweet lives whilst their gentle breasts were sad -for their menfolk away in the midst of remorseless wars. I drew a -great couch out of its place near the corner, so that as I lay, I -could look at the lovely view to east and south, and unthinking of and -uncaring for the dust, composed myself for sleep. I suppose I must -have fallen asleep. I hope so, but I fear, for all that followed was -startlingly real, so real that now sitting here in the broad, full -sunlight of the morning, I cannot in the least believe that it was all -sleep. - -I was not alone. The room was the same, unchanged in any way since I -came into it. I could see along the floor, in the brilliant -moonlight, my own footsteps marked where I had disturbed the long -accumulation of dust. In the moonlight opposite me were three young -women, ladies by their dress and manner. I thought at the time that I -must be dreaming when I saw them, they threw no shadow on the floor. -They came close to me, and looked at me for some time, and then -whispered together. Two were dark, and had high aquiline noses, like -the Count, and great dark, piercing eyes, that seemed to be almost red -when contrasted with the pale yellow moon. The other was fair, as -fair as can be, with great masses of golden hair and eyes like pale -sapphires. I seemed somehow to know her face, and to know it in -connection with some dreamy fear, but I could not recollect at the -moment how or where. All three had brilliant white teeth that shone -like pearls against the ruby of their voluptuous lips. There was -something about them that made me uneasy, some longing and at the same -time some deadly fear. I felt in my heart a wicked, burning desire -that they would kiss me with those red lips. It is not good to note -this down, lest some day it should meet Mina's eyes and cause her -pain, but it is the truth. They whispered together, and then they all -three laughed, such a silvery, musical laugh, but as hard as though -the sound never could have come through the softness of human lips. -It was like the intolerable, tingling sweetness of waterglasses when -played on by a cunning hand. The fair girl shook her head -coquettishly, and the other two urged her on. - -One said, "Go on! You are first, and we shall follow. Yours is the -right to begin." - -The other added, "He is young and strong. There are kisses for us -all." - -I lay quiet, looking out from under my eyelashes in an agony of -delightful anticipation. The fair girl advanced and bent over me till -I could feel the movement of her breath upon me. Sweet it was in one -sense, honey-sweet, and sent the same tingling through the nerves as -her voice, but with a bitter underlying the sweet, a bitter -offensiveness, as one smells in blood. - -I was afraid to raise my eyelids, but looked out and saw perfectly -under the lashes. The girl went on her knees, and bent over me, -simply gloating. There was a deliberate voluptuousness which was both -thrilling and repulsive, and as she arched her neck she actually -licked her lips like an animal, till I could see in the moonlight the -moisture shining on the scarlet lips and on the red tongue as it -lapped the white sharp teeth. Lower and lower went her head as the -lips went below the range of my mouth and chin and seemed to fasten on -my throat. Then she paused, and I could hear the churning sound of -her tongue as it licked her teeth and lips, and I could feel the hot -breath on my neck. Then the skin of my throat began to tingle as -one's flesh does when the hand that is to tickle it approaches nearer, -nearer. I could feel the soft, shivering touch of the lips on the -super sensitive skin of my throat, and the hard dents of two sharp -teeth, just touching and pausing there. I closed my eyes in -languorous ecstasy and waited, waited with beating heart. - -But at that instant, another sensation swept through me as quick as -lightning. I was conscious of the presence of the Count, and of his -being as if lapped in a storm of fury. As my eyes opened -involuntarily I saw his strong hand grasp the slender neck of the fair -woman and with giant's power draw it back, the blue eyes transformed -with fury, the white teeth champing with rage, and the fair cheeks -blazing red with passion. But the Count! Never did I imagine such -wrath and fury, even to the demons of the pit. His eyes were -positively blazing. The red light in them was lurid, as if the flames -of hell fire blazed behind them. His face was deathly pale, and the -lines of it were hard like drawn wires. The thick eyebrows that met -over the nose now seemed like a heaving bar of white-hot metal. With -a fierce sweep of his arm, he hurled the woman from him, and then -motioned to the others, as though he were beating them back. It was -the same imperious gesture that I had seen used to the wolves. In a -voice which, though low and almost in a whisper seemed to cut through -the air and then ring in the room he said, - -"How dare you touch him, any of you? How dare you cast eyes on him -when I had forbidden it? Back, I tell you all! This man belongs to -me! Beware how you meddle with him, or you'll have to deal with me." - -The fair girl, with a laugh of ribald coquetry, turned to answer him. -"You yourself never loved. You never love!" On this the other women -joined, and such a mirthless, hard, soulless laughter rang through the -room that it almost made me faint to hear. It seemed like the -pleasure of fiends. - -Then the Count turned, after looking at my face attentively, and said -in a soft whisper, "Yes, I too can love. You yourselves can tell it -from the past. Is it not so? Well, now I promise you that when I am -done with him you shall kiss him at your will. Now go! Go! I must -awaken him, for there is work to be done." - -"Are we to have nothing tonight?" said one of them, with a low laugh, -as she pointed to the bag which he had thrown upon the floor, and -which moved as though there were some living thing within it. For -answer he nodded his head. One of the women jumped forward and opened -it. If my ears did not deceive me there was a gasp and a low wail, as -of a half smothered child. The women closed round, whilst I was -aghast with horror. But as I looked, they disappeared, and with them -the dreadful bag. There was no door near them, and they could not -have passed me without my noticing. They simply seemed to fade into -the rays of the moonlight and pass out through the window, for I could -see outside the dim, shadowy forms for a moment before they entirely -faded away. - -Then the horror overcame me, and I sank down unconscious. - - - - -CHAPTER 4 - - -Jonathan Harker's Journal Continued - -I awoke in my own bed. If it be that I had not dreamt, the Count must -have carried me here. I tried to satisfy myself on the subject, but -could not arrive at any unquestionable result. To be sure, there were -certain small evidences, such as that my clothes were folded and laid -by in a manner which was not my habit. My watch was still unwound, -and I am rigorously accustomed to wind it the last thing before going -to bed, and many such details. But these things are no proof, for -they may have been evidences that my mind was not as usual, and, for -some cause or another, I had certainly been much upset. I must watch -for proof. Of one thing I am glad. If it was that the Count carried -me here and undressed me, he must have been hurried in his task, for -my pockets are intact. I am sure this diary would have been a mystery -to him which he would not have brooked. He would have taken or -destroyed it. As I look round this room, although it has been to me -so full of fear, it is now a sort of sanctuary, for nothing can be -more dreadful than those awful women, who were, who are, waiting to -suck my blood. - - -18 May.--I have been down to look at that room again in daylight, for -I must know the truth. When I got to the doorway at the top of the -stairs I found it closed. It had been so forcibly driven against the -jamb that part of the woodwork was splintered. I could see that the -bolt of the lock had not been shot, but the door is fastened from the -inside. I fear it was no dream, and must act on this surmise. - - -19 May.--I am surely in the toils. Last night the Count asked me in -the suavest tones to write three letters, one saying that my work here -was nearly done, and that I should start for home within a few days, -another that I was starting on the next morning from the time of the -letter, and the third that I had left the castle and arrived at -Bistritz. I would fain have rebelled, but felt that in the present -state of things it would be madness to quarrel openly with the Count -whilst I am so absolutely in his power. And to refuse would be to -excite his suspicion and to arouse his anger. He knows that I know -too much, and that I must not live, lest I be dangerous to him. My -only chance is to prolong my opportunities. Something may occur which -will give me a chance to escape. I saw in his eyes something of that -gathering wrath which was manifest when he hurled that fair woman from -him. He explained to me that posts were few and uncertain, and that -my writing now would ensure ease of mind to my friends. And he -assured me with so much impressiveness that he would countermand the -later letters, which would be held over at Bistritz until due time in -case chance would admit of my prolonging my stay, that to oppose him -would have been to create new suspicion. I therefore pretended to -fall in with his views, and asked him what dates I should put on the -letters. - -He calculated a minute, and then said, "The first should be June 12, -the second June 19, and the third June 29." - -I know now the span of my life. God help me! - - -28 May.--There is a chance of escape, or at any rate of being able to -send word home. A band of Szgany have come to the castle, and are -encamped in the courtyard. These are gipsies. I have notes of them -in my book. They are peculiar to this part of the world, though -allied to the ordinary gipsies all the world over. There are -thousands of them in Hungary and Transylvania, who are almost outside -all law. They attach themselves as a rule to some great noble or -boyar, and call themselves by his name. They are fearless and without -religion, save superstition, and they talk only their own varieties of -the Romany tongue. - -I shall write some letters home, and shall try to get them to have -them posted. I have already spoken to them through my window to begin -acquaintanceship. They took their hats off and made obeisance and -many signs, which however, I could not understand any more than I -could their spoken language . . . - -I have written the letters. Mina's is in shorthand, and I simply ask -Mr. Hawkins to communicate with her. To her I have explained my -situation, but without the horrors which I may only surmise. It would -shock and frighten her to death were I to expose my heart to her. -Should the letters not carry, then the Count shall not yet know my -secret or the extent of my knowledge. . . . - - -I have given the letters. I threw them through the bars of my window -with a gold piece, and made what signs I could to have them posted. -The man who took them pressed them to his heart and bowed, and then -put them in his cap. I could do no more. I stole back to the study, -and began to read. As the Count did not come in, I have written -here . . . - - -The Count has come. He sat down beside me, and said in his smoothest -voice as he opened two letters, "The Szgany has given me these, of -which, though I know not whence they come, I shall, of course, take -care. See!"--He must have looked at it.--"One is from you, and to my -friend Peter Hawkins. The other,"--here he caught sight of the -strange symbols as he opened the envelope, and the dark look came into -his face, and his eyes blazed wickedly,--"The other is a vile thing, -an outrage upon friendship and hospitality! It is not signed. Well! -So it cannot matter to us." And he calmly held letter and envelope in -the flame of the lamp till they were consumed. - -Then he went on, "The letter to Hawkins, that I shall, of course send -on, since it is yours. Your letters are sacred to me. Your pardon, -my friend, that unknowingly I did break the seal. Will you not cover -it again?" He held out the letter to me, and with a courteous bow -handed me a clean envelope. - -I could only redirect it and hand it to him in silence. When he went -out of the room I could hear the key turn softly. A minute later I -went over and tried it, and the door was locked. - -When, an hour or two after, the Count came quietly into the room, his -coming awakened me, for I had gone to sleep on the sofa. He was very -courteous and very cheery in his manner, and seeing that I had been -sleeping, he said, "So, my friend, you are tired? Get to bed. There -is the surest rest. I may not have the pleasure of talk tonight, -since there are many labours to me, but you will sleep, I pray." - -I passed to my room and went to bed, and, strange to say, slept -without dreaming. Despair has its own calms. - -31 May.--This morning when I woke I thought I would provide myself -with some papers and envelopes from my bag and keep them in my pocket, -so that I might write in case I should get an opportunity, but again a -surprise, again a shock! - -Every scrap of paper was gone, and with it all my notes, my memoranda, -relating to railways and travel, my letter of credit, in fact all that -might be useful to me were I once outside the castle. I sat and -pondered awhile, and then some thought occurred to me, and I made -search of my portmanteau and in the wardrobe where I had placed my -clothes. - -The suit in which I had travelled was gone, and also my overcoat and -rug. I could find no trace of them anywhere. This looked like some -new scheme of villainy . . . - - -17 June.--This morning, as I was sitting on the edge of my bed -cudgelling my brains, I heard without a crackling of whips and -pounding and scraping of horses' feet up the rocky path beyond the -courtyard. With joy I hurried to the window, and saw drive into the -yard two great leiter-wagons, each drawn by eight sturdy horses, and -at the head of each pair a Slovak, with his wide hat, great -nail-studded belt, dirty sheepskin, and high boots. They had also -their long staves in hand. I ran to the door, intending to descend -and try and join them through the main hall, as I thought that way -might be opened for them. Again a shock, my door was fastened on the -outside. - -Then I ran to the window and cried to them. They looked up at me -stupidly and pointed, but just then the "hetman" of the Szgany came -out, and seeing them pointing to my window, said something, at which -they laughed. - -Henceforth no effort of mine, no piteous cry or agonized entreaty, -would make them even look at me. They resolutely turned away. The -leiter-wagons contained great, square boxes, with handles of thick -rope. These were evidently empty by the ease with which the Slovaks -handled them, and by their resonance as they were roughly moved. - -When they were all unloaded and packed in a great heap in one corner -of the yard, the Slovaks were given some money by the Szgany, and -spitting on it for luck, lazily went each to his horse's head. -Shortly afterwards, I heard the crackling of their whips die away in -the distance. - - -24 June.--Last night the Count left me early, and locked himself into -his own room. As soon as I dared I ran up the winding stair, and -looked out of the window, which opened South. I thought I would watch -for the Count, for there is something going on. The Szgany are -quartered somewhere in the castle and are doing work of some kind. I -know it, for now and then, I hear a far-away muffled sound as of -mattock and spade, and, whatever it is, it must be the end of some -ruthless villainy. - -I had been at the window somewhat less than half an hour, when I saw -something coming out of the Count's window. I drew back and watched -carefully, and saw the whole man emerge. It was a new shock to me to -find that he had on the suit of clothes which I had worn whilst -travelling here, and slung over his shoulder the terrible bag which I -had seen the women take away. There could be no doubt as to his -quest, and in my garb, too! This, then, is his new scheme of evil, -that he will allow others to see me, as they think, so that he may -both leave evidence that I have been seen in the towns or villages -posting my own letters, and that any wickedness which he may do shall -by the local people be attributed to me. - -It makes me rage to think that this can go on, and whilst I am shut up -here, a veritable prisoner, but without that protection of the law -which is even a criminal's right and consolation. - -I thought I would watch for the Count's return, and for a long time -sat doggedly at the window. Then I began to notice that there were -some quaint little specks floating in the rays of the moonlight. They -were like the tiniest grains of dust, and they whirled round and -gathered in clusters in a nebulous sort of way. I watched them with a -sense of soothing, and a sort of calm stole over me. I leaned back in -the embrasure in a more comfortable position, so that I could enjoy -more fully the aerial gambolling. - -Something made me start up, a low, piteous howling of dogs somewhere -far below in the valley, which was hidden from my sight. Louder it -seemed to ring in my ears, and the floating moats of dust to take new -shapes to the sound as they danced in the moonlight. I felt myself -struggling to awake to some call of my instincts. Nay, my very soul -was struggling, and my half-remembered sensibilities were striving to -answer the call. I was becoming hypnotised! - -Quicker and quicker danced the dust. The moonbeams seemed to quiver -as they went by me into the mass of gloom beyond. More and more they -gathered till they seemed to take dim phantom shapes. And then I -started, broad awake and in full possession of my senses, and ran -screaming from the place. - -The phantom shapes, which were becoming gradually materialised from -the moonbeams, were those three ghostly women to whom I was doomed. - -I fled, and felt somewhat safer in my own room, where there was no -moonlight, and where the lamp was burning brightly. - -When a couple of hours had passed I heard something stirring in the -Count's room, something like a sharp wail quickly suppressed. And -then there was silence, deep, awful silence, which chilled me. With a -beating heart, I tried the door, but I was locked in my prison, and -could do nothing. I sat down and simply cried. - -As I sat I heard a sound in the courtyard without, the agonised cry of -a woman. I rushed to the window, and throwing it up, peered between -the bars. - -There, indeed, was a woman with dishevelled hair, holding her hands -over her heart as one distressed with running. She was leaning -against the corner of the gateway. When she saw my face at the window -she threw herself forward, and shouted in a voice laden with menace, -"Monster, give me my child!" - -She threw herself on her knees, and raising up her hands, cried the -same words in tones which wrung my heart. Then she tore her hair and -beat her breast, and abandoned herself to all the violences of -extravagant emotion. Finally, she threw herself forward, and though I -could not see her, I could hear the beating of her naked hands against -the door. - -Somewhere high overhead, probably on the tower, I heard the voice of -the Count calling in his harsh, metallic whisper. His call seemed to -be answered from far and wide by the howling of wolves. Before many -minutes had passed a pack of them poured, like a pent-up dam when -liberated, through the wide entrance into the courtyard. - -There was no cry from the woman, and the howling of the wolves was but -short. Before long they streamed away singly, licking their lips. - -I could not pity her, for I knew now what had become of her child, and -she was better dead. - -What shall I do? What can I do? How can I escape from this dreadful -thing of night, gloom, and fear? - - -25 June.--No man knows till he has suffered from the night how sweet -and dear to his heart and eye the morning can be. When the sun grew -so high this morning that it struck the top of the great gateway -opposite my window, the high spot which it touched seemed to me as if -the dove from the ark had lighted there. My fear fell from me as if -it had been a vaporous garment which dissolved in the warmth. - -I must take action of some sort whilst the courage of the day is upon -me. Last night one of my post-dated letters went to post, the first -of that fatal series which is to blot out the very traces of my -existence from the earth. - -Let me not think of it. Action! - -It has always been at night-time that I have been molested or -threatened, or in some way in danger or in fear. I have not yet seen -the Count in the daylight. Can it be that he sleeps when others wake, -that he may be awake whilst they sleep? If I could only get into his -room! But there is no possible way. The door is always locked, no -way for me. - -Yes, there is a way, if one dares to take it. Where his body has gone -why may not another body go? I have seen him myself crawl from his -window. Why should not I imitate him, and go in by his window? The -chances are desperate, but my need is more desperate still. I shall -risk it. At the worst it can only be death, and a man's death is not -a calf's, and the dreaded Hereafter may still be open to me. God help -me in my task! Goodbye, Mina, if I fail. Goodbye, my faithful friend -and second father. Goodbye, all, and last of all Mina! - - -Same day, later.--I have made the effort, and God helping me, have -come safely back to this room. I must put down every detail in order. -I went whilst my courage was fresh straight to the window on the south -side, and at once got outside on this side. The stones are big and -roughly cut, and the mortar has by process of time been washed away -between them. I took off my boots, and ventured out on the desperate -way. I looked down once, so as to make sure that a sudden glimpse of -the awful depth would not overcome me, but after that kept my eyes -away from it. I know pretty well the direction and distance of the -Count's window, and made for it as well as I could, having regard to -the opportunities available. I did not feel dizzy, I suppose I was -too excited, and the time seemed ridiculously short till I found -myself standing on the window sill and trying to raise up the sash. I -was filled with agitation, however, when I bent down and slid feet -foremost in through the window. Then I looked around for the Count, -but with surprise and gladness, made a discovery. The room was -empty! It was barely furnished with odd things, which seemed to have -never been used. - -The furniture was something the same style as that in the south rooms, -and was covered with dust. I looked for the key, but it was not in -the lock, and I could not find it anywhere. The only thing I found -was a great heap of gold in one corner, gold of all kinds, Roman, and -British, and Austrian, and Hungarian, and Greek and Turkish money, -covered with a film of dust, as though it had lain long in the ground. -None of it that I noticed was less than three hundred years old. -There were also chains and ornaments, some jewelled, but all of them -old and stained. - -At one corner of the room was a heavy door. I tried it, for, since I -could not find the key of the room or the key of the outer door, which -was the main object of my search, I must make further examination, or -all my efforts would be in vain. It was open, and led through a stone -passage to a circular stairway, which went steeply down. - -I descended, minding carefully where I went for the stairs were dark, -being only lit by loopholes in the heavy masonry. At the bottom there -was a dark, tunnel-like passage, through which came a deathly, sickly -odour, the odour of old earth newly turned. As I went through the -passage the smell grew closer and heavier. At last I pulled open a -heavy door which stood ajar, and found myself in an old ruined chapel, -which had evidently been used as a graveyard. The roof was broken, -and in two places were steps leading to vaults, but the ground had -recently been dug over, and the earth placed in great wooden boxes, -manifestly those which had been brought by the Slovaks. - -There was nobody about, and I made a search over every inch of the -ground, so as not to lose a chance. I went down even into the vaults, -where the dim light struggled, although to do so was a dread to my -very soul. Into two of these I went, but saw nothing except fragments -of old coffins and piles of dust. In the third, however, I made a -discovery. - -There, in one of the great boxes, of which there were fifty in all, on -a pile of newly dug earth, lay the Count! He was either dead or -asleep. I could not say which, for eyes were open and stony, but -without the glassiness of death, and the cheeks had the warmth of life -through all their pallor. The lips were as red as ever. But there -was no sign of movement, no pulse, no breath, no beating of the heart. - -I bent over him, and tried to find any sign of life, but in vain. He -could not have lain there long, for the earthy smell would have passed -away in a few hours. By the side of the box was its cover, pierced -with holes here and there. I thought he might have the keys on him, -but when I went to search I saw the dead eyes, and in them dead though -they were, such a look of hate, though unconscious of me or my -presence, that I fled from the place, and leaving the Count's room by -the window, crawled again up the castle wall. Regaining my room, I -threw myself panting upon the bed and tried to think. - - -29 June.--Today is the date of my last letter, and the Count has taken -steps to prove that it was genuine, for again I saw him leave the -castle by the same window, and in my clothes. As he went down the -wall, lizard fashion, I wished I had a gun or some lethal weapon, that -I might destroy him. But I fear that no weapon wrought along by man's -hand would have any effect on him. I dared not wait to see him -return, for I feared to see those weird sisters. I came back to the -library, and read there till I fell asleep. - -I was awakened by the Count, who looked at me as grimly as a man could -look as he said, "Tomorrow, my friend, we must part. You return to -your beautiful England, I to some work which may have such an end that -we may never meet. Your letter home has been despatched. Tomorrow I -shall not be here, but all shall be ready for your journey. In the -morning come the Szgany, who have some labours of their own here, and -also come some Slovaks. When they have gone, my carriage shall come -for you, and shall bear you to the Borgo Pass to meet the diligence -from Bukovina to Bistritz. But I am in hopes that I shall see more of -you at Castle Dracula." - -I suspected him, and determined to test his sincerity. Sincerity! It -seems like a profanation of the word to write it in connection with -such a monster, so I asked him point-blank, "Why may I not go -tonight?" - -"Because, dear sir, my coachman and horses are away on a mission." - -"But I would walk with pleasure. I want to get away at once." - -He smiled, such a soft, smooth, diabolical smile that I knew there was -some trick behind his smoothness. He said, "And your baggage?" - -"I do not care about it. I can send for it some other time." - -The Count stood up, and said, with a sweet courtesy which made me rub -my eyes, it seemed so real, "You English have a saying which is close -to my heart, for its spirit is that which rules our boyars, 'Welcome -the coming, speed the parting guest.' Come with me, my dear young -friend. Not an hour shall you wait in my house against your will, -though sad am I at your going, and that you so suddenly desire it. -Come!" With a stately gravity, he, with the lamp, preceded me down -the stairs and along the hall. Suddenly he stopped. "Hark!" - -Close at hand came the howling of many wolves. It was almost as if -the sound sprang up at the rising of his hand, just as the music of a -great orchestra seems to leap under the baton of the conductor. After -a pause of a moment, he proceeded, in his stately way, to the door, -drew back the ponderous bolts, unhooked the heavy chains, and began to -draw it open. - -To my intense astonishment I saw that it was unlocked. Suspiciously, -I looked all round, but could see no key of any kind. - -As the door began to open, the howling of the wolves without grew -louder and angrier. Their red jaws, with champing teeth, and their -blunt-clawed feet as they leaped, came in through the opening door. I -knew than that to struggle at the moment against the Count was -useless. With such allies as these at his command, I could do -nothing. - -But still the door continued slowly to open, and only the Count's body -stood in the gap. Suddenly it struck me that this might be the moment -and means of my doom. I was to be given to the wolves, and at my own -instigation. There was a diabolical wickedness in the idea great -enough for the Count, and as the last chance I cried out, "Shut the -door! I shall wait till morning." And I covered my face with my -hands to hide my tears of bitter disappointment. - -With one sweep of his powerful arm, the Count threw the door shut, and -the great bolts clanged and echoed through the hall as they shot back -into their places. - -In silence we returned to the library, and after a minute or two I went -to my own room. The last I saw of Count Dracula was his kissing his -hand to me, with a red light of triumph in his eyes, and with a smile -that Judas in hell might be proud of. - -When I was in my room and about to lie down, I thought I heard a -whispering at my door. I went to it softly and listened. Unless my -ears deceived me, I heard the voice of the Count. - -"Back! Back to your own place! Your time is not yet come. Wait! -Have patience! Tonight is mine. Tomorrow night is yours!" - -There was a low, sweet ripple of laughter, and in a rage I threw open -the door, and saw without the three terrible women licking their lips. -As I appeared, they all joined in a horrible laugh, and ran away. - -I came back to my room and threw myself on my knees. It is then so -near the end? Tomorrow! Tomorrow! Lord, help me, and those to whom -I am dear! - - -30 June.--These may be the last words I ever write in this diary. I -slept till just before the dawn, and when I woke threw myself on my -knees, for I determined that if Death came he should find me ready. - -At last I felt that subtle change in the air, and knew that the -morning had come. Then came the welcome cockcrow, and I felt that I -was safe. With a glad heart, I opened the door and ran down the hall. -I had seen that the door was unlocked, and now escape was before me. -With hands that trembled with eagerness, I unhooked the chains and -threw back the massive bolts. - -But the door would not move. Despair seized me. I pulled and pulled -at the door, and shook it till, massive as it was, it rattled in its -casement. I could see the bolt shot. It had been locked after I left -the Count. - -Then a wild desire took me to obtain the key at any risk, and I -determined then and there to scale the wall again, and gain the -Count's room. He might kill me, but death now seemed the happier -choice of evils. Without a pause I rushed up to the east window, and -scrambled down the wall, as before, into the Count's room. It was -empty, but that was as I expected. I could not see a key anywhere, -but the heap of gold remained. I went through the door in the corner -and down the winding stair and along the dark passage to the old -chapel. I knew now well enough where to find the monster I sought. - -The great box was in the same place, close against the wall, but the -lid was laid on it, not fastened down, but with the nails ready in -their places to be hammered home. - -I knew I must reach the body for the key, so I raised the lid, and -laid it back against the wall. And then I saw something which filled -my very soul with horror. There lay the Count, but looking as if his -youth had been half restored. For the white hair and moustache were -changed to dark iron-grey. The cheeks were fuller, and the white skin -seemed ruby-red underneath. The mouth was redder than ever, for on -the lips were gouts of fresh blood, which trickled from the corners of -the mouth and ran down over the chin and neck. Even the deep, burning -eyes seemed set amongst swollen flesh, for the lids and pouches -underneath were bloated. It seemed as if the whole awful creature -were simply gorged with blood. He lay like a filthy leech, exhausted -with his repletion. - -I shuddered as I bent over to touch him, and every sense in me -revolted at the contact, but I had to search, or I was lost. The -coming night might see my own body a banquet in a similar war to those -horrid three. I felt all over the body, but no sign could I find of -the key. Then I stopped and looked at the Count. There was a mocking -smile on the bloated face which seemed to drive me mad. This was the -being I was helping to transfer to London, where, perhaps, for -centuries to come he might, amongst its teeming millions, satiate his -lust for blood, and create a new and ever-widening circle of -semi-demons to batten on the helpless. - -The very thought drove me mad. A terrible desire came upon me to rid -the world of such a monster. There was no lethal weapon at hand, but -I seized a shovel which the workmen had been using to fill the cases, -and lifting it high, struck, with the edge downward, at the hateful -face. But as I did so the head turned, and the eyes fell upon me, -with all their blaze of basilisk horror. The sight seemed to paralyze -me, and the shovel turned in my hand and glanced from the face, merely -making a deep gash above the forehead. The shovel fell from my hand -across the box, and as I pulled it away the flange of the blade caught -the edge of the lid which fell over again, and hid the horrid thing -from my sight. The last glimpse I had was of the bloated face, -blood-stained and fixed with a grin of malice which would have held -its own in the nethermost hell. - -I thought and thought what should be my next move, but my brain seemed -on fire, and I waited with a despairing feeling growing over me. As I -waited I heard in the distance a gipsy song sung by merry voices -coming closer, and through their song the rolling of heavy wheels and -the cracking of whips. The Szgany and the Slovaks of whom the Count -had spoken were coming. With a last look around and at the box which -contained the vile body, I ran from the place and gained the Count's -room, determined to rush out at the moment the door should be opened. -With strained ears, I listened, and heard downstairs the grinding of -the key in the great lock and the falling back of the heavy door. -There must have been some other means of entry, or some one had a key -for one of the locked doors. - -Then there came the sound of many feet tramping and dying away in some -passage which sent up a clanging echo. I turned to run down again -towards the vault, where I might find the new entrance, but at the -moment there seemed to come a violent puff of wind, and the door to -the winding stair blew to with a shock that set the dust from the -lintels flying. When I ran to push it open, I found that it was -hopelessly fast. I was again a prisoner, and the net of doom was -closing round me more closely. - -As I write there is in the passage below a sound of many tramping feet -and the crash of weights being set down heavily, doubtless the boxes, -with their freight of earth. There was a sound of hammering. It is -the box being nailed down. Now I can hear the heavy feet tramping -again along the hall, with many other idle feet coming behind them. - -The door is shut, the chains rattle. There is a grinding of the key -in the lock. I can hear the key withdrawn, then another door opens -and shuts. I hear the creaking of lock and bolt. - -Hark! In the courtyard and down the rocky way the roll of heavy -wheels, the crack of whips, and the chorus of the Szgany as they pass -into the distance. - -I am alone in the castle with those horrible women. Faugh! Mina is a -woman, and there is nought in common. They are devils of the Pit! - -I shall not remain alone with them. I shall try to scale the castle -wall farther than I have yet attempted. I shall take some of the gold -with me, lest I want it later. I may find a way from this dreadful -place. - -And then away for home! Away to the quickest and nearest train! Away -from the cursed spot, from this cursed land, where the devil and his -children still walk with earthly feet! - -At least God's mercy is better than that of those monsters, and the -precipice is steep and high. At its foot a man may sleep, as a man. -Goodbye, all. Mina! - - - - -CHAPTER 5 - - -LETTER FROM MISS MINA MURRAY TO MISS LUCY WESTENRA - -9 May. - -My dearest Lucy, - -Forgive my long delay in writing, but I have been simply overwhelmed -with work. The life of an assistant schoolmistress is sometimes -trying. I am longing to be with you, and by the sea, where we can -talk together freely and build our castles in the air. I have been -working very hard lately, because I want to keep up with Jonathan's -studies, and I have been practicing shorthand very assiduously. -When we are married I shall be able to be useful to Jonathan, and if -I can stenograph well enough I can take down what he wants to say in -this way and write it out for him on the typewriter, at which also I -am practicing very hard. - -He and I sometimes write letters in shorthand, and he is -keeping a stenographic journal of his travels abroad. When -I am with you I shall keep a diary in the same way. I don't -mean one of those two-pages-to-the-week-with-Sunday-squeezed- -in-a-corner diaries, but a sort of journal which I can write -in whenever I feel inclined. - -I do not suppose there will be much of interest to other people, but -it is not intended for them. I may show it to Jonathan some day if -there is in it anything worth sharing, but it is really an exercise -book. I shall try to do what I see lady journalists do, -interviewing and writing descriptions and trying to remember -conversations. I am told that, with a little practice, one can -remember all that goes on or that one hears said during a day. - -However, we shall see. I will tell you of my little plans when we -meet. I have just had a few hurried lines from Jonathan from -Transylvania. He is well, and will be returning in about a week. I -am longing to hear all his news. It must be nice to see strange -countries. I wonder if we, I mean Jonathan and I, shall ever see -them together. There is the ten o'clock bell ringing. Goodbye. - -Your loving - -Mina - - -Tell me all the news when you write. You have not told me -anything for a long time. I hear rumours, and especially -of a tall, handsome, curly-haired man??? - - - -LETTER, LUCY WESTENRA TO MINA MURRAY - - -17, Chatham Street - -Wednesday - -My dearest Mina, - - -I must say you tax me very unfairly with being a bad correspondent. -I wrote you twice since we parted, and your last letter was only -your second. Besides, I have nothing to tell you. There is really -nothing to interest you. - -Town is very pleasant just now, and we go a great deal to -picture-galleries and for walks and rides in the park. As -to the tall, curly-haired man, I suppose it was the one who -was with me at the last Pop. Someone has evidently been -telling tales. - -That was Mr. Holmwood. He often comes to see us, and he and -Mamma get on very well together, they have so many things -to talk about in common. - -We met some time ago a man that would just do for you, if you were -not already engaged to Jonathan. He is an excellent parti, being -handsome, well off, and of good birth. He is a doctor and really -clever. Just fancy! He is only nine-and twenty, and he has an -immense lunatic asylum all under his own care. Mr. Holmwood -introduced him to me, and he called here to see us, and often comes -now. I think he is one of the most resolute men I ever saw, and yet -the most calm. He seems absolutely imperturbable. I can fancy what -a wonderful power he must have over his patients. He has a curious -habit of looking one straight in the face, as if trying to read -one's thoughts. He tries this on very much with me, but I flatter -myself he has got a tough nut to crack. I know that from my glass. - -Do you ever try to read your own face? I do, and I can -tell you it is not a bad study, and gives you more trouble -than you can well fancy if you have never tried it. - -He says that I afford him a curious psychological study, and -I humbly think I do. I do not, as you know, take sufficient -interest in dress to be able to describe the new fashions. -Dress is a bore. That is slang again, but never mind. Arthur -says that every day. - -There, it is all out, Mina, we have told all our secrets to -each other since we were children. We have slept together -and eaten together, and laughed and cried together, and -now, though I have spoken, I would like to speak more. Oh, -Mina, couldn't you guess? I love him. I am blushing as I -write, for although I think he loves me, he has not told me -so in words. But, oh, Mina, I love him. I love him! There, -that does me good. - -I wish I were with you, dear, sitting by the fire undressing, as we -used to sit, and I would try to tell you what I feel. I do not know -how I am writing this even to you. I am afraid to stop, or I should -tear up the letter, and I don't want to stop, for I do so want to -tell you all. Let me hear from you at once, and tell me all that you -think about it. Mina, pray for my happiness. - -Lucy - - -P.S.--I need not tell you this is a secret. -Goodnight again. L. - - - - -LETTER, LUCY WESTENRA TO MINA MURRAY - -24 May - -My dearest Mina, - -Thanks, and thanks, and thanks again for your sweet letter. It -was so nice to be able to tell you and to have your sympathy. - -My dear, it never rains but it pours. How true the old proverbs -are. Here am I, who shall be twenty in September, and yet I never -had a proposal till today, not a real proposal, and today I had -three. Just fancy! Three proposals in one day! Isn't it awful! I -feel sorry, really and truly sorry, for two of the poor fellows. -Oh, Mina, I am so happy that I don't know what to do with myself. -And three proposals! But, for goodness' sake, don't tell any of the -girls, or they would be getting all sorts of extravagant ideas, and -imagining themselves injured and slighted if in their very first day -at home they did not get six at least. Some girls are so vain! You -and I, Mina dear, who are engaged and are going to settle down soon -soberly into old married women, can despise vanity. Well, I must -tell you about the three, but you must keep it a secret, dear, from -every one except, of course, Jonathan. You will tell him, because I -would, if I were in your place, certainly tell Arthur. A woman -ought to tell her husband everything. Don't you think so, dear? And -I must be fair. Men like women, certainly their wives, to be quite -as fair as they are. And women, I am afraid, are not always quite -as fair as they should be. - -Well, my dear, number One came just before lunch. I told you of -him, Dr. John Seward, the lunatic asylum man, with the strong jaw -and the good forehead. He was very cool outwardly, but was nervous -all the same. He had evidently been schooling himself as to all -sorts of little things, and remembered them, but he almost managed -to sit down on his silk hat, which men don't generally do when they -are cool, and then when he wanted to appear at ease he kept playing -with a lancet in a way that made me nearly scream. He spoke to me, -Mina, very straightforwardly. He told me how dear I was to him, -though he had known me so little, and what his life would be with me -to help and cheer him. He was going to tell me how unhappy he would -be if I did not care for him, but when he saw me cry he said he was -a brute and would not add to my present trouble. Then he broke off -and asked if I could love him in time, and when I shook my head his -hands trembled, and then with some hesitation he asked me if I cared -already for any one else. He put it very nicely, saying that he did -not want to wring my confidence from me, but only to know, because -if a woman's heart was free a man might have hope. And then, Mina, -I felt a sort of duty to tell him that there was some one. I only -told him that much, and then he stood up, and he looked very strong -and very grave as he took both my hands in his and said he hoped I -would be happy, and that If I ever wanted a friend I must count him -one of my best. - -Oh, Mina dear, I can't help crying, and you must excuse this letter -being all blotted. Being proposed to is all very nice and all that -sort of thing, but it isn't at all a happy thing when you have to -see a poor fellow, whom you know loves you honestly, going away and -looking all broken hearted, and to know that, no matter what he may -say at the moment, you are passing out of his life. My dear, I must -stop here at present, I feel so miserable, though I am so happy. - -Evening. - -Arthur has just gone, and I feel in better spirits than when I -left off, so I can go on telling you about the day. - -Well, my dear, number Two came after lunch. He is such a nice -fellow, an American from Texas, and he looks so young and so fresh -that it seems almost impossible that he has been to so many places -and has such adventures. I sympathize with poor Desdemona when she -had such a stream poured in her ear, even by a black man. I suppose -that we women are such cowards that we think a man will save us from -fears, and we marry him. I know now what I would do if I were a man -and wanted to make a girl love me. No, I don't, for there was Mr. -Morris telling us his stories, and Arthur never told any, and -yet . . . - -My dear, I am somewhat previous. Mr. Quincy P. Morris found me -alone. It seems that a man always does find a girl alone. No, he -doesn't, for Arthur tried twice to make a chance, and I helping him -all I could, I am not ashamed to say it now. I must tell you -beforehand that Mr. Morris doesn't always speak slang, that is to -say, he never does so to strangers or before them, for he is really -well educated and has exquisite manners, but he found out that it -amused me to hear him talk American slang, and whenever I was -present, and there was no one to be shocked, he said such funny -things. I am afraid, my dear, he has to invent it all, for it fits -exactly into whatever else he has to say. But this is a way slang -has. I do not know myself if I shall ever speak slang. I do not -know if Arthur likes it, as I have never heard him use any as yet. - -Well, Mr. Morris sat down beside me and looked as happy and jolly as -he could, but I could see all the same that he was very nervous. He -took my hand in his, and said ever so sweetly . . . - -"Miss Lucy, I know I ain't good enough to regulate the fixin's of -your little shoes, but I guess if you wait till you find a man that -is you will go join them seven young women with the lamps when you -quit. Won't you just hitch up alongside of me and let us go down -the long road together, driving in double harness?" - -Well, he did look so good humoured and so jolly that it didn't seem -half so hard to refuse him as it did poor Dr. Seward. So I said, as -lightly as I could, that I did not know anything of hitching, and -that I wasn't broken to harness at all yet. Then he said that he -had spoken in a light manner, and he hoped that if he had made a -mistake in doing so on so grave, so momentous, and occasion for him, -I would forgive him. He really did look serious when he was saying -it, and I couldn't help feeling a sort of exultation that he was -number Two in one day. And then, my dear, before I could say a word -he began pouring out a perfect torrent of love-making, laying his -very heart and soul at my feet. He looked so earnest over it that I -shall never again think that a man must be playful always, and never -earnest, because he is merry at times. I suppose he saw something -in my face which checked him, for he suddenly stopped, and said with -a sort of manly fervour that I could have loved him for if I had -been free . . . - -"Lucy, you are an honest hearted girl, I know. I should not be here -speaking to you as I am now if I did not believe you clean grit, -right through to the very depths of your soul. Tell me, like one -good fellow to another, is there any one else that you care for? -And if there is I'll never trouble you a hair's breadth again, but -will be, if you will let me, a very faithful friend." - -My dear Mina, why are men so noble when we women are so little -worthy of them? Here was I almost making fun of this great hearted, -true gentleman. I burst into tears, I am afraid, my dear, you will -think this a very sloppy letter in more ways than one, and I really -felt very badly. - -Why can't they let a girl marry three men, or as many as -want her, and save all this trouble? But this is heresy, -and I must not say it. I am glad to say that, though I was -crying, I was able to look into Mr. Morris' brave eyes, and -I told him out straight . . . - -"Yes, there is some one I love, though he has not told me -yet that he even loves me." I was right to speak to him so -frankly, for quite a light came into his face, and he put -out both his hands and took mine, I think I put them into -his, and said in a hearty way . . . - -"That's my brave girl. It's better worth being late for a chance of -winning you than being in time for any other girl in the world. -Don't cry, my dear. If it's for me, I'm a hard nut to crack, and I -take it standing up. If that other fellow doesn't know his -happiness, well, he'd better look for it soon, or he'll have to deal -with me. Little girl, your honesty and pluck have made me a friend, -and that's rarer than a lover, it's more selfish anyhow. My dear, -I'm going to have a pretty lonely walk between this and Kingdom -Come. Won't you give me one kiss? It'll be something to keep off -the darkness now and then. You can, you know, if you like, for that -other good fellow, or you could not love him, hasn't spoken yet." - -That quite won me, Mina, for it was brave and sweet of him, -and noble too, to a rival, wasn't it? And he so sad, so I -leant over and kissed him. - -He stood up with my two hands in his, and as he looked down into my -face, I am afraid I was blushing very much, he said, "Little girl, I -hold your hand, and you've kissed me, and if these things don't make -us friends nothing ever will. Thank you for your sweet honesty to -me, and goodbye." - -He wrung my hand, and taking up his hat, went straight out of the -room without looking back, without a tear or a quiver or a pause, -and I am crying like a baby. - -Oh, why must a man like that be made unhappy when there are lots of -girls about who would worship the very ground he trod on? I know I -would if I were free, only I don't want to be free. My dear, this -quite upset me, and I feel I cannot write of happiness just at once, -after telling you of it, and I don't wish to tell of the number -Three until it can be all happy. Ever your loving . . . - -Lucy - - -P.S.--Oh, about number Three, I needn't tell you of number -Three, need I? Besides, it was all so confused. It seemed -only a moment from his coming into the room till both his -arms were round me, and he was kissing me. I am very, very -happy, and I don't know what I have done to deserve it. I -must only try in the future to show that I am not ungrateful -to God for all His goodness to me in sending to me such a -lover, such a husband, and such a friend. - -Goodbye. - - - -DR. SEWARD'S DIARY (Kept in phonograph) - -25 May.--Ebb tide in appetite today. Cannot eat, cannot rest, so -diary instead. Since my rebuff of yesterday I have a sort of empty -feeling. Nothing in the world seems of sufficient importance to be -worth the doing. As I knew that the only cure for this sort of thing -was work, I went amongst the patients. I picked out one who has -afforded me a study of much interest. He is so quaint that I am -determined to understand him as well as I can. Today I seemed to get -nearer than ever before to the heart of his mystery. - -I questioned him more fully than I had ever done, with a view to -making myself master of the facts of his hallucination. In my manner -of doing it there was, I now see, something of cruelty. I seemed to -wish to keep him to the point of his madness, a thing which I avoid -with the patients as I would the mouth of hell. - -(Mem., Under what circumstances would I not avoid the pit of hell?) -Omnia Romae venalia sunt. Hell has its price! If there be anything -behind this instinct it will be valuable to trace it afterwards -accurately, so I had better commence to do so, therefore . . . - -R. M, Renfield, age 59. Sanguine temperament, great physical -strength, morbidly excitable, periods of gloom, ending in some fixed -idea which I cannot make out. I presume that the sanguine temperament -itself and the disturbing influence end in a mentally-accomplished -finish, a possibly dangerous man, probably dangerous if unselfish. In -selfish men caution is as secure an armour for their foes as for -themselves. What I think of on this point is, when self is the fixed -point the centripetal force is balanced with the centrifugal. When -duty, a cause, etc., is the fixed point, the latter force is -paramount, and only accident or a series of accidents can balance it. - - - -LETTER, QUINCEY P. MORRIS TO HON. ARTHUR HOLMOOD - -25 May. - -My dear Art, - -We've told yarns by the campfire in the prairies, and dressed one -another's wounds after trying a landing at the Marquesas, and drunk -healths on the shore of Titicaca. There are more yarns to be told, -and other wounds to be healed, and another health to be drunk. -Won't you let this be at my campfire tomorrow night? I have no -hesitation in asking you, as I know a certain lady is engaged to a -certain dinner party, and that you are free. There will only be one -other, our old pal at the Korea, Jack Seward. He's coming, too, and -we both want to mingle our weeps over the wine cup, and to drink a -health with all our hearts to the happiest man in all the wide -world, who has won the noblest heart that God has made and best -worth winning. We promise you a hearty welcome, and a loving -greeting, and a health as true as your own right hand. We shall -both swear to leave you at home if you drink too deep to a certain -pair of eyes. Come! - -Yours, as ever and always, - -Quincey P. Morris - - - - - -TELEGRAM FROM ARTHUR HOLMWOOD TO QUINCEY P. MORRIS - -26 May - - -Count me in every time. I bear messages which will make both -your ears tingle. - -Art - - - - -CHAPTER 6 - - -MINA MURRAY'S JOURNAL - -24 July. Whitby.--Lucy met me at the station, looking sweeter and -lovelier than ever, and we drove up to the house at the Crescent in -which they have rooms. This is a lovely place. The little river, the -Esk, runs through a deep valley, which broadens out as it comes near -the harbour. A great viaduct runs across, with high piers, through -which the view seems somehow further away than it really is. The -valley is beautifully green, and it is so steep that when you are on -the high land on either side you look right across it, unless you are -near enough to see down. The houses of the old town--the side away -from us, are all red-roofed, and seem piled up one over the other -anyhow, like the pictures we see of Nuremberg. Right over the town is -the ruin of Whitby Abbey, which was sacked by the Danes, and which is -the scene of part of "Marmion," where the girl was built up in the -wall. It is a most noble ruin, of immense size, and full of beautiful -and romantic bits. There is a legend that a white lady is seen in one -of the windows. Between it and the town there is another church, the -parish one, round which is a big graveyard, all full of tombstones. -This is to my mind the nicest spot in Whitby, for it lies right over -the town, and has a full view of the harbour and all up the bay to -where the headland called Kettleness stretches out into the sea. It -descends so steeply over the harbour that part of the bank has fallen -away, and some of the graves have been destroyed. - -In one place part of the stonework of the graves stretches out over -the sandy pathway far below. There are walks, with seats beside them, -through the churchyard, and people go and sit there all day long -looking at the beautiful view and enjoying the breeze. - -I shall come and sit here often myself and work. Indeed, I am writing -now, with my book on my knee, and listening to the talk of three old -men who are sitting beside me. They seem to do nothing all day but -sit here and talk. - -The harbour lies below me, with, on the far side, one long granite -wall stretching out into the sea, with a curve outwards at the end of -it, in the middle of which is a lighthouse. A heavy seawall runs -along outside of it. On the near side, the seawall makes an elbow -crooked inversely, and its end too has a lighthouse. Between the two -piers there is a narrow opening into the harbour, which then suddenly -widens. - -It is nice at high water, but when the tide is out it shoals away to -nothing, and there is merely the stream of the Esk, running between -banks of sand, with rocks here and there. Outside the harbour on this -side there rises for about half a mile a great reef, the sharp of -which runs straight out from behind the south lighthouse. At the end -of it is a buoy with a bell, which swings in bad weather, and sends in -a mournful sound on the wind. - -They have a legend here that when a ship is lost bells are heard out at -sea. I must ask the old man about this. He is coming this way . . . - -He is a funny old man. He must be awfully old, for his face is -gnarled and twisted like the bark of a tree. He tells me that he is -nearly a hundred, and that he was a sailor in the Greenland fishing -fleet when Waterloo was fought. He is, I am afraid, a very sceptical -person, for when I asked him about the bells at sea and the White Lady -at the abbey he said very brusquely, - -"I wouldn't fash masel' about them, miss. Them things be all wore -out. Mind, I don't say that they never was, but I do say that they -wasn't in my time. They be all very well for comers and trippers, an' -the like, but not for a nice young lady like you. Them feet-folks -from York and Leeds that be always eatin' cured herrin's and drinkin' -tea an' lookin' out to buy cheap jet would creed aught. I wonder -masel' who'd be bothered tellin' lies to them, even the newspapers, -which is full of fool-talk." - -I thought he would be a good person to learn interesting things from, -so I asked him if he would mind telling me something about the whale -fishing in the old days. He was just settling himself to begin when -the clock struck six, whereupon he laboured to get up, and said, - -"I must gang ageeanwards home now, miss. My grand-daughter doesn't -like to be kept waitin' when the tea is ready, for it takes me time to -crammle aboon the grees, for there be a many of 'em, and miss, I lack -belly-timber sairly by the clock." - -He hobbled away, and I could see him hurrying, as well as he could, -down the steps. The steps are a great feature on the place. They -lead from the town to the church, there are hundreds of them, I do not -know how many, and they wind up in a delicate curve. The slope is so -gentle that a horse could easily walk up and down them. - -I think they must originally have had something to do with the abbey. -I shall go home too. Lucy went out, visiting with her mother, and as -they were only duty calls, I did not go. - - -1 August.--I came up here an hour ago with Lucy, and we had a most -interesting talk with my old friend and the two others who always come -and join him. He is evidently the Sir Oracle of them, and I should -think must have been in his time a most dictatorial person. - -He will not admit anything, and down faces everybody. If he can't -out-argue them he bullies them, and then takes their silence for -agreement with his views. - -Lucy was looking sweetly pretty in her white lawn frock. She has got -a beautiful colour since she has been here. - -I noticed that the old men did not lose any time in coming and sitting -near her when we sat down. She is so sweet with old people, I think -they all fell in love with her on the spot. Even my old man succumbed -and did not contradict her, but gave me double share instead. I got -him on the subject of the legends, and he went off at once into a sort -of sermon. I must try to remember it and put it down. - -"It be all fool-talk, lock, stock, and barrel, that's what it be and -nowt else. These bans an' wafts an' boh-ghosts an' bar-guests an' -bogles an' all anent them is only fit to set bairns an' dizzy women -a'belderin'. They be nowt but air-blebs. They, an' all grims an' signs -an' warnin's, be all invented by parsons an' illsome berk-bodies an' -railway touters to skeer an' scunner hafflin's, an' to get folks to do -somethin' that they don't other incline to. It makes me ireful to -think o' them. Why, it's them that, not content with printin' lies on -paper an' preachin' them out of pulpits, does want to be cuttin' them -on the tombstones. Look here all around you in what airt ye will. All -them steans, holdin' up their heads as well as they can out of their -pride, is acant, simply tumblin' down with the weight o' the lies -wrote on them, 'Here lies the body' or 'Sacred to the memory' wrote on -all of them, an' yet in nigh half of them there bean't no bodies at -all, an' the memories of them bean't cared a pinch of snuff about, -much less sacred. Lies all of them, nothin' but lies of one kind or -another! My gog, but it'll be a quare scowderment at the Day of -Judgment when they come tumblin' up in their death-sarks, all jouped -together an' trying' to drag their tombsteans with them to prove how -good they was, some of them trimmlin' an' dithering, with their hands -that dozzened an' slippery from lyin' in the sea that they can't even -keep their gurp o' them." - -I could see from the old fellow's self-satisfied air and the way in -which he looked round for the approval of his cronies that he was -"showing off," so I put in a word to keep him going. - -"Oh, Mr. Swales, you can't be serious. Surely these tombstones are -not all wrong?" - -"Yabblins! There may be a poorish few not wrong, savin' where they -make out the people too good, for there be folk that do think a -balm-bowl be like the sea, if only it be their own. The whole thing -be only lies. Now look you here. You come here a stranger, an' you -see this kirkgarth." - -I nodded, for I thought it better to assent, though I did not quite -understand his dialect. I knew it had something to do with the -church. - -He went on, "And you consate that all these steans be aboon folk that -be haped here, snod an' snog?" I assented again. "Then that be just -where the lie comes in. Why, there be scores of these laybeds that be -toom as old Dun's 'baccabox on Friday night." - -He nudged one of his companions, and they all laughed. "And, my gog! -How could they be otherwise? Look at that one, the aftest abaft the -bier-bank, read it!" - -I went over and read, "Edward Spencelagh, master mariner, murdered by -pirates off the coast of Andres, April, 1854, age 30." When I came -back Mr. Swales went on, - -"Who brought him home, I wonder, to hap him here? Murdered off the -coast of Andres! An' you consated his body lay under! Why, I could -name ye a dozen whose bones lie in the Greenland seas above," he -pointed northwards, "or where the currants may have drifted them. -There be the steans around ye. Ye can, with your young eyes, read the -small print of the lies from here. This Braithwaite Lowery, I knew -his father, lost in the Lively off Greenland in '20, or Andrew -Woodhouse, drowned in the same seas in 1777, or John Paxton, drowned -off Cape Farewell a year later, or old John Rawlings, whose -grandfather sailed with me, drowned in the Gulf of Finland in '50. Do -ye think that all these men will have to make a rush to Whitby when -the trumpet sounds? I have me antherums aboot it! I tell ye that -when they got here they'd be jommlin' and jostlin' one another that -way that it 'ud be like a fight up on the ice in the old days, when -we'd be at one another from daylight to dark, an' tryin' to tie up our -cuts by the aurora borealis." This was evidently local pleasantry, for -the old man cackled over it, and his cronies joined in with gusto. - -"But," I said, "surely you are not quite correct, for you start on the -assumption that all the poor people, or their spirits, will have to -take their tombstones with them on the Day of Judgment. Do you think -that will be really necessary?" - -"Well, what else be they tombstones for? Answer me that, miss!" - -"To please their relatives, I suppose." - -"To please their relatives, you suppose!" This he said with intense -scorn. "How will it pleasure their relatives to know that lies is -wrote over them, and that everybody in the place knows that they be -lies?" - -He pointed to a stone at our feet which had been laid down as a slab, -on which the seat was rested, close to the edge of the cliff. "Read -the lies on that thruff-stone," he said. - -The letters were upside down to me from where I sat, but Lucy was more -opposite to them, so she leant over and read, "Sacred to the memory of -George Canon, who died, in the hope of a glorious resurrection, on -July 29, 1873, falling from the rocks at Kettleness. This tomb was -erected by his sorrowing mother to her dearly beloved son. 'He was the -only son of his mother, and she was a widow.' Really, Mr. Swales, I -don't see anything very funny in that!" She spoke her comment very -gravely and somewhat severely. - -"Ye don't see aught funny! Ha-ha! But that's because ye don't gawm -the sorrowin' mother was a hell-cat that hated him because he was -acrewk'd, a regular lamiter he was, an' he hated her so that he -committed suicide in order that she mightn't get an insurance she put -on his life. He blew nigh the top of his head off with an old musket -that they had for scarin' crows with. 'Twarn't for crows then, for it -brought the clegs and the dowps to him. That's the way he fell off -the rocks. And, as to hopes of a glorious resurrection, I've often -heard him say masel' that he hoped he'd go to hell, for his mother was -so pious that she'd be sure to go to heaven, an' he didn't want to -addle where she was. Now isn't that stean at any rate," he hammered -it with his stick as he spoke, "a pack of lies? And won't it make -Gabriel keckle when Geordie comes pantin' ut the grees with the -tompstean balanced on his hump, and asks to be took as evidence!" - -I did not know what to say, but Lucy turned the conversation as she -said, rising up, "Oh, why did you tell us of this? It is my favourite -seat, and I cannot leave it, and now I find I must go on sitting over -the grave of a suicide." - -"That won't harm ye, my pretty, an' it may make poor Geordie gladsome -to have so trim a lass sittin' on his lap. That won't hurt ye. Why, -I've sat here off an' on for nigh twenty years past, an' it hasn't -done me no harm. Don't ye fash about them as lies under ye, or that -doesn' lie there either! It'll be time for ye to be getting scart -when ye see the tombsteans all run away with, and the place as bare as -a stubble-field. There's the clock, and I must gang. My service to -ye, ladies!" And off he hobbled. - -Lucy and I sat awhile, and it was all so beautiful before us that we -took hands as we sat, and she told me all over again about Arthur and -their coming marriage. That made me just a little heart-sick, for I -haven't heard from Jonathan for a whole month. - - -The same day. I came up here alone, for I am very sad. There was no -letter for me. I hope there cannot be anything the matter with -Jonathan. The clock has just struck nine. I see the lights scattered -all over the town, sometimes in rows where the streets are, and -sometimes singly. They run right up the Esk and die away in the curve -of the valley. To my left the view is cut off by a black line of roof -of the old house next to the abbey. The sheep and lambs are bleating -in the fields away behind me, and there is a clatter of donkeys' hoofs -up the paved road below. The band on the pier is playing a harsh -waltz in good time, and further along the quay there is a Salvation -Army meeting in a back street. Neither of the bands hears the other, -but up here I hear and see them both. I wonder where Jonathan is and -if he is thinking of me! I wish he were here. - - - -DR. SEWARD'S DIARY - -5 June.--The case of Renfield grows more interesting the more I get to -understand the man. He has certain qualities very largely developed, -selfishness, secrecy, and purpose. - -I wish I could get at what is the object of the latter. He seems to -have some settled scheme of his own, but what it is I do not know. -His redeeming quality is a love of animals, though, indeed, he has -such curious turns in it that I sometimes imagine he is only -abnormally cruel. His pets are of odd sorts. - -Just now his hobby is catching flies. He has at present such a -quantity that I have had myself to expostulate. To my astonishment, -he did not break out into a fury, as I expected, but took the matter -in simple seriousness. He thought for a moment, and then said, "May I -have three days? I shall clear them away." Of course, I said that -would do. I must watch him. - - -18 June.--He has turned his mind now to spiders, and has got several -very big fellows in a box. He keeps feeding them his flies, and the -number of the latter is becoming sensibly diminished, although he has -used half his food in attracting more flies from outside to his room. - - -1 July.--His spiders are now becoming as great a nuisance as his -flies, and today I told him that he must get rid of them. - -He looked very sad at this, so I said that he must some of them, at -all events. He cheerfully acquiesced in this, and I gave him the same -time as before for reduction. - -He disgusted me much while with him, for when a horrid blowfly, -bloated with some carrion food, buzzed into the room, he caught it, -held it exultantly for a few moments between his finger and thumb, and -before I knew what he was going to do, put it in his mouth and ate it. - -I scolded him for it, but he argued quietly that it was very good and -very wholesome, that it was life, strong life, and gave life to him. -This gave me an idea, or the rudiment of one. I must watch how he -gets rid of his spiders. - -He has evidently some deep problem in his mind, for he keeps a little -notebook in which he is always jotting down something. Whole pages of -it are filled with masses of figures, generally single numbers added -up in batches, and then the totals added in batches again, as though -he were focussing some account, as the auditors put it. - - -8 July.--There is a method in his madness, and the rudimentary idea in -my mind is growing. It will be a whole idea soon, and then, oh, -unconscious cerebration, you will have to give the wall to your -conscious brother. - -I kept away from my friend for a few days, so that I might notice if -there were any change. Things remain as they were except that he has -parted with some of his pets and got a new one. - -He has managed to get a sparrow, and has already partially tamed it. -His means of taming is simple, for already the spiders have -diminished. Those that do remain, however, are well fed, for he still -brings in the flies by tempting them with his food. - -19 July--We are progressing. My friend has now a whole colony of -sparrows, and his flies and spiders are almost obliterated. When I -came in he ran to me and said he wanted to ask me a great favour, a -very, very great favour. And as he spoke, he fawned on me like a dog. - -I asked him what it was, and he said, with a sort of rapture in his -voice and bearing, "A kitten, a nice, little, sleek playful kitten, -that I can play with, and teach, and feed, and feed, and feed!" - -I was not unprepared for this request, for I had noticed how his pets -went on increasing in size and vivacity, but I did not care that his -pretty family of tame sparrows should be wiped out in the same manner -as the flies and spiders. So I said I would see about it, and asked -him if he would not rather have a cat than a kitten. - -His eagerness betrayed him as he answered, "Oh, yes, I would like a -cat! I only asked for a kitten lest you should refuse me a cat. No -one would refuse me a kitten, would they?" - -I shook my head, and said that at present I feared it would not be -possible, but that I would see about it. His face fell, and I could -see a warning of danger in it, for there was a sudden fierce, sidelong -look which meant killing. The man is an undeveloped homicidal -maniac. I shall test him with his present craving and see how it will -work out, then I shall know more. - - -10 pm.--I have visited him again and found him sitting in a corner -brooding. When I came in he threw himself on his knees before me and -implored me to let him have a cat, that his salvation depended upon -it. - -I was firm, however, and told him that he could not have it, whereupon -he went without a word, and sat down, gnawing his fingers, in the -corner where I had found him. I shall see him in the morning early. - - -20 July.--Visited Renfield very early, before attendant went his -rounds. Found him up and humming a tune. He was spreading out his -sugar, which he had saved, in the window, and was manifestly beginning -his fly catching again, and beginning it cheerfully and with a good -grace. - -I looked around for his birds, and not seeing them, asked him where -they were. He replied, without turning round, that they had all flown -away. There were a few feathers about the room and on his pillow a -drop of blood. I said nothing, but went and told the keeper to report -to me if there were anything odd about him during the day. - - -11 am.--The attendant has just been to see me to say that Renfield has -been very sick and has disgorged a whole lot of feathers. "My belief -is, doctor," he said, "that he has eaten his birds, and that he just -took and ate them raw!" - - -11 pm.--I gave Renfield a strong opiate tonight, enough to make even -him sleep, and took away his pocketbook to look at it. The thought -that has been buzzing about my brain lately is complete, and the -theory proved. - -My homicidal maniac is of a peculiar kind. I shall have to invent a -new classification for him, and call him a zoophagous (life-eating) -maniac. What he desires is to absorb as many lives as he can, and he -has laid himself out to achieve it in a cumulative way. He gave many -flies to one spider and many spiders to one bird, and then wanted a -cat to eat the many birds. What would have been his later steps? - -It would almost be worth while to complete the experiment. It might -be done if there were only a sufficient cause. Men sneered at -vivisection, and yet look at its results today! Why not advance -science in its most difficult and vital aspect, the knowledge of the -brain? - -Had I even the secret of one such mind, did I hold the key to the -fancy of even one lunatic, I might advance my own branch of science to -a pitch compared with which Burdon-Sanderson's physiology or Ferrier's -brain knowledge would be as nothing. If only there were a sufficient -cause! I must not think too much of this, or I may be tempted. A -good cause might turn the scale with me, for may not I too be of an -exceptional brain, congenitally? - -How well the man reasoned. Lunatics always do within their own scope. -I wonder at how many lives he values a man, or if at only one. He has -closed the account most accurately, and today begun a new record. How -many of us begin a new record with each day of our lives? - -To me it seems only yesterday that my whole life ended with my new -hope, and that truly I began a new record. So it shall be until the -Great Recorder sums me up and closes my ledger account with a balance -to profit or loss. - -Oh, Lucy, Lucy, I cannot be angry with you, nor can I be angry with my -friend whose happiness is yours, but I must only wait on hopeless and -work. Work! Work! - -If I could have as strong a cause as my poor mad friend there, a good, -unselfish cause to make me work, that would be indeed happiness. - - - -MINA MURRAY'S JOURNAL - -26 July.--I am anxious, and it soothes me to express myself here. It -is like whispering to one's self and listening at the same time. And -there is also something about the shorthand symbols that makes it -different from writing. I am unhappy about Lucy and about Jonathan. -I had not heard from Jonathan for some time, and was very concerned, -but yesterday dear Mr. Hawkins, who is always so kind, sent me a -letter from him. I had written asking him if he had heard, and he -said the enclosed had just been received. It is only a line dated -from Castle Dracula, and says that he is just starting for home. That -is not like Jonathan. I do not understand it, and it makes me uneasy. - -Then, too, Lucy, although she is so well, has lately taken to her old -habit of walking in her sleep. Her mother has spoken to me about it, -and we have decided that I am to lock the door of our room every -night. - -Mrs. Westenra has got an idea that sleep-walkers always go out on -roofs of houses and along the edges of cliffs and then get suddenly -wakened and fall over with a despairing cry that echoes all over the -place. - -Poor dear, she is naturally anxious about Lucy, and she tells me that -her husband, Lucy's father, had the same habit, that he would get up -in the night and dress himself and go out, if he were not stopped. - -Lucy is to be married in the autumn, and she is already planning out -her dresses and how her house is to be arranged. I sympathise with -her, for I do the same, only Jonathan and I will start in life in a -very simple way, and shall have to try to make both ends meet. - -Mr. Holmwood, he is the Hon. Arthur Holmwood, only son of Lord -Godalming, is coming up here very shortly, as soon as he can leave -town, for his father is not very well, and I think dear Lucy is -counting the moments till he comes. - -She wants to take him up in the seat on the churchyard cliff and show -him the beauty of Whitby. I daresay it is the waiting which disturbs -her. She will be all right when he arrives. - - -27 July.--No news from Jonathan. I am getting quite uneasy about him, -though why I should I do not know, but I do wish that he would write, -if it were only a single line. - -Lucy walks more than ever, and each night I am awakened by her moving -about the room. Fortunately, the weather is so hot that she cannot -get cold. But still, the anxiety and the perpetually being awakened -is beginning to tell on me, and I am getting nervous and wakeful -myself. Thank God, Lucy's health keeps up. Mr. Holmwood has been -suddenly called to Ring to see his father, who has been taken -seriously ill. Lucy frets at the postponement of seeing him, but it -does not touch her looks. She is a trifle stouter, and her cheeks are -a lovely rose-pink. She has lost the anemic look which she had. I -pray it will all last. - - -3 August.--Another week gone by, and no news from Jonathan, not even -to Mr. Hawkins, from whom I have heard. Oh, I do hope he is not ill. -He surely would have written. I look at that last letter of his, but -somehow it does not satisfy me. It does not read like him, and yet it -is his writing. There is no mistake of that. - -Lucy has not walked much in her sleep the last week, but there is an -odd concentration about her which I do not understand, even in her -sleep she seems to be watching me. She tries the door, and finding it -locked, goes about the room searching for the key. - - -6 August.--Another three days, and no news. This suspense is getting -dreadful. If I only knew where to write to or where to go to, I -should feel easier. But no one has heard a word of Jonathan since -that last letter. I must only pray to God for patience. - -Lucy is more excitable than ever, but is otherwise well. Last night -was very threatening, and the fishermen say that we are in for a -storm. I must try to watch it and learn the weather signs. - -Today is a gray day, and the sun as I write is hidden in thick clouds, -high over Kettleness. Everything is gray except the green grass, -which seems like emerald amongst it, gray earthy rock, gray clouds, -tinged with the sunburst at the far edge, hang over the gray sea, into -which the sandpoints stretch like gray figures. The sea is tumbling -in over the shallows and the sandy flats with a roar, muffled in the -sea-mists drifting inland. The horizon is lost in a gray mist. All -vastness, the clouds are piled up like giant rocks, and there is a -'brool' over the sea that sounds like some passage of doom. Dark -figures are on the beach here and there, sometimes half shrouded in -the mist, and seem 'men like trees walking'. The fishing boats are -racing for home, and rise and dip in the ground swell as they sweep -into the harbour, bending to the scuppers. Here comes old Mr. Swales. -He is making straight for me, and I can see, by the way he lifts his -hat, that he wants to talk. - -I have been quite touched by the change in the poor old man. When he -sat down beside me, he said in a very gentle way, "I want to say -something to you, miss." - -I could see he was not at ease, so I took his poor old wrinkled hand in -mine and asked him to speak fully. - -So he said, leaving his hand in mine, "I'm afraid, my deary, that I -must have shocked you by all the wicked things I've been sayin' about -the dead, and such like, for weeks past, but I didn't mean them, and I -want ye to remember that when I'm gone. We aud folks that be daffled, -and with one foot abaft the krok-hooal, don't altogether like to think -of it, and we don't want to feel scart of it, and that's why I've took -to makin' light of it, so that I'd cheer up my own heart a bit. But, -Lord love ye, miss, I ain't afraid of dyin', not a bit, only I don't -want to die if I can help it. My time must be nigh at hand now, for I -be aud, and a hundred years is too much for any man to expect. And -I'm so nigh it that the Aud Man is already whettin' his scythe. Ye -see, I can't get out o' the habit of caffin' about it all at once. -The chafts will wag as they be used to. Some day soon the Angel of -Death will sound his trumpet for me. But don't ye dooal an' greet, my -deary!"--for he saw that I was crying--"if he should come this very -night I'd not refuse to answer his call. For life be, after all, only -a waitin' for somethin' else than what we're doin', and death be all -that we can rightly depend on. But I'm content, for it's comin' to -me, my deary, and comin' quick. It may be comin' while we be lookin' -and wonderin'. Maybe it's in that wind out over the sea that's -bringin' with it loss and wreck, and sore distress, and sad hearts. -Look! Look!" he cried suddenly. "There's something in that wind and -in the hoast beyont that sounds, and looks, and tastes, and smells -like death. It's in the air. I feel it comin'. Lord, make me answer -cheerful, when my call comes!" He held up his arms devoutly, and -raised his hat. His mouth moved as though he were praying. After a -few minutes' silence, he got up, shook hands with me, and blessed me, -and said goodbye, and hobbled off. It all touched me, and upset me -very much. - -I was glad when the coastguard came along, with his spyglass under his -arm. He stopped to talk with me, as he always does, but all the time -kept looking at a strange ship. - -"I can't make her out," he said. "She's a Russian, by the look of -her. But she's knocking about in the queerest way. She doesn't know -her mind a bit. She seems to see the storm coming, but can't decide -whether to run up north in the open, or to put in here. Look there -again! She is steered mighty strangely, for she doesn't mind the hand -on the wheel, changes about with every puff of wind. We'll hear more -of her before this time tomorrow." - - - - -CHAPTER 7 - - -CUTTING FROM "THE DAILYGRAPH", 8 AUGUST - - -(PASTED IN MINA MURRAY'S JOURNAL) - - -From a correspondent. - -Whitby. - -One of the greatest and suddenest storms on record has just been -experienced here, with results both strange and unique. The weather -had been somewhat sultry, but not to any degree uncommon in the -month of August. Saturday evening was as fine as was ever known, -and the great body of holiday-makers laid out yesterday for visits -to Mulgrave Woods, Robin Hood's Bay, Rig Mill, Runswick, Staithes, -and the various trips in the neighborhood of Whitby. The steamers -Emma and Scarborough made trips up and down the coast, and there was -an unusual amount of 'tripping' both to and from Whitby. The day -was unusually fine till the afternoon, when some of the gossips who -frequent the East Cliff churchyard, and from the commanding eminence -watch the wide sweep of sea visible to the north and east, called -attention to a sudden show of 'mares tails' high in the sky to the -northwest. The wind was then blowing from the south-west in the -mild degree which in barometrical language is ranked 'No. 2, light -breeze.' - -The coastguard on duty at once made report, and one old fisherman, -who for more than half a century has kept watch on weather signs -from the East Cliff, foretold in an emphatic manner the coming of a -sudden storm. The approach of sunset was so very beautiful, so -grand in its masses of splendidly coloured clouds, that there was -quite an assemblage on the walk along the cliff in the old -churchyard to enjoy the beauty. Before the sun dipped below the -black mass of Kettleness, standing boldly athwart the western sky, -its downward way was marked by myriad clouds of every sunset colour, -flame, purple, pink, green, violet, and all the tints of gold, with -here and there masses not large, but of seemingly absolute -blackness, in all sorts of shapes, as well outlined as colossal -silhouettes. The experience was not lost on the painters, and -doubtless some of the sketches of the 'Prelude to the Great Storm' -will grace the R. A and R. I. walls in May next. - -More than one captain made up his mind then and there that his -'cobble' or his 'mule', as they term the different classes of boats, -would remain in the harbour till the storm had passed. The wind -fell away entirely during the evening, and at midnight there was a -dead calm, a sultry heat, and that prevailing intensity which, on -the approach of thunder, affects persons of a sensitive nature. - -There were but few lights in sight at sea, for even the coasting -steamers, which usually hug the shore so closely, kept well to -seaward, and but few fishing boats were in sight. The only sail -noticeable was a foreign schooner with all sails set, which was -seemingly going westwards. The foolhardiness or ignorance of her -officers was a prolific theme for comment whilst she remained in -sight, and efforts were made to signal her to reduce sail in the -face of her danger. Before the night shut down she was seen with -sails idly flapping as she gently rolled on the undulating swell of -the sea. - -"As idle as a painted ship upon a painted ocean." - -Shortly before ten o'clock the stillness of the air grew quite -oppressive, and the silence was so marked that the bleating of a -sheep inland or the barking of a dog in the town was distinctly -heard, and the band on the pier, with its lively French air, was -like a dischord in the great harmony of nature's silence. A little -after midnight came a strange sound from over the sea, and high -overhead the air began to carry a strange, faint, hollow booming. - -Then without warning the tempest broke. With a rapidity which, at -the time, seemed incredible, and even afterwards is impossible to -realize, the whole aspect of nature at once became convulsed. The -waves rose in growing fury, each over-topping its fellow, till in a -very few minutes the lately glassy sea was like a roaring and -devouring monster. White-crested waves beat madly on the level -sands and rushed up the shelving cliffs. Others broke over the -piers, and with their spume swept the lanthorns of the lighthouses -which rise from the end of either pier of Whitby Harbour. - -The wind roared like thunder, and blew with such force that it was -with difficulty that even strong men kept their feet, or clung with -grim clasp to the iron stanchions. It was found necessary to clear -the entire pier from the mass of onlookers, or else the fatalities -of the night would have increased manifold. To add to the -difficulties and dangers of the time, masses of sea-fog came -drifting inland. White, wet clouds, which swept by in ghostly -fashion, so dank and damp and cold that it needed but little effort -of imagination to think that the spirits of those lost at sea were -touching their living brethren with the clammy hands of death, and -many a one shuddered as the wreaths of sea-mist swept by. - -At times the mist cleared, and the sea for some distance could be -seen in the glare of the lightning, which came thick and fast, -followed by such peals of thunder that the whole sky overhead seemed -trembling under the shock of the footsteps of the storm. - -Some of the scenes thus revealed were of immeasurable grandeur and -of absorbing interest. The sea, running mountains high, threw -skywards with each wave mighty masses of white foam, which the -tempest seemed to snatch at and whirl away into space. Here and -there a fishing boat, with a rag of sail, running madly for shelter -before the blast, now and again the white wings of a storm-tossed -seabird. On the summit of the East Cliff the new searchlight was -ready for experiment, but had not yet been tried. The officers in -charge of it got it into working order, and in the pauses of -onrushing mist swept with it the surface of the sea. Once or twice -its service was most effective, as when a fishing boat, with gunwale -under water, rushed into the harbour, able, by the guidance of the -sheltering light, to avoid the danger of dashing against the piers. -As each boat achieved the safety of the port there was a shout of -joy from the mass of people on the shore, a shout which for a moment -seemed to cleave the gale and was then swept away in its rush. - -Before long the searchlight discovered some distance away a schooner -with all sails set, apparently the same vessel which had been -noticed earlier in the evening. The wind had by this time backed to -the east, and there was a shudder amongst the watchers on the cliff -as they realized the terrible danger in which she now was. - -Between her and the port lay the great flat reef on which so many -good ships have from time to time suffered, and, with the wind -blowing from its present quarter, it would be quite impossible that -she should fetch the entrance of the harbour. - -It was now nearly the hour of high tide, but the waves were so great -that in their troughs the shallows of the shore were almost visible, -and the schooner, with all sails set, was rushing with such speed -that, in the words of one old salt, "she must fetch up somewhere, if -it was only in hell". Then came another rush of sea-fog, greater -than any hitherto, a mass of dank mist, which seemed to close on all -things like a gray pall, and left available to men only the organ of -hearing, for the roar of the tempest, and the crash of the thunder, -and the booming of the mighty billows came through the damp oblivion -even louder than before. The rays of the searchlight were kept fixed -on the harbour mouth across the East Pier, where the shock was -expected, and men waited breathless. - -The wind suddenly shifted to the northeast, and the remnant of the -sea fog melted in the blast. And then, mirabile dictu, between the -piers, leaping from wave to wave as it rushed at headlong speed, -swept the strange schooner before the blast, with all sail set, and -gained the safety of the harbour. The searchlight followed her, and -a shudder ran through all who saw her, for lashed to the helm was a -corpse, with drooping head, which swung horribly to and fro at each -motion of the ship. No other form could be seen on the deck at all. - -A great awe came on all as they realised that the ship, as if by a -miracle, had found the harbour, unsteered save by the hand of a dead -man! However, all took place more quickly than it takes to write -these words. The schooner paused not, but rushing across the -harbour, pitched herself on that accumulation of sand and gravel -washed by many tides and many storms into the southeast corner of -the pier jutting under the East Cliff, known locally as Tate Hill -Pier. - -There was of course a considerable concussion as the vessel drove up -on the sand heap. Every spar, rope, and stay was strained, and some -of the 'top-hammer' came crashing down. But, strangest of all, the -very instant the shore was touched, an immense dog sprang up on deck -from below, as if shot up by the concussion, and running forward, -jumped from the bow on the sand. - -Making straight for the steep cliff, where the churchyard hangs over -the laneway to the East Pier so steeply that some of the flat -tombstones, thruffsteans or through-stones, as they call them in -Whitby vernacular, actually project over where the sustaining cliff -has fallen away, it disappeared in the darkness, which seemed -intensified just beyond the focus of the searchlight. - -It so happened that there was no one at the moment on Tate Hill -Pier, as all those whose houses are in close proximity were either -in bed or were out on the heights above. Thus the coastguard on -duty on the eastern side of the harbour, who at once ran down to the -little pier, was the first to climb aboard. The men working the -searchlight, after scouring the entrance of the harbour without -seeing anything, then turned the light on the derelict and kept it -there. The coastguard ran aft, and when he came beside the wheel, -bent over to examine it, and recoiled at once as though under some -sudden emotion. This seemed to pique general curiosity, and quite a -number of people began to run. - -It is a good way round from the West Cliff by the Draw-bridge to -Tate Hill Pier, but your correspondent is a fairly good runner, and -came well ahead of the crowd. When I arrived, however, I found -already assembled on the pier a crowd, whom the coastguard and -police refused to allow to come on board. By the courtesy of the -chief boatman, I was, as your correspondent, permitted to climb on -deck, and was one of a small group who saw the dead seaman whilst -actually lashed to the wheel. - -It was no wonder that the coastguard was surprised, or even awed, -for not often can such a sight have been seen. The man was simply -fastened by his hands, tied one over the other, to a spoke of the -wheel. Between the inner hand and the wood was a crucifix, the set -of beads on which it was fastened being around both wrists and -wheel, and all kept fast by the binding cords. The poor fellow may -have been seated at one time, but the flapping and buffeting of the -sails had worked through the rudder of the wheel and had dragged him -to and fro, so that the cords with which he was tied had cut the -flesh to the bone. - -Accurate note was made of the state of things, and a doctor, Surgeon -J. M. Caffyn, of 33, East Elliot Place, who came immediately after -me, declared, after making examination, that the man must have been -dead for quite two days. - -In his pocket was a bottle, carefully corked, empty save for -a little roll of paper, which proved to be the addendum to -the log. - -The coastguard said the man must have tied up his own hands, -fastening the knots with his teeth. The fact that a coastguard was -the first on board may save some complications later on, in the -Admiralty Court, for coastguards cannot claim the salvage which is -the right of the first civilian entering on a derelict. Already, -however, the legal tongues are wagging, and one young law student is -loudly asserting that the rights of the owner are already completely -sacrificed, his property being held in contravention of the statues -of mortmain, since the tiller, as emblemship, if not proof, of -delegated possession, is held in a dead hand. - -It is needless to say that the dead steersman has been reverently -removed from the place where he held his honourable watch and ward -till death, a steadfastness as noble as that of the young -Casabianca, and placed in the mortuary to await inquest. - -Already the sudden storm is passing, and its fierceness is -abating. Crowds are scattering backward, and the sky is -beginning to redden over the Yorkshire wolds. - -I shall send, in time for your next issue, further details -of the derelict ship which found her way so miraculously -into harbour in the storm. - - -9 August.--The sequel to the strange arrival of the derelict in the -storm last night is almost more startling than the thing itself. It -turns out that the schooner is Russian from Varna, and is called the -Demeter. She is almost entirely in ballast of silver sand, with -only a small amount of cargo, a number of great wooden boxes filled -with mould. - -This cargo was consigned to a Whitby solicitor, Mr. S.F. Billington, -of 7, The Crescent, who this morning went aboard and took formal -possession of the goods consigned to him. - -The Russian consul, too, acting for the charter-party, took formal -possession of the ship, and paid all harbour dues, etc. - -Nothing is talked about here today except the strange coincidence. -The officials of the Board of Trade have been most exacting in -seeing that every compliance has been made with existing -regulations. As the matter is to be a 'nine days wonder', they are -evidently determined that there shall be no cause of other -complaint. - -A good deal of interest was abroad concerning the dog which landed -when the ship struck, and more than a few of the members of the -S.P.C.A., which is very strong in Whitby, have tried to befriend the -animal. To the general disappointment, however, it was not to be -found. It seems to have disappeared entirely from the town. It may -be that it was frightened and made its way on to the moors, where it -is still hiding in terror. - -There are some who look with dread on such a possibility, lest later -on it should in itself become a danger, for it is evidently a fierce -brute. Early this morning a large dog, a half-bred mastiff -belonging to a coal merchant close to Tate Hill Pier, was found dead -in the roadway opposite its master's yard. It had been fighting, -and manifestly had had a savage opponent, for its throat was torn -away, and its belly was slit open as if with a savage claw. - -Later.--By the kindness of the Board of Trade inspector, I have been -permitted to look over the log book of the Demeter, which was in -order up to within three days, but contained nothing of special -interest except as to facts of missing men. The greatest interest, -however, is with regard to the paper found in the bottle, which was -today produced at the inquest. And a more strange narrative than -the two between them unfold it has not been my lot to come across. - -As there is no motive for concealment, I am permitted to use them, -and accordingly send you a transcript, simply omitting technical -details of seamanship and supercargo. It almost seems as though the -captain had been seized with some kind of mania before he had got -well into blue water, and that this had developed persistently -throughout the voyage. Of course my statement must be taken cum -grano, since I am writing from the dictation of a clerk of the -Russian consul, who kindly translated for me, time being short. - - - - LOG OF THE "DEMETER" Varna to Whitby - - - Written 18 July, things so strange happening, that I shall - keep accurate note henceforth till we land. - - - On 6 July we finished taking in cargo, silver sand and boxes - of earth. At noon set sail. East wind, fresh. Crew, five - hands . . . two mates, cook, and myself, (captain). - - - On 11 July at dawn entered Bosphorus. Boarded by Turkish - Customs officers. Backsheesh. All correct. Under way at - 4 p.m. - - - On 12 July through Dardanelles. More Customs officers and - flagboat of guarding squadron. Backsheesh again. Work of - officers thorough, but quick. Want us off soon. At dark - passed into Archipelago. - - - On 13 July passed Cape Matapan. Crew dissatisfied about - something. Seemed scared, but would not speak out. - - - On 14 July was somewhat anxious about crew. Men all steady - fellows, who sailed with me before. Mate could not make out what - was wrong. They only told him there was SOMETHING, and crossed - themselves. Mate lost temper with one of them that day and struck - him. Expected fierce quarrel, but all was quiet. - - - On 16 July mate reported in the morning that one of the - crew, Petrofsky, was missing. Could not account for it. - Took larboard watch eight bells last night, was relieved by - Amramoff, but did not go to bunk. Men more downcast than - ever. All said they expected something of the kind, but - would not say more than there was SOMETHING aboard. Mate - getting very impatient with them. Feared some trouble - ahead. - - - On 17 July, yesterday, one of the men, Olgaren, came to my cabin, - and in an awestruck way confided to me that he thought there was a - strange man aboard the ship. He said that in his watch he had - been sheltering behind the deckhouse, as there was a rain storm, - when he saw a tall, thin man, who was not like any of the crew, - come up the companionway, and go along the deck forward and - disappear. He followed cautiously, but when he got to bows found - no one, and the hatchways were all closed. He was in a panic of - superstitious fear, and I am afraid the panic may spread. To - allay it, I shall today search the entire ship carefully from stem - to stern. - - - Later in the day I got together the whole crew, and told them, as - they evidently thought there was some one in the ship, we would - search from stem to stern. First mate angry, said it was folly, - and to yield to such foolish ideas would demoralise the men, said - he would engage to keep them out of trouble with the handspike. I - let him take the helm, while the rest began a thorough search, all - keeping abreast, with lanterns. We left no corner unsearched. As - there were only the big wooden boxes, there were no odd corners - where a man could hide. Men much relieved when search over, and - went back to work cheerfully. First mate scowled, but said - nothing. - - - 22 July.--Rough weather last three days, and all hands busy - with sails, no time to be frightened. Men seem to have - forgotten their dread. Mate cheerful again, and all on - good terms. Praised men for work in bad weather. Passed - Gibraltar and out through Straits. All well. - - - 24 July.--There seems some doom over this ship. Already a hand - short, and entering the Bay of Biscay with wild weather ahead, and - yet last night another man lost, disappeared. Like the first, he - came off his watch and was not seen again. Men all in a panic of - fear, sent a round robin, asking to have double watch, as they - fear to be alone. Mate angry. Fear there will be some trouble, - as either he or the men will do some violence. - - - 28 July.--Four days in hell, knocking about in a sort of - maelstrom, and the wind a tempest. No sleep for any one. - Men all worn out. Hardly know how to set a watch, since no - one fit to go on. Second mate volunteered to steer and - watch, and let men snatch a few hours sleep. Wind abating, - seas still terrific, but feel them less, as ship is - steadier. - - - 29 July.--Another tragedy. Had single watch tonight, as crew too - tired to double. When morning watch came on deck could find no - one except steersman. Raised outcry, and all came on deck. - Thorough search, but no one found. Are now without second mate, - and crew in a panic. Mate and I agreed to go armed henceforth and - wait for any sign of cause. - - - 30 July.--Last night. Rejoiced we are nearing England. Weather - fine, all sails set. Retired worn out, slept soundly, awakened by - mate telling me that both man of watch and steersman missing. - Only self and mate and two hands left to work ship. - - 1 August.--Two days of fog, and not a sail sighted. Had hoped - when in the English Channel to be able to signal for help or get - in somewhere. Not having power to work sails, have to run before - wind. Dare not lower, as could not raise them again. We seem to - be drifting to some terrible doom. Mate now more demoralised than - either of men. His stronger nature seems to have worked inwardly - against himself. Men are beyond fear, working stolidly and - patiently, with minds made up to worst. They are Russian, he - Roumanian. - - 2 August, midnight.--Woke up from few minutes sleep by hearing a - cry, seemingly outside my port. Could see nothing in fog. Rushed - on deck, and ran against mate. Tells me he heard cry and ran, but - no sign of man on watch. One more gone. Lord, help us! Mate - says we must be past Straits of Dover, as in a moment of fog - lifting he saw North Foreland, just as he heard the man cry out. - If so we are now off in the North Sea, and only God can guide us - in the fog, which seems to move with us, and God seems to have - deserted us. - - - 3 August.--At midnight I went to relieve the man at the - wheel and when I got to it found no one there. The wind - was steady, and as we ran before it there was no yawing. I - dared not leave it, so shouted for the mate. After a few - seconds, he rushed up on deck in his flannels. He looked - wild-eyed and haggard, and I greatly fear his reason has - given way. He came close to me and whispered hoarsely, - with his mouth to my ear, as though fearing the very air - might hear. "It is here. I know it now. On the watch - last night I saw It, like a man, tall and thin, and ghastly - pale. It was in the bows, and looking out. I crept behind - It, and gave it my knife, but the knife went through It, - empty as the air." And as he spoke he took the knife and - drove it savagely into space. Then he went on, "But It is - here, and I'll find It. It is in the hold, perhaps in one - of those boxes. I'll unscrew them one by one and see. You - work the helm." And with a warning look and his finger on - his lip, he went below. There was springing up a choppy - wind, and I could not leave the helm. I saw him come out - on deck again with a tool chest and lantern, and go down - the forward hatchway. He is mad, stark, raving mad, and - it's no use my trying to stop him. He can't hurt those big - boxes, they are invoiced as clay, and to pull them about is - as harmless a thing as he can do. So here I stay and mind - the helm, and write these notes. I can only trust in God - and wait till the fog clears. Then, if I can't steer to - any harbour with the wind that is, I shall cut down sails, - and lie by, and signal for help . . . - - It is nearly all over now. Just as I was beginning to hope - that the mate would come out calmer, for I heard him - knocking away at something in the hold, and work is good - for him, there came up the hatchway a sudden, startled - scream, which made my blood run cold, and up on the deck he - came as if shot from a gun, a raging madman, with his eyes - rolling and his face convulsed with fear. "Save me! Save - me!" he cried, and then looked round on the blanket of fog. - His horror turned to despair, and in a steady voice he - said, "You had better come too, captain, before it is too - late. He is there! I know the secret now. The sea will - save me from Him, and it is all that is left!" Before I - could say a word, or move forward to seize him, he sprang - on the bulwark and deliberately threw himself into the sea. - I suppose I know the secret too, now. It was this madman - who had got rid of the men one by one, and now he has - followed them himself. God help me! How am I to account - for all these horrors when I get to port? When I get to - port! Will that ever be? - - - 4 August.--Still fog, which the sunrise cannot pierce, I - know there is sunrise because I am a sailor, why else I - know not. I dared not go below, I dared not leave the - helm, so here all night I stayed, and in the dimness of the - night I saw it, Him! God, forgive me, but the mate was - right to jump overboard. It was better to die like a man. - To die like a sailor in blue water, no man can object. But - I am captain, and I must not leave my ship. But I shall - baffle this fiend or monster, for I shall tie my hands to - the wheel when my strength begins to fail, and along with - them I shall tie that which He, It, dare not touch. And - then, come good wind or foul, I shall save my soul, and my - honour as a captain. I am growing weaker, and the night is - coming on. If He can look me in the face again, I may not - have time to act. . . If we are wrecked, mayhap this bottle - may be found, and those who find it may understand. If - not . . . well, then all men shall know that I have been - true to my trust. God and the Blessed Virgin and the - Saints help a poor ignorant soul trying to do his duty . . . - - -Of course the verdict was an open one. There is no evidence -to adduce, and whether or not the man himself committed the -murders there is now none to say. The folk here hold almost -universally that the captain is simply a hero, and he is to be -given a public funeral. Already it is arranged that his body -is to be taken with a train of boats up the Esk for a piece -and then brought back to Tate Hill Pier and up the abbey steps, -for he is to be buried in the churchyard on the cliff. The -owners of more than a hundred boats have already given in their -names as wishing to follow him to the grave. - -No trace has ever been found of the great dog, at which there is -much mourning, for, with public opinion in its present state, he -would, I believe, be adopted by the town. Tomorrow will see the -funeral, and so will end this one more 'mystery of the sea'. - - - -MINA MURRAY'S JOURNAL - -8 August.--Lucy was very restless all night, and I too, could not -sleep. The storm was fearful, and as it boomed loudly among the -chimney pots, it made me shudder. When a sharp puff came it seemed to -be like a distant gun. Strangely enough, Lucy did not wake, but she -got up twice and dressed herself. Fortunately, each time I awoke in -time and managed to undress her without waking her, and got her back to -bed. It is a very strange thing, this sleep-walking, for as soon as -her will is thwarted in any physical way, her intention, if there be -any, disappears, and she yields herself almost exactly to the routine -of her life. - -Early in the morning we both got up and went down to the harbour to see -if anything had happened in the night. There were very few people -about, and though the sun was bright, and the air clear and fresh, the -big, grim-looking waves, that seemed dark themselves because the foam -that topped them was like snow, forced themselves in through the mouth -of the harbour, like a bullying man going through a crowd. Somehow I -felt glad that Jonathan was not on the sea last night, but on land. -But, oh, is he on land or sea? Where is he, and how? I am getting -fearfully anxious about him. If I only knew what to do, and could do -anything! - - -10 August.--The funeral of the poor sea captain today was most -touching. Every boat in the harbour seemed to be there, and the coffin -was carried by captains all the way from Tate Hill Pier up to the -churchyard. Lucy came with me, and we went early to our old seat, -whilst the cortege of boats went up the river to the Viaduct and came -down again. We had a lovely view, and saw the procession nearly all -the way. The poor fellow was laid to rest near our seat so that we -stood on it, when the time came and saw everything. - -Poor Lucy seemed much upset. She was restless and uneasy all the time, -and I cannot but think that her dreaming at night is telling on her. -She is quite odd in one thing. She will not admit to me that there is -any cause for restlessness, or if there be, she does not understand it -herself. - -There is an additional cause in that poor Mr. Swales was found dead -this morning on our seat, his neck being broken. He had evidently, as -the doctor said, fallen back in the seat in some sort of fright, for -there was a look of fear and horror on his face that the men said made -them shudder. Poor dear old man! - -Lucy is so sweet and sensitive that she feels influences more acutely -than other people do. Just now she was quite upset by a little thing -which I did not much heed, though I am myself very fond of animals. - -One of the men who came up here often to look for the boats was -followed by his dog. The dog is always with him. They are both quiet -persons, and I never saw the man angry, nor heard the dog bark. During -the service the dog would not come to its master, who was on the seat -with us, but kept a few yards off, barking and howling. Its master -spoke to it gently, and then harshly, and then angrily. But it would -neither come nor cease to make a noise. It was in a fury, with its -eyes savage, and all its hair bristling out like a cat's tail when puss -is on the war path. - -Finally the man too got angry, and jumped down and kicked the dog, and -then took it by the scruff of the neck and half dragged and half threw -it on the tombstone on which the seat is fixed. The moment it touched -the stone the poor thing began to tremble. It did not try to get away, -but crouched down, quivering and cowering, and was in such a pitiable -state of terror that I tried, though without effect, to comfort it. - -Lucy was full of pity, too, but she did not attempt to touch the dog, -but looked at it in an agonised sort of way. I greatly fear that she -is of too super sensitive a nature to go through the world without -trouble. She will be dreaming of this tonight, I am sure. The whole -agglomeration of things, the ship steered into port by a dead man, his -attitude, tied to the wheel with a crucifix and beads, the touching -funeral, the dog, now furious and now in terror, will all afford -material for her dreams. - -I think it will be best for her to go to bed tired out physically, so I -shall take her for a long walk by the cliffs to Robin Hood's Bay and -back. She ought not to have much inclination for sleep-walking then. - - - - -CHAPTER 8 - - -MINA MURRAY'S JOURNAL - -Same day, 11 o'clock P.M.--Oh, but I am tired! If it were not that I -had made my diary a duty I should not open it tonight. We had a lovely -walk. Lucy, after a while, was in gay spirits, owing, I think, to some -dear cows who came nosing towards us in a field close to the -lighthouse, and frightened the wits out of us. I believe we forgot -everything, except of course, personal fear, and it seemed to wipe the -slate clean and give us a fresh start. We had a capital 'severe tea' -at Robin Hood's Bay in a sweet little old-fashioned inn, with a bow -window right over the seaweed-covered rocks of the strand. I believe -we should have shocked the 'New Woman' with our appetites. Men are -more tolerant, bless them! Then we walked home with some, or rather -many, stoppages to rest, and with our hearts full of a constant dread -of wild bulls. - -Lucy was really tired, and we intended to creep off to bed as soon as -we could. The young curate came in, however, and Mrs. Westenra asked -him to stay for supper. Lucy and I had both a fight for it with the -dusty miller. I know it was a hard fight on my part, and I am quite -heroic. I think that some day the bishops must get together and see -about breeding up a new class of curates, who don't take supper, no -matter how hard they may be pressed to, and who will know when girls -are tired. - -Lucy is asleep and breathing softly. She has more colour in her cheeks -than usual, and looks, oh so sweet. If Mr. Holmwood fell in love with -her seeing her only in the drawing room, I wonder what he would say if -he saw her now. Some of the 'New Women' writers will some day start an -idea that men and women should be allowed to see each other asleep -before proposing or accepting. But I suppose the 'New Woman' won't -condescend in future to accept. She will do the proposing herself. And -a nice job she will make of it too! There's some consolation in that. -I am so happy tonight, because dear Lucy seems better. I really -believe she has turned the corner, and that we are over her troubles -with dreaming. I should be quite happy if I only knew if Jonathan . . . -God bless and keep him. - - -11 August.--Diary again. No sleep now, so I may as well write. I am -too agitated to sleep. We have had such an adventure, such an -agonizing experience. I fell asleep as soon as I had closed my diary. -. . . Suddenly I became broad awake, and sat up, with a horrible sense -of fear upon me, and of some feeling of emptiness around me. The room -was dark, so I could not see Lucy's bed. I stole across and felt for -her. The bed was empty. I lit a match and found that she was not in -the room. The door was shut, but not locked, as I had left it. I feared -to wake her mother, who has been more than usually ill lately, so threw -on some clothes and got ready to look for her. As I was leaving the -room it struck me that the clothes she wore might give me some clue to -her dreaming intention. Dressing-gown would mean house, dress outside. -Dressing-gown and dress were both in their places. "Thank God," I said -to myself, "she cannot be far, as she is only in her nightdress." - -I ran downstairs and looked in the sitting room. Not there! Then I -looked in all the other rooms of the house, with an ever-growing fear -chilling my heart. Finally, I came to the hall door and found it open. -It was not wide open, but the catch of the lock had not caught. The -people of the house are careful to lock the door every night, so I -feared that Lucy must have gone out as she was. There was no time to -think of what might happen. A vague over-mastering fear obscured all -details. - -I took a big, heavy shawl and ran out. The clock was striking one as I -was in the Crescent, and there was not a soul in sight. I ran along -the North Terrace, but could see no sign of the white figure which I -expected. At the edge of the West Cliff above the pier I looked across -the harbour to the East Cliff, in the hope or fear, I don't know which, -of seeing Lucy in our favourite seat. - -There was a bright full moon, with heavy black, driving clouds, which -threw the whole scene into a fleeting diorama of light and shade as -they sailed across. For a moment or two I could see nothing, as the -shadow of a cloud obscured St. Mary's Church and all around it. Then -as the cloud passed I could see the ruins of the abbey coming into -view, and as the edge of a narrow band of light as sharp as a sword-cut -moved along, the church and churchyard became gradually visible. -Whatever my expectation was, it was not disappointed, for there, on our -favourite seat, the silver light of the moon struck a half-reclining -figure, snowy white. The coming of the cloud was too quick for me to -see much, for shadow shut down on light almost immediately, but it -seemed to me as though something dark stood behind the seat where the -white figure shone, and bent over it. What it was, whether man or -beast, I could not tell. - -I did not wait to catch another glance, but flew down the steep steps -to the pier and along by the fish-market to the bridge, which was the -only way to reach the East Cliff. The town seemed as dead, for not a -soul did I see. I rejoiced that it was so, for I wanted no witness of -poor Lucy's condition. The time and distance seemed endless, and my -knees trembled and my breath came laboured as I toiled up the endless -steps to the abbey. I must have gone fast, and yet it seemed to me as -if my feet were weighted with lead, and as though every joint in my -body were rusty. - -When I got almost to the top I could see the seat and the white figure, -for I was now close enough to distinguish it even through the spells of -shadow. There was undoubtedly something, long and black, bending over -the half-reclining white figure. I called in fright, "Lucy! Lucy!" -and something raised a head, and from where I was I could see a white -face and red, gleaming eyes. - -Lucy did not answer, and I ran on to the entrance of the churchyard. -As I entered, the church was between me and the seat, and for a minute -or so I lost sight of her. When I came in view again the cloud had -passed, and the moonlight struck so brilliantly that I could see Lucy -half reclining with her head lying over the back of the seat. She was -quite alone, and there was not a sign of any living thing about. - -When I bent over her I could see that she was still asleep. Her lips -were parted, and she was breathing, not softly as usual with her, but -in long, heavy gasps, as though striving to get her lungs full at every -breath. As I came close, she put up her hand in her sleep and pulled -the collar of her nightdress close around her, as though she felt the -cold. I flung the warm shawl over her, and drew the edges tight around -her neck, for I dreaded lest she should get some deadly chill from the -night air, unclad as she was. I feared to wake her all at once, so, in -order to have my hands free to help her, I fastened the shawl at her -throat with a big safety pin. But I must have been clumsy in my -anxiety and pinched or pricked her with it, for by-and-by, when her -breathing became quieter, she put her hand to her throat again and -moaned. When I had her carefully wrapped up I put my shoes on her -feet, and then began very gently to wake her. - -At first she did not respond, but gradually she became more and more -uneasy in her sleep, moaning and sighing occasionally. At last, as -time was passing fast, and for many other reasons, I wished to get her -home at once, I shook her forcibly, till finally she opened her eyes -and awoke. She did not seem surprised to see me, as, of course, she -did not realize all at once where she was. - -Lucy always wakes prettily, and even at such a time, when her body must -have been chilled with cold, and her mind somewhat appalled at waking -unclad in a churchyard at night, she did not lose her grace. She -trembled a little, and clung to me. When I told her to come at once -with me home, she rose without a word, with the obedience of a child. -As we passed along, the gravel hurt my feet, and Lucy noticed me wince. -She stopped and wanted to insist upon my taking my shoes, but I would -not. However, when we got to the pathway outside the chruchyard, where -there was a puddle of water, remaining from the storm, I daubed my feet -with mud, using each foot in turn on the other, so that as we went -home, no one, in case we should meet any one, should notice my bare -feet. - -Fortune favoured us, and we got home without meeting a soul. Once we -saw a man, who seemed not quite sober, passing along a street in front -of us. But we hid in a door till he had disappeared up an opening such -as there are here, steep little closes, or 'wynds', as they call them -in Scotland. My heart beat so loud all the time sometimes I thought I -should faint. I was filled with anxiety about Lucy, not only for her -health, lest she should suffer from the exposure, but for her -reputation in case the story should get wind. When we got in, and had -washed our feet, and had said a prayer of thankfulness together, I -tucked her into bed. Before falling asleep she asked, even implored, -me not to say a word to any one, even her mother, about her -sleep-walking adventure. - -I hesitated at first, to promise, but on thinking of the state of her -mother's health, and how the knowledge of such a thing would fret her, -and think too, of how such a story might become distorted, nay, -infallibly would, in case it should leak out, I thought it wiser to do -so. I hope I did right. I have locked the door, and the key is tied -to my wrist, so perhaps I shall not be again disturbed. Lucy is -sleeping soundly. The reflex of the dawn is high and far over the -sea . . . - - -Same day, noon.--All goes well. Lucy slept till I woke her and seemed -not to have even changed her side. The adventure of the night does not -seem to have harmed her, on the contrary, it has benefited her, for she -looks better this morning than she has done for weeks. I was sorry to -notice that my clumsiness with the safety-pin hurt her. Indeed, it -might have been serious, for the skin of her throat was pierced. I -must have pinched up a piece of loose skin and have transfixed it, for -there are two little red points like pin-pricks, and on the band of her -nightdress was a drop of blood. When I apologised and was concerned -about it, she laughed and petted me, and said she did not even feel it. -Fortunately it cannot leave a scar, as it is so tiny. - - -Same day, night.--We passed a happy day. The air was clear, and the -sun bright, and there was a cool breeze. We took our lunch to Mulgrave -Woods, Mrs. Westenra driving by the road and Lucy and I walking by the -cliff-path and joining her at the gate. I felt a little sad myself, -for I could not but feel how absolutely happy it would have been had -Jonathan been with me. But there! I must only be patient. In the -evening we strolled in the Casino Terrace, and heard some good music by -Spohr and Mackenzie, and went to bed early. Lucy seems more restful -than she has been for some time, and fell asleep at once. I shall lock -the door and secure the key the same as before, though I do not expect -any trouble tonight. - - -12 August.--My expectations were wrong, for twice during the night I -was wakened by Lucy trying to get out. She seemed, even in her sleep, -to be a little impatient at finding the door shut, and went back to bed -under a sort of protest. I woke with the dawn, and heard the birds -chirping outside of the window. Lucy woke, too, and I was glad to see, -was even better than on the previous morning. All her old gaiety of -manner seemed to have come back, and she came and snuggled in beside me -and told me all about Arthur. I told her how anxious I was about -Jonathan, and then she tried to comfort me. Well, she succeeded -somewhat, for, though sympathy can't alter facts, it can make them more -bearable. - - -13 August.--Another quiet day, and to bed with the key on my wrist as -before. Again I awoke in the night, and found Lucy sitting up in bed, -still asleep, pointing to the window. I got up quietly, and pulling -aside the blind, looked out. It was brilliant moonlight, and the soft -effect of the light over the sea and sky, merged together in one great -silent mystery, was beautiful beyond words. Between me and the -moonlight flitted a great bat, coming and going in great whirling -circles. Once or twice it came quite close, but was, I suppose, -frightened at seeing me, and flitted away across the harbour towards -the abbey. When I came back from the window Lucy had lain down again, -and was sleeping peacefully. She did not stir again all night. - - -14 August.--On the East Cliff, reading and writing all day. Lucy seems -to have become as much in love with the spot as I am, and it is hard to -get her away from it when it is time to come home for lunch or tea or -dinner. This afternoon she made a funny remark. We were coming home -for dinner, and had come to the top of the steps up from the West Pier -and stopped to look at the view, as we generally do. The setting sun, -low down in the sky, was just dropping behind Kettleness. The red -light was thrown over on the East Cliff and the old abbey, and seemed -to bathe everything in a beautiful rosy glow. We were silent for a -while, and suddenly Lucy murmured as if to herself . . . - -"His red eyes again! They are just the same." It was such an odd -expression, coming apropos of nothing, that it quite startled me. I -slewed round a little, so as to see Lucy well without seeming to stare -at her, and saw that she was in a half dreamy state, with an odd look -on her face that I could not quite make out, so I said nothing, but -followed her eyes. She appeared to be looking over at our own seat, -whereon was a dark figure seated alone. I was quite a little startled -myself, for it seemed for an instant as if the stranger had great eyes -like burning flames, but a second look dispelled the illusion. The red -sunlight was shining on the windows of St. Mary's Church behind our -seat, and as the sun dipped there was just sufficient change in the -refraction and reflection to make it appear as if the light moved. I -called Lucy's attention to the peculiar effect, and she became herself -with a start, but she looked sad all the same. It may have been that -she was thinking of that terrible night up there. We never refer to -it, so I said nothing, and we went home to dinner. Lucy had a headache -and went early to bed. I saw her asleep, and went out for a little -stroll myself. - -I walked along the cliffs to the westward, and was full of sweet -sadness, for I was thinking of Jonathan. When coming home, it was then -bright moonlight, so bright that, though the front of our part of the -Crescent was in shadow, everything could be well seen, I threw a glance -up at our window, and saw Lucy's head leaning out. I opened my -handkerchief and waved it. She did not notice or make any movement -whatever. Just then, the moonlight crept round an angle of the -building, and the light fell on the window. There distinctly was Lucy -with her head lying up against the side of the window sill and her eyes -shut. She was fast asleep, and by her, seated on the window sill, was -something that looked like a good-sized bird. I was afraid she might -get a chill, so I ran upstairs, but as I came into the room she was -moving back to her bed, fast asleep, and breathing heavily. She was -holding her hand to her throat, as though to protect if from the cold. - -I did not wake her, but tucked her up warmly. I have taken care that -the door is locked and the window securely fastened. - -She looks so sweet as she sleeps, but she is paler than is her wont, -and there is a drawn, haggard look under her eyes which I do not like. -I fear she is fretting about something. I wish I could find out what it -is. - - -15 August.--Rose later than usual. Lucy was languid and tired, and -slept on after we had been called. We had a happy surprise at -breakfast. Arthur's father is better, and wants the marriage to come -off soon. Lucy is full of quiet joy, and her mother is glad and sorry -at once. Later on in the day she told me the cause. She is grieved to -lose Lucy as her very own, but she is rejoiced that she is soon to have -some one to protect her. Poor dear, sweet lady! She confided to me -that she has got her death warrant. She has not told Lucy, and made me -promise secrecy. Her doctor told her that within a few months, at -most, she must die, for her heart is weakening. At any time, even now, -a sudden shock would be almost sure to kill her. Ah, we were wise to -keep from her the affair of the dreadful night of Lucy's sleep-walking. - - -17 August.--No diary for two whole days. I have not had the heart to -write. Some sort of shadowy pall seems to be coming over our -happiness. No news from Jonathan, and Lucy seems to be growing weaker, -whilst her mother's hours are numbering to a close. I do not -understand Lucy's fading away as she is doing. She eats well and -sleeps well, and enjoys the fresh air, but all the time the roses in -her cheeks are fading, and she gets weaker and more languid day by day. -At night I hear her gasping as if for air. - -I keep the key of our door always fastened to my wrist at night, but -she gets up and walks about the room, and sits at the open window. -Last night I found her leaning out when I woke up, and when I tried to -wake her I could not. - -She was in a faint. When I managed to restore her, she was weak as -water, and cried silently between long, painful struggles for breath. -When I asked her how she came to be at the window she shook her head -and turned away. - -I trust her feeling ill may not be from that unlucky prick of the -safety-pin. I looked at her throat just now as she lay asleep, and the -tiny wounds seem not to have healed. They are still open, and, if -anything, larger than before, and the edges of them are faintly white. -They are like little white dots with red centres. Unless they heal -within a day or two, I shall insist on the doctor seeing about them. - - - -LETTER, SAMUEL F. BILLINGTON & SON, SOLICITORS WHITBY, -TO MESSRS. CARTER, PATERSON & CO., LONDON. - -17 August - -"Dear Sirs,--Herewith please receive invoice of goods sent by Great -Northern Railway. Same are to be delivered at Carfax, near -Purfleet, immediately on receipt at goods station King's Cross. The -house is at present empty, but enclosed please find keys, all of -which are labelled. - -"You will please deposit the boxes, fifty in number, which form the -consignment, in the partially ruined building forming part of the -house and marked 'A' on rough diagrams enclosed. Your agent will -easily recognize the locality, as it is the ancient chapel of the -mansion. The goods leave by the train at 9:30 tonight, and will be -due at King's Cross at 4:30 tomorrow afternoon. As our client -wishes the delivery made as soon as possible, we shall be obliged by -your having teams ready at King's Cross at the time named and -forthwith conveying the goods to destination. In order to obviate -any delays possible through any routine requirements as to payment -in your departments, we enclose cheque herewith for ten pounds, -receipt of which please acknowledge. Should the charge be less than -this amount, you can return balance, if greater, we shall at once -send cheque for difference on hearing from you. You are to leave -the keys on coming away in the main hall of the house, where the -proprietor may get them on his entering the house by means of his -duplicate key. - -"Pray do not take us as exceeding the bounds of business courtesy -in pressing you in all ways to use the utmost expedition. - -"We are, dear Sirs, -Faithfully yours, -SAMUEL F. BILLINGTON & SON" - - - -LETTER, MESSRS. CARTER, PATERSON & CO., LONDON, -TO MESSRS. BILLINGTON & SON, WHITBY. - -21 August. - -"Dear Sirs,--We beg to acknowledge 10 pounds received and to return -cheque of 1 pound, 17s, 9d, amount of overplus, as shown in -receipted account herewith. Goods are delivered in exact accordance -with instructions, and keys left in parcel in main hall, as -directed. - -"We are, dear Sirs, -Yours respectfully, -Pro CARTER, PATERSON & CO." - - - -MINA MURRAY'S JOURNAL. - -18 August.--I am happy today, and write sitting on the seat in the -churchyard. Lucy is ever so much better. Last night she slept well -all night, and did not disturb me once. - -The roses seem coming back already to her cheeks, though she is still -sadly pale and wan-looking. If she were in any way anemic I could -understand it, but she is not. She is in gay spirits and full of life -and cheerfulness. All the morbid reticence seems to have passed from -her, and she has just reminded me, as if I needed any reminding, of -that night, and that it was here, on this very seat, I found her -asleep. - -As she told me she tapped playfully with the heel of her boot on the -stone slab and said, - -"My poor little feet didn't make much noise then! I daresay poor old -Mr. Swales would have told me that it was because I didn't want to wake -up Geordie." - -As she was in such a communicative humour, I asked her if she had -dreamed at all that night. - -Before she answered, that sweet, puckered look came into her forehead, -which Arthur, I call him Arthur from her habit, says he loves, and -indeed, I don't wonder that he does. Then she went on in a -half-dreaming kind of way, as if trying to recall it to herself. - -"I didn't quite dream, but it all seemed to be real. I only wanted to -be here in this spot. I don't know why, for I was afraid of something, -I don't know what. I remember, though I suppose I was asleep, passing -through the streets and over the bridge. A fish leaped as I went by, -and I leaned over to look at it, and I heard a lot of dogs howling. The -whole town seemed as if it must be full of dogs all howling at once, as -I went up the steps. Then I had a vague memory of something long and -dark with red eyes, just as we saw in the sunset, and something very -sweet and very bitter all around me at once. And then I seemed sinking -into deep green water, and there was a singing in my ears, as I have -heard there is to drowning men, and then everything seemed passing away -from me. My soul seemed to go out from my body and float about the -air. I seem to remember that once the West Lighthouse was right under -me, and then there was a sort of agonizing feeling, as if I were in an -earthquake, and I came back and found you shaking my body. I saw you -do it before I felt you." - -Then she began to laugh. It seemed a little uncanny to me, and I -listened to her breathlessly. I did not quite like it, and thought it -better not to keep her mind on the subject, so we drifted on to another -subject, and Lucy was like her old self again. When we got home the -fresh breeze had braced her up, and her pale cheeks were really more -rosy. Her mother rejoiced when she saw her, and we all spent a very -happy evening together. - - -19 August.--Joy, joy, joy! Although not all joy. At last, news of -Jonathan. The dear fellow has been ill, that is why he did not write. -I am not afraid to think it or to say it, now that I know. Mr. Hawkins -sent me on the letter, and wrote himself, oh so kindly. I am to leave -in the morning and go over to Jonathan, and to help to nurse him if -necessary, and to bring him home. Mr. Hawkins says it would not be a -bad thing if we were to be married out there. I have cried over the -good Sister's letter till I can feel it wet against my bosom, where it -lies. It is of Jonathan, and must be near my heart, for he is in my -heart. My journey is all mapped out, and my luggage ready. I am only -taking one change of dress. Lucy will bring my trunk to London and -keep it till I send for it, for it may be that . . . I must write no -more. I must keep it to say to Jonathan, my husband. The letter that -he has seen and touched must comfort me till we meet. - - - -LETTER, SISTER AGATHA, HOSPITAL OF ST. JOSEPH AND -STE. MARY BUDA-PESTH, TO MISS WILLHELMINA MURRAY - -12 August, - -"Dear Madam. - -"I write by desire of Mr. Jonathan Harker, who is himself not strong -enough to write, though progressing well, thanks to God and St. -Joseph and Ste. Mary. He has been under our care for nearly six -weeks, suffering from a violent brain fever. He wishes me to convey -his love, and to say that by this post I write for him to Mr. Peter -Hawkins, Exeter, to say, with his dutiful respects, that he is sorry -for his delay, and that all of his work is completed. He will -require some few weeks' rest in our sanatorium in the hills, but -will then return. He wishes me to say that he has not sufficient -money with him, and that he would like to pay for his staying here, -so that others who need shall not be wanting for help. - -"Believe me, - -"Yours, with sympathy -and all blessings. -Sister Agatha - -"P.S.--My patient being asleep, I open this to let you know -something more. He has told me all about you, and that you are -shortly to be his wife. All blessings to you both! He has had some -fearful shock, so says our doctor, and in his delirium his ravings -have been dreadful, of wolves and poison and blood, of ghosts and -demons, and I fear to say of what. Be careful of him always that -there may be nothing to excite him of this kind for a long time to -come. The traces of such an illness as his do not lightly die away. -We should have written long ago, but we knew nothing of his friends, -and there was nothing on him, nothing that anyone could understand. -He came in the train from Klausenburg, and the guard was told by the -station master there that he rushed into the station shouting for a -ticket for home. Seeing from his violent demeanour that he was -English, they gave him a ticket for the furthest station on the way -thither that the train reached. - -"Be assured that he is well cared for. He has won all hearts by his -sweetness and gentleness. He is truly getting on well, and I have -no doubt will in a few weeks be all himself. But be careful of him -for safety's sake. There are, I pray God and St. Joseph and Ste. -Mary, many, many, happy years for you both." - - - -DR. SEWARD'S DIARY - -19 August.--Strange and sudden change in Renfield last night. About -eight o'clock he began to get excited and sniff about as a dog does -when setting. The attendant was struck by his manner, and knowing my -interest in him, encouraged him to talk. He is usually respectful to -the attendant and at times servile, but tonight, the man tells me, he -was quite haughty. Would not condescend to talk with him at all. - -All he would say was, "I don't want to talk to you. You don't count -now. The master is at hand." - -The attendant thinks it is some sudden form of religious mania which -has seized him. If so, we must look out for squalls, for a strong man -with homicidal and religious mania at once might be dangerous. The -combination is a dreadful one. - -At nine o'clock I visited him myself. His attitude to me was the same -as that to the attendant. In his sublime self-feeling the difference -between myself and the attendant seemed to him as nothing. It looks -like religious mania, and he will soon think that he himself is God. - -These infinitesimal distinctions between man and man are too paltry for -an Omnipotent Being. How these madmen give themselves away! The real -God taketh heed lest a sparrow fall. But the God created from human -vanity sees no difference between an eagle and a sparrow. Oh, if men -only knew! - -For half an hour or more Renfield kept getting excited in greater and -greater degree. I did not pretend to be watching him, but I kept -strict observation all the same. All at once that shifty look came -into his eyes which we always see when a madman has seized an idea, and -with it the shifty movement of the head and back which asylum -attendants come to know so well. He became quite quiet, and went and -sat on the edge of his bed resignedly, and looked into space with -lack-luster eyes. - -I thought I would find out if his apathy were real or only assumed, and -tried to lead him to talk of his pets, a theme which had never failed -to excite his attention. - -At first he made no reply, but at length said testily, "Bother them -all! I don't care a pin about them." - -"What?" I said. "You don't mean to tell me you don't care about -spiders?" (Spiders at present are his hobby and the notebook is filling -up with columns of small figures.) - -To this he answered enigmatically, "The Bride maidens rejoice the eyes -that wait the coming of the bride. But when the bride draweth nigh, -then the maidens shine not to the eyes that are filled." - -He would not explain himself, but remained obstinately seated on his -bed all the time I remained with him. - -I am weary tonight and low in spirits. I cannot but think of Lucy, and -how different things might have been. If I don't sleep at once, -chloral, the modern Morpheus! I must be careful not to let it grow -into a habit. No, I shall take none tonight! I have thought of Lucy, -and I shall not dishonour her by mixing the two. If need be, tonight -shall be sleepless. - - -Later.--Glad I made the resolution, gladder that I kept to it. I had -lain tossing about, and had heard the clock strike only twice, when the -night watchman came to me, sent up from the ward, to say that Renfield -had escaped. I threw on my clothes and ran down at once. My patient -is too dangerous a person to be roaming about. Those ideas of his -might work out dangerously with strangers. - -The attendant was waiting for me. He said he had seen him not ten -minutes before, seemingly asleep in his bed, when he had looked through -the observation trap in the door. His attention was called by the -sound of the window being wrenched out. He ran back and saw his feet -disappear through the window, and had at once sent up for me. He was -only in his night gear, and cannot be far off. - -The attendant thought it would be more useful to watch where he should -go than to follow him, as he might lose sight of him whilst getting out -of the building by the door. He is a bulky man, and couldn't get -through the window. - -I am thin, so, with his aid, I got out, but feet foremost, and as we -were only a few feet above ground landed unhurt. - -The attendant told me the patient had gone to the left, and had taken a -straight line, so I ran as quickly as I could. As I got through the -belt of trees I saw a white figure scale the high wall which separates -our grounds from those of the deserted house. - -I ran back at once, told the watchman to get three or four men -immediately and follow me into the grounds of Carfax, in case our -friend might be dangerous. I got a ladder myself, and crossing the -wall, dropped down on the other side. I could see Renfield's figure -just disappearing behind the angle of the house, so I ran after him. On -the far side of the house I found him pressed close against the old -iron-bound oak door of the chapel. - -He was talking, apparently to some one, but I was afraid to go near -enough to hear what he was saying, lest I might frighten him, and he -should run off. - -Chasing an errant swarm of bees is nothing to following a naked -lunatic, when the fit of escaping is upon him! After a few minutes, -however, I could see that he did not take note of anything around him, -and so ventured to draw nearer to him, the more so as my men had now -crossed the wall and were closing him in. I heard him say . . . - -"I am here to do your bidding, Master. I am your slave, and you will -reward me, for I shall be faithful. I have worshipped you long and afar -off. Now that you are near, I await your commands, and you will not -pass me by, will you, dear Master, in your distribution of good -things?" - -He is a selfish old beggar anyhow. He thinks of the loaves and fishes -even when he believes his is in a real Presence. His manias make a -startling combination. When we closed in on him he fought like a -tiger. He is immensely strong, for he was more like a wild beast than -a man. - -I never saw a lunatic in such a paroxysm of rage before, and I hope I -shall not again. It is a mercy that we have found out his strength and -his danger in good time. With strength and determination like his, he -might have done wild work before he was caged. - -He is safe now, at any rate. Jack Sheppard himself couldn't get free -from the strait waistcoat that keeps him restrained, and he's chained -to the wall in the padded room. - -His cries are at times awful, but the silences that follow are more -deadly still, for he means murder in every turn and movement. - -Just now he spoke coherent words for the first time. "I shall be -patient, Master. It is coming, coming, coming!" - -So I took the hint, and came too. I was too excited to sleep, but this -diary has quieted me, and I feel I shall get some sleep tonight. - - - - -CHAPTER 9 - - -LETTER, MINA HARKER TO LUCY WESTENRA - - -Buda-Pesth, 24 August. - -"My dearest Lucy, - -"I know you will be anxious to hear all that has happened -since we parted at the railway station at Whitby. - -"Well, my dear, I got to Hull all right, and caught the boat to -Hamburg, and then the train on here. I feel that I can hardly -recall anything of the journey, except that I knew I was coming to -Jonathan, and that as I should have to do some nursing, I had better -get all the sleep I could. I found my dear one, oh, so thin and -pale and weak-looking. All the resolution has gone out of his dear -eyes, and that quiet dignity which I told you was in his face has -vanished. He is only a wreck of himself, and he does not remember -anything that has happened to him for a long time past. At least, -he wants me to believe so, and I shall never ask. - -"He has had some terrible shock, and I fear it might tax his poor -brain if he were to try to recall it. Sister Agatha, who is a good -creature and a born nurse, tells me that he wanted her to tell me -what they were, but she would only cross herself, and say she would -never tell. That the ravings of the sick were the secrets of God, -and that if a nurse through her vocation should hear them, she -should respect her trust. - -"She is a sweet, good soul, and the next day, when she saw I was -troubled, she opened up the subject my poor dear raved about, added, -'I can tell you this much, my dear. That it was not about anything -which he has done wrong himself, and you, as his wife to be, have no -cause to be concerned. He has not forgotten you or what he owes to -you. His fear was of great and terrible things, which no mortal can -treat of.' - -"I do believe the dear soul thought I might be jealous lest my poor -dear should have fallen in love with any other girl. The idea of my -being jealous about Jonathan! And yet, my dear, let me whisper, I -felt a thrill of joy through me when I knew that no other woman was -a cause for trouble. I am now sitting by his bedside, where I can -see his face while he sleeps. He is waking! - -"When he woke he asked me for his coat, as he wanted to get -something from the pocket. I asked Sister Agatha, and she brought -all his things. I saw amongst them was his notebook, and was -going to ask him to let me look at it, for I knew that I might find -some clue to his trouble, but I suppose he must have seen my wish in -my eyes, for he sent me over to the window, saying he wanted to be -quite alone for a moment. - -"Then he called me back, and he said to me very solemnly, -'Wilhelmina', I knew then that he was in deadly earnest, for he has -never called me by that name since he asked me to marry him, 'You -know, dear, my ideas of the trust between husband and wife. There -should be no secret, no concealment. I have had a great shock, and -when I try to think of what it is I feel my head spin round, and I -do not know if it was real of the dreaming of a madman. You know I -had brain fever, and that is to be mad. The secret is here, and I -do not want to know it. I want to take up my life here, with our -marriage.' For, my dear, we had decided to be married as soon as -the formalities are complete. 'Are you willing, Wilhelmina, to -share my ignorance? Here is the book. Take it and keep it, read it -if you will, but never let me know unless, indeed, some solemn duty -should come upon me to go back to the bitter hours, asleep or awake, -sane or mad, recorded here.' He fell back exhausted, and I put the -book under his pillow, and kissed him. I have asked Sister Agatha -to beg the Superior to let our wedding be this afternoon, and am -waiting her reply . . ." - - -"She has come and told me that the Chaplain of the English mission -church has been sent for. We are to be married in an hour, or as -soon after as Jonathan awakes." - -"Lucy, the time has come and gone. I feel very solemn, but very, -very happy. Jonathan woke a little after the hour, and all was -ready, and he sat up in bed, propped up with pillows. He answered -his 'I will' firmly and strong. I could hardly speak. My heart was -so full that even those words seemed to choke me. - -"The dear sisters were so kind. Please, God, I shall never, never -forget them, nor the grave and sweet responsibilities I have taken -upon me. I must tell you of my wedding present. When the chaplain -and the sisters had left me alone with my husband--oh, Lucy, it is -the first time I have written the words 'my husband'--left me alone -with my husband, I took the book from under his pillow, and wrapped -it up in white paper, and tied it with a little bit of pale blue -ribbon which was round my neck, and sealed it over the knot with -sealing wax, and for my seal I used my wedding ring. Then I kissed -it and showed it to my husband, and told him that I would keep it -so, and then it would be an outward and visible sign for us all our -lives that we trusted each other, that I would never open it unless -it were for his own dear sake or for the sake of some stern duty. -Then he took my hand in his, and oh, Lucy, it was the first time he -took his wife's hand, and said that it was the dearest thing in all -the wide world, and that he would go through all the past again to -win it, if need be. The poor dear meant to have said a part of the -past, but he cannot think of time yet, and I shall not wonder if at -first he mixes up not only the month, but the year. - -"Well, my dear, what could I say? I could only tell him that I was -the happiest woman in all the wide world, and that I had nothing to -give him except myself, my life, and my trust, and that with these -went my love and duty for all the days of my life. And, my dear, -when he kissed me, and drew me to him with his poor weak hands, it -was like a solemn pledge between us. - -"Lucy dear, do you know why I tell you all this? It is not only -because it is all sweet to me, but because you have been, and are, -very dear to me. It was my privilege to be your friend and guide -when you came from the schoolroom to prepare for the world of life. -I want you to see now, and with the eyes of a very happy wife, -whither duty has led me, so that in your own married life you too -may be all happy, as I am. My dear, please Almighty God, your life -may be all it promises, a long day of sunshine, with no harsh wind, -no forgetting duty, no distrust. I must not wish you no pain, for -that can never be, but I do hope you will be always as happy as I am -now. Goodbye, my dear. I shall post this at once, and perhaps, -write you very soon again. I must stop, for Jonathan is waking. I -must attend my husband! - -"Your ever-loving -Mina Harker." - - - -LETTER, LUCY WESTENRA TO MINA HARKER. - -Whitby, 30 August. - -"My dearest Mina, - -"Oceans of love and millions of kisses, and may you soon be in your -own home with your husband. I wish you were coming home soon enough -to stay with us here. The strong air would soon restore Jonathan. -It has quite restored me. I have an appetite like a cormorant, am -full of life, and sleep well. You will be glad to know that I have -quite given up walking in my sleep. I think I have not stirred out -of my bed for a week, that is when I once got into it at night. -Arthur says I am getting fat. By the way, I forgot to tell you that -Arthur is here. We have such walks and drives, and rides, and -rowing, and tennis, and fishing together, and I love him more than -ever. He tells me that he loves me more, but I doubt that, for at -first he told me that he couldn't love me more than he did then. -But this is nonsense. There he is, calling to me. So no more just -at present from your loving, - -"Lucy. - -"P.S.--Mother sends her love. She seems better, poor dear. - -"P.P.S.--We are to be married on 28 September." - - - -DR. SEWARDS DIARY - -20 August.--The case of Renfield grows even more interesting. He has -now so far quieted that there are spells of cessation from his -passion. For the first week after his attack he was perpetually -violent. Then one night, just as the moon rose, he grew quiet, and -kept murmuring to himself. "Now I can wait. Now I can wait." - -The attendant came to tell me, so I ran down at once to have a look at -him. He was still in the strait waistcoat and in the padded room, but -the suffused look had gone from his face, and his eyes had something -of their old pleading. I might almost say, cringing, softness. I was -satisfied with his present condition, and directed him to be relieved. -The attendants hesitated, but finally carried out my wishes without -protest. - -It was a strange thing that the patient had humour enough to see their -distrust, for, coming close to me, he said in a whisper, all the while -looking furtively at them, "They think I could hurt you! Fancy me -hurting you! The fools!" - -It was soothing, somehow, to the feelings to find myself disassociated -even in the mind of this poor madman from the others, but all the same -I do not follow his thought. Am I to take it that I have anything in -common with him, so that we are, as it were, to stand together. Or -has he to gain from me some good so stupendous that my well being is -needful to Him? I must find out later on. Tonight he will not speak. -Even the offer of a kitten or even a full-grown cat will not tempt -him. - -He will only say, "I don't take any stock in cats. I have more to -think of now, and I can wait. I can wait." - -After a while I left him. The attendant tells me that he was quiet -until just before dawn, and that then he began to get uneasy, and at -length violent, until at last he fell into a paroxysm which exhausted -him so that he swooned into a sort of coma. - - -. . . Three nights has the same thing happened, violent all day then -quiet from moonrise to sunrise. I wish I could get some clue to the -cause. It would almost seem as if there was some influence which came -and went. Happy thought! We shall tonight play sane wits against mad -ones. He escaped before without our help. Tonight he shall escape -with it. We shall give him a chance, and have the men ready to follow -in case they are required. - - -23 August.--"The expected always happens." How well Disraeli knew -life. Our bird when he found the cage open would not fly, so all our -subtle arrangements were for nought. At any rate, we have proved one -thing, that the spells of quietness last a reasonable time. We shall -in future be able to ease his bonds for a few hours each day. I have -given orders to the night attendant merely to shut him in the padded -room, when once he is quiet, until the hour before sunrise. The poor -soul's body will enjoy the relief even if his mind cannot appreciate -it. Hark! The unexpected again! I am called. The patient has once -more escaped. - - -Later.--Another night adventure. Renfield artfully waited until the -attendant was entering the room to inspect. Then he dashed out past -him and flew down the passage. I sent word for the attendants to -follow. Again he went into the grounds of the deserted house, and we -found him in the same place, pressed against the old chapel door. -When he saw me he became furious, and had not the attendants seized -him in time, he would have tried to kill me. As we were holding him a -strange thing happened. He suddenly redoubled his efforts, and then -as suddenly grew calm. I looked round instinctively, but could see -nothing. Then I caught the patient's eye and followed it, but could -trace nothing as it looked into the moonlight sky, except a big bat, -which was flapping its silent and ghostly way to the west. Bats -usually wheel about, but this one seemed to go straight on, as if it -knew where it was bound for or had some intention of its own. - -The patient grew calmer every instant, and presently said, "You -needn't tie me. I shall go quietly!" Without trouble, we came back -to the house. I feel there is something ominous in his calm, and -shall not forget this night. - - - -LUCY WESTENRA'S DIARY - -Hillingham, 24 August.--I must imitate Mina, and keep writing things -down. Then we can have long talks when we do meet. I wonder when it -will be. I wish she were with me again, for I feel so unhappy. Last -night I seemed to be dreaming again just as I was at Whitby. Perhaps -it is the change of air, or getting home again. It is all dark and -horrid to me, for I can remember nothing. But I am full of vague -fear, and I feel so weak and worn out. When Arthur came to lunch he -looked quite grieved when he saw me, and I hadn't the spirit to try to -be cheerful. I wonder if I could sleep in mother's room tonight. I -shall make an excuse to try. - - -25 August.--Another bad night. Mother did not seem to take to my -proposal. She seems not too well herself, and doubtless she fears to -worry me. I tried to keep awake, and succeeded for a while, but when -the clock struck twelve it waked me from a doze, so I must have been -falling asleep. There was a sort of scratching or flapping at the -window, but I did not mind it, and as I remember no more, I suppose I -must have fallen asleep. More bad dreams. I wish I could remember -them. This morning I am horribly weak. My face is ghastly pale, and -my throat pains me. It must be something wrong with my lungs, for I -don't seem to be getting air enough. I shall try to cheer up when -Arthur comes, or else I know he will be miserable to see me so. - - - -LETTER, ARTHUR TO DR. SEWARD - -"Albemarle Hotel, 31 August - -"My dear Jack, - -"I want you to do me a favour. Lucy is ill, that is she has no -special disease, but she looks awful, and is getting worse every -day. I have asked her if there is any cause, I not dare to ask her -mother, for to disturb the poor lady's mind about her daughter in -her present state of health would be fatal. Mrs. Westenra has -confided to me that her doom is spoken, disease of the heart, though -poor Lucy does not know it yet. I am sure that there is something -preying on my dear girl's mind. I am almost distracted when I think -of her. To look at her gives me a pang. I told her I should ask -you to see her, and though she demurred at first, I know why, old -fellow, she finally consented. It will be a painful task for you, I -know, old friend, but it is for her sake, and I must not hesitate to -ask, or you to act. You are to come to lunch at Hillingham -tomorrow, two o'clock, so as not to arouse any suspicion in Mrs. -Westenra, and after lunch Lucy will take an opportunity of being -alone with you. I am filled with anxiety, and want to consult with -you alone as soon as I can after you have seen her. Do not fail! - -"Arthur." - - - -TELEGRAM, ARTHUR HOLMWOOD TO SEWARD - -1 September - -"Am summoned to see my father, who is worse. Am writing. Write -me fully by tonight's post to Ring. Wire me if necessary." - - - -LETTER FROM DR. SEWARD TO ARTHUR HOLMWOOD - -2 September - -"My dear old fellow, - -"With regard to Miss Westenra's health I hasten to let you know at -once that in my opinion there is not any functional disturbance or -any malady that I know of. At the same time, I am not by any means -satisfied with her appearance. She is woefully different from what -she was when I saw her last. Of course you must bear in mind that I -did not have full opportunity of examination such as I should wish. -Our very friendship makes a little difficulty which not even medical -science or custom can bridge over. I had better tell you exactly -what happened, leaving you to draw, in a measure, your own -conclusions. I shall then say what I have done and propose doing. - -"I found Miss Westenra in seemingly gay spirits. Her mother was -present, and in a few seconds I made up my mind that she was trying -all she knew to mislead her mother and prevent her from being -anxious. I have no doubt she guesses, if she does not know, what -need of caution there is. - -"We lunched alone, and as we all exerted ourselves to be cheerful, -we got, as some kind of reward for our labours, some real -cheerfulness amongst us. Then Mrs. Westenra went to lie down, and -Lucy was left with me. We went into her boudoir, and till we got -there her gaiety remained, for the servants were coming and going. - -"As soon as the door was closed, however, the mask fell from her -face, and she sank down into a chair with a great sigh, and hid her -eyes with her hand. When I saw that her high spirits had failed, I -at once took advantage of her reaction to make a diagnosis. - -"She said to me very sweetly, 'I cannot tell you how I loathe -talking about myself.' I reminded her that a doctor's confidence -was sacred, but that you were grievously anxious about her. She -caught on to my meaning at once, and settled that matter in a word. -'Tell Arthur everything you choose. I do not care for myself, but -for him!' So I am quite free. - -"I could easily see that she was somewhat bloodless, but I could not -see the usual anemic signs, and by the chance, I was able to test -the actual quality of her blood, for in opening a window which was -stiff a cord gave way, and she cut her hand slightly with broken -glass. It was a slight matter in itself, but it gave me an evident -chance, and I secured a few drops of the blood and have analysed -them. - -"The qualitative analysis give a quite normal condition, and shows, -I should infer, in itself a vigorous state of health. In other -physical matters I was quite satisfied that there is no need for -anxiety, but as there must be a cause somewhere, I have come to the -conclusion that it must be something mental. - -"She complains of difficulty breathing satisfactorily at times, and -of heavy, lethargic sleep, with dreams that frighten her, but -regarding which she can remember nothing. She says that as a child, -she used to walk in her sleep, and that when in Whitby the habit -came back, and that once she walked out in the night and went to -East Cliff, where Miss Murray found her. But she assures me that of -late the habit has not returned. - -"I am in doubt, and so have done the best thing I know of. I have -written to my old friend and master, Professor Van Helsing, of -Amsterdam, who knows as much about obscure diseases as any one in -the world. I have asked him to come over, and as you told me that -all things were to be at your charge, I have mentioned to him who -you are and your relations to Miss Westenra. This, my dear fellow, -is in obedience to your wishes, for I am only too proud and happy to -do anything I can for her. - -"Van Helsing would, I know, do anything for me for a personal -reason, so no matter on what ground he comes, we must accept his -wishes. He is a seemingly arbitrary man, this is because he knows -what he is talking about better than any one else. He is a -philosopher and a metaphysician, and one of the most advanced -scientists of his day, and he has, I believe, an absolutely open -mind. This, with an iron nerve, a temper of the ice-brook, and -indomitable resolution, self-command, and toleration exalted from -virtues to blessings, and the kindliest and truest heart that beats, -these form his equipment for the noble work that he is doing for -mankind, work both in theory and practice, for his views are as wide -as his all-embracing sympathy. I tell you these facts that you may -know why I have such confidence in him. I have asked him to come at -once. I shall see Miss Westenra tomorrow again. She is to meet me -at the Stores, so that I may not alarm her mother by too early a -repetition of my call. - -"Yours always." - -John Seward - - - - -LETTER, ABRAHAM VAN HELSING, MD, DPh, D. Lit, ETC, ETC, TO DR. SEWARD - -2 September. - -"My good Friend, - -"When I received your letter I am already coming to you. By good -fortune I can leave just at once, without wrong to any of those who -have trusted me. Were fortune other, then it were bad for those who -have trusted, for I come to my friend when he call me to aid those -he holds dear. Tell your friend that when that time you suck from -my wound so swiftly the poison of the gangrene from that knife that -our other friend, too nervous, let slip, you did more for him when -he wants my aids and you call for them than all his great fortune -could do. But it is pleasure added to do for him, your friend, it -is to you that I come. Have near at hand, and please it so arrange -that we may see the young lady not too late on tomorrow, for it is -likely that I may have to return here that night. But if need be I -shall come again in three days, and stay longer if it must. Till -then goodbye, my friend John. - -"Van Helsing." - - - -LETTER, DR. SEWARD TO HON. ARTHUR HOLMWOOD - -3 September - -"My dear Art, - -"Van Helsing has come and gone. He came on with me to Hillingham, -and found that, by Lucy's discretion, her mother was lunching out, -so that we were alone with her. - -"Van Helsing made a very careful examination of the patient. He is -to report to me, and I shall advise you, for of course I was not -present all the time. He is, I fear, much concerned, but says he -must think. When I told him of our friendship and how you trust to -me in the matter, he said, 'You must tell him all you think. Tell -him what I think, if you can guess it, if you will. Nay, I am -not jesting. This is no jest, but life and death, perhaps more.' I -asked what he meant by that, for he was very serious. This was when -we had come back to town, and he was having a cup of tea before -starting on his return to Amsterdam. He would not give me any -further clue. You must not be angry with me, Art, because his very -reticence means that all his brains are working for her good. He -will speak plainly enough when the time comes, be sure. So I told -him I would simply write an account of our visit, just as if I were -doing a descriptive special article for THE DAILY TELEGRAPH. He -seemed not to notice, but remarked that the smuts of London were not -quite so bad as they used to be when he was a student here. I am to -get his report tomorrow if he can possibly make it. In any case I -am to have a letter. - -"Well, as to the visit, Lucy was more cheerful than on the day I -first saw her, and certainly looked better. She had lost something -of the ghastly look that so upset you, and her breathing was normal. -She was very sweet to the Professor (as she always is), and tried to -make him feel at ease, though I could see the poor girl was making a -hard struggle for it. - -"I believe Van Helsing saw it, too, for I saw the quick look -under his bushy brows that I knew of old. Then he began to -chat of all things except ourselves and diseases and with -such an infinite geniality that I could see poor Lucy's -pretense of animation merge into reality. Then, without -any seeming change, he brought the conversation gently round -to his visit, and suavely said, - -"'My dear young miss, I have the so great pleasure because you are -so much beloved. That is much, my dear, even were there that which -I do not see. They told me you were down in the spirit, and that -you were of a ghastly pale. To them I say "Pouf!"' And he snapped -his fingers at me and went on. 'But you and I shall show them how -wrong they are. How can he,' and he pointed at me with the same -look and gesture as that with which he pointed me out in his class, -on, or rather after, a particular occasion which he never fails to -remind me of, 'know anything of a young ladies? He has his madmen -to play with, and to bring them back to happiness, and to those that -love them. It is much to do, and, oh, but there are rewards in that -we can bestow such happiness. But the young ladies! He has no wife -nor daughter, and the young do not tell themselves to the young, but -to the old, like me, who have known so many sorrows and the causes -of them. So, my dear, we will send him away to smoke the cigarette -in the garden, whiles you and I have little talk all to ourselves.' -I took the hint, and strolled about, and presently the professor -came to the window and called me in. He looked grave, but said, 'I -have made careful examination, but there is no functional cause. -With you I agree that there has been much blood lost, it has been -but is not. But the conditions of her are in no way anemic. I have -asked her to send me her maid, that I may ask just one or two -questions, that so I may not chance to miss nothing. I know well -what she will say. And yet there is cause. There is always cause -for everything. I must go back home and think. You must send me -the telegram every day, and if there be cause I shall come again. -The disease, for not to be well is a disease, interest me, and the -sweet, young dear, she interest me too. She charm me, and for her, -if not for you or disease, I come.' - -"As I tell you, he would not say a word more, even when we were -alone. And so now, Art, you know all I know. I shall keep stern -watch. I trust your poor father is rallying. It must be a terrible -thing to you, my dear old fellow, to be placed in such a position -between two people who are both so dear to you. I know your idea of -duty to your father, and you are right to stick to it. But if need -be, I shall send you word to come at once to Lucy, so do not be -over-anxious unless you hear from me." - - - -DR. SEWARD'S DIARY - -4 September.--Zoophagous patient still keeps up our interest in him. -He had only one outburst and that was yesterday at an unusual time. -Just before the stroke of noon he began to grow restless. The -attendant knew the symptoms, and at once summoned aid. Fortunately -the men came at a run, and were just in time, for at the stroke of -noon he became so violent that it took all their strength to hold him. -In about five minutes, however, he began to get more quiet, and -finally sank into a sort of melancholy, in which state he has remained -up to now. The attendant tells me that his screams whilst in the -paroxysm were really appalling. I found my hands full when I got in, -attending to some of the other patients who were frightened by him. -Indeed, I can quite understand the effect, for the sounds disturbed -even me, though I was some distance away. It is now after the dinner -hour of the asylum, and as yet my patient sits in a corner brooding, -with a dull, sullen, woe-begone look in his face, which seems rather -to indicate than to show something directly. I cannot quite -understand it. - - -Later.--Another change in my patient. At five o'clock I looked in on -him, and found him seemingly as happy and contented as he used to be. -He was catching flies and eating them, and was keeping note of his -capture by making nailmarks on the edge of the door between the ridges -of padding. When he saw me, he came over and apologized for his bad -conduct, and asked me in a very humble, cringing way to be led back to -his own room, and to have his notebook again. I thought it well to -humour him, so he is back in his room with the window open. He has -the sugar of his tea spread out on the window sill, and is reaping -quite a harvest of flies. He is not now eating them, but putting them -into a box, as of old, and is already examining the corners of his -room to find a spider. I tried to get him to talk about the past few -days, for any clue to his thoughts would be of immense help to me, but -he would not rise. For a moment or two he looked very sad, and said -in a sort of far away voice, as though saying it rather to himself -than to me. - -"All over! All over! He has deserted me. No hope for me now unless -I do it myself!" Then suddenly turning to me in a resolute way, he -said, "Doctor, won't you be very good to me and let me have a little -more sugar? I think it would be very good for me." - -"And the flies?" I said. - -"Yes! The flies like it, too, and I like the flies, therefore I like -it." And there are people who know so little as to think that madmen do -not argue. I procured him a double supply, and left him as happy a -man as, I suppose, any in the world. I wish I could fathom his mind. - - -Midnight.--Another change in him. I had been to see Miss Westenra, -whom I found much better, and had just returned, and was standing at -our own gate looking at the sunset, when once more I heard him -yelling. As his room is on this side of the house, I could hear it -better than in the morning. It was a shock to me to turn from the -wonderful smoky beauty of a sunset over London, with its lurid lights -and inky shadows and all the marvellous tints that come on foul clouds -even as on foul water, and to realize all the grim sternness of my own -cold stone building, with its wealth of breathing misery, and my own -desolate heart to endure it all. I reached him just as the sun was -going down, and from his window saw the red disc sink. As it sank he -became less and less frenzied, and just as it dipped he slid from the -hands that held him, an inert mass, on the floor. It is wonderful, -however, what intellectual recuperative power lunatics have, for -within a few minutes he stood up quite calmly and looked around him. I -signalled to the attendants not to hold him, for I was anxious to see -what he would do. He went straight over to the window and brushed out -the crumbs of sugar. Then he took his fly box, and emptied it -outside, and threw away the box. Then he shut the window, and -crossing over, sat down on his bed. All this surprised me, so I asked -him, "Are you going to keep flies any more?" - -"No," said he. "I am sick of all that rubbish!" He certainly is a -wonderfully interesting study. I wish I could get some glimpse of his -mind or of the cause of his sudden passion. Stop. There may be a -clue after all, if we can find why today his paroxysms came on at high -noon and at sunset. Can it be that there is a malign influence of the -sun at periods which affects certain natures, as at times the moon -does others? We shall see. - - - -TELEGRAM. SEWARD, LONDON, TO VAN HELSING, AMSTERDAM - -"4 September.--Patient still better today." - - - -TELEGRAM, SEWARD, LONDON, TO VAN HELSING, AMSTERDAM - -"5 September.--Patient greatly improved. Good appetite, sleeps -naturally, good spirits, colour coming back." - - - -TELEGRAM, SEWARD, LONDON, TO VAN HELSING, AMSTERDAM - -"6 September.--Terrible change for the worse. Come at once. -Do not lose an hour. I hold over telegram to Holmwood till -have seen you." - - - - -CHAPTER 10 - - -LETTER, DR. SEWARD TO HON. ARTHUR HOLMWOOD - - -6 September - -"My dear Art, - -"My news today is not so good. Lucy this morning had gone back a -bit. There is, however, one good thing which has arisen from it. -Mrs. Westenra was naturally anxious concerning Lucy, and has -consulted me professionally about her. I took advantage of the -opportunity, and told her that my old master, Van Helsing, the great -specialist, was coming to stay with me, and that I would put her in -his charge conjointly with myself. So now we can come and go -without alarming her unduly, for a shock to her would mean sudden -death, and this, in Lucy's weak condition, might be disastrous to -her. We are hedged in with difficulties, all of us, my poor fellow, -but, please God, we shall come through them all right. If any need -I shall write, so that, if you do not hear from me, take it for -granted that I am simply waiting for news, In haste, - -"Yours ever," - -John Seward - - - -DR. SEWARD'S DIARY - -7 September.--The first thing Van Helsing said to me when we met at -Liverpool Street was, "Have you said anything to our young friend, to -lover of her?" - -"No," I said. "I waited till I had seen you, as I said in my -telegram. I wrote him a letter simply telling him that you were -coming, as Miss Westenra was not so well, and that I should let him -know if need be." - -"Right, my friend," he said. "Quite right! Better he not know as -yet. Perhaps he will never know. I pray so, but if it be needed, -then he shall know all. And, my good friend John, let me caution you. -You deal with the madmen. All men are mad in some way or the other, -and inasmuch as you deal discreetly with your madmen, so deal with -God's madmen too, the rest of the world. You tell not your madmen -what you do nor why you do it. You tell them not what you think. So -you shall keep knowledge in its place, where it may rest, where it may -gather its kind around it and breed. You and I shall keep as yet what -we know here, and here." He touched me on the heart and on the -forehead, and then touched himself the same way. "I have for myself -thoughts at the present. Later I shall unfold to you." - -"Why not now?" I asked. "It may do some good. We may arrive at some -decision." He looked at me and said, "My friend John, when the corn is -grown, even before it has ripened, while the milk of its mother earth -is in him, and the sunshine has not yet begun to paint him with his -gold, the husbandman he pull the ear and rub him between his rough -hands, and blow away the green chaff, and say to you, 'Look! He's -good corn, he will make a good crop when the time comes.'" - -I did not see the application and told him so. For reply he reached -over and took my ear in his hand and pulled it playfully, as he used -long ago to do at lectures, and said, "The good husbandman tell you so -then because he knows, but not till then. But you do not find the -good husbandman dig up his planted corn to see if he grow. That is -for the children who play at husbandry, and not for those who take it -as of the work of their life. See you now, friend John? I have sown -my corn, and Nature has her work to do in making it sprout, if he -sprout at all, there's some promise, and I wait till the ear begins to -swell." He broke off, for he evidently saw that I understood. Then he -went on gravely, "You were always a careful student, and your case -book was ever more full than the rest. And I trust that good habit -have not fail. Remember, my friend, that knowledge is stronger than -memory, and we should not trust the weaker. Even if you have not kept -the good practice, let me tell you that this case of our dear miss is -one that may be, mind, I say may be, of such interest to us and others -that all the rest may not make him kick the beam, as your people say. -Take then good note of it. Nothing is too small. I counsel you, put -down in record even your doubts and surmises. Hereafter it may be of -interest to you to see how true you guess. We learn from failure, not -from success!" - -When I described Lucy's symptoms, the same as before, but infinitely -more marked, he looked very grave, but said nothing. He took with him -a bag in which were many instruments and drugs, "the ghastly -paraphernalia of our beneficial trade," as he once called, in one of -his lectures, the equipment of a professor of the healing craft. - -When we were shown in, Mrs. Westenra met us. She was alarmed, but not -nearly so much as I expected to find her. Nature in one of her -beneficient moods has ordained that even death has some antidote to -its own terrors. Here, in a case where any shock may prove fatal, -matters are so ordered that, from some cause or other, the things not -personal, even the terrible change in her daughter to whom she is so -attached, do not seem to reach her. It is something like the way dame -Nature gathers round a foreign body an envelope of some insensitive -tissue which can protect from evil that which it would otherwise harm -by contact. If this be an ordered selfishness, then we should pause -before we condemn any one for the vice of egoism, for there may be -deeper root for its causes than we have knowledge of. - -I used my knowledge of this phase of spiritual pathology, and set down -a rule that she should not be present with Lucy, or think of her -illness more than was absolutely required. She assented readily, so -readily that I saw again the hand of Nature fighting for life. Van -Helsing and I were shown up to Lucy's room. If I was shocked when I -saw her yesterday, I was horrified when I saw her today. - -She was ghastly, chalkily pale. The red seemed to have gone even from -her lips and gums, and the bones of her face stood out prominently. -Her breathing was painful to see or hear. Van Helsing's face grew set -as marble, and his eyebrows converged till they almost touched over his -nose. Lucy lay motionless, and did not seem to have strength to -speak, so for a while we were all silent. Then Van Helsing beckoned -to me, and we went gently out of the room. The instant we had closed -the door he stepped quickly along the passage to the next door, which -was open. Then he pulled me quickly in with him and closed the door. -"My god!" he said. "This is dreadful. There is not time to be lost. -She will die for sheer want of blood to keep the heart's action as it -should be. There must be a transfusion of blood at once. Is it you -or me?" - -"I am younger and stronger, Professor. It must be me." - -"Then get ready at once. I will bring up my bag. I am prepared." - -I went downstairs with him, and as we were going there was a knock at -the hall door. When we reached the hall, the maid had just opened the -door, and Arthur was stepping quickly in. He rushed up to me, saying -in an eager whisper, - -"Jack, I was so anxious. I read between the lines of your letter, and -have been in an agony. The dad was better, so I ran down here to see -for myself. Is not that gentleman Dr. Van Helsing? I am so thankful -to you, sir, for coming." - -When first the Professor's eye had lit upon him, he had been angry at -his interruption at such a time, but now, as he took in his stalwart -proportions and recognized the strong young manhood which seemed to -emanate from him, his eyes gleamed. Without a pause he said to him as -he held out his hand, - -"Sir, you have come in time. You are the lover of our dear miss. She -is bad, very, very bad. Nay, my child, do not go like that." For he -suddenly grew pale and sat down in a chair almost fainting. "You are -to help her. You can do more than any that live, and your courage is -your best help." - -"What can I do?" asked Arthur hoarsely. "Tell me, and I shall do it. -My life is hers, and I would give the last drop of blood in my body for -her." - -The Professor has a strongly humorous side, and I could from old -knowledge detect a trace of its origin in his answer. - -"My young sir, I do not ask so much as that, not the last!" - -"What shall I do?" There was fire in his eyes, and his open nostrils -quivered with intent. Van Helsing slapped him on the shoulder. - -"Come!" he said. "You are a man, and it is a man we want. You are -better than me, better than my friend John." Arthur looked bewildered, -and the Professor went on by explaining in a kindly way. - -"Young miss is bad, very bad. She wants blood, and blood she must -have or die. My friend John and I have consulted, and we are about to -perform what we call transfusion of blood, to transfer from full veins -of one to the empty veins which pine for him. John was to give his -blood, as he is the more young and strong than me."--Here Arthur took -my hand and wrung it hard in silence.--"But now you are here, you are -more good than us, old or young, who toil much in the world of -thought. Our nerves are not so calm and our blood so bright than -yours!" - -Arthur turned to him and said, "If you only knew how gladly I would -die for her you would understand . . ." He stopped with a sort of -choke in his voice. - -"Good boy!" said Van Helsing. "In the not-so-far-off you will be -happy that you have done all for her you love. Come now and be -silent. You shall kiss her once before it is done, but then you must -go, and you must leave at my sign. Say no word to Madame. You know -how it is with her. There must be no shock, any knowledge of this -would be one. Come!" - -We all went up to Lucy's room. Arthur by direction remained outside. -Lucy turned her head and looked at us, but said nothing. She was not -asleep, but she was simply too weak to make the effort. Her eyes -spoke to us, that was all. - -Van Helsing took some things from his bag and laid them on a little -table out of sight. Then he mixed a narcotic, and coming over to the -bed, said cheerily, "Now, little miss, here is your medicine. Drink -it off, like a good child. See, I lift you so that to swallow is -easy. Yes." She had made the effort with success. - -It astonished me how long the drug took to act. This, in fact, marked -the extent of her weakness. The time seemed endless until sleep began -to flicker in her eyelids. At last, however, the narcotic began to -manifest its potency, and she fell into a deep sleep. When the -Professor was satisfied, he called Arthur into the room, and bade him -strip off his coat. Then he added, "You may take that one little kiss -whiles I bring over the table. Friend John, help to me!" So neither -of us looked whilst he bent over her. - -Van Helsing, turning to me, said, "He is so young and strong, and of -blood so pure that we need not defibrinate it." - -Then with swiftness, but with absolute method, Van Helsing performed -the operation. As the transfusion went on, something like life seemed -to come back to poor Lucy's cheeks, and through Arthur's growing -pallor the joy of his face seemed absolutely to shine. After a bit I -began to grow anxious, for the loss of blood was telling on Arthur, -strong man as he was. It gave me an idea of what a terrible strain -Lucy's system must have undergone that what weakened Arthur only -partially restored her. - -But the Professor's face was set, and he stood watch in hand, and with -his eyes fixed now on the patient and now on Arthur. I could hear my -own heart beat. Presently, he said in a soft voice, "Do not stir an -instant. It is enough. You attend him. I will look to her." - -When all was over, I could see how much Arthur was weakened. I -dressed the wound and took his arm to bring him away, when Van Helsing -spoke without turning round, the man seems to have eyes in the back of -his head, "The brave lover, I think, deserve another kiss, which he -shall have presently." And as he had now finished his operation, he -adjusted the pillow to the patient's head. As he did so the narrow -black velvet band which she seems always to wear round her throat, -buckled with an old diamond buckle which her lover had given her, was -dragged a little up, and showed a red mark on her throat. - -Arthur did not notice it, but I could hear the deep hiss of indrawn -breath which is one of Van Helsing's ways of betraying emotion. He -said nothing at the moment, but turned to me, saying, "Now take down -our brave young lover, give him of the port wine, and let him lie down -a while. He must then go home and rest, sleep much and eat much, that -he may be recruited of what he has so given to his love. He must not -stay here. Hold a moment! I may take it, sir, that you are anxious -of result. Then bring it with you, that in all ways the operation is -successful. You have saved her life this time, and you can go home -and rest easy in mind that all that can be is. I shall tell her all -when she is well. She shall love you none the less for what you have -done. Goodbye." - -When Arthur had gone I went back to the room. Lucy was sleeping -gently, but her breathing was stronger. I could see the counterpane -move as her breast heaved. By the bedside sat Van Helsing, looking at -her intently. The velvet band again covered the red mark. I asked -the Professor in a whisper, "What do you make of that mark on her -throat?" - -"What do you make of it?" - -"I have not examined it yet," I answered, and then and there proceeded -to loose the band. Just over the external jugular vein there were two -punctures, not large, but not wholesome looking. There was no sign of -disease, but the edges were white and worn looking, as if by some -trituration. It at once occurred to me that that this wound, or -whatever it was, might be the means of that manifest loss of blood. -But I abandoned the idea as soon as it formed, for such a thing could -not be. The whole bed would have been drenched to a scarlet with the -blood which the girl must have lost to leave such a pallor as she had -before the transfusion. - -"Well?" said Van Helsing. - -"Well," said I. "I can make nothing of it." - -The Professor stood up. "I must go back to Amsterdam tonight," he -said "There are books and things there which I want. You must remain -here all night, and you must not let your sight pass from her." - -"Shall I have a nurse?" I asked. - -"We are the best nurses, you and I. You keep watch all night. See -that she is well fed, and that nothing disturbs her. You must not -sleep all the night. Later on we can sleep, you and I. I shall be -back as soon as possible. And then we may begin." - -"May begin?" I said. "What on earth do you mean?" - -"We shall see!" he answered, as he hurried out. He came back a moment -later and put his head inside the door and said with a warning finger -held up, "Remember, she is your charge. If you leave her, and harm -befall, you shall not sleep easy hereafter!" - - - -DR. SEWARD'S DIARY--CONTINUED - -8 September.--I sat up all night with Lucy. The opiate worked itself -off towards dusk, and she waked naturally. She looked a different -being from what she had been before the operation. Her spirits even -were good, and she was full of a happy vivacity, but I could see -evidences of the absolute prostration which she had undergone. When I -told Mrs. Westenra that Dr. Van Helsing had directed that I should sit -up with her, she almost pooh-poohed the idea, pointing out her -daughter's renewed strength and excellent spirits. I was firm, -however, and made preparations for my long vigil. When her maid had -prepared her for the night I came in, having in the meantime had -supper, and took a seat by the bedside. - -She did not in any way make objection, but looked at me gratefully -whenever I caught her eye. After a long spell she seemed sinking off -to sleep, but with an effort seemed to pull herself together and shook -it off. It was apparent that she did not want to sleep, so I tackled -the subject at once. - -"You do not want to sleep?" - -"No. I am afraid." - -"Afraid to go to sleep! Why so? It is the boon we all crave for." - -"Ah, not if you were like me, if sleep was to you a presage of -horror!" - -"A presage of horror! What on earth do you mean?" - -"I don't know. Oh, I don't know. And that is what is so terrible. -All this weakness comes to me in sleep, until I dread the very -thought." - -"But, my dear girl, you may sleep tonight. I am here watching you, -and I can promise that nothing will happen." - -"Ah, I can trust you!" she said. - -I seized the opportunity, and said, "I promise that if I see any -evidence of bad dreams I will wake you at once." - -"You will? Oh, will you really? How good you are to me. Then I will -sleep!" And almost at the word she gave a deep sigh of relief, and -sank back, asleep. - -All night long I watched by her. She never stirred, but slept on and -on in a deep, tranquil, life-giving, health-giving sleep. Her lips -were slightly parted, and her breast rose and fell with the regularity -of a pendulum. There was a smile on her face, and it was evident that -no bad dreams had come to disturb her peace of mind. - -In the early morning her maid came, and I left her in her care and took -myself back home, for I was anxious about many things. I sent a short -wire to Van Helsing and to Arthur, telling them of the excellent -result of the operation. My own work, with its manifold arrears, took -me all day to clear off. It was dark when I was able to inquire about -my zoophagous patient. The report was good. He had been quite quiet -for the past day and night. A telegram came from Van Helsing at -Amsterdam whilst I was at dinner, suggesting that I should be at -Hillingham tonight, as it might be well to be at hand, and stating -that he was leaving by the night mail and would join me early in the -morning. - - -9 September.--I was pretty tired and worn out when I got to -Hillingham. For two nights I had hardly had a wink of sleep, and my -brain was beginning to feel that numbness which marks cerebral -exhaustion. Lucy was up and in cheerful spirits. When she shook -hands with me she looked sharply in my face and said, - -"No sitting up tonight for you. You are worn out. I am quite well -again. Indeed, I am, and if there is to be any sitting up, it is I -who will sit up with you." - -I would not argue the point, but went and had my supper. Lucy came -with me, and, enlivened by her charming presence, I made an excellent -meal, and had a couple of glasses of the more than excellent port. -Then Lucy took me upstairs, and showed me a room next her own, where a -cozy fire was burning. - -"Now," she said. "You must stay here. I shall leave this door open -and my door too. You can lie on the sofa for I know that nothing -would induce any of you doctors to go to bed whilst there is a patient -above the horizon. If I want anything I shall call out, and you can -come to me at once." - -I could not but acquiesce, for I was dog tired, and could not have sat -up had I tried. So, on her renewing her promise to call me if she -should want anything, I lay on the sofa, and forgot all about -everything. - - - -LUCY WESTENRA'S DIARY - -9 September.--I feel so happy tonight. I have been so miserably weak, -that to be able to think and move about is like feeling sunshine after -a long spell of east wind out of a steel sky. Somehow Arthur feels -very, very close to me. I seem to feel his presence warm about me. I -suppose it is that sickness and weakness are selfish things and turn -our inner eyes and sympathy on ourselves, whilst health and strength -give love rein, and in thought and feeling he can wander where he -wills. I know where my thoughts are. If only Arthur knew! My dear, -my dear, your ears must tingle as you sleep, as mine do waking. Oh, -the blissful rest of last night! How I slept, with that dear, good -Dr. Seward watching me. And tonight I shall not fear to sleep, since -he is close at hand and within call. Thank everybody for being so -good to me. Thank God! Goodnight Arthur. - - - -DR. SEWARD'S DIARY - -10 September.--I was conscious of the Professor's hand on my head, and -started awake all in a second. That is one of the things that we -learn in an asylum, at any rate. - -"And how is our patient?" - -"Well, when I left her, or rather when she left me," I answered. - -"Come, let us see," he said. And together we went into the room. - -The blind was down, and I went over to raise it gently, whilst Van -Helsing stepped, with his soft, cat-like tread, over to the bed. - -As I raised the blind, and the morning sunlight flooded the room, I -heard the Professor's low hiss of inspiration, and knowing its rarity, -a deadly fear shot through my heart. As I passed over he moved back, -and his exclamation of horror, "Gott in Himmel!" needed no enforcement -from his agonized face. He raised his hand and pointed to the bed, -and his iron face was drawn and ashen white. I felt my knees begin to -tremble. - -There on the bed, seemingly in a swoon, lay poor Lucy, more horribly -white and wan-looking than ever. Even the lips were white, and the -gums seemed to have shrunken back from the teeth, as we sometimes see -in a corpse after a prolonged illness. - -Van Helsing raised his foot to stamp in anger, but the instinct of his -life and all the long years of habit stood to him, and he put it down -again softly. - -"Quick!" he said. "Bring the brandy." - -I flew to the dining room, and returned with the decanter. He wetted -the poor white lips with it, and together we rubbed palm and wrist and -heart. He felt her heart, and after a few moments of agonizing -suspense said, - -"It is not too late. It beats, though but feebly. All our work is -undone. We must begin again. There is no young Arthur here now. I -have to call on you yourself this time, friend John." As he spoke, he -was dipping into his bag, and producing the instruments of -transfusion. I had taken off my coat and rolled up my shirt sleeve. -There was no possibility of an opiate just at present, and no need of -one; and so, without a moment's delay, we began the operation. - -After a time, it did not seem a short time either, for the draining -away of one's blood, no matter how willingly it be given, is a -terrible feeling, Van Helsing held up a warning finger. "Do not -stir," he said. "But I fear that with growing strength she may wake, -and that would make danger, oh, so much danger. But I shall -precaution take. I shall give hypodermic injection of morphia." He -proceeded then, swiftly and deftly, to carry out his intent. - -The effect on Lucy was not bad, for the faint seemed to merge subtly -into the narcotic sleep. It was with a feeling of personal pride that -I could see a faint tinge of colour steal back into the pallid cheeks -and lips. No man knows, till he experiences it, what it is to feel -his own lifeblood drawn away into the veins of the woman he loves. - -The Professor watched me critically. "That will do," he said. -"Already?" I remonstrated. "You took a great deal more from Art." To -which he smiled a sad sort of smile as he replied, - -"He is her lover, her fiance. You have work, much work to do for her -and for others, and the present will suffice." - -When we stopped the operation, he attended to Lucy, whilst I applied -digital pressure to my own incision. I laid down, while I waited his -leisure to attend to me, for I felt faint and a little sick. By and -by he bound up my wound, and sent me downstairs to get a glass of wine -for myself. As I was leaving the room, he came after me, and half -whispered. - -"Mind, nothing must be said of this. If our young lover should turn -up unexpected, as before, no word to him. It would at once frighten -him and enjealous him, too. There must be none. So!" - -When I came back he looked at me carefully, and then said, "You are -not much the worse. Go into the room, and lie on your sofa, and rest -awhile, then have much breakfast and come here to me." - -I followed out his orders, for I knew how right and wise they were. I -had done my part, and now my next duty was to keep up my strength. I -felt very weak, and in the weakness lost something of the amazement at -what had occurred. I fell asleep on the sofa, however, wondering over -and over again how Lucy had made such a retrograde movement, and how -she could have been drained of so much blood with no sign any where to -show for it. I think I must have continued my wonder in my dreams, -for, sleeping and waking my thoughts always came back to the little -punctures in her throat and the ragged, exhausted appearance of their -edges, tiny though they were. - -Lucy slept well into the day, and when she woke she was fairly well -and strong, though not nearly so much so as the day before. When Van -Helsing had seen her, he went out for a walk, leaving me in charge, -with strict injunctions that I was not to leave her for a moment. I -could hear his voice in the hall, asking the way to the nearest -telegraph office. - -Lucy chatted with me freely, and seemed quite unconscious that -anything had happened. I tried to keep her amused and interested. -When her mother came up to see her, she did not seem to notice any -change whatever, but said to me gratefully, - -"We owe you so much, Dr. Seward, for all you have done, but you really -must now take care not to overwork yourself. You are looking pale -yourself. You want a wife to nurse and look after you a bit, that you -do!" As she spoke, Lucy turned crimson, though it was only -momentarily, for her poor wasted veins could not stand for long an -unwonted drain to the head. The reaction came in excessive pallor as -she turned imploring eyes on me. I smiled and nodded, and laid my -finger on my lips. With a sigh, she sank back amid her pillows. - -Van Helsing returned in a couple of hours, and presently said to me: -"Now you go home, and eat much and drink enough. Make yourself -strong. I stay here tonight, and I shall sit up with little miss -myself. You and I must watch the case, and we must have none other to -know. I have grave reasons. No, do not ask me. Think what you will. -Do not fear to think even the most not-improbable. Goodnight." - -In the hall two of the maids came to me, and asked if they or either -of them might not sit up with Miss Lucy. They implored me to let -them, and when I said it was Dr. Van Helsing's wish that either he or -I should sit up, they asked me quite piteously to intercede with -the 'foreign gentleman'. I was much touched by their kindness. Perhaps -it is because I am weak at present, and perhaps because it was on -Lucy's account, that their devotion was manifested. For over and over -again have I seen similar instances of woman's kindness. I got back -here in time for a late dinner, went my rounds, all well, and set this -down whilst waiting for sleep. It is coming. - - -11 September.--This afternoon I went over to Hillingham. Found Van -Helsing in excellent spirits, and Lucy much better. Shortly after I -had arrived, a big parcel from abroad came for the Professor. He -opened it with much impressment, assumed, of course, and showed a -great bundle of white flowers. - -"These are for you, Miss Lucy," he said. - -"For me? Oh, Dr. Van Helsing!" - -"Yes, my dear, but not for you to play with. These are medicines." -Here Lucy made a wry face. "Nay, but they are not to take in a -decoction or in nauseous form, so you need not snub that so charming -nose, or I shall point out to my friend Arthur what woes he may have -to endure in seeing so much beauty that he so loves so much distort. -Aha, my pretty miss, that bring the so nice nose all straight again. -This is medicinal, but you do not know how. I put him in your window, -I make pretty wreath, and hang him round your neck, so you sleep well. -Oh, yes! They, like the lotus flower, make your trouble forgotten. -It smell so like the waters of Lethe, and of that fountain of youth -that the Conquistadores sought for in the Floridas, and find him all -too late." - -Whilst he was speaking, Lucy had been examining the flowers and -smelling them. Now she threw them down saying, with half laughter, -and half disgust, - -"Oh, Professor, I believe you are only putting up a joke on me. Why, -these flowers are only common garlic." - -To my surprise, Van Helsing rose up and said with all his sternness, -his iron jaw set and his bushy eyebrows meeting, - -"No trifling with me! I never jest! There is grim purpose in what I -do, and I warn you that you do not thwart me. Take care, for the sake -of others if not for your own." Then seeing poor Lucy scared, as she -might well be, he went on more gently, "Oh, little miss, my dear, do -not fear me. I only do for your good, but there is much virtue to you -in those so common flowers. See, I place them myself in your room. I -make myself the wreath that you are to wear. But hush! No telling to -others that make so inquisitive questions. We must obey, and silence -is a part of obedience, and obedience is to bring you strong and well -into loving arms that wait for you. Now sit still a while. Come with -me, friend John, and you shall help me deck the room with my garlic, -which is all the way from Haarlem, where my friend Vanderpool raise -herb in his glass houses all the year. I had to telegraph yesterday, -or they would not have been here." - -We went into the room, taking the flowers with us. The Professor's -actions were certainly odd and not to be found in any pharmacopeia -that I ever heard of. First he fastened up the windows and latched -them securely. Next, taking a handful of the flowers, he rubbed them -all over the sashes, as though to ensure that every whiff of air that -might get in would be laden with the garlic smell. Then with the wisp -he rubbed all over the jamb of the door, above, below, and at each -side, and round the fireplace in the same way. It all seemed -grotesque to me, and presently I said, "Well, Professor, I know you -always have a reason for what you do, but this certainly puzzles me. -It is well we have no sceptic here, or he would say that you were -working some spell to keep out an evil spirit." - -"Perhaps I am!" he answered quietly as he began to make the wreath -which Lucy was to wear round her neck. - -We then waited whilst Lucy made her toilet for the night, and when she -was in bed he came and himself fixed the wreath of garlic round her -neck. The last words he said to her were, - -"Take care you do not disturb it, and even if the room feel close, do -not tonight open the window or the door." - -"I promise," said Lucy. "And thank you both a thousand times for all -your kindness to me! Oh, what have I done to be blessed with such -friends?" - -As we left the house in my fly, which was waiting, Van Helsing said, -"Tonight I can sleep in peace, and sleep I want, two nights of travel, -much reading in the day between, and much anxiety on the day to -follow, and a night to sit up, without to wink. Tomorrow in the -morning early you call for me, and we come together to see our pretty -miss, so much more strong for my 'spell' which I have work. Ho, ho!" - -He seemed so confident that I, remembering my own confidence two -nights before and with the baneful result, felt awe and vague terror. -It must have been my weakness that made me hesitate to tell it to my -friend, but I felt it all the more, like unshed tears. - - - - -CHAPTER 11 - - -LUCY WESTENRA'S DIARY - -12 September.--How good they all are to me. I quite love that dear -Dr. Van Helsing. I wonder why he was so anxious about these flowers. -He positively frightened me, he was so fierce. And yet he must have -been right, for I feel comfort from them already. Somehow, I do not -dread being alone tonight, and I can go to sleep without fear. I -shall not mind any flapping outside the window. Oh, the terrible -struggle that I have had against sleep so often of late, the pain of -sleeplessness, or the pain of the fear of sleep, and with such unknown -horrors as it has for me! How blessed are some people, whose lives -have no fears, no dreads, to whom sleep is a blessing that comes -nightly, and brings nothing but sweet dreams. Well, here I am -tonight, hoping for sleep, and lying like Ophelia in the play, with -'virgin crants and maiden strewments.' I never liked garlic before, -but tonight it is delightful! There is peace in its smell. I feel -sleep coming already. Goodnight, everybody. - - - -DR. SEWARD'S DIARY - -13 September.--Called at the Berkeley and found Van Helsing, as usual, -up to time. The carriage ordered from the hotel was waiting. The -Professor took his bag, which he always brings with him now. - -Let all be put down exactly. Van Helsing and I arrived at Hillingham -at eight o'clock. It was a lovely morning. The bright sunshine and -all the fresh feeling of early autumn seemed like the completion of -nature's annual work. The leaves were turning to all kinds of -beautiful colours, but had not yet begun to drop from the trees. When -we entered we met Mrs. Westenra coming out of the morning room. She -is always an early riser. She greeted us warmly and said, - -"You will be glad to know that Lucy is better. The dear child is -still asleep. I looked into her room and saw her, but did not go in, -lest I should disturb her." The Professor smiled, and looked quite -jubilant. He rubbed his hands together, and said, "Aha! I thought I -had diagnosed the case. My treatment is working." - -To which she replied, "You must not take all the credit to yourself, -doctor. Lucy's state this morning is due in part to me." - -"How do you mean, ma'am?" asked the Professor. - -"Well, I was anxious about the dear child in the night, and went into -her room. She was sleeping soundly, so soundly that even my coming -did not wake her. But the room was awfully stuffy. There were a lot -of those horrible, strong-smelling flowers about everywhere, and she -had actually a bunch of them round her neck. I feared that the heavy -odour would be too much for the dear child in her weak state, so I took -them all away and opened a bit of the window to let in a little fresh -air. You will be pleased with her, I am sure." - -She moved off into her boudoir, where she usually breakfasted early. -As she had spoken, I watched the Professor's face, and saw it turn -ashen gray. He had been able to retain his self-command whilst the -poor lady was present, for he knew her state and how mischievous a -shock would be. He actually smiled on her as he held open the door -for her to pass into her room. But the instant she had disappeared he -pulled me, suddenly and forcibly, into the dining room and closed the -door. - -Then, for the first time in my life, I saw Van Helsing break down. He -raised his hands over his head in a sort of mute despair, and then -beat his palms together in a helpless way. Finally he sat down on a -chair, and putting his hands before his face, began to sob, with loud, -dry sobs that seemed to come from the very racking of his heart. - -Then he raised his arms again, as though appealing to the whole -universe. "God! God! God!" he said. "What have we done, what has -this poor thing done, that we are so sore beset? Is there fate -amongst us still, send down from the pagan world of old, that such -things must be, and in such way? This poor mother, all unknowing, and -all for the best as she think, does such thing as lose her daughter -body and soul, and we must not tell her, we must not even warn her, or -she die, then both die. Oh, how we are beset! How are all the powers -of the devils against us!" - -Suddenly he jumped to his feet. "Come," he said, "come, we must see and -act. Devils or no devils, or all the devils at once, it matters not. -We must fight him all the same." He went to the hall door for his -bag, and together we went up to Lucy's room. - -Once again I drew up the blind, whilst Van Helsing went towards the -bed. This time he did not start as he looked on the poor face with -the same awful, waxen pallor as before. He wore a look of stern -sadness and infinite pity. - -"As I expected," he murmured, with that hissing inspiration of his -which meant so much. Without a word he went and locked the door, and -then began to set out on the little table the instruments for yet -another operation of transfusion of blood. I had long ago recognized -the necessity, and begun to take off my coat, but he stopped me with a -warning hand. "No!" he said. "Today you must operate. I shall -provide. You are weakened already." As he spoke he took off his coat -and rolled up his shirtsleeve. - -Again the operation. Again the narcotic. Again some return of colour -to the ashy cheeks, and the regular breathing of healthy sleep. This -time I watched whilst Van Helsing recruited himself and rested. - -Presently he took an opportunity of telling Mrs. Westenra that she -must not remove anything from Lucy's room without consulting him. -That the flowers were of medicinal value, and that the breathing of -their odour was a part of the system of cure. Then he took over the -care of the case himself, saying that he would watch this night and -the next, and would send me word when to come. - -After another hour Lucy waked from her sleep, fresh and bright and -seemingly not much the worse for her terrible ordeal. - -What does it all mean? I am beginning to wonder if my long habit of -life amongst the insane is beginning to tell upon my own brain. - - - -LUCY WESTENRA'S DIARY - -17 September.--Four days and nights of peace. I am getting so strong -again that I hardly know myself. It is as if I had passed through -some long nightmare, and had just awakened to see the beautiful -sunshine and feel the fresh air of the morning around me. I have a -dim half remembrance of long, anxious times of waiting and fearing, -darkness in which there was not even the pain of hope to make present -distress more poignant. And then long spells of oblivion, and the -rising back to life as a diver coming up through a great press of -water. Since, however, Dr. Van Helsing has been with me, all this bad -dreaming seems to have passed away. The noises that used to frighten -me out of my wits, the flapping against the windows, the distant -voices which seemed so close to me, the harsh sounds that came from I -know not where and commanded me to do I know not what, have all -ceased. I go to bed now without any fear of sleep. I do not even try -to keep awake. I have grown quite fond of the garlic, and a boxful -arrives for me every day from Haarlem. Tonight Dr. Van Helsing is -going away, as he has to be for a day in Amsterdam. But I need not be -watched. I am well enough to be left alone. - -Thank God for Mother's sake, and dear Arthur's, and for all our -friends who have been so kind! I shall not even feel the change, for -last night Dr. Van Helsing slept in his chair a lot of the time. I -found him asleep twice when I awoke. But I did not fear to go to -sleep again, although the boughs or bats or something flapped almost -angrily against the window panes. - - - - -THE PALL MALL GAZETTE 18 September. - -THE ESCAPED WOLF PERILOUS ADVENTURE OF OUR INTERVIEWER - -INTERVIEW WITH THE KEEPER IN THE ZOOLOGICAL GARDENS - -After many inquiries and almost as many refusals, and perpetually -using the words 'PALL MALL GAZETTE' as a sort of talisman, I managed -to find the keeper of the section of the Zoological Gardens in which -the wolf department is included. Thomas Bilder lives in one of the -cottages in the enclosure behind the elephant house, and was just -sitting down to his tea when I found him. Thomas and his wife are -hospitable folk, elderly, and without children, and if the specimen -I enjoyed of their hospitality be of the average kind, their lives -must be pretty comfortable. The keeper would not enter on what he -called business until the supper was over, and we were all -satisfied. Then when the table was cleared, and he had lit his -pipe, he said, - -"Now, Sir, you can go on and arsk me what you want. You'll excoose -me refoosin' to talk of perfeshunal subjucts afore meals. I gives -the wolves and the jackals and the hyenas in all our section their -tea afore I begins to arsk them questions." - -"How do you mean, ask them questions?" I queried, wishful to get him -into a talkative humor. - -"'Ittin' of them over the 'ead with a pole is one way. Scratchin' of -their ears in another, when gents as is flush wants a bit of a show-orf -to their gals. I don't so much mind the fust, the 'ittin of the -pole part afore I chucks in their dinner, but I waits till they've -'ad their sherry and kawffee, so to speak, afore I tries on with the -ear scratchin'. Mind you," he added philosophically, "there's a -deal of the same nature in us as in them theer animiles. Here's you -a-comin' and arskin' of me questions about my business, and I that -grump-like that only for your bloomin' 'arf-quid I'd 'a' seen you -blowed fust 'fore I'd answer. Not even when you arsked me sarcastic -like if I'd like you to arsk the Superintendent if you might arsk me -questions. Without offence did I tell yer to go to 'ell?" - -"You did." - -"An' when you said you'd report me for usin' obscene language that -was 'ittin' me over the 'ead. But the 'arf-quid made that all -right. I weren't a-goin' to fight, so I waited for the food, and -did with my 'owl as the wolves and lions and tigers does. But, lor' -love yer 'art, now that the old 'ooman has stuck a chunk of her -tea-cake in me, an' rinsed me out with her bloomin' old teapot, and I've -lit hup, you may scratch my ears for all you're worth, and won't -even get a growl out of me. Drive along with your questions. I -know what yer a-comin' at, that 'ere escaped wolf." - -"Exactly. I want you to give me your view of it. Just tell me how -it happened, and when I know the facts I'll get you to say what you -consider was the cause of it, and how you think the whole affair -will end." - -"All right, guv'nor. This 'ere is about the 'ole story. -That 'ere wolf what we called Bersicker was one of three gray -ones that came from Norway to Jamrach's, which we bought -off him four years ago. He was a nice well-behaved wolf, -that never gave no trouble to talk of. I'm more surprised -at 'im for wantin' to get out nor any other animile in the -place. But, there, you can't trust wolves no more nor women." - -"Don't you mind him, Sir!" broke in Mrs. Tom, with a cheery -laugh. "'E's got mindin' the animiles so long that blest -if he ain't like a old wolf 'isself! But there ain't no -'arm in 'im." - -"Well, Sir, it was about two hours after feedin' yesterday when I -first hear my disturbance. I was makin' up a litter in the monkey -house for a young puma which is ill. But when I heard the yelpin' -and 'owlin' I kem away straight. There was Bersicker a-tearin' like -a mad thing at the bars as if he wanted to get out. There wasn't -much people about that day, and close at hand was only one man, a -tall, thin chap, with a 'ook nose and a pointed beard, with a few -white hairs runnin' through it. He had a 'ard, cold look and red -eyes, and I took a sort of mislike to him, for it seemed as if it -was 'im as they was hirritated at. He 'ad white kid gloves on 'is -'ands, and he pointed out the animiles to me and says, 'Keeper, -these wolves seem upset at something.' - -"'Maybe it's you,' says I, for I did not like the airs as he -give 'isself. He didn't get angry, as I 'oped he would, but -he smiled a kind of insolent smile, with a mouth full of white, -sharp teeth. 'Oh no, they wouldn't like me,' 'e says. - -"'Ow yes, they would,' says I, a-imitatin' of him. 'They -always like a bone or two to clean their teeth on about tea -time, which you 'as a bagful.' - -"Well, it was a odd thing, but when the animiles see us -a-talkin' they lay down, and when I went over to Bersicker -he let me stroke his ears same as ever. That there man kem -over, and blessed but if he didn't put in his hand and stroke -the old wolf's ears too! - -"'Tyke care,' says I. 'Bersicker is quick.' - -"'Never mind,' he says. I'm used to 'em!' - -"'Are you in the business yourself?' I says, tyking off my -'at, for a man what trades in wolves, anceterer, is a good -friend to keepers. - -"'Nom,' says he, 'not exactly in the business, but I 'ave made pets -of several.' And with that he lifts his 'at as perlite as a lord, -and walks away. Old Bersicker kep' a-lookin' arter 'im till 'e was -out of sight, and then went and lay down in a corner and wouldn't -come hout the 'ole hevening. Well, larst night, so soon as the moon -was hup, the wolves here all began a-'owling. There warn't nothing -for them to 'owl at. There warn't no one near, except some one that -was evidently a-callin' a dog somewheres out back of the gardings in -the Park road. Once or twice I went out to see that all was right, -and it was, and then the 'owling stopped. Just before twelve -o'clock I just took a look round afore turnin' in, an', bust me, but -when I kem opposite to old Bersicker's cage I see the rails broken -and twisted about and the cage empty. And that's all I know for -certing." - -"Did any one else see anything?" - -"One of our gard'ners was a-comin' 'ome about that time from a -'armony, when he sees a big gray dog comin' out through the garding -'edges. At least, so he says, but I don't give much for it myself, -for if he did 'e never said a word about it to his missis when 'e -got 'ome, and it was only after the escape of the wolf was made -known, and we had been up all night a-huntin' of the Park for -Bersicker, that he remembered seein' anything. My own belief was -that the 'armony 'ad got into his 'ead." - -"Now, Mr. Bilder, can you account in any way for the escape -of the wolf?" - -"Well, Sir," he said, with a suspicious sort of modesty, "I think I -can, but I don't know as 'ow you'd be satisfied with the theory." - -"Certainly I shall. If a man like you, who knows the animals from -experience, can't hazard a good guess at any rate, who is even to -try?" - -"Well then, Sir, I accounts for it this way. It seems to me that -'ere wolf escaped--simply because he wanted to get out." - -From the hearty way that both Thomas and his wife laughed at the -joke I could see that it had done service before, and that the whole -explanation was simply an elaborate sell. I couldn't cope in -badinage with the worthy Thomas, but I thought I knew a surer way to -his heart, so I said, "Now, Mr. Bilder, we'll consider that first -half-sovereign worked off, and this brother of his is waiting to be -claimed when you've told me what you think will happen." - -"Right y'are, Sir," he said briskly. "Ye'll excoose me, I -know, for a-chaffin' of ye, but the old woman here winked at -me, which was as much as telling me to go on." - -"Well, I never!" said the old lady. - -"My opinion is this: that 'ere wolf is a'idin' of, somewheres. The -gard'ner wot didn't remember said he was a-gallopin' northward -faster than a horse could go, but I don't believe him, for, yer see, -Sir, wolves don't gallop no more nor dogs does, they not bein' built -that way. Wolves is fine things in a storybook, and I dessay when -they gets in packs and does be chivyin' somethin' that's more -afeared than they is they can make a devil of a noise and chop it -up, whatever it is. But, Lor' bless you, in real life a wolf is -only a low creature, not half so clever or bold as a good dog, and -not half a quarter so much fight in 'im. This one ain't been used -to fightin' or even to providin' for hisself, and more like he's -somewhere round the Park a'hidin' an' a'shiverin' of, and if he -thinks at all, wonderin' where he is to get his breakfast from. Or -maybe he's got down some area and is in a coal cellar. My eye, -won't some cook get a rum start when she sees his green eyes -a-shinin' at her out of the dark! If he can't get food he's bound to -look for it, and mayhap he may chance to light on a butcher's shop -in time. If he doesn't, and some nursemaid goes out walkin' or orf -with a soldier, leavin' of the hinfant in the perambulator--well, -then I shouldn't be surprised if the census is one babby the less. -That's all." - -I was handing him the half-sovereign, when something came bobbing up -against the window, and Mr. Bilder's face doubled its natural length -with surprise. - -"God bless me!" he said. "If there ain't old Bersicker come back by -'isself!" - -He went to the door and opened it, a most unnecessary proceeding it -seemed to me. I have always thought that a wild animal never looks -so well as when some obstacle of pronounced durability is between -us. A personal experience has intensified rather than diminished -that idea. - -After all, however, there is nothing like custom, for neither Bilder -nor his wife thought any more of the wolf than I should of a dog. -The animal itself was a peaceful and well-behaved as that father of -all picture-wolves, Red Riding Hood's quondam friend, whilst moving -her confidence in masquerade. - -The whole scene was a unutterable mixture of comedy and -pathos. The wicked wolf that for a half a day had -paralyzed London and set all the children in town shivering -in their shoes, was there in a sort of penitent mood, and -was received and petted like a sort of vulpine prodigal -son. Old Bilder examined him all over with most tender -solicitude, and when he had finished with his penitent -said, - -"There, I knew the poor old chap would get into some kind of -trouble. Didn't I say it all along? Here's his head all -cut and full of broken glass. 'E's been a-gettin' over -some bloomin' wall or other. It's a shyme that people are -allowed to top their walls with broken bottles. This 'ere's -what comes of it. Come along, Bersicker." - -He took the wolf and locked him up in a cage, with a piece -of meat that satisfied, in quantity at any rate, the elementary -conditions of the fatted calf, and went off to report. - -I came off too, to report the only exclusive information -that is given today regarding the strange escapade at the -Zoo. - - - -DR. SEWARD'S DIARY - -17 September.--I was engaged after dinner in my study posting up my -books, which, through press of other work and the many visits to Lucy, -had fallen sadly into arrear. Suddenly the door was burst open, and -in rushed my patient, with his face distorted with passion. I was -thunderstruck, for such a thing as a patient getting of his own accord -into the Superintendent's study is almost unknown. - -Without an instant's notice he made straight at me. He had a dinner -knife in his hand, and as I saw he was dangerous, I tried to keep the -table between us. He was too quick and too strong for me, however, -for before I could get my balance he had struck at me and cut my left -wrist rather severely. - -Before he could strike again, however, I got in my right hand and he -was sprawling on his back on the floor. My wrist bled freely, and -quite a little pool trickled on to the carpet. I saw that my friend -was not intent on further effort, and occupied myself binding up my -wrist, keeping a wary eye on the prostrate figure all the time. When -the attendants rushed in, and we turned our attention to him, his -employment positively sickened me. He was lying on his belly on the -floor licking up, like a dog, the blood which had fallen from my -wounded wrist. He was easily secured, and to my surprise, went with -the attendants quite placidly, simply repeating over and over again, -"The blood is the life! The blood is the life!" - -I cannot afford to lose blood just at present. I have lost too much -of late for my physical good, and then the prolonged strain of Lucy's -illness and its horrible phases is telling on me. I am over excited -and weary, and I need rest, rest, rest. Happily Van Helsing has not -summoned me, so I need not forego my sleep. Tonight I could not well -do without it. - - - -TELEGRAM, VAN HELSING, ANTWERP, TO SEWARD, CARFAX - -(Sent to Carfax, Sussex, as no county given, delivered late -by twenty-two hours.) - -17 September.--Do not fail to be at Hilllingham tonight. -If not watching all the time, frequently visit and see that -flowers are as placed, very important, do not fail. Shall -be with you as soon as possible after arrival. - - - -DR. SEWARD'S DIARY - -18 September.--Just off train to London. The arrival of Van -Helsing's telegram filled me with dismay. A whole night lost, -and I know by bitter experience what may happen in a night. -Of course it is possible that all may be well, but what may -have happened? Surely there is some horrible doom hanging over us -that every possible accident should thwart us in all we try to do. -I shall take this cylinder with me, and then I can complete -my entry on Lucy's phonograph. - - - - -MEMORANDUM LEFT BY LUCY WESTENRA - -17 September, Night.--I write this and leave it to be seen, -so that no one may by any chance get into trouble through -me. This is an exact record of what took place tonight. I -feel I am dying of weakness, and have barely strength to -write, but it must be done if I die in the doing. - -I went to bed as usual, taking care that the flowers were -placed as Dr. Van Helsing directed, and soon fell asleep. - -I was waked by the flapping at the window, which had begun after -that sleep-walking on the cliff at Whitby when Mina saved me, and -which now I know so well. I was not afraid, but I did wish that -Dr. Seward was in the next room, as Dr. Van Helsing said he would -be, so that I might have called him. I tried to sleep, but I -could not. Then there came to me the old fear of sleep, and I -determined to keep awake. Perversely sleep would try to come then -when I did not want it. So, as I feared to be alone, I opened my -door and called out, "Is there anybody there?" There was no -answer. I was afraid to wake mother, and so closed my door -again. Then outside in the shrubbery I heard a sort of howl like -a dog's, but more fierce and deeper. I went to the window and -looked out, but could see nothing, except a big bat, which had -evidently been buffeting its wings against the window. So I went -back to bed again, but determined not to go to sleep. Presently -the door opened, and mother looked in. Seeing by my moving that -I was not asleep, she came in and sat by me. She said to me even -more sweetly and softly than her wont, - -"I was uneasy about you, darling, and came in to see that -you were all right." - -I feared she might catch cold sitting there, and asked her -to come in and sleep with me, so she came into bed, and lay -down beside me. She did not take off her dressing gown, -for she said she would only stay a while and then go back -to her own bed. As she lay there in my arms, and I in hers -the flapping and buffeting came to the window again. She -was startled and a little frightened, and cried out, "What -is that?" - -I tried to pacify her, and at last succeeded, and she lay -quiet. But I could hear her poor dear heart still beating -terribly. After a while there was the howl again out in -the shrubbery, and shortly after there was a crash at the -window, and a lot of broken glass was hurled on the floor. -The window blind blew back with the wind that rushed in, -and in the aperture of the broken panes there was the head -of a great, gaunt gray wolf. - -Mother cried out in a fright, and struggled up into a -sitting posture, and clutched wildly at anything that would -help her. Amongst other things, she clutched the wreath of -flowers that Dr. Van Helsing insisted on my wearing round -my neck, and tore it away from me. For a second or two she -sat up, pointing at the wolf, and there was a strange and -horrible gurgling in her throat. Then she fell over, as if -struck with lightning, and her head hit my forehead and -made me dizzy for a moment or two. - -The room and all round seemed to spin round. I kept my eyes -fixed on the window, but the wolf drew his head back, and a whole -myriad of little specks seems to come blowing in through the -broken window, and wheeling and circling round like the pillar of -dust that travellers describe when there is a simoon in the -desert. I tried to stir, but there was some spell upon me, and -dear Mother's poor body, which seemed to grow cold already, for -her dear heart had ceased to beat, weighed me down, and I -remembered no more for a while. - -The time did not seem long, but very, very awful, till I -recovered consciousness again. Somewhere near, a passing -bell was tolling. The dogs all round the neighbourhood were -howling, and in our shrubbery, seemingly just outside, a -nightingale was singing. I was dazed and stupid with pain -and terror and weakness, but the sound of the nightingale -seemed like the voice of my dead mother come back to comfort me. -The sounds seemed to have awakened the maids, too, for I could -hear their bare feet pattering outside my door. I called to -them, and they came in, and when they saw what had happened, and -what it was that lay over me on the bed, they screamed out. The -wind rushed in through the broken window, and the door slammed -to. They lifted off the body of my dear mother, and laid her, -covered up with a sheet, on the bed after I had got up. They -were all so frightened and nervous that I directed them to go to -the dining room and each have a glass of wine. The door flew -open for an instant and closed again. The maids shrieked, and -then went in a body to the dining room, and I laid what flowers I -had on my dear mother's breast. When they were there I -remembered what Dr. Van Helsing had told me, but I didn't like to -remove them, and besides, I would have some of the servants to -sit up with me now. I was surprised that the maids did not come -back. I called them, but got no answer, so I went to the dining -room to look for them. - -My heart sank when I saw what had happened. They all four -lay helpless on the floor, breathing heavily. The decanter -of sherry was on the table half full, but there was a queer, -acrid smell about. I was suspicious, and examined the decanter. -It smelt of laudanum, and looking on the sideboard, I found that -the bottle which Mother's doctor uses for her--oh! did use--was -empty. What am I to do? What am I to do? I am back in the room -with Mother. I cannot leave her, and I am alone, save for the -sleeping servants, whom some one has drugged. Alone with the -dead! I dare not go out, for I can hear the low howl of the wolf -through the broken window. - -The air seems full of specks, floating and circling in the -draught from the window, and the lights burn blue and dim. -What am I to do? God shield me from harm this night! I -shall hide this paper in my breast, where they shall find -it when they come to lay me out. My dear mother gone! It -is time that I go too. Goodbye, dear Arthur, if I should -not survive this night. God keep you, dear, and God help -me! - - - - -CHAPTER 12 - - -DR. SEWARD'S DIARY - -18 September.--I drove at once to Hillingham and arrived early. -Keeping my cab at the gate, I went up the avenue alone. I knocked -gently and rang as quietly as possible, for I feared to disturb Lucy -or her mother, and hoped to only bring a servant to the door. After a -while, finding no response, I knocked and rang again, still no -answer. I cursed the laziness of the servants that they should lie -abed at such an hour, for it was now ten o'clock, and so rang and -knocked again, but more impatiently, but still without response. -Hitherto I had blamed only the servants, but now a terrible fear began -to assail me. Was this desolation but another link in the chain of -doom which seemed drawing tight round us? Was it indeed a house of -death to which I had come, too late? I know that minutes, even -seconds of delay, might mean hours of danger to Lucy, if she had had -again one of those frightful relapses, and I went round the house to -try if I could find by chance an entry anywhere. - -I could find no means of ingress. Every window and door was fastened -and locked, and I returned baffled to the porch. As I did so, I heard -the rapid pit-pat of a swiftly driven horse's feet. They stopped at -the gate, and a few seconds later I met Van Helsing running up the -avenue. When he saw me, he gasped out, "Then it was you, and just -arrived. How is she? Are we too late? Did you not get my telegram?" - -I answered as quickly and coherently as I could that I had only got -his telegram early in the morning, and had not a minute in coming -here, and that I could not make any one in the house hear me. He -paused and raised his hat as he said solemnly, "Then I fear we are too -late. God's will be done!" - -With his usual recuperative energy, he went on, "Come. If there be no -way open to get in, we must make one. Time is all in all to us now." - -We went round to the back of the house, where there was a kitchen -window. The Professor took a small surgical saw from his case, and -handing it to me, pointed to the iron bars which guarded the window. -I attacked them at once and had very soon cut through three of them. -Then with a long, thin knife we pushed back the fastening of the -sashes and opened the window. I helped the Professor in, and followed -him. There was no one in the kitchen or in the servants' rooms, which -were close at hand. We tried all the rooms as we went along, and in -the dining room, dimly lit by rays of light through the shutters, -found four servant women lying on the floor. There was no need to -think them dead, for their stertorous breathing and the acrid smell of -laudanum in the room left no doubt as to their condition. - -Van Helsing and I looked at each other, and as we moved away he said, -"We can attend to them later." Then we ascended to Lucy's room. For an -instant or two we paused at the door to listen, but there was no sound -that we could hear. With white faces and trembling hands, we opened -the door gently, and entered the room. - -How shall I describe what we saw? On the bed lay two women, Lucy and -her mother. The latter lay farthest in, and she was covered with a -white sheet, the edge of which had been blown back by the drought -through the broken window, showing the drawn, white, face, with a look -of terror fixed upon it. By her side lay Lucy, with face white and -still more drawn. The flowers which had been round her neck we found -upon her mother's bosom, and her throat was bare, showing the two -little wounds which we had noticed before, but looking horribly white -and mangled. Without a word the Professor bent over the bed, his head -almost touching poor Lucy's breast. Then he gave a quick turn of his -head, as of one who listens, and leaping to his feet, he cried out to -me, "It is not yet too late! Quick! Quick! Bring the brandy!" - -I flew downstairs and returned with it, taking care to smell and taste -it, lest it, too, were drugged like the decanter of sherry which I -found on the table. The maids were still breathing, but more -restlessly, and I fancied that the narcotic was wearing off. I did -not stay to make sure, but returned to Van Helsing. He rubbed the -brandy, as on another occasion, on her lips and gums and on her wrists -and the palms of her hands. He said to me, "I can do this, all that -can be at the present. You go wake those maids. Flick them in the -face with a wet towel, and flick them hard. Make them get heat and -fire and a warm bath. This poor soul is nearly as cold as that beside -her. She will need be heated before we can do anything more." - -I went at once, and found little difficulty in waking three of the -women. The fourth was only a young girl, and the drug had evidently -affected her more strongly so I lifted her on the sofa and let her -sleep. - -The others were dazed at first, but as remembrance came back to them -they cried and sobbed in a hysterical manner. I was stern with them, -however, and would not let them talk. I told them that one life was -bad enough to lose, and if they delayed they would sacrifice Miss -Lucy. So, sobbing and crying they went about their way, half clad as -they were, and prepared fire and water. Fortunately, the kitchen and -boiler fires were still alive, and there was no lack of hot water. We -got a bath and carried Lucy out as she was and placed her in it. -Whilst we were busy chafing her limbs there was a knock at the hall -door. One of the maids ran off, hurried on some more clothes, and -opened it. Then she returned and whispered to us that there was a -gentleman who had come with a message from Mr. Holmwood. I bade her -simply tell him that he must wait, for we could see no one now. She -went away with the message, and, engrossed with our work, I clean -forgot all about him. - -I never saw in all my experience the Professor work in such deadly -earnest. I knew, as he knew, that it was a stand-up fight with death, -and in a pause told him so. He answered me in a way that I did not -understand, but with the sternest look that his face could wear. - -"If that were all, I would stop here where we are now, and let her -fade away into peace, for I see no light in life over her horizon." He -went on with his work with, if possible, renewed and more frenzied -vigour. - -Presently we both began to be conscious that the heat was beginning to -be of some effect. Lucy's heart beat a trifle more audibly to the -stethoscope, and her lungs had a perceptible movement. Van Helsing's -face almost beamed, and as we lifted her from the bath and rolled her -in a hot sheet to dry her he said to me, "The first gain is ours! -Check to the King!" - -We took Lucy into another room, which had by now been prepared, and -laid her in bed and forced a few drops of brandy down her throat. I -noticed that Van Helsing tied a soft silk handkerchief round her -throat. She was still unconscious, and was quite as bad as, if not -worse than, we had ever seen her. - -Van Helsing called in one of the women, and told her to stay with her -and not to take her eyes off her till we returned, and then beckoned -me out of the room. - -"We must consult as to what is to be done," he said as we descended -the stairs. In the hall he opened the dining room door, and we passed -in, he closing the door carefully behind him. The shutters had been -opened, but the blinds were already down, with that obedience to the -etiquette of death which the British woman of the lower classes always -rigidly observes. The room was, therefore, dimly dark. It was, -however, light enough for our purposes. Van Helsing's sternness was -somewhat relieved by a look of perplexity. He was evidently torturing -his mind about something, so I waited for an instant, and he spoke. - -"What are we to do now? Where are we to turn for help? We must have -another transfusion of blood, and that soon, or that poor girl's life -won't be worth an hour's purchase. You are exhausted already. I am -exhausted too. I fear to trust those women, even if they would have -courage to submit. What are we to do for some one who will open his -veins for her?" - -"What's the matter with me, anyhow?" - -The voice came from the sofa across the room, and its tones brought -relief and joy to my heart, for they were those of Quincey Morris. - -Van Helsing started angrily at the first sound, but his face softened -and a glad look came into his eyes as I cried out, "Quincey Morris!" -and rushed towards him with outstretched hands. - -"What brought you here?" I cried as our hands met. - -"I guess Art is the cause." - -He handed me a telegram.--'Have not heard from Seward for three days, -and am terribly anxious. Cannot leave. Father still in same -condition. Send me word how Lucy is. Do not delay.--Holmwood.' - -"I think I came just in the nick of time. You know you have only to -tell me what to do." - -Van Helsing strode forward, and took his hand, looking him straight in -the eyes as he said, "A brave man's blood is the best thing on this -earth when a woman is in trouble. You're a man and no mistake. Well, -the devil may work against us for all he's worth, but God sends us men -when we want them." - -Once again we went through that ghastly operation. I have not the -heart to go through with the details. Lucy had got a terrible shock -and it told on her more than before, for though plenty of blood went -into her veins, her body did not respond to the treatment as well as -on the other occasions. Her struggle back into life was something -frightful to see and hear. However, the action of both heart and -lungs improved, and Van Helsing made a sub-cutaneous injection of -morphia, as before, and with good effect. Her faint became a profound -slumber. The Professor watched whilst I went downstairs with Quincey -Morris, and sent one of the maids to pay off one of the cabmen who -were waiting. - -I left Quincey lying down after having a glass of wine, and told the -cook to get ready a good breakfast. Then a thought struck me, and I -went back to the room where Lucy now was. When I came softly in, I -found Van Helsing with a sheet or two of note paper in his hand. He -had evidently read it, and was thinking it over as he sat with his -hand to his brow. There was a look of grim satisfaction in his face, -as of one who has had a doubt solved. He handed me the paper saying -only, "It dropped from Lucy's breast when we carried her to the bath." - -When I had read it, I stood looking at the Professor, and after a -pause asked him, "In God's name, what does it all mean? Was she, or -is she, mad, or what sort of horrible danger is it?" I was so -bewildered that I did not know what to say more. Van Helsing put out -his hand and took the paper, saying, - -"Do not trouble about it now. Forget it for the present. You shall -know and understand it all in good time, but it will be later. And -now what is it that you came to me to say?" This brought me back to -fact, and I was all myself again. - -"I came to speak about the certificate of death. If we do not act -properly and wisely, there may be an inquest, and that paper would -have to be produced. I am in hopes that we need have no inquest, for -if we had it would surely kill poor Lucy, if nothing else did. I -know, and you know, and the other doctor who attended her knows, that -Mrs. Westenra had disease of the heart, and we can certify that she -died of it. Let us fill up the certificate at once, and I shall take -it myself to the registrar and go on to the undertaker." - -"Good, oh my friend John! Well thought of! Truly Miss Lucy, if she -be sad in the foes that beset her, is at least happy in the friends -that love her. One, two, three, all open their veins for her, besides -one old man. Ah, yes, I know, friend John. I am not blind! I love -you all the more for it! Now go." - -In the hall I met Quincey Morris, with a telegram for Arthur telling -him that Mrs. Westenra was dead, that Lucy also had been ill, but was -now going on better, and that Van Helsing and I were with her. I told -him where I was going, and he hurried me out, but as I was going said, - -"When you come back, Jack, may I have two words with you all to -ourselves?" I nodded in reply and went out. I found no difficulty -about the registration, and arranged with the local undertaker to come -up in the evening to measure for the coffin and to make arrangements. - -When I got back Quincey was waiting for me. I told him I would see -him as soon as I knew about Lucy, and went up to her room. She was -still sleeping, and the Professor seemingly had not moved from his -seat at her side. From his putting his finger to his lips, I gathered -that he expected her to wake before long and was afraid of -fore-stalling nature. So I went down to Quincey and took him into the -breakfast room, where the blinds were not drawn down, and which was a -little more cheerful, or rather less cheerless, than the other rooms. - -When we were alone, he said to me, "Jack Seward, I don't want to shove -myself in anywhere where I've no right to be, but this is no ordinary -case. You know I loved that girl and wanted to marry her, but -although that's all past and gone, I can't help feeling anxious about -her all the same. What is it that's wrong with her? The Dutchman, -and a fine old fellow he is, I can see that, said that time you two -came into the room, that you must have another transfusion of blood, -and that both you and he were exhausted. Now I know well that you -medical men speak in camera, and that a man must not expect to know -what they consult about in private. But this is no common matter, and -whatever it is, I have done my part. Is not that so?" - -"That's so," I said, and he went on. - -"I take it that both you and Van Helsing had done already what I did -today. Is not that so?" - -"That's so." - -"And I guess Art was in it too. When I saw him four days ago down at -his own place he looked queer. I have not seen anything pulled down -so quick since I was on the Pampas and had a mare that I was fond of -go to grass all in a night. One of those big bats that they call -vampires had got at her in the night, and what with his gorge and the -vein left open, there wasn't enough blood in her to let her stand up, -and I had to put a bullet through her as she lay. Jack, if you may -tell me without betraying confidence, Arthur was the first, is not -that so?" - -As he spoke the poor fellow looked terribly anxious. He was in a -torture of suspense regarding the woman he loved, and his utter -ignorance of the terrible mystery which seemed to surround her -intensified his pain. His very heart was bleeding, and it took all -the manhood of him, and there was a royal lot of it, too, to keep him -from breaking down. I paused before answering, for I felt that I must -not betray anything which the Professor wished kept secret, but -already he knew so much, and guessed so much, that there could be no -reason for not answering, so I answered in the same phrase. - -"That's so." - -"And how long has this been going on?" - -"About ten days." - -"Ten days! Then I guess, Jack Seward, that that poor pretty creature -that we all love has had put into her veins within that time the blood -of four strong men. Man alive, her whole body wouldn't hold it." Then -coming close to me, he spoke in a fierce half-whisper. "What took it -out?" - -I shook my head. "That," I said, "is the crux. Van Helsing is simply -frantic about it, and I am at my wits' end. I can't even hazard a -guess. There has been a series of little circumstances which have -thrown out all our calculations as to Lucy being properly watched. -But these shall not occur again. Here we stay until all be well, or -ill." - -Quincey held out his hand. "Count me in," he said. "You and the -Dutchman will tell me what to do, and I'll do it." - -When she woke late in the afternoon, Lucy's first movement was to feel -in her breast, and to my surprise, produced the paper which Van -Helsing had given me to read. The careful Professor had replaced it -where it had come from, lest on waking she should be alarmed. Her -eyes then lit on Van Helsing and on me too, and gladdened. Then she -looked round the room, and seeing where she was, shuddered. She gave -a loud cry, and put her poor thin hands before her pale face. - -We both understood what was meant, that she had realized to the full -her mother's death. So we tried what we could to comfort her. -Doubtless sympathy eased her somewhat, but she was very low in thought -and spirit, and wept silently and weakly for a long time. We told her -that either or both of us would now remain with her all the time, and -that seemed to comfort her. Towards dusk she fell into a doze. Here -a very odd thing occurred. Whilst still asleep she took the paper -from her breast and tore it in two. Van Helsing stepped over and took -the pieces from her. All the same, however, she went on with the -action of tearing, as though the material were still in her hands. -Finally she lifted her hands and opened them as though scattering the -fragments. Van Helsing seemed surprised, and his brows gathered as if -in thought, but he said nothing. - - -19 September.--All last night she slept fitfully, being always afraid -to sleep, and something weaker when she woke from it. The Professor -and I took in turns to watch, and we never left her for a moment -unattended. Quincey Morris said nothing about his intention, but I -knew that all night long he patrolled round and round the house. - -When the day came, its searching light showed the ravages in poor -Lucy's strength. She was hardly able to turn her head, and the little -nourishment which she could take seemed to do her no good. At times -she slept, and both Van Helsing and I noticed the difference in her, -between sleeping and waking. Whilst asleep she looked stronger, -although more haggard, and her breathing was softer. Her open mouth -showed the pale gums drawn back from the teeth, which looked -positively longer and sharper than usual. When she woke the softness -of her eyes evidently changed the expression, for she looked her own -self, although a dying one. In the afternoon she asked for Arthur, -and we telegraphed for him. Quincey went off to meet him at the -station. - -When he arrived it was nearly six o'clock, and the sun was setting -full and warm, and the red light streamed in through the window and -gave more colour to the pale cheeks. When he saw her, Arthur was -simply choking with emotion, and none of us could speak. In the hours -that had passed, the fits of sleep, or the comatose condition that -passed for it, had grown more frequent, so that the pauses when -conversation was possible were shortened. Arthur's presence, however, -seemed to act as a stimulant. She rallied a little, and spoke to him -more brightly than she had done since we arrived. He too pulled -himself together, and spoke as cheerily as he could, so that the best -was made of everything. - -It is now nearly one o'clock, and he and Van Helsing are sitting with -her. I am to relieve them in a quarter of an hour, and I am entering -this on Lucy's phonograph. Until six o'clock they are to try to rest. -I fear that tomorrow will end our watching, for the shock has been too -great. The poor child cannot rally. God help us all. - - - - -LETTER MINA HARKER TO LUCY WESTENRA - -(Unopened by her) - -17 September - -My dearest Lucy, - -"It seems an age since I heard from you, or indeed since I -wrote. You will pardon me, I know, for all my faults when -you have read all my budget of news. Well, I got my husband back -all right. When we arrived at Exeter there was a carriage -waiting for us, and in it, though he had an attack of gout, Mr. -Hawkins. He took us to his house, where there were rooms for us -all nice and comfortable, and we dined together. After dinner -Mr. Hawkins said, - -"'My dears, I want to drink your health and prosperity, and -may every blessing attend you both. I know you both from -children, and have, with love and pride, seen you grow up. -Now I want you to make your home here with me. I have left -to me neither chick nor child. All are gone, and in my -will I have left you everything.' I cried, Lucy dear, as -Jonathan and the old man clasped hands. Our evening was a -very, very happy one. - -"So here we are, installed in this beautiful old house, and -from both my bedroom and the drawing room I can see the -great elms of the cathedral close, with their great black -stems standing out against the old yellow stone of the cathedral, -and I can hear the rooks overhead cawing and cawing and -chattering and chattering and gossiping all day, after the manner -of rooks--and humans. I am busy, I need not tell you, arranging -things and housekeeping. Jonathan and Mr. Hawkins are busy all -day, for now that Jonathan is a partner, Mr. Hawkins wants to -tell him all about the clients. - -"How is your dear mother getting on? I wish I could run up -to town for a day or two to see you, dear, but I dare not -go yet, with so much on my shoulders, and Jonathan wants -looking after still. He is beginning to put some flesh on -his bones again, but he was terribly weakened by the long -illness. Even now he sometimes starts out of his sleep in -a sudden way and awakes all trembling until I can coax him -back to his usual placidity. However, thank God, these -occasions grow less frequent as the days go on, and they -will in time pass away altogether, I trust. And now I have -told you my news, let me ask yours. When are you to be -married, and where, and who is to perform the ceremony, and -what are you to wear, and is it to be a public or private -wedding? Tell me all about it, dear, tell me all about -everything, for there is nothing which interests you which -will not be dear to me. Jonathan asks me to send his 'respectful -duty', but I do not think that is good enough from the junior -partner of the important firm Hawkins & Harker. And so, as you -love me, and he loves me, and I love you with all the moods and -tenses of the verb, I send you simply his 'love' instead. -Goodbye, my dearest Lucy, and blessings on you. - -"Yours, - -"Mina Harker" - - - -REPORT FROM PATRICK HENNESSEY, MD, MRCSLK, QCPI, ETC, ETC, -TO JOHN SEWARD, MD - -20 September - -My dear Sir: - -"In accordance with your wishes, I enclose report of the -conditions of everything left in my charge. With regard to -patient, Renfield, there is more to say. He has had another -outbreak, which might have had a dreadful ending, but which, as -it fortunately happened, was unattended with any unhappy results. -This afternoon a carrier's cart with two men made a call at the -empty house whose grounds abut on ours, the house to which, you -will remember, the patient twice ran away. The men stopped at -our gate to ask the porter their way, as they were strangers. - -"I was myself looking out of the study window, having a -smoke after dinner, and saw one of them come up to the -house. As he passed the window of Renfield's room, the -patient began to rate him from within, and called him all -the foul names he could lay his tongue to. The man, who -seemed a decent fellow enough, contented himself by telling -him to 'shut up for a foul-mouthed beggar', whereon our man -accused him of robbing him and wanting to murder him and -said that he would hinder him if he were to swing for it. -I opened the window and signed to the man not to notice, so -he contented himself after looking the place over and making up -his mind as to what kind of place he had got to by saying, 'Lor' -bless yer, sir, I wouldn't mind what was said to me in a bloomin' -madhouse. I pity ye and the guv'nor for havin' to live in the -house with a wild beast like that.' - -"Then he asked his way civilly enough, and I told him where -the gate of the empty house was. He went away followed by -threats and curses and revilings from our man. I went down -to see if I could make out any cause for his anger, since -he is usually such a well-behaved man, and except his violent -fits nothing of the kind had ever occurred. I found him, to my -astonishment, quite composed and most genial in his manner. I -tried to get him to talk of the incident, but he blandly asked me -questions as to what I meant, and led me to believe that he was -completely oblivious of the affair. It was, I am sorry to say, -however, only another instance of his cunning, for within half an -hour I heard of him again. This time he had broken out through -the window of his room, and was running down the avenue. I -called to the attendants to follow me, and ran after him, for I -feared he was intent on some mischief. My fear was justified -when I saw the same cart which had passed before coming down the -road, having on it some great wooden boxes. The men were wiping -their foreheads, and were flushed in the face, as if with violent -exercise. Before I could get up to him, the patient rushed at -them, and pulling one of them off the cart, began to knock his -head against the ground. If I had not seized him just at the -moment, I believe he would have killed the man there and then. -The other fellow jumped down and struck him over the head with -the butt end of his heavy whip. It was a horrible blow, but he -did not seem to mind it, but seized him also, and struggled with -the three of us, pulling us to and fro as if we were kittens. -You know I am no lightweight, and the others were both burly men. -At first he was silent in his fighting, but as we began to master -him, and the attendants were putting a strait waistcoat on him, -he began to shout, 'I'll frustrate them! They shan't rob me! -They shan't murder me by inches! I'll fight for my Lord and -Master!' and all sorts of similar incoherent ravings. It was -with very considerable difficulty that they got him back to the -house and put him in the padded room. One of the attendants, -Hardy, had a finger broken. However, I set it all right, and he -is going on well. - -"The two carriers were at first loud in their threats of -actions for damages, and promised to rain all the penalties -of the law on us. Their threats were, however, mingled -with some sort of indirect apology for the defeat of the -two of them by a feeble madman. They said that if it had -not been for the way their strength had been spent in carrying -and raising the heavy boxes to the cart they would have made -short work of him. They gave as another reason for their defeat -the extraordinary state of drouth to which they had been reduced -by the dusty nature of their occupation and the reprehensible -distance from the scene of their labors of any place of public -entertainment. I quite understood their drift, and after a stiff -glass of strong grog, or rather more of the same, and with each a -sovereign in hand, they made light of the attack, and swore that -they would encounter a worse madman any day for the pleasure of -meeting so 'bloomin' good a bloke' as your correspondent. I took -their names and addresses, in case they might be needed. They -are as follows: Jack Smollet, of Dudding's Rents, King George's -Road, Great Walworth, and Thomas Snelling, Peter Farley's Row, -Guide Court, Bethnal Green. They are both in the employment of -Harris & Sons, Moving and Shipment Company, Orange Master's Yard, -Soho. - -"I shall report to you any matter of interest occurring here, and -shall wire you at once if there is anything of importance. - -"Believe me, dear Sir, - -"Yours faithfully, - -"Patrick Hennessey." - - - -LETTER, MINA HARKER TO LUCY WESTENRA (Unopened by her) - -18 September - -"My dearest Lucy, - -"Such a sad blow has befallen us. Mr. Hawkins has died very -suddenly. Some may not think it so sad for us, but we had -both come to so love him that it really seems as though we -had lost a father. I never knew either father or mother, -so that the dear old man's death is a real blow to me. Jonathan -is greatly distressed. It is not only that he feels sorrow, deep -sorrow, for the dear, good man who has befriended him all his -life, and now at the end has treated him like his own son and -left him a fortune which to people of our modest bringing up is -wealth beyond the dream of avarice, but Jonathan feels it on -another account. He says the amount of responsibility which it -puts upon him makes him nervous. He begins to doubt himself. I -try to cheer him up, and my belief in him helps him to have a -belief in himself. But it is here that the grave shock that he -experienced tells upon him the most. Oh, it is too hard that a -sweet, simple, noble, strong nature such as his, a nature which -enabled him by our dear, good friend's aid to rise from clerk to -master in a few years, should be so injured that the very essence -of its strength is gone. Forgive me, dear, if I worry you with my -troubles in the midst of your own happiness, but Lucy dear, I -must tell someone, for the strain of keeping up a brave and -cheerful appearance to Jonathan tries me, and I have no one here -that I can confide in. I dread coming up to London, as we must -do that day after tomorrow, for poor Mr. Hawkins left in his will -that he was to be buried in the grave with his father. As there -are no relations at all, Jonathan will have to be chief mourner. -I shall try to run over to see you, dearest, if only for a few -minutes. Forgive me for troubling you. With all blessings, - -"Your loving - -"Mina Harker" - - - -DR. SEWARD'S DIARY - -20 September.--Only resolution and habit can let me make an entry -tonight. I am too miserable, too low spirited, too sick of the world -and all in it, including life itself, that I would not care if I heard -this moment the flapping of the wings of the angel of death. And he -has been flapping those grim wings to some purpose of late, Lucy's -mother and Arthur's father, and now . . . Let me get on with my work. - -I duly relieved Van Helsing in his watch over Lucy. We wanted Arthur -to go to rest also, but he refused at first. It was only when I told -him that we should want him to help us during the day, and that we -must not all break down for want of rest, lest Lucy should suffer, -that he agreed to go. - -Van Helsing was very kind to him. "Come, my child," he said. "Come -with me. You are sick and weak, and have had much sorrow and much -mental pain, as well as that tax on your strength that we know of. -You must not be alone, for to be alone is to be full of fears and -alarms. Come to the drawing room, where there is a big fire, and -there are two sofas. You shall lie on one, and I on the other, and -our sympathy will be comfort to each other, even though we do not -speak, and even if we sleep." - -Arthur went off with him, casting back a longing look on Lucy's face, -which lay in her pillow, almost whiter than the lawn. She lay quite -still, and I looked around the room to see that all was as it should -be. I could see that the Professor had carried out in this room, as -in the other, his purpose of using the garlic. The whole of the -window sashes reeked with it, and round Lucy's neck, over the silk -handkerchief which Van Helsing made her keep on, was a rough chaplet -of the same odorous flowers. - -Lucy was breathing somewhat stertorously, and her face was at its -worst, for the open mouth showed the pale gums. Her teeth, in the -dim, uncertain light, seemed longer and sharper than they had been in -the morning. In particular, by some trick of the light, the canine -teeth looked longer and sharper than the rest. - -I sat down beside her, and presently she moved uneasily. At the same -moment there came a sort of dull flapping or buffeting at the window. -I went over to it softly, and peeped out by the corner of the blind. -There was a full moonlight, and I could see that the noise was made by -a great bat, which wheeled around, doubtless attracted by the light, -although so dim, and every now and again struck the window with its -wings. When I came back to my seat, I found that Lucy had moved -slightly, and had torn away the garlic flowers from her throat. I -replaced them as well as I could, and sat watching her. - -Presently she woke, and I gave her food, as Van Helsing had -prescribed. She took but a little, and that languidly. There did not -seem to be with her now the unconscious struggle for life and strength -that had hitherto so marked her illness. It struck me as curious that -the moment she became conscious she pressed the garlic flowers close -to her. It was certainly odd that whenever she got into that -lethargic state, with the stertorous breathing, she put the flowers -from her, but that when she waked she clutched them close. There was -no possibility of making any mistake about this, for in the long hours -that followed, she had many spells of sleeping and waking and repeated -both actions many times. - -At six o'clock Van Helsing came to relieve me. Arthur had then fallen -into a doze, and he mercifully let him sleep on. When he saw Lucy's -face I could hear the hissing indraw of breath, and he said to me in a -sharp whisper. "Draw up the blind. I want light!" Then he bent down, -and, with his face almost touching Lucy's, examined her carefully. He -removed the flowers and lifted the silk handkerchief from her throat. -As he did so he started back and I could hear his ejaculation, "Mein -Gott!" as it was smothered in his throat. I bent over and looked, -too, and as I noticed some queer chill came over me. The wounds on -the throat had absolutely disappeared. - -For fully five minutes Van Helsing stood looking at her, with his face -at its sternest. Then he turned to me and said calmly, "She is -dying. It will not be long now. It will be much difference, mark me, -whether she dies conscious or in her sleep. Wake that poor boy, and -let him come and see the last. He trusts us, and we have promised -him." - -I went to the dining room and waked him. He was dazed for a moment, -but when he saw the sunlight streaming in through the edges of the -shutters he thought he was late, and expressed his fear. I assured -him that Lucy was still asleep, but told him as gently as I could that -both Van Helsing and I feared that the end was near. He covered his -face with his hands, and slid down on his knees by the sofa, where he -remained, perhaps a minute, with his head buried, praying, whilst his -shoulders shook with grief. I took him by the hand and raised him up. -"Come," I said, "my dear old fellow, summon all your fortitude. It -will be best and easiest for her." - -When we came into Lucy's room I could see that Van Helsing had, with -his usual forethought, been putting matters straight and making -everything look as pleasing as possible. He had even brushed Lucy's -hair, so that it lay on the pillow in its usual sunny ripples. When -we came into the room she opened her eyes, and seeing him, whispered -softly, "Arthur! Oh, my love, I am so glad you have come!" - -He was stooping to kiss her, when Van Helsing motioned him back. -"No," he whispered, "not yet! Hold her hand, it will comfort her -more." - -So Arthur took her hand and knelt beside her, and she looked her best, -with all the soft lines matching the angelic beauty of her eyes. Then -gradually her eyes closed, and she sank to sleep. For a little bit -her breast heaved softly, and her breath came and went like a tired -child's. - -And then insensibly there came the strange change which I had noticed -in the night. Her breathing grew stertorous, the mouth opened, and -the pale gums, drawn back, made the teeth look longer and sharper than -ever. In a sort of sleep-waking, vague, unconscious way she opened -her eyes, which were now dull and hard at once, and said in a soft, -voluptuous voice, such as I had never heard from her lips, "Arthur! -Oh, my love, I am so glad you have come! Kiss me!" - -Arthur bent eagerly over to kiss her, but at that instant Van Helsing, -who, like me, had been startled by her voice, swooped upon him, and -catching him by the neck with both hands, dragged him back with a fury -of strength which I never thought he could have possessed, and -actually hurled him almost across the room. - -"Not on your life!" he said, "not for your living soul and hers!" And -he stood between them like a lion at bay. - -Arthur was so taken aback that he did not for a moment know what to do -or say, and before any impulse of violence could seize him he realized -the place and the occasion, and stood silent, waiting. - -I kept my eyes fixed on Lucy, as did Van Helsing, and we saw a spasm -as of rage flit like a shadow over her face. The sharp teeth clamped -together. Then her eyes closed, and she breathed heavily. - -Very shortly after she opened her eyes in all their softness, and -putting out her poor, pale, thin hand, took Van Helsing's great brown -one, drawing it close to her, she kissed it. "My true friend," she -said, in a faint voice, but with untellable pathos, "My true friend, -and his! Oh, guard him, and give me peace!" - -"I swear it!" he said solemnly, kneeling beside her and holding up his -hand, as one who registers an oath. Then he turned to Arthur, and -said to him, "Come, my child, take her hand in yours, and kiss her on -the forehead, and only once." - -Their eyes met instead of their lips, and so they parted. Lucy's eyes -closed, and Van Helsing, who had been watching closely, took Arthur's -arm, and drew him away. - -And then Lucy's breathing became stertorous again, and all at once it -ceased. - -"It is all over," said Van Helsing. "She is dead!" - -I took Arthur by the arm, and led him away to the drawing room, where -he sat down, and covered his face with his hands, sobbing in a way -that nearly broke me down to see. - -I went back to the room, and found Van Helsing looking at poor Lucy, -and his face was sterner than ever. Some change had come over her -body. Death had given back part of her beauty, for her brow and -cheeks had recovered some of their flowing lines. Even the lips had -lost their deadly pallor. It was as if the blood, no longer needed -for the working of the heart, had gone to make the harshness of death -as little rude as might be. - -"We thought her dying whilst she slept, and sleeping when she died." - - -I stood beside Van Helsing, and said, "Ah well, poor girl, there is -peace for her at last. It is the end!" - -He turned to me, and said with grave solemnity, "Not so, alas! Not -so. It is only the beginning!" - -When I asked him what he meant, he only shook his head and answered, -"We can do nothing as yet. Wait and see." - - - - -CHAPTER 13 - - -DR. SEWARD'S DIARY--cont. - -The funeral was arranged for the next succeeding day, so that Lucy and -her mother might be buried together. I attended to all the ghastly -formalities, and the urbane undertaker proved that his staff was -afflicted, or blessed, with something of his own obsequious suavity. -Even the woman who performed the last offices for the dead remarked to -me, in a confidential, brother-professional way, when she had come out -from the death chamber, - -"She makes a very beautiful corpse, sir. It's quite a privilege to -attend on her. It's not too much to say that she will do credit to -our establishment!" - -I noticed that Van Helsing never kept far away. This was possible -from the disordered state of things in the household. There were no -relatives at hand, and as Arthur had to be back the next day to attend -at his father's funeral, we were unable to notify any one who should -have been bidden. Under the circumstances, Van Helsing and I took it -upon ourselves to examine papers, etc. He insisted upon looking over -Lucy's papers himself. I asked him why, for I feared that he, being a -foreigner, might not be quite aware of English legal requirements, and -so might in ignorance make some unnecessary trouble. - -He answered me, "I know, I know. You forget that I am a lawyer as -well as a doctor. But this is not altogether for the law. You knew -that, when you avoided the coroner. I have more than him to avoid. -There may be papers more, such as this." - -As he spoke he took from his pocket book the memorandum which had been -in Lucy's breast, and which she had torn in her sleep. - -"When you find anything of the solicitor who is for the late Mrs. -Westenra, seal all her papers, and write him tonight. For me, I watch -here in the room and in Miss Lucy's old room all night, and I myself -search for what may be. It is not well that her very thoughts go into -the hands of strangers." - -I went on with my part of the work, and in another half hour had found -the name and address of Mrs. Westenra's solicitor and had written to -him. All the poor lady's papers were in order. Explicit directions -regarding the place of burial were given. I had hardly sealed the -letter, when, to my surprise, Van Helsing walked into the room, -saying, - -"Can I help you friend John? I am free, and if I may, my service is -to you." - -"Have you got what you looked for?" I asked. - -To which he replied, "I did not look for any specific thing. I only -hoped to find, and find I have, all that there was, only some letters -and a few memoranda, and a diary new begun. But I have them here, and -we shall for the present say nothing of them. I shall see that poor -lad tomorrow evening, and, with his sanction, I shall use some." - -When we had finished the work in hand, he said to me, "And now, friend -John, I think we may to bed. We want sleep, both you and I, and rest -to recuperate. Tomorrow we shall have much to do, but for the tonight -there is no need of us. Alas!" - -Before turning in we went to look at poor Lucy. The undertaker had -certainly done his work well, for the room was turned into a small -chapelle ardente. There was a wilderness of beautiful white flowers, -and death was made as little repulsive as might be. The end of the -winding sheet was laid over the face. When the Professor bent over -and turned it gently back, we both started at the beauty before us. -The tall wax candles showing a sufficient light to note it well. All -Lucy's loveliness had come back to her in death, and the hours that -had passed, instead of leaving traces of 'decay's effacing fingers', -had but restored the beauty of life, till positively I could not -believe my eyes that I was looking at a corpse. - -The Professor looked sternly grave. He had not loved her as I had, -and there was no need for tears in his eyes. He said to me, "Remain -till I return," and left the room. He came back with a handful of -wild garlic from the box waiting in the hall, but which had not been -opened, and placed the flowers amongst the others on and around the -bed. Then he took from his neck, inside his collar, a little gold -crucifix, and placed it over the mouth. He restored the sheet to its -place, and we came away. - -I was undressing in my own room, when, with a premonitory tap at the -door, he entered, and at once began to speak. - -"Tomorrow I want you to bring me, before night, a set of post-mortem -knives." - -"Must we make an autopsy?" I asked. - -"Yes and no. I want to operate, but not what you think. Let me tell -you now, but not a word to another. I want to cut off her head and -take out her heart. Ah! You a surgeon, and so shocked! You, whom I -have seen with no tremble of hand or heart, do operations of life and -death that make the rest shudder. Oh, but I must not forget, my dear -friend John, that you loved her, and I have not forgotten it for is I -that shall operate, and you must not help. I would like to do it -tonight, but for Arthur I must not. He will be free after his -father's funeral tomorrow, and he will want to see her, to see it. -Then, when she is coffined ready for the next day, you and I shall -come when all sleep. We shall unscrew the coffin lid, and shall do -our operation, and then replace all, so that none know, save we -alone." - -"But why do it at all? The girl is dead. Why mutilate her poor body -without need? And if there is no necessity for a post-mortem and -nothing to gain by it, no good to her, to us, to science, to human -knowledge, why do it? Without such it is monstrous." - -For answer he put his hand on my shoulder, and said, with infinite -tenderness, "Friend John, I pity your poor bleeding heart, and I love -you the more because it does so bleed. If I could, I would take on -myself the burden that you do bear. But there are things that you -know not, but that you shall know, and bless me for knowing, though -they are not pleasant things. John, my child, you have been my friend -now many years, and yet did you ever know me to do any without good -cause? I may err, I am but man, but I believe in all I do. Was it -not for these causes that you send for me when the great trouble -came? Yes! Were you not amazed, nay horrified, when I would not let -Arthur kiss his love, though she was dying, and snatched him away by -all my strength? Yes! And yet you saw how she thanked me, with her -so beautiful dying eyes, her voice, too, so weak, and she kiss my -rough old hand and bless me? Yes! And did you not hear me swear -promise to her, that so she closed her eyes grateful? Yes! - -"Well, I have good reason now for all I want to do. You have for many -years trust me. You have believe me weeks past, when there be things -so strange that you might have well doubt. Believe me yet a little, -friend John. If you trust me not, then I must tell what I think, and -that is not perhaps well. And if I work, as work I shall, no matter -trust or no trust, without my friend trust in me, I work with heavy -heart and feel oh so lonely when I want all help and courage that may -be!" He paused a moment and went on solemnly, "Friend John, there are -strange and terrible days before us. Let us not be two, but one, that -so we work to a good end. Will you not have faith in me?" - -I took his hand, and promised him. I held my door open as he went -away, and watched him go to his room and close the door. As I stood -without moving, I saw one of the maids pass silently along the -passage, she had her back to me, so did not see me, and go into the -room where Lucy lay. The sight touched me. Devotion is so rare, and -we are so grateful to those who show it unasked to those we love. Here -was a poor girl putting aside the terrors which she naturally had of -death to go watch alone by the bier of the mistress whom she loved, so -that the poor clay might not be lonely till laid to eternal rest. - -I must have slept long and soundly, for it was broad daylight when Van -Helsing waked me by coming into my room. He came over to my bedside -and said, "You need not trouble about the knives. We shall not do -it." - -"Why not?" I asked. For his solemnity of the night before had -greatly impressed me. - -"Because," he said sternly, "it is too late, or too early. See!" -Here he held up the little golden crucifix. - -"This was stolen in the night." - -"How stolen," I asked in wonder, "since you have it now?" - -"Because I get it back from the worthless wretch who stole it, from -the woman who robbed the dead and the living. Her punishment will -surely come, but not through me. She knew not altogether what she -did, and thus unknowing, she only stole. Now we must wait." He went -away on the word, leaving me with a new mystery to think of, a new -puzzle to grapple with. - -The forenoon was a dreary time, but at noon the solicitor came, Mr. -Marquand, of Wholeman, Sons, Marquand & Lidderdale. He was very -genial and very appreciative of what we had done, and took off our -hands all cares as to details. During lunch he told us that Mrs. -Westenra had for some time expected sudden death from her heart, and -had put her affairs in absolute order. He informed us that, with the -exception of a certain entailed property of Lucy's father which now, -in default of direct issue, went back to a distant branch of the -family, the whole estate, real and personal, was left absolutely to -Arthur Holmwood. When he had told us so much he went on, - -"Frankly we did our best to prevent such a testamentary disposition, -and pointed out certain contingencies that might leave her daughter -either penniless or not so free as she should be to act regarding a -matrimonial alliance. Indeed, we pressed the matter so far that we -almost came into collision, for she asked us if we were or were not -prepared to carry out her wishes. Of course, we had then no -alternative but to accept. We were right in principle, and -ninety-nine times out of a hundred we should have proved, by the logic -of events, the accuracy of our judgment. - -"Frankly, however, I must admit that in this case any other form of -disposition would have rendered impossible the carrying out of her -wishes. For by her predeceasing her daughter the latter would have -come into possession of the property, and, even had she only survived -her mother by five minutes, her property would, in case there were no -will, and a will was a practical impossibility in such a case, have -been treated at her decease as under intestacy. In which case Lord -Godalming, though so dear a friend, would have had no claim in the -world. And the inheritors, being remote, would not be likely to -abandon their just rights, for sentimental reasons regarding an entire -stranger. I assure you, my dear sirs, I am rejoiced at the result, -perfectly rejoiced." - -He was a good fellow, but his rejoicing at the one little part, in -which he was officially interested, of so great a tragedy, was an -object-lesson in the limitations of sympathetic understanding. - -He did not remain long, but said he would look in later in the day and -see Lord Godalming. His coming, however, had been a certain comfort -to us, since it assured us that we should not have to dread hostile -criticism as to any of our acts. Arthur was expected at five o'clock, -so a little before that time we visited the death chamber. It was so -in very truth, for now both mother and daughter lay in it. The -undertaker, true to his craft, had made the best display he could of -his goods, and there was a mortuary air about the place that lowered -our spirits at once. - -Van Helsing ordered the former arrangement to be adhered to, -explaining that, as Lord Godalming was coming very soon, it would be -less harrowing to his feelings to see all that was left of his fiancee -quite alone. - -The undertaker seemed shocked at his own stupidity and exerted himself -to restore things to the condition in which we left them the night -before, so that when Arthur came such shocks to his feelings as we -could avoid were saved. - -Poor fellow! He looked desperately sad and broken. Even his stalwart -manhood seemed to have shrunk somewhat under the strain of his -much-tried emotions. He had, I knew, been very genuinely and -devotedly attached to his father, and to lose him, and at such a time, -was a bitter blow to him. With me he was warm as ever, and to Van -Helsing he was sweetly courteous. But I could not help seeing that -there was some constraint with him. The professor noticed it too, and -motioned me to bring him upstairs. I did so, and left him at the door -of the room, as I felt he would like to be quite alone with her, but -he took my arm and led me in, saying huskily, - -"You loved her too, old fellow. She told me all about it, and there -was no friend had a closer place in her heart than you. I don't know -how to thank you for all you have done for her. I can't think -yet . . ." - -Here he suddenly broke down, and threw his arms round my shoulders and -laid his head on my breast, crying, "Oh, Jack! Jack! What shall I -do? The whole of life seems gone from me all at once, and there is -nothing in the wide world for me to live for." - -I comforted him as well as I could. In such cases men do not need -much expression. A grip of the hand, the tightening of an arm over -the shoulder, a sob in unison, are expressions of sympathy dear to a -man's heart. I stood still and silent till his sobs died away, and -then I said softly to him, "Come and look at her." - -Together we moved over to the bed, and I lifted the lawn from her -face. God! How beautiful she was. Every hour seemed to be enhancing -her loveliness. It frightened and amazed me somewhat. And as for -Arthur, he fell to trembling, and finally was shaken with doubt as -with an ague. At last, after a long pause, he said to me in a faint -whisper, "Jack, is she really dead?" - -I assured him sadly that it was so, and went on to suggest, for I felt -that such a horrible doubt should not have life for a moment longer -than I could help, that it often happened that after death faces -become softened and even resolved into their youthful beauty, that -this was especially so when death had been preceded by any acute or -prolonged suffering. I seemed to quite do away with any doubt, and -after kneeling beside the couch for a while and looking at her -lovingly and long, he turned aside. I told him that that must be -goodbye, as the coffin had to be prepared, so he went back and took -her dead hand in his and kissed it, and bent over and kissed her -forehead. He came away, fondly looking back over his shoulder at her -as he came. - -I left him in the drawing room, and told Van Helsing that he had said -goodbye, so the latter went to the kitchen to tell the undertaker's -men to proceed with the preparations and to screw up the coffin. When -he came out of the room again I told him of Arthur's question, and he -replied, "I am not surprised. Just now I doubted for a moment -myself!" - -We all dined together, and I could see that poor Art was trying to -make the best of things. Van Helsing had been silent all dinner time, -but when we had lit our cigars he said, "Lord . . ." but Arthur -interrupted him. - -"No, no, not that, for God's sake! Not yet at any rate. Forgive me, -sir. I did not mean to speak offensively. It is only because my loss -is so recent." - -The Professor answered very sweetly, "I only used that name because I -was in doubt. I must not call you 'Mr.' and I have grown to love you, -yes, my dear boy, to love you, as Arthur." - -Arthur held out his hand, and took the old man's warmly. "Call me -what you will," he said. "I hope I may always have the title of a -friend. And let me say that I am at a loss for words to thank you for -your goodness to my poor dear." He paused a moment, and went on, "I -know that she understood your goodness even better than I do. And if -I was rude or in any way wanting at that time you acted so, you -remember"--the Professor nodded--"you must forgive me." - -He answered with a grave kindness, "I know it was hard for you to -quite trust me then, for to trust such violence needs to understand, -and I take it that you do not, that you cannot, trust me now, for you -do not yet understand. And there may be more times when I shall want -you to trust when you cannot, and may not, and must not yet -understand. But the time will come when your trust shall be whole and -complete in me, and when you shall understand as though the sunlight -himself shone through. Then you shall bless me from first to last for -your own sake, and for the sake of others, and for her dear sake to -whom I swore to protect." - -"And indeed, indeed, sir," said Arthur warmly. "I shall in all ways -trust you. I know and believe you have a very noble heart, and you -are Jack's friend, and you were hers. You shall do what you like." - -The Professor cleared his throat a couple of times, as though about to -speak, and finally said, "May I ask you something now?" - -"Certainly." - -"You know that Mrs. Westenra left you all her property?" - -"No, poor dear. I never thought of it." - -"And as it is all yours, you have a right to deal with it as you will. -I want you to give me permission to read all Miss Lucy's papers and -letters. Believe me, it is no idle curiosity. I have a motive of -which, be sure, she would have approved. I have them all here. I -took them before we knew that all was yours, so that no strange hand -might touch them, no strange eye look through words into her soul. I -shall keep them, if I may. Even you may not see them yet, but I shall -keep them safe. No word shall be lost, and in the good time I shall -give them back to you. It is a hard thing that I ask, but you will do -it, will you not, for Lucy's sake?" - -Arthur spoke out heartily, like his old self, "Dr. Van Helsing, you -may do what you will. I feel that in saying this I am doing what my -dear one would have approved. I shall not trouble you with questions -till the time comes." - -The old Professor stood up as he said solemnly, "And you are right. -There will be pain for us all, but it will not be all pain, nor will -this pain be the last. We and you too, you most of all, dear boy, -will have to pass through the bitter water before we reach the sweet. -But we must be brave of heart and unselfish, and do our duty, and all -will be well!" - -I slept on a sofa in Arthur's room that night. Van Helsing did not go -to bed at all. He went to and fro, as if patroling the house, and was -never out of sight of the room where Lucy lay in her coffin, strewn -with the wild garlic flowers, which sent through the odour of lily and -rose, a heavy, overpowering smell into the night. - - - - -MINA HARKER'S JOURNAL - -22 September.--In the train to Exeter. Jonathan sleeping. It seems -only yesterday that the last entry was made, and yet how much between -then, in Whitby and all the world before me, Jonathan away and no news -of him, and now, married to Jonathan, Jonathan a solicitor, a partner, -rich, master of his business, Mr. Hawkins dead and buried, and -Jonathan with another attack that may harm him. Some day he may ask -me about it. Down it all goes. I am rusty in my shorthand, see what -unexpected prosperity does for us, so it may be as well to freshen it -up again with an exercise anyhow. - -The service was very simple and very solemn. There were only -ourselves and the servants there, one or two old friends of his from -Exeter, his London agent, and a gentleman representing Sir John -Paxton, the President of the Incorporated Law Society. Jonathan and I -stood hand in hand, and we felt that our best and dearest friend was -gone from us. - -We came back to town quietly, taking a bus to Hyde Park Corner. -Jonathan thought it would interest me to go into the Row for a while, -so we sat down. But there were very few people there, and it was -sad-looking and desolate to see so many empty chairs. It made us -think of the empty chair at home. So we got up and walked down -Piccadilly. Jonathan was holding me by the arm, the way he used to in -the old days before I went to school. I felt it very improper, for -you can't go on for some years teaching etiquette and decorum to other -girls without the pedantry of it biting into yourself a bit. But it -was Jonathan, and he was my husband, and we didn't know anybody who -saw us, and we didn't care if they did, so on we walked. I was -looking at a very beautiful girl, in a big cart-wheel hat, sitting in -a victoria outside Guiliano's, when I felt Jonathan clutch my arm so -tight that he hurt me, and he said under his breath, "My God!" - -I am always anxious about Jonathan, for I fear that some nervous fit -may upset him again. So I turned to him quickly, and asked him what -it was that disturbed him. - -He was very pale, and his eyes seemed bulging out as, half in terror -and half in amazement, he gazed at a tall, thin man, with a beaky nose -and black moustache and pointed beard, who was also observing the -pretty girl. He was looking at her so hard that he did not see either -of us, and so I had a good view of him. His face was not a good -face. It was hard, and cruel, and sensual, and big white teeth, that -looked all the whiter because his lips were so red, were pointed like -an animal's. Jonathan kept staring at him, till I was afraid he would -notice. I feared he might take it ill, he looked so fierce and nasty. -I asked Jonathan why he was disturbed, and he answered, evidently -thinking that I knew as much about it as he did, "Do you see who it -is?" - -"No, dear," I said. "I don't know him, who is it?" His answer seemed -to shock and thrill me, for it was said as if he did not know that it -was me, Mina, to whom he was speaking. "It is the man himself!" - -The poor dear was evidently terrified at something, very greatly -terrified. I do believe that if he had not had me to lean on and to -support him he would have sunk down. He kept staring. A man came out -of the shop with a small parcel, and gave it to the lady, who then -drove off. The dark man kept his eyes fixed on her, and when the -carriage moved up Piccadilly he followed in the same direction, and -hailed a hansom. Jonathan kept looking after him, and said, as if to -himself, - -"I believe it is the Count, but he has grown young. My God, if this -be so! Oh, my God! My God! If only I knew! If only I knew!" He was -distressing himself so much that I feared to keep his mind on the -subject by asking him any questions, so I remained silent. I drew -away quietly, and he, holding my arm, came easily. We walked a little -further, and then went in and sat for a while in the Green Park. It -was a hot day for autumn, and there was a comfortable seat in a shady -place. After a few minutes' staring at nothing, Jonathan's eyes -closed, and he went quickly into a sleep, with his head on my -shoulder. I thought it was the best thing for him, so did not disturb -him. In about twenty minutes he woke up, and said to me quite -cheerfully, - -"Why, Mina, have I been asleep! Oh, do forgive me for being so rude. -Come, and we'll have a cup of tea somewhere." - -He had evidently forgotten all about the dark stranger, as in his -illness he had forgotten all that this episode had reminded him of. I -don't like this lapsing into forgetfulness. It may make or continue -some injury to the brain. I must not ask him, for fear I shall do -more harm than good, but I must somehow learn the facts of his journey -abroad. The time is come, I fear, when I must open the parcel, and -know what is written. Oh, Jonathan, you will, I know, forgive me if I -do wrong, but it is for your own dear sake. - - -Later.--A sad homecoming in every way, the house empty of the dear -soul who was so good to us. Jonathan still pale and dizzy under a -slight relapse of his malady, and now a telegram from Van Helsing, -whoever he may be. "You will be grieved to hear that Mrs. Westenra -died five days ago, and that Lucy died the day before yesterday. They -were both buried today." - -Oh, what a wealth of sorrow in a few words! Poor Mrs. Westenra! Poor -Lucy! Gone, gone, never to return to us! And poor, poor Arthur, to -have lost such a sweetness out of his life! God help us all to bear -our troubles. - - - -DR. SEWARD'S DIARY-CONT. - -22 September.--It is all over. Arthur has gone back to Ring, and has -taken Quincey Morris with him. What a fine fellow is Quincey! I -believe in my heart of hearts that he suffered as much about Lucy's -death as any of us, but he bore himself through it like a moral -Viking. If America can go on breeding men like that, she will be a -power in the world indeed. Van Helsing is lying down, having a rest -preparatory to his journey. He goes to Amsterdam tonight, but says he -returns tomorrow night, that he only wants to make some arrangements -which can only be made personally. He is to stop with me then, if he -can. He says he has work to do in London which may take him some -time. Poor old fellow! I fear that the strain of the past week has -broken down even his iron strength. All the time of the burial he -was, I could see, putting some terrible restraint on himself. When it -was all over, we were standing beside Arthur, who, poor fellow, was -speaking of his part in the operation where his blood had been -transfused to his Lucy's veins. I could see Van Helsing's face grow -white and purple by turns. Arthur was saying that he felt since then -as if they two had been really married, and that she was his wife in -the sight of God. None of us said a word of the other operations, and -none of us ever shall. Arthur and Quincey went away together to the -station, and Van Helsing and I came on here. The moment we were alone -in the carriage he gave way to a regular fit of hysterics. He has -denied to me since that it was hysterics, and insisted that it was -only his sense of humor asserting itself under very terrible -conditions. He laughed till he cried, and I had to draw down the -blinds lest any one should see us and misjudge. And then he cried, -till he laughed again, and laughed and cried together, just as a woman -does. I tried to be stern with him, as one is to a woman under the -circumstances, but it had no effect. Men and women are so different -in manifestations of nervous strength or weakness! Then when his face -grew grave and stern again I asked him why his mirth, and why at such -a time. His reply was in a way characteristic of him, for it was -logical and forceful and mysterious. He said, - -"Ah, you don't comprehend, friend John. Do not think that I am not -sad, though I laugh. See, I have cried even when the laugh did choke -me. But no more think that I am all sorry when I cry, for the laugh -he come just the same. Keep it always with you that laughter who -knock at your door and say, 'May I come in?' is not true laughter. -No! He is a king, and he come when and how he like. He ask no -person, he choose no time of suitability. He say, 'I am here.' -Behold, in example I grieve my heart out for that so sweet young -girl. I give my blood for her, though I am old and worn. I give my -time, my skill, my sleep. I let my other sufferers want that she may -have all. And yet I can laugh at her very grave, laugh when the clay -from the spade of the sexton drop upon her coffin and say 'Thud, -thud!' to my heart, till it send back the blood from my cheek. My -heart bleed for that poor boy, that dear boy, so of the age of mine -own boy had I been so blessed that he live, and with his hair and eyes -the same. - -"There, you know now why I love him so. And yet when he say things -that touch my husband-heart to the quick, and make my father-heart -yearn to him as to no other man, not even you, friend John, for we are -more level in experiences than father and son, yet even at such a -moment King Laugh he come to me and shout and bellow in my ear, 'Here I -am! Here I am!' till the blood come dance back and bring some of the -sunshine that he carry with him to my cheek. Oh, friend John, it is a -strange world, a sad world, a world full of miseries, and woes, and -troubles. And yet when King Laugh come, he make them all dance to the -tune he play. Bleeding hearts, and dry bones of the churchyard, and -tears that burn as they fall, all dance together to the music that he -make with that smileless mouth of him. And believe me, friend John, -that he is good to come, and kind. Ah, we men and women are like -ropes drawn tight with strain that pull us different ways. Then tears -come, and like the rain on the ropes, they brace us up, until perhaps -the strain become too great, and we break. But King Laugh he come -like the sunshine, and he ease off the strain again, and we bear to go -on with our labor, what it may be." - -I did not like to wound him by pretending not to see his idea, but as -I did not yet understand the cause of his laughter, I asked him. As -he answered me his face grew stern, and he said in quite a different -tone, - -"Oh, it was the grim irony of it all, this so lovely lady garlanded -with flowers, that looked so fair as life, till one by one we wondered -if she were truly dead, she laid in that so fine marble house in that -lonely churchyard, where rest so many of her kin, laid there with the -mother who loved her, and whom she loved, and that sacred bell going -'Toll! Toll! Toll!' so sad and slow, and those holy men, with the -white garments of the angel, pretending to read books, and yet all the -time their eyes never on the page, and all of us with the bowed head. -And all for what? She is dead, so! Is it not?" - -"Well, for the life of me, Professor," I said, "I can't see anything -to laugh at in all that. Why, your expression makes it a harder -puzzle than before. But even if the burial service was comic, what -about poor Art and his trouble? Why his heart was simply breaking." - -"Just so. Said he not that the transfusion of his blood to her veins -had made her truly his bride?" - -"Yes, and it was a sweet and comforting idea for him." - -"Quite so. But there was a difficulty, friend John. If so that, then -what about the others? Ho, ho! Then this so sweet maid is a -polyandrist, and me, with my poor wife dead to me, but alive by -Church's law, though no wits, all gone, even I, who am faithful -husband to this now-no-wife, am bigamist." - -"I don't see where the joke comes in there either!" I said, and I did -not feel particularly pleased with him for saying such things. He -laid his hand on my arm, and said, - -"Friend John, forgive me if I pain. I showed not my feeling to others -when it would wound, but only to you, my old friend, whom I can trust. -If you could have looked into my heart then when I want to laugh, if -you could have done so when the laugh arrived, if you could do so now, -when King Laugh have pack up his crown, and all that is to him, for he -go far, far away from me, and for a long, long time, maybe you would -perhaps pity me the most of all." - -I was touched by the tenderness of his tone, and asked why. - -"Because I know!" - -And now we are all scattered, and for many a long day loneliness will -sit over our roofs with brooding wings. Lucy lies in the tomb of her -kin, a lordly death house in a lonely churchyard, away from teeming -London, where the air is fresh, and the sun rises over Hampstead Hill, -and where wild flowers grow of their own accord. - -So I can finish this diary, and God only knows if I shall ever begin -another. If I do, or if I even open this again, it will be to deal -with different people and different themes, for here at the end, where -the romance of my life is told, ere I go back to take up the thread of -my life-work, I say sadly and without hope, "FINIS". - - - - -THE WESTMINSTER GAZETTE, 25 SEPTEMBER A HAMPSTEAD MYSTERY - -The neighborhood of Hampstead is just at present exercised -with a series of events which seem to run on lines parallel -to those of what was known to the writers of headlines as -"The Kensington Horror," or "The Stabbing Woman," or "The -Woman in Black." During the past two or three days several -cases have occurred of young children straying from home or -neglecting to return from their playing on the Heath. In -all these cases the children were too young to give any -properly intelligible account of themselves, but the -consensus of their excuses is that they had been with a -"bloofer lady." It has always been late in the evening when -they have been missed, and on two occasions the children -have not been found until early in the following morning. -It is generally supposed in the neighborhood that, as the -first child missed gave as his reason for being away that a -"bloofer lady" had asked him to come for a walk, the others -had picked up the phrase and used it as occasion served. This -is the more natural as the favourite game of the little ones -at present is luring each other away by wiles. A correspondent -writes us that to see some of the tiny tots pretending to be the -"bloofer lady" is supremely funny. Some of our caricaturists -might, he says, take a lesson in the irony of grotesque by -comparing the reality and the picture. It is only in accordance -with general principles of human nature that the "bloofer lady" -should be the popular role at these al fresco performances. Our -correspondent naively says that even Ellen Terry could not be so -winningly attractive as some of these grubby-faced little -children pretend, and even imagine themselves, to be. - -There is, however, possibly a serious side to the question, -for some of the children, indeed all who have been missed -at night, have been slightly torn or wounded in the throat. -The wounds seem such as might be made by a rat or a small -dog, and although of not much importance individually, would tend -to show that whatever animal inflicts them has a system or method -of its own. The police of the division have been instructed to -keep a sharp lookout for straying children, especially when very -young, in and around Hampstead Heath, and for any stray dog which -may be about. - - - - -THE WESTMINSTER GAZETTE, 25 SEPTEMBER EXTRA SPECIAL - -THE HAMPSTEAD HORROR - - -ANOTHER CHILD INJURED - -THE "BLOOFER LADY" - -We have just received intelligence that another child, -missed last night, was only discovered late in the morning -under a furze bush at the Shooter's Hill side of Hampstead -Heath, which is perhaps, less frequented than the other -parts. It has the same tiny wound in the throat as has -been noticed in other cases. It was terribly weak, and -looked quite emaciated. It too, when partially restored, -had the common story to tell of being lured away by the -"bloofer lady". - - - - -CHAPTER 14 - - -MINA HARKER'S JOURNAL - -23 September.--Jonathan is better after a bad night. I am so glad -that he has plenty of work to do, for that keeps his mind off the -terrible things, and oh, I am rejoiced that he is not now weighed down -with the responsibility of his new position. I knew he would be true -to himself, and now how proud I am to see my Jonathan rising to the -height of his advancement and keeping pace in all ways with the duties -that come upon him. He will be away all day till late, for he said he -could not lunch at home. My household work is done, so I shall take -his foreign journal, and lock myself up in my room and read it. - - -24 September.--I hadn't the heart to write last night, that terrible -record of Jonathan's upset me so. Poor dear! How he must have -suffered, whether it be true or only imagination. I wonder if there -is any truth in it at all. Did he get his brain fever, and then write -all those terrible things, or had he some cause for it all? I suppose -I shall never know, for I dare not open the subject to him. And yet -that man we saw yesterday! He seemed quite certain of him, poor -fellow! I suppose it was the funeral upset him and sent his mind back -on some train of thought. - -He believes it all himself. I remember how on our wedding day he said -"Unless some solemn duty come upon me to go back to the bitter hours, -asleep or awake, mad or sane . . ." There seems to be through it all -some thread of continuity. That fearful Count was coming to London. -If it should be, and he came to London, with its teeming millions . . . -There may be a solemn duty, and if it come we must not shrink from -it. I shall be prepared. I shall get my typewriter this very hour -and begin transcribing. Then we shall be ready for other eyes if -required. And if it be wanted, then, perhaps, if I am ready, poor -Jonathan may not be upset, for I can speak for him and never let him -be troubled or worried with it at all. If ever Jonathan quite gets -over the nervousness he may want to tell me of it all, and I can ask -him questions and find out things, and see how I may comfort him. - - - - -LETTER, VAN HELSING TO MRS. HARKER - -24 September - -(Confidence) - -"Dear Madam, - -"I pray you to pardon my writing, in that I am so far -friend as that I sent to you sad news of Miss Lucy -Westenra's death. By the kindness of Lord Godalming, I am -empowered to read her letters and papers, for I am deeply -concerned about certain matters vitally important. In them -I find some letters from you, which show how great friends -you were and how you love her. Oh, Madam Mina, by that -love, I implore you, help me. It is for others' good that -I ask, to redress great wrong, and to lift much and terrible -troubles, that may be more great than you can know. May it be -that I see you? You can trust me. I am friend of Dr. John -Seward and of Lord Godalming (that was Arthur of Miss Lucy). I -must keep it private for the present from all. I should come to -Exeter to see you at once if you tell me I am privilege to come, -and where and when. I implore your pardon, Madam. I have read -your letters to poor Lucy, and know how good you are and how your -husband suffer. So I pray you, if it may be, enlighten him not, -least it may harm. Again your pardon, and forgive me. - -"VAN HELSING" - - - - -TELEGRAM, MRS. HARKER TO VAN HELSING - -25 September.--Come today by quarter past ten train if you -can catch it. Can see you any time you call. - -"WILHELMINA HARKER" - - - - -MINA HARKER'S JOURNAL - -25 September.--I cannot help feeling terribly excited as the time -draws near for the visit of Dr. Van Helsing, for somehow I expect that -it will throw some light upon Jonathan's sad experience, and as he -attended poor dear Lucy in her last illness, he can tell me all about -her. That is the reason of his coming. It is concerning Lucy and her -sleep-walking, and not about Jonathan. Then I shall never know the -real truth now! How silly I am. That awful journal gets hold of my -imagination and tinges everything with something of its own colour. Of -course it is about Lucy. That habit came back to the poor dear, and -that awful night on the cliff must have made her ill. I had almost -forgotten in my own affairs how ill she was afterwards. She must have -told him of her sleep-walking adventure on the cliff, and that I knew -all about it, and now he wants me to tell him what I know, so that he -may understand. I hope I did right in not saying anything of it to -Mrs. Westenra. I should never forgive myself if any act of mine, were -it even a negative one, brought harm on poor dear Lucy. I hope too, -Dr. Van Helsing will not blame me. I have had so much trouble and -anxiety of late that I feel I cannot bear more just at present. - -I suppose a cry does us all good at times, clears the air as other -rain does. Perhaps it was reading the journal yesterday that upset -me, and then Jonathan went away this morning to stay away from me a -whole day and night, the first time we have been parted since our -marriage. I do hope the dear fellow will take care of himself, and -that nothing will occur to upset him. It is two o'clock, and the -doctor will be here soon now. I shall say nothing of Jonathan's -journal unless he asks me. I am so glad I have typewritten out my own -journal, so that, in case he asks about Lucy, I can hand it to him. -It will save much questioning. - -Later.--He has come and gone. Oh, what a strange meeting, and how it -all makes my head whirl round. I feel like one in a dream. Can it be -all possible, or even a part of it? If I had not read Jonathan's -journal first, I should never have accepted even a possibility. Poor, -poor, dear Jonathan! How he must have suffered. Please the good God, -all this may not upset him again. I shall try to save him from it. -But it may be even a consolation and a help to him, terrible though it -be and awful in its consequences, to know for certain that his eyes -and ears and brain did not deceive him, and that it is all true. It -may be that it is the doubt which haunts him, that when the doubt is -removed, no matter which, waking or dreaming, may prove the truth, he -will be more satisfied and better able to bear the shock. Dr. Van -Helsing must be a good man as well as a clever one if he is Arthur's -friend and Dr. Seward's, and if they brought him all the way from -Holland to look after Lucy. I feel from having seen him that he is -good and kind and of a noble nature. When he comes tomorrow I shall -ask him about Jonathan. And then, please God, all this sorrow and -anxiety may lead to a good end. I used to think I would like to -practice interviewing. Jonathan's friend on "The Exeter News" told -him that memory is everything in such work, that you must be able to -put down exactly almost every word spoken, even if you had to refine -some of it afterwards. Here was a rare interview. I shall try to -record it verbatim. - -It was half-past two o'clock when the knock came. I took my courage a -deux mains and waited. In a few minutes Mary opened the door, and -announced "Dr. Van Helsing". - -I rose and bowed, and he came towards me, a man of medium weight, -strongly built, with his shoulders set back over a broad, deep chest -and a neck well balanced on the trunk as the head is on the neck. The -poise of the head strikes me at once as indicative of thought and -power. The head is noble, well-sized, broad, and large behind the -ears. The face, clean-shaven, shows a hard, square chin, a large -resolute, mobile mouth, a good-sized nose, rather straight, but with -quick, sensitive nostrils, that seem to broaden as the big bushy brows -come down and the mouth tightens. The forehead is broad and fine, -rising at first almost straight and then sloping back above two bumps -or ridges wide apart, such a forehead that the reddish hair cannot -possibly tumble over it, but falls naturally back and to the sides. -Big, dark blue eyes are set widely apart, and are quick and tender or -stern with the man's moods. He said to me, - -"Mrs. Harker, is it not?" I bowed assent. - -"That was Miss Mina Murray?" Again I assented. - -"It is Mina Murray that I came to see that was friend of that poor dear -child Lucy Westenra. Madam Mina, it is on account of the dead that I -come." - -"Sir," I said, "you could have no better claim on me than that you -were a friend and helper of Lucy Westenra." And I held out my hand. -He took it and said tenderly, - -"Oh, Madam Mina, I know that the friend of that poor little girl must -be good, but I had yet to learn . . ." He finished his speech with a -courtly bow. I asked him what it was that he wanted to see me about, -so he at once began. - -"I have read your letters to Miss Lucy. Forgive me, but I had to -begin to inquire somewhere, and there was none to ask. I know that -you were with her at Whitby. She sometimes kept a diary, you need not -look surprised, Madam Mina. It was begun after you had left, and was -an imitation of you, and in that diary she traces by inference certain -things to a sleep-walking in which she puts down that you saved her. -In great perplexity then I come to you, and ask you out of your so -much kindness to tell me all of it that you can remember." - -"I can tell you, I think, Dr. Van Helsing, all about it." - -"Ah, then you have good memory for facts, for details? It is not -always so with young ladies." - -"No, doctor, but I wrote it all down at the time. I can show it to -you if you like." - -"Oh, Madam Mina, I well be grateful. You will do me much favour." - -I could not resist the temptation of mystifying him a bit, I suppose -it is some taste of the original apple that remains still in our -mouths, so I handed him the shorthand diary. He took it with a -grateful bow, and said, "May I read it?" - -"If you wish," I answered as demurely as I could. He opened it, and -for an instant his face fell. Then he stood up and bowed. - -"Oh, you so clever woman!" he said. "I knew long that Mr. Jonathan -was a man of much thankfulness, but see, his wife have all the good -things. And will you not so much honour me and so help me as to read -it for me? Alas! I know not the shorthand." - -By this time my little joke was over, and I was almost ashamed. So I -took the typewritten copy from my work basket and handed it to him. - -"Forgive me," I said. "I could not help it, but I had been thinking -that it was of dear Lucy that you wished to ask, and so that you might -not have time to wait, not on my account, but because I know your time -must be precious, I have written it out on the typewriter for you." - -He took it and his eyes glistened. "You are so good," he said. "And -may I read it now? I may want to ask you some things when I have -read." - -"By all means," I said, "read it over whilst I order lunch, and then -you can ask me questions whilst we eat." - -He bowed and settled himself in a chair with his back to the light, -and became so absorbed in the papers, whilst I went to see after lunch -chiefly in order that he might not be disturbed. When I came back, I -found him walking hurriedly up and down the room, his face all ablaze -with excitement. He rushed up to me and took me by both hands. - -"Oh, Madam Mina," he said, "how can I say what I owe to you? This -paper is as sunshine. It opens the gate to me. I am dazed, I am -dazzled, with so much light, and yet clouds roll in behind the light -every time. But that you do not, cannot comprehend. Oh, but I am -grateful to you, you so clever woman. Madame," he said this very -solemnly, "if ever Abraham Van Helsing can do anything for you or -yours, I trust you will let me know. It will be pleasure and delight -if I may serve you as a friend, as a friend, but all I have ever -learned, all I can ever do, shall be for you and those you love. There -are darknesses in life, and there are lights. You are one of the -lights. You will have a happy life and a good life, and your husband -will be blessed in you." - -"But, doctor, you praise me too much, and you do not know me." - -"Not know you, I, who am old, and who have studied all my life men and -women, I who have made my specialty the brain and all that belongs to -him and all that follow from him! And I have read your diary that you -have so goodly written for me, and which breathes out truth in every -line. I, who have read your so sweet letter to poor Lucy of your -marriage and your trust, not know you! Oh, Madam Mina, good women -tell all their lives, and by day and by hour and by minute, such -things that angels can read. And we men who wish to know have in us -something of angels' eyes. Your husband is noble nature, and you are -noble too, for you trust, and trust cannot be where there is mean -nature. And your husband, tell me of him. Is he quite well? Is all -that fever gone, and is he strong and hearty?" - -I saw here an opening to ask him about Jonathan, so I said, "He was -almost recovered, but he has been greatly upset by Mr. Hawkins death." - -He interrupted, "Oh, yes. I know. I know. I have read your last two -letters." - -I went on, "I suppose this upset him, for when we were in town on -Thursday last he had a sort of shock." - -"A shock, and after brain fever so soon! That is not good. What kind -of shock was it?" - -"He thought he saw some one who recalled something terrible, something -which led to his brain fever." And here the whole thing seemed to -overwhelm me in a rush. The pity for Jonathan, the horror which he -experienced, the whole fearful mystery of his diary, and the fear that -has been brooding over me ever since, all came in a tumult. I suppose -I was hysterical, for I threw myself on my knees and held up my hands -to him, and implored him to make my husband well again. He took my -hands and raised me up, and made me sit on the sofa, and sat by me. He -held my hand in his, and said to me with, oh, such infinite sweetness, - -"My life is a barren and lonely one, and so full of work that I have -not had much time for friendships, but since I have been summoned to -here by my friend John Seward I have known so many good people and -seen such nobility that I feel more than ever, and it has grown with -my advancing years, the loneliness of my life. Believe me, then, that -I come here full of respect for you, and you have given me hope, hope, -not in what I am seeking of, but that there are good women still left -to make life happy, good women, whose lives and whose truths may make -good lesson for the children that are to be. I am glad, glad, that I -may here be of some use to you. For if your husband suffer, he suffer -within the range of my study and experience. I promise you that I -will gladly do all for him that I can, all to make his life strong and -manly, and your life a happy one. Now you must eat. You are -overwrought and perhaps over-anxious. Husband Jonathan would not like -to see you so pale, and what he like not where he love, is not to his -good. Therefore for his sake you must eat and smile. You have told -me about Lucy, and so now we shall not speak of it, lest it distress. -I shall stay in Exeter tonight, for I want to think much over what you -have told me, and when I have thought I will ask you questions, if I -may. And then too, you will tell me of husband Jonathan's trouble so -far as you can, but not yet. You must eat now, afterwards you shall -tell me all." - -After lunch, when we went back to the drawing room, he said to me, -"And now tell me all about him." - -When it came to speaking to this great learned man, I began to fear -that he would think me a weak fool, and Jonathan a madman, that -journal is all so strange, and I hesitated to go on. But he was so -sweet and kind, and he had promised to help, and I trusted him, so I -said, - -"Dr. Van Helsing, what I have to tell you is so queer that you must -not laugh at me or at my husband. I have been since yesterday in a -sort of fever of doubt. You must be kind to me, and not think me -foolish that I have even half believed some very strange things." - -He reassured me by his manner as well as his words when he said, "Oh, -my dear, if you only know how strange is the matter regarding which I -am here, it is you who would laugh. I have learned not to think -little of any one's belief, no matter how strange it may be. I have -tried to keep an open mind, and it is not the ordinary things of life -that could close it, but the strange things, the extraordinary things, -the things that make one doubt if they be mad or sane." - -"Thank you, thank you a thousand times! You have taken a weight off my -mind. If you will let me, I shall give you a paper to read. It is -long, but I have typewritten it out. It will tell you my trouble and -Jonathan's. It is the copy of his journal when abroad, and all that -happened. I dare not say anything of it. You will read for yourself -and judge. And then when I see you, perhaps, you will be very kind -and tell me what you think." - -"I promise," he said as I gave him the papers. "I shall in the -morning, as soon as I can, come to see you and your husband, if I -may." - -"Jonathan will be here at half-past eleven, and you must come to lunch -with us and see him then. You could catch the quick 3:34 train, which -will leave you at Paddington before eight." He was surprised at my -knowledge of the trains offhand, but he does not know that I have made -up all the trains to and from Exeter, so that I may help Jonathan in -case he is in a hurry. - -So he took the papers with him and went away, and I sit here thinking, -thinking I don't know what. - - - - -LETTER (by hand), VAN HELSING TO MRS. HARKER - -25 September, 6 o'clock - -"Dear Madam Mina, - -"I have read your husband's so wonderful diary. You may -sleep without doubt. Strange and terrible as it is, it is -true! I will pledge my life on it. It may be worse for -others, but for him and you there is no dread. He is a -noble fellow, and let me tell you from experience of men, -that one who would do as he did in going down that wall and -to that room, aye, and going a second time, is not one to -be injured in permanence by a shock. His brain and his -heart are all right, this I swear, before I have even seen -him, so be at rest. I shall have much to ask him of other -things. I am blessed that today I come to see you, for I -have learn all at once so much that again I am dazzled, -dazzled more than ever, and I must think. - -"Yours the most faithful, - -"Abraham Van Helsing." - - -LETTER, MRS. HARKER TO VAN HELSING - -25 September, 6:30 P.M. - -"My dear Dr. Van Helsing, - -"A thousand thanks for your kind letter, which has taken a -great weight off my mind. And yet, if it be true, what -terrible things there are in the world, and what an awful -thing if that man, that monster, be really in London! I -fear to think. I have this moment, whilst writing, had a -wire from Jonathan, saying that he leaves by the 6:25 tonight -from Launceston and will be here at 10:18, so that I shall have -no fear tonight. Will you, therefore, instead of lunching with -us, please come to breakfast at eight o'clock, if this be not too -early for you? You can get away, if you are in a hurry, by the -10:30 train, which will bring you to Paddington by 2:35. Do not -answer this, as I shall take it that, if I do not hear, you will -come to breakfast. - -"Believe me, - -"Your faithful and grateful friend, - -"Mina Harker." - - - - - -JONATHAN HARKER'S JOURNAL - -26 September.--I thought never to write in this diary again, but the -time has come. When I got home last night Mina had supper ready, and -when we had supped she told me of Van Helsing's visit, and of her -having given him the two diaries copied out, and of how anxious she -has been about me. She showed me in the doctor's letter that all I -wrote down was true. It seems to have made a new man of me. It was -the doubt as to the reality of the whole thing that knocked me over. -I felt impotent, and in the dark, and distrustful. But, now that I -know, I am not afraid, even of the Count. He has succeeded after all, -then, in his design in getting to London, and it was he I saw. He has -got younger, and how? Van Helsing is the man to unmask him and hunt -him out, if he is anything like what Mina says. We sat late, and -talked it over. Mina is dressing, and I shall call at the hotel in a -few minutes and bring him over. - - -He was, I think, surprised to see me. When I came into the room where -he was, and introduced myself, he took me by the shoulder, and turned -my face round to the light, and said, after a sharp scrutiny, - -"But Madam Mina told me you were ill, that you had had a shock." - -It was so funny to hear my wife called 'Madam Mina' by this kindly, -strong-faced old man. I smiled, and said, "I was ill, I have had a -shock, but you have cured me already." - -"And how?" - -"By your letter to Mina last night. I was in doubt, and then -everything took a hue of unreality, and I did not know what to trust, -even the evidence of my own senses. Not knowing what to trust, I did -not know what to do, and so had only to keep on working in what had -hitherto been the groove of my life. The groove ceased to avail me, -and I mistrusted myself. Doctor, you don't know what it is to doubt -everything, even yourself. No, you don't, you couldn't with eyebrows -like yours." - -He seemed pleased, and laughed as he said, "So! You are a -physiognomist. I learn more here with each hour. I am with so much -pleasure coming to you to breakfast, and, oh, sir, you will pardon -praise from an old man, but you are blessed in your wife." - -I would listen to him go on praising Mina for a day, so I simply -nodded and stood silent. - -"She is one of God's women, fashioned by His own hand to show us men -and other women that there is a heaven where we can enter, and that -its light can be here on earth. So true, so sweet, so noble, so -little an egoist, and that, let me tell you, is much in this age, so -sceptical and selfish. And you, sir . . . I have read all the letters -to poor Miss Lucy, and some of them speak of you, so I know you since -some days from the knowing of others, but I have seen your true self -since last night. You will give me your hand, will you not? And let -us be friends for all our lives." - -We shook hands, and he was so earnest and so kind that it made me -quite choky. - -"And now," he said, "may I ask you for some more help? I have a great -task to do, and at the beginning it is to know. You can help me -here. Can you tell me what went before your going to Transylvania? -Later on I may ask more help, and of a different kind, but at first -this will do." - -"Look here, Sir," I said, "does what you have to do concern the -Count?" - -"It does," he said solemnly. - -"Then I am with you heart and soul. As you go by the 10:30 train, you -will not have time to read them, but I shall get the bundle of papers. -You can take them with you and read them in the train." - -After breakfast I saw him to the station. When we were parting he -said, "Perhaps you will come to town if I send for you, and take Madam -Mina too." - -"We shall both come when you will," I said. - -I had got him the morning papers and the London papers of the previous -night, and while we were talking at the carriage window, waiting for -the train to start, he was turning them over. His eyes suddenly -seemed to catch something in one of them, "The Westminster Gazette", I -knew it by the colour, and he grew quite white. He read something -intently, groaning to himself, "Mein Gott! Mein Gott! So soon! So -soon!" I do not think he remembered me at the moment. Just then the -whistle blew, and the train moved off. This recalled him to himself, -and he leaned out of the window and waved his hand, calling out, "Love -to Madam Mina. I shall write so soon as ever I can." - - - - -DR. SEWARD'S DIARY - -26 September.--Truly there is no such thing as finality. Not a week -since I said "Finis," and yet here I am starting fresh again, or -rather going on with the record. Until this afternoon I had no cause -to think of what is done. Renfield had become, to all intents, as -sane as he ever was. He was already well ahead with his fly business, -and he had just started in the spider line also, so he had not been of -any trouble to me. I had a letter from Arthur, written on Sunday, and -from it I gather that he is bearing up wonderfully well. Quincey -Morris is with him, and that is much of a help, for he himself is a -bubbling well of good spirits. Quincey wrote me a line too, and from -him I hear that Arthur is beginning to recover something of his old -buoyancy, so as to them all my mind is at rest. As for myself, I was -settling down to my work with the enthusiasm which I used to have for -it, so that I might fairly have said that the wound which poor Lucy -left on me was becoming cicatrised. - -Everything is, however, now reopened, and what is to be the end God -only knows. I have an idea that Van Helsing thinks he knows, too, but -he will only let out enough at a time to whet curiosity. He went to -Exeter yesterday, and stayed there all night. Today he came back, and -almost bounded into the room at about half-past five o'clock, and -thrust last night's "Westminster Gazette" into my hand. - -"What do you think of that?" he asked as he stood back and folded his -arms. - -I looked over the paper, for I really did not know what he meant, but -he took it from me and pointed out a paragraph about children being -decoyed away at Hampstead. It did not convey much to me, until I -reached a passage where it described small puncture wounds on their -throats. An idea struck me, and I looked up. - -"Well?" he said. - -"It is like poor Lucy's." - -"And what do you make of it?" - -"Simply that there is some cause in common. Whatever it was that -injured her has injured them." I did not quite understand his answer. - -"That is true indirectly, but not directly." - -"How do you mean, Professor?" I asked. I was a little inclined to -take his seriousness lightly, for, after all, four days of rest and -freedom from burning, harrowing, anxiety does help to restore one's -spirits, but when I saw his face, it sobered me. Never, even in the -midst of our despair about poor Lucy, had he looked more stern. - -"Tell me!" I said. "I can hazard no opinion. I do not know what to -think, and I have no data on which to found a conjecture." - -"Do you mean to tell me, friend John, that you have no suspicion as to -what poor Lucy died of, not after all the hints given, not only by -events, but by me?" - -"Of nervous prostration following a great loss or waste of blood." - -"And how was the blood lost or wasted?" I shook my head. - -He stepped over and sat down beside me, and went on, "You are a clever -man, friend John. You reason well, and your wit is bold, but you are -too prejudiced. You do not let your eyes see nor your ears hear, and -that which is outside your daily life is not of account to you. Do -you not think that there are things which you cannot understand, and -yet which are, that some people see things that others cannot? But -there are things old and new which must not be contemplated by men's -eyes, because they know, or think they know, some things which other -men have told them. Ah, it is the fault of our science that it wants -to explain all, and if it explain not, then it says there is nothing -to explain. But yet we see around us every day the growth of new -beliefs, which think themselves new, and which are yet but the old, -which pretend to be young, like the fine ladies at the opera. I -suppose now you do not believe in corporeal transference. No? Nor in -materialization. No? Nor in astral bodies. No? Nor in the reading -of thought. No? Nor in hypnotism . . ." - -"Yes," I said. "Charcot has proved that pretty well." - -He smiled as he went on, "Then you are satisfied as to it. Yes? And -of course then you understand how it act, and can follow the mind of -the great Charcot, alas that he is no more, into the very soul of the -patient that he influence. No? Then, friend John, am I to take it -that you simply accept fact, and are satisfied to let from premise to -conclusion be a blank? No? Then tell me, for I am a student of the -brain, how you accept hypnotism and reject the thought reading. Let -me tell you, my friend, that there are things done today in electrical -science which would have been deemed unholy by the very man who -discovered electricity, who would themselves not so long before been -burned as wizards. There are always mysteries in life. Why was it -that Methuselah lived nine hundred years, and 'Old Parr' one hundred -and sixty-nine, and yet that poor Lucy, with four men's blood in her -poor veins, could not live even one day? For, had she live one more -day, we could save her. Do you know all the mystery of life and -death? Do you know the altogether of comparative anatomy and can say -wherefore the qualities of brutes are in some men, and not in others? -Can you tell me why, when other spiders die small and soon, that one -great spider lived for centuries in the tower of the old Spanish -church and grew and grew, till, on descending, he could drink the oil -of all the church lamps? Can you tell me why in the Pampas, ay and -elsewhere, there are bats that come out at night and open the veins of -cattle and horses and suck dry their veins, how in some islands of the -Western seas there are bats which hang on the trees all day, and those -who have seen describe as like giant nuts or pods, and that when the -sailors sleep on the deck, because that it is hot, flit down on them -and then, and then in the morning are found dead men, white as even -Miss Lucy was?" - -"Good God, Professor!" I said, starting up. "Do you mean to tell me -that Lucy was bitten by such a bat, and that such a thing is here in -London in the nineteenth century?" - -He waved his hand for silence, and went on, "Can you tell me why the -tortoise lives more long than generations of men, why the elephant -goes on and on till he have sees dynasties, and why the parrot never -die only of bite of cat of dog or other complaint? Can you tell me -why men believe in all ages and places that there are men and women -who cannot die? We all know, because science has vouched for the -fact, that there have been toads shut up in rocks for thousands of -years, shut in one so small hole that only hold him since the youth of -the world. Can you tell me how the Indian fakir can make himself to -die and have been buried, and his grave sealed and corn sowed on it, -and the corn reaped and be cut and sown and reaped and cut again, and -then men come and take away the unbroken seal and that there lie the -Indian fakir, not dead, but that rise up and walk amongst them as -before?" - -Here I interrupted him. I was getting bewildered. He so crowded on -my mind his list of nature's eccentricities and possible -impossibilities that my imagination was getting fired. I had a dim -idea that he was teaching me some lesson, as long ago he used to do in -his study at Amsterdam. But he used them to tell me the thing, so -that I could have the object of thought in mind all the time. But now -I was without his help, yet I wanted to follow him, so I said, - -"Professor, let me be your pet student again. Tell me the thesis, so -that I may apply your knowledge as you go on. At present I am going -in my mind from point to point as a madman, and not a sane one, -follows an idea. I feel like a novice lumbering through a bog in a -midst, jumping from one tussock to another in the mere blind effort to -move on without knowing where I am going." - -"That is a good image," he said. "Well, I shall tell you. My thesis -is this, I want you to believe." - -"To believe what?" - -"To believe in things that you cannot. Let me illustrate. I heard -once of an American who so defined faith, 'that faculty which enables -us to believe things which we know to be untrue.' For one, I follow -that man. He meant that we shall have an open mind, and not let a -little bit of truth check the rush of the big truth, like a small rock -does a railway truck. We get the small truth first. Good! We keep -him, and we value him, but all the same we must not let him think -himself all the truth in the universe." - -"Then you want me not to let some previous conviction inure the -receptivity of my mind with regard to some strange matter. Do I read -your lesson aright?" - -"Ah, you are my favourite pupil still. It is worth to teach you. Now -that you are willing to understand, you have taken the first step to -understand. You think then that those so small holes in the -children's throats were made by the same that made the holes in Miss -Lucy?" - -"I suppose so." - -He stood up and said solemnly, "Then you are wrong. Oh, would it were -so! But alas! No. It is worse, far, far worse." - -"In God's name, Professor Van Helsing, what do you mean?" I cried. - -He threw himself with a despairing gesture into a chair, and placed -his elbows on the table, covering his face with his hands as he spoke. - -"They were made by Miss Lucy!" - - - - -CHAPTER 15 - - -DR. SEWARD'S DIARY--cont. - -For a while sheer anger mastered me. It was as if he had during her -life struck Lucy on the face. I smote the table hard and rose up as I -said to him, "Dr. Van Helsing, are you mad?" - -He raised his head and looked at me, and somehow the tenderness of his -face calmed me at once. "Would I were!" he said. "Madness were easy -to bear compared with truth like this. Oh, my friend, why, think -you, did I go so far round, why take so long to tell so simple a -thing? Was it because I hate you and have hated you all my life? Was -it because I wished to give you pain? Was it that I wanted, now so -late, revenge for that time when you saved my life, and from a fearful -death? Ah no!" - -"Forgive me," said I. - -He went on, "My friend, it was because I wished to be gentle in the -breaking to you, for I know you have loved that so sweet lady. But -even yet I do not expect you to believe. It is so hard to accept at -once any abstract truth, that we may doubt such to be possible when we -have always believed the 'no' of it. It is more hard still to accept -so sad a concrete truth, and of such a one as Miss Lucy. Tonight I go -to prove it. Dare you come with me?" - -This staggered me. A man does not like to prove such a truth, Byron -excepted from the category, jealousy. - - "And prove the very truth he most abhorred." - -He saw my hesitation, and spoke, "The logic is simple, no madman's -logic this time, jumping from tussock to tussock in a misty bog. If -it not be true, then proof will be relief. At worst it will not harm. -If it be true! Ah, there is the dread. Yet every dread should help my -cause, for in it is some need of belief. Come, I tell you what I -propose. First, that we go off now and see that child in the -hospital. Dr. Vincent, of the North Hospital, where the papers say -the child is, is a friend of mine, and I think of yours since you were -in class at Amsterdam. He will let two scientists see his case, if he -will not let two friends. We shall tell him nothing, but only that we -wish to learn. And then . . ." - -"And then?" - -He took a key from his pocket and held it up. "And then we spend the -night, you and I, in the churchyard where Lucy lies. This is the key -that lock the tomb. I had it from the coffin man to give to Arthur." - -My heart sank within me, for I felt that there was some fearful ordeal -before us. I could do nothing, however, so I plucked up what heart I -could and said that we had better hasten, as the afternoon was -passing. - -We found the child awake. It had had a sleep and taken some food, and -altogether was going on well. Dr. Vincent took the bandage from its -throat, and showed us the punctures. There was no mistaking the -similarity to those which had been on Lucy's throat. They were -smaller, and the edges looked fresher, that was all. We asked Vincent -to what he attributed them, and he replied that it must have been a -bite of some animal, perhaps a rat, but for his own part, he was -inclined to think it was one of the bats which are so numerous on the -northern heights of London. "Out of so many harmless ones," he said, -"there may be some wild specimen from the South of a more malignant -species. Some sailor may have brought one home, and it managed to -escape, or even from the Zoological Gardens a young one may have got -loose, or one be bred there from a vampire. These things do occur, -you, know. Only ten days ago a wolf got out, and was, I believe, -traced up in this direction. For a week after, the children were -playing nothing but Red Riding Hood on the Heath and in every alley in -the place until this 'bloofer lady' scare came along, since then it -has been quite a gala time with them. Even this poor little mite, -when he woke up today, asked the nurse if he might go away. When she -asked him why he wanted to go, he said he wanted to play with the -'bloofer lady'." - -"I hope," said Van Helsing, "that when you are sending the child home -you will caution its parents to keep strict watch over it. These -fancies to stray are most dangerous, and if the child were to remain -out another night, it would probably be fatal. But in any case I -suppose you will not let it away for some days?" - -"Certainly not, not for a week at least, longer if the wound is not -healed." - -Our visit to the hospital took more time than we had reckoned on, and -the sun had dipped before we came out. When Van Helsing saw how dark -it was, he said, - -"There is not hurry. It is more late than I thought. Come, let us -seek somewhere that we may eat, and then we shall go on our way." - -We dined at 'Jack Straw's Castle' along with a little crowd of -bicyclists and others who were genially noisy. About ten o'clock we -started from the inn. It was then very dark, and the scattered lamps -made the darkness greater when we were once outside their individual -radius. The Professor had evidently noted the road we were to go, for -he went on unhesitatingly, but, as for me, I was in quite a mixup as -to locality. As we went further, we met fewer and fewer people, till -at last we were somewhat surprised when we met even the patrol of -horse police going their usual suburban round. At last we reached the -wall of the churchyard, which we climbed over. With some little -difficulty, for it was very dark, and the whole place seemed so -strange to us, we found the Westenra tomb. The Professor took the -key, opened the creaky door, and standing back, politely, but quite -unconsciously, motioned me to precede him. There was a delicious -irony in the offer, in the courtliness of giving preference on such a -ghastly occasion. My companion followed me quickly, and cautiously -drew the door to, after carefully ascertaining that the lock was a -falling, and not a spring one. In the latter case we should have been -in a bad plight. Then he fumbled in his bag, and taking out a -matchbox and a piece of candle, proceeded to make a light. The tomb -in the daytime, and when wreathed with fresh flowers, had looked grim -and gruesome enough, but now, some days afterwards, when the flowers -hung lank and dead, their whites turning to rust and their greens to -browns, when the spider and the beetle had resumed their accustomed -dominance, when the time-discoloured stone, and dust-encrusted mortar, -and rusty, dank iron, and tarnished brass, and clouded silver-plating -gave back the feeble glimmer of a candle, the effect was more -miserable and sordid than could have been imagined. It conveyed -irresistibly the idea that life, animal life, was not the only thing -which could pass away. - -Van Helsing went about his work systematically. Holding his candle so -that he could read the coffin plates, and so holding it that the sperm -dropped in white patches which congealed as they touched the metal, he -made assurance of Lucy's coffin. Another search in his bag, and he -took out a turnscrew. - -"What are you going to do?" I asked. - -"To open the coffin. You shall yet be convinced." - -Straightway he began taking out the screws, and finally lifted off the -lid, showing the casing of lead beneath. The sight was almost too -much for me. It seemed to be as much an affront to the dead as it -would have been to have stripped off her clothing in her sleep whilst -living. I actually took hold of his hand to stop him. - -He only said, "You shall see," and again fumbling in his bag took out -a tiny fret saw. Striking the turnscrew through the lead with a swift -downward stab, which made me wince, he made a small hole, which was, -however, big enough to admit the point of the saw. I had expected a -rush of gas from the week-old corpse. We doctors, who have had to -study our dangers, have to become accustomed to such things, and I -drew back towards the door. But the Professor never stopped for a -moment. He sawed down a couple of feet along one side of the lead -coffin, and then across, and down the other side. Taking the edge of -the loose flange, he bent it back towards the foot of the coffin, and -holding up the candle into the aperture, motioned to me to look. - -I drew near and looked. The coffin was empty. It was certainly a -surprise to me, and gave me a considerable shock, but Van Helsing was -unmoved. He was now more sure than ever of his ground, and so -emboldened to proceed in his task. "Are you satisfied now, friend -John?" he asked. - -I felt all the dogged argumentativeness of my nature awake within me as -I answered him, "I am satisfied that Lucy's body is not in that -coffin, but that only proves one thing." - -"And what is that, friend John?" - -"That it is not there." - -"That is good logic," he said, "so far as it goes. But how do you, -how can you, account for it not being there?" - -"Perhaps a body-snatcher," I suggested. "Some of the undertaker's -people may have stolen it." I felt that I was speaking folly, and yet -it was the only real cause which I could suggest. - -The Professor sighed. "Ah well!" he said, "we must have more proof. -Come with me." - -He put on the coffin lid again, gathered up all his things and placed -them in the bag, blew out the light, and placed the candle also in the -bag. We opened the door, and went out. Behind us he closed the door -and locked it. He handed me the key, saying, "Will you keep it? You -had better be assured." - -I laughed, it was not a very cheerful laugh, I am bound to say, as I -motioned him to keep it. "A key is nothing," I said, "there are many -duplicates, and anyhow it is not difficult to pick a lock of this -kind." - -He said nothing, but put the key in his pocket. Then he told me to -watch at one side of the churchyard whilst he would watch at the -other. - -I took up my place behind a yew tree, and I saw his dark figure move -until the intervening headstones and trees hid it from my sight. - -It was a lonely vigil. Just after I had taken my place I heard a -distant clock strike twelve, and in time came one and two. I was -chilled and unnerved, and angry with the Professor for taking me on -such an errand and with myself for coming. I was too cold and too -sleepy to be keenly observant, and not sleepy enough to betray my -trust, so altogether I had a dreary, miserable time. - -Suddenly, as I turned round, I thought I saw something like a white -streak, moving between two dark yew trees at the side of the -churchyard farthest from the tomb. At the same time a dark mass moved -from the Professor's side of the ground, and hurriedly went towards -it. Then I too moved, but I had to go round headstones and railed-off -tombs, and I stumbled over graves. The sky was overcast, and -somewhere far off an early cock crew. A little ways off, beyond a -line of scattered juniper trees, which marked the pathway to the -church, a white dim figure flitted in the direction of the tomb. The -tomb itself was hidden by trees, and I could not see where the figure -had disappeared. I heard the rustle of actual movement where I had -first seen the white figure, and coming over, found the Professor -holding in his arms a tiny child. When he saw me he held it out to -me, and said, "Are you satisfied now?" - -"No," I said, in a way that I felt was aggressive. - -"Do you not see the child?" - -"Yes, it is a child, but who brought it here? And is it wounded?" - -"We shall see," said the Professor, and with one impulse we took our -way out of the churchyard, he carrying the sleeping child. - -When we had got some little distance away, we went into a clump of -trees, and struck a match, and looked at the child's throat. It was -without a scratch or scar of any kind. - -"Was I right?" I asked triumphantly. - -"We were just in time," said the Professor thankfully. - -We had now to decide what we were to do with the child, and so -consulted about it. If we were to take it to a police station we -should have to give some account of our movements during the night. -At least, we should have had to make some statement as to how we had -come to find the child. So finally we decided that we would take it -to the Heath, and when we heard a policeman coming, would leave it -where he could not fail to find it. We would then seek our way home -as quickly as we could. All fell out well. At the edge of Hampstead -Heath we heard a policeman's heavy tramp, and laying the child on the -pathway, we waited and watched until he saw it as he flashed his -lantern to and fro. We heard his exclamation of astonishment, and -then we went away silently. By good chance we got a cab near the -'Spainiards,' and drove to town. - -I cannot sleep, so I make this entry. But I must try to get a few -hours' sleep, as Van Helsing is to call for me at noon. He insists -that I go with him on another expedition. - - -27 September.--It was two o'clock before we found a suitable -opportunity for our attempt. The funeral held at noon was all -completed, and the last stragglers of the mourners had taken -themselves lazily away, when, looking carefully from behind a clump of -alder trees, we saw the sexton lock the gate after him. We knew that -we were safe till morning did we desire it, but the Professor told me -that we should not want more than an hour at most. Again I felt that -horrid sense of the reality of things, in which any effort of -imagination seemed out of place, and I realized distinctly the perils -of the law which we were incurring in our unhallowed work. Besides, I -felt it was all so useless. Outrageous as it was to open a leaden -coffin, to see if a woman dead nearly a week were really dead, it now -seemed the height of folly to open the tomb again, when we knew, from -the evidence of our own eyesight, that the coffin was empty. I -shrugged my shoulders, however, and rested silent, for Van Helsing had -a way of going on his own road, no matter who remonstrated. He took -the key, opened the vault, and again courteously motioned me to -precede. The place was not so gruesome as last night, but oh, how -unutterably mean looking when the sunshine streamed in. Van Helsing -walked over to Lucy's coffin, and I followed. He bent over and again -forced back the leaden flange, and a shock of surprise and dismay shot -through me. - -There lay Lucy, seemingly just as we had seen her the night before her -funeral. She was, if possible, more radiantly beautiful than ever, -and I could not believe that she was dead. The lips were red, nay -redder than before, and on the cheeks was a delicate bloom. - -"Is this a juggle?" I said to him. - -"Are you convinced now?" said the Professor, in response, and as he -spoke he put over his hand, and in a way that made me shudder, pulled -back the dead lips and showed the white teeth. "See," he went on, -"they are even sharper than before. With this and this," and he -touched one of the canine teeth and that below it, "the little -children can be bitten. Are you of belief now, friend John?" - -Once more argumentative hostility woke within me. I could not accept -such an overwhelming idea as he suggested. So, with an attempt to -argue of which I was even at the moment ashamed, I said, "She may have -been placed here since last night." - -"Indeed? That is so, and by whom?" - -"I do not know. Someone has done it." - -"And yet she has been dead one week. Most peoples in that time would -not look so." - -I had no answer for this, so was silent. Van Helsing did not seem to -notice my silence. At any rate, he showed neither chagrin nor -triumph. He was looking intently at the face of the dead woman, -raising the eyelids and looking at the eyes, and once more opening the -lips and examining the teeth. Then he turned to me and said, - -"Here, there is one thing which is different from all recorded. Here -is some dual life that is not as the common. She was bitten by the -vampire when she was in a trance, sleep-walking, oh, you start. You -do not know that, friend John, but you shall know it later, and in -trance could he best come to take more blood. In trance she dies, and -in trance she is UnDead, too. So it is that she differ from all -other. Usually when the UnDead sleep at home," as he spoke he made a -comprehensive sweep of his arm to designate what to a vampire was -'home', "their face show what they are, but this so sweet that was -when she not UnDead she go back to the nothings of the common dead. -There is no malign there, see, and so it make hard that I must kill -her in her sleep." - -This turned my blood cold, and it began to dawn upon me that I was -accepting Van Helsing's theories. But if she were really dead, what -was there of terror in the idea of killing her? - -He looked up at me, and evidently saw the change in my face, for he -said almost joyously, "Ah, you believe now?" - -I answered, "Do not press me too hard all at once. I am willing to -accept. How will you do this bloody work?" - -"I shall cut off her head and fill her mouth with garlic, and I shall -drive a stake through her body." - -It made me shudder to think of so mutilating the body of the woman -whom I had loved. And yet the feeling was not so strong as I had -expected. I was, in fact, beginning to shudder at the presence of -this being, this UnDead, as Van Helsing called it, and to loathe it. -Is it possible that love is all subjective, or all objective? - -I waited a considerable time for Van Helsing to begin, but he stood as -if wrapped in thought. Presently he closed the catch of his bag with -a snap, and said, - -"I have been thinking, and have made up my mind as to what is best. -If I did simply follow my inclining I would do now, at this moment, -what is to be done. But there are other things to follow, and things -that are thousand times more difficult in that them we do not know. -This is simple. She have yet no life taken, though that is of time, -and to act now would be to take danger from her forever. But then we -may have to want Arthur, and how shall we tell him of this? If you, -who saw the wounds on Lucy's throat, and saw the wounds so similar on -the child's at the hospital, if you, who saw the coffin empty last -night and full today with a woman who have not change only to be more -rose and more beautiful in a whole week, after she die, if you know of -this and know of the white figure last night that brought the child to -the churchyard, and yet of your own senses you did not believe, how -then, can I expect Arthur, who know none of those things, to believe? - -"He doubted me when I took him from her kiss when she was dying. I -know he has forgiven me because in some mistaken idea I have done -things that prevent him say goodbye as he ought, and he may think that -in some more mistaken idea this woman was buried alive, and that in -most mistake of all we have killed her. He will then argue back that -it is we, mistaken ones, that have killed her by our ideas, and so he -will be much unhappy always. Yet he never can be sure, and that is -the worst of all. And he will sometimes think that she he loved was -buried alive, and that will paint his dreams with horrors of what she -must have suffered, and again, he will think that we may be right, and -that his so beloved was, after all, an UnDead. No! I told him once, -and since then I learn much. Now, since I know it is all true, a -hundred thousand times more do I know that he must pass through the -bitter waters to reach the sweet. He, poor fellow, must have one hour -that will make the very face of heaven grow black to him, then we can -act for good all round and send him peace. My mind is made up. Let -us go. You return home for tonight to your asylum, and see that all -be well. As for me, I shall spend the night here in this churchyard -in my own way. Tomorrow night you will come to me to the Berkeley -Hotel at ten of the clock. I shall send for Arthur to come too, and -also that so fine young man of America that gave his blood. Later we -shall all have work to do. I come with you so far as Piccadilly and -there dine, for I must be back here before the sun set." - -So we locked the tomb and came away, and got over the wall of the -churchyard, which was not much of a task, and drove back to -Piccadilly. - - - - -NOTE LEFT BY VAN HELSING IN HIS PORTMANTEAU, BERKELEY HOTEL DIRECTED TO -JOHN SEWARD, M. D. (Not Delivered) - -27 September - -"Friend John, - -"I write this in case anything should happen. I go alone to -watch in that churchyard. It pleases me that the UnDead, -Miss Lucy, shall not leave tonight, that so on the morrow -night she may be more eager. Therefore I shall fix some -things she like not, garlic and a crucifix, and so seal up -the door of the tomb. She is young as UnDead, and will -heed. Moreover, these are only to prevent her coming out. -They may not prevail on her wanting to get in, for then the -UnDead is desperate, and must find the line of least resistance, -whatsoever it may be. I shall be at hand all the night from -sunset till after sunrise, and if there be aught that may be -learned I shall learn it. For Miss Lucy or from her, I have no -fear, but that other to whom is there that she is UnDead, he have -not the power to seek her tomb and find shelter. He is cunning, -as I know from Mr. Jonathan and from the way that all along he -have fooled us when he played with us for Miss Lucy's life, and -we lost, and in many ways the UnDead are strong. He have always -the strength in his hand of twenty men, even we four who gave our -strength to Miss Lucy it also is all to him. Besides, he can -summon his wolf and I know not what. So if it be that he came -thither on this night he shall find me. But none other shall, -until it be too late. But it may be that he will not attempt the -place. There is no reason why he should. His hunting ground is -more full of game than the churchyard where the UnDead woman -sleeps, and the one old man watch. - -"Therefore I write this in case . . . Take the papers that -are with this, the diaries of Harker and the rest, and read -them, and then find this great UnDead, and cut off his head -and burn his heart or drive a stake through it, so that the -world may rest from him. - -"If it be so, farewell. - -"VAN HELSING." - - - - -DR. SEWARD'S DIARY - -28 September.--It is wonderful what a good night's sleep will do for -one. Yesterday I was almost willing to accept Van Helsing's monstrous -ideas, but now they seem to start out lurid before me as outrages on -common sense. I have no doubt that he believes it all. I wonder if -his mind can have become in any way unhinged. Surely there must be -some rational explanation of all these mysterious things. Is it -possible that the Professor can have done it himself? He is so -abnormally clever that if he went off his head he would carry out his -intent with regard to some fixed idea in a wonderful way. I am loathe -to think it, and indeed it would be almost as great a marvel as the -other to find that Van Helsing was mad, but anyhow I shall watch him -carefully. I may get some light on the mystery. - - -29 September.--Last night, at a little before ten o'clock, Arthur and -Quincey came into Van Helsing's room. He told us all what he wanted -us to do, but especially addressing himself to Arthur, as if all our -wills were centred in his. He began by saying that he hoped we would -all come with him too, "for," he said, "there is a grave duty to be -done there. You were doubtless surprised at my letter?" This query -was directly addressed to Lord Godalming. - -"I was. It rather upset me for a bit. There has been so much trouble -around my house of late that I could do without any more. I have been -curious, too, as to what you mean. - -"Quincey and I talked it over, but the more we talked, the more -puzzled we got, till now I can say for myself that I'm about up a tree -as to any meaning about anything." - -"Me too," said Quincey Morris laconically. - -"Oh," said the Professor, "then you are nearer the beginning, both of -you, than friend John here, who has to go a long way back before he -can even get so far as to begin." - -It was evident that he recognized my return to my old doubting frame -of mind without my saying a word. Then, turning to the other two, he -said with intense gravity, - -"I want your permission to do what I think good this night. It is, I -know, much to ask, and when you know what it is I propose to do you -will know, and only then how much. Therefore may I ask that you -promise me in the dark, so that afterwards, though you may be angry -with me for a time, I must not disguise from myself the possibility -that such may be, you shall not blame yourselves for anything." - -"That's frank anyhow," broke in Quincey. "I'll answer for the -Professor. I don't quite see his drift, but I swear he's honest, and -that's good enough for me." - -"I thank you, Sir," said Van Helsing proudly. "I have done myself the -honour of counting you one trusting friend, and such endorsement is -dear to me." He held out a hand, which Quincey took. - -Then Arthur spoke out, "Dr. Van Helsing, I don't quite like to 'buy a -pig in a poke', as they say in Scotland, and if it be anything in -which my honour as a gentleman or my faith as a Christian is -concerned, I cannot make such a promise. If you can assure me that -what you intend does not violate either of these two, then I give my -consent at once, though for the life of me, I cannot understand what -you are driving at." - -"I accept your limitation," said Van Helsing, "and all I ask of you is -that if you feel it necessary to condemn any act of mine, you will -first consider it well and be satisfied that it does not violate your -reservations." - -"Agreed!" said Arthur. "That is only fair. And now that the -pourparlers are over, may I ask what it is we are to do?" - -"I want you to come with me, and to come in secret, to the churchyard -at Kingstead." - -Arthur's face fell as he said in an amazed sort of way, - -"Where poor Lucy is buried?" - -The Professor bowed. - -Arthur went on, "And when there?" - -"To enter the tomb!" - -Arthur stood up. "Professor, are you in earnest, or is it some -monstrous joke? Pardon me, I see that you are in earnest." He sat -down again, but I could see that he sat firmly and proudly, as one who -is on his dignity. There was silence until he asked again, "And when -in the tomb?" - -"To open the coffin." - -"This is too much!" he said, angrily rising again. "I am willing to -be patient in all things that are reasonable, but in this, this -desecration of the grave, of one who . . ." He fairly choked with -indignation. - -The Professor looked pityingly at him. "If I could spare you one pang, -my poor friend," he said, "God knows I would. But this night our feet -must tread in thorny paths, or later, and for ever, the feet you love -must walk in paths of flame!" - -Arthur looked up with set white face and said, "Take care, sir, take -care!" - -"Would it not be well to hear what I have to say?" said Van Helsing. -"And then you will at least know the limit of my purpose. Shall I go -on?" - -"That's fair enough," broke in Morris. - -After a pause Van Helsing went on, evidently with an effort, "Miss -Lucy is dead, is it not so? Yes! Then there can be no wrong to her. -But if she be not dead . . ." - -Arthur jumped to his feet, "Good God!" he cried. "What do you mean? -Has there been any mistake, has she been buried alive?" He groaned in -anguish that not even hope could soften. - -"I did not say she was alive, my child. I did not think it. I go no -further than to say that she might be UnDead." - -"UnDead! Not alive! What do you mean? Is this all a nightmare, or -what is it?" - -"There are mysteries which men can only guess at, which age by age -they may solve only in part. Believe me, we are now on the verge of -one. But I have not done. May I cut off the head of dead Miss Lucy?" - -"Heavens and earth, no!" cried Arthur in a storm of passion. "Not for -the wide world will I consent to any mutilation of her dead body. Dr. -Van Helsing, you try me too far. What have I done to you that you -should torture me so? What did that poor, sweet girl do that you -should want to cast such dishonour on her grave? Are you mad, that you -speak of such things, or am I mad to listen to them? Don't dare think -more of such a desecration. I shall not give my consent to anything -you do. I have a duty to do in protecting her grave from outrage, and -by God, I shall do it!" - -Van Helsing rose up from where he had all the time been seated, and -said, gravely and sternly, "My Lord Godalming, I too, have a duty to -do, a duty to others, a duty to you, a duty to the dead, and by God, I -shall do it! All I ask you now is that you come with me, that you -look and listen, and if when later I make the same request you do not -be more eager for its fulfillment even than I am, then, I shall do my -duty, whatever it may seem to me. And then, to follow your Lordship's -wishes I shall hold myself at your disposal to render an account to -you, when and where you will." His voice broke a little, and he went -on with a voice full of pity. - -"But I beseech you, do not go forth in anger with me. In a long life -of acts which were often not pleasant to do, and which sometimes did -wring my heart, I have never had so heavy a task as now. Believe me -that if the time comes for you to change your mind towards me, one -look from you will wipe away all this so sad hour, for I would do what -a man can to save you from sorrow. Just think. For why should I give -myself so much labor and so much of sorrow? I have come here from my -own land to do what I can of good, at the first to please my friend -John, and then to help a sweet young lady, whom too, I come to love. -For her, I am ashamed to say so much, but I say it in kindness, I gave -what you gave, the blood of my veins. I gave it, I who was not, like -you, her lover, but only her physician and her friend. I gave her my -nights and days, before death, after death, and if my death can do her -good even now, when she is the dead UnDead, she shall have it freely." -He said this with a very grave, sweet pride, and Arthur was much -affected by it. - -He took the old man's hand and said in a broken voice, "Oh, it is hard -to think of it, and I cannot understand, but at least I shall go with -you and wait." - - - - -CHAPTER 16 - - -DR. SEWARD'S DIARY--cont. - -It was just a quarter before twelve o'clock when we got into the -churchyard over the low wall. The night was dark with occasional -gleams of moonlight between the dents of the heavy clouds that scudded -across the sky. We all kept somehow close together, with Van Helsing -slightly in front as he led the way. When we had come close to the -tomb I looked well at Arthur, for I feared the proximity to a place -laden with so sorrowful a memory would upset him, but he bore himself -well. I took it that the very mystery of the proceeding was in some -way a counteractant to his grief. The Professor unlocked the door, -and seeing a natural hesitation amongst us for various reasons, solved -the difficulty by entering first himself. The rest of us followed, -and he closed the door. He then lit a dark lantern and pointed to a -coffin. Arthur stepped forward hesitatingly. Van Helsing said to me, -"You were with me here yesterday. Was the body of Miss Lucy in that -coffin?" - -"It was." - -The Professor turned to the rest saying, "You hear, and yet there is -no one who does not believe with me." - -He took his screwdriver and again took off the lid of the coffin. -Arthur looked on, very pale but silent. When the lid was removed he -stepped forward. He evidently did not know that there was a leaden -coffin, or at any rate, had not thought of it. When he saw the rent -in the lead, the blood rushed to his face for an instant, but as -quickly fell away again, so that he remained of a ghastly whiteness. -He was still silent. Van Helsing forced back the leaden flange, and -we all looked in and recoiled. - -The coffin was empty! - -For several minutes no one spoke a word. The silence was broken by -Quincey Morris, "Professor, I answered for you. Your word is all I -want. I wouldn't ask such a thing ordinarily, I wouldn't so dishonour -you as to imply a doubt, but this is a mystery that goes beyond any -honour or dishonour. Is this your doing?" - -"I swear to you by all that I hold sacred that I have not removed or -touched her. What happened was this. Two nights ago my friend Seward -and I came here, with good purpose, believe me. I opened that coffin, -which was then sealed up, and we found it as now, empty. We then -waited, and saw something white come through the trees. The next day -we came here in daytime and she lay there. Did she not, friend John? - -"Yes." - -"That night we were just in time. One more so small child was -missing, and we find it, thank God, unharmed amongst the graves. -Yesterday I came here before sundown, for at sundown the UnDead can -move. I waited here all night till the sun rose, but I saw nothing. -It was most probable that it was because I had laid over the clamps of -those doors garlic, which the UnDead cannot bear, and other things -which they shun. Last night there was no exodus, so tonight before -the sundown I took away my garlic and other things. And so it is we -find this coffin empty. But bear with me. So far there is much that -is strange. Wait you with me outside, unseen and unheard, and things -much stranger are yet to be. So," here he shut the dark slide of his -lantern, "now to the outside." He opened the door, and we filed out, -he coming last and locking the door behind him. - -Oh! But it seemed fresh and pure in the night air after the terror of -that vault. How sweet it was to see the clouds race by, and the -passing gleams of the moonlight between the scudding clouds crossing -and passing, like the gladness and sorrow of a man's life. How sweet -it was to breathe the fresh air, that had no taint of death and decay. -How humanizing to see the red lighting of the sky beyond the hill, and -to hear far away the muffled roar that marks the life of a great -city. Each in his own way was solemn and overcome. Arthur was -silent, and was, I could see, striving to grasp the purpose and the -inner meaning of the mystery. I was myself tolerably patient, and -half inclined again to throw aside doubt and to accept Van Helsing's -conclusions. Quincey Morris was phlegmatic in the way of a man who -accepts all things, and accepts them in the spirit of cool bravery, -with hazard of all he has at stake. Not being able to smoke, he cut -himself a good-sized plug of tobacco and began to chew. As to Van -Helsing, he was employed in a definite way. First he took from his -bag a mass of what looked like thin, wafer-like biscuit, which was -carefully rolled up in a white napkin. Next he took out a double -handful of some whitish stuff, like dough or putty. He crumbled the -wafer up fine and worked it into the mass between his hands. This he -then took, and rolling it into thin strips, began to lay them into the -crevices between the door and its setting in the tomb. I was somewhat -puzzled at this, and being close, asked him what it was that he was -doing. Arthur and Quincey drew near also, as they too were curious. - -He answered, "I am closing the tomb so that the UnDead may not enter." - -"And is that stuff you have there going to do it?" - -"It is." - -"What is that which you are using?" This time the question was by -Arthur. Van Helsing reverently lifted his hat as he answered. - -"The Host. I brought it from Amsterdam. I have an Indulgence." - -It was an answer that appalled the most sceptical of us, and we felt -individually that in the presence of such earnest purpose as the -Professor's, a purpose which could thus use the to him most sacred of -things, it was impossible to distrust. In respectful silence we took -the places assigned to us close round the tomb, but hidden from the -sight of any one approaching. I pitied the others, especially Arthur. -I had myself been apprenticed by my former visits to this watching -horror, and yet I, who had up to an hour ago repudiated the proofs, -felt my heart sink within me. Never did tombs look so ghastly white. -Never did cypress, or yew, or juniper so seem the embodiment of -funeral gloom. Never did tree or grass wave or rustle so ominously. -Never did bough creak so mysteriously, and never did the far-away -howling of dogs send such a woeful presage through the night. - -There was a long spell of silence, big, aching, void, and then from -the Professor a keen "S-s-s-s!" He pointed, and far down the avenue of -yews we saw a white figure advance, a dim white figure, which held -something dark at its breast. The figure stopped, and at the moment a -ray of moonlight fell upon the masses of driving clouds, and showed in -startling prominence a dark-haired woman, dressed in the cerements of -the grave. We could not see the face, for it was bent down over what -we saw to be a fair-haired child. There was a pause and a sharp -little cry, such as a child gives in sleep, or a dog as it lies before -the fire and dreams. We were starting forward, but the Professor's -warning hand, seen by us as he stood behind a yew tree, kept us back. -And then as we looked the white figure moved forwards again. It was -now near enough for us to see clearly, and the moonlight still held. -My own heart grew cold as ice, and I could hear the gasp of Arthur, as -we recognized the features of Lucy Westenra. Lucy Westenra, but yet -how changed. The sweetness was turned to adamantine, heartless -cruelty, and the purity to voluptuous wantonness. - -Van Helsing stepped out, and obedient to his gesture, we all advanced -too. The four of us ranged in a line before the door of the tomb. Van -Helsing raised his lantern and drew the slide. By the concentrated -light that fell on Lucy's face we could see that the lips were crimson -with fresh blood, and that the stream had trickled over her chin and -stained the purity of her lawn death-robe. - -We shuddered with horror. I could see by the tremulous light that -even Van Helsing's iron nerve had failed. Arthur was next to me, and -if I had not seized his arm and held him up, he would have fallen. - -When Lucy, I call the thing that was before us Lucy because it bore -her shape, saw us she drew back with an angry snarl, such as a cat -gives when taken unawares, then her eyes ranged over us. Lucy's eyes -in form and colour, but Lucy's eyes unclean and full of hell fire, -instead of the pure, gentle orbs we knew. At that moment the remnant -of my love passed into hate and loathing. Had she then to be killed, -I could have done it with savage delight. As she looked, her eyes -blazed with unholy light, and the face became wreathed with a -voluptuous smile. Oh, God, how it made me shudder to see it! With a -careless motion, she flung to the ground, callous as a devil, the -child that up to now she had clutched strenuously to her breast, -growling over it as a dog growls over a bone. The child gave a sharp -cry, and lay there moaning. There was a cold-bloodedness in the act -which wrung a groan from Arthur. When she advanced to him with -outstretched arms and a wanton smile he fell back and hid his face in -his hands. - -She still advanced, however, and with a languorous, voluptuous grace, -said, "Come to me, Arthur. Leave these others and come to me. My -arms are hungry for you. Come, and we can rest together. Come, my -husband, come!" - -There was something diabolically sweet in her tones, something of the -tinkling of glass when struck, which rang through the brains even of -us who heard the words addressed to another. - -As for Arthur, he seemed under a spell, moving his hands from his -face, he opened wide his arms. She was leaping for them, when Van -Helsing sprang forward and held between them his little golden -crucifix. She recoiled from it, and, with a suddenly distorted face, -full of rage, dashed past him as if to enter the tomb. - -When within a foot or two of the door, however, she stopped, as if -arrested by some irresistible force. Then she turned, and her face -was shown in the clear burst of moonlight and by the lamp, which had -now no quiver from Van Helsing's nerves. Never did I see such baffled -malice on a face, and never, I trust, shall such ever be seen again by -mortal eyes. The beautiful colour became livid, the eyes seemed to -throw out sparks of hell fire, the brows were wrinkled as though the -folds of flesh were the coils of Medusa's snakes, and the lovely, -blood-stained mouth grew to an open square, as in the passion masks of -the Greeks and Japanese. If ever a face meant death, if looks could -kill, we saw it at that moment. - -And so for full half a minute, which seemed an eternity, she remained -between the lifted crucifix and the sacred closing of her means of -entry. - -Van Helsing broke the silence by asking Arthur, "Answer me, oh my -friend! Am I to proceed in my work?" - -"Do as you will, friend. Do as you will. There can be no horror like -this ever any more." And he groaned in spirit. - -Quincey and I simultaneously moved towards him, and took his arms. We -could hear the click of the closing lantern as Van Helsing held it -down. Coming close to the tomb, he began to remove from the chinks -some of the sacred emblem which he had placed there. We all looked on -with horrified amazement as we saw, when he stood back, the woman, -with a corporeal body as real at that moment as our own, pass through -the interstice where scarce a knife blade could have gone. We all -felt a glad sense of relief when we saw the Professor calmly restoring -the strings of putty to the edges of the door. - -When this was done, he lifted the child and said, "Come now, my -friends. We can do no more till tomorrow. There is a funeral at -noon, so here we shall all come before long after that. The friends -of the dead will all be gone by two, and when the sexton locks the -gate we shall remain. Then there is more to do, but not like this of -tonight. As for this little one, he is not much harmed, and by -tomorrow night he shall be well. We shall leave him where the police -will find him, as on the other night, and then to home." - -Coming close to Arthur, he said, "My friend Arthur, you have had a sore -trial, but after, when you look back, you will see how it was -necessary. You are now in the bitter waters, my child. By this time -tomorrow you will, please God, have passed them, and have drunk of the -sweet waters. So do not mourn over-much. Till then I shall not ask -you to forgive me." - -Arthur and Quincey came home with me, and we tried to cheer each other -on the way. We had left behind the child in safety, and were tired. -So we all slept with more or less reality of sleep. - - -29 September, night.--A little before twelve o'clock we three, Arthur, -Quincey Morris, and myself, called for the Professor. It was odd to -notice that by common consent we had all put on black clothes. Of -course, Arthur wore black, for he was in deep mourning, but the rest -of us wore it by instinct. We got to the graveyard by half-past one, -and strolled about, keeping out of official observation, so that when -the gravediggers had completed their task and the sexton, under the -belief that every one had gone, had locked the gate, we had the place -all to ourselves. Van Helsing, instead of his little black bag, had -with him a long leather one, something like a cricketing bag. It was -manifestly of fair weight. - -When we were alone and had heard the last of the footsteps die out up -the road, we silently, and as if by ordered intention, followed the -Professor to the tomb. He unlocked the door, and we entered, closing -it behind us. Then he took from his bag the lantern, which he lit, -and also two wax candles, which, when lighted, he stuck by melting -their own ends, on other coffins, so that they might give light -sufficient to work by. When he again lifted the lid off Lucy's coffin -we all looked, Arthur trembling like an aspen, and saw that the corpse -lay there in all its death beauty. But there was no love in my own -heart, nothing but loathing for the foul Thing which had taken Lucy's -shape without her soul. I could see even Arthur's face grow hard as -he looked. Presently he said to Van Helsing, "Is this really Lucy's -body, or only a demon in her shape?" - -"It is her body, and yet not it. But wait a while, and you shall see -her as she was, and is." - -She seemed like a nightmare of Lucy as she lay there, the pointed -teeth, the blood stained, voluptuous mouth, which made one shudder to -see, the whole carnal and unspirited appearance, seeming like a -devilish mockery of Lucy's sweet purity. Van Helsing, with his usual -methodicalness, began taking the various contents from his bag and -placing them ready for use. First he took out a soldering iron and -some plumbing solder, and then small oil lamp, which gave out, when -lit in a corner of the tomb, gas which burned at a fierce heat with a -blue flame, then his operating knives, which he placed to hand, and -last a round wooden stake, some two and a half or three inches thick -and about three feet long. One end of it was hardened by charring in -the fire, and was sharpened to a fine point. With this stake came a -heavy hammer, such as in households is used in the coal cellar for -breaking the lumps. To me, a doctor's preparations for work of any -kind are stimulating and bracing, but the effect of these things on -both Arthur and Quincey was to cause them a sort of consternation. -They both, however, kept their courage, and remained silent and quiet. - -When all was ready, Van Helsing said, "Before we do anything, let me -tell you this. It is out of the lore and experience of the ancients -and of all those who have studied the powers of the UnDead. When they -become such, there comes with the change the curse of immortality. -They cannot die, but must go on age after age adding new victims and -multiplying the evils of the world. For all that die from the preying -of the Undead become themselves Undead, and prey on their kind. And -so the circle goes on ever widening, like as the ripples from a stone -thrown in the water. Friend Arthur, if you had met that kiss which -you know of before poor Lucy die, or again, last night when you open -your arms to her, you would in time, when you had died, have become -nosferatu, as they call it in Eastern Europe, and would for all time -make more of those Un-Deads that so have filled us with horror. The -career of this so unhappy dear lady is but just begun. Those children -whose blood she sucked are not as yet so much the worse, but if she -lives on, UnDead, more and more they lose their blood and by her power -over them they come to her, and so she draw their blood with that so -wicked mouth. But if she die in truth, then all cease. The tiny -wounds of the throats disappear, and they go back to their play -unknowing ever of what has been. But of the most blessed of all, when -this now UnDead be made to rest as true dead, then the soul of the -poor lady whom we love shall again be free. Instead of working -wickedness by night and growing more debased in the assimilating of it -by day, she shall take her place with the other Angels. So that, my -friend, it will be a blessed hand for her that shall strike the blow -that sets her free. To this I am willing, but is there none amongst -us who has a better right? Will it be no joy to think of hereafter in -the silence of the night when sleep is not, 'It was my hand that sent -her to the stars. It was the hand of him that loved her best, the -hand that of all she would herself have chosen, had it been to her to -choose?' Tell me if there be such a one amongst us?" - -We all looked at Arthur. He saw too, what we all did, the infinite -kindness which suggested that his should be the hand which would -restore Lucy to us as a holy, and not an unholy, memory. He stepped -forward and said bravely, though his hand trembled, and his face was -as pale as snow, "My true friend, from the bottom of my broken heart I -thank you. Tell me what I am to do, and I shall not falter!" - -Van Helsing laid a hand on his shoulder, and said, "Brave lad! A -moment's courage, and it is done. This stake must be driven through -her. It well be a fearful ordeal, be not deceived in that, but it -will be only a short time, and you will then rejoice more than your -pain was great. From this grim tomb you will emerge as though you -tread on air. But you must not falter when once you have begun. Only -think that we, your true friends, are round you, and that we pray for -you all the time." - -"Go on," said Arthur hoarsely. "Tell me what I am to do." - -"Take this stake in your left hand, ready to place to the point over -the heart, and the hammer in your right. Then when we begin our -prayer for the dead, I shall read him, I have here the book, and the -others shall follow, strike in God's name, that so all may be well -with the dead that we love and that the UnDead pass away." - -Arthur took the stake and the hammer, and when once his mind was set -on action his hands never trembled nor even quivered. Van Helsing -opened his missal and began to read, and Quincey and I followed as -well as we could. - -Arthur placed the point over the heart, and as I looked I could see its -dint in the white flesh. Then he struck with all his might. - -The thing in the coffin writhed, and a hideous, blood-curdling screech -came from the opened red lips. The body shook and quivered and -twisted in wild contortions. The sharp white teeth champed together till -the lips were cut, and the mouth was smeared with a crimson foam. But -Arthur never faltered. He looked like a figure of Thor as his -untrembling arm rose and fell, driving deeper and deeper the -mercy-bearing stake, whilst the blood from the pierced heart welled -and spurted up around it. His face was set, and high duty seemed to -shine through it. The sight of it gave us courage so that our voices -seemed to ring through the little vault. - -And then the writhing and quivering of the body became less, and the -teeth seemed to champ, and the face to quiver. Finally it lay still. -The terrible task was over. - -The hammer fell from Arthur's hand. He reeled and would have fallen -had we not caught him. The great drops of sweat sprang from his -forehead, and his breath came in broken gasps. It had indeed been an -awful strain on him, and had he not been forced to his task by more -than human considerations he could never have gone through with it. -For a few minutes we were so taken up with him that we did not look -towards the coffin. When we did, however, a murmur of startled -surprise ran from one to the other of us. We gazed so eagerly that -Arthur rose, for he had been seated on the ground, and came and looked -too, and then a glad strange light broke over his face and dispelled -altogether the gloom of horror that lay upon it. - -There, in the coffin lay no longer the foul Thing that we had so -dreaded and grown to hate that the work of her destruction was yielded -as a privilege to the one best entitled to it, but Lucy as we had seen -her in life, with her face of unequalled sweetness and purity. True -that there were there, as we had seen them in life, the traces of care -and pain and waste. But these were all dear to us, for they marked -her truth to what we knew. One and all we felt that the holy calm -that lay like sunshine over the wasted face and form was only an -earthly token and symbol of the calm that was to reign for ever. - -Van Helsing came and laid his hand on Arthur's shoulder, and said to -him, "And now, Arthur my friend, dear lad, am I not forgiven?" - -The reaction of the terrible strain came as he took the old man's hand -in his, and raising it to his lips, pressed it, and said, "Forgiven! -God bless you that you have given my dear one her soul again, and me -peace." He put his hands on the Professor's shoulder, and laying his -head on his breast, cried for a while silently, whilst we stood -unmoving. - -When he raised his head Van Helsing said to him, "And now, my child, -you may kiss her. Kiss her dead lips if you will, as she would have -you to, if for her to choose. For she is not a grinning devil now, -not any more a foul Thing for all eternity. No longer she is the -devil's UnDead. She is God's true dead, whose soul is with Him!" - -Arthur bent and kissed her, and then we sent him and Quincey out of the -tomb. The Professor and I sawed the top off the stake, leaving the -point of it in the body. Then we cut off the head and filled the -mouth with garlic. We soldered up the leaden coffin, screwed on the -coffin lid, and gathering up our belongings, came away. When the -Professor locked the door he gave the key to Arthur. - -Outside the air was sweet, the sun shone, and the birds sang, and it -seemed as if all nature were tuned to a different pitch. There was -gladness and mirth and peace everywhere, for we were at rest ourselves -on one account, and we were glad, though it was with a tempered joy. - -Before we moved away Van Helsing said, "Now, my friends, one step of -our work is done, one the most harrowing to ourselves. But there -remains a greater task: to find out the author of all this our sorrow -and to stamp him out. I have clues which we can follow, but it is a -long task, and a difficult one, and there is danger in it, and pain. -Shall you not all help me? We have learned to believe, all of us, is -it not so? And since so, do we not see our duty? Yes! And do we not -promise to go on to the bitter end?" - -Each in turn, we took his hand, and the promise was made. Then said -the Professor as we moved off, "Two nights hence you shall meet with -me and dine together at seven of the clock with friend John. I shall -entreat two others, two that you know not as yet, and I shall be ready -to all our work show and our plans unfold. Friend John, you come with -me home, for I have much to consult you about, and you can help me. -Tonight I leave for Amsterdam, but shall return tomorrow night. And -then begins our great quest. But first I shall have much to say, so -that you may know what to do and to dread. Then our promise shall be -made to each other anew. For there is a terrible task before us, and -once our feet are on the ploughshare we must not draw back." - - - - -CHAPTER 17 - - -DR. SEWARD'S DIARY--cont. - -When we arrived at the Berkely Hotel, Van Helsing found a telegram -waiting for him. - -"Am coming up by train. Jonathan at Whitby. Important news. Mina -Harker." - - -The Professor was delighted. "Ah, that wonderful Madam Mina," he -said, "pearl among women! She arrive, but I cannot stay. She must go -to your house, friend John. You must meet her at the station. -Telegraph her en route so that she may be prepared." - -When the wire was dispatched he had a cup of tea. Over it he told me -of a diary kept by Jonathan Harker when abroad, and gave me a -typewritten copy of it, as also of Mrs. Harker's diary at Whitby. -"Take these," he said, "and study them well. When I have returned you -will be master of all the facts, and we can then better enter on our -inquisition. Keep them safe, for there is in them much of treasure. -You will need all your faith, even you who have had such an experience -as that of today. What is here told," he laid his hand heavily and -gravely on the packet of papers as he spoke, "may be the beginning of -the end to you and me and many another, or it may sound the knell of -the UnDead who walk the earth. Read all, I pray you, with the open -mind, and if you can add in any way to the story here told do so, for -it is all important. You have kept a diary of all these so strange -things, is it not so? Yes! Then we shall go through all these -together when we meet." He then made ready for his departure and -shortly drove off to Liverpool Street. I took my way to Paddington, -where I arrived about fifteen minutes before the train came in. - -The crowd melted away, after the bustling fashion common to arrival -platforms, and I was beginning to feel uneasy, lest I might miss my -guest, when a sweet-faced, dainty looking girl stepped up to me, and -after a quick glance said, "Dr. Seward, is it not?" - -"And you are Mrs. Harker!" I answered at once, whereupon she held out -her hand. - -"I knew you from the description of poor dear Lucy, but . . ." She -stopped suddenly, and a quick blush overspread her face. - -The blush that rose to my own cheeks somehow set us both at ease, for -it was a tacit answer to her own. I got her luggage, which included a -typewriter, and we took the Underground to Fenchurch Street, after I -had sent a wire to my housekeeper to have a sitting room and a bedroom -prepared at once for Mrs. Harker. - -In due time we arrived. She knew, of course, that the place was a -lunatic asylum, but I could see that she was unable to repress a -shudder when we entered. - -She told me that, if she might, she would come presently to my study, -as she had much to say. So here I am finishing my entry in my -phonograph diary whilst I await her. As yet I have not had the chance -of looking at the papers which Van Helsing left with me, though they -lie open before me. I must get her interested in something, so that I -may have an opportunity of reading them. She does not know how -precious time is, or what a task we have in hand. I must be careful -not to frighten her. Here she is! - - - - -MINA HARKER'S JOURNAL - -29 September.--After I had tidied myself, I went down to Dr. Seward's -study. At the door I paused a moment, for I thought I heard him -talking with some one. As, however, he had pressed me to be quick, I -knocked at the door, and on his calling out, "Come in," I entered. - -To my intense surprise, there was no one with him. He was quite -alone, and on the table opposite him was what I knew at once from the -description to be a phonograph. I had never seen one, and was much -interested. - -"I hope I did not keep you waiting," I said, "but I stayed at the door -as I heard you talking, and thought there was someone with you." - -"Oh," he replied with a smile, "I was only entering my diary." - -"Your diary?" I asked him in surprise. - -"Yes," he answered. "I keep it in this." As he spoke he laid his -hand on the phonograph. I felt quite excited over it, and blurted -out, "Why, this beats even shorthand! May I hear it say something?" - -"Certainly," he replied with alacrity, and stood up to put it in train -for speaking. Then he paused, and a troubled look overspread his -face. - -"The fact is," he began awkwardly, "I only keep my diary in it, and as -it is entirely, almost entirely, about my cases it may be awkward, -that is, I mean . . ." He stopped, and I tried to help him out of his -embarrassment. - -"You helped to attend dear Lucy at the end. Let me hear how she died, -for all that I know of her, I shall be very grateful. She was very, -very dear to me." - -To my surprise, he answered, with a horrorstruck look in his face, -"Tell you of her death? Not for the wide world!" - -"Why not?" I asked, for some grave, terrible feeling was coming over me. - -Again he paused, and I could see that he was trying to invent an -excuse. At length, he stammered out, "You see, I do not know how to -pick out any particular part of the diary." - -Even while he was speaking an idea dawned upon him, and he said with -unconscious simplicity, in a different voice, and with the naivete of -a child, "that's quite true, upon my honour. Honest Indian!" - -I could not but smile, at which he grimaced. "I gave myself away that -time!" he said. "But do you know that, although I have kept the diary -for months past, it never once struck me how I was going to find any -particular part of it in case I wanted to look it up?" - -By this time my mind was made up that the diary of a doctor who -attended Lucy might have something to add to the sum of our knowledge -of that terrible Being, and I said boldly, "Then, Dr. Seward, you had -better let me copy it out for you on my typewriter." - -He grew to a positively deathly pallor as he said, "No! No! No! For -all the world. I wouldn't let you know that terrible story!" - -Then it was terrible. My intuition was right! For a moment, I -thought, and as my eyes ranged the room, unconsciously looking for -something or some opportunity to aid me, they lit on a great batch of -typewriting on the table. His eyes caught the look in mine, and -without his thinking, followed their direction. As they saw the -parcel he realized my meaning. - -"You do not know me," I said. "When you have read those papers, my -own diary and my husband's also, which I have typed, you will know me -better. I have not faltered in giving every thought of my own heart -in this cause. But, of course, you do not know me, yet, and I must -not expect you to trust me so far." - -He is certainly a man of noble nature. Poor dear Lucy was right about -him. He stood up and opened a large drawer, in which were arranged in -order a number of hollow cylinders of metal covered with dark wax, and -said, - -"You are quite right. I did not trust you because I did not know -you. But I know you now, and let me say that I should have known you -long ago. I know that Lucy told you of me. She told me of you too. -May I make the only atonement in my power? Take the cylinders and -hear them. The first half-dozen of them are personal to me, and they -will not horrify you. Then you will know me better. Dinner will by -then be ready. In the meantime I shall read over some of these -documents, and shall be better able to understand certain things." - -He carried the phonograph himself up to my sitting room and adjusted -it for me. Now I shall learn something pleasant, I am sure. For it -will tell me the other side of a true love episode of which I know one -side already. - - - - -DR. SEWARD'S DIARY - -29 September.--I was so absorbed in that wonderful diary of Jonathan -Harker and that other of his wife that I let the time run on without -thinking. Mrs. Harker was not down when the maid came to announce -dinner, so I said, "She is possibly tired. Let dinner wait an hour," -and I went on with my work. I had just finished Mrs. Harker's diary, -when she came in. She looked sweetly pretty, but very sad, and her -eyes were flushed with crying. This somehow moved me much. Of late I -have had cause for tears, God knows! But the relief of them was -denied me, and now the sight of those sweet eyes, brightened by recent -tears, went straight to my heart. So I said as gently as I could, "I -greatly fear I have distressed you." - -"Oh, no, not distressed me," she replied. "But I have been more -touched than I can say by your grief. That is a wonderful machine, -but it is cruelly true. It told me, in its very tones, the anguish of -your heart. It was like a soul crying out to Almighty God. No one -must hear them spoken ever again! See, I have tried to be useful. I -have copied out the words on my typewriter, and none other need now -hear your heart beat, as I did." - -"No one need ever know, shall ever know," I said in a low voice. She -laid her hand on mine and said very gravely, "Ah, but they must!" - -"Must! But why?" I asked. - -"Because it is a part of the terrible story, a part of poor Lucy's -death and all that led to it. Because in the struggle which we have -before us to rid the earth of this terrible monster we must have all -the knowledge and all the help which we can get. I think that the -cylinders which you gave me contained more than you intended me to -know. But I can see that there are in your record many lights to this -dark mystery. You will let me help, will you not? I know all up to a -certain point, and I see already, though your diary only took me to 7 -September, how poor Lucy was beset, and how her terrible doom was -being wrought out. Jonathan and I have been working day and night -since Professor Van Helsing saw us. He is gone to Whitby to get more -information, and he will be here tomorrow to help us. We need have no -secrets amongst us. Working together and with absolute trust, we can -surely be stronger than if some of us were in the dark." - -She looked at me so appealingly, and at the same time manifested such -courage and resolution in her bearing, that I gave in at once to her -wishes. "You shall," I said, "do as you like in the matter. God -forgive me if I do wrong! There are terrible things yet to learn of, -but if you have so far traveled on the road to poor Lucy's death, you -will not be content, I know, to remain in the dark. Nay, the end, the -very end, may give you a gleam of peace. Come, there is dinner. We -must keep one another strong for what is before us. We have a cruel -and dreadful task. When you have eaten you shall learn the rest, and -I shall answer any questions you ask, if there be anything which you -do not understand, though it was apparent to us who were present." - - - -MINA HARKER'S JOURNAL - -29 September.--After dinner I came with Dr. Seward to his study. He -brought back the phonograph from my room, and I took a chair, and -arranged the phonograph so that I could touch it without getting up, -and showed me how to stop it in case I should want to pause. Then he -very thoughtfully took a chair, with his back to me, so that I might -be as free as possible, and began to read. I put the forked metal to -my ears and listened. - -When the terrible story of Lucy's death, and all that followed, was -done, I lay back in my chair powerless. Fortunately I am not of a -fainting disposition. When Dr. Seward saw me he jumped up with a -horrified exclamation, and hurriedly taking a case bottle from the -cupboard, gave me some brandy, which in a few minutes somewhat -restored me. My brain was all in a whirl, and only that there came -through all the multitude of horrors, the holy ray of light that my -dear Lucy was at last at peace, I do not think I could have borne it -without making a scene. It is all so wild and mysterious, and strange -that if I had not known Jonathan's experience in Transylvania I could -not have believed. As it was, I didn't know what to believe, and so -got out of my difficulty by attending to something else. I took the -cover off my typewriter, and said to Dr. Seward, - -"Let me write this all out now. We must be ready for Dr. Van Helsing -when he comes. I have sent a telegram to Jonathan to come on here -when he arrives in London from Whitby. In this matter dates are -everything, and I think that if we get all of our material ready, and -have every item put in chronological order, we shall have done much. - -"You tell me that Lord Godalming and Mr. Morris are coming too. Let -us be able to tell them when they come." - -He accordingly set the phonograph at a slow pace, and I began to -typewrite from the beginning of the seventeenth cylinder. I used -manifold, and so took three copies of the diary, just as I had done -with the rest. It was late when I got through, but Dr. Seward went -about his work of going his round of the patients. When he had -finished he came back and sat near me, reading, so that I did not feel -too lonely whilst I worked. How good and thoughtful he is. The world -seems full of good men, even if there are monsters in it. - -Before I left him I remembered what Jonathan put in his diary of the -Professor's perturbation at reading something in an evening paper at -the station at Exeter, so, seeing that Dr. Seward keeps his -newspapers, I borrowed the files of 'The Westminster Gazette' and 'The -Pall Mall Gazette' and took them to my room. I remember how much the -'Dailygraph' and 'The Whitby Gazette', of which I had made cuttings, -had helped us to understand the terrible events at Whitby when Count -Dracula landed, so I shall look through the evening papers since then, -and perhaps I shall get some new light. I am not sleepy, and the work -will help to keep me quiet. - - - - -DR. SEWARD'S DIARY - -30 September.--Mr. Harker arrived at nine o'clock. He got his wife's -wire just before starting. He is uncommonly clever, if one can judge -from his face, and full of energy. If this journal be true, and -judging by one's own wonderful experiences, it must be, he is also a -man of great nerve. That going down to the vault a second time was a -remarkable piece of daring. After reading his account of it I was -prepared to meet a good specimen of manhood, but hardly the quiet, -businesslike gentleman who came here today. - - -LATER.--After lunch Harker and his wife went back to their own room, -and as I passed a while ago I heard the click of the typewriter. They -are hard at it. Mrs. Harker says that they are knitting together in -chronological order every scrap of evidence they have. Harker has got -the letters between the consignee of the boxes at Whitby and the -carriers in London who took charge of them. He is now reading his -wife's transcript of my diary. I wonder what they make out of it. -Here it is . . . - -Strange that it never struck me that the very next house might be the -Count's hiding place! Goodness knows that we had enough clues from -the conduct of the patient Renfield! The bundle of letters relating -to the purchase of the house were with the transcript. Oh, if we had -only had them earlier we might have saved poor Lucy! Stop! That way -madness lies! Harker has gone back, and is again collecting material. -He says that by dinner time they will be able to show a whole -connected narrative. He thinks that in the meantime I should see -Renfield, as hitherto he has been a sort of index to the coming and -going of the Count. I hardly see this yet, but when I get at the -dates I suppose I shall. What a good thing that Mrs. Harker put my -cylinders into type! We never could have found the dates otherwise. - -I found Renfield sitting placidly in his room with his hands folded, -smiling benignly. At the moment he seemed as sane as any one I ever -saw. I sat down and talked with him on a lot of subjects, all of -which he treated naturally. He then, of his own accord, spoke of -going home, a subject he has never mentioned to my knowledge during -his sojourn here. In fact, he spoke quite confidently of getting his -discharge at once. I believe that, had I not had the chat with Harker -and read the letters and the dates of his outbursts, I should have -been prepared to sign for him after a brief time of observation. As -it is, I am darkly suspicious. All those out-breaks were in some way -linked with the proximity of the Count. What then does this absolute -content mean? Can it be that his instinct is satisfied as to the -vampire's ultimate triumph? Stay. He is himself zoophagous, and in -his wild ravings outside the chapel door of the deserted house he -always spoke of 'master'. This all seems confirmation of our idea. -However, after a while I came away. My friend is just a little too -sane at present to make it safe to probe him too deep with questions. -He might begin to think, and then . . . So I came away. I mistrust -these quiet moods of his, so I have given the attendant a hint to -look closely after him, and to have a strait waistcoat ready in case -of need. - - - - - -JOHNATHAN HARKER'S JOURNAL - -29 September, in train to London.--When I received Mr. Billington's -courteous message that he would give me any information in his power I -thought it best to go down to Whitby and make, on the spot, such -inquiries as I wanted. It was now my object to trace that horrid -cargo of the Count's to its place in London. Later, we may be able to -deal with it. Billington junior, a nice lad, met me at the station, -and brought me to his father's house, where they had decided that I -must spend the night. They are hospitable, with true Yorkshire -hospitality, give a guest everything and leave him to do as he likes. -They all knew that I was busy, and that my stay was short, and Mr. -Billington had ready in his office all the papers concerning the -consignment of boxes. It gave me almost a turn to see again one of -the letters which I had seen on the Count's table before I knew of his -diabolical plans. Everything had been carefully thought out, and done -systematically and with precision. He seemed to have been prepared -for every obstacle which might be placed by accident in the way of his -intentions being carried out. To use an Americanism, he had 'taken no -chances', and the absolute accuracy with which his instructions were -fulfilled was simply the logical result of his care. I saw the -invoice, and took note of it. 'Fifty cases of common earth, to be used -for experimental purposes'. Also the copy of the letter to Carter -Paterson, and their reply. Of both these I got copies. This was all -the information Mr. Billington could give me, so I went down to the -port and saw the coastguards, the Customs Officers and the harbour -master, who kindly put me in communication with the men who had -actually received the boxes. Their tally was exact with the list, and -they had nothing to add to the simple description 'fifty cases of -common earth', except that the boxes were 'main and mortal heavy', and -that shifting them was dry work. One of them added that it was hard -lines that there wasn't any gentleman 'such like as like yourself, -squire', to show some sort of appreciation of their efforts in a -liquid form. Another put in a rider that the thirst then generated -was such that even the time which had elapsed had not completely -allayed it. Needless to add, I took care before leaving to lift, -forever and adequately, this source of reproach. - -30 September.--The station master was good enough to give me a line to -his old companion the station master at King's Cross, so that when I -arrived there in the morning I was able to ask him about the arrival -of the boxes. He, too put me at once in communication with the proper -officials, and I saw that their tally was correct with the original -invoice. The opportunities of acquiring an abnormal thirst had been -here limited. A noble use of them had, however, been made, and again -I was compelled to deal with the result in ex post facto manner. - -From thence I went to Carter Paterson's central office, where I met -with the utmost courtesy. They looked up the transaction in their day -book and letter book, and at once telephoned to their King's Cross -office for more details. By good fortune, the men who did the teaming -were waiting for work, and the official at once sent them over, -sending also by one of them the way-bill and all the papers connected -with the delivery of the boxes at Carfax. Here again I found the -tally agreeing exactly. The carriers' men were able to supplement the -paucity of the written words with a few more details. These were, I -shortly found, connected almost solely with the dusty nature of the -job, and the consequent thirst engendered in the operators. On my -affording an opportunity, through the medium of the currency of the -realm, of the allaying, at a later period, this beneficial evil, one -of the men remarked, - -"That 'ere 'ouse, guv'nor, is the rummiest I ever was in. Blyme! But -it ain't been touched sence a hundred years. There was dust that -thick in the place that you might have slep' on it without 'urtin' of -yer bones. An' the place was that neglected that yer might 'ave -smelled ole Jerusalem in it. But the old chapel, that took the cike, -that did! Me and my mate, we thort we wouldn't never git out quick -enough. Lor', I wouldn't take less nor a quid a moment to stay there -arter dark." - -Having been in the house, I could well believe him, but if he knew -what I know, he would, I think have raised his terms. - -Of one thing I am now satisfied. That all those boxes which arrived at -Whitby from Varna in the Demeter were safely deposited in the old -chapel at Carfax. There should be fifty of them there, unless any -have since been removed, as from Dr. Seward's diary I fear. - - -Later.--Mina and I have worked all day, and we have put all the papers -into order. - - - - -MINA HARKER'S JOURNAL - -30 September.--I am so glad that I hardly know how to contain myself. -It is, I suppose, the reaction from the haunting fear which I have -had, that this terrible affair and the reopening of his old wound -might act detrimentally on Jonathan. I saw him leave for Whitby with -as brave a face as could, but I was sick with apprehension. The -effort has, however, done him good. He was never so resolute, never -so strong, never so full of volcanic energy, as at present. It is -just as that dear, good Professor Van Helsing said, he is true grit, -and he improves under strain that would kill a weaker nature. He came -back full of life and hope and determination. We have got everything -in order for tonight. I feel myself quite wild with excitement. I -suppose one ought to pity anything so hunted as the Count. That is -just it. This thing is not human, not even a beast. To read Dr. -Seward's account of poor Lucy's death, and what followed, is enough to -dry up the springs of pity in one's heart. - - -Later.--Lord Godalming and Mr. Morris arrived earlier than we -expected. Dr. Seward was out on business, and had taken Jonathan with -him, so I had to see them. It was to me a painful meeting, for it -brought back all poor dear Lucy's hopes of only a few months ago. Of -course they had heard Lucy speak of me, and it seemed that Dr. Van -Helsing, too, had been quite 'blowing my trumpet', as Mr. Morris -expressed it. Poor fellows, neither of them is aware that I know all -about the proposals they made to Lucy. They did not quite know what -to say or do, as they were ignorant of the amount of my knowledge. So -they had to keep on neutral subjects. However, I thought the matter -over, and came to the conclusion that the best thing I could do would -be to post them on affairs right up to date. I knew from Dr. Seward's -diary that they had been at Lucy's death, her real death, and that I -need not fear to betray any secret before the time. So I told them, -as well as I could, that I had read all the papers and diaries, and -that my husband and I, having typewritten them, had just finished -putting them in order. I gave them each a copy to read in the -library. When Lord Godalming got his and turned it over, it does make -a pretty good pile, he said, "Did you write all this, Mrs. Harker?" - -I nodded, and he went on. - -"I don't quite see the drift of it, but you people are all so good and -kind, and have been working so earnestly and so energetically, that -all I can do is to accept your ideas blindfold and try to help you. I -have had one lesson already in accepting facts that should make a man -humble to the last hour of his life. Besides, I know you loved my -Lucy . . ." - -Here he turned away and covered his face with his hands. I could hear -the tears in his voice. Mr. Morris, with instinctive delicacy, just -laid a hand for a moment on his shoulder, and then walked quietly out -of the room. I suppose there is something in a woman's nature that -makes a man free to break down before her and express his feelings on -the tender or emotional side without feeling it derogatory to his -manhood. For when Lord Godalming found himself alone with me he sat -down on the sofa and gave way utterly and openly. I sat down beside -him and took his hand. I hope he didn't think it forward of me, and -that if he ever thinks of it afterwards he never will have such a -thought. There I wrong him. I know he never will. He is too true a -gentleman. I said to him, for I could see that his heart was -breaking, "I loved dear Lucy, and I know what she was to you, and what -you were to her. She and I were like sisters, and now she is gone, -will you not let me be like a sister to you in your trouble? I know -what sorrows you have had, though I cannot measure the depth of them. -If sympathy and pity can help in your affliction, won't you let me be -of some little service, for Lucy's sake?" - -In an instant the poor dear fellow was overwhelmed with grief. It -seemed to me that all that he had of late been suffering in silence -found a vent at once. He grew quite hysterical, and raising his open -hands, beat his palms together in a perfect agony of grief. He stood -up and then sat down again, and the tears rained down his cheeks. I -felt an infinite pity for him, and opened my arms unthinkingly. With -a sob he laid his head on my shoulder and cried like a wearied child, -whilst he shook with emotion. - -We women have something of the mother in us that makes us rise above -smaller matters when the mother spirit is invoked. I felt this big -sorrowing man's head resting on me, as though it were that of a baby -that some day may lie on my bosom, and I stroked his hair as though he -were my own child. I never thought at the time how strange it all -was. - -After a little bit his sobs ceased, and he raised himself with an -apology, though he made no disguise of his emotion. He told me that -for days and nights past, weary days and sleepless nights, he had been -unable to speak with any one, as a man must speak in his time of -sorrow. There was no woman whose sympathy could be given to him, or -with whom, owing to the terrible circumstance with which his sorrow -was surrounded, he could speak freely. - -"I know now how I suffered," he said, as he dried his eyes, "but I do -not know even yet, and none other can ever know, how much your sweet -sympathy has been to me today. I shall know better in time, and -believe me that, though I am not ungrateful now, my gratitude will -grow with my understanding. You will let me be like a brother, will -you not, for all our lives, for dear Lucy's sake?" - -"For dear Lucy's sake," I said as we clasped hands. "Ay, and for your -own sake," he added, "for if a man's esteem and gratitude are ever -worth the winning, you have won mine today. If ever the future should -bring to you a time when you need a man's help, believe me, you will -not call in vain. God grant that no such time may ever come to you to -break the sunshine of your life, but if it should ever come, promise -me that you will let me know." - -He was so earnest, and his sorrow was so fresh, that I felt it would -comfort him, so I said, "I promise." - -As I came along the corridor I saw Mr. Morris looking out of a window. -He turned as he heard my footsteps. "How is Art?" he said. Then -noticing my red eyes, he went on, "Ah, I see you have been comforting -him. Poor old fellow! He needs it. No one but a woman can help a -man when he is in trouble of the heart, and he had no one to comfort -him." - -He bore his own trouble so bravely that my heart bled for him. I saw -the manuscript in his hand, and I knew that when he read it he would -realize how much I knew, so I said to him, "I wish I could comfort all -who suffer from the heart. Will you let me be your friend, and will -you come to me for comfort if you need it? You will know later why I -speak." - -He saw that I was in earnest, and stooping, took my hand, and raising -it to his lips, kissed it. It seemed but poor comfort to so brave and -unselfish a soul, and impulsively I bent over and kissed him. The -tears rose in his eyes, and there was a momentary choking in his -throat. He said quite calmly, "Little girl, you will never forget -that true hearted kindness, so long as ever you live!" Then he went -into the study to his friend. - -"Little girl!" The very words he had used to Lucy, and, oh, but he -proved himself a friend. - - - - -CHAPTER 18 - - -DR. SEWARD'S DIARY - -30 September.--I got home at five o'clock, and found that Godalming -and Morris had not only arrived, but had already studied the -transcript of the various diaries and letters which Harker had not yet -returned from his visit to the carriers' men, of whom Dr. Hennessey -had written to me. Mrs. Harker gave us a cup of tea, and I can -honestly say that, for the first time since I have lived in it, this -old house seemed like home. When we had finished, Mrs. Harker said, - -"Dr. Seward, may I ask a favour? I want to see your patient, Mr. -Renfield. Do let me see him. What you have said of him in your diary -interests me so much!" - -She looked so appealing and so pretty that I could not refuse her, and -there was no possible reason why I should, so I took her with me. -When I went into the room, I told the man that a lady would like to see -him, to which he simply answered, "Why?" - -"She is going through the house, and wants to see every one in it," I -answered. - -"Oh, very well," he said, "let her come in, by all means, but just -wait a minute till I tidy up the place." - -His method of tidying was peculiar, he simply swallowed all the flies -and spiders in the boxes before I could stop him. It was quite -evident that he feared, or was jealous of, some interference. When he -had got through his disgusting task, he said cheerfully, "Let the lady -come in," and sat down on the edge of his bed with his head down, but -with his eyelids raised so that he could see her as she entered. For -a moment I thought that he might have some homicidal intent. I -remembered how quiet he had been just before he attacked me in my own -study, and I took care to stand where I could seize him at once if he -attempted to make a spring at her. - -She came into the room with an easy gracefulness which would at once -command the respect of any lunatic, for easiness is one of the -qualities mad people most respect. She walked over to him, smiling -pleasantly, and held out her hand. - -"Good evening, Mr. Renfield," said she. "You see, I know you, for Dr. -Seward has told me of you." He made no immediate reply, but eyed her -all over intently with a set frown on his face. This look gave way to -one of wonder, which merged in doubt, then to my intense astonishment -he said, "You're not the girl the doctor wanted to marry, are you? You -can't be, you know, for she's dead." - -Mrs. Harker smiled sweetly as she replied, "Oh no! I have a husband -of my own, to whom I was married before I ever saw Dr. Seward, or he -me. I am Mrs. Harker." - -"Then what are you doing here?" - -"My husband and I are staying on a visit with Dr. Seward." - -"Then don't stay." - -"But why not?" - -I thought that this style of conversation might not be pleasant to -Mrs. Harker, any more than it was to me, so I joined in, "How did you -know I wanted to marry anyone?" - -His reply was simply contemptuous, given in a pause in which he turned -his eyes from Mrs. Harker to me, instantly turning them back again, -"What an asinine question!" - -"I don't see that at all, Mr. Renfield," said Mrs. Harker, at once -championing me. - -He replied to her with as much courtesy and respect as he had shown -contempt to me, "You will, of course, understand, Mrs. Harker, that -when a man is so loved and honoured as our host is, everything -regarding him is of interest in our little community. Dr. Seward is -loved not only by his household and his friends, but even by his -patients, who, being some of them hardly in mental equilibrium, are -apt to distort causes and effects. Since I myself have been an inmate -of a lunatic asylum, I cannot but notice that the sophistic tendencies -of some of its inmates lean towards the errors of non causa and -ignoratio elenche." - -I positively opened my eyes at this new development. Here was my own -pet lunatic, the most pronounced of his type that I had ever met with, -talking elemental philosophy, and with the manner of a polished -gentleman. I wonder if it was Mrs. Harker's presence which had -touched some chord in his memory. If this new phase was spontaneous, -or in any way due to her unconscious influence, she must have some -rare gift or power. - -We continued to talk for some time, and seeing that he was seemingly -quite reasonable, she ventured, looking at me questioningly as she -began, to lead him to his favourite topic. I was again astonished, -for he addressed himself to the question with the impartiality of -the completest sanity. He even took himself as an example when he -mentioned certain things. - -"Why, I myself am an instance of a man who had a strange belief. -Indeed, it was no wonder that my friends were alarmed, and insisted on -my being put under control. I used to fancy that life was a positive -and perpetual entity, and that by consuming a multitude of live -things, no matter how low in the scale of creation, one might -indefinitely prolong life. At times I held the belief so strongly -that I actually tried to take human life. The doctor here will bear -me out that on one occasion I tried to kill him for the purpose of -strengthening my vital powers by the assimilation with my own body of -his life through the medium of his blood, relying of course, upon the -Scriptural phrase, 'For the blood is the life.' Though, indeed, the -vendor of a certain nostrum has vulgarized the truism to the very -point of contempt. Isn't that true, doctor?" - -I nodded assent, for I was so amazed that I hardly knew what to either -think or say, it was hard to imagine that I had seen him eat up his -spiders and flies not five minutes before. Looking at my watch, I saw -that I should go to the station to meet Van Helsing, so I told Mrs. -Harker that it was time to leave. - -She came at once, after saying pleasantly to Mr. Renfield, "Goodbye, -and I hope I may see you often, under auspices pleasanter to -yourself." - -To which, to my astonishment, he replied, "Goodbye, my dear. I pray -God I may never see your sweet face again. May He bless and keep -you!" - -When I went to the station to meet Van Helsing I left the boys behind -me. Poor Art seemed more cheerful than he has been since Lucy first -took ill, and Quincey is more like his own bright self than he has -been for many a long day. - -Van Helsing stepped from the carriage with the eager nimbleness of a -boy. He saw me at once, and rushed up to me, saying, "Ah, friend -John, how goes all? Well? So! I have been busy, for I come here to -stay if need be. All affairs are settled with me, and I have much to -tell. Madam Mina is with you? Yes. And her so fine husband? And -Arthur and my friend Quincey, they are with you, too? Good!" - -As I drove to the house I told him of what had passed, and of how my -own diary had come to be of some use through Mrs. Harker's suggestion, -at which the Professor interrupted me. - -"Ah, that wonderful Madam Mina! She has man's brain, a brain that a -man should have were he much gifted, and a woman's heart. The good -God fashioned her for a purpose, believe me, when He made that so good -combination. Friend John, up to now fortune has made that woman of -help to us, after tonight she must not have to do with this so -terrible affair. It is not good that she run a risk so great. We men -are determined, nay, are we not pledged, to destroy this monster? But -it is no part for a woman. Even if she be not harmed, her heart may -fail her in so much and so many horrors and hereafter she may suffer, -both in waking, from her nerves, and in sleep, from her dreams. And, -besides, she is young woman and not so long married, there may be -other things to think of some time, if not now. You tell me she has -wrote all, then she must consult with us, but tomorrow she say goodbye -to this work, and we go alone." - -I agreed heartily with him, and then I told him what we had found in -his absence, that the house which Dracula had bought was the very next -one to my own. He was amazed, and a great concern seemed to come on -him. - -"Oh that we had known it before!" he said, "for then we might have -reached him in time to save poor Lucy. However, 'the milk that is -spilt cries not out afterwards,' as you say. We shall not think of -that, but go on our way to the end." Then he fell into a silence that -lasted till we entered my own gateway. Before we went to prepare for -dinner he said to Mrs. Harker, "I am told, Madam Mina, by my friend -John that you and your husband have put up in exact order all things -that have been, up to this moment." - -"Not up to this moment, Professor," she said impulsively, "but up to -this morning." - -"But why not up to now? We have seen hitherto how good light all the -little things have made. We have told our secrets, and yet no one who -has told is the worse for it." - -Mrs. Harker began to blush, and taking a paper from her pockets, she -said, "Dr. Van Helsing, will you read this, and tell me if it must go -in. It is my record of today. I too have seen the need of putting -down at present everything, however trivial, but there is little in -this except what is personal. Must it go in?" - -The Professor read it over gravely, and handed it back, saying, "It -need not go in if you do not wish it, but I pray that it may. It can -but make your husband love you the more, and all us, your friends, -more honour you, as well as more esteem and love." She took it back -with another blush and a bright smile. - -And so now, up to this very hour, all the records we have are complete -and in order. The Professor took away one copy to study after dinner, -and before our meeting, which is fixed for nine o'clock. The rest of -us have already read everything, so when we meet in the study we shall -all be informed as to facts, and can arrange our plan of battle with -this terrible and mysterious enemy. - - - - - -MINA HARKER'S JOURNAL - -30 September.--When we met in Dr. Seward's study two hours after -dinner, which had been at six o'clock, we unconsciously formed a sort -of board or committee. Professor Van Helsing took the head of the -table, to which Dr. Seward motioned him as he came into the room. He -made me sit next to him on his right, and asked me to act as -secretary. Jonathan sat next to me. Opposite us were Lord Godalming, -Dr. Seward, and Mr. Morris, Lord Godalming being next the Professor, -and Dr. Seward in the centre. - -The Professor said, "I may, I suppose, take it that we are all -acquainted with the facts that are in these papers." We all expressed -assent, and he went on, "Then it were, I think, good that I tell you -something of the kind of enemy with which we have to deal. I shall -then make known to you something of the history of this man, which has -been ascertained for me. So we then can discuss how we shall act, and -can take our measure according. - -"There are such beings as vampires, some of us have evidence that they -exist. Even had we not the proof of our own unhappy experience, the -teachings and the records of the past give proof enough for sane -peoples. I admit that at the first I was sceptic. Were it not that -through long years I have trained myself to keep an open mind, I could -not have believed until such time as that fact thunder on my ear. 'See! -See! I prove, I prove.' Alas! Had I known at first what now I know, -nay, had I even guess at him, one so precious life had been spared to -many of us who did love her. But that is gone, and we must so work, -that other poor souls perish not, whilst we can save. The nosferatu -do not die like the bee when he sting once. He is only stronger, and -being stronger, have yet more power to work evil. This vampire which -is amongst us is of himself so strong in person as twenty men, he is -of cunning more than mortal, for his cunning be the growth of ages, he -have still the aids of necromancy, which is, as his etymology imply, -the divination by the dead, and all the dead that he can come nigh to -are for him at command; he is brute, and more than brute; he is devil -in callous, and the heart of him is not; he can, within his range, -direct the elements, the storm, the fog, the thunder; he can command -all the meaner things, the rat, and the owl, and the bat, the moth, -and the fox, and the wolf, he can grow and become small; and he can at -times vanish and come unknown. How then are we to begin our strike to -destroy him? How shall we find his where, and having found it, how -can we destroy? My friends, this is much, it is a terrible task that -we undertake, and there may be consequence to make the brave shudder. -For if we fail in this our fight he must surely win, and then where -end we? Life is nothings, I heed him not. But to fail here, is not -mere life or death. It is that we become as him, that we henceforward -become foul things of the night like him, without heart or conscience, -preying on the bodies and the souls of those we love best. To us -forever are the gates of heaven shut, for who shall open them to us -again? We go on for all time abhorred by all, a blot on the face of -God's sunshine, an arrow in the side of Him who died for man. But we -are face to face with duty, and in such case must we shrink? For me, -I say no, but then I am old, and life, with his sunshine, his fair -places, his song of birds, his music and his love, lie far behind. You -others are young. Some have seen sorrow, but there are fair days yet -in store. What say you?" - -Whilst he was speaking, Jonathan had taken my hand. I feared, oh so -much, that the appalling nature of our danger was overcoming him when -I saw his hand stretch out, but it was life to me to feel its touch, -so strong, so self reliant, so resolute. A brave man's hand can speak -for itself, it does not even need a woman's love to hear its music. - -When the Professor had done speaking my husband looked in my eyes, and -I in his, there was no need for speaking between us. - -"I answer for Mina and myself," he said. - -"Count me in, Professor," said Mr. Quincey Morris, laconically as -usual. - -"I am with you," said Lord Godalming, "for Lucy's sake, if for no -other reason." - -Dr. Seward simply nodded. - -The Professor stood up and, after laying his golden crucifix on the -table, held out his hand on either side. I took his right hand, and -Lord Godalming his left, Jonathan held my right with his left and -stretched across to Mr. Morris. So as we all took hands our solemn -compact was made. I felt my heart icy cold, but it did not even occur -to me to draw back. We resumed our places, and Dr. Van Helsing went -on with a sort of cheerfulness which showed that the serious work had -begun. It was to be taken as gravely, and in as businesslike a way, -as any other transaction of life. - -"Well, you know what we have to contend against, but we too, are not -without strength. We have on our side power of combination, a power -denied to the vampire kind, we have sources of science, we are free to -act and think, and the hours of the day and the night are ours -equally. In fact, so far as our powers extend, they are unfettered, -and we are free to use them. We have self devotion in a cause and an -end to achieve which is not a selfish one. These things are much. - -"Now let us see how far the general powers arrayed against us are -restrict, and how the individual cannot. In fine, let us consider the -limitations of the vampire in general, and of this one in particular. - -"All we have to go upon are traditions and superstitions. These do -not at the first appear much, when the matter is one of life and -death, nay of more than either life or death. Yet must we be -satisfied, in the first place because we have to be, no other means is -at our control, and secondly, because, after all these things, -tradition and superstition, are everything. Does not the belief in -vampires rest for others, though not, alas! for us, on them? A year -ago which of us would have received such a possibility, in the midst -of our scientific, sceptical, matter-of-fact nineteenth century? We -even scouted a belief that we saw justified under our very eyes. Take -it, then, that the vampire, and the belief in his limitations and his -cure, rest for the moment on the same base. For, let me tell you, he -is known everywhere that men have been. In old Greece, in old Rome, -he flourish in Germany all over, in France, in India, even in the -Chermosese, and in China, so far from us in all ways, there even is -he, and the peoples for him at this day. He have follow the wake of -the berserker Icelander, the devil-begotten Hun, the Slav, the Saxon, -the Magyar. - -"So far, then, we have all we may act upon, and let me tell you that -very much of the beliefs are justified by what we have seen in our own -so unhappy experience. The vampire live on, and cannot die by mere -passing of the time, he can flourish when that he can fatten on the -blood of the living. Even more, we have seen amongst us that he can -even grow younger, that his vital faculties grow strenuous, and seem -as though they refresh themselves when his special pabulum is plenty. - -"But he cannot flourish without this diet, he eat not as others. Even -friend Jonathan, who lived with him for weeks, did never see him eat, -never! He throws no shadow, he make in the mirror no reflect, as -again Jonathan observe. He has the strength of many of his hand, -witness again Jonathan when he shut the door against the wolves, and -when he help him from the diligence too. He can transform himself to -wolf, as we gather from the ship arrival in Whitby, when he tear open -the dog, he can be as bat, as Madam Mina saw him on the window at -Whitby, and as friend John saw him fly from this so near house, and as -my friend Quincey saw him at the window of Miss Lucy. - -"He can come in mist which he create, that noble ship's captain proved -him of this, but, from what we know, the distance he can make this -mist is limited, and it can only be round himself. - -"He come on moonlight rays as elemental dust, as again Jonathan saw -those sisters in the castle of Dracula. He become so small, we -ourselves saw Miss Lucy, ere she was at peace, slip through a -hairbreadth space at the tomb door. He can, when once he find his -way, come out from anything or into anything, no matter how close it -be bound or even fused up with fire, solder you call it. He can see -in the dark, no small power this, in a world which is one half shut -from the light. Ah, but hear me through. - -"He can do all these things, yet he is not free. Nay, he is even more -prisoner than the slave of the galley, than the madman in his cell. -He cannot go where he lists, he who is not of nature has yet to obey -some of nature's laws, why we know not. He may not enter anywhere at -the first, unless there be some one of the household who bid him to -come, though afterwards he can come as he please. His power ceases, -as does that of all evil things, at the coming of the day. - -"Only at certain times can he have limited freedom. If he be not at -the place whither he is bound, he can only change himself at noon or -at exact sunrise or sunset. These things we are told, and in this -record of ours we have proof by inference. Thus, whereas he can do as -he will within his limit, when he have his earth-home, his -coffin-home, his hell-home, the place unhallowed, as we saw when he -went to the grave of the suicide at Whitby, still at other time he can -only change when the time come. It is said, too, that he can only -pass running water at the slack or the flood of the tide. Then there -are things which so afflict him that he has no power, as the garlic -that we know of, and as for things sacred, as this symbol, my -crucifix, that was amongst us even now when we resolve, to them he is -nothing, but in their presence he take his place far off and silent -with respect. There are others, too, which I shall tell you of, lest -in our seeking we may need them. - -"The branch of wild rose on his coffin keep him that he move not from -it, a sacred bullet fired into the coffin kill him so that he be true -dead, and as for the stake through him, we know already of its peace, -or the cut off head that giveth rest. We have seen it with our eyes. - -"Thus when we find the habitation of this man-that-was, we can confine -him to his coffin and destroy him, if we obey what we know. But he is -clever. I have asked my friend Arminius, of Buda-Pesth University, to -make his record, and from all the means that are, he tell me of what -he has been. He must, indeed, have been that Voivode Dracula who won -his name against the Turk, over the great river on the very frontier -of Turkeyland. If it be so, then was he no common man, for in that -time, and for centuries after, he was spoken of as the cleverest and -the most cunning, as well as the bravest of the sons of the 'land -beyond the forest.' That mighty brain and that iron resolution went -with him to his grave, and are even now arrayed against us. The -Draculas were, says Arminius, a great and noble race, though now and -again were scions who were held by their coevals to have had dealings -with the Evil One. They learned his secrets in the Scholomance, -amongst the mountains over Lake Hermanstadt, where the devil claims -the tenth scholar as his due. In the records are such words as -'stregoica' witch, 'ordog' and 'pokol' Satan and hell, and in one -manuscript this very Dracula is spoken of as 'wampyr,' which we all -understand too well. There have been from the loins of this very one -great men and good women, and their graves make sacred the earth where -alone this foulness can dwell. For it is not the least of its terrors -that this evil thing is rooted deep in all good, in soil barren of -holy memories it cannot rest." - -Whilst they were talking Mr. Morris was looking steadily at the -window, and he now got up quietly, and went out of the room. There -was a little pause, and then the Professor went on. - -"And now we must settle what we do. We have here much data, and we -must proceed to lay out our campaign. We know from the inquiry of -Jonathan that from the castle to Whitby came fifty boxes of earth, all -of which were delivered at Carfax, we also know that at least some of -these boxes have been removed. It seems to me, that our first step -should be to ascertain whether all the rest remain in the house beyond -that wall where we look today, or whether any more have been removed. -If the latter, we must trace . . ." - -Here we were interrupted in a very startling way. Outside the house -came the sound of a pistol shot, the glass of the window was shattered -with a bullet, which ricochetting from the top of the embrasure, -struck the far wall of the room. I am afraid I am at heart a coward, -for I shrieked out. The men all jumped to their feet, Lord Godalming -flew over to the window and threw up the sash. As he did so we heard -Mr. Morris' voice without, "Sorry! I fear I have alarmed you. I -shall come in and tell you about it." - -A minute later he came in and said, "It was an idiotic thing of me to -do, and I ask your pardon, Mrs. Harker, most sincerely, I fear I must -have frightened you terribly. But the fact is that whilst the -Professor was talking there came a big bat and sat on the window sill. -I have got such a horror of the damned brutes from recent events that -I cannot stand them, and I went out to have a shot, as I have been -doing of late of evenings, whenever I have seen one. You used to -laugh at me for it then, Art." - -"Did you hit it?" asked Dr. Van Helsing. - -"I don't know, I fancy not, for it flew away into the wood." Without -saying any more he took his seat, and the Professor began to resume -his statement. - -"We must trace each of these boxes, and when we are ready, we must -either capture or kill this monster in his lair, or we must, so to -speak, sterilize the earth, so that no more he can seek safety in it. -Thus in the end we may find him in his form of man between the hours -of noon and sunset, and so engage with him when he is at his most -weak. - -"And now for you, Madam Mina, this night is the end until all be well. -You are too precious to us to have such risk. When we part tonight, -you no more must question. We shall tell you all in good time. We -are men and are able to bear, but you must be our star and our hope, -and we shall act all the more free that you are not in the danger, -such as we are." - -All the men, even Jonathan, seemed relieved, but it did not seem to me -good that they should brave danger and, perhaps lessen their safety, -strength being the best safety, through care of me, but their minds -were made up, and though it was a bitter pill for me to swallow, I -could say nothing, save to accept their chivalrous care of me. - -Mr. Morris resumed the discussion, "As there is no time to lose, I -vote we have a look at his house right now. Time is everything with -him, and swift action on our part may save another victim." - -I own that my heart began to fail me when the time for action came so -close, but I did not say anything, for I had a greater fear that if I -appeared as a drag or a hindrance to their work, they might even leave -me out of their counsels altogether. They have now gone off to -Carfax, with means to get into the house. - -Manlike, they had told me to go to bed and sleep, as if a woman can -sleep when those she loves are in danger! I shall lie down, and -pretend to sleep, lest Jonathan have added anxiety about me when he -returns. - - - - -DR. SEWARD'S DIARY - -1 October, 4 A.M.--Just as we were about to leave the house, an urgent -message was brought to me from Renfield to know if I would see him at -once, as he had something of the utmost importance to say to me. I -told the messenger to say that I would attend to his wishes in the -morning, I was busy just at the moment. - -The attendant added, "He seems very importunate, sir. I have never -seen him so eager. I don't know but what, if you don't see him soon, -he will have one of his violent fits." I knew the man would not have -said this without some cause, so I said, "All right, I'll go now," and -I asked the others to wait a few minutes for me, as I had to go and -see my patient. - -"Take me with you, friend John," said the Professor. "His case in your -diary interest me much, and it had bearing, too, now and again on our -case. I should much like to see him, and especial when his mind is -disturbed." - -"May I come also?" asked Lord Godalming. - -"Me too?" said Quincey Morris. "May I come?" said Harker. I nodded, -and we all went down the passage together. - -We found him in a state of considerable excitement, but far more -rational in his speech and manner than I had ever seen him. There was -an unusual understanding of himself, which was unlike anything I had -ever met with in a lunatic, and he took it for granted that his -reasons would prevail with others entirely sane. We all five went -into the room, but none of the others at first said anything. His -request was that I would at once release him from the asylum and send -him home. This he backed up with arguments regarding his complete -recovery, and adduced his own existing sanity. - -"I appeal to your friends," he said, "they will, perhaps, not mind -sitting in judgement on my case. By the way, you have not introduced -me." - -I was so much astonished, that the oddness of introducing a madman in -an asylum did not strike me at the moment, and besides, there was a -certain dignity in the man's manner, so much of the habit of equality, -that I at once made the introduction, "Lord Godalming, Professor Van -Helsing, Mr. Quincey Morris, of Texas, Mr. Jonathan Harker, Mr. -Renfield." - -He shook hands with each of them, saying in turn, "Lord Godalming, I -had the honour of seconding your father at the Windham; I grieve to -know, by your holding the title, that he is no more. He was a man -loved and honoured by all who knew him, and in his youth was, I have -heard, the inventor of a burnt rum punch, much patronized on Derby -night. Mr. Morris, you should be proud of your great state. Its -reception into the Union was a precedent which may have far-reaching -effects hereafter, when the Pole and the Tropics may hold alliance to -the Stars and Stripes. The power of Treaty may yet prove a vast -engine of enlargement, when the Monroe doctrine takes its true place -as a political fable. What shall any man say of his pleasure at -meeting Van Helsing? Sir, I make no apology for dropping all forms of -conventional prefix. When an individual has revolutionized -therapeutics by his discovery of the continuous evolution of brain -matter, conventional forms are unfitting, since they would seem to -limit him to one of a class. You, gentlemen, who by nationality, by -heredity, or by the possession of natural gifts, are fitted to hold -your respective places in the moving world, I take to witness that I -am as sane as at least the majority of men who are in full possession -of their liberties. And I am sure that you, Dr. Seward, humanitarian -and medico-jurist as well as scientist, will deem it a moral duty to -deal with me as one to be considered as under exceptional -circumstances." He made this last appeal with a courtly air of -conviction which was not without its own charm. - -I think we were all staggered. For my own part, I was under the -conviction, despite my knowledge of the man's character and history, -that his reason had been restored, and I felt under a strong impulse -to tell him that I was satisfied as to his sanity, and would see about -the necessary formalities for his release in the morning. I thought -it better to wait, however, before making so grave a statement, for of -old I knew the sudden changes to which this particular patient was -liable. So I contented myself with making a general statement that he -appeared to be improving very rapidly, that I would have a longer chat -with him in the morning, and would then see what I could do in the -direction of meeting his wishes. - -This did not at all satisfy him, for he said quickly, "But I fear, Dr. -Seward, that you hardly apprehend my wish. I desire to go at once, -here, now, this very hour, this very moment, if I may. Time presses, -and in our implied agreement with the old scytheman it is of the -essence of the contract. I am sure it is only necessary to put before -so admirable a practitioner as Dr. Seward so simple, yet so momentous -a wish, to ensure its fulfilment." - -He looked at me keenly, and seeing the negative in my face, turned to -the others, and scrutinized them closely. Not meeting any sufficient -response, he went on, "Is it possible that I have erred in my -supposition?" - -"You have," I said frankly, but at the same time, as I felt, brutally. - -There was a considerable pause, and then he said slowly, "Then I -suppose I must only shift my ground of request. Let me ask for this -concession, boon, privilege, what you will. I am content to implore -in such a case, not on personal grounds, but for the sake of others. I -am not at liberty to give you the whole of my reasons, but you may, I -assure you, take it from me that they are good ones, sound and -unselfish, and spring from the highest sense of duty. - -"Could you look, sir, into my heart, you would approve to the full the -sentiments which animate me. Nay, more, you would count me amongst -the best and truest of your friends." - -Again he looked at us all keenly. I had a growing conviction that -this sudden change of his entire intellectual method was but yet -another phase of his madness, and so determined to let him go on a -little longer, knowing from experience that he would, like all -lunatics, give himself away in the end. Van Helsing was gazing at him -with a look of utmost intensity, his bushy eyebrows almost meeting -with the fixed concentration of his look. He said to Renfield in a -tone which did not surprise me at the time, but only when I thought of -it afterwards, for it was as of one addressing an equal, "Can you not -tell frankly your real reason for wishing to be free tonight? I will -undertake that if you will satisfy even me, a stranger, without -prejudice, and with the habit of keeping an open mind, Dr. Seward will -give you, at his own risk and on his own responsibility, the privilege -you seek." - -He shook his head sadly, and with a look of poignant regret on his -face. The Professor went on, "Come, sir, bethink yourself. You claim -the privilege of reason in the highest degree, since you seek to -impress us with your complete reasonableness. You do this, whose -sanity we have reason to doubt, since you are not yet released from -medical treatment for this very defect. If you will not help us in -our effort to choose the wisest course, how can we perform the duty -which you yourself put upon us? Be wise, and help us, and if we can -we shall aid you to achieve your wish." - -He still shook his head as he said, "Dr. Van Helsing, I have nothing to -say. Your argument is complete, and if I were free to speak I should -not hesitate a moment, but I am not my own master in the matter. I -can only ask you to trust me. If I am refused, the responsibility -does not rest with me." - -I thought it was now time to end the scene, which was becoming too -comically grave, so I went towards the door, simply saying, "Come, my -friends, we have work to do. Goodnight." - -As, however, I got near the door, a new change came over the patient. -He moved towards me so quickly that for the moment I feared that he -was about to make another homicidal attack. My fears, however, were -groundless, for he held up his two hands imploringly, and made his -petition in a moving manner. As he saw that the very excess of his -emotion was militating against him, by restoring us more to our old -relations, he became still more demonstrative. I glanced at Van -Helsing, and saw my conviction reflected in his eyes, so I became a -little more fixed in my manner, if not more stern, and motioned to him -that his efforts were unavailing. I had previously seen something of -the same constantly growing excitement in him when he had to make some -request of which at the time he had thought much, such for instance, -as when he wanted a cat, and I was prepared to see the collapse into -the same sullen acquiescence on this occasion. - -My expectation was not realized, for when he found that his appeal -would not be successful, he got into quite a frantic condition. He -threw himself on his knees, and held up his hands, wringing them in -plaintive supplication, and poured forth a torrent of entreaty, with -the tears rolling down his cheeks, and his whole face and form -expressive of the deepest emotion. - -"Let me entreat you, Dr. Seward, oh, let me implore you, to let me out -of this house at once. Send me away how you will and where you will, -send keepers with me with whips and chains, let them take me in a -strait waistcoat, manacled and leg-ironed, even to gaol, but let me go -out of this. You don't know what you do by keeping me here. I am -speaking from the depths of my heart, of my very soul. You don't know -whom you wrong, or how, and I may not tell. Woe is me! I may not -tell. By all you hold sacred, by all you hold dear, by your love that -is lost, by your hope that lives, for the sake of the Almighty, take -me out of this and save my soul from guilt! Can't you hear me, man? -Can't you understand? Will you never learn? Don't you know that I am -sane and earnest now, that I am no lunatic in a mad fit, but a sane -man fighting for his soul? Oh, hear me! Hear me! Let me go, let me -go, let me go!" - -I thought that the longer this went on the wilder he would get, and so -would bring on a fit, so I took him by the hand and raised him up. - -"Come," I said sternly, "no more of this, we have had quite enough -already. Get to your bed and try to behave more discreetly." - -He suddenly stopped and looked at me intently for several moments. -Then, without a word, he rose and moving over, sat down on the side of -the bed. The collapse had come, as on former occasions, just as I had -expected. - -When I was leaving the room, last of our party, he said to me in a -quiet, well-bred voice, "You will, I trust, Dr. Seward, do me the -justice to bear in mind, later on, that I did what I could to convince -you tonight." - - - - -CHAPTER 19 - - -JONATHAN HARKER'S JOURNAL - -1 October, 5 A.M.--I went with the party to the search with an easy -mind, for I think I never saw Mina so absolutely strong and well. I -am so glad that she consented to hold back and let us men do the work. -Somehow, it was a dread to me that she was in this fearful business at -all, but now that her work is done, and that it is due to her energy -and brains and foresight that the whole story is put together in such -a way that every point tells, she may well feel that her part is -finished, and that she can henceforth leave the rest to us. We were, -I think, all a little upset by the scene with Mr. Renfield. When we -came away from his room we were silent till we got back to the study. - -Then Mr. Morris said to Dr. Seward, "Say, Jack, if that man wasn't -attempting a bluff, he is about the sanest lunatic I ever saw. I'm -not sure, but I believe that he had some serious purpose, and if he -had, it was pretty rough on him not to get a chance." - -Lord Godalming and I were silent, but Dr. Van Helsing added, "Friend -John, you know more lunatics than I do, and I'm glad of it, for I fear -that if it had been to me to decide I would before that last -hysterical outburst have given him free. But we live and learn, and -in our present task we must take no chance, as my friend Quincey would -say. All is best as they are." - -Dr. Seward seemed to answer them both in a dreamy kind of way, "I -don't know but that I agree with you. If that man had been an -ordinary lunatic I would have taken my chance of trusting him, but he -seems so mixed up with the Count in an indexy kind of way that I am -afraid of doing anything wrong by helping his fads. I can't forget -how he prayed with almost equal fervor for a cat, and then tried to -tear my throat out with his teeth. Besides, he called the Count 'lord -and master', and he may want to get out to help him in some diabolical -way. That horrid thing has the wolves and the rats and his own kind -to help him, so I suppose he isn't above trying to use a respectable -lunatic. He certainly did seem earnest, though. I only hope we have -done what is best. These things, in conjunction with the wild work we -have in hand, help to unnerve a man." - -The Professor stepped over, and laying his hand on his shoulder, said -in his grave, kindly way, "Friend John, have no fear. We are trying -to do our duty in a very sad and terrible case, we can only do as we -deem best. What else have we to hope for, except the pity of the good -God?" - -Lord Godalming had slipped away for a few minutes, but now he -returned. He held up a little silver whistle as he remarked, "That -old place may be full of rats, and if so, I've got an antidote on -call." - -Having passed the wall, we took our way to the house, taking care to -keep in the shadows of the trees on the lawn when the moonlight shone -out. When we got to the porch the Professor opened his bag and took -out a lot of things, which he laid on the step, sorting them into four -little groups, evidently one for each. Then he spoke. - -"My friends, we are going into a terrible danger, and we need arms of -many kinds. Our enemy is not merely spiritual. Remember that he has -the strength of twenty men, and that, though our necks or our -windpipes are of the common kind, and therefore breakable or -crushable, his are not amenable to mere strength. A stronger man, or -a body of men more strong in all than him, can at certain times hold -him, but they cannot hurt him as we can be hurt by him. We must, -therefore, guard ourselves from his touch. Keep this near your -heart." As he spoke he lifted a little silver crucifix and held it -out to me, I being nearest to him, "put these flowers round your -neck," here he handed to me a wreath of withered garlic blossoms, "for -other enemies more mundane, this revolver and this knife, and for aid -in all, these so small electric lamps, which you can fasten to your -breast, and for all, and above all at the last, this, which we must -not desecrate needless." - -This was a portion of Sacred Wafer, which he put in an envelope and -handed to me. Each of the others was similarly equipped. - -"Now," he said, "friend John, where are the skeleton keys? If so that -we can open the door, we need not break house by the window, as before -at Miss Lucy's." - -Dr. Seward tried one or two skeleton keys, his mechanical dexterity as -a surgeon standing him in good stead. Presently he got one to suit, -after a little play back and forward the bolt yielded, and with a -rusty clang, shot back. We pressed on the door, the rusty hinges -creaked, and it slowly opened. It was startlingly like the image -conveyed to me in Dr. Seward's diary of the opening of Miss Westenra's -tomb, I fancy that the same idea seemed to strike the others, for with -one accord they shrank back. The Professor was the first to move -forward, and stepped into the open door. - -"In manus tuas, Domine!" he said, crossing himself as he passed over -the threshold. We closed the door behind us, lest when we should have -lit our lamps we should possibly attract attention from the road. The -Professor carefully tried the lock, lest we might not be able to open -it from within should we be in a hurry making our exit. Then we all -lit our lamps and proceeded on our search. - -The light from the tiny lamps fell in all sorts of odd forms, as the -rays crossed each other, or the opacity of our bodies threw great -shadows. I could not for my life get away from the feeling that there -was someone else amongst us. I suppose it was the recollection, so -powerfully brought home to me by the grim surroundings, of that -terrible experience in Transylvania. I think the feeling was common -to us all, for I noticed that the others kept looking over their -shoulders at every sound and every new shadow, just as I felt myself -doing. - -The whole place was thick with dust. The floor was seemingly inches -deep, except where there were recent footsteps, in which on holding -down my lamp I could see marks of hobnails where the dust was cracked. -The walls were fluffy and heavy with dust, and in the corners were -masses of spider's webs, whereon the dust had gathered till they -looked like old tattered rags as the weight had torn them partly down. -On a table in the hall was a great bunch of keys, with a time-yellowed -label on each. They had been used several times, for on the table -were several similar rents in the blanket of dust, similar to that -exposed when the Professor lifted them. - -He turned to me and said, "You know this place, Jonathan. You have -copied maps of it, and you know it at least more than we do. Which is -the way to the chapel?" - -I had an idea of its direction, though on my former visit I had not -been able to get admission to it, so I led the way, and after a few -wrong turnings found myself opposite a low, arched oaken door, ribbed -with iron bands. - -"This is the spot," said the Professor as he turned his lamp on a -small map of the house, copied from the file of my original -correspondence regarding the purchase. With a little trouble we found -the key on the bunch and opened the door. We were prepared for some -unpleasantness, for as we were opening the door a faint, malodorous -air seemed to exhale through the gaps, but none of us ever expected -such an odour as we encountered. None of the others had met the Count -at all at close quarters, and when I had seen him he was either in the -fasting stage of his existence in his rooms or, when he was bloated -with fresh blood, in a ruined building open to the air, but here the -place was small and close, and the long disuse had made the air -stagnant and foul. There was an earthy smell, as of some dry miasma, -which came through the fouler air. But as to the odour itself, how -shall I describe it? It was not alone that it was composed of all the -ills of mortality and with the pungent, acrid smell of blood, but it -seemed as though corruption had become itself corrupt. Faugh! It -sickens me to think of it. Every breath exhaled by that monster -seemed to have clung to the place and intensified its loathsomeness. - -Under ordinary circumstances such a stench would have brought our -enterprise to an end, but this was no ordinary case, and the high and -terrible purpose in which we were involved gave us a strength which -rose above merely physical considerations. After the involuntary -shrinking consequent on the first nauseous whiff, we one and all set -about our work as though that loathsome place were a garden of roses. - -We made an accurate examination of the place, the Professor saying as -we began, "The first thing is to see how many of the boxes are left, -we must then examine every hole and corner and cranny and see if we -cannot get some clue as to what has become of the rest." - -A glance was sufficient to show how many remained, for the great earth -chests were bulky, and there was no mistaking them. - -There were only twenty-nine left out of the fifty! Once I got a -fright, for, seeing Lord Godalming suddenly turn and look out of the -vaulted door into the dark passage beyond, I looked too, and for an -instant my heart stood still. Somewhere, looking out from the shadow, -I seemed to see the high lights of the Count's evil face, the ridge of -the nose, the red eyes, the red lips, the awful pallor. It was only -for a moment, for, as Lord Godalming said, "I thought I saw a face, -but it was only the shadows," and resumed his inquiry, I turned my -lamp in the direction, and stepped into the passage. There was no -sign of anyone, and as there were no corners, no doors, no aperture of -any kind, but only the solid walls of the passage, there could be no -hiding place even for him. I took it that fear had helped -imagination, and said nothing. - -A few minutes later I saw Morris step suddenly back from a corner, -which he was examining. We all followed his movements with our eyes, -for undoubtedly some nervousness was growing on us, and we saw a whole -mass of phosphorescence, which twinkled like stars. We all -instinctively drew back. The whole place was becoming alive with -rats. - -For a moment or two we stood appalled, all save Lord Godalming, who -was seemingly prepared for such an emergency. Rushing over to the -great iron-bound oaken door, which Dr. Seward had described from the -outside, and which I had seen myself, he turned the key in the lock, -drew the huge bolts, and swung the door open. Then, taking his little -silver whistle from his pocket, he blew a low, shrill call. It was -answered from behind Dr. Seward's house by the yelping of dogs, and -after about a minute three terriers came dashing round the corner of -the house. Unconsciously we had all moved towards the door, and as we -moved I noticed that the dust had been much disturbed. The boxes -which had been taken out had been brought this way. But even in the -minute that had elapsed the number of the rats had vastly increased. -They seemed to swarm over the place all at once, till the lamplight, -shining on their moving dark bodies and glittering, baleful eyes, made -the place look like a bank of earth set with fireflies. The dogs -dashed on, but at the threshold suddenly stopped and snarled, and -then, simultaneously lifting their noses, began to howl in most -lugubrious fashion. The rats were multiplying in thousands, and we -moved out. - -Lord Godalming lifted one of the dogs, and carrying him in, placed him -on the floor. The instant his feet touched the ground he seemed to -recover his courage, and rushed at his natural enemies. They fled -before him so fast that before he had shaken the life out of a score, -the other dogs, who had by now been lifted in the same manner, had but -small prey ere the whole mass had vanished. - -With their going it seemed as if some evil presence had departed, for -the dogs frisked about and barked merrily as they made sudden darts at -their prostrate foes, and turned them over and over and tossed them in -the air with vicious shakes. We all seemed to find our spirits rise. -Whether it was the purifying of the deadly atmosphere by the opening -of the chapel door, or the relief which we experienced by finding -ourselves in the open I know not, but most certainly the shadow of -dread seemed to slip from us like a robe, and the occasion of our -coming lost something of its grim significance, though we did not -slacken a whit in our resolution. We closed the outer door and barred -and locked it, and bringing the dogs with us, began our search of the -house. We found nothing throughout except dust in extraordinary -proportions, and all untouched save for my own footsteps when I had -made my first visit. Never once did the dogs exhibit any symptom of -uneasiness, and even when we returned to the chapel they frisked about -as though they had been rabbit hunting in a summer wood. - -The morning was quickening in the east when we emerged from the front. -Dr. Van Helsing had taken the key of the hall door from the bunch, and -locked the door in orthodox fashion, putting the key into his pocket -when he had done. - -"So far," he said, "our night has been eminently successful. No harm -has come to us such as I feared might be and yet we have ascertained -how many boxes are missing. More than all do I rejoice that this, our -first, and perhaps our most difficult and dangerous, step has been -accomplished without the bringing thereinto our most sweet Madam Mina -or troubling her waking or sleeping thoughts with sights and sounds -and smells of horror which she might never forget. One lesson, too, -we have learned, if it be allowable to argue a particulari, that the -brute beasts which are to the Count's command are yet themselves not -amenable to his spiritual power, for look, these rats that would come -to his call, just as from his castle top he summon the wolves to your -going and to that poor mother's cry, though they come to him, they run -pell-mell from the so little dogs of my friend Arthur. We have other -matters before us, other dangers, other fears, and that monster . . . -He has not used his power over the brute world for the only or the -last time tonight. So be it that he has gone elsewhere. Good! It -has given us opportunity to cry 'check' in some ways in this chess -game, which we play for the stake of human souls. And now let us go -home. The dawn is close at hand, and we have reason to be content -with our first night's work. It may be ordained that we have many -nights and days to follow, if full of peril, but we must go on, and -from no danger shall we shrink." - -The house was silent when we got back, save for some poor creature who -was screaming away in one of the distant wards, and a low, moaning -sound from Renfield's room. The poor wretch was doubtless torturing -himself, after the manner of the insane, with needless thoughts of -pain. - -I came tiptoe into our own room, and found Mina asleep, breathing so -softly that I had to put my ear down to hear it. She looks paler than -usual. I hope the meeting tonight has not upset her. I am truly -thankful that she is to be left out of our future work, and even of -our deliberations. It is too great a strain for a woman to bear. I -did not think so at first, but I know better now. Therefore I am glad -that it is settled. There may be things which would frighten her to -hear, and yet to conceal them from her might be worse than to tell her -if once she suspected that there was any concealment. Henceforth our -work is to be a sealed book to her, till at least such time as we can -tell her that all is finished, and the earth free from a monster of -the nether world. I daresay it will be difficult to begin to keep -silence after such confidence as ours, but I must be resolute, and -tomorrow I shall keep dark over tonight's doings, and shall refuse to -speak of anything that has happened. I rest on the sofa, so as not to -disturb her. - - -1 October, later.--I suppose it was natural that we should have all -overslept ourselves, for the day was a busy one, and the night had no -rest at all. Even Mina must have felt its exhaustion, for though I -slept till the sun was high, I was awake before her, and had to call -two or three times before she awoke. Indeed, she was so sound asleep -that for a few seconds she did not recognize me, but looked at me with -a sort of blank terror, as one looks who has been waked out of a bad -dream. She complained a little of being tired, and I let her rest -till later in the day. We now know of twenty-one boxes having been -removed, and if it be that several were taken in any of these removals -we may be able to trace them all. Such will, of course, immensely -simplify our labor, and the sooner the matter is attended to the -better. I shall look up Thomas Snelling today. - - - -DR. SEWARD'S DIARY - -1 October.--It was towards noon when I was awakened by the Professor -walking into my room. He was more jolly and cheerful than usual, and -it is quite evident that last night's work has helped to take some of -the brooding weight off his mind. - -After going over the adventure of the night he suddenly said, "Your -patient interests me much. May it be that with you I visit him this -morning? Or if that you are too occupy, I can go alone if it may be. -It is a new experience to me to find a lunatic who talk philosophy, -and reason so sound." - -I had some work to do which pressed, so I told him that if he would go -alone I would be glad, as then I should not have to keep him waiting, -so I called an attendant and gave him the necessary instructions. -Before the Professor left the room I cautioned him against getting any -false impression from my patient. - -"But," he answered, "I want him to talk of himself and of his delusion -as to consuming live things. He said to Madam Mina, as I see in your -diary of yesterday, that he had once had such a belief. Why do you -smile, friend John?" - -"Excuse me," I said, "but the answer is here." I laid my hand on the -typewritten matter. "When our sane and learned lunatic made that very -statement of how he used to consume life, his mouth was actually -nauseous with the flies and spiders which he had eaten just before -Mrs. Harker entered the room." - -Van Helsing smiled in turn. "Good!" he said. "Your memory is true, -friend John. I should have remembered. And yet it is this very -obliquity of thought and memory which makes mental disease such a -fascinating study. Perhaps I may gain more knowledge out of the folly -of this madman than I shall from the teaching of the most wise. Who -knows?" - -I went on with my work, and before long was through that in hand. It -seemed that the time had been very short indeed, but there was Van -Helsing back in the study. - -"Do I interrupt?" he asked politely as he stood at the door. - -"Not at all," I answered. "Come in. My work is finished, and I am -free. I can go with you now, if you like." - -"It is needless, I have seen him!" - -"Well?" - -"I fear that he does not appraise me at much. Our interview was -short. When I entered his room he was sitting on a stool in the -centre, with his elbows on his knees, and his face was the picture of -sullen discontent. I spoke to him as cheerfully as I could, and with -such a measure of respect as I could assume. He made no reply -whatever. 'Don't you know me?' I asked. His answer was not -reassuring: 'I know you well enough; you are the old fool Van -Helsing. I wish you would take yourself and your idiotic brain -theories somewhere else. Damn all thick-headed Dutchmen!' Not a word -more would he say, but sat in his implacable sullenness as indifferent -to me as though I had not been in the room at all. Thus departed for -this time my chance of much learning from this so clever lunatic, so I -shall go, if I may, and cheer myself with a few happy words with that -sweet soul Madam Mina. Friend John, it does rejoice me unspeakable -that she is no more to be pained, no more to be worried with our -terrible things. Though we shall much miss her help, it is better -so." - -"I agree with you with all my heart," I answered earnestly, for I did -not want him to weaken in this matter. "Mrs. Harker is better out of -it. Things are quite bad enough for us, all men of the world, and who -have been in many tight places in our time, but it is no place for a -woman, and if she had remained in touch with the affair, it would in -time infallibly have wrecked her." - -So Van Helsing has gone to confer with Mrs. Harker and Harker, Quincey -and Art are all out following up the clues as to the earth boxes. I -shall finish my round of work and we shall meet tonight. - - - - - -MINA HARKER'S JOURNAL - -1 October.--It is strange to me to be kept in the dark as I am today, -after Jonathan's full confidence for so many years, to see him -manifestly avoid certain matters, and those the most vital of all. -This morning I slept late after the fatigues of yesterday, and though -Jonathan was late too, he was the earlier. He spoke to me before he -went out, never more sweetly or tenderly, but he never mentioned a -word of what had happened in the visit to the Count's house. And yet -he must have known how terribly anxious I was. Poor dear fellow! I -suppose it must have distressed him even more than it did me. They -all agreed that it was best that I should not be drawn further into -this awful work, and I acquiesced. But to think that he keeps -anything from me! And now I am crying like a silly fool, when I know -it comes from my husband's great love and from the good, good wishes -of those other strong men. - -That has done me good. Well, some day Jonathan will tell me all. And -lest it should ever be that he should think for a moment that I kept -anything from him, I still keep my journal as usual. Then if he has -feared of my trust I shall show it to him, with every thought of my -heart put down for his dear eyes to read. I feel strangely sad and -low-spirited today. I suppose it is the reaction from the terrible -excitement. - -Last night I went to bed when the men had gone, simply because they -told me to. I didn't feel sleepy, and I did feel full of devouring -anxiety. I kept thinking over everything that has been ever since -Jonathan came to see me in London, and it all seems like a horrible -tragedy, with fate pressing on relentlessly to some destined end. -Everything that one does seems, no matter how right it may be, to bring -on the very thing which is most to be deplored. If I hadn't gone to -Whitby, perhaps poor dear Lucy would be with us now. She hadn't taken -to visiting the churchyard till I came, and if she hadn't come there -in the day time with me she wouldn't have walked in her sleep. And if -she hadn't gone there at night and asleep, that monster couldn't have -destroyed her as he did. Oh, why did I ever go to Whitby? There now, -crying again! I wonder what has come over me today. I must hide it -from Jonathan, for if he knew that I had been crying twice in one -morning . . . I, who never cried on my own account, and whom he has -never caused to shed a tear, the dear fellow would fret his heart out. -I shall put a bold face on, and if I do feel weepy, he shall never see -it. I suppose it is just one of the lessons that we poor women have -to learn . . . - -I can't quite remember how I fell asleep last night. I remember -hearing the sudden barking of the dogs and a lot of queer sounds, like -praying on a very tumultuous scale, from Mr. Renfield's room, which is -somewhere under this. And then there was silence over everything, -silence so profound that it startled me, and I got up and looked out -of the window. All was dark and silent, the black shadows thrown by -the moonlight seeming full of a silent mystery of their own. Not a -thing seemed to be stirring, but all to be grim and fixed as death or -fate, so that a thin streak of white mist, that crept with almost -imperceptible slowness across the grass towards the house, seemed to -have a sentience and a vitality of its own. I think that the -digression of my thoughts must have done me good, for when I got back -to bed I found a lethargy creeping over me. I lay a while, but could -not quite sleep, so I got out and looked out of the window again. The -mist was spreading, and was now close up to the house, so that I could -see it lying thick against the wall, as though it were stealing up to -the windows. The poor man was more loud than ever, and though I could -not distinguish a word he said, I could in some way recognize in his -tones some passionate entreaty on his part. Then there was the sound -of a struggle, and I knew that the attendants were dealing with him. -I was so frightened that I crept into bed, and pulled the clothes over -my head, putting my fingers in my ears. I was not then a bit sleepy, -at least so I thought, but I must have fallen asleep, for except -dreams, I do not remember anything until the morning, when Jonathan -woke me. I think that it took me an effort and a little time to -realize where I was, and that it was Jonathan who was bending over me. -My dream was very peculiar, and was almost typical of the way that -waking thoughts become merged in, or continued in, dreams. - -I thought that I was asleep, and waiting for Jonathan to come back. I -was very anxious about him, and I was powerless to act, my feet, and -my hands, and my brain were weighted, so that nothing could proceed at -the usual pace. And so I slept uneasily and thought. Then it began -to dawn upon me that the air was heavy, and dank, and cold. I put -back the clothes from my face, and found, to my surprise, that all was -dim around. The gaslight which I had left lit for Jonathan, but -turned down, came only like a tiny red spark through the fog, which -had evidently grown thicker and poured into the room. Then it -occurred to me that I had shut the window before I had come to bed. I -would have got out to make certain on the point, but some leaden -lethargy seemed to chain my limbs and even my will. I lay still and -endured, that was all. I closed my eyes, but could still see through -my eyelids. (It is wonderful what tricks our dreams play us, and how -conveniently we can imagine.) The mist grew thicker and thicker and I -could see now how it came in, for I could see it like smoke, or with -the white energy of boiling water, pouring in, not through the window, -but through the joinings of the door. It got thicker and thicker, -till it seemed as if it became concentrated into a sort of pillar of -cloud in the room, through the top of which I could see the light of -the gas shining like a red eye. Things began to whirl through my -brain just as the cloudy column was now whirling in the room, and -through it all came the scriptural words "a pillar of cloud by day and -of fire by night." Was it indeed such spiritual guidance that was -coming to me in my sleep? But the pillar was composed of both the day -and the night guiding, for the fire was in the red eye, which at the -thought got a new fascination for me, till, as I looked, the fire -divided, and seemed to shine on me through the fog like two red eyes, -such as Lucy told me of in her momentary mental wandering when, on the -cliff, the dying sunlight struck the windows of St. Mary's Church. -Suddenly the horror burst upon me that it was thus that Jonathan had -seen those awful women growing into reality through the whirling mist -in the moonlight, and in my dream I must have fainted, for all became -black darkness. The last conscious effort which imagination made was -to show me a livid white face bending over me out of the mist. - -I must be careful of such dreams, for they would unseat one's reason if -there were too much of them. I would get Dr. Van Helsing or Dr. -Seward to prescribe something for me which would make me sleep, only -that I fear to alarm them. Such a dream at the present time would -become woven into their fears for me. Tonight I shall strive hard to -sleep naturally. If I do not, I shall tomorrow night get them to give -me a dose of chloral, that cannot hurt me for once, and it will give -me a good night's sleep. Last night tired me more than if I had not -slept at all. - - -2 October 10 P.M.--Last night I slept, but did not dream. I must have -slept soundly, for I was not waked by Jonathan coming to bed, but the -sleep has not refreshed me, for today I feel terribly weak and -spiritless. I spent all yesterday trying to read, or lying down -dozing. In the afternoon, Mr. Renfield asked if he might see me. Poor -man, he was very gentle, and when I came away he kissed my hand and -bade God bless me. Some way it affected me much. I am crying when I -think of him. This is a new weakness, of which I must be careful. -Jonathan would be miserable if he knew I had been crying. He and the -others were out till dinner time, and they all came in tired. I did -what I could to brighten them up, and I suppose that the effort did me -good, for I forgot how tired I was. After dinner they sent me to bed, -and all went off to smoke together, as they said, but I knew that they -wanted to tell each other of what had occurred to each during the day. -I could see from Jonathan's manner that he had something important to -communicate. I was not so sleepy as I should have been, so before -they went I asked Dr. Seward to give me a little opiate of some kind, -as I had not slept well the night before. He very kindly made me up a -sleeping draught, which he gave to me, telling me that it would do me -no harm, as it was very mild . . . I have taken it, and am waiting for -sleep, which still keeps aloof. I hope I have not done wrong, for as -sleep begins to flirt with me, a new fear comes: that I may have been -foolish in thus depriving myself of the power of waking. I might want -it. Here comes sleep. Goodnight. - - - - -CHAPTER 20 - - -JONATHAN HARKER'S JOURNAL - -1 October, evening.--I found Thomas Snelling in his house at Bethnal -Green, but unhappily he was not in a condition to remember anything. -The very prospect of beer which my expected coming had opened to him -had proved too much, and he had begun too early on his expected -debauch. I learned, however, from his wife, who seemed a decent, poor -soul, that he was only the assistant of Smollet, who of the two mates -was the responsible person. So off I drove to Walworth, and found Mr. -Joseph Smollet at home and in his shirtsleeves, taking a late tea out -of a saucer. He is a decent, intelligent fellow, distinctly a good, -reliable type of workman, and with a headpiece of his own. He -remembered all about the incident of the boxes, and from a wonderful -dog-eared notebook, which he produced from some mysterious receptacle -about the seat of his trousers, and which had hieroglyphical entries -in thick, half-obliterated pencil, he gave me the destinations of the -boxes. There were, he said, six in the cartload which he took from -Carfax and left at 197 Chicksand Street, Mile End New Town, and -another six which he deposited at Jamaica Lane, Bermondsey. If then -the Count meant to scatter these ghastly refuges of his over London, -these places were chosen as the first of delivery, so that later he -might distribute more fully. The systematic manner in which this was -done made me think that he could not mean to confine himself to two -sides of London. He was now fixed on the far east on the northern -shore, on the east of the southern shore, and on the south. The north -and west were surely never meant to be left out of his diabolical -scheme, let alone the City itself and the very heart of fashionable -London in the south-west and west. I went back to Smollet, and asked -him if he could tell us if any other boxes had been taken from Carfax. - -He replied, "Well guv'nor, you've treated me very 'an'some", I had -given him half a sovereign, "an I'll tell yer all I know. I heard a -man by the name of Bloxam say four nights ago in the 'Are an' 'Ounds, -in Pincher's Alley, as 'ow he an' his mate 'ad 'ad a rare dusty job in -a old 'ouse at Purfleet. There ain't a many such jobs as this 'ere, -an' I'm thinkin' that maybe Sam Bloxam could tell ye summut." - -I asked if he could tell me where to find him. I told him that if he -could get me the address it would be worth another half sovereign to -him. So he gulped down the rest of his tea and stood up, saying that -he was going to begin the search then and there. - -At the door he stopped, and said, "Look 'ere, guv'nor, there ain't no -sense in me a keepin' you 'ere. I may find Sam soon, or I mayn't, but -anyhow he ain't like to be in a way to tell ye much tonight. Sam is a -rare one when he starts on the booze. If you can give me a envelope -with a stamp on it, and put yer address on it, I'll find out where Sam -is to be found and post it ye tonight. But ye'd better be up arter -'im soon in the mornin', never mind the booze the night afore." - -This was all practical, so one of the children went off with a penny -to buy an envelope and a sheet of paper, and to keep the change. When -she came back, I addressed the envelope and stamped it, and when -Smollet had again faithfully promised to post the address when found, -I took my way to home. We're on the track anyhow. I am tired -tonight, and I want to sleep. Mina is fast asleep, and looks a little -too pale. Her eyes look as though she had been crying. Poor dear, -I've no doubt it frets her to be kept in the dark, and it may make her -doubly anxious about me and the others. But it is best as it is. It -is better to be disappointed and worried in such a way now than to -have her nerve broken. The doctors were quite right to insist on her -being kept out of this dreadful business. I must be firm, for on me -this particular burden of silence must rest. I shall not ever enter -on the subject with her under any circumstances. Indeed, It may not -be a hard task, after all, for she herself has become reticent on the -subject, and has not spoken of the Count or his doings ever since we -told her of our decision. - - -2 October, evening--A long and trying and exciting day. By the first -post I got my directed envelope with a dirty scrap of paper enclosed, -on which was written with a carpenter's pencil in a sprawling hand, -"Sam Bloxam, Korkrans, 4 Poters Cort, Bartel Street, Walworth. Arsk -for the depite." - -I got the letter in bed, and rose without waking Mina. She looked -heavy and sleepy and pale, and far from well. I determined not to -wake her, but that when I should return from this new search, I would -arrange for her going back to Exeter. I think she would be happier in -our own home, with her daily tasks to interest her, than in being here -amongst us and in ignorance. I only saw Dr. Seward for a moment, and -told him where I was off to, promising to come back and tell the rest -so soon as I should have found out anything. I drove to Walworth and -found, with some difficulty, Potter's Court. Mr. Smollet's spelling -misled me, as I asked for Poter's Court instead of Potter's Court. -However, when I had found the court, I had no difficulty in -discovering Corcoran's lodging house. - -When I asked the man who came to the door for the "depite," he shook -his head, and said, "I dunno 'im. There ain't no such a person 'ere. -I never 'eard of 'im in all my bloomin' days. Don't believe there -ain't nobody of that kind livin' 'ere or anywheres." - -I took out Smollet's letter, and as I read it it seemed to me that the -lesson of the spelling of the name of the court might guide me. "What -are you?" I asked. - -"I'm the depity," he answered. - -I saw at once that I was on the right track. Phonetic spelling had -again misled me. A half crown tip put the deputy's knowledge at my -disposal, and I learned that Mr. Bloxam, who had slept off the remains -of his beer on the previous night at Corcoran's, had left for his work -at Poplar at five o'clock that morning. He could not tell me where -the place of work was situated, but he had a vague idea that it was -some kind of a "new-fangled ware'us," and with this slender clue I had -to start for Poplar. It was twelve o'clock before I got any -satisfactory hint of such a building, and this I got at a coffee shop, -where some workmen were having their dinner. One of them suggested -that there was being erected at Cross Angel Street a new "cold -storage" building, and as this suited the condition of a "new-fangled -ware'us," I at once drove to it. An interview with a surly gatekeeper -and a surlier foreman, both of whom were appeased with the coin of the -realm, put me on the track of Bloxam. He was sent for on my -suggestion that I was willing to pay his days wages to his foreman for -the privilege of asking him a few questions on a private matter. He -was a smart enough fellow, though rough of speech and bearing. When I -had promised to pay for his information and given him an earnest, he -told me that he had made two journeys between Carfax and a house in -Piccadilly, and had taken from this house to the latter nine great -boxes, "main heavy ones," with a horse and cart hired by him for this -purpose. - -I asked him if he could tell me the number of the house in Piccadilly, -to which he replied, "Well, guv'nor, I forgits the number, but it was -only a few door from a big white church, or somethink of the kind, not -long built. It was a dusty old 'ouse, too, though nothin' to the -dustiness of the 'ouse we tooked the bloomin' boxes from." - -"How did you get in if both houses were empty?" - -"There was the old party what engaged me a waitin' in the 'ouse at -Purfleet. He 'elped me to lift the boxes and put them in the dray. -Curse me, but he was the strongest chap I ever struck, an' him a old -feller, with a white moustache, one that thin you would think he -couldn't throw a shadder." - -How this phrase thrilled through me! - -"Why, 'e took up 'is end o' the boxes like they was pounds of tea, and -me a puffin' an' a blowin' afore I could upend mine anyhow, an' I'm no -chicken, neither." - -"How did you get into the house in Piccadilly?" I asked. - -"He was there too. He must 'a started off and got there afore me, for -when I rung of the bell he kem an' opened the door 'isself an' 'elped -me carry the boxes into the 'all." - -"The whole nine?" I asked. - -"Yus, there was five in the first load an' four in the second. It was -main dry work, an' I don't so well remember 'ow I got 'ome." - -I interrupted him, "Were the boxes left in the hall?" - -"Yus, it was a big 'all, an' there was nothin' else in it." - -I made one more attempt to further matters. "You didn't have any -key?" - -"Never used no key nor nothink. The old gent, he opened the door -'isself an' shut it again when I druv off. I don't remember the last -time, but that was the beer." - -"And you can't remember the number of the house?" - -"No, sir. But ye needn't have no difficulty about that. It's a 'igh -'un with a stone front with a bow on it, an' 'igh steps up to the -door. I know them steps, 'avin' 'ad to carry the boxes up with three -loafers what come round to earn a copper. The old gent give them -shillin's, an' they seein' they got so much, they wanted more. But 'e -took one of them by the shoulder and was like to throw 'im down the -steps, till the lot of them went away cussin'." - -I thought that with this description I could find the house, so having -paid my friend for his information, I started off for Piccadilly. I -had gained a new painful experience. The Count could, it was evident, -handle the earth boxes himself. If so, time was precious, for now -that he had achieved a certain amount of distribution, he could, by -choosing his own time, complete the task unobserved. At Piccadilly -Circus I discharged my cab, and walked westward. Beyond the Junior -Constitutional I came across the house described and was satisfied -that this was the next of the lairs arranged by Dracula. The house -looked as though it had been long untenanted. The windows were -encrusted with dust, and the shutters were up. All the framework was -black with time, and from the iron the paint had mostly scaled away. -It was evident that up to lately there had been a large notice board -in front of the balcony. It had, however, been roughly torn away, the -uprights which had supported it still remaining. Behind the rails of -the balcony I saw there were some loose boards, whose raw edges looked -white. I would have given a good deal to have been able to see the -notice board intact, as it would, perhaps, have given some clue to the -ownership of the house. I remembered my experience of the investigation -and purchase of Carfax, and I could not but feel that if I could find -the former owner there might be some means discovered of gaining access -to the house. - -There was at present nothing to be learned from the Piccadilly side, -and nothing could be done, so I went around to the back to see if -anything could be gathered from this quarter. The mews were active, -the Piccadilly houses being mostly in occupation. I asked one or two -of the grooms and helpers whom I saw around if they could tell me -anything about the empty house. One of them said that he heard it had -lately been taken, but he couldn't say from whom. He told me, -however, that up to very lately there had been a notice board of "For -Sale" up, and that perhaps Mitchell, Sons, & Candy the house agents -could tell me something, as he thought he remembered seeing the name -of that firm on the board. I did not wish to seem too eager, or to -let my informant know or guess too much, so thanking him in the usual -manner, I strolled away. It was now growing dusk, and the autumn -night was closing in, so I did not lose any time. Having learned the -address of Mitchell, Sons, & Candy from a directory at the Berkeley, I -was soon at their office in Sackville Street. - -The gentleman who saw me was particularly suave in manner, but -uncommunicative in equal proportion. Having once told me that the -Piccadilly house, which throughout our interview he called a -"mansion," was sold, he considered my business as concluded. When I -asked who had purchased it, he opened his eyes a thought wider, and -paused a few seconds before replying, "It is sold, sir." - -"Pardon me," I said, with equal politeness, "but I have a special -reason for wishing to know who purchased it." - -Again he paused longer, and raised his eyebrows still more. "It is -sold, sir," was again his laconic reply. - -"Surely," I said, "you do not mind letting me know so much." - -"But I do mind," he answered. "The affairs of their clients are -absolutely safe in the hands of Mitchell, Sons, & Candy." - -This was manifestly a prig of the first water, and there was no use -arguing with him. I thought I had best meet him on his own ground, so -I said, "Your clients, sir, are happy in having so resolute a guardian -of their confidence. I am myself a professional man." - -Here I handed him my card. "In this instance I am not prompted by -curiosity, I act on the part of Lord Godalming, who wishes to know -something of the property which was, he understood, lately for sale." - -These words put a different complexion on affairs. He said, "I would -like to oblige you if I could, Mr. Harker, and especially would I like -to oblige his lordship. We once carried out a small matter of renting -some chambers for him when he was the honourable Arthur Holmwood. If -you will let me have his lordship's address I will consult the House -on the subject, and will, in any case, communicate with his lordship -by tonight's post. It will be a pleasure if we can so far deviate -from our rules as to give the required information to his lordship." - -I wanted to secure a friend, and not to make an enemy, so I thanked -him, gave the address at Dr. Seward's and came away. It was now dark, -and I was tired and hungry. I got a cup of tea at the Aerated Bread -Company and came down to Purfleet by the next train. - -I found all the others at home. Mina was looking tired and pale, but -she made a gallant effort to be bright and cheerful. It wrung my -heart to think that I had had to keep anything from her and so caused -her inquietude. Thank God, this will be the last night of her looking -on at our conferences, and feeling the sting of our not showing our -confidence. It took all my courage to hold to the wise resolution of -keeping her out of our grim task. She seems somehow more reconciled, -or else the very subject seems to have become repugnant to her, for -when any accidental allusion is made she actually shudders. I am glad -we made our resolution in time, as with such a feeling as this, our -growing knowledge would be torture to her. - -I could not tell the others of the day's discovery till we were alone, -so after dinner, followed by a little music to save appearances even -amongst ourselves, I took Mina to her room and left her to go to bed. -The dear girl was more affectionate with me than ever, and clung to me -as though she would detain me, but there was much to be talked of and -I came away. Thank God, the ceasing of telling things has made no -difference between us. - -When I came down again I found the others all gathered round the fire -in the study. In the train I had written my diary so far, and simply -read it off to them as the best means of letting them get abreast of -my own information. - -When I had finished Van Helsing said, "This has been a great day's -work, friend Jonathan. Doubtless we are on the track of the missing -boxes. If we find them all in that house, then our work is near the -end. But if there be some missing, we must search until we find them. -Then shall we make our final coup, and hunt the wretch to his real -death." - -We all sat silent awhile and all at once Mr. Morris spoke, "Say! How -are we going to get into that house?" - -"We got into the other," answered Lord Godalming quickly. - -"But, Art, this is different. We broke house at Carfax, but we had -night and a walled park to protect us. It will be a mighty different -thing to commit burglary in Piccadilly, either by day or night. I -confess I don't see how we are going to get in unless that agency duck -can find us a key of some sort." - -Lord Godalming's brows contracted, and he stood up and walked about the -room. By-and-by he stopped and said, turning from one to another of -us, "Quincey's head is level. This burglary business is getting -serious. We got off once all right, but we have now a rare job on -hand. Unless we can find the Count's key basket." - -As nothing could well be done before morning, and as it would be at -least advisable to wait till Lord Godalming should hear from -Mitchell's, we decided not to take any active step before breakfast -time. For a good while we sat and smoked, discussing the matter in -its various lights and bearings. I took the opportunity of bringing -this diary right up to the moment. I am very sleepy and shall go to -bed . . . - -Just a line. Mina sleeps soundly and her breathing is regular. Her -forehead is puckered up into little wrinkles, as though she thinks -even in her sleep. She is still too pale, but does not look so -haggard as she did this morning. Tomorrow will, I hope, mend all -this. She will be herself at home in Exeter. Oh, but I am sleepy! - - - - -DR. SEWARD'S DIARY - -1 October.--I am puzzled afresh about Renfield. His moods change so -rapidly that I find it difficult to keep touch of them, and as they -always mean something more than his own well-being, they form a more -than interesting study. This morning, when I went to see him after -his repulse of Van Helsing, his manner was that of a man commanding -destiny. He was, in fact, commanding destiny, subjectively. He did -not really care for any of the things of mere earth, he was in the -clouds and looked down on all the weaknesses and wants of us poor -mortals. - -I thought I would improve the occasion and learn something, so I asked -him, "What about the flies these times?" - -He smiled on me in quite a superior sort of way, such a smile as would -have become the face of Malvolio, as he answered me, "The fly, my dear -sir, has one striking feature. It's wings are typical of the aerial -powers of the psychic faculties. The ancients did well when they -typified the soul as a butterfly!" - -I thought I would push his analogy to its utmost logically, so I said -quickly, "Oh, it is a soul you are after now, is it?" - -His madness foiled his reason, and a puzzled look spread over his face -as, shaking his head with a decision which I had but seldom seen in -him. - -He said, "Oh, no, oh no! I want no souls. Life is all I want." Here -he brightened up. "I am pretty indifferent about it at present. Life -is all right. I have all I want. You must get a new patient, doctor, -if you wish to study zoophagy!" - -This puzzled me a little, so I drew him on. "Then you command life. -You are a god, I suppose?" - -He smiled with an ineffably benign superiority. "Oh no! Far be it -from me to arrogate to myself the attributes of the Deity. I am not -even concerned in His especially spiritual doings. If I may state my -intellectual position I am, so far as concerns things purely -terrestrial, somewhat in the position which Enoch occupied -spiritually!" - -This was a poser to me. I could not at the moment recall Enoch's -appositeness, so I had to ask a simple question, though I felt that by -so doing I was lowering myself in the eyes of the lunatic. "And why -with Enoch?" - -"Because he walked with God." - -I could not see the analogy, but did not like to admit it, so I harked -back to what he had denied. "So you don't care about life and you -don't want souls. Why not?" I put my question quickly and somewhat -sternly, on purpose to disconcert him. - -The effort succeeded, for an instant he unconsciously relapsed into -his old servile manner, bent low before me, and actually fawned upon -me as he replied. "I don't want any souls, indeed, indeed! I don't. -I couldn't use them if I had them. They would be no manner of use to -me. I couldn't eat them or . . ." - -He suddenly stopped and the old cunning look spread over his face, -like a wind sweep on the surface of the water. - -"And doctor, as to life, what is it after all? When you've got all -you require, and you know that you will never want, that is all. I -have friends, good friends, like you, Dr. Seward." This was said with -a leer of inexpressible cunning. "I know that I shall never lack the -means of life!" - -I think that through the cloudiness of his insanity he saw some -antagonism in me, for he at once fell back on the last refuge of such -as he, a dogged silence. After a short time I saw that for the -present it was useless to speak to him. He was sulky, and so I came -away. - -Later in the day he sent for me. Ordinarily I would not have come -without special reason, but just at present I am so interested in him -that I would gladly make an effort. Besides, I am glad to have -anything to help pass the time. Harker is out, following up clues, -and so are Lord Godalming and Quincey. Van Helsing sits in my study -poring over the record prepared by the Harkers. He seems to think -that by accurate knowledge of all details he will light up on some -clue. He does not wish to be disturbed in the work, without cause. I -would have taken him with me to see the patient, only I thought that -after his last repulse he might not care to go again. There was also -another reason. Renfield might not speak so freely before a third -person as when he and I were alone. - -I found him sitting in the middle of the floor on his stool, a pose -which is generally indicative of some mental energy on his part. When -I came in, he said at once, as though the question had been waiting on -his lips. "What about souls?" - -It was evident then that my surmise had been correct. Unconscious -cerebration was doing its work, even with the lunatic. I determined -to have the matter out. - -"What about them yourself?" I asked. - -He did not reply for a moment but looked all around him, and up and -down, as though he expected to find some inspiration for an answer. - -"I don't want any souls!" he said in a feeble, apologetic way. The -matter seemed preying on his mind, and so I determined to use it, to -"be cruel only to be kind." So I said, "You like life, and you want -life?" - -"Oh yes! But that is all right. You needn't worry about that!" - -"But," I asked, "how are we to get the life without getting the soul -also?" - -This seemed to puzzle him, so I followed it up, "A nice time you'll -have some time when you're flying out here, with the souls of -thousands of flies and spiders and birds and cats buzzing and -twittering and moaning all around you. You've got their lives, you -know, and you must put up with their souls!" - -Something seemed to affect his imagination, for he put his fingers to -his ears and shut his eyes, screwing them up tightly just as a small -boy does when his face is being soaped. There was something pathetic -in it that touched me. It also gave me a lesson, for it seemed that -before me was a child, only a child, though the features were worn, -and the stubble on the jaws was white. It was evident that he was -undergoing some process of mental disturbance, and knowing how his -past moods had interpreted things seemingly foreign to himself, I -thought I would enter into his mind as well as I could and go with him. - -The first step was to restore confidence, so I asked him, speaking -pretty loud so that he would hear me through his closed ears, "Would -you like some sugar to get your flies around again?" - -He seemed to wake up all at once, and shook his head. With a laugh he -replied, "Not much! Flies are poor things, after all!" After a pause -he added, "But I don't want their souls buzzing round me, all the -same." - -"Or spiders?" I went on. - -"Blow spiders! What's the use of spiders? There isn't anything in -them to eat or . . ." He stopped suddenly as though reminded of a -forbidden topic. - -"So, so!" I thought to myself, "this is the second time he has -suddenly stopped at the word 'drink'. What does it mean?" - -Renfield seemed himself aware of having made a lapse, for he hurried -on, as though to distract my attention from it, "I don't take any -stock at all in such matters. 'Rats and mice and such small deer,' as -Shakespeare has it, 'chicken feed of the larder' they might be called. -I'm past all that sort of nonsense. You might as well ask a man to -eat molecules with a pair of chopsticks, as to try to interest me -about the less carnivora, when I know of what is before me." - -"I see," I said. "You want big things that you can make your teeth -meet in? How would you like to breakfast on an elephant?" - -"What ridiculous nonsense you are talking?" He was getting too wide -awake, so I thought I would press him hard. - -"I wonder," I said reflectively, "what an elephant's soul is like!" - -The effect I desired was obtained, for he at once fell from his -high-horse and became a child again. - -"I don't want an elephant's soul, or any soul at all!" he said. For a -few moments he sat despondently. Suddenly he jumped to his feet, with -his eyes blazing and all the signs of intense cerebral excitement. -"To hell with you and your souls!" he shouted. "Why do you plague me -about souls? Haven't I got enough to worry, and pain, to distract me -already, without thinking of souls?" - -He looked so hostile that I thought he was in for another homicidal -fit, so I blew my whistle. - -The instant, however, that I did so he became calm, and said -apologetically, "Forgive me, Doctor. I forgot myself. You do not -need any help. I am so worried in my mind that I am apt to be -irritable. If you only knew the problem I have to face, and that I am -working out, you would pity, and tolerate, and pardon me. Pray do not -put me in a strait waistcoat. I want to think and I cannot think -freely when my body is confined. I am sure you will understand!" - -He had evidently self-control, so when the attendants came I told them -not to mind, and they withdrew. Renfield watched them go. When the -door was closed he said with considerable dignity and sweetness, "Dr. -Seward, you have been very considerate towards me. Believe me that I -am very, very grateful to you!" - -I thought it well to leave him in this mood, and so I came away. -There is certainly something to ponder over in this man's state. -Several points seem to make what the American interviewer calls "a -story," if one could only get them in proper order. Here they are: - - Will not mention "drinking." - - Fears the thought of being burdened with the "soul" of anything. - - Has no dread of wanting "life" in the future. - - Despises the meaner forms of life altogether, though he dreads - being haunted by their souls. - - Logically all these things point one way! He has assurance of - some kind that he will acquire some higher life. - - He dreads the consequence, the burden of a soul. Then it is a - human life he looks to! - - And the assurance . . .? - -Merciful God! The Count has been to him, and there is some new scheme -of terror afoot! - - -Later.--I went after my round to Van Helsing and told him my -suspicion. He grew very grave, and after thinking the matter over for -a while asked me to take him to Renfield. I did so. As we came to -the door we heard the lunatic within singing gaily, as he used to do -in the time which now seems so long ago. - -When we entered we saw with amazement that he had spread out his sugar -as of old. The flies, lethargic with the autumn, were beginning to -buzz into the room. We tried to make him talk of the subject of our -previous conversation, but he would not attend. He went on with his -singing, just as though we had not been present. He had got a scrap -of paper and was folding it into a notebook. We had to come away as -ignorant as we went in. - -His is a curious case indeed. We must watch him tonight. - - - - - -LETTER, MITCHELL, SONS & CANDY TO LORD GODALMING. - -"1 October. - -"My Lord, - -"We are at all times only too happy to meet your wishes. We beg, -with regard to the desire of your Lordship, expressed by Mr. -Harker on your behalf, to supply the following information -concerning the sale and purchase of No. 347, Piccadilly. The -original vendors are the executors of the late Mr. Archibald -Winter-Suffield. The purchaser is a foreign nobleman, Count de -Ville, who effected the purchase himself paying the purchase -money in notes 'over the counter,' if your Lordship will pardon -us using so vulgar an expression. Beyond this we know nothing -whatever of him. - -"We are, my Lord, - -"Your Lordship's humble servants, - -"MITCHELL, SONS & CANDY." - - - - -DR. SEWARD'S DIARY - -2 October.--I placed a man in the corridor last night, and told him to -make an accurate note of any sound he might hear from Renfield's room, -and gave him instructions that if there should be anything strange he -was to call me. After dinner, when we had all gathered round the fire -in the study, Mrs. Harker having gone to bed, we discussed the -attempts and discoveries of the day. Harker was the only one who had -any result, and we are in great hopes that his clue may be an -important one. - -Before going to bed I went round to the patient's room and looked in -through the observation trap. He was sleeping soundly, his heart rose -and fell with regular respiration. - -This morning the man on duty reported to me that a little after -midnight he was restless and kept saying his prayers somewhat loudly. -I asked him if that was all. He replied that it was all he heard. -There was something about his manner, so suspicious that I asked him -point blank if he had been asleep. He denied sleep, but admitted to -having "dozed" for a while. It is too bad that men cannot be trusted -unless they are watched. - -Today Harker is out following up his clue, and Art and Quincey are -looking after horses. Godalming thinks that it will be well to have -horses always in readiness, for when we get the information which we -seek there will be no time to lose. We must sterilize all the -imported earth between sunrise and sunset. We shall thus catch the -Count at his weakest, and without a refuge to fly to. Van Helsing is -off to the British Museum looking up some authorities on ancient -medicine. The old physicians took account of things which their -followers do not accept, and the Professor is searching for witch and -demon cures which may be useful to us later. - -I sometimes think we must be all mad and that we shall wake to sanity -in strait waistcoats. - -Later.--We have met again. We seem at last to be on the track, and -our work of tomorrow may be the beginning of the end. I wonder if -Renfield's quiet has anything to do with this. His moods have so -followed the doings of the Count, that the coming destruction of the -monster may be carried to him some subtle way. If we could only get -some hint as to what passed in his mind, between the time of my -argument with him today and his resumption of fly-catching, it might -afford us a valuable clue. He is now seemingly quiet for a spell . . . -Is he? That wild yell seemed to come from his room . . . - -The attendant came bursting into my room and told me that Renfield had -somehow met with some accident. He had heard him yell, and when he -went to him found him lying on his face on the floor, all covered with -blood. I must go at once . . . - - - - -CHAPTER 21 - - -DR. SEWARD'S DIARY - -3 October.--Let me put down with exactness all that happened, as well -as I can remember, since last I made an entry. Not a detail that I -can recall must be forgotten. In all calmness I must proceed. - -When I came to Renfield's room I found him lying on the floor on his -left side in a glittering pool of blood. When I went to move him, it -became at once apparent that he had received some terrible injuries. -There seemed none of the unity of purpose between the parts of the -body which marks even lethargic sanity. As the face was exposed I -could see that it was horribly bruised, as though it had been beaten -against the floor. Indeed it was from the face wounds that the pool -of blood originated. - -The attendant who was kneeling beside the body said to me as we turned -him over, "I think, sir, his back is broken. See, both his right arm -and leg and the whole side of his face are paralysed." How such a -thing could have happened puzzled the attendant beyond measure. He -seemed quite bewildered, and his brows were gathered in as he said, "I -can't understand the two things. He could mark his face like that by -beating his own head on the floor. I saw a young woman do it once at -the Eversfield Asylum before anyone could lay hands on her. And I -suppose he might have broken his neck by falling out of bed, if he got -in an awkward kink. But for the life of me I can't imagine how the -two things occurred. If his back was broke, he couldn't beat his -head, and if his face was like that before the fall out of bed, there -would be marks of it." - -I said to him, "Go to Dr. Van Helsing, and ask him to kindly come here -at once. I want him without an instant's delay." - -The man ran off, and within a few minutes the Professor, in his -dressing gown and slippers, appeared. When he saw Renfield on the -ground, he looked keenly at him a moment, and then turned to me. I -think he recognized my thought in my eyes, for he said very quietly, -manifestly for the ears of the attendant, "Ah, a sad accident! He -will need very careful watching, and much attention. I shall stay -with you myself, but I shall first dress myself. If you will remain I -shall in a few minutes join you." - -The patient was now breathing stertorously and it was easy to see that -he had suffered some terrible injury. - -Van Helsing returned with extraordinary celerity, bearing with him a -surgical case. He had evidently been thinking and had his mind made -up, for almost before he looked at the patient, he whispered to me, -"Send the attendant away. We must be alone with him when he becomes -conscious, after the operation." - -I said, "I think that will do now, Simmons. We have done all that we -can at present. You had better go your round, and Dr. Van Helsing -will operate. Let me know instantly if there be anything unusual -anywhere." - -The man withdrew, and we went into a strict examination of the -patient. The wounds of the face were superficial. The real injury -was a depressed fracture of the skull, extending right up through the -motor area. - -The Professor thought a moment and said, "We must reduce the pressure -and get back to normal conditions, as far as can be. The rapidity of -the suffusion shows the terrible nature of his injury. The whole -motor area seems affected. The suffusion of the brain will increase -quickly, so we must trephine at once or it may be too late." - -As he was speaking there was a soft tapping at the door. I went over -and opened it and found in the corridor without, Arthur and Quincey in -pajamas and slippers; the former spoke, "I heard your man call up Dr. -Van Helsing and tell him of an accident. So I woke Quincey or rather -called for him as he was not asleep. Things are moving too quickly -and too strangely for sound sleep for any of us these times. I've -been thinking that tomorrow night will not see things as they have -been. We'll have to look back, and forward a little more than we have -done. May we come in?" - -I nodded, and held the door open till they had entered, then I closed -it again. When Quincey saw the attitude and state of the patient, and -noted the horrible pool on the floor, he said softly, "My God! What -has happened to him? Poor, poor devil!" - -I told him briefly, and added that we expected he would recover -consciousness after the operation, for a short time, at all events. -He went at once and sat down on the edge of the bed, with Godalming -beside him. We all watched in patience. - -"We shall wait," said Van Helsing, "just long enough to fix the best -spot for trephining, so that we may most quickly and perfectly remove -the blood clot, for it is evident that the haemorrhage is increasing." - -The minutes during which we waited passed with fearful slowness. I -had a horrible sinking in my heart, and from Van Helsing's face I -gathered that he felt some fear or apprehension as to what was to -come. I dreaded the words Renfield might speak. I was positively -afraid to think. But the conviction of what was coming was on me, as -I have read of men who have heard the death watch. The poor man's -breathing came in uncertain gasps. Each instant he seemed as though -he would open his eyes and speak, but then would follow a prolonged -stertorous breath, and he would relapse into a more fixed -insensibility. Inured as I was to sick beds and death, this suspense -grew and grew upon me. I could almost hear the beating of my own -heart, and the blood surging through my temples sounded like blows -from a hammer. The silence finally became agonizing. I looked at my -companions, one after another, and saw from their flushed faces and -damp brows that they were enduring equal torture. There was a nervous -suspense over us all, as though overhead some dread bell would peal -out powerfully when we should least expect it. - -At last there came a time when it was evident that the patient was -sinking fast. He might die at any moment. I looked up at the -Professor and caught his eyes fixed on mine. His face was sternly set -as he spoke, "There is no time to lose. His words may be worth many -lives. I have been thinking so, as I stood here. It may be there is -a soul at stake! We shall operate just above the ear." - -Without another word he made the operation. For a few moments the -breathing continued to be stertorous. Then there came a breath so -prolonged that it seemed as though it would tear open his chest. -Suddenly his eyes opened, and became fixed in a wild, helpless stare. -This was continued for a few moments, then it was softened into a glad -surprise, and from his lips came a sigh of relief. He moved -convulsively, and as he did so, said, "I'll be quiet, Doctor. Tell -them to take off the strait waistcoat. I have had a terrible dream, -and it has left me so weak that I cannot move. What's wrong with my -face? It feels all swollen, and it smarts dreadfully." - -He tried to turn his head, but even with the effort his eyes seemed to -grow glassy again so I gently put it back. Then Van Helsing said in a -quiet grave tone, "Tell us your dream, Mr. Renfield." - -As he heard the voice his face brightened, through its mutilation, and -he said, "That is Dr. Van Helsing. How good it is of you to be here. -Give me some water, my lips are dry, and I shall try to tell you. I -dreamed . . ." - -He stopped and seemed fainting. I called quietly to Quincey, "The -brandy, it is in my study, quick!" He flew and returned with a glass, -the decanter of brandy and a carafe of water. We moistened the -parched lips, and the patient quickly revived. - -It seemed, however, that his poor injured brain had been working in -the interval, for when he was quite conscious, he looked at me -piercingly with an agonized confusion which I shall never forget, and -said, "I must not deceive myself. It was no dream, but all a grim -reality." Then his eyes roved round the room. As they caught sight -of the two figures sitting patiently on the edge of the bed he went -on, "If I were not sure already, I would know from them." - -For an instant his eyes closed, not with pain or sleep but -voluntarily, as though he were bringing all his faculties to bear. -When he opened them he said, hurriedly, and with more energy than he -had yet displayed, "Quick, Doctor, quick, I am dying! I feel that I -have but a few minutes, and then I must go back to death, or worse! -Wet my lips with brandy again. I have something that I must say -before I die. Or before my poor crushed brain dies anyhow. Thank -you! It was that night after you left me, when I implored you to let -me go away. I couldn't speak then, for I felt my tongue was tied. -But I was as sane then, except in that way, as I am now. I was in an -agony of despair for a long time after you left me, it seemed hours. -Then there came a sudden peace to me. My brain seemed to become cool -again, and I realized where I was. I heard the dogs bark behind our -house, but not where He was!" - -As he spoke, Van Helsing's eyes never blinked, but his hand came out -and met mine and gripped it hard. He did not, however, betray -himself. He nodded slightly and said, "Go on," in a low voice. - -Renfield proceeded. "He came up to the window in the mist, as I had -seen him often before, but he was solid then, not a ghost, and his -eyes were fierce like a man's when angry. He was laughing with his -red mouth, the sharp white teeth glinted in the moonlight when he -turned to look back over the belt of trees, to where the dogs were -barking. I wouldn't ask him to come in at first, though I knew he -wanted to, just as he had wanted all along. Then he began promising -me things, not in words but by doing them." - -He was interrupted by a word from the Professor, "How?" - -"By making them happen. Just as he used to send in the flies when the -sun was shining. Great big fat ones with steel and sapphire on their -wings. And big moths, in the night, with skull and cross-bones on -their backs." - -Van Helsing nodded to him as he whispered to me unconsciously, "The -Acherontia Atropos of the Sphinges, what you call the 'Death's-head -Moth'?" - -The patient went on without stopping, "Then he began to whisper. 'Rats, -rats, rats! Hundreds, thousands, millions of them, and every one a -life. And dogs to eat them, and cats too. All lives! All red blood, -with years of life in it, and not merely buzzing flies!' I laughed at -him, for I wanted to see what he could do. Then the dogs howled, away -beyond the dark trees in His house. He beckoned me to the window. I -got up and looked out, and He raised his hands, and seemed to call out -without using any words. A dark mass spread over the grass, coming on -like the shape of a flame of fire. And then He moved the mist to the -right and left, and I could see that there were thousands of rats with -their eyes blazing red, like His only smaller. He held up his hand, -and they all stopped, and I thought he seemed to be saying, 'All these -lives will I give you, ay, and many more and greater, through -countless ages, if you will fall down and worship me!' And then a red -cloud, like the colour of blood, seemed to close over my eyes, and -before I knew what I was doing, I found myself opening the sash and -saying to Him, 'Come in, Lord and Master!' The rats were all gone, but -He slid into the room through the sash, though it was only open an -inch wide, just as the Moon herself has often come in through the -tiniest crack and has stood before me in all her size and splendour." - -His voice was weaker, so I moistened his lips with the brandy again, -and he continued, but it seemed as though his memory had gone on -working in the interval for his story was further advanced. I was -about to call him back to the point, but Van Helsing whispered to me, -"Let him go on. Do not interrupt him. He cannot go back, and maybe -could not proceed at all if once he lost the thread of his thought." - -He proceeded, "All day I waited to hear from him, but he did not send -me anything, not even a blowfly, and when the moon got up I was pretty -angry with him. When he did slide in through the window, though it -was shut, and did not even knock, I got mad with him. He sneered at -me, and his white face looked out of the mist with his red eyes -gleaming, and he went on as though he owned the whole place, and I was -no one. He didn't even smell the same as he went by me. I couldn't -hold him. I thought that, somehow, Mrs. Harker had come into the -room." - -The two men sitting on the bed stood up and came over, standing behind -him so that he could not see them, but where they could hear better. -They were both silent, but the Professor started and quivered. His -face, however, grew grimmer and sterner still. Renfield went on -without noticing, "When Mrs. Harker came in to see me this afternoon -she wasn't the same. It was like tea after the teapot has been -watered." Here we all moved, but no one said a word. - -He went on, "I didn't know that she was here till she spoke, and she -didn't look the same. I don't care for the pale people. I like them -with lots of blood in them, and hers all seemed to have run out. I -didn't think of it at the time, but when she went away I began to -think, and it made me mad to know that He had been taking the life out -of her." I could feel that the rest quivered, as I did; but we -remained otherwise still. "So when He came tonight I was ready for -Him. I saw the mist stealing in, and I grabbed it tight. I had heard -that madmen have unnatural strength. And as I knew I was a madman, at -times anyhow, I resolved to use my power. Ay, and He felt it too, for -He had to come out of the mist to struggle with me. I held tight, and -I thought I was going to win, for I didn't mean Him to take any more -of her life, till I saw His eyes. They burned into me, and my -strength became like water. He slipped through it, and when I tried -to cling to Him, He raised me up and flung me down. There was a red -cloud before me, and a noise like thunder, and the mist seemed to -steal away under the door." - -His voice was becoming fainter and his breath more stertorous. Van -Helsing stood up instinctively. - -"We know the worst now," he said. "He is here, and we know his -purpose. It may not be too late. Let us be armed, the same as we -were the other night, but lose no time, there is not an instant to -spare." - -There was no need to put our fear, nay our conviction, into words, we -shared them in common. We all hurried and took from our rooms the -same things that we had when we entered the Count's house. The -Professor had his ready, and as we met in the corridor he pointed to -them significantly as he said, "They never leave me, and they shall -not till this unhappy business is over. Be wise also, my friends. It -is no common enemy that we deal with Alas! Alas! That dear Madam -Mina should suffer!" He stopped, his voice was breaking, and I do not -know if rage or terror predominated in my own heart. - -Outside the Harkers' door we paused. Art and Quincey held back, and -the latter said, "Should we disturb her?" - -"We must," said Van Helsing grimly. "If the door be locked, I shall -break it in." - -"May it not frighten her terribly? It is unusual to break into a -lady's room!" - -Van Helsing said solemnly, "You are always right. But this is life -and death. All chambers are alike to the doctor. And even were they -not they are all as one to me tonight. Friend John, when I turn the -handle, if the door does not open, do you put your shoulder down and -shove; and you too, my friends. Now!" - -He turned the handle as he spoke, but the door did not yield. We -threw ourselves against it. With a crash it burst open, and we almost -fell headlong into the room. The Professor did actually fall, and I -saw across him as he gathered himself up from hands and knees. What I -saw appalled me. I felt my hair rise like bristles on the back of my -neck, and my heart seemed to stand still. - -The moonlight was so bright that through the thick yellow blind the -room was light enough to see. On the bed beside the window lay -Jonathan Harker, his face flushed and breathing heavily as though in a -stupor. Kneeling on the near edge of the bed facing outwards was the -white-clad figure of his wife. By her side stood a tall, thin man, -clad in black. His face was turned from us, but the instant we saw we -all recognized the Count, in every way, even to the scar on his -forehead. With his left hand he held both Mrs. Harker's hands, -keeping them away with her arms at full tension. His right hand -gripped her by the back of the neck, forcing her face down on his -bosom. Her white nightdress was smeared with blood, and a thin stream -trickled down the man's bare chest which was shown by his torn-open -dress. The attitude of the two had a terrible resemblance to a child -forcing a kitten's nose into a saucer of milk to compel it to drink. -As we burst into the room, the Count turned his face, and the hellish -look that I had heard described seemed to leap into it. His eyes -flamed red with devilish passion. The great nostrils of the white -aquiline nose opened wide and quivered at the edge, and the white -sharp teeth, behind the full lips of the blood dripping mouth, clamped -together like those of a wild beast. With a wrench, which threw his -victim back upon the bed as though hurled from a height, he turned and -sprang at us. But by this time the Professor had gained his feet, and -was holding towards him the envelope which contained the Sacred Wafer. -The Count suddenly stopped, just as poor Lucy had done outside the -tomb, and cowered back. Further and further back he cowered, as we, -lifting our crucifixes, advanced. The moonlight suddenly failed, as a -great black cloud sailed across the sky. And when the gaslight sprang -up under Quincey's match, we saw nothing but a faint vapour. This, as -we looked, trailed under the door, which with the recoil from its -bursting open, had swung back to its old position. Van Helsing, Art, -and I moved forward to Mrs. Harker, who by this time had drawn her -breath and with it had given a scream so wild, so ear-piercing, so -despairing that it seems to me now that it will ring in my ears till -my dying day. For a few seconds she lay in her helpless attitude and -disarray. Her face was ghastly, with a pallor which was accentuated -by the blood which smeared her lips and cheeks and chin. From her -throat trickled a thin stream of blood. Her eyes were mad with -terror. Then she put before her face her poor crushed hands, which -bore on their whiteness the red mark of the Count's terrible grip, and -from behind them came a low desolate wail which made the terrible -scream seem only the quick expression of an endless grief. Van -Helsing stepped forward and drew the coverlet gently over her body, -whilst Art, after looking at her face for an instant despairingly, ran -out of the room. - -Van Helsing whispered to me, "Jonathan is in a stupor such as we know -the Vampire can produce. We can do nothing with poor Madam Mina for a -few moments till she recovers herself. I must wake him!" - -He dipped the end of a towel in cold water and with it began to flick -him on the face, his wife all the while holding her face between her -hands and sobbing in a way that was heart breaking to hear. I raised -the blind, and looked out of the window. There was much moonshine, -and as I looked I could see Quincey Morris run across the lawn and -hide himself in the shadow of a great yew tree. It puzzled me to -think why he was doing this. But at the instant I heard Harker's -quick exclamation as he woke to partial consciousness, and turned to -the bed. On his face, as there might well be, was a look of wild -amazement. He seemed dazed for a few seconds, and then full -consciousness seemed to burst upon him all at once, and he started up. - -His wife was aroused by the quick movement, and turned to him with her -arms stretched out, as though to embrace him. Instantly, however, she -drew them in again, and putting her elbows together, held her hands -before her face, and shuddered till the bed beneath her shook. - -"In God's name what does this mean?" Harker cried out. "Dr. Seward, -Dr. Van Helsing, what is it? What has happened? What is wrong? Mina, -dear what is it? What does that blood mean? My God, my God! Has it -come to this!" And, raising himself to his knees, he beat his hands -wildly together. "Good God help us! Help her! Oh, help her!" - -With a quick movement he jumped from bed, and began to pull on his -clothes, all the man in him awake at the need for instant exertion. -"What has happened? Tell me all about it!" he cried without pausing. -"Dr. Van Helsing, you love Mina, I know. Oh, do something to save her. -It cannot have gone too far yet. Guard her while I look for him!" - -His wife, through her terror and horror and distress, saw some sure -danger to him. Instantly forgetting her own grief, she seized hold of -him and cried out. - -"No! No! Jonathan, you must not leave me. I have suffered enough -tonight, God knows, without the dread of his harming you. You must -stay with me. Stay with these friends who will watch over you!" Her -expression became frantic as she spoke. And, he yielding to her, she -pulled him down sitting on the bedside, and clung to him fiercely. - -Van Helsing and I tried to calm them both. The Professor held up his -golden crucifix, and said with wonderful calmness, "Do not fear, my -dear. We are here, and whilst this is close to you no foul thing can -approach. You are safe for tonight, and we must be calm and take -counsel together." - -She shuddered and was silent, holding down her head on her husband's -breast. When she raised it, his white nightrobe was stained with -blood where her lips had touched, and where the thin open wound in the -neck had sent forth drops. The instant she saw it she drew back, with -a low wail, and whispered, amidst choking sobs. - -"Unclean, unclean! I must touch him or kiss him no more. Oh, that it -should be that it is I who am now his worst enemy, and whom he may -have most cause to fear." - -To this he spoke out resolutely, "Nonsense, Mina. It is a shame to me -to hear such a word. I would not hear it of you. And I shall not -hear it from you. May God judge me by my deserts, and punish me with -more bitter suffering than even this hour, if by any act or will of -mine anything ever come between us!" - -He put out his arms and folded her to his breast. And for a while she -lay there sobbing. He looked at us over her bowed head, with eyes -that blinked damply above his quivering nostrils. His mouth was set -as steel. - -After a while her sobs became less frequent and more faint, and then -he said to me, speaking with a studied calmness which I felt tried his -nervous power to the utmost. - -"And now, Dr. Seward, tell me all about it. Too well I know the broad -fact. Tell me all that has been." - -I told him exactly what had happened and he listened with seeming -impassiveness, but his nostrils twitched and his eyes blazed as I told -how the ruthless hands of the Count had held his wife in that terrible -and horrid position, with her mouth to the open wound in his breast. -It interested me, even at that moment, to see that whilst the face of -white set passion worked convulsively over the bowed head, the hands -tenderly and lovingly stroked the ruffled hair. Just as I had -finished, Quincey and Godalming knocked at the door. They entered in -obedience to our summons. Van Helsing looked at me questioningly. I -understood him to mean if we were to take advantage of their coming to -divert if possible the thoughts of the unhappy husband and wife from -each other and from themselves. So on nodding acquiescence to him he -asked them what they had seen or done. To which Lord Godalming -answered. - -"I could not see him anywhere in the passage, or in any of our rooms. -I looked in the study but, though he had been there, he had gone. He -had, however . . ." He stopped suddenly, looking at the poor drooping -figure on the bed. - -Van Helsing said gravely, "Go on, friend Arthur. We want here no more -concealments. Our hope now is in knowing all. Tell freely!" - -So Art went on, "He had been there, and though it could only have been -for a few seconds, he made rare hay of the place. All the manuscript -had been burned, and the blue flames were flickering amongst the white -ashes. The cylinders of your phonograph too were thrown on the fire, -and the wax had helped the flames." - -Here I interrupted. "Thank God there is the other copy in the safe!" - -His face lit for a moment, but fell again as he went on. "I ran -downstairs then, but could see no sign of him. I looked into -Renfield's room, but there was no trace there except . . ." Again he -paused. - -"Go on," said Harker hoarsely. So he bowed his head and moistening his -lips with his tongue, added, "except that the poor fellow is dead." - -Mrs. Harker raised her head, looking from one to the other of us she -said solemnly, "God's will be done!" - -I could not but feel that Art was keeping back something. But, as I -took it that it was with a purpose, I said nothing. - -Van Helsing turned to Morris and asked, "And you, friend Quincey, have -you any to tell?" - -"A little," he answered. "It may be much eventually, but at present I -can't say. I thought it well to know if possible where the Count -would go when he left the house. I did not see him, but I saw a bat -rise from Renfield's window, and flap westward. I expected to see him -in some shape go back to Carfax, but he evidently sought some other -lair. He will not be back tonight, for the sky is reddening in the -east, and the dawn is close. We must work tomorrow!" - -He said the latter words through his shut teeth. For a space of -perhaps a couple of minutes there was silence, and I could fancy that -I could hear the sound of our hearts beating. - -Then Van Helsing said, placing his hand tenderly on Mrs. Harker's -head, "And now, Madam Mina, poor dear, dear, Madam Mina, tell us -exactly what happened. God knows that I do not want that you be -pained, but it is need that we know all. For now more than ever has -all work to be done quick and sharp, and in deadly earnest. The day -is close to us that must end all, if it may be so, and now is the -chance that we may live and learn." - -The poor dear lady shivered, and I could see the tension of her nerves -as she clasped her husband closer to her and bent her head lower and -lower still on his breast. Then she raised her head proudly, and held -out one hand to Van Helsing who took it in his, and after stooping and -kissing it reverently, held it fast. The other hand was locked in -that of her husband, who held his other arm thrown round her -protectingly. After a pause in which she was evidently ordering her -thoughts, she began. - -"I took the sleeping draught which you had so kindly given me, but for -a long time it did not act. I seemed to become more wakeful, and -myriads of horrible fancies began to crowd in upon my mind. All of -them connected with death, and vampires, with blood, and pain, and -trouble." Her husband involuntarily groaned as she turned to him and -said lovingly, "Do not fret, dear. You must be brave and strong, and -help me through the horrible task. If you only knew what an effort it -is to me to tell of this fearful thing at all, you would understand -how much I need your help. Well, I saw I must try to help the -medicine to its work with my will, if it was to do me any good, so I -resolutely set myself to sleep. Sure enough sleep must soon have come -to me, for I remember no more. Jonathan coming in had not waked me, -for he lay by my side when next I remember. There was in the room the -same thin white mist that I had before noticed. But I forget now if -you know of this. You will find it in my diary which I shall show you -later. I felt the same vague terror which had come to me before and -the same sense of some presence. I turned to wake Jonathan, but found -that he slept so soundly that it seemed as if it was he who had taken -the sleeping draught, and not I. I tried, but I could not wake him. -This caused me a great fear, and I looked around terrified. Then -indeed, my heart sank within me. Beside the bed, as if he had stepped -out of the mist, or rather as if the mist had turned into his figure, -for it had entirely disappeared, stood a tall, thin man, all in -black. I knew him at once from the description of the others. The -waxen face, the high aquiline nose, on which the light fell in a thin -white line, the parted red lips, with the sharp white teeth showing -between, and the red eyes that I had seemed to see in the sunset on -the windows of St. Mary's Church at Whitby. I knew, too, the red scar -on his forehead where Jonathan had struck him. For an instant my -heart stood still, and I would have screamed out, only that I was -paralyzed. In the pause he spoke in a sort of keen, cutting whisper, -pointing as he spoke to Jonathan. - -"'Silence! If you make a sound I shall take him and dash his brains -out before your very eyes.' I was appalled and was too bewildered to -do or say anything. With a mocking smile, he placed one hand upon my -shoulder and, holding me tight, bared my throat with the other, saying -as he did so, 'First, a little refreshment to reward my exertions. -You may as well be quiet. It is not the first time, or the second, -that your veins have appeased my thirst!' I was bewildered, and -strangely enough, I did not want to hinder him. I suppose it is a -part of the horrible curse that such is, when his touch is on his -victim. And oh, my God, my God, pity me! He placed his reeking lips -upon my throat!" Her husband groaned again. She clasped his hand -harder, and looked at him pityingly, as if he were the injured one, -and went on. - -"I felt my strength fading away, and I was in a half swoon. How long -this horrible thing lasted I know not, but it seemed that a long time -must have passed before he took his foul, awful, sneering mouth away. -I saw it drip with the fresh blood!" The remembrance seemed for a while -to overpower her, and she drooped and would have sunk down but for her -husband's sustaining arm. With a great effort she recovered herself -and went on. - -"Then he spoke to me mockingly, 'And so you, like the others, would -play your brains against mine. You would help these men to hunt me -and frustrate me in my design! You know now, and they know in part -already, and will know in full before long, what it is to cross my -path. They should have kept their energies for use closer to home. -Whilst they played wits against me, against me who commanded nations, -and intrigued for them, and fought for them, hundreds of years before -they were born, I was countermining them. And you, their best beloved -one, are now to me, flesh of my flesh, blood of my blood, kin of my -kin, my bountiful wine-press for a while, and shall be later on my -companion and my helper. You shall be avenged in turn, for not one of -them but shall minister to your needs. But as yet you are to be -punished for what you have done. You have aided in thwarting me. Now -you shall come to my call. When my brain says "Come!" to you, you -shall cross land or sea to do my bidding. And to that end this!' - -"With that he pulled open his shirt, and with his long sharp nails -opened a vein in his breast. When the blood began to spurt out, he -took my hands in one of his, holding them tight, and with the other -seized my neck and pressed my mouth to the wound, so that I must -either suffocate or swallow some to the . . . Oh, my God! My God! -What have I done? What have I done to deserve such a fate, I who have -tried to walk in meekness and righteousness all my days. God pity -me! Look down on a poor soul in worse than mortal peril. And in -mercy pity those to whom she is dear!" Then she began to rub her lips -as though to cleanse them from pollution. - -As she was telling her terrible story, the eastern sky began to -quicken, and everything became more and more clear. Harker was still -and quiet; but over his face, as the awful narrative went on, came a -grey look which deepened and deepened in the morning light, till when -the first red streak of the coming dawn shot up, the flesh stood -darkly out against the whitening hair. - -We have arranged that one of us is to stay within call of the unhappy -pair till we can meet together and arrange about taking action. - -Of this I am sure. The sun rises today on no more miserable house in -all the great round of its daily course. - - - - -CHAPTER 22 - - -JONATHAN HARKER'S JOURNAL - -3 October.--As I must do something or go mad, I write this diary. It -is now six o'clock, and we are to meet in the study in half an hour -and take something to eat, for Dr. Van Helsing and Dr. Seward are -agreed that if we do not eat we cannot work our best. Our best will -be, God knows, required today. I must keep writing at every chance, -for I dare not stop to think. All, big and little, must go down. -Perhaps at the end the little things may teach us most. The teaching, -big or little, could not have landed Mina or me anywhere worse than we -are today. However, we must trust and hope. Poor Mina told me just -now, with the tears running down her dear cheeks, that it is in -trouble and trial that our faith is tested. That we must keep on -trusting, and that God will aid us up to the end. The end! Oh my -God! What end? . . . To work! To work! - -When Dr. Van Helsing and Dr. Seward had come back from seeing poor -Renfield, we went gravely into what was to be done. First, Dr. Seward -told us that when he and Dr. Van Helsing had gone down to the room -below they had found Renfield lying on the floor, all in a heap. His -face was all bruised and crushed in, and the bones of the neck were -broken. - -Dr. Seward asked the attendant who was on duty in the passage if he -had heard anything. He said that he had been sitting down, he -confessed to half dozing, when he heard loud voices in the room, and -then Renfield had called out loudly several times, "God! God! God!" -After that there was a sound of falling, and when he entered the room -he found him lying on the floor, face down, just as the doctors had -seen him. Van Helsing asked if he had heard "voices" or "a voice," -and he said he could not say. That at first it had seemed to him as -if there were two, but as there was no one in the room it could have -been only one. He could swear to it, if required, that the word "God" -was spoken by the patient. - -Dr. Seward said to us, when we were alone, that he did not wish to go -into the matter. The question of an inquest had to be considered, and -it would never do to put forward the truth, as no one would believe -it. As it was, he thought that on the attendant's evidence he could -give a certificate of death by misadventure in falling from bed. In -case the coroner should demand it, there would be a formal inquest, -necessarily to the same result. - -When the question began to be discussed as to what should be our next -step, the very first thing we decided was that Mina should be in full -confidence. That nothing of any sort, no matter how painful, should -be kept from her. She herself agreed as to its wisdom, and it was -pitiful to see her so brave and yet so sorrowful, and in such a depth -of despair. - -"There must be no concealment," she said. "Alas! We have had too -much already. And besides there is nothing in all the world that can -give me more pain than I have already endured, than I suffer now! -Whatever may happen, it must be of new hope or of new courage to me!" - -Van Helsing was looking at her fixedly as she spoke, and said, -suddenly but quietly, "But dear Madam Mina, are you not afraid. Not -for yourself, but for others from yourself, after what has happened?" - -Her face grew set in its lines, but her eyes shone with the devotion -of a martyr as she answered, "Ah no! For my mind is made up!" - -"To what?" he asked gently, whilst we were all very still, for each in -our own way we had a sort of vague idea of what she meant. - -Her answer came with direct simplicity, as though she was simply -stating a fact, "Because if I find in myself, and I shall watch keenly -for it, a sign of harm to any that I love, I shall die!" - -"You would not kill yourself?" he asked, hoarsely. - -"I would. If there were no friend who loved me, who would save me -such a pain, and so desperate an effort!" She looked at him meaningly -as she spoke. - -He was sitting down, but now he rose and came close to her and put his -hand on her head as he said solemnly. "My child, there is such an one -if it were for your good. For myself I could hold it in my account -with God to find such an euthanasia for you, even at this moment if it -were best. Nay, were it safe! But my child . . ." - -For a moment he seemed choked, and a great sob rose in his throat. He -gulped it down and went on, "There are here some who would stand -between you and death. You must not die. You must not die by any -hand, but least of all your own. Until the other, who has fouled your -sweet life, is true dead you must not die. For if he is still with -the quick Undead, your death would make you even as he is. No, you -must live! You must struggle and strive to live, though death would -seem a boon unspeakable. You must fight Death himself, though he come -to you in pain or in joy. By the day, or the night, in safety or in -peril! On your living soul I charge you that you do not die. Nay, -nor think of death, till this great evil be past." - -The poor dear grew white as death, and shook and shivered, as I have -seen a quicksand shake and shiver at the incoming of the tide. We -were all silent. We could do nothing. At length she grew more calm -and turning to him said sweetly, but oh so sorrowfully, as she held -out her hand, "I promise you, my dear friend, that if God will let me -live, I shall strive to do so. Till, if it may be in His good time, -this horror may have passed away from me." - -She was so good and brave that we all felt that our hearts were -strengthened to work and endure for her, and we began to discuss what -we were to do. I told her that she was to have all the papers in the -safe, and all the papers or diaries and phonographs we might hereafter -use, and was to keep the record as she had done before. She was -pleased with the prospect of anything to do, if "pleased" could be -used in connection with so grim an interest. - -As usual Van Helsing had thought ahead of everyone else, and was -prepared with an exact ordering of our work. - -"It is perhaps well," he said, "that at our meeting after our visit to -Carfax we decided not to do anything with the earth boxes that lay -there. Had we done so, the Count must have guessed our purpose, and -would doubtless have taken measures in advance to frustrate such an -effort with regard to the others. But now he does not know our -intentions. Nay, more, in all probability, he does not know that such -a power exists to us as can sterilize his lairs, so that he cannot use -them as of old. - -"We are now so much further advanced in our knowledge as to their -disposition that, when we have examined the house in Piccadilly, we may -track the very last of them. Today then, is ours, and in it rests our -hope. The sun that rose on our sorrow this morning guards us in its -course. Until it sets tonight, that monster must retain whatever form -he now has. He is confined within the limitations of his earthly -envelope. He cannot melt into thin air nor disappear through cracks -or chinks or crannies. If he go through a doorway, he must open the -door like a mortal. And so we have this day to hunt out all his lairs -and sterilize them. So we shall, if we have not yet catch him and -destroy him, drive him to bay in some place where the catching and the -destroying shall be, in time, sure." - -Here I started up for I could not contain myself at the thought that -the minutes and seconds so preciously laden with Mina's life and -happiness were flying from us, since whilst we talked action was -impossible. But Van Helsing held up his hand warningly. - -"Nay, friend Jonathan," he said, "in this, the quickest way home is -the longest way, so your proverb say. We shall all act and act with -desperate quick, when the time has come. But think, in all probable -the key of the situation is in that house in Piccadilly. The Count -may have many houses which he has bought. Of them he will have deeds -of purchase, keys and other things. He will have paper that he write -on. He will have his book of cheques. There are many belongings that -he must have somewhere. Why not in this place so central, so quiet, -where he come and go by the front or the back at all hours, when in -the very vast of the traffic there is none to notice. We shall go -there and search that house. And when we learn what it holds, then we -do what our friend Arthur call, in his phrases of hunt 'stop the -earths' and so we run down our old fox, so? Is it not?" - -"Then let us come at once," I cried, "we are wasting the precious, -precious time!" - -The Professor did not move, but simply said, "And how are we to get -into that house in Piccadilly?" - -"Any way!" I cried. "We shall break in if need be." - -"And your police? Where will they be, and what will they say?" - -I was staggered, but I knew that if he wished to delay he had a good -reason for it. So I said, as quietly as I could, "Don't wait more -than need be. You know, I am sure, what torture I am in." - -"Ah, my child, that I do. And indeed there is no wish of me to add to -your anguish. But just think, what can we do, until all the world be -at movement. Then will come our time. I have thought and thought, -and it seems to me that the simplest way is the best of all. Now we -wish to get into the house, but we have no key. Is it not so?" I -nodded. - -"Now suppose that you were, in truth, the owner of that house, and -could not still get in. And think there was to you no conscience of -the housebreaker, what would you do?" - -"I should get a respectable locksmith, and set him to work to pick the -lock for me." - -"And your police, they would interfere, would they not?" - -"Oh no! Not if they knew the man was properly employed." - -"Then," he looked at me as keenly as he spoke, "all that is in doubt -is the conscience of the employer, and the belief of your policemen as -to whether or not that employer has a good conscience or a bad one. -Your police must indeed be zealous men and clever, oh so clever, in -reading the heart, that they trouble themselves in such matter. No, -no, my friend Jonathan, you go take the lock off a hundred empty -houses in this your London, or of any city in the world, and if you do -it as such things are rightly done, and at the time such things are -rightly done, no one will interfere. I have read of a gentleman who -owned a so fine house in London, and when he went for months of summer -to Switzerland and lock up his house, some burglar come and broke -window at back and got in. Then he went and made open the shutters in -front and walk out and in through the door, before the very eyes of -the police. Then he have an auction in that house, and advertise it, -and put up big notice. And when the day come he sell off by a great -auctioneer all the goods of that other man who own them. Then he go -to a builder, and he sell him that house, making an agreement that he -pull it down and take all away within a certain time. And your police -and other authority help him all they can. And when that owner come -back from his holiday in Switzerland he find only an empty hole where -his house had been. This was all done en regle, and in our work we -shall be en regle too. We shall not go so early that the policemen -who have then little to think of, shall deem it strange. But we shall -go after ten o'clock, when there are many about, and such things would -be done were we indeed owners of the house." - -I could not but see how right he was and the terrible despair of -Mina's face became relaxed in thought. There was hope in such good -counsel. - -Van Helsing went on, "When once within that house we may find more -clues. At any rate some of us can remain there whilst the rest find -the other places where there be more earth boxes, at Bermondsey and -Mile End." - -Lord Godalming stood up. "I can be of some use here," he said. "I -shall wire to my people to have horses and carriages where they will -be most convenient." - -"Look here, old fellow," said Morris, "it is a capital idea to have -all ready in case we want to go horse backing, but don't you think -that one of your snappy carriages with its heraldic adornments in a -byway of Walworth or Mile End would attract too much attention for our -purpose? It seems to me that we ought to take cabs when we go south -or east. And even leave them somewhere near the neighbourhood we are -going to." - -"Friend Quincey is right!" said the Professor. "His head is what you -call in plane with the horizon. It is a difficult thing that we go to -do, and we do not want no peoples to watch us if so it may." - -Mina took a growing interest in everything and I was rejoiced to see -that the exigency of affairs was helping her to forget for a time the -terrible experience of the night. She was very, very pale, almost -ghastly, and so thin that her lips were drawn away, showing her teeth -in somewhat of prominence. I did not mention this last, lest it -should give her needless pain, but it made my blood run cold in my -veins to think of what had occurred with poor Lucy when the Count had -sucked her blood. As yet there was no sign of the teeth growing -sharper, but the time as yet was short, and there was time for fear. - -When we came to the discussion of the sequence of our efforts and of -the disposition of our forces, there were new sources of doubt. It -was finally agreed that before starting for Piccadilly we should -destroy the Count's lair close at hand. In case he should find it out -too soon, we should thus be still ahead of him in our work of -destruction. And his presence in his purely material shape, and at -his weakest, might give us some new clue. - -As to the disposal of forces, it was suggested by the Professor that, -after our visit to Carfax, we should all enter the house in -Piccadilly. That the two doctors and I should remain there, whilst -Lord Godalming and Quincey found the lairs at Walworth and Mile End -and destroyed them. It was possible, if not likely, the Professor -urged, that the Count might appear in Piccadilly during the day, and -that if so we might be able to cope with him then and there. At any -rate, we might be able to follow him in force. To this plan I -strenuously objected, and so far as my going was concerned, for I said -that I intended to stay and protect Mina. I thought that my mind was -made up on the subject, but Mina would not listen to my objection. She -said that there might be some law matter in which I could be useful. -That amongst the Count's papers might be some clue which I could -understand out of my experience in Transylvania. And that, as it was, -all the strength we could muster was required to cope with the Count's -extraordinary power. I had to give in, for Mina's resolution was -fixed. She said that it was the last hope for her that we should all -work together. - -"As for me," she said, "I have no fear. Things have been as bad as -they can be. And whatever may happen must have in it some element of -hope or comfort. Go, my husband! God can, if He wishes it, guard me -as well alone as with any one present." - -So I started up crying out, "Then in God's name let us come at once, -for we are losing time. The Count may come to Piccadilly earlier than -we think." - -"Not so!" said Van Helsing, holding up his hand. - -"But why?" I asked. - -"Do you forget," he said, with actually a smile, "that last night he -banqueted heavily, and will sleep late?" - -Did I forget! Shall I ever . . . can I ever! Can any of us ever -forget that terrible scene! Mina struggled hard to keep her brave -countenance, but the pain overmastered her and she put her hands -before her face, and shuddered whilst she moaned. Van Helsing had not -intended to recall her frightful experience. He had simply lost sight -of her and her part in the affair in his intellectual effort. - -When it struck him what he said, he was horrified at his -thoughtlessness and tried to comfort her. - -"Oh, Madam Mina," he said, "dear, dear, Madam Mina, alas! That I of -all who so reverence you should have said anything so forgetful. These -stupid old lips of mine and this stupid old head do not deserve so, -but you will forget it, will you not?" He bent low beside her as he -spoke. - -She took his hand, and looking at him through her tears, said -hoarsely, "No, I shall not forget, for it is well that I remember. -And with it I have so much in memory of you that is sweet, that I take -it all together. Now, you must all be going soon. Breakfast is -ready, and we must all eat that we may be strong." - -Breakfast was a strange meal to us all. We tried to be cheerful and -encourage each other, and Mina was the brightest and most cheerful of -us. When it was over, Van Helsing stood up and said, "Now, my dear -friends, we go forth to our terrible enterprise. Are we all armed, as -we were on that night when first we visited our enemy's lair. Armed -against ghostly as well as carnal attack?" - -We all assured him. - -"Then it is well. Now, Madam Mina, you are in any case quite safe -here until the sunset. And before then we shall return . . . if . . . -We shall return! But before we go let me see you armed against personal -attack. I have myself, since you came down, prepared your chamber by -the placing of things of which we know, so that He may not enter. Now -let me guard yourself. On your forehead I touch this piece of Sacred -Wafer in the name of the Father, the Son, and . . ." - -There was a fearful scream which almost froze our hearts to hear. As -he had placed the Wafer on Mina's forehead, it had seared it . . . had -burned into the flesh as though it had been a piece of white-hot metal. -My poor darling's brain had told her the significance of the fact as -quickly as her nerves received the pain of it, and the two so -overwhelmed her that her overwrought nature had its voice in that -dreadful scream. - -But the words to her thought came quickly. The echo of the scream had -not ceased to ring on the air when there came the reaction, and she -sank on her knees on the floor in an agony of abasement. Pulling her -beautiful hair over her face, as the leper of old his mantle, she -wailed out. - -"Unclean! Unclean! Even the Almighty shuns my polluted flesh! I -must bear this mark of shame upon my forehead until the Judgement -Day." - -They all paused. I had thrown myself beside her in an agony of -helpless grief, and putting my arms around held her tight. For a few -minutes our sorrowful hearts beat together, whilst the friends around -us turned away their eyes that ran tears silently. Then Van Helsing -turned and said gravely. So gravely that I could not help feeling -that he was in some way inspired, and was stating things outside -himself. - -"It may be that you may have to bear that mark till God himself see -fit, as He most surely shall, on the Judgement Day, to redress all -wrongs of the earth and of His children that He has placed thereon. -And oh, Madam Mina, my dear, my dear, may we who love you be there to -see, when that red scar, the sign of God's knowledge of what has been, -shall pass away, and leave your forehead as pure as the heart we know. -For so surely as we live, that scar shall pass away when God sees -right to lift the burden that is hard upon us. Till then we bear our -Cross, as His Son did in obedience to His Will. It may be that we are -chosen instruments of His good pleasure, and that we ascend to His -bidding as that other through stripes and shame. Through tears and -blood. Through doubts and fear, and all that makes the difference -between God and man." - -There was hope in his words, and comfort. And they made for -resignation. Mina and I both felt so, and simultaneously we each took -one of the old man's hands and bent over and kissed it. Then without -a word we all knelt down together, and all holding hands, swore to be -true to each other. We men pledged ourselves to raise the veil of -sorrow from the head of her whom, each in his own way, we loved. And -we prayed for help and guidance in the terrible task which lay before -us. It was then time to start. So I said farewell to Mina, a parting -which neither of us shall forget to our dying day, and we set out. - -To one thing I have made up my mind. If we find out that Mina must be -a vampire in the end, then she shall not go into that unknown and -terrible land alone. I suppose it is thus that in old times one -vampire meant many. Just as their hideous bodies could only rest in -sacred earth, so the holiest love was the recruiting sergeant for -their ghastly ranks. - -We entered Carfax without trouble and found all things the same as on -the first occasion. It was hard to believe that amongst so prosaic -surroundings of neglect and dust and decay there was any ground for -such fear as already we knew. Had not our minds been made up, and had -there not been terrible memories to spur us on, we could hardly have -proceeded with our task. We found no papers, or any sign of use in -the house. And in the old chapel the great boxes looked just as we -had seen them last. - -Dr. Van Helsing said to us solemnly as we stood before him, "And now, -my friends, we have a duty here to do. We must sterilize this earth, -so sacred of holy memories, that he has brought from a far distant -land for such fell use. He has chosen this earth because it has been -holy. Thus we defeat him with his own weapon, for we make it more -holy still. It was sanctified to such use of man, now we sanctify it -to God." - -As he spoke he took from his bag a screwdriver and a wrench, and very -soon the top of one of the cases was thrown open. The earth smelled -musty and close, but we did not somehow seem to mind, for our -attention was concentrated on the Professor. Taking from his box a -piece of the Sacred Wafer he laid it reverently on the earth, and then -shutting down the lid began to screw it home, we aiding him as he -worked. - -One by one we treated in the same way each of the great boxes, and -left them as we had found them to all appearance. But in each was a -portion of the Host. When we closed the door behind us, the Professor -said solemnly, "So much is already done. It may be that with all the -others we can be so successful, then the sunset of this evening may -shine of Madam Mina's forehead all white as ivory and with no stain!" - -As we passed across the lawn on our way to the station to catch our -train we could see the front of the asylum. I looked eagerly, and in -the window of my own room saw Mina. I waved my hand to her, and -nodded to tell that our work there was successfully accomplished. She -nodded in reply to show that she understood. The last I saw, she was -waving her hand in farewell. It was with a heavy heart that we sought -the station and just caught the train, which was steaming in as we -reached the platform. I have written this in the train. - - -Piccadilly, 12:30 o'clock.--Just before we reached Fenchurch Street -Lord Godalming said to me, "Quincey and I will find a locksmith. You -had better not come with us in case there should be any difficulty. -For under the circumstances it wouldn't seem so bad for us to break -into an empty house. But you are a solicitor and the Incorporated Law -Society might tell you that you should have known better." - -I demurred as to my not sharing any danger even of odium, but he went -on, "Besides, it will attract less attention if there are not too many -of us. My title will make it all right with the locksmith, and with -any policeman that may come along. You had better go with Jack and -the Professor and stay in the Green Park. Somewhere in sight of the -house, and when you see the door opened and the smith has gone away, -do you all come across. We shall be on the lookout for you, and shall -let you in." - -"The advice is good!" said Van Helsing, so we said no more. Godalming -and Morris hurried off in a cab, we following in another. At the -corner of Arlington Street our contingent got out and strolled into -the Green Park. My heart beat as I saw the house on which so much of -our hope was centred, looming up grim and silent in its deserted -condition amongst its more lively and spruce-looking neighbours. We -sat down on a bench within good view, and began to smoke cigars so as -to attract as little attention as possible. The minutes seemed to -pass with leaden feet as we waited for the coming of the others. - -At length we saw a four-wheeler drive up. Out of it, in leisurely -fashion, got Lord Godalming and Morris. And down from the box -descended a thick-set working man with his rush-woven basket of tools. -Morris paid the cabman, who touched his hat and drove away. Together -the two ascended the steps, and Lord Godalming pointed out what he -wanted done. The workman took off his coat leisurely and hung it on -one of the spikes of the rail, saying something to a policeman who -just then sauntered along. The policeman nodded acquiescence, and the -man kneeling down placed his bag beside him. After searching through -it, he took out a selection of tools which he proceeded to lay beside -him in orderly fashion. Then he stood up, looked in the keyhole, blew -into it, and turning to his employers, made some remark. Lord -Godalming smiled, and the man lifted a good sized bunch of keys. -Selecting one of them, he began to probe the lock, as if feeling his -way with it. After fumbling about for a bit he tried a second, and -then a third. All at once the door opened under a slight push from -him, and he and the two others entered the hall. We sat still. My -own cigar burnt furiously, but Van Helsing's went cold altogether. We -waited patiently as we saw the workman come out and bring his bag. -Then he held the door partly open, steadying it with his knees, whilst -he fitted a key to the lock. This he finally handed to Lord -Godalming, who took out his purse and gave him something. The man -touched his hat, took his bag, put on his coat and departed. Not a -soul took the slightest notice of the whole transaction. - -When the man had fairly gone, we three crossed the street and knocked -at the door. It was immediately opened by Quincey Morris, beside whom -stood Lord Godalming lighting a cigar. - -"The place smells so vilely," said the latter as we came in. It did -indeed smell vilely. Like the old chapel at Carfax. And with our -previous experience it was plain to us that the Count had been using -the place pretty freely. We moved to explore the house, all keeping -together in case of attack, for we knew we had a strong and wily enemy -to deal with, and as yet we did not know whether the Count might not -be in the house. - -In the dining room, which lay at the back of the hall, we found eight -boxes of earth. Eight boxes only out of the nine which we sought! -Our work was not over, and would never be until we should have found -the missing box. - -First we opened the shutters of the window which looked out across a -narrow stone flagged yard at the blank face of a stable, pointed to -look like the front of a miniature house. There were no windows in -it, so we were not afraid of being overlooked. We did not lose any -time in examining the chests. With the tools which we had brought -with us we opened them, one by one, and treated them as we had treated -those others in the old chapel. It was evident to us that the Count -was not at present in the house, and we proceeded to search for any of -his effects. - -After a cursory glance at the rest of the rooms, from basement to -attic, we came to the conclusion that the dining room contained any -effects which might belong to the Count. And so we proceeded to -minutely examine them. They lay in a sort of orderly disorder on the -great dining room table. - -There were title deeds of the Piccadilly house in a great bundle, -deeds of the purchase of the houses at Mile End and Bermondsey, -notepaper, envelopes, and pens and ink. All were covered up in thin -wrapping paper to keep them from the dust. There were also a clothes -brush, a brush and comb, and a jug and basin. The latter containing -dirty water which was reddened as if with blood. Last of all was a -little heap of keys of all sorts and sizes, probably those belonging -to the other houses. - -When we had examined this last find, Lord Godalming and Quincey Morris -taking accurate notes of the various addresses of the houses in the -East and the South, took with them the keys in a great bunch, and set -out to destroy the boxes in these places. The rest of us are, with -what patience we can, waiting their return, or the coming of the -Count. - - - - -CHAPTER 23 - - -DR. SEWARD'S DIARY - -3 October.--The time seemed terribly long whilst we were waiting for -the coming of Godalming and Quincey Morris. The Professor tried to -keep our minds active by using them all the time. I could see his -beneficent purpose, by the side glances which he threw from time to -time at Harker. The poor fellow is overwhelmed in a misery that is -appalling to see. Last night he was a frank, happy-looking man, with -strong, youthful face, full of energy, and with dark brown hair. -Today he is a drawn, haggard old man, whose white hair matches well -with the hollow burning eyes and grief-written lines of his face. His -energy is still intact. In fact, he is like a living flame. This may -yet be his salvation, for if all go well, it will tide him over the -despairing period. He will then, in a kind of way, wake again to the -realities of life. Poor fellow, I thought my own trouble was bad -enough, but his . . . ! - -The Professor knows this well enough, and is doing his best to keep -his mind active. What he has been saying was, under the -circumstances, of absorbing interest. So well as I can remember, here -it is: - -"I have studied, over and over again since they came into my hands, -all the papers relating to this monster, and the more I have studied, -the greater seems the necessity to utterly stamp him out. All through -there are signs of his advance. Not only of his power, but of his -knowledge of it. As I learned from the researches of my friend -Arminius of Buda-Pesth, he was in life a most wonderful man. Soldier, -statesman, and alchemist--which latter was the highest development of -the science knowledge of his time. He had a mighty brain, a learning -beyond compare, and a heart that knew no fear and no remorse. He -dared even to attend the Scholomance, and there was no branch of -knowledge of his time that he did not essay. - -"Well, in him the brain powers survived the physical death. Though it -would seem that memory was not all complete. In some faculties of -mind he has been, and is, only a child. But he is growing, and some -things that were childish at the first are now of man's stature. He -is experimenting, and doing it well. And if it had not been that we -have crossed his path he would be yet, he may be yet if we fail, the -father or furtherer of a new order of beings, whose road must lead -through Death, not Life." - -Harker groaned and said, "And this is all arrayed against my darling! -But how is he experimenting? The knowledge may help us to defeat -him!" - -"He has all along, since his coming, been trying his power, slowly but -surely. That big child-brain of his is working. Well for us, it is -as yet a child-brain. For had he dared, at the first, to attempt -certain things he would long ago have been beyond our power. However, -he means to succeed, and a man who has centuries before him can afford -to wait and to go slow. Festina lente may well be his motto." - -"I fail to understand," said Harker wearily. "Oh, do be more plain to -me! Perhaps grief and trouble are dulling my brain." - -The Professor laid his hand tenderly on his shoulder as he spoke, "Ah, -my child, I will be plain. Do you not see how, of late, this monster -has been creeping into knowledge experimentally. How he has been -making use of the zoophagous patient to effect his entry into friend -John's home. For your Vampire, though in all afterwards he can come -when and how he will, must at the first make entry only when asked -thereto by an inmate. But these are not his most important -experiments. Do we not see how at the first all these so great boxes -were moved by others. He knew not then but that must be so. But all -the time that so great child-brain of his was growing, and he began to -consider whether he might not himself move the box. So he began to -help. And then, when he found that this be all right, he try to move -them all alone. And so he progress, and he scatter these graves of -him. And none but he know where they are hidden. - -"He may have intend to bury them deep in the ground. So that only he -use them in the night, or at such time as he can change his form, they -do him equal well, and none may know these are his hiding place! But, -my child, do not despair, this knowledge came to him just too late! -Already all of his lairs but one be sterilize as for him. And before -the sunset this shall be so. Then he have no place where he can move -and hide. I delayed this morning that so we might be sure. Is there -not more at stake for us than for him? Then why not be more careful -than him? By my clock it is one hour and already, if all be well, -friend Arthur and Quincey are on their way to us. Today is our day, -and we must go sure, if slow, and lose no chance. See! There are -five of us when those absent ones return." - -Whilst we were speaking we were startled by a knock at the hall door, -the double postman's knock of the telegraph boy. We all moved out to -the hall with one impulse, and Van Helsing, holding up his hand to us -to keep silence, stepped to the door and opened it. The boy handed in -a dispatch. The Professor closed the door again, and after looking at -the direction, opened it and read aloud. - -"Look out for D. He has just now, 12:45, come from Carfax -hurriedly and hastened towards the South. He seems to be -going the round and may want to see you: Mina." - -There was a pause, broken by Jonathan Harker's voice, "Now, God be -thanked, we shall soon meet!" - -Van Helsing turned to him quickly and said, "God will act in His own -way and time. Do not fear, and do not rejoice as yet. For what we -wish for at the moment may be our own undoings." - -"I care for nothing now," he answered hotly, "except to wipe out this -brute from the face of creation. I would sell my soul to do it!" - -"Oh, hush, hush, my child!" said Van Helsing. "God does not purchase -souls in this wise, and the Devil, though he may purchase, does not -keep faith. But God is merciful and just, and knows your pain and -your devotion to that dear Madam Mina. Think you, how her pain would -be doubled, did she but hear your wild words. Do not fear any of us, -we are all devoted to this cause, and today shall see the end. The -time is coming for action. Today this Vampire is limit to the powers -of man, and till sunset he may not change. It will take him time to -arrive here, see it is twenty minutes past one, and there are yet some -times before he can hither come, be he never so quick. What we must -hope for is that my Lord Arthur and Quincey arrive first." - -About half an hour after we had received Mrs. Harker's telegram, there -came a quiet, resolute knock at the hall door. It was just an -ordinary knock, such as is given hourly by thousands of gentlemen, but -it made the Professor's heart and mine beat loudly. We looked at each -other, and together moved out into the hall. We each held ready to -use our various armaments, the spiritual in the left hand, the mortal -in the right. Van Helsing pulled back the latch, and holding the door -half open, stood back, having both hands ready for action. The -gladness of our hearts must have shown upon our faces when on the -step, close to the door, we saw Lord Godalming and Quincey Morris. -They came quickly in and closed the door behind them, the former -saying, as they moved along the hall: - -"It is all right. We found both places. Six boxes in each and we -destroyed them all." - -"Destroyed?" asked the Professor. - -"For him!" We were silent for a minute, and then Quincey said, -"There's nothing to do but to wait here. If, however, he doesn't turn -up by five o'clock, we must start off. For it won't do to leave Mrs. -Harker alone after sunset." - -"He will be here before long now," said Van Helsing, who had been -consulting his pocketbook. "Nota bene, in Madam's telegram he went -south from Carfax. That means he went to cross the river, and he -could only do so at slack of tide, which should be something before -one o'clock. That he went south has a meaning for us. He is as yet -only suspicious, and he went from Carfax first to the place where he -would suspect interference least. You must have been at Bermondsey -only a short time before him. That he is not here already shows that -he went to Mile End next. This took him some time, for he would then -have to be carried over the river in some way. Believe me, my -friends, we shall not have long to wait now. We should have ready -some plan of attack, so that we may throw away no chance. Hush, there -is no time now. Have all your arms! Be ready!" He held up a warning -hand as he spoke, for we all could hear a key softly inserted in the -lock of the hall door. - -I could not but admire, even at such a moment, the way in which a -dominant spirit asserted itself. In all our hunting parties and -adventures in different parts of the world, Quincey Morris had always -been the one to arrange the plan of action, and Arthur and I had been -accustomed to obey him implicitly. Now, the old habit seemed to be -renewed instinctively. With a swift glance around the room, he at -once laid out our plan of attack, and without speaking a word, with a -gesture, placed us each in position. Van Helsing, Harker, and I were -just behind the door, so that when it was opened the Professor could -guard it whilst we two stepped between the incomer and the door. -Godalming behind and Quincey in front stood just out of sight ready to -move in front of the window. We waited in a suspense that made the -seconds pass with nightmare slowness. The slow, careful steps came -along the hall. The Count was evidently prepared for some surprise, -at least he feared it. - -Suddenly with a single bound he leaped into the room. Winning a way -past us before any of us could raise a hand to stay him. There was -something so pantherlike in the movement, something so unhuman, that -it seemed to sober us all from the shock of his coming. The first to -act was Harker, who with a quick movement, threw himself before the -door leading into the room in the front of the house. As the Count -saw us, a horrible sort of snarl passed over his face, showing the -eyeteeth long and pointed. But the evil smile as quickly passed into -a cold stare of lion-like disdain. His expression again changed as, -with a single impulse, we all advanced upon him. It was a pity that -we had not some better organized plan of attack, for even at the -moment I wondered what we were to do. I did not myself know whether -our lethal weapons would avail us anything. - -Harker evidently meant to try the matter, for he had ready his great -Kukri knife and made a fierce and sudden cut at him. The blow was a -powerful one; only the diabolical quickness of the Count's leap back -saved him. A second less and the trenchant blade had shorn through -his heart. As it was, the point just cut the cloth of his coat, -making a wide gap whence a bundle of bank notes and a stream -of gold fell out. The expression of the Count's face was so hellish, -that for a moment I feared for Harker, though I saw him throw the -terrible knife aloft again for another stroke. Instinctively I moved -forward with a protective impulse, holding the Crucifix and Wafer in -my left hand. I felt a mighty power fly along my arm, and it was -without surprise that I saw the monster cower back before a similar -movement made spontaneously by each one of us. It would be impossible -to describe the expression of hate and baffled malignity, of anger and -hellish rage, which came over the Count's face. His waxen hue became -greenish-yellow by the contrast of his burning eyes, and the red scar -on the forehead showed on the pallid skin like a palpitating wound. -The next instant, with a sinuous dive he swept under Harker's arm, ere -his blow could fall, and grasping a handful of the money from the -floor, dashed across the room, threw himself at the window. Amid the -crash and glitter of the falling glass, he tumbled into the flagged -area below. Through the sound of the shivering glass I could hear the -"ting" of the gold, as some of the sovereigns fell on the flagging. - -We ran over and saw him spring unhurt from the ground. He, rushing up -the steps, crossed the flagged yard, and pushed open the stable door. -There he turned and spoke to us. - -"You think to baffle me, you with your pale faces all in a row, like -sheep in a butcher's. You shall be sorry yet, each one of you! You -think you have left me without a place to rest, but I have more. My -revenge is just begun! I spread it over centuries, and time is on my -side. Your girls that you all love are mine already. And through -them you and others shall yet be mine, my creatures, to do my bidding -and to be my jackals when I want to feed. Bah!" - -With a contemptuous sneer, he passed quickly through the door, and we -heard the rusty bolt creak as he fastened it behind him. A door -beyond opened and shut. The first of us to speak was the Professor. -Realizing the difficulty of following him through the stable, we moved -toward the hall. - -"We have learnt something . . . much! Notwithstanding his brave words, -he fears us. He fears time, he fears want! For if not, why he hurry -so? His very tone betray him, or my ears deceive. Why take that -money? You follow quick. You are hunters of the wild beast, and -understand it so. For me, I make sure that nothing here may be of use -to him, if so that he returns." - -As he spoke he put the money remaining in his pocket, took the title -deeds in the bundle as Harker had left them, and swept the remaining -things into the open fireplace, where he set fire to them with a -match. - -Godalming and Morris had rushed out into the yard, and Harker had -lowered himself from the window to follow the Count. He had, however, -bolted the stable door, and by the time they had forced it open there -was no sign of him. Van Helsing and I tried to make inquiry at the -back of the house. But the mews was deserted and no one had seen him -depart. - -It was now late in the afternoon, and sunset was not far off. We had -to recognize that our game was up. With heavy hearts we agreed with -the Professor when he said, "Let us go back to Madam Mina. Poor, poor -dear Madam Mina. All we can do just now is done, and we can there, at -least, protect her. But we need not despair. There is but one more -earth box, and we must try to find it. When that is done all may yet -be well." - -I could see that he spoke as bravely as he could to comfort Harker. -The poor fellow was quite broken down, now and again he gave a low -groan which he could not suppress. He was thinking of his wife. - -With sad hearts we came back to my house, where we found Mrs. Harker -waiting us, with an appearance of cheerfulness which did honour to her -bravery and unselfishness. When she saw our faces, her own became as -pale as death. For a second or two her eyes were closed as if she -were in secret prayer. - -And then she said cheerfully, "I can never thank you all enough. Oh, -my poor darling!" - -As she spoke, she took her husband's grey head in her hands and kissed -it. - -"Lay your poor head here and rest it. All will yet be well, dear! God -will protect us if He so will it in His good intent." The poor fellow -groaned. There was no place for words in his sublime misery. - -We had a sort of perfunctory supper together, and I think it cheered -us all up somewhat. It was, perhaps, the mere animal heat of food to -hungry people, for none of us had eaten anything since breakfast, or -the sense of companionship may have helped us, but anyhow we were all -less miserable, and saw the morrow as not altogether without hope. - -True to our promise, we told Mrs. Harker everything which had passed. -And although she grew snowy white at times when danger had seemed to -threaten her husband, and red at others when his devotion to her was -manifested, she listened bravely and with calmness. When we came to -the part where Harker had rushed at the Count so recklessly, she clung -to her husband's arm, and held it tight as though her clinging could -protect him from any harm that might come. She said nothing, however, -till the narration was all done, and matters had been brought up to -the present time. - -Then without letting go her husband's hand she stood up amongst us and -spoke. Oh, that I could give any idea of the scene. Of that sweet, -sweet, good, good woman in all the radiant beauty of her youth and -animation, with the red scar on her forehead, of which she was -conscious, and which we saw with grinding of our teeth, remembering -whence and how it came. Her loving kindness against our grim hate. -Her tender faith against all our fears and doubting. And we, knowing -that so far as symbols went, she with all her goodness and purity and -faith, was outcast from God. - -"Jonathan," she said, and the word sounded like music on her lips it -was so full of love and tenderness, "Jonathan dear, and you all my -true, true friends, I want you to bear something in mind through all -this dreadful time. I know that you must fight. That you must -destroy even as you destroyed the false Lucy so that the true Lucy -might live hereafter. But it is not a work of hate. That poor soul -who has wrought all this misery is the saddest case of all. Just -think what will be his joy when he, too, is destroyed in his worser -part that his better part may have spiritual immortality. You must be -pitiful to him, too, though it may not hold your hands from his -destruction." - -As she spoke I could see her husband's face darken and draw together, -as though the passion in him were shriveling his being to its core. -Instinctively the clasp on his wife's hand grew closer, till his -knuckles looked white. She did not flinch from the pain which I knew -she must have suffered, but looked at him with eyes that were more -appealing than ever. - -As she stopped speaking he leaped to his feet, almost tearing his hand -from hers as he spoke. - -"May God give him into my hand just for long enough to destroy that -earthly life of him which we are aiming at. If beyond it I could send -his soul forever and ever to burning hell I would do it!" - -"Oh, hush! Oh, hush in the name of the good God. Don't say such -things, Jonathan, my husband, or you will crush me with fear and -horror. Just think, my dear . . . I have been thinking all this long, -long day of it . . . that . . . perhaps . . . some day . . . I, too, may -need such pity, and that some other like you, and with equal cause for -anger, may deny it to me! Oh, my husband! My husband, indeed I would -have spared you such a thought had there been another way. But I pray -that God may not have treasured your wild words, except as the -heart-broken wail of a very loving and sorely stricken man. Oh, God, -let these poor white hairs go in evidence of what he has suffered, who -all his life has done no wrong, and on whom so many sorrows have -come." - -We men were all in tears now. There was no resisting them, and we -wept openly. She wept, too, to see that her sweeter counsels had -prevailed. Her husband flung himself on his knees beside her, and -putting his arms round her, hid his face in the folds of her dress. -Van Helsing beckoned to us and we stole out of the room, leaving the -two loving hearts alone with their God. - -Before they retired the Professor fixed up the room against any coming -of the Vampire, and assured Mrs. Harker that she might rest in peace. -She tried to school herself to the belief, and manifestly for her -husband's sake, tried to seem content. It was a brave struggle, and -was, I think and believe, not without its reward. Van Helsing had -placed at hand a bell which either of them was to sound in case of any -emergency. When they had retired, Quincey, Godalming, and I arranged -that we should sit up, dividing the night between us, and watch over -the safety of the poor stricken lady. The first watch falls to -Quincey, so the rest of us shall be off to bed as soon as we can. - -Godalming has already turned in, for his is the second watch. Now -that my work is done I, too, shall go to bed. - - - -JONATHAN HARKER'S JOURNAL - -3-4 October, close to midnight.--I thought yesterday would never end. -There was over me a yearning for sleep, in some sort of blind belief -that to wake would be to find things changed, and that any change must -now be for the better. Before we parted, we discussed what our next -step was to be, but we could arrive at no result. All we knew was -that one earth box remained, and that the Count alone knew where it -was. If he chooses to lie hidden, he may baffle us for years. And in -the meantime, the thought is too horrible, I dare not think of it even -now. This I know, that if ever there was a woman who was all -perfection, that one is my poor wronged darling. I loved her a -thousand times more for her sweet pity of last night, a pity that made -my own hate of the monster seem despicable. Surely God will not -permit the world to be the poorer by the loss of such a creature. This -is hope to me. We are all drifting reefwards now, and faith is our -only anchor. Thank God! Mina is sleeping, and sleeping without -dreams. I fear what her dreams might be like, with such terrible -memories to ground them in. She has not been so calm, within my -seeing, since the sunset. Then, for a while, there came over her face -a repose which was like spring after the blasts of March. I thought -at the time that it was the softness of the red sunset on her face, -but somehow now I think it has a deeper meaning. I am not sleepy -myself, though I am weary . . . weary to death. However, I must try -to sleep. For there is tomorrow to think of, and there is no rest for -me until . . . - - -Later--I must have fallen asleep, for I was awakened by Mina, who was -sitting up in bed, with a startled look on her face. I could see -easily, for we did not leave the room in darkness. She had placed a -warning hand over my mouth, and now she whispered in my ear, "Hush! -There is someone in the corridor!" I got up softly, and crossing the -room, gently opened the door. - -Just outside, stretched on a mattress, lay Mr. Morris, wide awake. He -raised a warning hand for silence as he whispered to me, "Hush! Go -back to bed. It is all right. One of us will be here all night. We -don't mean to take any chances!" - -His look and gesture forbade discussion, so I came back and told Mina. -She sighed and positively a shadow of a smile stole over her poor, -pale face as she put her arms round me and said softly, "Oh, thank God -for good brave men!" With a sigh she sank back again to sleep. I -write this now as I am not sleepy, though I must try again. - - -4 October, morning.--Once again during the night I was wakened by -Mina. This time we had all had a good sleep, for the grey of the -coming dawn was making the windows into sharp oblongs, and the gas -flame was like a speck rather than a disc of light. - -She said to me hurriedly, "Go, call the Professor. I want to see him -at once." - -"Why?" I asked. - -"I have an idea. I suppose it must have come in the night, and -matured without my knowing it. He must hypnotize me before the dawn, -and then I shall be able to speak. Go quick, dearest, the time is -getting close." - -I went to the door. Dr. Seward was resting on the mattress, and -seeing me, he sprang to his feet. - -"Is anything wrong?" he asked, in alarm. - -"No," I replied. "But Mina wants to see Dr. Van Helsing at once." - -"I will go," he said, and hurried into the Professor's room. - -Two or three minutes later Van Helsing was in the room in his dressing -gown, and Mr. Morris and Lord Godalming were with Dr. Seward at the -door asking questions. When the Professor saw Mina a smile, a -positive smile ousted the anxiety of his face. - -He rubbed his hands as he said, "Oh, my dear Madam Mina, this is -indeed a change. See! Friend Jonathan, we have got our dear Madam -Mina, as of old, back to us today!" Then turning to her, he said -cheerfully, "And what am I to do for you? For at this hour you do not -want me for nothing." - -"I want you to hypnotize me!" she said. "Do it before the dawn, for I -feel that then I can speak, and speak freely. Be quick, for the time -is short!" Without a word he motioned her to sit up in bed. - -Looking fixedly at her, he commenced to make passes in front of her, -from over the top of her head downward, with each hand in turn. Mina -gazed at him fixedly for a few minutes, during which my own heart beat -like a trip hammer, for I felt that some crisis was at hand. -Gradually her eyes closed, and she sat, stock still. Only by the -gentle heaving of her bosom could one know that she was alive. The -Professor made a few more passes and then stopped, and I could see -that his forehead was covered with great beads of perspiration. Mina -opened her eyes, but she did not seem the same woman. There was a -far-away look in her eyes, and her voice had a sad dreaminess which -was new to me. Raising his hand to impose silence, the Professor -motioned to me to bring the others in. They came on tiptoe, closing -the door behind them, and stood at the foot of the bed, looking on. -Mina appeared not to see them. The stillness was broken by Van -Helsing's voice speaking in a low level tone which would not break the -current of her thoughts. - -"Where are you?" The answer came in a neutral way. - -"I do not know. Sleep has no place it can call its own." For several -minutes there was silence. Mina sat rigid, and the Professor stood -staring at her fixedly. - -The rest of us hardly dared to breathe. The room was growing lighter. -Without taking his eyes from Mina's face, Dr. Van Helsing motioned me -to pull up the blind. I did so, and the day seemed just upon us. A -red streak shot up, and a rosy light seemed to diffuse itself through -the room. On the instant the Professor spoke again. - -"Where are you now?" - -The answer came dreamily, but with intention. It were as though she -were interpreting something. I have heard her use the same tone when -reading her shorthand notes. - -"I do not know. It is all strange to me!" - -"What do you see?" - -"I can see nothing. It is all dark." - -"What do you hear?" I could detect the strain in the Professor's -patient voice. - -"The lapping of water. It is gurgling by, and little waves leap. I -can hear them on the outside." - -"Then you are on a ship?'" - -We all looked at each other, trying to glean something each from the -other. We were afraid to think. - -The answer came quick, "Oh, yes!" - -"What else do you hear?" - -"The sound of men stamping overhead as they run about. There is the -creaking of a chain, and the loud tinkle as the check of the capstan -falls into the ratchet." - -"What are you doing?" - -"I am still, oh so still. It is like death!" The voice faded away -into a deep breath as of one sleeping, and the open eyes closed again. - -By this time the sun had risen, and we were all in the full light of -day. Dr. Van Helsing placed his hands on Mina's shoulders, and laid -her head down softly on her pillow. She lay like a sleeping child for -a few moments, and then, with a long sigh, awoke and stared in wonder -to see us all around her. - -"Have I been talking in my sleep?" was all she said. She seemed, -however, to know the situation without telling, though she was eager -to know what she had told. The Professor repeated the conversation, -and she said, "Then there is not a moment to lose. It may not be yet -too late!" - -Mr. Morris and Lord Godalming started for the door but the Professor's -calm voice called them back. - -"Stay, my friends. That ship, wherever it was, was weighing anchor at -the moment in your so great Port of London. Which of them is it that -you seek? God be thanked that we have once again a clue, though -whither it may lead us we know not. We have been blind somewhat. -Blind after the manner of men, since we can look back we see what we -might have seen looking forward if we had been able to see what we -might have seen! Alas, but that sentence is a puddle, is it not? We -can know now what was in the Count's mind, when he seize that money, -though Jonathan's so fierce knife put him in the danger that even he -dread. He meant escape. Hear me, ESCAPE! He saw that with but one -earth box left, and a pack of men following like dogs after a fox, -this London was no place for him. He have take his last earth box on -board a ship, and he leave the land. He think to escape, but no! We -follow him. Tally Ho! As friend Arthur would say when he put on his -red frock! Our old fox is wily. Oh! So wily, and we must follow -with wile. I, too, am wily and I think his mind in a little while. -In meantime we may rest and in peace, for there are between us which -he do not want to pass, and which he could not if he would. Unless -the ship were to touch the land, and then only at full or slack tide. -See, and the sun is just rose, and all day to sunset is us. Let us -take bath, and dress, and have breakfast which we all need, and which -we can eat comfortably since he be not in the same land with us." - -Mina looked at him appealingly as she asked, "But why need we seek him -further, when he is gone away from us?" - -He took her hand and patted it as he replied, "Ask me nothing as yet. -When we have breakfast, then I answer all questions." He would say no -more, and we separated to dress. - -After breakfast Mina repeated her question. He looked at her gravely -for a minute and then said sorrowfully, "Because my dear, dear Madam -Mina, now more than ever must we find him even if we have to follow -him to the jaws of Hell!" - -She grew paler as she asked faintly, "Why?" - -"Because," he answered solemnly, "he can live for centuries, and you -are but mortal woman. Time is now to be dreaded, since once he put -that mark upon your throat." - -I was just in time to catch her as she fell forward in a faint. - - - - -CHAPTER 24 - - -DR. SEWARD'S PHONOGRAPH DIARY - -SPOKEN BY VAN HELSING - -This to Jonathan Harker. - -You are to stay with your dear Madam Mina. We shall go to make our -search, if I can call it so, for it is not search but knowing, and we -seek confirmation only. But do you stay and take care of her today. -This is your best and most holiest office. This day nothing can find -him here. - -Let me tell you that so you will know what we four know already, for I -have tell them. He, our enemy, have gone away. He have gone back to -his Castle in Transylvania. I know it so well, as if a great hand of -fire wrote it on the wall. He have prepare for this in some way, and -that last earth box was ready to ship somewheres. For this he took -the money. For this he hurry at the last, lest we catch him before -the sun go down. It was his last hope, save that he might hide in the -tomb that he think poor Miss Lucy, being as he thought like him, keep -open to him. But there was not of time. When that fail he make -straight for his last resource, his last earth-work I might say did I -wish double entente. He is clever, oh so clever! He know that his -game here was finish. And so he decide he go back home. He find ship -going by the route he came, and he go in it. - -We go off now to find what ship, and whither bound. When we have -discover that, we come back and tell you all. Then we will comfort -you and poor Madam Mina with new hope. For it will be hope when you -think it over, that all is not lost. This very creature that we -pursue, he take hundreds of years to get so far as London. And yet in -one day, when we know of the disposal of him we drive him out. He is -finite, though he is powerful to do much harm and suffers not as we -do. But we are strong, each in our purpose, and we are all more -strong together. Take heart afresh, dear husband of Madam Mina. This -battle is but begun and in the end we shall win. So sure as that God -sits on high to watch over His children. Therefore be of much comfort -till we return. - -VAN HELSING. - - - - - -JONATHAN HARKER'S JOURNAL - -4 October.--When I read to Mina, Van Helsing's message in the -phonograph, the poor girl brightened up considerably. Already the -certainty that the Count is out of the country has given her comfort. -And comfort is strength to her. For my own part, now that his -horrible danger is not face to face with us, it seems almost -impossible to believe in it. Even my own terrible experiences in -Castle Dracula seem like a long forgotten dream. Here in the crisp -autumn air in the bright sunlight. - -Alas! How can I disbelieve! In the midst of my thought my eye fell -on the red scar on my poor darling's white forehead. Whilst that -lasts, there can be no disbelief. Mina and I fear to be idle, so we -have been over all the diaries again and again. Somehow, although the -reality seem greater each time, the pain and the fear seem less. There -is something of a guiding purpose manifest throughout, which is -comforting. Mina says that perhaps we are the instruments of ultimate -good. It may be! I shall try to think as she does. We have never -spoken to each other yet of the future. It is better to wait till we -see the Professor and the others after their investigations. - -The day is running by more quickly than I ever thought a day could run -for me again. It is now three o'clock. - - - - - -MINA HARKER'S JOURNAL - -5 October, 5 P.M.--Our meeting for report. Present: Professor Van -Helsing, Lord Godalming, Dr. Seward, Mr. Quincey Morris, Jonathan -Harker, Mina Harker. - -Dr. Van Helsing described what steps were taken during the day to -discover on what boat and whither bound Count Dracula made his escape. - -"As I knew that he wanted to get back to Transylvania, I felt sure -that he must go by the Danube mouth, or by somewhere in the Black Sea, -since by that way he come. It was a dreary blank that was before us. -Omme ignotum pro magnifico, and so with heavy hearts we start to find -what ships leave for the Black Sea last night. He was in sailing -ship, since Madam Mina tell of sails being set. These not so -important as to go in your list of the shipping in the Times, and so -we go, by suggestion of Lord Godalming, to your Lloyd's, where are -note of all ships that sail, however so small. There we find that -only one Black Sea bound ship go out with the tide. She is the -Czarina Catherine, and she sail from Doolittle's Wharf for Varna, and -thence to other ports and up the Danube. 'So!' said I, 'this is the -ship whereon is the Count.' So off we go to Doolittle's Wharf, and -there we find a man in an office. From him we inquire of the goings -of the Czarina Catherine. He swear much, and he red face and loud of -voice, but he good fellow all the same. And when Quincey give him -something from his pocket which crackle as he roll it up, and put it -in a so small bag which he have hid deep in his clothing, he still -better fellow and humble servant to us. He come with us, and ask many -men who are rough and hot. These be better fellows too when they have -been no more thirsty. They say much of blood and bloom, and of others -which I comprehend not, though I guess what they mean. But -nevertheless they tell us all things which we want to know. - -"They make known to us among them, how last afternoon at about five -o'clock comes a man so hurry. A tall man, thin and pale, with high -nose and teeth so white, and eyes that seem to be burning. That he be -all in black, except that he have a hat of straw which suit not him or -the time. That he scatter his money in making quick inquiry as to -what ship sails for the Black Sea and for where. Some took him to the -office and then to the ship, where he will not go aboard but halt at -shore end of gangplank, and ask that the captain come to him. The -captain come, when told that he will be pay well, and though he swear -much at the first he agree to term. Then the thin man go and some one -tell him where horse and cart can be hired. He go there and soon he -come again, himself driving cart on which a great box. This he -himself lift down, though it take several to put it on truck for the -ship. He give much talk to captain as to how and where his box is to -be place. But the captain like it not and swear at him in many -tongues, and tell him that if he like he can come and see where it -shall be. But he say 'no,' that he come not yet, for that he have -much to do. Whereupon the captain tell him that he had better be -quick, with blood, for that his ship will leave the place, of blood, -before the turn of the tide, with blood. Then the thin man smile and -say that of course he must go when he think fit, but he will be -surprise if he go quite so soon. The captain swear again, polyglot, -and the thin man make him bow, and thank him, and say that he will so -far intrude on his kindness as to come aboard before the sailing. -Final the captain, more red than ever, and in more tongues, tell him -that he doesn't want no Frenchmen, with bloom upon them and also with -blood, in his ship, with blood on her also. And so, after asking -where he might purchase ship forms, he departed. - -"No one knew where he went 'or bloomin' well cared' as they said, for -they had something else to think of, well with blood again. For it -soon became apparent to all that the Czarina Catherine would not sail -as was expected. A thin mist began to creep up from the river, and it -grew, and grew. Till soon a dense fog enveloped the ship and all -around her. The captain swore polyglot, very polyglot, polyglot with -bloom and blood, but he could do nothing. The water rose and rose, -and he began to fear that he would lose the tide altogether. He was -in no friendly mood, when just at full tide, the thin man came up the -gangplank again and asked to see where his box had been stowed. Then -the captain replied that he wished that he and his box, old and with -much bloom and blood, were in hell. But the thin man did not be -offend, and went down with the mate and saw where it was place, and -came up and stood awhile on deck in fog. He must have come off by -himself, for none notice him. Indeed they thought not of him, for -soon the fog begin to melt away, and all was clear again. My friends -of the thirst and the language that was of bloom and blood laughed, as -they told how the captain's swears exceeded even his usual polyglot, -and was more than ever full of picturesque, when on questioning other -mariners who were on movement up and down the river that hour, he -found that few of them had seen any of fog at all, except where it lay -round the wharf. However, the ship went out on the ebb tide, and was -doubtless by morning far down the river mouth. She was then, when -they told us, well out to sea. - -"And so, my dear Madam Mina, it is that we have to rest for a time, -for our enemy is on the sea, with the fog at his command, on his way -to the Danube mouth. To sail a ship takes time, go she never so -quick. And when we start to go on land more quick, and we meet him -there. Our best hope is to come on him when in the box between -sunrise and sunset. For then he can make no struggle, and we may deal -with him as we should. There are days for us, in which we can make -ready our plan. We know all about where he go. For we have seen the -owner of the ship, who have shown us invoices and all papers that can -be. The box we seek is to be landed in Varna, and to be given to an -agent, one Ristics who will there present his credentials. And so our -merchant friend will have done his part. When he ask if there be any -wrong, for that so, he can telegraph and have inquiry made at Varna, -we say 'no,' for what is to be done is not for police or of the -customs. It must be done by us alone and in our own way." - -When Dr. Van Helsing had done speaking, I asked him if he were certain -that the Count had remained on board the ship. He replied, "We have -the best proof of that, your own evidence, when in the hypnotic trance -this morning." - -I asked him again if it were really necessary that they should pursue -the Count, for oh! I dread Jonathan leaving me, and I know that he -would surely go if the others went. He answered in growing passion, -at first quietly. As he went on, however, he grew more angry and more -forceful, till in the end we could not but see wherein was at least -some of that personal dominance which made him so long a master -amongst men. - -"Yes, it is necessary, necessary, necessary! For your sake in the -first, and then for the sake of humanity. This monster has done much -harm already, in the narrow scope where he find himself, and in the -short time when as yet he was only as a body groping his so small -measure in darkness and not knowing. All this have I told these -others. You, my dear Madam Mina, will learn it in the phonograph of -my friend John, or in that of your husband. I have told them how the -measure of leaving his own barren land, barren of peoples, and coming -to a new land where life of man teems till they are like the multitude -of standing corn, was the work of centuries. Were another of the -Undead, like him, to try to do what he has done, perhaps not all the -centuries of the world that have been, or that will be, could aid him. -With this one, all the forces of nature that are occult and deep and -strong must have worked together in some wonderous way. The very -place, where he have been alive, Undead for all these centuries, is -full of strangeness of the geologic and chemical world. There are -deep caverns and fissures that reach none know whither. There have -been volcanoes, some of whose openings still send out waters of -strange properties, and gases that kill or make to vivify. Doubtless, -there is something magnetic or electric in some of these combinations -of occult forces which work for physical life in strange way, and in -himself were from the first some great qualities. In a hard and -warlike time he was celebrate that he have more iron nerve, more -subtle brain, more braver heart, than any man. In him some vital -principle have in strange way found their utmost. And as his body -keep strong and grow and thrive, so his brain grow too. All this -without that diabolic aid which is surely to him. For it have to -yield to the powers that come from, and are, symbolic of good. And -now this is what he is to us. He have infect you, oh forgive me, my -dear, that I must say such, but it is for good of you that I speak. He -infect you in such wise, that even if he do no more, you have only to -live, to live in your own old, sweet way, and so in time, death, which -is of man's common lot and with God's sanction, shall make you like to -him. This must not be! We have sworn together that it must not. -Thus are we ministers of God's own wish. That the world, and men for -whom His Son die, will not be given over to monsters, whose very -existence would defame Him. He have allowed us to redeem one soul -already, and we go out as the old knights of the Cross to redeem -more. Like them we shall travel towards the sunrise. And like them, -if we fall, we fall in good cause." - -He paused and I said, "But will not the Count take his rebuff wisely? -Since he has been driven from England, will he not avoid it, as a -tiger does the village from which he has been hunted?" - -"Aha!" he said, "your simile of the tiger good, for me, and I shall -adopt him. Your maneater, as they of India call the tiger who has -once tasted blood of the human, care no more for the other prey, but -prowl unceasing till he get him. This that we hunt from our village -is a tiger, too, a maneater, and he never cease to prowl. Nay, in -himself he is not one to retire and stay afar. In his life, his -living life, he go over the Turkey frontier and attack his enemy on -his own ground. He be beaten back, but did he stay? No! He come -again, and again, and again. Look at his persistence and endurance. -With the child-brain that was to him he have long since conceive the -idea of coming to a great city. What does he do? He find out the -place of all the world most of promise for him. Then he deliberately -set himself down to prepare for the task. He find in patience just -how is his strength, and what are his powers. He study new tongues. -He learn new social life, new environment of old ways, the politics, -the law, the finance, the science, the habit of a new land and a new -people who have come to be since he was. His glimpse that he have -had, whet his appetite only and enkeen his desire. Nay, it help him -to grow as to his brain. For it all prove to him how right he was at -the first in his surmises. He have done this alone, all alone! From -a ruin tomb in a forgotten land. What more may he not do when the -greater world of thought is open to him. He that can smile at death, -as we know him. Who can flourish in the midst of diseases that kill -off whole peoples. Oh! If such an one was to come from God, and not -the Devil, what a force for good might he not be in this old world of -ours. But we are pledged to set the world free. Our toil must be in -silence, and our efforts all in secret. For in this enlightened age, -when men believe not even what they see, the doubting of wise men -would be his greatest strength. It would be at once his sheath and -his armor, and his weapons to destroy us, his enemies, who are willing -to peril even our own souls for the safety of one we love. For the -good of mankind, and for the honour and glory of God." - -After a general discussion it was determined that for tonight nothing -be definitely settled. That we should all sleep on the facts, and try -to think out the proper conclusions. Tomorrow, at breakfast, we are -to meet again, and after making our conclusions known to one another, -we shall decide on some definite cause of action . . . - -I feel a wonderful peace and rest tonight. It is as if some haunting -presence were removed from me. Perhaps . . . - -My surmise was not finished, could not be, for I caught sight in the -mirror of the red mark upon my forehead, and I knew that I was still -unclean. - - - - -DR. SEWARD'S DIARY - -5 October.--We all arose early, and I think that sleep did much for -each and all of us. When we met at early breakfast there was more -general cheerfulness than any of us had ever expected to experience -again. - -It is really wonderful how much resilience there is in human nature. -Let any obstructing cause, no matter what, be removed in any way, even -by death, and we fly back to first principles of hope and enjoyment. -More than once as we sat around the table, my eyes opened in wonder -whether the whole of the past days had not been a dream. It was only -when I caught sight of the red blotch on Mrs. Harker's forehead that I -was brought back to reality. Even now, when I am gravely revolving -the matter, it is almost impossible to realize that the cause of all -our trouble is still existent. Even Mrs. Harker seems to lose sight -of her trouble for whole spells. It is only now and again, when -something recalls it to her mind, that she thinks of her terrible -scar. We are to meet here in my study in half an hour and decide on -our course of action. I see only one immediate difficulty, I know it -by instinct rather than reason. We shall all have to speak frankly. -And yet I fear that in some mysterious way poor Mrs. Harker's tongue -is tied. I know that she forms conclusions of her own, and from all -that has been I can guess how brilliant and how true they must be. -But she will not, or cannot, give them utterance. I have mentioned -this to Van Helsing, and he and I are to talk it over when we are -alone. I suppose it is some of that horrid poison which has got into -her veins beginning to work. The Count had his own purposes when he -gave her what Van Helsing called "the Vampire's baptism of blood." -Well, there may be a poison that distills itself out of good things. -In an age when the existence of ptomaines is a mystery we should not -wonder at anything! One thing I know, that if my instinct be true -regarding poor Mrs. Harker's silences, then there is a terrible -difficulty, an unknown danger, in the work before us. The same power -that compels her silence may compel her speech. I dare not think -further, for so I should in my thoughts dishonour a noble woman! - - -Later.--When the Professor came in, we talked over the state of -things. I could see that he had something on his mind, which he -wanted to say, but felt some hesitancy about broaching the subject. -After beating about the bush a little, he said, "Friend John, there is -something that you and I must talk of alone, just at the first at any -rate. Later, we may have to take the others into our confidence." - -Then he stopped, so I waited. He went on, "Madam Mina, our poor, dear -Madam Mina is changing." - -A cold shiver ran through me to find my worst fears thus endorsed. -Van Helsing continued. - -"With the sad experience of Miss Lucy, we must this time be warned -before things go too far. Our task is now in reality more difficult -than ever, and this new trouble makes every hour of the direst -importance. I can see the characteristics of the vampire coming in -her face. It is now but very, very slight. But it is to be seen if -we have eyes to notice without prejudge. Her teeth are sharper, and -at times her eyes are more hard. But these are not all, there is to -her the silence now often, as so it was with Miss Lucy. She did not -speak, even when she wrote that which she wished to be known later. -Now my fear is this. If it be that she can, by our hypnotic trance, -tell what the Count see and hear, is it not more true that he who have -hypnotize her first, and who have drink of her very blood and make her -drink of his, should if he will, compel her mind to disclose to him -that which she know?" - -I nodded acquiescence. He went on, "Then, what we must do is to -prevent this. We must keep her ignorant of our intent, and so she -cannot tell what she know not. This is a painful task! Oh, so -painful that it heartbreak me to think of it, but it must be. When -today we meet, I must tell her that for reason which we will not to -speak she must not more be of our council, but be simply guarded by -us." - -He wiped his forehead, which had broken out in profuse perspiration at -the thought of the pain which he might have to inflict upon the poor -soul already so tortured. I knew that it would be some sort of -comfort to him if I told him that I also had come to the same -conclusion. For at any rate it would take away the pain of doubt. I -told him, and the effect was as I expected. - -It is now close to the time of our general gathering. Van Helsing has -gone away to prepare for the meeting, and his painful part of it. I -really believe his purpose is to be able to pray alone. - - -Later.--At the very outset of our meeting a great personal relief was -experienced by both Van Helsing and myself. Mrs. Harker had sent a -message by her husband to say that she would not join us at present, -as she thought it better that we should be free to discuss our -movements without her presence to embarrass us. The Professor and I -looked at each other for an instant, and somehow we both seemed -relieved. For my own part, I thought that if Mrs. Harker realized the -danger herself, it was much pain as well as much danger averted. -Under the circumstances we agreed, by a questioning look and answer, -with finger on lip, to preserve silence in our suspicions, until we -should have been able to confer alone again. We went at once into our -Plan of Campaign. - -Van Helsing roughly put the facts before us first, "The Czarina -Catherine left the Thames yesterday morning. It will take her at the -quickest speed she has ever made at least three weeks to reach Varna. -But we can travel overland to the same place in three days. Now, if -we allow for two days less for the ship's voyage, owing to such -weather influences as we know that the Count can bring to bear, and if -we allow a whole day and night for any delays which may occur to us, -then we have a margin of nearly two weeks. - -"Thus, in order to be quite safe, we must leave here on 17th at -latest. Then we shall at any rate be in Varna a day before the ship -arrives, and able to make such preparations as may be necessary. Of -course we shall all go armed, armed against evil things, spiritual as -well as physical." - -Here Quincey Morris added, "I understand that the Count comes from a -wolf country, and it may be that he shall get there before us. I -propose that we add Winchesters to our armament. I have a kind of -belief in a Winchester when there is any trouble of that sort around. -Do you remember, Art, when we had the pack after us at Tobolsk? What -wouldn't we have given then for a repeater apiece!" - -"Good!" said Van Helsing, "Winchesters it shall be. Quincey's head is -level at times, but most so when there is to hunt, metaphor be more -dishonour to science than wolves be of danger to man. In the meantime -we can do nothing here. And as I think that Varna is not familiar to -any of us, why not go there more soon? It is as long to wait here as -there. Tonight and tomorrow we can get ready, and then if all be -well, we four can set out on our journey." - -"We four?" said Harker interrogatively, looking from one to another of -us. - -"Of course!" answered the Professor quickly. "You must remain to take -care of your so sweet wife!" - -Harker was silent for awhile and then said in a hollow voice, "Let us -talk of that part of it in the morning. I want to consult with Mina." - -I thought that now was the time for Van Helsing to warn him not to -disclose our plan to her, but he took no notice. I looked at him -significantly and coughed. For answer he put his finger to his lips -and turned away. - - - -JONATHAN HARKER'S JOURNAL - -5 October, afternoon.--For some time after our meeting this morning I -could not think. The new phases of things leave my mind in a state of -wonder which allows no room for active thought. Mina's determination -not to take any part in the discussion set me thinking. And as I -could not argue the matter with her, I could only guess. I am as far -as ever from a solution now. The way the others received it, too -puzzled me. The last time we talked of the subject we agreed that -there was to be no more concealment of anything amongst us. Mina is -sleeping now, calmly and sweetly like a little child. Her lips are -curved and her face beams with happiness. Thank God, there are such -moments still for her. - - -Later.--How strange it all is. I sat watching Mina's happy sleep, and -I came as near to being happy myself as I suppose I shall ever be. As -the evening drew on, and the earth took its shadows from the sun -sinking lower, the silence of the room grew more and more solemn to -me. - -All at once Mina opened her eyes, and looking at me tenderly said, -"Jonathan, I want you to promise me something on your word of honour. -A promise made to me, but made holily in God's hearing, and not to be -broken though I should go down on my knees and implore you with bitter -tears. Quick, you must make it to me at once." - -"Mina," I said, "a promise like that, I cannot make at once. I may -have no right to make it." - -"But, dear one," she said, with such spiritual intensity that her eyes -were like pole stars, "it is I who wish it. And it is not for myself. -You can ask Dr. Van Helsing if I am not right. If he disagrees you -may do as you will. Nay, more if you all agree, later you are -absolved from the promise." - -"I promise!" I said, and for a moment she looked supremely happy. -Though to me all happiness for her was denied by the red scar on her -forehead. - -She said, "Promise me that you will not tell me anything of the plans -formed for the campaign against the Count. Not by word, or inference, -or implication, not at any time whilst this remains to me!" And she -solemnly pointed to the scar. I saw that she was in earnest, and said -solemnly, "I promise!" and as I said it I felt that from that instant -a door had been shut between us. - - -Later, midnight.--Mina has been bright and cheerful all the evening. -So much so that all the rest seemed to take courage, as if infected -somewhat with her gaiety. As a result even I myself felt as if the -pall of gloom which weighs us down were somewhat lifted. We all -retired early. Mina is now sleeping like a little child. It is -wonderful thing that her faculty of sleep remains to her in the midst -of her terrible trouble. Thank God for it, for then at least she can -forget her care. Perhaps her example may affect me as her gaiety did -tonight. I shall try it. Oh! For a dreamless sleep. - -6 October, morning.--Another surprise. Mina woke me early, about the -same time as yesterday, and asked me to bring Dr. Van Helsing. I -thought that it was another occasion for hypnotism, and without -question went for the Professor. He had evidently expected some such -call, for I found him dressed in his room. His door was ajar, so that -he could hear the opening of the door of our room. He came at once. -As he passed into the room, he asked Mina if the others might come, -too. - -"No," she said quite simply, "it will not be necessary. You can tell -them just as well. I must go with you on your journey." - -Dr. Van Helsing was as startled as I was. After a moment's pause he -asked, "But why?" - -"You must take me with you. I am safer with you, and you shall be -safer, too." - -"But why, dear Madam Mina? You know that your safety is our solemnest -duty. We go into danger, to which you are, or may be, more liable -than any of us from . . . from circumstances . . . things that have -been." He paused embarrassed. - -As she replied, she raised her finger and pointed to her forehead. "I -know. That is why I must go. I can tell you now, whilst the sun is -coming up. I may not be able again. I know that when the Count wills -me I must go. I know that if he tells me to come in secret, I must by -wile. By any device to hoodwink, even Jonathan." God saw the look -that she turned on me as she spoke, and if there be indeed a Recording -Angel that look is noted to her ever-lasting honour. I could only -clasp her hand. I could not speak. My emotion was too great for even -the relief of tears. - -She went on. "You men are brave and strong. You are strong in your -numbers, for you can defy that which would break down the human -endurance of one who had to guard alone. Besides, I may be of -service, since you can hypnotize me and so learn that which even I -myself do not know." - -Dr. Van Helsing said gravely, "Madam Mina, you are, as always, most -wise. You shall with us come. And together we shall do that which we -go forth to achieve." - -When he had spoken, Mina's long spell of silence made me look at her. -She had fallen back on her pillow asleep. She did not even wake when -I had pulled up the blind and let in the sunlight which flooded the -room. Van Helsing motioned to me to come with him quietly. We went -to his room, and within a minute Lord Godalming, Dr. Seward, and Mr. -Morris were with us also. - -He told them what Mina had said, and went on. "In the morning we -shall leave for Varna. We have now to deal with a new factor, Madam -Mina. Oh, but her soul is true. It is to her an agony to tell us so -much as she has done. But it is most right, and we are warned in -time. There must be no chance lost, and in Varna we must be ready to -act the instant when that ship arrives." - -"What shall we do exactly?" asked Mr. Morris laconically. - -The Professor paused before replying, "We shall at the first board -that ship. Then, when we have identified the box, we shall place a -branch of the wild rose on it. This we shall fasten, for when it is -there none can emerge, so that at least says the superstition. And to -superstition must we trust at the first. It was man's faith in the -early, and it have its root in faith still. Then, when we get the -opportunity that we seek, when none are near to see, we shall open the -box, and . . . and all will be well." - -"I shall not wait for any opportunity," said Morris. "When I see the -box I shall open it and destroy the monster, though there were a -thousand men looking on, and if I am to be wiped out for it the next -moment!" I grasped his hand instinctively and found it as firm as a -piece of steel. I think he understood my look. I hope he did. - -"Good boy," said Dr. Van Helsing. "Brave boy. Quincey is all man. -God bless him for it. My child, believe me none of us shall lag -behind or pause from any fear. I do but say what we may do . . . what -we must do. But, indeed, indeed we cannot say what we may do. There -are so many things which may happen, and their ways and their ends are -so various that until the moment we may not say. We shall all be -armed, in all ways. And when the time for the end has come, our -effort shall not be lack. Now let us today put all our affairs in -order. Let all things which touch on others dear to us, and who on us -depend, be complete. For none of us can tell what, or when, or how, -the end may be. As for me, my own affairs are regulate, and as I have -nothing else to do, I shall go make arrangements for the travel. I -shall have all tickets and so forth for our journey." - -There was nothing further to be said, and we parted. I shall now -settle up all my affairs of earth, and be ready for whatever may come. - - -Later.--It is done. My will is made, and all complete. Mina if she -survive is my sole heir. If it should not be so, then the others who -have been so good to us shall have remainder. - -It is now drawing towards the sunset. Mina's uneasiness calls my -attention to it. I am sure that there is something on her mind which -the time of exact sunset will reveal. These occasions are becoming -harrowing times for us all. For each sunrise and sunset opens up some -new danger, some new pain, which however, may in God's will be means -to a good end. I write all these things in the diary since my darling -must not hear them now. But if it may be that she can see them again, -they shall be ready. She is calling to me. - - - - -CHAPTER 25 - - -DR. SEWARD'S DIARY - -11 October, Evening.--Jonathan Harker has asked me to note this, as he -says he is hardly equal to the task, and he wants an exact record -kept. - -I think that none of us were surprised when we were asked to see Mrs. -Harker a little before the time of sunset. We have of late come to -understand that sunrise and sunset are to her times of peculiar -freedom. When her old self can be manifest without any controlling -force subduing or restraining her, or inciting her to action. This -mood or condition begins some half hour or more before actual sunrise -or sunset, and lasts till either the sun is high, or whilst the clouds -are still aglow with the rays streaming above the horizon. At first -there is a sort of negative condition, as if some tie were loosened, -and then the absolute freedom quickly follows. When, however, the -freedom ceases the change back or relapse comes quickly, preceded -only by a spell of warning silence. - -Tonight, when we met, she was somewhat constrained, and bore all the -signs of an internal struggle. I put it down myself to her making a -violent effort at the earliest instant she could do so. - -A very few minutes, however, gave her complete control of herself. -Then, motioning her husband to sit beside her on the sofa where she -was half reclining, she made the rest of us bring chairs up close. - -Taking her husband's hand in hers, she began, "We are all here -together in freedom, for perhaps the last time! I know that you will -always be with me to the end." This was to her husband whose hand had, -as we could see, tightened upon her. "In the morning we go out upon -our task, and God alone knows what may be in store for any of us. You -are going to be so good to me to take me with you. I know that all -that brave earnest men can do for a poor weak woman, whose soul -perhaps is lost, no, no, not yet, but is at any rate at stake, you -will do. But you must remember that I am not as you are. There is a -poison in my blood, in my soul, which may destroy me, which must -destroy me, unless some relief comes to us. Oh, my friends, you know -as well as I do, that my soul is at stake. And though I know there is -one way out for me, you must not and I must not take it!" She looked -appealingly to us all in turn, beginning and ending with her husband. - -"What is that way?" asked Van Helsing in a hoarse voice. "What is -that way, which we must not, may not, take?" - -"That I may die now, either by my own hand or that of another, before -the greater evil is entirely wrought. I know, and you know, that were -I once dead you could and would set free my immortal spirit, even as -you did my poor Lucy's. Were death, or the fear of death, the only -thing that stood in the way I would not shrink to die here now, amidst -the friends who love me. But death is not all. I cannot believe that -to die in such a case, when there is hope before us and a bitter task -to be done, is God's will. Therefore, I on my part, give up here the -certainty of eternal rest, and go out into the dark where may be the -blackest things that the world or the nether world holds!" - -We were all silent, for we knew instinctively that this was only a -prelude. The faces of the others were set, and Harker's grew ashen -grey. Perhaps, he guessed better than any of us what was coming. - -She continued, "This is what I can give into the hotch-pot." I could -not but note the quaint legal phrase which she used in such a place, -and with all seriousness. "What will each of you give? Your lives I -know," she went on quickly, "that is easy for brave men. Your lives -are God's, and you can give them back to Him, but what will you give -to me?" She looked again questioningly, but this time avoided her -husband's face. Quincey seemed to understand, he nodded, and her face -lit up. "Then I shall tell you plainly what I want, for there must be -no doubtful matter in this connection between us now. You must -promise me, one and all, even you, my beloved husband, that should the -time come, you will kill me." - -"What is that time?" The voice was Quincey's, but it was low and -strained. - -"When you shall be convinced that I am so changed that it is better -that I die that I may live. When I am thus dead in the flesh, then -you will, without a moment's delay, drive a stake through me and cut -off my head, or do whatever else may be wanting to give me rest!" - -Quincey was the first to rise after the pause. He knelt down before -her and taking her hand in his said solemnly, "I'm only a rough -fellow, who hasn't, perhaps, lived as a man should to win such a -distinction, but I swear to you by all that I hold sacred and dear -that, should the time ever come, I shall not flinch from the duty that -you have set us. And I promise you, too, that I shall make all -certain, for if I am only doubtful I shall take it that the time has -come!" - -"My true friend!" was all she could say amid her fast-falling tears, -as bending over, she kissed his hand. - -"I swear the same, my dear Madam Mina!" said Van Helsing. "And I!" -said Lord Godalming, each of them in turn kneeling to her to take the -oath. I followed, myself. - -Then her husband turned to her wan-eyed and with a greenish pallor -which subdued the snowy whiteness of his hair, and asked, "And must I, -too, make such a promise, oh, my wife?" - -"You too, my dearest," she said, with infinite yearning of pity in her -voice and eyes. "You must not shrink. You are nearest and dearest -and all the world to me. Our souls are knit into one, for all life -and all time. Think, dear, that there have been times when brave men -have killed their wives and their womenkind, to keep them from falling -into the hands of the enemy. Their hands did not falter any the more -because those that they loved implored them to slay them. It is men's -duty towards those whom they love, in such times of sore trial! And -oh, my dear, if it is to be that I must meet death at any hand, let it -be at the hand of him that loves me best. Dr. Van Helsing, I have not -forgotten your mercy in poor Lucy's case to him who loved." She -stopped with a flying blush, and changed her phrase, "to him who had -best right to give her peace. If that time shall come again, I look -to you to make it a happy memory of my husband's life that it was his -loving hand which set me free from the awful thrall upon me." - -"Again I swear!" came the Professor's resonant voice. - -Mrs. Harker smiled, positively smiled, as with a sigh of relief she -leaned back and said, "And now one word of warning, a warning which -you must never forget. This time, if it ever come, may come quickly -and unexpectedly, and in such case you must lose no time in using your -opportunity. At such a time I myself might be . . . nay! If the time -ever come, shall be, leagued with your enemy against you. - -"One more request," she became very solemn as she said this, "it is -not vital and necessary like the other, but I want you to do one thing -for me, if you will." - -We all acquiesced, but no one spoke. There was no need to speak. - -"I want you to read the Burial Service." She was interrupted by a -deep groan from her husband. Taking his hand in hers, she held it -over her heart, and continued. "You must read it over me some day. -Whatever may be the issue of all this fearful state of things, it will -be a sweet thought to all or some of us. You, my dearest, will I hope -read it, for then it will be in your voice in my memory forever, come -what may!" - -"But oh, my dear one," he pleaded, "death is afar off from you." - -"Nay," she said, holding up a warning hand. "I am deeper in death at -this moment than if the weight of an earthly grave lay heavy upon me!" - -"Oh, my wife, must I read it?" he said, before he began. - -"It would comfort me, my husband!" was all she said, and he began to -read when she had got the book ready. - -How can I, how could anyone, tell of that strange scene, its -solemnity, its gloom, its sadness, its horror, and withal, its -sweetness. Even a sceptic, who can see nothing but a travesty of -bitter truth in anything holy or emotional, would have been melted to -the heart had he seen that little group of loving and devoted friends -kneeling round that stricken and sorrowing lady; or heard the tender -passion of her husband's voice, as in tones so broken and emotional -that often he had to pause, he read the simple and beautiful service -from the Burial of the Dead. I cannot go on . . . words . . . and -v-voices . . . f-fail m-me! - -She was right in her instinct. Strange as it was, bizarre as it may -hereafter seem even to us who felt its potent influence at the time, -it comforted us much. And the silence, which showed Mrs. Harker's -coming relapse from her freedom of soul, did not seem so full of -despair to any of us as we had dreaded. - - - - - -JONATHAN HARKER'S JOURNAL - -15 October, Varna.--We left Charing Cross on the morning of the 12th, -got to Paris the same night, and took the places secured for us in the -Orient Express. We traveled night and day, arriving here at about -five o'clock. Lord Godalming went to the Consulate to see if any -telegram had arrived for him, whilst the rest of us came on to this -hotel, "the Odessus." The journey may have had incidents. I was, -however, too eager to get on, to care for them. Until the Czarina -Catherine comes into port there will be no interest for me in anything -in the wide world. Thank God! Mina is well, and looks to be getting -stronger. Her colour is coming back. She sleeps a great deal. -Throughout the journey she slept nearly all the time. Before sunrise -and sunset, however, she is very wakeful and alert. And it has become -a habit for Van Helsing to hypnotize her at such times. At first, -some effort was needed, and he had to make many passes. But now, she -seems to yield at once, as if by habit, and scarcely any action is -needed. He seems to have power at these particular moments to simply -will, and her thoughts obey him. He always asks her what she can see -and hear. - -She answers to the first, "Nothing, all is dark." - -And to the second, "I can hear the waves lapping against the ship, and -the water rushing by. Canvas and cordage strain and masts and yards -creak. The wind is high . . . I can hear it in the shrouds, and the -bow throws back the foam." - -It is evident that the Czarina Catherine is still at sea, hastening on -her way to Varna. Lord Godalming has just returned. He had four -telegrams, one each day since we started, and all to the same effect. -That the Czarina Catherine had not been reported to Lloyd's from -anywhere. He had arranged before leaving London that his agent should -send him every day a telegram saying if the ship had been reported. -He was to have a message even if she were not reported, so that he -might be sure that there was a watch being kept at the other end of -the wire. - -We had dinner and went to bed early. Tomorrow we are to see the Vice -Consul, and to arrange, if we can, about getting on board the ship as -soon as she arrives. Van Helsing says that our chance will be to get -on the boat between sunrise and sunset. The Count, even if he takes -the form of a bat, cannot cross the running water of his own volition, -and so cannot leave the ship. As he dare not change to man's form -without suspicion, which he evidently wishes to avoid, he must remain -in the box. If, then, we can come on board after sunrise, he is at -our mercy, for we can open the box and make sure of him, as we did of -poor Lucy, before he wakes. What mercy he shall get from us all will -not count for much. We think that we shall not have much trouble with -officials or the seamen. Thank God! This is the country where -bribery can do anything, and we are well supplied with money. We have -only to make sure that the ship cannot come into port between sunset -and sunrise without our being warned, and we shall be safe. Judge -Moneybag will settle this case, I think! - - -16 October.--Mina's report still the same. Lapping waves and rushing -water, darkness and favouring winds. We are evidently in good time, -and when we hear of the Czarina Catherine we shall be ready. As she -must pass the Dardanelles we are sure to have some report. - - -17 October.--Everything is pretty well fixed now, I think, to welcome -the Count on his return from his tour. Godalming told the shippers -that he fancied that the box sent aboard might contain something -stolen from a friend of his, and got a half consent that he might open -it at his own risk. The owner gave him a paper telling the Captain to -give him every facility in doing whatever he chose on board the ship, -and also a similar authorization to his agent at Varna. We have seen -the agent, who was much impressed with Godalming's kindly manner to -him, and we are all satisfied that whatever he can do to aid our -wishes will be done. - -We have already arranged what to do in case we get the box open. If -the Count is there, Van Helsing and Seward will cut off his head at -once and drive a stake through his heart. Morris and Godalming and I -shall prevent interference, even if we have to use the arms which we -shall have ready. The Professor says that if we can so treat the -Count's body, it will soon after fall into dust. In such case there -would be no evidence against us, in case any suspicion of murder were -aroused. But even if it were not, we should stand or fall by our act, -and perhaps some day this very script may be evidence to come between -some of us and a rope. For myself, I should take the chance only too -thankfully if it were to come. We mean to leave no stone unturned to -carry out our intent. We have arranged with certain officials that -the instant the Czarina Catherine is seen, we are to be informed by a -special messenger. - - -24 October.--A whole week of waiting. Daily telegrams to Godalming, -but only the same story. "Not yet reported." Mina's morning and -evening hypnotic answer is unvaried. Lapping waves, rushing water, -and creaking masts. - - - - -TELEGRAM, OCTOBER 24TH RUFUS SMITH, LLOYD'S, LONDON, -TO LORD GODALMING, CARE OF H. B. M. VICE CONSUL, VARNA - -"Czarina Catherine reported this morning from Dardanelles." - - - -DR. SEWARD'S DIARY - -25 October.--How I miss my phonograph! To write a diary with a pen is -irksome to me! But Van Helsing says I must. We were all wild with -excitement yesterday when Godalming got his telegram from Lloyd's. I -know now what men feel in battle when the call to action is heard. -Mrs. Harker, alone of our party, did not show any signs of emotion. -After all, it is not strange that she did not, for we took special -care not to let her know anything about it, and we all tried not to -show any excitement when we were in her presence. In old days she -would, I am sure, have noticed, no matter how we might have tried to -conceal it. But in this way she is greatly changed during the past -three weeks. The lethargy grows upon her, and though she seems strong -and well, and is getting back some of her colour, Van Helsing and I are -not satisfied. We talk of her often. We have not, however, said a -word to the others. It would break poor Harker's heart, certainly his -nerve, if he knew that we had even a suspicion on the subject. Van -Helsing examines, he tells me, her teeth very carefully, whilst she is -in the hypnotic condition, for he says that so long as they do not -begin to sharpen there is no active danger of a change in her. If -this change should come, it would be necessary to take steps! We both -know what those steps would have to be, though we do not mention our -thoughts to each other. We should neither of us shrink from the task, -awful though it be to contemplate. "Euthanasia" is an excellent and a -comforting word! I am grateful to whoever invented it. - -It is only about 24 hours' sail from the Dardanelles to here, at the -rate the Czarina Catherine has come from London. She should therefore -arrive some time in the morning, but as she cannot possibly get in -before noon, we are all about to retire early. We shall get up at one -o'clock, so as to be ready. - - -25 October, Noon.--No news yet of the ship's arrival. Mrs. Harker's -hypnotic report this morning was the same as usual, so it is possible -that we may get news at any moment. We men are all in a fever of -excitement, except Harker, who is calm. His hands are cold as ice, -and an hour ago I found him whetting the edge of the great Ghoorka -knife which he now always carries with him. It will be a bad lookout -for the Count if the edge of that "Kukri" ever touches his throat, -driven by that stern, ice-cold hand! - -Van Helsing and I were a little alarmed about Mrs. Harker today. -About noon she got into a sort of lethargy which we did not like. -Although we kept silence to the others, we were neither of us happy -about it. She had been restless all the morning, so that we were at -first glad to know that she was sleeping. When, however, her husband -mentioned casually that she was sleeping so soundly that he could not -wake her, we went to her room to see for ourselves. She was breathing -naturally and looked so well and peaceful that we agreed that the -sleep was better for her than anything else. Poor girl, she has so -much to forget that it is no wonder that sleep, if it brings oblivion -to her, does her good. - - -Later.--Our opinion was justified, for when after a refreshing sleep -of some hours she woke up, she seemed brighter and better than she had -been for days. At sunset she made the usual hypnotic report. -Wherever he may be in the Black Sea, the Count is hurrying to his -destination. To his doom, I trust! - - - -26 October.--Another day and no tidings of the Czarina Catherine. She -ought to be here by now. That she is still journeying somewhere is -apparent, for Mrs. Harker's hypnotic report at sunrise was still the -same. It is possible that the vessel may be lying by, at times, for -fog. Some of the steamers which came in last evening reported patches -of fog both to north and south of the port. We must continue our -watching, as the ship may now be signalled any moment. - - -27 October, Noon.--Most strange. No news yet of the ship we wait for. -Mrs. Harker reported last night and this morning as usual. "Lapping -waves and rushing water," though she added that "the waves were very -faint." The telegrams from London have been the same, "no further -report." Van Helsing is terribly anxious, and told me just now that he -fears the Count is escaping us. - -He added significantly, "I did not like that lethargy of Madam Mina's. -Souls and memories can do strange things during trance." I was about -to ask him more, but Harker just then came in, and he held up a -warning hand. We must try tonight at sunset to make her speak more -fully when in her hypnotic state. - - -28 October.--Telegram. Rufus Smith, London, to Lord Godalming, care -H. B. M. Vice Consul, Varna - -"Czarina Catherine reported entering Galatz at one o'clock today." - - - - -DR. SEWARD'S DIARY - -28 October.--When the telegram came announcing the arrival in Galatz I -do not think it was such a shock to any of us as might have been -expected. True, we did not know whence, or how, or when, the bolt -would come. But I think we all expected that something strange would -happen. The day of arrival at Varna made us individually satisfied -that things would not be just as we had expected. We only waited to -learn where the change would occur. None the less, however, it was a -surprise. I suppose that nature works on such a hopeful basis that we -believe against ourselves that things will be as they ought to be, not -as we should know that they will be. Transcendentalism is a beacon to -the angels, even if it be a will-o'-the-wisp to man. Van Helsing -raised his hand over his head for a moment, as though in remonstrance -with the Almighty. But he said not a word, and in a few seconds stood -up with his face sternly set. - -Lord Godalming grew very pale, and sat breathing heavily. I was -myself half stunned and looked in wonder at one after another. -Quincey Morris tightened his belt with that quick movement which I -knew so well. In our old wandering days it meant "action." Mrs. -Harker grew ghastly white, so that the scar on her forehead seemed to -burn, but she folded her hands meekly and looked up in prayer. Harker -smiled, actually smiled, the dark, bitter smile of one who is without -hope, but at the same time his action belied his words, for his hands -instinctively sought the hilt of the great Kukri knife and rested -there. - -"When does the next train start for Galatz?" said Van Helsing to us -generally. - -"At 6:30 tomorrow morning!" We all started, for the answer came from -Mrs. Harker. - -"How on earth do you know?" said Art. - -"You forget, or perhaps you do not know, though Jonathan does and so -does Dr. Van Helsing, that I am the train fiend. At home in Exeter I -always used to make up the time tables, so as to be helpful to my -husband. I found it so useful sometimes, that I always make a study -of the time tables now. I knew that if anything were to take us to -Castle Dracula we should go by Galatz, or at any rate through -Bucharest, so I learned the times very carefully. Unhappily there are -not many to learn, as the only train tomorrow leaves as I say." - -"Wonderful woman!" murmured the Professor. - -"Can't we get a special?" asked Lord Godalming. - -Van Helsing shook his head, "I fear not. This land is very different -from yours or mine. Even if we did have a special, it would probably -not arrive as soon as our regular train. Moreover, we have something -to prepare. We must think. Now let us organize. You, friend Arthur, -go to the train and get the tickets and arrange that all be ready for -us to go in the morning. Do you, friend Jonathan, go to the agent of -the ship and get from him letters to the agent in Galatz, with -authority to make a search of the ship just as it was here. Quincey -Morris, you see the Vice Consul, and get his aid with his fellow in -Galatz and all he can do to make our way smooth, so that no times be -lost when over the Danube. John will stay with Madam Mina and me, and -we shall consult. For so if time be long you may be delayed. And it -will not matter when the sun set, since I am here with Madam to make -report." - -"And I," said Mrs. Harker brightly, and more like her old self than -she had been for many a long day, "shall try to be of use in all ways, -and shall think and write for you as I used to do. Something is -shifting from me in some strange way, and I feel freer than I have -been of late!" - -The three younger men looked happier at the moment as they seemed to -realize the significance of her words. But Van Helsing and I, turning -to each other, met each a grave and troubled glance. We said nothing -at the time, however. - -When the three men had gone out to their tasks Van Helsing asked Mrs. -Harker to look up the copy of the diaries and find him the part of -Harker's journal at the Castle. She went away to get it. - -When the door was shut upon her he said to me, "We mean the same! -Speak out!" - -"Here is some change. It is a hope that makes me sick, for it may -deceive us." - -"Quite so. Do you know why I asked her to get the manuscript?" - -"No!" said I, "unless it was to get an opportunity of seeing me -alone." - -"You are in part right, friend John, but only in part. I want to tell -you something. And oh, my friend, I am taking a great, a terrible, -risk. But I believe it is right. In the moment when Madam Mina said -those words that arrest both our understanding, an inspiration came to -me. In the trance of three days ago the Count sent her his spirit to -read her mind. Or more like he took her to see him in his earth box -in the ship with water rushing, just as it go free at rise and set of -sun. He learn then that we are here, for she have more to tell in her -open life with eyes to see ears to hear than he, shut as he is, in his -coffin box. Now he make his most effort to escape us. At present he -want her not. - -"He is sure with his so great knowledge that she will come at his -call. But he cut her off, take her, as he can do, out of his own -power, that so she come not to him. Ah! There I have hope that our -man brains that have been of man so long and that have not lost the -grace of God, will come higher than his child-brain that lie in his -tomb for centuries, that grow not yet to our stature, and that do only -work selfish and therefore small. Here comes Madam Mina. Not a word -to her of her trance! She knows it not, and it would overwhelm her -and make despair just when we want all her hope, all her courage, when -most we want all her great brain which is trained like man's brain, -but is of sweet woman and have a special power which the Count give -her, and which he may not take away altogether, though he think not -so. Hush! Let me speak, and you shall learn. Oh, John, my friend, -we are in awful straits. I fear, as I never feared before. We can -only trust the good God. Silence! Here she comes!" - -I thought that the Professor was going to break down and have -hysterics, just as he had when Lucy died, but with a great effort he -controlled himself and was at perfect nervous poise when Mrs. Harker -tripped into the room, bright and happy looking and, in the doing of -work, seemingly forgetful of her misery. As she came in, she handed a -number of sheets of typewriting to Van Helsing. He looked over them -gravely, his face brightening up as he read. - -Then holding the pages between his finger and thumb he said, "Friend -John, to you with so much experience already, and you too, dear Madam -Mina, that are young, here is a lesson. Do not fear ever to think. A -half thought has been buzzing often in my brain, but I fear to let him -loose his wings. Here now, with more knowledge, I go back to where -that half thought come from and I find that he be no half thought at -all. That be a whole thought, though so young that he is not yet -strong to use his little wings. Nay, like the 'Ugly Duck' of my -friend Hans Andersen, he be no duck thought at all, but a big swan -thought that sail nobly on big wings, when the time come for him to -try them. See I read here what Jonathan have written. - -"That other of his race who, in a later age, again and again, brought -his forces over The Great River into Turkey Land, who when he was -beaten back, came again, and again, and again, though he had to come -alone from the bloody field where his troops were being slaughtered, -since he knew that he alone could ultimately triumph. - -"What does this tell us? Not much? No! The Count's child thought -see nothing, therefore he speak so free. Your man thought see -nothing. My man thought see nothing, till just now. No! But there -comes another word from some one who speak without thought because -she, too, know not what it mean, what it might mean. Just as there -are elements which rest, yet when in nature's course they move on -their way and they touch, the pouf! And there comes a flash of light, -heaven wide, that blind and kill and destroy some. But that show up -all earth below for leagues and leagues. Is it not so? Well, I shall -explain. To begin, have you ever study the philosophy of crime? -'Yes' and 'No.' You, John, yes, for it is a study of insanity. You, -no, Madam Mina, for crime touch you not, not but once. Still, your -mind works true, and argues not a particulari ad universale. There is -this peculiarity in criminals. It is so constant, in all countries -and at all times, that even police, who know not much from philosophy, -come to know it empirically, that it is. That is to be empiric. The -criminal always work at one crime, that is the true criminal who seems -predestinate to crime, and who will of none other. This criminal has -not full man brain. He is clever and cunning and resourceful, but he -be not of man stature as to brain. He be of child brain in much. Now -this criminal of ours is predestinate to crime also. He, too, have -child brain, and it is of the child to do what he have done. The -little bird, the little fish, the little animal learn not by -principle, but empirically. And when he learn to do, then there is to -him the ground to start from to do more. 'Dos pou sto,' said -Archimedes. 'Give me a fulcrum, and I shall move the world!' To do -once, is the fulcrum whereby child brain become man brain. And until -he have the purpose to do more, he continue to do the same again every -time, just as he have done before! Oh, my dear, I see that your eyes -are opened, and that to you the lightning flash show all the leagues," -for Mrs. Harker began to clap her hands and her eyes sparkled. - -He went on, "Now you shall speak. Tell us two dry men of science what -you see with those so bright eyes." He took her hand and held it -whilst he spoke. His finger and thumb closed on her pulse, as I -thought instinctively and unconsciously, as she spoke. - -"The Count is a criminal and of criminal type. Nordau and Lombroso -would so classify him, and qua criminal he is of an imperfectly formed -mind. Thus, in a difficulty he has to seek resource in habit. His -past is a clue, and the one page of it that we know, and that from his -own lips, tells that once before, when in what Mr. Morris would call -a 'tight place,' he went back to his own country from the land he had -tried to invade, and thence, without losing purpose, prepared himself -for a new effort. He came again better equipped for his work, and -won. So he came to London to invade a new land. He was beaten, and -when all hope of success was lost, and his existence in danger, he -fled back over the sea to his home. Just as formerly he had fled back -over the Danube from Turkey Land." - -"Good, good! Oh, you so clever lady!" said Van Helsing, -enthusiastically, as he stooped and kissed her hand. A moment later -he said to me, as calmly as though we had been having a sick room -consultation, "Seventy-two only, and in all this excitement. I have -hope." - -Turning to her again, he said with keen expectation, "But go on. Go -on! There is more to tell if you will. Be not afraid. John and I -know. I do in any case, and shall tell you if you are right. Speak, -without fear!" - -"I will try to. But you will forgive me if I seem too egotistical." - -"Nay! Fear not, you must be egotist, for it is of you that we think." - -"Then, as he is criminal he is selfish. And as his intellect is small -and his action is based on selfishness, he confines himself to one -purpose. That purpose is remorseless. As he fled back over the -Danube, leaving his forces to be cut to pieces, so now he is intent on -being safe, careless of all. So his own selfishness frees my soul -somewhat from the terrible power which he acquired over me on that -dreadful night. I felt it! Oh, I felt it! Thank God, for His great -mercy! My soul is freer than it has been since that awful hour. And -all that haunts me is a fear lest in some trance or dream he may have -used my knowledge for his ends." - -The Professor stood up, "He has so used your mind, and by it he has -left us here in Varna, whilst the ship that carried him rushed through -enveloping fog up to Galatz, where, doubtless, he had made preparation -for escaping from us. But his child mind only saw so far. And it may -be that as ever is in God's Providence, the very thing that the evil -doer most reckoned on for his selfish good, turns out to be his -chiefest harm. The hunter is taken in his own snare, as the great -Psalmist says. For now that he think he is free from every trace of -us all, and that he has escaped us with so many hours to him, then his -selfish child brain will whisper him to sleep. He think, too, that as -he cut himself off from knowing your mind, there can be no knowledge -of him to you. There is where he fail! That terrible baptism of -blood which he give you makes you free to go to him in spirit, as you -have as yet done in your times of freedom, when the sun rise and set. -At such times you go by my volition and not by his. And this power to -good of you and others, you have won from your suffering at his hands. -This is now all more precious that he know it not, and to guard -himself have even cut himself off from his knowledge of our where. -We, however, are not selfish, and we believe that God is with us -through all this blackness, and these many dark hours. We shall -follow him, and we shall not flinch, even if we peril ourselves that -we become like him. Friend John, this has been a great hour, and it -have done much to advance us on our way. You must be scribe and write -him all down, so that when the others return from their work you can -give it to them, then they shall know as we do." - -And so I have written it whilst we wait their return, and Mrs. Harker -has written with the typewriter all since she brought the MS to us. - - - - -CHAPTER 26 - - -DR. SEWARD'S DIARY - -29 October.--This is written in the train from Varna to Galatz. Last -night we all assembled a little before the time of sunset. Each of us -had done his work as well as he could, so far as thought, and -endeavour, and opportunity go, we are prepared for the whole of our -journey, and for our work when we get to Galatz. When the usual time -came round Mrs. Harker prepared herself for her hypnotic effort, and -after a longer and more serious effort on the part of Van Helsing than -has been usually necessary, she sank into the trance. Usually she -speaks on a hint, but this time the Professor had to ask her -questions, and to ask them pretty resolutely, before we could learn -anything. At last her answer came. - -"I can see nothing. We are still. There are no waves lapping, but -only a steady swirl of water softly running against the hawser. I can -hear men's voices calling, near and far, and the roll and creak of -oars in the rowlocks. A gun is fired somewhere, the echo of it seems -far away. There is tramping of feet overhead, and ropes and chains -are dragged along. What is this? There is a gleam of light. I can -feel the air blowing upon me." - -Here she stopped. She had risen, as if impulsively, from where she -lay on the sofa, and raised both her hands, palms upwards, as if -lifting a weight. Van Helsing and I looked at each other with -understanding. Quincey raised his eyebrows slightly and looked at her -intently, whilst Harker's hand instinctively closed round the hilt of -his Kukri. There was a long pause. We all knew that the time when -she could speak was passing, but we felt that it was useless to say -anything. - -Suddenly she sat up, and as she opened her eyes said sweetly, "Would -none of you like a cup of tea? You must all be so tired!" - -We could only make her happy, and so acqueisced. She bustled off to -get tea. When she had gone Van Helsing said, "You see, my friends. He -is close to land. He has left his earth chest. But he has yet to get -on shore. In the night he may lie hidden somewhere, but if he be not -carried on shore, or if the ship do not touch it, he cannot achieve -the land. In such case he can, if it be in the night, change his form -and jump or fly on shore, then, unless he be carried he cannot escape. -And if he be carried, then the customs men may discover what the box -contain. Thus, in fine, if he escape not on shore tonight, or before -dawn, there will be the whole day lost to him. We may then arrive in -time. For if he escape not at night we shall come on him in daytime, -boxed up and at our mercy. For he dare not be his true self, awake -and visible, lest he be discovered." - -There was no more to be said, so we waited in patience until the dawn, -at which time we might learn more from Mrs. Harker. - -Early this morning we listened, with breathless anxiety, for her -response in her trance. The hypnotic stage was even longer in coming -than before, and when it came the time remaining until full sunrise -was so short that we began to despair. Van Helsing seemed to throw -his whole soul into the effort. At last, in obedience to his will she -made reply. - -"All is dark. I hear lapping water, level with me, and some creaking -as of wood on wood." She paused, and the red sun shot up. We must -wait till tonight. - -And so it is that we are travelling towards Galatz in an agony of -expectation. We are due to arrive between two and three in the -morning. But already, at Bucharest, we are three hours late, so we -cannot possibly get in till well after sunup. Thus we shall have two -more hypnotic messages from Mrs. Harker! Either or both may possibly -throw more light on what is happening. - - -Later.--Sunset has come and gone. Fortunately it came at a time when -there was no distraction. For had it occurred whilst we were at a -station, we might not have secured the necessary calm and isolation. -Mrs. Harker yielded to the hypnotic influence even less readily than -this morning. I am in fear that her power of reading the Count's -sensations may die away, just when we want it most. It seems to me -that her imagination is beginning to work. Whilst she has been in the -trance hitherto she has confined herself to the simplest of facts. If -this goes on it may ultimately mislead us. If I thought that the -Count's power over her would die away equally with her power of -knowledge it would be a happy thought. But I am afraid that it may -not be so. - -When she did speak, her words were enigmatical, "Something is going -out. I can feel it pass me like a cold wind. I can hear, far off, -confused sounds, as of men talking in strange tongues, fierce falling -water, and the howling of wolves." She stopped and a shudder ran -through her, increasing in intensity for a few seconds, till at the -end, she shook as though in a palsy. She said no more, even in answer -to the Professor's imperative questioning. When she woke from the -trance, she was cold, and exhausted, and languid, but her mind was all -alert. She could not remember anything, but asked what she had said. -When she was told, she pondered over it deeply for a long time and in -silence. - - -30 October, 7 A.M.--We are near Galatz now, and I may not have time to -write later. Sunrise this morning was anxiously looked for by us all. -Knowing of the increasing difficulty of procuring the hypnotic trance, -Van Helsing began his passes earlier than usual. They produced no -effect, however, until the regular time, when she yielded with a still -greater difficulty, only a minute before the sun rose. The Professor -lost no time in his questioning. - -Her answer came with equal quickness, "All is dark. I hear water -swirling by, level with my ears, and the creaking of wood on wood. -Cattle low far off. There is another sound, a queer one like . . ." -She stopped and grew white, and whiter still. - -"Go on, go on! Speak, I command you!" said Van Helsing in an agonized -voice. At the same time there was despair in his eyes, for the risen -sun was reddening even Mrs. Harker's pale face. She opened her eyes, -and we all started as she said, sweetly and seemingly with the utmost -unconcern. - -"Oh, Professor, why ask me to do what you know I can't? I don't -remember anything." Then, seeing the look of amazement on our faces, -she said, turning from one to the other with a troubled look, "What -have I said? What have I done? I know nothing, only that I was lying -here, half asleep, and heard you say 'go on! speak, I command you!' It -seemed so funny to hear you order me about, as if I were a bad child!" - -"Oh, Madam Mina," he said, sadly, "it is proof, if proof be needed, of -how I love and honour you, when a word for your good, spoken more -earnest than ever, can seem so strange because it is to order her whom -I am proud to obey!" - -The whistles are sounding. We are nearing Galatz. We are on fire -with anxiety and eagerness. - - - -MINA HARKER'S JOURNAL - -30 October.--Mr. Morris took me to the hotel where our rooms had been -ordered by telegraph, he being the one who could best be spared, since -he does not speak any foreign language. The forces were distributed -much as they had been at Varna, except that Lord Godalming went to the -Vice Consul, as his rank might serve as an immediate guarantee of some -sort to the official, we being in extreme hurry. Jonathan and the two -doctors went to the shipping agent to learn particulars of the arrival -of the Czarina Catherine. - - -Later.--Lord Godalming has returned. The Consul is away, and the Vice -Consul sick. So the routine work has been attended to by a clerk. He -was very obliging, and offered to do anything in his power. - - - -JONATHAN HARKER'S JOURNAL - -30 October.--At nine o'clock Dr. Van Helsing, Dr. Seward, and I called -on Messrs. Mackenzie & Steinkoff, the agents of the London firm of -Hapgood. They had received a wire from London, in answer to Lord -Godalming's telegraphed request, asking them to show us any civility -in their power. They were more than kind and courteous, and took us -at once on board the Czarina Catherine, which lay at anchor out in the -river harbor. There we saw the Captain, Donelson by name, who told us -of his voyage. He said that in all his life he had never had so -favourable a run. - -"Man!" he said, "but it made us afeard, for we expect it that we -should have to pay for it wi' some rare piece o' ill luck, so as to -keep up the average. It's no canny to run frae London to the Black -Sea wi' a wind ahint ye, as though the Deil himself were blawin' on -yer sail for his ain purpose. An' a' the time we could no speer a -thing. Gin we were nigh a ship, or a port, or a headland, a fog fell -on us and travelled wi' us, till when after it had lifted and we -looked out, the deil a thing could we see. We ran by Gibraltar wi' -oot bein' able to signal. An' til we came to the Dardanelles and had -to wait to get our permit to pass, we never were within hail o' -aught. At first I inclined to slack off sail and beat about till the -fog was lifted. But whiles, I thocht that if the Deil was minded to -get us into the Black Sea quick, he was like to do it whether we would -or no. If we had a quick voyage it would be no to our miscredit -wi' the owners, or no hurt to our traffic, an' the Old Mon who had -served his ain purpose wad be decently grateful to us for no hinderin' -him." - -This mixture of simplicity and cunning, of superstition and commercial -reasoning, aroused Van Helsing, who said, "Mine friend, that Devil is -more clever than he is thought by some, and he know when he meet his -match!" - -The skipper was not displeased with the compliment, and went on, "When -we got past the Bosphorus the men began to grumble. Some o' them, the -Roumanians, came and asked me to heave overboard a big box which had -been put on board by a queer lookin' old man just before we had -started frae London. I had seen them speer at the fellow, and put out -their twa fingers when they saw him, to guard them against the evil -eye. Man! but the supersteetion of foreigners is pairfectly -rideeculous! I sent them aboot their business pretty quick, but as -just after a fog closed in on us I felt a wee bit as they did anent -something, though I wouldn't say it was again the big box. Well, on -we went, and as the fog didn't let up for five days I joost let the -wind carry us, for if the Deil wanted to get somewheres, well, he -would fetch it up a'reet. An' if he didn't, well, we'd keep a sharp -lookout anyhow. Sure eneuch, we had a fair way and deep water all the -time. And two days ago, when the mornin' sun came through the fog, we -found ourselves just in the river opposite Galatz. The Roumanians -were wild, and wanted me right or wrong to take out the box and fling -it in the river. I had to argy wi' them aboot it wi' a handspike. An' -when the last o' them rose off the deck wi' his head in his hand, I -had convinced them that, evil eye or no evil eye, the property and the -trust of my owners were better in my hands than in the river Danube. -They had, mind ye, taken the box on the deck ready to fling in, and as -it was marked Galatz via Varna, I thocht I'd let it lie till we -discharged in the port an' get rid o't althegither. We didn't do much -clearin' that day, an' had to remain the nicht at anchor. But in the -mornin', braw an' airly, an hour before sunup, a man came aboard wi' -an order, written to him from England, to receive a box marked for one -Count Dracula. Sure eneuch the matter was one ready to his hand. He -had his papers a' reet, an' glad I was to be rid o' the dam' thing, -for I was beginnin' masel' to feel uneasy at it. If the Deil did have -any luggage aboord the ship, I'm thinkin' it was nane ither than that -same!" - -"What was the name of the man who took it?" asked Dr. Van Helsing with -restrained eagerness. - -"I'll be tellin' ye quick!" he answered, and stepping down to his -cabin, produced a receipt signed "Immanuel Hildesheim." Burgen-strasse -16 was the address. We found out that this was all the Captain knew, -so with thanks we came away. - -We found Hildesheim in his office, a Hebrew of rather the Adelphi -Theatre type, with a nose like a sheep, and a fez. His arguments were -pointed with specie, we doing the punctuation, and with a little -bargaining he told us what he knew. This turned out to be simple but -important. He had received a letter from Mr. de Ville of London, -telling him to receive, if possible before sunrise so as to avoid -customs, a box which would arrive at Galatz in the Czarina Catherine. -This he was to give in charge to a certain Petrof Skinsky, who dealt -with the Slovaks who traded down the river to the port. He had been -paid for his work by an English bank note, which had been duly cashed -for gold at the Danube International Bank. When Skinsky had come to -him, he had taken him to the ship and handed over the box, so as to -save porterage. That was all he knew. - -We then sought for Skinsky, but were unable to find him. One of his -neighbors, who did not seem to bear him any affection, said that he -had gone away two days before, no one knew whither. This was -corroborated by his landlord, who had received by messenger the key of -the house together with the rent due, in English money. This had been -between ten and eleven o'clock last night. We were at a standstill -again. - -Whilst we were talking one came running and breathlessly gasped out -that the body of Skinsky had been found inside the wall of the -churchyard of St. Peter, and that the throat had been torn open as if -by some wild animal. Those we had been speaking with ran off to see -the horror, the women crying out. "This is the work of a Slovak!" We -hurried away lest we should have been in some way drawn into the -affair, and so detained. - -As we came home we could arrive at no definite conclusion. We were -all convinced that the box was on its way, by water, to somewhere, but -where that might be we would have to discover. With heavy hearts we -came home to the hotel to Mina. - -When we met together, the first thing was to consult as to taking Mina -again into our confidence. Things are getting desperate, and it is at -least a chance, though a hazardous one. As a preliminary step, I was -released from my promise to her. - - - - - -MINA HARKER'S JOURNAL - -30 October, evening.--They were so tired and worn out and dispirited -that there was nothing to be done till they had some rest, so I asked -them all to lie down for half an hour whilst I should enter everything -up to the moment. I feel so grateful to the man who invented the -"Traveller's" typewriter, and to Mr. Morris for getting this one for -me. I should have felt quite astray doing the work if I had to write -with a pen . . . - -It is all done. Poor dear, dear Jonathan, what he must have suffered, -what he must be suffering now. He lies on the sofa hardly seeming to -breathe, and his whole body appears in collapse. His brows are knit. -His face is drawn with pain. Poor fellow, maybe he is thinking, and I -can see his face all wrinkled up with the concentration of his -thoughts. Oh! if I could only help at all. I shall do what I can. - -I have asked Dr. Van Helsing, and he has got me all the papers that I -have not yet seen. Whilst they are resting, I shall go over all -carefully, and perhaps I may arrive at some conclusion. I shall try -to follow the Professor's example, and think without prejudice on the -facts before me . . . - -I do believe that under God's providence I have made a discovery. I -shall get the maps and look over them. - -I am more than ever sure that I am right. My new conclusion is ready, -so I shall get our party together and read it. They can judge it. It -is well to be accurate, and every minute is precious. - - - -MINA HARKER'S MEMORANDUM - -(ENTERED IN HER JOURNAL) - - -Ground of inquiry.--Count Dracula's problem is to get back -to his own place. - -(a) He must be brought back by some one. This is evident; -for had he power to move himself as he wished he could go -either as man, or wolf, or bat, or in some other way. He -evidently fears discovery or interference, in the state of -helplessness in which he must be, confined as he is between -dawn and sunset in his wooden box. - -(b) How is he to be taken?--Here a process of exclusions may -help us. By road, by rail, by water? - -1. By Road.--There are endless difficulties, especially in -leaving the city. - -(x) There are people. And people are curious, and -investigate. A hint, a surmise, a doubt as to what might -be in the box, would destroy him. - -(y) There are, or there may be, customs and octroi officers -to pass. - -(z) His pursuers might follow. This is his highest fear. -And in order to prevent his being betrayed he has repelled, -so far as he can, even his victim, me! - -2. By Rail.--There is no one in charge of the box. It -would have to take its chance of being delayed, and delay -would be fatal, with enemies on the track. True, he might -escape at night. But what would he be, if left in a strange -place with no refuge that he could fly to? This is not what he -intends, and he does not mean to risk it. - -3. By Water.--Here is the safest way, in one respect, but -with most danger in another. On the water he is powerless -except at night. Even then he can only summon fog and storm and -snow and his wolves. But were he wrecked, the living water would -engulf him, helpless, and he would indeed be lost. He could have -the vessel drive to land, but if it were unfriendly land, wherein -he was not free to move, his position would still be desperate. - -We know from the record that he was on the water, so what -we have to do is to ascertain what water. - -The first thing is to realize exactly what he has done as -yet. We may, then, get a light on what his task is to be. - -Firstly.--We must differentiate between what he did in -London as part of his general plan of action, when he was -pressed for moments and had to arrange as best he could. - -Secondly.--We must see, as well as we can surmise it from the -facts we know of, what he has done here. - -As to the first, he evidently intended to arrive at Galatz, -and sent invoice to Varna to deceive us lest we should ascertain -his means of exit from England. His immediate and sole purpose -then was to escape. The proof of this, is the letter of -instructions sent to Immanuel Hildesheim to clear and take away -the box before sunrise. There is also the instruction to Petrof -Skinsky. These we must only guess at, but there must have been -some letter or message, since Skinsky came to Hildesheim. - -That, so far, his plans were successful we know. The Czarina -Catherine made a phenomenally quick journey. So much so that -Captain Donelson's suspicions were aroused. But his superstition -united with his canniness played the Count's game for him, and he -ran with his favouring wind through fogs and all till he brought -up blindfold at Galatz. That the Count's arrangements were well -made, has been proved. Hildesheim cleared the box, took it off, -and gave it to Skinsky. Skinsky took it, and here we lose the -trail. We only know that the box is somewhere on the water, -moving along. The customs and the octroi, if there be any, have -been avoided. - -Now we come to what the Count must have done after his -arrival, on land, at Galatz. - -The box was given to Skinsky before sunrise. At sunrise -the Count could appear in his own form. Here, we ask why -Skinsky was chosen at all to aid in the work? In my husband's -diary, Skinsky is mentioned as dealing with the Slovaks who trade -down the river to the port. And the man's remark, that the -murder was the work of a Slovak, showed the general feeling -against his class. The Count wanted isolation. - -My surmise is this, that in London the Count decided to get -back to his castle by water, as the most safe and secret -way. He was brought from the castle by Szgany, and probably they -delivered their cargo to Slovaks who took the boxes to Varna, for -there they were shipped to London. Thus the Count had knowledge -of the persons who could arrange this service. When the box was -on land, before sunrise or after sunset, he came out from his -box, met Skinsky and instructed him what to do as to arranging -the carriage of the box up some river. When this was done, and -he knew that all was in train, he blotted out his traces, as he -thought, by murdering his agent. - -I have examined the map and find that the river most -suitable for the Slovaks to have ascended is either the -Pruth or the Sereth. I read in the typescript that in my -trance I heard cows low and water swirling level with my -ears and the creaking of wood. The Count in his box, then, -was on a river in an open boat, propelled probably either -by oars or poles, for the banks are near and it is working -against stream. There would be no such if floating down -stream. - -Of course it may not be either the Sereth or the Pruth, but -we may possibly investigate further. Now of these two, the -Pruth is the more easily navigated, but the Sereth is, at -Fundu, joined by the Bistritza which runs up round the Borgo -Pass. The loop it makes is manifestly as close to Dracula's -castle as can be got by water. - - - -MINA HARKER'S JOURNAL--CONTINUED - -When I had done reading, Jonathan took me in his arms and kissed me. -The others kept shaking me by both hands, and Dr. Van Helsing said, -"Our dear Madam Mina is once more our teacher. Her eyes have been -where we were blinded. Now we are on the track once again, and this -time we may succeed. Our enemy is at his most helpless. And if we -can come on him by day, on the water, our task will be over. He has a -start, but he is powerless to hasten, as he may not leave this box -lest those who carry him may suspect. For them to suspect would be to -prompt them to throw him in the stream where he perish. This he -knows, and will not. Now men, to our Council of War, for here and -now, we must plan what each and all shall do." - -"I shall get a steam launch and follow him," said Lord Godalming. - -"And I, horses to follow on the bank lest by chance he land," said Mr. -Morris. - -"Good!" said the Professor, "both good. But neither must go alone. -There must be force to overcome force if need be. The Slovak is -strong and rough, and he carries rude arms." All the men smiled, for -amongst them they carried a small arsenal. - -Said Mr. Morris, "I have brought some Winchesters. They are pretty -handy in a crowd, and there may be wolves. The Count, if you -remember, took some other precautions. He made some requisitions on -others that Mrs. Harker could not quite hear or understand. We must -be ready at all points." - -Dr. Seward said, "I think I had better go with Quincey. We have been -accustomed to hunt together, and we two, well armed, will be a match -for whatever may come along. You must not be alone, Art. It may be -necessary to fight the Slovaks, and a chance thrust, for I don't -suppose these fellows carry guns, would undo all our plans. There -must be no chances, this time. We shall not rest until the Count's -head and body have been separated, and we are sure that he cannot -reincarnate." - -He looked at Jonathan as he spoke, and Jonathan looked at me. I could -see that the poor dear was torn about in his mind. Of course he -wanted to be with me. But then the boat service would, most likely, -be the one which would destroy the . . . the . . . Vampire. (Why did -I hesitate to write the word?) - -He was silent awhile, and during his silence Dr. Van Helsing spoke, -"Friend Jonathan, this is to you for twice reasons. First, because -you are young and brave and can fight, and all energies may be needed -at the last. And again that it is your right to destroy him. That, -which has wrought such woe to you and yours. Be not afraid for Madam -Mina. She will be my care, if I may. I am old. My legs are not so -quick to run as once. And I am not used to ride so long or to pursue -as need be, or to fight with lethal weapons. But I can be of other -service. I can fight in other way. And I can die, if need be, as -well as younger men. Now let me say that what I would is this. While -you, my Lord Godalming and friend Jonathan go in your so swift little -steamboat up the river, and whilst John and Quincey guard the bank -where perchance he might be landed, I will take Madam Mina right into -the heart of the enemy's country. Whilst the old fox is tied in his -box, floating on the running stream whence he cannot escape to land, -where he dares not raise the lid of his coffin box lest his Slovak -carriers should in fear leave him to perish, we shall go in the track -where Jonathan went, from Bistritz over the Borgo, and find our way to -the Castle of Dracula. Here, Madam Mina's hypnotic power will surely -help, and we shall find our way, all dark and unknown otherwise, after -the first sunrise when we are near that fateful place. There is much -to be done, and other places to be made sanctify, so that that nest of -vipers be obliterated." - -Here Jonathan interrupted him hotly, "Do you mean to say, Professor -Van Helsing, that you would bring Mina, in her sad case and tainted as -she is with that devil's illness, right into the jaws of his -deathtrap? Not for the world! Not for Heaven or Hell!" - -He became almost speechless for a minute, and then went on, "Do you -know what the place is? Have you seen that awful den of hellish -infamy, with the very moonlight alive with grisly shapes, and every -speck of dust that whirls in the wind a devouring monster in embryo? -Have you felt the Vampire's lips upon your throat?" - -Here he turned to me, and as his eyes lit on my forehead he threw up -his arms with a cry, "Oh, my God, what have we done to have this -terror upon us?" and he sank down on the sofa in a collapse of misery. - -The Professor's voice, as he spoke in clear, sweet tones, which seemed -to vibrate in the air, calmed us all. - -"Oh, my friend, it is because I would save Madam Mina from that awful -place that I would go. God forbid that I should take her into that -place. There is work, wild work, to be done before that place can be -purify. Remember that we are in terrible straits. If the Count -escape us this time, and he is strong and subtle and cunning, he may -choose to sleep him for a century, and then in time our dear one," he -took my hand, "would come to him to keep him company, and would be as -those others that you, Jonathan, saw. You have told us of their -gloating lips. You heard their ribald laugh as they clutched the -moving bag that the Count threw to them. You shudder, and well may it -be. Forgive me that I make you so much pain, but it is necessary. My -friend, is it not a dire need for that which I am giving, possibly my -life? If it were that any one went into that place to stay, it is I -who would have to go to keep them company." - -"Do as you will," said Jonathan, with a sob that shook him all over, -"we are in the hands of God!" - - -Later.--Oh, it did me good to see the way that these brave men worked. -How can women help loving men when they are so earnest, and so true, -and so brave! And, too, it made me think of the wonderful power of -money! What can it not do when basely used. I felt so thankful that -Lord Godalming is rich, and both he and Mr. Morris, who also has -plenty of money, are willing to spend it so freely. For if they did -not, our little expedition could not start, either so promptly or so -well equipped, as it will within another hour. It is not three hours -since it was arranged what part each of us was to do. And now Lord -Godalming and Jonathan have a lovely steam launch, with steam up ready -to start at a moment's notice. Dr. Seward and Mr. Morris have half a -dozen good horses, well appointed. We have all the maps and -appliances of various kinds that can be had. Professor Van Helsing -and I are to leave by the 11:40 train tonight for Veresti, where we -are to get a carriage to drive to the Borgo Pass. We are bringing a -good deal of ready money, as we are to buy a carriage and horses. We -shall drive ourselves, for we have no one whom we can trust in the -matter. The Professor knows something of a great many languages, so -we shall get on all right. We have all got arms, even for me a large -bore revolver. Jonathan would not be happy unless I was armed like -the rest. Alas! I cannot carry one arm that the rest do, the scar on -my forehead forbids that. Dear Dr. Van Helsing comforts me by telling -me that I am fully armed as there may be wolves. The weather is -getting colder every hour, and there are snow flurries which come and -go as warnings. - - -Later.--It took all my courage to say goodbye to my darling. We may -never meet again. Courage, Mina! The Professor is looking at you -keenly. His look is a warning. There must be no tears now, unless it -may be that God will let them fall in gladness. - - - -JONATHAN HARKER'S JOURNAL - -30 October, night.--I am writing this in the light from the furnace -door of the steam launch. Lord Godalming is firing up. He is an -experienced hand at the work, as he has had for years a launch of his -own on the Thames, and another on the Norfolk Broads. Regarding our -plans, we finally decided that Mina's guess was correct, and that if -any waterway was chosen for the Count's escape back to his Castle, the -Sereth and then the Bistritza at its junction, would be the one. We -took it, that somewhere about the 47th degree, north latitude, would -be the place chosen for crossing the country between the river and the -Carpathians. We have no fear in running at good speed up the river at -night. There is plenty of water, and the banks are wide enough apart -to make steaming, even in the dark, easy enough. Lord Godalming tells -me to sleep for a while, as it is enough for the present for one to be -on watch. But I cannot sleep, how can I with the terrible danger -hanging over my darling, and her going out into that awful place . . . - -My only comfort is that we are in the hands of God. Only for that -faith it would be easier to die than to live, and so be quit of all -the trouble. Mr. Morris and Dr. Seward were off on their long ride -before we started. They are to keep up the right bank, far enough off -to get on higher lands where they can see a good stretch of river and -avoid the following of its curves. They have, for the first stages, -two men to ride and lead their spare horses, four in all, so as not to -excite curiosity. When they dismiss the men, which shall be shortly, -they shall themselves look after the horses. It may be necessary for -us to join forces. If so they can mount our whole party. One of the -saddles has a moveable horn, and can be easily adapted for Mina, if -required. - -It is a wild adventure we are on. Here, as we are rushing along -through the darkness, with the cold from the river seeming to rise up -and strike us, with all the mysterious voices of the night around us, -it all comes home. We seem to be drifting into unknown places and -unknown ways. Into a whole world of dark and dreadful things. -Godalming is shutting the furnace door . . . - - -31 October.--Still hurrying along. The day has come, and Godalming is -sleeping. I am on watch. The morning is bitterly cold, the furnace -heat is grateful, though we have heavy fur coats. As yet we have -passed only a few open boats, but none of them had on board any box or -package of anything like the size of the one we seek. The men were -scared every time we turned our electric lamp on them, and fell on -their knees and prayed. - - -1 November, evening.--No news all day. We have found nothing of the -kind we seek. We have now passed into the Bistritza, and if we are -wrong in our surmise our chance is gone. We have overhauled every -boat, big and little. Early this morning, one crew took us for a -Government boat, and treated us accordingly. We saw in this a way of -smoothing matters, so at Fundu, where the Bistritza runs into the -Sereth, we got a Roumanian flag which we now fly conspicuously. With -every boat which we have overhauled since then this trick has -succeeded. We have had every deference shown to us, and not once any -objection to whatever we chose to ask or do. Some of the Slovaks tell -us that a big boat passed them, going at more than usual speed as she -had a double crew on board. This was before they came to Fundu, so -they could not tell us whether the boat turned into the Bistritza or -continued on up the Sereth. At Fundu we could not hear of any such -boat, so she must have passed there in the night. I am feeling very -sleepy. The cold is perhaps beginning to tell upon me, and nature -must have rest some time. Godalming insists that he shall keep the -first watch. God bless him for all his goodness to poor dear Mina and -me. - - -2 November, morning.--It is broad daylight. That good fellow would -not wake me. He says it would have been a sin to, for I slept -peacefully and was forgetting my trouble. It seems brutally selfish -to me to have slept so long, and let him watch all night, but he was -quite right. I am a new man this morning. And, as I sit here and -watch him sleeping, I can do all that is necessary both as to minding -the engine, steering, and keeping watch. I can feel that my strength -and energy are coming back to me. I wonder where Mina is now, and Van -Helsing. They should have got to Veresti about noon on Wednesday. It -would take them some time to get the carriage and horses. So if they -had started and travelled hard, they would be about now at the Borgo -Pass. God guide and help them! I am afraid to think what may -happen. If we could only go faster. But we cannot. The engines are -throbbing and doing their utmost. I wonder how Dr. Seward and Mr. -Morris are getting on. There seem to be endless streams running down -the mountains into this river, but as none of them are very large, at -present, at all events, though they are doubtless terrible in winter -and when the snow melts, the horsemen may not have met much -obstruction. I hope that before we get to Strasba we may see them. -For if by that time we have not overtaken the Count, it may be -necessary to take counsel together what to do next. - - - - - -DR. SEWARD'S DIARY - -2 November.--Three days on the road. No news, and no time to write it -if there had been, for every moment is precious. We have had only the -rest needful for the horses. But we are both bearing it wonderfully. -Those adventurous days of ours are turning up useful. We must push -on. We shall never feel happy till we get the launch in sight again. - - -3 November.--We heard at Fundu that the launch had gone up the -Bistritza. I wish it wasn't so cold. There are signs of snow coming. -And if it falls heavy it will stop us. In such case we must get a -sledge and go on, Russian fashion. - -4 November.--Today we heard of the launch having been detained by an -accident when trying to force a way up the rapids. The Slovak boats -get up all right, by aid of a rope and steering with knowledge. Some -went up only a few hours before. Godalming is an amateur fitter -himself, and evidently it was he who put the launch in trim again. - -Finally, they got up the rapids all right, with local help, and are off -on the chase afresh. I fear that the boat is not any better for the -accident, the peasantry tell us that after she got upon smooth water -again, she kept stopping every now and again so long as she was in -sight. We must push on harder than ever. Our help may be wanted -soon. - - - - - -MINA HARKER'S JOURNAL - -31 October.--Arrived at Veresti at noon. The Professor tells me that -this morning at dawn he could hardly hypnotize me at all, and that all -I could say was, "dark and quiet." He is off now buying a carriage -and horses. He says that he will later on try to buy additional -horses, so that we may be able to change them on the way. We have -something more than 70 miles before us. The country is lovely, and -most interesting. If only we were under different conditions, how -delightful it would be to see it all. If Jonathan and I were driving -through it alone what a pleasure it would be. To stop and see people, -and learn something of their life, and to fill our minds and memories -with all the colour and picturesqueness of the whole wild, beautiful -country and the quaint people! But, alas! - - -Later.--Dr. Van Helsing has returned. He has got the carriage and -horses. We are to have some dinner, and to start in an hour. The -landlady is putting us up a huge basket of provisions. It seems -enough for a company of soldiers. The Professor encourages her, and -whispers to me that it may be a week before we can get any food again. -He has been shopping too, and has sent home such a wonderful lot of -fur coats and wraps, and all sorts of warm things. There will not be -any chance of our being cold. - -We shall soon be off. I am afraid to think what may happen to us. We -are truly in the hands of God. He alone knows what may be, and I pray -Him, with all the strength of my sad and humble soul, that He will -watch over my beloved husband. That whatever may happen, Jonathan may -know that I loved him and honoured him more than I can say, and that my -latest and truest thought will be always for him. - - - - -CHAPTER 27 - - -MINA HARKER'S JOURNAL - -1 November.--All day long we have travelled, and at a good speed. The -horses seem to know that they are being kindly treated, for they go -willingly their full stage at best speed. We have now had so many -changes and find the same thing so constantly that we are encouraged -to think that the journey will be an easy one. Dr. Van Helsing is -laconic, he tells the farmers that he is hurrying to Bistritz, and -pays them well to make the exchange of horses. We get hot soup, or -coffee, or tea, and off we go. It is a lovely country. Full of -beauties of all imaginable kinds, and the people are brave, and -strong, and simple, and seem full of nice qualities. They are very, -very superstitious. In the first house where we stopped, when the -woman who served us saw the scar on my forehead, she crossed herself -and put out two fingers towards me, to keep off the evil eye. I -believe they went to the trouble of putting an extra amount of garlic -into our food, and I can't abide garlic. Ever since then I have taken -care not to take off my hat or veil, and so have escaped their -suspicions. We are travelling fast, and as we have no driver with us -to carry tales, we go ahead of scandal. But I daresay that fear of -the evil eye will follow hard behind us all the way. The Professor -seems tireless. All day he would not take any rest, though he made me -sleep for a long spell. At sunset time he hypnotized me, and he says -I answered as usual, "darkness, lapping water and creaking wood." So -our enemy is still on the river. I am afraid to think of Jonathan, -but somehow I have now no fear for him, or for myself. I write this -whilst we wait in a farmhouse for the horses to be ready. Dr. Van -Helsing is sleeping. Poor dear, he looks very tired and old and grey, -but his mouth is set as firmly as a conqueror's. Even in his sleep he -is intense with resolution. When we have well started I must make him -rest whilst I drive. I shall tell him that we have days before us, -and he must not break down when most of all his strength will be -needed . . . All is ready. We are off shortly. - - -2 November, morning.--I was successful, and we took turns driving all -night. Now the day is on us, bright though cold. There is a strange -heaviness in the air. I say heaviness for want of a better word. I -mean that it oppresses us both. It is very cold, and only our warm -furs keep us comfortable. At dawn Van Helsing hypnotized me. He says -I answered "darkness, creaking wood and roaring water," so the river -is changing as they ascend. I do hope that my darling will not run -any chance of danger, more than need be, but we are in God's hands. - - -2 November, night.--All day long driving. The country gets wilder as -we go, and the great spurs of the Carpathians, which at Veresti seemed -so far from us and so low on the horizon, now seem to gather round us -and tower in front. We both seem in good spirits. I think we make an -effort each to cheer the other, in the doing so we cheer ourselves. -Dr. Van Helsing says that by morning we shall reach the Borgo Pass. -The houses are very few here now, and the Professor says that the last -horse we got will have to go on with us, as we may not be able to -change. He got two in addition to the two we changed, so that now we -have a rude four-in-hand. The dear horses are patient and good, and -they give us no trouble. We are not worried with other travellers, -and so even I can drive. We shall get to the Pass in daylight. We do -not want to arrive before. So we take it easy, and have each a long -rest in turn. Oh, what will tomorrow bring to us? We go to seek the -place where my poor darling suffered so much. God grant that we may -be guided aright, and that He will deign to watch over my husband and -those dear to us both, and who are in such deadly peril. As for me, I -am not worthy in His sight. Alas! I am unclean to His eyes, and -shall be until He may deign to let me stand forth in His sight as one -of those who have not incurred His wrath. - - - - - -MEMORANDUM BY ABRAHAM VAN HELSING - -4 November.--This to my old and true friend John Seward, M.D., -of Purfleet, London, in case I may not see him. It may -explain. It is morning, and I write by a fire which all -the night I have kept alive, Madam Mina aiding me. It is -cold, cold. So cold that the grey heavy sky is full of -snow, which when it falls will settle for all winter as the -ground is hardening to receive it. It seems to have affected -Madam Mina. She has been so heavy of head all day that she was -not like herself. She sleeps, and sleeps, and sleeps! She who -is usual so alert, have done literally nothing all the day. She -even have lost her appetite. She make no entry into her little -diary, she who write so faithful at every pause. Something -whisper to me that all is not well. However, tonight she is more -_vif_. Her long sleep all day have refresh and restore her, for -now she is all sweet and bright as ever. At sunset I try to -hypnotize her, but alas! with no effect. The power has grown -less and less with each day, and tonight it fail me altogether. -Well, God's will be done, whatever it may be, and whithersoever -it may lead! - -Now to the historical, for as Madam Mina write not in her -stenography, I must, in my cumbrous old fashion, that so -each day of us may not go unrecorded. - -We got to the Borgo Pass just after sunrise yesterday -morning. When I saw the signs of the dawn I got ready for -the hypnotism. We stopped our carriage, and got down so -that there might be no disturbance. I made a couch with -furs, and Madam Mina, lying down, yield herself as usual, -but more slow and more short time than ever, to the hypnotic -sleep. As before, came the answer, "darkness and the swirling of -water." Then she woke, bright and radiant and we go on our way -and soon reach the Pass. At this time and place, she become all -on fire with zeal. Some new guiding power be in her manifested, -for she point to a road and say, "This is the way." - -"How know you it?" I ask. - -"Of course I know it," she answer, and with a pause, add, -"Have not my Jonathan travelled it and wrote of his travel?" - -At first I think somewhat strange, but soon I see that there be -only one such byroad. It is used but little, and very different -from the coach road from the Bukovina to Bistritz, which is more -wide and hard, and more of use. - -So we came down this road. When we meet other ways, not -always were we sure that they were roads at all, for they -be neglect and light snow have fallen, the horses know and -they only. I give rein to them, and they go on so patient. By -and by we find all the things which Jonathan have note in that -wonderful diary of him. Then we go on for long, long hours and -hours. At the first, I tell Madam Mina to sleep. She try, and -she succeed. She sleep all the time, till at the last, I feel -myself to suspicious grow, and attempt to wake her. But she -sleep on, and I may not wake her though I try. I do not wish to -try too hard lest I harm her. For I know that she have suffer -much, and sleep at times be all-in-all to her. I think I drowse -myself, for all of sudden I feel guilt, as though I have done -something. I find myself bolt up, with the reins in my hand, and -the good horses go along jog, jog, just as ever. I look down and -find Madam Mina still asleep. It is now not far off sunset time, -and over the snow the light of the sun flow in big yellow flood, -so that we throw great long shadow on where the mountain rise so -steep. For we are going up, and up, and all is oh so wild and -rocky, as though it were the end of the world. - -Then I arouse Madam Mina. This time she wake with not much -trouble, and then I try to put her to hypnotic sleep. But -she sleep not, being as though I were not. Still I try and -try, till all at once I find her and myself in dark, so I -look round, and find that the sun have gone down. Madam -Mina laugh, and I turn and look at her. She is now quite -awake, and look so well as I never saw her since that night -at Carfax when we first enter the Count's house. I am amaze, and -not at ease then. But she is so bright and tender and thoughtful -for me that I forget all fear. I light a fire, for we have -brought supply of wood with us, and she prepare food while I undo -the horses and set them, tethered in shelter, to feed. Then when -I return to the fire she have my supper ready. I go to help her, -but she smile, and tell me that she have eat already. That she -was so hungry that she would not wait. I like it not, and I have -grave doubts. But I fear to affright her, and so I am silent of -it. She help me and I eat alone, and then we wrap in fur and lie -beside the fire, and I tell her to sleep while I watch. But -presently I forget all of watching. And when I sudden remember -that I watch, I find her lying quiet, but awake, and looking at -me with so bright eyes. Once, twice more the same occur, and I -get much sleep till before morning. When I wake I try to -hypnotize her, but alas! though she shut her eyes obedient, she -may not sleep. The sun rise up, and up, and up, and then sleep -come to her too late, but so heavy that she will not wake. I -have to lift her up, and place her sleeping in the carriage when -I have harnessed the horses and made all ready. Madam still -sleep, and she look in her sleep more healthy and more redder -than before. And I like it not. And I am afraid, afraid, -afraid! I am afraid of all things, even to think but I must go -on my way. The stake we play for is life and death, or more than -these, and we must not flinch. - - -5 November, morning.--Let me be accurate in everything, for -though you and I have seen some strange things together, -you may at the first think that I, Van Helsing, am mad. -That the many horrors and the so long strain on nerves has -at the last turn my brain. - -All yesterday we travel, always getting closer to the -mountains, and moving into a more and more wild and desert -land. There are great, frowning precipices and much falling -water, and Nature seem to have held sometime her carnival. Madam -Mina still sleep and sleep. And though I did have hunger and -appeased it, I could not waken her, even for food. I began to -fear that the fatal spell of the place was upon her, tainted as -she is with that Vampire baptism. "Well," said I to myself, "if -it be that she sleep all the day, it shall also be that I do not -sleep at night." As we travel on the rough road, for a road of -an ancient and imperfect kind there was, I held down my head and -slept. - -Again I waked with a sense of guilt and of time passed, and -found Madam Mina still sleeping, and the sun low down. But -all was indeed changed. The frowning mountains seemed further -away, and we were near the top of a steep rising hill, on summit -of which was such a castle as Jonathan tell of in his diary. At -once I exulted and feared. For now, for good or ill, the end was -near. - -I woke Madam Mina, and again tried to hypnotize her, but -alas! unavailing till too late. Then, ere the great dark -came upon us, for even after down sun the heavens reflected -the gone sun on the snow, and all was for a time in a great -twilight. I took out the horses and fed them in what shelter I -could. Then I make a fire, and near it I make Madam Mina, now -awake and more charming than ever, sit comfortable amid her rugs. -I got ready food, but she would not eat, simply saying that she -had not hunger. I did not press her, knowing her unavailingness. -But I myself eat, for I must needs now be strong for all. Then, -with the fear on me of what might be, I drew a ring so big for -her comfort, round where Madam Mina sat. And over the ring I -passed some of the wafer, and I broke it fine so that all was -well guarded. She sat still all the time, so still as one dead. -And she grew whiter and even whiter till the snow was not more -pale, and no word she said. But when I drew near, she clung to -me, and I could know that the poor soul shook her from head to -feet with a tremor that was pain to feel. - -I said to her presently, when she had grown more quiet, -"Will you not come over to the fire?" for I wished to make -a test of what she could. She rose obedient, but when she -have made a step she stopped, and stood as one stricken. - -"Why not go on?" I asked. She shook her head, and coming -back, sat down in her place. Then, looking at me with open -eyes, as of one waked from sleep, she said simply, "I cannot!" -and remained silent. I rejoiced, for I knew that what she could -not, none of those that we dreaded could. Though there might be -danger to her body, yet her soul was safe! - -Presently the horses began to scream, and tore at their -tethers till I came to them and quieted them. When they -did feel my hands on them, they whinnied low as in joy, and -licked at my hands and were quiet for a time. Many times -through the night did I come to them, till it arrive to the -cold hour when all nature is at lowest, and every time my -coming was with quiet of them. In the cold hour the fire -began to die, and I was about stepping forth to replenish -it, for now the snow came in flying sweeps and with it a -chill mist. Even in the dark there was a light of some -kind, as there ever is over snow, and it seemed as though -the snow flurries and the wreaths of mist took shape as of -women with trailing garments. All was in dead, grim silence only -that the horses whinnied and cowered, as if in terror of the -worst. I began to fear, horrible fears. But then came to me the -sense of safety in that ring wherein I stood. I began too, to -think that my imaginings were of the night, and the gloom, and -the unrest that I have gone through, and all the terrible -anxiety. It was as though my memories of all Jonathan's horrid -experience were befooling me. For the snow flakes and the mist -began to wheel and circle round, till I could get as though a -shadowy glimpse of those women that would have kissed him. And -then the horses cowered lower and lower, and moaned in terror as -men do in pain. Even the madness of fright was not to them, so -that they could break away. I feared for my dear Madam Mina when -these weird figures drew near and circled round. I looked at her, -but she sat calm, and smiled at me. When I would have stepped to -the fire to replenish it, she caught me and held me back, and -whispered, like a voice that one hears in a dream, so low it was. - -"No! No! Do not go without. Here you are safe!" - -I turned to her, and looking in her eyes said, "But you? -It is for you that I fear!" - -Whereat she laughed, a laugh low and unreal, and said, "Fear -for me! Why fear for me? None safer in all the world from -them than I am," and as I wondered at the meaning of her -words, a puff of wind made the flame leap up, and I see the -red scar on her forehead. Then, alas! I knew. Did I not, -I would soon have learned, for the wheeling figures of mist -and snow came closer, but keeping ever without the Holy -circle. Then they began to materialize till, if God have -not taken away my reason, for I saw it through my eyes. -There were before me in actual flesh the same three women -that Jonathan saw in the room, when they would have kissed -his throat. I knew the swaying round forms, the bright -hard eyes, the white teeth, the ruddy colour, the voluptuous -lips. They smiled ever at poor dear Madam Mina. And as -their laugh came through the silence of the night, they -twined their arms and pointed to her, and said in those so -sweet tingling tones that Jonathan said were of the intolerable -sweetness of the water glasses, "Come, sister. Come to us. -Come!" - -In fear I turned to my poor Madam Mina, and my heart with -gladness leapt like flame. For oh! the terror in her sweet -eyes, the repulsion, the horror, told a story to my heart -that was all of hope. God be thanked she was not, yet, of -them. I seized some of the firewood which was by me, and -holding out some of the Wafer, advanced on them towards the -fire. They drew back before me, and laughed their low horrid -laugh. I fed the fire, and feared them not. For I knew that we -were safe within the ring, which she could not leave no more than -they could enter. The horses had ceased to moan, and lay still -on the ground. The snow fell on them softly, and they grew -whiter. I knew that there was for the poor beasts no more of -terror. - -And so we remained till the red of the dawn began to fall -through the snow gloom. I was desolate and afraid, and -full of woe and terror. But when that beautiful sun began -to climb the horizon life was to me again. At the first -coming of the dawn the horrid figures melted in the whirling -mist and snow. The wreaths of transparent gloom moved away -towards the castle, and were lost. - -Instinctively, with the dawn coming, I turned to Madam Mina, -intending to hypnotize her. But she lay in a deep and sudden -sleep, from which I could not wake her. I tried to hypnotize -through her sleep, but she made no response, none at all, and the -day broke. I fear yet to stir. I have made my fire and have -seen the horses, they are all dead. Today I have much to do here, -and I keep waiting till the sun is up high. For there may be -places where I must go, where that sunlight, though snow and mist -obscure it, will be to me a safety. - -I will strengthen me with breakfast, and then I will do my -terrible work. Madam Mina still sleeps, and God be thanked! She -is calm in her sleep . . . - - - -JONATHAN HARKER'S JOURNAL - -4 November, evening.--The accident to the launch has been a terrible -thing for us. Only for it we should have overtaken the boat long ago, -and by now my dear Mina would have been free. I fear to think of her, -off on the wolds near that horrid place. We have got horses, and we -follow on the track. I note this whilst Godalming is getting ready. -We have our arms. The Szgany must look out if they mean to fight. Oh, -if only Morris and Seward were with us. We must only hope! If I -write no more Goodby Mina! God bless and keep you. - - - -DR. SEWARD'S DIARY - -5 November.--With the dawn we saw the body of Szgany before us dashing -away from the river with their leiter wagon. They surrounded it in a -cluster, and hurried along as though beset. The snow is falling -lightly and there is a strange excitement in the air. It may be our -own feelings, but the depression is strange. Far off I hear the -howling of wolves. The snow brings them down from the mountains, and -there are dangers to all of us, and from all sides. The horses are -nearly ready, and we are soon off. We ride to death of some one. God -alone knows who, or where, or what, or when, or how it may be . . . - - - - - -DR. VAN HELSING'S MEMORANDUM - -5 November, afternoon.--I am at least sane. Thank God for -that mercy at all events, though the proving it has been -dreadful. When I left Madam Mina sleeping within the Holy -circle, I took my way to the castle. The blacksmith hammer -which I took in the carriage from Veresti was useful, though the -doors were all open I broke them off the rusty hinges, lest some -ill intent or ill chance should close them, so that being entered -I might not get out. Jonathan's bitter experience served me -here. By memory of his diary I found my way to the old chapel, -for I knew that here my work lay. The air was oppressive. It -seemed as if there was some sulphurous fume, which at times made -me dizzy. Either there was a roaring in my ears or I heard afar -off the howl of wolves. Then I bethought me of my dear Madam -Mina, and I was in terrible plight. The dilemma had me between -his horns. - -Her, I had not dare to take into this place, but left safe -from the Vampire in that Holy circle. And yet even there -would be the wolf! I resolve me that my work lay here, and -that as to the wolves we must submit, if it were God's will. At -any rate it was only death and freedom beyond. So did I choose -for her. Had it but been for myself the choice had been easy, -the maw of the wolf were better to rest in than the grave of the -Vampire! So I make my choice to go on with my work. - -I knew that there were at least three graves to find, graves -that are inhabit. So I search, and search, and I find one -of them. She lay in her Vampire sleep, so full of life and -voluptuous beauty that I shudder as though I have come to -do murder. Ah, I doubt not that in the old time, when such -things were, many a man who set forth to do such a task as -mine, found at the last his heart fail him, and then his -nerve. So he delay, and delay, and delay, till the mere -beauty and the fascination of the wanton Undead have hypnotize -him. And he remain on and on, till sunset come, and the Vampire -sleep be over. Then the beautiful eyes of the fair woman open -and look love, and the voluptuous mouth present to a kiss, and -the man is weak. And there remain one more victim in the -Vampire fold. One more to swell the grim and grisly ranks -of the Undead! . . . - -There is some fascination, surely, when I am moved by the -mere presence of such an one, even lying as she lay in a -tomb fretted with age and heavy with the dust of centuries, -though there be that horrid odour such as the lairs of the -Count have had. Yes, I was moved. I, Van Helsing, with -all my purpose and with my motive for hate. I was moved to -a yearning for delay which seemed to paralyze my faculties -and to clog my very soul. It may have been that the need -of natural sleep, and the strange oppression of the air -were beginning to overcome me. Certain it was that I was -lapsing into sleep, the open eyed sleep of one who yields -to a sweet fascination, when there came through the snow-stilled -air a long, low wail, so full of woe and pity that it woke me -like the sound of a clarion. For it was the voice of my dear -Madam Mina that I heard. - -Then I braced myself again to my horrid task, and found by -wrenching away tomb tops one other of the sisters, the other dark -one. I dared not pause to look on her as I had on her sister, -lest once more I should begin to be enthrall. But I go on -searching until, presently, I find in a high great tomb as if -made to one much beloved that other fair sister which, like -Jonathan I had seen to gather herself out of the atoms of the -mist. She was so fair to look on, so radiantly beautiful, so -exquisitely voluptuous, that the very instinct of man in me, -which calls some of my sex to love and to protect one of hers, -made my head whirl with new emotion. But God be thanked, that -soul wail of my dear Madam Mina had not died out of my ears. -And, before the spell could be wrought further upon me, I had -nerved myself to my wild work. By this time I had searched all -the tombs in the chapel, so far as I could tell. And as there -had been only three of these Undead phantoms around us in the -night, I took it that there were no more of active Undead -existent. There was one great tomb more lordly than all the -rest. Huge it was, and nobly proportioned. On it was but one -word. - - - DRACULA - - -This then was the Undead home of the King Vampire, to whom -so many more were due. Its emptiness spoke eloquent to -make certain what I knew. Before I began to restore these -women to their dead selves through my awful work, I laid in -Dracula's tomb some of the Wafer, and so banished him from -it, Undead, for ever. - -Then began my terrible task, and I dreaded it. Had it been -but one, it had been easy, comparative. But three! To -begin twice more after I had been through a deed of horror. -For it was terrible with the sweet Miss Lucy, what would it -not be with these strange ones who had survived through -centuries, and who had been strengthened by the passing of -the years. Who would, if they could, have fought for their -foul lives . . . - -Oh, my friend John, but it was butcher work. Had I not -been nerved by thoughts of other dead, and of the living -over whom hung such a pall of fear, I could not have gone -on. I tremble and tremble even yet, though till all was -over, God be thanked, my nerve did stand. Had I not seen -the repose in the first place, and the gladness that stole -over it just ere the final dissolution came, as realization -that the soul had been won, I could not have gone further -with my butchery. I could not have endured the horrid screeching -as the stake drove home, the plunging of writhing form, and lips -of bloody foam. I should have fled in terror and left my work -undone. But it is over! And the poor souls, I can pity them now -and weep, as I think of them placid each in her full sleep of -death for a short moment ere fading. For, friend John, hardly -had my knife severed the head of each, before the whole body -began to melt away and crumble into its native dust, as though -the death that should have come centuries ago had at last assert -himself and say at once and loud, "I am here!" - -Before I left the castle I so fixed its entrances that never -more can the Count enter there Undead. - -When I stepped into the circle where Madam Mina slept, she -woke from her sleep and, seeing me, cried out in pain that -I had endured too much. - -"Come!" she said, "come away from this awful place! Let us -go to meet my husband who is, I know, coming towards us." -She was looking thin and pale and weak. But her eyes were -pure and glowed with fervour. I was glad to see her paleness and -her illness, for my mind was full of the fresh horror of that -ruddy vampire sleep. - -And so with trust and hope, and yet full of fear, we go -eastward to meet our friends, and him, whom Madam Mina tell -me that she know are coming to meet us. - - - - - -MINA HARKER'S JOURNAL - -6 November.--It was late in the afternoon when the Professor and I -took our way towards the east whence I knew Jonathan was coming. We -did not go fast, though the way was steeply downhill, for we had to -take heavy rugs and wraps with us. We dared not face the possibility -of being left without warmth in the cold and the snow. We had to take -some of our provisions too, for we were in a perfect desolation, and -so far as we could see through the snowfall, there was not even the -sign of habitation. When we had gone about a mile, I was tired with -the heavy walking and sat down to rest. Then we looked back and saw -where the clear line of Dracula's castle cut the sky. For we were so -deep under the hill whereon it was set that the angle of perspective -of the Carpathian mountains was far below it. We saw it in all its -grandeur, perched a thousand feet on the summit of a sheer precipice, -and with seemingly a great gap between it and the steep of the -adjacent mountain on any side. There was something wild and uncanny -about the place. We could hear the distant howling of wolves. They -were far off, but the sound, even though coming muffled through the -deadening snowfall, was full of terror. I knew from the way Dr. Van -Helsing was searching about that he was trying to seek some strategic -point, where we would be less exposed in case of attack. The rough -roadway still led downwards. We could trace it through the drifted -snow. - -In a little while the Professor signalled to me, so I got up and -joined him. He had found a wonderful spot, a sort of natural hollow -in a rock, with an entrance like a doorway between two boulders. He -took me by the hand and drew me in. - -"See!" he said, "here you will be in shelter. And if the wolves do -come I can meet them one by one." - -He brought in our furs, and made a snug nest for me, and got out some -provisions and forced them upon me. But I could not eat, to even try -to do so was repulsive to me, and much as I would have liked to please -him, I could not bring myself to the attempt. He looked very sad, but -did not reproach me. Taking his field glasses from the case, he stood -on the top of the rock, and began to search the horizon. - -Suddenly he called out, "Look! Madam Mina, look! Look!" - -I sprang up and stood beside him on the rock. He handed me his -glasses and pointed. The snow was now falling more heavily, and -swirled about fiercely, for a high wind was beginning to blow. -However, there were times when there were pauses between the snow -flurries and I could see a long way round. From the height where we -were it was possible to see a great distance. And far off, beyond the -white waste of snow, I could see the river lying like a black ribbon -in kinks and curls as it wound its way. Straight in front of us and -not far off, in fact so near that I wondered we had not noticed -before, came a group of mounted men hurrying along. In the midst of -them was a cart, a long leiter wagon which swept from side to side, -like a dog's tail wagging, with each stern inequality of the road. -Outlined against the snow as they were, I could see from the men's -clothes that they were peasants or gypsies of some kind. - -On the cart was a great square chest. My heart leaped as I saw it, for -I felt that the end was coming. The evening was now drawing close, -and well I knew that at sunset the Thing, which was till then -imprisoned there, would take new freedom and could in any of many -forms elude pursuit. In fear I turned to the Professor. To my -consternation, however, he was not there. An instant later, I saw him -below me. Round the rock he had drawn a circle, such as we had found -shelter in last night. - -When he had completed it he stood beside me again saying, "At least -you shall be safe here from him!" He took the glasses from me, and at -the next lull of the snow swept the whole space below us. "See," he -said, "they come quickly. They are flogging the horses, and galloping -as hard as they can." - -He paused and went on in a hollow voice, "They are racing for the -sunset. We may be too late. God's will be done!" Down came another -blinding rush of driving snow, and the whole landscape was blotted -out. It soon passed, however, and once more his glasses were fixed on -the plain. - -Then came a sudden cry, "Look! Look! Look! See, two horsemen follow -fast, coming up from the south. It must be Quincey and John. Take -the glass. Look before the snow blots it all out!" I took it and -looked. The two men might be Dr. Seward and Mr. Morris. I knew at -all events that neither of them was Jonathan. At the same time I knew -that Jonathan was not far off. Looking around I saw on the north side -of the coming party two other men, riding at breakneck speed. One of -them I knew was Jonathan, and the other I took, of course, to be Lord -Godalming. They too, were pursuing the party with the cart. When I -told the Professor he shouted in glee like a schoolboy, and after -looking intently till a snow fall made sight impossible, he laid his -Winchester rifle ready for use against the boulder at the opening of -our shelter. - -"They are all converging," he said. "When the time comes we shall have -gypsies on all sides." I got out my revolver ready to hand, for -whilst we were speaking the howling of wolves came louder and closer. -When the snow storm abated a moment we looked again. It was strange -to see the snow falling in such heavy flakes close to us, and beyond, -the sun shining more and more brightly as it sank down towards the far -mountain tops. Sweeping the glass all around us I could see here and -there dots moving singly and in twos and threes and larger numbers. -The wolves were gathering for their prey. - -Every instant seemed an age whilst we waited. The wind came now in -fierce bursts, and the snow was driven with fury as it swept upon us -in circling eddies. At times we could not see an arm's length before -us. But at others, as the hollow sounding wind swept by us, it seemed -to clear the air space around us so that we could see afar off. We -had of late been so accustomed to watch for sunrise and sunset, that -we knew with fair accuracy when it would be. And we knew that before -long the sun would set. It was hard to believe that by our watches it -was less than an hour that we waited in that rocky shelter before the -various bodies began to converge close upon us. The wind came now -with fiercer and more bitter sweeps, and more steadily from the -north. It seemingly had driven the snow clouds from us, for with only -occasional bursts, the snow fell. We could distinguish clearly the -individuals of each party, the pursued and the pursuers. Strangely -enough those pursued did not seem to realize, or at least to care, -that they were pursued. They seemed, however, to hasten with -redoubled speed as the sun dropped lower and lower on the mountain -tops. - -Closer and closer they drew. The Professor and I crouched down behind -our rock, and held our weapons ready. I could see that he was -determined that they should not pass. One and all were quite unaware -of our presence. - -All at once two voices shouted out to "Halt!" One was my Jonathan's, -raised in a high key of passion. The other Mr. Morris' strong -resolute tone of quiet command. The gypsies may not have known the -language, but there was no mistaking the tone, in whatever tongue the -words were spoken. Instinctively they reined in, and at the instant -Lord Godalming and Jonathan dashed up at one side and Dr. Seward and -Mr. Morris on the other. The leader of the gypsies, a splendid -looking fellow who sat his horse like a centaur, waved them back, and -in a fierce voice gave to his companions some word to proceed. They -lashed the horses which sprang forward. But the four men raised their -Winchester rifles, and in an unmistakable way commanded them to stop. -At the same moment Dr. Van Helsing and I rose behind the rock and -pointed our weapons at them. Seeing that they were surrounded the men -tightened their reins and drew up. The leader turned to them and gave -a word at which every man of the gypsy party drew what weapon he -carried, knife or pistol, and held himself in readiness to attack. -Issue was joined in an instant. - -The leader, with a quick movement of his rein, threw his horse out in -front, and pointed first to the sun, now close down on the hill tops, -and then to the castle, said something which I did not understand. -For answer, all four men of our party threw themselves from their -horses and dashed towards the cart. I should have felt terrible fear -at seeing Jonathan in such danger, but that the ardor of battle must -have been upon me as well as the rest of them. I felt no fear, but -only a wild, surging desire to do something. Seeing the quick -movement of our parties, the leader of the gypsies gave a command. His -men instantly formed round the cart in a sort of undisciplined -endeavour, each one shouldering and pushing the other in his eagerness -to carry out the order. - -In the midst of this I could see that Jonathan on one side of the ring -of men, and Quincey on the other, were forcing a way to the cart. It -was evident that they were bent on finishing their task before the sun -should set. Nothing seemed to stop or even to hinder them. Neither -the levelled weapons nor the flashing knives of the gypsies in front, -nor the howling of the wolves behind, appeared to even attract their -attention. Jonathan's impetuosity, and the manifest singleness of his -purpose, seemed to overawe those in front of him. Instinctively they -cowered aside and let him pass. In an instant he had jumped upon the -cart, and with a strength which seemed incredible, raised the great -box, and flung it over the wheel to the ground. In the meantime, Mr. -Morris had had to use force to pass through his side of the ring of -Szgany. All the time I had been breathlessly watching Jonathan I had, -with the tail of my eye, seen him pressing desperately forward, and -had seen the knives of the gypsies flash as he won a way through them, -and they cut at him. He had parried with his great bowie knife, and -at first I thought that he too had come through in safety. But as he -sprang beside Jonathan, who had by now jumped from the cart, I could -see that with his left hand he was clutching at his side, and that the -blood was spurting through his fingers. He did not delay -notwithstanding this, for as Jonathan, with desperate energy, attacked -one end of the chest, attempting to prize off the lid with his great -Kukri knife, he attacked the other frantically with his bowie. Under -the efforts of both men the lid began to yield. The nails drew with a -screeching sound, and the top of the box was thrown back. - -By this time the gypsies, seeing themselves covered by the -Winchesters, and at the mercy of Lord Godalming and Dr. Seward, had -given in and made no further resistance. The sun was almost down on -the mountain tops, and the shadows of the whole group fell upon the -snow. I saw the Count lying within the box upon the earth, some of -which the rude falling from the cart had scattered over him. He was -deathly pale, just like a waxen image, and the red eyes glared with -the horrible vindictive look which I knew so well. - -As I looked, the eyes saw the sinking sun, and the look of hate in -them turned to triumph. - -But, on the instant, came the sweep and flash of Jonathan's great -knife. I shrieked as I saw it shear through the throat. Whilst at -the same moment Mr. Morris's bowie knife plunged into the heart. - -It was like a miracle, but before our very eyes, and almost in the -drawing of a breath, the whole body crumbled into dust and passed from -our sight. - -I shall be glad as long as I live that even in that moment of final -dissolution, there was in the face a look of peace, such as I never -could have imagined might have rested there. - -The Castle of Dracula now stood out against the red sky, and every -stone of its broken battlements was articulated against the light of -the setting sun. - -The gypsies, taking us as in some way the cause of the extraordinary -disappearance of the dead man, turned, without a word, and rode away -as if for their lives. Those who were unmounted jumped upon the -leiter wagon and shouted to the horsemen not to desert them. The -wolves, which had withdrawn to a safe distance, followed in their -wake, leaving us alone. - -Mr. Morris, who had sunk to the ground, leaned on his elbow, holding -his hand pressed to his side. The blood still gushed through his -fingers. I flew to him, for the Holy circle did not now keep me back; -so did the two doctors. Jonathan knelt behind him and the wounded man -laid back his head on his shoulder. With a sigh he took, with a -feeble effort, my hand in that of his own which was unstained. - -He must have seen the anguish of my heart in my face, for he smiled at -me and said, "I am only too happy to have been of service! Oh, God!" -he cried suddenly, struggling to a sitting posture and pointing to me. -"It was worth for this to die! Look! Look!" - -The sun was now right down upon the mountain top, and the red gleams -fell upon my face, so that it was bathed in rosy light. With one -impulse the men sank on their knees and a deep and earnest "Amen" -broke from all as their eyes followed the pointing of his finger. - -The dying man spoke, "Now God be thanked that all has not been in -vain! See! The snow is not more stainless than her forehead! The -curse has passed away!" - -And, to our bitter grief, with a smile and in silence, he died, a -gallant gentleman. - - - - - -NOTE - - -Seven years ago we all went through the flames. And the happiness of -some of us since then is, we think, well worth the pain we endured. -It is an added joy to Mina and to me that our boy's birthday is the -same day as that on which Quincey Morris died. His mother holds, I -know, the secret belief that some of our brave friend's spirit has -passed into him. His bundle of names links all our little band of men -together. But we call him Quincey. - -In the summer of this year we made a journey to Transylvania, and went -over the old ground which was, and is, to us so full of vivid and -terrible memories. It was almost impossible to believe that the -things which we had seen with our own eyes and heard with our own ears -were living truths. Every trace of all that had been was blotted -out. The castle stood as before, reared high above a waste of -desolation. - -When we got home we were talking of the old time, which we could all -look back on without despair, for Godalming and Seward are both -happily married. I took the papers from the safe where they had been -ever since our return so long ago. We were struck with the fact, that -in all the mass of material of which the record is composed, there is -hardly one authentic document. Nothing but a mass of typewriting, -except the later notebooks of Mina and Seward and myself, and Van -Helsing's memorandum. We could hardly ask any one, even did we wish -to, to accept these as proofs of so wild a story. Van Helsing summed -it all up as he said, with our boy on his knee. - -"We want no proofs. We ask none to believe us! This boy will some -day know what a brave and gallant woman his mother is. Already he -knows her sweetness and loving care. Later on he will understand how -some men so loved her, that they did dare much for her sake." - -JONATHAN HARKER - - - - - - - - - -End of the Project Gutenberg EBook of Dracula, by Bram Stoker - -*** END OF THIS PROJECT GUTENBERG EBOOK DRACULA *** - -***** This file should be named 345.txt or 345.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/3/4/345/ - - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. 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Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.net - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/HashMapClass.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/HashMapClass.pde deleted file mode 100644 index 3878fad..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/HashMapClass.pde +++ /dev/null @@ -1,82 +0,0 @@ -/** - * HashMap example - * by Daniel Shiffman. - * - * This example demonstrates how to use a HashMap to store - * a collection of objects referenced by a key. This is much like an array, - * only instead of accessing elements with a numeric index, we use a String. - * If you are familiar with associative arrays from other languages, - * this is the same idea. - * - * A simpler example is CountingStrings which uses IntDict instead of - * HashMap. The Processing classes IntDict, FloatDict, and StringDict - * offer a simpler way of pairing Strings with numbers or other Strings. - * Here we use a HashMap because we want to pair a String with a custom - * object, in this case a "Word" object that stores two numbers. - * - * In this example, words that appear in one book (Dracula) only are colored white - * while words the other (Frankenstein) are colored black. - */ - -HashMap words; // HashMap object - -void setup() { - size(640, 360); - - // Create the HashMap - words = new HashMap(); - - // Load two files - loadFile("dracula.txt"); - loadFile("frankenstein.txt"); - - // Create the font - textFont(createFont("SourceCodePro-Regular.ttf", 24)); -} - -void draw() { - background(126); - - // Show words - for (Word w : words.values()) { - if (w.qualify()) { - w.display(); - w.move(); - } - } -} - -// Load a file -void loadFile(String filename) { - String[] lines = loadStrings(filename); - String allText = join(lines, " ").toLowerCase(); - String[] tokens = splitTokens(allText, " ,.?!:;[]-\"'"); - - for (String s : tokens) { - // Is the word in the HashMap - if (words.containsKey(s)) { - // Get the word object and increase the count - // We access objects from a HashMap via its key, the String - Word w = words.get(s); - // Which book am I loading? - if (filename.contains("dracula")) { - w.incrementDracula(); - } - else if (filename.contains("frankenstein")) { - w.incrementFranken(); - } - } - else { - // Otherwise make a new word - Word w = new Word(s); - // And add to the HashMap put() takes two arguments, "key" and "value" - // The key for us is the String and the value is the Word object - words.put(s, w); - if (filename.contains("dracula")) { - w.incrementDracula(); - } else if (filename.contains("frankenstein")) { - w.incrementFranken(); - } - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/Word.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/Word.pde deleted file mode 100644 index ed4302c..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/Word.pde +++ /dev/null @@ -1,72 +0,0 @@ -class Word { - - // Store a count for occurences in two different books - int countDracula; - int countFranken; - // Also the total count - int totalCount; - - // What is the String - String word; - - // Where is it on the screen - PVector position; - - Word(String s) { - position = new PVector(random(width), random(-height, height*2)); - word = s; - } - - // We will display a word if it appears at least 5 times - // and only in one of the books - boolean qualify() { - if ((countDracula == totalCount || countFranken == totalCount) && totalCount > 5) { - return true; - } - else { - return false; - } - } - - // Increment the count for Dracula - void incrementDracula() { - countDracula++; - totalCount++; - } - - - // Increment the count for Frankenstein - void incrementFranken() { - countFranken++; - totalCount++; - } - - // The more often it appears, the faster it falls - void move() { - float speed = map(totalCount, 5, 25, 0.1, 0.4); - speed = constrain(speed,0,10); - position.y += speed; - - if (position.y > height*2) { - position.y = -height; - } - } - - - // Depending on which book it gets a color - void display() { - if (countDracula > 0) { - fill(255); - } - else if (countFranken > 0) { - fill(0); - } - // Its size is also tied to number of occurences - float fs = map(totalCount,5,25,2,24); - fs = constrain(fs,2,48); - textSize(fs); - textAlign(CENTER); - text(word, position.x, position.y); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/SourceCodePro-Regular.ttf b/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/SourceCodePro-Regular.ttf deleted file mode 100644 index b2cff92..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/SourceCodePro-Regular.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/dracula.txt b/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/dracula.txt deleted file mode 100644 index 7fb73f5..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/dracula.txt +++ /dev/null @@ -1,16624 +0,0 @@ -The Project Gutenberg EBook of Dracula, by Bram Stoker - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.net - - -Title: Dracula - -Author: Bram Stoker - -Release Date: May 9, 2008 [EBook #345] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK DRACULA *** - - - - - - - - - - - - - - -DRACULA - -by - -Bram Stoker - - -1897 edition - - - - -TABLE OF CONTENTS - - -CHAPTER - - 1 Jonathan Harker's Journal - 2 Jonathan Harker's Journal - 3 Jonathan Harker's Journal - 4 Jonathan Harker's Journal - 5 Letter From Miss Mina Murray To Miss Lucy Westenra - 6 Mina Murray's Journal - 7 Cutting From "The Dailygraph", 8 August - 8 Mina Murray's Journal - 9 Letter, Mina Harker To Lucy Westenra - 10 Letter, Dr. Seward To Hon. Arthur Holmwood - 11 Lucy Westenra's Diary - 12 Dr. Seward's Diary - 13 Dr. Seward's Diary - 14 Mina Harker's Journal - 15 Dr. Seward's Diary - 16 Dr. Seward's Diary - 17 Dr. Seward's Diary - 18 Dr. Seward's Diary - 19 Jonathan Harker's Journal - 20 Jonathan Harker's Journal - 21 Dr. Seward's Diary - 22 Jonathan Harker's Journal - 23 Dr. Seward's Diary - 24 Dr. Seward's Phonograph Diary - 25 Dr. Seward's Diary - 26 Dr. Seward's Diary - 27 Mina Harker's Journal - - - - -CHAPTER 1 - - -Jonathan Harker's Journal - -3 May. Bistritz.--Left Munich at 8:35 P.M., on 1st May, arriving at -Vienna early next morning; should have arrived at 6:46, but train was -an hour late. Buda-Pesth seems a wonderful place, from the glimpse -which I got of it from the train and the little I could walk through -the streets. I feared to go very far from the station, as we had -arrived late and would start as near the correct time as possible. - -The impression I had was that we were leaving the West and entering the -East; the most western of splendid bridges over the Danube, which is -here of noble width and depth, took us among the traditions of Turkish -rule. - -We left in pretty good time, and came after nightfall to Klausenburgh. -Here I stopped for the night at the Hotel Royale. I had for dinner, -or rather supper, a chicken done up some way with red pepper, which -was very good but thirsty. (Mem. get recipe for Mina.) I asked the -waiter, and he said it was called "paprika hendl," and that, as it was -a national dish, I should be able to get it anywhere along the -Carpathians. - -I found my smattering of German very useful here, indeed, I don't know -how I should be able to get on without it. - -Having had some time at my disposal when in London, I had visited the -British Museum, and made search among the books and maps in the -library regarding Transylvania; it had struck me that some -foreknowledge of the country could hardly fail to have some importance -in dealing with a nobleman of that country. - - -I find that the district he named is in the extreme east of the -country, just on the borders of three states, Transylvania, Moldavia, -and Bukovina, in the midst of the Carpathian mountains; one of the -wildest and least known portions of Europe. - -I was not able to light on any map or work giving the exact locality -of the Castle Dracula, as there are no maps of this country as yet to -compare with our own Ordance Survey Maps; but I found that Bistritz, -the post town named by Count Dracula, is a fairly well-known place. I -shall enter here some of my notes, as they may refresh my memory when -I talk over my travels with Mina. - -In the population of Transylvania there are four distinct -nationalities: Saxons in the South, and mixed with them the Wallachs, -who are the descendants of the Dacians; Magyars in the West, and -Szekelys in the East and North. I am going among the latter, who -claim to be descended from Attila and the Huns. This may be so, for -when the Magyars conquered the country in the eleventh century they -found the Huns settled in it. - -I read that every known superstition in the world is gathered into the -horseshoe of the Carpathians, as if it were the centre of some sort of -imaginative whirlpool; if so my stay may be very interesting. (Mem., -I must ask the Count all about them.) - -I did not sleep well, though my bed was comfortable enough, for I had -all sorts of queer dreams. There was a dog howling all night under my -window, which may have had something to do with it; or it may have -been the paprika, for I had to drink up all the water in my carafe, -and was still thirsty. Towards morning I slept and was wakened by the -continuous knocking at my door, so I guess I must have been sleeping -soundly then. - -I had for breakfast more paprika, and a sort of porridge of maize -flour which they said was "mamaliga", and egg-plant stuffed with -forcemeat, a very excellent dish, which they call "impletata". (Mem., -get recipe for this also.) - -I had to hurry breakfast, for the train started a little before eight, -or rather it ought to have done so, for after rushing to the station -at 7:30 I had to sit in the carriage for more than an hour before we -began to move. - -It seems to me that the further east you go the more unpunctual are -the trains. What ought they to be in China? - -All day long we seemed to dawdle through a country which was full of -beauty of every kind. Sometimes we saw little towns or castles on the -top of steep hills such as we see in old missals; sometimes we ran by -rivers and streams which seemed from the wide stony margin on each -side of them to be subject to great floods. It takes a lot of water, -and running strong, to sweep the outside edge of a river clear. - -At every station there were groups of people, sometimes crowds, and in -all sorts of attire. Some of them were just like the peasants at home -or those I saw coming through France and Germany, with short jackets, -and round hats, and home-made trousers; but others were very -picturesque. - -The women looked pretty, except when you got near them, but they were -very clumsy about the waist. They had all full white sleeves of some -kind or other, and most of them had big belts with a lot of strips of -something fluttering from them like the dresses in a ballet, but of -course there were petticoats under them. - -The strangest figures we saw were the Slovaks, who were more barbarian -than the rest, with their big cow-boy hats, great baggy dirty-white -trousers, white linen shirts, and enormous heavy leather belts, nearly -a foot wide, all studded over with brass nails. They wore high boots, -with their trousers tucked into them, and had long black hair and -heavy black moustaches. They are very picturesque, but do not look -prepossessing. On the stage they would be set down at once as some -old Oriental band of brigands. They are, however, I am told, very -harmless and rather wanting in natural self-assertion. - -It was on the dark side of twilight when we got to Bistritz, which is -a very interesting old place. Being practically on the frontier--for -the Borgo Pass leads from it into Bukovina--it has had a very stormy -existence, and it certainly shows marks of it. Fifty years ago a -series of great fires took place, which made terrible havoc on five -separate occasions. At the very beginning of the seventeenth century -it underwent a siege of three weeks and lost 13,000 people, the -casualties of war proper being assisted by famine and disease. - -Count Dracula had directed me to go to the Golden Krone Hotel, which I -found, to my great delight, to be thoroughly old-fashioned, for of -course I wanted to see all I could of the ways of the country. - -I was evidently expected, for when I got near the door I faced a -cheery-looking elderly woman in the usual peasant dress--white -undergarment with a long double apron, front, and back, of coloured -stuff fitting almost too tight for modesty. When I came close she -bowed and said, "The Herr Englishman?" - -"Yes," I said, "Jonathan Harker." - -She smiled, and gave some message to an elderly man in white -shirtsleeves, who had followed her to the door. - -He went, but immediately returned with a letter: - -"My friend.--Welcome to the Carpathians. I am anxiously expecting -you. Sleep well tonight. At three tomorrow the diligence will -start for Bukovina; a place on it is kept for you. At the Borgo -Pass my carriage will await you and will bring you to me. I trust -that your journey from London has been a happy one, and that you -will enjoy your stay in my beautiful land.--Your friend, Dracula." - - -4 May--I found that my landlord had got a letter from the Count, -directing him to secure the best place on the coach for me; but on -making inquiries as to details he seemed somewhat reticent, and -pretended that he could not understand my German. - -This could not be true, because up to then he had understood it -perfectly; at least, he answered my questions exactly as if he did. - -He and his wife, the old lady who had received me, looked at each -other in a frightened sort of way. He mumbled out that the money had -been sent in a letter, and that was all he knew. When I asked him if -he knew Count Dracula, and could tell me anything of his castle, both -he and his wife crossed themselves, and, saying that they knew nothing -at all, simply refused to speak further. It was so near the time of -starting that I had no time to ask anyone else, for it was all very -mysterious and not by any means comforting. - -Just before I was leaving, the old lady came up to my room and said in -a hysterical way: "Must you go? Oh! Young Herr, must you go?" She -was in such an excited state that she seemed to have lost her grip of -what German she knew, and mixed it all up with some other language -which I did not know at all. I was just able to follow her by asking -many questions. When I told her that I must go at once, and that I -was engaged on important business, she asked again: - -"Do you know what day it is?" I answered that it was the fourth of -May. She shook her head as she said again: - -"Oh, yes! I know that! I know that, but do you know what day it is?" - -On my saying that I did not understand, she went on: - -"It is the eve of St. George's Day. Do you not know that tonight, -when the clock strikes midnight, all the evil things in the world will -have full sway? Do you know where you are going, and what you are -going to?" She was in such evident distress that I tried to comfort -her, but without effect. Finally, she went down on her knees and -implored me not to go; at least to wait a day or two before starting. - -It was all very ridiculous but I did not feel comfortable. However, -there was business to be done, and I could allow nothing to interfere -with it. - -I tried to raise her up, and said, as gravely as I could, that I -thanked her, but my duty was imperative, and that I must go. - -She then rose and dried her eyes, and taking a crucifix from her neck -offered it to me. - -I did not know what to do, for, as an English Churchman, I have been -taught to regard such things as in some measure idolatrous, and yet it -seemed so ungracious to refuse an old lady meaning so well and in such -a state of mind. - -She saw, I suppose, the doubt in my face, for she put the rosary round -my neck and said, "For your mother's sake," and went out of the room. - -I am writing up this part of the diary whilst I am waiting for the -coach, which is, of course, late; and the crucifix is still round my -neck. - -Whether it is the old lady's fear, or the many ghostly traditions of -this place, or the crucifix itself, I do not know, but I am not -feeling nearly as easy in my mind as usual. - -If this book should ever reach Mina before I do, let it bring my -goodbye. Here comes the coach! - - -5 May. The Castle.--The gray of the morning has passed, and the sun -is high over the distant horizon, which seems jagged, whether with -trees or hills I know not, for it is so far off that big things and -little are mixed. - -I am not sleepy, and, as I am not to be called till I awake, naturally -I write till sleep comes. - -There are many odd things to put down, and, lest who reads them may -fancy that I dined too well before I left Bistritz, let me put down my -dinner exactly. - -I dined on what they called "robber steak"--bits of bacon, onion, and -beef, seasoned with red pepper, and strung on sticks, and roasted over -the fire, in simple style of the London cat's meat! - -The wine was Golden Mediasch, which produces a queer sting on the -tongue, which is, however, not disagreeable. - -I had only a couple of glasses of this, and nothing else. - -When I got on the coach, the driver had not taken his seat, and I saw -him talking to the landlady. - -They were evidently talking of me, for every now and then they looked -at me, and some of the people who were sitting on the bench outside -the door--came and listened, and then looked at me, most of them -pityingly. I could hear a lot of words often repeated, queer words, -for there were many nationalities in the crowd, so I quietly got my -polyglot dictionary from my bag and looked them out. - -I must say they were not cheering to me, for amongst them were -"Ordog"--Satan, "Pokol"--hell, "stregoica"--witch, "vrolok" and -"vlkoslak"--both mean the same thing, one being Slovak and the other -Servian for something that is either werewolf or vampire. (Mem., I -must ask the Count about these superstitions.) - -When we started, the crowd round the inn door, which had by this time -swelled to a considerable size, all made the sign of the cross and -pointed two fingers towards me. - -With some difficulty, I got a fellow passenger to tell me what they -meant. He would not answer at first, but on learning that I was -English, he explained that it was a charm or guard against the evil -eye. - -This was not very pleasant for me, just starting for an unknown place -to meet an unknown man. But everyone seemed so kind-hearted, and so -sorrowful, and so sympathetic that I could not but be touched. - -I shall never forget the last glimpse which I had of the inn yard and -its crowd of picturesque figures, all crossing themselves, as they -stood round the wide archway, with its background of rich foliage of -oleander and orange trees in green tubs clustered in the centre of the -yard. - -Then our driver, whose wide linen drawers covered the whole front of -the boxseat,--"gotza" they call them--cracked his big whip over his -four small horses, which ran abreast, and we set off on our journey. - -I soon lost sight and recollection of ghostly fears in the beauty of -the scene as we drove along, although had I known the language, or -rather languages, which my fellow-passengers were speaking, I might -not have been able to throw them off so easily. Before us lay a green -sloping land full of forests and woods, with here and there steep -hills, crowned with clumps of trees or with farmhouses, the blank -gable end to the road. There was everywhere a bewildering mass of -fruit blossom--apple, plum, pear, cherry. And as we drove by I could -see the green grass under the trees spangled with the fallen petals. -In and out amongst these green hills of what they call here the -"Mittel Land" ran the road, losing itself as it swept round the grassy -curve, or was shut out by the straggling ends of pine woods, which -here and there ran down the hillsides like tongues of flame. The road -was rugged, but still we seemed to fly over it with a feverish haste. -I could not understand then what the haste meant, but the driver was -evidently bent on losing no time in reaching Borgo Prund. I was told -that this road is in summertime excellent, but that it had not yet -been put in order after the winter snows. In this respect it is -different from the general run of roads in the Carpathians, for it is -an old tradition that they are not to be kept in too good order. Of -old the Hospadars would not repair them, lest the Turk should think -that they were preparing to bring in foreign troops, and so hasten the -war which was always really at loading point. - -Beyond the green swelling hills of the Mittel Land rose mighty slopes -of forest up to the lofty steeps of the Carpathians themselves. Right -and left of us they towered, with the afternoon sun falling full upon -them and bringing out all the glorious colours of this beautiful -range, deep blue and purple in the shadows of the peaks, green and -brown where grass and rock mingled, and an endless perspective of -jagged rock and pointed crags, till these were themselves lost in the -distance, where the snowy peaks rose grandly. Here and there seemed -mighty rifts in the mountains, through which, as the sun began to -sink, we saw now and again the white gleam of falling water. One of -my companions touched my arm as we swept round the base of a hill and -opened up the lofty, snow-covered peak of a mountain, which seemed, as -we wound on our serpentine way, to be right before us. - -"Look! Isten szek!"--"God's seat!"--and he crossed himself reverently. - -As we wound on our endless way, and the sun sank lower and lower -behind us, the shadows of the evening began to creep round us. This -was emphasized by the fact that the snowy mountain-top still held the -sunset, and seemed to glow out with a delicate cool pink. Here and -there we passed Cszeks and slovaks, all in picturesque attire, but I -noticed that goitre was painfully prevalent. By the roadside were -many crosses, and as we swept by, my companions all crossed -themselves. Here and there was a peasant man or woman kneeling before -a shrine, who did not even turn round as we approached, but seemed in -the self-surrender of devotion to have neither eyes nor ears for the -outer world. There were many things new to me. For instance, -hay-ricks in the trees, and here and there very beautiful masses of -weeping birch, their white stems shining like silver through the -delicate green of the leaves. - -Now and again we passed a leiter-wagon--the ordinary peasants's -cart--with its long, snakelike vertebra, calculated to suit the -inequalities of the road. On this were sure to be seated quite a -group of homecoming peasants, the Cszeks with their white, and the -Slovaks with their coloured sheepskins, the latter carrying -lance-fashion their long staves, with axe at end. As the evening fell -it began to get very cold, and the growing twilight seemed to merge -into one dark mistiness the gloom of the trees, oak, beech, and pine, -though in the valleys which ran deep between the spurs of the hills, -as we ascended through the Pass, the dark firs stood out here and -there against the background of late-lying snow. Sometimes, as the -road was cut through the pine woods that seemed in the darkness to be -closing down upon us, great masses of greyness which here and there -bestrewed the trees, produced a peculiarly weird and solemn effect, -which carried on the thoughts and grim fancies engendered earlier in -the evening, when the falling sunset threw into strange relief the -ghost-like clouds which amongst the Carpathians seem to wind -ceaselessly through the valleys. Sometimes the hills were so steep -that, despite our driver's haste, the horses could only go slowly. I -wished to get down and walk up them, as we do at home, but the driver -would not hear of it. "No, no," he said. "You must not walk here. -The dogs are too fierce." And then he added, with what he evidently -meant for grim pleasantry--for he looked round to catch the approving -smile of the rest--"And you may have enough of such matters before you -go to sleep." The only stop he would make was a moment's pause to -light his lamps. - -When it grew dark there seemed to be some excitement amongst the -passengers, and they kept speaking to him, one after the other, as -though urging him to further speed. He lashed the horses unmercifully -with his long whip, and with wild cries of encouragement urged them on -to further exertions. Then through the darkness I could see a sort of -patch of grey light ahead of us, as though there were a cleft in the -hills. The excitement of the passengers grew greater. The crazy -coach rocked on its great leather springs, and swayed like a boat -tossed on a stormy sea. I had to hold on. The road grew more level, -and we appeared to fly along. Then the mountains seemed to come -nearer to us on each side and to frown down upon us. We were entering -on the Borgo Pass. One by one several of the passengers offered me -gifts, which they pressed upon me with an earnestness which would take -no denial. These were certainly of an odd and varied kind, but each -was given in simple good faith, with a kindly word, and a blessing, -and that same strange mixture of fear-meaning movements which I had -seen outside the hotel at Bistritz--the sign of the cross and the -guard against the evil eye. Then, as we flew along, the driver leaned -forward, and on each side the passengers, craning over the edge of the -coach, peered eagerly into the darkness. It was evident that -something very exciting was either happening or expected, but though I -asked each passenger, no one would give me the slightest explanation. -This state of excitement kept on for some little time. And at last we -saw before us the Pass opening out on the eastern side. There were -dark, rolling clouds overhead, and in the air the heavy, oppressive -sense of thunder. It seemed as though the mountain range had -separated two atmospheres, and that now we had got into the thunderous -one. I was now myself looking out for the conveyance which was to -take me to the Count. Each moment I expected to see the glare of -lamps through the blackness, but all was dark. The only light was the -flickering rays of our own lamps, in which the steam from our -hard-driven horses rose in a white cloud. We could see now the sandy -road lying white before us, but there was on it no sign of a vehicle. -The passengers drew back with a sigh of gladness, which seemed to mock -my own disappointment. I was already thinking what I had best do, -when the driver, looking at his watch, said to the others something -which I could hardly hear, it was spoken so quietly and in so low a -tone, I thought it was "An hour less than the time." Then turning to -me, he spoke in German worse than my own. - -"There is no carriage here. The Herr is not expected after all. He -will now come on to Bukovina, and return tomorrow or the next day, -better the next day." Whilst he was speaking the horses began to -neigh and snort and plunge wildly, so that the driver had to hold them -up. Then, amongst a chorus of screams from the peasants and a -universal crossing of themselves, a caleche, with four horses, drove -up behind us, overtook us, and drew up beside the coach. I could see -from the flash of our lamps as the rays fell on them, that the horses -were coal-black and splendid animals. They were driven by a tall man, -with a long brown beard and a great black hat, which seemed to hide -his face from us. I could only see the gleam of a pair of very bright -eyes, which seemed red in the lamplight, as he turned to us. - -He said to the driver, "You are early tonight, my friend." - -The man stammered in reply, "The English Herr was in a hurry." - -To which the stranger replied, "That is why, I suppose, you wished him -to go on to Bukovina. You cannot deceive me, my friend. I know too -much, and my horses are swift." - -As he spoke he smiled, and the lamplight fell on a hard-looking mouth, -with very red lips and sharp-looking teeth, as white as ivory. One of -my companions whispered to another the line from Burger's "Lenore". - -"Denn die Todten reiten Schnell." ("For the dead travel fast.") - -The strange driver evidently heard the words, for he looked up with a -gleaming smile. The passenger turned his face away, at the same time -putting out his two fingers and crossing himself. "Give me the Herr's -luggage," said the driver, and with exceeding alacrity my bags were -handed out and put in the caleche. Then I descended from the side of -the coach, as the caleche was close alongside, the driver helping me -with a hand which caught my arm in a grip of steel. His strength must -have been prodigious. - -Without a word he shook his reins, the horses turned, and we swept -into the darkness of the pass. As I looked back I saw the steam from -the horses of the coach by the light of the lamps, and projected -against it the figures of my late companions crossing themselves. -Then the driver cracked his whip and called to his horses, and off -they swept on their way to Bukovina. As they sank into the darkness I -felt a strange chill, and a lonely feeling come over me. But a cloak -was thrown over my shoulders, and a rug across my knees, and the -driver said in excellent German--"The night is chill, mein Herr, and -my master the Count bade me take all care of you. There is a flask of -slivovitz (the plum brandy of the country) underneath the seat, if you -should require it." - -I did not take any, but it was a comfort to know it was there all the -same. I felt a little strangely, and not a little frightened. I -think had there been any alternative I should have taken it, instead -of prosecuting that unknown night journey. The carriage went at a -hard pace straight along, then we made a complete turn and went along -another straight road. It seemed to me that we were simply going over -and over the same ground again, and so I took note of some salient -point, and found that this was so. I would have liked to have asked -the driver what this all meant, but I really feared to do so, for I -thought that, placed as I was, any protest would have had no effect in -case there had been an intention to delay. - -By-and-by, however, as I was curious to know how time was passing, I -struck a match, and by its flame looked at my watch. It was within a -few minutes of midnight. This gave me a sort of shock, for I suppose -the general superstition about midnight was increased by my recent -experiences. I waited with a sick feeling of suspense. - -Then a dog began to howl somewhere in a farmhouse far down the road, a -long, agonized wailing, as if from fear. The sound was taken up by -another dog, and then another and another, till, borne on the wind -which now sighed softly through the Pass, a wild howling began, which -seemed to come from all over the country, as far as the imagination -could grasp it through the gloom of the night. - -At the first howl the horses began to strain and rear, but the driver -spoke to them soothingly, and they quieted down, but shivered and -sweated as though after a runaway from sudden fright. Then, far off -in the distance, from the mountains on each side of us began a louder -and a sharper howling, that of wolves, which affected both the horses -and myself in the same way. For I was minded to jump from the caleche -and run, whilst they reared again and plunged madly, so that the -driver had to use all his great strength to keep them from bolting. -In a few minutes, however, my own ears got accustomed to the sound, -and the horses so far became quiet that the driver was able to descend -and to stand before them. - -He petted and soothed them, and whispered something in their ears, as -I have heard of horse-tamers doing, and with extraordinary effect, for -under his caresses they became quite manageable again, though they -still trembled. The driver again took his seat, and shaking his -reins, started off at a great pace. This time, after going to the far -side of the Pass, he suddenly turned down a narrow roadway which ran -sharply to the right. - -Soon we were hemmed in with trees, which in places arched right over -the roadway till we passed as through a tunnel. And again great -frowning rocks guarded us boldly on either side. Though we were in -shelter, we could hear the rising wind, for it moaned and whistled -through the rocks, and the branches of the trees crashed together as -we swept along. It grew colder and colder still, and fine, powdery -snow began to fall, so that soon we and all around us were covered -with a white blanket. The keen wind still carried the howling of the -dogs, though this grew fainter as we went on our way. The baying of -the wolves sounded nearer and nearer, as though they were closing -round on us from every side. I grew dreadfully afraid, and the horses -shared my fear. The driver, however, was not in the least disturbed. -He kept turning his head to left and right, but I could not see -anything through the darkness. - -Suddenly, away on our left I saw a faint flickering blue flame. The -driver saw it at the same moment. He at once checked the horses, and, -jumping to the ground, disappeared into the darkness. I did not know -what to do, the less as the howling of the wolves grew closer. But -while I wondered, the driver suddenly appeared again, and without a -word took his seat, and we resumed our journey. I think I must have -fallen asleep and kept dreaming of the incident, for it seemed to be -repeated endlessly, and now looking back, it is like a sort of awful -nightmare. Once the flame appeared so near the road, that even in the -darkness around us I could watch the driver's motions. He went -rapidly to where the blue flame arose, it must have been very faint, -for it did not seem to illumine the place around it at all, and -gathering a few stones, formed them into some device. - -Once there appeared a strange optical effect. When he stood between -me and the flame he did not obstruct it, for I could see its ghostly -flicker all the same. This startled me, but as the effect was only -momentary, I took it that my eyes deceived me straining through the -darkness. Then for a time there were no blue flames, and we sped -onwards through the gloom, with the howling of the wolves around us, -as though they were following in a moving circle. - -At last there came a time when the driver went further afield than he -had yet gone, and during his absence, the horses began to tremble -worse than ever and to snort and scream with fright. I could not see -any cause for it, for the howling of the wolves had ceased altogether. -But just then the moon, sailing through the black clouds, appeared -behind the jagged crest of a beetling, pine-clad rock, and by its -light I saw around us a ring of wolves, with white teeth and lolling -red tongues, with long, sinewy limbs and shaggy hair. They were a -hundred times more terrible in the grim silence which held them than -even when they howled. For myself, I felt a sort of paralysis of -fear. It is only when a man feels himself face to face with such -horrors that he can understand their true import. - -All at once the wolves began to howl as though the moonlight had had -some peculiar effect on them. The horses jumped about and reared, and -looked helplessly round with eyes that rolled in a way painful to -see. But the living ring of terror encompassed them on every side, -and they had perforce to remain within it. I called to the coachman -to come, for it seemed to me that our only chance was to try to break -out through the ring and to aid his approach, I shouted and beat the -side of the caleche, hoping by the noise to scare the wolves from the -side, so as to give him a chance of reaching the trap. How he came -there, I know not, but I heard his voice raised in a tone of imperious -command, and looking towards the sound, saw him stand in the roadway. -As he swept his long arms, as though brushing aside some impalpable -obstacle, the wolves fell back and back further still. Just then a -heavy cloud passed across the face of the moon, so that we were again -in darkness. - -When I could see again the driver was climbing into the caleche, and -the wolves disappeared. This was all so strange and uncanny that a -dreadful fear came upon me, and I was afraid to speak or move. The -time seemed interminable as we swept on our way, now in almost -complete darkness, for the rolling clouds obscured the moon. - -We kept on ascending, with occasional periods of quick descent, but in -the main always ascending. Suddenly, I became conscious of the fact -that the driver was in the act of pulling up the horses in the -courtyard of a vast ruined castle, from whose tall black windows came -no ray of light, and whose broken battlements showed a jagged line -against the sky. - - - - -CHAPTER 2 - - -Jonathan Harker's Journal Continued - -5 May.--I must have been asleep, for certainly if I had been fully -awake I must have noticed the approach of such a remarkable place. In -the gloom the courtyard looked of considerable size, and as several -dark ways led from it under great round arches, it perhaps seemed -bigger than it really is. I have not yet been able to see it by -daylight. - -When the caleche stopped, the driver jumped down and held out his hand -to assist me to alight. Again I could not but notice his prodigious -strength. His hand actually seemed like a steel vice that could have -crushed mine if he had chosen. Then he took my traps, and placed them -on the ground beside me as I stood close to a great door, old and -studded with large iron nails, and set in a projecting doorway of -massive stone. I could see even in the dim light that the stone was -massively carved, but that the carving had been much worn by time and -weather. As I stood, the driver jumped again into his seat and shook -the reins. The horses started forward, and trap and all disappeared -down one of the dark openings. - -I stood in silence where I was, for I did not know what to do. Of -bell or knocker there was no sign. Through these frowning walls and -dark window openings it was not likely that my voice could penetrate. -The time I waited seemed endless, and I felt doubts and fears crowding -upon me. What sort of place had I come to, and among what kind of -people? What sort of grim adventure was it on which I had embarked? -Was this a customary incident in the life of a solicitor's clerk sent -out to explain the purchase of a London estate to a foreigner? -Solicitor's clerk! Mina would not like that. Solicitor, for just -before leaving London I got word that my examination was successful, -and I am now a full-blown solicitor! I began to rub my eyes and pinch -myself to see if I were awake. It all seemed like a horrible -nightmare to me, and I expected that I should suddenly awake, and find -myself at home, with the dawn struggling in through the windows, as I -had now and again felt in the morning after a day of overwork. But my -flesh answered the pinching test, and my eyes were not to be -deceived. I was indeed awake and among the Carpathians. All I could -do now was to be patient, and to wait the coming of morning. - -Just as I had come to this conclusion I heard a heavy step approaching -behind the great door, and saw through the chinks the gleam of a -coming light. Then there was the sound of rattling chains and the -clanking of massive bolts drawn back. A key was turned with the loud -grating noise of long disuse, and the great door swung back. - -Within, stood a tall old man, clean shaven save for a long white -moustache, and clad in black from head to foot, without a single speck -of colour about him anywhere. He held in his hand an antique silver -lamp, in which the flame burned without a chimney or globe of any -kind, throwing long quivering shadows as it flickered in the draught -of the open door. The old man motioned me in with his right hand with -a courtly gesture, saying in excellent English, but with a strange -intonation. - -"Welcome to my house! Enter freely and of your own free will!" He -made no motion of stepping to meet me, but stood like a statue, as -though his gesture of welcome had fixed him into stone. The instant, -however, that I had stepped over the threshold, he moved impulsively -forward, and holding out his hand grasped mine with a strength which -made me wince, an effect which was not lessened by the fact that it -seemed cold as ice, more like the hand of a dead than a living man. -Again he said, - -"Welcome to my house! Enter freely. Go safely, and leave something -of the happiness you bring!" The strength of the handshake was so -much akin to that which I had noticed in the driver, whose face I had -not seen, that for a moment I doubted if it were not the same person -to whom I was speaking. So to make sure, I said interrogatively, -"Count Dracula?" - -He bowed in a courtly way as he replied, "I am Dracula, and I bid you -welcome, Mr. Harker, to my house. Come in, the night air is chill, -and you must need to eat and rest." As he was speaking, he put the lamp -on a bracket on the wall, and stepping out, took my luggage. He had -carried it in before I could forestall him. I protested, but he -insisted. - -"Nay, sir, you are my guest. It is late, and my people are not -available. Let me see to your comfort myself." He insisted on carrying -my traps along the passage, and then up a great winding stair, and -along another great passage, on whose stone floor our steps rang -heavily. At the end of this he threw open a heavy door, and I -rejoiced to see within a well-lit room in which a table was spread for -supper, and on whose mighty hearth a great fire of logs, freshly -replenished, flamed and flared. - -The Count halted, putting down my bags, closed the door, and crossing -the room, opened another door, which led into a small octagonal room -lit by a single lamp, and seemingly without a window of any sort. -Passing through this, he opened another door, and motioned me to -enter. It was a welcome sight. For here was a great bedroom well -lighted and warmed with another log fire, also added to but lately, -for the top logs were fresh, which sent a hollow roar up the wide -chimney. The Count himself left my luggage inside and withdrew, -saying, before he closed the door. - -"You will need, after your journey, to refresh yourself by making your -toilet. I trust you will find all you wish. When you are ready, come -into the other room, where you will find your supper prepared." - -The light and warmth and the Count's courteous welcome seemed to have -dissipated all my doubts and fears. Having then reached my normal -state, I discovered that I was half famished with hunger. So making a -hasty toilet, I went into the other room. - -I found supper already laid out. My host, who stood on one side of -the great fireplace, leaning against the stonework, made a graceful -wave of his hand to the table, and said, - -"I pray you, be seated and sup how you please. You will I trust, -excuse me that I do not join you, but I have dined already, and I do -not sup." - -I handed to him the sealed letter which Mr. Hawkins had entrusted to -me. He opened it and read it gravely. Then, with a charming smile, -he handed it to me to read. One passage of it, at least, gave me a -thrill of pleasure. - -"I must regret that an attack of gout, from which malady I am a -constant sufferer, forbids absolutely any travelling on my part for -some time to come. But I am happy to say I can send a sufficient -substitute, one in whom I have every possible confidence. He is a -young man, full of energy and talent in his own way, and of a very -faithful disposition. He is discreet and silent, and has grown into -manhood in my service. He shall be ready to attend on you when you -will during his stay, and shall take your instructions in all -matters." - -The count himself came forward and took off the cover of a dish, and I -fell to at once on an excellent roast chicken. This, with some cheese -and a salad and a bottle of old tokay, of which I had two glasses, was -my supper. During the time I was eating it the Count asked me many -questions as to my journey, and I told him by degrees all I had -experienced. - -By this time I had finished my supper, and by my host's desire had -drawn up a chair by the fire and begun to smoke a cigar which he -offered me, at the same time excusing himself that he did not smoke. -I had now an opportunity of observing him, and found him of a very -marked physiognomy. - -His face was a strong, a very strong, aquiline, with high bridge of -the thin nose and peculiarly arched nostrils, with lofty domed -forehead, and hair growing scantily round the temples but profusely -elsewhere. His eyebrows were very massive, almost meeting over the -nose, and with bushy hair that seemed to curl in its own profusion. -The mouth, so far as I could see it under the heavy moustache, was -fixed and rather cruel-looking, with peculiarly sharp white teeth. -These protruded over the lips, whose remarkable ruddiness showed -astonishing vitality in a man of his years. For the rest, his ears -were pale, and at the tops extremely pointed. The chin was broad and -strong, and the cheeks firm though thin. The general effect was one -of extraordinary pallor. - -Hitherto I had noticed the backs of his hands as they lay on his knees -in the firelight, and they had seemed rather white and fine. But -seeing them now close to me, I could not but notice that they were -rather coarse, broad, with squat fingers. Strange to say, there were -hairs in the centre of the palm. The nails were long and fine, and -cut to a sharp point. As the Count leaned over me and his hands -touched me, I could not repress a shudder. It may have been that his -breath was rank, but a horrible feeling of nausea came over me, which, -do what I would, I could not conceal. - -The Count, evidently noticing it, drew back. And with a grim sort of -smile, which showed more than he had yet done his protruberant teeth, -sat himself down again on his own side of the fireplace. We were both -silent for a while, and as I looked towards the window I saw the first -dim streak of the coming dawn. There seemed a strange stillness over -everything. But as I listened, I heard as if from down below in the -valley the howling of many wolves. The Count's eyes gleamed, and he -said. - -"Listen to them, the children of the night. What music they make!" -Seeing, I suppose, some expression in my face strange to him, he -added, "Ah, sir, you dwellers in the city cannot enter into the -feelings of the hunter." Then he rose and said. - -"But you must be tired. Your bedroom is all ready, and tomorrow you -shall sleep as late as you will. I have to be away till the -afternoon, so sleep well and dream well!" With a courteous bow, he -opened for me himself the door to the octagonal room, and I entered my -bedroom. - -I am all in a sea of wonders. I doubt. I fear. I think strange -things, which I dare not confess to my own soul. God keep me, if only -for the sake of those dear to me! - - -7 May.--It is again early morning, but I have rested and enjoyed the -last twenty-four hours. I slept till late in the day, and awoke of my -own accord. When I had dressed myself I went into the room where we -had supped, and found a cold breakfast laid out, with coffee kept hot -by the pot being placed on the hearth. There was a card on the table, -on which was written--"I have to be absent for a while. Do not wait -for me. D." I set to and enjoyed a hearty meal. When I had done, I -looked for a bell, so that I might let the servants know I had -finished, but I could not find one. There are certainly odd -deficiencies in the house, considering the extraordinary evidences of -wealth which are round me. The table service is of gold, and so -beautifully wrought that it must be of immense value. The curtains -and upholstery of the chairs and sofas and the hangings of my bed are -of the costliest and most beautiful fabrics, and must have been of -fabulous value when they were made, for they are centuries old, though -in excellent order. I saw something like them in Hampton Court, but -they were worn and frayed and moth-eaten. But still in none of the -rooms is there a mirror. There is not even a toilet glass on my -table, and I had to get the little shaving glass from my bag before I -could either shave or brush my hair. I have not yet seen a servant -anywhere, or heard a sound near the castle except the howling of -wolves. Some time after I had finished my meal, I do not know whether -to call it breakfast or dinner, for it was between five and six -o'clock when I had it, I looked about for something to read, for I did -not like to go about the castle until I had asked the Count's -permission. There was absolutely nothing in the room, book, -newspaper, or even writing materials, so I opened another door in the -room and found a sort of library. The door opposite mine I tried, but -found locked. - -In the library I found, to my great delight, a vast number of English -books, whole shelves full of them, and bound volumes of magazines and -newspapers. A table in the centre was littered with English magazines -and newspapers, though none of them were of very recent date. The -books were of the most varied kind, history, geography, politics, -political economy, botany, geology, law, all relating to England and -English life and customs and manners. There were even such books of -reference as the London Directory, the "Red" and "Blue" books, -Whitaker's Almanac, the Army and Navy Lists, and it somehow gladdened -my heart to see it, the Law List. - -Whilst I was looking at the books, the door opened, and the Count -entered. He saluted me in a hearty way, and hoped that I had had a -good night's rest. Then he went on. - -"I am glad you found your way in here, for I am sure there is much -that will interest you. These companions," and he laid his hand on -some of the books, "have been good friends to me, and for some years -past, ever since I had the idea of going to London, have given me -many, many hours of pleasure. Through them I have come to know your -great England, and to know her is to love her. I long to go through -the crowded streets of your mighty London, to be in the midst of the -whirl and rush of humanity, to share its life, its change, its death, -and all that makes it what it is. But alas! As yet I only know your -tongue through books. To you, my friend, I look that I know it to -speak." - -"But, Count," I said, "You know and speak English thoroughly!" He -bowed gravely. - -"I thank you, my friend, for your all too-flattering estimate, but yet -I fear that I am but a little way on the road I would travel. True, I -know the grammar and the words, but yet I know not how to speak them." - -"Indeed," I said, "You speak excellently." - -"Not so," he answered. "Well, I know that, did I move and speak in -your London, none there are who would not know me for a stranger. That -is not enough for me. Here I am noble. I am a Boyar. The common -people know me, and I am master. But a stranger in a strange land, he -is no one. Men know him not, and to know not is to care not for. I -am content if I am like the rest, so that no man stops if he sees me, -or pauses in his speaking if he hears my words, 'Ha, ha! A stranger!' -I have been so long master that I would be master still, or at least -that none other should be master of me. You come to me not alone as -agent of my friend Peter Hawkins, of Exeter, to tell me all about my -new estate in London. You shall, I trust, rest here with me a while, -so that by our talking I may learn the English intonation. And I -would that you tell me when I make error, even of the smallest, in my -speaking. I am sorry that I had to be away so long today, but you -will, I know forgive one who has so many important affairs in hand." - -Of course I said all I could about being willing, and asked if I might -come into that room when I chose. He answered, "Yes, certainly," and -added. - -"You may go anywhere you wish in the castle, except where the doors -are locked, where of course you will not wish to go. There is reason -that all things are as they are, and did you see with my eyes and know -with my knowledge, you would perhaps better understand." I said I was -sure of this, and then he went on. - -"We are in Transylvania, and Transylvania is not England. Our ways -are not your ways, and there shall be to you many strange things. Nay, -from what you have told me of your experiences already, you know -something of what strange things there may be." - -This led to much conversation, and as it was evident that he wanted to -talk, if only for talking's sake, I asked him many questions regarding -things that had already happened to me or come within my notice. -Sometimes he sheered off the subject, or turned the conversation by -pretending not to understand, but generally he answered all I asked -most frankly. Then as time went on, and I had got somewhat bolder, I -asked him of some of the strange things of the preceding night, as for -instance, why the coachman went to the places where he had seen the -blue flames. He then explained to me that it was commonly believed -that on a certain night of the year, last night, in fact, when all -evil spirits are supposed to have unchecked sway, a blue flame is seen -over any place where treasure has been concealed. - -"That treasure has been hidden," he went on, "in the region through -which you came last night, there can be but little doubt. For it was -the ground fought over for centuries by the Wallachian, the Saxon, and -the Turk. Why, there is hardly a foot of soil in all this region that -has not been enriched by the blood of men, patriots or invaders. In -the old days there were stirring times, when the Austrian and the -Hungarian came up in hordes, and the patriots went out to meet them, -men and women, the aged and the children too, and waited their coming -on the rocks above the passes, that they might sweep destruction on -them with their artificial avalanches. When the invader was -triumphant he found but little, for whatever there was had been -sheltered in the friendly soil." - -"But how," said I, "can it have remained so long undiscovered, when -there is a sure index to it if men will but take the trouble to look?" -The Count smiled, and as his lips ran back over his gums, the long, -sharp, canine teeth showed out strangely. He answered: - -"Because your peasant is at heart a coward and a fool! Those flames -only appear on one night, and on that night no man of this land will, -if he can help it, stir without his doors. And, dear sir, even if he -did he would not know what to do. Why, even the peasant that you tell -me of who marked the place of the flame would not know where to look -in daylight even for his own work. Even you would not, I dare be -sworn, be able to find these places again?" - -"There you are right," I said. "I know no more than the dead where -even to look for them." Then we drifted into other matters. - -"Come," he said at last, "tell me of London and of the house which you -have procured for me." With an apology for my remissness, I went into -my own room to get the papers from my bag. Whilst I was placing them -in order I heard a rattling of china and silver in the next room, and -as I passed through, noticed that the table had been cleared and the -lamp lit, for it was by this time deep into the dark. The lamps were -also lit in the study or library, and I found the Count lying on the -sofa, reading, of all things in the world, an English Bradshaw's -Guide. When I came in he cleared the books and papers from the table, -and with him I went into plans and deeds and figures of all sorts. He -was interested in everything, and asked me a myriad questions about -the place and its surroundings. He clearly had studied beforehand all -he could get on the subject of the neighbourhood, for he evidently at -the end knew very much more than I did. When I remarked this, he -answered. - -"Well, but, my friend, is it not needful that I should? When I go -there I shall be all alone, and my friend Harker Jonathan, nay, pardon -me. I fall into my country's habit of putting your patronymic first, -my friend Jonathan Harker will not be by my side to correct and aid -me. He will be in Exeter, miles away, probably working at papers of -the law with my other friend, Peter Hawkins. So!" - -We went thoroughly into the business of the purchase of the estate at -Purfleet. When I had told him the facts and got his signature to the -necessary papers, and had written a letter with them ready to post to -Mr. Hawkins, he began to ask me how I had come across so suitable a -place. I read to him the notes which I had made at the time, and -which I inscribe here. - -"At Purfleet, on a byroad, I came across just such a place as seemed -to be required, and where was displayed a dilapidated notice that the -place was for sale. It was surrounded by a high wall, of ancient -structure, built of heavy stones, and has not been repaired for a -large number of years. The closed gates are of heavy old oak and -iron, all eaten with rust. - -"The estate is called Carfax, no doubt a corruption of the old Quatre -Face, as the house is four sided, agreeing with the cardinal points of -the compass. It contains in all some twenty acres, quite surrounded -by the solid stone wall above mentioned. There are many trees on it, -which make it in places gloomy, and there is a deep, dark-looking pond -or small lake, evidently fed by some springs, as the water is clear -and flows away in a fair-sized stream. The house is very large and of -all periods back, I should say, to mediaeval times, for one part is of -stone immensely thick, with only a few windows high up and heavily -barred with iron. It looks like part of a keep, and is close to an -old chapel or church. I could not enter it, as I had not the key of -the door leading to it from the house, but I have taken with my Kodak -views of it from various points. The house had been added to, but in -a very straggling way, and I can only guess at the amount of ground it -covers, which must be very great. There are but few houses close at -hand, one being a very large house only recently added to and formed -into a private lunatic asylum. It is not, however, visible from the -grounds." - -When I had finished, he said, "I am glad that it is old and big. I -myself am of an old family, and to live in a new house would kill me. -A house cannot be made habitable in a day, and after all, how few days -go to make up a century. I rejoice also that there is a chapel of old -times. We Transylvanian nobles love not to think that our bones may -lie amongst the common dead. I seek not gaiety nor mirth, not the -bright voluptuousness of much sunshine and sparkling waters which -please the young and gay. I am no longer young, and my heart, through -weary years of mourning over the dead, is not attuned to mirth. Moreover, -the walls of my castle are broken. The shadows are many, and the wind -breathes cold through the broken battlements and casements. I love -the shade and the shadow, and would be alone with my thoughts when I -may." Somehow his words and his look did not seem to accord, or else -it was that his cast of face made his smile look malignant and -saturnine. - -Presently, with an excuse, he left me, asking me to pull my papers -together. He was some little time away, and I began to look at some -of the books around me. One was an atlas, which I found opened -naturally to England, as if that map had been much used. On looking -at it I found in certain places little rings marked, and on examining -these I noticed that one was near London on the east side, manifestly -where his new estate was situated. The other two were Exeter, and -Whitby on the Yorkshire coast. - -It was the better part of an hour when the Count returned. "Aha!" he -said. "Still at your books? Good! But you must not work always. -Come! I am informed that your supper is ready." He took my arm, and -we went into the next room, where I found an excellent supper ready on -the table. The Count again excused himself, as he had dined out on -his being away from home. But he sat as on the previous night, and -chatted whilst I ate. After supper I smoked, as on the last evening, -and the Count stayed with me, chatting and asking questions on every -conceivable subject, hour after hour. I felt that it was getting very -late indeed, but I did not say anything, for I felt under obligation -to meet my host's wishes in every way. I was not sleepy, as the long -sleep yesterday had fortified me, but I could not help experiencing -that chill which comes over one at the coming of the dawn, which is -like, in its way, the turn of the tide. They say that people who are -near death die generally at the change to dawn or at the turn of the -tide. Anyone who has when tired, and tied as it were to his post, -experienced this change in the atmosphere can well believe it. All at -once we heard the crow of the cock coming up with preternatural -shrillness through the clear morning air. - -Count Dracula, jumping to his feet, said, "Why there is the morning -again! How remiss I am to let you stay up so long. You must make -your conversation regarding my dear new country of England less -interesting, so that I may not forget how time flies by us," and with -a courtly bow, he quickly left me. - -I went into my room and drew the curtains, but there was little to -notice. My window opened into the courtyard, all I could see was the -warm grey of quickening sky. So I pulled the curtains again, and have -written of this day. - - -8 May.--I began to fear as I wrote in this book that I was getting too -diffuse. But now I am glad that I went into detail from the first, -for there is something so strange about this place and all in it that -I cannot but feel uneasy. I wish I were safe out of it, or that I had -never come. It may be that this strange night existence is telling on -me, but would that that were all! If there were any one to talk to I -could bear it, but there is no one. I have only the Count to speak -with, and he--I fear I am myself the only living soul within the -place. Let me be prosaic so far as facts can be. It will help me to -bear up, and imagination must not run riot with me. If it does I am -lost. Let me say at once how I stand, or seem to. - -I only slept a few hours when I went to bed, and feeling that I could -not sleep any more, got up. I had hung my shaving glass by the -window, and was just beginning to shave. Suddenly I felt a hand on my -shoulder, and heard the Count's voice saying to me, "Good morning." I -started, for it amazed me that I had not seen him, since the -reflection of the glass covered the whole room behind me. In starting -I had cut myself slightly, but did not notice it at the moment. Having -answered the Count's salutation, I turned to the glass again to see -how I had been mistaken. This time there could be no error, for the -man was close to me, and I could see him over my shoulder. But there -was no reflection of him in the mirror! The whole room behind me was -displayed, but there was no sign of a man in it, except myself. - -This was startling, and coming on the top of so many strange things, -was beginning to increase that vague feeling of uneasiness which I -always have when the Count is near. But at the instant I saw that the -cut had bled a little, and the blood was trickling over my chin. I -laid down the razor, turning as I did so half round to look for some -sticking plaster. When the Count saw my face, his eyes blazed with a -sort of demoniac fury, and he suddenly made a grab at my throat. I -drew away and his hand touched the string of beads which held the -crucifix. It made an instant change in him, for the fury passed so -quickly that I could hardly believe that it was ever there. - -"Take care," he said, "take care how you cut yourself. It is more -dangerous that you think in this country." Then seizing the shaving -glass, he went on, "And this is the wretched thing that has done the -mischief. It is a foul bauble of man's vanity. Away with it!" And -opening the window with one wrench of his terrible hand, he flung out -the glass, which was shattered into a thousand pieces on the stones of -the courtyard far below. Then he withdrew without a word. It is very -annoying, for I do not see how I am to shave, unless in my watch-case -or the bottom of the shaving pot, which is fortunately of metal. - -When I went into the dining room, breakfast was prepared, but I could -not find the Count anywhere. So I breakfasted alone. It is strange -that as yet I have not seen the Count eat or drink. He must be a very -peculiar man! After breakfast I did a little exploring in the -castle. I went out on the stairs, and found a room looking towards -the South. - -The view was magnificent, and from where I stood there was every -opportunity of seeing it. The castle is on the very edge of a -terrific precipice. A stone falling from the window would fall a -thousand feet without touching anything! As far as the eye can reach -is a sea of green tree tops, with occasionally a deep rift where there -is a chasm. Here and there are silver threads where the rivers wind -in deep gorges through the forests. - -But I am not in heart to describe beauty, for when I had seen the view -I explored further. Doors, doors, doors everywhere, and all locked -and bolted. In no place save from the windows in the castle walls is -there an available exit. The castle is a veritable prison, and I am a -prisoner! - - - - -CHAPTER 3 - - -Jonathan Harker's Journal Continued - -When I found that I was a prisoner a sort of wild feeling came over -me. I rushed up and down the stairs, trying every door and peering -out of every window I could find, but after a little the conviction of -my helplessness overpowered all other feelings. When I look back -after a few hours I think I must have been mad for the time, for I -behaved much as a rat does in a trap. When, however, the conviction -had come to me that I was helpless I sat down quietly, as quietly as I -have ever done anything in my life, and began to think over what was -best to be done. I am thinking still, and as yet have come to no -definite conclusion. Of one thing only am I certain. That it is no -use making my ideas known to the Count. He knows well that I am -imprisoned, and as he has done it himself, and has doubtless his own -motives for it, he would only deceive me if I trusted him fully with -the facts. So far as I can see, my only plan will be to keep my -knowledge and my fears to myself, and my eyes open. I am, I know, -either being deceived, like a baby, by my own fears, or else I am in -desperate straits, and if the latter be so, I need, and shall need, -all my brains to get through. - -I had hardly come to this conclusion when I heard the great door below -shut, and knew that the Count had returned. He did not come at once -into the library, so I went cautiously to my own room and found him -making the bed. This was odd, but only confirmed what I had all along -thought, that there are no servants in the house. When later I saw -him through the chink of the hinges of the door laying the table in -the dining room, I was assured of it. For if he does himself all -these menial offices, surely it is proof that there is no one else in -the castle, it must have been the Count himself who was the driver of -the coach that brought me here. This is a terrible thought, for if -so, what does it mean that he could control the wolves, as he did, by -only holding up his hand for silence? How was it that all the people -at Bistritz and on the coach had some terrible fear for me? What -meant the giving of the crucifix, of the garlic, of the wild rose, of -the mountain ash? - -Bless that good, good woman who hung the crucifix round my neck! For -it is a comfort and a strength to me whenever I touch it. It is odd -that a thing which I have been taught to regard with disfavour and as -idolatrous should in a time of loneliness and trouble be of help. Is -it that there is something in the essence of the thing itself, or that -it is a medium, a tangible help, in conveying memories of sympathy and -comfort? Some time, if it may be, I must examine this matter and try -to make up my mind about it. In the meantime I must find out all I -can about Count Dracula, as it may help me to understand. Tonight he -may talk of himself, if I turn the conversation that way. I must be -very careful, however, not to awake his suspicion. - - -Midnight.--I have had a long talk with the Count. I asked him a few -questions on Transylvania history, and he warmed up to the subject -wonderfully. In his speaking of things and people, and especially of -battles, he spoke as if he had been present at them all. This he -afterwards explained by saying that to a Boyar the pride of his house -and name is his own pride, that their glory is his glory, that their -fate is his fate. Whenever he spoke of his house he always said "we", -and spoke almost in the plural, like a king speaking. I wish I could -put down all he said exactly as he said it, for to me it was most -fascinating. It seemed to have in it a whole history of the country. -He grew excited as he spoke, and walked about the room pulling his -great white moustache and grasping anything on which he laid his hands -as though he would crush it by main strength. One thing he said which -I shall put down as nearly as I can, for it tells in its way the story -of his race. - -"We Szekelys have a right to be proud, for in our veins flows the -blood of many brave races who fought as the lion fights, for lordship. -Here, in the whirlpool of European races, the Ugric tribe bore down -from Iceland the fighting spirit which Thor and Wodin gave them, which -their Berserkers displayed to such fell intent on the seaboards of -Europe, aye, and of Asia and Africa too, till the peoples thought that -the werewolves themselves had come. Here, too, when they came, they -found the Huns, whose warlike fury had swept the earth like a living -flame, till the dying peoples held that in their veins ran the blood -of those old witches, who, expelled from Scythia had mated with the -devils in the desert. Fools, fools! What devil or what witch was -ever so great as Attila, whose blood is in these veins?" He held up -his arms. "Is it a wonder that we were a conquering race, that we -were proud, that when the Magyar, the Lombard, the Avar, the Bulgar, -or the Turk poured his thousands on our frontiers, we drove them back? -Is it strange that when Arpad and his legions swept through the -Hungarian fatherland he found us here when he reached the frontier, -that the Honfoglalas was completed there? And when the Hungarian -flood swept eastward, the Szekelys were claimed as kindred by the -victorious Magyars, and to us for centuries was trusted the guarding -of the frontier of Turkeyland. Aye, and more than that, endless duty -of the frontier guard, for as the Turks say, 'water sleeps, and the -enemy is sleepless.' Who more gladly than we throughout the Four -Nations received the 'bloody sword,' or at its warlike call flocked -quicker to the standard of the King? When was redeemed that great -shame of my nation, the shame of Cassova, when the flags of the -Wallach and the Magyar went down beneath the Crescent? Who was it but -one of my own race who as Voivode crossed the Danube and beat the Turk -on his own ground? This was a Dracula indeed! Woe was it that his -own unworthy brother, when he had fallen, sold his people to the Turk -and brought the shame of slavery on them! Was it not this Dracula, -indeed, who inspired that other of his race who in a later age again -and again brought his forces over the great river into Turkeyland, -who, when he was beaten back, came again, and again, though he had to -come alone from the bloody field where his troops were being -slaughtered, since he knew that he alone could ultimately triumph! -They said that he thought only of himself. Bah! What good are -peasants without a leader? Where ends the war without a brain and -heart to conduct it? Again, when, after the battle of Mohacs, we -threw off the Hungarian yoke, we of the Dracula blood were amongst -their leaders, for our spirit would not brook that we were not free. -Ah, young sir, the Szekelys, and the Dracula as their heart's blood, -their brains, and their swords, can boast a record that mushroom -growths like the Hapsburgs and the Romanoffs can never reach. The -warlike days are over. Blood is too precious a thing in these days of -dishonourable peace, and the glories of the great races are as a tale -that is told." - -It was by this time close on morning, and we went to bed. (Mem., this -diary seems horribly like the beginning of the "Arabian Nights," for -everything has to break off at cockcrow, or like the ghost of Hamlet's -father.) - - -12 May.--Let me begin with facts, bare, meager facts, verified by -books and figures, and of which there can be no doubt. I must not -confuse them with experiences which will have to rest on my own -observation, or my memory of them. Last evening when the Count came -from his room he began by asking me questions on legal matters and on -the doing of certain kinds of business. I had spent the day wearily -over books, and, simply to keep my mind occupied, went over some of -the matters I had been examined in at Lincoln's Inn. There was a -certain method in the Count's inquiries, so I shall try to put them -down in sequence. The knowledge may somehow or some time be useful to -me. - -First, he asked if a man in England might have two solicitors or more. -I told him he might have a dozen if he wished, but that it would not -be wise to have more than one solicitor engaged in one transaction, as -only one could act at a time, and that to change would be certain to -militate against his interest. He seemed thoroughly to understand, -and went on to ask if there would be any practical difficulty in having -one man to attend, say, to banking, and another to look after -shipping, in case local help were needed in a place far from the home -of the banking solicitor. I asked to explain more fully, so that I -might not by any chance mislead him, so he said, - -"I shall illustrate. Your friend and mine, Mr. Peter Hawkins, from -under the shadow of your beautiful cathedral at Exeter, which is far -from London, buys for me through your good self my place at London. -Good! Now here let me say frankly, lest you should think it strange -that I have sought the services of one so far off from London instead -of some one resident there, that my motive was that no local interest -might be served save my wish only, and as one of London residence -might, perhaps, have some purpose of himself or friend to serve, I -went thus afield to seek my agent, whose labours should be only to my -interest. Now, suppose I, who have much of affairs, wish to ship -goods, say, to Newcastle, or Durham, or Harwich, or Dover, might it -not be that it could with more ease be done by consigning to one in -these ports?" - -I answered that certainly it would be most easy, but that we -solicitors had a system of agency one for the other, so that local -work could be done locally on instruction from any solicitor, so that -the client, simply placing himself in the hands of one man, could have -his wishes carried out by him without further trouble. - -"But," said he, "I could be at liberty to direct myself. Is it not -so?" - -"Of course," I replied, and "Such is often done by men of business, -who do not like the whole of their affairs to be known by any one -person." - -"Good!" he said, and then went on to ask about the means of making -consignments and the forms to be gone through, and of all sorts of -difficulties which might arise, but by forethought could be guarded -against. I explained all these things to him to the best of my -ability, and he certainly left me under the impression that he would -have made a wonderful solicitor, for there was nothing that he did not -think of or foresee. For a man who was never in the country, and who -did not evidently do much in the way of business, his knowledge and -acumen were wonderful. When he had satisfied himself on these points -of which he had spoken, and I had verified all as well as I could by -the books available, he suddenly stood up and said, "Have you written -since your first letter to our friend Mr. Peter Hawkins, or to any -other?" - -It was with some bitterness in my heart that I answered that I had -not, that as yet I had not seen any opportunity of sending letters to -anybody. - -"Then write now, my young friend," he said, laying a heavy hand on my -shoulder, "write to our friend and to any other, and say, if it will -please you, that you shall stay with me until a month from now." - -"Do you wish me to stay so long?" I asked, for my heart grew cold at -the thought. - -"I desire it much, nay I will take no refusal. When your master, -employer, what you will, engaged that someone should come on his -behalf, it was understood that my needs only were to be consulted. I -have not stinted. Is it not so?" - -What could I do but bow acceptance? It was Mr. Hawkins' interest, not -mine, and I had to think of him, not myself, and besides, while Count -Dracula was speaking, there was that in his eyes and in his bearing -which made me remember that I was a prisoner, and that if I wished it -I could have no choice. The Count saw his victory in my bow, and his -mastery in the trouble of my face, for he began at once to use them, -but in his own smooth, resistless way. - -"I pray you, my good young friend, that you will not discourse of -things other than business in your letters. It will doubtless please -your friends to know that you are well, and that you look forward to -getting home to them. Is it not so?" As he spoke he handed me three -sheets of note paper and three envelopes. They were all of the -thinnest foreign post, and looking at them, then at him, and noticing -his quiet smile, with the sharp, canine teeth lying over the red -underlip, I understood as well as if he had spoken that I should be -more careful what I wrote, for he would be able to read it. So I -determined to write only formal notes now, but to write fully to Mr. -Hawkins in secret, and also to Mina, for to her I could write -shorthand, which would puzzle the Count, if he did see it. When I had -written my two letters I sat quiet, reading a book whilst the Count -wrote several notes, referring as he wrote them to some books on his -table. Then he took up my two and placed them with his own, and put -by his writing materials, after which, the instant the door had closed -behind him, I leaned over and looked at the letters, which were face -down on the table. I felt no compunction in doing so for under the -circumstances I felt that I should protect myself in every way I -could. - -One of the letters was directed to Samuel F. Billington, No. 7, The -Crescent, Whitby, another to Herr Leutner, Varna. The third was to -Coutts & Co., London, and the fourth to Herren Klopstock & Billreuth, -bankers, Buda Pesth. The second and fourth were unsealed. I was just -about to look at them when I saw the door handle move. I sank back in -my seat, having just had time to resume my book before the Count, -holding still another letter in his hand, entered the room. He took -up the letters on the table and stamped them carefully, and then -turning to me, said, - -"I trust you will forgive me, but I have much work to do in private -this evening. You will, I hope, find all things as you wish." At the -door he turned, and after a moment's pause said, "Let me advise you, -my dear young friend. Nay, let me warn you with all seriousness, that -should you leave these rooms you will not by any chance go to sleep in -any other part of the castle. It is old, and has many memories, and -there are bad dreams for those who sleep unwisely. Be warned! Should -sleep now or ever overcome you, or be like to do, then haste to your -own chamber or to these rooms, for your rest will then be safe. But -if you be not careful in this respect, then," He finished his speech -in a gruesome way, for he motioned with his hands as if he were washing -them. I quite understood. My only doubt was as to whether any dream -could be more terrible than the unnatural, horrible net of gloom and -mystery which seemed closing around me. - - -Later.--I endorse the last words written, but this time there is no -doubt in question. I shall not fear to sleep in any place where he is -not. I have placed the crucifix over the head of my bed, I imagine -that my rest is thus freer from dreams, and there it shall remain. - -When he left me I went to my room. After a little while, not hearing -any sound, I came out and went up the stone stair to where I could -look out towards the South. There was some sense of freedom in the -vast expanse, inaccessible though it was to me, as compared with the -narrow darkness of the courtyard. Looking out on this, I felt that I -was indeed in prison, and I seemed to want a breath of fresh air, -though it were of the night. I am beginning to feel this nocturnal -existence tell on me. It is destroying my nerve. I start at my own -shadow, and am full of all sorts of horrible imaginings. God knows -that there is ground for my terrible fear in this accursed place! I -looked out over the beautiful expanse, bathed in soft yellow moonlight -till it was almost as light as day. In the soft light the distant -hills became melted, and the shadows in the valleys and gorges of -velvety blackness. The mere beauty seemed to cheer me. There was -peace and comfort in every breath I drew. As I leaned from the window -my eye was caught by something moving a storey below me, and somewhat -to my left, where I imagined, from the order of the rooms, that the -windows of the Count's own room would look out. The window at which I -stood was tall and deep, stone-mullioned, and though weatherworn, was -still complete. But it was evidently many a day since the case had -been there. I drew back behind the stonework, and looked carefully -out. - -What I saw was the Count's head coming out from the window. I did not -see the face, but I knew the man by the neck and the movement of his -back and arms. In any case I could not mistake the hands which I had -had some many opportunities of studying. I was at first interested -and somewhat amused, for it is wonderful how small a matter will -interest and amuse a man when he is a prisoner. But my very feelings -changed to repulsion and terror when I saw the whole man slowly emerge -from the window and begin to crawl down the castle wall over the -dreadful abyss, face down with his cloak spreading out around him like -great wings. At first I could not believe my eyes. I thought it was -some trick of the moonlight, some weird effect of shadow, but I kept -looking, and it could be no delusion. I saw the fingers and toes -grasp the corners of the stones, worn clear of the mortar by the -stress of years, and by thus using every projection and inequality -move downwards with considerable speed, just as a lizard moves along a -wall. - -What manner of man is this, or what manner of creature, is it in the -semblance of man? I feel the dread of this horrible place -overpowering me. I am in fear, in awful fear, and there is no escape -for me. I am encompassed about with terrors that I dare not think of. - - -15 May.--Once more I have seen the count go out in his lizard fashion. -He moved downwards in a sidelong way, some hundred feet down, and a -good deal to the left. He vanished into some hole or window. When -his head had disappeared, I leaned out to try and see more, but -without avail. The distance was too great to allow a proper angle of -sight. I knew he had left the castle now, and thought to use the -opportunity to explore more than I had dared to do as yet. I went -back to the room, and taking a lamp, tried all the doors. They were -all locked, as I had expected, and the locks were comparatively new. -But I went down the stone stairs to the hall where I had entered -originally. I found I could pull back the bolts easily enough and -unhook the great chains. But the door was locked, and the key was -gone! That key must be in the Count's room. I must watch should his -door be unlocked, so that I may get it and escape. I went on to make -a thorough examination of the various stairs and passages, and to try -the doors that opened from them. One or two small rooms near the hall -were open, but there was nothing to see in them except old furniture, -dusty with age and moth-eaten. At last, however, I found one door at -the top of the stairway which, though it seemed locked, gave a little -under pressure. I tried it harder, and found that it was not really -locked, but that the resistance came from the fact that the hinges had -fallen somewhat, and the heavy door rested on the floor. Here was an -opportunity which I might not have again, so I exerted myself, and -with many efforts forced it back so that I could enter. I was now in -a wing of the castle further to the right than the rooms I knew and a -storey lower down. From the windows I could see that the suite of -rooms lay along to the south of the castle, the windows of the end -room looking out both west and south. On the latter side, as well as -to the former, there was a great precipice. The castle was built on -the corner of a great rock, so that on three sides it was quite -impregnable, and great windows were placed here where sling, or bow, -or culverin could not reach, and consequently light and comfort, -impossible to a position which had to be guarded, were secured. To -the west was a great valley, and then, rising far away, great jagged -mountain fastnesses, rising peak on peak, the sheer rock studded with -mountain ash and thorn, whose roots clung in cracks and crevices and -crannies of the stone. This was evidently the portion of the castle -occupied by the ladies in bygone days, for the furniture had more an -air of comfort than any I had seen. - -The windows were curtainless, and the yellow moonlight, flooding in -through the diamond panes, enabled one to see even colours, whilst it -softened the wealth of dust which lay over all and disguised in some -measure the ravages of time and moth. My lamp seemed to be of little -effect in the brilliant moonlight, but I was glad to have it with me, -for there was a dread loneliness in the place which chilled my heart -and made my nerves tremble. Still, it was better than living alone in -the rooms which I had come to hate from the presence of the Count, and -after trying a little to school my nerves, I found a soft quietude -come over me. Here I am, sitting at a little oak table where in old -times possibly some fair lady sat to pen, with much thought and many -blushes, her ill-spelt love letter, and writing in my diary in -shorthand all that has happened since I closed it last. It is the -nineteenth century up-to-date with a vengeance. And yet, unless my -senses deceive me, the old centuries had, and have, powers of their -own which mere "modernity" cannot kill. - - -Later: The morning of 16 May.--God preserve my sanity, for to this I -am reduced. Safety and the assurance of safety are things of the -past. Whilst I live on here there is but one thing to hope for, that -I may not go mad, if, indeed, I be not mad already. If I be sane, -then surely it is maddening to think that of all the foul things that -lurk in this hateful place the Count is the least dreadful to me, that -to him alone I can look for safety, even though this be only whilst I -can serve his purpose. Great God! Merciful God, let me be calm, for -out of that way lies madness indeed. I begin to get new lights on -certain things which have puzzled me. Up to now I never quite knew -what Shakespeare meant when he made Hamlet say, "My tablets! Quick, -my tablets! 'tis meet that I put it down," etc., For now, feeling as -though my own brain were unhinged or as if the shock had come which -must end in its undoing, I turn to my diary for repose. The habit of -entering accurately must help to soothe me. - -The Count's mysterious warning frightened me at the time. It frightens -me more not when I think of it, for in the future he has a fearful -hold upon me. I shall fear to doubt what he may say! - -When I had written in my diary and had fortunately replaced the book -and pen in my pocket I felt sleepy. The Count's warning came into my -mind, but I took pleasure in disobeying it. The sense of sleep was -upon me, and with it the obstinacy which sleep brings as outrider. The -soft moonlight soothed, and the wide expanse without gave a sense of -freedom which refreshed me. I determined not to return tonight to the -gloom-haunted rooms, but to sleep here, where, of old, ladies had sat -and sung and lived sweet lives whilst their gentle breasts were sad -for their menfolk away in the midst of remorseless wars. I drew a -great couch out of its place near the corner, so that as I lay, I -could look at the lovely view to east and south, and unthinking of and -uncaring for the dust, composed myself for sleep. I suppose I must -have fallen asleep. I hope so, but I fear, for all that followed was -startlingly real, so real that now sitting here in the broad, full -sunlight of the morning, I cannot in the least believe that it was all -sleep. - -I was not alone. The room was the same, unchanged in any way since I -came into it. I could see along the floor, in the brilliant -moonlight, my own footsteps marked where I had disturbed the long -accumulation of dust. In the moonlight opposite me were three young -women, ladies by their dress and manner. I thought at the time that I -must be dreaming when I saw them, they threw no shadow on the floor. -They came close to me, and looked at me for some time, and then -whispered together. Two were dark, and had high aquiline noses, like -the Count, and great dark, piercing eyes, that seemed to be almost red -when contrasted with the pale yellow moon. The other was fair, as -fair as can be, with great masses of golden hair and eyes like pale -sapphires. I seemed somehow to know her face, and to know it in -connection with some dreamy fear, but I could not recollect at the -moment how or where. All three had brilliant white teeth that shone -like pearls against the ruby of their voluptuous lips. There was -something about them that made me uneasy, some longing and at the same -time some deadly fear. I felt in my heart a wicked, burning desire -that they would kiss me with those red lips. It is not good to note -this down, lest some day it should meet Mina's eyes and cause her -pain, but it is the truth. They whispered together, and then they all -three laughed, such a silvery, musical laugh, but as hard as though -the sound never could have come through the softness of human lips. -It was like the intolerable, tingling sweetness of waterglasses when -played on by a cunning hand. The fair girl shook her head -coquettishly, and the other two urged her on. - -One said, "Go on! You are first, and we shall follow. Yours is the -right to begin." - -The other added, "He is young and strong. There are kisses for us -all." - -I lay quiet, looking out from under my eyelashes in an agony of -delightful anticipation. The fair girl advanced and bent over me till -I could feel the movement of her breath upon me. Sweet it was in one -sense, honey-sweet, and sent the same tingling through the nerves as -her voice, but with a bitter underlying the sweet, a bitter -offensiveness, as one smells in blood. - -I was afraid to raise my eyelids, but looked out and saw perfectly -under the lashes. The girl went on her knees, and bent over me, -simply gloating. There was a deliberate voluptuousness which was both -thrilling and repulsive, and as she arched her neck she actually -licked her lips like an animal, till I could see in the moonlight the -moisture shining on the scarlet lips and on the red tongue as it -lapped the white sharp teeth. Lower and lower went her head as the -lips went below the range of my mouth and chin and seemed to fasten on -my throat. Then she paused, and I could hear the churning sound of -her tongue as it licked her teeth and lips, and I could feel the hot -breath on my neck. Then the skin of my throat began to tingle as -one's flesh does when the hand that is to tickle it approaches nearer, -nearer. I could feel the soft, shivering touch of the lips on the -super sensitive skin of my throat, and the hard dents of two sharp -teeth, just touching and pausing there. I closed my eyes in -languorous ecstasy and waited, waited with beating heart. - -But at that instant, another sensation swept through me as quick as -lightning. I was conscious of the presence of the Count, and of his -being as if lapped in a storm of fury. As my eyes opened -involuntarily I saw his strong hand grasp the slender neck of the fair -woman and with giant's power draw it back, the blue eyes transformed -with fury, the white teeth champing with rage, and the fair cheeks -blazing red with passion. But the Count! Never did I imagine such -wrath and fury, even to the demons of the pit. His eyes were -positively blazing. The red light in them was lurid, as if the flames -of hell fire blazed behind them. His face was deathly pale, and the -lines of it were hard like drawn wires. The thick eyebrows that met -over the nose now seemed like a heaving bar of white-hot metal. With -a fierce sweep of his arm, he hurled the woman from him, and then -motioned to the others, as though he were beating them back. It was -the same imperious gesture that I had seen used to the wolves. In a -voice which, though low and almost in a whisper seemed to cut through -the air and then ring in the room he said, - -"How dare you touch him, any of you? How dare you cast eyes on him -when I had forbidden it? Back, I tell you all! This man belongs to -me! Beware how you meddle with him, or you'll have to deal with me." - -The fair girl, with a laugh of ribald coquetry, turned to answer him. -"You yourself never loved. You never love!" On this the other women -joined, and such a mirthless, hard, soulless laughter rang through the -room that it almost made me faint to hear. It seemed like the -pleasure of fiends. - -Then the Count turned, after looking at my face attentively, and said -in a soft whisper, "Yes, I too can love. You yourselves can tell it -from the past. Is it not so? Well, now I promise you that when I am -done with him you shall kiss him at your will. Now go! Go! I must -awaken him, for there is work to be done." - -"Are we to have nothing tonight?" said one of them, with a low laugh, -as she pointed to the bag which he had thrown upon the floor, and -which moved as though there were some living thing within it. For -answer he nodded his head. One of the women jumped forward and opened -it. If my ears did not deceive me there was a gasp and a low wail, as -of a half smothered child. The women closed round, whilst I was -aghast with horror. But as I looked, they disappeared, and with them -the dreadful bag. There was no door near them, and they could not -have passed me without my noticing. They simply seemed to fade into -the rays of the moonlight and pass out through the window, for I could -see outside the dim, shadowy forms for a moment before they entirely -faded away. - -Then the horror overcame me, and I sank down unconscious. - - - - -CHAPTER 4 - - -Jonathan Harker's Journal Continued - -I awoke in my own bed. If it be that I had not dreamt, the Count must -have carried me here. I tried to satisfy myself on the subject, but -could not arrive at any unquestionable result. To be sure, there were -certain small evidences, such as that my clothes were folded and laid -by in a manner which was not my habit. My watch was still unwound, -and I am rigorously accustomed to wind it the last thing before going -to bed, and many such details. But these things are no proof, for -they may have been evidences that my mind was not as usual, and, for -some cause or another, I had certainly been much upset. I must watch -for proof. Of one thing I am glad. If it was that the Count carried -me here and undressed me, he must have been hurried in his task, for -my pockets are intact. I am sure this diary would have been a mystery -to him which he would not have brooked. He would have taken or -destroyed it. As I look round this room, although it has been to me -so full of fear, it is now a sort of sanctuary, for nothing can be -more dreadful than those awful women, who were, who are, waiting to -suck my blood. - - -18 May.--I have been down to look at that room again in daylight, for -I must know the truth. When I got to the doorway at the top of the -stairs I found it closed. It had been so forcibly driven against the -jamb that part of the woodwork was splintered. I could see that the -bolt of the lock had not been shot, but the door is fastened from the -inside. I fear it was no dream, and must act on this surmise. - - -19 May.--I am surely in the toils. Last night the Count asked me in -the suavest tones to write three letters, one saying that my work here -was nearly done, and that I should start for home within a few days, -another that I was starting on the next morning from the time of the -letter, and the third that I had left the castle and arrived at -Bistritz. I would fain have rebelled, but felt that in the present -state of things it would be madness to quarrel openly with the Count -whilst I am so absolutely in his power. And to refuse would be to -excite his suspicion and to arouse his anger. He knows that I know -too much, and that I must not live, lest I be dangerous to him. My -only chance is to prolong my opportunities. Something may occur which -will give me a chance to escape. I saw in his eyes something of that -gathering wrath which was manifest when he hurled that fair woman from -him. He explained to me that posts were few and uncertain, and that -my writing now would ensure ease of mind to my friends. And he -assured me with so much impressiveness that he would countermand the -later letters, which would be held over at Bistritz until due time in -case chance would admit of my prolonging my stay, that to oppose him -would have been to create new suspicion. I therefore pretended to -fall in with his views, and asked him what dates I should put on the -letters. - -He calculated a minute, and then said, "The first should be June 12, -the second June 19, and the third June 29." - -I know now the span of my life. God help me! - - -28 May.--There is a chance of escape, or at any rate of being able to -send word home. A band of Szgany have come to the castle, and are -encamped in the courtyard. These are gipsies. I have notes of them -in my book. They are peculiar to this part of the world, though -allied to the ordinary gipsies all the world over. There are -thousands of them in Hungary and Transylvania, who are almost outside -all law. They attach themselves as a rule to some great noble or -boyar, and call themselves by his name. They are fearless and without -religion, save superstition, and they talk only their own varieties of -the Romany tongue. - -I shall write some letters home, and shall try to get them to have -them posted. I have already spoken to them through my window to begin -acquaintanceship. They took their hats off and made obeisance and -many signs, which however, I could not understand any more than I -could their spoken language . . . - -I have written the letters. Mina's is in shorthand, and I simply ask -Mr. Hawkins to communicate with her. To her I have explained my -situation, but without the horrors which I may only surmise. It would -shock and frighten her to death were I to expose my heart to her. -Should the letters not carry, then the Count shall not yet know my -secret or the extent of my knowledge. . . . - - -I have given the letters. I threw them through the bars of my window -with a gold piece, and made what signs I could to have them posted. -The man who took them pressed them to his heart and bowed, and then -put them in his cap. I could do no more. I stole back to the study, -and began to read. As the Count did not come in, I have written -here . . . - - -The Count has come. He sat down beside me, and said in his smoothest -voice as he opened two letters, "The Szgany has given me these, of -which, though I know not whence they come, I shall, of course, take -care. See!"--He must have looked at it.--"One is from you, and to my -friend Peter Hawkins. The other,"--here he caught sight of the -strange symbols as he opened the envelope, and the dark look came into -his face, and his eyes blazed wickedly,--"The other is a vile thing, -an outrage upon friendship and hospitality! It is not signed. Well! -So it cannot matter to us." And he calmly held letter and envelope in -the flame of the lamp till they were consumed. - -Then he went on, "The letter to Hawkins, that I shall, of course send -on, since it is yours. Your letters are sacred to me. Your pardon, -my friend, that unknowingly I did break the seal. Will you not cover -it again?" He held out the letter to me, and with a courteous bow -handed me a clean envelope. - -I could only redirect it and hand it to him in silence. When he went -out of the room I could hear the key turn softly. A minute later I -went over and tried it, and the door was locked. - -When, an hour or two after, the Count came quietly into the room, his -coming awakened me, for I had gone to sleep on the sofa. He was very -courteous and very cheery in his manner, and seeing that I had been -sleeping, he said, "So, my friend, you are tired? Get to bed. There -is the surest rest. I may not have the pleasure of talk tonight, -since there are many labours to me, but you will sleep, I pray." - -I passed to my room and went to bed, and, strange to say, slept -without dreaming. Despair has its own calms. - -31 May.--This morning when I woke I thought I would provide myself -with some papers and envelopes from my bag and keep them in my pocket, -so that I might write in case I should get an opportunity, but again a -surprise, again a shock! - -Every scrap of paper was gone, and with it all my notes, my memoranda, -relating to railways and travel, my letter of credit, in fact all that -might be useful to me were I once outside the castle. I sat and -pondered awhile, and then some thought occurred to me, and I made -search of my portmanteau and in the wardrobe where I had placed my -clothes. - -The suit in which I had travelled was gone, and also my overcoat and -rug. I could find no trace of them anywhere. This looked like some -new scheme of villainy . . . - - -17 June.--This morning, as I was sitting on the edge of my bed -cudgelling my brains, I heard without a crackling of whips and -pounding and scraping of horses' feet up the rocky path beyond the -courtyard. With joy I hurried to the window, and saw drive into the -yard two great leiter-wagons, each drawn by eight sturdy horses, and -at the head of each pair a Slovak, with his wide hat, great -nail-studded belt, dirty sheepskin, and high boots. They had also -their long staves in hand. I ran to the door, intending to descend -and try and join them through the main hall, as I thought that way -might be opened for them. Again a shock, my door was fastened on the -outside. - -Then I ran to the window and cried to them. They looked up at me -stupidly and pointed, but just then the "hetman" of the Szgany came -out, and seeing them pointing to my window, said something, at which -they laughed. - -Henceforth no effort of mine, no piteous cry or agonized entreaty, -would make them even look at me. They resolutely turned away. The -leiter-wagons contained great, square boxes, with handles of thick -rope. These were evidently empty by the ease with which the Slovaks -handled them, and by their resonance as they were roughly moved. - -When they were all unloaded and packed in a great heap in one corner -of the yard, the Slovaks were given some money by the Szgany, and -spitting on it for luck, lazily went each to his horse's head. -Shortly afterwards, I heard the crackling of their whips die away in -the distance. - - -24 June.--Last night the Count left me early, and locked himself into -his own room. As soon as I dared I ran up the winding stair, and -looked out of the window, which opened South. I thought I would watch -for the Count, for there is something going on. The Szgany are -quartered somewhere in the castle and are doing work of some kind. I -know it, for now and then, I hear a far-away muffled sound as of -mattock and spade, and, whatever it is, it must be the end of some -ruthless villainy. - -I had been at the window somewhat less than half an hour, when I saw -something coming out of the Count's window. I drew back and watched -carefully, and saw the whole man emerge. It was a new shock to me to -find that he had on the suit of clothes which I had worn whilst -travelling here, and slung over his shoulder the terrible bag which I -had seen the women take away. There could be no doubt as to his -quest, and in my garb, too! This, then, is his new scheme of evil, -that he will allow others to see me, as they think, so that he may -both leave evidence that I have been seen in the towns or villages -posting my own letters, and that any wickedness which he may do shall -by the local people be attributed to me. - -It makes me rage to think that this can go on, and whilst I am shut up -here, a veritable prisoner, but without that protection of the law -which is even a criminal's right and consolation. - -I thought I would watch for the Count's return, and for a long time -sat doggedly at the window. Then I began to notice that there were -some quaint little specks floating in the rays of the moonlight. They -were like the tiniest grains of dust, and they whirled round and -gathered in clusters in a nebulous sort of way. I watched them with a -sense of soothing, and a sort of calm stole over me. I leaned back in -the embrasure in a more comfortable position, so that I could enjoy -more fully the aerial gambolling. - -Something made me start up, a low, piteous howling of dogs somewhere -far below in the valley, which was hidden from my sight. Louder it -seemed to ring in my ears, and the floating moats of dust to take new -shapes to the sound as they danced in the moonlight. I felt myself -struggling to awake to some call of my instincts. Nay, my very soul -was struggling, and my half-remembered sensibilities were striving to -answer the call. I was becoming hypnotised! - -Quicker and quicker danced the dust. The moonbeams seemed to quiver -as they went by me into the mass of gloom beyond. More and more they -gathered till they seemed to take dim phantom shapes. And then I -started, broad awake and in full possession of my senses, and ran -screaming from the place. - -The phantom shapes, which were becoming gradually materialised from -the moonbeams, were those three ghostly women to whom I was doomed. - -I fled, and felt somewhat safer in my own room, where there was no -moonlight, and where the lamp was burning brightly. - -When a couple of hours had passed I heard something stirring in the -Count's room, something like a sharp wail quickly suppressed. And -then there was silence, deep, awful silence, which chilled me. With a -beating heart, I tried the door, but I was locked in my prison, and -could do nothing. I sat down and simply cried. - -As I sat I heard a sound in the courtyard without, the agonised cry of -a woman. I rushed to the window, and throwing it up, peered between -the bars. - -There, indeed, was a woman with dishevelled hair, holding her hands -over her heart as one distressed with running. She was leaning -against the corner of the gateway. When she saw my face at the window -she threw herself forward, and shouted in a voice laden with menace, -"Monster, give me my child!" - -She threw herself on her knees, and raising up her hands, cried the -same words in tones which wrung my heart. Then she tore her hair and -beat her breast, and abandoned herself to all the violences of -extravagant emotion. Finally, she threw herself forward, and though I -could not see her, I could hear the beating of her naked hands against -the door. - -Somewhere high overhead, probably on the tower, I heard the voice of -the Count calling in his harsh, metallic whisper. His call seemed to -be answered from far and wide by the howling of wolves. Before many -minutes had passed a pack of them poured, like a pent-up dam when -liberated, through the wide entrance into the courtyard. - -There was no cry from the woman, and the howling of the wolves was but -short. Before long they streamed away singly, licking their lips. - -I could not pity her, for I knew now what had become of her child, and -she was better dead. - -What shall I do? What can I do? How can I escape from this dreadful -thing of night, gloom, and fear? - - -25 June.--No man knows till he has suffered from the night how sweet -and dear to his heart and eye the morning can be. When the sun grew -so high this morning that it struck the top of the great gateway -opposite my window, the high spot which it touched seemed to me as if -the dove from the ark had lighted there. My fear fell from me as if -it had been a vaporous garment which dissolved in the warmth. - -I must take action of some sort whilst the courage of the day is upon -me. Last night one of my post-dated letters went to post, the first -of that fatal series which is to blot out the very traces of my -existence from the earth. - -Let me not think of it. Action! - -It has always been at night-time that I have been molested or -threatened, or in some way in danger or in fear. I have not yet seen -the Count in the daylight. Can it be that he sleeps when others wake, -that he may be awake whilst they sleep? If I could only get into his -room! But there is no possible way. The door is always locked, no -way for me. - -Yes, there is a way, if one dares to take it. Where his body has gone -why may not another body go? I have seen him myself crawl from his -window. Why should not I imitate him, and go in by his window? The -chances are desperate, but my need is more desperate still. I shall -risk it. At the worst it can only be death, and a man's death is not -a calf's, and the dreaded Hereafter may still be open to me. God help -me in my task! Goodbye, Mina, if I fail. Goodbye, my faithful friend -and second father. Goodbye, all, and last of all Mina! - - -Same day, later.--I have made the effort, and God helping me, have -come safely back to this room. I must put down every detail in order. -I went whilst my courage was fresh straight to the window on the south -side, and at once got outside on this side. The stones are big and -roughly cut, and the mortar has by process of time been washed away -between them. I took off my boots, and ventured out on the desperate -way. I looked down once, so as to make sure that a sudden glimpse of -the awful depth would not overcome me, but after that kept my eyes -away from it. I know pretty well the direction and distance of the -Count's window, and made for it as well as I could, having regard to -the opportunities available. I did not feel dizzy, I suppose I was -too excited, and the time seemed ridiculously short till I found -myself standing on the window sill and trying to raise up the sash. I -was filled with agitation, however, when I bent down and slid feet -foremost in through the window. Then I looked around for the Count, -but with surprise and gladness, made a discovery. The room was -empty! It was barely furnished with odd things, which seemed to have -never been used. - -The furniture was something the same style as that in the south rooms, -and was covered with dust. I looked for the key, but it was not in -the lock, and I could not find it anywhere. The only thing I found -was a great heap of gold in one corner, gold of all kinds, Roman, and -British, and Austrian, and Hungarian, and Greek and Turkish money, -covered with a film of dust, as though it had lain long in the ground. -None of it that I noticed was less than three hundred years old. -There were also chains and ornaments, some jewelled, but all of them -old and stained. - -At one corner of the room was a heavy door. I tried it, for, since I -could not find the key of the room or the key of the outer door, which -was the main object of my search, I must make further examination, or -all my efforts would be in vain. It was open, and led through a stone -passage to a circular stairway, which went steeply down. - -I descended, minding carefully where I went for the stairs were dark, -being only lit by loopholes in the heavy masonry. At the bottom there -was a dark, tunnel-like passage, through which came a deathly, sickly -odour, the odour of old earth newly turned. As I went through the -passage the smell grew closer and heavier. At last I pulled open a -heavy door which stood ajar, and found myself in an old ruined chapel, -which had evidently been used as a graveyard. The roof was broken, -and in two places were steps leading to vaults, but the ground had -recently been dug over, and the earth placed in great wooden boxes, -manifestly those which had been brought by the Slovaks. - -There was nobody about, and I made a search over every inch of the -ground, so as not to lose a chance. I went down even into the vaults, -where the dim light struggled, although to do so was a dread to my -very soul. Into two of these I went, but saw nothing except fragments -of old coffins and piles of dust. In the third, however, I made a -discovery. - -There, in one of the great boxes, of which there were fifty in all, on -a pile of newly dug earth, lay the Count! He was either dead or -asleep. I could not say which, for eyes were open and stony, but -without the glassiness of death, and the cheeks had the warmth of life -through all their pallor. The lips were as red as ever. But there -was no sign of movement, no pulse, no breath, no beating of the heart. - -I bent over him, and tried to find any sign of life, but in vain. He -could not have lain there long, for the earthy smell would have passed -away in a few hours. By the side of the box was its cover, pierced -with holes here and there. I thought he might have the keys on him, -but when I went to search I saw the dead eyes, and in them dead though -they were, such a look of hate, though unconscious of me or my -presence, that I fled from the place, and leaving the Count's room by -the window, crawled again up the castle wall. Regaining my room, I -threw myself panting upon the bed and tried to think. - - -29 June.--Today is the date of my last letter, and the Count has taken -steps to prove that it was genuine, for again I saw him leave the -castle by the same window, and in my clothes. As he went down the -wall, lizard fashion, I wished I had a gun or some lethal weapon, that -I might destroy him. But I fear that no weapon wrought along by man's -hand would have any effect on him. I dared not wait to see him -return, for I feared to see those weird sisters. I came back to the -library, and read there till I fell asleep. - -I was awakened by the Count, who looked at me as grimly as a man could -look as he said, "Tomorrow, my friend, we must part. You return to -your beautiful England, I to some work which may have such an end that -we may never meet. Your letter home has been despatched. Tomorrow I -shall not be here, but all shall be ready for your journey. In the -morning come the Szgany, who have some labours of their own here, and -also come some Slovaks. When they have gone, my carriage shall come -for you, and shall bear you to the Borgo Pass to meet the diligence -from Bukovina to Bistritz. But I am in hopes that I shall see more of -you at Castle Dracula." - -I suspected him, and determined to test his sincerity. Sincerity! It -seems like a profanation of the word to write it in connection with -such a monster, so I asked him point-blank, "Why may I not go -tonight?" - -"Because, dear sir, my coachman and horses are away on a mission." - -"But I would walk with pleasure. I want to get away at once." - -He smiled, such a soft, smooth, diabolical smile that I knew there was -some trick behind his smoothness. He said, "And your baggage?" - -"I do not care about it. I can send for it some other time." - -The Count stood up, and said, with a sweet courtesy which made me rub -my eyes, it seemed so real, "You English have a saying which is close -to my heart, for its spirit is that which rules our boyars, 'Welcome -the coming, speed the parting guest.' Come with me, my dear young -friend. Not an hour shall you wait in my house against your will, -though sad am I at your going, and that you so suddenly desire it. -Come!" With a stately gravity, he, with the lamp, preceded me down -the stairs and along the hall. Suddenly he stopped. "Hark!" - -Close at hand came the howling of many wolves. It was almost as if -the sound sprang up at the rising of his hand, just as the music of a -great orchestra seems to leap under the baton of the conductor. After -a pause of a moment, he proceeded, in his stately way, to the door, -drew back the ponderous bolts, unhooked the heavy chains, and began to -draw it open. - -To my intense astonishment I saw that it was unlocked. Suspiciously, -I looked all round, but could see no key of any kind. - -As the door began to open, the howling of the wolves without grew -louder and angrier. Their red jaws, with champing teeth, and their -blunt-clawed feet as they leaped, came in through the opening door. I -knew than that to struggle at the moment against the Count was -useless. With such allies as these at his command, I could do -nothing. - -But still the door continued slowly to open, and only the Count's body -stood in the gap. Suddenly it struck me that this might be the moment -and means of my doom. I was to be given to the wolves, and at my own -instigation. There was a diabolical wickedness in the idea great -enough for the Count, and as the last chance I cried out, "Shut the -door! I shall wait till morning." And I covered my face with my -hands to hide my tears of bitter disappointment. - -With one sweep of his powerful arm, the Count threw the door shut, and -the great bolts clanged and echoed through the hall as they shot back -into their places. - -In silence we returned to the library, and after a minute or two I went -to my own room. The last I saw of Count Dracula was his kissing his -hand to me, with a red light of triumph in his eyes, and with a smile -that Judas in hell might be proud of. - -When I was in my room and about to lie down, I thought I heard a -whispering at my door. I went to it softly and listened. Unless my -ears deceived me, I heard the voice of the Count. - -"Back! Back to your own place! Your time is not yet come. Wait! -Have patience! Tonight is mine. Tomorrow night is yours!" - -There was a low, sweet ripple of laughter, and in a rage I threw open -the door, and saw without the three terrible women licking their lips. -As I appeared, they all joined in a horrible laugh, and ran away. - -I came back to my room and threw myself on my knees. It is then so -near the end? Tomorrow! Tomorrow! Lord, help me, and those to whom -I am dear! - - -30 June.--These may be the last words I ever write in this diary. I -slept till just before the dawn, and when I woke threw myself on my -knees, for I determined that if Death came he should find me ready. - -At last I felt that subtle change in the air, and knew that the -morning had come. Then came the welcome cockcrow, and I felt that I -was safe. With a glad heart, I opened the door and ran down the hall. -I had seen that the door was unlocked, and now escape was before me. -With hands that trembled with eagerness, I unhooked the chains and -threw back the massive bolts. - -But the door would not move. Despair seized me. I pulled and pulled -at the door, and shook it till, massive as it was, it rattled in its -casement. I could see the bolt shot. It had been locked after I left -the Count. - -Then a wild desire took me to obtain the key at any risk, and I -determined then and there to scale the wall again, and gain the -Count's room. He might kill me, but death now seemed the happier -choice of evils. Without a pause I rushed up to the east window, and -scrambled down the wall, as before, into the Count's room. It was -empty, but that was as I expected. I could not see a key anywhere, -but the heap of gold remained. I went through the door in the corner -and down the winding stair and along the dark passage to the old -chapel. I knew now well enough where to find the monster I sought. - -The great box was in the same place, close against the wall, but the -lid was laid on it, not fastened down, but with the nails ready in -their places to be hammered home. - -I knew I must reach the body for the key, so I raised the lid, and -laid it back against the wall. And then I saw something which filled -my very soul with horror. There lay the Count, but looking as if his -youth had been half restored. For the white hair and moustache were -changed to dark iron-grey. The cheeks were fuller, and the white skin -seemed ruby-red underneath. The mouth was redder than ever, for on -the lips were gouts of fresh blood, which trickled from the corners of -the mouth and ran down over the chin and neck. Even the deep, burning -eyes seemed set amongst swollen flesh, for the lids and pouches -underneath were bloated. It seemed as if the whole awful creature -were simply gorged with blood. He lay like a filthy leech, exhausted -with his repletion. - -I shuddered as I bent over to touch him, and every sense in me -revolted at the contact, but I had to search, or I was lost. The -coming night might see my own body a banquet in a similar war to those -horrid three. I felt all over the body, but no sign could I find of -the key. Then I stopped and looked at the Count. There was a mocking -smile on the bloated face which seemed to drive me mad. This was the -being I was helping to transfer to London, where, perhaps, for -centuries to come he might, amongst its teeming millions, satiate his -lust for blood, and create a new and ever-widening circle of -semi-demons to batten on the helpless. - -The very thought drove me mad. A terrible desire came upon me to rid -the world of such a monster. There was no lethal weapon at hand, but -I seized a shovel which the workmen had been using to fill the cases, -and lifting it high, struck, with the edge downward, at the hateful -face. But as I did so the head turned, and the eyes fell upon me, -with all their blaze of basilisk horror. The sight seemed to paralyze -me, and the shovel turned in my hand and glanced from the face, merely -making a deep gash above the forehead. The shovel fell from my hand -across the box, and as I pulled it away the flange of the blade caught -the edge of the lid which fell over again, and hid the horrid thing -from my sight. The last glimpse I had was of the bloated face, -blood-stained and fixed with a grin of malice which would have held -its own in the nethermost hell. - -I thought and thought what should be my next move, but my brain seemed -on fire, and I waited with a despairing feeling growing over me. As I -waited I heard in the distance a gipsy song sung by merry voices -coming closer, and through their song the rolling of heavy wheels and -the cracking of whips. The Szgany and the Slovaks of whom the Count -had spoken were coming. With a last look around and at the box which -contained the vile body, I ran from the place and gained the Count's -room, determined to rush out at the moment the door should be opened. -With strained ears, I listened, and heard downstairs the grinding of -the key in the great lock and the falling back of the heavy door. -There must have been some other means of entry, or some one had a key -for one of the locked doors. - -Then there came the sound of many feet tramping and dying away in some -passage which sent up a clanging echo. I turned to run down again -towards the vault, where I might find the new entrance, but at the -moment there seemed to come a violent puff of wind, and the door to -the winding stair blew to with a shock that set the dust from the -lintels flying. When I ran to push it open, I found that it was -hopelessly fast. I was again a prisoner, and the net of doom was -closing round me more closely. - -As I write there is in the passage below a sound of many tramping feet -and the crash of weights being set down heavily, doubtless the boxes, -with their freight of earth. There was a sound of hammering. It is -the box being nailed down. Now I can hear the heavy feet tramping -again along the hall, with many other idle feet coming behind them. - -The door is shut, the chains rattle. There is a grinding of the key -in the lock. I can hear the key withdrawn, then another door opens -and shuts. I hear the creaking of lock and bolt. - -Hark! In the courtyard and down the rocky way the roll of heavy -wheels, the crack of whips, and the chorus of the Szgany as they pass -into the distance. - -I am alone in the castle with those horrible women. Faugh! Mina is a -woman, and there is nought in common. They are devils of the Pit! - -I shall not remain alone with them. I shall try to scale the castle -wall farther than I have yet attempted. I shall take some of the gold -with me, lest I want it later. I may find a way from this dreadful -place. - -And then away for home! Away to the quickest and nearest train! Away -from the cursed spot, from this cursed land, where the devil and his -children still walk with earthly feet! - -At least God's mercy is better than that of those monsters, and the -precipice is steep and high. At its foot a man may sleep, as a man. -Goodbye, all. Mina! - - - - -CHAPTER 5 - - -LETTER FROM MISS MINA MURRAY TO MISS LUCY WESTENRA - -9 May. - -My dearest Lucy, - -Forgive my long delay in writing, but I have been simply overwhelmed -with work. The life of an assistant schoolmistress is sometimes -trying. I am longing to be with you, and by the sea, where we can -talk together freely and build our castles in the air. I have been -working very hard lately, because I want to keep up with Jonathan's -studies, and I have been practicing shorthand very assiduously. -When we are married I shall be able to be useful to Jonathan, and if -I can stenograph well enough I can take down what he wants to say in -this way and write it out for him on the typewriter, at which also I -am practicing very hard. - -He and I sometimes write letters in shorthand, and he is -keeping a stenographic journal of his travels abroad. When -I am with you I shall keep a diary in the same way. I don't -mean one of those two-pages-to-the-week-with-Sunday-squeezed- -in-a-corner diaries, but a sort of journal which I can write -in whenever I feel inclined. - -I do not suppose there will be much of interest to other people, but -it is not intended for them. I may show it to Jonathan some day if -there is in it anything worth sharing, but it is really an exercise -book. I shall try to do what I see lady journalists do, -interviewing and writing descriptions and trying to remember -conversations. I am told that, with a little practice, one can -remember all that goes on or that one hears said during a day. - -However, we shall see. I will tell you of my little plans when we -meet. I have just had a few hurried lines from Jonathan from -Transylvania. He is well, and will be returning in about a week. I -am longing to hear all his news. It must be nice to see strange -countries. I wonder if we, I mean Jonathan and I, shall ever see -them together. There is the ten o'clock bell ringing. Goodbye. - -Your loving - -Mina - - -Tell me all the news when you write. You have not told me -anything for a long time. I hear rumours, and especially -of a tall, handsome, curly-haired man??? - - - -LETTER, LUCY WESTENRA TO MINA MURRAY - - -17, Chatham Street - -Wednesday - -My dearest Mina, - - -I must say you tax me very unfairly with being a bad correspondent. -I wrote you twice since we parted, and your last letter was only -your second. Besides, I have nothing to tell you. There is really -nothing to interest you. - -Town is very pleasant just now, and we go a great deal to -picture-galleries and for walks and rides in the park. As -to the tall, curly-haired man, I suppose it was the one who -was with me at the last Pop. Someone has evidently been -telling tales. - -That was Mr. Holmwood. He often comes to see us, and he and -Mamma get on very well together, they have so many things -to talk about in common. - -We met some time ago a man that would just do for you, if you were -not already engaged to Jonathan. He is an excellent parti, being -handsome, well off, and of good birth. He is a doctor and really -clever. Just fancy! He is only nine-and twenty, and he has an -immense lunatic asylum all under his own care. Mr. Holmwood -introduced him to me, and he called here to see us, and often comes -now. I think he is one of the most resolute men I ever saw, and yet -the most calm. He seems absolutely imperturbable. I can fancy what -a wonderful power he must have over his patients. He has a curious -habit of looking one straight in the face, as if trying to read -one's thoughts. He tries this on very much with me, but I flatter -myself he has got a tough nut to crack. I know that from my glass. - -Do you ever try to read your own face? I do, and I can -tell you it is not a bad study, and gives you more trouble -than you can well fancy if you have never tried it. - -He says that I afford him a curious psychological study, and -I humbly think I do. I do not, as you know, take sufficient -interest in dress to be able to describe the new fashions. -Dress is a bore. That is slang again, but never mind. Arthur -says that every day. - -There, it is all out, Mina, we have told all our secrets to -each other since we were children. We have slept together -and eaten together, and laughed and cried together, and -now, though I have spoken, I would like to speak more. Oh, -Mina, couldn't you guess? I love him. I am blushing as I -write, for although I think he loves me, he has not told me -so in words. But, oh, Mina, I love him. I love him! There, -that does me good. - -I wish I were with you, dear, sitting by the fire undressing, as we -used to sit, and I would try to tell you what I feel. I do not know -how I am writing this even to you. I am afraid to stop, or I should -tear up the letter, and I don't want to stop, for I do so want to -tell you all. Let me hear from you at once, and tell me all that you -think about it. Mina, pray for my happiness. - -Lucy - - -P.S.--I need not tell you this is a secret. -Goodnight again. L. - - - - -LETTER, LUCY WESTENRA TO MINA MURRAY - -24 May - -My dearest Mina, - -Thanks, and thanks, and thanks again for your sweet letter. It -was so nice to be able to tell you and to have your sympathy. - -My dear, it never rains but it pours. How true the old proverbs -are. Here am I, who shall be twenty in September, and yet I never -had a proposal till today, not a real proposal, and today I had -three. Just fancy! Three proposals in one day! Isn't it awful! I -feel sorry, really and truly sorry, for two of the poor fellows. -Oh, Mina, I am so happy that I don't know what to do with myself. -And three proposals! But, for goodness' sake, don't tell any of the -girls, or they would be getting all sorts of extravagant ideas, and -imagining themselves injured and slighted if in their very first day -at home they did not get six at least. Some girls are so vain! You -and I, Mina dear, who are engaged and are going to settle down soon -soberly into old married women, can despise vanity. Well, I must -tell you about the three, but you must keep it a secret, dear, from -every one except, of course, Jonathan. You will tell him, because I -would, if I were in your place, certainly tell Arthur. A woman -ought to tell her husband everything. Don't you think so, dear? And -I must be fair. Men like women, certainly their wives, to be quite -as fair as they are. And women, I am afraid, are not always quite -as fair as they should be. - -Well, my dear, number One came just before lunch. I told you of -him, Dr. John Seward, the lunatic asylum man, with the strong jaw -and the good forehead. He was very cool outwardly, but was nervous -all the same. He had evidently been schooling himself as to all -sorts of little things, and remembered them, but he almost managed -to sit down on his silk hat, which men don't generally do when they -are cool, and then when he wanted to appear at ease he kept playing -with a lancet in a way that made me nearly scream. He spoke to me, -Mina, very straightforwardly. He told me how dear I was to him, -though he had known me so little, and what his life would be with me -to help and cheer him. He was going to tell me how unhappy he would -be if I did not care for him, but when he saw me cry he said he was -a brute and would not add to my present trouble. Then he broke off -and asked if I could love him in time, and when I shook my head his -hands trembled, and then with some hesitation he asked me if I cared -already for any one else. He put it very nicely, saying that he did -not want to wring my confidence from me, but only to know, because -if a woman's heart was free a man might have hope. And then, Mina, -I felt a sort of duty to tell him that there was some one. I only -told him that much, and then he stood up, and he looked very strong -and very grave as he took both my hands in his and said he hoped I -would be happy, and that If I ever wanted a friend I must count him -one of my best. - -Oh, Mina dear, I can't help crying, and you must excuse this letter -being all blotted. Being proposed to is all very nice and all that -sort of thing, but it isn't at all a happy thing when you have to -see a poor fellow, whom you know loves you honestly, going away and -looking all broken hearted, and to know that, no matter what he may -say at the moment, you are passing out of his life. My dear, I must -stop here at present, I feel so miserable, though I am so happy. - -Evening. - -Arthur has just gone, and I feel in better spirits than when I -left off, so I can go on telling you about the day. - -Well, my dear, number Two came after lunch. He is such a nice -fellow, an American from Texas, and he looks so young and so fresh -that it seems almost impossible that he has been to so many places -and has such adventures. I sympathize with poor Desdemona when she -had such a stream poured in her ear, even by a black man. I suppose -that we women are such cowards that we think a man will save us from -fears, and we marry him. I know now what I would do if I were a man -and wanted to make a girl love me. No, I don't, for there was Mr. -Morris telling us his stories, and Arthur never told any, and -yet . . . - -My dear, I am somewhat previous. Mr. Quincy P. Morris found me -alone. It seems that a man always does find a girl alone. No, he -doesn't, for Arthur tried twice to make a chance, and I helping him -all I could, I am not ashamed to say it now. I must tell you -beforehand that Mr. Morris doesn't always speak slang, that is to -say, he never does so to strangers or before them, for he is really -well educated and has exquisite manners, but he found out that it -amused me to hear him talk American slang, and whenever I was -present, and there was no one to be shocked, he said such funny -things. I am afraid, my dear, he has to invent it all, for it fits -exactly into whatever else he has to say. But this is a way slang -has. I do not know myself if I shall ever speak slang. I do not -know if Arthur likes it, as I have never heard him use any as yet. - -Well, Mr. Morris sat down beside me and looked as happy and jolly as -he could, but I could see all the same that he was very nervous. He -took my hand in his, and said ever so sweetly . . . - -"Miss Lucy, I know I ain't good enough to regulate the fixin's of -your little shoes, but I guess if you wait till you find a man that -is you will go join them seven young women with the lamps when you -quit. Won't you just hitch up alongside of me and let us go down -the long road together, driving in double harness?" - -Well, he did look so good humoured and so jolly that it didn't seem -half so hard to refuse him as it did poor Dr. Seward. So I said, as -lightly as I could, that I did not know anything of hitching, and -that I wasn't broken to harness at all yet. Then he said that he -had spoken in a light manner, and he hoped that if he had made a -mistake in doing so on so grave, so momentous, and occasion for him, -I would forgive him. He really did look serious when he was saying -it, and I couldn't help feeling a sort of exultation that he was -number Two in one day. And then, my dear, before I could say a word -he began pouring out a perfect torrent of love-making, laying his -very heart and soul at my feet. He looked so earnest over it that I -shall never again think that a man must be playful always, and never -earnest, because he is merry at times. I suppose he saw something -in my face which checked him, for he suddenly stopped, and said with -a sort of manly fervour that I could have loved him for if I had -been free . . . - -"Lucy, you are an honest hearted girl, I know. I should not be here -speaking to you as I am now if I did not believe you clean grit, -right through to the very depths of your soul. Tell me, like one -good fellow to another, is there any one else that you care for? -And if there is I'll never trouble you a hair's breadth again, but -will be, if you will let me, a very faithful friend." - -My dear Mina, why are men so noble when we women are so little -worthy of them? Here was I almost making fun of this great hearted, -true gentleman. I burst into tears, I am afraid, my dear, you will -think this a very sloppy letter in more ways than one, and I really -felt very badly. - -Why can't they let a girl marry three men, or as many as -want her, and save all this trouble? But this is heresy, -and I must not say it. I am glad to say that, though I was -crying, I was able to look into Mr. Morris' brave eyes, and -I told him out straight . . . - -"Yes, there is some one I love, though he has not told me -yet that he even loves me." I was right to speak to him so -frankly, for quite a light came into his face, and he put -out both his hands and took mine, I think I put them into -his, and said in a hearty way . . . - -"That's my brave girl. It's better worth being late for a chance of -winning you than being in time for any other girl in the world. -Don't cry, my dear. If it's for me, I'm a hard nut to crack, and I -take it standing up. If that other fellow doesn't know his -happiness, well, he'd better look for it soon, or he'll have to deal -with me. Little girl, your honesty and pluck have made me a friend, -and that's rarer than a lover, it's more selfish anyhow. My dear, -I'm going to have a pretty lonely walk between this and Kingdom -Come. Won't you give me one kiss? It'll be something to keep off -the darkness now and then. You can, you know, if you like, for that -other good fellow, or you could not love him, hasn't spoken yet." - -That quite won me, Mina, for it was brave and sweet of him, -and noble too, to a rival, wasn't it? And he so sad, so I -leant over and kissed him. - -He stood up with my two hands in his, and as he looked down into my -face, I am afraid I was blushing very much, he said, "Little girl, I -hold your hand, and you've kissed me, and if these things don't make -us friends nothing ever will. Thank you for your sweet honesty to -me, and goodbye." - -He wrung my hand, and taking up his hat, went straight out of the -room without looking back, without a tear or a quiver or a pause, -and I am crying like a baby. - -Oh, why must a man like that be made unhappy when there are lots of -girls about who would worship the very ground he trod on? I know I -would if I were free, only I don't want to be free. My dear, this -quite upset me, and I feel I cannot write of happiness just at once, -after telling you of it, and I don't wish to tell of the number -Three until it can be all happy. Ever your loving . . . - -Lucy - - -P.S.--Oh, about number Three, I needn't tell you of number -Three, need I? Besides, it was all so confused. It seemed -only a moment from his coming into the room till both his -arms were round me, and he was kissing me. I am very, very -happy, and I don't know what I have done to deserve it. I -must only try in the future to show that I am not ungrateful -to God for all His goodness to me in sending to me such a -lover, such a husband, and such a friend. - -Goodbye. - - - -DR. SEWARD'S DIARY (Kept in phonograph) - -25 May.--Ebb tide in appetite today. Cannot eat, cannot rest, so -diary instead. Since my rebuff of yesterday I have a sort of empty -feeling. Nothing in the world seems of sufficient importance to be -worth the doing. As I knew that the only cure for this sort of thing -was work, I went amongst the patients. I picked out one who has -afforded me a study of much interest. He is so quaint that I am -determined to understand him as well as I can. Today I seemed to get -nearer than ever before to the heart of his mystery. - -I questioned him more fully than I had ever done, with a view to -making myself master of the facts of his hallucination. In my manner -of doing it there was, I now see, something of cruelty. I seemed to -wish to keep him to the point of his madness, a thing which I avoid -with the patients as I would the mouth of hell. - -(Mem., Under what circumstances would I not avoid the pit of hell?) -Omnia Romae venalia sunt. Hell has its price! If there be anything -behind this instinct it will be valuable to trace it afterwards -accurately, so I had better commence to do so, therefore . . . - -R. M, Renfield, age 59. Sanguine temperament, great physical -strength, morbidly excitable, periods of gloom, ending in some fixed -idea which I cannot make out. I presume that the sanguine temperament -itself and the disturbing influence end in a mentally-accomplished -finish, a possibly dangerous man, probably dangerous if unselfish. In -selfish men caution is as secure an armour for their foes as for -themselves. What I think of on this point is, when self is the fixed -point the centripetal force is balanced with the centrifugal. When -duty, a cause, etc., is the fixed point, the latter force is -paramount, and only accident or a series of accidents can balance it. - - - -LETTER, QUINCEY P. MORRIS TO HON. ARTHUR HOLMOOD - -25 May. - -My dear Art, - -We've told yarns by the campfire in the prairies, and dressed one -another's wounds after trying a landing at the Marquesas, and drunk -healths on the shore of Titicaca. There are more yarns to be told, -and other wounds to be healed, and another health to be drunk. -Won't you let this be at my campfire tomorrow night? I have no -hesitation in asking you, as I know a certain lady is engaged to a -certain dinner party, and that you are free. There will only be one -other, our old pal at the Korea, Jack Seward. He's coming, too, and -we both want to mingle our weeps over the wine cup, and to drink a -health with all our hearts to the happiest man in all the wide -world, who has won the noblest heart that God has made and best -worth winning. We promise you a hearty welcome, and a loving -greeting, and a health as true as your own right hand. We shall -both swear to leave you at home if you drink too deep to a certain -pair of eyes. Come! - -Yours, as ever and always, - -Quincey P. Morris - - - - - -TELEGRAM FROM ARTHUR HOLMWOOD TO QUINCEY P. MORRIS - -26 May - - -Count me in every time. I bear messages which will make both -your ears tingle. - -Art - - - - -CHAPTER 6 - - -MINA MURRAY'S JOURNAL - -24 July. Whitby.--Lucy met me at the station, looking sweeter and -lovelier than ever, and we drove up to the house at the Crescent in -which they have rooms. This is a lovely place. The little river, the -Esk, runs through a deep valley, which broadens out as it comes near -the harbour. A great viaduct runs across, with high piers, through -which the view seems somehow further away than it really is. The -valley is beautifully green, and it is so steep that when you are on -the high land on either side you look right across it, unless you are -near enough to see down. The houses of the old town--the side away -from us, are all red-roofed, and seem piled up one over the other -anyhow, like the pictures we see of Nuremberg. Right over the town is -the ruin of Whitby Abbey, which was sacked by the Danes, and which is -the scene of part of "Marmion," where the girl was built up in the -wall. It is a most noble ruin, of immense size, and full of beautiful -and romantic bits. There is a legend that a white lady is seen in one -of the windows. Between it and the town there is another church, the -parish one, round which is a big graveyard, all full of tombstones. -This is to my mind the nicest spot in Whitby, for it lies right over -the town, and has a full view of the harbour and all up the bay to -where the headland called Kettleness stretches out into the sea. It -descends so steeply over the harbour that part of the bank has fallen -away, and some of the graves have been destroyed. - -In one place part of the stonework of the graves stretches out over -the sandy pathway far below. There are walks, with seats beside them, -through the churchyard, and people go and sit there all day long -looking at the beautiful view and enjoying the breeze. - -I shall come and sit here often myself and work. Indeed, I am writing -now, with my book on my knee, and listening to the talk of three old -men who are sitting beside me. They seem to do nothing all day but -sit here and talk. - -The harbour lies below me, with, on the far side, one long granite -wall stretching out into the sea, with a curve outwards at the end of -it, in the middle of which is a lighthouse. A heavy seawall runs -along outside of it. On the near side, the seawall makes an elbow -crooked inversely, and its end too has a lighthouse. Between the two -piers there is a narrow opening into the harbour, which then suddenly -widens. - -It is nice at high water, but when the tide is out it shoals away to -nothing, and there is merely the stream of the Esk, running between -banks of sand, with rocks here and there. Outside the harbour on this -side there rises for about half a mile a great reef, the sharp of -which runs straight out from behind the south lighthouse. At the end -of it is a buoy with a bell, which swings in bad weather, and sends in -a mournful sound on the wind. - -They have a legend here that when a ship is lost bells are heard out at -sea. I must ask the old man about this. He is coming this way . . . - -He is a funny old man. He must be awfully old, for his face is -gnarled and twisted like the bark of a tree. He tells me that he is -nearly a hundred, and that he was a sailor in the Greenland fishing -fleet when Waterloo was fought. He is, I am afraid, a very sceptical -person, for when I asked him about the bells at sea and the White Lady -at the abbey he said very brusquely, - -"I wouldn't fash masel' about them, miss. Them things be all wore -out. Mind, I don't say that they never was, but I do say that they -wasn't in my time. They be all very well for comers and trippers, an' -the like, but not for a nice young lady like you. Them feet-folks -from York and Leeds that be always eatin' cured herrin's and drinkin' -tea an' lookin' out to buy cheap jet would creed aught. I wonder -masel' who'd be bothered tellin' lies to them, even the newspapers, -which is full of fool-talk." - -I thought he would be a good person to learn interesting things from, -so I asked him if he would mind telling me something about the whale -fishing in the old days. He was just settling himself to begin when -the clock struck six, whereupon he laboured to get up, and said, - -"I must gang ageeanwards home now, miss. My grand-daughter doesn't -like to be kept waitin' when the tea is ready, for it takes me time to -crammle aboon the grees, for there be a many of 'em, and miss, I lack -belly-timber sairly by the clock." - -He hobbled away, and I could see him hurrying, as well as he could, -down the steps. The steps are a great feature on the place. They -lead from the town to the church, there are hundreds of them, I do not -know how many, and they wind up in a delicate curve. The slope is so -gentle that a horse could easily walk up and down them. - -I think they must originally have had something to do with the abbey. -I shall go home too. Lucy went out, visiting with her mother, and as -they were only duty calls, I did not go. - - -1 August.--I came up here an hour ago with Lucy, and we had a most -interesting talk with my old friend and the two others who always come -and join him. He is evidently the Sir Oracle of them, and I should -think must have been in his time a most dictatorial person. - -He will not admit anything, and down faces everybody. If he can't -out-argue them he bullies them, and then takes their silence for -agreement with his views. - -Lucy was looking sweetly pretty in her white lawn frock. She has got -a beautiful colour since she has been here. - -I noticed that the old men did not lose any time in coming and sitting -near her when we sat down. She is so sweet with old people, I think -they all fell in love with her on the spot. Even my old man succumbed -and did not contradict her, but gave me double share instead. I got -him on the subject of the legends, and he went off at once into a sort -of sermon. I must try to remember it and put it down. - -"It be all fool-talk, lock, stock, and barrel, that's what it be and -nowt else. These bans an' wafts an' boh-ghosts an' bar-guests an' -bogles an' all anent them is only fit to set bairns an' dizzy women -a'belderin'. They be nowt but air-blebs. They, an' all grims an' signs -an' warnin's, be all invented by parsons an' illsome berk-bodies an' -railway touters to skeer an' scunner hafflin's, an' to get folks to do -somethin' that they don't other incline to. It makes me ireful to -think o' them. Why, it's them that, not content with printin' lies on -paper an' preachin' them out of pulpits, does want to be cuttin' them -on the tombstones. Look here all around you in what airt ye will. All -them steans, holdin' up their heads as well as they can out of their -pride, is acant, simply tumblin' down with the weight o' the lies -wrote on them, 'Here lies the body' or 'Sacred to the memory' wrote on -all of them, an' yet in nigh half of them there bean't no bodies at -all, an' the memories of them bean't cared a pinch of snuff about, -much less sacred. Lies all of them, nothin' but lies of one kind or -another! My gog, but it'll be a quare scowderment at the Day of -Judgment when they come tumblin' up in their death-sarks, all jouped -together an' trying' to drag their tombsteans with them to prove how -good they was, some of them trimmlin' an' dithering, with their hands -that dozzened an' slippery from lyin' in the sea that they can't even -keep their gurp o' them." - -I could see from the old fellow's self-satisfied air and the way in -which he looked round for the approval of his cronies that he was -"showing off," so I put in a word to keep him going. - -"Oh, Mr. Swales, you can't be serious. Surely these tombstones are -not all wrong?" - -"Yabblins! There may be a poorish few not wrong, savin' where they -make out the people too good, for there be folk that do think a -balm-bowl be like the sea, if only it be their own. The whole thing -be only lies. Now look you here. You come here a stranger, an' you -see this kirkgarth." - -I nodded, for I thought it better to assent, though I did not quite -understand his dialect. I knew it had something to do with the -church. - -He went on, "And you consate that all these steans be aboon folk that -be haped here, snod an' snog?" I assented again. "Then that be just -where the lie comes in. Why, there be scores of these laybeds that be -toom as old Dun's 'baccabox on Friday night." - -He nudged one of his companions, and they all laughed. "And, my gog! -How could they be otherwise? Look at that one, the aftest abaft the -bier-bank, read it!" - -I went over and read, "Edward Spencelagh, master mariner, murdered by -pirates off the coast of Andres, April, 1854, age 30." When I came -back Mr. Swales went on, - -"Who brought him home, I wonder, to hap him here? Murdered off the -coast of Andres! An' you consated his body lay under! Why, I could -name ye a dozen whose bones lie in the Greenland seas above," he -pointed northwards, "or where the currants may have drifted them. -There be the steans around ye. Ye can, with your young eyes, read the -small print of the lies from here. This Braithwaite Lowery, I knew -his father, lost in the Lively off Greenland in '20, or Andrew -Woodhouse, drowned in the same seas in 1777, or John Paxton, drowned -off Cape Farewell a year later, or old John Rawlings, whose -grandfather sailed with me, drowned in the Gulf of Finland in '50. Do -ye think that all these men will have to make a rush to Whitby when -the trumpet sounds? I have me antherums aboot it! I tell ye that -when they got here they'd be jommlin' and jostlin' one another that -way that it 'ud be like a fight up on the ice in the old days, when -we'd be at one another from daylight to dark, an' tryin' to tie up our -cuts by the aurora borealis." This was evidently local pleasantry, for -the old man cackled over it, and his cronies joined in with gusto. - -"But," I said, "surely you are not quite correct, for you start on the -assumption that all the poor people, or their spirits, will have to -take their tombstones with them on the Day of Judgment. Do you think -that will be really necessary?" - -"Well, what else be they tombstones for? Answer me that, miss!" - -"To please their relatives, I suppose." - -"To please their relatives, you suppose!" This he said with intense -scorn. "How will it pleasure their relatives to know that lies is -wrote over them, and that everybody in the place knows that they be -lies?" - -He pointed to a stone at our feet which had been laid down as a slab, -on which the seat was rested, close to the edge of the cliff. "Read -the lies on that thruff-stone," he said. - -The letters were upside down to me from where I sat, but Lucy was more -opposite to them, so she leant over and read, "Sacred to the memory of -George Canon, who died, in the hope of a glorious resurrection, on -July 29, 1873, falling from the rocks at Kettleness. This tomb was -erected by his sorrowing mother to her dearly beloved son. 'He was the -only son of his mother, and she was a widow.' Really, Mr. Swales, I -don't see anything very funny in that!" She spoke her comment very -gravely and somewhat severely. - -"Ye don't see aught funny! Ha-ha! But that's because ye don't gawm -the sorrowin' mother was a hell-cat that hated him because he was -acrewk'd, a regular lamiter he was, an' he hated her so that he -committed suicide in order that she mightn't get an insurance she put -on his life. He blew nigh the top of his head off with an old musket -that they had for scarin' crows with. 'Twarn't for crows then, for it -brought the clegs and the dowps to him. That's the way he fell off -the rocks. And, as to hopes of a glorious resurrection, I've often -heard him say masel' that he hoped he'd go to hell, for his mother was -so pious that she'd be sure to go to heaven, an' he didn't want to -addle where she was. Now isn't that stean at any rate," he hammered -it with his stick as he spoke, "a pack of lies? And won't it make -Gabriel keckle when Geordie comes pantin' ut the grees with the -tompstean balanced on his hump, and asks to be took as evidence!" - -I did not know what to say, but Lucy turned the conversation as she -said, rising up, "Oh, why did you tell us of this? It is my favourite -seat, and I cannot leave it, and now I find I must go on sitting over -the grave of a suicide." - -"That won't harm ye, my pretty, an' it may make poor Geordie gladsome -to have so trim a lass sittin' on his lap. That won't hurt ye. Why, -I've sat here off an' on for nigh twenty years past, an' it hasn't -done me no harm. Don't ye fash about them as lies under ye, or that -doesn' lie there either! It'll be time for ye to be getting scart -when ye see the tombsteans all run away with, and the place as bare as -a stubble-field. There's the clock, and I must gang. My service to -ye, ladies!" And off he hobbled. - -Lucy and I sat awhile, and it was all so beautiful before us that we -took hands as we sat, and she told me all over again about Arthur and -their coming marriage. That made me just a little heart-sick, for I -haven't heard from Jonathan for a whole month. - - -The same day. I came up here alone, for I am very sad. There was no -letter for me. I hope there cannot be anything the matter with -Jonathan. The clock has just struck nine. I see the lights scattered -all over the town, sometimes in rows where the streets are, and -sometimes singly. They run right up the Esk and die away in the curve -of the valley. To my left the view is cut off by a black line of roof -of the old house next to the abbey. The sheep and lambs are bleating -in the fields away behind me, and there is a clatter of donkeys' hoofs -up the paved road below. The band on the pier is playing a harsh -waltz in good time, and further along the quay there is a Salvation -Army meeting in a back street. Neither of the bands hears the other, -but up here I hear and see them both. I wonder where Jonathan is and -if he is thinking of me! I wish he were here. - - - -DR. SEWARD'S DIARY - -5 June.--The case of Renfield grows more interesting the more I get to -understand the man. He has certain qualities very largely developed, -selfishness, secrecy, and purpose. - -I wish I could get at what is the object of the latter. He seems to -have some settled scheme of his own, but what it is I do not know. -His redeeming quality is a love of animals, though, indeed, he has -such curious turns in it that I sometimes imagine he is only -abnormally cruel. His pets are of odd sorts. - -Just now his hobby is catching flies. He has at present such a -quantity that I have had myself to expostulate. To my astonishment, -he did not break out into a fury, as I expected, but took the matter -in simple seriousness. He thought for a moment, and then said, "May I -have three days? I shall clear them away." Of course, I said that -would do. I must watch him. - - -18 June.--He has turned his mind now to spiders, and has got several -very big fellows in a box. He keeps feeding them his flies, and the -number of the latter is becoming sensibly diminished, although he has -used half his food in attracting more flies from outside to his room. - - -1 July.--His spiders are now becoming as great a nuisance as his -flies, and today I told him that he must get rid of them. - -He looked very sad at this, so I said that he must some of them, at -all events. He cheerfully acquiesced in this, and I gave him the same -time as before for reduction. - -He disgusted me much while with him, for when a horrid blowfly, -bloated with some carrion food, buzzed into the room, he caught it, -held it exultantly for a few moments between his finger and thumb, and -before I knew what he was going to do, put it in his mouth and ate it. - -I scolded him for it, but he argued quietly that it was very good and -very wholesome, that it was life, strong life, and gave life to him. -This gave me an idea, or the rudiment of one. I must watch how he -gets rid of his spiders. - -He has evidently some deep problem in his mind, for he keeps a little -notebook in which he is always jotting down something. Whole pages of -it are filled with masses of figures, generally single numbers added -up in batches, and then the totals added in batches again, as though -he were focussing some account, as the auditors put it. - - -8 July.--There is a method in his madness, and the rudimentary idea in -my mind is growing. It will be a whole idea soon, and then, oh, -unconscious cerebration, you will have to give the wall to your -conscious brother. - -I kept away from my friend for a few days, so that I might notice if -there were any change. Things remain as they were except that he has -parted with some of his pets and got a new one. - -He has managed to get a sparrow, and has already partially tamed it. -His means of taming is simple, for already the spiders have -diminished. Those that do remain, however, are well fed, for he still -brings in the flies by tempting them with his food. - -19 July--We are progressing. My friend has now a whole colony of -sparrows, and his flies and spiders are almost obliterated. When I -came in he ran to me and said he wanted to ask me a great favour, a -very, very great favour. And as he spoke, he fawned on me like a dog. - -I asked him what it was, and he said, with a sort of rapture in his -voice and bearing, "A kitten, a nice, little, sleek playful kitten, -that I can play with, and teach, and feed, and feed, and feed!" - -I was not unprepared for this request, for I had noticed how his pets -went on increasing in size and vivacity, but I did not care that his -pretty family of tame sparrows should be wiped out in the same manner -as the flies and spiders. So I said I would see about it, and asked -him if he would not rather have a cat than a kitten. - -His eagerness betrayed him as he answered, "Oh, yes, I would like a -cat! I only asked for a kitten lest you should refuse me a cat. No -one would refuse me a kitten, would they?" - -I shook my head, and said that at present I feared it would not be -possible, but that I would see about it. His face fell, and I could -see a warning of danger in it, for there was a sudden fierce, sidelong -look which meant killing. The man is an undeveloped homicidal -maniac. I shall test him with his present craving and see how it will -work out, then I shall know more. - - -10 pm.--I have visited him again and found him sitting in a corner -brooding. When I came in he threw himself on his knees before me and -implored me to let him have a cat, that his salvation depended upon -it. - -I was firm, however, and told him that he could not have it, whereupon -he went without a word, and sat down, gnawing his fingers, in the -corner where I had found him. I shall see him in the morning early. - - -20 July.--Visited Renfield very early, before attendant went his -rounds. Found him up and humming a tune. He was spreading out his -sugar, which he had saved, in the window, and was manifestly beginning -his fly catching again, and beginning it cheerfully and with a good -grace. - -I looked around for his birds, and not seeing them, asked him where -they were. He replied, without turning round, that they had all flown -away. There were a few feathers about the room and on his pillow a -drop of blood. I said nothing, but went and told the keeper to report -to me if there were anything odd about him during the day. - - -11 am.--The attendant has just been to see me to say that Renfield has -been very sick and has disgorged a whole lot of feathers. "My belief -is, doctor," he said, "that he has eaten his birds, and that he just -took and ate them raw!" - - -11 pm.--I gave Renfield a strong opiate tonight, enough to make even -him sleep, and took away his pocketbook to look at it. The thought -that has been buzzing about my brain lately is complete, and the -theory proved. - -My homicidal maniac is of a peculiar kind. I shall have to invent a -new classification for him, and call him a zoophagous (life-eating) -maniac. What he desires is to absorb as many lives as he can, and he -has laid himself out to achieve it in a cumulative way. He gave many -flies to one spider and many spiders to one bird, and then wanted a -cat to eat the many birds. What would have been his later steps? - -It would almost be worth while to complete the experiment. It might -be done if there were only a sufficient cause. Men sneered at -vivisection, and yet look at its results today! Why not advance -science in its most difficult and vital aspect, the knowledge of the -brain? - -Had I even the secret of one such mind, did I hold the key to the -fancy of even one lunatic, I might advance my own branch of science to -a pitch compared with which Burdon-Sanderson's physiology or Ferrier's -brain knowledge would be as nothing. If only there were a sufficient -cause! I must not think too much of this, or I may be tempted. A -good cause might turn the scale with me, for may not I too be of an -exceptional brain, congenitally? - -How well the man reasoned. Lunatics always do within their own scope. -I wonder at how many lives he values a man, or if at only one. He has -closed the account most accurately, and today begun a new record. How -many of us begin a new record with each day of our lives? - -To me it seems only yesterday that my whole life ended with my new -hope, and that truly I began a new record. So it shall be until the -Great Recorder sums me up and closes my ledger account with a balance -to profit or loss. - -Oh, Lucy, Lucy, I cannot be angry with you, nor can I be angry with my -friend whose happiness is yours, but I must only wait on hopeless and -work. Work! Work! - -If I could have as strong a cause as my poor mad friend there, a good, -unselfish cause to make me work, that would be indeed happiness. - - - -MINA MURRAY'S JOURNAL - -26 July.--I am anxious, and it soothes me to express myself here. It -is like whispering to one's self and listening at the same time. And -there is also something about the shorthand symbols that makes it -different from writing. I am unhappy about Lucy and about Jonathan. -I had not heard from Jonathan for some time, and was very concerned, -but yesterday dear Mr. Hawkins, who is always so kind, sent me a -letter from him. I had written asking him if he had heard, and he -said the enclosed had just been received. It is only a line dated -from Castle Dracula, and says that he is just starting for home. That -is not like Jonathan. I do not understand it, and it makes me uneasy. - -Then, too, Lucy, although she is so well, has lately taken to her old -habit of walking in her sleep. Her mother has spoken to me about it, -and we have decided that I am to lock the door of our room every -night. - -Mrs. Westenra has got an idea that sleep-walkers always go out on -roofs of houses and along the edges of cliffs and then get suddenly -wakened and fall over with a despairing cry that echoes all over the -place. - -Poor dear, she is naturally anxious about Lucy, and she tells me that -her husband, Lucy's father, had the same habit, that he would get up -in the night and dress himself and go out, if he were not stopped. - -Lucy is to be married in the autumn, and she is already planning out -her dresses and how her house is to be arranged. I sympathise with -her, for I do the same, only Jonathan and I will start in life in a -very simple way, and shall have to try to make both ends meet. - -Mr. Holmwood, he is the Hon. Arthur Holmwood, only son of Lord -Godalming, is coming up here very shortly, as soon as he can leave -town, for his father is not very well, and I think dear Lucy is -counting the moments till he comes. - -She wants to take him up in the seat on the churchyard cliff and show -him the beauty of Whitby. I daresay it is the waiting which disturbs -her. She will be all right when he arrives. - - -27 July.--No news from Jonathan. I am getting quite uneasy about him, -though why I should I do not know, but I do wish that he would write, -if it were only a single line. - -Lucy walks more than ever, and each night I am awakened by her moving -about the room. Fortunately, the weather is so hot that she cannot -get cold. But still, the anxiety and the perpetually being awakened -is beginning to tell on me, and I am getting nervous and wakeful -myself. Thank God, Lucy's health keeps up. Mr. Holmwood has been -suddenly called to Ring to see his father, who has been taken -seriously ill. Lucy frets at the postponement of seeing him, but it -does not touch her looks. She is a trifle stouter, and her cheeks are -a lovely rose-pink. She has lost the anemic look which she had. I -pray it will all last. - - -3 August.--Another week gone by, and no news from Jonathan, not even -to Mr. Hawkins, from whom I have heard. Oh, I do hope he is not ill. -He surely would have written. I look at that last letter of his, but -somehow it does not satisfy me. It does not read like him, and yet it -is his writing. There is no mistake of that. - -Lucy has not walked much in her sleep the last week, but there is an -odd concentration about her which I do not understand, even in her -sleep she seems to be watching me. She tries the door, and finding it -locked, goes about the room searching for the key. - - -6 August.--Another three days, and no news. This suspense is getting -dreadful. If I only knew where to write to or where to go to, I -should feel easier. But no one has heard a word of Jonathan since -that last letter. I must only pray to God for patience. - -Lucy is more excitable than ever, but is otherwise well. Last night -was very threatening, and the fishermen say that we are in for a -storm. I must try to watch it and learn the weather signs. - -Today is a gray day, and the sun as I write is hidden in thick clouds, -high over Kettleness. Everything is gray except the green grass, -which seems like emerald amongst it, gray earthy rock, gray clouds, -tinged with the sunburst at the far edge, hang over the gray sea, into -which the sandpoints stretch like gray figures. The sea is tumbling -in over the shallows and the sandy flats with a roar, muffled in the -sea-mists drifting inland. The horizon is lost in a gray mist. All -vastness, the clouds are piled up like giant rocks, and there is a -'brool' over the sea that sounds like some passage of doom. Dark -figures are on the beach here and there, sometimes half shrouded in -the mist, and seem 'men like trees walking'. The fishing boats are -racing for home, and rise and dip in the ground swell as they sweep -into the harbour, bending to the scuppers. Here comes old Mr. Swales. -He is making straight for me, and I can see, by the way he lifts his -hat, that he wants to talk. - -I have been quite touched by the change in the poor old man. When he -sat down beside me, he said in a very gentle way, "I want to say -something to you, miss." - -I could see he was not at ease, so I took his poor old wrinkled hand in -mine and asked him to speak fully. - -So he said, leaving his hand in mine, "I'm afraid, my deary, that I -must have shocked you by all the wicked things I've been sayin' about -the dead, and such like, for weeks past, but I didn't mean them, and I -want ye to remember that when I'm gone. We aud folks that be daffled, -and with one foot abaft the krok-hooal, don't altogether like to think -of it, and we don't want to feel scart of it, and that's why I've took -to makin' light of it, so that I'd cheer up my own heart a bit. But, -Lord love ye, miss, I ain't afraid of dyin', not a bit, only I don't -want to die if I can help it. My time must be nigh at hand now, for I -be aud, and a hundred years is too much for any man to expect. And -I'm so nigh it that the Aud Man is already whettin' his scythe. Ye -see, I can't get out o' the habit of caffin' about it all at once. -The chafts will wag as they be used to. Some day soon the Angel of -Death will sound his trumpet for me. But don't ye dooal an' greet, my -deary!"--for he saw that I was crying--"if he should come this very -night I'd not refuse to answer his call. For life be, after all, only -a waitin' for somethin' else than what we're doin', and death be all -that we can rightly depend on. But I'm content, for it's comin' to -me, my deary, and comin' quick. It may be comin' while we be lookin' -and wonderin'. Maybe it's in that wind out over the sea that's -bringin' with it loss and wreck, and sore distress, and sad hearts. -Look! Look!" he cried suddenly. "There's something in that wind and -in the hoast beyont that sounds, and looks, and tastes, and smells -like death. It's in the air. I feel it comin'. Lord, make me answer -cheerful, when my call comes!" He held up his arms devoutly, and -raised his hat. His mouth moved as though he were praying. After a -few minutes' silence, he got up, shook hands with me, and blessed me, -and said goodbye, and hobbled off. It all touched me, and upset me -very much. - -I was glad when the coastguard came along, with his spyglass under his -arm. He stopped to talk with me, as he always does, but all the time -kept looking at a strange ship. - -"I can't make her out," he said. "She's a Russian, by the look of -her. But she's knocking about in the queerest way. She doesn't know -her mind a bit. She seems to see the storm coming, but can't decide -whether to run up north in the open, or to put in here. Look there -again! She is steered mighty strangely, for she doesn't mind the hand -on the wheel, changes about with every puff of wind. We'll hear more -of her before this time tomorrow." - - - - -CHAPTER 7 - - -CUTTING FROM "THE DAILYGRAPH", 8 AUGUST - - -(PASTED IN MINA MURRAY'S JOURNAL) - - -From a correspondent. - -Whitby. - -One of the greatest and suddenest storms on record has just been -experienced here, with results both strange and unique. The weather -had been somewhat sultry, but not to any degree uncommon in the -month of August. Saturday evening was as fine as was ever known, -and the great body of holiday-makers laid out yesterday for visits -to Mulgrave Woods, Robin Hood's Bay, Rig Mill, Runswick, Staithes, -and the various trips in the neighborhood of Whitby. The steamers -Emma and Scarborough made trips up and down the coast, and there was -an unusual amount of 'tripping' both to and from Whitby. The day -was unusually fine till the afternoon, when some of the gossips who -frequent the East Cliff churchyard, and from the commanding eminence -watch the wide sweep of sea visible to the north and east, called -attention to a sudden show of 'mares tails' high in the sky to the -northwest. The wind was then blowing from the south-west in the -mild degree which in barometrical language is ranked 'No. 2, light -breeze.' - -The coastguard on duty at once made report, and one old fisherman, -who for more than half a century has kept watch on weather signs -from the East Cliff, foretold in an emphatic manner the coming of a -sudden storm. The approach of sunset was so very beautiful, so -grand in its masses of splendidly coloured clouds, that there was -quite an assemblage on the walk along the cliff in the old -churchyard to enjoy the beauty. Before the sun dipped below the -black mass of Kettleness, standing boldly athwart the western sky, -its downward way was marked by myriad clouds of every sunset colour, -flame, purple, pink, green, violet, and all the tints of gold, with -here and there masses not large, but of seemingly absolute -blackness, in all sorts of shapes, as well outlined as colossal -silhouettes. The experience was not lost on the painters, and -doubtless some of the sketches of the 'Prelude to the Great Storm' -will grace the R. A and R. I. walls in May next. - -More than one captain made up his mind then and there that his -'cobble' or his 'mule', as they term the different classes of boats, -would remain in the harbour till the storm had passed. The wind -fell away entirely during the evening, and at midnight there was a -dead calm, a sultry heat, and that prevailing intensity which, on -the approach of thunder, affects persons of a sensitive nature. - -There were but few lights in sight at sea, for even the coasting -steamers, which usually hug the shore so closely, kept well to -seaward, and but few fishing boats were in sight. The only sail -noticeable was a foreign schooner with all sails set, which was -seemingly going westwards. The foolhardiness or ignorance of her -officers was a prolific theme for comment whilst she remained in -sight, and efforts were made to signal her to reduce sail in the -face of her danger. Before the night shut down she was seen with -sails idly flapping as she gently rolled on the undulating swell of -the sea. - -"As idle as a painted ship upon a painted ocean." - -Shortly before ten o'clock the stillness of the air grew quite -oppressive, and the silence was so marked that the bleating of a -sheep inland or the barking of a dog in the town was distinctly -heard, and the band on the pier, with its lively French air, was -like a dischord in the great harmony of nature's silence. A little -after midnight came a strange sound from over the sea, and high -overhead the air began to carry a strange, faint, hollow booming. - -Then without warning the tempest broke. With a rapidity which, at -the time, seemed incredible, and even afterwards is impossible to -realize, the whole aspect of nature at once became convulsed. The -waves rose in growing fury, each over-topping its fellow, till in a -very few minutes the lately glassy sea was like a roaring and -devouring monster. White-crested waves beat madly on the level -sands and rushed up the shelving cliffs. Others broke over the -piers, and with their spume swept the lanthorns of the lighthouses -which rise from the end of either pier of Whitby Harbour. - -The wind roared like thunder, and blew with such force that it was -with difficulty that even strong men kept their feet, or clung with -grim clasp to the iron stanchions. It was found necessary to clear -the entire pier from the mass of onlookers, or else the fatalities -of the night would have increased manifold. To add to the -difficulties and dangers of the time, masses of sea-fog came -drifting inland. White, wet clouds, which swept by in ghostly -fashion, so dank and damp and cold that it needed but little effort -of imagination to think that the spirits of those lost at sea were -touching their living brethren with the clammy hands of death, and -many a one shuddered as the wreaths of sea-mist swept by. - -At times the mist cleared, and the sea for some distance could be -seen in the glare of the lightning, which came thick and fast, -followed by such peals of thunder that the whole sky overhead seemed -trembling under the shock of the footsteps of the storm. - -Some of the scenes thus revealed were of immeasurable grandeur and -of absorbing interest. The sea, running mountains high, threw -skywards with each wave mighty masses of white foam, which the -tempest seemed to snatch at and whirl away into space. Here and -there a fishing boat, with a rag of sail, running madly for shelter -before the blast, now and again the white wings of a storm-tossed -seabird. On the summit of the East Cliff the new searchlight was -ready for experiment, but had not yet been tried. The officers in -charge of it got it into working order, and in the pauses of -onrushing mist swept with it the surface of the sea. Once or twice -its service was most effective, as when a fishing boat, with gunwale -under water, rushed into the harbour, able, by the guidance of the -sheltering light, to avoid the danger of dashing against the piers. -As each boat achieved the safety of the port there was a shout of -joy from the mass of people on the shore, a shout which for a moment -seemed to cleave the gale and was then swept away in its rush. - -Before long the searchlight discovered some distance away a schooner -with all sails set, apparently the same vessel which had been -noticed earlier in the evening. The wind had by this time backed to -the east, and there was a shudder amongst the watchers on the cliff -as they realized the terrible danger in which she now was. - -Between her and the port lay the great flat reef on which so many -good ships have from time to time suffered, and, with the wind -blowing from its present quarter, it would be quite impossible that -she should fetch the entrance of the harbour. - -It was now nearly the hour of high tide, but the waves were so great -that in their troughs the shallows of the shore were almost visible, -and the schooner, with all sails set, was rushing with such speed -that, in the words of one old salt, "she must fetch up somewhere, if -it was only in hell". Then came another rush of sea-fog, greater -than any hitherto, a mass of dank mist, which seemed to close on all -things like a gray pall, and left available to men only the organ of -hearing, for the roar of the tempest, and the crash of the thunder, -and the booming of the mighty billows came through the damp oblivion -even louder than before. The rays of the searchlight were kept fixed -on the harbour mouth across the East Pier, where the shock was -expected, and men waited breathless. - -The wind suddenly shifted to the northeast, and the remnant of the -sea fog melted in the blast. And then, mirabile dictu, between the -piers, leaping from wave to wave as it rushed at headlong speed, -swept the strange schooner before the blast, with all sail set, and -gained the safety of the harbour. The searchlight followed her, and -a shudder ran through all who saw her, for lashed to the helm was a -corpse, with drooping head, which swung horribly to and fro at each -motion of the ship. No other form could be seen on the deck at all. - -A great awe came on all as they realised that the ship, as if by a -miracle, had found the harbour, unsteered save by the hand of a dead -man! However, all took place more quickly than it takes to write -these words. The schooner paused not, but rushing across the -harbour, pitched herself on that accumulation of sand and gravel -washed by many tides and many storms into the southeast corner of -the pier jutting under the East Cliff, known locally as Tate Hill -Pier. - -There was of course a considerable concussion as the vessel drove up -on the sand heap. Every spar, rope, and stay was strained, and some -of the 'top-hammer' came crashing down. But, strangest of all, the -very instant the shore was touched, an immense dog sprang up on deck -from below, as if shot up by the concussion, and running forward, -jumped from the bow on the sand. - -Making straight for the steep cliff, where the churchyard hangs over -the laneway to the East Pier so steeply that some of the flat -tombstones, thruffsteans or through-stones, as they call them in -Whitby vernacular, actually project over where the sustaining cliff -has fallen away, it disappeared in the darkness, which seemed -intensified just beyond the focus of the searchlight. - -It so happened that there was no one at the moment on Tate Hill -Pier, as all those whose houses are in close proximity were either -in bed or were out on the heights above. Thus the coastguard on -duty on the eastern side of the harbour, who at once ran down to the -little pier, was the first to climb aboard. The men working the -searchlight, after scouring the entrance of the harbour without -seeing anything, then turned the light on the derelict and kept it -there. The coastguard ran aft, and when he came beside the wheel, -bent over to examine it, and recoiled at once as though under some -sudden emotion. This seemed to pique general curiosity, and quite a -number of people began to run. - -It is a good way round from the West Cliff by the Draw-bridge to -Tate Hill Pier, but your correspondent is a fairly good runner, and -came well ahead of the crowd. When I arrived, however, I found -already assembled on the pier a crowd, whom the coastguard and -police refused to allow to come on board. By the courtesy of the -chief boatman, I was, as your correspondent, permitted to climb on -deck, and was one of a small group who saw the dead seaman whilst -actually lashed to the wheel. - -It was no wonder that the coastguard was surprised, or even awed, -for not often can such a sight have been seen. The man was simply -fastened by his hands, tied one over the other, to a spoke of the -wheel. Between the inner hand and the wood was a crucifix, the set -of beads on which it was fastened being around both wrists and -wheel, and all kept fast by the binding cords. The poor fellow may -have been seated at one time, but the flapping and buffeting of the -sails had worked through the rudder of the wheel and had dragged him -to and fro, so that the cords with which he was tied had cut the -flesh to the bone. - -Accurate note was made of the state of things, and a doctor, Surgeon -J. M. Caffyn, of 33, East Elliot Place, who came immediately after -me, declared, after making examination, that the man must have been -dead for quite two days. - -In his pocket was a bottle, carefully corked, empty save for -a little roll of paper, which proved to be the addendum to -the log. - -The coastguard said the man must have tied up his own hands, -fastening the knots with his teeth. The fact that a coastguard was -the first on board may save some complications later on, in the -Admiralty Court, for coastguards cannot claim the salvage which is -the right of the first civilian entering on a derelict. Already, -however, the legal tongues are wagging, and one young law student is -loudly asserting that the rights of the owner are already completely -sacrificed, his property being held in contravention of the statues -of mortmain, since the tiller, as emblemship, if not proof, of -delegated possession, is held in a dead hand. - -It is needless to say that the dead steersman has been reverently -removed from the place where he held his honourable watch and ward -till death, a steadfastness as noble as that of the young -Casabianca, and placed in the mortuary to await inquest. - -Already the sudden storm is passing, and its fierceness is -abating. Crowds are scattering backward, and the sky is -beginning to redden over the Yorkshire wolds. - -I shall send, in time for your next issue, further details -of the derelict ship which found her way so miraculously -into harbour in the storm. - - -9 August.--The sequel to the strange arrival of the derelict in the -storm last night is almost more startling than the thing itself. It -turns out that the schooner is Russian from Varna, and is called the -Demeter. She is almost entirely in ballast of silver sand, with -only a small amount of cargo, a number of great wooden boxes filled -with mould. - -This cargo was consigned to a Whitby solicitor, Mr. S.F. Billington, -of 7, The Crescent, who this morning went aboard and took formal -possession of the goods consigned to him. - -The Russian consul, too, acting for the charter-party, took formal -possession of the ship, and paid all harbour dues, etc. - -Nothing is talked about here today except the strange coincidence. -The officials of the Board of Trade have been most exacting in -seeing that every compliance has been made with existing -regulations. As the matter is to be a 'nine days wonder', they are -evidently determined that there shall be no cause of other -complaint. - -A good deal of interest was abroad concerning the dog which landed -when the ship struck, and more than a few of the members of the -S.P.C.A., which is very strong in Whitby, have tried to befriend the -animal. To the general disappointment, however, it was not to be -found. It seems to have disappeared entirely from the town. It may -be that it was frightened and made its way on to the moors, where it -is still hiding in terror. - -There are some who look with dread on such a possibility, lest later -on it should in itself become a danger, for it is evidently a fierce -brute. Early this morning a large dog, a half-bred mastiff -belonging to a coal merchant close to Tate Hill Pier, was found dead -in the roadway opposite its master's yard. It had been fighting, -and manifestly had had a savage opponent, for its throat was torn -away, and its belly was slit open as if with a savage claw. - -Later.--By the kindness of the Board of Trade inspector, I have been -permitted to look over the log book of the Demeter, which was in -order up to within three days, but contained nothing of special -interest except as to facts of missing men. The greatest interest, -however, is with regard to the paper found in the bottle, which was -today produced at the inquest. And a more strange narrative than -the two between them unfold it has not been my lot to come across. - -As there is no motive for concealment, I am permitted to use them, -and accordingly send you a transcript, simply omitting technical -details of seamanship and supercargo. It almost seems as though the -captain had been seized with some kind of mania before he had got -well into blue water, and that this had developed persistently -throughout the voyage. Of course my statement must be taken cum -grano, since I am writing from the dictation of a clerk of the -Russian consul, who kindly translated for me, time being short. - - - - LOG OF THE "DEMETER" Varna to Whitby - - - Written 18 July, things so strange happening, that I shall - keep accurate note henceforth till we land. - - - On 6 July we finished taking in cargo, silver sand and boxes - of earth. At noon set sail. East wind, fresh. Crew, five - hands . . . two mates, cook, and myself, (captain). - - - On 11 July at dawn entered Bosphorus. Boarded by Turkish - Customs officers. Backsheesh. All correct. Under way at - 4 p.m. - - - On 12 July through Dardanelles. More Customs officers and - flagboat of guarding squadron. Backsheesh again. Work of - officers thorough, but quick. Want us off soon. At dark - passed into Archipelago. - - - On 13 July passed Cape Matapan. Crew dissatisfied about - something. Seemed scared, but would not speak out. - - - On 14 July was somewhat anxious about crew. Men all steady - fellows, who sailed with me before. Mate could not make out what - was wrong. They only told him there was SOMETHING, and crossed - themselves. Mate lost temper with one of them that day and struck - him. Expected fierce quarrel, but all was quiet. - - - On 16 July mate reported in the morning that one of the - crew, Petrofsky, was missing. Could not account for it. - Took larboard watch eight bells last night, was relieved by - Amramoff, but did not go to bunk. Men more downcast than - ever. All said they expected something of the kind, but - would not say more than there was SOMETHING aboard. Mate - getting very impatient with them. Feared some trouble - ahead. - - - On 17 July, yesterday, one of the men, Olgaren, came to my cabin, - and in an awestruck way confided to me that he thought there was a - strange man aboard the ship. He said that in his watch he had - been sheltering behind the deckhouse, as there was a rain storm, - when he saw a tall, thin man, who was not like any of the crew, - come up the companionway, and go along the deck forward and - disappear. He followed cautiously, but when he got to bows found - no one, and the hatchways were all closed. He was in a panic of - superstitious fear, and I am afraid the panic may spread. To - allay it, I shall today search the entire ship carefully from stem - to stern. - - - Later in the day I got together the whole crew, and told them, as - they evidently thought there was some one in the ship, we would - search from stem to stern. First mate angry, said it was folly, - and to yield to such foolish ideas would demoralise the men, said - he would engage to keep them out of trouble with the handspike. I - let him take the helm, while the rest began a thorough search, all - keeping abreast, with lanterns. We left no corner unsearched. As - there were only the big wooden boxes, there were no odd corners - where a man could hide. Men much relieved when search over, and - went back to work cheerfully. First mate scowled, but said - nothing. - - - 22 July.--Rough weather last three days, and all hands busy - with sails, no time to be frightened. Men seem to have - forgotten their dread. Mate cheerful again, and all on - good terms. Praised men for work in bad weather. Passed - Gibraltar and out through Straits. All well. - - - 24 July.--There seems some doom over this ship. Already a hand - short, and entering the Bay of Biscay with wild weather ahead, and - yet last night another man lost, disappeared. Like the first, he - came off his watch and was not seen again. Men all in a panic of - fear, sent a round robin, asking to have double watch, as they - fear to be alone. Mate angry. Fear there will be some trouble, - as either he or the men will do some violence. - - - 28 July.--Four days in hell, knocking about in a sort of - maelstrom, and the wind a tempest. No sleep for any one. - Men all worn out. Hardly know how to set a watch, since no - one fit to go on. Second mate volunteered to steer and - watch, and let men snatch a few hours sleep. Wind abating, - seas still terrific, but feel them less, as ship is - steadier. - - - 29 July.--Another tragedy. Had single watch tonight, as crew too - tired to double. When morning watch came on deck could find no - one except steersman. Raised outcry, and all came on deck. - Thorough search, but no one found. Are now without second mate, - and crew in a panic. Mate and I agreed to go armed henceforth and - wait for any sign of cause. - - - 30 July.--Last night. Rejoiced we are nearing England. Weather - fine, all sails set. Retired worn out, slept soundly, awakened by - mate telling me that both man of watch and steersman missing. - Only self and mate and two hands left to work ship. - - 1 August.--Two days of fog, and not a sail sighted. Had hoped - when in the English Channel to be able to signal for help or get - in somewhere. Not having power to work sails, have to run before - wind. Dare not lower, as could not raise them again. We seem to - be drifting to some terrible doom. Mate now more demoralised than - either of men. His stronger nature seems to have worked inwardly - against himself. Men are beyond fear, working stolidly and - patiently, with minds made up to worst. They are Russian, he - Roumanian. - - 2 August, midnight.--Woke up from few minutes sleep by hearing a - cry, seemingly outside my port. Could see nothing in fog. Rushed - on deck, and ran against mate. Tells me he heard cry and ran, but - no sign of man on watch. One more gone. Lord, help us! Mate - says we must be past Straits of Dover, as in a moment of fog - lifting he saw North Foreland, just as he heard the man cry out. - If so we are now off in the North Sea, and only God can guide us - in the fog, which seems to move with us, and God seems to have - deserted us. - - - 3 August.--At midnight I went to relieve the man at the - wheel and when I got to it found no one there. The wind - was steady, and as we ran before it there was no yawing. I - dared not leave it, so shouted for the mate. After a few - seconds, he rushed up on deck in his flannels. He looked - wild-eyed and haggard, and I greatly fear his reason has - given way. He came close to me and whispered hoarsely, - with his mouth to my ear, as though fearing the very air - might hear. "It is here. I know it now. On the watch - last night I saw It, like a man, tall and thin, and ghastly - pale. It was in the bows, and looking out. I crept behind - It, and gave it my knife, but the knife went through It, - empty as the air." And as he spoke he took the knife and - drove it savagely into space. Then he went on, "But It is - here, and I'll find It. It is in the hold, perhaps in one - of those boxes. I'll unscrew them one by one and see. You - work the helm." And with a warning look and his finger on - his lip, he went below. There was springing up a choppy - wind, and I could not leave the helm. I saw him come out - on deck again with a tool chest and lantern, and go down - the forward hatchway. He is mad, stark, raving mad, and - it's no use my trying to stop him. He can't hurt those big - boxes, they are invoiced as clay, and to pull them about is - as harmless a thing as he can do. So here I stay and mind - the helm, and write these notes. I can only trust in God - and wait till the fog clears. Then, if I can't steer to - any harbour with the wind that is, I shall cut down sails, - and lie by, and signal for help . . . - - It is nearly all over now. Just as I was beginning to hope - that the mate would come out calmer, for I heard him - knocking away at something in the hold, and work is good - for him, there came up the hatchway a sudden, startled - scream, which made my blood run cold, and up on the deck he - came as if shot from a gun, a raging madman, with his eyes - rolling and his face convulsed with fear. "Save me! Save - me!" he cried, and then looked round on the blanket of fog. - His horror turned to despair, and in a steady voice he - said, "You had better come too, captain, before it is too - late. He is there! I know the secret now. The sea will - save me from Him, and it is all that is left!" Before I - could say a word, or move forward to seize him, he sprang - on the bulwark and deliberately threw himself into the sea. - I suppose I know the secret too, now. It was this madman - who had got rid of the men one by one, and now he has - followed them himself. God help me! How am I to account - for all these horrors when I get to port? When I get to - port! Will that ever be? - - - 4 August.--Still fog, which the sunrise cannot pierce, I - know there is sunrise because I am a sailor, why else I - know not. I dared not go below, I dared not leave the - helm, so here all night I stayed, and in the dimness of the - night I saw it, Him! God, forgive me, but the mate was - right to jump overboard. It was better to die like a man. - To die like a sailor in blue water, no man can object. But - I am captain, and I must not leave my ship. But I shall - baffle this fiend or monster, for I shall tie my hands to - the wheel when my strength begins to fail, and along with - them I shall tie that which He, It, dare not touch. And - then, come good wind or foul, I shall save my soul, and my - honour as a captain. I am growing weaker, and the night is - coming on. If He can look me in the face again, I may not - have time to act. . . If we are wrecked, mayhap this bottle - may be found, and those who find it may understand. If - not . . . well, then all men shall know that I have been - true to my trust. God and the Blessed Virgin and the - Saints help a poor ignorant soul trying to do his duty . . . - - -Of course the verdict was an open one. There is no evidence -to adduce, and whether or not the man himself committed the -murders there is now none to say. The folk here hold almost -universally that the captain is simply a hero, and he is to be -given a public funeral. Already it is arranged that his body -is to be taken with a train of boats up the Esk for a piece -and then brought back to Tate Hill Pier and up the abbey steps, -for he is to be buried in the churchyard on the cliff. The -owners of more than a hundred boats have already given in their -names as wishing to follow him to the grave. - -No trace has ever been found of the great dog, at which there is -much mourning, for, with public opinion in its present state, he -would, I believe, be adopted by the town. Tomorrow will see the -funeral, and so will end this one more 'mystery of the sea'. - - - -MINA MURRAY'S JOURNAL - -8 August.--Lucy was very restless all night, and I too, could not -sleep. The storm was fearful, and as it boomed loudly among the -chimney pots, it made me shudder. When a sharp puff came it seemed to -be like a distant gun. Strangely enough, Lucy did not wake, but she -got up twice and dressed herself. Fortunately, each time I awoke in -time and managed to undress her without waking her, and got her back to -bed. It is a very strange thing, this sleep-walking, for as soon as -her will is thwarted in any physical way, her intention, if there be -any, disappears, and she yields herself almost exactly to the routine -of her life. - -Early in the morning we both got up and went down to the harbour to see -if anything had happened in the night. There were very few people -about, and though the sun was bright, and the air clear and fresh, the -big, grim-looking waves, that seemed dark themselves because the foam -that topped them was like snow, forced themselves in through the mouth -of the harbour, like a bullying man going through a crowd. Somehow I -felt glad that Jonathan was not on the sea last night, but on land. -But, oh, is he on land or sea? Where is he, and how? I am getting -fearfully anxious about him. If I only knew what to do, and could do -anything! - - -10 August.--The funeral of the poor sea captain today was most -touching. Every boat in the harbour seemed to be there, and the coffin -was carried by captains all the way from Tate Hill Pier up to the -churchyard. Lucy came with me, and we went early to our old seat, -whilst the cortege of boats went up the river to the Viaduct and came -down again. We had a lovely view, and saw the procession nearly all -the way. The poor fellow was laid to rest near our seat so that we -stood on it, when the time came and saw everything. - -Poor Lucy seemed much upset. She was restless and uneasy all the time, -and I cannot but think that her dreaming at night is telling on her. -She is quite odd in one thing. She will not admit to me that there is -any cause for restlessness, or if there be, she does not understand it -herself. - -There is an additional cause in that poor Mr. Swales was found dead -this morning on our seat, his neck being broken. He had evidently, as -the doctor said, fallen back in the seat in some sort of fright, for -there was a look of fear and horror on his face that the men said made -them shudder. Poor dear old man! - -Lucy is so sweet and sensitive that she feels influences more acutely -than other people do. Just now she was quite upset by a little thing -which I did not much heed, though I am myself very fond of animals. - -One of the men who came up here often to look for the boats was -followed by his dog. The dog is always with him. They are both quiet -persons, and I never saw the man angry, nor heard the dog bark. During -the service the dog would not come to its master, who was on the seat -with us, but kept a few yards off, barking and howling. Its master -spoke to it gently, and then harshly, and then angrily. But it would -neither come nor cease to make a noise. It was in a fury, with its -eyes savage, and all its hair bristling out like a cat's tail when puss -is on the war path. - -Finally the man too got angry, and jumped down and kicked the dog, and -then took it by the scruff of the neck and half dragged and half threw -it on the tombstone on which the seat is fixed. The moment it touched -the stone the poor thing began to tremble. It did not try to get away, -but crouched down, quivering and cowering, and was in such a pitiable -state of terror that I tried, though without effect, to comfort it. - -Lucy was full of pity, too, but she did not attempt to touch the dog, -but looked at it in an agonised sort of way. I greatly fear that she -is of too super sensitive a nature to go through the world without -trouble. She will be dreaming of this tonight, I am sure. The whole -agglomeration of things, the ship steered into port by a dead man, his -attitude, tied to the wheel with a crucifix and beads, the touching -funeral, the dog, now furious and now in terror, will all afford -material for her dreams. - -I think it will be best for her to go to bed tired out physically, so I -shall take her for a long walk by the cliffs to Robin Hood's Bay and -back. She ought not to have much inclination for sleep-walking then. - - - - -CHAPTER 8 - - -MINA MURRAY'S JOURNAL - -Same day, 11 o'clock P.M.--Oh, but I am tired! If it were not that I -had made my diary a duty I should not open it tonight. We had a lovely -walk. Lucy, after a while, was in gay spirits, owing, I think, to some -dear cows who came nosing towards us in a field close to the -lighthouse, and frightened the wits out of us. I believe we forgot -everything, except of course, personal fear, and it seemed to wipe the -slate clean and give us a fresh start. We had a capital 'severe tea' -at Robin Hood's Bay in a sweet little old-fashioned inn, with a bow -window right over the seaweed-covered rocks of the strand. I believe -we should have shocked the 'New Woman' with our appetites. Men are -more tolerant, bless them! Then we walked home with some, or rather -many, stoppages to rest, and with our hearts full of a constant dread -of wild bulls. - -Lucy was really tired, and we intended to creep off to bed as soon as -we could. The young curate came in, however, and Mrs. Westenra asked -him to stay for supper. Lucy and I had both a fight for it with the -dusty miller. I know it was a hard fight on my part, and I am quite -heroic. I think that some day the bishops must get together and see -about breeding up a new class of curates, who don't take supper, no -matter how hard they may be pressed to, and who will know when girls -are tired. - -Lucy is asleep and breathing softly. She has more colour in her cheeks -than usual, and looks, oh so sweet. If Mr. Holmwood fell in love with -her seeing her only in the drawing room, I wonder what he would say if -he saw her now. Some of the 'New Women' writers will some day start an -idea that men and women should be allowed to see each other asleep -before proposing or accepting. But I suppose the 'New Woman' won't -condescend in future to accept. She will do the proposing herself. And -a nice job she will make of it too! There's some consolation in that. -I am so happy tonight, because dear Lucy seems better. I really -believe she has turned the corner, and that we are over her troubles -with dreaming. I should be quite happy if I only knew if Jonathan . . . -God bless and keep him. - - -11 August.--Diary again. No sleep now, so I may as well write. I am -too agitated to sleep. We have had such an adventure, such an -agonizing experience. I fell asleep as soon as I had closed my diary. -. . . Suddenly I became broad awake, and sat up, with a horrible sense -of fear upon me, and of some feeling of emptiness around me. The room -was dark, so I could not see Lucy's bed. I stole across and felt for -her. The bed was empty. I lit a match and found that she was not in -the room. The door was shut, but not locked, as I had left it. I feared -to wake her mother, who has been more than usually ill lately, so threw -on some clothes and got ready to look for her. As I was leaving the -room it struck me that the clothes she wore might give me some clue to -her dreaming intention. Dressing-gown would mean house, dress outside. -Dressing-gown and dress were both in their places. "Thank God," I said -to myself, "she cannot be far, as she is only in her nightdress." - -I ran downstairs and looked in the sitting room. Not there! Then I -looked in all the other rooms of the house, with an ever-growing fear -chilling my heart. Finally, I came to the hall door and found it open. -It was not wide open, but the catch of the lock had not caught. The -people of the house are careful to lock the door every night, so I -feared that Lucy must have gone out as she was. There was no time to -think of what might happen. A vague over-mastering fear obscured all -details. - -I took a big, heavy shawl and ran out. The clock was striking one as I -was in the Crescent, and there was not a soul in sight. I ran along -the North Terrace, but could see no sign of the white figure which I -expected. At the edge of the West Cliff above the pier I looked across -the harbour to the East Cliff, in the hope or fear, I don't know which, -of seeing Lucy in our favourite seat. - -There was a bright full moon, with heavy black, driving clouds, which -threw the whole scene into a fleeting diorama of light and shade as -they sailed across. For a moment or two I could see nothing, as the -shadow of a cloud obscured St. Mary's Church and all around it. Then -as the cloud passed I could see the ruins of the abbey coming into -view, and as the edge of a narrow band of light as sharp as a sword-cut -moved along, the church and churchyard became gradually visible. -Whatever my expectation was, it was not disappointed, for there, on our -favourite seat, the silver light of the moon struck a half-reclining -figure, snowy white. The coming of the cloud was too quick for me to -see much, for shadow shut down on light almost immediately, but it -seemed to me as though something dark stood behind the seat where the -white figure shone, and bent over it. What it was, whether man or -beast, I could not tell. - -I did not wait to catch another glance, but flew down the steep steps -to the pier and along by the fish-market to the bridge, which was the -only way to reach the East Cliff. The town seemed as dead, for not a -soul did I see. I rejoiced that it was so, for I wanted no witness of -poor Lucy's condition. The time and distance seemed endless, and my -knees trembled and my breath came laboured as I toiled up the endless -steps to the abbey. I must have gone fast, and yet it seemed to me as -if my feet were weighted with lead, and as though every joint in my -body were rusty. - -When I got almost to the top I could see the seat and the white figure, -for I was now close enough to distinguish it even through the spells of -shadow. There was undoubtedly something, long and black, bending over -the half-reclining white figure. I called in fright, "Lucy! Lucy!" -and something raised a head, and from where I was I could see a white -face and red, gleaming eyes. - -Lucy did not answer, and I ran on to the entrance of the churchyard. -As I entered, the church was between me and the seat, and for a minute -or so I lost sight of her. When I came in view again the cloud had -passed, and the moonlight struck so brilliantly that I could see Lucy -half reclining with her head lying over the back of the seat. She was -quite alone, and there was not a sign of any living thing about. - -When I bent over her I could see that she was still asleep. Her lips -were parted, and she was breathing, not softly as usual with her, but -in long, heavy gasps, as though striving to get her lungs full at every -breath. As I came close, she put up her hand in her sleep and pulled -the collar of her nightdress close around her, as though she felt the -cold. I flung the warm shawl over her, and drew the edges tight around -her neck, for I dreaded lest she should get some deadly chill from the -night air, unclad as she was. I feared to wake her all at once, so, in -order to have my hands free to help her, I fastened the shawl at her -throat with a big safety pin. But I must have been clumsy in my -anxiety and pinched or pricked her with it, for by-and-by, when her -breathing became quieter, she put her hand to her throat again and -moaned. When I had her carefully wrapped up I put my shoes on her -feet, and then began very gently to wake her. - -At first she did not respond, but gradually she became more and more -uneasy in her sleep, moaning and sighing occasionally. At last, as -time was passing fast, and for many other reasons, I wished to get her -home at once, I shook her forcibly, till finally she opened her eyes -and awoke. She did not seem surprised to see me, as, of course, she -did not realize all at once where she was. - -Lucy always wakes prettily, and even at such a time, when her body must -have been chilled with cold, and her mind somewhat appalled at waking -unclad in a churchyard at night, she did not lose her grace. She -trembled a little, and clung to me. When I told her to come at once -with me home, she rose without a word, with the obedience of a child. -As we passed along, the gravel hurt my feet, and Lucy noticed me wince. -She stopped and wanted to insist upon my taking my shoes, but I would -not. However, when we got to the pathway outside the chruchyard, where -there was a puddle of water, remaining from the storm, I daubed my feet -with mud, using each foot in turn on the other, so that as we went -home, no one, in case we should meet any one, should notice my bare -feet. - -Fortune favoured us, and we got home without meeting a soul. Once we -saw a man, who seemed not quite sober, passing along a street in front -of us. But we hid in a door till he had disappeared up an opening such -as there are here, steep little closes, or 'wynds', as they call them -in Scotland. My heart beat so loud all the time sometimes I thought I -should faint. I was filled with anxiety about Lucy, not only for her -health, lest she should suffer from the exposure, but for her -reputation in case the story should get wind. When we got in, and had -washed our feet, and had said a prayer of thankfulness together, I -tucked her into bed. Before falling asleep she asked, even implored, -me not to say a word to any one, even her mother, about her -sleep-walking adventure. - -I hesitated at first, to promise, but on thinking of the state of her -mother's health, and how the knowledge of such a thing would fret her, -and think too, of how such a story might become distorted, nay, -infallibly would, in case it should leak out, I thought it wiser to do -so. I hope I did right. I have locked the door, and the key is tied -to my wrist, so perhaps I shall not be again disturbed. Lucy is -sleeping soundly. The reflex of the dawn is high and far over the -sea . . . - - -Same day, noon.--All goes well. Lucy slept till I woke her and seemed -not to have even changed her side. The adventure of the night does not -seem to have harmed her, on the contrary, it has benefited her, for she -looks better this morning than she has done for weeks. I was sorry to -notice that my clumsiness with the safety-pin hurt her. Indeed, it -might have been serious, for the skin of her throat was pierced. I -must have pinched up a piece of loose skin and have transfixed it, for -there are two little red points like pin-pricks, and on the band of her -nightdress was a drop of blood. When I apologised and was concerned -about it, she laughed and petted me, and said she did not even feel it. -Fortunately it cannot leave a scar, as it is so tiny. - - -Same day, night.--We passed a happy day. The air was clear, and the -sun bright, and there was a cool breeze. We took our lunch to Mulgrave -Woods, Mrs. Westenra driving by the road and Lucy and I walking by the -cliff-path and joining her at the gate. I felt a little sad myself, -for I could not but feel how absolutely happy it would have been had -Jonathan been with me. But there! I must only be patient. In the -evening we strolled in the Casino Terrace, and heard some good music by -Spohr and Mackenzie, and went to bed early. Lucy seems more restful -than she has been for some time, and fell asleep at once. I shall lock -the door and secure the key the same as before, though I do not expect -any trouble tonight. - - -12 August.--My expectations were wrong, for twice during the night I -was wakened by Lucy trying to get out. She seemed, even in her sleep, -to be a little impatient at finding the door shut, and went back to bed -under a sort of protest. I woke with the dawn, and heard the birds -chirping outside of the window. Lucy woke, too, and I was glad to see, -was even better than on the previous morning. All her old gaiety of -manner seemed to have come back, and she came and snuggled in beside me -and told me all about Arthur. I told her how anxious I was about -Jonathan, and then she tried to comfort me. Well, she succeeded -somewhat, for, though sympathy can't alter facts, it can make them more -bearable. - - -13 August.--Another quiet day, and to bed with the key on my wrist as -before. Again I awoke in the night, and found Lucy sitting up in bed, -still asleep, pointing to the window. I got up quietly, and pulling -aside the blind, looked out. It was brilliant moonlight, and the soft -effect of the light over the sea and sky, merged together in one great -silent mystery, was beautiful beyond words. Between me and the -moonlight flitted a great bat, coming and going in great whirling -circles. Once or twice it came quite close, but was, I suppose, -frightened at seeing me, and flitted away across the harbour towards -the abbey. When I came back from the window Lucy had lain down again, -and was sleeping peacefully. She did not stir again all night. - - -14 August.--On the East Cliff, reading and writing all day. Lucy seems -to have become as much in love with the spot as I am, and it is hard to -get her away from it when it is time to come home for lunch or tea or -dinner. This afternoon she made a funny remark. We were coming home -for dinner, and had come to the top of the steps up from the West Pier -and stopped to look at the view, as we generally do. The setting sun, -low down in the sky, was just dropping behind Kettleness. The red -light was thrown over on the East Cliff and the old abbey, and seemed -to bathe everything in a beautiful rosy glow. We were silent for a -while, and suddenly Lucy murmured as if to herself . . . - -"His red eyes again! They are just the same." It was such an odd -expression, coming apropos of nothing, that it quite startled me. I -slewed round a little, so as to see Lucy well without seeming to stare -at her, and saw that she was in a half dreamy state, with an odd look -on her face that I could not quite make out, so I said nothing, but -followed her eyes. She appeared to be looking over at our own seat, -whereon was a dark figure seated alone. I was quite a little startled -myself, for it seemed for an instant as if the stranger had great eyes -like burning flames, but a second look dispelled the illusion. The red -sunlight was shining on the windows of St. Mary's Church behind our -seat, and as the sun dipped there was just sufficient change in the -refraction and reflection to make it appear as if the light moved. I -called Lucy's attention to the peculiar effect, and she became herself -with a start, but she looked sad all the same. It may have been that -she was thinking of that terrible night up there. We never refer to -it, so I said nothing, and we went home to dinner. Lucy had a headache -and went early to bed. I saw her asleep, and went out for a little -stroll myself. - -I walked along the cliffs to the westward, and was full of sweet -sadness, for I was thinking of Jonathan. When coming home, it was then -bright moonlight, so bright that, though the front of our part of the -Crescent was in shadow, everything could be well seen, I threw a glance -up at our window, and saw Lucy's head leaning out. I opened my -handkerchief and waved it. She did not notice or make any movement -whatever. Just then, the moonlight crept round an angle of the -building, and the light fell on the window. There distinctly was Lucy -with her head lying up against the side of the window sill and her eyes -shut. She was fast asleep, and by her, seated on the window sill, was -something that looked like a good-sized bird. I was afraid she might -get a chill, so I ran upstairs, but as I came into the room she was -moving back to her bed, fast asleep, and breathing heavily. She was -holding her hand to her throat, as though to protect if from the cold. - -I did not wake her, but tucked her up warmly. I have taken care that -the door is locked and the window securely fastened. - -She looks so sweet as she sleeps, but she is paler than is her wont, -and there is a drawn, haggard look under her eyes which I do not like. -I fear she is fretting about something. I wish I could find out what it -is. - - -15 August.--Rose later than usual. Lucy was languid and tired, and -slept on after we had been called. We had a happy surprise at -breakfast. Arthur's father is better, and wants the marriage to come -off soon. Lucy is full of quiet joy, and her mother is glad and sorry -at once. Later on in the day she told me the cause. She is grieved to -lose Lucy as her very own, but she is rejoiced that she is soon to have -some one to protect her. Poor dear, sweet lady! She confided to me -that she has got her death warrant. She has not told Lucy, and made me -promise secrecy. Her doctor told her that within a few months, at -most, she must die, for her heart is weakening. At any time, even now, -a sudden shock would be almost sure to kill her. Ah, we were wise to -keep from her the affair of the dreadful night of Lucy's sleep-walking. - - -17 August.--No diary for two whole days. I have not had the heart to -write. Some sort of shadowy pall seems to be coming over our -happiness. No news from Jonathan, and Lucy seems to be growing weaker, -whilst her mother's hours are numbering to a close. I do not -understand Lucy's fading away as she is doing. She eats well and -sleeps well, and enjoys the fresh air, but all the time the roses in -her cheeks are fading, and she gets weaker and more languid day by day. -At night I hear her gasping as if for air. - -I keep the key of our door always fastened to my wrist at night, but -she gets up and walks about the room, and sits at the open window. -Last night I found her leaning out when I woke up, and when I tried to -wake her I could not. - -She was in a faint. When I managed to restore her, she was weak as -water, and cried silently between long, painful struggles for breath. -When I asked her how she came to be at the window she shook her head -and turned away. - -I trust her feeling ill may not be from that unlucky prick of the -safety-pin. I looked at her throat just now as she lay asleep, and the -tiny wounds seem not to have healed. They are still open, and, if -anything, larger than before, and the edges of them are faintly white. -They are like little white dots with red centres. Unless they heal -within a day or two, I shall insist on the doctor seeing about them. - - - -LETTER, SAMUEL F. BILLINGTON & SON, SOLICITORS WHITBY, -TO MESSRS. CARTER, PATERSON & CO., LONDON. - -17 August - -"Dear Sirs,--Herewith please receive invoice of goods sent by Great -Northern Railway. Same are to be delivered at Carfax, near -Purfleet, immediately on receipt at goods station King's Cross. The -house is at present empty, but enclosed please find keys, all of -which are labelled. - -"You will please deposit the boxes, fifty in number, which form the -consignment, in the partially ruined building forming part of the -house and marked 'A' on rough diagrams enclosed. Your agent will -easily recognize the locality, as it is the ancient chapel of the -mansion. The goods leave by the train at 9:30 tonight, and will be -due at King's Cross at 4:30 tomorrow afternoon. As our client -wishes the delivery made as soon as possible, we shall be obliged by -your having teams ready at King's Cross at the time named and -forthwith conveying the goods to destination. In order to obviate -any delays possible through any routine requirements as to payment -in your departments, we enclose cheque herewith for ten pounds, -receipt of which please acknowledge. Should the charge be less than -this amount, you can return balance, if greater, we shall at once -send cheque for difference on hearing from you. You are to leave -the keys on coming away in the main hall of the house, where the -proprietor may get them on his entering the house by means of his -duplicate key. - -"Pray do not take us as exceeding the bounds of business courtesy -in pressing you in all ways to use the utmost expedition. - -"We are, dear Sirs, -Faithfully yours, -SAMUEL F. BILLINGTON & SON" - - - -LETTER, MESSRS. CARTER, PATERSON & CO., LONDON, -TO MESSRS. BILLINGTON & SON, WHITBY. - -21 August. - -"Dear Sirs,--We beg to acknowledge 10 pounds received and to return -cheque of 1 pound, 17s, 9d, amount of overplus, as shown in -receipted account herewith. Goods are delivered in exact accordance -with instructions, and keys left in parcel in main hall, as -directed. - -"We are, dear Sirs, -Yours respectfully, -Pro CARTER, PATERSON & CO." - - - -MINA MURRAY'S JOURNAL. - -18 August.--I am happy today, and write sitting on the seat in the -churchyard. Lucy is ever so much better. Last night she slept well -all night, and did not disturb me once. - -The roses seem coming back already to her cheeks, though she is still -sadly pale and wan-looking. If she were in any way anemic I could -understand it, but she is not. She is in gay spirits and full of life -and cheerfulness. All the morbid reticence seems to have passed from -her, and she has just reminded me, as if I needed any reminding, of -that night, and that it was here, on this very seat, I found her -asleep. - -As she told me she tapped playfully with the heel of her boot on the -stone slab and said, - -"My poor little feet didn't make much noise then! I daresay poor old -Mr. Swales would have told me that it was because I didn't want to wake -up Geordie." - -As she was in such a communicative humour, I asked her if she had -dreamed at all that night. - -Before she answered, that sweet, puckered look came into her forehead, -which Arthur, I call him Arthur from her habit, says he loves, and -indeed, I don't wonder that he does. Then she went on in a -half-dreaming kind of way, as if trying to recall it to herself. - -"I didn't quite dream, but it all seemed to be real. I only wanted to -be here in this spot. I don't know why, for I was afraid of something, -I don't know what. I remember, though I suppose I was asleep, passing -through the streets and over the bridge. A fish leaped as I went by, -and I leaned over to look at it, and I heard a lot of dogs howling. The -whole town seemed as if it must be full of dogs all howling at once, as -I went up the steps. Then I had a vague memory of something long and -dark with red eyes, just as we saw in the sunset, and something very -sweet and very bitter all around me at once. And then I seemed sinking -into deep green water, and there was a singing in my ears, as I have -heard there is to drowning men, and then everything seemed passing away -from me. My soul seemed to go out from my body and float about the -air. I seem to remember that once the West Lighthouse was right under -me, and then there was a sort of agonizing feeling, as if I were in an -earthquake, and I came back and found you shaking my body. I saw you -do it before I felt you." - -Then she began to laugh. It seemed a little uncanny to me, and I -listened to her breathlessly. I did not quite like it, and thought it -better not to keep her mind on the subject, so we drifted on to another -subject, and Lucy was like her old self again. When we got home the -fresh breeze had braced her up, and her pale cheeks were really more -rosy. Her mother rejoiced when she saw her, and we all spent a very -happy evening together. - - -19 August.--Joy, joy, joy! Although not all joy. At last, news of -Jonathan. The dear fellow has been ill, that is why he did not write. -I am not afraid to think it or to say it, now that I know. Mr. Hawkins -sent me on the letter, and wrote himself, oh so kindly. I am to leave -in the morning and go over to Jonathan, and to help to nurse him if -necessary, and to bring him home. Mr. Hawkins says it would not be a -bad thing if we were to be married out there. I have cried over the -good Sister's letter till I can feel it wet against my bosom, where it -lies. It is of Jonathan, and must be near my heart, for he is in my -heart. My journey is all mapped out, and my luggage ready. I am only -taking one change of dress. Lucy will bring my trunk to London and -keep it till I send for it, for it may be that . . . I must write no -more. I must keep it to say to Jonathan, my husband. The letter that -he has seen and touched must comfort me till we meet. - - - -LETTER, SISTER AGATHA, HOSPITAL OF ST. JOSEPH AND -STE. MARY BUDA-PESTH, TO MISS WILLHELMINA MURRAY - -12 August, - -"Dear Madam. - -"I write by desire of Mr. Jonathan Harker, who is himself not strong -enough to write, though progressing well, thanks to God and St. -Joseph and Ste. Mary. He has been under our care for nearly six -weeks, suffering from a violent brain fever. He wishes me to convey -his love, and to say that by this post I write for him to Mr. Peter -Hawkins, Exeter, to say, with his dutiful respects, that he is sorry -for his delay, and that all of his work is completed. He will -require some few weeks' rest in our sanatorium in the hills, but -will then return. He wishes me to say that he has not sufficient -money with him, and that he would like to pay for his staying here, -so that others who need shall not be wanting for help. - -"Believe me, - -"Yours, with sympathy -and all blessings. -Sister Agatha - -"P.S.--My patient being asleep, I open this to let you know -something more. He has told me all about you, and that you are -shortly to be his wife. All blessings to you both! He has had some -fearful shock, so says our doctor, and in his delirium his ravings -have been dreadful, of wolves and poison and blood, of ghosts and -demons, and I fear to say of what. Be careful of him always that -there may be nothing to excite him of this kind for a long time to -come. The traces of such an illness as his do not lightly die away. -We should have written long ago, but we knew nothing of his friends, -and there was nothing on him, nothing that anyone could understand. -He came in the train from Klausenburg, and the guard was told by the -station master there that he rushed into the station shouting for a -ticket for home. Seeing from his violent demeanour that he was -English, they gave him a ticket for the furthest station on the way -thither that the train reached. - -"Be assured that he is well cared for. He has won all hearts by his -sweetness and gentleness. He is truly getting on well, and I have -no doubt will in a few weeks be all himself. But be careful of him -for safety's sake. There are, I pray God and St. Joseph and Ste. -Mary, many, many, happy years for you both." - - - -DR. SEWARD'S DIARY - -19 August.--Strange and sudden change in Renfield last night. About -eight o'clock he began to get excited and sniff about as a dog does -when setting. The attendant was struck by his manner, and knowing my -interest in him, encouraged him to talk. He is usually respectful to -the attendant and at times servile, but tonight, the man tells me, he -was quite haughty. Would not condescend to talk with him at all. - -All he would say was, "I don't want to talk to you. You don't count -now. The master is at hand." - -The attendant thinks it is some sudden form of religious mania which -has seized him. If so, we must look out for squalls, for a strong man -with homicidal and religious mania at once might be dangerous. The -combination is a dreadful one. - -At nine o'clock I visited him myself. His attitude to me was the same -as that to the attendant. In his sublime self-feeling the difference -between myself and the attendant seemed to him as nothing. It looks -like religious mania, and he will soon think that he himself is God. - -These infinitesimal distinctions between man and man are too paltry for -an Omnipotent Being. How these madmen give themselves away! The real -God taketh heed lest a sparrow fall. But the God created from human -vanity sees no difference between an eagle and a sparrow. Oh, if men -only knew! - -For half an hour or more Renfield kept getting excited in greater and -greater degree. I did not pretend to be watching him, but I kept -strict observation all the same. All at once that shifty look came -into his eyes which we always see when a madman has seized an idea, and -with it the shifty movement of the head and back which asylum -attendants come to know so well. He became quite quiet, and went and -sat on the edge of his bed resignedly, and looked into space with -lack-luster eyes. - -I thought I would find out if his apathy were real or only assumed, and -tried to lead him to talk of his pets, a theme which had never failed -to excite his attention. - -At first he made no reply, but at length said testily, "Bother them -all! I don't care a pin about them." - -"What?" I said. "You don't mean to tell me you don't care about -spiders?" (Spiders at present are his hobby and the notebook is filling -up with columns of small figures.) - -To this he answered enigmatically, "The Bride maidens rejoice the eyes -that wait the coming of the bride. But when the bride draweth nigh, -then the maidens shine not to the eyes that are filled." - -He would not explain himself, but remained obstinately seated on his -bed all the time I remained with him. - -I am weary tonight and low in spirits. I cannot but think of Lucy, and -how different things might have been. If I don't sleep at once, -chloral, the modern Morpheus! I must be careful not to let it grow -into a habit. No, I shall take none tonight! I have thought of Lucy, -and I shall not dishonour her by mixing the two. If need be, tonight -shall be sleepless. - - -Later.--Glad I made the resolution, gladder that I kept to it. I had -lain tossing about, and had heard the clock strike only twice, when the -night watchman came to me, sent up from the ward, to say that Renfield -had escaped. I threw on my clothes and ran down at once. My patient -is too dangerous a person to be roaming about. Those ideas of his -might work out dangerously with strangers. - -The attendant was waiting for me. He said he had seen him not ten -minutes before, seemingly asleep in his bed, when he had looked through -the observation trap in the door. His attention was called by the -sound of the window being wrenched out. He ran back and saw his feet -disappear through the window, and had at once sent up for me. He was -only in his night gear, and cannot be far off. - -The attendant thought it would be more useful to watch where he should -go than to follow him, as he might lose sight of him whilst getting out -of the building by the door. He is a bulky man, and couldn't get -through the window. - -I am thin, so, with his aid, I got out, but feet foremost, and as we -were only a few feet above ground landed unhurt. - -The attendant told me the patient had gone to the left, and had taken a -straight line, so I ran as quickly as I could. As I got through the -belt of trees I saw a white figure scale the high wall which separates -our grounds from those of the deserted house. - -I ran back at once, told the watchman to get three or four men -immediately and follow me into the grounds of Carfax, in case our -friend might be dangerous. I got a ladder myself, and crossing the -wall, dropped down on the other side. I could see Renfield's figure -just disappearing behind the angle of the house, so I ran after him. On -the far side of the house I found him pressed close against the old -iron-bound oak door of the chapel. - -He was talking, apparently to some one, but I was afraid to go near -enough to hear what he was saying, lest I might frighten him, and he -should run off. - -Chasing an errant swarm of bees is nothing to following a naked -lunatic, when the fit of escaping is upon him! After a few minutes, -however, I could see that he did not take note of anything around him, -and so ventured to draw nearer to him, the more so as my men had now -crossed the wall and were closing him in. I heard him say . . . - -"I am here to do your bidding, Master. I am your slave, and you will -reward me, for I shall be faithful. I have worshipped you long and afar -off. Now that you are near, I await your commands, and you will not -pass me by, will you, dear Master, in your distribution of good -things?" - -He is a selfish old beggar anyhow. He thinks of the loaves and fishes -even when he believes his is in a real Presence. His manias make a -startling combination. When we closed in on him he fought like a -tiger. He is immensely strong, for he was more like a wild beast than -a man. - -I never saw a lunatic in such a paroxysm of rage before, and I hope I -shall not again. It is a mercy that we have found out his strength and -his danger in good time. With strength and determination like his, he -might have done wild work before he was caged. - -He is safe now, at any rate. Jack Sheppard himself couldn't get free -from the strait waistcoat that keeps him restrained, and he's chained -to the wall in the padded room. - -His cries are at times awful, but the silences that follow are more -deadly still, for he means murder in every turn and movement. - -Just now he spoke coherent words for the first time. "I shall be -patient, Master. It is coming, coming, coming!" - -So I took the hint, and came too. I was too excited to sleep, but this -diary has quieted me, and I feel I shall get some sleep tonight. - - - - -CHAPTER 9 - - -LETTER, MINA HARKER TO LUCY WESTENRA - - -Buda-Pesth, 24 August. - -"My dearest Lucy, - -"I know you will be anxious to hear all that has happened -since we parted at the railway station at Whitby. - -"Well, my dear, I got to Hull all right, and caught the boat to -Hamburg, and then the train on here. I feel that I can hardly -recall anything of the journey, except that I knew I was coming to -Jonathan, and that as I should have to do some nursing, I had better -get all the sleep I could. I found my dear one, oh, so thin and -pale and weak-looking. All the resolution has gone out of his dear -eyes, and that quiet dignity which I told you was in his face has -vanished. He is only a wreck of himself, and he does not remember -anything that has happened to him for a long time past. At least, -he wants me to believe so, and I shall never ask. - -"He has had some terrible shock, and I fear it might tax his poor -brain if he were to try to recall it. Sister Agatha, who is a good -creature and a born nurse, tells me that he wanted her to tell me -what they were, but she would only cross herself, and say she would -never tell. That the ravings of the sick were the secrets of God, -and that if a nurse through her vocation should hear them, she -should respect her trust. - -"She is a sweet, good soul, and the next day, when she saw I was -troubled, she opened up the subject my poor dear raved about, added, -'I can tell you this much, my dear. That it was not about anything -which he has done wrong himself, and you, as his wife to be, have no -cause to be concerned. He has not forgotten you or what he owes to -you. His fear was of great and terrible things, which no mortal can -treat of.' - -"I do believe the dear soul thought I might be jealous lest my poor -dear should have fallen in love with any other girl. The idea of my -being jealous about Jonathan! And yet, my dear, let me whisper, I -felt a thrill of joy through me when I knew that no other woman was -a cause for trouble. I am now sitting by his bedside, where I can -see his face while he sleeps. He is waking! - -"When he woke he asked me for his coat, as he wanted to get -something from the pocket. I asked Sister Agatha, and she brought -all his things. I saw amongst them was his notebook, and was -going to ask him to let me look at it, for I knew that I might find -some clue to his trouble, but I suppose he must have seen my wish in -my eyes, for he sent me over to the window, saying he wanted to be -quite alone for a moment. - -"Then he called me back, and he said to me very solemnly, -'Wilhelmina', I knew then that he was in deadly earnest, for he has -never called me by that name since he asked me to marry him, 'You -know, dear, my ideas of the trust between husband and wife. There -should be no secret, no concealment. I have had a great shock, and -when I try to think of what it is I feel my head spin round, and I -do not know if it was real of the dreaming of a madman. You know I -had brain fever, and that is to be mad. The secret is here, and I -do not want to know it. I want to take up my life here, with our -marriage.' For, my dear, we had decided to be married as soon as -the formalities are complete. 'Are you willing, Wilhelmina, to -share my ignorance? Here is the book. Take it and keep it, read it -if you will, but never let me know unless, indeed, some solemn duty -should come upon me to go back to the bitter hours, asleep or awake, -sane or mad, recorded here.' He fell back exhausted, and I put the -book under his pillow, and kissed him. I have asked Sister Agatha -to beg the Superior to let our wedding be this afternoon, and am -waiting her reply . . ." - - -"She has come and told me that the Chaplain of the English mission -church has been sent for. We are to be married in an hour, or as -soon after as Jonathan awakes." - -"Lucy, the time has come and gone. I feel very solemn, but very, -very happy. Jonathan woke a little after the hour, and all was -ready, and he sat up in bed, propped up with pillows. He answered -his 'I will' firmly and strong. I could hardly speak. My heart was -so full that even those words seemed to choke me. - -"The dear sisters were so kind. Please, God, I shall never, never -forget them, nor the grave and sweet responsibilities I have taken -upon me. I must tell you of my wedding present. When the chaplain -and the sisters had left me alone with my husband--oh, Lucy, it is -the first time I have written the words 'my husband'--left me alone -with my husband, I took the book from under his pillow, and wrapped -it up in white paper, and tied it with a little bit of pale blue -ribbon which was round my neck, and sealed it over the knot with -sealing wax, and for my seal I used my wedding ring. Then I kissed -it and showed it to my husband, and told him that I would keep it -so, and then it would be an outward and visible sign for us all our -lives that we trusted each other, that I would never open it unless -it were for his own dear sake or for the sake of some stern duty. -Then he took my hand in his, and oh, Lucy, it was the first time he -took his wife's hand, and said that it was the dearest thing in all -the wide world, and that he would go through all the past again to -win it, if need be. The poor dear meant to have said a part of the -past, but he cannot think of time yet, and I shall not wonder if at -first he mixes up not only the month, but the year. - -"Well, my dear, what could I say? I could only tell him that I was -the happiest woman in all the wide world, and that I had nothing to -give him except myself, my life, and my trust, and that with these -went my love and duty for all the days of my life. And, my dear, -when he kissed me, and drew me to him with his poor weak hands, it -was like a solemn pledge between us. - -"Lucy dear, do you know why I tell you all this? It is not only -because it is all sweet to me, but because you have been, and are, -very dear to me. It was my privilege to be your friend and guide -when you came from the schoolroom to prepare for the world of life. -I want you to see now, and with the eyes of a very happy wife, -whither duty has led me, so that in your own married life you too -may be all happy, as I am. My dear, please Almighty God, your life -may be all it promises, a long day of sunshine, with no harsh wind, -no forgetting duty, no distrust. I must not wish you no pain, for -that can never be, but I do hope you will be always as happy as I am -now. Goodbye, my dear. I shall post this at once, and perhaps, -write you very soon again. I must stop, for Jonathan is waking. I -must attend my husband! - -"Your ever-loving -Mina Harker." - - - -LETTER, LUCY WESTENRA TO MINA HARKER. - -Whitby, 30 August. - -"My dearest Mina, - -"Oceans of love and millions of kisses, and may you soon be in your -own home with your husband. I wish you were coming home soon enough -to stay with us here. The strong air would soon restore Jonathan. -It has quite restored me. I have an appetite like a cormorant, am -full of life, and sleep well. You will be glad to know that I have -quite given up walking in my sleep. I think I have not stirred out -of my bed for a week, that is when I once got into it at night. -Arthur says I am getting fat. By the way, I forgot to tell you that -Arthur is here. We have such walks and drives, and rides, and -rowing, and tennis, and fishing together, and I love him more than -ever. He tells me that he loves me more, but I doubt that, for at -first he told me that he couldn't love me more than he did then. -But this is nonsense. There he is, calling to me. So no more just -at present from your loving, - -"Lucy. - -"P.S.--Mother sends her love. She seems better, poor dear. - -"P.P.S.--We are to be married on 28 September." - - - -DR. SEWARDS DIARY - -20 August.--The case of Renfield grows even more interesting. He has -now so far quieted that there are spells of cessation from his -passion. For the first week after his attack he was perpetually -violent. Then one night, just as the moon rose, he grew quiet, and -kept murmuring to himself. "Now I can wait. Now I can wait." - -The attendant came to tell me, so I ran down at once to have a look at -him. He was still in the strait waistcoat and in the padded room, but -the suffused look had gone from his face, and his eyes had something -of their old pleading. I might almost say, cringing, softness. I was -satisfied with his present condition, and directed him to be relieved. -The attendants hesitated, but finally carried out my wishes without -protest. - -It was a strange thing that the patient had humour enough to see their -distrust, for, coming close to me, he said in a whisper, all the while -looking furtively at them, "They think I could hurt you! Fancy me -hurting you! The fools!" - -It was soothing, somehow, to the feelings to find myself disassociated -even in the mind of this poor madman from the others, but all the same -I do not follow his thought. Am I to take it that I have anything in -common with him, so that we are, as it were, to stand together. Or -has he to gain from me some good so stupendous that my well being is -needful to Him? I must find out later on. Tonight he will not speak. -Even the offer of a kitten or even a full-grown cat will not tempt -him. - -He will only say, "I don't take any stock in cats. I have more to -think of now, and I can wait. I can wait." - -After a while I left him. The attendant tells me that he was quiet -until just before dawn, and that then he began to get uneasy, and at -length violent, until at last he fell into a paroxysm which exhausted -him so that he swooned into a sort of coma. - - -. . . Three nights has the same thing happened, violent all day then -quiet from moonrise to sunrise. I wish I could get some clue to the -cause. It would almost seem as if there was some influence which came -and went. Happy thought! We shall tonight play sane wits against mad -ones. He escaped before without our help. Tonight he shall escape -with it. We shall give him a chance, and have the men ready to follow -in case they are required. - - -23 August.--"The expected always happens." How well Disraeli knew -life. Our bird when he found the cage open would not fly, so all our -subtle arrangements were for nought. At any rate, we have proved one -thing, that the spells of quietness last a reasonable time. We shall -in future be able to ease his bonds for a few hours each day. I have -given orders to the night attendant merely to shut him in the padded -room, when once he is quiet, until the hour before sunrise. The poor -soul's body will enjoy the relief even if his mind cannot appreciate -it. Hark! The unexpected again! I am called. The patient has once -more escaped. - - -Later.--Another night adventure. Renfield artfully waited until the -attendant was entering the room to inspect. Then he dashed out past -him and flew down the passage. I sent word for the attendants to -follow. Again he went into the grounds of the deserted house, and we -found him in the same place, pressed against the old chapel door. -When he saw me he became furious, and had not the attendants seized -him in time, he would have tried to kill me. As we were holding him a -strange thing happened. He suddenly redoubled his efforts, and then -as suddenly grew calm. I looked round instinctively, but could see -nothing. Then I caught the patient's eye and followed it, but could -trace nothing as it looked into the moonlight sky, except a big bat, -which was flapping its silent and ghostly way to the west. Bats -usually wheel about, but this one seemed to go straight on, as if it -knew where it was bound for or had some intention of its own. - -The patient grew calmer every instant, and presently said, "You -needn't tie me. I shall go quietly!" Without trouble, we came back -to the house. I feel there is something ominous in his calm, and -shall not forget this night. - - - -LUCY WESTENRA'S DIARY - -Hillingham, 24 August.--I must imitate Mina, and keep writing things -down. Then we can have long talks when we do meet. I wonder when it -will be. I wish she were with me again, for I feel so unhappy. Last -night I seemed to be dreaming again just as I was at Whitby. Perhaps -it is the change of air, or getting home again. It is all dark and -horrid to me, for I can remember nothing. But I am full of vague -fear, and I feel so weak and worn out. When Arthur came to lunch he -looked quite grieved when he saw me, and I hadn't the spirit to try to -be cheerful. I wonder if I could sleep in mother's room tonight. I -shall make an excuse to try. - - -25 August.--Another bad night. Mother did not seem to take to my -proposal. She seems not too well herself, and doubtless she fears to -worry me. I tried to keep awake, and succeeded for a while, but when -the clock struck twelve it waked me from a doze, so I must have been -falling asleep. There was a sort of scratching or flapping at the -window, but I did not mind it, and as I remember no more, I suppose I -must have fallen asleep. More bad dreams. I wish I could remember -them. This morning I am horribly weak. My face is ghastly pale, and -my throat pains me. It must be something wrong with my lungs, for I -don't seem to be getting air enough. I shall try to cheer up when -Arthur comes, or else I know he will be miserable to see me so. - - - -LETTER, ARTHUR TO DR. SEWARD - -"Albemarle Hotel, 31 August - -"My dear Jack, - -"I want you to do me a favour. Lucy is ill, that is she has no -special disease, but she looks awful, and is getting worse every -day. I have asked her if there is any cause, I not dare to ask her -mother, for to disturb the poor lady's mind about her daughter in -her present state of health would be fatal. Mrs. Westenra has -confided to me that her doom is spoken, disease of the heart, though -poor Lucy does not know it yet. I am sure that there is something -preying on my dear girl's mind. I am almost distracted when I think -of her. To look at her gives me a pang. I told her I should ask -you to see her, and though she demurred at first, I know why, old -fellow, she finally consented. It will be a painful task for you, I -know, old friend, but it is for her sake, and I must not hesitate to -ask, or you to act. You are to come to lunch at Hillingham -tomorrow, two o'clock, so as not to arouse any suspicion in Mrs. -Westenra, and after lunch Lucy will take an opportunity of being -alone with you. I am filled with anxiety, and want to consult with -you alone as soon as I can after you have seen her. Do not fail! - -"Arthur." - - - -TELEGRAM, ARTHUR HOLMWOOD TO SEWARD - -1 September - -"Am summoned to see my father, who is worse. Am writing. Write -me fully by tonight's post to Ring. Wire me if necessary." - - - -LETTER FROM DR. SEWARD TO ARTHUR HOLMWOOD - -2 September - -"My dear old fellow, - -"With regard to Miss Westenra's health I hasten to let you know at -once that in my opinion there is not any functional disturbance or -any malady that I know of. At the same time, I am not by any means -satisfied with her appearance. She is woefully different from what -she was when I saw her last. Of course you must bear in mind that I -did not have full opportunity of examination such as I should wish. -Our very friendship makes a little difficulty which not even medical -science or custom can bridge over. I had better tell you exactly -what happened, leaving you to draw, in a measure, your own -conclusions. I shall then say what I have done and propose doing. - -"I found Miss Westenra in seemingly gay spirits. Her mother was -present, and in a few seconds I made up my mind that she was trying -all she knew to mislead her mother and prevent her from being -anxious. I have no doubt she guesses, if she does not know, what -need of caution there is. - -"We lunched alone, and as we all exerted ourselves to be cheerful, -we got, as some kind of reward for our labours, some real -cheerfulness amongst us. Then Mrs. Westenra went to lie down, and -Lucy was left with me. We went into her boudoir, and till we got -there her gaiety remained, for the servants were coming and going. - -"As soon as the door was closed, however, the mask fell from her -face, and she sank down into a chair with a great sigh, and hid her -eyes with her hand. When I saw that her high spirits had failed, I -at once took advantage of her reaction to make a diagnosis. - -"She said to me very sweetly, 'I cannot tell you how I loathe -talking about myself.' I reminded her that a doctor's confidence -was sacred, but that you were grievously anxious about her. She -caught on to my meaning at once, and settled that matter in a word. -'Tell Arthur everything you choose. I do not care for myself, but -for him!' So I am quite free. - -"I could easily see that she was somewhat bloodless, but I could not -see the usual anemic signs, and by the chance, I was able to test -the actual quality of her blood, for in opening a window which was -stiff a cord gave way, and she cut her hand slightly with broken -glass. It was a slight matter in itself, but it gave me an evident -chance, and I secured a few drops of the blood and have analysed -them. - -"The qualitative analysis give a quite normal condition, and shows, -I should infer, in itself a vigorous state of health. In other -physical matters I was quite satisfied that there is no need for -anxiety, but as there must be a cause somewhere, I have come to the -conclusion that it must be something mental. - -"She complains of difficulty breathing satisfactorily at times, and -of heavy, lethargic sleep, with dreams that frighten her, but -regarding which she can remember nothing. She says that as a child, -she used to walk in her sleep, and that when in Whitby the habit -came back, and that once she walked out in the night and went to -East Cliff, where Miss Murray found her. But she assures me that of -late the habit has not returned. - -"I am in doubt, and so have done the best thing I know of. I have -written to my old friend and master, Professor Van Helsing, of -Amsterdam, who knows as much about obscure diseases as any one in -the world. I have asked him to come over, and as you told me that -all things were to be at your charge, I have mentioned to him who -you are and your relations to Miss Westenra. This, my dear fellow, -is in obedience to your wishes, for I am only too proud and happy to -do anything I can for her. - -"Van Helsing would, I know, do anything for me for a personal -reason, so no matter on what ground he comes, we must accept his -wishes. He is a seemingly arbitrary man, this is because he knows -what he is talking about better than any one else. He is a -philosopher and a metaphysician, and one of the most advanced -scientists of his day, and he has, I believe, an absolutely open -mind. This, with an iron nerve, a temper of the ice-brook, and -indomitable resolution, self-command, and toleration exalted from -virtues to blessings, and the kindliest and truest heart that beats, -these form his equipment for the noble work that he is doing for -mankind, work both in theory and practice, for his views are as wide -as his all-embracing sympathy. I tell you these facts that you may -know why I have such confidence in him. I have asked him to come at -once. I shall see Miss Westenra tomorrow again. She is to meet me -at the Stores, so that I may not alarm her mother by too early a -repetition of my call. - -"Yours always." - -John Seward - - - - -LETTER, ABRAHAM VAN HELSING, MD, DPh, D. Lit, ETC, ETC, TO DR. SEWARD - -2 September. - -"My good Friend, - -"When I received your letter I am already coming to you. By good -fortune I can leave just at once, without wrong to any of those who -have trusted me. Were fortune other, then it were bad for those who -have trusted, for I come to my friend when he call me to aid those -he holds dear. Tell your friend that when that time you suck from -my wound so swiftly the poison of the gangrene from that knife that -our other friend, too nervous, let slip, you did more for him when -he wants my aids and you call for them than all his great fortune -could do. But it is pleasure added to do for him, your friend, it -is to you that I come. Have near at hand, and please it so arrange -that we may see the young lady not too late on tomorrow, for it is -likely that I may have to return here that night. But if need be I -shall come again in three days, and stay longer if it must. Till -then goodbye, my friend John. - -"Van Helsing." - - - -LETTER, DR. SEWARD TO HON. ARTHUR HOLMWOOD - -3 September - -"My dear Art, - -"Van Helsing has come and gone. He came on with me to Hillingham, -and found that, by Lucy's discretion, her mother was lunching out, -so that we were alone with her. - -"Van Helsing made a very careful examination of the patient. He is -to report to me, and I shall advise you, for of course I was not -present all the time. He is, I fear, much concerned, but says he -must think. When I told him of our friendship and how you trust to -me in the matter, he said, 'You must tell him all you think. Tell -him what I think, if you can guess it, if you will. Nay, I am -not jesting. This is no jest, but life and death, perhaps more.' I -asked what he meant by that, for he was very serious. This was when -we had come back to town, and he was having a cup of tea before -starting on his return to Amsterdam. He would not give me any -further clue. You must not be angry with me, Art, because his very -reticence means that all his brains are working for her good. He -will speak plainly enough when the time comes, be sure. So I told -him I would simply write an account of our visit, just as if I were -doing a descriptive special article for THE DAILY TELEGRAPH. He -seemed not to notice, but remarked that the smuts of London were not -quite so bad as they used to be when he was a student here. I am to -get his report tomorrow if he can possibly make it. In any case I -am to have a letter. - -"Well, as to the visit, Lucy was more cheerful than on the day I -first saw her, and certainly looked better. She had lost something -of the ghastly look that so upset you, and her breathing was normal. -She was very sweet to the Professor (as she always is), and tried to -make him feel at ease, though I could see the poor girl was making a -hard struggle for it. - -"I believe Van Helsing saw it, too, for I saw the quick look -under his bushy brows that I knew of old. Then he began to -chat of all things except ourselves and diseases and with -such an infinite geniality that I could see poor Lucy's -pretense of animation merge into reality. Then, without -any seeming change, he brought the conversation gently round -to his visit, and suavely said, - -"'My dear young miss, I have the so great pleasure because you are -so much beloved. That is much, my dear, even were there that which -I do not see. They told me you were down in the spirit, and that -you were of a ghastly pale. To them I say "Pouf!"' And he snapped -his fingers at me and went on. 'But you and I shall show them how -wrong they are. How can he,' and he pointed at me with the same -look and gesture as that with which he pointed me out in his class, -on, or rather after, a particular occasion which he never fails to -remind me of, 'know anything of a young ladies? He has his madmen -to play with, and to bring them back to happiness, and to those that -love them. It is much to do, and, oh, but there are rewards in that -we can bestow such happiness. But the young ladies! He has no wife -nor daughter, and the young do not tell themselves to the young, but -to the old, like me, who have known so many sorrows and the causes -of them. So, my dear, we will send him away to smoke the cigarette -in the garden, whiles you and I have little talk all to ourselves.' -I took the hint, and strolled about, and presently the professor -came to the window and called me in. He looked grave, but said, 'I -have made careful examination, but there is no functional cause. -With you I agree that there has been much blood lost, it has been -but is not. But the conditions of her are in no way anemic. I have -asked her to send me her maid, that I may ask just one or two -questions, that so I may not chance to miss nothing. I know well -what she will say. And yet there is cause. There is always cause -for everything. I must go back home and think. You must send me -the telegram every day, and if there be cause I shall come again. -The disease, for not to be well is a disease, interest me, and the -sweet, young dear, she interest me too. She charm me, and for her, -if not for you or disease, I come.' - -"As I tell you, he would not say a word more, even when we were -alone. And so now, Art, you know all I know. I shall keep stern -watch. I trust your poor father is rallying. It must be a terrible -thing to you, my dear old fellow, to be placed in such a position -between two people who are both so dear to you. I know your idea of -duty to your father, and you are right to stick to it. But if need -be, I shall send you word to come at once to Lucy, so do not be -over-anxious unless you hear from me." - - - -DR. SEWARD'S DIARY - -4 September.--Zoophagous patient still keeps up our interest in him. -He had only one outburst and that was yesterday at an unusual time. -Just before the stroke of noon he began to grow restless. The -attendant knew the symptoms, and at once summoned aid. Fortunately -the men came at a run, and were just in time, for at the stroke of -noon he became so violent that it took all their strength to hold him. -In about five minutes, however, he began to get more quiet, and -finally sank into a sort of melancholy, in which state he has remained -up to now. The attendant tells me that his screams whilst in the -paroxysm were really appalling. I found my hands full when I got in, -attending to some of the other patients who were frightened by him. -Indeed, I can quite understand the effect, for the sounds disturbed -even me, though I was some distance away. It is now after the dinner -hour of the asylum, and as yet my patient sits in a corner brooding, -with a dull, sullen, woe-begone look in his face, which seems rather -to indicate than to show something directly. I cannot quite -understand it. - - -Later.--Another change in my patient. At five o'clock I looked in on -him, and found him seemingly as happy and contented as he used to be. -He was catching flies and eating them, and was keeping note of his -capture by making nailmarks on the edge of the door between the ridges -of padding. When he saw me, he came over and apologized for his bad -conduct, and asked me in a very humble, cringing way to be led back to -his own room, and to have his notebook again. I thought it well to -humour him, so he is back in his room with the window open. He has -the sugar of his tea spread out on the window sill, and is reaping -quite a harvest of flies. He is not now eating them, but putting them -into a box, as of old, and is already examining the corners of his -room to find a spider. I tried to get him to talk about the past few -days, for any clue to his thoughts would be of immense help to me, but -he would not rise. For a moment or two he looked very sad, and said -in a sort of far away voice, as though saying it rather to himself -than to me. - -"All over! All over! He has deserted me. No hope for me now unless -I do it myself!" Then suddenly turning to me in a resolute way, he -said, "Doctor, won't you be very good to me and let me have a little -more sugar? I think it would be very good for me." - -"And the flies?" I said. - -"Yes! The flies like it, too, and I like the flies, therefore I like -it." And there are people who know so little as to think that madmen do -not argue. I procured him a double supply, and left him as happy a -man as, I suppose, any in the world. I wish I could fathom his mind. - - -Midnight.--Another change in him. I had been to see Miss Westenra, -whom I found much better, and had just returned, and was standing at -our own gate looking at the sunset, when once more I heard him -yelling. As his room is on this side of the house, I could hear it -better than in the morning. It was a shock to me to turn from the -wonderful smoky beauty of a sunset over London, with its lurid lights -and inky shadows and all the marvellous tints that come on foul clouds -even as on foul water, and to realize all the grim sternness of my own -cold stone building, with its wealth of breathing misery, and my own -desolate heart to endure it all. I reached him just as the sun was -going down, and from his window saw the red disc sink. As it sank he -became less and less frenzied, and just as it dipped he slid from the -hands that held him, an inert mass, on the floor. It is wonderful, -however, what intellectual recuperative power lunatics have, for -within a few minutes he stood up quite calmly and looked around him. I -signalled to the attendants not to hold him, for I was anxious to see -what he would do. He went straight over to the window and brushed out -the crumbs of sugar. Then he took his fly box, and emptied it -outside, and threw away the box. Then he shut the window, and -crossing over, sat down on his bed. All this surprised me, so I asked -him, "Are you going to keep flies any more?" - -"No," said he. "I am sick of all that rubbish!" He certainly is a -wonderfully interesting study. I wish I could get some glimpse of his -mind or of the cause of his sudden passion. Stop. There may be a -clue after all, if we can find why today his paroxysms came on at high -noon and at sunset. Can it be that there is a malign influence of the -sun at periods which affects certain natures, as at times the moon -does others? We shall see. - - - -TELEGRAM. SEWARD, LONDON, TO VAN HELSING, AMSTERDAM - -"4 September.--Patient still better today." - - - -TELEGRAM, SEWARD, LONDON, TO VAN HELSING, AMSTERDAM - -"5 September.--Patient greatly improved. Good appetite, sleeps -naturally, good spirits, colour coming back." - - - -TELEGRAM, SEWARD, LONDON, TO VAN HELSING, AMSTERDAM - -"6 September.--Terrible change for the worse. Come at once. -Do not lose an hour. I hold over telegram to Holmwood till -have seen you." - - - - -CHAPTER 10 - - -LETTER, DR. SEWARD TO HON. ARTHUR HOLMWOOD - - -6 September - -"My dear Art, - -"My news today is not so good. Lucy this morning had gone back a -bit. There is, however, one good thing which has arisen from it. -Mrs. Westenra was naturally anxious concerning Lucy, and has -consulted me professionally about her. I took advantage of the -opportunity, and told her that my old master, Van Helsing, the great -specialist, was coming to stay with me, and that I would put her in -his charge conjointly with myself. So now we can come and go -without alarming her unduly, for a shock to her would mean sudden -death, and this, in Lucy's weak condition, might be disastrous to -her. We are hedged in with difficulties, all of us, my poor fellow, -but, please God, we shall come through them all right. If any need -I shall write, so that, if you do not hear from me, take it for -granted that I am simply waiting for news, In haste, - -"Yours ever," - -John Seward - - - -DR. SEWARD'S DIARY - -7 September.--The first thing Van Helsing said to me when we met at -Liverpool Street was, "Have you said anything to our young friend, to -lover of her?" - -"No," I said. "I waited till I had seen you, as I said in my -telegram. I wrote him a letter simply telling him that you were -coming, as Miss Westenra was not so well, and that I should let him -know if need be." - -"Right, my friend," he said. "Quite right! Better he not know as -yet. Perhaps he will never know. I pray so, but if it be needed, -then he shall know all. And, my good friend John, let me caution you. -You deal with the madmen. All men are mad in some way or the other, -and inasmuch as you deal discreetly with your madmen, so deal with -God's madmen too, the rest of the world. You tell not your madmen -what you do nor why you do it. You tell them not what you think. So -you shall keep knowledge in its place, where it may rest, where it may -gather its kind around it and breed. You and I shall keep as yet what -we know here, and here." He touched me on the heart and on the -forehead, and then touched himself the same way. "I have for myself -thoughts at the present. Later I shall unfold to you." - -"Why not now?" I asked. "It may do some good. We may arrive at some -decision." He looked at me and said, "My friend John, when the corn is -grown, even before it has ripened, while the milk of its mother earth -is in him, and the sunshine has not yet begun to paint him with his -gold, the husbandman he pull the ear and rub him between his rough -hands, and blow away the green chaff, and say to you, 'Look! He's -good corn, he will make a good crop when the time comes.'" - -I did not see the application and told him so. For reply he reached -over and took my ear in his hand and pulled it playfully, as he used -long ago to do at lectures, and said, "The good husbandman tell you so -then because he knows, but not till then. But you do not find the -good husbandman dig up his planted corn to see if he grow. That is -for the children who play at husbandry, and not for those who take it -as of the work of their life. See you now, friend John? I have sown -my corn, and Nature has her work to do in making it sprout, if he -sprout at all, there's some promise, and I wait till the ear begins to -swell." He broke off, for he evidently saw that I understood. Then he -went on gravely, "You were always a careful student, and your case -book was ever more full than the rest. And I trust that good habit -have not fail. Remember, my friend, that knowledge is stronger than -memory, and we should not trust the weaker. Even if you have not kept -the good practice, let me tell you that this case of our dear miss is -one that may be, mind, I say may be, of such interest to us and others -that all the rest may not make him kick the beam, as your people say. -Take then good note of it. Nothing is too small. I counsel you, put -down in record even your doubts and surmises. Hereafter it may be of -interest to you to see how true you guess. We learn from failure, not -from success!" - -When I described Lucy's symptoms, the same as before, but infinitely -more marked, he looked very grave, but said nothing. He took with him -a bag in which were many instruments and drugs, "the ghastly -paraphernalia of our beneficial trade," as he once called, in one of -his lectures, the equipment of a professor of the healing craft. - -When we were shown in, Mrs. Westenra met us. She was alarmed, but not -nearly so much as I expected to find her. Nature in one of her -beneficient moods has ordained that even death has some antidote to -its own terrors. Here, in a case where any shock may prove fatal, -matters are so ordered that, from some cause or other, the things not -personal, even the terrible change in her daughter to whom she is so -attached, do not seem to reach her. It is something like the way dame -Nature gathers round a foreign body an envelope of some insensitive -tissue which can protect from evil that which it would otherwise harm -by contact. If this be an ordered selfishness, then we should pause -before we condemn any one for the vice of egoism, for there may be -deeper root for its causes than we have knowledge of. - -I used my knowledge of this phase of spiritual pathology, and set down -a rule that she should not be present with Lucy, or think of her -illness more than was absolutely required. She assented readily, so -readily that I saw again the hand of Nature fighting for life. Van -Helsing and I were shown up to Lucy's room. If I was shocked when I -saw her yesterday, I was horrified when I saw her today. - -She was ghastly, chalkily pale. The red seemed to have gone even from -her lips and gums, and the bones of her face stood out prominently. -Her breathing was painful to see or hear. Van Helsing's face grew set -as marble, and his eyebrows converged till they almost touched over his -nose. Lucy lay motionless, and did not seem to have strength to -speak, so for a while we were all silent. Then Van Helsing beckoned -to me, and we went gently out of the room. The instant we had closed -the door he stepped quickly along the passage to the next door, which -was open. Then he pulled me quickly in with him and closed the door. -"My god!" he said. "This is dreadful. There is not time to be lost. -She will die for sheer want of blood to keep the heart's action as it -should be. There must be a transfusion of blood at once. Is it you -or me?" - -"I am younger and stronger, Professor. It must be me." - -"Then get ready at once. I will bring up my bag. I am prepared." - -I went downstairs with him, and as we were going there was a knock at -the hall door. When we reached the hall, the maid had just opened the -door, and Arthur was stepping quickly in. He rushed up to me, saying -in an eager whisper, - -"Jack, I was so anxious. I read between the lines of your letter, and -have been in an agony. The dad was better, so I ran down here to see -for myself. Is not that gentleman Dr. Van Helsing? I am so thankful -to you, sir, for coming." - -When first the Professor's eye had lit upon him, he had been angry at -his interruption at such a time, but now, as he took in his stalwart -proportions and recognized the strong young manhood which seemed to -emanate from him, his eyes gleamed. Without a pause he said to him as -he held out his hand, - -"Sir, you have come in time. You are the lover of our dear miss. She -is bad, very, very bad. Nay, my child, do not go like that." For he -suddenly grew pale and sat down in a chair almost fainting. "You are -to help her. You can do more than any that live, and your courage is -your best help." - -"What can I do?" asked Arthur hoarsely. "Tell me, and I shall do it. -My life is hers, and I would give the last drop of blood in my body for -her." - -The Professor has a strongly humorous side, and I could from old -knowledge detect a trace of its origin in his answer. - -"My young sir, I do not ask so much as that, not the last!" - -"What shall I do?" There was fire in his eyes, and his open nostrils -quivered with intent. Van Helsing slapped him on the shoulder. - -"Come!" he said. "You are a man, and it is a man we want. You are -better than me, better than my friend John." Arthur looked bewildered, -and the Professor went on by explaining in a kindly way. - -"Young miss is bad, very bad. She wants blood, and blood she must -have or die. My friend John and I have consulted, and we are about to -perform what we call transfusion of blood, to transfer from full veins -of one to the empty veins which pine for him. John was to give his -blood, as he is the more young and strong than me."--Here Arthur took -my hand and wrung it hard in silence.--"But now you are here, you are -more good than us, old or young, who toil much in the world of -thought. Our nerves are not so calm and our blood so bright than -yours!" - -Arthur turned to him and said, "If you only knew how gladly I would -die for her you would understand . . ." He stopped with a sort of -choke in his voice. - -"Good boy!" said Van Helsing. "In the not-so-far-off you will be -happy that you have done all for her you love. Come now and be -silent. You shall kiss her once before it is done, but then you must -go, and you must leave at my sign. Say no word to Madame. You know -how it is with her. There must be no shock, any knowledge of this -would be one. Come!" - -We all went up to Lucy's room. Arthur by direction remained outside. -Lucy turned her head and looked at us, but said nothing. She was not -asleep, but she was simply too weak to make the effort. Her eyes -spoke to us, that was all. - -Van Helsing took some things from his bag and laid them on a little -table out of sight. Then he mixed a narcotic, and coming over to the -bed, said cheerily, "Now, little miss, here is your medicine. Drink -it off, like a good child. See, I lift you so that to swallow is -easy. Yes." She had made the effort with success. - -It astonished me how long the drug took to act. This, in fact, marked -the extent of her weakness. The time seemed endless until sleep began -to flicker in her eyelids. At last, however, the narcotic began to -manifest its potency, and she fell into a deep sleep. When the -Professor was satisfied, he called Arthur into the room, and bade him -strip off his coat. Then he added, "You may take that one little kiss -whiles I bring over the table. Friend John, help to me!" So neither -of us looked whilst he bent over her. - -Van Helsing, turning to me, said, "He is so young and strong, and of -blood so pure that we need not defibrinate it." - -Then with swiftness, but with absolute method, Van Helsing performed -the operation. As the transfusion went on, something like life seemed -to come back to poor Lucy's cheeks, and through Arthur's growing -pallor the joy of his face seemed absolutely to shine. After a bit I -began to grow anxious, for the loss of blood was telling on Arthur, -strong man as he was. It gave me an idea of what a terrible strain -Lucy's system must have undergone that what weakened Arthur only -partially restored her. - -But the Professor's face was set, and he stood watch in hand, and with -his eyes fixed now on the patient and now on Arthur. I could hear my -own heart beat. Presently, he said in a soft voice, "Do not stir an -instant. It is enough. You attend him. I will look to her." - -When all was over, I could see how much Arthur was weakened. I -dressed the wound and took his arm to bring him away, when Van Helsing -spoke without turning round, the man seems to have eyes in the back of -his head, "The brave lover, I think, deserve another kiss, which he -shall have presently." And as he had now finished his operation, he -adjusted the pillow to the patient's head. As he did so the narrow -black velvet band which she seems always to wear round her throat, -buckled with an old diamond buckle which her lover had given her, was -dragged a little up, and showed a red mark on her throat. - -Arthur did not notice it, but I could hear the deep hiss of indrawn -breath which is one of Van Helsing's ways of betraying emotion. He -said nothing at the moment, but turned to me, saying, "Now take down -our brave young lover, give him of the port wine, and let him lie down -a while. He must then go home and rest, sleep much and eat much, that -he may be recruited of what he has so given to his love. He must not -stay here. Hold a moment! I may take it, sir, that you are anxious -of result. Then bring it with you, that in all ways the operation is -successful. You have saved her life this time, and you can go home -and rest easy in mind that all that can be is. I shall tell her all -when she is well. She shall love you none the less for what you have -done. Goodbye." - -When Arthur had gone I went back to the room. Lucy was sleeping -gently, but her breathing was stronger. I could see the counterpane -move as her breast heaved. By the bedside sat Van Helsing, looking at -her intently. The velvet band again covered the red mark. I asked -the Professor in a whisper, "What do you make of that mark on her -throat?" - -"What do you make of it?" - -"I have not examined it yet," I answered, and then and there proceeded -to loose the band. Just over the external jugular vein there were two -punctures, not large, but not wholesome looking. There was no sign of -disease, but the edges were white and worn looking, as if by some -trituration. It at once occurred to me that that this wound, or -whatever it was, might be the means of that manifest loss of blood. -But I abandoned the idea as soon as it formed, for such a thing could -not be. The whole bed would have been drenched to a scarlet with the -blood which the girl must have lost to leave such a pallor as she had -before the transfusion. - -"Well?" said Van Helsing. - -"Well," said I. "I can make nothing of it." - -The Professor stood up. "I must go back to Amsterdam tonight," he -said "There are books and things there which I want. You must remain -here all night, and you must not let your sight pass from her." - -"Shall I have a nurse?" I asked. - -"We are the best nurses, you and I. You keep watch all night. See -that she is well fed, and that nothing disturbs her. You must not -sleep all the night. Later on we can sleep, you and I. I shall be -back as soon as possible. And then we may begin." - -"May begin?" I said. "What on earth do you mean?" - -"We shall see!" he answered, as he hurried out. He came back a moment -later and put his head inside the door and said with a warning finger -held up, "Remember, she is your charge. If you leave her, and harm -befall, you shall not sleep easy hereafter!" - - - -DR. SEWARD'S DIARY--CONTINUED - -8 September.--I sat up all night with Lucy. The opiate worked itself -off towards dusk, and she waked naturally. She looked a different -being from what she had been before the operation. Her spirits even -were good, and she was full of a happy vivacity, but I could see -evidences of the absolute prostration which she had undergone. When I -told Mrs. Westenra that Dr. Van Helsing had directed that I should sit -up with her, she almost pooh-poohed the idea, pointing out her -daughter's renewed strength and excellent spirits. I was firm, -however, and made preparations for my long vigil. When her maid had -prepared her for the night I came in, having in the meantime had -supper, and took a seat by the bedside. - -She did not in any way make objection, but looked at me gratefully -whenever I caught her eye. After a long spell she seemed sinking off -to sleep, but with an effort seemed to pull herself together and shook -it off. It was apparent that she did not want to sleep, so I tackled -the subject at once. - -"You do not want to sleep?" - -"No. I am afraid." - -"Afraid to go to sleep! Why so? It is the boon we all crave for." - -"Ah, not if you were like me, if sleep was to you a presage of -horror!" - -"A presage of horror! What on earth do you mean?" - -"I don't know. Oh, I don't know. And that is what is so terrible. -All this weakness comes to me in sleep, until I dread the very -thought." - -"But, my dear girl, you may sleep tonight. I am here watching you, -and I can promise that nothing will happen." - -"Ah, I can trust you!" she said. - -I seized the opportunity, and said, "I promise that if I see any -evidence of bad dreams I will wake you at once." - -"You will? Oh, will you really? How good you are to me. Then I will -sleep!" And almost at the word she gave a deep sigh of relief, and -sank back, asleep. - -All night long I watched by her. She never stirred, but slept on and -on in a deep, tranquil, life-giving, health-giving sleep. Her lips -were slightly parted, and her breast rose and fell with the regularity -of a pendulum. There was a smile on her face, and it was evident that -no bad dreams had come to disturb her peace of mind. - -In the early morning her maid came, and I left her in her care and took -myself back home, for I was anxious about many things. I sent a short -wire to Van Helsing and to Arthur, telling them of the excellent -result of the operation. My own work, with its manifold arrears, took -me all day to clear off. It was dark when I was able to inquire about -my zoophagous patient. The report was good. He had been quite quiet -for the past day and night. A telegram came from Van Helsing at -Amsterdam whilst I was at dinner, suggesting that I should be at -Hillingham tonight, as it might be well to be at hand, and stating -that he was leaving by the night mail and would join me early in the -morning. - - -9 September.--I was pretty tired and worn out when I got to -Hillingham. For two nights I had hardly had a wink of sleep, and my -brain was beginning to feel that numbness which marks cerebral -exhaustion. Lucy was up and in cheerful spirits. When she shook -hands with me she looked sharply in my face and said, - -"No sitting up tonight for you. You are worn out. I am quite well -again. Indeed, I am, and if there is to be any sitting up, it is I -who will sit up with you." - -I would not argue the point, but went and had my supper. Lucy came -with me, and, enlivened by her charming presence, I made an excellent -meal, and had a couple of glasses of the more than excellent port. -Then Lucy took me upstairs, and showed me a room next her own, where a -cozy fire was burning. - -"Now," she said. "You must stay here. I shall leave this door open -and my door too. You can lie on the sofa for I know that nothing -would induce any of you doctors to go to bed whilst there is a patient -above the horizon. If I want anything I shall call out, and you can -come to me at once." - -I could not but acquiesce, for I was dog tired, and could not have sat -up had I tried. So, on her renewing her promise to call me if she -should want anything, I lay on the sofa, and forgot all about -everything. - - - -LUCY WESTENRA'S DIARY - -9 September.--I feel so happy tonight. I have been so miserably weak, -that to be able to think and move about is like feeling sunshine after -a long spell of east wind out of a steel sky. Somehow Arthur feels -very, very close to me. I seem to feel his presence warm about me. I -suppose it is that sickness and weakness are selfish things and turn -our inner eyes and sympathy on ourselves, whilst health and strength -give love rein, and in thought and feeling he can wander where he -wills. I know where my thoughts are. If only Arthur knew! My dear, -my dear, your ears must tingle as you sleep, as mine do waking. Oh, -the blissful rest of last night! How I slept, with that dear, good -Dr. Seward watching me. And tonight I shall not fear to sleep, since -he is close at hand and within call. Thank everybody for being so -good to me. Thank God! Goodnight Arthur. - - - -DR. SEWARD'S DIARY - -10 September.--I was conscious of the Professor's hand on my head, and -started awake all in a second. That is one of the things that we -learn in an asylum, at any rate. - -"And how is our patient?" - -"Well, when I left her, or rather when she left me," I answered. - -"Come, let us see," he said. And together we went into the room. - -The blind was down, and I went over to raise it gently, whilst Van -Helsing stepped, with his soft, cat-like tread, over to the bed. - -As I raised the blind, and the morning sunlight flooded the room, I -heard the Professor's low hiss of inspiration, and knowing its rarity, -a deadly fear shot through my heart. As I passed over he moved back, -and his exclamation of horror, "Gott in Himmel!" needed no enforcement -from his agonized face. He raised his hand and pointed to the bed, -and his iron face was drawn and ashen white. I felt my knees begin to -tremble. - -There on the bed, seemingly in a swoon, lay poor Lucy, more horribly -white and wan-looking than ever. Even the lips were white, and the -gums seemed to have shrunken back from the teeth, as we sometimes see -in a corpse after a prolonged illness. - -Van Helsing raised his foot to stamp in anger, but the instinct of his -life and all the long years of habit stood to him, and he put it down -again softly. - -"Quick!" he said. "Bring the brandy." - -I flew to the dining room, and returned with the decanter. He wetted -the poor white lips with it, and together we rubbed palm and wrist and -heart. He felt her heart, and after a few moments of agonizing -suspense said, - -"It is not too late. It beats, though but feebly. All our work is -undone. We must begin again. There is no young Arthur here now. I -have to call on you yourself this time, friend John." As he spoke, he -was dipping into his bag, and producing the instruments of -transfusion. I had taken off my coat and rolled up my shirt sleeve. -There was no possibility of an opiate just at present, and no need of -one; and so, without a moment's delay, we began the operation. - -After a time, it did not seem a short time either, for the draining -away of one's blood, no matter how willingly it be given, is a -terrible feeling, Van Helsing held up a warning finger. "Do not -stir," he said. "But I fear that with growing strength she may wake, -and that would make danger, oh, so much danger. But I shall -precaution take. I shall give hypodermic injection of morphia." He -proceeded then, swiftly and deftly, to carry out his intent. - -The effect on Lucy was not bad, for the faint seemed to merge subtly -into the narcotic sleep. It was with a feeling of personal pride that -I could see a faint tinge of colour steal back into the pallid cheeks -and lips. No man knows, till he experiences it, what it is to feel -his own lifeblood drawn away into the veins of the woman he loves. - -The Professor watched me critically. "That will do," he said. -"Already?" I remonstrated. "You took a great deal more from Art." To -which he smiled a sad sort of smile as he replied, - -"He is her lover, her fiance. You have work, much work to do for her -and for others, and the present will suffice." - -When we stopped the operation, he attended to Lucy, whilst I applied -digital pressure to my own incision. I laid down, while I waited his -leisure to attend to me, for I felt faint and a little sick. By and -by he bound up my wound, and sent me downstairs to get a glass of wine -for myself. As I was leaving the room, he came after me, and half -whispered. - -"Mind, nothing must be said of this. If our young lover should turn -up unexpected, as before, no word to him. It would at once frighten -him and enjealous him, too. There must be none. So!" - -When I came back he looked at me carefully, and then said, "You are -not much the worse. Go into the room, and lie on your sofa, and rest -awhile, then have much breakfast and come here to me." - -I followed out his orders, for I knew how right and wise they were. I -had done my part, and now my next duty was to keep up my strength. I -felt very weak, and in the weakness lost something of the amazement at -what had occurred. I fell asleep on the sofa, however, wondering over -and over again how Lucy had made such a retrograde movement, and how -she could have been drained of so much blood with no sign any where to -show for it. I think I must have continued my wonder in my dreams, -for, sleeping and waking my thoughts always came back to the little -punctures in her throat and the ragged, exhausted appearance of their -edges, tiny though they were. - -Lucy slept well into the day, and when she woke she was fairly well -and strong, though not nearly so much so as the day before. When Van -Helsing had seen her, he went out for a walk, leaving me in charge, -with strict injunctions that I was not to leave her for a moment. I -could hear his voice in the hall, asking the way to the nearest -telegraph office. - -Lucy chatted with me freely, and seemed quite unconscious that -anything had happened. I tried to keep her amused and interested. -When her mother came up to see her, she did not seem to notice any -change whatever, but said to me gratefully, - -"We owe you so much, Dr. Seward, for all you have done, but you really -must now take care not to overwork yourself. You are looking pale -yourself. You want a wife to nurse and look after you a bit, that you -do!" As she spoke, Lucy turned crimson, though it was only -momentarily, for her poor wasted veins could not stand for long an -unwonted drain to the head. The reaction came in excessive pallor as -she turned imploring eyes on me. I smiled and nodded, and laid my -finger on my lips. With a sigh, she sank back amid her pillows. - -Van Helsing returned in a couple of hours, and presently said to me: -"Now you go home, and eat much and drink enough. Make yourself -strong. I stay here tonight, and I shall sit up with little miss -myself. You and I must watch the case, and we must have none other to -know. I have grave reasons. No, do not ask me. Think what you will. -Do not fear to think even the most not-improbable. Goodnight." - -In the hall two of the maids came to me, and asked if they or either -of them might not sit up with Miss Lucy. They implored me to let -them, and when I said it was Dr. Van Helsing's wish that either he or -I should sit up, they asked me quite piteously to intercede with -the 'foreign gentleman'. I was much touched by their kindness. Perhaps -it is because I am weak at present, and perhaps because it was on -Lucy's account, that their devotion was manifested. For over and over -again have I seen similar instances of woman's kindness. I got back -here in time for a late dinner, went my rounds, all well, and set this -down whilst waiting for sleep. It is coming. - - -11 September.--This afternoon I went over to Hillingham. Found Van -Helsing in excellent spirits, and Lucy much better. Shortly after I -had arrived, a big parcel from abroad came for the Professor. He -opened it with much impressment, assumed, of course, and showed a -great bundle of white flowers. - -"These are for you, Miss Lucy," he said. - -"For me? Oh, Dr. Van Helsing!" - -"Yes, my dear, but not for you to play with. These are medicines." -Here Lucy made a wry face. "Nay, but they are not to take in a -decoction or in nauseous form, so you need not snub that so charming -nose, or I shall point out to my friend Arthur what woes he may have -to endure in seeing so much beauty that he so loves so much distort. -Aha, my pretty miss, that bring the so nice nose all straight again. -This is medicinal, but you do not know how. I put him in your window, -I make pretty wreath, and hang him round your neck, so you sleep well. -Oh, yes! They, like the lotus flower, make your trouble forgotten. -It smell so like the waters of Lethe, and of that fountain of youth -that the Conquistadores sought for in the Floridas, and find him all -too late." - -Whilst he was speaking, Lucy had been examining the flowers and -smelling them. Now she threw them down saying, with half laughter, -and half disgust, - -"Oh, Professor, I believe you are only putting up a joke on me. Why, -these flowers are only common garlic." - -To my surprise, Van Helsing rose up and said with all his sternness, -his iron jaw set and his bushy eyebrows meeting, - -"No trifling with me! I never jest! There is grim purpose in what I -do, and I warn you that you do not thwart me. Take care, for the sake -of others if not for your own." Then seeing poor Lucy scared, as she -might well be, he went on more gently, "Oh, little miss, my dear, do -not fear me. I only do for your good, but there is much virtue to you -in those so common flowers. See, I place them myself in your room. I -make myself the wreath that you are to wear. But hush! No telling to -others that make so inquisitive questions. We must obey, and silence -is a part of obedience, and obedience is to bring you strong and well -into loving arms that wait for you. Now sit still a while. Come with -me, friend John, and you shall help me deck the room with my garlic, -which is all the way from Haarlem, where my friend Vanderpool raise -herb in his glass houses all the year. I had to telegraph yesterday, -or they would not have been here." - -We went into the room, taking the flowers with us. The Professor's -actions were certainly odd and not to be found in any pharmacopeia -that I ever heard of. First he fastened up the windows and latched -them securely. Next, taking a handful of the flowers, he rubbed them -all over the sashes, as though to ensure that every whiff of air that -might get in would be laden with the garlic smell. Then with the wisp -he rubbed all over the jamb of the door, above, below, and at each -side, and round the fireplace in the same way. It all seemed -grotesque to me, and presently I said, "Well, Professor, I know you -always have a reason for what you do, but this certainly puzzles me. -It is well we have no sceptic here, or he would say that you were -working some spell to keep out an evil spirit." - -"Perhaps I am!" he answered quietly as he began to make the wreath -which Lucy was to wear round her neck. - -We then waited whilst Lucy made her toilet for the night, and when she -was in bed he came and himself fixed the wreath of garlic round her -neck. The last words he said to her were, - -"Take care you do not disturb it, and even if the room feel close, do -not tonight open the window or the door." - -"I promise," said Lucy. "And thank you both a thousand times for all -your kindness to me! Oh, what have I done to be blessed with such -friends?" - -As we left the house in my fly, which was waiting, Van Helsing said, -"Tonight I can sleep in peace, and sleep I want, two nights of travel, -much reading in the day between, and much anxiety on the day to -follow, and a night to sit up, without to wink. Tomorrow in the -morning early you call for me, and we come together to see our pretty -miss, so much more strong for my 'spell' which I have work. Ho, ho!" - -He seemed so confident that I, remembering my own confidence two -nights before and with the baneful result, felt awe and vague terror. -It must have been my weakness that made me hesitate to tell it to my -friend, but I felt it all the more, like unshed tears. - - - - -CHAPTER 11 - - -LUCY WESTENRA'S DIARY - -12 September.--How good they all are to me. I quite love that dear -Dr. Van Helsing. I wonder why he was so anxious about these flowers. -He positively frightened me, he was so fierce. And yet he must have -been right, for I feel comfort from them already. Somehow, I do not -dread being alone tonight, and I can go to sleep without fear. I -shall not mind any flapping outside the window. Oh, the terrible -struggle that I have had against sleep so often of late, the pain of -sleeplessness, or the pain of the fear of sleep, and with such unknown -horrors as it has for me! How blessed are some people, whose lives -have no fears, no dreads, to whom sleep is a blessing that comes -nightly, and brings nothing but sweet dreams. Well, here I am -tonight, hoping for sleep, and lying like Ophelia in the play, with -'virgin crants and maiden strewments.' I never liked garlic before, -but tonight it is delightful! There is peace in its smell. I feel -sleep coming already. Goodnight, everybody. - - - -DR. SEWARD'S DIARY - -13 September.--Called at the Berkeley and found Van Helsing, as usual, -up to time. The carriage ordered from the hotel was waiting. The -Professor took his bag, which he always brings with him now. - -Let all be put down exactly. Van Helsing and I arrived at Hillingham -at eight o'clock. It was a lovely morning. The bright sunshine and -all the fresh feeling of early autumn seemed like the completion of -nature's annual work. The leaves were turning to all kinds of -beautiful colours, but had not yet begun to drop from the trees. When -we entered we met Mrs. Westenra coming out of the morning room. She -is always an early riser. She greeted us warmly and said, - -"You will be glad to know that Lucy is better. The dear child is -still asleep. I looked into her room and saw her, but did not go in, -lest I should disturb her." The Professor smiled, and looked quite -jubilant. He rubbed his hands together, and said, "Aha! I thought I -had diagnosed the case. My treatment is working." - -To which she replied, "You must not take all the credit to yourself, -doctor. Lucy's state this morning is due in part to me." - -"How do you mean, ma'am?" asked the Professor. - -"Well, I was anxious about the dear child in the night, and went into -her room. She was sleeping soundly, so soundly that even my coming -did not wake her. But the room was awfully stuffy. There were a lot -of those horrible, strong-smelling flowers about everywhere, and she -had actually a bunch of them round her neck. I feared that the heavy -odour would be too much for the dear child in her weak state, so I took -them all away and opened a bit of the window to let in a little fresh -air. You will be pleased with her, I am sure." - -She moved off into her boudoir, where she usually breakfasted early. -As she had spoken, I watched the Professor's face, and saw it turn -ashen gray. He had been able to retain his self-command whilst the -poor lady was present, for he knew her state and how mischievous a -shock would be. He actually smiled on her as he held open the door -for her to pass into her room. But the instant she had disappeared he -pulled me, suddenly and forcibly, into the dining room and closed the -door. - -Then, for the first time in my life, I saw Van Helsing break down. He -raised his hands over his head in a sort of mute despair, and then -beat his palms together in a helpless way. Finally he sat down on a -chair, and putting his hands before his face, began to sob, with loud, -dry sobs that seemed to come from the very racking of his heart. - -Then he raised his arms again, as though appealing to the whole -universe. "God! God! God!" he said. "What have we done, what has -this poor thing done, that we are so sore beset? Is there fate -amongst us still, send down from the pagan world of old, that such -things must be, and in such way? This poor mother, all unknowing, and -all for the best as she think, does such thing as lose her daughter -body and soul, and we must not tell her, we must not even warn her, or -she die, then both die. Oh, how we are beset! How are all the powers -of the devils against us!" - -Suddenly he jumped to his feet. "Come," he said, "come, we must see and -act. Devils or no devils, or all the devils at once, it matters not. -We must fight him all the same." He went to the hall door for his -bag, and together we went up to Lucy's room. - -Once again I drew up the blind, whilst Van Helsing went towards the -bed. This time he did not start as he looked on the poor face with -the same awful, waxen pallor as before. He wore a look of stern -sadness and infinite pity. - -"As I expected," he murmured, with that hissing inspiration of his -which meant so much. Without a word he went and locked the door, and -then began to set out on the little table the instruments for yet -another operation of transfusion of blood. I had long ago recognized -the necessity, and begun to take off my coat, but he stopped me with a -warning hand. "No!" he said. "Today you must operate. I shall -provide. You are weakened already." As he spoke he took off his coat -and rolled up his shirtsleeve. - -Again the operation. Again the narcotic. Again some return of colour -to the ashy cheeks, and the regular breathing of healthy sleep. This -time I watched whilst Van Helsing recruited himself and rested. - -Presently he took an opportunity of telling Mrs. Westenra that she -must not remove anything from Lucy's room without consulting him. -That the flowers were of medicinal value, and that the breathing of -their odour was a part of the system of cure. Then he took over the -care of the case himself, saying that he would watch this night and -the next, and would send me word when to come. - -After another hour Lucy waked from her sleep, fresh and bright and -seemingly not much the worse for her terrible ordeal. - -What does it all mean? I am beginning to wonder if my long habit of -life amongst the insane is beginning to tell upon my own brain. - - - -LUCY WESTENRA'S DIARY - -17 September.--Four days and nights of peace. I am getting so strong -again that I hardly know myself. It is as if I had passed through -some long nightmare, and had just awakened to see the beautiful -sunshine and feel the fresh air of the morning around me. I have a -dim half remembrance of long, anxious times of waiting and fearing, -darkness in which there was not even the pain of hope to make present -distress more poignant. And then long spells of oblivion, and the -rising back to life as a diver coming up through a great press of -water. Since, however, Dr. Van Helsing has been with me, all this bad -dreaming seems to have passed away. The noises that used to frighten -me out of my wits, the flapping against the windows, the distant -voices which seemed so close to me, the harsh sounds that came from I -know not where and commanded me to do I know not what, have all -ceased. I go to bed now without any fear of sleep. I do not even try -to keep awake. I have grown quite fond of the garlic, and a boxful -arrives for me every day from Haarlem. Tonight Dr. Van Helsing is -going away, as he has to be for a day in Amsterdam. But I need not be -watched. I am well enough to be left alone. - -Thank God for Mother's sake, and dear Arthur's, and for all our -friends who have been so kind! I shall not even feel the change, for -last night Dr. Van Helsing slept in his chair a lot of the time. I -found him asleep twice when I awoke. But I did not fear to go to -sleep again, although the boughs or bats or something flapped almost -angrily against the window panes. - - - - -THE PALL MALL GAZETTE 18 September. - -THE ESCAPED WOLF PERILOUS ADVENTURE OF OUR INTERVIEWER - -INTERVIEW WITH THE KEEPER IN THE ZOOLOGICAL GARDENS - -After many inquiries and almost as many refusals, and perpetually -using the words 'PALL MALL GAZETTE' as a sort of talisman, I managed -to find the keeper of the section of the Zoological Gardens in which -the wolf department is included. Thomas Bilder lives in one of the -cottages in the enclosure behind the elephant house, and was just -sitting down to his tea when I found him. Thomas and his wife are -hospitable folk, elderly, and without children, and if the specimen -I enjoyed of their hospitality be of the average kind, their lives -must be pretty comfortable. The keeper would not enter on what he -called business until the supper was over, and we were all -satisfied. Then when the table was cleared, and he had lit his -pipe, he said, - -"Now, Sir, you can go on and arsk me what you want. You'll excoose -me refoosin' to talk of perfeshunal subjucts afore meals. I gives -the wolves and the jackals and the hyenas in all our section their -tea afore I begins to arsk them questions." - -"How do you mean, ask them questions?" I queried, wishful to get him -into a talkative humor. - -"'Ittin' of them over the 'ead with a pole is one way. Scratchin' of -their ears in another, when gents as is flush wants a bit of a show-orf -to their gals. I don't so much mind the fust, the 'ittin of the -pole part afore I chucks in their dinner, but I waits till they've -'ad their sherry and kawffee, so to speak, afore I tries on with the -ear scratchin'. Mind you," he added philosophically, "there's a -deal of the same nature in us as in them theer animiles. Here's you -a-comin' and arskin' of me questions about my business, and I that -grump-like that only for your bloomin' 'arf-quid I'd 'a' seen you -blowed fust 'fore I'd answer. Not even when you arsked me sarcastic -like if I'd like you to arsk the Superintendent if you might arsk me -questions. Without offence did I tell yer to go to 'ell?" - -"You did." - -"An' when you said you'd report me for usin' obscene language that -was 'ittin' me over the 'ead. But the 'arf-quid made that all -right. I weren't a-goin' to fight, so I waited for the food, and -did with my 'owl as the wolves and lions and tigers does. But, lor' -love yer 'art, now that the old 'ooman has stuck a chunk of her -tea-cake in me, an' rinsed me out with her bloomin' old teapot, and I've -lit hup, you may scratch my ears for all you're worth, and won't -even get a growl out of me. Drive along with your questions. I -know what yer a-comin' at, that 'ere escaped wolf." - -"Exactly. I want you to give me your view of it. Just tell me how -it happened, and when I know the facts I'll get you to say what you -consider was the cause of it, and how you think the whole affair -will end." - -"All right, guv'nor. This 'ere is about the 'ole story. -That 'ere wolf what we called Bersicker was one of three gray -ones that came from Norway to Jamrach's, which we bought -off him four years ago. He was a nice well-behaved wolf, -that never gave no trouble to talk of. I'm more surprised -at 'im for wantin' to get out nor any other animile in the -place. But, there, you can't trust wolves no more nor women." - -"Don't you mind him, Sir!" broke in Mrs. Tom, with a cheery -laugh. "'E's got mindin' the animiles so long that blest -if he ain't like a old wolf 'isself! But there ain't no -'arm in 'im." - -"Well, Sir, it was about two hours after feedin' yesterday when I -first hear my disturbance. I was makin' up a litter in the monkey -house for a young puma which is ill. But when I heard the yelpin' -and 'owlin' I kem away straight. There was Bersicker a-tearin' like -a mad thing at the bars as if he wanted to get out. There wasn't -much people about that day, and close at hand was only one man, a -tall, thin chap, with a 'ook nose and a pointed beard, with a few -white hairs runnin' through it. He had a 'ard, cold look and red -eyes, and I took a sort of mislike to him, for it seemed as if it -was 'im as they was hirritated at. He 'ad white kid gloves on 'is -'ands, and he pointed out the animiles to me and says, 'Keeper, -these wolves seem upset at something.' - -"'Maybe it's you,' says I, for I did not like the airs as he -give 'isself. He didn't get angry, as I 'oped he would, but -he smiled a kind of insolent smile, with a mouth full of white, -sharp teeth. 'Oh no, they wouldn't like me,' 'e says. - -"'Ow yes, they would,' says I, a-imitatin' of him. 'They -always like a bone or two to clean their teeth on about tea -time, which you 'as a bagful.' - -"Well, it was a odd thing, but when the animiles see us -a-talkin' they lay down, and when I went over to Bersicker -he let me stroke his ears same as ever. That there man kem -over, and blessed but if he didn't put in his hand and stroke -the old wolf's ears too! - -"'Tyke care,' says I. 'Bersicker is quick.' - -"'Never mind,' he says. I'm used to 'em!' - -"'Are you in the business yourself?' I says, tyking off my -'at, for a man what trades in wolves, anceterer, is a good -friend to keepers. - -"'Nom,' says he, 'not exactly in the business, but I 'ave made pets -of several.' And with that he lifts his 'at as perlite as a lord, -and walks away. Old Bersicker kep' a-lookin' arter 'im till 'e was -out of sight, and then went and lay down in a corner and wouldn't -come hout the 'ole hevening. Well, larst night, so soon as the moon -was hup, the wolves here all began a-'owling. There warn't nothing -for them to 'owl at. There warn't no one near, except some one that -was evidently a-callin' a dog somewheres out back of the gardings in -the Park road. Once or twice I went out to see that all was right, -and it was, and then the 'owling stopped. Just before twelve -o'clock I just took a look round afore turnin' in, an', bust me, but -when I kem opposite to old Bersicker's cage I see the rails broken -and twisted about and the cage empty. And that's all I know for -certing." - -"Did any one else see anything?" - -"One of our gard'ners was a-comin' 'ome about that time from a -'armony, when he sees a big gray dog comin' out through the garding -'edges. At least, so he says, but I don't give much for it myself, -for if he did 'e never said a word about it to his missis when 'e -got 'ome, and it was only after the escape of the wolf was made -known, and we had been up all night a-huntin' of the Park for -Bersicker, that he remembered seein' anything. My own belief was -that the 'armony 'ad got into his 'ead." - -"Now, Mr. Bilder, can you account in any way for the escape -of the wolf?" - -"Well, Sir," he said, with a suspicious sort of modesty, "I think I -can, but I don't know as 'ow you'd be satisfied with the theory." - -"Certainly I shall. If a man like you, who knows the animals from -experience, can't hazard a good guess at any rate, who is even to -try?" - -"Well then, Sir, I accounts for it this way. It seems to me that -'ere wolf escaped--simply because he wanted to get out." - -From the hearty way that both Thomas and his wife laughed at the -joke I could see that it had done service before, and that the whole -explanation was simply an elaborate sell. I couldn't cope in -badinage with the worthy Thomas, but I thought I knew a surer way to -his heart, so I said, "Now, Mr. Bilder, we'll consider that first -half-sovereign worked off, and this brother of his is waiting to be -claimed when you've told me what you think will happen." - -"Right y'are, Sir," he said briskly. "Ye'll excoose me, I -know, for a-chaffin' of ye, but the old woman here winked at -me, which was as much as telling me to go on." - -"Well, I never!" said the old lady. - -"My opinion is this: that 'ere wolf is a'idin' of, somewheres. The -gard'ner wot didn't remember said he was a-gallopin' northward -faster than a horse could go, but I don't believe him, for, yer see, -Sir, wolves don't gallop no more nor dogs does, they not bein' built -that way. Wolves is fine things in a storybook, and I dessay when -they gets in packs and does be chivyin' somethin' that's more -afeared than they is they can make a devil of a noise and chop it -up, whatever it is. But, Lor' bless you, in real life a wolf is -only a low creature, not half so clever or bold as a good dog, and -not half a quarter so much fight in 'im. This one ain't been used -to fightin' or even to providin' for hisself, and more like he's -somewhere round the Park a'hidin' an' a'shiverin' of, and if he -thinks at all, wonderin' where he is to get his breakfast from. Or -maybe he's got down some area and is in a coal cellar. My eye, -won't some cook get a rum start when she sees his green eyes -a-shinin' at her out of the dark! If he can't get food he's bound to -look for it, and mayhap he may chance to light on a butcher's shop -in time. If he doesn't, and some nursemaid goes out walkin' or orf -with a soldier, leavin' of the hinfant in the perambulator--well, -then I shouldn't be surprised if the census is one babby the less. -That's all." - -I was handing him the half-sovereign, when something came bobbing up -against the window, and Mr. Bilder's face doubled its natural length -with surprise. - -"God bless me!" he said. "If there ain't old Bersicker come back by -'isself!" - -He went to the door and opened it, a most unnecessary proceeding it -seemed to me. I have always thought that a wild animal never looks -so well as when some obstacle of pronounced durability is between -us. A personal experience has intensified rather than diminished -that idea. - -After all, however, there is nothing like custom, for neither Bilder -nor his wife thought any more of the wolf than I should of a dog. -The animal itself was a peaceful and well-behaved as that father of -all picture-wolves, Red Riding Hood's quondam friend, whilst moving -her confidence in masquerade. - -The whole scene was a unutterable mixture of comedy and -pathos. The wicked wolf that for a half a day had -paralyzed London and set all the children in town shivering -in their shoes, was there in a sort of penitent mood, and -was received and petted like a sort of vulpine prodigal -son. Old Bilder examined him all over with most tender -solicitude, and when he had finished with his penitent -said, - -"There, I knew the poor old chap would get into some kind of -trouble. Didn't I say it all along? Here's his head all -cut and full of broken glass. 'E's been a-gettin' over -some bloomin' wall or other. It's a shyme that people are -allowed to top their walls with broken bottles. This 'ere's -what comes of it. Come along, Bersicker." - -He took the wolf and locked him up in a cage, with a piece -of meat that satisfied, in quantity at any rate, the elementary -conditions of the fatted calf, and went off to report. - -I came off too, to report the only exclusive information -that is given today regarding the strange escapade at the -Zoo. - - - -DR. SEWARD'S DIARY - -17 September.--I was engaged after dinner in my study posting up my -books, which, through press of other work and the many visits to Lucy, -had fallen sadly into arrear. Suddenly the door was burst open, and -in rushed my patient, with his face distorted with passion. I was -thunderstruck, for such a thing as a patient getting of his own accord -into the Superintendent's study is almost unknown. - -Without an instant's notice he made straight at me. He had a dinner -knife in his hand, and as I saw he was dangerous, I tried to keep the -table between us. He was too quick and too strong for me, however, -for before I could get my balance he had struck at me and cut my left -wrist rather severely. - -Before he could strike again, however, I got in my right hand and he -was sprawling on his back on the floor. My wrist bled freely, and -quite a little pool trickled on to the carpet. I saw that my friend -was not intent on further effort, and occupied myself binding up my -wrist, keeping a wary eye on the prostrate figure all the time. When -the attendants rushed in, and we turned our attention to him, his -employment positively sickened me. He was lying on his belly on the -floor licking up, like a dog, the blood which had fallen from my -wounded wrist. He was easily secured, and to my surprise, went with -the attendants quite placidly, simply repeating over and over again, -"The blood is the life! The blood is the life!" - -I cannot afford to lose blood just at present. I have lost too much -of late for my physical good, and then the prolonged strain of Lucy's -illness and its horrible phases is telling on me. I am over excited -and weary, and I need rest, rest, rest. Happily Van Helsing has not -summoned me, so I need not forego my sleep. Tonight I could not well -do without it. - - - -TELEGRAM, VAN HELSING, ANTWERP, TO SEWARD, CARFAX - -(Sent to Carfax, Sussex, as no county given, delivered late -by twenty-two hours.) - -17 September.--Do not fail to be at Hilllingham tonight. -If not watching all the time, frequently visit and see that -flowers are as placed, very important, do not fail. Shall -be with you as soon as possible after arrival. - - - -DR. SEWARD'S DIARY - -18 September.--Just off train to London. The arrival of Van -Helsing's telegram filled me with dismay. A whole night lost, -and I know by bitter experience what may happen in a night. -Of course it is possible that all may be well, but what may -have happened? Surely there is some horrible doom hanging over us -that every possible accident should thwart us in all we try to do. -I shall take this cylinder with me, and then I can complete -my entry on Lucy's phonograph. - - - - -MEMORANDUM LEFT BY LUCY WESTENRA - -17 September, Night.--I write this and leave it to be seen, -so that no one may by any chance get into trouble through -me. This is an exact record of what took place tonight. I -feel I am dying of weakness, and have barely strength to -write, but it must be done if I die in the doing. - -I went to bed as usual, taking care that the flowers were -placed as Dr. Van Helsing directed, and soon fell asleep. - -I was waked by the flapping at the window, which had begun after -that sleep-walking on the cliff at Whitby when Mina saved me, and -which now I know so well. I was not afraid, but I did wish that -Dr. Seward was in the next room, as Dr. Van Helsing said he would -be, so that I might have called him. I tried to sleep, but I -could not. Then there came to me the old fear of sleep, and I -determined to keep awake. Perversely sleep would try to come then -when I did not want it. So, as I feared to be alone, I opened my -door and called out, "Is there anybody there?" There was no -answer. I was afraid to wake mother, and so closed my door -again. Then outside in the shrubbery I heard a sort of howl like -a dog's, but more fierce and deeper. I went to the window and -looked out, but could see nothing, except a big bat, which had -evidently been buffeting its wings against the window. So I went -back to bed again, but determined not to go to sleep. Presently -the door opened, and mother looked in. Seeing by my moving that -I was not asleep, she came in and sat by me. She said to me even -more sweetly and softly than her wont, - -"I was uneasy about you, darling, and came in to see that -you were all right." - -I feared she might catch cold sitting there, and asked her -to come in and sleep with me, so she came into bed, and lay -down beside me. She did not take off her dressing gown, -for she said she would only stay a while and then go back -to her own bed. As she lay there in my arms, and I in hers -the flapping and buffeting came to the window again. She -was startled and a little frightened, and cried out, "What -is that?" - -I tried to pacify her, and at last succeeded, and she lay -quiet. But I could hear her poor dear heart still beating -terribly. After a while there was the howl again out in -the shrubbery, and shortly after there was a crash at the -window, and a lot of broken glass was hurled on the floor. -The window blind blew back with the wind that rushed in, -and in the aperture of the broken panes there was the head -of a great, gaunt gray wolf. - -Mother cried out in a fright, and struggled up into a -sitting posture, and clutched wildly at anything that would -help her. Amongst other things, she clutched the wreath of -flowers that Dr. Van Helsing insisted on my wearing round -my neck, and tore it away from me. For a second or two she -sat up, pointing at the wolf, and there was a strange and -horrible gurgling in her throat. Then she fell over, as if -struck with lightning, and her head hit my forehead and -made me dizzy for a moment or two. - -The room and all round seemed to spin round. I kept my eyes -fixed on the window, but the wolf drew his head back, and a whole -myriad of little specks seems to come blowing in through the -broken window, and wheeling and circling round like the pillar of -dust that travellers describe when there is a simoon in the -desert. I tried to stir, but there was some spell upon me, and -dear Mother's poor body, which seemed to grow cold already, for -her dear heart had ceased to beat, weighed me down, and I -remembered no more for a while. - -The time did not seem long, but very, very awful, till I -recovered consciousness again. Somewhere near, a passing -bell was tolling. The dogs all round the neighbourhood were -howling, and in our shrubbery, seemingly just outside, a -nightingale was singing. I was dazed and stupid with pain -and terror and weakness, but the sound of the nightingale -seemed like the voice of my dead mother come back to comfort me. -The sounds seemed to have awakened the maids, too, for I could -hear their bare feet pattering outside my door. I called to -them, and they came in, and when they saw what had happened, and -what it was that lay over me on the bed, they screamed out. The -wind rushed in through the broken window, and the door slammed -to. They lifted off the body of my dear mother, and laid her, -covered up with a sheet, on the bed after I had got up. They -were all so frightened and nervous that I directed them to go to -the dining room and each have a glass of wine. The door flew -open for an instant and closed again. The maids shrieked, and -then went in a body to the dining room, and I laid what flowers I -had on my dear mother's breast. When they were there I -remembered what Dr. Van Helsing had told me, but I didn't like to -remove them, and besides, I would have some of the servants to -sit up with me now. I was surprised that the maids did not come -back. I called them, but got no answer, so I went to the dining -room to look for them. - -My heart sank when I saw what had happened. They all four -lay helpless on the floor, breathing heavily. The decanter -of sherry was on the table half full, but there was a queer, -acrid smell about. I was suspicious, and examined the decanter. -It smelt of laudanum, and looking on the sideboard, I found that -the bottle which Mother's doctor uses for her--oh! did use--was -empty. What am I to do? What am I to do? I am back in the room -with Mother. I cannot leave her, and I am alone, save for the -sleeping servants, whom some one has drugged. Alone with the -dead! I dare not go out, for I can hear the low howl of the wolf -through the broken window. - -The air seems full of specks, floating and circling in the -draught from the window, and the lights burn blue and dim. -What am I to do? God shield me from harm this night! I -shall hide this paper in my breast, where they shall find -it when they come to lay me out. My dear mother gone! It -is time that I go too. Goodbye, dear Arthur, if I should -not survive this night. God keep you, dear, and God help -me! - - - - -CHAPTER 12 - - -DR. SEWARD'S DIARY - -18 September.--I drove at once to Hillingham and arrived early. -Keeping my cab at the gate, I went up the avenue alone. I knocked -gently and rang as quietly as possible, for I feared to disturb Lucy -or her mother, and hoped to only bring a servant to the door. After a -while, finding no response, I knocked and rang again, still no -answer. I cursed the laziness of the servants that they should lie -abed at such an hour, for it was now ten o'clock, and so rang and -knocked again, but more impatiently, but still without response. -Hitherto I had blamed only the servants, but now a terrible fear began -to assail me. Was this desolation but another link in the chain of -doom which seemed drawing tight round us? Was it indeed a house of -death to which I had come, too late? I know that minutes, even -seconds of delay, might mean hours of danger to Lucy, if she had had -again one of those frightful relapses, and I went round the house to -try if I could find by chance an entry anywhere. - -I could find no means of ingress. Every window and door was fastened -and locked, and I returned baffled to the porch. As I did so, I heard -the rapid pit-pat of a swiftly driven horse's feet. They stopped at -the gate, and a few seconds later I met Van Helsing running up the -avenue. When he saw me, he gasped out, "Then it was you, and just -arrived. How is she? Are we too late? Did you not get my telegram?" - -I answered as quickly and coherently as I could that I had only got -his telegram early in the morning, and had not a minute in coming -here, and that I could not make any one in the house hear me. He -paused and raised his hat as he said solemnly, "Then I fear we are too -late. God's will be done!" - -With his usual recuperative energy, he went on, "Come. If there be no -way open to get in, we must make one. Time is all in all to us now." - -We went round to the back of the house, where there was a kitchen -window. The Professor took a small surgical saw from his case, and -handing it to me, pointed to the iron bars which guarded the window. -I attacked them at once and had very soon cut through three of them. -Then with a long, thin knife we pushed back the fastening of the -sashes and opened the window. I helped the Professor in, and followed -him. There was no one in the kitchen or in the servants' rooms, which -were close at hand. We tried all the rooms as we went along, and in -the dining room, dimly lit by rays of light through the shutters, -found four servant women lying on the floor. There was no need to -think them dead, for their stertorous breathing and the acrid smell of -laudanum in the room left no doubt as to their condition. - -Van Helsing and I looked at each other, and as we moved away he said, -"We can attend to them later." Then we ascended to Lucy's room. For an -instant or two we paused at the door to listen, but there was no sound -that we could hear. With white faces and trembling hands, we opened -the door gently, and entered the room. - -How shall I describe what we saw? On the bed lay two women, Lucy and -her mother. The latter lay farthest in, and she was covered with a -white sheet, the edge of which had been blown back by the drought -through the broken window, showing the drawn, white, face, with a look -of terror fixed upon it. By her side lay Lucy, with face white and -still more drawn. The flowers which had been round her neck we found -upon her mother's bosom, and her throat was bare, showing the two -little wounds which we had noticed before, but looking horribly white -and mangled. Without a word the Professor bent over the bed, his head -almost touching poor Lucy's breast. Then he gave a quick turn of his -head, as of one who listens, and leaping to his feet, he cried out to -me, "It is not yet too late! Quick! Quick! Bring the brandy!" - -I flew downstairs and returned with it, taking care to smell and taste -it, lest it, too, were drugged like the decanter of sherry which I -found on the table. The maids were still breathing, but more -restlessly, and I fancied that the narcotic was wearing off. I did -not stay to make sure, but returned to Van Helsing. He rubbed the -brandy, as on another occasion, on her lips and gums and on her wrists -and the palms of her hands. He said to me, "I can do this, all that -can be at the present. You go wake those maids. Flick them in the -face with a wet towel, and flick them hard. Make them get heat and -fire and a warm bath. This poor soul is nearly as cold as that beside -her. She will need be heated before we can do anything more." - -I went at once, and found little difficulty in waking three of the -women. The fourth was only a young girl, and the drug had evidently -affected her more strongly so I lifted her on the sofa and let her -sleep. - -The others were dazed at first, but as remembrance came back to them -they cried and sobbed in a hysterical manner. I was stern with them, -however, and would not let them talk. I told them that one life was -bad enough to lose, and if they delayed they would sacrifice Miss -Lucy. So, sobbing and crying they went about their way, half clad as -they were, and prepared fire and water. Fortunately, the kitchen and -boiler fires were still alive, and there was no lack of hot water. We -got a bath and carried Lucy out as she was and placed her in it. -Whilst we were busy chafing her limbs there was a knock at the hall -door. One of the maids ran off, hurried on some more clothes, and -opened it. Then she returned and whispered to us that there was a -gentleman who had come with a message from Mr. Holmwood. I bade her -simply tell him that he must wait, for we could see no one now. She -went away with the message, and, engrossed with our work, I clean -forgot all about him. - -I never saw in all my experience the Professor work in such deadly -earnest. I knew, as he knew, that it was a stand-up fight with death, -and in a pause told him so. He answered me in a way that I did not -understand, but with the sternest look that his face could wear. - -"If that were all, I would stop here where we are now, and let her -fade away into peace, for I see no light in life over her horizon." He -went on with his work with, if possible, renewed and more frenzied -vigour. - -Presently we both began to be conscious that the heat was beginning to -be of some effect. Lucy's heart beat a trifle more audibly to the -stethoscope, and her lungs had a perceptible movement. Van Helsing's -face almost beamed, and as we lifted her from the bath and rolled her -in a hot sheet to dry her he said to me, "The first gain is ours! -Check to the King!" - -We took Lucy into another room, which had by now been prepared, and -laid her in bed and forced a few drops of brandy down her throat. I -noticed that Van Helsing tied a soft silk handkerchief round her -throat. She was still unconscious, and was quite as bad as, if not -worse than, we had ever seen her. - -Van Helsing called in one of the women, and told her to stay with her -and not to take her eyes off her till we returned, and then beckoned -me out of the room. - -"We must consult as to what is to be done," he said as we descended -the stairs. In the hall he opened the dining room door, and we passed -in, he closing the door carefully behind him. The shutters had been -opened, but the blinds were already down, with that obedience to the -etiquette of death which the British woman of the lower classes always -rigidly observes. The room was, therefore, dimly dark. It was, -however, light enough for our purposes. Van Helsing's sternness was -somewhat relieved by a look of perplexity. He was evidently torturing -his mind about something, so I waited for an instant, and he spoke. - -"What are we to do now? Where are we to turn for help? We must have -another transfusion of blood, and that soon, or that poor girl's life -won't be worth an hour's purchase. You are exhausted already. I am -exhausted too. I fear to trust those women, even if they would have -courage to submit. What are we to do for some one who will open his -veins for her?" - -"What's the matter with me, anyhow?" - -The voice came from the sofa across the room, and its tones brought -relief and joy to my heart, for they were those of Quincey Morris. - -Van Helsing started angrily at the first sound, but his face softened -and a glad look came into his eyes as I cried out, "Quincey Morris!" -and rushed towards him with outstretched hands. - -"What brought you here?" I cried as our hands met. - -"I guess Art is the cause." - -He handed me a telegram.--'Have not heard from Seward for three days, -and am terribly anxious. Cannot leave. Father still in same -condition. Send me word how Lucy is. Do not delay.--Holmwood.' - -"I think I came just in the nick of time. You know you have only to -tell me what to do." - -Van Helsing strode forward, and took his hand, looking him straight in -the eyes as he said, "A brave man's blood is the best thing on this -earth when a woman is in trouble. You're a man and no mistake. Well, -the devil may work against us for all he's worth, but God sends us men -when we want them." - -Once again we went through that ghastly operation. I have not the -heart to go through with the details. Lucy had got a terrible shock -and it told on her more than before, for though plenty of blood went -into her veins, her body did not respond to the treatment as well as -on the other occasions. Her struggle back into life was something -frightful to see and hear. However, the action of both heart and -lungs improved, and Van Helsing made a sub-cutaneous injection of -morphia, as before, and with good effect. Her faint became a profound -slumber. The Professor watched whilst I went downstairs with Quincey -Morris, and sent one of the maids to pay off one of the cabmen who -were waiting. - -I left Quincey lying down after having a glass of wine, and told the -cook to get ready a good breakfast. Then a thought struck me, and I -went back to the room where Lucy now was. When I came softly in, I -found Van Helsing with a sheet or two of note paper in his hand. He -had evidently read it, and was thinking it over as he sat with his -hand to his brow. There was a look of grim satisfaction in his face, -as of one who has had a doubt solved. He handed me the paper saying -only, "It dropped from Lucy's breast when we carried her to the bath." - -When I had read it, I stood looking at the Professor, and after a -pause asked him, "In God's name, what does it all mean? Was she, or -is she, mad, or what sort of horrible danger is it?" I was so -bewildered that I did not know what to say more. Van Helsing put out -his hand and took the paper, saying, - -"Do not trouble about it now. Forget it for the present. You shall -know and understand it all in good time, but it will be later. And -now what is it that you came to me to say?" This brought me back to -fact, and I was all myself again. - -"I came to speak about the certificate of death. If we do not act -properly and wisely, there may be an inquest, and that paper would -have to be produced. I am in hopes that we need have no inquest, for -if we had it would surely kill poor Lucy, if nothing else did. I -know, and you know, and the other doctor who attended her knows, that -Mrs. Westenra had disease of the heart, and we can certify that she -died of it. Let us fill up the certificate at once, and I shall take -it myself to the registrar and go on to the undertaker." - -"Good, oh my friend John! Well thought of! Truly Miss Lucy, if she -be sad in the foes that beset her, is at least happy in the friends -that love her. One, two, three, all open their veins for her, besides -one old man. Ah, yes, I know, friend John. I am not blind! I love -you all the more for it! Now go." - -In the hall I met Quincey Morris, with a telegram for Arthur telling -him that Mrs. Westenra was dead, that Lucy also had been ill, but was -now going on better, and that Van Helsing and I were with her. I told -him where I was going, and he hurried me out, but as I was going said, - -"When you come back, Jack, may I have two words with you all to -ourselves?" I nodded in reply and went out. I found no difficulty -about the registration, and arranged with the local undertaker to come -up in the evening to measure for the coffin and to make arrangements. - -When I got back Quincey was waiting for me. I told him I would see -him as soon as I knew about Lucy, and went up to her room. She was -still sleeping, and the Professor seemingly had not moved from his -seat at her side. From his putting his finger to his lips, I gathered -that he expected her to wake before long and was afraid of -fore-stalling nature. So I went down to Quincey and took him into the -breakfast room, where the blinds were not drawn down, and which was a -little more cheerful, or rather less cheerless, than the other rooms. - -When we were alone, he said to me, "Jack Seward, I don't want to shove -myself in anywhere where I've no right to be, but this is no ordinary -case. You know I loved that girl and wanted to marry her, but -although that's all past and gone, I can't help feeling anxious about -her all the same. What is it that's wrong with her? The Dutchman, -and a fine old fellow he is, I can see that, said that time you two -came into the room, that you must have another transfusion of blood, -and that both you and he were exhausted. Now I know well that you -medical men speak in camera, and that a man must not expect to know -what they consult about in private. But this is no common matter, and -whatever it is, I have done my part. Is not that so?" - -"That's so," I said, and he went on. - -"I take it that both you and Van Helsing had done already what I did -today. Is not that so?" - -"That's so." - -"And I guess Art was in it too. When I saw him four days ago down at -his own place he looked queer. I have not seen anything pulled down -so quick since I was on the Pampas and had a mare that I was fond of -go to grass all in a night. One of those big bats that they call -vampires had got at her in the night, and what with his gorge and the -vein left open, there wasn't enough blood in her to let her stand up, -and I had to put a bullet through her as she lay. Jack, if you may -tell me without betraying confidence, Arthur was the first, is not -that so?" - -As he spoke the poor fellow looked terribly anxious. He was in a -torture of suspense regarding the woman he loved, and his utter -ignorance of the terrible mystery which seemed to surround her -intensified his pain. His very heart was bleeding, and it took all -the manhood of him, and there was a royal lot of it, too, to keep him -from breaking down. I paused before answering, for I felt that I must -not betray anything which the Professor wished kept secret, but -already he knew so much, and guessed so much, that there could be no -reason for not answering, so I answered in the same phrase. - -"That's so." - -"And how long has this been going on?" - -"About ten days." - -"Ten days! Then I guess, Jack Seward, that that poor pretty creature -that we all love has had put into her veins within that time the blood -of four strong men. Man alive, her whole body wouldn't hold it." Then -coming close to me, he spoke in a fierce half-whisper. "What took it -out?" - -I shook my head. "That," I said, "is the crux. Van Helsing is simply -frantic about it, and I am at my wits' end. I can't even hazard a -guess. There has been a series of little circumstances which have -thrown out all our calculations as to Lucy being properly watched. -But these shall not occur again. Here we stay until all be well, or -ill." - -Quincey held out his hand. "Count me in," he said. "You and the -Dutchman will tell me what to do, and I'll do it." - -When she woke late in the afternoon, Lucy's first movement was to feel -in her breast, and to my surprise, produced the paper which Van -Helsing had given me to read. The careful Professor had replaced it -where it had come from, lest on waking she should be alarmed. Her -eyes then lit on Van Helsing and on me too, and gladdened. Then she -looked round the room, and seeing where she was, shuddered. She gave -a loud cry, and put her poor thin hands before her pale face. - -We both understood what was meant, that she had realized to the full -her mother's death. So we tried what we could to comfort her. -Doubtless sympathy eased her somewhat, but she was very low in thought -and spirit, and wept silently and weakly for a long time. We told her -that either or both of us would now remain with her all the time, and -that seemed to comfort her. Towards dusk she fell into a doze. Here -a very odd thing occurred. Whilst still asleep she took the paper -from her breast and tore it in two. Van Helsing stepped over and took -the pieces from her. All the same, however, she went on with the -action of tearing, as though the material were still in her hands. -Finally she lifted her hands and opened them as though scattering the -fragments. Van Helsing seemed surprised, and his brows gathered as if -in thought, but he said nothing. - - -19 September.--All last night she slept fitfully, being always afraid -to sleep, and something weaker when she woke from it. The Professor -and I took in turns to watch, and we never left her for a moment -unattended. Quincey Morris said nothing about his intention, but I -knew that all night long he patrolled round and round the house. - -When the day came, its searching light showed the ravages in poor -Lucy's strength. She was hardly able to turn her head, and the little -nourishment which she could take seemed to do her no good. At times -she slept, and both Van Helsing and I noticed the difference in her, -between sleeping and waking. Whilst asleep she looked stronger, -although more haggard, and her breathing was softer. Her open mouth -showed the pale gums drawn back from the teeth, which looked -positively longer and sharper than usual. When she woke the softness -of her eyes evidently changed the expression, for she looked her own -self, although a dying one. In the afternoon she asked for Arthur, -and we telegraphed for him. Quincey went off to meet him at the -station. - -When he arrived it was nearly six o'clock, and the sun was setting -full and warm, and the red light streamed in through the window and -gave more colour to the pale cheeks. When he saw her, Arthur was -simply choking with emotion, and none of us could speak. In the hours -that had passed, the fits of sleep, or the comatose condition that -passed for it, had grown more frequent, so that the pauses when -conversation was possible were shortened. Arthur's presence, however, -seemed to act as a stimulant. She rallied a little, and spoke to him -more brightly than she had done since we arrived. He too pulled -himself together, and spoke as cheerily as he could, so that the best -was made of everything. - -It is now nearly one o'clock, and he and Van Helsing are sitting with -her. I am to relieve them in a quarter of an hour, and I am entering -this on Lucy's phonograph. Until six o'clock they are to try to rest. -I fear that tomorrow will end our watching, for the shock has been too -great. The poor child cannot rally. God help us all. - - - - -LETTER MINA HARKER TO LUCY WESTENRA - -(Unopened by her) - -17 September - -My dearest Lucy, - -"It seems an age since I heard from you, or indeed since I -wrote. You will pardon me, I know, for all my faults when -you have read all my budget of news. Well, I got my husband back -all right. When we arrived at Exeter there was a carriage -waiting for us, and in it, though he had an attack of gout, Mr. -Hawkins. He took us to his house, where there were rooms for us -all nice and comfortable, and we dined together. After dinner -Mr. Hawkins said, - -"'My dears, I want to drink your health and prosperity, and -may every blessing attend you both. I know you both from -children, and have, with love and pride, seen you grow up. -Now I want you to make your home here with me. I have left -to me neither chick nor child. All are gone, and in my -will I have left you everything.' I cried, Lucy dear, as -Jonathan and the old man clasped hands. Our evening was a -very, very happy one. - -"So here we are, installed in this beautiful old house, and -from both my bedroom and the drawing room I can see the -great elms of the cathedral close, with their great black -stems standing out against the old yellow stone of the cathedral, -and I can hear the rooks overhead cawing and cawing and -chattering and chattering and gossiping all day, after the manner -of rooks--and humans. I am busy, I need not tell you, arranging -things and housekeeping. Jonathan and Mr. Hawkins are busy all -day, for now that Jonathan is a partner, Mr. Hawkins wants to -tell him all about the clients. - -"How is your dear mother getting on? I wish I could run up -to town for a day or two to see you, dear, but I dare not -go yet, with so much on my shoulders, and Jonathan wants -looking after still. He is beginning to put some flesh on -his bones again, but he was terribly weakened by the long -illness. Even now he sometimes starts out of his sleep in -a sudden way and awakes all trembling until I can coax him -back to his usual placidity. However, thank God, these -occasions grow less frequent as the days go on, and they -will in time pass away altogether, I trust. And now I have -told you my news, let me ask yours. When are you to be -married, and where, and who is to perform the ceremony, and -what are you to wear, and is it to be a public or private -wedding? Tell me all about it, dear, tell me all about -everything, for there is nothing which interests you which -will not be dear to me. Jonathan asks me to send his 'respectful -duty', but I do not think that is good enough from the junior -partner of the important firm Hawkins & Harker. And so, as you -love me, and he loves me, and I love you with all the moods and -tenses of the verb, I send you simply his 'love' instead. -Goodbye, my dearest Lucy, and blessings on you. - -"Yours, - -"Mina Harker" - - - -REPORT FROM PATRICK HENNESSEY, MD, MRCSLK, QCPI, ETC, ETC, -TO JOHN SEWARD, MD - -20 September - -My dear Sir: - -"In accordance with your wishes, I enclose report of the -conditions of everything left in my charge. With regard to -patient, Renfield, there is more to say. He has had another -outbreak, which might have had a dreadful ending, but which, as -it fortunately happened, was unattended with any unhappy results. -This afternoon a carrier's cart with two men made a call at the -empty house whose grounds abut on ours, the house to which, you -will remember, the patient twice ran away. The men stopped at -our gate to ask the porter their way, as they were strangers. - -"I was myself looking out of the study window, having a -smoke after dinner, and saw one of them come up to the -house. As he passed the window of Renfield's room, the -patient began to rate him from within, and called him all -the foul names he could lay his tongue to. The man, who -seemed a decent fellow enough, contented himself by telling -him to 'shut up for a foul-mouthed beggar', whereon our man -accused him of robbing him and wanting to murder him and -said that he would hinder him if he were to swing for it. -I opened the window and signed to the man not to notice, so -he contented himself after looking the place over and making up -his mind as to what kind of place he had got to by saying, 'Lor' -bless yer, sir, I wouldn't mind what was said to me in a bloomin' -madhouse. I pity ye and the guv'nor for havin' to live in the -house with a wild beast like that.' - -"Then he asked his way civilly enough, and I told him where -the gate of the empty house was. He went away followed by -threats and curses and revilings from our man. I went down -to see if I could make out any cause for his anger, since -he is usually such a well-behaved man, and except his violent -fits nothing of the kind had ever occurred. I found him, to my -astonishment, quite composed and most genial in his manner. I -tried to get him to talk of the incident, but he blandly asked me -questions as to what I meant, and led me to believe that he was -completely oblivious of the affair. It was, I am sorry to say, -however, only another instance of his cunning, for within half an -hour I heard of him again. This time he had broken out through -the window of his room, and was running down the avenue. I -called to the attendants to follow me, and ran after him, for I -feared he was intent on some mischief. My fear was justified -when I saw the same cart which had passed before coming down the -road, having on it some great wooden boxes. The men were wiping -their foreheads, and were flushed in the face, as if with violent -exercise. Before I could get up to him, the patient rushed at -them, and pulling one of them off the cart, began to knock his -head against the ground. If I had not seized him just at the -moment, I believe he would have killed the man there and then. -The other fellow jumped down and struck him over the head with -the butt end of his heavy whip. It was a horrible blow, but he -did not seem to mind it, but seized him also, and struggled with -the three of us, pulling us to and fro as if we were kittens. -You know I am no lightweight, and the others were both burly men. -At first he was silent in his fighting, but as we began to master -him, and the attendants were putting a strait waistcoat on him, -he began to shout, 'I'll frustrate them! They shan't rob me! -They shan't murder me by inches! I'll fight for my Lord and -Master!' and all sorts of similar incoherent ravings. It was -with very considerable difficulty that they got him back to the -house and put him in the padded room. One of the attendants, -Hardy, had a finger broken. However, I set it all right, and he -is going on well. - -"The two carriers were at first loud in their threats of -actions for damages, and promised to rain all the penalties -of the law on us. Their threats were, however, mingled -with some sort of indirect apology for the defeat of the -two of them by a feeble madman. They said that if it had -not been for the way their strength had been spent in carrying -and raising the heavy boxes to the cart they would have made -short work of him. They gave as another reason for their defeat -the extraordinary state of drouth to which they had been reduced -by the dusty nature of their occupation and the reprehensible -distance from the scene of their labors of any place of public -entertainment. I quite understood their drift, and after a stiff -glass of strong grog, or rather more of the same, and with each a -sovereign in hand, they made light of the attack, and swore that -they would encounter a worse madman any day for the pleasure of -meeting so 'bloomin' good a bloke' as your correspondent. I took -their names and addresses, in case they might be needed. They -are as follows: Jack Smollet, of Dudding's Rents, King George's -Road, Great Walworth, and Thomas Snelling, Peter Farley's Row, -Guide Court, Bethnal Green. They are both in the employment of -Harris & Sons, Moving and Shipment Company, Orange Master's Yard, -Soho. - -"I shall report to you any matter of interest occurring here, and -shall wire you at once if there is anything of importance. - -"Believe me, dear Sir, - -"Yours faithfully, - -"Patrick Hennessey." - - - -LETTER, MINA HARKER TO LUCY WESTENRA (Unopened by her) - -18 September - -"My dearest Lucy, - -"Such a sad blow has befallen us. Mr. Hawkins has died very -suddenly. Some may not think it so sad for us, but we had -both come to so love him that it really seems as though we -had lost a father. I never knew either father or mother, -so that the dear old man's death is a real blow to me. Jonathan -is greatly distressed. It is not only that he feels sorrow, deep -sorrow, for the dear, good man who has befriended him all his -life, and now at the end has treated him like his own son and -left him a fortune which to people of our modest bringing up is -wealth beyond the dream of avarice, but Jonathan feels it on -another account. He says the amount of responsibility which it -puts upon him makes him nervous. He begins to doubt himself. I -try to cheer him up, and my belief in him helps him to have a -belief in himself. But it is here that the grave shock that he -experienced tells upon him the most. Oh, it is too hard that a -sweet, simple, noble, strong nature such as his, a nature which -enabled him by our dear, good friend's aid to rise from clerk to -master in a few years, should be so injured that the very essence -of its strength is gone. Forgive me, dear, if I worry you with my -troubles in the midst of your own happiness, but Lucy dear, I -must tell someone, for the strain of keeping up a brave and -cheerful appearance to Jonathan tries me, and I have no one here -that I can confide in. I dread coming up to London, as we must -do that day after tomorrow, for poor Mr. Hawkins left in his will -that he was to be buried in the grave with his father. As there -are no relations at all, Jonathan will have to be chief mourner. -I shall try to run over to see you, dearest, if only for a few -minutes. Forgive me for troubling you. With all blessings, - -"Your loving - -"Mina Harker" - - - -DR. SEWARD'S DIARY - -20 September.--Only resolution and habit can let me make an entry -tonight. I am too miserable, too low spirited, too sick of the world -and all in it, including life itself, that I would not care if I heard -this moment the flapping of the wings of the angel of death. And he -has been flapping those grim wings to some purpose of late, Lucy's -mother and Arthur's father, and now . . . Let me get on with my work. - -I duly relieved Van Helsing in his watch over Lucy. We wanted Arthur -to go to rest also, but he refused at first. It was only when I told -him that we should want him to help us during the day, and that we -must not all break down for want of rest, lest Lucy should suffer, -that he agreed to go. - -Van Helsing was very kind to him. "Come, my child," he said. "Come -with me. You are sick and weak, and have had much sorrow and much -mental pain, as well as that tax on your strength that we know of. -You must not be alone, for to be alone is to be full of fears and -alarms. Come to the drawing room, where there is a big fire, and -there are two sofas. You shall lie on one, and I on the other, and -our sympathy will be comfort to each other, even though we do not -speak, and even if we sleep." - -Arthur went off with him, casting back a longing look on Lucy's face, -which lay in her pillow, almost whiter than the lawn. She lay quite -still, and I looked around the room to see that all was as it should -be. I could see that the Professor had carried out in this room, as -in the other, his purpose of using the garlic. The whole of the -window sashes reeked with it, and round Lucy's neck, over the silk -handkerchief which Van Helsing made her keep on, was a rough chaplet -of the same odorous flowers. - -Lucy was breathing somewhat stertorously, and her face was at its -worst, for the open mouth showed the pale gums. Her teeth, in the -dim, uncertain light, seemed longer and sharper than they had been in -the morning. In particular, by some trick of the light, the canine -teeth looked longer and sharper than the rest. - -I sat down beside her, and presently she moved uneasily. At the same -moment there came a sort of dull flapping or buffeting at the window. -I went over to it softly, and peeped out by the corner of the blind. -There was a full moonlight, and I could see that the noise was made by -a great bat, which wheeled around, doubtless attracted by the light, -although so dim, and every now and again struck the window with its -wings. When I came back to my seat, I found that Lucy had moved -slightly, and had torn away the garlic flowers from her throat. I -replaced them as well as I could, and sat watching her. - -Presently she woke, and I gave her food, as Van Helsing had -prescribed. She took but a little, and that languidly. There did not -seem to be with her now the unconscious struggle for life and strength -that had hitherto so marked her illness. It struck me as curious that -the moment she became conscious she pressed the garlic flowers close -to her. It was certainly odd that whenever she got into that -lethargic state, with the stertorous breathing, she put the flowers -from her, but that when she waked she clutched them close. There was -no possibility of making any mistake about this, for in the long hours -that followed, she had many spells of sleeping and waking and repeated -both actions many times. - -At six o'clock Van Helsing came to relieve me. Arthur had then fallen -into a doze, and he mercifully let him sleep on. When he saw Lucy's -face I could hear the hissing indraw of breath, and he said to me in a -sharp whisper. "Draw up the blind. I want light!" Then he bent down, -and, with his face almost touching Lucy's, examined her carefully. He -removed the flowers and lifted the silk handkerchief from her throat. -As he did so he started back and I could hear his ejaculation, "Mein -Gott!" as it was smothered in his throat. I bent over and looked, -too, and as I noticed some queer chill came over me. The wounds on -the throat had absolutely disappeared. - -For fully five minutes Van Helsing stood looking at her, with his face -at its sternest. Then he turned to me and said calmly, "She is -dying. It will not be long now. It will be much difference, mark me, -whether she dies conscious or in her sleep. Wake that poor boy, and -let him come and see the last. He trusts us, and we have promised -him." - -I went to the dining room and waked him. He was dazed for a moment, -but when he saw the sunlight streaming in through the edges of the -shutters he thought he was late, and expressed his fear. I assured -him that Lucy was still asleep, but told him as gently as I could that -both Van Helsing and I feared that the end was near. He covered his -face with his hands, and slid down on his knees by the sofa, where he -remained, perhaps a minute, with his head buried, praying, whilst his -shoulders shook with grief. I took him by the hand and raised him up. -"Come," I said, "my dear old fellow, summon all your fortitude. It -will be best and easiest for her." - -When we came into Lucy's room I could see that Van Helsing had, with -his usual forethought, been putting matters straight and making -everything look as pleasing as possible. He had even brushed Lucy's -hair, so that it lay on the pillow in its usual sunny ripples. When -we came into the room she opened her eyes, and seeing him, whispered -softly, "Arthur! Oh, my love, I am so glad you have come!" - -He was stooping to kiss her, when Van Helsing motioned him back. -"No," he whispered, "not yet! Hold her hand, it will comfort her -more." - -So Arthur took her hand and knelt beside her, and she looked her best, -with all the soft lines matching the angelic beauty of her eyes. Then -gradually her eyes closed, and she sank to sleep. For a little bit -her breast heaved softly, and her breath came and went like a tired -child's. - -And then insensibly there came the strange change which I had noticed -in the night. Her breathing grew stertorous, the mouth opened, and -the pale gums, drawn back, made the teeth look longer and sharper than -ever. In a sort of sleep-waking, vague, unconscious way she opened -her eyes, which were now dull and hard at once, and said in a soft, -voluptuous voice, such as I had never heard from her lips, "Arthur! -Oh, my love, I am so glad you have come! Kiss me!" - -Arthur bent eagerly over to kiss her, but at that instant Van Helsing, -who, like me, had been startled by her voice, swooped upon him, and -catching him by the neck with both hands, dragged him back with a fury -of strength which I never thought he could have possessed, and -actually hurled him almost across the room. - -"Not on your life!" he said, "not for your living soul and hers!" And -he stood between them like a lion at bay. - -Arthur was so taken aback that he did not for a moment know what to do -or say, and before any impulse of violence could seize him he realized -the place and the occasion, and stood silent, waiting. - -I kept my eyes fixed on Lucy, as did Van Helsing, and we saw a spasm -as of rage flit like a shadow over her face. The sharp teeth clamped -together. Then her eyes closed, and she breathed heavily. - -Very shortly after she opened her eyes in all their softness, and -putting out her poor, pale, thin hand, took Van Helsing's great brown -one, drawing it close to her, she kissed it. "My true friend," she -said, in a faint voice, but with untellable pathos, "My true friend, -and his! Oh, guard him, and give me peace!" - -"I swear it!" he said solemnly, kneeling beside her and holding up his -hand, as one who registers an oath. Then he turned to Arthur, and -said to him, "Come, my child, take her hand in yours, and kiss her on -the forehead, and only once." - -Their eyes met instead of their lips, and so they parted. Lucy's eyes -closed, and Van Helsing, who had been watching closely, took Arthur's -arm, and drew him away. - -And then Lucy's breathing became stertorous again, and all at once it -ceased. - -"It is all over," said Van Helsing. "She is dead!" - -I took Arthur by the arm, and led him away to the drawing room, where -he sat down, and covered his face with his hands, sobbing in a way -that nearly broke me down to see. - -I went back to the room, and found Van Helsing looking at poor Lucy, -and his face was sterner than ever. Some change had come over her -body. Death had given back part of her beauty, for her brow and -cheeks had recovered some of their flowing lines. Even the lips had -lost their deadly pallor. It was as if the blood, no longer needed -for the working of the heart, had gone to make the harshness of death -as little rude as might be. - -"We thought her dying whilst she slept, and sleeping when she died." - - -I stood beside Van Helsing, and said, "Ah well, poor girl, there is -peace for her at last. It is the end!" - -He turned to me, and said with grave solemnity, "Not so, alas! Not -so. It is only the beginning!" - -When I asked him what he meant, he only shook his head and answered, -"We can do nothing as yet. Wait and see." - - - - -CHAPTER 13 - - -DR. SEWARD'S DIARY--cont. - -The funeral was arranged for the next succeeding day, so that Lucy and -her mother might be buried together. I attended to all the ghastly -formalities, and the urbane undertaker proved that his staff was -afflicted, or blessed, with something of his own obsequious suavity. -Even the woman who performed the last offices for the dead remarked to -me, in a confidential, brother-professional way, when she had come out -from the death chamber, - -"She makes a very beautiful corpse, sir. It's quite a privilege to -attend on her. It's not too much to say that she will do credit to -our establishment!" - -I noticed that Van Helsing never kept far away. This was possible -from the disordered state of things in the household. There were no -relatives at hand, and as Arthur had to be back the next day to attend -at his father's funeral, we were unable to notify any one who should -have been bidden. Under the circumstances, Van Helsing and I took it -upon ourselves to examine papers, etc. He insisted upon looking over -Lucy's papers himself. I asked him why, for I feared that he, being a -foreigner, might not be quite aware of English legal requirements, and -so might in ignorance make some unnecessary trouble. - -He answered me, "I know, I know. You forget that I am a lawyer as -well as a doctor. But this is not altogether for the law. You knew -that, when you avoided the coroner. I have more than him to avoid. -There may be papers more, such as this." - -As he spoke he took from his pocket book the memorandum which had been -in Lucy's breast, and which she had torn in her sleep. - -"When you find anything of the solicitor who is for the late Mrs. -Westenra, seal all her papers, and write him tonight. For me, I watch -here in the room and in Miss Lucy's old room all night, and I myself -search for what may be. It is not well that her very thoughts go into -the hands of strangers." - -I went on with my part of the work, and in another half hour had found -the name and address of Mrs. Westenra's solicitor and had written to -him. All the poor lady's papers were in order. Explicit directions -regarding the place of burial were given. I had hardly sealed the -letter, when, to my surprise, Van Helsing walked into the room, -saying, - -"Can I help you friend John? I am free, and if I may, my service is -to you." - -"Have you got what you looked for?" I asked. - -To which he replied, "I did not look for any specific thing. I only -hoped to find, and find I have, all that there was, only some letters -and a few memoranda, and a diary new begun. But I have them here, and -we shall for the present say nothing of them. I shall see that poor -lad tomorrow evening, and, with his sanction, I shall use some." - -When we had finished the work in hand, he said to me, "And now, friend -John, I think we may to bed. We want sleep, both you and I, and rest -to recuperate. Tomorrow we shall have much to do, but for the tonight -there is no need of us. Alas!" - -Before turning in we went to look at poor Lucy. The undertaker had -certainly done his work well, for the room was turned into a small -chapelle ardente. There was a wilderness of beautiful white flowers, -and death was made as little repulsive as might be. The end of the -winding sheet was laid over the face. When the Professor bent over -and turned it gently back, we both started at the beauty before us. -The tall wax candles showing a sufficient light to note it well. All -Lucy's loveliness had come back to her in death, and the hours that -had passed, instead of leaving traces of 'decay's effacing fingers', -had but restored the beauty of life, till positively I could not -believe my eyes that I was looking at a corpse. - -The Professor looked sternly grave. He had not loved her as I had, -and there was no need for tears in his eyes. He said to me, "Remain -till I return," and left the room. He came back with a handful of -wild garlic from the box waiting in the hall, but which had not been -opened, and placed the flowers amongst the others on and around the -bed. Then he took from his neck, inside his collar, a little gold -crucifix, and placed it over the mouth. He restored the sheet to its -place, and we came away. - -I was undressing in my own room, when, with a premonitory tap at the -door, he entered, and at once began to speak. - -"Tomorrow I want you to bring me, before night, a set of post-mortem -knives." - -"Must we make an autopsy?" I asked. - -"Yes and no. I want to operate, but not what you think. Let me tell -you now, but not a word to another. I want to cut off her head and -take out her heart. Ah! You a surgeon, and so shocked! You, whom I -have seen with no tremble of hand or heart, do operations of life and -death that make the rest shudder. Oh, but I must not forget, my dear -friend John, that you loved her, and I have not forgotten it for is I -that shall operate, and you must not help. I would like to do it -tonight, but for Arthur I must not. He will be free after his -father's funeral tomorrow, and he will want to see her, to see it. -Then, when she is coffined ready for the next day, you and I shall -come when all sleep. We shall unscrew the coffin lid, and shall do -our operation, and then replace all, so that none know, save we -alone." - -"But why do it at all? The girl is dead. Why mutilate her poor body -without need? And if there is no necessity for a post-mortem and -nothing to gain by it, no good to her, to us, to science, to human -knowledge, why do it? Without such it is monstrous." - -For answer he put his hand on my shoulder, and said, with infinite -tenderness, "Friend John, I pity your poor bleeding heart, and I love -you the more because it does so bleed. If I could, I would take on -myself the burden that you do bear. But there are things that you -know not, but that you shall know, and bless me for knowing, though -they are not pleasant things. John, my child, you have been my friend -now many years, and yet did you ever know me to do any without good -cause? I may err, I am but man, but I believe in all I do. Was it -not for these causes that you send for me when the great trouble -came? Yes! Were you not amazed, nay horrified, when I would not let -Arthur kiss his love, though she was dying, and snatched him away by -all my strength? Yes! And yet you saw how she thanked me, with her -so beautiful dying eyes, her voice, too, so weak, and she kiss my -rough old hand and bless me? Yes! And did you not hear me swear -promise to her, that so she closed her eyes grateful? Yes! - -"Well, I have good reason now for all I want to do. You have for many -years trust me. You have believe me weeks past, when there be things -so strange that you might have well doubt. Believe me yet a little, -friend John. If you trust me not, then I must tell what I think, and -that is not perhaps well. And if I work, as work I shall, no matter -trust or no trust, without my friend trust in me, I work with heavy -heart and feel oh so lonely when I want all help and courage that may -be!" He paused a moment and went on solemnly, "Friend John, there are -strange and terrible days before us. Let us not be two, but one, that -so we work to a good end. Will you not have faith in me?" - -I took his hand, and promised him. I held my door open as he went -away, and watched him go to his room and close the door. As I stood -without moving, I saw one of the maids pass silently along the -passage, she had her back to me, so did not see me, and go into the -room where Lucy lay. The sight touched me. Devotion is so rare, and -we are so grateful to those who show it unasked to those we love. Here -was a poor girl putting aside the terrors which she naturally had of -death to go watch alone by the bier of the mistress whom she loved, so -that the poor clay might not be lonely till laid to eternal rest. - -I must have slept long and soundly, for it was broad daylight when Van -Helsing waked me by coming into my room. He came over to my bedside -and said, "You need not trouble about the knives. We shall not do -it." - -"Why not?" I asked. For his solemnity of the night before had -greatly impressed me. - -"Because," he said sternly, "it is too late, or too early. See!" -Here he held up the little golden crucifix. - -"This was stolen in the night." - -"How stolen," I asked in wonder, "since you have it now?" - -"Because I get it back from the worthless wretch who stole it, from -the woman who robbed the dead and the living. Her punishment will -surely come, but not through me. She knew not altogether what she -did, and thus unknowing, she only stole. Now we must wait." He went -away on the word, leaving me with a new mystery to think of, a new -puzzle to grapple with. - -The forenoon was a dreary time, but at noon the solicitor came, Mr. -Marquand, of Wholeman, Sons, Marquand & Lidderdale. He was very -genial and very appreciative of what we had done, and took off our -hands all cares as to details. During lunch he told us that Mrs. -Westenra had for some time expected sudden death from her heart, and -had put her affairs in absolute order. He informed us that, with the -exception of a certain entailed property of Lucy's father which now, -in default of direct issue, went back to a distant branch of the -family, the whole estate, real and personal, was left absolutely to -Arthur Holmwood. When he had told us so much he went on, - -"Frankly we did our best to prevent such a testamentary disposition, -and pointed out certain contingencies that might leave her daughter -either penniless or not so free as she should be to act regarding a -matrimonial alliance. Indeed, we pressed the matter so far that we -almost came into collision, for she asked us if we were or were not -prepared to carry out her wishes. Of course, we had then no -alternative but to accept. We were right in principle, and -ninety-nine times out of a hundred we should have proved, by the logic -of events, the accuracy of our judgment. - -"Frankly, however, I must admit that in this case any other form of -disposition would have rendered impossible the carrying out of her -wishes. For by her predeceasing her daughter the latter would have -come into possession of the property, and, even had she only survived -her mother by five minutes, her property would, in case there were no -will, and a will was a practical impossibility in such a case, have -been treated at her decease as under intestacy. In which case Lord -Godalming, though so dear a friend, would have had no claim in the -world. And the inheritors, being remote, would not be likely to -abandon their just rights, for sentimental reasons regarding an entire -stranger. I assure you, my dear sirs, I am rejoiced at the result, -perfectly rejoiced." - -He was a good fellow, but his rejoicing at the one little part, in -which he was officially interested, of so great a tragedy, was an -object-lesson in the limitations of sympathetic understanding. - -He did not remain long, but said he would look in later in the day and -see Lord Godalming. His coming, however, had been a certain comfort -to us, since it assured us that we should not have to dread hostile -criticism as to any of our acts. Arthur was expected at five o'clock, -so a little before that time we visited the death chamber. It was so -in very truth, for now both mother and daughter lay in it. The -undertaker, true to his craft, had made the best display he could of -his goods, and there was a mortuary air about the place that lowered -our spirits at once. - -Van Helsing ordered the former arrangement to be adhered to, -explaining that, as Lord Godalming was coming very soon, it would be -less harrowing to his feelings to see all that was left of his fiancee -quite alone. - -The undertaker seemed shocked at his own stupidity and exerted himself -to restore things to the condition in which we left them the night -before, so that when Arthur came such shocks to his feelings as we -could avoid were saved. - -Poor fellow! He looked desperately sad and broken. Even his stalwart -manhood seemed to have shrunk somewhat under the strain of his -much-tried emotions. He had, I knew, been very genuinely and -devotedly attached to his father, and to lose him, and at such a time, -was a bitter blow to him. With me he was warm as ever, and to Van -Helsing he was sweetly courteous. But I could not help seeing that -there was some constraint with him. The professor noticed it too, and -motioned me to bring him upstairs. I did so, and left him at the door -of the room, as I felt he would like to be quite alone with her, but -he took my arm and led me in, saying huskily, - -"You loved her too, old fellow. She told me all about it, and there -was no friend had a closer place in her heart than you. I don't know -how to thank you for all you have done for her. I can't think -yet . . ." - -Here he suddenly broke down, and threw his arms round my shoulders and -laid his head on my breast, crying, "Oh, Jack! Jack! What shall I -do? The whole of life seems gone from me all at once, and there is -nothing in the wide world for me to live for." - -I comforted him as well as I could. In such cases men do not need -much expression. A grip of the hand, the tightening of an arm over -the shoulder, a sob in unison, are expressions of sympathy dear to a -man's heart. I stood still and silent till his sobs died away, and -then I said softly to him, "Come and look at her." - -Together we moved over to the bed, and I lifted the lawn from her -face. God! How beautiful she was. Every hour seemed to be enhancing -her loveliness. It frightened and amazed me somewhat. And as for -Arthur, he fell to trembling, and finally was shaken with doubt as -with an ague. At last, after a long pause, he said to me in a faint -whisper, "Jack, is she really dead?" - -I assured him sadly that it was so, and went on to suggest, for I felt -that such a horrible doubt should not have life for a moment longer -than I could help, that it often happened that after death faces -become softened and even resolved into their youthful beauty, that -this was especially so when death had been preceded by any acute or -prolonged suffering. I seemed to quite do away with any doubt, and -after kneeling beside the couch for a while and looking at her -lovingly and long, he turned aside. I told him that that must be -goodbye, as the coffin had to be prepared, so he went back and took -her dead hand in his and kissed it, and bent over and kissed her -forehead. He came away, fondly looking back over his shoulder at her -as he came. - -I left him in the drawing room, and told Van Helsing that he had said -goodbye, so the latter went to the kitchen to tell the undertaker's -men to proceed with the preparations and to screw up the coffin. When -he came out of the room again I told him of Arthur's question, and he -replied, "I am not surprised. Just now I doubted for a moment -myself!" - -We all dined together, and I could see that poor Art was trying to -make the best of things. Van Helsing had been silent all dinner time, -but when we had lit our cigars he said, "Lord . . ." but Arthur -interrupted him. - -"No, no, not that, for God's sake! Not yet at any rate. Forgive me, -sir. I did not mean to speak offensively. It is only because my loss -is so recent." - -The Professor answered very sweetly, "I only used that name because I -was in doubt. I must not call you 'Mr.' and I have grown to love you, -yes, my dear boy, to love you, as Arthur." - -Arthur held out his hand, and took the old man's warmly. "Call me -what you will," he said. "I hope I may always have the title of a -friend. And let me say that I am at a loss for words to thank you for -your goodness to my poor dear." He paused a moment, and went on, "I -know that she understood your goodness even better than I do. And if -I was rude or in any way wanting at that time you acted so, you -remember"--the Professor nodded--"you must forgive me." - -He answered with a grave kindness, "I know it was hard for you to -quite trust me then, for to trust such violence needs to understand, -and I take it that you do not, that you cannot, trust me now, for you -do not yet understand. And there may be more times when I shall want -you to trust when you cannot, and may not, and must not yet -understand. But the time will come when your trust shall be whole and -complete in me, and when you shall understand as though the sunlight -himself shone through. Then you shall bless me from first to last for -your own sake, and for the sake of others, and for her dear sake to -whom I swore to protect." - -"And indeed, indeed, sir," said Arthur warmly. "I shall in all ways -trust you. I know and believe you have a very noble heart, and you -are Jack's friend, and you were hers. You shall do what you like." - -The Professor cleared his throat a couple of times, as though about to -speak, and finally said, "May I ask you something now?" - -"Certainly." - -"You know that Mrs. Westenra left you all her property?" - -"No, poor dear. I never thought of it." - -"And as it is all yours, you have a right to deal with it as you will. -I want you to give me permission to read all Miss Lucy's papers and -letters. Believe me, it is no idle curiosity. I have a motive of -which, be sure, she would have approved. I have them all here. I -took them before we knew that all was yours, so that no strange hand -might touch them, no strange eye look through words into her soul. I -shall keep them, if I may. Even you may not see them yet, but I shall -keep them safe. No word shall be lost, and in the good time I shall -give them back to you. It is a hard thing that I ask, but you will do -it, will you not, for Lucy's sake?" - -Arthur spoke out heartily, like his old self, "Dr. Van Helsing, you -may do what you will. I feel that in saying this I am doing what my -dear one would have approved. I shall not trouble you with questions -till the time comes." - -The old Professor stood up as he said solemnly, "And you are right. -There will be pain for us all, but it will not be all pain, nor will -this pain be the last. We and you too, you most of all, dear boy, -will have to pass through the bitter water before we reach the sweet. -But we must be brave of heart and unselfish, and do our duty, and all -will be well!" - -I slept on a sofa in Arthur's room that night. Van Helsing did not go -to bed at all. He went to and fro, as if patroling the house, and was -never out of sight of the room where Lucy lay in her coffin, strewn -with the wild garlic flowers, which sent through the odour of lily and -rose, a heavy, overpowering smell into the night. - - - - -MINA HARKER'S JOURNAL - -22 September.--In the train to Exeter. Jonathan sleeping. It seems -only yesterday that the last entry was made, and yet how much between -then, in Whitby and all the world before me, Jonathan away and no news -of him, and now, married to Jonathan, Jonathan a solicitor, a partner, -rich, master of his business, Mr. Hawkins dead and buried, and -Jonathan with another attack that may harm him. Some day he may ask -me about it. Down it all goes. I am rusty in my shorthand, see what -unexpected prosperity does for us, so it may be as well to freshen it -up again with an exercise anyhow. - -The service was very simple and very solemn. There were only -ourselves and the servants there, one or two old friends of his from -Exeter, his London agent, and a gentleman representing Sir John -Paxton, the President of the Incorporated Law Society. Jonathan and I -stood hand in hand, and we felt that our best and dearest friend was -gone from us. - -We came back to town quietly, taking a bus to Hyde Park Corner. -Jonathan thought it would interest me to go into the Row for a while, -so we sat down. But there were very few people there, and it was -sad-looking and desolate to see so many empty chairs. It made us -think of the empty chair at home. So we got up and walked down -Piccadilly. Jonathan was holding me by the arm, the way he used to in -the old days before I went to school. I felt it very improper, for -you can't go on for some years teaching etiquette and decorum to other -girls without the pedantry of it biting into yourself a bit. But it -was Jonathan, and he was my husband, and we didn't know anybody who -saw us, and we didn't care if they did, so on we walked. I was -looking at a very beautiful girl, in a big cart-wheel hat, sitting in -a victoria outside Guiliano's, when I felt Jonathan clutch my arm so -tight that he hurt me, and he said under his breath, "My God!" - -I am always anxious about Jonathan, for I fear that some nervous fit -may upset him again. So I turned to him quickly, and asked him what -it was that disturbed him. - -He was very pale, and his eyes seemed bulging out as, half in terror -and half in amazement, he gazed at a tall, thin man, with a beaky nose -and black moustache and pointed beard, who was also observing the -pretty girl. He was looking at her so hard that he did not see either -of us, and so I had a good view of him. His face was not a good -face. It was hard, and cruel, and sensual, and big white teeth, that -looked all the whiter because his lips were so red, were pointed like -an animal's. Jonathan kept staring at him, till I was afraid he would -notice. I feared he might take it ill, he looked so fierce and nasty. -I asked Jonathan why he was disturbed, and he answered, evidently -thinking that I knew as much about it as he did, "Do you see who it -is?" - -"No, dear," I said. "I don't know him, who is it?" His answer seemed -to shock and thrill me, for it was said as if he did not know that it -was me, Mina, to whom he was speaking. "It is the man himself!" - -The poor dear was evidently terrified at something, very greatly -terrified. I do believe that if he had not had me to lean on and to -support him he would have sunk down. He kept staring. A man came out -of the shop with a small parcel, and gave it to the lady, who then -drove off. The dark man kept his eyes fixed on her, and when the -carriage moved up Piccadilly he followed in the same direction, and -hailed a hansom. Jonathan kept looking after him, and said, as if to -himself, - -"I believe it is the Count, but he has grown young. My God, if this -be so! Oh, my God! My God! If only I knew! If only I knew!" He was -distressing himself so much that I feared to keep his mind on the -subject by asking him any questions, so I remained silent. I drew -away quietly, and he, holding my arm, came easily. We walked a little -further, and then went in and sat for a while in the Green Park. It -was a hot day for autumn, and there was a comfortable seat in a shady -place. After a few minutes' staring at nothing, Jonathan's eyes -closed, and he went quickly into a sleep, with his head on my -shoulder. I thought it was the best thing for him, so did not disturb -him. In about twenty minutes he woke up, and said to me quite -cheerfully, - -"Why, Mina, have I been asleep! Oh, do forgive me for being so rude. -Come, and we'll have a cup of tea somewhere." - -He had evidently forgotten all about the dark stranger, as in his -illness he had forgotten all that this episode had reminded him of. I -don't like this lapsing into forgetfulness. It may make or continue -some injury to the brain. I must not ask him, for fear I shall do -more harm than good, but I must somehow learn the facts of his journey -abroad. The time is come, I fear, when I must open the parcel, and -know what is written. Oh, Jonathan, you will, I know, forgive me if I -do wrong, but it is for your own dear sake. - - -Later.--A sad homecoming in every way, the house empty of the dear -soul who was so good to us. Jonathan still pale and dizzy under a -slight relapse of his malady, and now a telegram from Van Helsing, -whoever he may be. "You will be grieved to hear that Mrs. Westenra -died five days ago, and that Lucy died the day before yesterday. They -were both buried today." - -Oh, what a wealth of sorrow in a few words! Poor Mrs. Westenra! Poor -Lucy! Gone, gone, never to return to us! And poor, poor Arthur, to -have lost such a sweetness out of his life! God help us all to bear -our troubles. - - - -DR. SEWARD'S DIARY-CONT. - -22 September.--It is all over. Arthur has gone back to Ring, and has -taken Quincey Morris with him. What a fine fellow is Quincey! I -believe in my heart of hearts that he suffered as much about Lucy's -death as any of us, but he bore himself through it like a moral -Viking. If America can go on breeding men like that, she will be a -power in the world indeed. Van Helsing is lying down, having a rest -preparatory to his journey. He goes to Amsterdam tonight, but says he -returns tomorrow night, that he only wants to make some arrangements -which can only be made personally. He is to stop with me then, if he -can. He says he has work to do in London which may take him some -time. Poor old fellow! I fear that the strain of the past week has -broken down even his iron strength. All the time of the burial he -was, I could see, putting some terrible restraint on himself. When it -was all over, we were standing beside Arthur, who, poor fellow, was -speaking of his part in the operation where his blood had been -transfused to his Lucy's veins. I could see Van Helsing's face grow -white and purple by turns. Arthur was saying that he felt since then -as if they two had been really married, and that she was his wife in -the sight of God. None of us said a word of the other operations, and -none of us ever shall. Arthur and Quincey went away together to the -station, and Van Helsing and I came on here. The moment we were alone -in the carriage he gave way to a regular fit of hysterics. He has -denied to me since that it was hysterics, and insisted that it was -only his sense of humor asserting itself under very terrible -conditions. He laughed till he cried, and I had to draw down the -blinds lest any one should see us and misjudge. And then he cried, -till he laughed again, and laughed and cried together, just as a woman -does. I tried to be stern with him, as one is to a woman under the -circumstances, but it had no effect. Men and women are so different -in manifestations of nervous strength or weakness! Then when his face -grew grave and stern again I asked him why his mirth, and why at such -a time. His reply was in a way characteristic of him, for it was -logical and forceful and mysterious. He said, - -"Ah, you don't comprehend, friend John. Do not think that I am not -sad, though I laugh. See, I have cried even when the laugh did choke -me. But no more think that I am all sorry when I cry, for the laugh -he come just the same. Keep it always with you that laughter who -knock at your door and say, 'May I come in?' is not true laughter. -No! He is a king, and he come when and how he like. He ask no -person, he choose no time of suitability. He say, 'I am here.' -Behold, in example I grieve my heart out for that so sweet young -girl. I give my blood for her, though I am old and worn. I give my -time, my skill, my sleep. I let my other sufferers want that she may -have all. And yet I can laugh at her very grave, laugh when the clay -from the spade of the sexton drop upon her coffin and say 'Thud, -thud!' to my heart, till it send back the blood from my cheek. My -heart bleed for that poor boy, that dear boy, so of the age of mine -own boy had I been so blessed that he live, and with his hair and eyes -the same. - -"There, you know now why I love him so. And yet when he say things -that touch my husband-heart to the quick, and make my father-heart -yearn to him as to no other man, not even you, friend John, for we are -more level in experiences than father and son, yet even at such a -moment King Laugh he come to me and shout and bellow in my ear, 'Here I -am! Here I am!' till the blood come dance back and bring some of the -sunshine that he carry with him to my cheek. Oh, friend John, it is a -strange world, a sad world, a world full of miseries, and woes, and -troubles. And yet when King Laugh come, he make them all dance to the -tune he play. Bleeding hearts, and dry bones of the churchyard, and -tears that burn as they fall, all dance together to the music that he -make with that smileless mouth of him. And believe me, friend John, -that he is good to come, and kind. Ah, we men and women are like -ropes drawn tight with strain that pull us different ways. Then tears -come, and like the rain on the ropes, they brace us up, until perhaps -the strain become too great, and we break. But King Laugh he come -like the sunshine, and he ease off the strain again, and we bear to go -on with our labor, what it may be." - -I did not like to wound him by pretending not to see his idea, but as -I did not yet understand the cause of his laughter, I asked him. As -he answered me his face grew stern, and he said in quite a different -tone, - -"Oh, it was the grim irony of it all, this so lovely lady garlanded -with flowers, that looked so fair as life, till one by one we wondered -if she were truly dead, she laid in that so fine marble house in that -lonely churchyard, where rest so many of her kin, laid there with the -mother who loved her, and whom she loved, and that sacred bell going -'Toll! Toll! Toll!' so sad and slow, and those holy men, with the -white garments of the angel, pretending to read books, and yet all the -time their eyes never on the page, and all of us with the bowed head. -And all for what? She is dead, so! Is it not?" - -"Well, for the life of me, Professor," I said, "I can't see anything -to laugh at in all that. Why, your expression makes it a harder -puzzle than before. But even if the burial service was comic, what -about poor Art and his trouble? Why his heart was simply breaking." - -"Just so. Said he not that the transfusion of his blood to her veins -had made her truly his bride?" - -"Yes, and it was a sweet and comforting idea for him." - -"Quite so. But there was a difficulty, friend John. If so that, then -what about the others? Ho, ho! Then this so sweet maid is a -polyandrist, and me, with my poor wife dead to me, but alive by -Church's law, though no wits, all gone, even I, who am faithful -husband to this now-no-wife, am bigamist." - -"I don't see where the joke comes in there either!" I said, and I did -not feel particularly pleased with him for saying such things. He -laid his hand on my arm, and said, - -"Friend John, forgive me if I pain. I showed not my feeling to others -when it would wound, but only to you, my old friend, whom I can trust. -If you could have looked into my heart then when I want to laugh, if -you could have done so when the laugh arrived, if you could do so now, -when King Laugh have pack up his crown, and all that is to him, for he -go far, far away from me, and for a long, long time, maybe you would -perhaps pity me the most of all." - -I was touched by the tenderness of his tone, and asked why. - -"Because I know!" - -And now we are all scattered, and for many a long day loneliness will -sit over our roofs with brooding wings. Lucy lies in the tomb of her -kin, a lordly death house in a lonely churchyard, away from teeming -London, where the air is fresh, and the sun rises over Hampstead Hill, -and where wild flowers grow of their own accord. - -So I can finish this diary, and God only knows if I shall ever begin -another. If I do, or if I even open this again, it will be to deal -with different people and different themes, for here at the end, where -the romance of my life is told, ere I go back to take up the thread of -my life-work, I say sadly and without hope, "FINIS". - - - - -THE WESTMINSTER GAZETTE, 25 SEPTEMBER A HAMPSTEAD MYSTERY - -The neighborhood of Hampstead is just at present exercised -with a series of events which seem to run on lines parallel -to those of what was known to the writers of headlines as -"The Kensington Horror," or "The Stabbing Woman," or "The -Woman in Black." During the past two or three days several -cases have occurred of young children straying from home or -neglecting to return from their playing on the Heath. In -all these cases the children were too young to give any -properly intelligible account of themselves, but the -consensus of their excuses is that they had been with a -"bloofer lady." It has always been late in the evening when -they have been missed, and on two occasions the children -have not been found until early in the following morning. -It is generally supposed in the neighborhood that, as the -first child missed gave as his reason for being away that a -"bloofer lady" had asked him to come for a walk, the others -had picked up the phrase and used it as occasion served. This -is the more natural as the favourite game of the little ones -at present is luring each other away by wiles. A correspondent -writes us that to see some of the tiny tots pretending to be the -"bloofer lady" is supremely funny. Some of our caricaturists -might, he says, take a lesson in the irony of grotesque by -comparing the reality and the picture. It is only in accordance -with general principles of human nature that the "bloofer lady" -should be the popular role at these al fresco performances. Our -correspondent naively says that even Ellen Terry could not be so -winningly attractive as some of these grubby-faced little -children pretend, and even imagine themselves, to be. - -There is, however, possibly a serious side to the question, -for some of the children, indeed all who have been missed -at night, have been slightly torn or wounded in the throat. -The wounds seem such as might be made by a rat or a small -dog, and although of not much importance individually, would tend -to show that whatever animal inflicts them has a system or method -of its own. The police of the division have been instructed to -keep a sharp lookout for straying children, especially when very -young, in and around Hampstead Heath, and for any stray dog which -may be about. - - - - -THE WESTMINSTER GAZETTE, 25 SEPTEMBER EXTRA SPECIAL - -THE HAMPSTEAD HORROR - - -ANOTHER CHILD INJURED - -THE "BLOOFER LADY" - -We have just received intelligence that another child, -missed last night, was only discovered late in the morning -under a furze bush at the Shooter's Hill side of Hampstead -Heath, which is perhaps, less frequented than the other -parts. It has the same tiny wound in the throat as has -been noticed in other cases. It was terribly weak, and -looked quite emaciated. It too, when partially restored, -had the common story to tell of being lured away by the -"bloofer lady". - - - - -CHAPTER 14 - - -MINA HARKER'S JOURNAL - -23 September.--Jonathan is better after a bad night. I am so glad -that he has plenty of work to do, for that keeps his mind off the -terrible things, and oh, I am rejoiced that he is not now weighed down -with the responsibility of his new position. I knew he would be true -to himself, and now how proud I am to see my Jonathan rising to the -height of his advancement and keeping pace in all ways with the duties -that come upon him. He will be away all day till late, for he said he -could not lunch at home. My household work is done, so I shall take -his foreign journal, and lock myself up in my room and read it. - - -24 September.--I hadn't the heart to write last night, that terrible -record of Jonathan's upset me so. Poor dear! How he must have -suffered, whether it be true or only imagination. I wonder if there -is any truth in it at all. Did he get his brain fever, and then write -all those terrible things, or had he some cause for it all? I suppose -I shall never know, for I dare not open the subject to him. And yet -that man we saw yesterday! He seemed quite certain of him, poor -fellow! I suppose it was the funeral upset him and sent his mind back -on some train of thought. - -He believes it all himself. I remember how on our wedding day he said -"Unless some solemn duty come upon me to go back to the bitter hours, -asleep or awake, mad or sane . . ." There seems to be through it all -some thread of continuity. That fearful Count was coming to London. -If it should be, and he came to London, with its teeming millions . . . -There may be a solemn duty, and if it come we must not shrink from -it. I shall be prepared. I shall get my typewriter this very hour -and begin transcribing. Then we shall be ready for other eyes if -required. And if it be wanted, then, perhaps, if I am ready, poor -Jonathan may not be upset, for I can speak for him and never let him -be troubled or worried with it at all. If ever Jonathan quite gets -over the nervousness he may want to tell me of it all, and I can ask -him questions and find out things, and see how I may comfort him. - - - - -LETTER, VAN HELSING TO MRS. HARKER - -24 September - -(Confidence) - -"Dear Madam, - -"I pray you to pardon my writing, in that I am so far -friend as that I sent to you sad news of Miss Lucy -Westenra's death. By the kindness of Lord Godalming, I am -empowered to read her letters and papers, for I am deeply -concerned about certain matters vitally important. In them -I find some letters from you, which show how great friends -you were and how you love her. Oh, Madam Mina, by that -love, I implore you, help me. It is for others' good that -I ask, to redress great wrong, and to lift much and terrible -troubles, that may be more great than you can know. May it be -that I see you? You can trust me. I am friend of Dr. John -Seward and of Lord Godalming (that was Arthur of Miss Lucy). I -must keep it private for the present from all. I should come to -Exeter to see you at once if you tell me I am privilege to come, -and where and when. I implore your pardon, Madam. I have read -your letters to poor Lucy, and know how good you are and how your -husband suffer. So I pray you, if it may be, enlighten him not, -least it may harm. Again your pardon, and forgive me. - -"VAN HELSING" - - - - -TELEGRAM, MRS. HARKER TO VAN HELSING - -25 September.--Come today by quarter past ten train if you -can catch it. Can see you any time you call. - -"WILHELMINA HARKER" - - - - -MINA HARKER'S JOURNAL - -25 September.--I cannot help feeling terribly excited as the time -draws near for the visit of Dr. Van Helsing, for somehow I expect that -it will throw some light upon Jonathan's sad experience, and as he -attended poor dear Lucy in her last illness, he can tell me all about -her. That is the reason of his coming. It is concerning Lucy and her -sleep-walking, and not about Jonathan. Then I shall never know the -real truth now! How silly I am. That awful journal gets hold of my -imagination and tinges everything with something of its own colour. Of -course it is about Lucy. That habit came back to the poor dear, and -that awful night on the cliff must have made her ill. I had almost -forgotten in my own affairs how ill she was afterwards. She must have -told him of her sleep-walking adventure on the cliff, and that I knew -all about it, and now he wants me to tell him what I know, so that he -may understand. I hope I did right in not saying anything of it to -Mrs. Westenra. I should never forgive myself if any act of mine, were -it even a negative one, brought harm on poor dear Lucy. I hope too, -Dr. Van Helsing will not blame me. I have had so much trouble and -anxiety of late that I feel I cannot bear more just at present. - -I suppose a cry does us all good at times, clears the air as other -rain does. Perhaps it was reading the journal yesterday that upset -me, and then Jonathan went away this morning to stay away from me a -whole day and night, the first time we have been parted since our -marriage. I do hope the dear fellow will take care of himself, and -that nothing will occur to upset him. It is two o'clock, and the -doctor will be here soon now. I shall say nothing of Jonathan's -journal unless he asks me. I am so glad I have typewritten out my own -journal, so that, in case he asks about Lucy, I can hand it to him. -It will save much questioning. - -Later.--He has come and gone. Oh, what a strange meeting, and how it -all makes my head whirl round. I feel like one in a dream. Can it be -all possible, or even a part of it? If I had not read Jonathan's -journal first, I should never have accepted even a possibility. Poor, -poor, dear Jonathan! How he must have suffered. Please the good God, -all this may not upset him again. I shall try to save him from it. -But it may be even a consolation and a help to him, terrible though it -be and awful in its consequences, to know for certain that his eyes -and ears and brain did not deceive him, and that it is all true. It -may be that it is the doubt which haunts him, that when the doubt is -removed, no matter which, waking or dreaming, may prove the truth, he -will be more satisfied and better able to bear the shock. Dr. Van -Helsing must be a good man as well as a clever one if he is Arthur's -friend and Dr. Seward's, and if they brought him all the way from -Holland to look after Lucy. I feel from having seen him that he is -good and kind and of a noble nature. When he comes tomorrow I shall -ask him about Jonathan. And then, please God, all this sorrow and -anxiety may lead to a good end. I used to think I would like to -practice interviewing. Jonathan's friend on "The Exeter News" told -him that memory is everything in such work, that you must be able to -put down exactly almost every word spoken, even if you had to refine -some of it afterwards. Here was a rare interview. I shall try to -record it verbatim. - -It was half-past two o'clock when the knock came. I took my courage a -deux mains and waited. In a few minutes Mary opened the door, and -announced "Dr. Van Helsing". - -I rose and bowed, and he came towards me, a man of medium weight, -strongly built, with his shoulders set back over a broad, deep chest -and a neck well balanced on the trunk as the head is on the neck. The -poise of the head strikes me at once as indicative of thought and -power. The head is noble, well-sized, broad, and large behind the -ears. The face, clean-shaven, shows a hard, square chin, a large -resolute, mobile mouth, a good-sized nose, rather straight, but with -quick, sensitive nostrils, that seem to broaden as the big bushy brows -come down and the mouth tightens. The forehead is broad and fine, -rising at first almost straight and then sloping back above two bumps -or ridges wide apart, such a forehead that the reddish hair cannot -possibly tumble over it, but falls naturally back and to the sides. -Big, dark blue eyes are set widely apart, and are quick and tender or -stern with the man's moods. He said to me, - -"Mrs. Harker, is it not?" I bowed assent. - -"That was Miss Mina Murray?" Again I assented. - -"It is Mina Murray that I came to see that was friend of that poor dear -child Lucy Westenra. Madam Mina, it is on account of the dead that I -come." - -"Sir," I said, "you could have no better claim on me than that you -were a friend and helper of Lucy Westenra." And I held out my hand. -He took it and said tenderly, - -"Oh, Madam Mina, I know that the friend of that poor little girl must -be good, but I had yet to learn . . ." He finished his speech with a -courtly bow. I asked him what it was that he wanted to see me about, -so he at once began. - -"I have read your letters to Miss Lucy. Forgive me, but I had to -begin to inquire somewhere, and there was none to ask. I know that -you were with her at Whitby. She sometimes kept a diary, you need not -look surprised, Madam Mina. It was begun after you had left, and was -an imitation of you, and in that diary she traces by inference certain -things to a sleep-walking in which she puts down that you saved her. -In great perplexity then I come to you, and ask you out of your so -much kindness to tell me all of it that you can remember." - -"I can tell you, I think, Dr. Van Helsing, all about it." - -"Ah, then you have good memory for facts, for details? It is not -always so with young ladies." - -"No, doctor, but I wrote it all down at the time. I can show it to -you if you like." - -"Oh, Madam Mina, I well be grateful. You will do me much favour." - -I could not resist the temptation of mystifying him a bit, I suppose -it is some taste of the original apple that remains still in our -mouths, so I handed him the shorthand diary. He took it with a -grateful bow, and said, "May I read it?" - -"If you wish," I answered as demurely as I could. He opened it, and -for an instant his face fell. Then he stood up and bowed. - -"Oh, you so clever woman!" he said. "I knew long that Mr. Jonathan -was a man of much thankfulness, but see, his wife have all the good -things. And will you not so much honour me and so help me as to read -it for me? Alas! I know not the shorthand." - -By this time my little joke was over, and I was almost ashamed. So I -took the typewritten copy from my work basket and handed it to him. - -"Forgive me," I said. "I could not help it, but I had been thinking -that it was of dear Lucy that you wished to ask, and so that you might -not have time to wait, not on my account, but because I know your time -must be precious, I have written it out on the typewriter for you." - -He took it and his eyes glistened. "You are so good," he said. "And -may I read it now? I may want to ask you some things when I have -read." - -"By all means," I said, "read it over whilst I order lunch, and then -you can ask me questions whilst we eat." - -He bowed and settled himself in a chair with his back to the light, -and became so absorbed in the papers, whilst I went to see after lunch -chiefly in order that he might not be disturbed. When I came back, I -found him walking hurriedly up and down the room, his face all ablaze -with excitement. He rushed up to me and took me by both hands. - -"Oh, Madam Mina," he said, "how can I say what I owe to you? This -paper is as sunshine. It opens the gate to me. I am dazed, I am -dazzled, with so much light, and yet clouds roll in behind the light -every time. But that you do not, cannot comprehend. Oh, but I am -grateful to you, you so clever woman. Madame," he said this very -solemnly, "if ever Abraham Van Helsing can do anything for you or -yours, I trust you will let me know. It will be pleasure and delight -if I may serve you as a friend, as a friend, but all I have ever -learned, all I can ever do, shall be for you and those you love. There -are darknesses in life, and there are lights. You are one of the -lights. You will have a happy life and a good life, and your husband -will be blessed in you." - -"But, doctor, you praise me too much, and you do not know me." - -"Not know you, I, who am old, and who have studied all my life men and -women, I who have made my specialty the brain and all that belongs to -him and all that follow from him! And I have read your diary that you -have so goodly written for me, and which breathes out truth in every -line. I, who have read your so sweet letter to poor Lucy of your -marriage and your trust, not know you! Oh, Madam Mina, good women -tell all their lives, and by day and by hour and by minute, such -things that angels can read. And we men who wish to know have in us -something of angels' eyes. Your husband is noble nature, and you are -noble too, for you trust, and trust cannot be where there is mean -nature. And your husband, tell me of him. Is he quite well? Is all -that fever gone, and is he strong and hearty?" - -I saw here an opening to ask him about Jonathan, so I said, "He was -almost recovered, but he has been greatly upset by Mr. Hawkins death." - -He interrupted, "Oh, yes. I know. I know. I have read your last two -letters." - -I went on, "I suppose this upset him, for when we were in town on -Thursday last he had a sort of shock." - -"A shock, and after brain fever so soon! That is not good. What kind -of shock was it?" - -"He thought he saw some one who recalled something terrible, something -which led to his brain fever." And here the whole thing seemed to -overwhelm me in a rush. The pity for Jonathan, the horror which he -experienced, the whole fearful mystery of his diary, and the fear that -has been brooding over me ever since, all came in a tumult. I suppose -I was hysterical, for I threw myself on my knees and held up my hands -to him, and implored him to make my husband well again. He took my -hands and raised me up, and made me sit on the sofa, and sat by me. He -held my hand in his, and said to me with, oh, such infinite sweetness, - -"My life is a barren and lonely one, and so full of work that I have -not had much time for friendships, but since I have been summoned to -here by my friend John Seward I have known so many good people and -seen such nobility that I feel more than ever, and it has grown with -my advancing years, the loneliness of my life. Believe me, then, that -I come here full of respect for you, and you have given me hope, hope, -not in what I am seeking of, but that there are good women still left -to make life happy, good women, whose lives and whose truths may make -good lesson for the children that are to be. I am glad, glad, that I -may here be of some use to you. For if your husband suffer, he suffer -within the range of my study and experience. I promise you that I -will gladly do all for him that I can, all to make his life strong and -manly, and your life a happy one. Now you must eat. You are -overwrought and perhaps over-anxious. Husband Jonathan would not like -to see you so pale, and what he like not where he love, is not to his -good. Therefore for his sake you must eat and smile. You have told -me about Lucy, and so now we shall not speak of it, lest it distress. -I shall stay in Exeter tonight, for I want to think much over what you -have told me, and when I have thought I will ask you questions, if I -may. And then too, you will tell me of husband Jonathan's trouble so -far as you can, but not yet. You must eat now, afterwards you shall -tell me all." - -After lunch, when we went back to the drawing room, he said to me, -"And now tell me all about him." - -When it came to speaking to this great learned man, I began to fear -that he would think me a weak fool, and Jonathan a madman, that -journal is all so strange, and I hesitated to go on. But he was so -sweet and kind, and he had promised to help, and I trusted him, so I -said, - -"Dr. Van Helsing, what I have to tell you is so queer that you must -not laugh at me or at my husband. I have been since yesterday in a -sort of fever of doubt. You must be kind to me, and not think me -foolish that I have even half believed some very strange things." - -He reassured me by his manner as well as his words when he said, "Oh, -my dear, if you only know how strange is the matter regarding which I -am here, it is you who would laugh. I have learned not to think -little of any one's belief, no matter how strange it may be. I have -tried to keep an open mind, and it is not the ordinary things of life -that could close it, but the strange things, the extraordinary things, -the things that make one doubt if they be mad or sane." - -"Thank you, thank you a thousand times! You have taken a weight off my -mind. If you will let me, I shall give you a paper to read. It is -long, but I have typewritten it out. It will tell you my trouble and -Jonathan's. It is the copy of his journal when abroad, and all that -happened. I dare not say anything of it. You will read for yourself -and judge. And then when I see you, perhaps, you will be very kind -and tell me what you think." - -"I promise," he said as I gave him the papers. "I shall in the -morning, as soon as I can, come to see you and your husband, if I -may." - -"Jonathan will be here at half-past eleven, and you must come to lunch -with us and see him then. You could catch the quick 3:34 train, which -will leave you at Paddington before eight." He was surprised at my -knowledge of the trains offhand, but he does not know that I have made -up all the trains to and from Exeter, so that I may help Jonathan in -case he is in a hurry. - -So he took the papers with him and went away, and I sit here thinking, -thinking I don't know what. - - - - -LETTER (by hand), VAN HELSING TO MRS. HARKER - -25 September, 6 o'clock - -"Dear Madam Mina, - -"I have read your husband's so wonderful diary. You may -sleep without doubt. Strange and terrible as it is, it is -true! I will pledge my life on it. It may be worse for -others, but for him and you there is no dread. He is a -noble fellow, and let me tell you from experience of men, -that one who would do as he did in going down that wall and -to that room, aye, and going a second time, is not one to -be injured in permanence by a shock. His brain and his -heart are all right, this I swear, before I have even seen -him, so be at rest. I shall have much to ask him of other -things. I am blessed that today I come to see you, for I -have learn all at once so much that again I am dazzled, -dazzled more than ever, and I must think. - -"Yours the most faithful, - -"Abraham Van Helsing." - - -LETTER, MRS. HARKER TO VAN HELSING - -25 September, 6:30 P.M. - -"My dear Dr. Van Helsing, - -"A thousand thanks for your kind letter, which has taken a -great weight off my mind. And yet, if it be true, what -terrible things there are in the world, and what an awful -thing if that man, that monster, be really in London! I -fear to think. I have this moment, whilst writing, had a -wire from Jonathan, saying that he leaves by the 6:25 tonight -from Launceston and will be here at 10:18, so that I shall have -no fear tonight. Will you, therefore, instead of lunching with -us, please come to breakfast at eight o'clock, if this be not too -early for you? You can get away, if you are in a hurry, by the -10:30 train, which will bring you to Paddington by 2:35. Do not -answer this, as I shall take it that, if I do not hear, you will -come to breakfast. - -"Believe me, - -"Your faithful and grateful friend, - -"Mina Harker." - - - - - -JONATHAN HARKER'S JOURNAL - -26 September.--I thought never to write in this diary again, but the -time has come. When I got home last night Mina had supper ready, and -when we had supped she told me of Van Helsing's visit, and of her -having given him the two diaries copied out, and of how anxious she -has been about me. She showed me in the doctor's letter that all I -wrote down was true. It seems to have made a new man of me. It was -the doubt as to the reality of the whole thing that knocked me over. -I felt impotent, and in the dark, and distrustful. But, now that I -know, I am not afraid, even of the Count. He has succeeded after all, -then, in his design in getting to London, and it was he I saw. He has -got younger, and how? Van Helsing is the man to unmask him and hunt -him out, if he is anything like what Mina says. We sat late, and -talked it over. Mina is dressing, and I shall call at the hotel in a -few minutes and bring him over. - - -He was, I think, surprised to see me. When I came into the room where -he was, and introduced myself, he took me by the shoulder, and turned -my face round to the light, and said, after a sharp scrutiny, - -"But Madam Mina told me you were ill, that you had had a shock." - -It was so funny to hear my wife called 'Madam Mina' by this kindly, -strong-faced old man. I smiled, and said, "I was ill, I have had a -shock, but you have cured me already." - -"And how?" - -"By your letter to Mina last night. I was in doubt, and then -everything took a hue of unreality, and I did not know what to trust, -even the evidence of my own senses. Not knowing what to trust, I did -not know what to do, and so had only to keep on working in what had -hitherto been the groove of my life. The groove ceased to avail me, -and I mistrusted myself. Doctor, you don't know what it is to doubt -everything, even yourself. No, you don't, you couldn't with eyebrows -like yours." - -He seemed pleased, and laughed as he said, "So! You are a -physiognomist. I learn more here with each hour. I am with so much -pleasure coming to you to breakfast, and, oh, sir, you will pardon -praise from an old man, but you are blessed in your wife." - -I would listen to him go on praising Mina for a day, so I simply -nodded and stood silent. - -"She is one of God's women, fashioned by His own hand to show us men -and other women that there is a heaven where we can enter, and that -its light can be here on earth. So true, so sweet, so noble, so -little an egoist, and that, let me tell you, is much in this age, so -sceptical and selfish. And you, sir . . . I have read all the letters -to poor Miss Lucy, and some of them speak of you, so I know you since -some days from the knowing of others, but I have seen your true self -since last night. You will give me your hand, will you not? And let -us be friends for all our lives." - -We shook hands, and he was so earnest and so kind that it made me -quite choky. - -"And now," he said, "may I ask you for some more help? I have a great -task to do, and at the beginning it is to know. You can help me -here. Can you tell me what went before your going to Transylvania? -Later on I may ask more help, and of a different kind, but at first -this will do." - -"Look here, Sir," I said, "does what you have to do concern the -Count?" - -"It does," he said solemnly. - -"Then I am with you heart and soul. As you go by the 10:30 train, you -will not have time to read them, but I shall get the bundle of papers. -You can take them with you and read them in the train." - -After breakfast I saw him to the station. When we were parting he -said, "Perhaps you will come to town if I send for you, and take Madam -Mina too." - -"We shall both come when you will," I said. - -I had got him the morning papers and the London papers of the previous -night, and while we were talking at the carriage window, waiting for -the train to start, he was turning them over. His eyes suddenly -seemed to catch something in one of them, "The Westminster Gazette", I -knew it by the colour, and he grew quite white. He read something -intently, groaning to himself, "Mein Gott! Mein Gott! So soon! So -soon!" I do not think he remembered me at the moment. Just then the -whistle blew, and the train moved off. This recalled him to himself, -and he leaned out of the window and waved his hand, calling out, "Love -to Madam Mina. I shall write so soon as ever I can." - - - - -DR. SEWARD'S DIARY - -26 September.--Truly there is no such thing as finality. Not a week -since I said "Finis," and yet here I am starting fresh again, or -rather going on with the record. Until this afternoon I had no cause -to think of what is done. Renfield had become, to all intents, as -sane as he ever was. He was already well ahead with his fly business, -and he had just started in the spider line also, so he had not been of -any trouble to me. I had a letter from Arthur, written on Sunday, and -from it I gather that he is bearing up wonderfully well. Quincey -Morris is with him, and that is much of a help, for he himself is a -bubbling well of good spirits. Quincey wrote me a line too, and from -him I hear that Arthur is beginning to recover something of his old -buoyancy, so as to them all my mind is at rest. As for myself, I was -settling down to my work with the enthusiasm which I used to have for -it, so that I might fairly have said that the wound which poor Lucy -left on me was becoming cicatrised. - -Everything is, however, now reopened, and what is to be the end God -only knows. I have an idea that Van Helsing thinks he knows, too, but -he will only let out enough at a time to whet curiosity. He went to -Exeter yesterday, and stayed there all night. Today he came back, and -almost bounded into the room at about half-past five o'clock, and -thrust last night's "Westminster Gazette" into my hand. - -"What do you think of that?" he asked as he stood back and folded his -arms. - -I looked over the paper, for I really did not know what he meant, but -he took it from me and pointed out a paragraph about children being -decoyed away at Hampstead. It did not convey much to me, until I -reached a passage where it described small puncture wounds on their -throats. An idea struck me, and I looked up. - -"Well?" he said. - -"It is like poor Lucy's." - -"And what do you make of it?" - -"Simply that there is some cause in common. Whatever it was that -injured her has injured them." I did not quite understand his answer. - -"That is true indirectly, but not directly." - -"How do you mean, Professor?" I asked. I was a little inclined to -take his seriousness lightly, for, after all, four days of rest and -freedom from burning, harrowing, anxiety does help to restore one's -spirits, but when I saw his face, it sobered me. Never, even in the -midst of our despair about poor Lucy, had he looked more stern. - -"Tell me!" I said. "I can hazard no opinion. I do not know what to -think, and I have no data on which to found a conjecture." - -"Do you mean to tell me, friend John, that you have no suspicion as to -what poor Lucy died of, not after all the hints given, not only by -events, but by me?" - -"Of nervous prostration following a great loss or waste of blood." - -"And how was the blood lost or wasted?" I shook my head. - -He stepped over and sat down beside me, and went on, "You are a clever -man, friend John. You reason well, and your wit is bold, but you are -too prejudiced. You do not let your eyes see nor your ears hear, and -that which is outside your daily life is not of account to you. Do -you not think that there are things which you cannot understand, and -yet which are, that some people see things that others cannot? But -there are things old and new which must not be contemplated by men's -eyes, because they know, or think they know, some things which other -men have told them. Ah, it is the fault of our science that it wants -to explain all, and if it explain not, then it says there is nothing -to explain. But yet we see around us every day the growth of new -beliefs, which think themselves new, and which are yet but the old, -which pretend to be young, like the fine ladies at the opera. I -suppose now you do not believe in corporeal transference. No? Nor in -materialization. No? Nor in astral bodies. No? Nor in the reading -of thought. No? Nor in hypnotism . . ." - -"Yes," I said. "Charcot has proved that pretty well." - -He smiled as he went on, "Then you are satisfied as to it. Yes? And -of course then you understand how it act, and can follow the mind of -the great Charcot, alas that he is no more, into the very soul of the -patient that he influence. No? Then, friend John, am I to take it -that you simply accept fact, and are satisfied to let from premise to -conclusion be a blank? No? Then tell me, for I am a student of the -brain, how you accept hypnotism and reject the thought reading. Let -me tell you, my friend, that there are things done today in electrical -science which would have been deemed unholy by the very man who -discovered electricity, who would themselves not so long before been -burned as wizards. There are always mysteries in life. Why was it -that Methuselah lived nine hundred years, and 'Old Parr' one hundred -and sixty-nine, and yet that poor Lucy, with four men's blood in her -poor veins, could not live even one day? For, had she live one more -day, we could save her. Do you know all the mystery of life and -death? Do you know the altogether of comparative anatomy and can say -wherefore the qualities of brutes are in some men, and not in others? -Can you tell me why, when other spiders die small and soon, that one -great spider lived for centuries in the tower of the old Spanish -church and grew and grew, till, on descending, he could drink the oil -of all the church lamps? Can you tell me why in the Pampas, ay and -elsewhere, there are bats that come out at night and open the veins of -cattle and horses and suck dry their veins, how in some islands of the -Western seas there are bats which hang on the trees all day, and those -who have seen describe as like giant nuts or pods, and that when the -sailors sleep on the deck, because that it is hot, flit down on them -and then, and then in the morning are found dead men, white as even -Miss Lucy was?" - -"Good God, Professor!" I said, starting up. "Do you mean to tell me -that Lucy was bitten by such a bat, and that such a thing is here in -London in the nineteenth century?" - -He waved his hand for silence, and went on, "Can you tell me why the -tortoise lives more long than generations of men, why the elephant -goes on and on till he have sees dynasties, and why the parrot never -die only of bite of cat of dog or other complaint? Can you tell me -why men believe in all ages and places that there are men and women -who cannot die? We all know, because science has vouched for the -fact, that there have been toads shut up in rocks for thousands of -years, shut in one so small hole that only hold him since the youth of -the world. Can you tell me how the Indian fakir can make himself to -die and have been buried, and his grave sealed and corn sowed on it, -and the corn reaped and be cut and sown and reaped and cut again, and -then men come and take away the unbroken seal and that there lie the -Indian fakir, not dead, but that rise up and walk amongst them as -before?" - -Here I interrupted him. I was getting bewildered. He so crowded on -my mind his list of nature's eccentricities and possible -impossibilities that my imagination was getting fired. I had a dim -idea that he was teaching me some lesson, as long ago he used to do in -his study at Amsterdam. But he used them to tell me the thing, so -that I could have the object of thought in mind all the time. But now -I was without his help, yet I wanted to follow him, so I said, - -"Professor, let me be your pet student again. Tell me the thesis, so -that I may apply your knowledge as you go on. At present I am going -in my mind from point to point as a madman, and not a sane one, -follows an idea. I feel like a novice lumbering through a bog in a -midst, jumping from one tussock to another in the mere blind effort to -move on without knowing where I am going." - -"That is a good image," he said. "Well, I shall tell you. My thesis -is this, I want you to believe." - -"To believe what?" - -"To believe in things that you cannot. Let me illustrate. I heard -once of an American who so defined faith, 'that faculty which enables -us to believe things which we know to be untrue.' For one, I follow -that man. He meant that we shall have an open mind, and not let a -little bit of truth check the rush of the big truth, like a small rock -does a railway truck. We get the small truth first. Good! We keep -him, and we value him, but all the same we must not let him think -himself all the truth in the universe." - -"Then you want me not to let some previous conviction inure the -receptivity of my mind with regard to some strange matter. Do I read -your lesson aright?" - -"Ah, you are my favourite pupil still. It is worth to teach you. Now -that you are willing to understand, you have taken the first step to -understand. You think then that those so small holes in the -children's throats were made by the same that made the holes in Miss -Lucy?" - -"I suppose so." - -He stood up and said solemnly, "Then you are wrong. Oh, would it were -so! But alas! No. It is worse, far, far worse." - -"In God's name, Professor Van Helsing, what do you mean?" I cried. - -He threw himself with a despairing gesture into a chair, and placed -his elbows on the table, covering his face with his hands as he spoke. - -"They were made by Miss Lucy!" - - - - -CHAPTER 15 - - -DR. SEWARD'S DIARY--cont. - -For a while sheer anger mastered me. It was as if he had during her -life struck Lucy on the face. I smote the table hard and rose up as I -said to him, "Dr. Van Helsing, are you mad?" - -He raised his head and looked at me, and somehow the tenderness of his -face calmed me at once. "Would I were!" he said. "Madness were easy -to bear compared with truth like this. Oh, my friend, why, think -you, did I go so far round, why take so long to tell so simple a -thing? Was it because I hate you and have hated you all my life? Was -it because I wished to give you pain? Was it that I wanted, now so -late, revenge for that time when you saved my life, and from a fearful -death? Ah no!" - -"Forgive me," said I. - -He went on, "My friend, it was because I wished to be gentle in the -breaking to you, for I know you have loved that so sweet lady. But -even yet I do not expect you to believe. It is so hard to accept at -once any abstract truth, that we may doubt such to be possible when we -have always believed the 'no' of it. It is more hard still to accept -so sad a concrete truth, and of such a one as Miss Lucy. Tonight I go -to prove it. Dare you come with me?" - -This staggered me. A man does not like to prove such a truth, Byron -excepted from the category, jealousy. - - "And prove the very truth he most abhorred." - -He saw my hesitation, and spoke, "The logic is simple, no madman's -logic this time, jumping from tussock to tussock in a misty bog. If -it not be true, then proof will be relief. At worst it will not harm. -If it be true! Ah, there is the dread. Yet every dread should help my -cause, for in it is some need of belief. Come, I tell you what I -propose. First, that we go off now and see that child in the -hospital. Dr. Vincent, of the North Hospital, where the papers say -the child is, is a friend of mine, and I think of yours since you were -in class at Amsterdam. He will let two scientists see his case, if he -will not let two friends. We shall tell him nothing, but only that we -wish to learn. And then . . ." - -"And then?" - -He took a key from his pocket and held it up. "And then we spend the -night, you and I, in the churchyard where Lucy lies. This is the key -that lock the tomb. I had it from the coffin man to give to Arthur." - -My heart sank within me, for I felt that there was some fearful ordeal -before us. I could do nothing, however, so I plucked up what heart I -could and said that we had better hasten, as the afternoon was -passing. - -We found the child awake. It had had a sleep and taken some food, and -altogether was going on well. Dr. Vincent took the bandage from its -throat, and showed us the punctures. There was no mistaking the -similarity to those which had been on Lucy's throat. They were -smaller, and the edges looked fresher, that was all. We asked Vincent -to what he attributed them, and he replied that it must have been a -bite of some animal, perhaps a rat, but for his own part, he was -inclined to think it was one of the bats which are so numerous on the -northern heights of London. "Out of so many harmless ones," he said, -"there may be some wild specimen from the South of a more malignant -species. Some sailor may have brought one home, and it managed to -escape, or even from the Zoological Gardens a young one may have got -loose, or one be bred there from a vampire. These things do occur, -you, know. Only ten days ago a wolf got out, and was, I believe, -traced up in this direction. For a week after, the children were -playing nothing but Red Riding Hood on the Heath and in every alley in -the place until this 'bloofer lady' scare came along, since then it -has been quite a gala time with them. Even this poor little mite, -when he woke up today, asked the nurse if he might go away. When she -asked him why he wanted to go, he said he wanted to play with the -'bloofer lady'." - -"I hope," said Van Helsing, "that when you are sending the child home -you will caution its parents to keep strict watch over it. These -fancies to stray are most dangerous, and if the child were to remain -out another night, it would probably be fatal. But in any case I -suppose you will not let it away for some days?" - -"Certainly not, not for a week at least, longer if the wound is not -healed." - -Our visit to the hospital took more time than we had reckoned on, and -the sun had dipped before we came out. When Van Helsing saw how dark -it was, he said, - -"There is not hurry. It is more late than I thought. Come, let us -seek somewhere that we may eat, and then we shall go on our way." - -We dined at 'Jack Straw's Castle' along with a little crowd of -bicyclists and others who were genially noisy. About ten o'clock we -started from the inn. It was then very dark, and the scattered lamps -made the darkness greater when we were once outside their individual -radius. The Professor had evidently noted the road we were to go, for -he went on unhesitatingly, but, as for me, I was in quite a mixup as -to locality. As we went further, we met fewer and fewer people, till -at last we were somewhat surprised when we met even the patrol of -horse police going their usual suburban round. At last we reached the -wall of the churchyard, which we climbed over. With some little -difficulty, for it was very dark, and the whole place seemed so -strange to us, we found the Westenra tomb. The Professor took the -key, opened the creaky door, and standing back, politely, but quite -unconsciously, motioned me to precede him. There was a delicious -irony in the offer, in the courtliness of giving preference on such a -ghastly occasion. My companion followed me quickly, and cautiously -drew the door to, after carefully ascertaining that the lock was a -falling, and not a spring one. In the latter case we should have been -in a bad plight. Then he fumbled in his bag, and taking out a -matchbox and a piece of candle, proceeded to make a light. The tomb -in the daytime, and when wreathed with fresh flowers, had looked grim -and gruesome enough, but now, some days afterwards, when the flowers -hung lank and dead, their whites turning to rust and their greens to -browns, when the spider and the beetle had resumed their accustomed -dominance, when the time-discoloured stone, and dust-encrusted mortar, -and rusty, dank iron, and tarnished brass, and clouded silver-plating -gave back the feeble glimmer of a candle, the effect was more -miserable and sordid than could have been imagined. It conveyed -irresistibly the idea that life, animal life, was not the only thing -which could pass away. - -Van Helsing went about his work systematically. Holding his candle so -that he could read the coffin plates, and so holding it that the sperm -dropped in white patches which congealed as they touched the metal, he -made assurance of Lucy's coffin. Another search in his bag, and he -took out a turnscrew. - -"What are you going to do?" I asked. - -"To open the coffin. You shall yet be convinced." - -Straightway he began taking out the screws, and finally lifted off the -lid, showing the casing of lead beneath. The sight was almost too -much for me. It seemed to be as much an affront to the dead as it -would have been to have stripped off her clothing in her sleep whilst -living. I actually took hold of his hand to stop him. - -He only said, "You shall see," and again fumbling in his bag took out -a tiny fret saw. Striking the turnscrew through the lead with a swift -downward stab, which made me wince, he made a small hole, which was, -however, big enough to admit the point of the saw. I had expected a -rush of gas from the week-old corpse. We doctors, who have had to -study our dangers, have to become accustomed to such things, and I -drew back towards the door. But the Professor never stopped for a -moment. He sawed down a couple of feet along one side of the lead -coffin, and then across, and down the other side. Taking the edge of -the loose flange, he bent it back towards the foot of the coffin, and -holding up the candle into the aperture, motioned to me to look. - -I drew near and looked. The coffin was empty. It was certainly a -surprise to me, and gave me a considerable shock, but Van Helsing was -unmoved. He was now more sure than ever of his ground, and so -emboldened to proceed in his task. "Are you satisfied now, friend -John?" he asked. - -I felt all the dogged argumentativeness of my nature awake within me as -I answered him, "I am satisfied that Lucy's body is not in that -coffin, but that only proves one thing." - -"And what is that, friend John?" - -"That it is not there." - -"That is good logic," he said, "so far as it goes. But how do you, -how can you, account for it not being there?" - -"Perhaps a body-snatcher," I suggested. "Some of the undertaker's -people may have stolen it." I felt that I was speaking folly, and yet -it was the only real cause which I could suggest. - -The Professor sighed. "Ah well!" he said, "we must have more proof. -Come with me." - -He put on the coffin lid again, gathered up all his things and placed -them in the bag, blew out the light, and placed the candle also in the -bag. We opened the door, and went out. Behind us he closed the door -and locked it. He handed me the key, saying, "Will you keep it? You -had better be assured." - -I laughed, it was not a very cheerful laugh, I am bound to say, as I -motioned him to keep it. "A key is nothing," I said, "there are many -duplicates, and anyhow it is not difficult to pick a lock of this -kind." - -He said nothing, but put the key in his pocket. Then he told me to -watch at one side of the churchyard whilst he would watch at the -other. - -I took up my place behind a yew tree, and I saw his dark figure move -until the intervening headstones and trees hid it from my sight. - -It was a lonely vigil. Just after I had taken my place I heard a -distant clock strike twelve, and in time came one and two. I was -chilled and unnerved, and angry with the Professor for taking me on -such an errand and with myself for coming. I was too cold and too -sleepy to be keenly observant, and not sleepy enough to betray my -trust, so altogether I had a dreary, miserable time. - -Suddenly, as I turned round, I thought I saw something like a white -streak, moving between two dark yew trees at the side of the -churchyard farthest from the tomb. At the same time a dark mass moved -from the Professor's side of the ground, and hurriedly went towards -it. Then I too moved, but I had to go round headstones and railed-off -tombs, and I stumbled over graves. The sky was overcast, and -somewhere far off an early cock crew. A little ways off, beyond a -line of scattered juniper trees, which marked the pathway to the -church, a white dim figure flitted in the direction of the tomb. The -tomb itself was hidden by trees, and I could not see where the figure -had disappeared. I heard the rustle of actual movement where I had -first seen the white figure, and coming over, found the Professor -holding in his arms a tiny child. When he saw me he held it out to -me, and said, "Are you satisfied now?" - -"No," I said, in a way that I felt was aggressive. - -"Do you not see the child?" - -"Yes, it is a child, but who brought it here? And is it wounded?" - -"We shall see," said the Professor, and with one impulse we took our -way out of the churchyard, he carrying the sleeping child. - -When we had got some little distance away, we went into a clump of -trees, and struck a match, and looked at the child's throat. It was -without a scratch or scar of any kind. - -"Was I right?" I asked triumphantly. - -"We were just in time," said the Professor thankfully. - -We had now to decide what we were to do with the child, and so -consulted about it. If we were to take it to a police station we -should have to give some account of our movements during the night. -At least, we should have had to make some statement as to how we had -come to find the child. So finally we decided that we would take it -to the Heath, and when we heard a policeman coming, would leave it -where he could not fail to find it. We would then seek our way home -as quickly as we could. All fell out well. At the edge of Hampstead -Heath we heard a policeman's heavy tramp, and laying the child on the -pathway, we waited and watched until he saw it as he flashed his -lantern to and fro. We heard his exclamation of astonishment, and -then we went away silently. By good chance we got a cab near the -'Spainiards,' and drove to town. - -I cannot sleep, so I make this entry. But I must try to get a few -hours' sleep, as Van Helsing is to call for me at noon. He insists -that I go with him on another expedition. - - -27 September.--It was two o'clock before we found a suitable -opportunity for our attempt. The funeral held at noon was all -completed, and the last stragglers of the mourners had taken -themselves lazily away, when, looking carefully from behind a clump of -alder trees, we saw the sexton lock the gate after him. We knew that -we were safe till morning did we desire it, but the Professor told me -that we should not want more than an hour at most. Again I felt that -horrid sense of the reality of things, in which any effort of -imagination seemed out of place, and I realized distinctly the perils -of the law which we were incurring in our unhallowed work. Besides, I -felt it was all so useless. Outrageous as it was to open a leaden -coffin, to see if a woman dead nearly a week were really dead, it now -seemed the height of folly to open the tomb again, when we knew, from -the evidence of our own eyesight, that the coffin was empty. I -shrugged my shoulders, however, and rested silent, for Van Helsing had -a way of going on his own road, no matter who remonstrated. He took -the key, opened the vault, and again courteously motioned me to -precede. The place was not so gruesome as last night, but oh, how -unutterably mean looking when the sunshine streamed in. Van Helsing -walked over to Lucy's coffin, and I followed. He bent over and again -forced back the leaden flange, and a shock of surprise and dismay shot -through me. - -There lay Lucy, seemingly just as we had seen her the night before her -funeral. She was, if possible, more radiantly beautiful than ever, -and I could not believe that she was dead. The lips were red, nay -redder than before, and on the cheeks was a delicate bloom. - -"Is this a juggle?" I said to him. - -"Are you convinced now?" said the Professor, in response, and as he -spoke he put over his hand, and in a way that made me shudder, pulled -back the dead lips and showed the white teeth. "See," he went on, -"they are even sharper than before. With this and this," and he -touched one of the canine teeth and that below it, "the little -children can be bitten. Are you of belief now, friend John?" - -Once more argumentative hostility woke within me. I could not accept -such an overwhelming idea as he suggested. So, with an attempt to -argue of which I was even at the moment ashamed, I said, "She may have -been placed here since last night." - -"Indeed? That is so, and by whom?" - -"I do not know. Someone has done it." - -"And yet she has been dead one week. Most peoples in that time would -not look so." - -I had no answer for this, so was silent. Van Helsing did not seem to -notice my silence. At any rate, he showed neither chagrin nor -triumph. He was looking intently at the face of the dead woman, -raising the eyelids and looking at the eyes, and once more opening the -lips and examining the teeth. Then he turned to me and said, - -"Here, there is one thing which is different from all recorded. Here -is some dual life that is not as the common. She was bitten by the -vampire when she was in a trance, sleep-walking, oh, you start. You -do not know that, friend John, but you shall know it later, and in -trance could he best come to take more blood. In trance she dies, and -in trance she is UnDead, too. So it is that she differ from all -other. Usually when the UnDead sleep at home," as he spoke he made a -comprehensive sweep of his arm to designate what to a vampire was -'home', "their face show what they are, but this so sweet that was -when she not UnDead she go back to the nothings of the common dead. -There is no malign there, see, and so it make hard that I must kill -her in her sleep." - -This turned my blood cold, and it began to dawn upon me that I was -accepting Van Helsing's theories. But if she were really dead, what -was there of terror in the idea of killing her? - -He looked up at me, and evidently saw the change in my face, for he -said almost joyously, "Ah, you believe now?" - -I answered, "Do not press me too hard all at once. I am willing to -accept. How will you do this bloody work?" - -"I shall cut off her head and fill her mouth with garlic, and I shall -drive a stake through her body." - -It made me shudder to think of so mutilating the body of the woman -whom I had loved. And yet the feeling was not so strong as I had -expected. I was, in fact, beginning to shudder at the presence of -this being, this UnDead, as Van Helsing called it, and to loathe it. -Is it possible that love is all subjective, or all objective? - -I waited a considerable time for Van Helsing to begin, but he stood as -if wrapped in thought. Presently he closed the catch of his bag with -a snap, and said, - -"I have been thinking, and have made up my mind as to what is best. -If I did simply follow my inclining I would do now, at this moment, -what is to be done. But there are other things to follow, and things -that are thousand times more difficult in that them we do not know. -This is simple. She have yet no life taken, though that is of time, -and to act now would be to take danger from her forever. But then we -may have to want Arthur, and how shall we tell him of this? If you, -who saw the wounds on Lucy's throat, and saw the wounds so similar on -the child's at the hospital, if you, who saw the coffin empty last -night and full today with a woman who have not change only to be more -rose and more beautiful in a whole week, after she die, if you know of -this and know of the white figure last night that brought the child to -the churchyard, and yet of your own senses you did not believe, how -then, can I expect Arthur, who know none of those things, to believe? - -"He doubted me when I took him from her kiss when she was dying. I -know he has forgiven me because in some mistaken idea I have done -things that prevent him say goodbye as he ought, and he may think that -in some more mistaken idea this woman was buried alive, and that in -most mistake of all we have killed her. He will then argue back that -it is we, mistaken ones, that have killed her by our ideas, and so he -will be much unhappy always. Yet he never can be sure, and that is -the worst of all. And he will sometimes think that she he loved was -buried alive, and that will paint his dreams with horrors of what she -must have suffered, and again, he will think that we may be right, and -that his so beloved was, after all, an UnDead. No! I told him once, -and since then I learn much. Now, since I know it is all true, a -hundred thousand times more do I know that he must pass through the -bitter waters to reach the sweet. He, poor fellow, must have one hour -that will make the very face of heaven grow black to him, then we can -act for good all round and send him peace. My mind is made up. Let -us go. You return home for tonight to your asylum, and see that all -be well. As for me, I shall spend the night here in this churchyard -in my own way. Tomorrow night you will come to me to the Berkeley -Hotel at ten of the clock. I shall send for Arthur to come too, and -also that so fine young man of America that gave his blood. Later we -shall all have work to do. I come with you so far as Piccadilly and -there dine, for I must be back here before the sun set." - -So we locked the tomb and came away, and got over the wall of the -churchyard, which was not much of a task, and drove back to -Piccadilly. - - - - -NOTE LEFT BY VAN HELSING IN HIS PORTMANTEAU, BERKELEY HOTEL DIRECTED TO -JOHN SEWARD, M. D. (Not Delivered) - -27 September - -"Friend John, - -"I write this in case anything should happen. I go alone to -watch in that churchyard. It pleases me that the UnDead, -Miss Lucy, shall not leave tonight, that so on the morrow -night she may be more eager. Therefore I shall fix some -things she like not, garlic and a crucifix, and so seal up -the door of the tomb. She is young as UnDead, and will -heed. Moreover, these are only to prevent her coming out. -They may not prevail on her wanting to get in, for then the -UnDead is desperate, and must find the line of least resistance, -whatsoever it may be. I shall be at hand all the night from -sunset till after sunrise, and if there be aught that may be -learned I shall learn it. For Miss Lucy or from her, I have no -fear, but that other to whom is there that she is UnDead, he have -not the power to seek her tomb and find shelter. He is cunning, -as I know from Mr. Jonathan and from the way that all along he -have fooled us when he played with us for Miss Lucy's life, and -we lost, and in many ways the UnDead are strong. He have always -the strength in his hand of twenty men, even we four who gave our -strength to Miss Lucy it also is all to him. Besides, he can -summon his wolf and I know not what. So if it be that he came -thither on this night he shall find me. But none other shall, -until it be too late. But it may be that he will not attempt the -place. There is no reason why he should. His hunting ground is -more full of game than the churchyard where the UnDead woman -sleeps, and the one old man watch. - -"Therefore I write this in case . . . Take the papers that -are with this, the diaries of Harker and the rest, and read -them, and then find this great UnDead, and cut off his head -and burn his heart or drive a stake through it, so that the -world may rest from him. - -"If it be so, farewell. - -"VAN HELSING." - - - - -DR. SEWARD'S DIARY - -28 September.--It is wonderful what a good night's sleep will do for -one. Yesterday I was almost willing to accept Van Helsing's monstrous -ideas, but now they seem to start out lurid before me as outrages on -common sense. I have no doubt that he believes it all. I wonder if -his mind can have become in any way unhinged. Surely there must be -some rational explanation of all these mysterious things. Is it -possible that the Professor can have done it himself? He is so -abnormally clever that if he went off his head he would carry out his -intent with regard to some fixed idea in a wonderful way. I am loathe -to think it, and indeed it would be almost as great a marvel as the -other to find that Van Helsing was mad, but anyhow I shall watch him -carefully. I may get some light on the mystery. - - -29 September.--Last night, at a little before ten o'clock, Arthur and -Quincey came into Van Helsing's room. He told us all what he wanted -us to do, but especially addressing himself to Arthur, as if all our -wills were centred in his. He began by saying that he hoped we would -all come with him too, "for," he said, "there is a grave duty to be -done there. You were doubtless surprised at my letter?" This query -was directly addressed to Lord Godalming. - -"I was. It rather upset me for a bit. There has been so much trouble -around my house of late that I could do without any more. I have been -curious, too, as to what you mean. - -"Quincey and I talked it over, but the more we talked, the more -puzzled we got, till now I can say for myself that I'm about up a tree -as to any meaning about anything." - -"Me too," said Quincey Morris laconically. - -"Oh," said the Professor, "then you are nearer the beginning, both of -you, than friend John here, who has to go a long way back before he -can even get so far as to begin." - -It was evident that he recognized my return to my old doubting frame -of mind without my saying a word. Then, turning to the other two, he -said with intense gravity, - -"I want your permission to do what I think good this night. It is, I -know, much to ask, and when you know what it is I propose to do you -will know, and only then how much. Therefore may I ask that you -promise me in the dark, so that afterwards, though you may be angry -with me for a time, I must not disguise from myself the possibility -that such may be, you shall not blame yourselves for anything." - -"That's frank anyhow," broke in Quincey. "I'll answer for the -Professor. I don't quite see his drift, but I swear he's honest, and -that's good enough for me." - -"I thank you, Sir," said Van Helsing proudly. "I have done myself the -honour of counting you one trusting friend, and such endorsement is -dear to me." He held out a hand, which Quincey took. - -Then Arthur spoke out, "Dr. Van Helsing, I don't quite like to 'buy a -pig in a poke', as they say in Scotland, and if it be anything in -which my honour as a gentleman or my faith as a Christian is -concerned, I cannot make such a promise. If you can assure me that -what you intend does not violate either of these two, then I give my -consent at once, though for the life of me, I cannot understand what -you are driving at." - -"I accept your limitation," said Van Helsing, "and all I ask of you is -that if you feel it necessary to condemn any act of mine, you will -first consider it well and be satisfied that it does not violate your -reservations." - -"Agreed!" said Arthur. "That is only fair. And now that the -pourparlers are over, may I ask what it is we are to do?" - -"I want you to come with me, and to come in secret, to the churchyard -at Kingstead." - -Arthur's face fell as he said in an amazed sort of way, - -"Where poor Lucy is buried?" - -The Professor bowed. - -Arthur went on, "And when there?" - -"To enter the tomb!" - -Arthur stood up. "Professor, are you in earnest, or is it some -monstrous joke? Pardon me, I see that you are in earnest." He sat -down again, but I could see that he sat firmly and proudly, as one who -is on his dignity. There was silence until he asked again, "And when -in the tomb?" - -"To open the coffin." - -"This is too much!" he said, angrily rising again. "I am willing to -be patient in all things that are reasonable, but in this, this -desecration of the grave, of one who . . ." He fairly choked with -indignation. - -The Professor looked pityingly at him. "If I could spare you one pang, -my poor friend," he said, "God knows I would. But this night our feet -must tread in thorny paths, or later, and for ever, the feet you love -must walk in paths of flame!" - -Arthur looked up with set white face and said, "Take care, sir, take -care!" - -"Would it not be well to hear what I have to say?" said Van Helsing. -"And then you will at least know the limit of my purpose. Shall I go -on?" - -"That's fair enough," broke in Morris. - -After a pause Van Helsing went on, evidently with an effort, "Miss -Lucy is dead, is it not so? Yes! Then there can be no wrong to her. -But if she be not dead . . ." - -Arthur jumped to his feet, "Good God!" he cried. "What do you mean? -Has there been any mistake, has she been buried alive?" He groaned in -anguish that not even hope could soften. - -"I did not say she was alive, my child. I did not think it. I go no -further than to say that she might be UnDead." - -"UnDead! Not alive! What do you mean? Is this all a nightmare, or -what is it?" - -"There are mysteries which men can only guess at, which age by age -they may solve only in part. Believe me, we are now on the verge of -one. But I have not done. May I cut off the head of dead Miss Lucy?" - -"Heavens and earth, no!" cried Arthur in a storm of passion. "Not for -the wide world will I consent to any mutilation of her dead body. Dr. -Van Helsing, you try me too far. What have I done to you that you -should torture me so? What did that poor, sweet girl do that you -should want to cast such dishonour on her grave? Are you mad, that you -speak of such things, or am I mad to listen to them? Don't dare think -more of such a desecration. I shall not give my consent to anything -you do. I have a duty to do in protecting her grave from outrage, and -by God, I shall do it!" - -Van Helsing rose up from where he had all the time been seated, and -said, gravely and sternly, "My Lord Godalming, I too, have a duty to -do, a duty to others, a duty to you, a duty to the dead, and by God, I -shall do it! All I ask you now is that you come with me, that you -look and listen, and if when later I make the same request you do not -be more eager for its fulfillment even than I am, then, I shall do my -duty, whatever it may seem to me. And then, to follow your Lordship's -wishes I shall hold myself at your disposal to render an account to -you, when and where you will." His voice broke a little, and he went -on with a voice full of pity. - -"But I beseech you, do not go forth in anger with me. In a long life -of acts which were often not pleasant to do, and which sometimes did -wring my heart, I have never had so heavy a task as now. Believe me -that if the time comes for you to change your mind towards me, one -look from you will wipe away all this so sad hour, for I would do what -a man can to save you from sorrow. Just think. For why should I give -myself so much labor and so much of sorrow? I have come here from my -own land to do what I can of good, at the first to please my friend -John, and then to help a sweet young lady, whom too, I come to love. -For her, I am ashamed to say so much, but I say it in kindness, I gave -what you gave, the blood of my veins. I gave it, I who was not, like -you, her lover, but only her physician and her friend. I gave her my -nights and days, before death, after death, and if my death can do her -good even now, when she is the dead UnDead, she shall have it freely." -He said this with a very grave, sweet pride, and Arthur was much -affected by it. - -He took the old man's hand and said in a broken voice, "Oh, it is hard -to think of it, and I cannot understand, but at least I shall go with -you and wait." - - - - -CHAPTER 16 - - -DR. SEWARD'S DIARY--cont. - -It was just a quarter before twelve o'clock when we got into the -churchyard over the low wall. The night was dark with occasional -gleams of moonlight between the dents of the heavy clouds that scudded -across the sky. We all kept somehow close together, with Van Helsing -slightly in front as he led the way. When we had come close to the -tomb I looked well at Arthur, for I feared the proximity to a place -laden with so sorrowful a memory would upset him, but he bore himself -well. I took it that the very mystery of the proceeding was in some -way a counteractant to his grief. The Professor unlocked the door, -and seeing a natural hesitation amongst us for various reasons, solved -the difficulty by entering first himself. The rest of us followed, -and he closed the door. He then lit a dark lantern and pointed to a -coffin. Arthur stepped forward hesitatingly. Van Helsing said to me, -"You were with me here yesterday. Was the body of Miss Lucy in that -coffin?" - -"It was." - -The Professor turned to the rest saying, "You hear, and yet there is -no one who does not believe with me." - -He took his screwdriver and again took off the lid of the coffin. -Arthur looked on, very pale but silent. When the lid was removed he -stepped forward. He evidently did not know that there was a leaden -coffin, or at any rate, had not thought of it. When he saw the rent -in the lead, the blood rushed to his face for an instant, but as -quickly fell away again, so that he remained of a ghastly whiteness. -He was still silent. Van Helsing forced back the leaden flange, and -we all looked in and recoiled. - -The coffin was empty! - -For several minutes no one spoke a word. The silence was broken by -Quincey Morris, "Professor, I answered for you. Your word is all I -want. I wouldn't ask such a thing ordinarily, I wouldn't so dishonour -you as to imply a doubt, but this is a mystery that goes beyond any -honour or dishonour. Is this your doing?" - -"I swear to you by all that I hold sacred that I have not removed or -touched her. What happened was this. Two nights ago my friend Seward -and I came here, with good purpose, believe me. I opened that coffin, -which was then sealed up, and we found it as now, empty. We then -waited, and saw something white come through the trees. The next day -we came here in daytime and she lay there. Did she not, friend John? - -"Yes." - -"That night we were just in time. One more so small child was -missing, and we find it, thank God, unharmed amongst the graves. -Yesterday I came here before sundown, for at sundown the UnDead can -move. I waited here all night till the sun rose, but I saw nothing. -It was most probable that it was because I had laid over the clamps of -those doors garlic, which the UnDead cannot bear, and other things -which they shun. Last night there was no exodus, so tonight before -the sundown I took away my garlic and other things. And so it is we -find this coffin empty. But bear with me. So far there is much that -is strange. Wait you with me outside, unseen and unheard, and things -much stranger are yet to be. So," here he shut the dark slide of his -lantern, "now to the outside." He opened the door, and we filed out, -he coming last and locking the door behind him. - -Oh! But it seemed fresh and pure in the night air after the terror of -that vault. How sweet it was to see the clouds race by, and the -passing gleams of the moonlight between the scudding clouds crossing -and passing, like the gladness and sorrow of a man's life. How sweet -it was to breathe the fresh air, that had no taint of death and decay. -How humanizing to see the red lighting of the sky beyond the hill, and -to hear far away the muffled roar that marks the life of a great -city. Each in his own way was solemn and overcome. Arthur was -silent, and was, I could see, striving to grasp the purpose and the -inner meaning of the mystery. I was myself tolerably patient, and -half inclined again to throw aside doubt and to accept Van Helsing's -conclusions. Quincey Morris was phlegmatic in the way of a man who -accepts all things, and accepts them in the spirit of cool bravery, -with hazard of all he has at stake. Not being able to smoke, he cut -himself a good-sized plug of tobacco and began to chew. As to Van -Helsing, he was employed in a definite way. First he took from his -bag a mass of what looked like thin, wafer-like biscuit, which was -carefully rolled up in a white napkin. Next he took out a double -handful of some whitish stuff, like dough or putty. He crumbled the -wafer up fine and worked it into the mass between his hands. This he -then took, and rolling it into thin strips, began to lay them into the -crevices between the door and its setting in the tomb. I was somewhat -puzzled at this, and being close, asked him what it was that he was -doing. Arthur and Quincey drew near also, as they too were curious. - -He answered, "I am closing the tomb so that the UnDead may not enter." - -"And is that stuff you have there going to do it?" - -"It is." - -"What is that which you are using?" This time the question was by -Arthur. Van Helsing reverently lifted his hat as he answered. - -"The Host. I brought it from Amsterdam. I have an Indulgence." - -It was an answer that appalled the most sceptical of us, and we felt -individually that in the presence of such earnest purpose as the -Professor's, a purpose which could thus use the to him most sacred of -things, it was impossible to distrust. In respectful silence we took -the places assigned to us close round the tomb, but hidden from the -sight of any one approaching. I pitied the others, especially Arthur. -I had myself been apprenticed by my former visits to this watching -horror, and yet I, who had up to an hour ago repudiated the proofs, -felt my heart sink within me. Never did tombs look so ghastly white. -Never did cypress, or yew, or juniper so seem the embodiment of -funeral gloom. Never did tree or grass wave or rustle so ominously. -Never did bough creak so mysteriously, and never did the far-away -howling of dogs send such a woeful presage through the night. - -There was a long spell of silence, big, aching, void, and then from -the Professor a keen "S-s-s-s!" He pointed, and far down the avenue of -yews we saw a white figure advance, a dim white figure, which held -something dark at its breast. The figure stopped, and at the moment a -ray of moonlight fell upon the masses of driving clouds, and showed in -startling prominence a dark-haired woman, dressed in the cerements of -the grave. We could not see the face, for it was bent down over what -we saw to be a fair-haired child. There was a pause and a sharp -little cry, such as a child gives in sleep, or a dog as it lies before -the fire and dreams. We were starting forward, but the Professor's -warning hand, seen by us as he stood behind a yew tree, kept us back. -And then as we looked the white figure moved forwards again. It was -now near enough for us to see clearly, and the moonlight still held. -My own heart grew cold as ice, and I could hear the gasp of Arthur, as -we recognized the features of Lucy Westenra. Lucy Westenra, but yet -how changed. The sweetness was turned to adamantine, heartless -cruelty, and the purity to voluptuous wantonness. - -Van Helsing stepped out, and obedient to his gesture, we all advanced -too. The four of us ranged in a line before the door of the tomb. Van -Helsing raised his lantern and drew the slide. By the concentrated -light that fell on Lucy's face we could see that the lips were crimson -with fresh blood, and that the stream had trickled over her chin and -stained the purity of her lawn death-robe. - -We shuddered with horror. I could see by the tremulous light that -even Van Helsing's iron nerve had failed. Arthur was next to me, and -if I had not seized his arm and held him up, he would have fallen. - -When Lucy, I call the thing that was before us Lucy because it bore -her shape, saw us she drew back with an angry snarl, such as a cat -gives when taken unawares, then her eyes ranged over us. Lucy's eyes -in form and colour, but Lucy's eyes unclean and full of hell fire, -instead of the pure, gentle orbs we knew. At that moment the remnant -of my love passed into hate and loathing. Had she then to be killed, -I could have done it with savage delight. As she looked, her eyes -blazed with unholy light, and the face became wreathed with a -voluptuous smile. Oh, God, how it made me shudder to see it! With a -careless motion, she flung to the ground, callous as a devil, the -child that up to now she had clutched strenuously to her breast, -growling over it as a dog growls over a bone. The child gave a sharp -cry, and lay there moaning. There was a cold-bloodedness in the act -which wrung a groan from Arthur. When she advanced to him with -outstretched arms and a wanton smile he fell back and hid his face in -his hands. - -She still advanced, however, and with a languorous, voluptuous grace, -said, "Come to me, Arthur. Leave these others and come to me. My -arms are hungry for you. Come, and we can rest together. Come, my -husband, come!" - -There was something diabolically sweet in her tones, something of the -tinkling of glass when struck, which rang through the brains even of -us who heard the words addressed to another. - -As for Arthur, he seemed under a spell, moving his hands from his -face, he opened wide his arms. She was leaping for them, when Van -Helsing sprang forward and held between them his little golden -crucifix. She recoiled from it, and, with a suddenly distorted face, -full of rage, dashed past him as if to enter the tomb. - -When within a foot or two of the door, however, she stopped, as if -arrested by some irresistible force. Then she turned, and her face -was shown in the clear burst of moonlight and by the lamp, which had -now no quiver from Van Helsing's nerves. Never did I see such baffled -malice on a face, and never, I trust, shall such ever be seen again by -mortal eyes. The beautiful colour became livid, the eyes seemed to -throw out sparks of hell fire, the brows were wrinkled as though the -folds of flesh were the coils of Medusa's snakes, and the lovely, -blood-stained mouth grew to an open square, as in the passion masks of -the Greeks and Japanese. If ever a face meant death, if looks could -kill, we saw it at that moment. - -And so for full half a minute, which seemed an eternity, she remained -between the lifted crucifix and the sacred closing of her means of -entry. - -Van Helsing broke the silence by asking Arthur, "Answer me, oh my -friend! Am I to proceed in my work?" - -"Do as you will, friend. Do as you will. There can be no horror like -this ever any more." And he groaned in spirit. - -Quincey and I simultaneously moved towards him, and took his arms. We -could hear the click of the closing lantern as Van Helsing held it -down. Coming close to the tomb, he began to remove from the chinks -some of the sacred emblem which he had placed there. We all looked on -with horrified amazement as we saw, when he stood back, the woman, -with a corporeal body as real at that moment as our own, pass through -the interstice where scarce a knife blade could have gone. We all -felt a glad sense of relief when we saw the Professor calmly restoring -the strings of putty to the edges of the door. - -When this was done, he lifted the child and said, "Come now, my -friends. We can do no more till tomorrow. There is a funeral at -noon, so here we shall all come before long after that. The friends -of the dead will all be gone by two, and when the sexton locks the -gate we shall remain. Then there is more to do, but not like this of -tonight. As for this little one, he is not much harmed, and by -tomorrow night he shall be well. We shall leave him where the police -will find him, as on the other night, and then to home." - -Coming close to Arthur, he said, "My friend Arthur, you have had a sore -trial, but after, when you look back, you will see how it was -necessary. You are now in the bitter waters, my child. By this time -tomorrow you will, please God, have passed them, and have drunk of the -sweet waters. So do not mourn over-much. Till then I shall not ask -you to forgive me." - -Arthur and Quincey came home with me, and we tried to cheer each other -on the way. We had left behind the child in safety, and were tired. -So we all slept with more or less reality of sleep. - - -29 September, night.--A little before twelve o'clock we three, Arthur, -Quincey Morris, and myself, called for the Professor. It was odd to -notice that by common consent we had all put on black clothes. Of -course, Arthur wore black, for he was in deep mourning, but the rest -of us wore it by instinct. We got to the graveyard by half-past one, -and strolled about, keeping out of official observation, so that when -the gravediggers had completed their task and the sexton, under the -belief that every one had gone, had locked the gate, we had the place -all to ourselves. Van Helsing, instead of his little black bag, had -with him a long leather one, something like a cricketing bag. It was -manifestly of fair weight. - -When we were alone and had heard the last of the footsteps die out up -the road, we silently, and as if by ordered intention, followed the -Professor to the tomb. He unlocked the door, and we entered, closing -it behind us. Then he took from his bag the lantern, which he lit, -and also two wax candles, which, when lighted, he stuck by melting -their own ends, on other coffins, so that they might give light -sufficient to work by. When he again lifted the lid off Lucy's coffin -we all looked, Arthur trembling like an aspen, and saw that the corpse -lay there in all its death beauty. But there was no love in my own -heart, nothing but loathing for the foul Thing which had taken Lucy's -shape without her soul. I could see even Arthur's face grow hard as -he looked. Presently he said to Van Helsing, "Is this really Lucy's -body, or only a demon in her shape?" - -"It is her body, and yet not it. But wait a while, and you shall see -her as she was, and is." - -She seemed like a nightmare of Lucy as she lay there, the pointed -teeth, the blood stained, voluptuous mouth, which made one shudder to -see, the whole carnal and unspirited appearance, seeming like a -devilish mockery of Lucy's sweet purity. Van Helsing, with his usual -methodicalness, began taking the various contents from his bag and -placing them ready for use. First he took out a soldering iron and -some plumbing solder, and then small oil lamp, which gave out, when -lit in a corner of the tomb, gas which burned at a fierce heat with a -blue flame, then his operating knives, which he placed to hand, and -last a round wooden stake, some two and a half or three inches thick -and about three feet long. One end of it was hardened by charring in -the fire, and was sharpened to a fine point. With this stake came a -heavy hammer, such as in households is used in the coal cellar for -breaking the lumps. To me, a doctor's preparations for work of any -kind are stimulating and bracing, but the effect of these things on -both Arthur and Quincey was to cause them a sort of consternation. -They both, however, kept their courage, and remained silent and quiet. - -When all was ready, Van Helsing said, "Before we do anything, let me -tell you this. It is out of the lore and experience of the ancients -and of all those who have studied the powers of the UnDead. When they -become such, there comes with the change the curse of immortality. -They cannot die, but must go on age after age adding new victims and -multiplying the evils of the world. For all that die from the preying -of the Undead become themselves Undead, and prey on their kind. And -so the circle goes on ever widening, like as the ripples from a stone -thrown in the water. Friend Arthur, if you had met that kiss which -you know of before poor Lucy die, or again, last night when you open -your arms to her, you would in time, when you had died, have become -nosferatu, as they call it in Eastern Europe, and would for all time -make more of those Un-Deads that so have filled us with horror. The -career of this so unhappy dear lady is but just begun. Those children -whose blood she sucked are not as yet so much the worse, but if she -lives on, UnDead, more and more they lose their blood and by her power -over them they come to her, and so she draw their blood with that so -wicked mouth. But if she die in truth, then all cease. The tiny -wounds of the throats disappear, and they go back to their play -unknowing ever of what has been. But of the most blessed of all, when -this now UnDead be made to rest as true dead, then the soul of the -poor lady whom we love shall again be free. Instead of working -wickedness by night and growing more debased in the assimilating of it -by day, she shall take her place with the other Angels. So that, my -friend, it will be a blessed hand for her that shall strike the blow -that sets her free. To this I am willing, but is there none amongst -us who has a better right? Will it be no joy to think of hereafter in -the silence of the night when sleep is not, 'It was my hand that sent -her to the stars. It was the hand of him that loved her best, the -hand that of all she would herself have chosen, had it been to her to -choose?' Tell me if there be such a one amongst us?" - -We all looked at Arthur. He saw too, what we all did, the infinite -kindness which suggested that his should be the hand which would -restore Lucy to us as a holy, and not an unholy, memory. He stepped -forward and said bravely, though his hand trembled, and his face was -as pale as snow, "My true friend, from the bottom of my broken heart I -thank you. Tell me what I am to do, and I shall not falter!" - -Van Helsing laid a hand on his shoulder, and said, "Brave lad! A -moment's courage, and it is done. This stake must be driven through -her. It well be a fearful ordeal, be not deceived in that, but it -will be only a short time, and you will then rejoice more than your -pain was great. From this grim tomb you will emerge as though you -tread on air. But you must not falter when once you have begun. Only -think that we, your true friends, are round you, and that we pray for -you all the time." - -"Go on," said Arthur hoarsely. "Tell me what I am to do." - -"Take this stake in your left hand, ready to place to the point over -the heart, and the hammer in your right. Then when we begin our -prayer for the dead, I shall read him, I have here the book, and the -others shall follow, strike in God's name, that so all may be well -with the dead that we love and that the UnDead pass away." - -Arthur took the stake and the hammer, and when once his mind was set -on action his hands never trembled nor even quivered. Van Helsing -opened his missal and began to read, and Quincey and I followed as -well as we could. - -Arthur placed the point over the heart, and as I looked I could see its -dint in the white flesh. Then he struck with all his might. - -The thing in the coffin writhed, and a hideous, blood-curdling screech -came from the opened red lips. The body shook and quivered and -twisted in wild contortions. The sharp white teeth champed together till -the lips were cut, and the mouth was smeared with a crimson foam. But -Arthur never faltered. He looked like a figure of Thor as his -untrembling arm rose and fell, driving deeper and deeper the -mercy-bearing stake, whilst the blood from the pierced heart welled -and spurted up around it. His face was set, and high duty seemed to -shine through it. The sight of it gave us courage so that our voices -seemed to ring through the little vault. - -And then the writhing and quivering of the body became less, and the -teeth seemed to champ, and the face to quiver. Finally it lay still. -The terrible task was over. - -The hammer fell from Arthur's hand. He reeled and would have fallen -had we not caught him. The great drops of sweat sprang from his -forehead, and his breath came in broken gasps. It had indeed been an -awful strain on him, and had he not been forced to his task by more -than human considerations he could never have gone through with it. -For a few minutes we were so taken up with him that we did not look -towards the coffin. When we did, however, a murmur of startled -surprise ran from one to the other of us. We gazed so eagerly that -Arthur rose, for he had been seated on the ground, and came and looked -too, and then a glad strange light broke over his face and dispelled -altogether the gloom of horror that lay upon it. - -There, in the coffin lay no longer the foul Thing that we had so -dreaded and grown to hate that the work of her destruction was yielded -as a privilege to the one best entitled to it, but Lucy as we had seen -her in life, with her face of unequalled sweetness and purity. True -that there were there, as we had seen them in life, the traces of care -and pain and waste. But these were all dear to us, for they marked -her truth to what we knew. One and all we felt that the holy calm -that lay like sunshine over the wasted face and form was only an -earthly token and symbol of the calm that was to reign for ever. - -Van Helsing came and laid his hand on Arthur's shoulder, and said to -him, "And now, Arthur my friend, dear lad, am I not forgiven?" - -The reaction of the terrible strain came as he took the old man's hand -in his, and raising it to his lips, pressed it, and said, "Forgiven! -God bless you that you have given my dear one her soul again, and me -peace." He put his hands on the Professor's shoulder, and laying his -head on his breast, cried for a while silently, whilst we stood -unmoving. - -When he raised his head Van Helsing said to him, "And now, my child, -you may kiss her. Kiss her dead lips if you will, as she would have -you to, if for her to choose. For she is not a grinning devil now, -not any more a foul Thing for all eternity. No longer she is the -devil's UnDead. She is God's true dead, whose soul is with Him!" - -Arthur bent and kissed her, and then we sent him and Quincey out of the -tomb. The Professor and I sawed the top off the stake, leaving the -point of it in the body. Then we cut off the head and filled the -mouth with garlic. We soldered up the leaden coffin, screwed on the -coffin lid, and gathering up our belongings, came away. When the -Professor locked the door he gave the key to Arthur. - -Outside the air was sweet, the sun shone, and the birds sang, and it -seemed as if all nature were tuned to a different pitch. There was -gladness and mirth and peace everywhere, for we were at rest ourselves -on one account, and we were glad, though it was with a tempered joy. - -Before we moved away Van Helsing said, "Now, my friends, one step of -our work is done, one the most harrowing to ourselves. But there -remains a greater task: to find out the author of all this our sorrow -and to stamp him out. I have clues which we can follow, but it is a -long task, and a difficult one, and there is danger in it, and pain. -Shall you not all help me? We have learned to believe, all of us, is -it not so? And since so, do we not see our duty? Yes! And do we not -promise to go on to the bitter end?" - -Each in turn, we took his hand, and the promise was made. Then said -the Professor as we moved off, "Two nights hence you shall meet with -me and dine together at seven of the clock with friend John. I shall -entreat two others, two that you know not as yet, and I shall be ready -to all our work show and our plans unfold. Friend John, you come with -me home, for I have much to consult you about, and you can help me. -Tonight I leave for Amsterdam, but shall return tomorrow night. And -then begins our great quest. But first I shall have much to say, so -that you may know what to do and to dread. Then our promise shall be -made to each other anew. For there is a terrible task before us, and -once our feet are on the ploughshare we must not draw back." - - - - -CHAPTER 17 - - -DR. SEWARD'S DIARY--cont. - -When we arrived at the Berkely Hotel, Van Helsing found a telegram -waiting for him. - -"Am coming up by train. Jonathan at Whitby. Important news. Mina -Harker." - - -The Professor was delighted. "Ah, that wonderful Madam Mina," he -said, "pearl among women! She arrive, but I cannot stay. She must go -to your house, friend John. You must meet her at the station. -Telegraph her en route so that she may be prepared." - -When the wire was dispatched he had a cup of tea. Over it he told me -of a diary kept by Jonathan Harker when abroad, and gave me a -typewritten copy of it, as also of Mrs. Harker's diary at Whitby. -"Take these," he said, "and study them well. When I have returned you -will be master of all the facts, and we can then better enter on our -inquisition. Keep them safe, for there is in them much of treasure. -You will need all your faith, even you who have had such an experience -as that of today. What is here told," he laid his hand heavily and -gravely on the packet of papers as he spoke, "may be the beginning of -the end to you and me and many another, or it may sound the knell of -the UnDead who walk the earth. Read all, I pray you, with the open -mind, and if you can add in any way to the story here told do so, for -it is all important. You have kept a diary of all these so strange -things, is it not so? Yes! Then we shall go through all these -together when we meet." He then made ready for his departure and -shortly drove off to Liverpool Street. I took my way to Paddington, -where I arrived about fifteen minutes before the train came in. - -The crowd melted away, after the bustling fashion common to arrival -platforms, and I was beginning to feel uneasy, lest I might miss my -guest, when a sweet-faced, dainty looking girl stepped up to me, and -after a quick glance said, "Dr. Seward, is it not?" - -"And you are Mrs. Harker!" I answered at once, whereupon she held out -her hand. - -"I knew you from the description of poor dear Lucy, but . . ." She -stopped suddenly, and a quick blush overspread her face. - -The blush that rose to my own cheeks somehow set us both at ease, for -it was a tacit answer to her own. I got her luggage, which included a -typewriter, and we took the Underground to Fenchurch Street, after I -had sent a wire to my housekeeper to have a sitting room and a bedroom -prepared at once for Mrs. Harker. - -In due time we arrived. She knew, of course, that the place was a -lunatic asylum, but I could see that she was unable to repress a -shudder when we entered. - -She told me that, if she might, she would come presently to my study, -as she had much to say. So here I am finishing my entry in my -phonograph diary whilst I await her. As yet I have not had the chance -of looking at the papers which Van Helsing left with me, though they -lie open before me. I must get her interested in something, so that I -may have an opportunity of reading them. She does not know how -precious time is, or what a task we have in hand. I must be careful -not to frighten her. Here she is! - - - - -MINA HARKER'S JOURNAL - -29 September.--After I had tidied myself, I went down to Dr. Seward's -study. At the door I paused a moment, for I thought I heard him -talking with some one. As, however, he had pressed me to be quick, I -knocked at the door, and on his calling out, "Come in," I entered. - -To my intense surprise, there was no one with him. He was quite -alone, and on the table opposite him was what I knew at once from the -description to be a phonograph. I had never seen one, and was much -interested. - -"I hope I did not keep you waiting," I said, "but I stayed at the door -as I heard you talking, and thought there was someone with you." - -"Oh," he replied with a smile, "I was only entering my diary." - -"Your diary?" I asked him in surprise. - -"Yes," he answered. "I keep it in this." As he spoke he laid his -hand on the phonograph. I felt quite excited over it, and blurted -out, "Why, this beats even shorthand! May I hear it say something?" - -"Certainly," he replied with alacrity, and stood up to put it in train -for speaking. Then he paused, and a troubled look overspread his -face. - -"The fact is," he began awkwardly, "I only keep my diary in it, and as -it is entirely, almost entirely, about my cases it may be awkward, -that is, I mean . . ." He stopped, and I tried to help him out of his -embarrassment. - -"You helped to attend dear Lucy at the end. Let me hear how she died, -for all that I know of her, I shall be very grateful. She was very, -very dear to me." - -To my surprise, he answered, with a horrorstruck look in his face, -"Tell you of her death? Not for the wide world!" - -"Why not?" I asked, for some grave, terrible feeling was coming over me. - -Again he paused, and I could see that he was trying to invent an -excuse. At length, he stammered out, "You see, I do not know how to -pick out any particular part of the diary." - -Even while he was speaking an idea dawned upon him, and he said with -unconscious simplicity, in a different voice, and with the naivete of -a child, "that's quite true, upon my honour. Honest Indian!" - -I could not but smile, at which he grimaced. "I gave myself away that -time!" he said. "But do you know that, although I have kept the diary -for months past, it never once struck me how I was going to find any -particular part of it in case I wanted to look it up?" - -By this time my mind was made up that the diary of a doctor who -attended Lucy might have something to add to the sum of our knowledge -of that terrible Being, and I said boldly, "Then, Dr. Seward, you had -better let me copy it out for you on my typewriter." - -He grew to a positively deathly pallor as he said, "No! No! No! For -all the world. I wouldn't let you know that terrible story!" - -Then it was terrible. My intuition was right! For a moment, I -thought, and as my eyes ranged the room, unconsciously looking for -something or some opportunity to aid me, they lit on a great batch of -typewriting on the table. His eyes caught the look in mine, and -without his thinking, followed their direction. As they saw the -parcel he realized my meaning. - -"You do not know me," I said. "When you have read those papers, my -own diary and my husband's also, which I have typed, you will know me -better. I have not faltered in giving every thought of my own heart -in this cause. But, of course, you do not know me, yet, and I must -not expect you to trust me so far." - -He is certainly a man of noble nature. Poor dear Lucy was right about -him. He stood up and opened a large drawer, in which were arranged in -order a number of hollow cylinders of metal covered with dark wax, and -said, - -"You are quite right. I did not trust you because I did not know -you. But I know you now, and let me say that I should have known you -long ago. I know that Lucy told you of me. She told me of you too. -May I make the only atonement in my power? Take the cylinders and -hear them. The first half-dozen of them are personal to me, and they -will not horrify you. Then you will know me better. Dinner will by -then be ready. In the meantime I shall read over some of these -documents, and shall be better able to understand certain things." - -He carried the phonograph himself up to my sitting room and adjusted -it for me. Now I shall learn something pleasant, I am sure. For it -will tell me the other side of a true love episode of which I know one -side already. - - - - -DR. SEWARD'S DIARY - -29 September.--I was so absorbed in that wonderful diary of Jonathan -Harker and that other of his wife that I let the time run on without -thinking. Mrs. Harker was not down when the maid came to announce -dinner, so I said, "She is possibly tired. Let dinner wait an hour," -and I went on with my work. I had just finished Mrs. Harker's diary, -when she came in. She looked sweetly pretty, but very sad, and her -eyes were flushed with crying. This somehow moved me much. Of late I -have had cause for tears, God knows! But the relief of them was -denied me, and now the sight of those sweet eyes, brightened by recent -tears, went straight to my heart. So I said as gently as I could, "I -greatly fear I have distressed you." - -"Oh, no, not distressed me," she replied. "But I have been more -touched than I can say by your grief. That is a wonderful machine, -but it is cruelly true. It told me, in its very tones, the anguish of -your heart. It was like a soul crying out to Almighty God. No one -must hear them spoken ever again! See, I have tried to be useful. I -have copied out the words on my typewriter, and none other need now -hear your heart beat, as I did." - -"No one need ever know, shall ever know," I said in a low voice. She -laid her hand on mine and said very gravely, "Ah, but they must!" - -"Must! But why?" I asked. - -"Because it is a part of the terrible story, a part of poor Lucy's -death and all that led to it. Because in the struggle which we have -before us to rid the earth of this terrible monster we must have all -the knowledge and all the help which we can get. I think that the -cylinders which you gave me contained more than you intended me to -know. But I can see that there are in your record many lights to this -dark mystery. You will let me help, will you not? I know all up to a -certain point, and I see already, though your diary only took me to 7 -September, how poor Lucy was beset, and how her terrible doom was -being wrought out. Jonathan and I have been working day and night -since Professor Van Helsing saw us. He is gone to Whitby to get more -information, and he will be here tomorrow to help us. We need have no -secrets amongst us. Working together and with absolute trust, we can -surely be stronger than if some of us were in the dark." - -She looked at me so appealingly, and at the same time manifested such -courage and resolution in her bearing, that I gave in at once to her -wishes. "You shall," I said, "do as you like in the matter. God -forgive me if I do wrong! There are terrible things yet to learn of, -but if you have so far traveled on the road to poor Lucy's death, you -will not be content, I know, to remain in the dark. Nay, the end, the -very end, may give you a gleam of peace. Come, there is dinner. We -must keep one another strong for what is before us. We have a cruel -and dreadful task. When you have eaten you shall learn the rest, and -I shall answer any questions you ask, if there be anything which you -do not understand, though it was apparent to us who were present." - - - -MINA HARKER'S JOURNAL - -29 September.--After dinner I came with Dr. Seward to his study. He -brought back the phonograph from my room, and I took a chair, and -arranged the phonograph so that I could touch it without getting up, -and showed me how to stop it in case I should want to pause. Then he -very thoughtfully took a chair, with his back to me, so that I might -be as free as possible, and began to read. I put the forked metal to -my ears and listened. - -When the terrible story of Lucy's death, and all that followed, was -done, I lay back in my chair powerless. Fortunately I am not of a -fainting disposition. When Dr. Seward saw me he jumped up with a -horrified exclamation, and hurriedly taking a case bottle from the -cupboard, gave me some brandy, which in a few minutes somewhat -restored me. My brain was all in a whirl, and only that there came -through all the multitude of horrors, the holy ray of light that my -dear Lucy was at last at peace, I do not think I could have borne it -without making a scene. It is all so wild and mysterious, and strange -that if I had not known Jonathan's experience in Transylvania I could -not have believed. As it was, I didn't know what to believe, and so -got out of my difficulty by attending to something else. I took the -cover off my typewriter, and said to Dr. Seward, - -"Let me write this all out now. We must be ready for Dr. Van Helsing -when he comes. I have sent a telegram to Jonathan to come on here -when he arrives in London from Whitby. In this matter dates are -everything, and I think that if we get all of our material ready, and -have every item put in chronological order, we shall have done much. - -"You tell me that Lord Godalming and Mr. Morris are coming too. Let -us be able to tell them when they come." - -He accordingly set the phonograph at a slow pace, and I began to -typewrite from the beginning of the seventeenth cylinder. I used -manifold, and so took three copies of the diary, just as I had done -with the rest. It was late when I got through, but Dr. Seward went -about his work of going his round of the patients. When he had -finished he came back and sat near me, reading, so that I did not feel -too lonely whilst I worked. How good and thoughtful he is. The world -seems full of good men, even if there are monsters in it. - -Before I left him I remembered what Jonathan put in his diary of the -Professor's perturbation at reading something in an evening paper at -the station at Exeter, so, seeing that Dr. Seward keeps his -newspapers, I borrowed the files of 'The Westminster Gazette' and 'The -Pall Mall Gazette' and took them to my room. I remember how much the -'Dailygraph' and 'The Whitby Gazette', of which I had made cuttings, -had helped us to understand the terrible events at Whitby when Count -Dracula landed, so I shall look through the evening papers since then, -and perhaps I shall get some new light. I am not sleepy, and the work -will help to keep me quiet. - - - - -DR. SEWARD'S DIARY - -30 September.--Mr. Harker arrived at nine o'clock. He got his wife's -wire just before starting. He is uncommonly clever, if one can judge -from his face, and full of energy. If this journal be true, and -judging by one's own wonderful experiences, it must be, he is also a -man of great nerve. That going down to the vault a second time was a -remarkable piece of daring. After reading his account of it I was -prepared to meet a good specimen of manhood, but hardly the quiet, -businesslike gentleman who came here today. - - -LATER.--After lunch Harker and his wife went back to their own room, -and as I passed a while ago I heard the click of the typewriter. They -are hard at it. Mrs. Harker says that they are knitting together in -chronological order every scrap of evidence they have. Harker has got -the letters between the consignee of the boxes at Whitby and the -carriers in London who took charge of them. He is now reading his -wife's transcript of my diary. I wonder what they make out of it. -Here it is . . . - -Strange that it never struck me that the very next house might be the -Count's hiding place! Goodness knows that we had enough clues from -the conduct of the patient Renfield! The bundle of letters relating -to the purchase of the house were with the transcript. Oh, if we had -only had them earlier we might have saved poor Lucy! Stop! That way -madness lies! Harker has gone back, and is again collecting material. -He says that by dinner time they will be able to show a whole -connected narrative. He thinks that in the meantime I should see -Renfield, as hitherto he has been a sort of index to the coming and -going of the Count. I hardly see this yet, but when I get at the -dates I suppose I shall. What a good thing that Mrs. Harker put my -cylinders into type! We never could have found the dates otherwise. - -I found Renfield sitting placidly in his room with his hands folded, -smiling benignly. At the moment he seemed as sane as any one I ever -saw. I sat down and talked with him on a lot of subjects, all of -which he treated naturally. He then, of his own accord, spoke of -going home, a subject he has never mentioned to my knowledge during -his sojourn here. In fact, he spoke quite confidently of getting his -discharge at once. I believe that, had I not had the chat with Harker -and read the letters and the dates of his outbursts, I should have -been prepared to sign for him after a brief time of observation. As -it is, I am darkly suspicious. All those out-breaks were in some way -linked with the proximity of the Count. What then does this absolute -content mean? Can it be that his instinct is satisfied as to the -vampire's ultimate triumph? Stay. He is himself zoophagous, and in -his wild ravings outside the chapel door of the deserted house he -always spoke of 'master'. This all seems confirmation of our idea. -However, after a while I came away. My friend is just a little too -sane at present to make it safe to probe him too deep with questions. -He might begin to think, and then . . . So I came away. I mistrust -these quiet moods of his, so I have given the attendant a hint to -look closely after him, and to have a strait waistcoat ready in case -of need. - - - - - -JOHNATHAN HARKER'S JOURNAL - -29 September, in train to London.--When I received Mr. Billington's -courteous message that he would give me any information in his power I -thought it best to go down to Whitby and make, on the spot, such -inquiries as I wanted. It was now my object to trace that horrid -cargo of the Count's to its place in London. Later, we may be able to -deal with it. Billington junior, a nice lad, met me at the station, -and brought me to his father's house, where they had decided that I -must spend the night. They are hospitable, with true Yorkshire -hospitality, give a guest everything and leave him to do as he likes. -They all knew that I was busy, and that my stay was short, and Mr. -Billington had ready in his office all the papers concerning the -consignment of boxes. It gave me almost a turn to see again one of -the letters which I had seen on the Count's table before I knew of his -diabolical plans. Everything had been carefully thought out, and done -systematically and with precision. He seemed to have been prepared -for every obstacle which might be placed by accident in the way of his -intentions being carried out. To use an Americanism, he had 'taken no -chances', and the absolute accuracy with which his instructions were -fulfilled was simply the logical result of his care. I saw the -invoice, and took note of it. 'Fifty cases of common earth, to be used -for experimental purposes'. Also the copy of the letter to Carter -Paterson, and their reply. Of both these I got copies. This was all -the information Mr. Billington could give me, so I went down to the -port and saw the coastguards, the Customs Officers and the harbour -master, who kindly put me in communication with the men who had -actually received the boxes. Their tally was exact with the list, and -they had nothing to add to the simple description 'fifty cases of -common earth', except that the boxes were 'main and mortal heavy', and -that shifting them was dry work. One of them added that it was hard -lines that there wasn't any gentleman 'such like as like yourself, -squire', to show some sort of appreciation of their efforts in a -liquid form. Another put in a rider that the thirst then generated -was such that even the time which had elapsed had not completely -allayed it. Needless to add, I took care before leaving to lift, -forever and adequately, this source of reproach. - -30 September.--The station master was good enough to give me a line to -his old companion the station master at King's Cross, so that when I -arrived there in the morning I was able to ask him about the arrival -of the boxes. He, too put me at once in communication with the proper -officials, and I saw that their tally was correct with the original -invoice. The opportunities of acquiring an abnormal thirst had been -here limited. A noble use of them had, however, been made, and again -I was compelled to deal with the result in ex post facto manner. - -From thence I went to Carter Paterson's central office, where I met -with the utmost courtesy. They looked up the transaction in their day -book and letter book, and at once telephoned to their King's Cross -office for more details. By good fortune, the men who did the teaming -were waiting for work, and the official at once sent them over, -sending also by one of them the way-bill and all the papers connected -with the delivery of the boxes at Carfax. Here again I found the -tally agreeing exactly. The carriers' men were able to supplement the -paucity of the written words with a few more details. These were, I -shortly found, connected almost solely with the dusty nature of the -job, and the consequent thirst engendered in the operators. On my -affording an opportunity, through the medium of the currency of the -realm, of the allaying, at a later period, this beneficial evil, one -of the men remarked, - -"That 'ere 'ouse, guv'nor, is the rummiest I ever was in. Blyme! But -it ain't been touched sence a hundred years. There was dust that -thick in the place that you might have slep' on it without 'urtin' of -yer bones. An' the place was that neglected that yer might 'ave -smelled ole Jerusalem in it. But the old chapel, that took the cike, -that did! Me and my mate, we thort we wouldn't never git out quick -enough. Lor', I wouldn't take less nor a quid a moment to stay there -arter dark." - -Having been in the house, I could well believe him, but if he knew -what I know, he would, I think have raised his terms. - -Of one thing I am now satisfied. That all those boxes which arrived at -Whitby from Varna in the Demeter were safely deposited in the old -chapel at Carfax. There should be fifty of them there, unless any -have since been removed, as from Dr. Seward's diary I fear. - - -Later.--Mina and I have worked all day, and we have put all the papers -into order. - - - - -MINA HARKER'S JOURNAL - -30 September.--I am so glad that I hardly know how to contain myself. -It is, I suppose, the reaction from the haunting fear which I have -had, that this terrible affair and the reopening of his old wound -might act detrimentally on Jonathan. I saw him leave for Whitby with -as brave a face as could, but I was sick with apprehension. The -effort has, however, done him good. He was never so resolute, never -so strong, never so full of volcanic energy, as at present. It is -just as that dear, good Professor Van Helsing said, he is true grit, -and he improves under strain that would kill a weaker nature. He came -back full of life and hope and determination. We have got everything -in order for tonight. I feel myself quite wild with excitement. I -suppose one ought to pity anything so hunted as the Count. That is -just it. This thing is not human, not even a beast. To read Dr. -Seward's account of poor Lucy's death, and what followed, is enough to -dry up the springs of pity in one's heart. - - -Later.--Lord Godalming and Mr. Morris arrived earlier than we -expected. Dr. Seward was out on business, and had taken Jonathan with -him, so I had to see them. It was to me a painful meeting, for it -brought back all poor dear Lucy's hopes of only a few months ago. Of -course they had heard Lucy speak of me, and it seemed that Dr. Van -Helsing, too, had been quite 'blowing my trumpet', as Mr. Morris -expressed it. Poor fellows, neither of them is aware that I know all -about the proposals they made to Lucy. They did not quite know what -to say or do, as they were ignorant of the amount of my knowledge. So -they had to keep on neutral subjects. However, I thought the matter -over, and came to the conclusion that the best thing I could do would -be to post them on affairs right up to date. I knew from Dr. Seward's -diary that they had been at Lucy's death, her real death, and that I -need not fear to betray any secret before the time. So I told them, -as well as I could, that I had read all the papers and diaries, and -that my husband and I, having typewritten them, had just finished -putting them in order. I gave them each a copy to read in the -library. When Lord Godalming got his and turned it over, it does make -a pretty good pile, he said, "Did you write all this, Mrs. Harker?" - -I nodded, and he went on. - -"I don't quite see the drift of it, but you people are all so good and -kind, and have been working so earnestly and so energetically, that -all I can do is to accept your ideas blindfold and try to help you. I -have had one lesson already in accepting facts that should make a man -humble to the last hour of his life. Besides, I know you loved my -Lucy . . ." - -Here he turned away and covered his face with his hands. I could hear -the tears in his voice. Mr. Morris, with instinctive delicacy, just -laid a hand for a moment on his shoulder, and then walked quietly out -of the room. I suppose there is something in a woman's nature that -makes a man free to break down before her and express his feelings on -the tender or emotional side without feeling it derogatory to his -manhood. For when Lord Godalming found himself alone with me he sat -down on the sofa and gave way utterly and openly. I sat down beside -him and took his hand. I hope he didn't think it forward of me, and -that if he ever thinks of it afterwards he never will have such a -thought. There I wrong him. I know he never will. He is too true a -gentleman. I said to him, for I could see that his heart was -breaking, "I loved dear Lucy, and I know what she was to you, and what -you were to her. She and I were like sisters, and now she is gone, -will you not let me be like a sister to you in your trouble? I know -what sorrows you have had, though I cannot measure the depth of them. -If sympathy and pity can help in your affliction, won't you let me be -of some little service, for Lucy's sake?" - -In an instant the poor dear fellow was overwhelmed with grief. It -seemed to me that all that he had of late been suffering in silence -found a vent at once. He grew quite hysterical, and raising his open -hands, beat his palms together in a perfect agony of grief. He stood -up and then sat down again, and the tears rained down his cheeks. I -felt an infinite pity for him, and opened my arms unthinkingly. With -a sob he laid his head on my shoulder and cried like a wearied child, -whilst he shook with emotion. - -We women have something of the mother in us that makes us rise above -smaller matters when the mother spirit is invoked. I felt this big -sorrowing man's head resting on me, as though it were that of a baby -that some day may lie on my bosom, and I stroked his hair as though he -were my own child. I never thought at the time how strange it all -was. - -After a little bit his sobs ceased, and he raised himself with an -apology, though he made no disguise of his emotion. He told me that -for days and nights past, weary days and sleepless nights, he had been -unable to speak with any one, as a man must speak in his time of -sorrow. There was no woman whose sympathy could be given to him, or -with whom, owing to the terrible circumstance with which his sorrow -was surrounded, he could speak freely. - -"I know now how I suffered," he said, as he dried his eyes, "but I do -not know even yet, and none other can ever know, how much your sweet -sympathy has been to me today. I shall know better in time, and -believe me that, though I am not ungrateful now, my gratitude will -grow with my understanding. You will let me be like a brother, will -you not, for all our lives, for dear Lucy's sake?" - -"For dear Lucy's sake," I said as we clasped hands. "Ay, and for your -own sake," he added, "for if a man's esteem and gratitude are ever -worth the winning, you have won mine today. If ever the future should -bring to you a time when you need a man's help, believe me, you will -not call in vain. God grant that no such time may ever come to you to -break the sunshine of your life, but if it should ever come, promise -me that you will let me know." - -He was so earnest, and his sorrow was so fresh, that I felt it would -comfort him, so I said, "I promise." - -As I came along the corridor I saw Mr. Morris looking out of a window. -He turned as he heard my footsteps. "How is Art?" he said. Then -noticing my red eyes, he went on, "Ah, I see you have been comforting -him. Poor old fellow! He needs it. No one but a woman can help a -man when he is in trouble of the heart, and he had no one to comfort -him." - -He bore his own trouble so bravely that my heart bled for him. I saw -the manuscript in his hand, and I knew that when he read it he would -realize how much I knew, so I said to him, "I wish I could comfort all -who suffer from the heart. Will you let me be your friend, and will -you come to me for comfort if you need it? You will know later why I -speak." - -He saw that I was in earnest, and stooping, took my hand, and raising -it to his lips, kissed it. It seemed but poor comfort to so brave and -unselfish a soul, and impulsively I bent over and kissed him. The -tears rose in his eyes, and there was a momentary choking in his -throat. He said quite calmly, "Little girl, you will never forget -that true hearted kindness, so long as ever you live!" Then he went -into the study to his friend. - -"Little girl!" The very words he had used to Lucy, and, oh, but he -proved himself a friend. - - - - -CHAPTER 18 - - -DR. SEWARD'S DIARY - -30 September.--I got home at five o'clock, and found that Godalming -and Morris had not only arrived, but had already studied the -transcript of the various diaries and letters which Harker had not yet -returned from his visit to the carriers' men, of whom Dr. Hennessey -had written to me. Mrs. Harker gave us a cup of tea, and I can -honestly say that, for the first time since I have lived in it, this -old house seemed like home. When we had finished, Mrs. Harker said, - -"Dr. Seward, may I ask a favour? I want to see your patient, Mr. -Renfield. Do let me see him. What you have said of him in your diary -interests me so much!" - -She looked so appealing and so pretty that I could not refuse her, and -there was no possible reason why I should, so I took her with me. -When I went into the room, I told the man that a lady would like to see -him, to which he simply answered, "Why?" - -"She is going through the house, and wants to see every one in it," I -answered. - -"Oh, very well," he said, "let her come in, by all means, but just -wait a minute till I tidy up the place." - -His method of tidying was peculiar, he simply swallowed all the flies -and spiders in the boxes before I could stop him. It was quite -evident that he feared, or was jealous of, some interference. When he -had got through his disgusting task, he said cheerfully, "Let the lady -come in," and sat down on the edge of his bed with his head down, but -with his eyelids raised so that he could see her as she entered. For -a moment I thought that he might have some homicidal intent. I -remembered how quiet he had been just before he attacked me in my own -study, and I took care to stand where I could seize him at once if he -attempted to make a spring at her. - -She came into the room with an easy gracefulness which would at once -command the respect of any lunatic, for easiness is one of the -qualities mad people most respect. She walked over to him, smiling -pleasantly, and held out her hand. - -"Good evening, Mr. Renfield," said she. "You see, I know you, for Dr. -Seward has told me of you." He made no immediate reply, but eyed her -all over intently with a set frown on his face. This look gave way to -one of wonder, which merged in doubt, then to my intense astonishment -he said, "You're not the girl the doctor wanted to marry, are you? You -can't be, you know, for she's dead." - -Mrs. Harker smiled sweetly as she replied, "Oh no! I have a husband -of my own, to whom I was married before I ever saw Dr. Seward, or he -me. I am Mrs. Harker." - -"Then what are you doing here?" - -"My husband and I are staying on a visit with Dr. Seward." - -"Then don't stay." - -"But why not?" - -I thought that this style of conversation might not be pleasant to -Mrs. Harker, any more than it was to me, so I joined in, "How did you -know I wanted to marry anyone?" - -His reply was simply contemptuous, given in a pause in which he turned -his eyes from Mrs. Harker to me, instantly turning them back again, -"What an asinine question!" - -"I don't see that at all, Mr. Renfield," said Mrs. Harker, at once -championing me. - -He replied to her with as much courtesy and respect as he had shown -contempt to me, "You will, of course, understand, Mrs. Harker, that -when a man is so loved and honoured as our host is, everything -regarding him is of interest in our little community. Dr. Seward is -loved not only by his household and his friends, but even by his -patients, who, being some of them hardly in mental equilibrium, are -apt to distort causes and effects. Since I myself have been an inmate -of a lunatic asylum, I cannot but notice that the sophistic tendencies -of some of its inmates lean towards the errors of non causa and -ignoratio elenche." - -I positively opened my eyes at this new development. Here was my own -pet lunatic, the most pronounced of his type that I had ever met with, -talking elemental philosophy, and with the manner of a polished -gentleman. I wonder if it was Mrs. Harker's presence which had -touched some chord in his memory. If this new phase was spontaneous, -or in any way due to her unconscious influence, she must have some -rare gift or power. - -We continued to talk for some time, and seeing that he was seemingly -quite reasonable, she ventured, looking at me questioningly as she -began, to lead him to his favourite topic. I was again astonished, -for he addressed himself to the question with the impartiality of -the completest sanity. He even took himself as an example when he -mentioned certain things. - -"Why, I myself am an instance of a man who had a strange belief. -Indeed, it was no wonder that my friends were alarmed, and insisted on -my being put under control. I used to fancy that life was a positive -and perpetual entity, and that by consuming a multitude of live -things, no matter how low in the scale of creation, one might -indefinitely prolong life. At times I held the belief so strongly -that I actually tried to take human life. The doctor here will bear -me out that on one occasion I tried to kill him for the purpose of -strengthening my vital powers by the assimilation with my own body of -his life through the medium of his blood, relying of course, upon the -Scriptural phrase, 'For the blood is the life.' Though, indeed, the -vendor of a certain nostrum has vulgarized the truism to the very -point of contempt. Isn't that true, doctor?" - -I nodded assent, for I was so amazed that I hardly knew what to either -think or say, it was hard to imagine that I had seen him eat up his -spiders and flies not five minutes before. Looking at my watch, I saw -that I should go to the station to meet Van Helsing, so I told Mrs. -Harker that it was time to leave. - -She came at once, after saying pleasantly to Mr. Renfield, "Goodbye, -and I hope I may see you often, under auspices pleasanter to -yourself." - -To which, to my astonishment, he replied, "Goodbye, my dear. I pray -God I may never see your sweet face again. May He bless and keep -you!" - -When I went to the station to meet Van Helsing I left the boys behind -me. Poor Art seemed more cheerful than he has been since Lucy first -took ill, and Quincey is more like his own bright self than he has -been for many a long day. - -Van Helsing stepped from the carriage with the eager nimbleness of a -boy. He saw me at once, and rushed up to me, saying, "Ah, friend -John, how goes all? Well? So! I have been busy, for I come here to -stay if need be. All affairs are settled with me, and I have much to -tell. Madam Mina is with you? Yes. And her so fine husband? And -Arthur and my friend Quincey, they are with you, too? Good!" - -As I drove to the house I told him of what had passed, and of how my -own diary had come to be of some use through Mrs. Harker's suggestion, -at which the Professor interrupted me. - -"Ah, that wonderful Madam Mina! She has man's brain, a brain that a -man should have were he much gifted, and a woman's heart. The good -God fashioned her for a purpose, believe me, when He made that so good -combination. Friend John, up to now fortune has made that woman of -help to us, after tonight she must not have to do with this so -terrible affair. It is not good that she run a risk so great. We men -are determined, nay, are we not pledged, to destroy this monster? But -it is no part for a woman. Even if she be not harmed, her heart may -fail her in so much and so many horrors and hereafter she may suffer, -both in waking, from her nerves, and in sleep, from her dreams. And, -besides, she is young woman and not so long married, there may be -other things to think of some time, if not now. You tell me she has -wrote all, then she must consult with us, but tomorrow she say goodbye -to this work, and we go alone." - -I agreed heartily with him, and then I told him what we had found in -his absence, that the house which Dracula had bought was the very next -one to my own. He was amazed, and a great concern seemed to come on -him. - -"Oh that we had known it before!" he said, "for then we might have -reached him in time to save poor Lucy. However, 'the milk that is -spilt cries not out afterwards,' as you say. We shall not think of -that, but go on our way to the end." Then he fell into a silence that -lasted till we entered my own gateway. Before we went to prepare for -dinner he said to Mrs. Harker, "I am told, Madam Mina, by my friend -John that you and your husband have put up in exact order all things -that have been, up to this moment." - -"Not up to this moment, Professor," she said impulsively, "but up to -this morning." - -"But why not up to now? We have seen hitherto how good light all the -little things have made. We have told our secrets, and yet no one who -has told is the worse for it." - -Mrs. Harker began to blush, and taking a paper from her pockets, she -said, "Dr. Van Helsing, will you read this, and tell me if it must go -in. It is my record of today. I too have seen the need of putting -down at present everything, however trivial, but there is little in -this except what is personal. Must it go in?" - -The Professor read it over gravely, and handed it back, saying, "It -need not go in if you do not wish it, but I pray that it may. It can -but make your husband love you the more, and all us, your friends, -more honour you, as well as more esteem and love." She took it back -with another blush and a bright smile. - -And so now, up to this very hour, all the records we have are complete -and in order. The Professor took away one copy to study after dinner, -and before our meeting, which is fixed for nine o'clock. The rest of -us have already read everything, so when we meet in the study we shall -all be informed as to facts, and can arrange our plan of battle with -this terrible and mysterious enemy. - - - - - -MINA HARKER'S JOURNAL - -30 September.--When we met in Dr. Seward's study two hours after -dinner, which had been at six o'clock, we unconsciously formed a sort -of board or committee. Professor Van Helsing took the head of the -table, to which Dr. Seward motioned him as he came into the room. He -made me sit next to him on his right, and asked me to act as -secretary. Jonathan sat next to me. Opposite us were Lord Godalming, -Dr. Seward, and Mr. Morris, Lord Godalming being next the Professor, -and Dr. Seward in the centre. - -The Professor said, "I may, I suppose, take it that we are all -acquainted with the facts that are in these papers." We all expressed -assent, and he went on, "Then it were, I think, good that I tell you -something of the kind of enemy with which we have to deal. I shall -then make known to you something of the history of this man, which has -been ascertained for me. So we then can discuss how we shall act, and -can take our measure according. - -"There are such beings as vampires, some of us have evidence that they -exist. Even had we not the proof of our own unhappy experience, the -teachings and the records of the past give proof enough for sane -peoples. I admit that at the first I was sceptic. Were it not that -through long years I have trained myself to keep an open mind, I could -not have believed until such time as that fact thunder on my ear. 'See! -See! I prove, I prove.' Alas! Had I known at first what now I know, -nay, had I even guess at him, one so precious life had been spared to -many of us who did love her. But that is gone, and we must so work, -that other poor souls perish not, whilst we can save. The nosferatu -do not die like the bee when he sting once. He is only stronger, and -being stronger, have yet more power to work evil. This vampire which -is amongst us is of himself so strong in person as twenty men, he is -of cunning more than mortal, for his cunning be the growth of ages, he -have still the aids of necromancy, which is, as his etymology imply, -the divination by the dead, and all the dead that he can come nigh to -are for him at command; he is brute, and more than brute; he is devil -in callous, and the heart of him is not; he can, within his range, -direct the elements, the storm, the fog, the thunder; he can command -all the meaner things, the rat, and the owl, and the bat, the moth, -and the fox, and the wolf, he can grow and become small; and he can at -times vanish and come unknown. How then are we to begin our strike to -destroy him? How shall we find his where, and having found it, how -can we destroy? My friends, this is much, it is a terrible task that -we undertake, and there may be consequence to make the brave shudder. -For if we fail in this our fight he must surely win, and then where -end we? Life is nothings, I heed him not. But to fail here, is not -mere life or death. It is that we become as him, that we henceforward -become foul things of the night like him, without heart or conscience, -preying on the bodies and the souls of those we love best. To us -forever are the gates of heaven shut, for who shall open them to us -again? We go on for all time abhorred by all, a blot on the face of -God's sunshine, an arrow in the side of Him who died for man. But we -are face to face with duty, and in such case must we shrink? For me, -I say no, but then I am old, and life, with his sunshine, his fair -places, his song of birds, his music and his love, lie far behind. You -others are young. Some have seen sorrow, but there are fair days yet -in store. What say you?" - -Whilst he was speaking, Jonathan had taken my hand. I feared, oh so -much, that the appalling nature of our danger was overcoming him when -I saw his hand stretch out, but it was life to me to feel its touch, -so strong, so self reliant, so resolute. A brave man's hand can speak -for itself, it does not even need a woman's love to hear its music. - -When the Professor had done speaking my husband looked in my eyes, and -I in his, there was no need for speaking between us. - -"I answer for Mina and myself," he said. - -"Count me in, Professor," said Mr. Quincey Morris, laconically as -usual. - -"I am with you," said Lord Godalming, "for Lucy's sake, if for no -other reason." - -Dr. Seward simply nodded. - -The Professor stood up and, after laying his golden crucifix on the -table, held out his hand on either side. I took his right hand, and -Lord Godalming his left, Jonathan held my right with his left and -stretched across to Mr. Morris. So as we all took hands our solemn -compact was made. I felt my heart icy cold, but it did not even occur -to me to draw back. We resumed our places, and Dr. Van Helsing went -on with a sort of cheerfulness which showed that the serious work had -begun. It was to be taken as gravely, and in as businesslike a way, -as any other transaction of life. - -"Well, you know what we have to contend against, but we too, are not -without strength. We have on our side power of combination, a power -denied to the vampire kind, we have sources of science, we are free to -act and think, and the hours of the day and the night are ours -equally. In fact, so far as our powers extend, they are unfettered, -and we are free to use them. We have self devotion in a cause and an -end to achieve which is not a selfish one. These things are much. - -"Now let us see how far the general powers arrayed against us are -restrict, and how the individual cannot. In fine, let us consider the -limitations of the vampire in general, and of this one in particular. - -"All we have to go upon are traditions and superstitions. These do -not at the first appear much, when the matter is one of life and -death, nay of more than either life or death. Yet must we be -satisfied, in the first place because we have to be, no other means is -at our control, and secondly, because, after all these things, -tradition and superstition, are everything. Does not the belief in -vampires rest for others, though not, alas! for us, on them? A year -ago which of us would have received such a possibility, in the midst -of our scientific, sceptical, matter-of-fact nineteenth century? We -even scouted a belief that we saw justified under our very eyes. Take -it, then, that the vampire, and the belief in his limitations and his -cure, rest for the moment on the same base. For, let me tell you, he -is known everywhere that men have been. In old Greece, in old Rome, -he flourish in Germany all over, in France, in India, even in the -Chermosese, and in China, so far from us in all ways, there even is -he, and the peoples for him at this day. He have follow the wake of -the berserker Icelander, the devil-begotten Hun, the Slav, the Saxon, -the Magyar. - -"So far, then, we have all we may act upon, and let me tell you that -very much of the beliefs are justified by what we have seen in our own -so unhappy experience. The vampire live on, and cannot die by mere -passing of the time, he can flourish when that he can fatten on the -blood of the living. Even more, we have seen amongst us that he can -even grow younger, that his vital faculties grow strenuous, and seem -as though they refresh themselves when his special pabulum is plenty. - -"But he cannot flourish without this diet, he eat not as others. Even -friend Jonathan, who lived with him for weeks, did never see him eat, -never! He throws no shadow, he make in the mirror no reflect, as -again Jonathan observe. He has the strength of many of his hand, -witness again Jonathan when he shut the door against the wolves, and -when he help him from the diligence too. He can transform himself to -wolf, as we gather from the ship arrival in Whitby, when he tear open -the dog, he can be as bat, as Madam Mina saw him on the window at -Whitby, and as friend John saw him fly from this so near house, and as -my friend Quincey saw him at the window of Miss Lucy. - -"He can come in mist which he create, that noble ship's captain proved -him of this, but, from what we know, the distance he can make this -mist is limited, and it can only be round himself. - -"He come on moonlight rays as elemental dust, as again Jonathan saw -those sisters in the castle of Dracula. He become so small, we -ourselves saw Miss Lucy, ere she was at peace, slip through a -hairbreadth space at the tomb door. He can, when once he find his -way, come out from anything or into anything, no matter how close it -be bound or even fused up with fire, solder you call it. He can see -in the dark, no small power this, in a world which is one half shut -from the light. Ah, but hear me through. - -"He can do all these things, yet he is not free. Nay, he is even more -prisoner than the slave of the galley, than the madman in his cell. -He cannot go where he lists, he who is not of nature has yet to obey -some of nature's laws, why we know not. He may not enter anywhere at -the first, unless there be some one of the household who bid him to -come, though afterwards he can come as he please. His power ceases, -as does that of all evil things, at the coming of the day. - -"Only at certain times can he have limited freedom. If he be not at -the place whither he is bound, he can only change himself at noon or -at exact sunrise or sunset. These things we are told, and in this -record of ours we have proof by inference. Thus, whereas he can do as -he will within his limit, when he have his earth-home, his -coffin-home, his hell-home, the place unhallowed, as we saw when he -went to the grave of the suicide at Whitby, still at other time he can -only change when the time come. It is said, too, that he can only -pass running water at the slack or the flood of the tide. Then there -are things which so afflict him that he has no power, as the garlic -that we know of, and as for things sacred, as this symbol, my -crucifix, that was amongst us even now when we resolve, to them he is -nothing, but in their presence he take his place far off and silent -with respect. There are others, too, which I shall tell you of, lest -in our seeking we may need them. - -"The branch of wild rose on his coffin keep him that he move not from -it, a sacred bullet fired into the coffin kill him so that he be true -dead, and as for the stake through him, we know already of its peace, -or the cut off head that giveth rest. We have seen it with our eyes. - -"Thus when we find the habitation of this man-that-was, we can confine -him to his coffin and destroy him, if we obey what we know. But he is -clever. I have asked my friend Arminius, of Buda-Pesth University, to -make his record, and from all the means that are, he tell me of what -he has been. He must, indeed, have been that Voivode Dracula who won -his name against the Turk, over the great river on the very frontier -of Turkeyland. If it be so, then was he no common man, for in that -time, and for centuries after, he was spoken of as the cleverest and -the most cunning, as well as the bravest of the sons of the 'land -beyond the forest.' That mighty brain and that iron resolution went -with him to his grave, and are even now arrayed against us. The -Draculas were, says Arminius, a great and noble race, though now and -again were scions who were held by their coevals to have had dealings -with the Evil One. They learned his secrets in the Scholomance, -amongst the mountains over Lake Hermanstadt, where the devil claims -the tenth scholar as his due. In the records are such words as -'stregoica' witch, 'ordog' and 'pokol' Satan and hell, and in one -manuscript this very Dracula is spoken of as 'wampyr,' which we all -understand too well. There have been from the loins of this very one -great men and good women, and their graves make sacred the earth where -alone this foulness can dwell. For it is not the least of its terrors -that this evil thing is rooted deep in all good, in soil barren of -holy memories it cannot rest." - -Whilst they were talking Mr. Morris was looking steadily at the -window, and he now got up quietly, and went out of the room. There -was a little pause, and then the Professor went on. - -"And now we must settle what we do. We have here much data, and we -must proceed to lay out our campaign. We know from the inquiry of -Jonathan that from the castle to Whitby came fifty boxes of earth, all -of which were delivered at Carfax, we also know that at least some of -these boxes have been removed. It seems to me, that our first step -should be to ascertain whether all the rest remain in the house beyond -that wall where we look today, or whether any more have been removed. -If the latter, we must trace . . ." - -Here we were interrupted in a very startling way. Outside the house -came the sound of a pistol shot, the glass of the window was shattered -with a bullet, which ricochetting from the top of the embrasure, -struck the far wall of the room. I am afraid I am at heart a coward, -for I shrieked out. The men all jumped to their feet, Lord Godalming -flew over to the window and threw up the sash. As he did so we heard -Mr. Morris' voice without, "Sorry! I fear I have alarmed you. I -shall come in and tell you about it." - -A minute later he came in and said, "It was an idiotic thing of me to -do, and I ask your pardon, Mrs. Harker, most sincerely, I fear I must -have frightened you terribly. But the fact is that whilst the -Professor was talking there came a big bat and sat on the window sill. -I have got such a horror of the damned brutes from recent events that -I cannot stand them, and I went out to have a shot, as I have been -doing of late of evenings, whenever I have seen one. You used to -laugh at me for it then, Art." - -"Did you hit it?" asked Dr. Van Helsing. - -"I don't know, I fancy not, for it flew away into the wood." Without -saying any more he took his seat, and the Professor began to resume -his statement. - -"We must trace each of these boxes, and when we are ready, we must -either capture or kill this monster in his lair, or we must, so to -speak, sterilize the earth, so that no more he can seek safety in it. -Thus in the end we may find him in his form of man between the hours -of noon and sunset, and so engage with him when he is at his most -weak. - -"And now for you, Madam Mina, this night is the end until all be well. -You are too precious to us to have such risk. When we part tonight, -you no more must question. We shall tell you all in good time. We -are men and are able to bear, but you must be our star and our hope, -and we shall act all the more free that you are not in the danger, -such as we are." - -All the men, even Jonathan, seemed relieved, but it did not seem to me -good that they should brave danger and, perhaps lessen their safety, -strength being the best safety, through care of me, but their minds -were made up, and though it was a bitter pill for me to swallow, I -could say nothing, save to accept their chivalrous care of me. - -Mr. Morris resumed the discussion, "As there is no time to lose, I -vote we have a look at his house right now. Time is everything with -him, and swift action on our part may save another victim." - -I own that my heart began to fail me when the time for action came so -close, but I did not say anything, for I had a greater fear that if I -appeared as a drag or a hindrance to their work, they might even leave -me out of their counsels altogether. They have now gone off to -Carfax, with means to get into the house. - -Manlike, they had told me to go to bed and sleep, as if a woman can -sleep when those she loves are in danger! I shall lie down, and -pretend to sleep, lest Jonathan have added anxiety about me when he -returns. - - - - -DR. SEWARD'S DIARY - -1 October, 4 A.M.--Just as we were about to leave the house, an urgent -message was brought to me from Renfield to know if I would see him at -once, as he had something of the utmost importance to say to me. I -told the messenger to say that I would attend to his wishes in the -morning, I was busy just at the moment. - -The attendant added, "He seems very importunate, sir. I have never -seen him so eager. I don't know but what, if you don't see him soon, -he will have one of his violent fits." I knew the man would not have -said this without some cause, so I said, "All right, I'll go now," and -I asked the others to wait a few minutes for me, as I had to go and -see my patient. - -"Take me with you, friend John," said the Professor. "His case in your -diary interest me much, and it had bearing, too, now and again on our -case. I should much like to see him, and especial when his mind is -disturbed." - -"May I come also?" asked Lord Godalming. - -"Me too?" said Quincey Morris. "May I come?" said Harker. I nodded, -and we all went down the passage together. - -We found him in a state of considerable excitement, but far more -rational in his speech and manner than I had ever seen him. There was -an unusual understanding of himself, which was unlike anything I had -ever met with in a lunatic, and he took it for granted that his -reasons would prevail with others entirely sane. We all five went -into the room, but none of the others at first said anything. His -request was that I would at once release him from the asylum and send -him home. This he backed up with arguments regarding his complete -recovery, and adduced his own existing sanity. - -"I appeal to your friends," he said, "they will, perhaps, not mind -sitting in judgement on my case. By the way, you have not introduced -me." - -I was so much astonished, that the oddness of introducing a madman in -an asylum did not strike me at the moment, and besides, there was a -certain dignity in the man's manner, so much of the habit of equality, -that I at once made the introduction, "Lord Godalming, Professor Van -Helsing, Mr. Quincey Morris, of Texas, Mr. Jonathan Harker, Mr. -Renfield." - -He shook hands with each of them, saying in turn, "Lord Godalming, I -had the honour of seconding your father at the Windham; I grieve to -know, by your holding the title, that he is no more. He was a man -loved and honoured by all who knew him, and in his youth was, I have -heard, the inventor of a burnt rum punch, much patronized on Derby -night. Mr. Morris, you should be proud of your great state. Its -reception into the Union was a precedent which may have far-reaching -effects hereafter, when the Pole and the Tropics may hold alliance to -the Stars and Stripes. The power of Treaty may yet prove a vast -engine of enlargement, when the Monroe doctrine takes its true place -as a political fable. What shall any man say of his pleasure at -meeting Van Helsing? Sir, I make no apology for dropping all forms of -conventional prefix. When an individual has revolutionized -therapeutics by his discovery of the continuous evolution of brain -matter, conventional forms are unfitting, since they would seem to -limit him to one of a class. You, gentlemen, who by nationality, by -heredity, or by the possession of natural gifts, are fitted to hold -your respective places in the moving world, I take to witness that I -am as sane as at least the majority of men who are in full possession -of their liberties. And I am sure that you, Dr. Seward, humanitarian -and medico-jurist as well as scientist, will deem it a moral duty to -deal with me as one to be considered as under exceptional -circumstances." He made this last appeal with a courtly air of -conviction which was not without its own charm. - -I think we were all staggered. For my own part, I was under the -conviction, despite my knowledge of the man's character and history, -that his reason had been restored, and I felt under a strong impulse -to tell him that I was satisfied as to his sanity, and would see about -the necessary formalities for his release in the morning. I thought -it better to wait, however, before making so grave a statement, for of -old I knew the sudden changes to which this particular patient was -liable. So I contented myself with making a general statement that he -appeared to be improving very rapidly, that I would have a longer chat -with him in the morning, and would then see what I could do in the -direction of meeting his wishes. - -This did not at all satisfy him, for he said quickly, "But I fear, Dr. -Seward, that you hardly apprehend my wish. I desire to go at once, -here, now, this very hour, this very moment, if I may. Time presses, -and in our implied agreement with the old scytheman it is of the -essence of the contract. I am sure it is only necessary to put before -so admirable a practitioner as Dr. Seward so simple, yet so momentous -a wish, to ensure its fulfilment." - -He looked at me keenly, and seeing the negative in my face, turned to -the others, and scrutinized them closely. Not meeting any sufficient -response, he went on, "Is it possible that I have erred in my -supposition?" - -"You have," I said frankly, but at the same time, as I felt, brutally. - -There was a considerable pause, and then he said slowly, "Then I -suppose I must only shift my ground of request. Let me ask for this -concession, boon, privilege, what you will. I am content to implore -in such a case, not on personal grounds, but for the sake of others. I -am not at liberty to give you the whole of my reasons, but you may, I -assure you, take it from me that they are good ones, sound and -unselfish, and spring from the highest sense of duty. - -"Could you look, sir, into my heart, you would approve to the full the -sentiments which animate me. Nay, more, you would count me amongst -the best and truest of your friends." - -Again he looked at us all keenly. I had a growing conviction that -this sudden change of his entire intellectual method was but yet -another phase of his madness, and so determined to let him go on a -little longer, knowing from experience that he would, like all -lunatics, give himself away in the end. Van Helsing was gazing at him -with a look of utmost intensity, his bushy eyebrows almost meeting -with the fixed concentration of his look. He said to Renfield in a -tone which did not surprise me at the time, but only when I thought of -it afterwards, for it was as of one addressing an equal, "Can you not -tell frankly your real reason for wishing to be free tonight? I will -undertake that if you will satisfy even me, a stranger, without -prejudice, and with the habit of keeping an open mind, Dr. Seward will -give you, at his own risk and on his own responsibility, the privilege -you seek." - -He shook his head sadly, and with a look of poignant regret on his -face. The Professor went on, "Come, sir, bethink yourself. You claim -the privilege of reason in the highest degree, since you seek to -impress us with your complete reasonableness. You do this, whose -sanity we have reason to doubt, since you are not yet released from -medical treatment for this very defect. If you will not help us in -our effort to choose the wisest course, how can we perform the duty -which you yourself put upon us? Be wise, and help us, and if we can -we shall aid you to achieve your wish." - -He still shook his head as he said, "Dr. Van Helsing, I have nothing to -say. Your argument is complete, and if I were free to speak I should -not hesitate a moment, but I am not my own master in the matter. I -can only ask you to trust me. If I am refused, the responsibility -does not rest with me." - -I thought it was now time to end the scene, which was becoming too -comically grave, so I went towards the door, simply saying, "Come, my -friends, we have work to do. Goodnight." - -As, however, I got near the door, a new change came over the patient. -He moved towards me so quickly that for the moment I feared that he -was about to make another homicidal attack. My fears, however, were -groundless, for he held up his two hands imploringly, and made his -petition in a moving manner. As he saw that the very excess of his -emotion was militating against him, by restoring us more to our old -relations, he became still more demonstrative. I glanced at Van -Helsing, and saw my conviction reflected in his eyes, so I became a -little more fixed in my manner, if not more stern, and motioned to him -that his efforts were unavailing. I had previously seen something of -the same constantly growing excitement in him when he had to make some -request of which at the time he had thought much, such for instance, -as when he wanted a cat, and I was prepared to see the collapse into -the same sullen acquiescence on this occasion. - -My expectation was not realized, for when he found that his appeal -would not be successful, he got into quite a frantic condition. He -threw himself on his knees, and held up his hands, wringing them in -plaintive supplication, and poured forth a torrent of entreaty, with -the tears rolling down his cheeks, and his whole face and form -expressive of the deepest emotion. - -"Let me entreat you, Dr. Seward, oh, let me implore you, to let me out -of this house at once. Send me away how you will and where you will, -send keepers with me with whips and chains, let them take me in a -strait waistcoat, manacled and leg-ironed, even to gaol, but let me go -out of this. You don't know what you do by keeping me here. I am -speaking from the depths of my heart, of my very soul. You don't know -whom you wrong, or how, and I may not tell. Woe is me! I may not -tell. By all you hold sacred, by all you hold dear, by your love that -is lost, by your hope that lives, for the sake of the Almighty, take -me out of this and save my soul from guilt! Can't you hear me, man? -Can't you understand? Will you never learn? Don't you know that I am -sane and earnest now, that I am no lunatic in a mad fit, but a sane -man fighting for his soul? Oh, hear me! Hear me! Let me go, let me -go, let me go!" - -I thought that the longer this went on the wilder he would get, and so -would bring on a fit, so I took him by the hand and raised him up. - -"Come," I said sternly, "no more of this, we have had quite enough -already. Get to your bed and try to behave more discreetly." - -He suddenly stopped and looked at me intently for several moments. -Then, without a word, he rose and moving over, sat down on the side of -the bed. The collapse had come, as on former occasions, just as I had -expected. - -When I was leaving the room, last of our party, he said to me in a -quiet, well-bred voice, "You will, I trust, Dr. Seward, do me the -justice to bear in mind, later on, that I did what I could to convince -you tonight." - - - - -CHAPTER 19 - - -JONATHAN HARKER'S JOURNAL - -1 October, 5 A.M.--I went with the party to the search with an easy -mind, for I think I never saw Mina so absolutely strong and well. I -am so glad that she consented to hold back and let us men do the work. -Somehow, it was a dread to me that she was in this fearful business at -all, but now that her work is done, and that it is due to her energy -and brains and foresight that the whole story is put together in such -a way that every point tells, she may well feel that her part is -finished, and that she can henceforth leave the rest to us. We were, -I think, all a little upset by the scene with Mr. Renfield. When we -came away from his room we were silent till we got back to the study. - -Then Mr. Morris said to Dr. Seward, "Say, Jack, if that man wasn't -attempting a bluff, he is about the sanest lunatic I ever saw. I'm -not sure, but I believe that he had some serious purpose, and if he -had, it was pretty rough on him not to get a chance." - -Lord Godalming and I were silent, but Dr. Van Helsing added, "Friend -John, you know more lunatics than I do, and I'm glad of it, for I fear -that if it had been to me to decide I would before that last -hysterical outburst have given him free. But we live and learn, and -in our present task we must take no chance, as my friend Quincey would -say. All is best as they are." - -Dr. Seward seemed to answer them both in a dreamy kind of way, "I -don't know but that I agree with you. If that man had been an -ordinary lunatic I would have taken my chance of trusting him, but he -seems so mixed up with the Count in an indexy kind of way that I am -afraid of doing anything wrong by helping his fads. I can't forget -how he prayed with almost equal fervor for a cat, and then tried to -tear my throat out with his teeth. Besides, he called the Count 'lord -and master', and he may want to get out to help him in some diabolical -way. That horrid thing has the wolves and the rats and his own kind -to help him, so I suppose he isn't above trying to use a respectable -lunatic. He certainly did seem earnest, though. I only hope we have -done what is best. These things, in conjunction with the wild work we -have in hand, help to unnerve a man." - -The Professor stepped over, and laying his hand on his shoulder, said -in his grave, kindly way, "Friend John, have no fear. We are trying -to do our duty in a very sad and terrible case, we can only do as we -deem best. What else have we to hope for, except the pity of the good -God?" - -Lord Godalming had slipped away for a few minutes, but now he -returned. He held up a little silver whistle as he remarked, "That -old place may be full of rats, and if so, I've got an antidote on -call." - -Having passed the wall, we took our way to the house, taking care to -keep in the shadows of the trees on the lawn when the moonlight shone -out. When we got to the porch the Professor opened his bag and took -out a lot of things, which he laid on the step, sorting them into four -little groups, evidently one for each. Then he spoke. - -"My friends, we are going into a terrible danger, and we need arms of -many kinds. Our enemy is not merely spiritual. Remember that he has -the strength of twenty men, and that, though our necks or our -windpipes are of the common kind, and therefore breakable or -crushable, his are not amenable to mere strength. A stronger man, or -a body of men more strong in all than him, can at certain times hold -him, but they cannot hurt him as we can be hurt by him. We must, -therefore, guard ourselves from his touch. Keep this near your -heart." As he spoke he lifted a little silver crucifix and held it -out to me, I being nearest to him, "put these flowers round your -neck," here he handed to me a wreath of withered garlic blossoms, "for -other enemies more mundane, this revolver and this knife, and for aid -in all, these so small electric lamps, which you can fasten to your -breast, and for all, and above all at the last, this, which we must -not desecrate needless." - -This was a portion of Sacred Wafer, which he put in an envelope and -handed to me. Each of the others was similarly equipped. - -"Now," he said, "friend John, where are the skeleton keys? If so that -we can open the door, we need not break house by the window, as before -at Miss Lucy's." - -Dr. Seward tried one or two skeleton keys, his mechanical dexterity as -a surgeon standing him in good stead. Presently he got one to suit, -after a little play back and forward the bolt yielded, and with a -rusty clang, shot back. We pressed on the door, the rusty hinges -creaked, and it slowly opened. It was startlingly like the image -conveyed to me in Dr. Seward's diary of the opening of Miss Westenra's -tomb, I fancy that the same idea seemed to strike the others, for with -one accord they shrank back. The Professor was the first to move -forward, and stepped into the open door. - -"In manus tuas, Domine!" he said, crossing himself as he passed over -the threshold. We closed the door behind us, lest when we should have -lit our lamps we should possibly attract attention from the road. The -Professor carefully tried the lock, lest we might not be able to open -it from within should we be in a hurry making our exit. Then we all -lit our lamps and proceeded on our search. - -The light from the tiny lamps fell in all sorts of odd forms, as the -rays crossed each other, or the opacity of our bodies threw great -shadows. I could not for my life get away from the feeling that there -was someone else amongst us. I suppose it was the recollection, so -powerfully brought home to me by the grim surroundings, of that -terrible experience in Transylvania. I think the feeling was common -to us all, for I noticed that the others kept looking over their -shoulders at every sound and every new shadow, just as I felt myself -doing. - -The whole place was thick with dust. The floor was seemingly inches -deep, except where there were recent footsteps, in which on holding -down my lamp I could see marks of hobnails where the dust was cracked. -The walls were fluffy and heavy with dust, and in the corners were -masses of spider's webs, whereon the dust had gathered till they -looked like old tattered rags as the weight had torn them partly down. -On a table in the hall was a great bunch of keys, with a time-yellowed -label on each. They had been used several times, for on the table -were several similar rents in the blanket of dust, similar to that -exposed when the Professor lifted them. - -He turned to me and said, "You know this place, Jonathan. You have -copied maps of it, and you know it at least more than we do. Which is -the way to the chapel?" - -I had an idea of its direction, though on my former visit I had not -been able to get admission to it, so I led the way, and after a few -wrong turnings found myself opposite a low, arched oaken door, ribbed -with iron bands. - -"This is the spot," said the Professor as he turned his lamp on a -small map of the house, copied from the file of my original -correspondence regarding the purchase. With a little trouble we found -the key on the bunch and opened the door. We were prepared for some -unpleasantness, for as we were opening the door a faint, malodorous -air seemed to exhale through the gaps, but none of us ever expected -such an odour as we encountered. None of the others had met the Count -at all at close quarters, and when I had seen him he was either in the -fasting stage of his existence in his rooms or, when he was bloated -with fresh blood, in a ruined building open to the air, but here the -place was small and close, and the long disuse had made the air -stagnant and foul. There was an earthy smell, as of some dry miasma, -which came through the fouler air. But as to the odour itself, how -shall I describe it? It was not alone that it was composed of all the -ills of mortality and with the pungent, acrid smell of blood, but it -seemed as though corruption had become itself corrupt. Faugh! It -sickens me to think of it. Every breath exhaled by that monster -seemed to have clung to the place and intensified its loathsomeness. - -Under ordinary circumstances such a stench would have brought our -enterprise to an end, but this was no ordinary case, and the high and -terrible purpose in which we were involved gave us a strength which -rose above merely physical considerations. After the involuntary -shrinking consequent on the first nauseous whiff, we one and all set -about our work as though that loathsome place were a garden of roses. - -We made an accurate examination of the place, the Professor saying as -we began, "The first thing is to see how many of the boxes are left, -we must then examine every hole and corner and cranny and see if we -cannot get some clue as to what has become of the rest." - -A glance was sufficient to show how many remained, for the great earth -chests were bulky, and there was no mistaking them. - -There were only twenty-nine left out of the fifty! Once I got a -fright, for, seeing Lord Godalming suddenly turn and look out of the -vaulted door into the dark passage beyond, I looked too, and for an -instant my heart stood still. Somewhere, looking out from the shadow, -I seemed to see the high lights of the Count's evil face, the ridge of -the nose, the red eyes, the red lips, the awful pallor. It was only -for a moment, for, as Lord Godalming said, "I thought I saw a face, -but it was only the shadows," and resumed his inquiry, I turned my -lamp in the direction, and stepped into the passage. There was no -sign of anyone, and as there were no corners, no doors, no aperture of -any kind, but only the solid walls of the passage, there could be no -hiding place even for him. I took it that fear had helped -imagination, and said nothing. - -A few minutes later I saw Morris step suddenly back from a corner, -which he was examining. We all followed his movements with our eyes, -for undoubtedly some nervousness was growing on us, and we saw a whole -mass of phosphorescence, which twinkled like stars. We all -instinctively drew back. The whole place was becoming alive with -rats. - -For a moment or two we stood appalled, all save Lord Godalming, who -was seemingly prepared for such an emergency. Rushing over to the -great iron-bound oaken door, which Dr. Seward had described from the -outside, and which I had seen myself, he turned the key in the lock, -drew the huge bolts, and swung the door open. Then, taking his little -silver whistle from his pocket, he blew a low, shrill call. It was -answered from behind Dr. Seward's house by the yelping of dogs, and -after about a minute three terriers came dashing round the corner of -the house. Unconsciously we had all moved towards the door, and as we -moved I noticed that the dust had been much disturbed. The boxes -which had been taken out had been brought this way. But even in the -minute that had elapsed the number of the rats had vastly increased. -They seemed to swarm over the place all at once, till the lamplight, -shining on their moving dark bodies and glittering, baleful eyes, made -the place look like a bank of earth set with fireflies. The dogs -dashed on, but at the threshold suddenly stopped and snarled, and -then, simultaneously lifting their noses, began to howl in most -lugubrious fashion. The rats were multiplying in thousands, and we -moved out. - -Lord Godalming lifted one of the dogs, and carrying him in, placed him -on the floor. The instant his feet touched the ground he seemed to -recover his courage, and rushed at his natural enemies. They fled -before him so fast that before he had shaken the life out of a score, -the other dogs, who had by now been lifted in the same manner, had but -small prey ere the whole mass had vanished. - -With their going it seemed as if some evil presence had departed, for -the dogs frisked about and barked merrily as they made sudden darts at -their prostrate foes, and turned them over and over and tossed them in -the air with vicious shakes. We all seemed to find our spirits rise. -Whether it was the purifying of the deadly atmosphere by the opening -of the chapel door, or the relief which we experienced by finding -ourselves in the open I know not, but most certainly the shadow of -dread seemed to slip from us like a robe, and the occasion of our -coming lost something of its grim significance, though we did not -slacken a whit in our resolution. We closed the outer door and barred -and locked it, and bringing the dogs with us, began our search of the -house. We found nothing throughout except dust in extraordinary -proportions, and all untouched save for my own footsteps when I had -made my first visit. Never once did the dogs exhibit any symptom of -uneasiness, and even when we returned to the chapel they frisked about -as though they had been rabbit hunting in a summer wood. - -The morning was quickening in the east when we emerged from the front. -Dr. Van Helsing had taken the key of the hall door from the bunch, and -locked the door in orthodox fashion, putting the key into his pocket -when he had done. - -"So far," he said, "our night has been eminently successful. No harm -has come to us such as I feared might be and yet we have ascertained -how many boxes are missing. More than all do I rejoice that this, our -first, and perhaps our most difficult and dangerous, step has been -accomplished without the bringing thereinto our most sweet Madam Mina -or troubling her waking or sleeping thoughts with sights and sounds -and smells of horror which she might never forget. One lesson, too, -we have learned, if it be allowable to argue a particulari, that the -brute beasts which are to the Count's command are yet themselves not -amenable to his spiritual power, for look, these rats that would come -to his call, just as from his castle top he summon the wolves to your -going and to that poor mother's cry, though they come to him, they run -pell-mell from the so little dogs of my friend Arthur. We have other -matters before us, other dangers, other fears, and that monster . . . -He has not used his power over the brute world for the only or the -last time tonight. So be it that he has gone elsewhere. Good! It -has given us opportunity to cry 'check' in some ways in this chess -game, which we play for the stake of human souls. And now let us go -home. The dawn is close at hand, and we have reason to be content -with our first night's work. It may be ordained that we have many -nights and days to follow, if full of peril, but we must go on, and -from no danger shall we shrink." - -The house was silent when we got back, save for some poor creature who -was screaming away in one of the distant wards, and a low, moaning -sound from Renfield's room. The poor wretch was doubtless torturing -himself, after the manner of the insane, with needless thoughts of -pain. - -I came tiptoe into our own room, and found Mina asleep, breathing so -softly that I had to put my ear down to hear it. She looks paler than -usual. I hope the meeting tonight has not upset her. I am truly -thankful that she is to be left out of our future work, and even of -our deliberations. It is too great a strain for a woman to bear. I -did not think so at first, but I know better now. Therefore I am glad -that it is settled. There may be things which would frighten her to -hear, and yet to conceal them from her might be worse than to tell her -if once she suspected that there was any concealment. Henceforth our -work is to be a sealed book to her, till at least such time as we can -tell her that all is finished, and the earth free from a monster of -the nether world. I daresay it will be difficult to begin to keep -silence after such confidence as ours, but I must be resolute, and -tomorrow I shall keep dark over tonight's doings, and shall refuse to -speak of anything that has happened. I rest on the sofa, so as not to -disturb her. - - -1 October, later.--I suppose it was natural that we should have all -overslept ourselves, for the day was a busy one, and the night had no -rest at all. Even Mina must have felt its exhaustion, for though I -slept till the sun was high, I was awake before her, and had to call -two or three times before she awoke. Indeed, she was so sound asleep -that for a few seconds she did not recognize me, but looked at me with -a sort of blank terror, as one looks who has been waked out of a bad -dream. She complained a little of being tired, and I let her rest -till later in the day. We now know of twenty-one boxes having been -removed, and if it be that several were taken in any of these removals -we may be able to trace them all. Such will, of course, immensely -simplify our labor, and the sooner the matter is attended to the -better. I shall look up Thomas Snelling today. - - - -DR. SEWARD'S DIARY - -1 October.--It was towards noon when I was awakened by the Professor -walking into my room. He was more jolly and cheerful than usual, and -it is quite evident that last night's work has helped to take some of -the brooding weight off his mind. - -After going over the adventure of the night he suddenly said, "Your -patient interests me much. May it be that with you I visit him this -morning? Or if that you are too occupy, I can go alone if it may be. -It is a new experience to me to find a lunatic who talk philosophy, -and reason so sound." - -I had some work to do which pressed, so I told him that if he would go -alone I would be glad, as then I should not have to keep him waiting, -so I called an attendant and gave him the necessary instructions. -Before the Professor left the room I cautioned him against getting any -false impression from my patient. - -"But," he answered, "I want him to talk of himself and of his delusion -as to consuming live things. He said to Madam Mina, as I see in your -diary of yesterday, that he had once had such a belief. Why do you -smile, friend John?" - -"Excuse me," I said, "but the answer is here." I laid my hand on the -typewritten matter. "When our sane and learned lunatic made that very -statement of how he used to consume life, his mouth was actually -nauseous with the flies and spiders which he had eaten just before -Mrs. Harker entered the room." - -Van Helsing smiled in turn. "Good!" he said. "Your memory is true, -friend John. I should have remembered. And yet it is this very -obliquity of thought and memory which makes mental disease such a -fascinating study. Perhaps I may gain more knowledge out of the folly -of this madman than I shall from the teaching of the most wise. Who -knows?" - -I went on with my work, and before long was through that in hand. It -seemed that the time had been very short indeed, but there was Van -Helsing back in the study. - -"Do I interrupt?" he asked politely as he stood at the door. - -"Not at all," I answered. "Come in. My work is finished, and I am -free. I can go with you now, if you like." - -"It is needless, I have seen him!" - -"Well?" - -"I fear that he does not appraise me at much. Our interview was -short. When I entered his room he was sitting on a stool in the -centre, with his elbows on his knees, and his face was the picture of -sullen discontent. I spoke to him as cheerfully as I could, and with -such a measure of respect as I could assume. He made no reply -whatever. 'Don't you know me?' I asked. His answer was not -reassuring: 'I know you well enough; you are the old fool Van -Helsing. I wish you would take yourself and your idiotic brain -theories somewhere else. Damn all thick-headed Dutchmen!' Not a word -more would he say, but sat in his implacable sullenness as indifferent -to me as though I had not been in the room at all. Thus departed for -this time my chance of much learning from this so clever lunatic, so I -shall go, if I may, and cheer myself with a few happy words with that -sweet soul Madam Mina. Friend John, it does rejoice me unspeakable -that she is no more to be pained, no more to be worried with our -terrible things. Though we shall much miss her help, it is better -so." - -"I agree with you with all my heart," I answered earnestly, for I did -not want him to weaken in this matter. "Mrs. Harker is better out of -it. Things are quite bad enough for us, all men of the world, and who -have been in many tight places in our time, but it is no place for a -woman, and if she had remained in touch with the affair, it would in -time infallibly have wrecked her." - -So Van Helsing has gone to confer with Mrs. Harker and Harker, Quincey -and Art are all out following up the clues as to the earth boxes. I -shall finish my round of work and we shall meet tonight. - - - - - -MINA HARKER'S JOURNAL - -1 October.--It is strange to me to be kept in the dark as I am today, -after Jonathan's full confidence for so many years, to see him -manifestly avoid certain matters, and those the most vital of all. -This morning I slept late after the fatigues of yesterday, and though -Jonathan was late too, he was the earlier. He spoke to me before he -went out, never more sweetly or tenderly, but he never mentioned a -word of what had happened in the visit to the Count's house. And yet -he must have known how terribly anxious I was. Poor dear fellow! I -suppose it must have distressed him even more than it did me. They -all agreed that it was best that I should not be drawn further into -this awful work, and I acquiesced. But to think that he keeps -anything from me! And now I am crying like a silly fool, when I know -it comes from my husband's great love and from the good, good wishes -of those other strong men. - -That has done me good. Well, some day Jonathan will tell me all. And -lest it should ever be that he should think for a moment that I kept -anything from him, I still keep my journal as usual. Then if he has -feared of my trust I shall show it to him, with every thought of my -heart put down for his dear eyes to read. I feel strangely sad and -low-spirited today. I suppose it is the reaction from the terrible -excitement. - -Last night I went to bed when the men had gone, simply because they -told me to. I didn't feel sleepy, and I did feel full of devouring -anxiety. I kept thinking over everything that has been ever since -Jonathan came to see me in London, and it all seems like a horrible -tragedy, with fate pressing on relentlessly to some destined end. -Everything that one does seems, no matter how right it may be, to bring -on the very thing which is most to be deplored. If I hadn't gone to -Whitby, perhaps poor dear Lucy would be with us now. She hadn't taken -to visiting the churchyard till I came, and if she hadn't come there -in the day time with me she wouldn't have walked in her sleep. And if -she hadn't gone there at night and asleep, that monster couldn't have -destroyed her as he did. Oh, why did I ever go to Whitby? There now, -crying again! I wonder what has come over me today. I must hide it -from Jonathan, for if he knew that I had been crying twice in one -morning . . . I, who never cried on my own account, and whom he has -never caused to shed a tear, the dear fellow would fret his heart out. -I shall put a bold face on, and if I do feel weepy, he shall never see -it. I suppose it is just one of the lessons that we poor women have -to learn . . . - -I can't quite remember how I fell asleep last night. I remember -hearing the sudden barking of the dogs and a lot of queer sounds, like -praying on a very tumultuous scale, from Mr. Renfield's room, which is -somewhere under this. And then there was silence over everything, -silence so profound that it startled me, and I got up and looked out -of the window. All was dark and silent, the black shadows thrown by -the moonlight seeming full of a silent mystery of their own. Not a -thing seemed to be stirring, but all to be grim and fixed as death or -fate, so that a thin streak of white mist, that crept with almost -imperceptible slowness across the grass towards the house, seemed to -have a sentience and a vitality of its own. I think that the -digression of my thoughts must have done me good, for when I got back -to bed I found a lethargy creeping over me. I lay a while, but could -not quite sleep, so I got out and looked out of the window again. The -mist was spreading, and was now close up to the house, so that I could -see it lying thick against the wall, as though it were stealing up to -the windows. The poor man was more loud than ever, and though I could -not distinguish a word he said, I could in some way recognize in his -tones some passionate entreaty on his part. Then there was the sound -of a struggle, and I knew that the attendants were dealing with him. -I was so frightened that I crept into bed, and pulled the clothes over -my head, putting my fingers in my ears. I was not then a bit sleepy, -at least so I thought, but I must have fallen asleep, for except -dreams, I do not remember anything until the morning, when Jonathan -woke me. I think that it took me an effort and a little time to -realize where I was, and that it was Jonathan who was bending over me. -My dream was very peculiar, and was almost typical of the way that -waking thoughts become merged in, or continued in, dreams. - -I thought that I was asleep, and waiting for Jonathan to come back. I -was very anxious about him, and I was powerless to act, my feet, and -my hands, and my brain were weighted, so that nothing could proceed at -the usual pace. And so I slept uneasily and thought. Then it began -to dawn upon me that the air was heavy, and dank, and cold. I put -back the clothes from my face, and found, to my surprise, that all was -dim around. The gaslight which I had left lit for Jonathan, but -turned down, came only like a tiny red spark through the fog, which -had evidently grown thicker and poured into the room. Then it -occurred to me that I had shut the window before I had come to bed. I -would have got out to make certain on the point, but some leaden -lethargy seemed to chain my limbs and even my will. I lay still and -endured, that was all. I closed my eyes, but could still see through -my eyelids. (It is wonderful what tricks our dreams play us, and how -conveniently we can imagine.) The mist grew thicker and thicker and I -could see now how it came in, for I could see it like smoke, or with -the white energy of boiling water, pouring in, not through the window, -but through the joinings of the door. It got thicker and thicker, -till it seemed as if it became concentrated into a sort of pillar of -cloud in the room, through the top of which I could see the light of -the gas shining like a red eye. Things began to whirl through my -brain just as the cloudy column was now whirling in the room, and -through it all came the scriptural words "a pillar of cloud by day and -of fire by night." Was it indeed such spiritual guidance that was -coming to me in my sleep? But the pillar was composed of both the day -and the night guiding, for the fire was in the red eye, which at the -thought got a new fascination for me, till, as I looked, the fire -divided, and seemed to shine on me through the fog like two red eyes, -such as Lucy told me of in her momentary mental wandering when, on the -cliff, the dying sunlight struck the windows of St. Mary's Church. -Suddenly the horror burst upon me that it was thus that Jonathan had -seen those awful women growing into reality through the whirling mist -in the moonlight, and in my dream I must have fainted, for all became -black darkness. The last conscious effort which imagination made was -to show me a livid white face bending over me out of the mist. - -I must be careful of such dreams, for they would unseat one's reason if -there were too much of them. I would get Dr. Van Helsing or Dr. -Seward to prescribe something for me which would make me sleep, only -that I fear to alarm them. Such a dream at the present time would -become woven into their fears for me. Tonight I shall strive hard to -sleep naturally. If I do not, I shall tomorrow night get them to give -me a dose of chloral, that cannot hurt me for once, and it will give -me a good night's sleep. Last night tired me more than if I had not -slept at all. - - -2 October 10 P.M.--Last night I slept, but did not dream. I must have -slept soundly, for I was not waked by Jonathan coming to bed, but the -sleep has not refreshed me, for today I feel terribly weak and -spiritless. I spent all yesterday trying to read, or lying down -dozing. In the afternoon, Mr. Renfield asked if he might see me. Poor -man, he was very gentle, and when I came away he kissed my hand and -bade God bless me. Some way it affected me much. I am crying when I -think of him. This is a new weakness, of which I must be careful. -Jonathan would be miserable if he knew I had been crying. He and the -others were out till dinner time, and they all came in tired. I did -what I could to brighten them up, and I suppose that the effort did me -good, for I forgot how tired I was. After dinner they sent me to bed, -and all went off to smoke together, as they said, but I knew that they -wanted to tell each other of what had occurred to each during the day. -I could see from Jonathan's manner that he had something important to -communicate. I was not so sleepy as I should have been, so before -they went I asked Dr. Seward to give me a little opiate of some kind, -as I had not slept well the night before. He very kindly made me up a -sleeping draught, which he gave to me, telling me that it would do me -no harm, as it was very mild . . . I have taken it, and am waiting for -sleep, which still keeps aloof. I hope I have not done wrong, for as -sleep begins to flirt with me, a new fear comes: that I may have been -foolish in thus depriving myself of the power of waking. I might want -it. Here comes sleep. Goodnight. - - - - -CHAPTER 20 - - -JONATHAN HARKER'S JOURNAL - -1 October, evening.--I found Thomas Snelling in his house at Bethnal -Green, but unhappily he was not in a condition to remember anything. -The very prospect of beer which my expected coming had opened to him -had proved too much, and he had begun too early on his expected -debauch. I learned, however, from his wife, who seemed a decent, poor -soul, that he was only the assistant of Smollet, who of the two mates -was the responsible person. So off I drove to Walworth, and found Mr. -Joseph Smollet at home and in his shirtsleeves, taking a late tea out -of a saucer. He is a decent, intelligent fellow, distinctly a good, -reliable type of workman, and with a headpiece of his own. He -remembered all about the incident of the boxes, and from a wonderful -dog-eared notebook, which he produced from some mysterious receptacle -about the seat of his trousers, and which had hieroglyphical entries -in thick, half-obliterated pencil, he gave me the destinations of the -boxes. There were, he said, six in the cartload which he took from -Carfax and left at 197 Chicksand Street, Mile End New Town, and -another six which he deposited at Jamaica Lane, Bermondsey. If then -the Count meant to scatter these ghastly refuges of his over London, -these places were chosen as the first of delivery, so that later he -might distribute more fully. The systematic manner in which this was -done made me think that he could not mean to confine himself to two -sides of London. He was now fixed on the far east on the northern -shore, on the east of the southern shore, and on the south. The north -and west were surely never meant to be left out of his diabolical -scheme, let alone the City itself and the very heart of fashionable -London in the south-west and west. I went back to Smollet, and asked -him if he could tell us if any other boxes had been taken from Carfax. - -He replied, "Well guv'nor, you've treated me very 'an'some", I had -given him half a sovereign, "an I'll tell yer all I know. I heard a -man by the name of Bloxam say four nights ago in the 'Are an' 'Ounds, -in Pincher's Alley, as 'ow he an' his mate 'ad 'ad a rare dusty job in -a old 'ouse at Purfleet. There ain't a many such jobs as this 'ere, -an' I'm thinkin' that maybe Sam Bloxam could tell ye summut." - -I asked if he could tell me where to find him. I told him that if he -could get me the address it would be worth another half sovereign to -him. So he gulped down the rest of his tea and stood up, saying that -he was going to begin the search then and there. - -At the door he stopped, and said, "Look 'ere, guv'nor, there ain't no -sense in me a keepin' you 'ere. I may find Sam soon, or I mayn't, but -anyhow he ain't like to be in a way to tell ye much tonight. Sam is a -rare one when he starts on the booze. If you can give me a envelope -with a stamp on it, and put yer address on it, I'll find out where Sam -is to be found and post it ye tonight. But ye'd better be up arter -'im soon in the mornin', never mind the booze the night afore." - -This was all practical, so one of the children went off with a penny -to buy an envelope and a sheet of paper, and to keep the change. When -she came back, I addressed the envelope and stamped it, and when -Smollet had again faithfully promised to post the address when found, -I took my way to home. We're on the track anyhow. I am tired -tonight, and I want to sleep. Mina is fast asleep, and looks a little -too pale. Her eyes look as though she had been crying. Poor dear, -I've no doubt it frets her to be kept in the dark, and it may make her -doubly anxious about me and the others. But it is best as it is. It -is better to be disappointed and worried in such a way now than to -have her nerve broken. The doctors were quite right to insist on her -being kept out of this dreadful business. I must be firm, for on me -this particular burden of silence must rest. I shall not ever enter -on the subject with her under any circumstances. Indeed, It may not -be a hard task, after all, for she herself has become reticent on the -subject, and has not spoken of the Count or his doings ever since we -told her of our decision. - - -2 October, evening--A long and trying and exciting day. By the first -post I got my directed envelope with a dirty scrap of paper enclosed, -on which was written with a carpenter's pencil in a sprawling hand, -"Sam Bloxam, Korkrans, 4 Poters Cort, Bartel Street, Walworth. Arsk -for the depite." - -I got the letter in bed, and rose without waking Mina. She looked -heavy and sleepy and pale, and far from well. I determined not to -wake her, but that when I should return from this new search, I would -arrange for her going back to Exeter. I think she would be happier in -our own home, with her daily tasks to interest her, than in being here -amongst us and in ignorance. I only saw Dr. Seward for a moment, and -told him where I was off to, promising to come back and tell the rest -so soon as I should have found out anything. I drove to Walworth and -found, with some difficulty, Potter's Court. Mr. Smollet's spelling -misled me, as I asked for Poter's Court instead of Potter's Court. -However, when I had found the court, I had no difficulty in -discovering Corcoran's lodging house. - -When I asked the man who came to the door for the "depite," he shook -his head, and said, "I dunno 'im. There ain't no such a person 'ere. -I never 'eard of 'im in all my bloomin' days. Don't believe there -ain't nobody of that kind livin' 'ere or anywheres." - -I took out Smollet's letter, and as I read it it seemed to me that the -lesson of the spelling of the name of the court might guide me. "What -are you?" I asked. - -"I'm the depity," he answered. - -I saw at once that I was on the right track. Phonetic spelling had -again misled me. A half crown tip put the deputy's knowledge at my -disposal, and I learned that Mr. Bloxam, who had slept off the remains -of his beer on the previous night at Corcoran's, had left for his work -at Poplar at five o'clock that morning. He could not tell me where -the place of work was situated, but he had a vague idea that it was -some kind of a "new-fangled ware'us," and with this slender clue I had -to start for Poplar. It was twelve o'clock before I got any -satisfactory hint of such a building, and this I got at a coffee shop, -where some workmen were having their dinner. One of them suggested -that there was being erected at Cross Angel Street a new "cold -storage" building, and as this suited the condition of a "new-fangled -ware'us," I at once drove to it. An interview with a surly gatekeeper -and a surlier foreman, both of whom were appeased with the coin of the -realm, put me on the track of Bloxam. He was sent for on my -suggestion that I was willing to pay his days wages to his foreman for -the privilege of asking him a few questions on a private matter. He -was a smart enough fellow, though rough of speech and bearing. When I -had promised to pay for his information and given him an earnest, he -told me that he had made two journeys between Carfax and a house in -Piccadilly, and had taken from this house to the latter nine great -boxes, "main heavy ones," with a horse and cart hired by him for this -purpose. - -I asked him if he could tell me the number of the house in Piccadilly, -to which he replied, "Well, guv'nor, I forgits the number, but it was -only a few door from a big white church, or somethink of the kind, not -long built. It was a dusty old 'ouse, too, though nothin' to the -dustiness of the 'ouse we tooked the bloomin' boxes from." - -"How did you get in if both houses were empty?" - -"There was the old party what engaged me a waitin' in the 'ouse at -Purfleet. He 'elped me to lift the boxes and put them in the dray. -Curse me, but he was the strongest chap I ever struck, an' him a old -feller, with a white moustache, one that thin you would think he -couldn't throw a shadder." - -How this phrase thrilled through me! - -"Why, 'e took up 'is end o' the boxes like they was pounds of tea, and -me a puffin' an' a blowin' afore I could upend mine anyhow, an' I'm no -chicken, neither." - -"How did you get into the house in Piccadilly?" I asked. - -"He was there too. He must 'a started off and got there afore me, for -when I rung of the bell he kem an' opened the door 'isself an' 'elped -me carry the boxes into the 'all." - -"The whole nine?" I asked. - -"Yus, there was five in the first load an' four in the second. It was -main dry work, an' I don't so well remember 'ow I got 'ome." - -I interrupted him, "Were the boxes left in the hall?" - -"Yus, it was a big 'all, an' there was nothin' else in it." - -I made one more attempt to further matters. "You didn't have any -key?" - -"Never used no key nor nothink. The old gent, he opened the door -'isself an' shut it again when I druv off. I don't remember the last -time, but that was the beer." - -"And you can't remember the number of the house?" - -"No, sir. But ye needn't have no difficulty about that. It's a 'igh -'un with a stone front with a bow on it, an' 'igh steps up to the -door. I know them steps, 'avin' 'ad to carry the boxes up with three -loafers what come round to earn a copper. The old gent give them -shillin's, an' they seein' they got so much, they wanted more. But 'e -took one of them by the shoulder and was like to throw 'im down the -steps, till the lot of them went away cussin'." - -I thought that with this description I could find the house, so having -paid my friend for his information, I started off for Piccadilly. I -had gained a new painful experience. The Count could, it was evident, -handle the earth boxes himself. If so, time was precious, for now -that he had achieved a certain amount of distribution, he could, by -choosing his own time, complete the task unobserved. At Piccadilly -Circus I discharged my cab, and walked westward. Beyond the Junior -Constitutional I came across the house described and was satisfied -that this was the next of the lairs arranged by Dracula. The house -looked as though it had been long untenanted. The windows were -encrusted with dust, and the shutters were up. All the framework was -black with time, and from the iron the paint had mostly scaled away. -It was evident that up to lately there had been a large notice board -in front of the balcony. It had, however, been roughly torn away, the -uprights which had supported it still remaining. Behind the rails of -the balcony I saw there were some loose boards, whose raw edges looked -white. I would have given a good deal to have been able to see the -notice board intact, as it would, perhaps, have given some clue to the -ownership of the house. I remembered my experience of the investigation -and purchase of Carfax, and I could not but feel that if I could find -the former owner there might be some means discovered of gaining access -to the house. - -There was at present nothing to be learned from the Piccadilly side, -and nothing could be done, so I went around to the back to see if -anything could be gathered from this quarter. The mews were active, -the Piccadilly houses being mostly in occupation. I asked one or two -of the grooms and helpers whom I saw around if they could tell me -anything about the empty house. One of them said that he heard it had -lately been taken, but he couldn't say from whom. He told me, -however, that up to very lately there had been a notice board of "For -Sale" up, and that perhaps Mitchell, Sons, & Candy the house agents -could tell me something, as he thought he remembered seeing the name -of that firm on the board. I did not wish to seem too eager, or to -let my informant know or guess too much, so thanking him in the usual -manner, I strolled away. It was now growing dusk, and the autumn -night was closing in, so I did not lose any time. Having learned the -address of Mitchell, Sons, & Candy from a directory at the Berkeley, I -was soon at their office in Sackville Street. - -The gentleman who saw me was particularly suave in manner, but -uncommunicative in equal proportion. Having once told me that the -Piccadilly house, which throughout our interview he called a -"mansion," was sold, he considered my business as concluded. When I -asked who had purchased it, he opened his eyes a thought wider, and -paused a few seconds before replying, "It is sold, sir." - -"Pardon me," I said, with equal politeness, "but I have a special -reason for wishing to know who purchased it." - -Again he paused longer, and raised his eyebrows still more. "It is -sold, sir," was again his laconic reply. - -"Surely," I said, "you do not mind letting me know so much." - -"But I do mind," he answered. "The affairs of their clients are -absolutely safe in the hands of Mitchell, Sons, & Candy." - -This was manifestly a prig of the first water, and there was no use -arguing with him. I thought I had best meet him on his own ground, so -I said, "Your clients, sir, are happy in having so resolute a guardian -of their confidence. I am myself a professional man." - -Here I handed him my card. "In this instance I am not prompted by -curiosity, I act on the part of Lord Godalming, who wishes to know -something of the property which was, he understood, lately for sale." - -These words put a different complexion on affairs. He said, "I would -like to oblige you if I could, Mr. Harker, and especially would I like -to oblige his lordship. We once carried out a small matter of renting -some chambers for him when he was the honourable Arthur Holmwood. If -you will let me have his lordship's address I will consult the House -on the subject, and will, in any case, communicate with his lordship -by tonight's post. It will be a pleasure if we can so far deviate -from our rules as to give the required information to his lordship." - -I wanted to secure a friend, and not to make an enemy, so I thanked -him, gave the address at Dr. Seward's and came away. It was now dark, -and I was tired and hungry. I got a cup of tea at the Aerated Bread -Company and came down to Purfleet by the next train. - -I found all the others at home. Mina was looking tired and pale, but -she made a gallant effort to be bright and cheerful. It wrung my -heart to think that I had had to keep anything from her and so caused -her inquietude. Thank God, this will be the last night of her looking -on at our conferences, and feeling the sting of our not showing our -confidence. It took all my courage to hold to the wise resolution of -keeping her out of our grim task. She seems somehow more reconciled, -or else the very subject seems to have become repugnant to her, for -when any accidental allusion is made she actually shudders. I am glad -we made our resolution in time, as with such a feeling as this, our -growing knowledge would be torture to her. - -I could not tell the others of the day's discovery till we were alone, -so after dinner, followed by a little music to save appearances even -amongst ourselves, I took Mina to her room and left her to go to bed. -The dear girl was more affectionate with me than ever, and clung to me -as though she would detain me, but there was much to be talked of and -I came away. Thank God, the ceasing of telling things has made no -difference between us. - -When I came down again I found the others all gathered round the fire -in the study. In the train I had written my diary so far, and simply -read it off to them as the best means of letting them get abreast of -my own information. - -When I had finished Van Helsing said, "This has been a great day's -work, friend Jonathan. Doubtless we are on the track of the missing -boxes. If we find them all in that house, then our work is near the -end. But if there be some missing, we must search until we find them. -Then shall we make our final coup, and hunt the wretch to his real -death." - -We all sat silent awhile and all at once Mr. Morris spoke, "Say! How -are we going to get into that house?" - -"We got into the other," answered Lord Godalming quickly. - -"But, Art, this is different. We broke house at Carfax, but we had -night and a walled park to protect us. It will be a mighty different -thing to commit burglary in Piccadilly, either by day or night. I -confess I don't see how we are going to get in unless that agency duck -can find us a key of some sort." - -Lord Godalming's brows contracted, and he stood up and walked about the -room. By-and-by he stopped and said, turning from one to another of -us, "Quincey's head is level. This burglary business is getting -serious. We got off once all right, but we have now a rare job on -hand. Unless we can find the Count's key basket." - -As nothing could well be done before morning, and as it would be at -least advisable to wait till Lord Godalming should hear from -Mitchell's, we decided not to take any active step before breakfast -time. For a good while we sat and smoked, discussing the matter in -its various lights and bearings. I took the opportunity of bringing -this diary right up to the moment. I am very sleepy and shall go to -bed . . . - -Just a line. Mina sleeps soundly and her breathing is regular. Her -forehead is puckered up into little wrinkles, as though she thinks -even in her sleep. She is still too pale, but does not look so -haggard as she did this morning. Tomorrow will, I hope, mend all -this. She will be herself at home in Exeter. Oh, but I am sleepy! - - - - -DR. SEWARD'S DIARY - -1 October.--I am puzzled afresh about Renfield. His moods change so -rapidly that I find it difficult to keep touch of them, and as they -always mean something more than his own well-being, they form a more -than interesting study. This morning, when I went to see him after -his repulse of Van Helsing, his manner was that of a man commanding -destiny. He was, in fact, commanding destiny, subjectively. He did -not really care for any of the things of mere earth, he was in the -clouds and looked down on all the weaknesses and wants of us poor -mortals. - -I thought I would improve the occasion and learn something, so I asked -him, "What about the flies these times?" - -He smiled on me in quite a superior sort of way, such a smile as would -have become the face of Malvolio, as he answered me, "The fly, my dear -sir, has one striking feature. It's wings are typical of the aerial -powers of the psychic faculties. The ancients did well when they -typified the soul as a butterfly!" - -I thought I would push his analogy to its utmost logically, so I said -quickly, "Oh, it is a soul you are after now, is it?" - -His madness foiled his reason, and a puzzled look spread over his face -as, shaking his head with a decision which I had but seldom seen in -him. - -He said, "Oh, no, oh no! I want no souls. Life is all I want." Here -he brightened up. "I am pretty indifferent about it at present. Life -is all right. I have all I want. You must get a new patient, doctor, -if you wish to study zoophagy!" - -This puzzled me a little, so I drew him on. "Then you command life. -You are a god, I suppose?" - -He smiled with an ineffably benign superiority. "Oh no! Far be it -from me to arrogate to myself the attributes of the Deity. I am not -even concerned in His especially spiritual doings. If I may state my -intellectual position I am, so far as concerns things purely -terrestrial, somewhat in the position which Enoch occupied -spiritually!" - -This was a poser to me. I could not at the moment recall Enoch's -appositeness, so I had to ask a simple question, though I felt that by -so doing I was lowering myself in the eyes of the lunatic. "And why -with Enoch?" - -"Because he walked with God." - -I could not see the analogy, but did not like to admit it, so I harked -back to what he had denied. "So you don't care about life and you -don't want souls. Why not?" I put my question quickly and somewhat -sternly, on purpose to disconcert him. - -The effort succeeded, for an instant he unconsciously relapsed into -his old servile manner, bent low before me, and actually fawned upon -me as he replied. "I don't want any souls, indeed, indeed! I don't. -I couldn't use them if I had them. They would be no manner of use to -me. I couldn't eat them or . . ." - -He suddenly stopped and the old cunning look spread over his face, -like a wind sweep on the surface of the water. - -"And doctor, as to life, what is it after all? When you've got all -you require, and you know that you will never want, that is all. I -have friends, good friends, like you, Dr. Seward." This was said with -a leer of inexpressible cunning. "I know that I shall never lack the -means of life!" - -I think that through the cloudiness of his insanity he saw some -antagonism in me, for he at once fell back on the last refuge of such -as he, a dogged silence. After a short time I saw that for the -present it was useless to speak to him. He was sulky, and so I came -away. - -Later in the day he sent for me. Ordinarily I would not have come -without special reason, but just at present I am so interested in him -that I would gladly make an effort. Besides, I am glad to have -anything to help pass the time. Harker is out, following up clues, -and so are Lord Godalming and Quincey. Van Helsing sits in my study -poring over the record prepared by the Harkers. He seems to think -that by accurate knowledge of all details he will light up on some -clue. He does not wish to be disturbed in the work, without cause. I -would have taken him with me to see the patient, only I thought that -after his last repulse he might not care to go again. There was also -another reason. Renfield might not speak so freely before a third -person as when he and I were alone. - -I found him sitting in the middle of the floor on his stool, a pose -which is generally indicative of some mental energy on his part. When -I came in, he said at once, as though the question had been waiting on -his lips. "What about souls?" - -It was evident then that my surmise had been correct. Unconscious -cerebration was doing its work, even with the lunatic. I determined -to have the matter out. - -"What about them yourself?" I asked. - -He did not reply for a moment but looked all around him, and up and -down, as though he expected to find some inspiration for an answer. - -"I don't want any souls!" he said in a feeble, apologetic way. The -matter seemed preying on his mind, and so I determined to use it, to -"be cruel only to be kind." So I said, "You like life, and you want -life?" - -"Oh yes! But that is all right. You needn't worry about that!" - -"But," I asked, "how are we to get the life without getting the soul -also?" - -This seemed to puzzle him, so I followed it up, "A nice time you'll -have some time when you're flying out here, with the souls of -thousands of flies and spiders and birds and cats buzzing and -twittering and moaning all around you. You've got their lives, you -know, and you must put up with their souls!" - -Something seemed to affect his imagination, for he put his fingers to -his ears and shut his eyes, screwing them up tightly just as a small -boy does when his face is being soaped. There was something pathetic -in it that touched me. It also gave me a lesson, for it seemed that -before me was a child, only a child, though the features were worn, -and the stubble on the jaws was white. It was evident that he was -undergoing some process of mental disturbance, and knowing how his -past moods had interpreted things seemingly foreign to himself, I -thought I would enter into his mind as well as I could and go with him. - -The first step was to restore confidence, so I asked him, speaking -pretty loud so that he would hear me through his closed ears, "Would -you like some sugar to get your flies around again?" - -He seemed to wake up all at once, and shook his head. With a laugh he -replied, "Not much! Flies are poor things, after all!" After a pause -he added, "But I don't want their souls buzzing round me, all the -same." - -"Or spiders?" I went on. - -"Blow spiders! What's the use of spiders? There isn't anything in -them to eat or . . ." He stopped suddenly as though reminded of a -forbidden topic. - -"So, so!" I thought to myself, "this is the second time he has -suddenly stopped at the word 'drink'. What does it mean?" - -Renfield seemed himself aware of having made a lapse, for he hurried -on, as though to distract my attention from it, "I don't take any -stock at all in such matters. 'Rats and mice and such small deer,' as -Shakespeare has it, 'chicken feed of the larder' they might be called. -I'm past all that sort of nonsense. You might as well ask a man to -eat molecules with a pair of chopsticks, as to try to interest me -about the less carnivora, when I know of what is before me." - -"I see," I said. "You want big things that you can make your teeth -meet in? How would you like to breakfast on an elephant?" - -"What ridiculous nonsense you are talking?" He was getting too wide -awake, so I thought I would press him hard. - -"I wonder," I said reflectively, "what an elephant's soul is like!" - -The effect I desired was obtained, for he at once fell from his -high-horse and became a child again. - -"I don't want an elephant's soul, or any soul at all!" he said. For a -few moments he sat despondently. Suddenly he jumped to his feet, with -his eyes blazing and all the signs of intense cerebral excitement. -"To hell with you and your souls!" he shouted. "Why do you plague me -about souls? Haven't I got enough to worry, and pain, to distract me -already, without thinking of souls?" - -He looked so hostile that I thought he was in for another homicidal -fit, so I blew my whistle. - -The instant, however, that I did so he became calm, and said -apologetically, "Forgive me, Doctor. I forgot myself. You do not -need any help. I am so worried in my mind that I am apt to be -irritable. If you only knew the problem I have to face, and that I am -working out, you would pity, and tolerate, and pardon me. Pray do not -put me in a strait waistcoat. I want to think and I cannot think -freely when my body is confined. I am sure you will understand!" - -He had evidently self-control, so when the attendants came I told them -not to mind, and they withdrew. Renfield watched them go. When the -door was closed he said with considerable dignity and sweetness, "Dr. -Seward, you have been very considerate towards me. Believe me that I -am very, very grateful to you!" - -I thought it well to leave him in this mood, and so I came away. -There is certainly something to ponder over in this man's state. -Several points seem to make what the American interviewer calls "a -story," if one could only get them in proper order. Here they are: - - Will not mention "drinking." - - Fears the thought of being burdened with the "soul" of anything. - - Has no dread of wanting "life" in the future. - - Despises the meaner forms of life altogether, though he dreads - being haunted by their souls. - - Logically all these things point one way! He has assurance of - some kind that he will acquire some higher life. - - He dreads the consequence, the burden of a soul. Then it is a - human life he looks to! - - And the assurance . . .? - -Merciful God! The Count has been to him, and there is some new scheme -of terror afoot! - - -Later.--I went after my round to Van Helsing and told him my -suspicion. He grew very grave, and after thinking the matter over for -a while asked me to take him to Renfield. I did so. As we came to -the door we heard the lunatic within singing gaily, as he used to do -in the time which now seems so long ago. - -When we entered we saw with amazement that he had spread out his sugar -as of old. The flies, lethargic with the autumn, were beginning to -buzz into the room. We tried to make him talk of the subject of our -previous conversation, but he would not attend. He went on with his -singing, just as though we had not been present. He had got a scrap -of paper and was folding it into a notebook. We had to come away as -ignorant as we went in. - -His is a curious case indeed. We must watch him tonight. - - - - - -LETTER, MITCHELL, SONS & CANDY TO LORD GODALMING. - -"1 October. - -"My Lord, - -"We are at all times only too happy to meet your wishes. We beg, -with regard to the desire of your Lordship, expressed by Mr. -Harker on your behalf, to supply the following information -concerning the sale and purchase of No. 347, Piccadilly. The -original vendors are the executors of the late Mr. Archibald -Winter-Suffield. The purchaser is a foreign nobleman, Count de -Ville, who effected the purchase himself paying the purchase -money in notes 'over the counter,' if your Lordship will pardon -us using so vulgar an expression. Beyond this we know nothing -whatever of him. - -"We are, my Lord, - -"Your Lordship's humble servants, - -"MITCHELL, SONS & CANDY." - - - - -DR. SEWARD'S DIARY - -2 October.--I placed a man in the corridor last night, and told him to -make an accurate note of any sound he might hear from Renfield's room, -and gave him instructions that if there should be anything strange he -was to call me. After dinner, when we had all gathered round the fire -in the study, Mrs. Harker having gone to bed, we discussed the -attempts and discoveries of the day. Harker was the only one who had -any result, and we are in great hopes that his clue may be an -important one. - -Before going to bed I went round to the patient's room and looked in -through the observation trap. He was sleeping soundly, his heart rose -and fell with regular respiration. - -This morning the man on duty reported to me that a little after -midnight he was restless and kept saying his prayers somewhat loudly. -I asked him if that was all. He replied that it was all he heard. -There was something about his manner, so suspicious that I asked him -point blank if he had been asleep. He denied sleep, but admitted to -having "dozed" for a while. It is too bad that men cannot be trusted -unless they are watched. - -Today Harker is out following up his clue, and Art and Quincey are -looking after horses. Godalming thinks that it will be well to have -horses always in readiness, for when we get the information which we -seek there will be no time to lose. We must sterilize all the -imported earth between sunrise and sunset. We shall thus catch the -Count at his weakest, and without a refuge to fly to. Van Helsing is -off to the British Museum looking up some authorities on ancient -medicine. The old physicians took account of things which their -followers do not accept, and the Professor is searching for witch and -demon cures which may be useful to us later. - -I sometimes think we must be all mad and that we shall wake to sanity -in strait waistcoats. - -Later.--We have met again. We seem at last to be on the track, and -our work of tomorrow may be the beginning of the end. I wonder if -Renfield's quiet has anything to do with this. His moods have so -followed the doings of the Count, that the coming destruction of the -monster may be carried to him some subtle way. If we could only get -some hint as to what passed in his mind, between the time of my -argument with him today and his resumption of fly-catching, it might -afford us a valuable clue. He is now seemingly quiet for a spell . . . -Is he? That wild yell seemed to come from his room . . . - -The attendant came bursting into my room and told me that Renfield had -somehow met with some accident. He had heard him yell, and when he -went to him found him lying on his face on the floor, all covered with -blood. I must go at once . . . - - - - -CHAPTER 21 - - -DR. SEWARD'S DIARY - -3 October.--Let me put down with exactness all that happened, as well -as I can remember, since last I made an entry. Not a detail that I -can recall must be forgotten. In all calmness I must proceed. - -When I came to Renfield's room I found him lying on the floor on his -left side in a glittering pool of blood. When I went to move him, it -became at once apparent that he had received some terrible injuries. -There seemed none of the unity of purpose between the parts of the -body which marks even lethargic sanity. As the face was exposed I -could see that it was horribly bruised, as though it had been beaten -against the floor. Indeed it was from the face wounds that the pool -of blood originated. - -The attendant who was kneeling beside the body said to me as we turned -him over, "I think, sir, his back is broken. See, both his right arm -and leg and the whole side of his face are paralysed." How such a -thing could have happened puzzled the attendant beyond measure. He -seemed quite bewildered, and his brows were gathered in as he said, "I -can't understand the two things. He could mark his face like that by -beating his own head on the floor. I saw a young woman do it once at -the Eversfield Asylum before anyone could lay hands on her. And I -suppose he might have broken his neck by falling out of bed, if he got -in an awkward kink. But for the life of me I can't imagine how the -two things occurred. If his back was broke, he couldn't beat his -head, and if his face was like that before the fall out of bed, there -would be marks of it." - -I said to him, "Go to Dr. Van Helsing, and ask him to kindly come here -at once. I want him without an instant's delay." - -The man ran off, and within a few minutes the Professor, in his -dressing gown and slippers, appeared. When he saw Renfield on the -ground, he looked keenly at him a moment, and then turned to me. I -think he recognized my thought in my eyes, for he said very quietly, -manifestly for the ears of the attendant, "Ah, a sad accident! He -will need very careful watching, and much attention. I shall stay -with you myself, but I shall first dress myself. If you will remain I -shall in a few minutes join you." - -The patient was now breathing stertorously and it was easy to see that -he had suffered some terrible injury. - -Van Helsing returned with extraordinary celerity, bearing with him a -surgical case. He had evidently been thinking and had his mind made -up, for almost before he looked at the patient, he whispered to me, -"Send the attendant away. We must be alone with him when he becomes -conscious, after the operation." - -I said, "I think that will do now, Simmons. We have done all that we -can at present. You had better go your round, and Dr. Van Helsing -will operate. Let me know instantly if there be anything unusual -anywhere." - -The man withdrew, and we went into a strict examination of the -patient. The wounds of the face were superficial. The real injury -was a depressed fracture of the skull, extending right up through the -motor area. - -The Professor thought a moment and said, "We must reduce the pressure -and get back to normal conditions, as far as can be. The rapidity of -the suffusion shows the terrible nature of his injury. The whole -motor area seems affected. The suffusion of the brain will increase -quickly, so we must trephine at once or it may be too late." - -As he was speaking there was a soft tapping at the door. I went over -and opened it and found in the corridor without, Arthur and Quincey in -pajamas and slippers; the former spoke, "I heard your man call up Dr. -Van Helsing and tell him of an accident. So I woke Quincey or rather -called for him as he was not asleep. Things are moving too quickly -and too strangely for sound sleep for any of us these times. I've -been thinking that tomorrow night will not see things as they have -been. We'll have to look back, and forward a little more than we have -done. May we come in?" - -I nodded, and held the door open till they had entered, then I closed -it again. When Quincey saw the attitude and state of the patient, and -noted the horrible pool on the floor, he said softly, "My God! What -has happened to him? Poor, poor devil!" - -I told him briefly, and added that we expected he would recover -consciousness after the operation, for a short time, at all events. -He went at once and sat down on the edge of the bed, with Godalming -beside him. We all watched in patience. - -"We shall wait," said Van Helsing, "just long enough to fix the best -spot for trephining, so that we may most quickly and perfectly remove -the blood clot, for it is evident that the haemorrhage is increasing." - -The minutes during which we waited passed with fearful slowness. I -had a horrible sinking in my heart, and from Van Helsing's face I -gathered that he felt some fear or apprehension as to what was to -come. I dreaded the words Renfield might speak. I was positively -afraid to think. But the conviction of what was coming was on me, as -I have read of men who have heard the death watch. The poor man's -breathing came in uncertain gasps. Each instant he seemed as though -he would open his eyes and speak, but then would follow a prolonged -stertorous breath, and he would relapse into a more fixed -insensibility. Inured as I was to sick beds and death, this suspense -grew and grew upon me. I could almost hear the beating of my own -heart, and the blood surging through my temples sounded like blows -from a hammer. The silence finally became agonizing. I looked at my -companions, one after another, and saw from their flushed faces and -damp brows that they were enduring equal torture. There was a nervous -suspense over us all, as though overhead some dread bell would peal -out powerfully when we should least expect it. - -At last there came a time when it was evident that the patient was -sinking fast. He might die at any moment. I looked up at the -Professor and caught his eyes fixed on mine. His face was sternly set -as he spoke, "There is no time to lose. His words may be worth many -lives. I have been thinking so, as I stood here. It may be there is -a soul at stake! We shall operate just above the ear." - -Without another word he made the operation. For a few moments the -breathing continued to be stertorous. Then there came a breath so -prolonged that it seemed as though it would tear open his chest. -Suddenly his eyes opened, and became fixed in a wild, helpless stare. -This was continued for a few moments, then it was softened into a glad -surprise, and from his lips came a sigh of relief. He moved -convulsively, and as he did so, said, "I'll be quiet, Doctor. Tell -them to take off the strait waistcoat. I have had a terrible dream, -and it has left me so weak that I cannot move. What's wrong with my -face? It feels all swollen, and it smarts dreadfully." - -He tried to turn his head, but even with the effort his eyes seemed to -grow glassy again so I gently put it back. Then Van Helsing said in a -quiet grave tone, "Tell us your dream, Mr. Renfield." - -As he heard the voice his face brightened, through its mutilation, and -he said, "That is Dr. Van Helsing. How good it is of you to be here. -Give me some water, my lips are dry, and I shall try to tell you. I -dreamed . . ." - -He stopped and seemed fainting. I called quietly to Quincey, "The -brandy, it is in my study, quick!" He flew and returned with a glass, -the decanter of brandy and a carafe of water. We moistened the -parched lips, and the patient quickly revived. - -It seemed, however, that his poor injured brain had been working in -the interval, for when he was quite conscious, he looked at me -piercingly with an agonized confusion which I shall never forget, and -said, "I must not deceive myself. It was no dream, but all a grim -reality." Then his eyes roved round the room. As they caught sight -of the two figures sitting patiently on the edge of the bed he went -on, "If I were not sure already, I would know from them." - -For an instant his eyes closed, not with pain or sleep but -voluntarily, as though he were bringing all his faculties to bear. -When he opened them he said, hurriedly, and with more energy than he -had yet displayed, "Quick, Doctor, quick, I am dying! I feel that I -have but a few minutes, and then I must go back to death, or worse! -Wet my lips with brandy again. I have something that I must say -before I die. Or before my poor crushed brain dies anyhow. Thank -you! It was that night after you left me, when I implored you to let -me go away. I couldn't speak then, for I felt my tongue was tied. -But I was as sane then, except in that way, as I am now. I was in an -agony of despair for a long time after you left me, it seemed hours. -Then there came a sudden peace to me. My brain seemed to become cool -again, and I realized where I was. I heard the dogs bark behind our -house, but not where He was!" - -As he spoke, Van Helsing's eyes never blinked, but his hand came out -and met mine and gripped it hard. He did not, however, betray -himself. He nodded slightly and said, "Go on," in a low voice. - -Renfield proceeded. "He came up to the window in the mist, as I had -seen him often before, but he was solid then, not a ghost, and his -eyes were fierce like a man's when angry. He was laughing with his -red mouth, the sharp white teeth glinted in the moonlight when he -turned to look back over the belt of trees, to where the dogs were -barking. I wouldn't ask him to come in at first, though I knew he -wanted to, just as he had wanted all along. Then he began promising -me things, not in words but by doing them." - -He was interrupted by a word from the Professor, "How?" - -"By making them happen. Just as he used to send in the flies when the -sun was shining. Great big fat ones with steel and sapphire on their -wings. And big moths, in the night, with skull and cross-bones on -their backs." - -Van Helsing nodded to him as he whispered to me unconsciously, "The -Acherontia Atropos of the Sphinges, what you call the 'Death's-head -Moth'?" - -The patient went on without stopping, "Then he began to whisper. 'Rats, -rats, rats! Hundreds, thousands, millions of them, and every one a -life. And dogs to eat them, and cats too. All lives! All red blood, -with years of life in it, and not merely buzzing flies!' I laughed at -him, for I wanted to see what he could do. Then the dogs howled, away -beyond the dark trees in His house. He beckoned me to the window. I -got up and looked out, and He raised his hands, and seemed to call out -without using any words. A dark mass spread over the grass, coming on -like the shape of a flame of fire. And then He moved the mist to the -right and left, and I could see that there were thousands of rats with -their eyes blazing red, like His only smaller. He held up his hand, -and they all stopped, and I thought he seemed to be saying, 'All these -lives will I give you, ay, and many more and greater, through -countless ages, if you will fall down and worship me!' And then a red -cloud, like the colour of blood, seemed to close over my eyes, and -before I knew what I was doing, I found myself opening the sash and -saying to Him, 'Come in, Lord and Master!' The rats were all gone, but -He slid into the room through the sash, though it was only open an -inch wide, just as the Moon herself has often come in through the -tiniest crack and has stood before me in all her size and splendour." - -His voice was weaker, so I moistened his lips with the brandy again, -and he continued, but it seemed as though his memory had gone on -working in the interval for his story was further advanced. I was -about to call him back to the point, but Van Helsing whispered to me, -"Let him go on. Do not interrupt him. He cannot go back, and maybe -could not proceed at all if once he lost the thread of his thought." - -He proceeded, "All day I waited to hear from him, but he did not send -me anything, not even a blowfly, and when the moon got up I was pretty -angry with him. When he did slide in through the window, though it -was shut, and did not even knock, I got mad with him. He sneered at -me, and his white face looked out of the mist with his red eyes -gleaming, and he went on as though he owned the whole place, and I was -no one. He didn't even smell the same as he went by me. I couldn't -hold him. I thought that, somehow, Mrs. Harker had come into the -room." - -The two men sitting on the bed stood up and came over, standing behind -him so that he could not see them, but where they could hear better. -They were both silent, but the Professor started and quivered. His -face, however, grew grimmer and sterner still. Renfield went on -without noticing, "When Mrs. Harker came in to see me this afternoon -she wasn't the same. It was like tea after the teapot has been -watered." Here we all moved, but no one said a word. - -He went on, "I didn't know that she was here till she spoke, and she -didn't look the same. I don't care for the pale people. I like them -with lots of blood in them, and hers all seemed to have run out. I -didn't think of it at the time, but when she went away I began to -think, and it made me mad to know that He had been taking the life out -of her." I could feel that the rest quivered, as I did; but we -remained otherwise still. "So when He came tonight I was ready for -Him. I saw the mist stealing in, and I grabbed it tight. I had heard -that madmen have unnatural strength. And as I knew I was a madman, at -times anyhow, I resolved to use my power. Ay, and He felt it too, for -He had to come out of the mist to struggle with me. I held tight, and -I thought I was going to win, for I didn't mean Him to take any more -of her life, till I saw His eyes. They burned into me, and my -strength became like water. He slipped through it, and when I tried -to cling to Him, He raised me up and flung me down. There was a red -cloud before me, and a noise like thunder, and the mist seemed to -steal away under the door." - -His voice was becoming fainter and his breath more stertorous. Van -Helsing stood up instinctively. - -"We know the worst now," he said. "He is here, and we know his -purpose. It may not be too late. Let us be armed, the same as we -were the other night, but lose no time, there is not an instant to -spare." - -There was no need to put our fear, nay our conviction, into words, we -shared them in common. We all hurried and took from our rooms the -same things that we had when we entered the Count's house. The -Professor had his ready, and as we met in the corridor he pointed to -them significantly as he said, "They never leave me, and they shall -not till this unhappy business is over. Be wise also, my friends. It -is no common enemy that we deal with Alas! Alas! That dear Madam -Mina should suffer!" He stopped, his voice was breaking, and I do not -know if rage or terror predominated in my own heart. - -Outside the Harkers' door we paused. Art and Quincey held back, and -the latter said, "Should we disturb her?" - -"We must," said Van Helsing grimly. "If the door be locked, I shall -break it in." - -"May it not frighten her terribly? It is unusual to break into a -lady's room!" - -Van Helsing said solemnly, "You are always right. But this is life -and death. All chambers are alike to the doctor. And even were they -not they are all as one to me tonight. Friend John, when I turn the -handle, if the door does not open, do you put your shoulder down and -shove; and you too, my friends. Now!" - -He turned the handle as he spoke, but the door did not yield. We -threw ourselves against it. With a crash it burst open, and we almost -fell headlong into the room. The Professor did actually fall, and I -saw across him as he gathered himself up from hands and knees. What I -saw appalled me. I felt my hair rise like bristles on the back of my -neck, and my heart seemed to stand still. - -The moonlight was so bright that through the thick yellow blind the -room was light enough to see. On the bed beside the window lay -Jonathan Harker, his face flushed and breathing heavily as though in a -stupor. Kneeling on the near edge of the bed facing outwards was the -white-clad figure of his wife. By her side stood a tall, thin man, -clad in black. His face was turned from us, but the instant we saw we -all recognized the Count, in every way, even to the scar on his -forehead. With his left hand he held both Mrs. Harker's hands, -keeping them away with her arms at full tension. His right hand -gripped her by the back of the neck, forcing her face down on his -bosom. Her white nightdress was smeared with blood, and a thin stream -trickled down the man's bare chest which was shown by his torn-open -dress. The attitude of the two had a terrible resemblance to a child -forcing a kitten's nose into a saucer of milk to compel it to drink. -As we burst into the room, the Count turned his face, and the hellish -look that I had heard described seemed to leap into it. His eyes -flamed red with devilish passion. The great nostrils of the white -aquiline nose opened wide and quivered at the edge, and the white -sharp teeth, behind the full lips of the blood dripping mouth, clamped -together like those of a wild beast. With a wrench, which threw his -victim back upon the bed as though hurled from a height, he turned and -sprang at us. But by this time the Professor had gained his feet, and -was holding towards him the envelope which contained the Sacred Wafer. -The Count suddenly stopped, just as poor Lucy had done outside the -tomb, and cowered back. Further and further back he cowered, as we, -lifting our crucifixes, advanced. The moonlight suddenly failed, as a -great black cloud sailed across the sky. And when the gaslight sprang -up under Quincey's match, we saw nothing but a faint vapour. This, as -we looked, trailed under the door, which with the recoil from its -bursting open, had swung back to its old position. Van Helsing, Art, -and I moved forward to Mrs. Harker, who by this time had drawn her -breath and with it had given a scream so wild, so ear-piercing, so -despairing that it seems to me now that it will ring in my ears till -my dying day. For a few seconds she lay in her helpless attitude and -disarray. Her face was ghastly, with a pallor which was accentuated -by the blood which smeared her lips and cheeks and chin. From her -throat trickled a thin stream of blood. Her eyes were mad with -terror. Then she put before her face her poor crushed hands, which -bore on their whiteness the red mark of the Count's terrible grip, and -from behind them came a low desolate wail which made the terrible -scream seem only the quick expression of an endless grief. Van -Helsing stepped forward and drew the coverlet gently over her body, -whilst Art, after looking at her face for an instant despairingly, ran -out of the room. - -Van Helsing whispered to me, "Jonathan is in a stupor such as we know -the Vampire can produce. We can do nothing with poor Madam Mina for a -few moments till she recovers herself. I must wake him!" - -He dipped the end of a towel in cold water and with it began to flick -him on the face, his wife all the while holding her face between her -hands and sobbing in a way that was heart breaking to hear. I raised -the blind, and looked out of the window. There was much moonshine, -and as I looked I could see Quincey Morris run across the lawn and -hide himself in the shadow of a great yew tree. It puzzled me to -think why he was doing this. But at the instant I heard Harker's -quick exclamation as he woke to partial consciousness, and turned to -the bed. On his face, as there might well be, was a look of wild -amazement. He seemed dazed for a few seconds, and then full -consciousness seemed to burst upon him all at once, and he started up. - -His wife was aroused by the quick movement, and turned to him with her -arms stretched out, as though to embrace him. Instantly, however, she -drew them in again, and putting her elbows together, held her hands -before her face, and shuddered till the bed beneath her shook. - -"In God's name what does this mean?" Harker cried out. "Dr. Seward, -Dr. Van Helsing, what is it? What has happened? What is wrong? Mina, -dear what is it? What does that blood mean? My God, my God! Has it -come to this!" And, raising himself to his knees, he beat his hands -wildly together. "Good God help us! Help her! Oh, help her!" - -With a quick movement he jumped from bed, and began to pull on his -clothes, all the man in him awake at the need for instant exertion. -"What has happened? Tell me all about it!" he cried without pausing. -"Dr. Van Helsing, you love Mina, I know. Oh, do something to save her. -It cannot have gone too far yet. Guard her while I look for him!" - -His wife, through her terror and horror and distress, saw some sure -danger to him. Instantly forgetting her own grief, she seized hold of -him and cried out. - -"No! No! Jonathan, you must not leave me. I have suffered enough -tonight, God knows, without the dread of his harming you. You must -stay with me. Stay with these friends who will watch over you!" Her -expression became frantic as she spoke. And, he yielding to her, she -pulled him down sitting on the bedside, and clung to him fiercely. - -Van Helsing and I tried to calm them both. The Professor held up his -golden crucifix, and said with wonderful calmness, "Do not fear, my -dear. We are here, and whilst this is close to you no foul thing can -approach. You are safe for tonight, and we must be calm and take -counsel together." - -She shuddered and was silent, holding down her head on her husband's -breast. When she raised it, his white nightrobe was stained with -blood where her lips had touched, and where the thin open wound in the -neck had sent forth drops. The instant she saw it she drew back, with -a low wail, and whispered, amidst choking sobs. - -"Unclean, unclean! I must touch him or kiss him no more. Oh, that it -should be that it is I who am now his worst enemy, and whom he may -have most cause to fear." - -To this he spoke out resolutely, "Nonsense, Mina. It is a shame to me -to hear such a word. I would not hear it of you. And I shall not -hear it from you. May God judge me by my deserts, and punish me with -more bitter suffering than even this hour, if by any act or will of -mine anything ever come between us!" - -He put out his arms and folded her to his breast. And for a while she -lay there sobbing. He looked at us over her bowed head, with eyes -that blinked damply above his quivering nostrils. His mouth was set -as steel. - -After a while her sobs became less frequent and more faint, and then -he said to me, speaking with a studied calmness which I felt tried his -nervous power to the utmost. - -"And now, Dr. Seward, tell me all about it. Too well I know the broad -fact. Tell me all that has been." - -I told him exactly what had happened and he listened with seeming -impassiveness, but his nostrils twitched and his eyes blazed as I told -how the ruthless hands of the Count had held his wife in that terrible -and horrid position, with her mouth to the open wound in his breast. -It interested me, even at that moment, to see that whilst the face of -white set passion worked convulsively over the bowed head, the hands -tenderly and lovingly stroked the ruffled hair. Just as I had -finished, Quincey and Godalming knocked at the door. They entered in -obedience to our summons. Van Helsing looked at me questioningly. I -understood him to mean if we were to take advantage of their coming to -divert if possible the thoughts of the unhappy husband and wife from -each other and from themselves. So on nodding acquiescence to him he -asked them what they had seen or done. To which Lord Godalming -answered. - -"I could not see him anywhere in the passage, or in any of our rooms. -I looked in the study but, though he had been there, he had gone. He -had, however . . ." He stopped suddenly, looking at the poor drooping -figure on the bed. - -Van Helsing said gravely, "Go on, friend Arthur. We want here no more -concealments. Our hope now is in knowing all. Tell freely!" - -So Art went on, "He had been there, and though it could only have been -for a few seconds, he made rare hay of the place. All the manuscript -had been burned, and the blue flames were flickering amongst the white -ashes. The cylinders of your phonograph too were thrown on the fire, -and the wax had helped the flames." - -Here I interrupted. "Thank God there is the other copy in the safe!" - -His face lit for a moment, but fell again as he went on. "I ran -downstairs then, but could see no sign of him. I looked into -Renfield's room, but there was no trace there except . . ." Again he -paused. - -"Go on," said Harker hoarsely. So he bowed his head and moistening his -lips with his tongue, added, "except that the poor fellow is dead." - -Mrs. Harker raised her head, looking from one to the other of us she -said solemnly, "God's will be done!" - -I could not but feel that Art was keeping back something. But, as I -took it that it was with a purpose, I said nothing. - -Van Helsing turned to Morris and asked, "And you, friend Quincey, have -you any to tell?" - -"A little," he answered. "It may be much eventually, but at present I -can't say. I thought it well to know if possible where the Count -would go when he left the house. I did not see him, but I saw a bat -rise from Renfield's window, and flap westward. I expected to see him -in some shape go back to Carfax, but he evidently sought some other -lair. He will not be back tonight, for the sky is reddening in the -east, and the dawn is close. We must work tomorrow!" - -He said the latter words through his shut teeth. For a space of -perhaps a couple of minutes there was silence, and I could fancy that -I could hear the sound of our hearts beating. - -Then Van Helsing said, placing his hand tenderly on Mrs. Harker's -head, "And now, Madam Mina, poor dear, dear, Madam Mina, tell us -exactly what happened. God knows that I do not want that you be -pained, but it is need that we know all. For now more than ever has -all work to be done quick and sharp, and in deadly earnest. The day -is close to us that must end all, if it may be so, and now is the -chance that we may live and learn." - -The poor dear lady shivered, and I could see the tension of her nerves -as she clasped her husband closer to her and bent her head lower and -lower still on his breast. Then she raised her head proudly, and held -out one hand to Van Helsing who took it in his, and after stooping and -kissing it reverently, held it fast. The other hand was locked in -that of her husband, who held his other arm thrown round her -protectingly. After a pause in which she was evidently ordering her -thoughts, she began. - -"I took the sleeping draught which you had so kindly given me, but for -a long time it did not act. I seemed to become more wakeful, and -myriads of horrible fancies began to crowd in upon my mind. All of -them connected with death, and vampires, with blood, and pain, and -trouble." Her husband involuntarily groaned as she turned to him and -said lovingly, "Do not fret, dear. You must be brave and strong, and -help me through the horrible task. If you only knew what an effort it -is to me to tell of this fearful thing at all, you would understand -how much I need your help. Well, I saw I must try to help the -medicine to its work with my will, if it was to do me any good, so I -resolutely set myself to sleep. Sure enough sleep must soon have come -to me, for I remember no more. Jonathan coming in had not waked me, -for he lay by my side when next I remember. There was in the room the -same thin white mist that I had before noticed. But I forget now if -you know of this. You will find it in my diary which I shall show you -later. I felt the same vague terror which had come to me before and -the same sense of some presence. I turned to wake Jonathan, but found -that he slept so soundly that it seemed as if it was he who had taken -the sleeping draught, and not I. I tried, but I could not wake him. -This caused me a great fear, and I looked around terrified. Then -indeed, my heart sank within me. Beside the bed, as if he had stepped -out of the mist, or rather as if the mist had turned into his figure, -for it had entirely disappeared, stood a tall, thin man, all in -black. I knew him at once from the description of the others. The -waxen face, the high aquiline nose, on which the light fell in a thin -white line, the parted red lips, with the sharp white teeth showing -between, and the red eyes that I had seemed to see in the sunset on -the windows of St. Mary's Church at Whitby. I knew, too, the red scar -on his forehead where Jonathan had struck him. For an instant my -heart stood still, and I would have screamed out, only that I was -paralyzed. In the pause he spoke in a sort of keen, cutting whisper, -pointing as he spoke to Jonathan. - -"'Silence! If you make a sound I shall take him and dash his brains -out before your very eyes.' I was appalled and was too bewildered to -do or say anything. With a mocking smile, he placed one hand upon my -shoulder and, holding me tight, bared my throat with the other, saying -as he did so, 'First, a little refreshment to reward my exertions. -You may as well be quiet. It is not the first time, or the second, -that your veins have appeased my thirst!' I was bewildered, and -strangely enough, I did not want to hinder him. I suppose it is a -part of the horrible curse that such is, when his touch is on his -victim. And oh, my God, my God, pity me! He placed his reeking lips -upon my throat!" Her husband groaned again. She clasped his hand -harder, and looked at him pityingly, as if he were the injured one, -and went on. - -"I felt my strength fading away, and I was in a half swoon. How long -this horrible thing lasted I know not, but it seemed that a long time -must have passed before he took his foul, awful, sneering mouth away. -I saw it drip with the fresh blood!" The remembrance seemed for a while -to overpower her, and she drooped and would have sunk down but for her -husband's sustaining arm. With a great effort she recovered herself -and went on. - -"Then he spoke to me mockingly, 'And so you, like the others, would -play your brains against mine. You would help these men to hunt me -and frustrate me in my design! You know now, and they know in part -already, and will know in full before long, what it is to cross my -path. They should have kept their energies for use closer to home. -Whilst they played wits against me, against me who commanded nations, -and intrigued for them, and fought for them, hundreds of years before -they were born, I was countermining them. And you, their best beloved -one, are now to me, flesh of my flesh, blood of my blood, kin of my -kin, my bountiful wine-press for a while, and shall be later on my -companion and my helper. You shall be avenged in turn, for not one of -them but shall minister to your needs. But as yet you are to be -punished for what you have done. You have aided in thwarting me. Now -you shall come to my call. When my brain says "Come!" to you, you -shall cross land or sea to do my bidding. And to that end this!' - -"With that he pulled open his shirt, and with his long sharp nails -opened a vein in his breast. When the blood began to spurt out, he -took my hands in one of his, holding them tight, and with the other -seized my neck and pressed my mouth to the wound, so that I must -either suffocate or swallow some to the . . . Oh, my God! My God! -What have I done? What have I done to deserve such a fate, I who have -tried to walk in meekness and righteousness all my days. God pity -me! Look down on a poor soul in worse than mortal peril. And in -mercy pity those to whom she is dear!" Then she began to rub her lips -as though to cleanse them from pollution. - -As she was telling her terrible story, the eastern sky began to -quicken, and everything became more and more clear. Harker was still -and quiet; but over his face, as the awful narrative went on, came a -grey look which deepened and deepened in the morning light, till when -the first red streak of the coming dawn shot up, the flesh stood -darkly out against the whitening hair. - -We have arranged that one of us is to stay within call of the unhappy -pair till we can meet together and arrange about taking action. - -Of this I am sure. The sun rises today on no more miserable house in -all the great round of its daily course. - - - - -CHAPTER 22 - - -JONATHAN HARKER'S JOURNAL - -3 October.--As I must do something or go mad, I write this diary. It -is now six o'clock, and we are to meet in the study in half an hour -and take something to eat, for Dr. Van Helsing and Dr. Seward are -agreed that if we do not eat we cannot work our best. Our best will -be, God knows, required today. I must keep writing at every chance, -for I dare not stop to think. All, big and little, must go down. -Perhaps at the end the little things may teach us most. The teaching, -big or little, could not have landed Mina or me anywhere worse than we -are today. However, we must trust and hope. Poor Mina told me just -now, with the tears running down her dear cheeks, that it is in -trouble and trial that our faith is tested. That we must keep on -trusting, and that God will aid us up to the end. The end! Oh my -God! What end? . . . To work! To work! - -When Dr. Van Helsing and Dr. Seward had come back from seeing poor -Renfield, we went gravely into what was to be done. First, Dr. Seward -told us that when he and Dr. Van Helsing had gone down to the room -below they had found Renfield lying on the floor, all in a heap. His -face was all bruised and crushed in, and the bones of the neck were -broken. - -Dr. Seward asked the attendant who was on duty in the passage if he -had heard anything. He said that he had been sitting down, he -confessed to half dozing, when he heard loud voices in the room, and -then Renfield had called out loudly several times, "God! God! God!" -After that there was a sound of falling, and when he entered the room -he found him lying on the floor, face down, just as the doctors had -seen him. Van Helsing asked if he had heard "voices" or "a voice," -and he said he could not say. That at first it had seemed to him as -if there were two, but as there was no one in the room it could have -been only one. He could swear to it, if required, that the word "God" -was spoken by the patient. - -Dr. Seward said to us, when we were alone, that he did not wish to go -into the matter. The question of an inquest had to be considered, and -it would never do to put forward the truth, as no one would believe -it. As it was, he thought that on the attendant's evidence he could -give a certificate of death by misadventure in falling from bed. In -case the coroner should demand it, there would be a formal inquest, -necessarily to the same result. - -When the question began to be discussed as to what should be our next -step, the very first thing we decided was that Mina should be in full -confidence. That nothing of any sort, no matter how painful, should -be kept from her. She herself agreed as to its wisdom, and it was -pitiful to see her so brave and yet so sorrowful, and in such a depth -of despair. - -"There must be no concealment," she said. "Alas! We have had too -much already. And besides there is nothing in all the world that can -give me more pain than I have already endured, than I suffer now! -Whatever may happen, it must be of new hope or of new courage to me!" - -Van Helsing was looking at her fixedly as she spoke, and said, -suddenly but quietly, "But dear Madam Mina, are you not afraid. Not -for yourself, but for others from yourself, after what has happened?" - -Her face grew set in its lines, but her eyes shone with the devotion -of a martyr as she answered, "Ah no! For my mind is made up!" - -"To what?" he asked gently, whilst we were all very still, for each in -our own way we had a sort of vague idea of what she meant. - -Her answer came with direct simplicity, as though she was simply -stating a fact, "Because if I find in myself, and I shall watch keenly -for it, a sign of harm to any that I love, I shall die!" - -"You would not kill yourself?" he asked, hoarsely. - -"I would. If there were no friend who loved me, who would save me -such a pain, and so desperate an effort!" She looked at him meaningly -as she spoke. - -He was sitting down, but now he rose and came close to her and put his -hand on her head as he said solemnly. "My child, there is such an one -if it were for your good. For myself I could hold it in my account -with God to find such an euthanasia for you, even at this moment if it -were best. Nay, were it safe! But my child . . ." - -For a moment he seemed choked, and a great sob rose in his throat. He -gulped it down and went on, "There are here some who would stand -between you and death. You must not die. You must not die by any -hand, but least of all your own. Until the other, who has fouled your -sweet life, is true dead you must not die. For if he is still with -the quick Undead, your death would make you even as he is. No, you -must live! You must struggle and strive to live, though death would -seem a boon unspeakable. You must fight Death himself, though he come -to you in pain or in joy. By the day, or the night, in safety or in -peril! On your living soul I charge you that you do not die. Nay, -nor think of death, till this great evil be past." - -The poor dear grew white as death, and shook and shivered, as I have -seen a quicksand shake and shiver at the incoming of the tide. We -were all silent. We could do nothing. At length she grew more calm -and turning to him said sweetly, but oh so sorrowfully, as she held -out her hand, "I promise you, my dear friend, that if God will let me -live, I shall strive to do so. Till, if it may be in His good time, -this horror may have passed away from me." - -She was so good and brave that we all felt that our hearts were -strengthened to work and endure for her, and we began to discuss what -we were to do. I told her that she was to have all the papers in the -safe, and all the papers or diaries and phonographs we might hereafter -use, and was to keep the record as she had done before. She was -pleased with the prospect of anything to do, if "pleased" could be -used in connection with so grim an interest. - -As usual Van Helsing had thought ahead of everyone else, and was -prepared with an exact ordering of our work. - -"It is perhaps well," he said, "that at our meeting after our visit to -Carfax we decided not to do anything with the earth boxes that lay -there. Had we done so, the Count must have guessed our purpose, and -would doubtless have taken measures in advance to frustrate such an -effort with regard to the others. But now he does not know our -intentions. Nay, more, in all probability, he does not know that such -a power exists to us as can sterilize his lairs, so that he cannot use -them as of old. - -"We are now so much further advanced in our knowledge as to their -disposition that, when we have examined the house in Piccadilly, we may -track the very last of them. Today then, is ours, and in it rests our -hope. The sun that rose on our sorrow this morning guards us in its -course. Until it sets tonight, that monster must retain whatever form -he now has. He is confined within the limitations of his earthly -envelope. He cannot melt into thin air nor disappear through cracks -or chinks or crannies. If he go through a doorway, he must open the -door like a mortal. And so we have this day to hunt out all his lairs -and sterilize them. So we shall, if we have not yet catch him and -destroy him, drive him to bay in some place where the catching and the -destroying shall be, in time, sure." - -Here I started up for I could not contain myself at the thought that -the minutes and seconds so preciously laden with Mina's life and -happiness were flying from us, since whilst we talked action was -impossible. But Van Helsing held up his hand warningly. - -"Nay, friend Jonathan," he said, "in this, the quickest way home is -the longest way, so your proverb say. We shall all act and act with -desperate quick, when the time has come. But think, in all probable -the key of the situation is in that house in Piccadilly. The Count -may have many houses which he has bought. Of them he will have deeds -of purchase, keys and other things. He will have paper that he write -on. He will have his book of cheques. There are many belongings that -he must have somewhere. Why not in this place so central, so quiet, -where he come and go by the front or the back at all hours, when in -the very vast of the traffic there is none to notice. We shall go -there and search that house. And when we learn what it holds, then we -do what our friend Arthur call, in his phrases of hunt 'stop the -earths' and so we run down our old fox, so? Is it not?" - -"Then let us come at once," I cried, "we are wasting the precious, -precious time!" - -The Professor did not move, but simply said, "And how are we to get -into that house in Piccadilly?" - -"Any way!" I cried. "We shall break in if need be." - -"And your police? Where will they be, and what will they say?" - -I was staggered, but I knew that if he wished to delay he had a good -reason for it. So I said, as quietly as I could, "Don't wait more -than need be. You know, I am sure, what torture I am in." - -"Ah, my child, that I do. And indeed there is no wish of me to add to -your anguish. But just think, what can we do, until all the world be -at movement. Then will come our time. I have thought and thought, -and it seems to me that the simplest way is the best of all. Now we -wish to get into the house, but we have no key. Is it not so?" I -nodded. - -"Now suppose that you were, in truth, the owner of that house, and -could not still get in. And think there was to you no conscience of -the housebreaker, what would you do?" - -"I should get a respectable locksmith, and set him to work to pick the -lock for me." - -"And your police, they would interfere, would they not?" - -"Oh no! Not if they knew the man was properly employed." - -"Then," he looked at me as keenly as he spoke, "all that is in doubt -is the conscience of the employer, and the belief of your policemen as -to whether or not that employer has a good conscience or a bad one. -Your police must indeed be zealous men and clever, oh so clever, in -reading the heart, that they trouble themselves in such matter. No, -no, my friend Jonathan, you go take the lock off a hundred empty -houses in this your London, or of any city in the world, and if you do -it as such things are rightly done, and at the time such things are -rightly done, no one will interfere. I have read of a gentleman who -owned a so fine house in London, and when he went for months of summer -to Switzerland and lock up his house, some burglar come and broke -window at back and got in. Then he went and made open the shutters in -front and walk out and in through the door, before the very eyes of -the police. Then he have an auction in that house, and advertise it, -and put up big notice. And when the day come he sell off by a great -auctioneer all the goods of that other man who own them. Then he go -to a builder, and he sell him that house, making an agreement that he -pull it down and take all away within a certain time. And your police -and other authority help him all they can. And when that owner come -back from his holiday in Switzerland he find only an empty hole where -his house had been. This was all done en regle, and in our work we -shall be en regle too. We shall not go so early that the policemen -who have then little to think of, shall deem it strange. But we shall -go after ten o'clock, when there are many about, and such things would -be done were we indeed owners of the house." - -I could not but see how right he was and the terrible despair of -Mina's face became relaxed in thought. There was hope in such good -counsel. - -Van Helsing went on, "When once within that house we may find more -clues. At any rate some of us can remain there whilst the rest find -the other places where there be more earth boxes, at Bermondsey and -Mile End." - -Lord Godalming stood up. "I can be of some use here," he said. "I -shall wire to my people to have horses and carriages where they will -be most convenient." - -"Look here, old fellow," said Morris, "it is a capital idea to have -all ready in case we want to go horse backing, but don't you think -that one of your snappy carriages with its heraldic adornments in a -byway of Walworth or Mile End would attract too much attention for our -purpose? It seems to me that we ought to take cabs when we go south -or east. And even leave them somewhere near the neighbourhood we are -going to." - -"Friend Quincey is right!" said the Professor. "His head is what you -call in plane with the horizon. It is a difficult thing that we go to -do, and we do not want no peoples to watch us if so it may." - -Mina took a growing interest in everything and I was rejoiced to see -that the exigency of affairs was helping her to forget for a time the -terrible experience of the night. She was very, very pale, almost -ghastly, and so thin that her lips were drawn away, showing her teeth -in somewhat of prominence. I did not mention this last, lest it -should give her needless pain, but it made my blood run cold in my -veins to think of what had occurred with poor Lucy when the Count had -sucked her blood. As yet there was no sign of the teeth growing -sharper, but the time as yet was short, and there was time for fear. - -When we came to the discussion of the sequence of our efforts and of -the disposition of our forces, there were new sources of doubt. It -was finally agreed that before starting for Piccadilly we should -destroy the Count's lair close at hand. In case he should find it out -too soon, we should thus be still ahead of him in our work of -destruction. And his presence in his purely material shape, and at -his weakest, might give us some new clue. - -As to the disposal of forces, it was suggested by the Professor that, -after our visit to Carfax, we should all enter the house in -Piccadilly. That the two doctors and I should remain there, whilst -Lord Godalming and Quincey found the lairs at Walworth and Mile End -and destroyed them. It was possible, if not likely, the Professor -urged, that the Count might appear in Piccadilly during the day, and -that if so we might be able to cope with him then and there. At any -rate, we might be able to follow him in force. To this plan I -strenuously objected, and so far as my going was concerned, for I said -that I intended to stay and protect Mina. I thought that my mind was -made up on the subject, but Mina would not listen to my objection. She -said that there might be some law matter in which I could be useful. -That amongst the Count's papers might be some clue which I could -understand out of my experience in Transylvania. And that, as it was, -all the strength we could muster was required to cope with the Count's -extraordinary power. I had to give in, for Mina's resolution was -fixed. She said that it was the last hope for her that we should all -work together. - -"As for me," she said, "I have no fear. Things have been as bad as -they can be. And whatever may happen must have in it some element of -hope or comfort. Go, my husband! God can, if He wishes it, guard me -as well alone as with any one present." - -So I started up crying out, "Then in God's name let us come at once, -for we are losing time. The Count may come to Piccadilly earlier than -we think." - -"Not so!" said Van Helsing, holding up his hand. - -"But why?" I asked. - -"Do you forget," he said, with actually a smile, "that last night he -banqueted heavily, and will sleep late?" - -Did I forget! Shall I ever . . . can I ever! Can any of us ever -forget that terrible scene! Mina struggled hard to keep her brave -countenance, but the pain overmastered her and she put her hands -before her face, and shuddered whilst she moaned. Van Helsing had not -intended to recall her frightful experience. He had simply lost sight -of her and her part in the affair in his intellectual effort. - -When it struck him what he said, he was horrified at his -thoughtlessness and tried to comfort her. - -"Oh, Madam Mina," he said, "dear, dear, Madam Mina, alas! That I of -all who so reverence you should have said anything so forgetful. These -stupid old lips of mine and this stupid old head do not deserve so, -but you will forget it, will you not?" He bent low beside her as he -spoke. - -She took his hand, and looking at him through her tears, said -hoarsely, "No, I shall not forget, for it is well that I remember. -And with it I have so much in memory of you that is sweet, that I take -it all together. Now, you must all be going soon. Breakfast is -ready, and we must all eat that we may be strong." - -Breakfast was a strange meal to us all. We tried to be cheerful and -encourage each other, and Mina was the brightest and most cheerful of -us. When it was over, Van Helsing stood up and said, "Now, my dear -friends, we go forth to our terrible enterprise. Are we all armed, as -we were on that night when first we visited our enemy's lair. Armed -against ghostly as well as carnal attack?" - -We all assured him. - -"Then it is well. Now, Madam Mina, you are in any case quite safe -here until the sunset. And before then we shall return . . . if . . . -We shall return! But before we go let me see you armed against personal -attack. I have myself, since you came down, prepared your chamber by -the placing of things of which we know, so that He may not enter. Now -let me guard yourself. On your forehead I touch this piece of Sacred -Wafer in the name of the Father, the Son, and . . ." - -There was a fearful scream which almost froze our hearts to hear. As -he had placed the Wafer on Mina's forehead, it had seared it . . . had -burned into the flesh as though it had been a piece of white-hot metal. -My poor darling's brain had told her the significance of the fact as -quickly as her nerves received the pain of it, and the two so -overwhelmed her that her overwrought nature had its voice in that -dreadful scream. - -But the words to her thought came quickly. The echo of the scream had -not ceased to ring on the air when there came the reaction, and she -sank on her knees on the floor in an agony of abasement. Pulling her -beautiful hair over her face, as the leper of old his mantle, she -wailed out. - -"Unclean! Unclean! Even the Almighty shuns my polluted flesh! I -must bear this mark of shame upon my forehead until the Judgement -Day." - -They all paused. I had thrown myself beside her in an agony of -helpless grief, and putting my arms around held her tight. For a few -minutes our sorrowful hearts beat together, whilst the friends around -us turned away their eyes that ran tears silently. Then Van Helsing -turned and said gravely. So gravely that I could not help feeling -that he was in some way inspired, and was stating things outside -himself. - -"It may be that you may have to bear that mark till God himself see -fit, as He most surely shall, on the Judgement Day, to redress all -wrongs of the earth and of His children that He has placed thereon. -And oh, Madam Mina, my dear, my dear, may we who love you be there to -see, when that red scar, the sign of God's knowledge of what has been, -shall pass away, and leave your forehead as pure as the heart we know. -For so surely as we live, that scar shall pass away when God sees -right to lift the burden that is hard upon us. Till then we bear our -Cross, as His Son did in obedience to His Will. It may be that we are -chosen instruments of His good pleasure, and that we ascend to His -bidding as that other through stripes and shame. Through tears and -blood. Through doubts and fear, and all that makes the difference -between God and man." - -There was hope in his words, and comfort. And they made for -resignation. Mina and I both felt so, and simultaneously we each took -one of the old man's hands and bent over and kissed it. Then without -a word we all knelt down together, and all holding hands, swore to be -true to each other. We men pledged ourselves to raise the veil of -sorrow from the head of her whom, each in his own way, we loved. And -we prayed for help and guidance in the terrible task which lay before -us. It was then time to start. So I said farewell to Mina, a parting -which neither of us shall forget to our dying day, and we set out. - -To one thing I have made up my mind. If we find out that Mina must be -a vampire in the end, then she shall not go into that unknown and -terrible land alone. I suppose it is thus that in old times one -vampire meant many. Just as their hideous bodies could only rest in -sacred earth, so the holiest love was the recruiting sergeant for -their ghastly ranks. - -We entered Carfax without trouble and found all things the same as on -the first occasion. It was hard to believe that amongst so prosaic -surroundings of neglect and dust and decay there was any ground for -such fear as already we knew. Had not our minds been made up, and had -there not been terrible memories to spur us on, we could hardly have -proceeded with our task. We found no papers, or any sign of use in -the house. And in the old chapel the great boxes looked just as we -had seen them last. - -Dr. Van Helsing said to us solemnly as we stood before him, "And now, -my friends, we have a duty here to do. We must sterilize this earth, -so sacred of holy memories, that he has brought from a far distant -land for such fell use. He has chosen this earth because it has been -holy. Thus we defeat him with his own weapon, for we make it more -holy still. It was sanctified to such use of man, now we sanctify it -to God." - -As he spoke he took from his bag a screwdriver and a wrench, and very -soon the top of one of the cases was thrown open. The earth smelled -musty and close, but we did not somehow seem to mind, for our -attention was concentrated on the Professor. Taking from his box a -piece of the Sacred Wafer he laid it reverently on the earth, and then -shutting down the lid began to screw it home, we aiding him as he -worked. - -One by one we treated in the same way each of the great boxes, and -left them as we had found them to all appearance. But in each was a -portion of the Host. When we closed the door behind us, the Professor -said solemnly, "So much is already done. It may be that with all the -others we can be so successful, then the sunset of this evening may -shine of Madam Mina's forehead all white as ivory and with no stain!" - -As we passed across the lawn on our way to the station to catch our -train we could see the front of the asylum. I looked eagerly, and in -the window of my own room saw Mina. I waved my hand to her, and -nodded to tell that our work there was successfully accomplished. She -nodded in reply to show that she understood. The last I saw, she was -waving her hand in farewell. It was with a heavy heart that we sought -the station and just caught the train, which was steaming in as we -reached the platform. I have written this in the train. - - -Piccadilly, 12:30 o'clock.--Just before we reached Fenchurch Street -Lord Godalming said to me, "Quincey and I will find a locksmith. You -had better not come with us in case there should be any difficulty. -For under the circumstances it wouldn't seem so bad for us to break -into an empty house. But you are a solicitor and the Incorporated Law -Society might tell you that you should have known better." - -I demurred as to my not sharing any danger even of odium, but he went -on, "Besides, it will attract less attention if there are not too many -of us. My title will make it all right with the locksmith, and with -any policeman that may come along. You had better go with Jack and -the Professor and stay in the Green Park. Somewhere in sight of the -house, and when you see the door opened and the smith has gone away, -do you all come across. We shall be on the lookout for you, and shall -let you in." - -"The advice is good!" said Van Helsing, so we said no more. Godalming -and Morris hurried off in a cab, we following in another. At the -corner of Arlington Street our contingent got out and strolled into -the Green Park. My heart beat as I saw the house on which so much of -our hope was centred, looming up grim and silent in its deserted -condition amongst its more lively and spruce-looking neighbours. We -sat down on a bench within good view, and began to smoke cigars so as -to attract as little attention as possible. The minutes seemed to -pass with leaden feet as we waited for the coming of the others. - -At length we saw a four-wheeler drive up. Out of it, in leisurely -fashion, got Lord Godalming and Morris. And down from the box -descended a thick-set working man with his rush-woven basket of tools. -Morris paid the cabman, who touched his hat and drove away. Together -the two ascended the steps, and Lord Godalming pointed out what he -wanted done. The workman took off his coat leisurely and hung it on -one of the spikes of the rail, saying something to a policeman who -just then sauntered along. The policeman nodded acquiescence, and the -man kneeling down placed his bag beside him. After searching through -it, he took out a selection of tools which he proceeded to lay beside -him in orderly fashion. Then he stood up, looked in the keyhole, blew -into it, and turning to his employers, made some remark. Lord -Godalming smiled, and the man lifted a good sized bunch of keys. -Selecting one of them, he began to probe the lock, as if feeling his -way with it. After fumbling about for a bit he tried a second, and -then a third. All at once the door opened under a slight push from -him, and he and the two others entered the hall. We sat still. My -own cigar burnt furiously, but Van Helsing's went cold altogether. We -waited patiently as we saw the workman come out and bring his bag. -Then he held the door partly open, steadying it with his knees, whilst -he fitted a key to the lock. This he finally handed to Lord -Godalming, who took out his purse and gave him something. The man -touched his hat, took his bag, put on his coat and departed. Not a -soul took the slightest notice of the whole transaction. - -When the man had fairly gone, we three crossed the street and knocked -at the door. It was immediately opened by Quincey Morris, beside whom -stood Lord Godalming lighting a cigar. - -"The place smells so vilely," said the latter as we came in. It did -indeed smell vilely. Like the old chapel at Carfax. And with our -previous experience it was plain to us that the Count had been using -the place pretty freely. We moved to explore the house, all keeping -together in case of attack, for we knew we had a strong and wily enemy -to deal with, and as yet we did not know whether the Count might not -be in the house. - -In the dining room, which lay at the back of the hall, we found eight -boxes of earth. Eight boxes only out of the nine which we sought! -Our work was not over, and would never be until we should have found -the missing box. - -First we opened the shutters of the window which looked out across a -narrow stone flagged yard at the blank face of a stable, pointed to -look like the front of a miniature house. There were no windows in -it, so we were not afraid of being overlooked. We did not lose any -time in examining the chests. With the tools which we had brought -with us we opened them, one by one, and treated them as we had treated -those others in the old chapel. It was evident to us that the Count -was not at present in the house, and we proceeded to search for any of -his effects. - -After a cursory glance at the rest of the rooms, from basement to -attic, we came to the conclusion that the dining room contained any -effects which might belong to the Count. And so we proceeded to -minutely examine them. They lay in a sort of orderly disorder on the -great dining room table. - -There were title deeds of the Piccadilly house in a great bundle, -deeds of the purchase of the houses at Mile End and Bermondsey, -notepaper, envelopes, and pens and ink. All were covered up in thin -wrapping paper to keep them from the dust. There were also a clothes -brush, a brush and comb, and a jug and basin. The latter containing -dirty water which was reddened as if with blood. Last of all was a -little heap of keys of all sorts and sizes, probably those belonging -to the other houses. - -When we had examined this last find, Lord Godalming and Quincey Morris -taking accurate notes of the various addresses of the houses in the -East and the South, took with them the keys in a great bunch, and set -out to destroy the boxes in these places. The rest of us are, with -what patience we can, waiting their return, or the coming of the -Count. - - - - -CHAPTER 23 - - -DR. SEWARD'S DIARY - -3 October.--The time seemed terribly long whilst we were waiting for -the coming of Godalming and Quincey Morris. The Professor tried to -keep our minds active by using them all the time. I could see his -beneficent purpose, by the side glances which he threw from time to -time at Harker. The poor fellow is overwhelmed in a misery that is -appalling to see. Last night he was a frank, happy-looking man, with -strong, youthful face, full of energy, and with dark brown hair. -Today he is a drawn, haggard old man, whose white hair matches well -with the hollow burning eyes and grief-written lines of his face. His -energy is still intact. In fact, he is like a living flame. This may -yet be his salvation, for if all go well, it will tide him over the -despairing period. He will then, in a kind of way, wake again to the -realities of life. Poor fellow, I thought my own trouble was bad -enough, but his . . . ! - -The Professor knows this well enough, and is doing his best to keep -his mind active. What he has been saying was, under the -circumstances, of absorbing interest. So well as I can remember, here -it is: - -"I have studied, over and over again since they came into my hands, -all the papers relating to this monster, and the more I have studied, -the greater seems the necessity to utterly stamp him out. All through -there are signs of his advance. Not only of his power, but of his -knowledge of it. As I learned from the researches of my friend -Arminius of Buda-Pesth, he was in life a most wonderful man. Soldier, -statesman, and alchemist--which latter was the highest development of -the science knowledge of his time. He had a mighty brain, a learning -beyond compare, and a heart that knew no fear and no remorse. He -dared even to attend the Scholomance, and there was no branch of -knowledge of his time that he did not essay. - -"Well, in him the brain powers survived the physical death. Though it -would seem that memory was not all complete. In some faculties of -mind he has been, and is, only a child. But he is growing, and some -things that were childish at the first are now of man's stature. He -is experimenting, and doing it well. And if it had not been that we -have crossed his path he would be yet, he may be yet if we fail, the -father or furtherer of a new order of beings, whose road must lead -through Death, not Life." - -Harker groaned and said, "And this is all arrayed against my darling! -But how is he experimenting? The knowledge may help us to defeat -him!" - -"He has all along, since his coming, been trying his power, slowly but -surely. That big child-brain of his is working. Well for us, it is -as yet a child-brain. For had he dared, at the first, to attempt -certain things he would long ago have been beyond our power. However, -he means to succeed, and a man who has centuries before him can afford -to wait and to go slow. Festina lente may well be his motto." - -"I fail to understand," said Harker wearily. "Oh, do be more plain to -me! Perhaps grief and trouble are dulling my brain." - -The Professor laid his hand tenderly on his shoulder as he spoke, "Ah, -my child, I will be plain. Do you not see how, of late, this monster -has been creeping into knowledge experimentally. How he has been -making use of the zoophagous patient to effect his entry into friend -John's home. For your Vampire, though in all afterwards he can come -when and how he will, must at the first make entry only when asked -thereto by an inmate. But these are not his most important -experiments. Do we not see how at the first all these so great boxes -were moved by others. He knew not then but that must be so. But all -the time that so great child-brain of his was growing, and he began to -consider whether he might not himself move the box. So he began to -help. And then, when he found that this be all right, he try to move -them all alone. And so he progress, and he scatter these graves of -him. And none but he know where they are hidden. - -"He may have intend to bury them deep in the ground. So that only he -use them in the night, or at such time as he can change his form, they -do him equal well, and none may know these are his hiding place! But, -my child, do not despair, this knowledge came to him just too late! -Already all of his lairs but one be sterilize as for him. And before -the sunset this shall be so. Then he have no place where he can move -and hide. I delayed this morning that so we might be sure. Is there -not more at stake for us than for him? Then why not be more careful -than him? By my clock it is one hour and already, if all be well, -friend Arthur and Quincey are on their way to us. Today is our day, -and we must go sure, if slow, and lose no chance. See! There are -five of us when those absent ones return." - -Whilst we were speaking we were startled by a knock at the hall door, -the double postman's knock of the telegraph boy. We all moved out to -the hall with one impulse, and Van Helsing, holding up his hand to us -to keep silence, stepped to the door and opened it. The boy handed in -a dispatch. The Professor closed the door again, and after looking at -the direction, opened it and read aloud. - -"Look out for D. He has just now, 12:45, come from Carfax -hurriedly and hastened towards the South. He seems to be -going the round and may want to see you: Mina." - -There was a pause, broken by Jonathan Harker's voice, "Now, God be -thanked, we shall soon meet!" - -Van Helsing turned to him quickly and said, "God will act in His own -way and time. Do not fear, and do not rejoice as yet. For what we -wish for at the moment may be our own undoings." - -"I care for nothing now," he answered hotly, "except to wipe out this -brute from the face of creation. I would sell my soul to do it!" - -"Oh, hush, hush, my child!" said Van Helsing. "God does not purchase -souls in this wise, and the Devil, though he may purchase, does not -keep faith. But God is merciful and just, and knows your pain and -your devotion to that dear Madam Mina. Think you, how her pain would -be doubled, did she but hear your wild words. Do not fear any of us, -we are all devoted to this cause, and today shall see the end. The -time is coming for action. Today this Vampire is limit to the powers -of man, and till sunset he may not change. It will take him time to -arrive here, see it is twenty minutes past one, and there are yet some -times before he can hither come, be he never so quick. What we must -hope for is that my Lord Arthur and Quincey arrive first." - -About half an hour after we had received Mrs. Harker's telegram, there -came a quiet, resolute knock at the hall door. It was just an -ordinary knock, such as is given hourly by thousands of gentlemen, but -it made the Professor's heart and mine beat loudly. We looked at each -other, and together moved out into the hall. We each held ready to -use our various armaments, the spiritual in the left hand, the mortal -in the right. Van Helsing pulled back the latch, and holding the door -half open, stood back, having both hands ready for action. The -gladness of our hearts must have shown upon our faces when on the -step, close to the door, we saw Lord Godalming and Quincey Morris. -They came quickly in and closed the door behind them, the former -saying, as they moved along the hall: - -"It is all right. We found both places. Six boxes in each and we -destroyed them all." - -"Destroyed?" asked the Professor. - -"For him!" We were silent for a minute, and then Quincey said, -"There's nothing to do but to wait here. If, however, he doesn't turn -up by five o'clock, we must start off. For it won't do to leave Mrs. -Harker alone after sunset." - -"He will be here before long now," said Van Helsing, who had been -consulting his pocketbook. "Nota bene, in Madam's telegram he went -south from Carfax. That means he went to cross the river, and he -could only do so at slack of tide, which should be something before -one o'clock. That he went south has a meaning for us. He is as yet -only suspicious, and he went from Carfax first to the place where he -would suspect interference least. You must have been at Bermondsey -only a short time before him. That he is not here already shows that -he went to Mile End next. This took him some time, for he would then -have to be carried over the river in some way. Believe me, my -friends, we shall not have long to wait now. We should have ready -some plan of attack, so that we may throw away no chance. Hush, there -is no time now. Have all your arms! Be ready!" He held up a warning -hand as he spoke, for we all could hear a key softly inserted in the -lock of the hall door. - -I could not but admire, even at such a moment, the way in which a -dominant spirit asserted itself. In all our hunting parties and -adventures in different parts of the world, Quincey Morris had always -been the one to arrange the plan of action, and Arthur and I had been -accustomed to obey him implicitly. Now, the old habit seemed to be -renewed instinctively. With a swift glance around the room, he at -once laid out our plan of attack, and without speaking a word, with a -gesture, placed us each in position. Van Helsing, Harker, and I were -just behind the door, so that when it was opened the Professor could -guard it whilst we two stepped between the incomer and the door. -Godalming behind and Quincey in front stood just out of sight ready to -move in front of the window. We waited in a suspense that made the -seconds pass with nightmare slowness. The slow, careful steps came -along the hall. The Count was evidently prepared for some surprise, -at least he feared it. - -Suddenly with a single bound he leaped into the room. Winning a way -past us before any of us could raise a hand to stay him. There was -something so pantherlike in the movement, something so unhuman, that -it seemed to sober us all from the shock of his coming. The first to -act was Harker, who with a quick movement, threw himself before the -door leading into the room in the front of the house. As the Count -saw us, a horrible sort of snarl passed over his face, showing the -eyeteeth long and pointed. But the evil smile as quickly passed into -a cold stare of lion-like disdain. His expression again changed as, -with a single impulse, we all advanced upon him. It was a pity that -we had not some better organized plan of attack, for even at the -moment I wondered what we were to do. I did not myself know whether -our lethal weapons would avail us anything. - -Harker evidently meant to try the matter, for he had ready his great -Kukri knife and made a fierce and sudden cut at him. The blow was a -powerful one; only the diabolical quickness of the Count's leap back -saved him. A second less and the trenchant blade had shorn through -his heart. As it was, the point just cut the cloth of his coat, -making a wide gap whence a bundle of bank notes and a stream -of gold fell out. The expression of the Count's face was so hellish, -that for a moment I feared for Harker, though I saw him throw the -terrible knife aloft again for another stroke. Instinctively I moved -forward with a protective impulse, holding the Crucifix and Wafer in -my left hand. I felt a mighty power fly along my arm, and it was -without surprise that I saw the monster cower back before a similar -movement made spontaneously by each one of us. It would be impossible -to describe the expression of hate and baffled malignity, of anger and -hellish rage, which came over the Count's face. His waxen hue became -greenish-yellow by the contrast of his burning eyes, and the red scar -on the forehead showed on the pallid skin like a palpitating wound. -The next instant, with a sinuous dive he swept under Harker's arm, ere -his blow could fall, and grasping a handful of the money from the -floor, dashed across the room, threw himself at the window. Amid the -crash and glitter of the falling glass, he tumbled into the flagged -area below. Through the sound of the shivering glass I could hear the -"ting" of the gold, as some of the sovereigns fell on the flagging. - -We ran over and saw him spring unhurt from the ground. He, rushing up -the steps, crossed the flagged yard, and pushed open the stable door. -There he turned and spoke to us. - -"You think to baffle me, you with your pale faces all in a row, like -sheep in a butcher's. You shall be sorry yet, each one of you! You -think you have left me without a place to rest, but I have more. My -revenge is just begun! I spread it over centuries, and time is on my -side. Your girls that you all love are mine already. And through -them you and others shall yet be mine, my creatures, to do my bidding -and to be my jackals when I want to feed. Bah!" - -With a contemptuous sneer, he passed quickly through the door, and we -heard the rusty bolt creak as he fastened it behind him. A door -beyond opened and shut. The first of us to speak was the Professor. -Realizing the difficulty of following him through the stable, we moved -toward the hall. - -"We have learnt something . . . much! Notwithstanding his brave words, -he fears us. He fears time, he fears want! For if not, why he hurry -so? His very tone betray him, or my ears deceive. Why take that -money? You follow quick. You are hunters of the wild beast, and -understand it so. For me, I make sure that nothing here may be of use -to him, if so that he returns." - -As he spoke he put the money remaining in his pocket, took the title -deeds in the bundle as Harker had left them, and swept the remaining -things into the open fireplace, where he set fire to them with a -match. - -Godalming and Morris had rushed out into the yard, and Harker had -lowered himself from the window to follow the Count. He had, however, -bolted the stable door, and by the time they had forced it open there -was no sign of him. Van Helsing and I tried to make inquiry at the -back of the house. But the mews was deserted and no one had seen him -depart. - -It was now late in the afternoon, and sunset was not far off. We had -to recognize that our game was up. With heavy hearts we agreed with -the Professor when he said, "Let us go back to Madam Mina. Poor, poor -dear Madam Mina. All we can do just now is done, and we can there, at -least, protect her. But we need not despair. There is but one more -earth box, and we must try to find it. When that is done all may yet -be well." - -I could see that he spoke as bravely as he could to comfort Harker. -The poor fellow was quite broken down, now and again he gave a low -groan which he could not suppress. He was thinking of his wife. - -With sad hearts we came back to my house, where we found Mrs. Harker -waiting us, with an appearance of cheerfulness which did honour to her -bravery and unselfishness. When she saw our faces, her own became as -pale as death. For a second or two her eyes were closed as if she -were in secret prayer. - -And then she said cheerfully, "I can never thank you all enough. Oh, -my poor darling!" - -As she spoke, she took her husband's grey head in her hands and kissed -it. - -"Lay your poor head here and rest it. All will yet be well, dear! God -will protect us if He so will it in His good intent." The poor fellow -groaned. There was no place for words in his sublime misery. - -We had a sort of perfunctory supper together, and I think it cheered -us all up somewhat. It was, perhaps, the mere animal heat of food to -hungry people, for none of us had eaten anything since breakfast, or -the sense of companionship may have helped us, but anyhow we were all -less miserable, and saw the morrow as not altogether without hope. - -True to our promise, we told Mrs. Harker everything which had passed. -And although she grew snowy white at times when danger had seemed to -threaten her husband, and red at others when his devotion to her was -manifested, she listened bravely and with calmness. When we came to -the part where Harker had rushed at the Count so recklessly, she clung -to her husband's arm, and held it tight as though her clinging could -protect him from any harm that might come. She said nothing, however, -till the narration was all done, and matters had been brought up to -the present time. - -Then without letting go her husband's hand she stood up amongst us and -spoke. Oh, that I could give any idea of the scene. Of that sweet, -sweet, good, good woman in all the radiant beauty of her youth and -animation, with the red scar on her forehead, of which she was -conscious, and which we saw with grinding of our teeth, remembering -whence and how it came. Her loving kindness against our grim hate. -Her tender faith against all our fears and doubting. And we, knowing -that so far as symbols went, she with all her goodness and purity and -faith, was outcast from God. - -"Jonathan," she said, and the word sounded like music on her lips it -was so full of love and tenderness, "Jonathan dear, and you all my -true, true friends, I want you to bear something in mind through all -this dreadful time. I know that you must fight. That you must -destroy even as you destroyed the false Lucy so that the true Lucy -might live hereafter. But it is not a work of hate. That poor soul -who has wrought all this misery is the saddest case of all. Just -think what will be his joy when he, too, is destroyed in his worser -part that his better part may have spiritual immortality. You must be -pitiful to him, too, though it may not hold your hands from his -destruction." - -As she spoke I could see her husband's face darken and draw together, -as though the passion in him were shriveling his being to its core. -Instinctively the clasp on his wife's hand grew closer, till his -knuckles looked white. She did not flinch from the pain which I knew -she must have suffered, but looked at him with eyes that were more -appealing than ever. - -As she stopped speaking he leaped to his feet, almost tearing his hand -from hers as he spoke. - -"May God give him into my hand just for long enough to destroy that -earthly life of him which we are aiming at. If beyond it I could send -his soul forever and ever to burning hell I would do it!" - -"Oh, hush! Oh, hush in the name of the good God. Don't say such -things, Jonathan, my husband, or you will crush me with fear and -horror. Just think, my dear . . . I have been thinking all this long, -long day of it . . . that . . . perhaps . . . some day . . . I, too, may -need such pity, and that some other like you, and with equal cause for -anger, may deny it to me! Oh, my husband! My husband, indeed I would -have spared you such a thought had there been another way. But I pray -that God may not have treasured your wild words, except as the -heart-broken wail of a very loving and sorely stricken man. Oh, God, -let these poor white hairs go in evidence of what he has suffered, who -all his life has done no wrong, and on whom so many sorrows have -come." - -We men were all in tears now. There was no resisting them, and we -wept openly. She wept, too, to see that her sweeter counsels had -prevailed. Her husband flung himself on his knees beside her, and -putting his arms round her, hid his face in the folds of her dress. -Van Helsing beckoned to us and we stole out of the room, leaving the -two loving hearts alone with their God. - -Before they retired the Professor fixed up the room against any coming -of the Vampire, and assured Mrs. Harker that she might rest in peace. -She tried to school herself to the belief, and manifestly for her -husband's sake, tried to seem content. It was a brave struggle, and -was, I think and believe, not without its reward. Van Helsing had -placed at hand a bell which either of them was to sound in case of any -emergency. When they had retired, Quincey, Godalming, and I arranged -that we should sit up, dividing the night between us, and watch over -the safety of the poor stricken lady. The first watch falls to -Quincey, so the rest of us shall be off to bed as soon as we can. - -Godalming has already turned in, for his is the second watch. Now -that my work is done I, too, shall go to bed. - - - -JONATHAN HARKER'S JOURNAL - -3-4 October, close to midnight.--I thought yesterday would never end. -There was over me a yearning for sleep, in some sort of blind belief -that to wake would be to find things changed, and that any change must -now be for the better. Before we parted, we discussed what our next -step was to be, but we could arrive at no result. All we knew was -that one earth box remained, and that the Count alone knew where it -was. If he chooses to lie hidden, he may baffle us for years. And in -the meantime, the thought is too horrible, I dare not think of it even -now. This I know, that if ever there was a woman who was all -perfection, that one is my poor wronged darling. I loved her a -thousand times more for her sweet pity of last night, a pity that made -my own hate of the monster seem despicable. Surely God will not -permit the world to be the poorer by the loss of such a creature. This -is hope to me. We are all drifting reefwards now, and faith is our -only anchor. Thank God! Mina is sleeping, and sleeping without -dreams. I fear what her dreams might be like, with such terrible -memories to ground them in. She has not been so calm, within my -seeing, since the sunset. Then, for a while, there came over her face -a repose which was like spring after the blasts of March. I thought -at the time that it was the softness of the red sunset on her face, -but somehow now I think it has a deeper meaning. I am not sleepy -myself, though I am weary . . . weary to death. However, I must try -to sleep. For there is tomorrow to think of, and there is no rest for -me until . . . - - -Later--I must have fallen asleep, for I was awakened by Mina, who was -sitting up in bed, with a startled look on her face. I could see -easily, for we did not leave the room in darkness. She had placed a -warning hand over my mouth, and now she whispered in my ear, "Hush! -There is someone in the corridor!" I got up softly, and crossing the -room, gently opened the door. - -Just outside, stretched on a mattress, lay Mr. Morris, wide awake. He -raised a warning hand for silence as he whispered to me, "Hush! Go -back to bed. It is all right. One of us will be here all night. We -don't mean to take any chances!" - -His look and gesture forbade discussion, so I came back and told Mina. -She sighed and positively a shadow of a smile stole over her poor, -pale face as she put her arms round me and said softly, "Oh, thank God -for good brave men!" With a sigh she sank back again to sleep. I -write this now as I am not sleepy, though I must try again. - - -4 October, morning.--Once again during the night I was wakened by -Mina. This time we had all had a good sleep, for the grey of the -coming dawn was making the windows into sharp oblongs, and the gas -flame was like a speck rather than a disc of light. - -She said to me hurriedly, "Go, call the Professor. I want to see him -at once." - -"Why?" I asked. - -"I have an idea. I suppose it must have come in the night, and -matured without my knowing it. He must hypnotize me before the dawn, -and then I shall be able to speak. Go quick, dearest, the time is -getting close." - -I went to the door. Dr. Seward was resting on the mattress, and -seeing me, he sprang to his feet. - -"Is anything wrong?" he asked, in alarm. - -"No," I replied. "But Mina wants to see Dr. Van Helsing at once." - -"I will go," he said, and hurried into the Professor's room. - -Two or three minutes later Van Helsing was in the room in his dressing -gown, and Mr. Morris and Lord Godalming were with Dr. Seward at the -door asking questions. When the Professor saw Mina a smile, a -positive smile ousted the anxiety of his face. - -He rubbed his hands as he said, "Oh, my dear Madam Mina, this is -indeed a change. See! Friend Jonathan, we have got our dear Madam -Mina, as of old, back to us today!" Then turning to her, he said -cheerfully, "And what am I to do for you? For at this hour you do not -want me for nothing." - -"I want you to hypnotize me!" she said. "Do it before the dawn, for I -feel that then I can speak, and speak freely. Be quick, for the time -is short!" Without a word he motioned her to sit up in bed. - -Looking fixedly at her, he commenced to make passes in front of her, -from over the top of her head downward, with each hand in turn. Mina -gazed at him fixedly for a few minutes, during which my own heart beat -like a trip hammer, for I felt that some crisis was at hand. -Gradually her eyes closed, and she sat, stock still. Only by the -gentle heaving of her bosom could one know that she was alive. The -Professor made a few more passes and then stopped, and I could see -that his forehead was covered with great beads of perspiration. Mina -opened her eyes, but she did not seem the same woman. There was a -far-away look in her eyes, and her voice had a sad dreaminess which -was new to me. Raising his hand to impose silence, the Professor -motioned to me to bring the others in. They came on tiptoe, closing -the door behind them, and stood at the foot of the bed, looking on. -Mina appeared not to see them. The stillness was broken by Van -Helsing's voice speaking in a low level tone which would not break the -current of her thoughts. - -"Where are you?" The answer came in a neutral way. - -"I do not know. Sleep has no place it can call its own." For several -minutes there was silence. Mina sat rigid, and the Professor stood -staring at her fixedly. - -The rest of us hardly dared to breathe. The room was growing lighter. -Without taking his eyes from Mina's face, Dr. Van Helsing motioned me -to pull up the blind. I did so, and the day seemed just upon us. A -red streak shot up, and a rosy light seemed to diffuse itself through -the room. On the instant the Professor spoke again. - -"Where are you now?" - -The answer came dreamily, but with intention. It were as though she -were interpreting something. I have heard her use the same tone when -reading her shorthand notes. - -"I do not know. It is all strange to me!" - -"What do you see?" - -"I can see nothing. It is all dark." - -"What do you hear?" I could detect the strain in the Professor's -patient voice. - -"The lapping of water. It is gurgling by, and little waves leap. I -can hear them on the outside." - -"Then you are on a ship?'" - -We all looked at each other, trying to glean something each from the -other. We were afraid to think. - -The answer came quick, "Oh, yes!" - -"What else do you hear?" - -"The sound of men stamping overhead as they run about. There is the -creaking of a chain, and the loud tinkle as the check of the capstan -falls into the ratchet." - -"What are you doing?" - -"I am still, oh so still. It is like death!" The voice faded away -into a deep breath as of one sleeping, and the open eyes closed again. - -By this time the sun had risen, and we were all in the full light of -day. Dr. Van Helsing placed his hands on Mina's shoulders, and laid -her head down softly on her pillow. She lay like a sleeping child for -a few moments, and then, with a long sigh, awoke and stared in wonder -to see us all around her. - -"Have I been talking in my sleep?" was all she said. She seemed, -however, to know the situation without telling, though she was eager -to know what she had told. The Professor repeated the conversation, -and she said, "Then there is not a moment to lose. It may not be yet -too late!" - -Mr. Morris and Lord Godalming started for the door but the Professor's -calm voice called them back. - -"Stay, my friends. That ship, wherever it was, was weighing anchor at -the moment in your so great Port of London. Which of them is it that -you seek? God be thanked that we have once again a clue, though -whither it may lead us we know not. We have been blind somewhat. -Blind after the manner of men, since we can look back we see what we -might have seen looking forward if we had been able to see what we -might have seen! Alas, but that sentence is a puddle, is it not? We -can know now what was in the Count's mind, when he seize that money, -though Jonathan's so fierce knife put him in the danger that even he -dread. He meant escape. Hear me, ESCAPE! He saw that with but one -earth box left, and a pack of men following like dogs after a fox, -this London was no place for him. He have take his last earth box on -board a ship, and he leave the land. He think to escape, but no! We -follow him. Tally Ho! As friend Arthur would say when he put on his -red frock! Our old fox is wily. Oh! So wily, and we must follow -with wile. I, too, am wily and I think his mind in a little while. -In meantime we may rest and in peace, for there are between us which -he do not want to pass, and which he could not if he would. Unless -the ship were to touch the land, and then only at full or slack tide. -See, and the sun is just rose, and all day to sunset is us. Let us -take bath, and dress, and have breakfast which we all need, and which -we can eat comfortably since he be not in the same land with us." - -Mina looked at him appealingly as she asked, "But why need we seek him -further, when he is gone away from us?" - -He took her hand and patted it as he replied, "Ask me nothing as yet. -When we have breakfast, then I answer all questions." He would say no -more, and we separated to dress. - -After breakfast Mina repeated her question. He looked at her gravely -for a minute and then said sorrowfully, "Because my dear, dear Madam -Mina, now more than ever must we find him even if we have to follow -him to the jaws of Hell!" - -She grew paler as she asked faintly, "Why?" - -"Because," he answered solemnly, "he can live for centuries, and you -are but mortal woman. Time is now to be dreaded, since once he put -that mark upon your throat." - -I was just in time to catch her as she fell forward in a faint. - - - - -CHAPTER 24 - - -DR. SEWARD'S PHONOGRAPH DIARY - -SPOKEN BY VAN HELSING - -This to Jonathan Harker. - -You are to stay with your dear Madam Mina. We shall go to make our -search, if I can call it so, for it is not search but knowing, and we -seek confirmation only. But do you stay and take care of her today. -This is your best and most holiest office. This day nothing can find -him here. - -Let me tell you that so you will know what we four know already, for I -have tell them. He, our enemy, have gone away. He have gone back to -his Castle in Transylvania. I know it so well, as if a great hand of -fire wrote it on the wall. He have prepare for this in some way, and -that last earth box was ready to ship somewheres. For this he took -the money. For this he hurry at the last, lest we catch him before -the sun go down. It was his last hope, save that he might hide in the -tomb that he think poor Miss Lucy, being as he thought like him, keep -open to him. But there was not of time. When that fail he make -straight for his last resource, his last earth-work I might say did I -wish double entente. He is clever, oh so clever! He know that his -game here was finish. And so he decide he go back home. He find ship -going by the route he came, and he go in it. - -We go off now to find what ship, and whither bound. When we have -discover that, we come back and tell you all. Then we will comfort -you and poor Madam Mina with new hope. For it will be hope when you -think it over, that all is not lost. This very creature that we -pursue, he take hundreds of years to get so far as London. And yet in -one day, when we know of the disposal of him we drive him out. He is -finite, though he is powerful to do much harm and suffers not as we -do. But we are strong, each in our purpose, and we are all more -strong together. Take heart afresh, dear husband of Madam Mina. This -battle is but begun and in the end we shall win. So sure as that God -sits on high to watch over His children. Therefore be of much comfort -till we return. - -VAN HELSING. - - - - - -JONATHAN HARKER'S JOURNAL - -4 October.--When I read to Mina, Van Helsing's message in the -phonograph, the poor girl brightened up considerably. Already the -certainty that the Count is out of the country has given her comfort. -And comfort is strength to her. For my own part, now that his -horrible danger is not face to face with us, it seems almost -impossible to believe in it. Even my own terrible experiences in -Castle Dracula seem like a long forgotten dream. Here in the crisp -autumn air in the bright sunlight. - -Alas! How can I disbelieve! In the midst of my thought my eye fell -on the red scar on my poor darling's white forehead. Whilst that -lasts, there can be no disbelief. Mina and I fear to be idle, so we -have been over all the diaries again and again. Somehow, although the -reality seem greater each time, the pain and the fear seem less. There -is something of a guiding purpose manifest throughout, which is -comforting. Mina says that perhaps we are the instruments of ultimate -good. It may be! I shall try to think as she does. We have never -spoken to each other yet of the future. It is better to wait till we -see the Professor and the others after their investigations. - -The day is running by more quickly than I ever thought a day could run -for me again. It is now three o'clock. - - - - - -MINA HARKER'S JOURNAL - -5 October, 5 P.M.--Our meeting for report. Present: Professor Van -Helsing, Lord Godalming, Dr. Seward, Mr. Quincey Morris, Jonathan -Harker, Mina Harker. - -Dr. Van Helsing described what steps were taken during the day to -discover on what boat and whither bound Count Dracula made his escape. - -"As I knew that he wanted to get back to Transylvania, I felt sure -that he must go by the Danube mouth, or by somewhere in the Black Sea, -since by that way he come. It was a dreary blank that was before us. -Omme ignotum pro magnifico, and so with heavy hearts we start to find -what ships leave for the Black Sea last night. He was in sailing -ship, since Madam Mina tell of sails being set. These not so -important as to go in your list of the shipping in the Times, and so -we go, by suggestion of Lord Godalming, to your Lloyd's, where are -note of all ships that sail, however so small. There we find that -only one Black Sea bound ship go out with the tide. She is the -Czarina Catherine, and she sail from Doolittle's Wharf for Varna, and -thence to other ports and up the Danube. 'So!' said I, 'this is the -ship whereon is the Count.' So off we go to Doolittle's Wharf, and -there we find a man in an office. From him we inquire of the goings -of the Czarina Catherine. He swear much, and he red face and loud of -voice, but he good fellow all the same. And when Quincey give him -something from his pocket which crackle as he roll it up, and put it -in a so small bag which he have hid deep in his clothing, he still -better fellow and humble servant to us. He come with us, and ask many -men who are rough and hot. These be better fellows too when they have -been no more thirsty. They say much of blood and bloom, and of others -which I comprehend not, though I guess what they mean. But -nevertheless they tell us all things which we want to know. - -"They make known to us among them, how last afternoon at about five -o'clock comes a man so hurry. A tall man, thin and pale, with high -nose and teeth so white, and eyes that seem to be burning. That he be -all in black, except that he have a hat of straw which suit not him or -the time. That he scatter his money in making quick inquiry as to -what ship sails for the Black Sea and for where. Some took him to the -office and then to the ship, where he will not go aboard but halt at -shore end of gangplank, and ask that the captain come to him. The -captain come, when told that he will be pay well, and though he swear -much at the first he agree to term. Then the thin man go and some one -tell him where horse and cart can be hired. He go there and soon he -come again, himself driving cart on which a great box. This he -himself lift down, though it take several to put it on truck for the -ship. He give much talk to captain as to how and where his box is to -be place. But the captain like it not and swear at him in many -tongues, and tell him that if he like he can come and see where it -shall be. But he say 'no,' that he come not yet, for that he have -much to do. Whereupon the captain tell him that he had better be -quick, with blood, for that his ship will leave the place, of blood, -before the turn of the tide, with blood. Then the thin man smile and -say that of course he must go when he think fit, but he will be -surprise if he go quite so soon. The captain swear again, polyglot, -and the thin man make him bow, and thank him, and say that he will so -far intrude on his kindness as to come aboard before the sailing. -Final the captain, more red than ever, and in more tongues, tell him -that he doesn't want no Frenchmen, with bloom upon them and also with -blood, in his ship, with blood on her also. And so, after asking -where he might purchase ship forms, he departed. - -"No one knew where he went 'or bloomin' well cared' as they said, for -they had something else to think of, well with blood again. For it -soon became apparent to all that the Czarina Catherine would not sail -as was expected. A thin mist began to creep up from the river, and it -grew, and grew. Till soon a dense fog enveloped the ship and all -around her. The captain swore polyglot, very polyglot, polyglot with -bloom and blood, but he could do nothing. The water rose and rose, -and he began to fear that he would lose the tide altogether. He was -in no friendly mood, when just at full tide, the thin man came up the -gangplank again and asked to see where his box had been stowed. Then -the captain replied that he wished that he and his box, old and with -much bloom and blood, were in hell. But the thin man did not be -offend, and went down with the mate and saw where it was place, and -came up and stood awhile on deck in fog. He must have come off by -himself, for none notice him. Indeed they thought not of him, for -soon the fog begin to melt away, and all was clear again. My friends -of the thirst and the language that was of bloom and blood laughed, as -they told how the captain's swears exceeded even his usual polyglot, -and was more than ever full of picturesque, when on questioning other -mariners who were on movement up and down the river that hour, he -found that few of them had seen any of fog at all, except where it lay -round the wharf. However, the ship went out on the ebb tide, and was -doubtless by morning far down the river mouth. She was then, when -they told us, well out to sea. - -"And so, my dear Madam Mina, it is that we have to rest for a time, -for our enemy is on the sea, with the fog at his command, on his way -to the Danube mouth. To sail a ship takes time, go she never so -quick. And when we start to go on land more quick, and we meet him -there. Our best hope is to come on him when in the box between -sunrise and sunset. For then he can make no struggle, and we may deal -with him as we should. There are days for us, in which we can make -ready our plan. We know all about where he go. For we have seen the -owner of the ship, who have shown us invoices and all papers that can -be. The box we seek is to be landed in Varna, and to be given to an -agent, one Ristics who will there present his credentials. And so our -merchant friend will have done his part. When he ask if there be any -wrong, for that so, he can telegraph and have inquiry made at Varna, -we say 'no,' for what is to be done is not for police or of the -customs. It must be done by us alone and in our own way." - -When Dr. Van Helsing had done speaking, I asked him if he were certain -that the Count had remained on board the ship. He replied, "We have -the best proof of that, your own evidence, when in the hypnotic trance -this morning." - -I asked him again if it were really necessary that they should pursue -the Count, for oh! I dread Jonathan leaving me, and I know that he -would surely go if the others went. He answered in growing passion, -at first quietly. As he went on, however, he grew more angry and more -forceful, till in the end we could not but see wherein was at least -some of that personal dominance which made him so long a master -amongst men. - -"Yes, it is necessary, necessary, necessary! For your sake in the -first, and then for the sake of humanity. This monster has done much -harm already, in the narrow scope where he find himself, and in the -short time when as yet he was only as a body groping his so small -measure in darkness and not knowing. All this have I told these -others. You, my dear Madam Mina, will learn it in the phonograph of -my friend John, or in that of your husband. I have told them how the -measure of leaving his own barren land, barren of peoples, and coming -to a new land where life of man teems till they are like the multitude -of standing corn, was the work of centuries. Were another of the -Undead, like him, to try to do what he has done, perhaps not all the -centuries of the world that have been, or that will be, could aid him. -With this one, all the forces of nature that are occult and deep and -strong must have worked together in some wonderous way. The very -place, where he have been alive, Undead for all these centuries, is -full of strangeness of the geologic and chemical world. There are -deep caverns and fissures that reach none know whither. There have -been volcanoes, some of whose openings still send out waters of -strange properties, and gases that kill or make to vivify. Doubtless, -there is something magnetic or electric in some of these combinations -of occult forces which work for physical life in strange way, and in -himself were from the first some great qualities. In a hard and -warlike time he was celebrate that he have more iron nerve, more -subtle brain, more braver heart, than any man. In him some vital -principle have in strange way found their utmost. And as his body -keep strong and grow and thrive, so his brain grow too. All this -without that diabolic aid which is surely to him. For it have to -yield to the powers that come from, and are, symbolic of good. And -now this is what he is to us. He have infect you, oh forgive me, my -dear, that I must say such, but it is for good of you that I speak. He -infect you in such wise, that even if he do no more, you have only to -live, to live in your own old, sweet way, and so in time, death, which -is of man's common lot and with God's sanction, shall make you like to -him. This must not be! We have sworn together that it must not. -Thus are we ministers of God's own wish. That the world, and men for -whom His Son die, will not be given over to monsters, whose very -existence would defame Him. He have allowed us to redeem one soul -already, and we go out as the old knights of the Cross to redeem -more. Like them we shall travel towards the sunrise. And like them, -if we fall, we fall in good cause." - -He paused and I said, "But will not the Count take his rebuff wisely? -Since he has been driven from England, will he not avoid it, as a -tiger does the village from which he has been hunted?" - -"Aha!" he said, "your simile of the tiger good, for me, and I shall -adopt him. Your maneater, as they of India call the tiger who has -once tasted blood of the human, care no more for the other prey, but -prowl unceasing till he get him. This that we hunt from our village -is a tiger, too, a maneater, and he never cease to prowl. Nay, in -himself he is not one to retire and stay afar. In his life, his -living life, he go over the Turkey frontier and attack his enemy on -his own ground. He be beaten back, but did he stay? No! He come -again, and again, and again. Look at his persistence and endurance. -With the child-brain that was to him he have long since conceive the -idea of coming to a great city. What does he do? He find out the -place of all the world most of promise for him. Then he deliberately -set himself down to prepare for the task. He find in patience just -how is his strength, and what are his powers. He study new tongues. -He learn new social life, new environment of old ways, the politics, -the law, the finance, the science, the habit of a new land and a new -people who have come to be since he was. His glimpse that he have -had, whet his appetite only and enkeen his desire. Nay, it help him -to grow as to his brain. For it all prove to him how right he was at -the first in his surmises. He have done this alone, all alone! From -a ruin tomb in a forgotten land. What more may he not do when the -greater world of thought is open to him. He that can smile at death, -as we know him. Who can flourish in the midst of diseases that kill -off whole peoples. Oh! If such an one was to come from God, and not -the Devil, what a force for good might he not be in this old world of -ours. But we are pledged to set the world free. Our toil must be in -silence, and our efforts all in secret. For in this enlightened age, -when men believe not even what they see, the doubting of wise men -would be his greatest strength. It would be at once his sheath and -his armor, and his weapons to destroy us, his enemies, who are willing -to peril even our own souls for the safety of one we love. For the -good of mankind, and for the honour and glory of God." - -After a general discussion it was determined that for tonight nothing -be definitely settled. That we should all sleep on the facts, and try -to think out the proper conclusions. Tomorrow, at breakfast, we are -to meet again, and after making our conclusions known to one another, -we shall decide on some definite cause of action . . . - -I feel a wonderful peace and rest tonight. It is as if some haunting -presence were removed from me. Perhaps . . . - -My surmise was not finished, could not be, for I caught sight in the -mirror of the red mark upon my forehead, and I knew that I was still -unclean. - - - - -DR. SEWARD'S DIARY - -5 October.--We all arose early, and I think that sleep did much for -each and all of us. When we met at early breakfast there was more -general cheerfulness than any of us had ever expected to experience -again. - -It is really wonderful how much resilience there is in human nature. -Let any obstructing cause, no matter what, be removed in any way, even -by death, and we fly back to first principles of hope and enjoyment. -More than once as we sat around the table, my eyes opened in wonder -whether the whole of the past days had not been a dream. It was only -when I caught sight of the red blotch on Mrs. Harker's forehead that I -was brought back to reality. Even now, when I am gravely revolving -the matter, it is almost impossible to realize that the cause of all -our trouble is still existent. Even Mrs. Harker seems to lose sight -of her trouble for whole spells. It is only now and again, when -something recalls it to her mind, that she thinks of her terrible -scar. We are to meet here in my study in half an hour and decide on -our course of action. I see only one immediate difficulty, I know it -by instinct rather than reason. We shall all have to speak frankly. -And yet I fear that in some mysterious way poor Mrs. Harker's tongue -is tied. I know that she forms conclusions of her own, and from all -that has been I can guess how brilliant and how true they must be. -But she will not, or cannot, give them utterance. I have mentioned -this to Van Helsing, and he and I are to talk it over when we are -alone. I suppose it is some of that horrid poison which has got into -her veins beginning to work. The Count had his own purposes when he -gave her what Van Helsing called "the Vampire's baptism of blood." -Well, there may be a poison that distills itself out of good things. -In an age when the existence of ptomaines is a mystery we should not -wonder at anything! One thing I know, that if my instinct be true -regarding poor Mrs. Harker's silences, then there is a terrible -difficulty, an unknown danger, in the work before us. The same power -that compels her silence may compel her speech. I dare not think -further, for so I should in my thoughts dishonour a noble woman! - - -Later.--When the Professor came in, we talked over the state of -things. I could see that he had something on his mind, which he -wanted to say, but felt some hesitancy about broaching the subject. -After beating about the bush a little, he said, "Friend John, there is -something that you and I must talk of alone, just at the first at any -rate. Later, we may have to take the others into our confidence." - -Then he stopped, so I waited. He went on, "Madam Mina, our poor, dear -Madam Mina is changing." - -A cold shiver ran through me to find my worst fears thus endorsed. -Van Helsing continued. - -"With the sad experience of Miss Lucy, we must this time be warned -before things go too far. Our task is now in reality more difficult -than ever, and this new trouble makes every hour of the direst -importance. I can see the characteristics of the vampire coming in -her face. It is now but very, very slight. But it is to be seen if -we have eyes to notice without prejudge. Her teeth are sharper, and -at times her eyes are more hard. But these are not all, there is to -her the silence now often, as so it was with Miss Lucy. She did not -speak, even when she wrote that which she wished to be known later. -Now my fear is this. If it be that she can, by our hypnotic trance, -tell what the Count see and hear, is it not more true that he who have -hypnotize her first, and who have drink of her very blood and make her -drink of his, should if he will, compel her mind to disclose to him -that which she know?" - -I nodded acquiescence. He went on, "Then, what we must do is to -prevent this. We must keep her ignorant of our intent, and so she -cannot tell what she know not. This is a painful task! Oh, so -painful that it heartbreak me to think of it, but it must be. When -today we meet, I must tell her that for reason which we will not to -speak she must not more be of our council, but be simply guarded by -us." - -He wiped his forehead, which had broken out in profuse perspiration at -the thought of the pain which he might have to inflict upon the poor -soul already so tortured. I knew that it would be some sort of -comfort to him if I told him that I also had come to the same -conclusion. For at any rate it would take away the pain of doubt. I -told him, and the effect was as I expected. - -It is now close to the time of our general gathering. Van Helsing has -gone away to prepare for the meeting, and his painful part of it. I -really believe his purpose is to be able to pray alone. - - -Later.--At the very outset of our meeting a great personal relief was -experienced by both Van Helsing and myself. Mrs. Harker had sent a -message by her husband to say that she would not join us at present, -as she thought it better that we should be free to discuss our -movements without her presence to embarrass us. The Professor and I -looked at each other for an instant, and somehow we both seemed -relieved. For my own part, I thought that if Mrs. Harker realized the -danger herself, it was much pain as well as much danger averted. -Under the circumstances we agreed, by a questioning look and answer, -with finger on lip, to preserve silence in our suspicions, until we -should have been able to confer alone again. We went at once into our -Plan of Campaign. - -Van Helsing roughly put the facts before us first, "The Czarina -Catherine left the Thames yesterday morning. It will take her at the -quickest speed she has ever made at least three weeks to reach Varna. -But we can travel overland to the same place in three days. Now, if -we allow for two days less for the ship's voyage, owing to such -weather influences as we know that the Count can bring to bear, and if -we allow a whole day and night for any delays which may occur to us, -then we have a margin of nearly two weeks. - -"Thus, in order to be quite safe, we must leave here on 17th at -latest. Then we shall at any rate be in Varna a day before the ship -arrives, and able to make such preparations as may be necessary. Of -course we shall all go armed, armed against evil things, spiritual as -well as physical." - -Here Quincey Morris added, "I understand that the Count comes from a -wolf country, and it may be that he shall get there before us. I -propose that we add Winchesters to our armament. I have a kind of -belief in a Winchester when there is any trouble of that sort around. -Do you remember, Art, when we had the pack after us at Tobolsk? What -wouldn't we have given then for a repeater apiece!" - -"Good!" said Van Helsing, "Winchesters it shall be. Quincey's head is -level at times, but most so when there is to hunt, metaphor be more -dishonour to science than wolves be of danger to man. In the meantime -we can do nothing here. And as I think that Varna is not familiar to -any of us, why not go there more soon? It is as long to wait here as -there. Tonight and tomorrow we can get ready, and then if all be -well, we four can set out on our journey." - -"We four?" said Harker interrogatively, looking from one to another of -us. - -"Of course!" answered the Professor quickly. "You must remain to take -care of your so sweet wife!" - -Harker was silent for awhile and then said in a hollow voice, "Let us -talk of that part of it in the morning. I want to consult with Mina." - -I thought that now was the time for Van Helsing to warn him not to -disclose our plan to her, but he took no notice. I looked at him -significantly and coughed. For answer he put his finger to his lips -and turned away. - - - -JONATHAN HARKER'S JOURNAL - -5 October, afternoon.--For some time after our meeting this morning I -could not think. The new phases of things leave my mind in a state of -wonder which allows no room for active thought. Mina's determination -not to take any part in the discussion set me thinking. And as I -could not argue the matter with her, I could only guess. I am as far -as ever from a solution now. The way the others received it, too -puzzled me. The last time we talked of the subject we agreed that -there was to be no more concealment of anything amongst us. Mina is -sleeping now, calmly and sweetly like a little child. Her lips are -curved and her face beams with happiness. Thank God, there are such -moments still for her. - - -Later.--How strange it all is. I sat watching Mina's happy sleep, and -I came as near to being happy myself as I suppose I shall ever be. As -the evening drew on, and the earth took its shadows from the sun -sinking lower, the silence of the room grew more and more solemn to -me. - -All at once Mina opened her eyes, and looking at me tenderly said, -"Jonathan, I want you to promise me something on your word of honour. -A promise made to me, but made holily in God's hearing, and not to be -broken though I should go down on my knees and implore you with bitter -tears. Quick, you must make it to me at once." - -"Mina," I said, "a promise like that, I cannot make at once. I may -have no right to make it." - -"But, dear one," she said, with such spiritual intensity that her eyes -were like pole stars, "it is I who wish it. And it is not for myself. -You can ask Dr. Van Helsing if I am not right. If he disagrees you -may do as you will. Nay, more if you all agree, later you are -absolved from the promise." - -"I promise!" I said, and for a moment she looked supremely happy. -Though to me all happiness for her was denied by the red scar on her -forehead. - -She said, "Promise me that you will not tell me anything of the plans -formed for the campaign against the Count. Not by word, or inference, -or implication, not at any time whilst this remains to me!" And she -solemnly pointed to the scar. I saw that she was in earnest, and said -solemnly, "I promise!" and as I said it I felt that from that instant -a door had been shut between us. - - -Later, midnight.--Mina has been bright and cheerful all the evening. -So much so that all the rest seemed to take courage, as if infected -somewhat with her gaiety. As a result even I myself felt as if the -pall of gloom which weighs us down were somewhat lifted. We all -retired early. Mina is now sleeping like a little child. It is -wonderful thing that her faculty of sleep remains to her in the midst -of her terrible trouble. Thank God for it, for then at least she can -forget her care. Perhaps her example may affect me as her gaiety did -tonight. I shall try it. Oh! For a dreamless sleep. - -6 October, morning.--Another surprise. Mina woke me early, about the -same time as yesterday, and asked me to bring Dr. Van Helsing. I -thought that it was another occasion for hypnotism, and without -question went for the Professor. He had evidently expected some such -call, for I found him dressed in his room. His door was ajar, so that -he could hear the opening of the door of our room. He came at once. -As he passed into the room, he asked Mina if the others might come, -too. - -"No," she said quite simply, "it will not be necessary. You can tell -them just as well. I must go with you on your journey." - -Dr. Van Helsing was as startled as I was. After a moment's pause he -asked, "But why?" - -"You must take me with you. I am safer with you, and you shall be -safer, too." - -"But why, dear Madam Mina? You know that your safety is our solemnest -duty. We go into danger, to which you are, or may be, more liable -than any of us from . . . from circumstances . . . things that have -been." He paused embarrassed. - -As she replied, she raised her finger and pointed to her forehead. "I -know. That is why I must go. I can tell you now, whilst the sun is -coming up. I may not be able again. I know that when the Count wills -me I must go. I know that if he tells me to come in secret, I must by -wile. By any device to hoodwink, even Jonathan." God saw the look -that she turned on me as she spoke, and if there be indeed a Recording -Angel that look is noted to her ever-lasting honour. I could only -clasp her hand. I could not speak. My emotion was too great for even -the relief of tears. - -She went on. "You men are brave and strong. You are strong in your -numbers, for you can defy that which would break down the human -endurance of one who had to guard alone. Besides, I may be of -service, since you can hypnotize me and so learn that which even I -myself do not know." - -Dr. Van Helsing said gravely, "Madam Mina, you are, as always, most -wise. You shall with us come. And together we shall do that which we -go forth to achieve." - -When he had spoken, Mina's long spell of silence made me look at her. -She had fallen back on her pillow asleep. She did not even wake when -I had pulled up the blind and let in the sunlight which flooded the -room. Van Helsing motioned to me to come with him quietly. We went -to his room, and within a minute Lord Godalming, Dr. Seward, and Mr. -Morris were with us also. - -He told them what Mina had said, and went on. "In the morning we -shall leave for Varna. We have now to deal with a new factor, Madam -Mina. Oh, but her soul is true. It is to her an agony to tell us so -much as she has done. But it is most right, and we are warned in -time. There must be no chance lost, and in Varna we must be ready to -act the instant when that ship arrives." - -"What shall we do exactly?" asked Mr. Morris laconically. - -The Professor paused before replying, "We shall at the first board -that ship. Then, when we have identified the box, we shall place a -branch of the wild rose on it. This we shall fasten, for when it is -there none can emerge, so that at least says the superstition. And to -superstition must we trust at the first. It was man's faith in the -early, and it have its root in faith still. Then, when we get the -opportunity that we seek, when none are near to see, we shall open the -box, and . . . and all will be well." - -"I shall not wait for any opportunity," said Morris. "When I see the -box I shall open it and destroy the monster, though there were a -thousand men looking on, and if I am to be wiped out for it the next -moment!" I grasped his hand instinctively and found it as firm as a -piece of steel. I think he understood my look. I hope he did. - -"Good boy," said Dr. Van Helsing. "Brave boy. Quincey is all man. -God bless him for it. My child, believe me none of us shall lag -behind or pause from any fear. I do but say what we may do . . . what -we must do. But, indeed, indeed we cannot say what we may do. There -are so many things which may happen, and their ways and their ends are -so various that until the moment we may not say. We shall all be -armed, in all ways. And when the time for the end has come, our -effort shall not be lack. Now let us today put all our affairs in -order. Let all things which touch on others dear to us, and who on us -depend, be complete. For none of us can tell what, or when, or how, -the end may be. As for me, my own affairs are regulate, and as I have -nothing else to do, I shall go make arrangements for the travel. I -shall have all tickets and so forth for our journey." - -There was nothing further to be said, and we parted. I shall now -settle up all my affairs of earth, and be ready for whatever may come. - - -Later.--It is done. My will is made, and all complete. Mina if she -survive is my sole heir. If it should not be so, then the others who -have been so good to us shall have remainder. - -It is now drawing towards the sunset. Mina's uneasiness calls my -attention to it. I am sure that there is something on her mind which -the time of exact sunset will reveal. These occasions are becoming -harrowing times for us all. For each sunrise and sunset opens up some -new danger, some new pain, which however, may in God's will be means -to a good end. I write all these things in the diary since my darling -must not hear them now. But if it may be that she can see them again, -they shall be ready. She is calling to me. - - - - -CHAPTER 25 - - -DR. SEWARD'S DIARY - -11 October, Evening.--Jonathan Harker has asked me to note this, as he -says he is hardly equal to the task, and he wants an exact record -kept. - -I think that none of us were surprised when we were asked to see Mrs. -Harker a little before the time of sunset. We have of late come to -understand that sunrise and sunset are to her times of peculiar -freedom. When her old self can be manifest without any controlling -force subduing or restraining her, or inciting her to action. This -mood or condition begins some half hour or more before actual sunrise -or sunset, and lasts till either the sun is high, or whilst the clouds -are still aglow with the rays streaming above the horizon. At first -there is a sort of negative condition, as if some tie were loosened, -and then the absolute freedom quickly follows. When, however, the -freedom ceases the change back or relapse comes quickly, preceded -only by a spell of warning silence. - -Tonight, when we met, she was somewhat constrained, and bore all the -signs of an internal struggle. I put it down myself to her making a -violent effort at the earliest instant she could do so. - -A very few minutes, however, gave her complete control of herself. -Then, motioning her husband to sit beside her on the sofa where she -was half reclining, she made the rest of us bring chairs up close. - -Taking her husband's hand in hers, she began, "We are all here -together in freedom, for perhaps the last time! I know that you will -always be with me to the end." This was to her husband whose hand had, -as we could see, tightened upon her. "In the morning we go out upon -our task, and God alone knows what may be in store for any of us. You -are going to be so good to me to take me with you. I know that all -that brave earnest men can do for a poor weak woman, whose soul -perhaps is lost, no, no, not yet, but is at any rate at stake, you -will do. But you must remember that I am not as you are. There is a -poison in my blood, in my soul, which may destroy me, which must -destroy me, unless some relief comes to us. Oh, my friends, you know -as well as I do, that my soul is at stake. And though I know there is -one way out for me, you must not and I must not take it!" She looked -appealingly to us all in turn, beginning and ending with her husband. - -"What is that way?" asked Van Helsing in a hoarse voice. "What is -that way, which we must not, may not, take?" - -"That I may die now, either by my own hand or that of another, before -the greater evil is entirely wrought. I know, and you know, that were -I once dead you could and would set free my immortal spirit, even as -you did my poor Lucy's. Were death, or the fear of death, the only -thing that stood in the way I would not shrink to die here now, amidst -the friends who love me. But death is not all. I cannot believe that -to die in such a case, when there is hope before us and a bitter task -to be done, is God's will. Therefore, I on my part, give up here the -certainty of eternal rest, and go out into the dark where may be the -blackest things that the world or the nether world holds!" - -We were all silent, for we knew instinctively that this was only a -prelude. The faces of the others were set, and Harker's grew ashen -grey. Perhaps, he guessed better than any of us what was coming. - -She continued, "This is what I can give into the hotch-pot." I could -not but note the quaint legal phrase which she used in such a place, -and with all seriousness. "What will each of you give? Your lives I -know," she went on quickly, "that is easy for brave men. Your lives -are God's, and you can give them back to Him, but what will you give -to me?" She looked again questioningly, but this time avoided her -husband's face. Quincey seemed to understand, he nodded, and her face -lit up. "Then I shall tell you plainly what I want, for there must be -no doubtful matter in this connection between us now. You must -promise me, one and all, even you, my beloved husband, that should the -time come, you will kill me." - -"What is that time?" The voice was Quincey's, but it was low and -strained. - -"When you shall be convinced that I am so changed that it is better -that I die that I may live. When I am thus dead in the flesh, then -you will, without a moment's delay, drive a stake through me and cut -off my head, or do whatever else may be wanting to give me rest!" - -Quincey was the first to rise after the pause. He knelt down before -her and taking her hand in his said solemnly, "I'm only a rough -fellow, who hasn't, perhaps, lived as a man should to win such a -distinction, but I swear to you by all that I hold sacred and dear -that, should the time ever come, I shall not flinch from the duty that -you have set us. And I promise you, too, that I shall make all -certain, for if I am only doubtful I shall take it that the time has -come!" - -"My true friend!" was all she could say amid her fast-falling tears, -as bending over, she kissed his hand. - -"I swear the same, my dear Madam Mina!" said Van Helsing. "And I!" -said Lord Godalming, each of them in turn kneeling to her to take the -oath. I followed, myself. - -Then her husband turned to her wan-eyed and with a greenish pallor -which subdued the snowy whiteness of his hair, and asked, "And must I, -too, make such a promise, oh, my wife?" - -"You too, my dearest," she said, with infinite yearning of pity in her -voice and eyes. "You must not shrink. You are nearest and dearest -and all the world to me. Our souls are knit into one, for all life -and all time. Think, dear, that there have been times when brave men -have killed their wives and their womenkind, to keep them from falling -into the hands of the enemy. Their hands did not falter any the more -because those that they loved implored them to slay them. It is men's -duty towards those whom they love, in such times of sore trial! And -oh, my dear, if it is to be that I must meet death at any hand, let it -be at the hand of him that loves me best. Dr. Van Helsing, I have not -forgotten your mercy in poor Lucy's case to him who loved." She -stopped with a flying blush, and changed her phrase, "to him who had -best right to give her peace. If that time shall come again, I look -to you to make it a happy memory of my husband's life that it was his -loving hand which set me free from the awful thrall upon me." - -"Again I swear!" came the Professor's resonant voice. - -Mrs. Harker smiled, positively smiled, as with a sigh of relief she -leaned back and said, "And now one word of warning, a warning which -you must never forget. This time, if it ever come, may come quickly -and unexpectedly, and in such case you must lose no time in using your -opportunity. At such a time I myself might be . . . nay! If the time -ever come, shall be, leagued with your enemy against you. - -"One more request," she became very solemn as she said this, "it is -not vital and necessary like the other, but I want you to do one thing -for me, if you will." - -We all acquiesced, but no one spoke. There was no need to speak. - -"I want you to read the Burial Service." She was interrupted by a -deep groan from her husband. Taking his hand in hers, she held it -over her heart, and continued. "You must read it over me some day. -Whatever may be the issue of all this fearful state of things, it will -be a sweet thought to all or some of us. You, my dearest, will I hope -read it, for then it will be in your voice in my memory forever, come -what may!" - -"But oh, my dear one," he pleaded, "death is afar off from you." - -"Nay," she said, holding up a warning hand. "I am deeper in death at -this moment than if the weight of an earthly grave lay heavy upon me!" - -"Oh, my wife, must I read it?" he said, before he began. - -"It would comfort me, my husband!" was all she said, and he began to -read when she had got the book ready. - -How can I, how could anyone, tell of that strange scene, its -solemnity, its gloom, its sadness, its horror, and withal, its -sweetness. Even a sceptic, who can see nothing but a travesty of -bitter truth in anything holy or emotional, would have been melted to -the heart had he seen that little group of loving and devoted friends -kneeling round that stricken and sorrowing lady; or heard the tender -passion of her husband's voice, as in tones so broken and emotional -that often he had to pause, he read the simple and beautiful service -from the Burial of the Dead. I cannot go on . . . words . . . and -v-voices . . . f-fail m-me! - -She was right in her instinct. Strange as it was, bizarre as it may -hereafter seem even to us who felt its potent influence at the time, -it comforted us much. And the silence, which showed Mrs. Harker's -coming relapse from her freedom of soul, did not seem so full of -despair to any of us as we had dreaded. - - - - - -JONATHAN HARKER'S JOURNAL - -15 October, Varna.--We left Charing Cross on the morning of the 12th, -got to Paris the same night, and took the places secured for us in the -Orient Express. We traveled night and day, arriving here at about -five o'clock. Lord Godalming went to the Consulate to see if any -telegram had arrived for him, whilst the rest of us came on to this -hotel, "the Odessus." The journey may have had incidents. I was, -however, too eager to get on, to care for them. Until the Czarina -Catherine comes into port there will be no interest for me in anything -in the wide world. Thank God! Mina is well, and looks to be getting -stronger. Her colour is coming back. She sleeps a great deal. -Throughout the journey she slept nearly all the time. Before sunrise -and sunset, however, she is very wakeful and alert. And it has become -a habit for Van Helsing to hypnotize her at such times. At first, -some effort was needed, and he had to make many passes. But now, she -seems to yield at once, as if by habit, and scarcely any action is -needed. He seems to have power at these particular moments to simply -will, and her thoughts obey him. He always asks her what she can see -and hear. - -She answers to the first, "Nothing, all is dark." - -And to the second, "I can hear the waves lapping against the ship, and -the water rushing by. Canvas and cordage strain and masts and yards -creak. The wind is high . . . I can hear it in the shrouds, and the -bow throws back the foam." - -It is evident that the Czarina Catherine is still at sea, hastening on -her way to Varna. Lord Godalming has just returned. He had four -telegrams, one each day since we started, and all to the same effect. -That the Czarina Catherine had not been reported to Lloyd's from -anywhere. He had arranged before leaving London that his agent should -send him every day a telegram saying if the ship had been reported. -He was to have a message even if she were not reported, so that he -might be sure that there was a watch being kept at the other end of -the wire. - -We had dinner and went to bed early. Tomorrow we are to see the Vice -Consul, and to arrange, if we can, about getting on board the ship as -soon as she arrives. Van Helsing says that our chance will be to get -on the boat between sunrise and sunset. The Count, even if he takes -the form of a bat, cannot cross the running water of his own volition, -and so cannot leave the ship. As he dare not change to man's form -without suspicion, which he evidently wishes to avoid, he must remain -in the box. If, then, we can come on board after sunrise, he is at -our mercy, for we can open the box and make sure of him, as we did of -poor Lucy, before he wakes. What mercy he shall get from us all will -not count for much. We think that we shall not have much trouble with -officials or the seamen. Thank God! This is the country where -bribery can do anything, and we are well supplied with money. We have -only to make sure that the ship cannot come into port between sunset -and sunrise without our being warned, and we shall be safe. Judge -Moneybag will settle this case, I think! - - -16 October.--Mina's report still the same. Lapping waves and rushing -water, darkness and favouring winds. We are evidently in good time, -and when we hear of the Czarina Catherine we shall be ready. As she -must pass the Dardanelles we are sure to have some report. - - -17 October.--Everything is pretty well fixed now, I think, to welcome -the Count on his return from his tour. Godalming told the shippers -that he fancied that the box sent aboard might contain something -stolen from a friend of his, and got a half consent that he might open -it at his own risk. The owner gave him a paper telling the Captain to -give him every facility in doing whatever he chose on board the ship, -and also a similar authorization to his agent at Varna. We have seen -the agent, who was much impressed with Godalming's kindly manner to -him, and we are all satisfied that whatever he can do to aid our -wishes will be done. - -We have already arranged what to do in case we get the box open. If -the Count is there, Van Helsing and Seward will cut off his head at -once and drive a stake through his heart. Morris and Godalming and I -shall prevent interference, even if we have to use the arms which we -shall have ready. The Professor says that if we can so treat the -Count's body, it will soon after fall into dust. In such case there -would be no evidence against us, in case any suspicion of murder were -aroused. But even if it were not, we should stand or fall by our act, -and perhaps some day this very script may be evidence to come between -some of us and a rope. For myself, I should take the chance only too -thankfully if it were to come. We mean to leave no stone unturned to -carry out our intent. We have arranged with certain officials that -the instant the Czarina Catherine is seen, we are to be informed by a -special messenger. - - -24 October.--A whole week of waiting. Daily telegrams to Godalming, -but only the same story. "Not yet reported." Mina's morning and -evening hypnotic answer is unvaried. Lapping waves, rushing water, -and creaking masts. - - - - -TELEGRAM, OCTOBER 24TH RUFUS SMITH, LLOYD'S, LONDON, -TO LORD GODALMING, CARE OF H. B. M. VICE CONSUL, VARNA - -"Czarina Catherine reported this morning from Dardanelles." - - - -DR. SEWARD'S DIARY - -25 October.--How I miss my phonograph! To write a diary with a pen is -irksome to me! But Van Helsing says I must. We were all wild with -excitement yesterday when Godalming got his telegram from Lloyd's. I -know now what men feel in battle when the call to action is heard. -Mrs. Harker, alone of our party, did not show any signs of emotion. -After all, it is not strange that she did not, for we took special -care not to let her know anything about it, and we all tried not to -show any excitement when we were in her presence. In old days she -would, I am sure, have noticed, no matter how we might have tried to -conceal it. But in this way she is greatly changed during the past -three weeks. The lethargy grows upon her, and though she seems strong -and well, and is getting back some of her colour, Van Helsing and I are -not satisfied. We talk of her often. We have not, however, said a -word to the others. It would break poor Harker's heart, certainly his -nerve, if he knew that we had even a suspicion on the subject. Van -Helsing examines, he tells me, her teeth very carefully, whilst she is -in the hypnotic condition, for he says that so long as they do not -begin to sharpen there is no active danger of a change in her. If -this change should come, it would be necessary to take steps! We both -know what those steps would have to be, though we do not mention our -thoughts to each other. We should neither of us shrink from the task, -awful though it be to contemplate. "Euthanasia" is an excellent and a -comforting word! I am grateful to whoever invented it. - -It is only about 24 hours' sail from the Dardanelles to here, at the -rate the Czarina Catherine has come from London. She should therefore -arrive some time in the morning, but as she cannot possibly get in -before noon, we are all about to retire early. We shall get up at one -o'clock, so as to be ready. - - -25 October, Noon.--No news yet of the ship's arrival. Mrs. Harker's -hypnotic report this morning was the same as usual, so it is possible -that we may get news at any moment. We men are all in a fever of -excitement, except Harker, who is calm. His hands are cold as ice, -and an hour ago I found him whetting the edge of the great Ghoorka -knife which he now always carries with him. It will be a bad lookout -for the Count if the edge of that "Kukri" ever touches his throat, -driven by that stern, ice-cold hand! - -Van Helsing and I were a little alarmed about Mrs. Harker today. -About noon she got into a sort of lethargy which we did not like. -Although we kept silence to the others, we were neither of us happy -about it. She had been restless all the morning, so that we were at -first glad to know that she was sleeping. When, however, her husband -mentioned casually that she was sleeping so soundly that he could not -wake her, we went to her room to see for ourselves. She was breathing -naturally and looked so well and peaceful that we agreed that the -sleep was better for her than anything else. Poor girl, she has so -much to forget that it is no wonder that sleep, if it brings oblivion -to her, does her good. - - -Later.--Our opinion was justified, for when after a refreshing sleep -of some hours she woke up, she seemed brighter and better than she had -been for days. At sunset she made the usual hypnotic report. -Wherever he may be in the Black Sea, the Count is hurrying to his -destination. To his doom, I trust! - - - -26 October.--Another day and no tidings of the Czarina Catherine. She -ought to be here by now. That she is still journeying somewhere is -apparent, for Mrs. Harker's hypnotic report at sunrise was still the -same. It is possible that the vessel may be lying by, at times, for -fog. Some of the steamers which came in last evening reported patches -of fog both to north and south of the port. We must continue our -watching, as the ship may now be signalled any moment. - - -27 October, Noon.--Most strange. No news yet of the ship we wait for. -Mrs. Harker reported last night and this morning as usual. "Lapping -waves and rushing water," though she added that "the waves were very -faint." The telegrams from London have been the same, "no further -report." Van Helsing is terribly anxious, and told me just now that he -fears the Count is escaping us. - -He added significantly, "I did not like that lethargy of Madam Mina's. -Souls and memories can do strange things during trance." I was about -to ask him more, but Harker just then came in, and he held up a -warning hand. We must try tonight at sunset to make her speak more -fully when in her hypnotic state. - - -28 October.--Telegram. Rufus Smith, London, to Lord Godalming, care -H. B. M. Vice Consul, Varna - -"Czarina Catherine reported entering Galatz at one o'clock today." - - - - -DR. SEWARD'S DIARY - -28 October.--When the telegram came announcing the arrival in Galatz I -do not think it was such a shock to any of us as might have been -expected. True, we did not know whence, or how, or when, the bolt -would come. But I think we all expected that something strange would -happen. The day of arrival at Varna made us individually satisfied -that things would not be just as we had expected. We only waited to -learn where the change would occur. None the less, however, it was a -surprise. I suppose that nature works on such a hopeful basis that we -believe against ourselves that things will be as they ought to be, not -as we should know that they will be. Transcendentalism is a beacon to -the angels, even if it be a will-o'-the-wisp to man. Van Helsing -raised his hand over his head for a moment, as though in remonstrance -with the Almighty. But he said not a word, and in a few seconds stood -up with his face sternly set. - -Lord Godalming grew very pale, and sat breathing heavily. I was -myself half stunned and looked in wonder at one after another. -Quincey Morris tightened his belt with that quick movement which I -knew so well. In our old wandering days it meant "action." Mrs. -Harker grew ghastly white, so that the scar on her forehead seemed to -burn, but she folded her hands meekly and looked up in prayer. Harker -smiled, actually smiled, the dark, bitter smile of one who is without -hope, but at the same time his action belied his words, for his hands -instinctively sought the hilt of the great Kukri knife and rested -there. - -"When does the next train start for Galatz?" said Van Helsing to us -generally. - -"At 6:30 tomorrow morning!" We all started, for the answer came from -Mrs. Harker. - -"How on earth do you know?" said Art. - -"You forget, or perhaps you do not know, though Jonathan does and so -does Dr. Van Helsing, that I am the train fiend. At home in Exeter I -always used to make up the time tables, so as to be helpful to my -husband. I found it so useful sometimes, that I always make a study -of the time tables now. I knew that if anything were to take us to -Castle Dracula we should go by Galatz, or at any rate through -Bucharest, so I learned the times very carefully. Unhappily there are -not many to learn, as the only train tomorrow leaves as I say." - -"Wonderful woman!" murmured the Professor. - -"Can't we get a special?" asked Lord Godalming. - -Van Helsing shook his head, "I fear not. This land is very different -from yours or mine. Even if we did have a special, it would probably -not arrive as soon as our regular train. Moreover, we have something -to prepare. We must think. Now let us organize. You, friend Arthur, -go to the train and get the tickets and arrange that all be ready for -us to go in the morning. Do you, friend Jonathan, go to the agent of -the ship and get from him letters to the agent in Galatz, with -authority to make a search of the ship just as it was here. Quincey -Morris, you see the Vice Consul, and get his aid with his fellow in -Galatz and all he can do to make our way smooth, so that no times be -lost when over the Danube. John will stay with Madam Mina and me, and -we shall consult. For so if time be long you may be delayed. And it -will not matter when the sun set, since I am here with Madam to make -report." - -"And I," said Mrs. Harker brightly, and more like her old self than -she had been for many a long day, "shall try to be of use in all ways, -and shall think and write for you as I used to do. Something is -shifting from me in some strange way, and I feel freer than I have -been of late!" - -The three younger men looked happier at the moment as they seemed to -realize the significance of her words. But Van Helsing and I, turning -to each other, met each a grave and troubled glance. We said nothing -at the time, however. - -When the three men had gone out to their tasks Van Helsing asked Mrs. -Harker to look up the copy of the diaries and find him the part of -Harker's journal at the Castle. She went away to get it. - -When the door was shut upon her he said to me, "We mean the same! -Speak out!" - -"Here is some change. It is a hope that makes me sick, for it may -deceive us." - -"Quite so. Do you know why I asked her to get the manuscript?" - -"No!" said I, "unless it was to get an opportunity of seeing me -alone." - -"You are in part right, friend John, but only in part. I want to tell -you something. And oh, my friend, I am taking a great, a terrible, -risk. But I believe it is right. In the moment when Madam Mina said -those words that arrest both our understanding, an inspiration came to -me. In the trance of three days ago the Count sent her his spirit to -read her mind. Or more like he took her to see him in his earth box -in the ship with water rushing, just as it go free at rise and set of -sun. He learn then that we are here, for she have more to tell in her -open life with eyes to see ears to hear than he, shut as he is, in his -coffin box. Now he make his most effort to escape us. At present he -want her not. - -"He is sure with his so great knowledge that she will come at his -call. But he cut her off, take her, as he can do, out of his own -power, that so she come not to him. Ah! There I have hope that our -man brains that have been of man so long and that have not lost the -grace of God, will come higher than his child-brain that lie in his -tomb for centuries, that grow not yet to our stature, and that do only -work selfish and therefore small. Here comes Madam Mina. Not a word -to her of her trance! She knows it not, and it would overwhelm her -and make despair just when we want all her hope, all her courage, when -most we want all her great brain which is trained like man's brain, -but is of sweet woman and have a special power which the Count give -her, and which he may not take away altogether, though he think not -so. Hush! Let me speak, and you shall learn. Oh, John, my friend, -we are in awful straits. I fear, as I never feared before. We can -only trust the good God. Silence! Here she comes!" - -I thought that the Professor was going to break down and have -hysterics, just as he had when Lucy died, but with a great effort he -controlled himself and was at perfect nervous poise when Mrs. Harker -tripped into the room, bright and happy looking and, in the doing of -work, seemingly forgetful of her misery. As she came in, she handed a -number of sheets of typewriting to Van Helsing. He looked over them -gravely, his face brightening up as he read. - -Then holding the pages between his finger and thumb he said, "Friend -John, to you with so much experience already, and you too, dear Madam -Mina, that are young, here is a lesson. Do not fear ever to think. A -half thought has been buzzing often in my brain, but I fear to let him -loose his wings. Here now, with more knowledge, I go back to where -that half thought come from and I find that he be no half thought at -all. That be a whole thought, though so young that he is not yet -strong to use his little wings. Nay, like the 'Ugly Duck' of my -friend Hans Andersen, he be no duck thought at all, but a big swan -thought that sail nobly on big wings, when the time come for him to -try them. See I read here what Jonathan have written. - -"That other of his race who, in a later age, again and again, brought -his forces over The Great River into Turkey Land, who when he was -beaten back, came again, and again, and again, though he had to come -alone from the bloody field where his troops were being slaughtered, -since he knew that he alone could ultimately triumph. - -"What does this tell us? Not much? No! The Count's child thought -see nothing, therefore he speak so free. Your man thought see -nothing. My man thought see nothing, till just now. No! But there -comes another word from some one who speak without thought because -she, too, know not what it mean, what it might mean. Just as there -are elements which rest, yet when in nature's course they move on -their way and they touch, the pouf! And there comes a flash of light, -heaven wide, that blind and kill and destroy some. But that show up -all earth below for leagues and leagues. Is it not so? Well, I shall -explain. To begin, have you ever study the philosophy of crime? -'Yes' and 'No.' You, John, yes, for it is a study of insanity. You, -no, Madam Mina, for crime touch you not, not but once. Still, your -mind works true, and argues not a particulari ad universale. There is -this peculiarity in criminals. It is so constant, in all countries -and at all times, that even police, who know not much from philosophy, -come to know it empirically, that it is. That is to be empiric. The -criminal always work at one crime, that is the true criminal who seems -predestinate to crime, and who will of none other. This criminal has -not full man brain. He is clever and cunning and resourceful, but he -be not of man stature as to brain. He be of child brain in much. Now -this criminal of ours is predestinate to crime also. He, too, have -child brain, and it is of the child to do what he have done. The -little bird, the little fish, the little animal learn not by -principle, but empirically. And when he learn to do, then there is to -him the ground to start from to do more. 'Dos pou sto,' said -Archimedes. 'Give me a fulcrum, and I shall move the world!' To do -once, is the fulcrum whereby child brain become man brain. And until -he have the purpose to do more, he continue to do the same again every -time, just as he have done before! Oh, my dear, I see that your eyes -are opened, and that to you the lightning flash show all the leagues," -for Mrs. Harker began to clap her hands and her eyes sparkled. - -He went on, "Now you shall speak. Tell us two dry men of science what -you see with those so bright eyes." He took her hand and held it -whilst he spoke. His finger and thumb closed on her pulse, as I -thought instinctively and unconsciously, as she spoke. - -"The Count is a criminal and of criminal type. Nordau and Lombroso -would so classify him, and qua criminal he is of an imperfectly formed -mind. Thus, in a difficulty he has to seek resource in habit. His -past is a clue, and the one page of it that we know, and that from his -own lips, tells that once before, when in what Mr. Morris would call -a 'tight place,' he went back to his own country from the land he had -tried to invade, and thence, without losing purpose, prepared himself -for a new effort. He came again better equipped for his work, and -won. So he came to London to invade a new land. He was beaten, and -when all hope of success was lost, and his existence in danger, he -fled back over the sea to his home. Just as formerly he had fled back -over the Danube from Turkey Land." - -"Good, good! Oh, you so clever lady!" said Van Helsing, -enthusiastically, as he stooped and kissed her hand. A moment later -he said to me, as calmly as though we had been having a sick room -consultation, "Seventy-two only, and in all this excitement. I have -hope." - -Turning to her again, he said with keen expectation, "But go on. Go -on! There is more to tell if you will. Be not afraid. John and I -know. I do in any case, and shall tell you if you are right. Speak, -without fear!" - -"I will try to. But you will forgive me if I seem too egotistical." - -"Nay! Fear not, you must be egotist, for it is of you that we think." - -"Then, as he is criminal he is selfish. And as his intellect is small -and his action is based on selfishness, he confines himself to one -purpose. That purpose is remorseless. As he fled back over the -Danube, leaving his forces to be cut to pieces, so now he is intent on -being safe, careless of all. So his own selfishness frees my soul -somewhat from the terrible power which he acquired over me on that -dreadful night. I felt it! Oh, I felt it! Thank God, for His great -mercy! My soul is freer than it has been since that awful hour. And -all that haunts me is a fear lest in some trance or dream he may have -used my knowledge for his ends." - -The Professor stood up, "He has so used your mind, and by it he has -left us here in Varna, whilst the ship that carried him rushed through -enveloping fog up to Galatz, where, doubtless, he had made preparation -for escaping from us. But his child mind only saw so far. And it may -be that as ever is in God's Providence, the very thing that the evil -doer most reckoned on for his selfish good, turns out to be his -chiefest harm. The hunter is taken in his own snare, as the great -Psalmist says. For now that he think he is free from every trace of -us all, and that he has escaped us with so many hours to him, then his -selfish child brain will whisper him to sleep. He think, too, that as -he cut himself off from knowing your mind, there can be no knowledge -of him to you. There is where he fail! That terrible baptism of -blood which he give you makes you free to go to him in spirit, as you -have as yet done in your times of freedom, when the sun rise and set. -At such times you go by my volition and not by his. And this power to -good of you and others, you have won from your suffering at his hands. -This is now all more precious that he know it not, and to guard -himself have even cut himself off from his knowledge of our where. -We, however, are not selfish, and we believe that God is with us -through all this blackness, and these many dark hours. We shall -follow him, and we shall not flinch, even if we peril ourselves that -we become like him. Friend John, this has been a great hour, and it -have done much to advance us on our way. You must be scribe and write -him all down, so that when the others return from their work you can -give it to them, then they shall know as we do." - -And so I have written it whilst we wait their return, and Mrs. Harker -has written with the typewriter all since she brought the MS to us. - - - - -CHAPTER 26 - - -DR. SEWARD'S DIARY - -29 October.--This is written in the train from Varna to Galatz. Last -night we all assembled a little before the time of sunset. Each of us -had done his work as well as he could, so far as thought, and -endeavour, and opportunity go, we are prepared for the whole of our -journey, and for our work when we get to Galatz. When the usual time -came round Mrs. Harker prepared herself for her hypnotic effort, and -after a longer and more serious effort on the part of Van Helsing than -has been usually necessary, she sank into the trance. Usually she -speaks on a hint, but this time the Professor had to ask her -questions, and to ask them pretty resolutely, before we could learn -anything. At last her answer came. - -"I can see nothing. We are still. There are no waves lapping, but -only a steady swirl of water softly running against the hawser. I can -hear men's voices calling, near and far, and the roll and creak of -oars in the rowlocks. A gun is fired somewhere, the echo of it seems -far away. There is tramping of feet overhead, and ropes and chains -are dragged along. What is this? There is a gleam of light. I can -feel the air blowing upon me." - -Here she stopped. She had risen, as if impulsively, from where she -lay on the sofa, and raised both her hands, palms upwards, as if -lifting a weight. Van Helsing and I looked at each other with -understanding. Quincey raised his eyebrows slightly and looked at her -intently, whilst Harker's hand instinctively closed round the hilt of -his Kukri. There was a long pause. We all knew that the time when -she could speak was passing, but we felt that it was useless to say -anything. - -Suddenly she sat up, and as she opened her eyes said sweetly, "Would -none of you like a cup of tea? You must all be so tired!" - -We could only make her happy, and so acqueisced. She bustled off to -get tea. When she had gone Van Helsing said, "You see, my friends. He -is close to land. He has left his earth chest. But he has yet to get -on shore. In the night he may lie hidden somewhere, but if he be not -carried on shore, or if the ship do not touch it, he cannot achieve -the land. In such case he can, if it be in the night, change his form -and jump or fly on shore, then, unless he be carried he cannot escape. -And if he be carried, then the customs men may discover what the box -contain. Thus, in fine, if he escape not on shore tonight, or before -dawn, there will be the whole day lost to him. We may then arrive in -time. For if he escape not at night we shall come on him in daytime, -boxed up and at our mercy. For he dare not be his true self, awake -and visible, lest he be discovered." - -There was no more to be said, so we waited in patience until the dawn, -at which time we might learn more from Mrs. Harker. - -Early this morning we listened, with breathless anxiety, for her -response in her trance. The hypnotic stage was even longer in coming -than before, and when it came the time remaining until full sunrise -was so short that we began to despair. Van Helsing seemed to throw -his whole soul into the effort. At last, in obedience to his will she -made reply. - -"All is dark. I hear lapping water, level with me, and some creaking -as of wood on wood." She paused, and the red sun shot up. We must -wait till tonight. - -And so it is that we are travelling towards Galatz in an agony of -expectation. We are due to arrive between two and three in the -morning. But already, at Bucharest, we are three hours late, so we -cannot possibly get in till well after sunup. Thus we shall have two -more hypnotic messages from Mrs. Harker! Either or both may possibly -throw more light on what is happening. - - -Later.--Sunset has come and gone. Fortunately it came at a time when -there was no distraction. For had it occurred whilst we were at a -station, we might not have secured the necessary calm and isolation. -Mrs. Harker yielded to the hypnotic influence even less readily than -this morning. I am in fear that her power of reading the Count's -sensations may die away, just when we want it most. It seems to me -that her imagination is beginning to work. Whilst she has been in the -trance hitherto she has confined herself to the simplest of facts. If -this goes on it may ultimately mislead us. If I thought that the -Count's power over her would die away equally with her power of -knowledge it would be a happy thought. But I am afraid that it may -not be so. - -When she did speak, her words were enigmatical, "Something is going -out. I can feel it pass me like a cold wind. I can hear, far off, -confused sounds, as of men talking in strange tongues, fierce falling -water, and the howling of wolves." She stopped and a shudder ran -through her, increasing in intensity for a few seconds, till at the -end, she shook as though in a palsy. She said no more, even in answer -to the Professor's imperative questioning. When she woke from the -trance, she was cold, and exhausted, and languid, but her mind was all -alert. She could not remember anything, but asked what she had said. -When she was told, she pondered over it deeply for a long time and in -silence. - - -30 October, 7 A.M.--We are near Galatz now, and I may not have time to -write later. Sunrise this morning was anxiously looked for by us all. -Knowing of the increasing difficulty of procuring the hypnotic trance, -Van Helsing began his passes earlier than usual. They produced no -effect, however, until the regular time, when she yielded with a still -greater difficulty, only a minute before the sun rose. The Professor -lost no time in his questioning. - -Her answer came with equal quickness, "All is dark. I hear water -swirling by, level with my ears, and the creaking of wood on wood. -Cattle low far off. There is another sound, a queer one like . . ." -She stopped and grew white, and whiter still. - -"Go on, go on! Speak, I command you!" said Van Helsing in an agonized -voice. At the same time there was despair in his eyes, for the risen -sun was reddening even Mrs. Harker's pale face. She opened her eyes, -and we all started as she said, sweetly and seemingly with the utmost -unconcern. - -"Oh, Professor, why ask me to do what you know I can't? I don't -remember anything." Then, seeing the look of amazement on our faces, -she said, turning from one to the other with a troubled look, "What -have I said? What have I done? I know nothing, only that I was lying -here, half asleep, and heard you say 'go on! speak, I command you!' It -seemed so funny to hear you order me about, as if I were a bad child!" - -"Oh, Madam Mina," he said, sadly, "it is proof, if proof be needed, of -how I love and honour you, when a word for your good, spoken more -earnest than ever, can seem so strange because it is to order her whom -I am proud to obey!" - -The whistles are sounding. We are nearing Galatz. We are on fire -with anxiety and eagerness. - - - -MINA HARKER'S JOURNAL - -30 October.--Mr. Morris took me to the hotel where our rooms had been -ordered by telegraph, he being the one who could best be spared, since -he does not speak any foreign language. The forces were distributed -much as they had been at Varna, except that Lord Godalming went to the -Vice Consul, as his rank might serve as an immediate guarantee of some -sort to the official, we being in extreme hurry. Jonathan and the two -doctors went to the shipping agent to learn particulars of the arrival -of the Czarina Catherine. - - -Later.--Lord Godalming has returned. The Consul is away, and the Vice -Consul sick. So the routine work has been attended to by a clerk. He -was very obliging, and offered to do anything in his power. - - - -JONATHAN HARKER'S JOURNAL - -30 October.--At nine o'clock Dr. Van Helsing, Dr. Seward, and I called -on Messrs. Mackenzie & Steinkoff, the agents of the London firm of -Hapgood. They had received a wire from London, in answer to Lord -Godalming's telegraphed request, asking them to show us any civility -in their power. They were more than kind and courteous, and took us -at once on board the Czarina Catherine, which lay at anchor out in the -river harbor. There we saw the Captain, Donelson by name, who told us -of his voyage. He said that in all his life he had never had so -favourable a run. - -"Man!" he said, "but it made us afeard, for we expect it that we -should have to pay for it wi' some rare piece o' ill luck, so as to -keep up the average. It's no canny to run frae London to the Black -Sea wi' a wind ahint ye, as though the Deil himself were blawin' on -yer sail for his ain purpose. An' a' the time we could no speer a -thing. Gin we were nigh a ship, or a port, or a headland, a fog fell -on us and travelled wi' us, till when after it had lifted and we -looked out, the deil a thing could we see. We ran by Gibraltar wi' -oot bein' able to signal. An' til we came to the Dardanelles and had -to wait to get our permit to pass, we never were within hail o' -aught. At first I inclined to slack off sail and beat about till the -fog was lifted. But whiles, I thocht that if the Deil was minded to -get us into the Black Sea quick, he was like to do it whether we would -or no. If we had a quick voyage it would be no to our miscredit -wi' the owners, or no hurt to our traffic, an' the Old Mon who had -served his ain purpose wad be decently grateful to us for no hinderin' -him." - -This mixture of simplicity and cunning, of superstition and commercial -reasoning, aroused Van Helsing, who said, "Mine friend, that Devil is -more clever than he is thought by some, and he know when he meet his -match!" - -The skipper was not displeased with the compliment, and went on, "When -we got past the Bosphorus the men began to grumble. Some o' them, the -Roumanians, came and asked me to heave overboard a big box which had -been put on board by a queer lookin' old man just before we had -started frae London. I had seen them speer at the fellow, and put out -their twa fingers when they saw him, to guard them against the evil -eye. Man! but the supersteetion of foreigners is pairfectly -rideeculous! I sent them aboot their business pretty quick, but as -just after a fog closed in on us I felt a wee bit as they did anent -something, though I wouldn't say it was again the big box. Well, on -we went, and as the fog didn't let up for five days I joost let the -wind carry us, for if the Deil wanted to get somewheres, well, he -would fetch it up a'reet. An' if he didn't, well, we'd keep a sharp -lookout anyhow. Sure eneuch, we had a fair way and deep water all the -time. And two days ago, when the mornin' sun came through the fog, we -found ourselves just in the river opposite Galatz. The Roumanians -were wild, and wanted me right or wrong to take out the box and fling -it in the river. I had to argy wi' them aboot it wi' a handspike. An' -when the last o' them rose off the deck wi' his head in his hand, I -had convinced them that, evil eye or no evil eye, the property and the -trust of my owners were better in my hands than in the river Danube. -They had, mind ye, taken the box on the deck ready to fling in, and as -it was marked Galatz via Varna, I thocht I'd let it lie till we -discharged in the port an' get rid o't althegither. We didn't do much -clearin' that day, an' had to remain the nicht at anchor. But in the -mornin', braw an' airly, an hour before sunup, a man came aboard wi' -an order, written to him from England, to receive a box marked for one -Count Dracula. Sure eneuch the matter was one ready to his hand. He -had his papers a' reet, an' glad I was to be rid o' the dam' thing, -for I was beginnin' masel' to feel uneasy at it. If the Deil did have -any luggage aboord the ship, I'm thinkin' it was nane ither than that -same!" - -"What was the name of the man who took it?" asked Dr. Van Helsing with -restrained eagerness. - -"I'll be tellin' ye quick!" he answered, and stepping down to his -cabin, produced a receipt signed "Immanuel Hildesheim." Burgen-strasse -16 was the address. We found out that this was all the Captain knew, -so with thanks we came away. - -We found Hildesheim in his office, a Hebrew of rather the Adelphi -Theatre type, with a nose like a sheep, and a fez. His arguments were -pointed with specie, we doing the punctuation, and with a little -bargaining he told us what he knew. This turned out to be simple but -important. He had received a letter from Mr. de Ville of London, -telling him to receive, if possible before sunrise so as to avoid -customs, a box which would arrive at Galatz in the Czarina Catherine. -This he was to give in charge to a certain Petrof Skinsky, who dealt -with the Slovaks who traded down the river to the port. He had been -paid for his work by an English bank note, which had been duly cashed -for gold at the Danube International Bank. When Skinsky had come to -him, he had taken him to the ship and handed over the box, so as to -save porterage. That was all he knew. - -We then sought for Skinsky, but were unable to find him. One of his -neighbors, who did not seem to bear him any affection, said that he -had gone away two days before, no one knew whither. This was -corroborated by his landlord, who had received by messenger the key of -the house together with the rent due, in English money. This had been -between ten and eleven o'clock last night. We were at a standstill -again. - -Whilst we were talking one came running and breathlessly gasped out -that the body of Skinsky had been found inside the wall of the -churchyard of St. Peter, and that the throat had been torn open as if -by some wild animal. Those we had been speaking with ran off to see -the horror, the women crying out. "This is the work of a Slovak!" We -hurried away lest we should have been in some way drawn into the -affair, and so detained. - -As we came home we could arrive at no definite conclusion. We were -all convinced that the box was on its way, by water, to somewhere, but -where that might be we would have to discover. With heavy hearts we -came home to the hotel to Mina. - -When we met together, the first thing was to consult as to taking Mina -again into our confidence. Things are getting desperate, and it is at -least a chance, though a hazardous one. As a preliminary step, I was -released from my promise to her. - - - - - -MINA HARKER'S JOURNAL - -30 October, evening.--They were so tired and worn out and dispirited -that there was nothing to be done till they had some rest, so I asked -them all to lie down for half an hour whilst I should enter everything -up to the moment. I feel so grateful to the man who invented the -"Traveller's" typewriter, and to Mr. Morris for getting this one for -me. I should have felt quite astray doing the work if I had to write -with a pen . . . - -It is all done. Poor dear, dear Jonathan, what he must have suffered, -what he must be suffering now. He lies on the sofa hardly seeming to -breathe, and his whole body appears in collapse. His brows are knit. -His face is drawn with pain. Poor fellow, maybe he is thinking, and I -can see his face all wrinkled up with the concentration of his -thoughts. Oh! if I could only help at all. I shall do what I can. - -I have asked Dr. Van Helsing, and he has got me all the papers that I -have not yet seen. Whilst they are resting, I shall go over all -carefully, and perhaps I may arrive at some conclusion. I shall try -to follow the Professor's example, and think without prejudice on the -facts before me . . . - -I do believe that under God's providence I have made a discovery. I -shall get the maps and look over them. - -I am more than ever sure that I am right. My new conclusion is ready, -so I shall get our party together and read it. They can judge it. It -is well to be accurate, and every minute is precious. - - - -MINA HARKER'S MEMORANDUM - -(ENTERED IN HER JOURNAL) - - -Ground of inquiry.--Count Dracula's problem is to get back -to his own place. - -(a) He must be brought back by some one. This is evident; -for had he power to move himself as he wished he could go -either as man, or wolf, or bat, or in some other way. He -evidently fears discovery or interference, in the state of -helplessness in which he must be, confined as he is between -dawn and sunset in his wooden box. - -(b) How is he to be taken?--Here a process of exclusions may -help us. By road, by rail, by water? - -1. By Road.--There are endless difficulties, especially in -leaving the city. - -(x) There are people. And people are curious, and -investigate. A hint, a surmise, a doubt as to what might -be in the box, would destroy him. - -(y) There are, or there may be, customs and octroi officers -to pass. - -(z) His pursuers might follow. This is his highest fear. -And in order to prevent his being betrayed he has repelled, -so far as he can, even his victim, me! - -2. By Rail.--There is no one in charge of the box. It -would have to take its chance of being delayed, and delay -would be fatal, with enemies on the track. True, he might -escape at night. But what would he be, if left in a strange -place with no refuge that he could fly to? This is not what he -intends, and he does not mean to risk it. - -3. By Water.--Here is the safest way, in one respect, but -with most danger in another. On the water he is powerless -except at night. Even then he can only summon fog and storm and -snow and his wolves. But were he wrecked, the living water would -engulf him, helpless, and he would indeed be lost. He could have -the vessel drive to land, but if it were unfriendly land, wherein -he was not free to move, his position would still be desperate. - -We know from the record that he was on the water, so what -we have to do is to ascertain what water. - -The first thing is to realize exactly what he has done as -yet. We may, then, get a light on what his task is to be. - -Firstly.--We must differentiate between what he did in -London as part of his general plan of action, when he was -pressed for moments and had to arrange as best he could. - -Secondly.--We must see, as well as we can surmise it from the -facts we know of, what he has done here. - -As to the first, he evidently intended to arrive at Galatz, -and sent invoice to Varna to deceive us lest we should ascertain -his means of exit from England. His immediate and sole purpose -then was to escape. The proof of this, is the letter of -instructions sent to Immanuel Hildesheim to clear and take away -the box before sunrise. There is also the instruction to Petrof -Skinsky. These we must only guess at, but there must have been -some letter or message, since Skinsky came to Hildesheim. - -That, so far, his plans were successful we know. The Czarina -Catherine made a phenomenally quick journey. So much so that -Captain Donelson's suspicions were aroused. But his superstition -united with his canniness played the Count's game for him, and he -ran with his favouring wind through fogs and all till he brought -up blindfold at Galatz. That the Count's arrangements were well -made, has been proved. Hildesheim cleared the box, took it off, -and gave it to Skinsky. Skinsky took it, and here we lose the -trail. We only know that the box is somewhere on the water, -moving along. The customs and the octroi, if there be any, have -been avoided. - -Now we come to what the Count must have done after his -arrival, on land, at Galatz. - -The box was given to Skinsky before sunrise. At sunrise -the Count could appear in his own form. Here, we ask why -Skinsky was chosen at all to aid in the work? In my husband's -diary, Skinsky is mentioned as dealing with the Slovaks who trade -down the river to the port. And the man's remark, that the -murder was the work of a Slovak, showed the general feeling -against his class. The Count wanted isolation. - -My surmise is this, that in London the Count decided to get -back to his castle by water, as the most safe and secret -way. He was brought from the castle by Szgany, and probably they -delivered their cargo to Slovaks who took the boxes to Varna, for -there they were shipped to London. Thus the Count had knowledge -of the persons who could arrange this service. When the box was -on land, before sunrise or after sunset, he came out from his -box, met Skinsky and instructed him what to do as to arranging -the carriage of the box up some river. When this was done, and -he knew that all was in train, he blotted out his traces, as he -thought, by murdering his agent. - -I have examined the map and find that the river most -suitable for the Slovaks to have ascended is either the -Pruth or the Sereth. I read in the typescript that in my -trance I heard cows low and water swirling level with my -ears and the creaking of wood. The Count in his box, then, -was on a river in an open boat, propelled probably either -by oars or poles, for the banks are near and it is working -against stream. There would be no such if floating down -stream. - -Of course it may not be either the Sereth or the Pruth, but -we may possibly investigate further. Now of these two, the -Pruth is the more easily navigated, but the Sereth is, at -Fundu, joined by the Bistritza which runs up round the Borgo -Pass. The loop it makes is manifestly as close to Dracula's -castle as can be got by water. - - - -MINA HARKER'S JOURNAL--CONTINUED - -When I had done reading, Jonathan took me in his arms and kissed me. -The others kept shaking me by both hands, and Dr. Van Helsing said, -"Our dear Madam Mina is once more our teacher. Her eyes have been -where we were blinded. Now we are on the track once again, and this -time we may succeed. Our enemy is at his most helpless. And if we -can come on him by day, on the water, our task will be over. He has a -start, but he is powerless to hasten, as he may not leave this box -lest those who carry him may suspect. For them to suspect would be to -prompt them to throw him in the stream where he perish. This he -knows, and will not. Now men, to our Council of War, for here and -now, we must plan what each and all shall do." - -"I shall get a steam launch and follow him," said Lord Godalming. - -"And I, horses to follow on the bank lest by chance he land," said Mr. -Morris. - -"Good!" said the Professor, "both good. But neither must go alone. -There must be force to overcome force if need be. The Slovak is -strong and rough, and he carries rude arms." All the men smiled, for -amongst them they carried a small arsenal. - -Said Mr. Morris, "I have brought some Winchesters. They are pretty -handy in a crowd, and there may be wolves. The Count, if you -remember, took some other precautions. He made some requisitions on -others that Mrs. Harker could not quite hear or understand. We must -be ready at all points." - -Dr. Seward said, "I think I had better go with Quincey. We have been -accustomed to hunt together, and we two, well armed, will be a match -for whatever may come along. You must not be alone, Art. It may be -necessary to fight the Slovaks, and a chance thrust, for I don't -suppose these fellows carry guns, would undo all our plans. There -must be no chances, this time. We shall not rest until the Count's -head and body have been separated, and we are sure that he cannot -reincarnate." - -He looked at Jonathan as he spoke, and Jonathan looked at me. I could -see that the poor dear was torn about in his mind. Of course he -wanted to be with me. But then the boat service would, most likely, -be the one which would destroy the . . . the . . . Vampire. (Why did -I hesitate to write the word?) - -He was silent awhile, and during his silence Dr. Van Helsing spoke, -"Friend Jonathan, this is to you for twice reasons. First, because -you are young and brave and can fight, and all energies may be needed -at the last. And again that it is your right to destroy him. That, -which has wrought such woe to you and yours. Be not afraid for Madam -Mina. She will be my care, if I may. I am old. My legs are not so -quick to run as once. And I am not used to ride so long or to pursue -as need be, or to fight with lethal weapons. But I can be of other -service. I can fight in other way. And I can die, if need be, as -well as younger men. Now let me say that what I would is this. While -you, my Lord Godalming and friend Jonathan go in your so swift little -steamboat up the river, and whilst John and Quincey guard the bank -where perchance he might be landed, I will take Madam Mina right into -the heart of the enemy's country. Whilst the old fox is tied in his -box, floating on the running stream whence he cannot escape to land, -where he dares not raise the lid of his coffin box lest his Slovak -carriers should in fear leave him to perish, we shall go in the track -where Jonathan went, from Bistritz over the Borgo, and find our way to -the Castle of Dracula. Here, Madam Mina's hypnotic power will surely -help, and we shall find our way, all dark and unknown otherwise, after -the first sunrise when we are near that fateful place. There is much -to be done, and other places to be made sanctify, so that that nest of -vipers be obliterated." - -Here Jonathan interrupted him hotly, "Do you mean to say, Professor -Van Helsing, that you would bring Mina, in her sad case and tainted as -she is with that devil's illness, right into the jaws of his -deathtrap? Not for the world! Not for Heaven or Hell!" - -He became almost speechless for a minute, and then went on, "Do you -know what the place is? Have you seen that awful den of hellish -infamy, with the very moonlight alive with grisly shapes, and every -speck of dust that whirls in the wind a devouring monster in embryo? -Have you felt the Vampire's lips upon your throat?" - -Here he turned to me, and as his eyes lit on my forehead he threw up -his arms with a cry, "Oh, my God, what have we done to have this -terror upon us?" and he sank down on the sofa in a collapse of misery. - -The Professor's voice, as he spoke in clear, sweet tones, which seemed -to vibrate in the air, calmed us all. - -"Oh, my friend, it is because I would save Madam Mina from that awful -place that I would go. God forbid that I should take her into that -place. There is work, wild work, to be done before that place can be -purify. Remember that we are in terrible straits. If the Count -escape us this time, and he is strong and subtle and cunning, he may -choose to sleep him for a century, and then in time our dear one," he -took my hand, "would come to him to keep him company, and would be as -those others that you, Jonathan, saw. You have told us of their -gloating lips. You heard their ribald laugh as they clutched the -moving bag that the Count threw to them. You shudder, and well may it -be. Forgive me that I make you so much pain, but it is necessary. My -friend, is it not a dire need for that which I am giving, possibly my -life? If it were that any one went into that place to stay, it is I -who would have to go to keep them company." - -"Do as you will," said Jonathan, with a sob that shook him all over, -"we are in the hands of God!" - - -Later.--Oh, it did me good to see the way that these brave men worked. -How can women help loving men when they are so earnest, and so true, -and so brave! And, too, it made me think of the wonderful power of -money! What can it not do when basely used. I felt so thankful that -Lord Godalming is rich, and both he and Mr. Morris, who also has -plenty of money, are willing to spend it so freely. For if they did -not, our little expedition could not start, either so promptly or so -well equipped, as it will within another hour. It is not three hours -since it was arranged what part each of us was to do. And now Lord -Godalming and Jonathan have a lovely steam launch, with steam up ready -to start at a moment's notice. Dr. Seward and Mr. Morris have half a -dozen good horses, well appointed. We have all the maps and -appliances of various kinds that can be had. Professor Van Helsing -and I are to leave by the 11:40 train tonight for Veresti, where we -are to get a carriage to drive to the Borgo Pass. We are bringing a -good deal of ready money, as we are to buy a carriage and horses. We -shall drive ourselves, for we have no one whom we can trust in the -matter. The Professor knows something of a great many languages, so -we shall get on all right. We have all got arms, even for me a large -bore revolver. Jonathan would not be happy unless I was armed like -the rest. Alas! I cannot carry one arm that the rest do, the scar on -my forehead forbids that. Dear Dr. Van Helsing comforts me by telling -me that I am fully armed as there may be wolves. The weather is -getting colder every hour, and there are snow flurries which come and -go as warnings. - - -Later.--It took all my courage to say goodbye to my darling. We may -never meet again. Courage, Mina! The Professor is looking at you -keenly. His look is a warning. There must be no tears now, unless it -may be that God will let them fall in gladness. - - - -JONATHAN HARKER'S JOURNAL - -30 October, night.--I am writing this in the light from the furnace -door of the steam launch. Lord Godalming is firing up. He is an -experienced hand at the work, as he has had for years a launch of his -own on the Thames, and another on the Norfolk Broads. Regarding our -plans, we finally decided that Mina's guess was correct, and that if -any waterway was chosen for the Count's escape back to his Castle, the -Sereth and then the Bistritza at its junction, would be the one. We -took it, that somewhere about the 47th degree, north latitude, would -be the place chosen for crossing the country between the river and the -Carpathians. We have no fear in running at good speed up the river at -night. There is plenty of water, and the banks are wide enough apart -to make steaming, even in the dark, easy enough. Lord Godalming tells -me to sleep for a while, as it is enough for the present for one to be -on watch. But I cannot sleep, how can I with the terrible danger -hanging over my darling, and her going out into that awful place . . . - -My only comfort is that we are in the hands of God. Only for that -faith it would be easier to die than to live, and so be quit of all -the trouble. Mr. Morris and Dr. Seward were off on their long ride -before we started. They are to keep up the right bank, far enough off -to get on higher lands where they can see a good stretch of river and -avoid the following of its curves. They have, for the first stages, -two men to ride and lead their spare horses, four in all, so as not to -excite curiosity. When they dismiss the men, which shall be shortly, -they shall themselves look after the horses. It may be necessary for -us to join forces. If so they can mount our whole party. One of the -saddles has a moveable horn, and can be easily adapted for Mina, if -required. - -It is a wild adventure we are on. Here, as we are rushing along -through the darkness, with the cold from the river seeming to rise up -and strike us, with all the mysterious voices of the night around us, -it all comes home. We seem to be drifting into unknown places and -unknown ways. Into a whole world of dark and dreadful things. -Godalming is shutting the furnace door . . . - - -31 October.--Still hurrying along. The day has come, and Godalming is -sleeping. I am on watch. The morning is bitterly cold, the furnace -heat is grateful, though we have heavy fur coats. As yet we have -passed only a few open boats, but none of them had on board any box or -package of anything like the size of the one we seek. The men were -scared every time we turned our electric lamp on them, and fell on -their knees and prayed. - - -1 November, evening.--No news all day. We have found nothing of the -kind we seek. We have now passed into the Bistritza, and if we are -wrong in our surmise our chance is gone. We have overhauled every -boat, big and little. Early this morning, one crew took us for a -Government boat, and treated us accordingly. We saw in this a way of -smoothing matters, so at Fundu, where the Bistritza runs into the -Sereth, we got a Roumanian flag which we now fly conspicuously. With -every boat which we have overhauled since then this trick has -succeeded. We have had every deference shown to us, and not once any -objection to whatever we chose to ask or do. Some of the Slovaks tell -us that a big boat passed them, going at more than usual speed as she -had a double crew on board. This was before they came to Fundu, so -they could not tell us whether the boat turned into the Bistritza or -continued on up the Sereth. At Fundu we could not hear of any such -boat, so she must have passed there in the night. I am feeling very -sleepy. The cold is perhaps beginning to tell upon me, and nature -must have rest some time. Godalming insists that he shall keep the -first watch. God bless him for all his goodness to poor dear Mina and -me. - - -2 November, morning.--It is broad daylight. That good fellow would -not wake me. He says it would have been a sin to, for I slept -peacefully and was forgetting my trouble. It seems brutally selfish -to me to have slept so long, and let him watch all night, but he was -quite right. I am a new man this morning. And, as I sit here and -watch him sleeping, I can do all that is necessary both as to minding -the engine, steering, and keeping watch. I can feel that my strength -and energy are coming back to me. I wonder where Mina is now, and Van -Helsing. They should have got to Veresti about noon on Wednesday. It -would take them some time to get the carriage and horses. So if they -had started and travelled hard, they would be about now at the Borgo -Pass. God guide and help them! I am afraid to think what may -happen. If we could only go faster. But we cannot. The engines are -throbbing and doing their utmost. I wonder how Dr. Seward and Mr. -Morris are getting on. There seem to be endless streams running down -the mountains into this river, but as none of them are very large, at -present, at all events, though they are doubtless terrible in winter -and when the snow melts, the horsemen may not have met much -obstruction. I hope that before we get to Strasba we may see them. -For if by that time we have not overtaken the Count, it may be -necessary to take counsel together what to do next. - - - - - -DR. SEWARD'S DIARY - -2 November.--Three days on the road. No news, and no time to write it -if there had been, for every moment is precious. We have had only the -rest needful for the horses. But we are both bearing it wonderfully. -Those adventurous days of ours are turning up useful. We must push -on. We shall never feel happy till we get the launch in sight again. - - -3 November.--We heard at Fundu that the launch had gone up the -Bistritza. I wish it wasn't so cold. There are signs of snow coming. -And if it falls heavy it will stop us. In such case we must get a -sledge and go on, Russian fashion. - -4 November.--Today we heard of the launch having been detained by an -accident when trying to force a way up the rapids. The Slovak boats -get up all right, by aid of a rope and steering with knowledge. Some -went up only a few hours before. Godalming is an amateur fitter -himself, and evidently it was he who put the launch in trim again. - -Finally, they got up the rapids all right, with local help, and are off -on the chase afresh. I fear that the boat is not any better for the -accident, the peasantry tell us that after she got upon smooth water -again, she kept stopping every now and again so long as she was in -sight. We must push on harder than ever. Our help may be wanted -soon. - - - - - -MINA HARKER'S JOURNAL - -31 October.--Arrived at Veresti at noon. The Professor tells me that -this morning at dawn he could hardly hypnotize me at all, and that all -I could say was, "dark and quiet." He is off now buying a carriage -and horses. He says that he will later on try to buy additional -horses, so that we may be able to change them on the way. We have -something more than 70 miles before us. The country is lovely, and -most interesting. If only we were under different conditions, how -delightful it would be to see it all. If Jonathan and I were driving -through it alone what a pleasure it would be. To stop and see people, -and learn something of their life, and to fill our minds and memories -with all the colour and picturesqueness of the whole wild, beautiful -country and the quaint people! But, alas! - - -Later.--Dr. Van Helsing has returned. He has got the carriage and -horses. We are to have some dinner, and to start in an hour. The -landlady is putting us up a huge basket of provisions. It seems -enough for a company of soldiers. The Professor encourages her, and -whispers to me that it may be a week before we can get any food again. -He has been shopping too, and has sent home such a wonderful lot of -fur coats and wraps, and all sorts of warm things. There will not be -any chance of our being cold. - -We shall soon be off. I am afraid to think what may happen to us. We -are truly in the hands of God. He alone knows what may be, and I pray -Him, with all the strength of my sad and humble soul, that He will -watch over my beloved husband. That whatever may happen, Jonathan may -know that I loved him and honoured him more than I can say, and that my -latest and truest thought will be always for him. - - - - -CHAPTER 27 - - -MINA HARKER'S JOURNAL - -1 November.--All day long we have travelled, and at a good speed. The -horses seem to know that they are being kindly treated, for they go -willingly their full stage at best speed. We have now had so many -changes and find the same thing so constantly that we are encouraged -to think that the journey will be an easy one. Dr. Van Helsing is -laconic, he tells the farmers that he is hurrying to Bistritz, and -pays them well to make the exchange of horses. We get hot soup, or -coffee, or tea, and off we go. It is a lovely country. Full of -beauties of all imaginable kinds, and the people are brave, and -strong, and simple, and seem full of nice qualities. They are very, -very superstitious. In the first house where we stopped, when the -woman who served us saw the scar on my forehead, she crossed herself -and put out two fingers towards me, to keep off the evil eye. I -believe they went to the trouble of putting an extra amount of garlic -into our food, and I can't abide garlic. Ever since then I have taken -care not to take off my hat or veil, and so have escaped their -suspicions. We are travelling fast, and as we have no driver with us -to carry tales, we go ahead of scandal. But I daresay that fear of -the evil eye will follow hard behind us all the way. The Professor -seems tireless. All day he would not take any rest, though he made me -sleep for a long spell. At sunset time he hypnotized me, and he says -I answered as usual, "darkness, lapping water and creaking wood." So -our enemy is still on the river. I am afraid to think of Jonathan, -but somehow I have now no fear for him, or for myself. I write this -whilst we wait in a farmhouse for the horses to be ready. Dr. Van -Helsing is sleeping. Poor dear, he looks very tired and old and grey, -but his mouth is set as firmly as a conqueror's. Even in his sleep he -is intense with resolution. When we have well started I must make him -rest whilst I drive. I shall tell him that we have days before us, -and he must not break down when most of all his strength will be -needed . . . All is ready. We are off shortly. - - -2 November, morning.--I was successful, and we took turns driving all -night. Now the day is on us, bright though cold. There is a strange -heaviness in the air. I say heaviness for want of a better word. I -mean that it oppresses us both. It is very cold, and only our warm -furs keep us comfortable. At dawn Van Helsing hypnotized me. He says -I answered "darkness, creaking wood and roaring water," so the river -is changing as they ascend. I do hope that my darling will not run -any chance of danger, more than need be, but we are in God's hands. - - -2 November, night.--All day long driving. The country gets wilder as -we go, and the great spurs of the Carpathians, which at Veresti seemed -so far from us and so low on the horizon, now seem to gather round us -and tower in front. We both seem in good spirits. I think we make an -effort each to cheer the other, in the doing so we cheer ourselves. -Dr. Van Helsing says that by morning we shall reach the Borgo Pass. -The houses are very few here now, and the Professor says that the last -horse we got will have to go on with us, as we may not be able to -change. He got two in addition to the two we changed, so that now we -have a rude four-in-hand. The dear horses are patient and good, and -they give us no trouble. We are not worried with other travellers, -and so even I can drive. We shall get to the Pass in daylight. We do -not want to arrive before. So we take it easy, and have each a long -rest in turn. Oh, what will tomorrow bring to us? We go to seek the -place where my poor darling suffered so much. God grant that we may -be guided aright, and that He will deign to watch over my husband and -those dear to us both, and who are in such deadly peril. As for me, I -am not worthy in His sight. Alas! I am unclean to His eyes, and -shall be until He may deign to let me stand forth in His sight as one -of those who have not incurred His wrath. - - - - - -MEMORANDUM BY ABRAHAM VAN HELSING - -4 November.--This to my old and true friend John Seward, M.D., -of Purfleet, London, in case I may not see him. It may -explain. It is morning, and I write by a fire which all -the night I have kept alive, Madam Mina aiding me. It is -cold, cold. So cold that the grey heavy sky is full of -snow, which when it falls will settle for all winter as the -ground is hardening to receive it. It seems to have affected -Madam Mina. She has been so heavy of head all day that she was -not like herself. She sleeps, and sleeps, and sleeps! She who -is usual so alert, have done literally nothing all the day. She -even have lost her appetite. She make no entry into her little -diary, she who write so faithful at every pause. Something -whisper to me that all is not well. However, tonight she is more -_vif_. Her long sleep all day have refresh and restore her, for -now she is all sweet and bright as ever. At sunset I try to -hypnotize her, but alas! with no effect. The power has grown -less and less with each day, and tonight it fail me altogether. -Well, God's will be done, whatever it may be, and whithersoever -it may lead! - -Now to the historical, for as Madam Mina write not in her -stenography, I must, in my cumbrous old fashion, that so -each day of us may not go unrecorded. - -We got to the Borgo Pass just after sunrise yesterday -morning. When I saw the signs of the dawn I got ready for -the hypnotism. We stopped our carriage, and got down so -that there might be no disturbance. I made a couch with -furs, and Madam Mina, lying down, yield herself as usual, -but more slow and more short time than ever, to the hypnotic -sleep. As before, came the answer, "darkness and the swirling of -water." Then she woke, bright and radiant and we go on our way -and soon reach the Pass. At this time and place, she become all -on fire with zeal. Some new guiding power be in her manifested, -for she point to a road and say, "This is the way." - -"How know you it?" I ask. - -"Of course I know it," she answer, and with a pause, add, -"Have not my Jonathan travelled it and wrote of his travel?" - -At first I think somewhat strange, but soon I see that there be -only one such byroad. It is used but little, and very different -from the coach road from the Bukovina to Bistritz, which is more -wide and hard, and more of use. - -So we came down this road. When we meet other ways, not -always were we sure that they were roads at all, for they -be neglect and light snow have fallen, the horses know and -they only. I give rein to them, and they go on so patient. By -and by we find all the things which Jonathan have note in that -wonderful diary of him. Then we go on for long, long hours and -hours. At the first, I tell Madam Mina to sleep. She try, and -she succeed. She sleep all the time, till at the last, I feel -myself to suspicious grow, and attempt to wake her. But she -sleep on, and I may not wake her though I try. I do not wish to -try too hard lest I harm her. For I know that she have suffer -much, and sleep at times be all-in-all to her. I think I drowse -myself, for all of sudden I feel guilt, as though I have done -something. I find myself bolt up, with the reins in my hand, and -the good horses go along jog, jog, just as ever. I look down and -find Madam Mina still asleep. It is now not far off sunset time, -and over the snow the light of the sun flow in big yellow flood, -so that we throw great long shadow on where the mountain rise so -steep. For we are going up, and up, and all is oh so wild and -rocky, as though it were the end of the world. - -Then I arouse Madam Mina. This time she wake with not much -trouble, and then I try to put her to hypnotic sleep. But -she sleep not, being as though I were not. Still I try and -try, till all at once I find her and myself in dark, so I -look round, and find that the sun have gone down. Madam -Mina laugh, and I turn and look at her. She is now quite -awake, and look so well as I never saw her since that night -at Carfax when we first enter the Count's house. I am amaze, and -not at ease then. But she is so bright and tender and thoughtful -for me that I forget all fear. I light a fire, for we have -brought supply of wood with us, and she prepare food while I undo -the horses and set them, tethered in shelter, to feed. Then when -I return to the fire she have my supper ready. I go to help her, -but she smile, and tell me that she have eat already. That she -was so hungry that she would not wait. I like it not, and I have -grave doubts. But I fear to affright her, and so I am silent of -it. She help me and I eat alone, and then we wrap in fur and lie -beside the fire, and I tell her to sleep while I watch. But -presently I forget all of watching. And when I sudden remember -that I watch, I find her lying quiet, but awake, and looking at -me with so bright eyes. Once, twice more the same occur, and I -get much sleep till before morning. When I wake I try to -hypnotize her, but alas! though she shut her eyes obedient, she -may not sleep. The sun rise up, and up, and up, and then sleep -come to her too late, but so heavy that she will not wake. I -have to lift her up, and place her sleeping in the carriage when -I have harnessed the horses and made all ready. Madam still -sleep, and she look in her sleep more healthy and more redder -than before. And I like it not. And I am afraid, afraid, -afraid! I am afraid of all things, even to think but I must go -on my way. The stake we play for is life and death, or more than -these, and we must not flinch. - - -5 November, morning.--Let me be accurate in everything, for -though you and I have seen some strange things together, -you may at the first think that I, Van Helsing, am mad. -That the many horrors and the so long strain on nerves has -at the last turn my brain. - -All yesterday we travel, always getting closer to the -mountains, and moving into a more and more wild and desert -land. There are great, frowning precipices and much falling -water, and Nature seem to have held sometime her carnival. Madam -Mina still sleep and sleep. And though I did have hunger and -appeased it, I could not waken her, even for food. I began to -fear that the fatal spell of the place was upon her, tainted as -she is with that Vampire baptism. "Well," said I to myself, "if -it be that she sleep all the day, it shall also be that I do not -sleep at night." As we travel on the rough road, for a road of -an ancient and imperfect kind there was, I held down my head and -slept. - -Again I waked with a sense of guilt and of time passed, and -found Madam Mina still sleeping, and the sun low down. But -all was indeed changed. The frowning mountains seemed further -away, and we were near the top of a steep rising hill, on summit -of which was such a castle as Jonathan tell of in his diary. At -once I exulted and feared. For now, for good or ill, the end was -near. - -I woke Madam Mina, and again tried to hypnotize her, but -alas! unavailing till too late. Then, ere the great dark -came upon us, for even after down sun the heavens reflected -the gone sun on the snow, and all was for a time in a great -twilight. I took out the horses and fed them in what shelter I -could. Then I make a fire, and near it I make Madam Mina, now -awake and more charming than ever, sit comfortable amid her rugs. -I got ready food, but she would not eat, simply saying that she -had not hunger. I did not press her, knowing her unavailingness. -But I myself eat, for I must needs now be strong for all. Then, -with the fear on me of what might be, I drew a ring so big for -her comfort, round where Madam Mina sat. And over the ring I -passed some of the wafer, and I broke it fine so that all was -well guarded. She sat still all the time, so still as one dead. -And she grew whiter and even whiter till the snow was not more -pale, and no word she said. But when I drew near, she clung to -me, and I could know that the poor soul shook her from head to -feet with a tremor that was pain to feel. - -I said to her presently, when she had grown more quiet, -"Will you not come over to the fire?" for I wished to make -a test of what she could. She rose obedient, but when she -have made a step she stopped, and stood as one stricken. - -"Why not go on?" I asked. She shook her head, and coming -back, sat down in her place. Then, looking at me with open -eyes, as of one waked from sleep, she said simply, "I cannot!" -and remained silent. I rejoiced, for I knew that what she could -not, none of those that we dreaded could. Though there might be -danger to her body, yet her soul was safe! - -Presently the horses began to scream, and tore at their -tethers till I came to them and quieted them. When they -did feel my hands on them, they whinnied low as in joy, and -licked at my hands and were quiet for a time. Many times -through the night did I come to them, till it arrive to the -cold hour when all nature is at lowest, and every time my -coming was with quiet of them. In the cold hour the fire -began to die, and I was about stepping forth to replenish -it, for now the snow came in flying sweeps and with it a -chill mist. Even in the dark there was a light of some -kind, as there ever is over snow, and it seemed as though -the snow flurries and the wreaths of mist took shape as of -women with trailing garments. All was in dead, grim silence only -that the horses whinnied and cowered, as if in terror of the -worst. I began to fear, horrible fears. But then came to me the -sense of safety in that ring wherein I stood. I began too, to -think that my imaginings were of the night, and the gloom, and -the unrest that I have gone through, and all the terrible -anxiety. It was as though my memories of all Jonathan's horrid -experience were befooling me. For the snow flakes and the mist -began to wheel and circle round, till I could get as though a -shadowy glimpse of those women that would have kissed him. And -then the horses cowered lower and lower, and moaned in terror as -men do in pain. Even the madness of fright was not to them, so -that they could break away. I feared for my dear Madam Mina when -these weird figures drew near and circled round. I looked at her, -but she sat calm, and smiled at me. When I would have stepped to -the fire to replenish it, she caught me and held me back, and -whispered, like a voice that one hears in a dream, so low it was. - -"No! No! Do not go without. Here you are safe!" - -I turned to her, and looking in her eyes said, "But you? -It is for you that I fear!" - -Whereat she laughed, a laugh low and unreal, and said, "Fear -for me! Why fear for me? None safer in all the world from -them than I am," and as I wondered at the meaning of her -words, a puff of wind made the flame leap up, and I see the -red scar on her forehead. Then, alas! I knew. Did I not, -I would soon have learned, for the wheeling figures of mist -and snow came closer, but keeping ever without the Holy -circle. Then they began to materialize till, if God have -not taken away my reason, for I saw it through my eyes. -There were before me in actual flesh the same three women -that Jonathan saw in the room, when they would have kissed -his throat. I knew the swaying round forms, the bright -hard eyes, the white teeth, the ruddy colour, the voluptuous -lips. They smiled ever at poor dear Madam Mina. And as -their laugh came through the silence of the night, they -twined their arms and pointed to her, and said in those so -sweet tingling tones that Jonathan said were of the intolerable -sweetness of the water glasses, "Come, sister. Come to us. -Come!" - -In fear I turned to my poor Madam Mina, and my heart with -gladness leapt like flame. For oh! the terror in her sweet -eyes, the repulsion, the horror, told a story to my heart -that was all of hope. God be thanked she was not, yet, of -them. I seized some of the firewood which was by me, and -holding out some of the Wafer, advanced on them towards the -fire. They drew back before me, and laughed their low horrid -laugh. I fed the fire, and feared them not. For I knew that we -were safe within the ring, which she could not leave no more than -they could enter. The horses had ceased to moan, and lay still -on the ground. The snow fell on them softly, and they grew -whiter. I knew that there was for the poor beasts no more of -terror. - -And so we remained till the red of the dawn began to fall -through the snow gloom. I was desolate and afraid, and -full of woe and terror. But when that beautiful sun began -to climb the horizon life was to me again. At the first -coming of the dawn the horrid figures melted in the whirling -mist and snow. The wreaths of transparent gloom moved away -towards the castle, and were lost. - -Instinctively, with the dawn coming, I turned to Madam Mina, -intending to hypnotize her. But she lay in a deep and sudden -sleep, from which I could not wake her. I tried to hypnotize -through her sleep, but she made no response, none at all, and the -day broke. I fear yet to stir. I have made my fire and have -seen the horses, they are all dead. Today I have much to do here, -and I keep waiting till the sun is up high. For there may be -places where I must go, where that sunlight, though snow and mist -obscure it, will be to me a safety. - -I will strengthen me with breakfast, and then I will do my -terrible work. Madam Mina still sleeps, and God be thanked! She -is calm in her sleep . . . - - - -JONATHAN HARKER'S JOURNAL - -4 November, evening.--The accident to the launch has been a terrible -thing for us. Only for it we should have overtaken the boat long ago, -and by now my dear Mina would have been free. I fear to think of her, -off on the wolds near that horrid place. We have got horses, and we -follow on the track. I note this whilst Godalming is getting ready. -We have our arms. The Szgany must look out if they mean to fight. Oh, -if only Morris and Seward were with us. We must only hope! If I -write no more Goodby Mina! God bless and keep you. - - - -DR. SEWARD'S DIARY - -5 November.--With the dawn we saw the body of Szgany before us dashing -away from the river with their leiter wagon. They surrounded it in a -cluster, and hurried along as though beset. The snow is falling -lightly and there is a strange excitement in the air. It may be our -own feelings, but the depression is strange. Far off I hear the -howling of wolves. The snow brings them down from the mountains, and -there are dangers to all of us, and from all sides. The horses are -nearly ready, and we are soon off. We ride to death of some one. God -alone knows who, or where, or what, or when, or how it may be . . . - - - - - -DR. VAN HELSING'S MEMORANDUM - -5 November, afternoon.--I am at least sane. Thank God for -that mercy at all events, though the proving it has been -dreadful. When I left Madam Mina sleeping within the Holy -circle, I took my way to the castle. The blacksmith hammer -which I took in the carriage from Veresti was useful, though the -doors were all open I broke them off the rusty hinges, lest some -ill intent or ill chance should close them, so that being entered -I might not get out. Jonathan's bitter experience served me -here. By memory of his diary I found my way to the old chapel, -for I knew that here my work lay. The air was oppressive. It -seemed as if there was some sulphurous fume, which at times made -me dizzy. Either there was a roaring in my ears or I heard afar -off the howl of wolves. Then I bethought me of my dear Madam -Mina, and I was in terrible plight. The dilemma had me between -his horns. - -Her, I had not dare to take into this place, but left safe -from the Vampire in that Holy circle. And yet even there -would be the wolf! I resolve me that my work lay here, and -that as to the wolves we must submit, if it were God's will. At -any rate it was only death and freedom beyond. So did I choose -for her. Had it but been for myself the choice had been easy, -the maw of the wolf were better to rest in than the grave of the -Vampire! So I make my choice to go on with my work. - -I knew that there were at least three graves to find, graves -that are inhabit. So I search, and search, and I find one -of them. She lay in her Vampire sleep, so full of life and -voluptuous beauty that I shudder as though I have come to -do murder. Ah, I doubt not that in the old time, when such -things were, many a man who set forth to do such a task as -mine, found at the last his heart fail him, and then his -nerve. So he delay, and delay, and delay, till the mere -beauty and the fascination of the wanton Undead have hypnotize -him. And he remain on and on, till sunset come, and the Vampire -sleep be over. Then the beautiful eyes of the fair woman open -and look love, and the voluptuous mouth present to a kiss, and -the man is weak. And there remain one more victim in the -Vampire fold. One more to swell the grim and grisly ranks -of the Undead! . . . - -There is some fascination, surely, when I am moved by the -mere presence of such an one, even lying as she lay in a -tomb fretted with age and heavy with the dust of centuries, -though there be that horrid odour such as the lairs of the -Count have had. Yes, I was moved. I, Van Helsing, with -all my purpose and with my motive for hate. I was moved to -a yearning for delay which seemed to paralyze my faculties -and to clog my very soul. It may have been that the need -of natural sleep, and the strange oppression of the air -were beginning to overcome me. Certain it was that I was -lapsing into sleep, the open eyed sleep of one who yields -to a sweet fascination, when there came through the snow-stilled -air a long, low wail, so full of woe and pity that it woke me -like the sound of a clarion. For it was the voice of my dear -Madam Mina that I heard. - -Then I braced myself again to my horrid task, and found by -wrenching away tomb tops one other of the sisters, the other dark -one. I dared not pause to look on her as I had on her sister, -lest once more I should begin to be enthrall. But I go on -searching until, presently, I find in a high great tomb as if -made to one much beloved that other fair sister which, like -Jonathan I had seen to gather herself out of the atoms of the -mist. She was so fair to look on, so radiantly beautiful, so -exquisitely voluptuous, that the very instinct of man in me, -which calls some of my sex to love and to protect one of hers, -made my head whirl with new emotion. But God be thanked, that -soul wail of my dear Madam Mina had not died out of my ears. -And, before the spell could be wrought further upon me, I had -nerved myself to my wild work. By this time I had searched all -the tombs in the chapel, so far as I could tell. And as there -had been only three of these Undead phantoms around us in the -night, I took it that there were no more of active Undead -existent. There was one great tomb more lordly than all the -rest. Huge it was, and nobly proportioned. On it was but one -word. - - - DRACULA - - -This then was the Undead home of the King Vampire, to whom -so many more were due. Its emptiness spoke eloquent to -make certain what I knew. Before I began to restore these -women to their dead selves through my awful work, I laid in -Dracula's tomb some of the Wafer, and so banished him from -it, Undead, for ever. - -Then began my terrible task, and I dreaded it. Had it been -but one, it had been easy, comparative. But three! To -begin twice more after I had been through a deed of horror. -For it was terrible with the sweet Miss Lucy, what would it -not be with these strange ones who had survived through -centuries, and who had been strengthened by the passing of -the years. Who would, if they could, have fought for their -foul lives . . . - -Oh, my friend John, but it was butcher work. Had I not -been nerved by thoughts of other dead, and of the living -over whom hung such a pall of fear, I could not have gone -on. I tremble and tremble even yet, though till all was -over, God be thanked, my nerve did stand. Had I not seen -the repose in the first place, and the gladness that stole -over it just ere the final dissolution came, as realization -that the soul had been won, I could not have gone further -with my butchery. I could not have endured the horrid screeching -as the stake drove home, the plunging of writhing form, and lips -of bloody foam. I should have fled in terror and left my work -undone. But it is over! And the poor souls, I can pity them now -and weep, as I think of them placid each in her full sleep of -death for a short moment ere fading. For, friend John, hardly -had my knife severed the head of each, before the whole body -began to melt away and crumble into its native dust, as though -the death that should have come centuries ago had at last assert -himself and say at once and loud, "I am here!" - -Before I left the castle I so fixed its entrances that never -more can the Count enter there Undead. - -When I stepped into the circle where Madam Mina slept, she -woke from her sleep and, seeing me, cried out in pain that -I had endured too much. - -"Come!" she said, "come away from this awful place! Let us -go to meet my husband who is, I know, coming towards us." -She was looking thin and pale and weak. But her eyes were -pure and glowed with fervour. I was glad to see her paleness and -her illness, for my mind was full of the fresh horror of that -ruddy vampire sleep. - -And so with trust and hope, and yet full of fear, we go -eastward to meet our friends, and him, whom Madam Mina tell -me that she know are coming to meet us. - - - - - -MINA HARKER'S JOURNAL - -6 November.--It was late in the afternoon when the Professor and I -took our way towards the east whence I knew Jonathan was coming. We -did not go fast, though the way was steeply downhill, for we had to -take heavy rugs and wraps with us. We dared not face the possibility -of being left without warmth in the cold and the snow. We had to take -some of our provisions too, for we were in a perfect desolation, and -so far as we could see through the snowfall, there was not even the -sign of habitation. When we had gone about a mile, I was tired with -the heavy walking and sat down to rest. Then we looked back and saw -where the clear line of Dracula's castle cut the sky. For we were so -deep under the hill whereon it was set that the angle of perspective -of the Carpathian mountains was far below it. We saw it in all its -grandeur, perched a thousand feet on the summit of a sheer precipice, -and with seemingly a great gap between it and the steep of the -adjacent mountain on any side. There was something wild and uncanny -about the place. We could hear the distant howling of wolves. They -were far off, but the sound, even though coming muffled through the -deadening snowfall, was full of terror. I knew from the way Dr. Van -Helsing was searching about that he was trying to seek some strategic -point, where we would be less exposed in case of attack. The rough -roadway still led downwards. We could trace it through the drifted -snow. - -In a little while the Professor signalled to me, so I got up and -joined him. He had found a wonderful spot, a sort of natural hollow -in a rock, with an entrance like a doorway between two boulders. He -took me by the hand and drew me in. - -"See!" he said, "here you will be in shelter. And if the wolves do -come I can meet them one by one." - -He brought in our furs, and made a snug nest for me, and got out some -provisions and forced them upon me. But I could not eat, to even try -to do so was repulsive to me, and much as I would have liked to please -him, I could not bring myself to the attempt. He looked very sad, but -did not reproach me. Taking his field glasses from the case, he stood -on the top of the rock, and began to search the horizon. - -Suddenly he called out, "Look! Madam Mina, look! Look!" - -I sprang up and stood beside him on the rock. He handed me his -glasses and pointed. The snow was now falling more heavily, and -swirled about fiercely, for a high wind was beginning to blow. -However, there were times when there were pauses between the snow -flurries and I could see a long way round. From the height where we -were it was possible to see a great distance. And far off, beyond the -white waste of snow, I could see the river lying like a black ribbon -in kinks and curls as it wound its way. Straight in front of us and -not far off, in fact so near that I wondered we had not noticed -before, came a group of mounted men hurrying along. In the midst of -them was a cart, a long leiter wagon which swept from side to side, -like a dog's tail wagging, with each stern inequality of the road. -Outlined against the snow as they were, I could see from the men's -clothes that they were peasants or gypsies of some kind. - -On the cart was a great square chest. My heart leaped as I saw it, for -I felt that the end was coming. The evening was now drawing close, -and well I knew that at sunset the Thing, which was till then -imprisoned there, would take new freedom and could in any of many -forms elude pursuit. In fear I turned to the Professor. To my -consternation, however, he was not there. An instant later, I saw him -below me. Round the rock he had drawn a circle, such as we had found -shelter in last night. - -When he had completed it he stood beside me again saying, "At least -you shall be safe here from him!" He took the glasses from me, and at -the next lull of the snow swept the whole space below us. "See," he -said, "they come quickly. They are flogging the horses, and galloping -as hard as they can." - -He paused and went on in a hollow voice, "They are racing for the -sunset. We may be too late. God's will be done!" Down came another -blinding rush of driving snow, and the whole landscape was blotted -out. It soon passed, however, and once more his glasses were fixed on -the plain. - -Then came a sudden cry, "Look! Look! Look! See, two horsemen follow -fast, coming up from the south. It must be Quincey and John. Take -the glass. Look before the snow blots it all out!" I took it and -looked. The two men might be Dr. Seward and Mr. Morris. I knew at -all events that neither of them was Jonathan. At the same time I knew -that Jonathan was not far off. Looking around I saw on the north side -of the coming party two other men, riding at breakneck speed. One of -them I knew was Jonathan, and the other I took, of course, to be Lord -Godalming. They too, were pursuing the party with the cart. When I -told the Professor he shouted in glee like a schoolboy, and after -looking intently till a snow fall made sight impossible, he laid his -Winchester rifle ready for use against the boulder at the opening of -our shelter. - -"They are all converging," he said. "When the time comes we shall have -gypsies on all sides." I got out my revolver ready to hand, for -whilst we were speaking the howling of wolves came louder and closer. -When the snow storm abated a moment we looked again. It was strange -to see the snow falling in such heavy flakes close to us, and beyond, -the sun shining more and more brightly as it sank down towards the far -mountain tops. Sweeping the glass all around us I could see here and -there dots moving singly and in twos and threes and larger numbers. -The wolves were gathering for their prey. - -Every instant seemed an age whilst we waited. The wind came now in -fierce bursts, and the snow was driven with fury as it swept upon us -in circling eddies. At times we could not see an arm's length before -us. But at others, as the hollow sounding wind swept by us, it seemed -to clear the air space around us so that we could see afar off. We -had of late been so accustomed to watch for sunrise and sunset, that -we knew with fair accuracy when it would be. And we knew that before -long the sun would set. It was hard to believe that by our watches it -was less than an hour that we waited in that rocky shelter before the -various bodies began to converge close upon us. The wind came now -with fiercer and more bitter sweeps, and more steadily from the -north. It seemingly had driven the snow clouds from us, for with only -occasional bursts, the snow fell. We could distinguish clearly the -individuals of each party, the pursued and the pursuers. Strangely -enough those pursued did not seem to realize, or at least to care, -that they were pursued. They seemed, however, to hasten with -redoubled speed as the sun dropped lower and lower on the mountain -tops. - -Closer and closer they drew. The Professor and I crouched down behind -our rock, and held our weapons ready. I could see that he was -determined that they should not pass. One and all were quite unaware -of our presence. - -All at once two voices shouted out to "Halt!" One was my Jonathan's, -raised in a high key of passion. The other Mr. Morris' strong -resolute tone of quiet command. The gypsies may not have known the -language, but there was no mistaking the tone, in whatever tongue the -words were spoken. Instinctively they reined in, and at the instant -Lord Godalming and Jonathan dashed up at one side and Dr. Seward and -Mr. Morris on the other. The leader of the gypsies, a splendid -looking fellow who sat his horse like a centaur, waved them back, and -in a fierce voice gave to his companions some word to proceed. They -lashed the horses which sprang forward. But the four men raised their -Winchester rifles, and in an unmistakable way commanded them to stop. -At the same moment Dr. Van Helsing and I rose behind the rock and -pointed our weapons at them. Seeing that they were surrounded the men -tightened their reins and drew up. The leader turned to them and gave -a word at which every man of the gypsy party drew what weapon he -carried, knife or pistol, and held himself in readiness to attack. -Issue was joined in an instant. - -The leader, with a quick movement of his rein, threw his horse out in -front, and pointed first to the sun, now close down on the hill tops, -and then to the castle, said something which I did not understand. -For answer, all four men of our party threw themselves from their -horses and dashed towards the cart. I should have felt terrible fear -at seeing Jonathan in such danger, but that the ardor of battle must -have been upon me as well as the rest of them. I felt no fear, but -only a wild, surging desire to do something. Seeing the quick -movement of our parties, the leader of the gypsies gave a command. His -men instantly formed round the cart in a sort of undisciplined -endeavour, each one shouldering and pushing the other in his eagerness -to carry out the order. - -In the midst of this I could see that Jonathan on one side of the ring -of men, and Quincey on the other, were forcing a way to the cart. It -was evident that they were bent on finishing their task before the sun -should set. Nothing seemed to stop or even to hinder them. Neither -the levelled weapons nor the flashing knives of the gypsies in front, -nor the howling of the wolves behind, appeared to even attract their -attention. Jonathan's impetuosity, and the manifest singleness of his -purpose, seemed to overawe those in front of him. Instinctively they -cowered aside and let him pass. In an instant he had jumped upon the -cart, and with a strength which seemed incredible, raised the great -box, and flung it over the wheel to the ground. In the meantime, Mr. -Morris had had to use force to pass through his side of the ring of -Szgany. All the time I had been breathlessly watching Jonathan I had, -with the tail of my eye, seen him pressing desperately forward, and -had seen the knives of the gypsies flash as he won a way through them, -and they cut at him. He had parried with his great bowie knife, and -at first I thought that he too had come through in safety. But as he -sprang beside Jonathan, who had by now jumped from the cart, I could -see that with his left hand he was clutching at his side, and that the -blood was spurting through his fingers. He did not delay -notwithstanding this, for as Jonathan, with desperate energy, attacked -one end of the chest, attempting to prize off the lid with his great -Kukri knife, he attacked the other frantically with his bowie. Under -the efforts of both men the lid began to yield. The nails drew with a -screeching sound, and the top of the box was thrown back. - -By this time the gypsies, seeing themselves covered by the -Winchesters, and at the mercy of Lord Godalming and Dr. Seward, had -given in and made no further resistance. The sun was almost down on -the mountain tops, and the shadows of the whole group fell upon the -snow. I saw the Count lying within the box upon the earth, some of -which the rude falling from the cart had scattered over him. He was -deathly pale, just like a waxen image, and the red eyes glared with -the horrible vindictive look which I knew so well. - -As I looked, the eyes saw the sinking sun, and the look of hate in -them turned to triumph. - -But, on the instant, came the sweep and flash of Jonathan's great -knife. I shrieked as I saw it shear through the throat. Whilst at -the same moment Mr. Morris's bowie knife plunged into the heart. - -It was like a miracle, but before our very eyes, and almost in the -drawing of a breath, the whole body crumbled into dust and passed from -our sight. - -I shall be glad as long as I live that even in that moment of final -dissolution, there was in the face a look of peace, such as I never -could have imagined might have rested there. - -The Castle of Dracula now stood out against the red sky, and every -stone of its broken battlements was articulated against the light of -the setting sun. - -The gypsies, taking us as in some way the cause of the extraordinary -disappearance of the dead man, turned, without a word, and rode away -as if for their lives. Those who were unmounted jumped upon the -leiter wagon and shouted to the horsemen not to desert them. The -wolves, which had withdrawn to a safe distance, followed in their -wake, leaving us alone. - -Mr. Morris, who had sunk to the ground, leaned on his elbow, holding -his hand pressed to his side. The blood still gushed through his -fingers. I flew to him, for the Holy circle did not now keep me back; -so did the two doctors. Jonathan knelt behind him and the wounded man -laid back his head on his shoulder. With a sigh he took, with a -feeble effort, my hand in that of his own which was unstained. - -He must have seen the anguish of my heart in my face, for he smiled at -me and said, "I am only too happy to have been of service! Oh, God!" -he cried suddenly, struggling to a sitting posture and pointing to me. -"It was worth for this to die! Look! Look!" - -The sun was now right down upon the mountain top, and the red gleams -fell upon my face, so that it was bathed in rosy light. With one -impulse the men sank on their knees and a deep and earnest "Amen" -broke from all as their eyes followed the pointing of his finger. - -The dying man spoke, "Now God be thanked that all has not been in -vain! See! The snow is not more stainless than her forehead! The -curse has passed away!" - -And, to our bitter grief, with a smile and in silence, he died, a -gallant gentleman. - - - - - -NOTE - - -Seven years ago we all went through the flames. And the happiness of -some of us since then is, we think, well worth the pain we endured. -It is an added joy to Mina and to me that our boy's birthday is the -same day as that on which Quincey Morris died. His mother holds, I -know, the secret belief that some of our brave friend's spirit has -passed into him. His bundle of names links all our little band of men -together. But we call him Quincey. - -In the summer of this year we made a journey to Transylvania, and went -over the old ground which was, and is, to us so full of vivid and -terrible memories. It was almost impossible to believe that the -things which we had seen with our own eyes and heard with our own ears -were living truths. Every trace of all that had been was blotted -out. The castle stood as before, reared high above a waste of -desolation. - -When we got home we were talking of the old time, which we could all -look back on without despair, for Godalming and Seward are both -happily married. I took the papers from the safe where they had been -ever since our return so long ago. We were struck with the fact, that -in all the mass of material of which the record is composed, there is -hardly one authentic document. Nothing but a mass of typewriting, -except the later notebooks of Mina and Seward and myself, and Van -Helsing's memorandum. We could hardly ask any one, even did we wish -to, to accept these as proofs of so wild a story. Van Helsing summed -it all up as he said, with our boy on his knee. - -"We want no proofs. We ask none to believe us! This boy will some -day know what a brave and gallant woman his mother is. Already he -knows her sweetness and loving care. Later on he will understand how -some men so loved her, that they did dare much for her sake." - -JONATHAN HARKER - - - - - - - - - -End of the Project Gutenberg EBook of Dracula, by Bram Stoker - -*** END OF THIS PROJECT GUTENBERG EBOOK DRACULA *** - -***** This file should be named 345.txt or 345.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/3/4/345/ - - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. 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Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.net - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/frankenstein.txt b/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/frankenstein.txt deleted file mode 100644 index ef9971b..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/HashMapClass/data/frankenstein.txt +++ /dev/null @@ -1,7652 +0,0 @@ -Project Gutenberg's Frankenstein, by Mary Wollstonecraft (Godwin) Shelley - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.net - - -Title: Frankenstein - or The Modern Prometheus - -Author: Mary Wollstonecraft (Godwin) Shelley - -Release Date: June 17, 2008 [EBook #84] - -Language: English - - -*** START OF THIS PROJECT GUTENBERG EBOOK FRANKENSTEIN *** - - - - -Produced by Judith Boss, Christy Phillips, Lynn Hanninen, -and David Meltzer. HTML version by Al Haines. - - - - - - - - - - -Frankenstein, - -or the Modern Prometheus - - -by - -Mary Wollstonecraft (Godwin) Shelley - - - - -Letter 1 - - -St. Petersburgh, Dec. 11th, 17-- - -TO Mrs. Saville, England - -You will rejoice to hear that no disaster has accompanied the -commencement of an enterprise which you have regarded with such evil -forebodings. I arrived here yesterday, and my first task is to assure -my dear sister of my welfare and increasing confidence in the success -of my undertaking. - -I am already far north of London, and as I walk in the streets of -Petersburgh, I feel a cold northern breeze play upon my cheeks, which -braces my nerves and fills me with delight. Do you understand this -feeling? This breeze, which has travelled from the regions towards -which I am advancing, gives me a foretaste of those icy climes. -Inspirited by this wind of promise, my daydreams become more fervent -and vivid. I try in vain to be persuaded that the pole is the seat of -frost and desolation; it ever presents itself to my imagination as the -region of beauty and delight. There, Margaret, the sun is forever -visible, its broad disk just skirting the horizon and diffusing a -perpetual splendour. There--for with your leave, my sister, I will put -some trust in preceding navigators--there snow and frost are banished; -and, sailing over a calm sea, we may be wafted to a land surpassing in -wonders and in beauty every region hitherto discovered on the habitable -globe. Its productions and features may be without example, as the -phenomena of the heavenly bodies undoubtedly are in those undiscovered -solitudes. What may not be expected in a country of eternal light? I -may there discover the wondrous power which attracts the needle and may -regulate a thousand celestial observations that require only this -voyage to render their seeming eccentricities consistent forever. I -shall satiate my ardent curiosity with the sight of a part of the world -never before visited, and may tread a land never before imprinted by -the foot of man. These are my enticements, and they are sufficient to -conquer all fear of danger or death and to induce me to commence this -laborious voyage with the joy a child feels when he embarks in a little -boat, with his holiday mates, on an expedition of discovery up his -native river. But supposing all these conjectures to be false, you -cannot contest the inestimable benefit which I shall confer on all -mankind, to the last generation, by discovering a passage near the pole -to those countries, to reach which at present so many months are -requisite; or by ascertaining the secret of the magnet, which, if at -all possible, can only be effected by an undertaking such as mine. - -These reflections have dispelled the agitation with which I began my -letter, and I feel my heart glow with an enthusiasm which elevates me -to heaven, for nothing contributes so much to tranquillize the mind as -a steady purpose--a point on which the soul may fix its intellectual -eye. This expedition has been the favourite dream of my early years. I -have read with ardour the accounts of the various voyages which have -been made in the prospect of arriving at the North Pacific Ocean -through the seas which surround the pole. You may remember that a -history of all the voyages made for purposes of discovery composed the -whole of our good Uncle Thomas' library. My education was neglected, -yet I was passionately fond of reading. These volumes were my study -day and night, and my familiarity with them increased that regret which -I had felt, as a child, on learning that my father's dying injunction -had forbidden my uncle to allow me to embark in a seafaring life. - -These visions faded when I perused, for the first time, those poets -whose effusions entranced my soul and lifted it to heaven. I also -became a poet and for one year lived in a paradise of my own creation; -I imagined that I also might obtain a niche in the temple where the -names of Homer and Shakespeare are consecrated. You are well -acquainted with my failure and how heavily I bore the disappointment. -But just at that time I inherited the fortune of my cousin, and my -thoughts were turned into the channel of their earlier bent. - -Six years have passed since I resolved on my present undertaking. I -can, even now, remember the hour from which I dedicated myself to this -great enterprise. I commenced by inuring my body to hardship. I -accompanied the whale-fishers on several expeditions to the North Sea; -I voluntarily endured cold, famine, thirst, and want of sleep; I often -worked harder than the common sailors during the day and devoted my -nights to the study of mathematics, the theory of medicine, and those -branches of physical science from which a naval adventurer might derive -the greatest practical advantage. Twice I actually hired myself as an -under-mate in a Greenland whaler, and acquitted myself to admiration. I -must own I felt a little proud when my captain offered me the second -dignity in the vessel and entreated me to remain with the greatest -earnestness, so valuable did he consider my services. And now, dear -Margaret, do I not deserve to accomplish some great purpose? My life -might have been passed in ease and luxury, but I preferred glory to -every enticement that wealth placed in my path. Oh, that some -encouraging voice would answer in the affirmative! My courage and my -resolution is firm; but my hopes fluctuate, and my spirits are often -depressed. I am about to proceed on a long and difficult voyage, the -emergencies of which will demand all my fortitude: I am required not -only to raise the spirits of others, but sometimes to sustain my own, -when theirs are failing. - -This is the most favourable period for travelling in Russia. They fly -quickly over the snow in their sledges; the motion is pleasant, and, in -my opinion, far more agreeable than that of an English stagecoach. The -cold is not excessive, if you are wrapped in furs--a dress which I have -already adopted, for there is a great difference between walking the -deck and remaining seated motionless for hours, when no exercise -prevents the blood from actually freezing in your veins. I have no -ambition to lose my life on the post-road between St. Petersburgh and -Archangel. I shall depart for the latter town in a fortnight or three -weeks; and my intention is to hire a ship there, which can easily be -done by paying the insurance for the owner, and to engage as many -sailors as I think necessary among those who are accustomed to the -whale-fishing. I do not intend to sail until the month of June; and -when shall I return? Ah, dear sister, how can I answer this question? -If I succeed, many, many months, perhaps years, will pass before you -and I may meet. If I fail, you will see me again soon, or never. -Farewell, my dear, excellent Margaret. Heaven shower down blessings on -you, and save me, that I may again and again testify my gratitude for -all your love and kindness. - -Your affectionate brother, - R. Walton - - - -Letter 2 - - -Archangel, 28th March, 17-- - -To Mrs. Saville, England - -How slowly the time passes here, encompassed as I am by frost and snow! -Yet a second step is taken towards my enterprise. I have hired a -vessel and am occupied in collecting my sailors; those whom I have -already engaged appear to be men on whom I can depend and are certainly -possessed of dauntless courage. - -But I have one want which I have never yet been able to satisfy, and -the absence of the object of which I now feel as a most severe evil, I -have no friend, Margaret: when I am glowing with the enthusiasm of -success, there will be none to participate my joy; if I am assailed by -disappointment, no one will endeavour to sustain me in dejection. I -shall commit my thoughts to paper, it is true; but that is a poor -medium for the communication of feeling. I desire the company of a man -who could sympathize with me, whose eyes would reply to mine. You may -deem me romantic, my dear sister, but I bitterly feel the want of a -friend. I have no one near me, gentle yet courageous, possessed of a -cultivated as well as of a capacious mind, whose tastes are like my -own, to approve or amend my plans. How would such a friend repair the -faults of your poor brother! I am too ardent in execution and too -impatient of difficulties. But it is a still greater evil to me that I -am self-educated: for the first fourteen years of my life I ran wild -on a common and read nothing but our Uncle Thomas' books of voyages. At -that age I became acquainted with the celebrated poets of our own -country; but it was only when it had ceased to be in my power to derive -its most important benefits from such a conviction that I perceived the -necessity of becoming acquainted with more languages than that of my -native country. Now I am twenty-eight and am in reality more -illiterate than many schoolboys of fifteen. It is true that I have -thought more and that my daydreams are more extended and magnificent, -but they want (as the painters call it) KEEPING; and I greatly need a -friend who would have sense enough not to despise me as romantic, and -affection enough for me to endeavour to regulate my mind. Well, these -are useless complaints; I shall certainly find no friend on the wide -ocean, nor even here in Archangel, among merchants and seamen. Yet -some feelings, unallied to the dross of human nature, beat even in -these rugged bosoms. My lieutenant, for instance, is a man of -wonderful courage and enterprise; he is madly desirous of glory, or -rather, to word my phrase more characteristically, of advancement in -his profession. He is an Englishman, and in the midst of national and -professional prejudices, unsoftened by cultivation, retains some of the -noblest endowments of humanity. I first became acquainted with him on -board a whale vessel; finding that he was unemployed in this city, I -easily engaged him to assist in my enterprise. The master is a person -of an excellent disposition and is remarkable in the ship for his -gentleness and the mildness of his discipline. This circumstance, -added to his well-known integrity and dauntless courage, made me very -desirous to engage him. A youth passed in solitude, my best years -spent under your gentle and feminine fosterage, has so refined the -groundwork of my character that I cannot overcome an intense distaste -to the usual brutality exercised on board ship: I have never believed -it to be necessary, and when I heard of a mariner equally noted for his -kindliness of heart and the respect and obedience paid to him by his -crew, I felt myself peculiarly fortunate in being able to secure his -services. I heard of him first in rather a romantic manner, from a -lady who owes to him the happiness of her life. This, briefly, is his -story. Some years ago he loved a young Russian lady of moderate -fortune, and having amassed a considerable sum in prize-money, the -father of the girl consented to the match. He saw his mistress once -before the destined ceremony; but she was bathed in tears, and throwing -herself at his feet, entreated him to spare her, confessing at the same -time that she loved another, but that he was poor, and that her father -would never consent to the union. My generous friend reassured the -suppliant, and on being informed of the name of her lover, instantly -abandoned his pursuit. He had already bought a farm with his money, on -which he had designed to pass the remainder of his life; but he -bestowed the whole on his rival, together with the remains of his -prize-money to purchase stock, and then himself solicited the young -woman's father to consent to her marriage with her lover. But the old -man decidedly refused, thinking himself bound in honour to my friend, -who, when he found the father inexorable, quitted his country, nor -returned until he heard that his former mistress was married according -to her inclinations. "What a noble fellow!" you will exclaim. He is -so; but then he is wholly uneducated: he is as silent as a Turk, and a -kind of ignorant carelessness attends him, which, while it renders his -conduct the more astonishing, detracts from the interest and sympathy -which otherwise he would command. - -Yet do not suppose, because I complain a little or because I can -conceive a consolation for my toils which I may never know, that I am -wavering in my resolutions. Those are as fixed as fate, and my voyage -is only now delayed until the weather shall permit my embarkation. The -winter has been dreadfully severe, but the spring promises well, and it -is considered as a remarkably early season, so that perhaps I may sail -sooner than I expected. I shall do nothing rashly: you know me -sufficiently to confide in my prudence and considerateness whenever the -safety of others is committed to my care. - -I cannot describe to you my sensations on the near prospect of my -undertaking. It is impossible to communicate to you a conception of -the trembling sensation, half pleasurable and half fearful, with which -I am preparing to depart. I am going to unexplored regions, to "the -land of mist and snow," but I shall kill no albatross; therefore do not -be alarmed for my safety or if I should come back to you as worn and -woeful as the "Ancient Mariner." You will smile at my allusion, but I -will disclose a secret. I have often attributed my attachment to, my -passionate enthusiasm for, the dangerous mysteries of ocean to that -production of the most imaginative of modern poets. There is something -at work in my soul which I do not understand. I am practically -industrious--painstaking, a workman to execute with perseverance and -labour--but besides this there is a love for the marvellous, a belief -in the marvellous, intertwined in all my projects, which hurries me out -of the common pathways of men, even to the wild sea and unvisited -regions I am about to explore. But to return to dearer considerations. -Shall I meet you again, after having traversed immense seas, and -returned by the most southern cape of Africa or America? I dare not -expect such success, yet I cannot bear to look on the reverse of the -picture. Continue for the present to write to me by every opportunity: -I may receive your letters on some occasions when I need them most to -support my spirits. I love you very tenderly. Remember me with -affection, should you never hear from me again. - -Your affectionate brother, - Robert Walton - - - -Letter 3 - - - -July 7th, 17-- - -To Mrs. Saville, England - -My dear Sister, - -I write a few lines in haste to say that I am safe--and well advanced -on my voyage. This letter will reach England by a merchantman now on -its homeward voyage from Archangel; more fortunate than I, who may not -see my native land, perhaps, for many years. I am, however, in good -spirits: my men are bold and apparently firm of purpose, nor do the -floating sheets of ice that continually pass us, indicating the dangers -of the region towards which we are advancing, appear to dismay them. We -have already reached a very high latitude; but it is the height of -summer, and although not so warm as in England, the southern gales, -which blow us speedily towards those shores which I so ardently desire -to attain, breathe a degree of renovating warmth which I had not -expected. - -No incidents have hitherto befallen us that would make a figure in a -letter. One or two stiff gales and the springing of a leak are -accidents which experienced navigators scarcely remember to record, and -I shall be well content if nothing worse happen to us during our voyage. - -Adieu, my dear Margaret. Be assured that for my own sake, as well as -yours, I will not rashly encounter danger. I will be cool, -persevering, and prudent. - -But success SHALL crown my endeavours. Wherefore not? Thus far I have -gone, tracing a secure way over the pathless seas, the very stars -themselves being witnesses and testimonies of my triumph. Why not -still proceed over the untamed yet obedient element? What can stop the -determined heart and resolved will of man? - -My swelling heart involuntarily pours itself out thus. But I must -finish. Heaven bless my beloved sister! - -R.W. - - - -Letter 4 - - - -August 5th, 17-- - -To Mrs. Saville, England - -So strange an accident has happened to us that I cannot forbear -recording it, although it is very probable that you will see me before -these papers can come into your possession. - -Last Monday (July 31st) we were nearly surrounded by ice, which closed -in the ship on all sides, scarcely leaving her the sea-room in which -she floated. Our situation was somewhat dangerous, especially as we -were compassed round by a very thick fog. We accordingly lay to, -hoping that some change would take place in the atmosphere and weather. - -About two o'clock the mist cleared away, and we beheld, stretched out -in every direction, vast and irregular plains of ice, which seemed to -have no end. Some of my comrades groaned, and my own mind began to -grow watchful with anxious thoughts, when a strange sight suddenly -attracted our attention and diverted our solicitude from our own -situation. We perceived a low carriage, fixed on a sledge and drawn by -dogs, pass on towards the north, at the distance of half a mile; a -being which had the shape of a man, but apparently of gigantic stature, -sat in the sledge and guided the dogs. We watched the rapid progress -of the traveller with our telescopes until he was lost among the -distant inequalities of the ice. This appearance excited our -unqualified wonder. We were, as we believed, many hundred miles from -any land; but this apparition seemed to denote that it was not, in -reality, so distant as we had supposed. Shut in, however, by ice, it -was impossible to follow his track, which we had observed with the -greatest attention. About two hours after this occurrence we heard the -ground sea, and before night the ice broke and freed our ship. We, -however, lay to until the morning, fearing to encounter in the dark -those large loose masses which float about after the breaking up of the -ice. I profited of this time to rest for a few hours. - -In the morning, however, as soon as it was light, I went upon deck and -found all the sailors busy on one side of the vessel, apparently -talking to someone in the sea. It was, in fact, a sledge, like that we -had seen before, which had drifted towards us in the night on a large -fragment of ice. Only one dog remained alive; but there was a human -being within it whom the sailors were persuading to enter the vessel. -He was not, as the other traveller seemed to be, a savage inhabitant of -some undiscovered island, but a European. When I appeared on deck the -master said, "Here is our captain, and he will not allow you to perish -on the open sea." - -On perceiving me, the stranger addressed me in English, although with a -foreign accent. "Before I come on board your vessel," said he, "will -you have the kindness to inform me whither you are bound?" - -You may conceive my astonishment on hearing such a question addressed -to me from a man on the brink of destruction and to whom I should have -supposed that my vessel would have been a resource which he would not -have exchanged for the most precious wealth the earth can afford. I -replied, however, that we were on a voyage of discovery towards the -northern pole. - -Upon hearing this he appeared satisfied and consented to come on board. -Good God! Margaret, if you had seen the man who thus capitulated for -his safety, your surprise would have been boundless. His limbs were -nearly frozen, and his body dreadfully emaciated by fatigue and -suffering. I never saw a man in so wretched a condition. We attempted -to carry him into the cabin, but as soon as he had quitted the fresh -air he fainted. We accordingly brought him back to the deck and -restored him to animation by rubbing him with brandy and forcing him to -swallow a small quantity. As soon as he showed signs of life we -wrapped him up in blankets and placed him near the chimney of the -kitchen stove. By slow degrees he recovered and ate a little soup, -which restored him wonderfully. - -Two days passed in this manner before he was able to speak, and I often -feared that his sufferings had deprived him of understanding. When he -had in some measure recovered, I removed him to my own cabin and -attended on him as much as my duty would permit. I never saw a more -interesting creature: his eyes have generally an expression of -wildness, and even madness, but there are moments when, if anyone -performs an act of kindness towards him or does him any the most -trifling service, his whole countenance is lighted up, as it were, with -a beam of benevolence and sweetness that I never saw equalled. But he -is generally melancholy and despairing, and sometimes he gnashes his -teeth, as if impatient of the weight of woes that oppresses him. - -When my guest was a little recovered I had great trouble to keep off -the men, who wished to ask him a thousand questions; but I would not -allow him to be tormented by their idle curiosity, in a state of body -and mind whose restoration evidently depended upon entire repose. -Once, however, the lieutenant asked why he had come so far upon the ice -in so strange a vehicle. - -His countenance instantly assumed an aspect of the deepest gloom, and -he replied, "To seek one who fled from me." - -"And did the man whom you pursued travel in the same fashion?" - -"Yes." - -"Then I fancy we have seen him, for the day before we picked you up we -saw some dogs drawing a sledge, with a man in it, across the ice." - -This aroused the stranger's attention, and he asked a multitude of -questions concerning the route which the demon, as he called him, had -pursued. Soon after, when he was alone with me, he said, "I have, -doubtless, excited your curiosity, as well as that of these good -people; but you are too considerate to make inquiries." - -"Certainly; it would indeed be very impertinent and inhuman in me to -trouble you with any inquisitiveness of mine." - -"And yet you rescued me from a strange and perilous situation; you have -benevolently restored me to life." - -Soon after this he inquired if I thought that the breaking up of the -ice had destroyed the other sledge. I replied that I could not answer -with any degree of certainty, for the ice had not broken until near -midnight, and the traveller might have arrived at a place of safety -before that time; but of this I could not judge. From this time a new -spirit of life animated the decaying frame of the stranger. He -manifested the greatest eagerness to be upon deck to watch for the -sledge which had before appeared; but I have persuaded him to remain in -the cabin, for he is far too weak to sustain the rawness of the -atmosphere. I have promised that someone should watch for him and give -him instant notice if any new object should appear in sight. - -Such is my journal of what relates to this strange occurrence up to the -present day. The stranger has gradually improved in health but is very -silent and appears uneasy when anyone except myself enters his cabin. -Yet his manners are so conciliating and gentle that the sailors are all -interested in him, although they have had very little communication -with him. For my own part, I begin to love him as a brother, and his -constant and deep grief fills me with sympathy and compassion. He must -have been a noble creature in his better days, being even now in wreck -so attractive and amiable. I said in one of my letters, my dear -Margaret, that I should find no friend on the wide ocean; yet I have -found a man who, before his spirit had been broken by misery, I should -have been happy to have possessed as the brother of my heart. - -I shall continue my journal concerning the stranger at intervals, -should I have any fresh incidents to record. - - -August 13th, 17-- - -My affection for my guest increases every day. He excites at once my -admiration and my pity to an astonishing degree. How can I see so -noble a creature destroyed by misery without feeling the most poignant -grief? He is so gentle, yet so wise; his mind is so cultivated, and -when he speaks, although his words are culled with the choicest art, -yet they flow with rapidity and unparalleled eloquence. He is now much -recovered from his illness and is continually on the deck, apparently -watching for the sledge that preceded his own. Yet, although unhappy, -he is not so utterly occupied by his own misery but that he interests -himself deeply in the projects of others. He has frequently conversed -with me on mine, which I have communicated to him without disguise. He -entered attentively into all my arguments in favour of my eventual -success and into every minute detail of the measures I had taken to -secure it. I was easily led by the sympathy which he evinced to use -the language of my heart, to give utterance to the burning ardour of my -soul and to say, with all the fervour that warmed me, how gladly I -would sacrifice my fortune, my existence, my every hope, to the -furtherance of my enterprise. One man's life or death were but a small -price to pay for the acquirement of the knowledge which I sought, for -the dominion I should acquire and transmit over the elemental foes of -our race. As I spoke, a dark gloom spread over my listener's -countenance. At first I perceived that he tried to suppress his -emotion; he placed his hands before his eyes, and my voice quivered and -failed me as I beheld tears trickle fast from between his fingers; a -groan burst from his heaving breast. I paused; at length he spoke, in -broken accents: "Unhappy man! Do you share my madness? Have you -drunk also of the intoxicating draught? Hear me; let me reveal my -tale, and you will dash the cup from your lips!" - -Such words, you may imagine, strongly excited my curiosity; but the -paroxysm of grief that had seized the stranger overcame his weakened -powers, and many hours of repose and tranquil conversation were -necessary to restore his composure. Having conquered the violence of -his feelings, he appeared to despise himself for being the slave of -passion; and quelling the dark tyranny of despair, he led me again to -converse concerning myself personally. He asked me the history of my -earlier years. The tale was quickly told, but it awakened various -trains of reflection. I spoke of my desire of finding a friend, of my -thirst for a more intimate sympathy with a fellow mind than had ever -fallen to my lot, and expressed my conviction that a man could boast of -little happiness who did not enjoy this blessing. "I agree with you," -replied the stranger; "we are unfashioned creatures, but half made up, -if one wiser, better, dearer than ourselves--such a friend ought to -be--do not lend his aid to perfectionate our weak and faulty natures. I -once had a friend, the most noble of human creatures, and am entitled, -therefore, to judge respecting friendship. You have hope, and the -world before you, and have no cause for despair. But I--I have lost -everything and cannot begin life anew." - -As he said this his countenance became expressive of a calm, settled -grief that touched me to the heart. But he was silent and presently -retired to his cabin. - -Even broken in spirit as he is, no one can feel more deeply than he -does the beauties of nature. The starry sky, the sea, and every sight -afforded by these wonderful regions seem still to have the power of -elevating his soul from earth. Such a man has a double existence: he -may suffer misery and be overwhelmed by disappointments, yet when he -has retired into himself, he will be like a celestial spirit that has a -halo around him, within whose circle no grief or folly ventures. - -Will you smile at the enthusiasm I express concerning this divine -wanderer? You would not if you saw him. You have been tutored and -refined by books and retirement from the world, and you are therefore -somewhat fastidious; but this only renders you the more fit to -appreciate the extraordinary merits of this wonderful man. Sometimes I -have endeavoured to discover what quality it is which he possesses that -elevates him so immeasurably above any other person I ever knew. I -believe it to be an intuitive discernment, a quick but never-failing -power of judgment, a penetration into the causes of things, unequalled -for clearness and precision; add to this a facility of expression and a -voice whose varied intonations are soul-subduing music. - - -August 19, 17-- - -Yesterday the stranger said to me, "You may easily perceive, Captain -Walton, that I have suffered great and unparalleled misfortunes. I had -determined at one time that the memory of these evils should die with -me, but you have won me to alter my determination. You seek for -knowledge and wisdom, as I once did; and I ardently hope that the -gratification of your wishes may not be a serpent to sting you, as mine -has been. I do not know that the relation of my disasters will be -useful to you; yet, when I reflect that you are pursuing the same -course, exposing yourself to the same dangers which have rendered me -what I am, I imagine that you may deduce an apt moral from my tale, one -that may direct you if you succeed in your undertaking and console you -in case of failure. Prepare to hear of occurrences which are usually -deemed marvellous. Were we among the tamer scenes of nature I might -fear to encounter your unbelief, perhaps your ridicule; but many things -will appear possible in these wild and mysterious regions which would -provoke the laughter of those unacquainted with the ever-varied powers -of nature; nor can I doubt but that my tale conveys in its series -internal evidence of the truth of the events of which it is composed." - -You may easily imagine that I was much gratified by the offered -communication, yet I could not endure that he should renew his grief by -a recital of his misfortunes. I felt the greatest eagerness to hear -the promised narrative, partly from curiosity and partly from a strong -desire to ameliorate his fate if it were in my power. I expressed -these feelings in my answer. - -"I thank you," he replied, "for your sympathy, but it is useless; my -fate is nearly fulfilled. I wait but for one event, and then I shall -repose in peace. I understand your feeling," continued he, perceiving -that I wished to interrupt him; "but you are mistaken, my friend, if -thus you will allow me to name you; nothing can alter my destiny; -listen to my history, and you will perceive how irrevocably it is -determined." - -He then told me that he would commence his narrative the next day when -I should be at leisure. This promise drew from me the warmest thanks. -I have resolved every night, when I am not imperatively occupied by my -duties, to record, as nearly as possible in his own words, what he has -related during the day. If I should be engaged, I will at least make -notes. This manuscript will doubtless afford you the greatest -pleasure; but to me, who know him, and who hear it from his own -lips--with what interest and sympathy shall I read it in some future -day! Even now, as I commence my task, his full-toned voice swells in -my ears; his lustrous eyes dwell on me with all their melancholy -sweetness; I see his thin hand raised in animation, while the -lineaments of his face are irradiated by the soul within. - -Strange and harrowing must be his story, frightful the storm which -embraced the gallant vessel on its course and wrecked it--thus! - - - -Chapter 1 - -I am by birth a Genevese, and my family is one of the most -distinguished of that republic. My ancestors had been for many years -counsellors and syndics, and my father had filled several public -situations with honour and reputation. He was respected by all who -knew him for his integrity and indefatigable attention to public -business. He passed his younger days perpetually occupied by the -affairs of his country; a variety of circumstances had prevented his -marrying early, nor was it until the decline of life that he became a -husband and the father of a family. - -As the circumstances of his marriage illustrate his character, I cannot -refrain from relating them. One of his most intimate friends was a -merchant who, from a flourishing state, fell, through numerous -mischances, into poverty. This man, whose name was Beaufort, was of a -proud and unbending disposition and could not bear to live in poverty -and oblivion in the same country where he had formerly been -distinguished for his rank and magnificence. Having paid his debts, -therefore, in the most honourable manner, he retreated with his -daughter to the town of Lucerne, where he lived unknown and in -wretchedness. My father loved Beaufort with the truest friendship and -was deeply grieved by his retreat in these unfortunate circumstances. -He bitterly deplored the false pride which led his friend to a conduct -so little worthy of the affection that united them. He lost no time in -endeavouring to seek him out, with the hope of persuading him to begin -the world again through his credit and assistance. Beaufort had taken -effectual measures to conceal himself, and it was ten months before my -father discovered his abode. Overjoyed at this discovery, he hastened -to the house, which was situated in a mean street near the Reuss. But -when he entered, misery and despair alone welcomed him. Beaufort had -saved but a very small sum of money from the wreck of his fortunes, but -it was sufficient to provide him with sustenance for some months, and -in the meantime he hoped to procure some respectable employment in a -merchant's house. The interval was, consequently, spent in inaction; -his grief only became more deep and rankling when he had leisure for -reflection, and at length it took so fast hold of his mind that at the -end of three months he lay on a bed of sickness, incapable of any -exertion. - -His daughter attended him with the greatest tenderness, but she saw -with despair that their little fund was rapidly decreasing and that -there was no other prospect of support. But Caroline Beaufort -possessed a mind of an uncommon mould, and her courage rose to support -her in her adversity. She procured plain work; she plaited straw and -by various means contrived to earn a pittance scarcely sufficient to -support life. - -Several months passed in this manner. Her father grew worse; her time -was more entirely occupied in attending him; her means of subsistence -decreased; and in the tenth month her father died in her arms, leaving -her an orphan and a beggar. This last blow overcame her, and she knelt -by Beaufort's coffin weeping bitterly, when my father entered the -chamber. He came like a protecting spirit to the poor girl, who -committed herself to his care; and after the interment of his friend he -conducted her to Geneva and placed her under the protection of a -relation. Two years after this event Caroline became his wife. - -There was a considerable difference between the ages of my parents, but -this circumstance seemed to unite them only closer in bonds of devoted -affection. There was a sense of justice in my father's upright mind -which rendered it necessary that he should approve highly to love -strongly. Perhaps during former years he had suffered from the -late-discovered unworthiness of one beloved and so was disposed to set -a greater value on tried worth. There was a show of gratitude and -worship in his attachment to my mother, differing wholly from the -doting fondness of age, for it was inspired by reverence for her -virtues and a desire to be the means of, in some degree, recompensing -her for the sorrows she had endured, but which gave inexpressible grace -to his behaviour to her. Everything was made to yield to her wishes -and her convenience. He strove to shelter her, as a fair exotic is -sheltered by the gardener, from every rougher wind and to surround her -with all that could tend to excite pleasurable emotion in her soft and -benevolent mind. Her health, and even the tranquillity of her hitherto -constant spirit, had been shaken by what she had gone through. During -the two years that had elapsed previous to their marriage my father had -gradually relinquished all his public functions; and immediately after -their union they sought the pleasant climate of Italy, and the change -of scene and interest attendant on a tour through that land of wonders, -as a restorative for her weakened frame. - -From Italy they visited Germany and France. I, their eldest child, was -born at Naples, and as an infant accompanied them in their rambles. I -remained for several years their only child. Much as they were -attached to each other, they seemed to draw inexhaustible stores of -affection from a very mine of love to bestow them upon me. My mother's -tender caresses and my father's smile of benevolent pleasure while -regarding me are my first recollections. I was their plaything and -their idol, and something better--their child, the innocent and -helpless creature bestowed on them by heaven, whom to bring up to good, -and whose future lot it was in their hands to direct to happiness or -misery, according as they fulfilled their duties towards me. With this -deep consciousness of what they owed towards the being to which they -had given life, added to the active spirit of tenderness that animated -both, it may be imagined that while during every hour of my infant life -I received a lesson of patience, of charity, and of self-control, I was -so guided by a silken cord that all seemed but one train of enjoyment -to me. For a long time I was their only care. My mother had much -desired to have a daughter, but I continued their single offspring. -When I was about five years old, while making an excursion beyond the -frontiers of Italy, they passed a week on the shores of the Lake of -Como. Their benevolent disposition often made them enter the cottages -of the poor. This, to my mother, was more than a duty; it was a -necessity, a passion--remembering what she had suffered, and how she -had been relieved--for her to act in her turn the guardian angel to the -afflicted. During one of their walks a poor cot in the foldings of a -vale attracted their notice as being singularly disconsolate, while the -number of half-clothed children gathered about it spoke of penury in -its worst shape. One day, when my father had gone by himself to Milan, -my mother, accompanied by me, visited this abode. She found a peasant -and his wife, hard working, bent down by care and labour, distributing -a scanty meal to five hungry babes. Among these there was one which -attracted my mother far above all the rest. She appeared of a -different stock. The four others were dark-eyed, hardy little -vagrants; this child was thin and very fair. Her hair was the -brightest living gold, and despite the poverty of her clothing, seemed -to set a crown of distinction on her head. Her brow was clear and -ample, her blue eyes cloudless, and her lips and the moulding of her -face so expressive of sensibility and sweetness that none could behold -her without looking on her as of a distinct species, a being -heaven-sent, and bearing a celestial stamp in all her features. The -peasant woman, perceiving that my mother fixed eyes of wonder and -admiration on this lovely girl, eagerly communicated her history. She -was not her child, but the daughter of a Milanese nobleman. Her mother -was a German and had died on giving her birth. The infant had been -placed with these good people to nurse: they were better off then. -They had not been long married, and their eldest child was but just -born. The father of their charge was one of those Italians nursed in -the memory of the antique glory of Italy--one among the schiavi ognor -frementi, who exerted himself to obtain the liberty of his country. He -became the victim of its weakness. Whether he had died or still -lingered in the dungeons of Austria was not known. His property was -confiscated; his child became an orphan and a beggar. She continued -with her foster parents and bloomed in their rude abode, fairer than a -garden rose among dark-leaved brambles. When my father returned from -Milan, he found playing with me in the hall of our villa a child fairer -than pictured cherub--a creature who seemed to shed radiance from her -looks and whose form and motions were lighter than the chamois of the -hills. The apparition was soon explained. With his permission my -mother prevailed on her rustic guardians to yield their charge to her. -They were fond of the sweet orphan. Her presence had seemed a blessing -to them, but it would be unfair to her to keep her in poverty and want -when Providence afforded her such powerful protection. They consulted -their village priest, and the result was that Elizabeth Lavenza became -the inmate of my parents' house--my more than sister--the beautiful and -adored companion of all my occupations and my pleasures. - -Everyone loved Elizabeth. The passionate and almost reverential -attachment with which all regarded her became, while I shared it, my -pride and my delight. On the evening previous to her being brought to -my home, my mother had said playfully, "I have a pretty present for my -Victor--tomorrow he shall have it." And when, on the morrow, she -presented Elizabeth to me as her promised gift, I, with childish -seriousness, interpreted her words literally and looked upon Elizabeth -as mine--mine to protect, love, and cherish. All praises bestowed on -her I received as made to a possession of my own. We called each other -familiarly by the name of cousin. No word, no expression could body -forth the kind of relation in which she stood to me--my more than -sister, since till death she was to be mine only. - - - -Chapter 2 - -We were brought up together; there was not quite a year difference in -our ages. I need not say that we were strangers to any species of -disunion or dispute. Harmony was the soul of our companionship, and -the diversity and contrast that subsisted in our characters drew us -nearer together. Elizabeth was of a calmer and more concentrated -disposition; but, with all my ardour, I was capable of a more intense -application and was more deeply smitten with the thirst for knowledge. -She busied herself with following the aerial creations of the poets; -and in the majestic and wondrous scenes which surrounded our Swiss home ---the sublime shapes of the mountains, the changes of the seasons, -tempest and calm, the silence of winter, and the life and turbulence of -our Alpine summers--she found ample scope for admiration and delight. -While my companion contemplated with a serious and satisfied spirit the -magnificent appearances of things, I delighted in investigating their -causes. The world was to me a secret which I desired to divine. -Curiosity, earnest research to learn the hidden laws of nature, -gladness akin to rapture, as they were unfolded to me, are among the -earliest sensations I can remember. - -On the birth of a second son, my junior by seven years, my parents gave -up entirely their wandering life and fixed themselves in their native -country. We possessed a house in Geneva, and a campagne on Belrive, -the eastern shore of the lake, at the distance of rather more than a -league from the city. We resided principally in the latter, and the -lives of my parents were passed in considerable seclusion. It was my -temper to avoid a crowd and to attach myself fervently to a few. I was -indifferent, therefore, to my school-fellows in general; but I united -myself in the bonds of the closest friendship to one among them. Henry -Clerval was the son of a merchant of Geneva. He was a boy of singular -talent and fancy. He loved enterprise, hardship, and even danger for -its own sake. He was deeply read in books of chivalry and romance. He -composed heroic songs and began to write many a tale of enchantment and -knightly adventure. He tried to make us act plays and to enter into -masquerades, in which the characters were drawn from the heroes of -Roncesvalles, of the Round Table of King Arthur, and the chivalrous -train who shed their blood to redeem the holy sepulchre from the hands -of the infidels. - -No human being could have passed a happier childhood than myself. My -parents were possessed by the very spirit of kindness and indulgence. -We felt that they were not the tyrants to rule our lot according to -their caprice, but the agents and creators of all the many delights -which we enjoyed. When I mingled with other families I distinctly -discerned how peculiarly fortunate my lot was, and gratitude assisted -the development of filial love. - -My temper was sometimes violent, and my passions vehement; but by some -law in my temperature they were turned not towards childish pursuits -but to an eager desire to learn, and not to learn all things -indiscriminately. I confess that neither the structure of languages, -nor the code of governments, nor the politics of various states -possessed attractions for me. It was the secrets of heaven and earth -that I desired to learn; and whether it was the outward substance of -things or the inner spirit of nature and the mysterious soul of man -that occupied me, still my inquiries were directed to the metaphysical, -or in its highest sense, the physical secrets of the world. - -Meanwhile Clerval occupied himself, so to speak, with the moral -relations of things. The busy stage of life, the virtues of heroes, -and the actions of men were his theme; and his hope and his dream was -to become one among those whose names are recorded in story as the -gallant and adventurous benefactors of our species. The saintly soul -of Elizabeth shone like a shrine-dedicated lamp in our peaceful home. -Her sympathy was ours; her smile, her soft voice, the sweet glance of -her celestial eyes, were ever there to bless and animate us. She was -the living spirit of love to soften and attract; I might have become -sullen in my study, rought through the ardour of my nature, but that -she was there to subdue me to a semblance of her own gentleness. And -Clerval--could aught ill entrench on the noble spirit of Clerval? Yet -he might not have been so perfectly humane, so thoughtful in his -generosity, so full of kindness and tenderness amidst his passion for -adventurous exploit, had she not unfolded to him the real loveliness of -beneficence and made the doing good the end and aim of his soaring -ambition. - -I feel exquisite pleasure in dwelling on the recollections of -childhood, before misfortune had tainted my mind and changed its bright -visions of extensive usefulness into gloomy and narrow reflections upon -self. Besides, in drawing the picture of my early days, I also record -those events which led, by insensible steps, to my after tale of -misery, for when I would account to myself for the birth of that -passion which afterwards ruled my destiny I find it arise, like a -mountain river, from ignoble and almost forgotten sources; but, -swelling as it proceeded, it became the torrent which, in its course, -has swept away all my hopes and joys. Natural philosophy is the genius -that has regulated my fate; I desire, therefore, in this narration, to -state those facts which led to my predilection for that science. When -I was thirteen years of age we all went on a party of pleasure to the -baths near Thonon; the inclemency of the weather obliged us to remain a -day confined to the inn. In this house I chanced to find a volume of -the works of Cornelius Agrippa. I opened it with apathy; the theory -which he attempts to demonstrate and the wonderful facts which he -relates soon changed this feeling into enthusiasm. A new light seemed -to dawn upon my mind, and bounding with joy, I communicated my -discovery to my father. My father looked carelessly at the title page -of my book and said, "Ah! Cornelius Agrippa! My dear Victor, do not -waste your time upon this; it is sad trash." - -If, instead of this remark, my father had taken the pains to explain to -me that the principles of Agrippa had been entirely exploded and that a -modern system of science had been introduced which possessed much -greater powers than the ancient, because the powers of the latter were -chimerical, while those of the former were real and practical, under -such circumstances I should certainly have thrown Agrippa aside and -have contented my imagination, warmed as it was, by returning with -greater ardour to my former studies. It is even possible that the -train of my ideas would never have received the fatal impulse that led -to my ruin. But the cursory glance my father had taken of my volume by -no means assured me that he was acquainted with its contents, and I -continued to read with the greatest avidity. When I returned home my -first care was to procure the whole works of this author, and -afterwards of Paracelsus and Albertus Magnus. I read and studied the -wild fancies of these writers with delight; they appeared to me -treasures known to few besides myself. I have described myself as -always having been imbued with a fervent longing to penetrate the -secrets of nature. In spite of the intense labour and wonderful -discoveries of modern philosophers, I always came from my studies -discontented and unsatisfied. Sir Isaac Newton is said to have avowed -that he felt like a child picking up shells beside the great and -unexplored ocean of truth. Those of his successors in each branch of -natural philosophy with whom I was acquainted appeared even to my boy's -apprehensions as tyros engaged in the same pursuit. - -The untaught peasant beheld the elements around him and was acquainted -with their practical uses. The most learned philosopher knew little -more. He had partially unveiled the face of Nature, but her immortal -lineaments were still a wonder and a mystery. He might dissect, -anatomize, and give names; but, not to speak of a final cause, causes -in their secondary and tertiary grades were utterly unknown to him. I -had gazed upon the fortifications and impediments that seemed to keep -human beings from entering the citadel of nature, and rashly and -ignorantly I had repined. - -But here were books, and here were men who had penetrated deeper and -knew more. I took their word for all that they averred, and I became -their disciple. It may appear strange that such should arise in the -eighteenth century; but while I followed the routine of education in -the schools of Geneva, I was, to a great degree, self-taught with -regard to my favourite studies. My father was not scientific, and I -was left to struggle with a child's blindness, added to a student's -thirst for knowledge. Under the guidance of my new preceptors I -entered with the greatest diligence into the search of the -philosopher's stone and the elixir of life; but the latter soon -obtained my undivided attention. Wealth was an inferior object, but -what glory would attend the discovery if I could banish disease from -the human frame and render man invulnerable to any but a violent death! -Nor were these my only visions. The raising of ghosts or devils was a -promise liberally accorded by my favourite authors, the fulfilment of -which I most eagerly sought; and if my incantations were always -unsuccessful, I attributed the failure rather to my own inexperience -and mistake than to a want of skill or fidelity in my instructors. And -thus for a time I was occupied by exploded systems, mingling, like an -unadept, a thousand contradictory theories and floundering desperately -in a very slough of multifarious knowledge, guided by an ardent -imagination and childish reasoning, till an accident again changed the -current of my ideas. When I was about fifteen years old we had retired -to our house near Belrive, when we witnessed a most violent and -terrible thunderstorm. It advanced from behind the mountains of Jura, -and the thunder burst at once with frightful loudness from various -quarters of the heavens. I remained, while the storm lasted, watching -its progress with curiosity and delight. As I stood at the door, on a -sudden I beheld a stream of fire issue from an old and beautiful oak -which stood about twenty yards from our house; and so soon as the -dazzling light vanished, the oak had disappeared, and nothing remained -but a blasted stump. When we visited it the next morning, we found the -tree shattered in a singular manner. It was not splintered by the -shock, but entirely reduced to thin ribbons of wood. I never beheld -anything so utterly destroyed. - -Before this I was not unacquainted with the more obvious laws of -electricity. On this occasion a man of great research in natural -philosophy was with us, and excited by this catastrophe, he entered on -the explanation of a theory which he had formed on the subject of -electricity and galvanism, which was at once new and astonishing to me. -All that he said threw greatly into the shade Cornelius Agrippa, -Albertus Magnus, and Paracelsus, the lords of my imagination; but by -some fatality the overthrow of these men disinclined me to pursue my -accustomed studies. It seemed to me as if nothing would or could ever -be known. All that had so long engaged my attention suddenly grew -despicable. By one of those caprices of the mind which we are perhaps -most subject to in early youth, I at once gave up my former -occupations, set down natural history and all its progeny as a deformed -and abortive creation, and entertained the greatest disdain for a -would-be science which could never even step within the threshold of -real knowledge. In this mood of mind I betook myself to the -mathematics and the branches of study appertaining to that science as -being built upon secure foundations, and so worthy of my consideration. - -Thus strangely are our souls constructed, and by such slight ligaments -are we bound to prosperity or ruin. When I look back, it seems to me -as if this almost miraculous change of inclination and will was the -immediate suggestion of the guardian angel of my life--the last effort -made by the spirit of preservation to avert the storm that was even -then hanging in the stars and ready to envelop me. Her victory was -announced by an unusual tranquillity and gladness of soul which -followed the relinquishing of my ancient and latterly tormenting -studies. It was thus that I was to be taught to associate evil with -their prosecution, happiness with their disregard. - -It was a strong effort of the spirit of good, but it was ineffectual. -Destiny was too potent, and her immutable laws had decreed my utter and -terrible destruction. - - - -Chapter 3 - -When I had attained the age of seventeen my parents resolved that I -should become a student at the university of Ingolstadt. I had -hitherto attended the schools of Geneva, but my father thought it -necessary for the completion of my education that I should be made -acquainted with other customs than those of my native country. My -departure was therefore fixed at an early date, but before the day -resolved upon could arrive, the first misfortune of my life -occurred--an omen, as it were, of my future misery. Elizabeth had -caught the scarlet fever; her illness was severe, and she was in the -greatest danger. During her illness many arguments had been urged to -persuade my mother to refrain from attending upon her. She had at -first yielded to our entreaties, but when she heard that the life of -her favourite was menaced, she could no longer control her anxiety. She -attended her sickbed; her watchful attentions triumphed over the -malignity of the distemper--Elizabeth was saved, but the consequences -of this imprudence were fatal to her preserver. On the third day my -mother sickened; her fever was accompanied by the most alarming -symptoms, and the looks of her medical attendants prognosticated the -worst event. On her deathbed the fortitude and benignity of this best -of women did not desert her. She joined the hands of Elizabeth and -myself. "My children," she said, "my firmest hopes of future happiness -were placed on the prospect of your union. This expectation will now -be the consolation of your father. Elizabeth, my love, you must supply -my place to my younger children. Alas! I regret that I am taken from -you; and, happy and beloved as I have been, is it not hard to quit you -all? But these are not thoughts befitting me; I will endeavour to -resign myself cheerfully to death and will indulge a hope of meeting -you in another world." - -She died calmly, and her countenance expressed affection even in death. -I need not describe the feelings of those whose dearest ties are rent -by that most irreparable evil, the void that presents itself to the -soul, and the despair that is exhibited on the countenance. It is so -long before the mind can persuade itself that she whom we saw every day -and whose very existence appeared a part of our own can have departed -forever--that the brightness of a beloved eye can have been -extinguished and the sound of a voice so familiar and dear to the ear -can be hushed, never more to be heard. These are the reflections of -the first days; but when the lapse of time proves the reality of the -evil, then the actual bitterness of grief commences. Yet from whom has -not that rude hand rent away some dear connection? And why should I -describe a sorrow which all have felt, and must feel? The time at -length arrives when grief is rather an indulgence than a necessity; and -the smile that plays upon the lips, although it may be deemed a -sacrilege, is not banished. My mother was dead, but we had still -duties which we ought to perform; we must continue our course with the -rest and learn to think ourselves fortunate whilst one remains whom the -spoiler has not seized. - -My departure for Ingolstadt, which had been deferred by these events, -was now again determined upon. I obtained from my father a respite of -some weeks. It appeared to me sacrilege so soon to leave the repose, -akin to death, of the house of mourning and to rush into the thick of -life. I was new to sorrow, but it did not the less alarm me. I was -unwilling to quit the sight of those that remained to me, and above -all, I desired to see my sweet Elizabeth in some degree consoled. - -She indeed veiled her grief and strove to act the comforter to us all. -She looked steadily on life and assumed its duties with courage and -zeal. She devoted herself to those whom she had been taught to call -her uncle and cousins. Never was she so enchanting as at this time, -when she recalled the sunshine of her smiles and spent them upon us. -She forgot even her own regret in her endeavours to make us forget. - -The day of my departure at length arrived. Clerval spent the last -evening with us. He had endeavoured to persuade his father to permit -him to accompany me and to become my fellow student, but in vain. His -father was a narrow-minded trader and saw idleness and ruin in the -aspirations and ambition of his son. Henry deeply felt the misfortune -of being debarred from a liberal education. He said little, but when -he spoke I read in his kindling eye and in his animated glance a -restrained but firm resolve not to be chained to the miserable details -of commerce. - -We sat late. We could not tear ourselves away from each other nor -persuade ourselves to say the word "Farewell!" It was said, and we -retired under the pretence of seeking repose, each fancying that the -other was deceived; but when at morning's dawn I descended to the -carriage which was to convey me away, they were all there--my father -again to bless me, Clerval to press my hand once more, my Elizabeth to -renew her entreaties that I would write often and to bestow the last -feminine attentions on her playmate and friend. - -I threw myself into the chaise that was to convey me away and indulged -in the most melancholy reflections. I, who had ever been surrounded by -amiable companions, continually engaged in endeavouring to bestow -mutual pleasure--I was now alone. In the university whither I was -going I must form my own friends and be my own protector. My life had -hitherto been remarkably secluded and domestic, and this had given me -invincible repugnance to new countenances. I loved my brothers, -Elizabeth, and Clerval; these were "old familiar faces," but I believed -myself totally unfitted for the company of strangers. Such were my -reflections as I commenced my journey; but as I proceeded, my spirits -and hopes rose. I ardently desired the acquisition of knowledge. I -had often, when at home, thought it hard to remain during my youth -cooped up in one place and had longed to enter the world and take my -station among other human beings. Now my desires were complied with, -and it would, indeed, have been folly to repent. - -I had sufficient leisure for these and many other reflections during my -journey to Ingolstadt, which was long and fatiguing. At length the -high white steeple of the town met my eyes. I alighted and was -conducted to my solitary apartment to spend the evening as I pleased. - -The next morning I delivered my letters of introduction and paid a -visit to some of the principal professors. Chance--or rather the evil -influence, the Angel of Destruction, which asserted omnipotent sway -over me from the moment I turned my reluctant steps from my father's -door--led me first to M. Krempe, professor of natural philosophy. He -was an uncouth man, but deeply imbued in the secrets of his science. He -asked me several questions concerning my progress in the different -branches of science appertaining to natural philosophy. I replied -carelessly, and partly in contempt, mentioned the names of my -alchemists as the principal authors I had studied. The professor -stared. "Have you," he said, "really spent your time in studying such -nonsense?" - -I replied in the affirmative. "Every minute," continued M. Krempe with -warmth, "every instant that you have wasted on those books is utterly -and entirely lost. You have burdened your memory with exploded systems -and useless names. Good God! In what desert land have you lived, -where no one was kind enough to inform you that these fancies which you -have so greedily imbibed are a thousand years old and as musty as they -are ancient? I little expected, in this enlightened and scientific -age, to find a disciple of Albertus Magnus and Paracelsus. My dear -sir, you must begin your studies entirely anew." - -So saying, he stepped aside and wrote down a list of several books -treating of natural philosophy which he desired me to procure, and -dismissed me after mentioning that in the beginning of the following -week he intended to commence a course of lectures upon natural -philosophy in its general relations, and that M. Waldman, a fellow -professor, would lecture upon chemistry the alternate days that he -omitted. - -I returned home not disappointed, for I have said that I had long -considered those authors useless whom the professor reprobated; but I -returned not at all the more inclined to recur to these studies in any -shape. M. Krempe was a little squat man with a gruff voice and a -repulsive countenance; the teacher, therefore, did not prepossess me in -favour of his pursuits. In rather a too philosophical and connected a -strain, perhaps, I have given an account of the conclusions I had come -to concerning them in my early years. As a child I had not been -content with the results promised by the modern professors of natural -science. With a confusion of ideas only to be accounted for by my -extreme youth and my want of a guide on such matters, I had retrod the -steps of knowledge along the paths of time and exchanged the -discoveries of recent inquirers for the dreams of forgotten alchemists. -Besides, I had a contempt for the uses of modern natural philosophy. -It was very different when the masters of the science sought -immortality and power; such views, although futile, were grand; but now -the scene was changed. The ambition of the inquirer seemed to limit -itself to the annihilation of those visions on which my interest in -science was chiefly founded. I was required to exchange chimeras of -boundless grandeur for realities of little worth. - -Such were my reflections during the first two or three days of my -residence at Ingolstadt, which were chiefly spent in becoming -acquainted with the localities and the principal residents in my new -abode. But as the ensuing week commenced, I thought of the information -which M. Krempe had given me concerning the lectures. And although I -could not consent to go and hear that little conceited fellow deliver -sentences out of a pulpit, I recollected what he had said of M. -Waldman, whom I had never seen, as he had hitherto been out of town. - -Partly from curiosity and partly from idleness, I went into the -lecturing room, which M. Waldman entered shortly after. This professor -was very unlike his colleague. He appeared about fifty years of age, -but with an aspect expressive of the greatest benevolence; a few grey -hairs covered his temples, but those at the back of his head were -nearly black. His person was short but remarkably erect and his voice -the sweetest I had ever heard. He began his lecture by a -recapitulation of the history of chemistry and the various improvements -made by different men of learning, pronouncing with fervour the names -of the most distinguished discoverers. He then took a cursory view of -the present state of the science and explained many of its elementary -terms. After having made a few preparatory experiments, he concluded -with a panegyric upon modern chemistry, the terms of which I shall -never forget: "The ancient teachers of this science," said he, -"promised impossibilities and performed nothing. The modern masters -promise very little; they know that metals cannot be transmuted and -that the elixir of life is a chimera but these philosophers, whose -hands seem only made to dabble in dirt, and their eyes to pore over the -microscope or crucible, have indeed performed miracles. They penetrate -into the recesses of nature and show how she works in her -hiding-places. They ascend into the heavens; they have discovered how -the blood circulates, and the nature of the air we breathe. They have -acquired new and almost unlimited powers; they can command the thunders -of heaven, mimic the earthquake, and even mock the invisible world with -its own shadows." - -Such were the professor's words--rather let me say such the words of -the fate--enounced to destroy me. As he went on I felt as if my soul -were grappling with a palpable enemy; one by one the various keys were -touched which formed the mechanism of my being; chord after chord was -sounded, and soon my mind was filled with one thought, one conception, -one purpose. So much has been done, exclaimed the soul of -Frankenstein--more, far more, will I achieve; treading in the steps -already marked, I will pioneer a new way, explore unknown powers, and -unfold to the world the deepest mysteries of creation. - -I closed not my eyes that night. My internal being was in a state of -insurrection and turmoil; I felt that order would thence arise, but I -had no power to produce it. By degrees, after the morning's dawn, -sleep came. I awoke, and my yesternight's thoughts were as a dream. -There only remained a resolution to return to my ancient studies and to -devote myself to a science for which I believed myself to possess a -natural talent. On the same day I paid M. Waldman a visit. His -manners in private were even more mild and attractive than in public, -for there was a certain dignity in his mien during his lecture which in -his own house was replaced by the greatest affability and kindness. I -gave him pretty nearly the same account of my former pursuits as I had -given to his fellow professor. He heard with attention the little -narration concerning my studies and smiled at the names of Cornelius -Agrippa and Paracelsus, but without the contempt that M. Krempe had -exhibited. He said that "These were men to whose indefatigable zeal -modern philosophers were indebted for most of the foundations of their -knowledge. They had left to us, as an easier task, to give new names -and arrange in connected classifications the facts which they in a -great degree had been the instruments of bringing to light. The -labours of men of genius, however erroneously directed, scarcely ever -fail in ultimately turning to the solid advantage of mankind." I -listened to his statement, which was delivered without any presumption -or affectation, and then added that his lecture had removed my -prejudices against modern chemists; I expressed myself in measured -terms, with the modesty and deference due from a youth to his -instructor, without letting escape (inexperience in life would have -made me ashamed) any of the enthusiasm which stimulated my intended -labours. I requested his advice concerning the books I ought to -procure. - -"I am happy," said M. Waldman, "to have gained a disciple; and if your -application equals your ability, I have no doubt of your success. -Chemistry is that branch of natural philosophy in which the greatest -improvements have been and may be made; it is on that account that I -have made it my peculiar study; but at the same time, I have not -neglected the other branches of science. A man would make but a very -sorry chemist if he attended to that department of human knowledge -alone. If your wish is to become really a man of science and not -merely a petty experimentalist, I should advise you to apply to every -branch of natural philosophy, including mathematics." He then took me -into his laboratory and explained to me the uses of his various -machines, instructing me as to what I ought to procure and promising me -the use of his own when I should have advanced far enough in the -science not to derange their mechanism. He also gave me the list of -books which I had requested, and I took my leave. - -Thus ended a day memorable to me; it decided my future destiny. - - - -Chapter 4 - -From this day natural philosophy, and particularly chemistry, in the -most comprehensive sense of the term, became nearly my sole occupation. -I read with ardour those works, so full of genius and discrimination, -which modern inquirers have written on these subjects. I attended the -lectures and cultivated the acquaintance of the men of science of the -university, and I found even in M. Krempe a great deal of sound sense -and real information, combined, it is true, with a repulsive -physiognomy and manners, but not on that account the less valuable. In -M. Waldman I found a true friend. His gentleness was never tinged by -dogmatism, and his instructions were given with an air of frankness and -good nature that banished every idea of pedantry. In a thousand ways -he smoothed for me the path of knowledge and made the most abstruse -inquiries clear and facile to my apprehension. My application was at -first fluctuating and uncertain; it gained strength as I proceeded and -soon became so ardent and eager that the stars often disappeared in the -light of morning whilst I was yet engaged in my laboratory. - -As I applied so closely, it may be easily conceived that my progress -was rapid. My ardour was indeed the astonishment of the students, and -my proficiency that of the masters. Professor Krempe often asked me, -with a sly smile, how Cornelius Agrippa went on, whilst M. Waldman -expressed the most heartfelt exultation in my progress. Two years -passed in this manner, during which I paid no visit to Geneva, but was -engaged, heart and soul, in the pursuit of some discoveries which I -hoped to make. None but those who have experienced them can conceive -of the enticements of science. In other studies you go as far as -others have gone before you, and there is nothing more to know; but in -a scientific pursuit there is continual food for discovery and wonder. -A mind of moderate capacity which closely pursues one study must -infallibly arrive at great proficiency in that study; and I, who -continually sought the attainment of one object of pursuit and was -solely wrapped up in this, improved so rapidly that at the end of two -years I made some discoveries in the improvement of some chemical -instruments, which procured me great esteem and admiration at the -university. When I had arrived at this point and had become as well -acquainted with the theory and practice of natural philosophy as -depended on the lessons of any of the professors at Ingolstadt, my -residence there being no longer conducive to my improvements, I thought -of returning to my friends and my native town, when an incident -happened that protracted my stay. - -One of the phenomena which had peculiarly attracted my attention was -the structure of the human frame, and, indeed, any animal endued with -life. Whence, I often asked myself, did the principle of life proceed? -It was a bold question, and one which has ever been considered as a -mystery; yet with how many things are we upon the brink of becoming -acquainted, if cowardice or carelessness did not restrain our -inquiries. I revolved these circumstances in my mind and determined -thenceforth to apply myself more particularly to those branches of -natural philosophy which relate to physiology. Unless I had been -animated by an almost supernatural enthusiasm, my application to this -study would have been irksome and almost intolerable. To examine the -causes of life, we must first have recourse to death. I became -acquainted with the science of anatomy, but this was not sufficient; I -must also observe the natural decay and corruption of the human body. -In my education my father had taken the greatest precautions that my -mind should be impressed with no supernatural horrors. I do not ever -remember to have trembled at a tale of superstition or to have feared -the apparition of a spirit. Darkness had no effect upon my fancy, and -a churchyard was to me merely the receptacle of bodies deprived of -life, which, from being the seat of beauty and strength, had become -food for the worm. Now I was led to examine the cause and progress of -this decay and forced to spend days and nights in vaults and -charnel-houses. My attention was fixed upon every object the most -insupportable to the delicacy of the human feelings. I saw how the -fine form of man was degraded and wasted; I beheld the corruption of -death succeed to the blooming cheek of life; I saw how the worm -inherited the wonders of the eye and brain. I paused, examining and -analysing all the minutiae of causation, as exemplified in the change -from life to death, and death to life, until from the midst of this -darkness a sudden light broke in upon me--a light so brilliant and -wondrous, yet so simple, that while I became dizzy with the immensity -of the prospect which it illustrated, I was surprised that among so -many men of genius who had directed their inquiries towards the same -science, that I alone should be reserved to discover so astonishing a -secret. - -Remember, I am not recording the vision of a madman. The sun does not -more certainly shine in the heavens than that which I now affirm is -true. Some miracle might have produced it, yet the stages of the -discovery were distinct and probable. After days and nights of -incredible labour and fatigue, I succeeded in discovering the cause of -generation and life; nay, more, I became myself capable of bestowing -animation upon lifeless matter. - -The astonishment which I had at first experienced on this discovery -soon gave place to delight and rapture. After so much time spent in -painful labour, to arrive at once at the summit of my desires was the -most gratifying consummation of my toils. But this discovery was so -great and overwhelming that all the steps by which I had been -progressively led to it were obliterated, and I beheld only the result. -What had been the study and desire of the wisest men since the creation -of the world was now within my grasp. Not that, like a magic scene, it -all opened upon me at once: the information I had obtained was of a -nature rather to direct my endeavours so soon as I should point them -towards the object of my search than to exhibit that object already -accomplished. I was like the Arabian who had been buried with the dead -and found a passage to life, aided only by one glimmering and seemingly -ineffectual light. - -I see by your eagerness and the wonder and hope which your eyes -express, my friend, that you expect to be informed of the secret with -which I am acquainted; that cannot be; listen patiently until the end -of my story, and you will easily perceive why I am reserved upon that -subject. I will not lead you on, unguarded and ardent as I then was, -to your destruction and infallible misery. Learn from me, if not by my -precepts, at least by my example, how dangerous is the acquirement of -knowledge and how much happier that man is who believes his native town -to be the world, than he who aspires to become greater than his nature -will allow. - -When I found so astonishing a power placed within my hands, I hesitated -a long time concerning the manner in which I should employ it. -Although I possessed the capacity of bestowing animation, yet to -prepare a frame for the reception of it, with all its intricacies of -fibres, muscles, and veins, still remained a work of inconceivable -difficulty and labour. I doubted at first whether I should attempt the -creation of a being like myself, or one of simpler organization; but my -imagination was too much exalted by my first success to permit me to -doubt of my ability to give life to an animal as complex and wonderful -as man. The materials at present within my command hardly appeared -adequate to so arduous an undertaking, but I doubted not that I should -ultimately succeed. I prepared myself for a multitude of reverses; my -operations might be incessantly baffled, and at last my work be -imperfect, yet when I considered the improvement which every day takes -place in science and mechanics, I was encouraged to hope my present -attempts would at least lay the foundations of future success. Nor -could I consider the magnitude and complexity of my plan as any -argument of its impracticability. It was with these feelings that I -began the creation of a human being. As the minuteness of the parts -formed a great hindrance to my speed, I resolved, contrary to my first -intention, to make the being of a gigantic stature, that is to say, -about eight feet in height, and proportionably large. After having -formed this determination and having spent some months in successfully -collecting and arranging my materials, I began. - -No one can conceive the variety of feelings which bore me onwards, like -a hurricane, in the first enthusiasm of success. Life and death -appeared to me ideal bounds, which I should first break through, and -pour a torrent of light into our dark world. A new species would bless -me as its creator and source; many happy and excellent natures would -owe their being to me. No father could claim the gratitude of his -child so completely as I should deserve theirs. Pursuing these -reflections, I thought that if I could bestow animation upon lifeless -matter, I might in process of time (although I now found it impossible) -renew life where death had apparently devoted the body to corruption. - -These thoughts supported my spirits, while I pursued my undertaking -with unremitting ardour. My cheek had grown pale with study, and my -person had become emaciated with confinement. Sometimes, on the very -brink of certainty, I failed; yet still I clung to the hope which the -next day or the next hour might realize. One secret which I alone -possessed was the hope to which I had dedicated myself; and the moon -gazed on my midnight labours, while, with unrelaxed and breathless -eagerness, I pursued nature to her hiding-places. Who shall conceive -the horrors of my secret toil as I dabbled among the unhallowed damps -of the grave or tortured the living animal to animate the lifeless -clay? My limbs now tremble, and my eyes swim with the remembrance; but -then a resistless and almost frantic impulse urged me forward; I seemed -to have lost all soul or sensation but for this one pursuit. It was -indeed but a passing trance, that only made me feel with renewed -acuteness so soon as, the unnatural stimulus ceasing to operate, I had -returned to my old habits. I collected bones from charnel-houses and -disturbed, with profane fingers, the tremendous secrets of the human -frame. In a solitary chamber, or rather cell, at the top of the house, -and separated from all the other apartments by a gallery and staircase, -I kept my workshop of filthy creation; my eyeballs were starting from -their sockets in attending to the details of my employment. The -dissecting room and the slaughter-house furnished many of my materials; -and often did my human nature turn with loathing from my occupation, -whilst, still urged on by an eagerness which perpetually increased, I -brought my work near to a conclusion. - -The summer months passed while I was thus engaged, heart and soul, in -one pursuit. It was a most beautiful season; never did the fields -bestow a more plentiful harvest or the vines yield a more luxuriant -vintage, but my eyes were insensible to the charms of nature. And the -same feelings which made me neglect the scenes around me caused me also -to forget those friends who were so many miles absent, and whom I had -not seen for so long a time. I knew my silence disquieted them, and I -well remembered the words of my father: "I know that while you are -pleased with yourself you will think of us with affection, and we shall -hear regularly from you. You must pardon me if I regard any -interruption in your correspondence as a proof that your other duties -are equally neglected." - -I knew well therefore what would be my father's feelings, but I could -not tear my thoughts from my employment, loathsome in itself, but which -had taken an irresistible hold of my imagination. I wished, as it -were, to procrastinate all that related to my feelings of affection -until the great object, which swallowed up every habit of my nature, -should be completed. - -I then thought that my father would be unjust if he ascribed my neglect -to vice or faultiness on my part, but I am now convinced that he was -justified in conceiving that I should not be altogether free from -blame. A human being in perfection ought always to preserve a calm and -peaceful mind and never to allow passion or a transitory desire to -disturb his tranquillity. I do not think that the pursuit of knowledge -is an exception to this rule. If the study to which you apply yourself -has a tendency to weaken your affections and to destroy your taste for -those simple pleasures in which no alloy can possibly mix, then that -study is certainly unlawful, that is to say, not befitting the human -mind. If this rule were always observed; if no man allowed any pursuit -whatsoever to interfere with the tranquillity of his domestic -affections, Greece had not been enslaved, Caesar would have spared his -country, America would have been discovered more gradually, and the -empires of Mexico and Peru had not been destroyed. - -But I forget that I am moralizing in the most interesting part of my -tale, and your looks remind me to proceed. My father made no reproach -in his letters and only took notice of my silence by inquiring into my -occupations more particularly than before. Winter, spring, and summer -passed away during my labours; but I did not watch the blossom or the -expanding leaves--sights which before always yielded me supreme -delight--so deeply was I engrossed in my occupation. The leaves of -that year had withered before my work drew near to a close, and now -every day showed me more plainly how well I had succeeded. But my -enthusiasm was checked by my anxiety, and I appeared rather like one -doomed by slavery to toil in the mines, or any other unwholesome trade -than an artist occupied by his favourite employment. Every night I was -oppressed by a slow fever, and I became nervous to a most painful -degree; the fall of a leaf startled me, and I shunned my fellow -creatures as if I had been guilty of a crime. Sometimes I grew alarmed -at the wreck I perceived that I had become; the energy of my purpose -alone sustained me: my labours would soon end, and I believed that -exercise and amusement would then drive away incipient disease; and I -promised myself both of these when my creation should be complete. - - - -Chapter 5 - -It was on a dreary night of November that I beheld the accomplishment -of my toils. With an anxiety that almost amounted to agony, I -collected the instruments of life around me, that I might infuse a -spark of being into the lifeless thing that lay at my feet. It was -already one in the morning; the rain pattered dismally against the -panes, and my candle was nearly burnt out, when, by the glimmer of the -half-extinguished light, I saw the dull yellow eye of the creature -open; it breathed hard, and a convulsive motion agitated its limbs. - -How can I describe my emotions at this catastrophe, or how delineate -the wretch whom with such infinite pains and care I had endeavoured to -form? His limbs were in proportion, and I had selected his features as -beautiful. Beautiful! Great God! His yellow skin scarcely covered -the work of muscles and arteries beneath; his hair was of a lustrous -black, and flowing; his teeth of a pearly whiteness; but these -luxuriances only formed a more horrid contrast with his watery eyes, -that seemed almost of the same colour as the dun-white sockets in which -they were set, his shrivelled complexion and straight black lips. - -The different accidents of life are not so changeable as the feelings -of human nature. I had worked hard for nearly two years, for the sole -purpose of infusing life into an inanimate body. For this I had -deprived myself of rest and health. I had desired it with an ardour -that far exceeded moderation; but now that I had finished, the beauty -of the dream vanished, and breathless horror and disgust filled my -heart. Unable to endure the aspect of the being I had created, I -rushed out of the room and continued a long time traversing my -bed-chamber, unable to compose my mind to sleep. At length lassitude -succeeded to the tumult I had before endured, and I threw myself on the -bed in my clothes, endeavouring to seek a few moments of forgetfulness. -But it was in vain; I slept, indeed, but I was disturbed by the wildest -dreams. I thought I saw Elizabeth, in the bloom of health, walking in -the streets of Ingolstadt. Delighted and surprised, I embraced her, -but as I imprinted the first kiss on her lips, they became livid with -the hue of death; her features appeared to change, and I thought that I -held the corpse of my dead mother in my arms; a shroud enveloped her -form, and I saw the grave-worms crawling in the folds of the flannel. -I started from my sleep with horror; a cold dew covered my forehead, my -teeth chattered, and every limb became convulsed; when, by the dim and -yellow light of the moon, as it forced its way through the window -shutters, I beheld the wretch--the miserable monster whom I had -created. He held up the curtain of the bed; and his eyes, if eyes they -may be called, were fixed on me. His jaws opened, and he muttered some -inarticulate sounds, while a grin wrinkled his cheeks. He might have -spoken, but I did not hear; one hand was stretched out, seemingly to -detain me, but I escaped and rushed downstairs. I took refuge in the -courtyard belonging to the house which I inhabited, where I remained -during the rest of the night, walking up and down in the greatest -agitation, listening attentively, catching and fearing each sound as if -it were to announce the approach of the demoniacal corpse to which I -had so miserably given life. - -Oh! No mortal could support the horror of that countenance. A mummy -again endued with animation could not be so hideous as that wretch. I -had gazed on him while unfinished; he was ugly then, but when those -muscles and joints were rendered capable of motion, it became a thing -such as even Dante could not have conceived. - -I passed the night wretchedly. Sometimes my pulse beat so quickly and -hardly that I felt the palpitation of every artery; at others, I nearly -sank to the ground through languor and extreme weakness. Mingled with -this horror, I felt the bitterness of disappointment; dreams that had -been my food and pleasant rest for so long a space were now become a -hell to me; and the change was so rapid, the overthrow so complete! - -Morning, dismal and wet, at length dawned and discovered to my -sleepless and aching eyes the church of Ingolstadt, its white steeple -and clock, which indicated the sixth hour. The porter opened the gates -of the court, which had that night been my asylum, and I issued into -the streets, pacing them with quick steps, as if I sought to avoid the -wretch whom I feared every turning of the street would present to my -view. I did not dare return to the apartment which I inhabited, but -felt impelled to hurry on, although drenched by the rain which poured -from a black and comfortless sky. - -I continued walking in this manner for some time, endeavouring by -bodily exercise to ease the load that weighed upon my mind. I -traversed the streets without any clear conception of where I was or -what I was doing. My heart palpitated in the sickness of fear, and I -hurried on with irregular steps, not daring to look about me: - - - Like one who, on a lonely road, - Doth walk in fear and dread, - And, having once turned round, walks on, - And turns no more his head; - Because he knows a frightful fiend - Doth close behind him tread. - - [Coleridge's "Ancient Mariner."] - - -Continuing thus, I came at length opposite to the inn at which the -various diligences and carriages usually stopped. Here I paused, I -knew not why; but I remained some minutes with my eyes fixed on a coach -that was coming towards me from the other end of the street. As it -drew nearer I observed that it was the Swiss diligence; it stopped just -where I was standing, and on the door being opened, I perceived Henry -Clerval, who, on seeing me, instantly sprung out. "My dear -Frankenstein," exclaimed he, "how glad I am to see you! How fortunate -that you should be here at the very moment of my alighting!" - -Nothing could equal my delight on seeing Clerval; his presence brought -back to my thoughts my father, Elizabeth, and all those scenes of home -so dear to my recollection. I grasped his hand, and in a moment forgot -my horror and misfortune; I felt suddenly, and for the first time -during many months, calm and serene joy. I welcomed my friend, -therefore, in the most cordial manner, and we walked towards my -college. Clerval continued talking for some time about our mutual -friends and his own good fortune in being permitted to come to -Ingolstadt. "You may easily believe," said he, "how great was the -difficulty to persuade my father that all necessary knowledge was not -comprised in the noble art of book-keeping; and, indeed, I believe I -left him incredulous to the last, for his constant answer to my -unwearied entreaties was the same as that of the Dutch schoolmaster in -The Vicar of Wakefield: 'I have ten thousand florins a year without -Greek, I eat heartily without Greek.' But his affection for me at -length overcame his dislike of learning, and he has permitted me to -undertake a voyage of discovery to the land of knowledge." - -"It gives me the greatest delight to see you; but tell me how you left -my father, brothers, and Elizabeth." - -"Very well, and very happy, only a little uneasy that they hear from -you so seldom. By the by, I mean to lecture you a little upon their -account myself. But, my dear Frankenstein," continued he, stopping -short and gazing full in my face, "I did not before remark how very ill -you appear; so thin and pale; you look as if you had been watching for -several nights." - -"You have guessed right; I have lately been so deeply engaged in one -occupation that I have not allowed myself sufficient rest, as you see; -but I hope, I sincerely hope, that all these employments are now at an -end and that I am at length free." - -I trembled excessively; I could not endure to think of, and far less to -allude to, the occurrences of the preceding night. I walked with a -quick pace, and we soon arrived at my college. I then reflected, and -the thought made me shiver, that the creature whom I had left in my -apartment might still be there, alive and walking about. I dreaded to -behold this monster, but I feared still more that Henry should see him. -Entreating him, therefore, to remain a few minutes at the bottom of the -stairs, I darted up towards my own room. My hand was already on the -lock of the door before I recollected myself. I then paused, and a -cold shivering came over me. I threw the door forcibly open, as -children are accustomed to do when they expect a spectre to stand in -waiting for them on the other side; but nothing appeared. I stepped -fearfully in: the apartment was empty, and my bedroom was also freed -from its hideous guest. I could hardly believe that so great a good -fortune could have befallen me, but when I became assured that my enemy -had indeed fled, I clapped my hands for joy and ran down to Clerval. - -We ascended into my room, and the servant presently brought breakfast; -but I was unable to contain myself. It was not joy only that possessed -me; I felt my flesh tingle with excess of sensitiveness, and my pulse -beat rapidly. I was unable to remain for a single instant in the same -place; I jumped over the chairs, clapped my hands, and laughed aloud. -Clerval at first attributed my unusual spirits to joy on his arrival, -but when he observed me more attentively, he saw a wildness in my eyes -for which he could not account, and my loud, unrestrained, heartless -laughter frightened and astonished him. - -"My dear Victor," cried he, "what, for God's sake, is the matter? Do -not laugh in that manner. How ill you are! What is the cause of all -this?" - -"Do not ask me," cried I, putting my hands before my eyes, for I -thought I saw the dreaded spectre glide into the room; "HE can tell. -Oh, save me! Save me!" I imagined that the monster seized me; I -struggled furiously and fell down in a fit. - -Poor Clerval! What must have been his feelings? A meeting, which he -anticipated with such joy, so strangely turned to bitterness. But I -was not the witness of his grief, for I was lifeless and did not -recover my senses for a long, long time. - -This was the commencement of a nervous fever which confined me for -several months. During all that time Henry was my only nurse. I -afterwards learned that, knowing my father's advanced age and unfitness -for so long a journey, and how wretched my sickness would make -Elizabeth, he spared them this grief by concealing the extent of my -disorder. He knew that I could not have a more kind and attentive -nurse than himself; and, firm in the hope he felt of my recovery, he -did not doubt that, instead of doing harm, he performed the kindest -action that he could towards them. - -But I was in reality very ill, and surely nothing but the unbounded and -unremitting attentions of my friend could have restored me to life. -The form of the monster on whom I had bestowed existence was forever -before my eyes, and I raved incessantly concerning him. Doubtless my -words surprised Henry; he at first believed them to be the wanderings -of my disturbed imagination, but the pertinacity with which I -continually recurred to the same subject persuaded him that my disorder -indeed owed its origin to some uncommon and terrible event. - -By very slow degrees, and with frequent relapses that alarmed and -grieved my friend, I recovered. I remember the first time I became -capable of observing outward objects with any kind of pleasure, I -perceived that the fallen leaves had disappeared and that the young -buds were shooting forth from the trees that shaded my window. It was -a divine spring, and the season contributed greatly to my -convalescence. I felt also sentiments of joy and affection revive in -my bosom; my gloom disappeared, and in a short time I became as -cheerful as before I was attacked by the fatal passion. - -"Dearest Clerval," exclaimed I, "how kind, how very good you are to me. -This whole winter, instead of being spent in study, as you promised -yourself, has been consumed in my sick room. How shall I ever repay -you? I feel the greatest remorse for the disappointment of which I -have been the occasion, but you will forgive me." - -"You will repay me entirely if you do not discompose yourself, but get -well as fast as you can; and since you appear in such good spirits, I -may speak to you on one subject, may I not?" - -I trembled. One subject! What could it be? Could he allude to an -object on whom I dared not even think? "Compose yourself," said -Clerval, who observed my change of colour, "I will not mention it if it -agitates you; but your father and cousin would be very happy if they -received a letter from you in your own handwriting. They hardly know -how ill you have been and are uneasy at your long silence." - -"Is that all, my dear Henry? How could you suppose that my first -thought would not fly towards those dear, dear friends whom I love and -who are so deserving of my love?" - -"If this is your present temper, my friend, you will perhaps be glad to -see a letter that has been lying here some days for you; it is from -your cousin, I believe." - - - -Chapter 6 - -Clerval then put the following letter into my hands. It was from my -own Elizabeth: - -"My dearest Cousin, - -"You have been ill, very ill, and even the constant letters of dear -kind Henry are not sufficient to reassure me on your account. You are -forbidden to write--to hold a pen; yet one word from you, dear Victor, -is necessary to calm our apprehensions. For a long time I have thought -that each post would bring this line, and my persuasions have -restrained my uncle from undertaking a journey to Ingolstadt. I have -prevented his encountering the inconveniences and perhaps dangers of so -long a journey, yet how often have I regretted not being able to -perform it myself! I figure to myself that the task of attending on -your sickbed has devolved on some mercenary old nurse, who could never -guess your wishes nor minister to them with the care and affection of -your poor cousin. Yet that is over now: Clerval writes that indeed -you are getting better. I eagerly hope that you will confirm this -intelligence soon in your own handwriting. - -"Get well--and return to us. You will find a happy, cheerful home and -friends who love you dearly. Your father's health is vigorous, and he -asks but to see you, but to be assured that you are well; and not a -care will ever cloud his benevolent countenance. How pleased you would -be to remark the improvement of our Ernest! He is now sixteen and full -of activity and spirit. He is desirous to be a true Swiss and to enter -into foreign service, but we cannot part with him, at least until his -elder brother returns to us. My uncle is not pleased with the idea of -a military career in a distant country, but Ernest never had your -powers of application. He looks upon study as an odious fetter; his -time is spent in the open air, climbing the hills or rowing on the -lake. I fear that he will become an idler unless we yield the point -and permit him to enter on the profession which he has selected. - -"Little alteration, except the growth of our dear children, has taken -place since you left us. The blue lake and snow-clad mountains--they -never change; and I think our placid home and our contented hearts are -regulated by the same immutable laws. My trifling occupations take up -my time and amuse me, and I am rewarded for any exertions by seeing -none but happy, kind faces around me. Since you left us, but one -change has taken place in our little household. Do you remember on -what occasion Justine Moritz entered our family? Probably you do not; -I will relate her history, therefore in a few words. Madame Moritz, -her mother, was a widow with four children, of whom Justine was the -third. This girl had always been the favourite of her father, but -through a strange perversity, her mother could not endure her, and -after the death of M. Moritz, treated her very ill. My aunt observed -this, and when Justine was twelve years of age, prevailed on her mother -to allow her to live at our house. The republican institutions of our -country have produced simpler and happier manners than those which -prevail in the great monarchies that surround it. Hence there is less -distinction between the several classes of its inhabitants; and the -lower orders, being neither so poor nor so despised, their manners are -more refined and moral. A servant in Geneva does not mean the same -thing as a servant in France and England. Justine, thus received in -our family, learned the duties of a servant, a condition which, in our -fortunate country, does not include the idea of ignorance and a -sacrifice of the dignity of a human being. - -"Justine, you may remember, was a great favourite of yours; and I -recollect you once remarked that if you were in an ill humour, one -glance from Justine could dissipate it, for the same reason that -Ariosto gives concerning the beauty of Angelica--she looked so -frank-hearted and happy. My aunt conceived a great attachment for her, -by which she was induced to give her an education superior to that -which she had at first intended. This benefit was fully repaid; -Justine was the most grateful little creature in the world: I do not -mean that she made any professions I never heard one pass her lips, but -you could see by her eyes that she almost adored her protectress. -Although her disposition was gay and in many respects inconsiderate, -yet she paid the greatest attention to every gesture of my aunt. She -thought her the model of all excellence and endeavoured to imitate her -phraseology and manners, so that even now she often reminds me of her. - -"When my dearest aunt died every one was too much occupied in their own -grief to notice poor Justine, who had attended her during her illness -with the most anxious affection. Poor Justine was very ill; but other -trials were reserved for her. - -"One by one, her brothers and sister died; and her mother, with the -exception of her neglected daughter, was left childless. The -conscience of the woman was troubled; she began to think that the -deaths of her favourites was a judgement from heaven to chastise her -partiality. She was a Roman Catholic; and I believe her confessor -confirmed the idea which she had conceived. Accordingly, a few months -after your departure for Ingolstadt, Justine was called home by her -repentant mother. Poor girl! She wept when she quitted our house; she -was much altered since the death of my aunt; grief had given softness -and a winning mildness to her manners, which had before been remarkable -for vivacity. Nor was her residence at her mother's house of a nature -to restore her gaiety. The poor woman was very vacillating in her -repentance. She sometimes begged Justine to forgive her unkindness, -but much oftener accused her of having caused the deaths of her -brothers and sister. Perpetual fretting at length threw Madame Moritz -into a decline, which at first increased her irritability, but she is -now at peace for ever. She died on the first approach of cold weather, -at the beginning of this last winter. Justine has just returned to us; -and I assure you I love her tenderly. She is very clever and gentle, -and extremely pretty; as I mentioned before, her mien and her -expression continually remind me of my dear aunt. - -"I must say also a few words to you, my dear cousin, of little darling -William. I wish you could see him; he is very tall of his age, with -sweet laughing blue eyes, dark eyelashes, and curling hair. When he -smiles, two little dimples appear on each cheek, which are rosy with -health. He has already had one or two little WIVES, but Louisa Biron -is his favourite, a pretty little girl of five years of age. - -"Now, dear Victor, I dare say you wish to be indulged in a little -gossip concerning the good people of Geneva. The pretty Miss Mansfield -has already received the congratulatory visits on her approaching -marriage with a young Englishman, John Melbourne, Esq. Her ugly -sister, Manon, married M. Duvillard, the rich banker, last autumn. Your -favourite schoolfellow, Louis Manoir, has suffered several misfortunes -since the departure of Clerval from Geneva. But he has already -recovered his spirits, and is reported to be on the point of marrying a -lively pretty Frenchwoman, Madame Tavernier. She is a widow, and much -older than Manoir; but she is very much admired, and a favourite with -everybody. - -"I have written myself into better spirits, dear cousin; but my anxiety -returns upon me as I conclude. Write, dearest Victor,--one line--one -word will be a blessing to us. Ten thousand thanks to Henry for his -kindness, his affection, and his many letters; we are sincerely -grateful. Adieu! my cousin; take care of your self; and, I entreat -you, write! - -"Elizabeth Lavenza. - -"Geneva, March 18, 17--." - - -"Dear, dear Elizabeth!" I exclaimed, when I had read her letter: "I -will write instantly and relieve them from the anxiety they must feel." -I wrote, and this exertion greatly fatigued me; but my convalescence -had commenced, and proceeded regularly. In another fortnight I was -able to leave my chamber. - -One of my first duties on my recovery was to introduce Clerval to the -several professors of the university. In doing this, I underwent a -kind of rough usage, ill befitting the wounds that my mind had -sustained. Ever since the fatal night, the end of my labours, and the -beginning of my misfortunes, I had conceived a violent antipathy even -to the name of natural philosophy. When I was otherwise quite restored -to health, the sight of a chemical instrument would renew all the agony -of my nervous symptoms. Henry saw this, and had removed all my -apparatus from my view. He had also changed my apartment; for he -perceived that I had acquired a dislike for the room which had -previously been my laboratory. But these cares of Clerval were made of -no avail when I visited the professors. M. Waldman inflicted torture -when he praised, with kindness and warmth, the astonishing progress I -had made in the sciences. He soon perceived that I disliked the -subject; but not guessing the real cause, he attributed my feelings to -modesty, and changed the subject from my improvement, to the science -itself, with a desire, as I evidently saw, of drawing me out. What -could I do? He meant to please, and he tormented me. I felt as if he -had placed carefully, one by one, in my view those instruments which -were to be afterwards used in putting me to a slow and cruel death. I -writhed under his words, yet dared not exhibit the pain I felt. -Clerval, whose eyes and feelings were always quick in discerning the -sensations of others, declined the subject, alleging, in excuse, his -total ignorance; and the conversation took a more general turn. I -thanked my friend from my heart, but I did not speak. I saw plainly -that he was surprised, but he never attempted to draw my secret from -me; and although I loved him with a mixture of affection and reverence -that knew no bounds, yet I could never persuade myself to confide in -him that event which was so often present to my recollection, but which -I feared the detail to another would only impress more deeply. - -M. Krempe was not equally docile; and in my condition at that time, of -almost insupportable sensitiveness, his harsh blunt encomiums gave me -even more pain than the benevolent approbation of M. Waldman. "D--n -the fellow!" cried he; "why, M. Clerval, I assure you he has outstript -us all. Ay, stare if you please; but it is nevertheless true. A -youngster who, but a few years ago, believed in Cornelius Agrippa as -firmly as in the gospel, has now set himself at the head of the -university; and if he is not soon pulled down, we shall all be out of -countenance.--Ay, ay," continued he, observing my face expressive of -suffering, "M. Frankenstein is modest; an excellent quality in a young -man. Young men should be diffident of themselves, you know, M. -Clerval: I was myself when young; but that wears out in a very short -time." - -M. Krempe had now commenced an eulogy on himself, which happily turned -the conversation from a subject that was so annoying to me. - -Clerval had never sympathized in my tastes for natural science; and his -literary pursuits differed wholly from those which had occupied me. He -came to the university with the design of making himself complete -master of the oriental languages, and thus he should open a field for -the plan of life he had marked out for himself. Resolved to pursue no -inglorious career, he turned his eyes toward the East, as affording -scope for his spirit of enterprise. The Persian, Arabic, and Sanskrit -languages engaged his attention, and I was easily induced to enter on -the same studies. Idleness had ever been irksome to me, and now that I -wished to fly from reflection, and hated my former studies, I felt -great relief in being the fellow-pupil with my friend, and found not -only instruction but consolation in the works of the orientalists. I -did not, like him, attempt a critical knowledge of their dialects, for -I did not contemplate making any other use of them than temporary -amusement. I read merely to understand their meaning, and they well -repaid my labours. Their melancholy is soothing, and their joy -elevating, to a degree I never experienced in studying the authors of -any other country. When you read their writings, life appears to -consist in a warm sun and a garden of roses,--in the smiles and frowns -of a fair enemy, and the fire that consumes your own heart. How -different from the manly and heroical poetry of Greece and Rome! - -Summer passed away in these occupations, and my return to Geneva was -fixed for the latter end of autumn; but being delayed by several -accidents, winter and snow arrived, the roads were deemed impassable, -and my journey was retarded until the ensuing spring. I felt this -delay very bitterly; for I longed to see my native town and my beloved -friends. My return had only been delayed so long, from an -unwillingness to leave Clerval in a strange place, before he had become -acquainted with any of its inhabitants. The winter, however, was spent -cheerfully; and although the spring was uncommonly late, when it came -its beauty compensated for its dilatoriness. - -The month of May had already commenced, and I expected the letter daily -which was to fix the date of my departure, when Henry proposed a -pedestrian tour in the environs of Ingolstadt, that I might bid a -personal farewell to the country I had so long inhabited. I acceded -with pleasure to this proposition: I was fond of exercise, and Clerval -had always been my favourite companion in the ramble of this nature -that I had taken among the scenes of my native country. - -We passed a fortnight in these perambulations: my health and spirits -had long been restored, and they gained additional strength from the -salubrious air I breathed, the natural incidents of our progress, and -the conversation of my friend. Study had before secluded me from the -intercourse of my fellow-creatures, and rendered me unsocial; but -Clerval called forth the better feelings of my heart; he again taught -me to love the aspect of nature, and the cheerful faces of children. -Excellent friend! how sincerely you did love me, and endeavour to -elevate my mind until it was on a level with your own. A selfish -pursuit had cramped and narrowed me, until your gentleness and -affection warmed and opened my senses; I became the same happy creature -who, a few years ago, loved and beloved by all, had no sorrow or care. -When happy, inanimate nature had the power of bestowing on me the most -delightful sensations. A serene sky and verdant fields filled me with -ecstasy. The present season was indeed divine; the flowers of spring -bloomed in the hedges, while those of summer were already in bud. I -was undisturbed by thoughts which during the preceding year had pressed -upon me, notwithstanding my endeavours to throw them off, with an -invincible burden. - -Henry rejoiced in my gaiety, and sincerely sympathised in my feelings: -he exerted himself to amuse me, while he expressed the sensations that -filled his soul. The resources of his mind on this occasion were truly -astonishing: his conversation was full of imagination; and very often, -in imitation of the Persian and Arabic writers, he invented tales of -wonderful fancy and passion. At other times he repeated my favourite -poems, or drew me out into arguments, which he supported with great -ingenuity. We returned to our college on a Sunday afternoon: the -peasants were dancing, and every one we met appeared gay and happy. My -own spirits were high, and I bounded along with feelings of unbridled -joy and hilarity. - - - -Chapter 7 - -On my return, I found the following letter from my father:-- - - -"My dear Victor, - -"You have probably waited impatiently for a letter to fix the date of -your return to us; and I was at first tempted to write only a few -lines, merely mentioning the day on which I should expect you. But -that would be a cruel kindness, and I dare not do it. What would be -your surprise, my son, when you expected a happy and glad welcome, to -behold, on the contrary, tears and wretchedness? And how, Victor, can -I relate our misfortune? Absence cannot have rendered you callous to -our joys and griefs; and how shall I inflict pain on my long absent -son? I wish to prepare you for the woeful news, but I know it is -impossible; even now your eye skims over the page to seek the words -which are to convey to you the horrible tidings. - -"William is dead!--that sweet child, whose smiles delighted and warmed -my heart, who was so gentle, yet so gay! Victor, he is murdered! - -"I will not attempt to console you; but will simply relate the -circumstances of the transaction. - -"Last Thursday (May 7th), I, my niece, and your two brothers, went to -walk in Plainpalais. The evening was warm and serene, and we prolonged -our walk farther than usual. It was already dusk before we thought of -returning; and then we discovered that William and Ernest, who had gone -on before, were not to be found. We accordingly rested on a seat until -they should return. Presently Ernest came, and enquired if we had seen -his brother; he said, that he had been playing with him, that William -had run away to hide himself, and that he vainly sought for him, and -afterwards waited for a long time, but that he did not return. - -"This account rather alarmed us, and we continued to search for him -until night fell, when Elizabeth conjectured that he might have -returned to the house. He was not there. We returned again, with -torches; for I could not rest, when I thought that my sweet boy had -lost himself, and was exposed to all the damps and dews of night; -Elizabeth also suffered extreme anguish. About five in the morning I -discovered my lovely boy, whom the night before I had seen blooming and -active in health, stretched on the grass livid and motionless; the -print of the murder's finger was on his neck. - -"He was conveyed home, and the anguish that was visible in my -countenance betrayed the secret to Elizabeth. She was very earnest to -see the corpse. At first I attempted to prevent her but she persisted, -and entering the room where it lay, hastily examined the neck of the -victim, and clasping her hands exclaimed, 'O God! I have murdered my -darling child!' - -"She fainted, and was restored with extreme difficulty. When she again -lived, it was only to weep and sigh. She told me, that that same -evening William had teased her to let him wear a very valuable -miniature that she possessed of your mother. This picture is gone, and -was doubtless the temptation which urged the murderer to the deed. We -have no trace of him at present, although our exertions to discover him -are unremitted; but they will not restore my beloved William! - -"Come, dearest Victor; you alone can console Elizabeth. She weeps -continually, and accuses herself unjustly as the cause of his death; -her words pierce my heart. We are all unhappy; but will not that be an -additional motive for you, my son, to return and be our comforter? -Your dear mother! Alas, Victor! I now say, Thank God she did not live -to witness the cruel, miserable death of her youngest darling! - -"Come, Victor; not brooding thoughts of vengeance against the assassin, -but with feelings of peace and gentleness, that will heal, instead of -festering, the wounds of our minds. Enter the house of mourning, my -friend, but with kindness and affection for those who love you, and not -with hatred for your enemies. - - "Your affectionate and afflicted father, - "Alphonse Frankenstein. - - - -"Geneva, May 12th, 17--." - -Clerval, who had watched my countenance as I read this letter, was -surprised to observe the despair that succeeded the joy I at first -expressed on receiving new from my friends. I threw the letter on the -table, and covered my face with my hands. - -"My dear Frankenstein," exclaimed Henry, when he perceived me weep with -bitterness, "are you always to be unhappy? My dear friend, what has -happened?" - -I motioned him to take up the letter, while I walked up and down the -room in the extremest agitation. Tears also gushed from the eyes of -Clerval, as he read the account of my misfortune. - -"I can offer you no consolation, my friend," said he; "your disaster is -irreparable. What do you intend to do?" - -"To go instantly to Geneva: come with me, Henry, to order the horses." - -During our walk, Clerval endeavoured to say a few words of consolation; -he could only express his heartfelt sympathy. "Poor William!" said he, -"dear lovely child, he now sleeps with his angel mother! Who that had -seen him bright and joyous in his young beauty, but must weep over his -untimely loss! To die so miserably; to feel the murderer's grasp! How -much more a murdered that could destroy radiant innocence! Poor little -fellow! one only consolation have we; his friends mourn and weep, but -he is at rest. The pang is over, his sufferings are at an end for ever. -A sod covers his gentle form, and he knows no pain. He can no longer -be a subject for pity; we must reserve that for his miserable -survivors." - -Clerval spoke thus as we hurried through the streets; the words -impressed themselves on my mind and I remembered them afterwards in -solitude. But now, as soon as the horses arrived, I hurried into a -cabriolet, and bade farewell to my friend. - -My journey was very melancholy. At first I wished to hurry on, for I -longed to console and sympathise with my loved and sorrowing friends; -but when I drew near my native town, I slackened my progress. I could -hardly sustain the multitude of feelings that crowded into my mind. I -passed through scenes familiar to my youth, but which I had not seen -for nearly six years. How altered every thing might be during that -time! One sudden and desolating change had taken place; but a thousand -little circumstances might have by degrees worked other alterations, -which, although they were done more tranquilly, might not be the less -decisive. Fear overcame me; I dared no advance, dreading a thousand -nameless evils that made me tremble, although I was unable to define -them. I remained two days at Lausanne, in this painful state of mind. -I contemplated the lake: the waters were placid; all around was calm; -and the snowy mountains, 'the palaces of nature,' were not changed. By -degrees the calm and heavenly scene restored me, and I continued my -journey towards Geneva. - -The road ran by the side of the lake, which became narrower as I -approached my native town. I discovered more distinctly the black -sides of Jura, and the bright summit of Mont Blanc. I wept like a -child. "Dear mountains! my own beautiful lake! how do you welcome your -wanderer? Your summits are clear; the sky and lake are blue and -placid. Is this to prognosticate peace, or to mock at my unhappiness?" - -I fear, my friend, that I shall render myself tedious by dwelling on -these preliminary circumstances; but they were days of comparative -happiness, and I think of them with pleasure. My country, my beloved -country! who but a native can tell the delight I took in again -beholding thy streams, thy mountains, and, more than all, thy lovely -lake! - -Yet, as I drew nearer home, grief and fear again overcame me. Night -also closed around; and when I could hardly see the dark mountains, I -felt still more gloomily. The picture appeared a vast and dim scene of -evil, and I foresaw obscurely that I was destined to become the most -wretched of human beings. Alas! I prophesied truly, and failed only -in one single circumstance, that in all the misery I imagined and -dreaded, I did not conceive the hundredth part of the anguish I was -destined to endure. It was completely dark when I arrived in the -environs of Geneva; the gates of the town were already shut; and I was -obliged to pass the night at Secheron, a village at the distance of -half a league from the city. The sky was serene; and, as I was unable -to rest, I resolved to visit the spot where my poor William had been -murdered. As I could not pass through the town, I was obliged to cross -the lake in a boat to arrive at Plainpalais. During this short voyage -I saw the lightning playing on the summit of Mont Blanc in the most -beautiful figures. The storm appeared to approach rapidly, and, on -landing, I ascended a low hill, that I might observe its progress. It -advanced; the heavens were clouded, and I soon felt the rain coming -slowly in large drops, but its violence quickly increased. - -I quitted my seat, and walked on, although the darkness and storm -increased every minute, and the thunder burst with a terrific crash -over my head. It was echoed from Saleve, the Juras, and the Alps of -Savoy; vivid flashes of lightning dazzled my eyes, illuminating the -lake, making it appear like a vast sheet of fire; then for an instant -every thing seemed of a pitchy darkness, until the eye recovered itself -from the preceding flash. The storm, as is often the case in -Switzerland, appeared at once in various parts of the heavens. The -most violent storm hung exactly north of the town, over the part of the -lake which lies between the promontory of Belrive and the village of -Copet. Another storm enlightened Jura with faint flashes; and another -darkened and sometimes disclosed the Mole, a peaked mountain to the -east of the lake. - -While I watched the tempest, so beautiful yet terrific, I wandered on -with a hasty step. This noble war in the sky elevated my spirits; I -clasped my hands, and exclaimed aloud, "William, dear angel! this is -thy funeral, this thy dirge!" As I said these words, I perceived in the -gloom a figure which stole from behind a clump of trees near me; I -stood fixed, gazing intently: I could not be mistaken. A flash of -lightning illuminated the object, and discovered its shape plainly to -me; its gigantic stature, and the deformity of its aspect more hideous -than belongs to humanity, instantly informed me that it was the wretch, -the filthy daemon, to whom I had given life. What did he there? Could -he be (I shuddered at the conception) the murderer of my brother? No -sooner did that idea cross my imagination, than I became convinced of -its truth; my teeth chattered, and I was forced to lean against a tree -for support. The figure passed me quickly, and I lost it in the gloom. - -Nothing in human shape could have destroyed the fair child. HE was the -murderer! I could not doubt it. The mere presence of the idea was an -irresistible proof of the fact. I thought of pursuing the devil; but -it would have been in vain, for another flash discovered him to me -hanging among the rocks of the nearly perpendicular ascent of Mont -Saleve, a hill that bounds Plainpalais on the south. He soon reached -the summit, and disappeared. - -I remained motionless. The thunder ceased; but the rain still -continued, and the scene was enveloped in an impenetrable darkness. I -revolved in my mind the events which I had until now sought to forget: -the whole train of my progress toward the creation; the appearance of -the works of my own hands at my bedside; its departure. Two years had -now nearly elapsed since the night on which he first received life; and -was this his first crime? Alas! I had turned loose into the world a -depraved wretch, whose delight was in carnage and misery; had he not -murdered my brother? - -No one can conceive the anguish I suffered during the remainder of the -night, which I spent, cold and wet, in the open air. But I did not -feel the inconvenience of the weather; my imagination was busy in -scenes of evil and despair. I considered the being whom I had cast -among mankind, and endowed with the will and power to effect purposes -of horror, such as the deed which he had now done, nearly in the light -of my own vampire, my own spirit let loose from the grave, and forced -to destroy all that was dear to me. - -Day dawned; and I directed my steps towards the town. The gates were -open, and I hastened to my father's house. My first thought was to -discover what I knew of the murderer, and cause instant pursuit to be -made. But I paused when I reflected on the story that I had to tell. A -being whom I myself had formed, and endued with life, had met me at -midnight among the precipices of an inaccessible mountain. I -remembered also the nervous fever with which I had been seized just at -the time that I dated my creation, and which would give an air of -delirium to a tale otherwise so utterly improbable. I well knew that -if any other had communicated such a relation to me, I should have -looked upon it as the ravings of insanity. Besides, the strange nature -of the animal would elude all pursuit, even if I were so far credited -as to persuade my relatives to commence it. And then of what use would -be pursuit? Who could arrest a creature capable of scaling the -overhanging sides of Mont Saleve? These reflections determined me, and -I resolved to remain silent. - -It was about five in the morning when I entered my father's house. I -told the servants not to disturb the family, and went into the library -to attend their usual hour of rising. - -Six years had elapsed, passed in a dream but for one indelible trace, -and I stood in the same place where I had last embraced my father -before my departure for Ingolstadt. Beloved and venerable parent! He -still remained to me. I gazed on the picture of my mother, which stood -over the mantel-piece. It was an historical subject, painted at my -father's desire, and represented Caroline Beaufort in an agony of -despair, kneeling by the coffin of her dead father. Her garb was -rustic, and her cheek pale; but there was an air of dignity and beauty, -that hardly permitted the sentiment of pity. Below this picture was a -miniature of William; and my tears flowed when I looked upon it. While -I was thus engaged, Ernest entered: he had heard me arrive, and -hastened to welcome me: "Welcome, my dearest Victor," said he. "Ah! I -wish you had come three months ago, and then you would have found us -all joyous and delighted. You come to us now to share a misery which -nothing can alleviate; yet your presence will, I hope, revive our -father, who seems sinking under his misfortune; and your persuasions -will induce poor Elizabeth to cease her vain and tormenting -self-accusations.--Poor William! he was our darling and our pride!" - -Tears, unrestrained, fell from my brother's eyes; a sense of mortal -agony crept over my frame. Before, I had only imagined the -wretchedness of my desolated home; the reality came on me as a new, and -a not less terrible, disaster. I tried to calm Ernest; I enquired more -minutely concerning my father, and here I named my cousin. - -"She most of all," said Ernest, "requires consolation; she accused -herself of having caused the death of my brother, and that made her -very wretched. But since the murderer has been discovered--" - -"The murderer discovered! Good God! how can that be? who could attempt -to pursue him? It is impossible; one might as well try to overtake the -winds, or confine a mountain-stream with a straw. I saw him too; he -was free last night!" - -"I do not know what you mean," replied my brother, in accents of -wonder, "but to us the discovery we have made completes our misery. No -one would believe it at first; and even now Elizabeth will not be -convinced, notwithstanding all the evidence. Indeed, who would credit -that Justine Moritz, who was so amiable, and fond of all the family, -could suddenly become so capable of so frightful, so appalling a crime?" - -"Justine Moritz! Poor, poor girl, is she the accused? But it is -wrongfully; every one knows that; no one believes it, surely, Ernest?" - -"No one did at first; but several circumstances came out, that have -almost forced conviction upon us; and her own behaviour has been so -confused, as to add to the evidence of facts a weight that, I fear, -leaves no hope for doubt. But she will be tried today, and you will -then hear all." - -He then related that, the morning on which the murder of poor William -had been discovered, Justine had been taken ill, and confined to her -bed for several days. During this interval, one of the servants, -happening to examine the apparel she had worn on the night of the -murder, had discovered in her pocket the picture of my mother, which -had been judged to be the temptation of the murderer. The servant -instantly showed it to one of the others, who, without saying a word to -any of the family, went to a magistrate; and, upon their deposition, -Justine was apprehended. On being charged with the fact, the poor girl -confirmed the suspicion in a great measure by her extreme confusion of -manner. - -This was a strange tale, but it did not shake my faith; and I replied -earnestly, "You are all mistaken; I know the murderer. Justine, poor, -good Justine, is innocent." - -At that instant my father entered. I saw unhappiness deeply impressed -on his countenance, but he endeavoured to welcome me cheerfully; and, -after we had exchanged our mournful greeting, would have introduced -some other topic than that of our disaster, had not Ernest exclaimed, -"Good God, papa! Victor says that he knows who was the murderer of -poor William." - -"We do also, unfortunately," replied my father, "for indeed I had -rather have been for ever ignorant than have discovered so much -depravity and ungratitude in one I valued so highly." - -"My dear father, you are mistaken; Justine is innocent." - -"If she is, God forbid that she should suffer as guilty. She is to be -tried today, and I hope, I sincerely hope, that she will be acquitted." - -This speech calmed me. I was firmly convinced in my own mind that -Justine, and indeed every human being, was guiltless of this murder. I -had no fear, therefore, that any circumstantial evidence could be -brought forward strong enough to convict her. My tale was not one to -announce publicly; its astounding horror would be looked upon as -madness by the vulgar. Did any one indeed exist, except I, the -creator, who would believe, unless his senses convinced him, in the -existence of the living monument of presumption and rash ignorance -which I had let loose upon the world? - -We were soon joined by Elizabeth. Time had altered her since I last -beheld her; it had endowed her with loveliness surpassing the beauty of -her childish years. There was the same candour, the same vivacity, but -it was allied to an expression more full of sensibility and intellect. -She welcomed me with the greatest affection. "Your arrival, my dear -cousin," said she, "fills me with hope. You perhaps will find some -means to justify my poor guiltless Justine. Alas! who is safe, if she -be convicted of crime? I rely on her innocence as certainly as I do -upon my own. Our misfortune is doubly hard to us; we have not only -lost that lovely darling boy, but this poor girl, whom I sincerely -love, is to be torn away by even a worse fate. If she is condemned, I -never shall know joy more. But she will not, I am sure she will not; -and then I shall be happy again, even after the sad death of my little -William." - -"She is innocent, my Elizabeth," said I, "and that shall be proved; -fear nothing, but let your spirits be cheered by the assurance of her -acquittal." - -"How kind and generous you are! every one else believes in her guilt, -and that made me wretched, for I knew that it was impossible: and to -see every one else prejudiced in so deadly a manner rendered me -hopeless and despairing." She wept. - -"Dearest niece," said my father, "dry your tears. If she is, as you -believe, innocent, rely on the justice of our laws, and the activity -with which I shall prevent the slightest shadow of partiality." - - - -Chapter 8 - -We passed a few sad hours until eleven o'clock, when the trial was to -commence. My father and the rest of the family being obliged to attend -as witnesses, I accompanied them to the court. During the whole of -this wretched mockery of justice I suffered living torture. It was to -be decided whether the result of my curiosity and lawless devices would -cause the death of two of my fellow beings: one a smiling babe full of -innocence and joy, the other far more dreadfully murdered, with every -aggravation of infamy that could make the murder memorable in horror. -Justine also was a girl of merit and possessed qualities which promised -to render her life happy; now all was to be obliterated in an -ignominious grave, and I the cause! A thousand times rather would I -have confessed myself guilty of the crime ascribed to Justine, but I -was absent when it was committed, and such a declaration would have -been considered as the ravings of a madman and would not have -exculpated her who suffered through me. - -The appearance of Justine was calm. She was dressed in mourning, and -her countenance, always engaging, was rendered, by the solemnity of her -feelings, exquisitely beautiful. Yet she appeared confident in -innocence and did not tremble, although gazed on and execrated by -thousands, for all the kindness which her beauty might otherwise have -excited was obliterated in the minds of the spectators by the -imagination of the enormity she was supposed to have committed. She -was tranquil, yet her tranquillity was evidently constrained; and as -her confusion had before been adduced as a proof of her guilt, she -worked up her mind to an appearance of courage. When she entered the -court she threw her eyes round it and quickly discovered where we were -seated. A tear seemed to dim her eye when she saw us, but she quickly -recovered herself, and a look of sorrowful affection seemed to attest -her utter guiltlessness. - -The trial began, and after the advocate against her had stated the -charge, several witnesses were called. Several strange facts combined -against her, which might have staggered anyone who had not such proof -of her innocence as I had. She had been out the whole of the night on -which the murder had been committed and towards morning had been -perceived by a market-woman not far from the spot where the body of the -murdered child had been afterwards found. The woman asked her what she -did there, but she looked very strangely and only returned a confused -and unintelligible answer. She returned to the house about eight -o'clock, and when one inquired where she had passed the night, she -replied that she had been looking for the child and demanded earnestly -if anything had been heard concerning him. When shown the body, she -fell into violent hysterics and kept her bed for several days. The -picture was then produced which the servant had found in her pocket; -and when Elizabeth, in a faltering voice, proved that it was the same -which, an hour before the child had been missed, she had placed round -his neck, a murmur of horror and indignation filled the court. - -Justine was called on for her defence. As the trial had proceeded, her -countenance had altered. Surprise, horror, and misery were strongly -expressed. Sometimes she struggled with her tears, but when she was -desired to plead, she collected her powers and spoke in an audible -although variable voice. - -"God knows," she said, "how entirely I am innocent. But I do not -pretend that my protestations should acquit me; I rest my innocence on -a plain and simple explanation of the facts which have been adduced -against me, and I hope the character I have always borne will incline -my judges to a favourable interpretation where any circumstance appears -doubtful or suspicious." - -She then related that, by the permission of Elizabeth, she had passed -the evening of the night on which the murder had been committed at the -house of an aunt at Chene, a village situated at about a league from -Geneva. On her return, at about nine o'clock, she met a man who asked -her if she had seen anything of the child who was lost. She was -alarmed by this account and passed several hours in looking for him, -when the gates of Geneva were shut, and she was forced to remain -several hours of the night in a barn belonging to a cottage, being -unwilling to call up the inhabitants, to whom she was well known. Most -of the night she spent here watching; towards morning she believed that -she slept for a few minutes; some steps disturbed her, and she awoke. -It was dawn, and she quitted her asylum, that she might again endeavour -to find my brother. If she had gone near the spot where his body lay, -it was without her knowledge. That she had been bewildered when -questioned by the market-woman was not surprising, since she had passed -a sleepless night and the fate of poor William was yet uncertain. -Concerning the picture she could give no account. - -"I know," continued the unhappy victim, "how heavily and fatally this -one circumstance weighs against me, but I have no power of explaining -it; and when I have expressed my utter ignorance, I am only left to -conjecture concerning the probabilities by which it might have been -placed in my pocket. But here also I am checked. I believe that I -have no enemy on earth, and none surely would have been so wicked as to -destroy me wantonly. Did the murderer place it there? I know of no -opportunity afforded him for so doing; or, if I had, why should he have -stolen the jewel, to part with it again so soon? - -"I commit my cause to the justice of my judges, yet I see no room for -hope. I beg permission to have a few witnesses examined concerning my -character, and if their testimony shall not overweigh my supposed -guilt, I must be condemned, although I would pledge my salvation on my -innocence." - -Several witnesses were called who had known her for many years, and -they spoke well of her; but fear and hatred of the crime of which they -supposed her guilty rendered them timorous and unwilling to come -forward. Elizabeth saw even this last resource, her excellent -dispositions and irreproachable conduct, about to fail the accused, -when, although violently agitated, she desired permission to address -the court. - -"I am," said she, "the cousin of the unhappy child who was murdered, or -rather his sister, for I was educated by and have lived with his -parents ever since and even long before his birth. It may therefore be -judged indecent in me to come forward on this occasion, but when I see -a fellow creature about to perish through the cowardice of her -pretended friends, I wish to be allowed to speak, that I may say what I -know of her character. I am well acquainted with the accused. I have -lived in the same house with her, at one time for five and at another -for nearly two years. During all that period she appeared to me the -most amiable and benevolent of human creatures. She nursed Madame -Frankenstein, my aunt, in her last illness, with the greatest affection -and care and afterwards attended her own mother during a tedious -illness, in a manner that excited the admiration of all who knew her, -after which she again lived in my uncle's house, where she was beloved -by all the family. She was warmly attached to the child who is now -dead and acted towards him like a most affectionate mother. For my own -part, I do not hesitate to say that, notwithstanding all the evidence -produced against her, I believe and rely on her perfect innocence. She -had no temptation for such an action; as to the bauble on which the -chief proof rests, if she had earnestly desired it, I should have -willingly given it to her, so much do I esteem and value her." - -A murmur of approbation followed Elizabeth's simple and powerful -appeal, but it was excited by her generous interference, and not in -favour of poor Justine, on whom the public indignation was turned with -renewed violence, charging her with the blackest ingratitude. She -herself wept as Elizabeth spoke, but she did not answer. My own -agitation and anguish was extreme during the whole trial. I believed -in her innocence; I knew it. Could the demon who had (I did not for a -minute doubt) murdered my brother also in his hellish sport have -betrayed the innocent to death and ignominy? I could not sustain the -horror of my situation, and when I perceived that the popular voice and -the countenances of the judges had already condemned my unhappy victim, -I rushed out of the court in agony. The tortures of the accused did -not equal mine; she was sustained by innocence, but the fangs of -remorse tore my bosom and would not forgo their hold. - -I passed a night of unmingled wretchedness. In the morning I went to -the court; my lips and throat were parched. I dared not ask the fatal -question, but I was known, and the officer guessed the cause of my -visit. The ballots had been thrown; they were all black, and Justine -was condemned. - -I cannot pretend to describe what I then felt. I had before -experienced sensations of horror, and I have endeavoured to bestow upon -them adequate expressions, but words cannot convey an idea of the -heart-sickening despair that I then endured. The person to whom I -addressed myself added that Justine had already confessed her guilt. -"That evidence," he observed, "was hardly required in so glaring a -case, but I am glad of it, and, indeed, none of our judges like to -condemn a criminal upon circumstantial evidence, be it ever so -decisive." - -This was strange and unexpected intelligence; what could it mean? Had -my eyes deceived me? And was I really as mad as the whole world would -believe me to be if I disclosed the object of my suspicions? I -hastened to return home, and Elizabeth eagerly demanded the result. - -"My cousin," replied I, "it is decided as you may have expected; all -judges had rather that ten innocent should suffer than that one guilty -should escape. But she has confessed." - -This was a dire blow to poor Elizabeth, who had relied with firmness -upon Justine's innocence. "Alas!" said she. "How shall I ever again -believe in human goodness? Justine, whom I loved and esteemed as my -sister, how could she put on those smiles of innocence only to betray? -Her mild eyes seemed incapable of any severity or guile, and yet she -has committed a murder." - -Soon after we heard that the poor victim had expressed a desire to see -my cousin. My father wished her not to go but said that he left it to -her own judgment and feelings to decide. "Yes," said Elizabeth, "I -will go, although she is guilty; and you, Victor, shall accompany me; I -cannot go alone." The idea of this visit was torture to me, yet I -could not refuse. We entered the gloomy prison chamber and beheld -Justine sitting on some straw at the farther end; her hands were -manacled, and her head rested on her knees. She rose on seeing us -enter, and when we were left alone with her, she threw herself at the -feet of Elizabeth, weeping bitterly. My cousin wept also. - -"Oh, Justine!" said she. "Why did you rob me of my last consolation? -I relied on your innocence, and although I was then very wretched, I -was not so miserable as I am now." - -"And do you also believe that I am so very, very wicked? Do you also -join with my enemies to crush me, to condemn me as a murderer?" Her -voice was suffocated with sobs. - -"Rise, my poor girl," said Elizabeth; "why do you kneel, if you are -innocent? I am not one of your enemies, I believed you guiltless, -notwithstanding every evidence, until I heard that you had yourself -declared your guilt. That report, you say, is false; and be assured, -dear Justine, that nothing can shake my confidence in you for a moment, -but your own confession." - -"I did confess, but I confessed a lie. I confessed, that I might -obtain absolution; but now that falsehood lies heavier at my heart than -all my other sins. The God of heaven forgive me! Ever since I was -condemned, my confessor has besieged me; he threatened and menaced, -until I almost began to think that I was the monster that he said I -was. He threatened excommunication and hell fire in my last moments if -I continued obdurate. Dear lady, I had none to support me; all looked -on me as a wretch doomed to ignominy and perdition. What could I do? -In an evil hour I subscribed to a lie; and now only am I truly -miserable." - -She paused, weeping, and then continued, "I thought with horror, my -sweet lady, that you should believe your Justine, whom your blessed -aunt had so highly honoured, and whom you loved, was a creature capable -of a crime which none but the devil himself could have perpetrated. -Dear William! dearest blessed child! I soon shall see you again in -heaven, where we shall all be happy; and that consoles me, going as I -am to suffer ignominy and death." - -"Oh, Justine! Forgive me for having for one moment distrusted you. -Why did you confess? But do not mourn, dear girl. Do not fear. I -will proclaim, I will prove your innocence. I will melt the stony -hearts of your enemies by my tears and prayers. You shall not die! -You, my playfellow, my companion, my sister, perish on the scaffold! -No! No! I never could survive so horrible a misfortune." - -Justine shook her head mournfully. "I do not fear to die," she said; -"that pang is past. God raises my weakness and gives me courage to -endure the worst. I leave a sad and bitter world; and if you remember -me and think of me as of one unjustly condemned, I am resigned to the -fate awaiting me. Learn from me, dear lady, to submit in patience to -the will of heaven!" - -During this conversation I had retired to a corner of the prison room, -where I could conceal the horrid anguish that possessed me. Despair! -Who dared talk of that? The poor victim, who on the morrow was to pass -the awful boundary between life and death, felt not, as I did, such -deep and bitter agony. I gnashed my teeth and ground them together, -uttering a groan that came from my inmost soul. Justine started. When -she saw who it was, she approached me and said, "Dear sir, you are very -kind to visit me; you, I hope, do not believe that I am guilty?" - -I could not answer. "No, Justine," said Elizabeth; "he is more -convinced of your innocence than I was, for even when he heard that you -had confessed, he did not credit it." - -"I truly thank him. In these last moments I feel the sincerest -gratitude towards those who think of me with kindness. How sweet is -the affection of others to such a wretch as I am! It removes more than -half my misfortune, and I feel as if I could die in peace now that my -innocence is acknowledged by you, dear lady, and your cousin." - -Thus the poor sufferer tried to comfort others and herself. She indeed -gained the resignation she desired. But I, the true murderer, felt the -never-dying worm alive in my bosom, which allowed of no hope or -consolation. Elizabeth also wept and was unhappy, but hers also was -the misery of innocence, which, like a cloud that passes over the fair -moon, for a while hides but cannot tarnish its brightness. Anguish and -despair had penetrated into the core of my heart; I bore a hell within -me which nothing could extinguish. We stayed several hours with -Justine, and it was with great difficulty that Elizabeth could tear -herself away. "I wish," cried she, "that I were to die with you; I -cannot live in this world of misery." - -Justine assumed an air of cheerfulness, while she with difficulty -repressed her bitter tears. She embraced Elizabeth and said in a voice -of half-suppressed emotion, "Farewell, sweet lady, dearest Elizabeth, -my beloved and only friend; may heaven, in its bounty, bless and -preserve you; may this be the last misfortune that you will ever -suffer! Live, and be happy, and make others so." - -And on the morrow Justine died. Elizabeth's heart-rending eloquence -failed to move the judges from their settled conviction in the -criminality of the saintly sufferer. My passionate and indignant -appeals were lost upon them. And when I received their cold answers -and heard the harsh, unfeeling reasoning of these men, my purposed -avowal died away on my lips. Thus I might proclaim myself a madman, -but not revoke the sentence passed upon my wretched victim. She -perished on the scaffold as a murderess! - -From the tortures of my own heart, I turned to contemplate the deep and -voiceless grief of my Elizabeth. This also was my doing! And my -father's woe, and the desolation of that late so smiling home all was -the work of my thrice-accursed hands! Ye weep, unhappy ones, but these -are not your last tears! Again shall you raise the funeral wail, and -the sound of your lamentations shall again and again be heard! -Frankenstein, your son, your kinsman, your early, much-loved friend; he -who would spend each vital drop of blood for your sakes, who has no -thought nor sense of joy except as it is mirrored also in your dear -countenances, who would fill the air with blessings and spend his life -in serving you--he bids you weep, to shed countless tears; happy beyond -his hopes, if thus inexorable fate be satisfied, and if the destruction -pause before the peace of the grave have succeeded to your sad torments! - -Thus spoke my prophetic soul, as, torn by remorse, horror, and despair, -I beheld those I loved spend vain sorrow upon the graves of William and -Justine, the first hapless victims to my unhallowed arts. - - - -Chapter 9 - -Nothing is more painful to the human mind than, after the feelings have -been worked up by a quick succession of events, the dead calmness of -inaction and certainty which follows and deprives the soul both of hope -and fear. Justine died, she rested, and I was alive. The blood flowed -freely in my veins, but a weight of despair and remorse pressed on my -heart which nothing could remove. Sleep fled from my eyes; I wandered -like an evil spirit, for I had committed deeds of mischief beyond -description horrible, and more, much more (I persuaded myself) was yet -behind. Yet my heart overflowed with kindness and the love of virtue. -I had begun life with benevolent intentions and thirsted for the moment -when I should put them in practice and make myself useful to my fellow -beings. Now all was blasted; instead of that serenity of conscience -which allowed me to look back upon the past with self-satisfaction, and -from thence to gather promise of new hopes, I was seized by remorse and -the sense of guilt, which hurried me away to a hell of intense tortures -such as no language can describe. - -This state of mind preyed upon my health, which had perhaps never -entirely recovered from the first shock it had sustained. I shunned -the face of man; all sound of joy or complacency was torture to me; -solitude was my only consolation--deep, dark, deathlike solitude. - -My father observed with pain the alteration perceptible in my -disposition and habits and endeavoured by arguments deduced from the -feelings of his serene conscience and guiltless life to inspire me with -fortitude and awaken in me the courage to dispel the dark cloud which -brooded over me. "Do you think, Victor," said he, "that I do not -suffer also? No one could love a child more than I loved your -brother"--tears came into his eyes as he spoke--"but is it not a duty -to the survivors that we should refrain from augmenting their -unhappiness by an appearance of immoderate grief? It is also a duty -owed to yourself, for excessive sorrow prevents improvement or -enjoyment, or even the discharge of daily usefulness, without which no -man is fit for society." - -This advice, although good, was totally inapplicable to my case; I -should have been the first to hide my grief and console my friends if -remorse had not mingled its bitterness, and terror its alarm, with my -other sensations. Now I could only answer my father with a look of -despair and endeavour to hide myself from his view. - -About this time we retired to our house at Belrive. This change was -particularly agreeable to me. The shutting of the gates regularly at -ten o'clock and the impossibility of remaining on the lake after that -hour had rendered our residence within the walls of Geneva very irksome -to me. I was now free. Often, after the rest of the family had -retired for the night, I took the boat and passed many hours upon the -water. Sometimes, with my sails set, I was carried by the wind; and -sometimes, after rowing into the middle of the lake, I left the boat to -pursue its own course and gave way to my own miserable reflections. I -was often tempted, when all was at peace around me, and I the only -unquiet thing that wandered restless in a scene so beautiful and -heavenly--if I except some bat, or the frogs, whose harsh and -interrupted croaking was heard only when I approached the shore--often, -I say, I was tempted to plunge into the silent lake, that the waters -might close over me and my calamities forever. But I was restrained, -when I thought of the heroic and suffering Elizabeth, whom I tenderly -loved, and whose existence was bound up in mine. I thought also of my -father and surviving brother; should I by my base desertion leave them -exposed and unprotected to the malice of the fiend whom I had let loose -among them? - -At these moments I wept bitterly and wished that peace would revisit my -mind only that I might afford them consolation and happiness. But that -could not be. Remorse extinguished every hope. I had been the author -of unalterable evils, and I lived in daily fear lest the monster whom I -had created should perpetrate some new wickedness. I had an obscure -feeling that all was not over and that he would still commit some -signal crime, which by its enormity should almost efface the -recollection of the past. There was always scope for fear so long as -anything I loved remained behind. My abhorrence of this fiend cannot -be conceived. When I thought of him I gnashed my teeth, my eyes became -inflamed, and I ardently wished to extinguish that life which I had so -thoughtlessly bestowed. When I reflected on his crimes and malice, my -hatred and revenge burst all bounds of moderation. I would have made a -pilgrimage to the highest peak of the Andes, could I when there have -precipitated him to their base. I wished to see him again, that I -might wreak the utmost extent of abhorrence on his head and avenge the -deaths of William and Justine. Our house was the house of mourning. My -father's health was deeply shaken by the horror of the recent events. -Elizabeth was sad and desponding; she no longer took delight in her -ordinary occupations; all pleasure seemed to her sacrilege toward the -dead; eternal woe and tears she then thought was the just tribute she -should pay to innocence so blasted and destroyed. She was no longer -that happy creature who in earlier youth wandered with me on the banks -of the lake and talked with ecstasy of our future prospects. The first -of those sorrows which are sent to wean us from the earth had visited -her, and its dimming influence quenched her dearest smiles. - -"When I reflect, my dear cousin," said she, "on the miserable death of -Justine Moritz, I no longer see the world and its works as they before -appeared to me. Before, I looked upon the accounts of vice and -injustice that I read in books or heard from others as tales of ancient -days or imaginary evils; at least they were remote and more familiar to -reason than to the imagination; but now misery has come home, and men -appear to me as monsters thirsting for each other's blood. Yet I am -certainly unjust. Everybody believed that poor girl to be guilty; and -if she could have committed the crime for which she suffered, assuredly -she would have been the most depraved of human creatures. For the sake -of a few jewels, to have murdered the son of her benefactor and friend, -a child whom she had nursed from its birth, and appeared to love as if -it had been her own! I could not consent to the death of any human -being, but certainly I should have thought such a creature unfit to -remain in the society of men. But she was innocent. I know, I feel -she was innocent; you are of the same opinion, and that confirms me. -Alas! Victor, when falsehood can look so like the truth, who can -assure themselves of certain happiness? I feel as if I were walking on -the edge of a precipice, towards which thousands are crowding and -endeavouring to plunge me into the abyss. William and Justine were -assassinated, and the murderer escapes; he walks about the world free, -and perhaps respected. But even if I were condemned to suffer on the -scaffold for the same crimes, I would not change places with such a -wretch." - -I listened to this discourse with the extremest agony. I, not in deed, -but in effect, was the true murderer. Elizabeth read my anguish in my -countenance, and kindly taking my hand, said, "My dearest friend, you -must calm yourself. These events have affected me, God knows how -deeply; but I am not so wretched as you are. There is an expression of -despair, and sometimes of revenge, in your countenance that makes me -tremble. Dear Victor, banish these dark passions. Remember the -friends around you, who centre all their hopes in you. Have we lost -the power of rendering you happy? Ah! While we love, while we are -true to each other, here in this land of peace and beauty, your native -country, we may reap every tranquil blessing--what can disturb our -peace?" - -And could not such words from her whom I fondly prized before every -other gift of fortune suffice to chase away the fiend that lurked in my -heart? Even as she spoke I drew near to her, as if in terror, lest at -that very moment the destroyer had been near to rob me of her. - -Thus not the tenderness of friendship, nor the beauty of earth, nor of -heaven, could redeem my soul from woe; the very accents of love were -ineffectual. I was encompassed by a cloud which no beneficial -influence could penetrate. The wounded deer dragging its fainting -limbs to some untrodden brake, there to gaze upon the arrow which had -pierced it, and to die, was but a type of me. - -Sometimes I could cope with the sullen despair that overwhelmed me, but -sometimes the whirlwind passions of my soul drove me to seek, by bodily -exercise and by change of place, some relief from my intolerable -sensations. It was during an access of this kind that I suddenly left -my home, and bending my steps towards the near Alpine valleys, sought -in the magnificence, the eternity of such scenes, to forget myself and -my ephemeral, because human, sorrows. My wanderings were directed -towards the valley of Chamounix. I had visited it frequently during my -boyhood. Six years had passed since then: _I_ was a wreck, but nought -had changed in those savage and enduring scenes. - -I performed the first part of my journey on horseback. I afterwards -hired a mule, as the more sure-footed and least liable to receive -injury on these rugged roads. The weather was fine; it was about the -middle of the month of August, nearly two months after the death of -Justine, that miserable epoch from which I dated all my woe. The -weight upon my spirit was sensibly lightened as I plunged yet deeper in -the ravine of Arve. The immense mountains and precipices that overhung -me on every side, the sound of the river raging among the rocks, and -the dashing of the waterfalls around spoke of a power mighty as -Omnipotence--and I ceased to fear or to bend before any being less -almighty than that which had created and ruled the elements, here -displayed in their most terrific guise. Still, as I ascended higher, -the valley assumed a more magnificent and astonishing character. -Ruined castles hanging on the precipices of piny mountains, the -impetuous Arve, and cottages every here and there peeping forth from -among the trees formed a scene of singular beauty. But it was -augmented and rendered sublime by the mighty Alps, whose white and -shining pyramids and domes towered above all, as belonging to another -earth, the habitations of another race of beings. - -I passed the bridge of Pelissier, where the ravine, which the river -forms, opened before me, and I began to ascend the mountain that -overhangs it. Soon after, I entered the valley of Chamounix. This -valley is more wonderful and sublime, but not so beautiful and -picturesque as that of Servox, through which I had just passed. The -high and snowy mountains were its immediate boundaries, but I saw no -more ruined castles and fertile fields. Immense glaciers approached -the road; I heard the rumbling thunder of the falling avalanche and -marked the smoke of its passage. Mont Blanc, the supreme and -magnificent Mont Blanc, raised itself from the surrounding aiguilles, -and its tremendous dome overlooked the valley. - -A tingling long-lost sense of pleasure often came across me during this -journey. Some turn in the road, some new object suddenly perceived and -recognized, reminded me of days gone by, and were associated with the -lighthearted gaiety of boyhood. The very winds whispered in soothing -accents, and maternal Nature bade me weep no more. Then again the -kindly influence ceased to act--I found myself fettered again to grief -and indulging in all the misery of reflection. Then I spurred on my -animal, striving so to forget the world, my fears, and more than all, -myself--or, in a more desperate fashion, I alighted and threw myself on -the grass, weighed down by horror and despair. - -At length I arrived at the village of Chamounix. Exhaustion succeeded -to the extreme fatigue both of body and of mind which I had endured. -For a short space of time I remained at the window watching the pallid -lightnings that played above Mont Blanc and listening to the rushing of -the Arve, which pursued its noisy way beneath. The same lulling sounds -acted as a lullaby to my too keen sensations; when I placed my head -upon my pillow, sleep crept over me; I felt it as it came and blessed -the giver of oblivion. - - - -Chapter 10 - -I spent the following day roaming through the valley. I stood beside -the sources of the Arveiron, which take their rise in a glacier, that -with slow pace is advancing down from the summit of the hills to -barricade the valley. The abrupt sides of vast mountains were before -me; the icy wall of the glacier overhung me; a few shattered pines were -scattered around; and the solemn silence of this glorious -presence-chamber of imperial nature was broken only by the brawling -waves or the fall of some vast fragment, the thunder sound of the -avalanche or the cracking, reverberated along the mountains, of the -accumulated ice, which, through the silent working of immutable laws, -was ever and anon rent and torn, as if it had been but a plaything in -their hands. These sublime and magnificent scenes afforded me the -greatest consolation that I was capable of receiving. They elevated me -from all littleness of feeling, and although they did not remove my -grief, they subdued and tranquillized it. In some degree, also, they -diverted my mind from the thoughts over which it had brooded for the -last month. I retired to rest at night; my slumbers, as it were, -waited on and ministered to by the assemblance of grand shapes which I -had contemplated during the day. They congregated round me; the -unstained snowy mountain-top, the glittering pinnacle, the pine woods, -and ragged bare ravine, the eagle, soaring amidst the clouds--they all -gathered round me and bade me be at peace. - -Where had they fled when the next morning I awoke? All of -soul-inspiriting fled with sleep, and dark melancholy clouded every -thought. The rain was pouring in torrents, and thick mists hid the -summits of the mountains, so that I even saw not the faces of those -mighty friends. Still I would penetrate their misty veil and seek them -in their cloudy retreats. What were rain and storm to me? My mule was -brought to the door, and I resolved to ascend to the summit of -Montanvert. I remembered the effect that the view of the tremendous -and ever-moving glacier had produced upon my mind when I first saw it. -It had then filled me with a sublime ecstasy that gave wings to the -soul and allowed it to soar from the obscure world to light and joy. -The sight of the awful and majestic in nature had indeed always the -effect of solemnizing my mind and causing me to forget the passing -cares of life. I determined to go without a guide, for I was well -acquainted with the path, and the presence of another would destroy the -solitary grandeur of the scene. - -The ascent is precipitous, but the path is cut into continual and short -windings, which enable you to surmount the perpendicularity of the -mountain. It is a scene terrifically desolate. In a thousand spots -the traces of the winter avalanche may be perceived, where trees lie -broken and strewed on the ground, some entirely destroyed, others bent, -leaning upon the jutting rocks of the mountain or transversely upon -other trees. The path, as you ascend higher, is intersected by ravines -of snow, down which stones continually roll from above; one of them is -particularly dangerous, as the slightest sound, such as even speaking -in a loud voice, produces a concussion of air sufficient to draw -destruction upon the head of the speaker. The pines are not tall or -luxuriant, but they are sombre and add an air of severity to the scene. -I looked on the valley beneath; vast mists were rising from the rivers -which ran through it and curling in thick wreaths around the opposite -mountains, whose summits were hid in the uniform clouds, while rain -poured from the dark sky and added to the melancholy impression I -received from the objects around me. Alas! Why does man boast of -sensibilities superior to those apparent in the brute; it only renders -them more necessary beings. If our impulses were confined to hunger, -thirst, and desire, we might be nearly free; but now we are moved by -every wind that blows and a chance word or scene that that word may -convey to us. - - - We rest; a dream has power to poison sleep. - We rise; one wand'ring thought pollutes the day. - We feel, conceive, or reason; laugh or weep, - Embrace fond woe, or cast our cares away; - It is the same: for, be it joy or sorrow, - The path of its departure still is free. - Man's yesterday may ne'er be like his morrow; - Nought may endure but mutability! - - -It was nearly noon when I arrived at the top of the ascent. For some -time I sat upon the rock that overlooks the sea of ice. A mist covered -both that and the surrounding mountains. Presently a breeze dissipated -the cloud, and I descended upon the glacier. The surface is very -uneven, rising like the waves of a troubled sea, descending low, and -interspersed by rifts that sink deep. The field of ice is almost a -league in width, but I spent nearly two hours in crossing it. The -opposite mountain is a bare perpendicular rock. From the side where I -now stood Montanvert was exactly opposite, at the distance of a league; -and above it rose Mont Blanc, in awful majesty. I remained in a recess -of the rock, gazing on this wonderful and stupendous scene. The sea, -or rather the vast river of ice, wound among its dependent mountains, -whose aerial summits hung over its recesses. Their icy and glittering -peaks shone in the sunlight over the clouds. My heart, which was -before sorrowful, now swelled with something like joy; I exclaimed, -"Wandering spirits, if indeed ye wander, and do not rest in your narrow -beds, allow me this faint happiness, or take me, as your companion, -away from the joys of life." - -As I said this I suddenly beheld the figure of a man, at some distance, -advancing towards me with superhuman speed. He bounded over the -crevices in the ice, among which I had walked with caution; his -stature, also, as he approached, seemed to exceed that of man. I was -troubled; a mist came over my eyes, and I felt a faintness seize me, -but I was quickly restored by the cold gale of the mountains. I -perceived, as the shape came nearer (sight tremendous and abhorred!) -that it was the wretch whom I had created. I trembled with rage and -horror, resolving to wait his approach and then close with him in -mortal combat. He approached; his countenance bespoke bitter anguish, -combined with disdain and malignity, while its unearthly ugliness -rendered it almost too horrible for human eyes. But I scarcely -observed this; rage and hatred had at first deprived me of utterance, -and I recovered only to overwhelm him with words expressive of furious -detestation and contempt. - -"Devil," I exclaimed, "do you dare approach me? And do not you fear -the fierce vengeance of my arm wreaked on your miserable head? Begone, -vile insect! Or rather, stay, that I may trample you to dust! And, -oh! That I could, with the extinction of your miserable existence, -restore those victims whom you have so diabolically murdered!" - -"I expected this reception," said the daemon. "All men hate the -wretched; how, then, must I be hated, who am miserable beyond all -living things! Yet you, my creator, detest and spurn me, thy creature, -to whom thou art bound by ties only dissoluble by the annihilation of -one of us. You purpose to kill me. How dare you sport thus with life? -Do your duty towards me, and I will do mine towards you and the rest of -mankind. If you will comply with my conditions, I will leave them and -you at peace; but if you refuse, I will glut the maw of death, until it -be satiated with the blood of your remaining friends." - -"Abhorred monster! Fiend that thou art! The tortures of hell are too -mild a vengeance for thy crimes. Wretched devil! You reproach me with -your creation, come on, then, that I may extinguish the spark which I -so negligently bestowed." - -My rage was without bounds; I sprang on him, impelled by all the -feelings which can arm one being against the existence of another. - -He easily eluded me and said, - -"Be calm! I entreat you to hear me before you give vent to your hatred -on my devoted head. Have I not suffered enough, that you seek to -increase my misery? Life, although it may only be an accumulation of -anguish, is dear to me, and I will defend it. Remember, thou hast made -me more powerful than thyself; my height is superior to thine, my -joints more supple. But I will not be tempted to set myself in -opposition to thee. I am thy creature, and I will be even mild and -docile to my natural lord and king if thou wilt also perform thy part, -the which thou owest me. Oh, Frankenstein, be not equitable to every -other and trample upon me alone, to whom thy justice, and even thy -clemency and affection, is most due. Remember that I am thy creature; -I ought to be thy Adam, but I am rather the fallen angel, whom thou -drivest from joy for no misdeed. Everywhere I see bliss, from which I -alone am irrevocably excluded. I was benevolent and good; misery made -me a fiend. Make me happy, and I shall again be virtuous." - -"Begone! I will not hear you. There can be no community between you -and me; we are enemies. Begone, or let us try our strength in a fight, -in which one must fall." - -"How can I move thee? Will no entreaties cause thee to turn a -favourable eye upon thy creature, who implores thy goodness and -compassion? Believe me, Frankenstein, I was benevolent; my soul glowed -with love and humanity; but am I not alone, miserably alone? You, my -creator, abhor me; what hope can I gather from your fellow creatures, -who owe me nothing? They spurn and hate me. The desert mountains and -dreary glaciers are my refuge. I have wandered here many days; the -caves of ice, which I only do not fear, are a dwelling to me, and the -only one which man does not grudge. These bleak skies I hail, for they -are kinder to me than your fellow beings. If the multitude of mankind -knew of my existence, they would do as you do, and arm themselves for -my destruction. Shall I not then hate them who abhor me? I will keep -no terms with my enemies. I am miserable, and they shall share my -wretchedness. Yet it is in your power to recompense me, and deliver -them from an evil which it only remains for you to make so great, that -not only you and your family, but thousands of others, shall be -swallowed up in the whirlwinds of its rage. Let your compassion be -moved, and do not disdain me. Listen to my tale; when you have heard -that, abandon or commiserate me, as you shall judge that I deserve. -But hear me. The guilty are allowed, by human laws, bloody as they -are, to speak in their own defence before they are condemned. Listen -to me, Frankenstein. You accuse me of murder, and yet you would, with -a satisfied conscience, destroy your own creature. Oh, praise the -eternal justice of man! Yet I ask you not to spare me; listen to me, -and then, if you can, and if you will, destroy the work of your hands." - -"Why do you call to my remembrance," I rejoined, "circumstances of -which I shudder to reflect, that I have been the miserable origin and -author? Cursed be the day, abhorred devil, in which you first saw -light! Cursed (although I curse myself) be the hands that formed you! -You have made me wretched beyond expression. You have left me no power -to consider whether I am just to you or not. Begone! Relieve me from -the sight of your detested form." - -"Thus I relieve thee, my creator," he said, and placed his hated hands -before my eyes, which I flung from me with violence; "thus I take from -thee a sight which you abhor. Still thou canst listen to me and grant -me thy compassion. By the virtues that I once possessed, I demand this -from you. Hear my tale; it is long and strange, and the temperature of -this place is not fitting to your fine sensations; come to the hut upon -the mountain. The sun is yet high in the heavens; before it descends -to hide itself behind your snowy precipices and illuminate another -world, you will have heard my story and can decide. On you it rests, -whether I quit forever the neighbourhood of man and lead a harmless -life, or become the scourge of your fellow creatures and the author of -your own speedy ruin." - -As he said this he led the way across the ice; I followed. My heart -was full, and I did not answer him, but as I proceeded, I weighed the -various arguments that he had used and determined at least to listen to -his tale. I was partly urged by curiosity, and compassion confirmed my -resolution. I had hitherto supposed him to be the murderer of my -brother, and I eagerly sought a confirmation or denial of this opinion. -For the first time, also, I felt what the duties of a creator towards -his creature were, and that I ought to render him happy before I -complained of his wickedness. These motives urged me to comply with -his demand. We crossed the ice, therefore, and ascended the opposite -rock. The air was cold, and the rain again began to descend; we -entered the hut, the fiend with an air of exultation, I with a heavy -heart and depressed spirits. But I consented to listen, and seating -myself by the fire which my odious companion had lighted, he thus began -his tale. - - - -Chapter 11 - -"It is with considerable difficulty that I remember the original era of -my being; all the events of that period appear confused and indistinct. -A strange multiplicity of sensations seized me, and I saw, felt, heard, -and smelt at the same time; and it was, indeed, a long time before I -learned to distinguish between the operations of my various senses. By -degrees, I remember, a stronger light pressed upon my nerves, so that I -was obliged to shut my eyes. Darkness then came over me and troubled -me, but hardly had I felt this when, by opening my eyes, as I now -suppose, the light poured in upon me again. I walked and, I believe, -descended, but I presently found a great alteration in my sensations. -Before, dark and opaque bodies had surrounded me, impervious to my -touch or sight; but I now found that I could wander on at liberty, with -no obstacles which I could not either surmount or avoid. The light -became more and more oppressive to me, and the heat wearying me as I -walked, I sought a place where I could receive shade. This was the -forest near Ingolstadt; and here I lay by the side of a brook resting -from my fatigue, until I felt tormented by hunger and thirst. This -roused me from my nearly dormant state, and I ate some berries which I -found hanging on the trees or lying on the ground. I slaked my thirst -at the brook, and then lying down, was overcome by sleep. - -"It was dark when I awoke; I felt cold also, and half frightened, as it -were, instinctively, finding myself so desolate. Before I had quitted -your apartment, on a sensation of cold, I had covered myself with some -clothes, but these were insufficient to secure me from the dews of -night. I was a poor, helpless, miserable wretch; I knew, and could -distinguish, nothing; but feeling pain invade me on all sides, I sat -down and wept. - -"Soon a gentle light stole over the heavens and gave me a sensation of -pleasure. I started up and beheld a radiant form rise from among the -trees. [The moon] I gazed with a kind of wonder. It moved slowly, -but it enlightened my path, and I again went out in search of berries. -I was still cold when under one of the trees I found a huge cloak, with -which I covered myself, and sat down upon the ground. No distinct -ideas occupied my mind; all was confused. I felt light, and hunger, -and thirst, and darkness; innumerable sounds rang in my ears, and on -all sides various scents saluted me; the only object that I could -distinguish was the bright moon, and I fixed my eyes on that with -pleasure. - -"Several changes of day and night passed, and the orb of night had -greatly lessened, when I began to distinguish my sensations from each -other. I gradually saw plainly the clear stream that supplied me with -drink and the trees that shaded me with their foliage. I was delighted -when I first discovered that a pleasant sound, which often saluted my -ears, proceeded from the throats of the little winged animals who had -often intercepted the light from my eyes. I began also to observe, -with greater accuracy, the forms that surrounded me and to perceive the -boundaries of the radiant roof of light which canopied me. Sometimes I -tried to imitate the pleasant songs of the birds but was unable. -Sometimes I wished to express my sensations in my own mode, but the -uncouth and inarticulate sounds which broke from me frightened me into -silence again. - -"The moon had disappeared from the night, and again, with a lessened -form, showed itself, while I still remained in the forest. My -sensations had by this time become distinct, and my mind received every -day additional ideas. My eyes became accustomed to the light and to -perceive objects in their right forms; I distinguished the insect from -the herb, and by degrees, one herb from another. I found that the -sparrow uttered none but harsh notes, whilst those of the blackbird and -thrush were sweet and enticing. - -"One day, when I was oppressed by cold, I found a fire which had been -left by some wandering beggars, and was overcome with delight at the -warmth I experienced from it. In my joy I thrust my hand into the live -embers, but quickly drew it out again with a cry of pain. How strange, -I thought, that the same cause should produce such opposite effects! I -examined the materials of the fire, and to my joy found it to be -composed of wood. I quickly collected some branches, but they were wet -and would not burn. I was pained at this and sat still watching the -operation of the fire. The wet wood which I had placed near the heat -dried and itself became inflamed. I reflected on this, and by touching -the various branches, I discovered the cause and busied myself in -collecting a great quantity of wood, that I might dry it and have a -plentiful supply of fire. When night came on and brought sleep with -it, I was in the greatest fear lest my fire should be extinguished. I -covered it carefully with dry wood and leaves and placed wet branches -upon it; and then, spreading my cloak, I lay on the ground and sank -into sleep. - -"It was morning when I awoke, and my first care was to visit the fire. -I uncovered it, and a gentle breeze quickly fanned it into a flame. I -observed this also and contrived a fan of branches, which roused the -embers when they were nearly extinguished. When night came again I -found, with pleasure, that the fire gave light as well as heat and that -the discovery of this element was useful to me in my food, for I found -some of the offals that the travellers had left had been roasted, and -tasted much more savoury than the berries I gathered from the trees. I -tried, therefore, to dress my food in the same manner, placing it on -the live embers. I found that the berries were spoiled by this -operation, and the nuts and roots much improved. - -"Food, however, became scarce, and I often spent the whole day -searching in vain for a few acorns to assuage the pangs of hunger. When -I found this, I resolved to quit the place that I had hitherto -inhabited, to seek for one where the few wants I experienced would be -more easily satisfied. In this emigration I exceedingly lamented the -loss of the fire which I had obtained through accident and knew not how -to reproduce it. I gave several hours to the serious consideration of -this difficulty, but I was obliged to relinquish all attempt to supply -it, and wrapping myself up in my cloak, I struck across the wood -towards the setting sun. I passed three days in these rambles and at -length discovered the open country. A great fall of snow had taken -place the night before, and the fields were of one uniform white; the -appearance was disconsolate, and I found my feet chilled by the cold -damp substance that covered the ground. - -"It was about seven in the morning, and I longed to obtain food and -shelter; at length I perceived a small hut, on a rising ground, which -had doubtless been built for the convenience of some shepherd. This -was a new sight to me, and I examined the structure with great -curiosity. Finding the door open, I entered. An old man sat in it, -near a fire, over which he was preparing his breakfast. He turned on -hearing a noise, and perceiving me, shrieked loudly, and quitting the -hut, ran across the fields with a speed of which his debilitated form -hardly appeared capable. His appearance, different from any I had ever -before seen, and his flight somewhat surprised me. But I was enchanted -by the appearance of the hut; here the snow and rain could not -penetrate; the ground was dry; and it presented to me then as exquisite -and divine a retreat as Pandemonium appeared to the demons of hell -after their sufferings in the lake of fire. I greedily devoured the -remnants of the shepherd's breakfast, which consisted of bread, cheese, -milk, and wine; the latter, however, I did not like. Then, overcome by -fatigue, I lay down among some straw and fell asleep. - -"It was noon when I awoke, and allured by the warmth of the sun, which -shone brightly on the white ground, I determined to recommence my -travels; and, depositing the remains of the peasant's breakfast in a -wallet I found, I proceeded across the fields for several hours, until -at sunset I arrived at a village. How miraculous did this appear! The -huts, the neater cottages, and stately houses engaged my admiration by -turns. The vegetables in the gardens, the milk and cheese that I saw -placed at the windows of some of the cottages, allured my appetite. One -of the best of these I entered, but I had hardly placed my foot within -the door before the children shrieked, and one of the women fainted. -The whole village was roused; some fled, some attacked me, until, -grievously bruised by stones and many other kinds of missile weapons, I -escaped to the open country and fearfully took refuge in a low hovel, -quite bare, and making a wretched appearance after the palaces I had -beheld in the village. This hovel however, joined a cottage of a neat -and pleasant appearance, but after my late dearly bought experience, I -dared not enter it. My place of refuge was constructed of wood, but so -low that I could with difficulty sit upright in it. No wood, however, -was placed on the earth, which formed the floor, but it was dry; and -although the wind entered it by innumerable chinks, I found it an -agreeable asylum from the snow and rain. - -"Here, then, I retreated and lay down happy to have found a shelter, -however miserable, from the inclemency of the season, and still more -from the barbarity of man. As soon as morning dawned I crept from my -kennel, that I might view the adjacent cottage and discover if I could -remain in the habitation I had found. It was situated against the back -of the cottage and surrounded on the sides which were exposed by a pig -sty and a clear pool of water. One part was open, and by that I had -crept in; but now I covered every crevice by which I might be perceived -with stones and wood, yet in such a manner that I might move them on -occasion to pass out; all the light I enjoyed came through the sty, and -that was sufficient for me. - -"Having thus arranged my dwelling and carpeted it with clean straw, I -retired, for I saw the figure of a man at a distance, and I remembered -too well my treatment the night before to trust myself in his power. I -had first, however, provided for my sustenance for that day by a loaf -of coarse bread, which I purloined, and a cup with which I could drink -more conveniently than from my hand of the pure water which flowed by -my retreat. The floor was a little raised, so that it was kept -perfectly dry, and by its vicinity to the chimney of the cottage it was -tolerably warm. - -"Being thus provided, I resolved to reside in this hovel until -something should occur which might alter my determination. It was -indeed a paradise compared to the bleak forest, my former residence, -the rain-dropping branches, and dank earth. I ate my breakfast with -pleasure and was about to remove a plank to procure myself a little -water when I heard a step, and looking through a small chink, I beheld -a young creature, with a pail on her head, passing before my hovel. The -girl was young and of gentle demeanour, unlike what I have since found -cottagers and farmhouse servants to be. Yet she was meanly dressed, a -coarse blue petticoat and a linen jacket being her only garb; her fair -hair was plaited but not adorned: she looked patient yet sad. I lost -sight of her, and in about a quarter of an hour she returned bearing -the pail, which was now partly filled with milk. As she walked along, -seemingly incommoded by the burden, a young man met her, whose -countenance expressed a deeper despondence. Uttering a few sounds with -an air of melancholy, he took the pail from her head and bore it to the -cottage himself. She followed, and they disappeared. Presently I saw -the young man again, with some tools in his hand, cross the field -behind the cottage; and the girl was also busied, sometimes in the -house and sometimes in the yard. - -"On examining my dwelling, I found that one of the windows of the -cottage had formerly occupied a part of it, but the panes had been -filled up with wood. In one of these was a small and almost -imperceptible chink through which the eye could just penetrate. -Through this crevice a small room was visible, whitewashed and clean -but very bare of furniture. In one corner, near a small fire, sat an -old man, leaning his head on his hands in a disconsolate attitude. The -young girl was occupied in arranging the cottage; but presently she -took something out of a drawer, which employed her hands, and she sat -down beside the old man, who, taking up an instrument, began to play -and to produce sounds sweeter than the voice of the thrush or the -nightingale. It was a lovely sight, even to me, poor wretch who had -never beheld aught beautiful before. The silver hair and benevolent -countenance of the aged cottager won my reverence, while the gentle -manners of the girl enticed my love. He played a sweet mournful air -which I perceived drew tears from the eyes of his amiable companion, of -which the old man took no notice, until she sobbed audibly; he then -pronounced a few sounds, and the fair creature, leaving her work, knelt -at his feet. He raised her and smiled with such kindness and affection -that I felt sensations of a peculiar and overpowering nature; they were -a mixture of pain and pleasure, such as I had never before experienced, -either from hunger or cold, warmth or food; and I withdrew from the -window, unable to bear these emotions. - -"Soon after this the young man returned, bearing on his shoulders a -load of wood. The girl met him at the door, helped to relieve him of -his burden, and taking some of the fuel into the cottage, placed it on -the fire; then she and the youth went apart into a nook of the cottage, -and he showed her a large loaf and a piece of cheese. She seemed -pleased and went into the garden for some roots and plants, which she -placed in water, and then upon the fire. She afterwards continued her -work, whilst the young man went into the garden and appeared busily -employed in digging and pulling up roots. After he had been employed -thus about an hour, the young woman joined him and they entered the -cottage together. - -"The old man had, in the meantime, been pensive, but on the appearance -of his companions he assumed a more cheerful air, and they sat down to -eat. The meal was quickly dispatched. The young woman was again -occupied in arranging the cottage, the old man walked before the -cottage in the sun for a few minutes, leaning on the arm of the youth. -Nothing could exceed in beauty the contrast between these two excellent -creatures. One was old, with silver hairs and a countenance beaming -with benevolence and love; the younger was slight and graceful in his -figure, and his features were moulded with the finest symmetry, yet his -eyes and attitude expressed the utmost sadness and despondency. The -old man returned to the cottage, and the youth, with tools different -from those he had used in the morning, directed his steps across the -fields. - -"Night quickly shut in, but to my extreme wonder, I found that the -cottagers had a means of prolonging light by the use of tapers, and was -delighted to find that the setting of the sun did not put an end to the -pleasure I experienced in watching my human neighbours. In the evening -the young girl and her companion were employed in various occupations -which I did not understand; and the old man again took up the -instrument which produced the divine sounds that had enchanted me in -the morning. So soon as he had finished, the youth began, not to play, -but to utter sounds that were monotonous, and neither resembling the -harmony of the old man's instrument nor the songs of the birds; I since -found that he read aloud, but at that time I knew nothing of the -science of words or letters. - -"The family, after having been thus occupied for a short time, -extinguished their lights and retired, as I conjectured, to rest." - - - -Chapter 12 - -"I lay on my straw, but I could not sleep. I thought of the -occurrences of the day. What chiefly struck me was the gentle manners -of these people, and I longed to join them, but dared not. I -remembered too well the treatment I had suffered the night before from -the barbarous villagers, and resolved, whatever course of conduct I -might hereafter think it right to pursue, that for the present I would -remain quietly in my hovel, watching and endeavouring to discover the -motives which influenced their actions. - -"The cottagers arose the next morning before the sun. The young woman -arranged the cottage and prepared the food, and the youth departed -after the first meal. - -"This day was passed in the same routine as that which preceded it. -The young man was constantly employed out of doors, and the girl in -various laborious occupations within. The old man, whom I soon -perceived to be blind, employed his leisure hours on his instrument or -in contemplation. Nothing could exceed the love and respect which the -younger cottagers exhibited towards their venerable companion. They -performed towards him every little office of affection and duty with -gentleness, and he rewarded them by his benevolent smiles. - -"They were not entirely happy. The young man and his companion often -went apart and appeared to weep. I saw no cause for their unhappiness, -but I was deeply affected by it. If such lovely creatures were -miserable, it was less strange that I, an imperfect and solitary being, -should be wretched. Yet why were these gentle beings unhappy? They -possessed a delightful house (for such it was in my eyes) and every -luxury; they had a fire to warm them when chill and delicious viands -when hungry; they were dressed in excellent clothes; and, still more, -they enjoyed one another's company and speech, interchanging each day -looks of affection and kindness. What did their tears imply? Did they -really express pain? I was at first unable to solve these questions, -but perpetual attention and time explained to me many appearances which -were at first enigmatic. - -"A considerable period elapsed before I discovered one of the causes of -the uneasiness of this amiable family: it was poverty, and they -suffered that evil in a very distressing degree. Their nourishment -consisted entirely of the vegetables of their garden and the milk of -one cow, which gave very little during the winter, when its masters -could scarcely procure food to support it. They often, I believe, -suffered the pangs of hunger very poignantly, especially the two -younger cottagers, for several times they placed food before the old -man when they reserved none for themselves. - -"This trait of kindness moved me sensibly. I had been accustomed, -during the night, to steal a part of their store for my own -consumption, but when I found that in doing this I inflicted pain on -the cottagers, I abstained and satisfied myself with berries, nuts, and -roots which I gathered from a neighbouring wood. - -"I discovered also another means through which I was enabled to assist -their labours. I found that the youth spent a great part of each day -in collecting wood for the family fire, and during the night I often -took his tools, the use of which I quickly discovered, and brought home -firing sufficient for the consumption of several days. - -"I remember, the first time that I did this, the young woman, when she -opened the door in the morning, appeared greatly astonished on seeing a -great pile of wood on the outside. She uttered some words in a loud -voice, and the youth joined her, who also expressed surprise. I -observed, with pleasure, that he did not go to the forest that day, but -spent it in repairing the cottage and cultivating the garden. - -"By degrees I made a discovery of still greater moment. I found that -these people possessed a method of communicating their experience and -feelings to one another by articulate sounds. I perceived that the -words they spoke sometimes produced pleasure or pain, smiles or -sadness, in the minds and countenances of the hearers. This was indeed -a godlike science, and I ardently desired to become acquainted with it. -But I was baffled in every attempt I made for this purpose. Their -pronunciation was quick, and the words they uttered, not having any -apparent connection with visible objects, I was unable to discover any -clue by which I could unravel the mystery of their reference. By great -application, however, and after having remained during the space of -several revolutions of the moon in my hovel, I discovered the names -that were given to some of the most familiar objects of discourse; I -learned and applied the words, 'fire,' 'milk,' 'bread,' and 'wood.' I -learned also the names of the cottagers themselves. The youth and his -companion had each of them several names, but the old man had only one, -which was 'father.' The girl was called 'sister' or 'Agatha,' and the -youth 'Felix,' 'brother,' or 'son.' I cannot describe the delight I -felt when I learned the ideas appropriated to each of these sounds and -was able to pronounce them. I distinguished several other words -without being able as yet to understand or apply them, such as 'good,' -'dearest,' 'unhappy.' - -"I spent the winter in this manner. The gentle manners and beauty of -the cottagers greatly endeared them to me; when they were unhappy, I -felt depressed; when they rejoiced, I sympathized in their joys. I saw -few human beings besides them, and if any other happened to enter the -cottage, their harsh manners and rude gait only enhanced to me the -superior accomplishments of my friends. The old man, I could perceive, -often endeavoured to encourage his children, as sometimes I found that -he called them, to cast off their melancholy. He would talk in a -cheerful accent, with an expression of goodness that bestowed pleasure -even upon me. Agatha listened with respect, her eyes sometimes filled -with tears, which she endeavoured to wipe away unperceived; but I -generally found that her countenance and tone were more cheerful after -having listened to the exhortations of her father. It was not thus -with Felix. He was always the saddest of the group, and even to my -unpractised senses, he appeared to have suffered more deeply than his -friends. But if his countenance was more sorrowful, his voice was more -cheerful than that of his sister, especially when he addressed the old -man. - -"I could mention innumerable instances which, although slight, marked -the dispositions of these amiable cottagers. In the midst of poverty -and want, Felix carried with pleasure to his sister the first little -white flower that peeped out from beneath the snowy ground. Early in -the morning, before she had risen, he cleared away the snow that -obstructed her path to the milk-house, drew water from the well, and -brought the wood from the outhouse, where, to his perpetual -astonishment, he found his store always replenished by an invisible -hand. In the day, I believe, he worked sometimes for a neighbouring -farmer, because he often went forth and did not return until dinner, -yet brought no wood with him. At other times he worked in the garden, -but as there was little to do in the frosty season, he read to the old -man and Agatha. - -"This reading had puzzled me extremely at first, but by degrees I -discovered that he uttered many of the same sounds when he read as when -he talked. I conjectured, therefore, that he found on the paper signs -for speech which he understood, and I ardently longed to comprehend -these also; but how was that possible when I did not even understand -the sounds for which they stood as signs? I improved, however, -sensibly in this science, but not sufficiently to follow up any kind of -conversation, although I applied my whole mind to the endeavour, for I -easily perceived that, although I eagerly longed to discover myself to -the cottagers, I ought not to make the attempt until I had first become -master of their language, which knowledge might enable me to make them -overlook the deformity of my figure, for with this also the contrast -perpetually presented to my eyes had made me acquainted. - -"I had admired the perfect forms of my cottagers--their grace, beauty, -and delicate complexions; but how was I terrified when I viewed myself -in a transparent pool! At first I started back, unable to believe that -it was indeed I who was reflected in the mirror; and when I became -fully convinced that I was in reality the monster that I am, I was -filled with the bitterest sensations of despondence and mortification. -Alas! I did not yet entirely know the fatal effects of this miserable -deformity. - -"As the sun became warmer and the light of day longer, the snow -vanished, and I beheld the bare trees and the black earth. From this -time Felix was more employed, and the heart-moving indications of -impending famine disappeared. Their food, as I afterwards found, was -coarse, but it was wholesome; and they procured a sufficiency of it. -Several new kinds of plants sprang up in the garden, which they -dressed; and these signs of comfort increased daily as the season -advanced. - -"The old man, leaning on his son, walked each day at noon, when it did -not rain, as I found it was called when the heavens poured forth its -waters. This frequently took place, but a high wind quickly dried the -earth, and the season became far more pleasant than it had been. - -"My mode of life in my hovel was uniform. During the morning I -attended the motions of the cottagers, and when they were dispersed in -various occupations, I slept; the remainder of the day was spent in -observing my friends. When they had retired to rest, if there was any -moon or the night was star-light, I went into the woods and collected -my own food and fuel for the cottage. When I returned, as often as it -was necessary, I cleared their path from the snow and performed those -offices that I had seen done by Felix. I afterwards found that these -labours, performed by an invisible hand, greatly astonished them; and -once or twice I heard them, on these occasions, utter the words 'good -spirit,' 'wonderful'; but I did not then understand the signification -of these terms. - -"My thoughts now became more active, and I longed to discover the -motives and feelings of these lovely creatures; I was inquisitive to -know why Felix appeared so miserable and Agatha so sad. I thought -(foolish wretch!) that it might be in my power to restore happiness to -these deserving people. When I slept or was absent, the forms of the -venerable blind father, the gentle Agatha, and the excellent Felix -flitted before me. I looked upon them as superior beings who would be -the arbiters of my future destiny. I formed in my imagination a -thousand pictures of presenting myself to them, and their reception of -me. I imagined that they would be disgusted, until, by my gentle -demeanour and conciliating words, I should first win their favour and -afterwards their love. - -"These thoughts exhilarated me and led me to apply with fresh ardour to -the acquiring the art of language. My organs were indeed harsh, but -supple; and although my voice was very unlike the soft music of their -tones, yet I pronounced such words as I understood with tolerable ease. -It was as the ass and the lap-dog; yet surely the gentle ass whose -intentions were affectionate, although his manners were rude, deserved -better treatment than blows and execration. - -"The pleasant showers and genial warmth of spring greatly altered the -aspect of the earth. Men who before this change seemed to have been -hid in caves dispersed themselves and were employed in various arts of -cultivation. The birds sang in more cheerful notes, and the leaves -began to bud forth on the trees. Happy, happy earth! Fit habitation -for gods, which, so short a time before, was bleak, damp, and -unwholesome. My spirits were elevated by the enchanting appearance of -nature; the past was blotted from my memory, the present was tranquil, -and the future gilded by bright rays of hope and anticipations of joy." - - - -Chapter 13 - -"I now hasten to the more moving part of my story. I shall relate -events that impressed me with feelings which, from what I had been, -have made me what I am. - -"Spring advanced rapidly; the weather became fine and the skies -cloudless. It surprised me that what before was desert and gloomy -should now bloom with the most beautiful flowers and verdure. My -senses were gratified and refreshed by a thousand scents of delight and -a thousand sights of beauty. - -"It was on one of these days, when my cottagers periodically rested -from labour--the old man played on his guitar, and the children -listened to him--that I observed the countenance of Felix was -melancholy beyond expression; he sighed frequently, and once his father -paused in his music, and I conjectured by his manner that he inquired -the cause of his son's sorrow. Felix replied in a cheerful accent, and -the old man was recommencing his music when someone tapped at the door. - -"It was a lady on horseback, accompanied by a country-man as a guide. -The lady was dressed in a dark suit and covered with a thick black -veil. Agatha asked a question, to which the stranger only replied by -pronouncing, in a sweet accent, the name of Felix. Her voice was -musical but unlike that of either of my friends. On hearing this word, -Felix came up hastily to the lady, who, when she saw him, threw up her -veil, and I beheld a countenance of angelic beauty and expression. Her -hair of a shining raven black, and curiously braided; her eyes were -dark, but gentle, although animated; her features of a regular -proportion, and her complexion wondrously fair, each cheek tinged with -a lovely pink. - -"Felix seemed ravished with delight when he saw her, every trait of -sorrow vanished from his face, and it instantly expressed a degree of -ecstatic joy, of which I could hardly have believed it capable; his -eyes sparkled, as his cheek flushed with pleasure; and at that moment I -thought him as beautiful as the stranger. She appeared affected by -different feelings; wiping a few tears from her lovely eyes, she held -out her hand to Felix, who kissed it rapturously and called her, as -well as I could distinguish, his sweet Arabian. She did not appear to -understand him, but smiled. He assisted her to dismount, and -dismissing her guide, conducted her into the cottage. Some -conversation took place between him and his father, and the young -stranger knelt at the old man's feet and would have kissed his hand, -but he raised her and embraced her affectionately. - -"I soon perceived that although the stranger uttered articulate sounds -and appeared to have a language of her own, she was neither understood -by nor herself understood the cottagers. They made many signs which I -did not comprehend, but I saw that her presence diffused gladness -through the cottage, dispelling their sorrow as the sun dissipates the -morning mists. Felix seemed peculiarly happy and with smiles of -delight welcomed his Arabian. Agatha, the ever-gentle Agatha, kissed -the hands of the lovely stranger, and pointing to her brother, made -signs which appeared to me to mean that he had been sorrowful until she -came. Some hours passed thus, while they, by their countenances, -expressed joy, the cause of which I did not comprehend. Presently I -found, by the frequent recurrence of some sound which the stranger -repeated after them, that she was endeavouring to learn their language; -and the idea instantly occurred to me that I should make use of the -same instructions to the same end. The stranger learned about twenty -words at the first lesson; most of them, indeed, were those which I had -before understood, but I profited by the others. - -"As night came on, Agatha and the Arabian retired early. When they -separated Felix kissed the hand of the stranger and said, 'Good night -sweet Safie.' He sat up much longer, conversing with his father, and -by the frequent repetition of her name I conjectured that their lovely -guest was the subject of their conversation. I ardently desired to -understand them, and bent every faculty towards that purpose, but found -it utterly impossible. - -"The next morning Felix went out to his work, and after the usual -occupations of Agatha were finished, the Arabian sat at the feet of the -old man, and taking his guitar, played some airs so entrancingly -beautiful that they at once drew tears of sorrow and delight from my -eyes. She sang, and her voice flowed in a rich cadence, swelling or -dying away like a nightingale of the woods. - -"When she had finished, she gave the guitar to Agatha, who at first -declined it. She played a simple air, and her voice accompanied it in -sweet accents, but unlike the wondrous strain of the stranger. The old -man appeared enraptured and said some words which Agatha endeavoured to -explain to Safie, and by which he appeared to wish to express that she -bestowed on him the greatest delight by her music. - -"The days now passed as peaceably as before, with the sole alteration -that joy had taken place of sadness in the countenances of my friends. -Safie was always gay and happy; she and I improved rapidly in the -knowledge of language, so that in two months I began to comprehend most -of the words uttered by my protectors. - -"In the meanwhile also the black ground was covered with herbage, and -the green banks interspersed with innumerable flowers, sweet to the -scent and the eyes, stars of pale radiance among the moonlight woods; -the sun became warmer, the nights clear and balmy; and my nocturnal -rambles were an extreme pleasure to me, although they were considerably -shortened by the late setting and early rising of the sun, for I never -ventured abroad during daylight, fearful of meeting with the same -treatment I had formerly endured in the first village which I entered. - -"My days were spent in close attention, that I might more speedily -master the language; and I may boast that I improved more rapidly than -the Arabian, who understood very little and conversed in broken -accents, whilst I comprehended and could imitate almost every word that -was spoken. - -"While I improved in speech, I also learned the science of letters as -it was taught to the stranger, and this opened before me a wide field -for wonder and delight. - -"The book from which Felix instructed Safie was Volney's Ruins of -Empires. I should not have understood the purport of this book had not -Felix, in reading it, given very minute explanations. He had chosen -this work, he said, because the declamatory style was framed in -imitation of the Eastern authors. Through this work I obtained a -cursory knowledge of history and a view of the several empires at -present existing in the world; it gave me an insight into the manners, -governments, and religions of the different nations of the earth. I -heard of the slothful Asiatics, of the stupendous genius and mental -activity of the Grecians, of the wars and wonderful virtue of the early -Romans--of their subsequent degenerating--of the decline of that mighty -empire, of chivalry, Christianity, and kings. I heard of the discovery -of the American hemisphere and wept with Safie over the hapless fate of -its original inhabitants. - -"These wonderful narrations inspired me with strange feelings. Was -man, indeed, at once so powerful, so virtuous and magnificent, yet so -vicious and base? He appeared at one time a mere scion of the evil -principle and at another as all that can be conceived of noble and -godlike. To be a great and virtuous man appeared the highest honour -that can befall a sensitive being; to be base and vicious, as many on -record have been, appeared the lowest degradation, a condition more -abject than that of the blind mole or harmless worm. For a long time I -could not conceive how one man could go forth to murder his fellow, or -even why there were laws and governments; but when I heard details of -vice and bloodshed, my wonder ceased and I turned away with disgust and -loathing. - -"Every conversation of the cottagers now opened new wonders to me. -While I listened to the instructions which Felix bestowed upon the -Arabian, the strange system of human society was explained to me. I -heard of the division of property, of immense wealth and squalid -poverty, of rank, descent, and noble blood. - -"The words induced me to turn towards myself. I learned that the -possessions most esteemed by your fellow creatures were high and -unsullied descent united with riches. A man might be respected with -only one of these advantages, but without either he was considered, -except in very rare instances, as a vagabond and a slave, doomed to -waste his powers for the profits of the chosen few! And what was I? Of -my creation and creator I was absolutely ignorant, but I knew that I -possessed no money, no friends, no kind of property. I was, besides, -endued with a figure hideously deformed and loathsome; I was not even -of the same nature as man. I was more agile than they and could -subsist upon coarser diet; I bore the extremes of heat and cold with -less injury to my frame; my stature far exceeded theirs. When I looked -around I saw and heard of none like me. Was I, then, a monster, a blot -upon the earth, from which all men fled and whom all men disowned? - -"I cannot describe to you the agony that these reflections inflicted -upon me; I tried to dispel them, but sorrow only increased with -knowledge. Oh, that I had forever remained in my native wood, nor -known nor felt beyond the sensations of hunger, thirst, and heat! - -"Of what a strange nature is knowledge! It clings to the mind when it -has once seized on it like a lichen on the rock. I wished sometimes to -shake off all thought and feeling, but I learned that there was but one -means to overcome the sensation of pain, and that was death--a state -which I feared yet did not understand. I admired virtue and good -feelings and loved the gentle manners and amiable qualities of my -cottagers, but I was shut out from intercourse with them, except -through means which I obtained by stealth, when I was unseen and -unknown, and which rather increased than satisfied the desire I had of -becoming one among my fellows. The gentle words of Agatha and the -animated smiles of the charming Arabian were not for me. The mild -exhortations of the old man and the lively conversation of the loved -Felix were not for me. Miserable, unhappy wretch! - -"Other lessons were impressed upon me even more deeply. I heard of the -difference of sexes, and the birth and growth of children, how the -father doted on the smiles of the infant, and the lively sallies of the -older child, how all the life and cares of the mother were wrapped up -in the precious charge, how the mind of youth expanded and gained -knowledge, of brother, sister, and all the various relationships which -bind one human being to another in mutual bonds. - -"But where were my friends and relations? No father had watched my -infant days, no mother had blessed me with smiles and caresses; or if -they had, all my past life was now a blot, a blind vacancy in which I -distinguished nothing. From my earliest remembrance I had been as I -then was in height and proportion. I had never yet seen a being -resembling me or who claimed any intercourse with me. What was I? The -question again recurred, to be answered only with groans. - -"I will soon explain to what these feelings tended, but allow me now to -return to the cottagers, whose story excited in me such various -feelings of indignation, delight, and wonder, but which all terminated -in additional love and reverence for my protectors (for so I loved, in -an innocent, half-painful self-deceit, to call them)." - - - -Chapter 14 - -"Some time elapsed before I learned the history of my friends. It was -one which could not fail to impress itself deeply on my mind, unfolding -as it did a number of circumstances, each interesting and wonderful to -one so utterly inexperienced as I was. - -"The name of the old man was De Lacey. He was descended from a good -family in France, where he had lived for many years in affluence, -respected by his superiors and beloved by his equals. His son was bred -in the service of his country, and Agatha had ranked with ladies of the -highest distinction. A few months before my arrival they had lived in -a large and luxurious city called Paris, surrounded by friends and -possessed of every enjoyment which virtue, refinement of intellect, or -taste, accompanied by a moderate fortune, could afford. - -"The father of Safie had been the cause of their ruin. He was a -Turkish merchant and had inhabited Paris for many years, when, for some -reason which I could not learn, he became obnoxious to the government. -He was seized and cast into prison the very day that Safie arrived from -Constantinople to join him. He was tried and condemned to death. The -injustice of his sentence was very flagrant; all Paris was indignant; -and it was judged that his religion and wealth rather than the crime -alleged against him had been the cause of his condemnation. - -"Felix had accidentally been present at the trial; his horror and -indignation were uncontrollable when he heard the decision of the -court. He made, at that moment, a solemn vow to deliver him and then -looked around for the means. After many fruitless attempts to gain -admittance to the prison, he found a strongly grated window in an -unguarded part of the building, which lighted the dungeon of the -unfortunate Muhammadan, who, loaded with chains, waited in despair the -execution of the barbarous sentence. Felix visited the grate at night -and made known to the prisoner his intentions in his favour. The Turk, -amazed and delighted, endeavoured to kindle the zeal of his deliverer -by promises of reward and wealth. Felix rejected his offers with -contempt, yet when he saw the lovely Safie, who was allowed to visit -her father and who by her gestures expressed her lively gratitude, the -youth could not help owning to his own mind that the captive possessed -a treasure which would fully reward his toil and hazard. - -"The Turk quickly perceived the impression that his daughter had made -on the heart of Felix and endeavoured to secure him more entirely in -his interests by the promise of her hand in marriage so soon as he -should be conveyed to a place of safety. Felix was too delicate to -accept this offer, yet he looked forward to the probability of the -event as to the consummation of his happiness. - -"During the ensuing days, while the preparations were going forward for -the escape of the merchant, the zeal of Felix was warmed by several -letters that he received from this lovely girl, who found means to -express her thoughts in the language of her lover by the aid of an old -man, a servant of her father who understood French. She thanked him in -the most ardent terms for his intended services towards her parent, and -at the same time she gently deplored her own fate. - -"I have copies of these letters, for I found means, during my residence -in the hovel, to procure the implements of writing; and the letters -were often in the hands of Felix or Agatha. Before I depart I will -give them to you; they will prove the truth of my tale; but at present, -as the sun is already far declined, I shall only have time to repeat -the substance of them to you. - -"Safie related that her mother was a Christian Arab, seized and made a -slave by the Turks; recommended by her beauty, she had won the heart of -the father of Safie, who married her. The young girl spoke in high and -enthusiastic terms of her mother, who, born in freedom, spurned the -bondage to which she was now reduced. She instructed her daughter in -the tenets of her religion and taught her to aspire to higher powers of -intellect and an independence of spirit forbidden to the female -followers of Muhammad. This lady died, but her lessons were indelibly -impressed on the mind of Safie, who sickened at the prospect of again -returning to Asia and being immured within the walls of a harem, -allowed only to occupy herself with infantile amusements, ill-suited to -the temper of her soul, now accustomed to grand ideas and a noble -emulation for virtue. The prospect of marrying a Christian and -remaining in a country where women were allowed to take a rank in -society was enchanting to her. - -"The day for the execution of the Turk was fixed, but on the night -previous to it he quitted his prison and before morning was distant -many leagues from Paris. Felix had procured passports in the name of -his father, sister, and himself. He had previously communicated his -plan to the former, who aided the deceit by quitting his house, under -the pretence of a journey and concealed himself, with his daughter, in -an obscure part of Paris. - -"Felix conducted the fugitives through France to Lyons and across Mont -Cenis to Leghorn, where the merchant had decided to wait a favourable -opportunity of passing into some part of the Turkish dominions. - -"Safie resolved to remain with her father until the moment of his -departure, before which time the Turk renewed his promise that she -should be united to his deliverer; and Felix remained with them in -expectation of that event; and in the meantime he enjoyed the society -of the Arabian, who exhibited towards him the simplest and tenderest -affection. They conversed with one another through the means of an -interpreter, and sometimes with the interpretation of looks; and Safie -sang to him the divine airs of her native country. - -"The Turk allowed this intimacy to take place and encouraged the hopes -of the youthful lovers, while in his heart he had formed far other -plans. He loathed the idea that his daughter should be united to a -Christian, but he feared the resentment of Felix if he should appear -lukewarm, for he knew that he was still in the power of his deliverer -if he should choose to betray him to the Italian state which they -inhabited. He revolved a thousand plans by which he should be enabled -to prolong the deceit until it might be no longer necessary, and -secretly to take his daughter with him when he departed. His plans -were facilitated by the news which arrived from Paris. - -"The government of France were greatly enraged at the escape of their -victim and spared no pains to detect and punish his deliverer. The -plot of Felix was quickly discovered, and De Lacey and Agatha were -thrown into prison. The news reached Felix and roused him from his -dream of pleasure. His blind and aged father and his gentle sister lay -in a noisome dungeon while he enjoyed the free air and the society of -her whom he loved. This idea was torture to him. He quickly arranged -with the Turk that if the latter should find a favourable opportunity -for escape before Felix could return to Italy, Safie should remain as a -boarder at a convent at Leghorn; and then, quitting the lovely Arabian, -he hastened to Paris and delivered himself up to the vengeance of the -law, hoping to free De Lacey and Agatha by this proceeding. - -"He did not succeed. They remained confined for five months before the -trial took place, the result of which deprived them of their fortune -and condemned them to a perpetual exile from their native country. - -"They found a miserable asylum in the cottage in Germany, where I -discovered them. Felix soon learned that the treacherous Turk, for -whom he and his family endured such unheard-of oppression, on -discovering that his deliverer was thus reduced to poverty and ruin, -became a traitor to good feeling and honour and had quitted Italy with -his daughter, insultingly sending Felix a pittance of money to aid him, -as he said, in some plan of future maintenance. - -"Such were the events that preyed on the heart of Felix and rendered -him, when I first saw him, the most miserable of his family. He could -have endured poverty, and while this distress had been the meed of his -virtue, he gloried in it; but the ingratitude of the Turk and the loss -of his beloved Safie were misfortunes more bitter and irreparable. The -arrival of the Arabian now infused new life into his soul. - -"When the news reached Leghorn that Felix was deprived of his wealth -and rank, the merchant commanded his daughter to think no more of her -lover, but to prepare to return to her native country. The generous -nature of Safie was outraged by this command; she attempted to -expostulate with her father, but he left her angrily, reiterating his -tyrannical mandate. - -"A few days after, the Turk entered his daughter's apartment and told -her hastily that he had reason to believe that his residence at Leghorn -had been divulged and that he should speedily be delivered up to the -French government; he had consequently hired a vessel to convey him to -Constantinople, for which city he should sail in a few hours. He -intended to leave his daughter under the care of a confidential -servant, to follow at her leisure with the greater part of his -property, which had not yet arrived at Leghorn. - -"When alone, Safie resolved in her own mind the plan of conduct that it -would become her to pursue in this emergency. A residence in Turkey -was abhorrent to her; her religion and her feelings were alike averse -to it. By some papers of her father which fell into her hands she -heard of the exile of her lover and learnt the name of the spot where -he then resided. She hesitated some time, but at length she formed her -determination. Taking with her some jewels that belonged to her and a -sum of money, she quitted Italy with an attendant, a native of Leghorn, -but who understood the common language of Turkey, and departed for -Germany. - -"She arrived in safety at a town about twenty leagues from the cottage -of De Lacey, when her attendant fell dangerously ill. Safie nursed her -with the most devoted affection, but the poor girl died, and the -Arabian was left alone, unacquainted with the language of the country -and utterly ignorant of the customs of the world. She fell, however, -into good hands. The Italian had mentioned the name of the spot for -which they were bound, and after her death the woman of the house in -which they had lived took care that Safie should arrive in safety at -the cottage of her lover." - - - -Chapter 15 - -"Such was the history of my beloved cottagers. It impressed me deeply. -I learned, from the views of social life which it developed, to admire -their virtues and to deprecate the vices of mankind. - -"As yet I looked upon crime as a distant evil, benevolence and -generosity were ever present before me, inciting within me a desire to -become an actor in the busy scene where so many admirable qualities -were called forth and displayed. But in giving an account of the -progress of my intellect, I must not omit a circumstance which occurred -in the beginning of the month of August of the same year. - -"One night during my accustomed visit to the neighbouring wood where I -collected my own food and brought home firing for my protectors, I -found on the ground a leathern portmanteau containing several articles -of dress and some books. I eagerly seized the prize and returned with -it to my hovel. Fortunately the books were written in the language, -the elements of which I had acquired at the cottage; they consisted of -Paradise Lost, a volume of Plutarch's Lives, and the Sorrows of Werter. -The possession of these treasures gave me extreme delight; I now -continually studied and exercised my mind upon these histories, whilst -my friends were employed in their ordinary occupations. - -"I can hardly describe to you the effect of these books. They produced -in me an infinity of new images and feelings, that sometimes raised me -to ecstasy, but more frequently sunk me into the lowest dejection. In -the Sorrows of Werter, besides the interest of its simple and affecting -story, so many opinions are canvassed and so many lights thrown upon -what had hitherto been to me obscure subjects that I found in it a -never-ending source of speculation and astonishment. The gentle and -domestic manners it described, combined with lofty sentiments and -feelings, which had for their object something out of self, accorded -well with my experience among my protectors and with the wants which -were forever alive in my own bosom. But I thought Werter himself a -more divine being than I had ever beheld or imagined; his character -contained no pretension, but it sank deep. The disquisitions upon -death and suicide were calculated to fill me with wonder. I did not -pretend to enter into the merits of the case, yet I inclined towards -the opinions of the hero, whose extinction I wept, without precisely -understanding it. - -"As I read, however, I applied much personally to my own feelings and -condition. I found myself similar yet at the same time strangely -unlike to the beings concerning whom I read and to whose conversation I -was a listener. I sympathized with and partly understood them, but I -was unformed in mind; I was dependent on none and related to none. -'The path of my departure was free,' and there was none to lament my -annihilation. My person was hideous and my stature gigantic. What did -this mean? Who was I? What was I? Whence did I come? What was my -destination? These questions continually recurred, but I was unable to -solve them. - -"The volume of Plutarch's Lives which I possessed contained the -histories of the first founders of the ancient republics. This book -had a far different effect upon me from the Sorrows of Werter. I -learned from Werter's imaginations despondency and gloom, but Plutarch -taught me high thoughts; he elevated me above the wretched sphere of my -own reflections, to admire and love the heroes of past ages. Many -things I read surpassed my understanding and experience. I had a very -confused knowledge of kingdoms, wide extents of country, mighty rivers, -and boundless seas. But I was perfectly unacquainted with towns and -large assemblages of men. The cottage of my protectors had been the -only school in which I had studied human nature, but this book -developed new and mightier scenes of action. I read of men concerned -in public affairs, governing or massacring their species. I felt the -greatest ardour for virtue rise within me, and abhorrence for vice, as -far as I understood the signification of those terms, relative as they -were, as I applied them, to pleasure and pain alone. Induced by these -feelings, I was of course led to admire peaceable lawgivers, Numa, -Solon, and Lycurgus, in preference to Romulus and Theseus. The -patriarchal lives of my protectors caused these impressions to take a -firm hold on my mind; perhaps, if my first introduction to humanity had -been made by a young soldier, burning for glory and slaughter, I should -have been imbued with different sensations. - -"But Paradise Lost excited different and far deeper emotions. I read -it, as I had read the other volumes which had fallen into my hands, as -a true history. It moved every feeling of wonder and awe that the -picture of an omnipotent God warring with his creatures was capable of -exciting. I often referred the several situations, as their similarity -struck me, to my own. Like Adam, I was apparently united by no link to -any other being in existence; but his state was far different from mine -in every other respect. He had come forth from the hands of God a -perfect creature, happy and prosperous, guarded by the especial care of -his Creator; he was allowed to converse with and acquire knowledge from -beings of a superior nature, but I was wretched, helpless, and alone. -Many times I considered Satan as the fitter emblem of my condition, for -often, like him, when I viewed the bliss of my protectors, the bitter -gall of envy rose within me. - -"Another circumstance strengthened and confirmed these feelings. Soon -after my arrival in the hovel I discovered some papers in the pocket of -the dress which I had taken from your laboratory. At first I had -neglected them, but now that I was able to decipher the characters in -which they were written, I began to study them with diligence. It was -your journal of the four months that preceded my creation. You -minutely described in these papers every step you took in the progress -of your work; this history was mingled with accounts of domestic -occurrences. You doubtless recollect these papers. Here they are. -Everything is related in them which bears reference to my accursed -origin; the whole detail of that series of disgusting circumstances -which produced it is set in view; the minutest description of my odious -and loathsome person is given, in language which painted your own -horrors and rendered mine indelible. I sickened as I read. 'Hateful -day when I received life!' I exclaimed in agony. 'Accursed creator! -Why did you form a monster so hideous that even YOU turned from me in -disgust? God, in pity, made man beautiful and alluring, after his own -image; but my form is a filthy type of yours, more horrid even from the -very resemblance. Satan had his companions, fellow devils, to admire -and encourage him, but I am solitary and abhorred.' - -"These were the reflections of my hours of despondency and solitude; -but when I contemplated the virtues of the cottagers, their amiable and -benevolent dispositions, I persuaded myself that when they should -become acquainted with my admiration of their virtues they would -compassionate me and overlook my personal deformity. Could they turn -from their door one, however monstrous, who solicited their compassion -and friendship? I resolved, at least, not to despair, but in every way -to fit myself for an interview with them which would decide my fate. I -postponed this attempt for some months longer, for the importance -attached to its success inspired me with a dread lest I should fail. -Besides, I found that my understanding improved so much with every -day's experience that I was unwilling to commence this undertaking -until a few more months should have added to my sagacity. - -"Several changes, in the meantime, took place in the cottage. The -presence of Safie diffused happiness among its inhabitants, and I also -found that a greater degree of plenty reigned there. Felix and Agatha -spent more time in amusement and conversation, and were assisted in -their labours by servants. They did not appear rich, but they were -contented and happy; their feelings were serene and peaceful, while -mine became every day more tumultuous. Increase of knowledge only -discovered to me more clearly what a wretched outcast I was. I -cherished hope, it is true, but it vanished when I beheld my person -reflected in water or my shadow in the moonshine, even as that frail -image and that inconstant shade. - -"I endeavoured to crush these fears and to fortify myself for the trial -which in a few months I resolved to undergo; and sometimes I allowed my -thoughts, unchecked by reason, to ramble in the fields of Paradise, and -dared to fancy amiable and lovely creatures sympathizing with my -feelings and cheering my gloom; their angelic countenances breathed -smiles of consolation. But it was all a dream; no Eve soothed my -sorrows nor shared my thoughts; I was alone. I remembered Adam's -supplication to his Creator. But where was mine? He had abandoned me, -and in the bitterness of my heart I cursed him. - -"Autumn passed thus. I saw, with surprise and grief, the leaves decay -and fall, and nature again assume the barren and bleak appearance it -had worn when I first beheld the woods and the lovely moon. Yet I did -not heed the bleakness of the weather; I was better fitted by my -conformation for the endurance of cold than heat. But my chief -delights were the sight of the flowers, the birds, and all the gay -apparel of summer; when those deserted me, I turned with more attention -towards the cottagers. Their happiness was not decreased by the -absence of summer. They loved and sympathized with one another; and -their joys, depending on each other, were not interrupted by the -casualties that took place around them. The more I saw of them, the -greater became my desire to claim their protection and kindness; my -heart yearned to be known and loved by these amiable creatures; to see -their sweet looks directed towards me with affection was the utmost -limit of my ambition. I dared not think that they would turn them from -me with disdain and horror. The poor that stopped at their door were -never driven away. I asked, it is true, for greater treasures than a -little food or rest: I required kindness and sympathy; but I did not -believe myself utterly unworthy of it. - -"The winter advanced, and an entire revolution of the seasons had taken -place since I awoke into life. My attention at this time was solely -directed towards my plan of introducing myself into the cottage of my -protectors. I revolved many projects, but that on which I finally -fixed was to enter the dwelling when the blind old man should be alone. -I had sagacity enough to discover that the unnatural hideousness of my -person was the chief object of horror with those who had formerly -beheld me. My voice, although harsh, had nothing terrible in it; I -thought, therefore, that if in the absence of his children I could gain -the good will and mediation of the old De Lacey, I might by his means -be tolerated by my younger protectors. - -"One day, when the sun shone on the red leaves that strewed the ground -and diffused cheerfulness, although it denied warmth, Safie, Agatha, -and Felix departed on a long country walk, and the old man, at his own -desire, was left alone in the cottage. When his children had departed, -he took up his guitar and played several mournful but sweet airs, more -sweet and mournful than I had ever heard him play before. At first his -countenance was illuminated with pleasure, but as he continued, -thoughtfulness and sadness succeeded; at length, laying aside the -instrument, he sat absorbed in reflection. - -"My heart beat quick; this was the hour and moment of trial, which -would decide my hopes or realize my fears. The servants were gone to a -neighbouring fair. All was silent in and around the cottage; it was an -excellent opportunity; yet, when I proceeded to execute my plan, my -limbs failed me and I sank to the ground. Again I rose, and exerting -all the firmness of which I was master, removed the planks which I had -placed before my hovel to conceal my retreat. The fresh air revived -me, and with renewed determination I approached the door of their -cottage. - -"I knocked. 'Who is there?' said the old man. 'Come in.' - -"I entered. 'Pardon this intrusion,' said I; 'I am a traveller in want -of a little rest; you would greatly oblige me if you would allow me to -remain a few minutes before the fire.' - -"'Enter,' said De Lacey, 'and I will try in what manner I can to -relieve your wants; but, unfortunately, my children are from home, and -as I am blind, I am afraid I shall find it difficult to procure food -for you.' - -"'Do not trouble yourself, my kind host; I have food; it is warmth and -rest only that I need.' - -"I sat down, and a silence ensued. I knew that every minute was -precious to me, yet I remained irresolute in what manner to commence -the interview, when the old man addressed me. 'By your language, -stranger, I suppose you are my countryman; are you French?' - -"'No; but I was educated by a French family and understand that -language only. I am now going to claim the protection of some friends, -whom I sincerely love, and of whose favour I have some hopes.' - -"'Are they Germans?' - -"'No, they are French. But let us change the subject. I am an -unfortunate and deserted creature, I look around and I have no relation -or friend upon earth. These amiable people to whom I go have never -seen me and know little of me. I am full of fears, for if I fail -there, I am an outcast in the world forever.' - -"'Do not despair. To be friendless is indeed to be unfortunate, but -the hearts of men, when unprejudiced by any obvious self-interest, are -full of brotherly love and charity. Rely, therefore, on your hopes; -and if these friends are good and amiable, do not despair.' - -"'They are kind--they are the most excellent creatures in the world; -but, unfortunately, they are prejudiced against me. I have good -dispositions; my life has been hitherto harmless and in some degree -beneficial; but a fatal prejudice clouds their eyes, and where they -ought to see a feeling and kind friend, they behold only a detestable -monster.' - -"'That is indeed unfortunate; but if you are really blameless, cannot -you undeceive them?' - -"'I am about to undertake that task; and it is on that account that I -feel so many overwhelming terrors. I tenderly love these friends; I -have, unknown to them, been for many months in the habits of daily -kindness towards them; but they believe that I wish to injure them, and -it is that prejudice which I wish to overcome.' - -"'Where do these friends reside?' - -"'Near this spot.' - -"The old man paused and then continued, 'If you will unreservedly -confide to me the particulars of your tale, I perhaps may be of use in -undeceiving them. I am blind and cannot judge of your countenance, but -there is something in your words which persuades me that you are -sincere. I am poor and an exile, but it will afford me true pleasure -to be in any way serviceable to a human creature.' - -"'Excellent man! I thank you and accept your generous offer. You -raise me from the dust by this kindness; and I trust that, by your aid, -I shall not be driven from the society and sympathy of your fellow -creatures.' - -"'Heaven forbid! Even if you were really criminal, for that can only -drive you to desperation, and not instigate you to virtue. I also am -unfortunate; I and my family have been condemned, although innocent; -judge, therefore, if I do not feel for your misfortunes.' - -"'How can I thank you, my best and only benefactor? From your lips -first have I heard the voice of kindness directed towards me; I shall -be forever grateful; and your present humanity assures me of success -with those friends whom I am on the point of meeting.' - -"'May I know the names and residence of those friends?' - -"I paused. This, I thought, was the moment of decision, which was to -rob me of or bestow happiness on me forever. I struggled vainly for -firmness sufficient to answer him, but the effort destroyed all my -remaining strength; I sank on the chair and sobbed aloud. At that -moment I heard the steps of my younger protectors. I had not a moment -to lose, but seizing the hand of the old man, I cried, 'Now is the -time! Save and protect me! You and your family are the friends whom I -seek. Do not you desert me in the hour of trial!' - -"'Great God!' exclaimed the old man. 'Who are you?' - -"At that instant the cottage door was opened, and Felix, Safie, and -Agatha entered. Who can describe their horror and consternation on -beholding me? Agatha fainted, and Safie, unable to attend to her -friend, rushed out of the cottage. Felix darted forward, and with -supernatural force tore me from his father, to whose knees I clung, in -a transport of fury, he dashed me to the ground and struck me violently -with a stick. I could have torn him limb from limb, as the lion rends -the antelope. But my heart sank within me as with bitter sickness, and -I refrained. I saw him on the point of repeating his blow, when, -overcome by pain and anguish, I quitted the cottage, and in the general -tumult escaped unperceived to my hovel." - - - -Chapter 16 - -"Cursed, cursed creator! Why did I live? Why, in that instant, did I -not extinguish the spark of existence which you had so wantonly -bestowed? I know not; despair had not yet taken possession of me; my -feelings were those of rage and revenge. I could with pleasure have -destroyed the cottage and its inhabitants and have glutted myself with -their shrieks and misery. - -"When night came I quitted my retreat and wandered in the wood; and -now, no longer restrained by the fear of discovery, I gave vent to my -anguish in fearful howlings. I was like a wild beast that had broken -the toils, destroying the objects that obstructed me and ranging -through the wood with a stag-like swiftness. Oh! What a miserable -night I passed! The cold stars shone in mockery, and the bare trees -waved their branches above me; now and then the sweet voice of a bird -burst forth amidst the universal stillness. All, save I, were at rest -or in enjoyment; I, like the arch-fiend, bore a hell within me, and -finding myself unsympathized with, wished to tear up the trees, spread -havoc and destruction around me, and then to have sat down and enjoyed -the ruin. - -"But this was a luxury of sensation that could not endure; I became -fatigued with excess of bodily exertion and sank on the damp grass in -the sick impotence of despair. There was none among the myriads of men -that existed who would pity or assist me; and should I feel kindness -towards my enemies? No; from that moment I declared everlasting war -against the species, and more than all, against him who had formed me -and sent me forth to this insupportable misery. - -"The sun rose; I heard the voices of men and knew that it was -impossible to return to my retreat during that day. Accordingly I hid -myself in some thick underwood, determining to devote the ensuing hours -to reflection on my situation. - -"The pleasant sunshine and the pure air of day restored me to some -degree of tranquillity; and when I considered what had passed at the -cottage, I could not help believing that I had been too hasty in my -conclusions. I had certainly acted imprudently. It was apparent that -my conversation had interested the father in my behalf, and I was a -fool in having exposed my person to the horror of his children. I -ought to have familiarized the old De Lacey to me, and by degrees to -have discovered myself to the rest of his family, when they should have -been prepared for my approach. But I did not believe my errors to be -irretrievable, and after much consideration I resolved to return to the -cottage, seek the old man, and by my representations win him to my -party. - -"These thoughts calmed me, and in the afternoon I sank into a profound -sleep; but the fever of my blood did not allow me to be visited by -peaceful dreams. The horrible scene of the preceding day was forever -acting before my eyes; the females were flying and the enraged Felix -tearing me from his father's feet. I awoke exhausted, and finding that -it was already night, I crept forth from my hiding-place, and went in -search of food. - -"When my hunger was appeased, I directed my steps towards the -well-known path that conducted to the cottage. All there was at peace. -I crept into my hovel and remained in silent expectation of the -accustomed hour when the family arose. That hour passed, the sun -mounted high in the heavens, but the cottagers did not appear. I -trembled violently, apprehending some dreadful misfortune. The inside -of the cottage was dark, and I heard no motion; I cannot describe the -agony of this suspense. - -"Presently two countrymen passed by, but pausing near the cottage, they -entered into conversation, using violent gesticulations; but I did not -understand what they said, as they spoke the language of the country, -which differed from that of my protectors. Soon after, however, Felix -approached with another man; I was surprised, as I knew that he had not -quitted the cottage that morning, and waited anxiously to discover from -his discourse the meaning of these unusual appearances. - -"'Do you consider,' said his companion to him, 'that you will be -obliged to pay three months' rent and to lose the produce of your -garden? I do not wish to take any unfair advantage, and I beg -therefore that you will take some days to consider of your -determination.' - -"'It is utterly useless,' replied Felix; 'we can never again inhabit -your cottage. The life of my father is in the greatest danger, owing -to the dreadful circumstance that I have related. My wife and my -sister will never recover from their horror. I entreat you not to -reason with me any more. Take possession of your tenement and let me -fly from this place.' - -"Felix trembled violently as he said this. He and his companion -entered the cottage, in which they remained for a few minutes, and then -departed. I never saw any of the family of De Lacey more. - -"I continued for the remainder of the day in my hovel in a state of -utter and stupid despair. My protectors had departed and had broken -the only link that held me to the world. For the first time the -feelings of revenge and hatred filled my bosom, and I did not strive to -control them, but allowing myself to be borne away by the stream, I -bent my mind towards injury and death. When I thought of my friends, -of the mild voice of De Lacey, the gentle eyes of Agatha, and the -exquisite beauty of the Arabian, these thoughts vanished and a gush of -tears somewhat soothed me. But again when I reflected that they had -spurned and deserted me, anger returned, a rage of anger, and unable to -injure anything human, I turned my fury towards inanimate objects. As -night advanced I placed a variety of combustibles around the cottage, -and after having destroyed every vestige of cultivation in the garden, -I waited with forced impatience until the moon had sunk to commence my -operations. - -"As the night advanced, a fierce wind arose from the woods and quickly -dispersed the clouds that had loitered in the heavens; the blast tore -along like a mighty avalanche and produced a kind of insanity in my -spirits that burst all bounds of reason and reflection. I lighted the -dry branch of a tree and danced with fury around the devoted cottage, -my eyes still fixed on the western horizon, the edge of which the moon -nearly touched. A part of its orb was at length hid, and I waved my -brand; it sank, and with a loud scream I fired the straw, and heath, -and bushes, which I had collected. The wind fanned the fire, and the -cottage was quickly enveloped by the flames, which clung to it and -licked it with their forked and destroying tongues. - -"As soon as I was convinced that no assistance could save any part of -the habitation, I quitted the scene and sought for refuge in the woods. - -"And now, with the world before me, whither should I bend my steps? I -resolved to fly far from the scene of my misfortunes; but to me, hated -and despised, every country must be equally horrible. At length the -thought of you crossed my mind. I learned from your papers that you -were my father, my creator; and to whom could I apply with more fitness -than to him who had given me life? Among the lessons that Felix had -bestowed upon Safie, geography had not been omitted; I had learned from -these the relative situations of the different countries of the earth. -You had mentioned Geneva as the name of your native town, and towards -this place I resolved to proceed. - -"But how was I to direct myself? I knew that I must travel in a -southwesterly direction to reach my destination, but the sun was my -only guide. I did not know the names of the towns that I was to pass -through, nor could I ask information from a single human being; but I -did not despair. From you only could I hope for succour, although -towards you I felt no sentiment but that of hatred. Unfeeling, -heartless creator! You had endowed me with perceptions and passions -and then cast me abroad an object for the scorn and horror of mankind. -But on you only had I any claim for pity and redress, and from you I -determined to seek that justice which I vainly attempted to gain from -any other being that wore the human form. - -"My travels were long and the sufferings I endured intense. It was -late in autumn when I quitted the district where I had so long resided. -I travelled only at night, fearful of encountering the visage of a -human being. Nature decayed around me, and the sun became heatless; -rain and snow poured around me; mighty rivers were frozen; the surface -of the earth was hard and chill, and bare, and I found no shelter. Oh, -earth! How often did I imprecate curses on the cause of my being! The -mildness of my nature had fled, and all within me was turned to gall -and bitterness. The nearer I approached to your habitation, the more -deeply did I feel the spirit of revenge enkindled in my heart. Snow -fell, and the waters were hardened, but I rested not. A few incidents -now and then directed me, and I possessed a map of the country; but I -often wandered wide from my path. The agony of my feelings allowed me -no respite; no incident occurred from which my rage and misery could -not extract its food; but a circumstance that happened when I arrived -on the confines of Switzerland, when the sun had recovered its warmth -and the earth again began to look green, confirmed in an especial -manner the bitterness and horror of my feelings. - -"I generally rested during the day and travelled only when I was -secured by night from the view of man. One morning, however, finding -that my path lay through a deep wood, I ventured to continue my journey -after the sun had risen; the day, which was one of the first of spring, -cheered even me by the loveliness of its sunshine and the balminess of -the air. I felt emotions of gentleness and pleasure, that had long -appeared dead, revive within me. Half surprised by the novelty of -these sensations, I allowed myself to be borne away by them, and -forgetting my solitude and deformity, dared to be happy. Soft tears -again bedewed my cheeks, and I even raised my humid eyes with -thankfulness towards the blessed sun, which bestowed such joy upon me. - -"I continued to wind among the paths of the wood, until I came to its -boundary, which was skirted by a deep and rapid river, into which many -of the trees bent their branches, now budding with the fresh spring. -Here I paused, not exactly knowing what path to pursue, when I heard -the sound of voices, that induced me to conceal myself under the shade -of a cypress. I was scarcely hid when a young girl came running -towards the spot where I was concealed, laughing, as if she ran from -someone in sport. She continued her course along the precipitous sides -of the river, when suddenly her foot slipped, and she fell into the -rapid stream. I rushed from my hiding-place and with extreme labour, -from the force of the current, saved her and dragged her to shore. She -was senseless, and I endeavoured by every means in my power to restore -animation, when I was suddenly interrupted by the approach of a rustic, -who was probably the person from whom she had playfully fled. On -seeing me, he darted towards me, and tearing the girl from my arms, -hastened towards the deeper parts of the wood. I followed speedily, I -hardly knew why; but when the man saw me draw near, he aimed a gun, -which he carried, at my body and fired. I sank to the ground, and my -injurer, with increased swiftness, escaped into the wood. - -"This was then the reward of my benevolence! I had saved a human being -from destruction, and as a recompense I now writhed under the miserable -pain of a wound which shattered the flesh and bone. The feelings of -kindness and gentleness which I had entertained but a few moments -before gave place to hellish rage and gnashing of teeth. Inflamed by -pain, I vowed eternal hatred and vengeance to all mankind. But the -agony of my wound overcame me; my pulses paused, and I fainted. - -"For some weeks I led a miserable life in the woods, endeavouring to -cure the wound which I had received. The ball had entered my shoulder, -and I knew not whether it had remained there or passed through; at any -rate I had no means of extracting it. My sufferings were augmented -also by the oppressive sense of the injustice and ingratitude of their -infliction. My daily vows rose for revenge--a deep and deadly revenge, -such as would alone compensate for the outrages and anguish I had -endured. - -"After some weeks my wound healed, and I continued my journey. The -labours I endured were no longer to be alleviated by the bright sun or -gentle breezes of spring; all joy was but a mockery which insulted my -desolate state and made me feel more painfully that I was not made for -the enjoyment of pleasure. - -"But my toils now drew near a close, and in two months from this time I -reached the environs of Geneva. - -"It was evening when I arrived, and I retired to a hiding-place among -the fields that surround it to meditate in what manner I should apply -to you. I was oppressed by fatigue and hunger and far too unhappy to -enjoy the gentle breezes of evening or the prospect of the sun setting -behind the stupendous mountains of Jura. - -"At this time a slight sleep relieved me from the pain of reflection, -which was disturbed by the approach of a beautiful child, who came -running into the recess I had chosen, with all the sportiveness of -infancy. Suddenly, as I gazed on him, an idea seized me that this -little creature was unprejudiced and had lived too short a time to have -imbibed a horror of deformity. If, therefore, I could seize him and -educate him as my companion and friend, I should not be so desolate in -this peopled earth. - -"Urged by this impulse, I seized on the boy as he passed and drew him -towards me. As soon as he beheld my form, he placed his hands before -his eyes and uttered a shrill scream; I drew his hand forcibly from his -face and said, 'Child, what is the meaning of this? I do not intend to -hurt you; listen to me.' - -"He struggled violently. 'Let me go,' he cried; 'monster! Ugly -wretch! You wish to eat me and tear me to pieces. You are an ogre. -Let me go, or I will tell my papa.' - -"'Boy, you will never see your father again; you must come with me.' - -"'Hideous monster! Let me go. My papa is a syndic--he is M. -Frankenstein--he will punish you. You dare not keep me.' - -"'Frankenstein! you belong then to my enemy--to him towards whom I have -sworn eternal revenge; you shall be my first victim.' - -"The child still struggled and loaded me with epithets which carried -despair to my heart; I grasped his throat to silence him, and in a -moment he lay dead at my feet. - -"I gazed on my victim, and my heart swelled with exultation and hellish -triumph; clapping my hands, I exclaimed, 'I too can create desolation; -my enemy is not invulnerable; this death will carry despair to him, and -a thousand other miseries shall torment and destroy him.' - -"As I fixed my eyes on the child, I saw something glittering on his -breast. I took it; it was a portrait of a most lovely woman. In spite -of my malignity, it softened and attracted me. For a few moments I -gazed with delight on her dark eyes, fringed by deep lashes, and her -lovely lips; but presently my rage returned; I remembered that I was -forever deprived of the delights that such beautiful creatures could -bestow and that she whose resemblance I contemplated would, in -regarding me, have changed that air of divine benignity to one -expressive of disgust and affright. - -"Can you wonder that such thoughts transported me with rage? I only -wonder that at that moment, instead of venting my sensations in -exclamations and agony, I did not rush among mankind and perish in the -attempt to destroy them. - -"While I was overcome by these feelings, I left the spot where I had -committed the murder, and seeking a more secluded hiding-place, I -entered a barn which had appeared to me to be empty. A woman was -sleeping on some straw; she was young, not indeed so beautiful as her -whose portrait I held, but of an agreeable aspect and blooming in the -loveliness of youth and health. Here, I thought, is one of those whose -joy-imparting smiles are bestowed on all but me. And then I bent over -her and whispered, 'Awake, fairest, thy lover is near--he who would -give his life but to obtain one look of affection from thine eyes; my -beloved, awake!' - -"The sleeper stirred; a thrill of terror ran through me. Should she -indeed awake, and see me, and curse me, and denounce the murderer? Thus -would she assuredly act if her darkened eyes opened and she beheld me. -The thought was madness; it stirred the fiend within me--not I, but -she, shall suffer; the murder I have committed because I am forever -robbed of all that she could give me, she shall atone. The crime had -its source in her; be hers the punishment! Thanks to the lessons of -Felix and the sanguinary laws of man, I had learned now to work -mischief. I bent over her and placed the portrait securely in one of -the folds of her dress. She moved again, and I fled. - -"For some days I haunted the spot where these scenes had taken place, -sometimes wishing to see you, sometimes resolved to quit the world and -its miseries forever. At length I wandered towards these mountains, -and have ranged through their immense recesses, consumed by a burning -passion which you alone can gratify. We may not part until you have -promised to comply with my requisition. I am alone and miserable; man -will not associate with me; but one as deformed and horrible as myself -would not deny herself to me. My companion must be of the same species -and have the same defects. This being you must create." - - - -Chapter 17 - -The being finished speaking and fixed his looks upon me in the -expectation of a reply. But I was bewildered, perplexed, and unable to -arrange my ideas sufficiently to understand the full extent of his -proposition. He continued, - -"You must create a female for me with whom I can live in the -interchange of those sympathies necessary for my being. This you alone -can do, and I demand it of you as a right which you must not refuse to -concede." - -The latter part of his tale had kindled anew in me the anger that had -died away while he narrated his peaceful life among the cottagers, and -as he said this I could no longer suppress the rage that burned within -me. - -"I do refuse it," I replied; "and no torture shall ever extort a -consent from me. You may render me the most miserable of men, but you -shall never make me base in my own eyes. Shall I create another like -yourself, whose joint wickedness might desolate the world. Begone! I -have answered you; you may torture me, but I will never consent." - -"You are in the wrong," replied the fiend; "and instead of threatening, -I am content to reason with you. I am malicious because I am -miserable. Am I not shunned and hated by all mankind? You, my -creator, would tear me to pieces and triumph; remember that, and tell -me why I should pity man more than he pities me? You would not call it -murder if you could precipitate me into one of those ice-rifts and -destroy my frame, the work of your own hands. Shall I respect man when -he condemns me? Let him live with me in the interchange of kindness, -and instead of injury I would bestow every benefit upon him with tears -of gratitude at his acceptance. But that cannot be; the human senses -are insurmountable barriers to our union. Yet mine shall not be the -submission of abject slavery. I will revenge my injuries; if I cannot -inspire love, I will cause fear, and chiefly towards you my arch-enemy, -because my creator, do I swear inextinguishable hatred. Have a care; I -will work at your destruction, nor finish until I desolate your heart, -so that you shall curse the hour of your birth." - -A fiendish rage animated him as he said this; his face was wrinkled -into contortions too horrible for human eyes to behold; but presently -he calmed himself and proceeded-- - -"I intended to reason. This passion is detrimental to me, for you do -not reflect that YOU are the cause of its excess. If any being felt -emotions of benevolence towards me, I should return them a hundred and -a hundredfold; for that one creature's sake I would make peace with the -whole kind! But I now indulge in dreams of bliss that cannot be -realized. What I ask of you is reasonable and moderate; I demand a -creature of another sex, but as hideous as myself; the gratification is -small, but it is all that I can receive, and it shall content me. It -is true, we shall be monsters, cut off from all the world; but on that -account we shall be more attached to one another. Our lives will not -be happy, but they will be harmless and free from the misery I now -feel. Oh! My creator, make me happy; let me feel gratitude towards -you for one benefit! Let me see that I excite the sympathy of some -existing thing; do not deny me my request!" - -I was moved. I shuddered when I thought of the possible consequences -of my consent, but I felt that there was some justice in his argument. -His tale and the feelings he now expressed proved him to be a creature -of fine sensations, and did I not as his maker owe him all the portion -of happiness that it was in my power to bestow? He saw my change of -feeling and continued, - -"If you consent, neither you nor any other human being shall ever see -us again; I will go to the vast wilds of South America. My food is not -that of man; I do not destroy the lamb and the kid to glut my appetite; -acorns and berries afford me sufficient nourishment. My companion will -be of the same nature as myself and will be content with the same fare. -We shall make our bed of dried leaves; the sun will shine on us as on -man and will ripen our food. The picture I present to you is peaceful -and human, and you must feel that you could deny it only in the -wantonness of power and cruelty. Pitiless as you have been towards me, -I now see compassion in your eyes; let me seize the favourable moment -and persuade you to promise what I so ardently desire." - -"You propose," replied I, "to fly from the habitations of man, to dwell -in those wilds where the beasts of the field will be your only -companions. How can you, who long for the love and sympathy of man, -persevere in this exile? You will return and again seek their -kindness, and you will meet with their detestation; your evil passions -will be renewed, and you will then have a companion to aid you in the -task of destruction. This may not be; cease to argue the point, for I -cannot consent." - -"How inconstant are your feelings! But a moment ago you were moved by -my representations, and why do you again harden yourself to my -complaints? I swear to you, by the earth which I inhabit, and by you -that made me, that with the companion you bestow I will quit the -neighbourhood of man and dwell, as it may chance, in the most savage of -places. My evil passions will have fled, for I shall meet with -sympathy! My life will flow quietly away, and in my dying moments I -shall not curse my maker." - -His words had a strange effect upon me. I compassionated him and -sometimes felt a wish to console him, but when I looked upon him, when -I saw the filthy mass that moved and talked, my heart sickened and my -feelings were altered to those of horror and hatred. I tried to stifle -these sensations; I thought that as I could not sympathize with him, I -had no right to withhold from him the small portion of happiness which -was yet in my power to bestow. - -"You swear," I said, "to be harmless; but have you not already shown a -degree of malice that should reasonably make me distrust you? May not -even this be a feint that will increase your triumph by affording a -wider scope for your revenge?" - -"How is this? I must not be trifled with, and I demand an answer. If -I have no ties and no affections, hatred and vice must be my portion; -the love of another will destroy the cause of my crimes, and I shall -become a thing of whose existence everyone will be ignorant. My vices -are the children of a forced solitude that I abhor, and my virtues will -necessarily arise when I live in communion with an equal. I shall feel -the affections of a sensitive being and become linked to the chain of -existence and events from which I am now excluded." - -I paused some time to reflect on all he had related and the various -arguments which he had employed. I thought of the promise of virtues -which he had displayed on the opening of his existence and the -subsequent blight of all kindly feeling by the loathing and scorn which -his protectors had manifested towards him. His power and threats were -not omitted in my calculations; a creature who could exist in the ice -caves of the glaciers and hide himself from pursuit among the ridges of -inaccessible precipices was a being possessing faculties it would be -vain to cope with. After a long pause of reflection I concluded that -the justice due both to him and my fellow creatures demanded of me that -I should comply with his request. Turning to him, therefore, I said, - -"I consent to your demand, on your solemn oath to quit Europe forever, -and every other place in the neighbourhood of man, as soon as I shall -deliver into your hands a female who will accompany you in your exile." - -"I swear," he cried, "by the sun, and by the blue sky of heaven, and by -the fire of love that burns my heart, that if you grant my prayer, -while they exist you shall never behold me again. Depart to your home -and commence your labours; I shall watch their progress with -unutterable anxiety; and fear not but that when you are ready I shall -appear." - -Saying this, he suddenly quitted me, fearful, perhaps, of any change in -my sentiments. I saw him descend the mountain with greater speed than -the flight of an eagle, and quickly lost among the undulations of the -sea of ice. - -His tale had occupied the whole day, and the sun was upon the verge of -the horizon when he departed. I knew that I ought to hasten my descent -towards the valley, as I should soon be encompassed in darkness; but my -heart was heavy, and my steps slow. The labour of winding among the -little paths of the mountain and fixing my feet firmly as I advanced -perplexed me, occupied as I was by the emotions which the occurrences -of the day had produced. Night was far advanced when I came to the -halfway resting-place and seated myself beside the fountain. The stars -shone at intervals as the clouds passed from over them; the dark pines -rose before me, and every here and there a broken tree lay on the -ground; it was a scene of wonderful solemnity and stirred strange -thoughts within me. I wept bitterly, and clasping my hands in agony, I -exclaimed, "Oh! Stars and clouds and winds, ye are all about to mock -me; if ye really pity me, crush sensation and memory; let me become as -nought; but if not, depart, depart, and leave me in darkness." - -These were wild and miserable thoughts, but I cannot describe to you -how the eternal twinkling of the stars weighed upon me and how I -listened to every blast of wind as if it were a dull ugly siroc on its -way to consume me. - -Morning dawned before I arrived at the village of Chamounix; I took no -rest, but returned immediately to Geneva. Even in my own heart I could -give no expression to my sensations--they weighed on me with a -mountain's weight and their excess destroyed my agony beneath them. -Thus I returned home, and entering the house, presented myself to the -family. My haggard and wild appearance awoke intense alarm, but I -answered no question, scarcely did I speak. I felt as if I were placed -under a ban--as if I had no right to claim their sympathies--as if -never more might I enjoy companionship with them. Yet even thus I -loved them to adoration; and to save them, I resolved to dedicate -myself to my most abhorred task. The prospect of such an occupation -made every other circumstance of existence pass before me like a dream, -and that thought only had to me the reality of life. - - - -Chapter 18 - -Day after day, week after week, passed away on my return to Geneva; and -I could not collect the courage to recommence my work. I feared the -vengeance of the disappointed fiend, yet I was unable to overcome my -repugnance to the task which was enjoined me. I found that I could not -compose a female without again devoting several months to profound -study and laborious disquisition. I had heard of some discoveries -having been made by an English philosopher, the knowledge of which was -material to my success, and I sometimes thought of obtaining my -father's consent to visit England for this purpose; but I clung to -every pretence of delay and shrank from taking the first step in an -undertaking whose immediate necessity began to appear less absolute to -me. A change indeed had taken place in me; my health, which had -hitherto declined, was now much restored; and my spirits, when -unchecked by the memory of my unhappy promise, rose proportionably. My -father saw this change with pleasure, and he turned his thoughts -towards the best method of eradicating the remains of my melancholy, -which every now and then would return by fits, and with a devouring -blackness overcast the approaching sunshine. At these moments I took -refuge in the most perfect solitude. I passed whole days on the lake -alone in a little boat, watching the clouds and listening to the -rippling of the waves, silent and listless. But the fresh air and -bright sun seldom failed to restore me to some degree of composure, and -on my return I met the salutations of my friends with a readier smile -and a more cheerful heart. - -It was after my return from one of these rambles that my father, -calling me aside, thus addressed me, - -"I am happy to remark, my dear son, that you have resumed your former -pleasures and seem to be returning to yourself. And yet you are still -unhappy and still avoid our society. For some time I was lost in -conjecture as to the cause of this, but yesterday an idea struck me, -and if it is well founded, I conjure you to avow it. Reserve on such a -point would be not only useless, but draw down treble misery on us all." - -I trembled violently at his exordium, and my father continued--"I -confess, my son, that I have always looked forward to your marriage -with our dear Elizabeth as the tie of our domestic comfort and the stay -of my declining years. You were attached to each other from your -earliest infancy; you studied together, and appeared, in dispositions -and tastes, entirely suited to one another. But so blind is the -experience of man that what I conceived to be the best assistants to my -plan may have entirely destroyed it. You, perhaps, regard her as your -sister, without any wish that she might become your wife. Nay, you may -have met with another whom you may love; and considering yourself as -bound in honour to Elizabeth, this struggle may occasion the poignant -misery which you appear to feel." - -"My dear father, reassure yourself. I love my cousin tenderly and -sincerely. I never saw any woman who excited, as Elizabeth does, my -warmest admiration and affection. My future hopes and prospects are -entirely bound up in the expectation of our union." - -"The expression of your sentiments of this subject, my dear Victor, -gives me more pleasure than I have for some time experienced. If you -feel thus, we shall assuredly be happy, however present events may cast -a gloom over us. But it is this gloom which appears to have taken so -strong a hold of your mind that I wish to dissipate. Tell me, -therefore, whether you object to an immediate solemnization of the -marriage. We have been unfortunate, and recent events have drawn us -from that everyday tranquillity befitting my years and infirmities. You -are younger; yet I do not suppose, possessed as you are of a competent -fortune, that an early marriage would at all interfere with any future -plans of honour and utility that you may have formed. Do not suppose, -however, that I wish to dictate happiness to you or that a delay on -your part would cause me any serious uneasiness. Interpret my words -with candour and answer me, I conjure you, with confidence and -sincerity." - -I listened to my father in silence and remained for some time incapable -of offering any reply. I revolved rapidly in my mind a multitude of -thoughts and endeavoured to arrive at some conclusion. Alas! To me -the idea of an immediate union with my Elizabeth was one of horror and -dismay. I was bound by a solemn promise which I had not yet fulfilled -and dared not break, or if I did, what manifold miseries might not -impend over me and my devoted family! Could I enter into a festival -with this deadly weight yet hanging round my neck and bowing me to the -ground? I must perform my engagement and let the monster depart with -his mate before I allowed myself to enjoy the delight of a union from -which I expected peace. - -I remembered also the necessity imposed upon me of either journeying to -England or entering into a long correspondence with those philosophers -of that country whose knowledge and discoveries were of indispensable -use to me in my present undertaking. The latter method of obtaining -the desired intelligence was dilatory and unsatisfactory; besides, I -had an insurmountable aversion to the idea of engaging myself in my -loathsome task in my father's house while in habits of familiar -intercourse with those I loved. I knew that a thousand fearful -accidents might occur, the slightest of which would disclose a tale to -thrill all connected with me with horror. I was aware also that I -should often lose all self-command, all capacity of hiding the -harrowing sensations that would possess me during the progress of my -unearthly occupation. I must absent myself from all I loved while thus -employed. Once commenced, it would quickly be achieved, and I might be -restored to my family in peace and happiness. My promise fulfilled, -the monster would depart forever. Or (so my fond fancy imaged) some -accident might meanwhile occur to destroy him and put an end to my -slavery forever. - -These feelings dictated my answer to my father. I expressed a wish to -visit England, but concealing the true reasons of this request, I -clothed my desires under a guise which excited no suspicion, while I -urged my desire with an earnestness that easily induced my father to -comply. After so long a period of an absorbing melancholy that -resembled madness in its intensity and effects, he was glad to find -that I was capable of taking pleasure in the idea of such a journey, -and he hoped that change of scene and varied amusement would, before my -return, have restored me entirely to myself. - -The duration of my absence was left to my own choice; a few months, or -at most a year, was the period contemplated. One paternal kind -precaution he had taken to ensure my having a companion. Without -previously communicating with me, he had, in concert with Elizabeth, -arranged that Clerval should join me at Strasbourg. This interfered -with the solitude I coveted for the prosecution of my task; yet at the -commencement of my journey the presence of my friend could in no way be -an impediment, and truly I rejoiced that thus I should be saved many -hours of lonely, maddening reflection. Nay, Henry might stand between -me and the intrusion of my foe. If I were alone, would he not at times -force his abhorred presence on me to remind me of my task or to -contemplate its progress? - -To England, therefore, I was bound, and it was understood that my union -with Elizabeth should take place immediately on my return. My father's -age rendered him extremely averse to delay. For myself, there was one -reward I promised myself from my detested toils--one consolation for my -unparalleled sufferings; it was the prospect of that day when, -enfranchised from my miserable slavery, I might claim Elizabeth and -forget the past in my union with her. - -I now made arrangements for my journey, but one feeling haunted me -which filled me with fear and agitation. During my absence I should -leave my friends unconscious of the existence of their enemy and -unprotected from his attacks, exasperated as he might be by my -departure. But he had promised to follow me wherever I might go, and -would he not accompany me to England? This imagination was dreadful in -itself, but soothing inasmuch as it supposed the safety of my friends. -I was agonized with the idea of the possibility that the reverse of -this might happen. But through the whole period during which I was the -slave of my creature I allowed myself to be governed by the impulses of -the moment; and my present sensations strongly intimated that the fiend -would follow me and exempt my family from the danger of his -machinations. - -It was in the latter end of September that I again quitted my native -country. My journey had been my own suggestion, and Elizabeth -therefore acquiesced, but she was filled with disquiet at the idea of -my suffering, away from her, the inroads of misery and grief. It had -been her care which provided me a companion in Clerval--and yet a man -is blind to a thousand minute circumstances which call forth a woman's -sedulous attention. She longed to bid me hasten my return; a thousand -conflicting emotions rendered her mute as she bade me a tearful, silent -farewell. - -I threw myself into the carriage that was to convey me away, hardly -knowing whither I was going, and careless of what was passing around. -I remembered only, and it was with a bitter anguish that I reflected on -it, to order that my chemical instruments should be packed to go with -me. Filled with dreary imaginations, I passed through many beautiful -and majestic scenes, but my eyes were fixed and unobserving. I could -only think of the bourne of my travels and the work which was to occupy -me whilst they endured. - -After some days spent in listless indolence, during which I traversed -many leagues, I arrived at Strasbourg, where I waited two days for -Clerval. He came. Alas, how great was the contrast between us! He -was alive to every new scene, joyful when he saw the beauties of the -setting sun, and more happy when he beheld it rise and recommence a new -day. He pointed out to me the shifting colours of the landscape and -the appearances of the sky. "This is what it is to live," he cried; -"how I enjoy existence! But you, my dear Frankenstein, wherefore are -you desponding and sorrowful!" In truth, I was occupied by gloomy -thoughts and neither saw the descent of the evening star nor the golden -sunrise reflected in the Rhine. And you, my friend, would be far more -amused with the journal of Clerval, who observed the scenery with an -eye of feeling and delight, than in listening to my reflections. I, a -miserable wretch, haunted by a curse that shut up every avenue to -enjoyment. - -We had agreed to descend the Rhine in a boat from Strasbourg to -Rotterdam, whence we might take shipping for London. During this -voyage we passed many willowy islands and saw several beautiful towns. -We stayed a day at Mannheim, and on the fifth from our departure from -Strasbourg, arrived at Mainz. The course of the Rhine below Mainz -becomes much more picturesque. The river descends rapidly and winds -between hills, not high, but steep, and of beautiful forms. We saw -many ruined castles standing on the edges of precipices, surrounded by -black woods, high and inaccessible. This part of the Rhine, indeed, -presents a singularly variegated landscape. In one spot you view -rugged hills, ruined castles overlooking tremendous precipices, with -the dark Rhine rushing beneath; and on the sudden turn of a promontory, -flourishing vineyards with green sloping banks and a meandering river -and populous towns occupy the scene. - -We travelled at the time of the vintage and heard the song of the -labourers as we glided down the stream. Even I, depressed in mind, and -my spirits continually agitated by gloomy feelings, even I was pleased. -I lay at the bottom of the boat, and as I gazed on the cloudless blue -sky, I seemed to drink in a tranquillity to which I had long been a -stranger. And if these were my sensations, who can describe those of -Henry? He felt as if he had been transported to fairy-land and enjoyed -a happiness seldom tasted by man. "I have seen," he said, "the most -beautiful scenes of my own country; I have visited the lakes of Lucerne -and Uri, where the snowy mountains descend almost perpendicularly to -the water, casting black and impenetrable shades, which would cause a -gloomy and mournful appearance were it not for the most verdant islands -that believe the eye by their gay appearance; I have seen this lake -agitated by a tempest, when the wind tore up whirlwinds of water and -gave you an idea of what the water-spout must be on the great ocean; -and the waves dash with fury the base of the mountain, where the priest -and his mistress were overwhelmed by an avalanche and where their dying -voices are still said to be heard amid the pauses of the nightly wind; -I have seen the mountains of La Valais, and the Pays de Vaud; but this -country, Victor, pleases me more than all those wonders. The mountains -of Switzerland are more majestic and strange, but there is a charm in -the banks of this divine river that I never before saw equalled. Look -at that castle which overhangs yon precipice; and that also on the -island, almost concealed amongst the foliage of those lovely trees; and -now that group of labourers coming from among their vines; and that -village half hid in the recess of the mountain. Oh, surely the spirit -that inhabits and guards this place has a soul more in harmony with man -than those who pile the glacier or retire to the inaccessible peaks of -the mountains of our own country." Clerval! Beloved friend! Even now -it delights me to record your words and to dwell on the praise of which -you are so eminently deserving. He was a being formed in the "very -poetry of nature." His wild and enthusiastic imagination was chastened -by the sensibility of his heart. His soul overflowed with ardent -affections, and his friendship was of that devoted and wondrous nature -that the world-minded teach us to look for only in the imagination. But -even human sympathies were not sufficient to satisfy his eager mind. -The scenery of external nature, which others regard only with -admiration, he loved with ardour:-- - - - ----The sounding cataract - Haunted him like a passion: the tall rock, - The mountain, and the deep and gloomy wood, - Their colours and their forms, were then to him - An appetite; a feeling, and a love, - That had no need of a remoter charm, - By thought supplied, or any interest - Unborrow'd from the eye. - - [Wordsworth's "Tintern Abbey".] - - -And where does he now exist? Is this gentle and lovely being lost -forever? Has this mind, so replete with ideas, imaginations fanciful -and magnificent, which formed a world, whose existence depended on the -life of its creator;--has this mind perished? Does it now only exist -in my memory? No, it is not thus; your form so divinely wrought, and -beaming with beauty, has decayed, but your spirit still visits and -consoles your unhappy friend. - -Pardon this gush of sorrow; these ineffectual words are but a slight -tribute to the unexampled worth of Henry, but they soothe my heart, -overflowing with the anguish which his remembrance creates. I will -proceed with my tale. - -Beyond Cologne we descended to the plains of Holland; and we resolved -to post the remainder of our way, for the wind was contrary and the -stream of the river was too gentle to aid us. Our journey here lost -the interest arising from beautiful scenery, but we arrived in a few -days at Rotterdam, whence we proceeded by sea to England. It was on a -clear morning, in the latter days of December, that I first saw the -white cliffs of Britain. The banks of the Thames presented a new -scene; they were flat but fertile, and almost every town was marked by -the remembrance of some story. We saw Tilbury Fort and remembered the -Spanish Armada, Gravesend, Woolwich, and Greenwich--places which I had -heard of even in my country. - -At length we saw the numerous steeples of London, St. Paul's towering -above all, and the Tower famed in English history. - - - -Chapter 19 - -London was our present point of rest; we determined to remain several -months in this wonderful and celebrated city. Clerval desired the -intercourse of the men of genius and talent who flourished at this -time, but this was with me a secondary object; I was principally -occupied with the means of obtaining the information necessary for the -completion of my promise and quickly availed myself of the letters of -introduction that I had brought with me, addressed to the most -distinguished natural philosophers. - -If this journey had taken place during my days of study and happiness, -it would have afforded me inexpressible pleasure. But a blight had -come over my existence, and I only visited these people for the sake of -the information they might give me on the subject in which my interest -was so terribly profound. Company was irksome to me; when alone, I -could fill my mind with the sights of heaven and earth; the voice of -Henry soothed me, and I could thus cheat myself into a transitory -peace. But busy, uninteresting, joyous faces brought back despair to -my heart. I saw an insurmountable barrier placed between me and my -fellow men; this barrier was sealed with the blood of William and -Justine, and to reflect on the events connected with those names filled -my soul with anguish. - -But in Clerval I saw the image of my former self; he was inquisitive -and anxious to gain experience and instruction. The difference of -manners which he observed was to him an inexhaustible source of -instruction and amusement. He was also pursuing an object he had long -had in view. His design was to visit India, in the belief that he had -in his knowledge of its various languages, and in the views he had -taken of its society, the means of materially assisting the progress of -European colonization and trade. In Britain only could he further the -execution of his plan. He was forever busy, and the only check to his -enjoyments was my sorrowful and dejected mind. I tried to conceal this -as much as possible, that I might not debar him from the pleasures -natural to one who was entering on a new scene of life, undisturbed by -any care or bitter recollection. I often refused to accompany him, -alleging another engagement, that I might remain alone. I now also -began to collect the materials necessary for my new creation, and this -was to me like the torture of single drops of water continually falling -on the head. Every thought that was devoted to it was an extreme -anguish, and every word that I spoke in allusion to it caused my lips -to quiver, and my heart to palpitate. - -After passing some months in London, we received a letter from a person -in Scotland who had formerly been our visitor at Geneva. He mentioned -the beauties of his native country and asked us if those were not -sufficient allurements to induce us to prolong our journey as far north -as Perth, where he resided. Clerval eagerly desired to accept this -invitation, and I, although I abhorred society, wished to view again -mountains and streams and all the wondrous works with which Nature -adorns her chosen dwelling-places. We had arrived in England at the -beginning of October, and it was now February. We accordingly -determined to commence our journey towards the north at the expiration -of another month. In this expedition we did not intend to follow the -great road to Edinburgh, but to visit Windsor, Oxford, Matlock, and the -Cumberland lakes, resolving to arrive at the completion of this tour -about the end of July. I packed up my chemical instruments and the -materials I had collected, resolving to finish my labours in some -obscure nook in the northern highlands of Scotland. - -We quitted London on the 27th of March and remained a few days at -Windsor, rambling in its beautiful forest. This was a new scene to us -mountaineers; the majestic oaks, the quantity of game, and the herds of -stately deer were all novelties to us. - -From thence we proceeded to Oxford. As we entered this city our minds -were filled with the remembrance of the events that had been transacted -there more than a century and a half before. It was here that Charles -I. had collected his forces. This city had remained faithful to him, -after the whole nation had forsaken his cause to join the standard of -Parliament and liberty. The memory of that unfortunate king and his -companions, the amiable Falkland, the insolent Goring, his queen, and -son, gave a peculiar interest to every part of the city which they -might be supposed to have inhabited. The spirit of elder days found a -dwelling here, and we delighted to trace its footsteps. If these -feelings had not found an imaginary gratification, the appearance of -the city had yet in itself sufficient beauty to obtain our admiration. -The colleges are ancient and picturesque; the streets are almost -magnificent; and the lovely Isis, which flows beside it through meadows -of exquisite verdure, is spread forth into a placid expanse of waters, -which reflects its majestic assemblage of towers, and spires, and -domes, embosomed among aged trees. - -I enjoyed this scene, and yet my enjoyment was embittered both by the -memory of the past and the anticipation of the future. I was formed -for peaceful happiness. During my youthful days discontent never -visited my mind, and if I was ever overcome by ennui, the sight of what -is beautiful in nature or the study of what is excellent and sublime in -the productions of man could always interest my heart and communicate -elasticity to my spirits. But I am a blasted tree; the bolt has -entered my soul; and I felt then that I should survive to exhibit what -I shall soon cease to be--a miserable spectacle of wrecked humanity, -pitiable to others and intolerable to myself. - -We passed a considerable period at Oxford, rambling among its environs -and endeavouring to identify every spot which might relate to the most -animating epoch of English history. Our little voyages of discovery -were often prolonged by the successive objects that presented -themselves. We visited the tomb of the illustrious Hampden and the -field on which that patriot fell. For a moment my soul was elevated -from its debasing and miserable fears to contemplate the divine ideas -of liberty and self sacrifice of which these sights were the monuments -and the remembrancers. For an instant I dared to shake off my chains -and look around me with a free and lofty spirit, but the iron had eaten -into my flesh, and I sank again, trembling and hopeless, into my -miserable self. - -We left Oxford with regret and proceeded to Matlock, which was our next -place of rest. The country in the neighbourhood of this village -resembled, to a greater degree, the scenery of Switzerland; but -everything is on a lower scale, and the green hills want the crown of -distant white Alps which always attend on the piny mountains of my -native country. We visited the wondrous cave and the little cabinets -of natural history, where the curiosities are disposed in the same -manner as in the collections at Servox and Chamounix. The latter name -made me tremble when pronounced by Henry, and I hastened to quit -Matlock, with which that terrible scene was thus associated. - -From Derby, still journeying northwards, we passed two months in -Cumberland and Westmorland. I could now almost fancy myself among the -Swiss mountains. The little patches of snow which yet lingered on the -northern sides of the mountains, the lakes, and the dashing of the -rocky streams were all familiar and dear sights to me. Here also we -made some acquaintances, who almost contrived to cheat me into -happiness. The delight of Clerval was proportionably greater than -mine; his mind expanded in the company of men of talent, and he found -in his own nature greater capacities and resources than he could have -imagined himself to have possessed while he associated with his -inferiors. "I could pass my life here," said he to me; "and among -these mountains I should scarcely regret Switzerland and the Rhine." - -But he found that a traveller's life is one that includes much pain -amidst its enjoyments. His feelings are forever on the stretch; and -when he begins to sink into repose, he finds himself obliged to quit -that on which he rests in pleasure for something new, which again -engages his attention, and which also he forsakes for other novelties. - -We had scarcely visited the various lakes of Cumberland and Westmorland -and conceived an affection for some of the inhabitants when the period -of our appointment with our Scotch friend approached, and we left them -to travel on. For my own part I was not sorry. I had now neglected my -promise for some time, and I feared the effects of the daemon's -disappointment. He might remain in Switzerland and wreak his vengeance -on my relatives. This idea pursued me and tormented me at every moment -from which I might otherwise have snatched repose and peace. I waited -for my letters with feverish impatience; if they were delayed I was -miserable and overcome by a thousand fears; and when they arrived and I -saw the superscription of Elizabeth or my father, I hardly dared to -read and ascertain my fate. Sometimes I thought that the fiend -followed me and might expedite my remissness by murdering my companion. -When these thoughts possessed me, I would not quit Henry for a moment, -but followed him as his shadow, to protect him from the fancied rage of -his destroyer. I felt as if I had committed some great crime, the -consciousness of which haunted me. I was guiltless, but I had indeed -drawn down a horrible curse upon my head, as mortal as that of crime. - -I visited Edinburgh with languid eyes and mind; and yet that city might -have interested the most unfortunate being. Clerval did not like it so -well as Oxford, for the antiquity of the latter city was more pleasing -to him. But the beauty and regularity of the new town of Edinburgh, -its romantic castle and its environs, the most delightful in the world, -Arthur's Seat, St. Bernard's Well, and the Pentland Hills compensated -him for the change and filled him with cheerfulness and admiration. But -I was impatient to arrive at the termination of my journey. - -We left Edinburgh in a week, passing through Coupar, St. Andrew's, and -along the banks of the Tay, to Perth, where our friend expected us. -But I was in no mood to laugh and talk with strangers or enter into -their feelings or plans with the good humour expected from a guest; and -accordingly I told Clerval that I wished to make the tour of Scotland -alone. "Do you," said I, "enjoy yourself, and let this be our -rendezvous. I may be absent a month or two; but do not interfere with -my motions, I entreat you; leave me to peace and solitude for a short -time; and when I return, I hope it will be with a lighter heart, more -congenial to your own temper." - -Henry wished to dissuade me, but seeing me bent on this plan, ceased to -remonstrate. He entreated me to write often. "I had rather be with -you," he said, "in your solitary rambles, than with these Scotch -people, whom I do not know; hasten, then, my dear friend, to return, -that I may again feel myself somewhat at home, which I cannot do in -your absence." - -Having parted from my friend, I determined to visit some remote spot of -Scotland and finish my work in solitude. I did not doubt but that the -monster followed me and would discover himself to me when I should have -finished, that he might receive his companion. With this resolution I -traversed the northern highlands and fixed on one of the remotest of -the Orkneys as the scene of my labours. It was a place fitted for such -a work, being hardly more than a rock whose high sides were continually -beaten upon by the waves. The soil was barren, scarcely affording -pasture for a few miserable cows, and oatmeal for its inhabitants, -which consisted of five persons, whose gaunt and scraggy limbs gave -tokens of their miserable fare. Vegetables and bread, when they -indulged in such luxuries, and even fresh water, was to be procured -from the mainland, which was about five miles distant. - -On the whole island there were but three miserable huts, and one of -these was vacant when I arrived. This I hired. It contained but two -rooms, and these exhibited all the squalidness of the most miserable -penury. The thatch had fallen in, the walls were unplastered, and the -door was off its hinges. I ordered it to be repaired, bought some -furniture, and took possession, an incident which would doubtless have -occasioned some surprise had not all the senses of the cottagers been -benumbed by want and squalid poverty. As it was, I lived ungazed at -and unmolested, hardly thanked for the pittance of food and clothes -which I gave, so much does suffering blunt even the coarsest sensations -of men. - -In this retreat I devoted the morning to labour; but in the evening, -when the weather permitted, I walked on the stony beach of the sea to -listen to the waves as they roared and dashed at my feet. It was a -monotonous yet ever-changing scene. I thought of Switzerland; it was -far different from this desolate and appalling landscape. Its hills -are covered with vines, and its cottages are scattered thickly in the -plains. Its fair lakes reflect a blue and gentle sky, and when -troubled by the winds, their tumult is but as the play of a lively -infant when compared to the roarings of the giant ocean. - -In this manner I distributed my occupations when I first arrived, but -as I proceeded in my labour, it became every day more horrible and -irksome to me. Sometimes I could not prevail on myself to enter my -laboratory for several days, and at other times I toiled day and night -in order to complete my work. It was, indeed, a filthy process in -which I was engaged. During my first experiment, a kind of -enthusiastic frenzy had blinded me to the horror of my employment; my -mind was intently fixed on the consummation of my labour, and my eyes -were shut to the horror of my proceedings. But now I went to it in -cold blood, and my heart often sickened at the work of my hands. - -Thus situated, employed in the most detestable occupation, immersed in -a solitude where nothing could for an instant call my attention from -the actual scene in which I was engaged, my spirits became unequal; I -grew restless and nervous. Every moment I feared to meet my -persecutor. Sometimes I sat with my eyes fixed on the ground, fearing -to raise them lest they should encounter the object which I so much -dreaded to behold. I feared to wander from the sight of my fellow -creatures lest when alone he should come to claim his companion. - -In the mean time I worked on, and my labour was already considerably -advanced. I looked towards its completion with a tremulous and eager -hope, which I dared not trust myself to question but which was -intermixed with obscure forebodings of evil that made my heart sicken -in my bosom. - - - -Chapter 20 - -I sat one evening in my laboratory; the sun had set, and the moon was -just rising from the sea; I had not sufficient light for my employment, -and I remained idle, in a pause of consideration of whether I should -leave my labour for the night or hasten its conclusion by an -unremitting attention to it. As I sat, a train of reflection occurred -to me which led me to consider the effects of what I was now doing. -Three years before, I was engaged in the same manner and had created a -fiend whose unparalleled barbarity had desolated my heart and filled it -forever with the bitterest remorse. I was now about to form another -being of whose dispositions I was alike ignorant; she might become ten -thousand times more malignant than her mate and delight, for its own -sake, in murder and wretchedness. He had sworn to quit the -neighbourhood of man and hide himself in deserts, but she had not; and -she, who in all probability was to become a thinking and reasoning -animal, might refuse to comply with a compact made before her creation. -They might even hate each other; the creature who already lived loathed -his own deformity, and might he not conceive a greater abhorrence for -it when it came before his eyes in the female form? She also might -turn with disgust from him to the superior beauty of man; she might -quit him, and he be again alone, exasperated by the fresh provocation -of being deserted by one of his own species. Even if they were to -leave Europe and inhabit the deserts of the new world, yet one of the -first results of those sympathies for which the daemon thirsted would -be children, and a race of devils would be propagated upon the earth -who might make the very existence of the species of man a condition -precarious and full of terror. Had I right, for my own benefit, to -inflict this curse upon everlasting generations? I had before been -moved by the sophisms of the being I had created; I had been struck -senseless by his fiendish threats; but now, for the first time, the -wickedness of my promise burst upon me; I shuddered to think that -future ages might curse me as their pest, whose selfishness had not -hesitated to buy its own peace at the price, perhaps, of the existence -of the whole human race. - -I trembled and my heart failed within me, when, on looking up, I saw by -the light of the moon the daemon at the casement. A ghastly grin -wrinkled his lips as he gazed on me, where I sat fulfilling the task -which he had allotted to me. Yes, he had followed me in my travels; he -had loitered in forests, hid himself in caves, or taken refuge in wide -and desert heaths; and he now came to mark my progress and claim the -fulfilment of my promise. - -As I looked on him, his countenance expressed the utmost extent of -malice and treachery. I thought with a sensation of madness on my -promise of creating another like to him, and trembling with passion, -tore to pieces the thing on which I was engaged. The wretch saw me -destroy the creature on whose future existence he depended for -happiness, and with a howl of devilish despair and revenge, withdrew. - -I left the room, and locking the door, made a solemn vow in my own -heart never to resume my labours; and then, with trembling steps, I -sought my own apartment. I was alone; none were near me to dissipate -the gloom and relieve me from the sickening oppression of the most -terrible reveries. - -Several hours passed, and I remained near my window gazing on the sea; -it was almost motionless, for the winds were hushed, and all nature -reposed under the eye of the quiet moon. A few fishing vessels alone -specked the water, and now and then the gentle breeze wafted the sound -of voices as the fishermen called to one another. I felt the silence, -although I was hardly conscious of its extreme profundity, until my ear -was suddenly arrested by the paddling of oars near the shore, and a -person landed close to my house. - -In a few minutes after, I heard the creaking of my door, as if some one -endeavoured to open it softly. I trembled from head to foot; I felt a -presentiment of who it was and wished to rouse one of the peasants who -dwelt in a cottage not far from mine; but I was overcome by the -sensation of helplessness, so often felt in frightful dreams, when you -in vain endeavour to fly from an impending danger, and was rooted to -the spot. Presently I heard the sound of footsteps along the passage; -the door opened, and the wretch whom I dreaded appeared. - -Shutting the door, he approached me and said in a smothered voice, "You -have destroyed the work which you began; what is it that you intend? -Do you dare to break your promise? I have endured toil and misery; I -left Switzerland with you; I crept along the shores of the Rhine, among -its willow islands and over the summits of its hills. I have dwelt -many months in the heaths of England and among the deserts of Scotland. -I have endured incalculable fatigue, and cold, and hunger; do you dare -destroy my hopes?" - -"Begone! I do break my promise; never will I create another like -yourself, equal in deformity and wickedness." - -"Slave, I before reasoned with you, but you have proved yourself -unworthy of my condescension. Remember that I have power; you believe -yourself miserable, but I can make you so wretched that the light of -day will be hateful to you. You are my creator, but I am your master; -obey!" - -"The hour of my irresolution is past, and the period of your power is -arrived. Your threats cannot move me to do an act of wickedness; but -they confirm me in a determination of not creating you a companion in -vice. Shall I, in cool blood, set loose upon the earth a daemon whose -delight is in death and wretchedness? Begone! I am firm, and your -words will only exasperate my rage." - -The monster saw my determination in my face and gnashed his teeth in -the impotence of anger. "Shall each man," cried he, "find a wife for -his bosom, and each beast have his mate, and I be alone? I had -feelings of affection, and they were requited by detestation and scorn. -Man! You may hate, but beware! Your hours will pass in dread and -misery, and soon the bolt will fall which must ravish from you your -happiness forever. Are you to be happy while I grovel in the intensity -of my wretchedness? You can blast my other passions, but revenge -remains--revenge, henceforth dearer than light or food! I may die, but -first you, my tyrant and tormentor, shall curse the sun that gazes on -your misery. Beware, for I am fearless and therefore powerful. I will -watch with the wiliness of a snake, that I may sting with its venom. -Man, you shall repent of the injuries you inflict." - -"Devil, cease; and do not poison the air with these sounds of malice. -I have declared my resolution to you, and I am no coward to bend -beneath words. Leave me; I am inexorable." - -"It is well. I go; but remember, I shall be with you on your -wedding-night." - -I started forward and exclaimed, "Villain! Before you sign my -death-warrant, be sure that you are yourself safe." - -I would have seized him, but he eluded me and quitted the house with -precipitation. In a few moments I saw him in his boat, which shot -across the waters with an arrowy swiftness and was soon lost amidst the -waves. - -All was again silent, but his words rang in my ears. I burned with -rage to pursue the murderer of my peace and precipitate him into the -ocean. I walked up and down my room hastily and perturbed, while my -imagination conjured up a thousand images to torment and sting me. Why -had I not followed him and closed with him in mortal strife? But I had -suffered him to depart, and he had directed his course towards the -mainland. I shuddered to think who might be the next victim sacrificed -to his insatiate revenge. And then I thought again of his words--"I -WILL BE WITH YOU ON YOUR WEDDING-NIGHT." That, then, was the period -fixed for the fulfilment of my destiny. In that hour I should die and -at once satisfy and extinguish his malice. The prospect did not move -me to fear; yet when I thought of my beloved Elizabeth, of her tears -and endless sorrow, when she should find her lover so barbarously -snatched from her, tears, the first I had shed for many months, -streamed from my eyes, and I resolved not to fall before my enemy -without a bitter struggle. - -The night passed away, and the sun rose from the ocean; my feelings -became calmer, if it may be called calmness when the violence of rage -sinks into the depths of despair. I left the house, the horrid scene -of the last night's contention, and walked on the beach of the sea, -which I almost regarded as an insuperable barrier between me and my -fellow creatures; nay, a wish that such should prove the fact stole -across me. - -I desired that I might pass my life on that barren rock, wearily, it is -true, but uninterrupted by any sudden shock of misery. If I returned, -it was to be sacrificed or to see those whom I most loved die under the -grasp of a daemon whom I had myself created. - -I walked about the isle like a restless spectre, separated from all it -loved and miserable in the separation. When it became noon, and the -sun rose higher, I lay down on the grass and was overpowered by a deep -sleep. I had been awake the whole of the preceding night, my nerves -were agitated, and my eyes inflamed by watching and misery. The sleep -into which I now sank refreshed me; and when I awoke, I again felt as -if I belonged to a race of human beings like myself, and I began to -reflect upon what had passed with greater composure; yet still the -words of the fiend rang in my ears like a death-knell; they appeared -like a dream, yet distinct and oppressive as a reality. - -The sun had far descended, and I still sat on the shore, satisfying my -appetite, which had become ravenous, with an oaten cake, when I saw a -fishing-boat land close to me, and one of the men brought me a packet; -it contained letters from Geneva, and one from Clerval entreating me to -join him. He said that he was wearing away his time fruitlessly where -he was, that letters from the friends he had formed in London desired -his return to complete the negotiation they had entered into for his -Indian enterprise. He could not any longer delay his departure; but as -his journey to London might be followed, even sooner than he now -conjectured, by his longer voyage, he entreated me to bestow as much of -my society on him as I could spare. He besought me, therefore, to -leave my solitary isle and to meet him at Perth, that we might proceed -southwards together. This letter in a degree recalled me to life, and -I determined to quit my island at the expiration of two days. Yet, -before I departed, there was a task to perform, on which I shuddered to -reflect; I must pack up my chemical instruments, and for that purpose I -must enter the room which had been the scene of my odious work, and I -must handle those utensils the sight of which was sickening to me. The -next morning, at daybreak, I summoned sufficient courage and unlocked -the door of my laboratory. The remains of the half-finished creature, -whom I had destroyed, lay scattered on the floor, and I almost felt as -if I had mangled the living flesh of a human being. I paused to -collect myself and then entered the chamber. With trembling hand I -conveyed the instruments out of the room, but I reflected that I ought -not to leave the relics of my work to excite the horror and suspicion -of the peasants; and I accordingly put them into a basket, with a great -quantity of stones, and laying them up, determined to throw them into -the sea that very night; and in the meantime I sat upon the beach, -employed in cleaning and arranging my chemical apparatus. - -Nothing could be more complete than the alteration that had taken place -in my feelings since the night of the appearance of the daemon. I had -before regarded my promise with a gloomy despair as a thing that, with -whatever consequences, must be fulfilled; but I now felt as if a film -had been taken from before my eyes and that I for the first time saw -clearly. The idea of renewing my labours did not for one instant occur -to me; the threat I had heard weighed on my thoughts, but I did not -reflect that a voluntary act of mine could avert it. I had resolved in -my own mind that to create another like the fiend I had first made -would be an act of the basest and most atrocious selfishness, and I -banished from my mind every thought that could lead to a different -conclusion. - -Between two and three in the morning the moon rose; and I then, putting -my basket aboard a little skiff, sailed out about four miles from the -shore. The scene was perfectly solitary; a few boats were returning -towards land, but I sailed away from them. I felt as if I was about -the commission of a dreadful crime and avoided with shuddering anxiety -any encounter with my fellow creatures. At one time the moon, which -had before been clear, was suddenly overspread by a thick cloud, and I -took advantage of the moment of darkness and cast my basket into the -sea; I listened to the gurgling sound as it sank and then sailed away -from the spot. The sky became clouded, but the air was pure, although -chilled by the northeast breeze that was then rising. But it refreshed -me and filled me with such agreeable sensations that I resolved to -prolong my stay on the water, and fixing the rudder in a direct -position, stretched myself at the bottom of the boat. Clouds hid the -moon, everything was obscure, and I heard only the sound of the boat as -its keel cut through the waves; the murmur lulled me, and in a short -time I slept soundly. I do not know how long I remained in this -situation, but when I awoke I found that the sun had already mounted -considerably. The wind was high, and the waves continually threatened -the safety of my little skiff. I found that the wind was northeast and -must have driven me far from the coast from which I had embarked. I -endeavoured to change my course but quickly found that if I again made -the attempt the boat would be instantly filled with water. Thus -situated, my only resource was to drive before the wind. I confess -that I felt a few sensations of terror. I had no compass with me and -was so slenderly acquainted with the geography of this part of the -world that the sun was of little benefit to me. I might be driven into -the wide Atlantic and feel all the tortures of starvation or be -swallowed up in the immeasurable waters that roared and buffeted around -me. I had already been out many hours and felt the torment of a -burning thirst, a prelude to my other sufferings. I looked on the -heavens, which were covered by clouds that flew before the wind, only -to be replaced by others; I looked upon the sea; it was to be my grave. -"Fiend," I exclaimed, "your task is already fulfilled!" I thought of -Elizabeth, of my father, and of Clerval--all left behind, on whom the -monster might satisfy his sanguinary and merciless passions. This idea -plunged me into a reverie so despairing and frightful that even now, -when the scene is on the point of closing before me forever, I shudder -to reflect on it. - -Some hours passed thus; but by degrees, as the sun declined towards the -horizon, the wind died away into a gentle breeze and the sea became -free from breakers. But these gave place to a heavy swell; I felt sick -and hardly able to hold the rudder, when suddenly I saw a line of high -land towards the south. - -Almost spent, as I was, by fatigue and the dreadful suspense I endured -for several hours, this sudden certainty of life rushed like a flood of -warm joy to my heart, and tears gushed from my eyes. - -How mutable are our feelings, and how strange is that clinging love we -have of life even in the excess of misery! I constructed another sail -with a part of my dress and eagerly steered my course towards the land. -It had a wild and rocky appearance, but as I approached nearer I easily -perceived the traces of cultivation. I saw vessels near the shore and -found myself suddenly transported back to the neighbourhood of -civilized man. I carefully traced the windings of the land and hailed -a steeple which I at length saw issuing from behind a small promontory. -As I was in a state of extreme debility, I resolved to sail directly -towards the town, as a place where I could most easily procure -nourishment. Fortunately I had money with me. - -As I turned the promontory I perceived a small neat town and a good -harbour, which I entered, my heart bounding with joy at my unexpected -escape. - -As I was occupied in fixing the boat and arranging the sails, several -people crowded towards the spot. They seemed much surprised at my -appearance, but instead of offering me any assistance, whispered -together with gestures that at any other time might have produced in me -a slight sensation of alarm. As it was, I merely remarked that they -spoke English, and I therefore addressed them in that language. "My -good friends," said I, "will you be so kind as to tell me the name of -this town and inform me where I am?" - -"You will know that soon enough," replied a man with a hoarse voice. -"Maybe you are come to a place that will not prove much to your taste, -but you will not be consulted as to your quarters, I promise you." - -I was exceedingly surprised on receiving so rude an answer from a -stranger, and I was also disconcerted on perceiving the frowning and -angry countenances of his companions. "Why do you answer me so -roughly?" I replied. "Surely it is not the custom of Englishmen to -receive strangers so inhospitably." - -"I do not know," said the man, "what the custom of the English may be, -but it is the custom of the Irish to hate villains." While this strange -dialogue continued, I perceived the crowd rapidly increase. Their -faces expressed a mixture of curiosity and anger, which annoyed and in -some degree alarmed me. - -I inquired the way to the inn, but no one replied. I then moved -forward, and a murmuring sound arose from the crowd as they followed -and surrounded me, when an ill-looking man approaching tapped me on the -shoulder and said, "Come, sir, you must follow me to Mr. Kirwin's to -give an account of yourself." - -"Who is Mr. Kirwin? Why am I to give an account of myself? Is not -this a free country?" - -"Ay, sir, free enough for honest folks. Mr. Kirwin is a magistrate, -and you are to give an account of the death of a gentleman who was -found murdered here last night." - -This answer startled me, but I presently recovered myself. I was -innocent; that could easily be proved; accordingly I followed my -conductor in silence and was led to one of the best houses in the town. -I was ready to sink from fatigue and hunger, but being surrounded by a -crowd, I thought it politic to rouse all my strength, that no physical -debility might be construed into apprehension or conscious guilt. -Little did I then expect the calamity that was in a few moments to -overwhelm me and extinguish in horror and despair all fear of ignominy -or death. I must pause here, for it requires all my fortitude to recall -the memory of the frightful events which I am about to relate, in -proper detail, to my recollection. - - - -Chapter 21 - -I was soon introduced into the presence of the magistrate, an old -benevolent man with calm and mild manners. He looked upon me, however, -with some degree of severity, and then, turning towards my conductors, -he asked who appeared as witnesses on this occasion. - -About half a dozen men came forward; and, one being selected by the -magistrate, he deposed that he had been out fishing the night before -with his son and brother-in-law, Daniel Nugent, when, about ten -o'clock, they observed a strong northerly blast rising, and they -accordingly put in for port. It was a very dark night, as the moon had -not yet risen; they did not land at the harbour, but, as they had been -accustomed, at a creek about two miles below. He walked on first, -carrying a part of the fishing tackle, and his companions followed him -at some distance. - -As he was proceeding along the sands, he struck his foot against -something and fell at his length on the ground. His companions came up -to assist him, and by the light of their lantern they found that he had -fallen on the body of a man, who was to all appearance dead. Their -first supposition was that it was the corpse of some person who had -been drowned and was thrown on shore by the waves, but on examination -they found that the clothes were not wet and even that the body was not -then cold. They instantly carried it to the cottage of an old woman -near the spot and endeavoured, but in vain, to restore it to life. It -appeared to be a handsome young man, about five and twenty years of -age. He had apparently been strangled, for there was no sign of any -violence except the black mark of fingers on his neck. - -The first part of this deposition did not in the least interest me, but -when the mark of the fingers was mentioned I remembered the murder of -my brother and felt myself extremely agitated; my limbs trembled, and a -mist came over my eyes, which obliged me to lean on a chair for -support. The magistrate observed me with a keen eye and of course drew -an unfavourable augury from my manner. - -The son confirmed his father's account, but when Daniel Nugent was -called he swore positively that just before the fall of his companion, -he saw a boat, with a single man in it, at a short distance from the -shore; and as far as he could judge by the light of a few stars, it was -the same boat in which I had just landed. A woman deposed that she -lived near the beach and was standing at the door of her cottage, -waiting for the return of the fishermen, about an hour before she heard -of the discovery of the body, when she saw a boat with only one man in -it push off from that part of the shore where the corpse was afterwards -found. - -Another woman confirmed the account of the fishermen having brought the -body into her house; it was not cold. They put it into a bed and -rubbed it, and Daniel went to the town for an apothecary, but life was -quite gone. - -Several other men were examined concerning my landing, and they agreed -that, with the strong north wind that had arisen during the night, it -was very probable that I had beaten about for many hours and had been -obliged to return nearly to the same spot from which I had departed. -Besides, they observed that it appeared that I had brought the body -from another place, and it was likely that as I did not appear to know -the shore, I might have put into the harbour ignorant of the distance -of the town of ---- from the place where I had deposited the corpse. - -Mr. Kirwin, on hearing this evidence, desired that I should be taken -into the room where the body lay for interment, that it might be -observed what effect the sight of it would produce upon me. This idea -was probably suggested by the extreme agitation I had exhibited when -the mode of the murder had been described. I was accordingly -conducted, by the magistrate and several other persons, to the inn. I -could not help being struck by the strange coincidences that had taken -place during this eventful night; but, knowing that I had been -conversing with several persons in the island I had inhabited about the -time that the body had been found, I was perfectly tranquil as to the -consequences of the affair. I entered the room where the corpse lay -and was led up to the coffin. How can I describe my sensations on -beholding it? I feel yet parched with horror, nor can I reflect on -that terrible moment without shuddering and agony. The examination, -the presence of the magistrate and witnesses, passed like a dream from -my memory when I saw the lifeless form of Henry Clerval stretched -before me. I gasped for breath, and throwing myself on the body, I -exclaimed, "Have my murderous machinations deprived you also, my -dearest Henry, of life? Two I have already destroyed; other victims -await their destiny; but you, Clerval, my friend, my benefactor--" - -The human frame could no longer support the agonies that I endured, and -I was carried out of the room in strong convulsions. A fever succeeded -to this. I lay for two months on the point of death; my ravings, as I -afterwards heard, were frightful; I called myself the murderer of -William, of Justine, and of Clerval. Sometimes I entreated my -attendants to assist me in the destruction of the fiend by whom I was -tormented; and at others I felt the fingers of the monster already -grasping my neck, and screamed aloud with agony and terror. -Fortunately, as I spoke my native language, Mr. Kirwin alone understood -me; but my gestures and bitter cries were sufficient to affright the -other witnesses. Why did I not die? More miserable than man ever was -before, why did I not sink into forgetfulness and rest? Death snatches -away many blooming children, the only hopes of their doting parents; -how many brides and youthful lovers have been one day in the bloom of -health and hope, and the next a prey for worms and the decay of the -tomb! Of what materials was I made that I could thus resist so many -shocks, which, like the turning of the wheel, continually renewed the -torture? - -But I was doomed to live and in two months found myself as awaking from -a dream, in a prison, stretched on a wretched bed, surrounded by -jailers, turnkeys, bolts, and all the miserable apparatus of a dungeon. -It was morning, I remember, when I thus awoke to understanding; I had -forgotten the particulars of what had happened and only felt as if some -great misfortune had suddenly overwhelmed me; but when I looked around -and saw the barred windows and the squalidness of the room in which I -was, all flashed across my memory and I groaned bitterly. - -This sound disturbed an old woman who was sleeping in a chair beside -me. She was a hired nurse, the wife of one of the turnkeys, and her -countenance expressed all those bad qualities which often characterize -that class. The lines of her face were hard and rude, like that of -persons accustomed to see without sympathizing in sights of misery. Her -tone expressed her entire indifference; she addressed me in English, -and the voice struck me as one that I had heard during my sufferings. -"Are you better now, sir?" said she. - -I replied in the same language, with a feeble voice, "I believe I am; -but if it be all true, if indeed I did not dream, I am sorry that I am -still alive to feel this misery and horror." - -"For that matter," replied the old woman, "if you mean about the -gentleman you murdered, I believe that it were better for you if you -were dead, for I fancy it will go hard with you! However, that's none -of my business; I am sent to nurse you and get you well; I do my duty -with a safe conscience; it were well if everybody did the same." - -I turned with loathing from the woman who could utter so unfeeling a -speech to a person just saved, on the very edge of death; but I felt -languid and unable to reflect on all that had passed. The whole series -of my life appeared to me as a dream; I sometimes doubted if indeed it -were all true, for it never presented itself to my mind with the force -of reality. - -As the images that floated before me became more distinct, I grew -feverish; a darkness pressed around me; no one was near me who soothed -me with the gentle voice of love; no dear hand supported me. The -physician came and prescribed medicines, and the old woman prepared -them for me; but utter carelessness was visible in the first, and the -expression of brutality was strongly marked in the visage of the -second. Who could be interested in the fate of a murderer but the -hangman who would gain his fee? - -These were my first reflections, but I soon learned that Mr. Kirwin had -shown me extreme kindness. He had caused the best room in the prison -to be prepared for me (wretched indeed was the best); and it was he who -had provided a physician and a nurse. It is true, he seldom came to -see me, for although he ardently desired to relieve the sufferings of -every human creature, he did not wish to be present at the agonies and -miserable ravings of a murderer. He came, therefore, sometimes to see -that I was not neglected, but his visits were short and with long -intervals. One day, while I was gradually recovering, I was seated in -a chair, my eyes half open and my cheeks livid like those in death. I -was overcome by gloom and misery and often reflected I had better seek -death than desire to remain in a world which to me was replete with -wretchedness. At one time I considered whether I should not declare -myself guilty and suffer the penalty of the law, less innocent than -poor Justine had been. Such were my thoughts when the door of my -apartment was opened and Mr. Kirwin entered. His countenance expressed -sympathy and compassion; he drew a chair close to mine and addressed me -in French, "I fear that this place is very shocking to you; can I do -anything to make you more comfortable?" - -"I thank you, but all that you mention is nothing to me; on the whole -earth there is no comfort which I am capable of receiving." - -"I know that the sympathy of a stranger can be but of little relief to -one borne down as you are by so strange a misfortune. But you will, I -hope, soon quit this melancholy abode, for doubtless evidence can -easily be brought to free you from the criminal charge." - -"That is my least concern; I am, by a course of strange events, become -the most miserable of mortals. Persecuted and tortured as I am and -have been, can death be any evil to me?" - -"Nothing indeed could be more unfortunate and agonizing than the -strange chances that have lately occurred. You were thrown, by some -surprising accident, on this shore, renowned for its hospitality, -seized immediately, and charged with murder. The first sight that was -presented to your eyes was the body of your friend, murdered in so -unaccountable a manner and placed, as it were, by some fiend across -your path." - -As Mr. Kirwin said this, notwithstanding the agitation I endured on -this retrospect of my sufferings, I also felt considerable surprise at -the knowledge he seemed to possess concerning me. I suppose some -astonishment was exhibited in my countenance, for Mr. Kirwin hastened -to say, "Immediately upon your being taken ill, all the papers that -were on your person were brought me, and I examined them that I might -discover some trace by which I could send to your relations an account -of your misfortune and illness. I found several letters, and, among -others, one which I discovered from its commencement to be from your -father. I instantly wrote to Geneva; nearly two months have elapsed -since the departure of my letter. But you are ill; even now you -tremble; you are unfit for agitation of any kind." - -"This suspense is a thousand times worse than the most horrible event; -tell me what new scene of death has been acted, and whose murder I am -now to lament?" - -"Your family is perfectly well," said Mr. Kirwin with gentleness; "and -someone, a friend, is come to visit you." - -I know not by what chain of thought the idea presented itself, but it -instantly darted into my mind that the murderer had come to mock at my -misery and taunt me with the death of Clerval, as a new incitement for -me to comply with his hellish desires. I put my hand before my eyes, -and cried out in agony, "Oh! Take him away! I cannot see him; for -God's sake, do not let him enter!" - -Mr. Kirwin regarded me with a troubled countenance. He could not help -regarding my exclamation as a presumption of my guilt and said in -rather a severe tone, "I should have thought, young man, that the -presence of your father would have been welcome instead of inspiring -such violent repugnance." - -"My father!" cried I, while every feature and every muscle was relaxed -from anguish to pleasure. "Is my father indeed come? How kind, how -very kind! But where is he, why does he not hasten to me?" - -My change of manner surprised and pleased the magistrate; perhaps he -thought that my former exclamation was a momentary return of delirium, -and now he instantly resumed his former benevolence. He rose and -quitted the room with my nurse, and in a moment my father entered it. - -Nothing, at this moment, could have given me greater pleasure than the -arrival of my father. I stretched out my hand to him and cried, "Are -you, then, safe--and Elizabeth--and Ernest?" My father calmed me with -assurances of their welfare and endeavoured, by dwelling on these -subjects so interesting to my heart, to raise my desponding spirits; -but he soon felt that a prison cannot be the abode of cheerfulness. - -"What a place is this that you inhabit, my son!" said he, looking -mournfully at the barred windows and wretched appearance of the room. -"You travelled to seek happiness, but a fatality seems to pursue you. -And poor Clerval--" - -The name of my unfortunate and murdered friend was an agitation too -great to be endured in my weak state; I shed tears. "Alas! Yes, my -father," replied I; "some destiny of the most horrible kind hangs over -me, and I must live to fulfil it, or surely I should have died on the -coffin of Henry." - -We were not allowed to converse for any length of time, for the -precarious state of my health rendered every precaution necessary that -could ensure tranquillity. Mr. Kirwin came in and insisted that my -strength should not be exhausted by too much exertion. But the -appearance of my father was to me like that of my good angel, and I -gradually recovered my health. - -As my sickness quitted me, I was absorbed by a gloomy and black -melancholy that nothing could dissipate. The image of Clerval was -forever before me, ghastly and murdered. More than once the agitation -into which these reflections threw me made my friends dread a dangerous -relapse. Alas! Why did they preserve so miserable and detested a -life? It was surely that I might fulfil my destiny, which is now -drawing to a close. Soon, oh, very soon, will death extinguish these -throbbings and relieve me from the mighty weight of anguish that bears -me to the dust; and, in executing the award of justice, I shall also -sink to rest. Then the appearance of death was distant, although the -wish was ever present to my thoughts; and I often sat for hours -motionless and speechless, wishing for some mighty revolution that -might bury me and my destroyer in its ruins. - -The season of the assizes approached. I had already been three months -in prison, and although I was still weak and in continual danger of a -relapse, I was obliged to travel nearly a hundred miles to the country -town where the court was held. Mr. Kirwin charged himself with every -care of collecting witnesses and arranging my defence. I was spared -the disgrace of appearing publicly as a criminal, as the case was not -brought before the court that decides on life and death. The grand -jury rejected the bill, on its being proved that I was on the Orkney -Islands at the hour the body of my friend was found; and a fortnight -after my removal I was liberated from prison. - -My father was enraptured on finding me freed from the vexations of a -criminal charge, that I was again allowed to breathe the fresh -atmosphere and permitted to return to my native country. I did not -participate in these feelings, for to me the walls of a dungeon or a -palace were alike hateful. The cup of life was poisoned forever, and -although the sun shone upon me, as upon the happy and gay of heart, I -saw around me nothing but a dense and frightful darkness, penetrated by -no light but the glimmer of two eyes that glared upon me. Sometimes -they were the expressive eyes of Henry, languishing in death, the dark -orbs nearly covered by the lids and the long black lashes that fringed -them; sometimes it was the watery, clouded eyes of the monster, as I -first saw them in my chamber at Ingolstadt. - -My father tried to awaken in me the feelings of affection. He talked -of Geneva, which I should soon visit, of Elizabeth and Ernest; but -these words only drew deep groans from me. Sometimes, indeed, I felt a -wish for happiness and thought with melancholy delight of my beloved -cousin or longed, with a devouring maladie du pays, to see once more -the blue lake and rapid Rhone, that had been so dear to me in early -childhood; but my general state of feeling was a torpor in which a -prison was as welcome a residence as the divinest scene in nature; and -these fits were seldom interrupted but by paroxysms of anguish and -despair. At these moments I often endeavoured to put an end to the -existence I loathed, and it required unceasing attendance and vigilance -to restrain me from committing some dreadful act of violence. - -Yet one duty remained to me, the recollection of which finally -triumphed over my selfish despair. It was necessary that I should -return without delay to Geneva, there to watch over the lives of those -I so fondly loved and to lie in wait for the murderer, that if any -chance led me to the place of his concealment, or if he dared again to -blast me by his presence, I might, with unfailing aim, put an end to -the existence of the monstrous image which I had endued with the -mockery of a soul still more monstrous. My father still desired to -delay our departure, fearful that I could not sustain the fatigues of a -journey, for I was a shattered wreck--the shadow of a human being. My -strength was gone. I was a mere skeleton, and fever night and day -preyed upon my wasted frame. Still, as I urged our leaving Ireland -with such inquietude and impatience, my father thought it best to -yield. We took our passage on board a vessel bound for Havre-de-Grace -and sailed with a fair wind from the Irish shores. It was midnight. I -lay on the deck looking at the stars and listening to the dashing of -the waves. I hailed the darkness that shut Ireland from my sight, and -my pulse beat with a feverish joy when I reflected that I should soon -see Geneva. The past appeared to me in the light of a frightful dream; -yet the vessel in which I was, the wind that blew me from the detested -shore of Ireland, and the sea which surrounded me told me too forcibly -that I was deceived by no vision and that Clerval, my friend and -dearest companion, had fallen a victim to me and the monster of my -creation. I repassed, in my memory, my whole life--my quiet happiness -while residing with my family in Geneva, the death of my mother, and my -departure for Ingolstadt. I remembered, shuddering, the mad enthusiasm -that hurried me on to the creation of my hideous enemy, and I called to -mind the night in which he first lived. I was unable to pursue the -train of thought; a thousand feelings pressed upon me, and I wept -bitterly. Ever since my recovery from the fever I had been in the -custom of taking every night a small quantity of laudanum, for it was -by means of this drug only that I was enabled to gain the rest -necessary for the preservation of life. Oppressed by the recollection -of my various misfortunes, I now swallowed double my usual quantity and -soon slept profoundly. But sleep did not afford me respite from -thought and misery; my dreams presented a thousand objects that scared -me. Towards morning I was possessed by a kind of nightmare; I felt the -fiend's grasp in my neck and could not free myself from it; groans and -cries rang in my ears. My father, who was watching over me, perceiving -my restlessness, awoke me; the dashing waves were around, the cloudy -sky above, the fiend was not here: a sense of security, a feeling that -a truce was established between the present hour and the irresistible, -disastrous future imparted to me a kind of calm forgetfulness, of which -the human mind is by its structure peculiarly susceptible. - - - -Chapter 22 - -The voyage came to an end. We landed, and proceeded to Paris. I soon -found that I had overtaxed my strength and that I must repose before I -could continue my journey. My father's care and attentions were -indefatigable, but he did not know the origin of my sufferings and -sought erroneous methods to remedy the incurable ill. He wished me to -seek amusement in society. I abhorred the face of man. Oh, not -abhorred! They were my brethren, my fellow beings, and I felt -attracted even to the most repulsive among them, as to creatures of an -angelic nature and celestial mechanism. But I felt that I had no right -to share their intercourse. I had unchained an enemy among them whose -joy it was to shed their blood and to revel in their groans. How they -would, each and all, abhor me and hunt me from the world did they know -my unhallowed acts and the crimes which had their source in me! - -My father yielded at length to my desire to avoid society and strove by -various arguments to banish my despair. Sometimes he thought that I -felt deeply the degradation of being obliged to answer a charge of -murder, and he endeavoured to prove to me the futility of pride. - -"Alas! My father," said I, "how little do you know me. Human beings, -their feelings and passions, would indeed be degraded if such a wretch -as I felt pride. Justine, poor unhappy Justine, was as innocent as I, -and she suffered the same charge; she died for it; and I am the cause -of this--I murdered her. William, Justine, and Henry--they all died by -my hands." - -My father had often, during my imprisonment, heard me make the same -assertion; when I thus accused myself, he sometimes seemed to desire an -explanation, and at others he appeared to consider it as the offspring -of delirium, and that, during my illness, some idea of this kind had -presented itself to my imagination, the remembrance of which I -preserved in my convalescence. - -I avoided explanation and maintained a continual silence concerning the -wretch I had created. I had a persuasion that I should be supposed -mad, and this in itself would forever have chained my tongue. But, -besides, I could not bring myself to disclose a secret which would fill -my hearer with consternation and make fear and unnatural horror the -inmates of his breast. I checked, therefore, my impatient thirst for -sympathy and was silent when I would have given the world to have -confided the fatal secret. Yet, still, words like those I have -recorded would burst uncontrollably from me. I could offer no -explanation of them, but their truth in part relieved the burden of my -mysterious woe. Upon this occasion my father said, with an expression -of unbounded wonder, "My dearest Victor, what infatuation is this? My -dear son, I entreat you never to make such an assertion again." - -"I am not mad," I cried energetically; "the sun and the heavens, who -have viewed my operations, can bear witness of my truth. I am the -assassin of those most innocent victims; they died by my machinations. -A thousand times would I have shed my own blood, drop by drop, to have -saved their lives; but I could not, my father, indeed I could not -sacrifice the whole human race." - -The conclusion of this speech convinced my father that my ideas were -deranged, and he instantly changed the subject of our conversation and -endeavoured to alter the course of my thoughts. He wished as much as -possible to obliterate the memory of the scenes that had taken place in -Ireland and never alluded to them or suffered me to speak of my -misfortunes. - -As time passed away I became more calm; misery had her dwelling in my -heart, but I no longer talked in the same incoherent manner of my own -crimes; sufficient for me was the consciousness of them. By the utmost -self-violence I curbed the imperious voice of wretchedness, which -sometimes desired to declare itself to the whole world, and my manners -were calmer and more composed than they had ever been since my journey -to the sea of ice. A few days before we left Paris on our way to -Switzerland, I received the following letter from Elizabeth: - - -"My dear Friend, - -"It gave me the greatest pleasure to receive a letter from my uncle -dated at Paris; you are no longer at a formidable distance, and I may -hope to see you in less than a fortnight. My poor cousin, how much you -must have suffered! I expect to see you looking even more ill than -when you quitted Geneva. This winter has been passed most miserably, -tortured as I have been by anxious suspense; yet I hope to see peace in -your countenance and to find that your heart is not totally void of -comfort and tranquillity. - -"Yet I fear that the same feelings now exist that made you so miserable -a year ago, even perhaps augmented by time. I would not disturb you at -this period, when so many misfortunes weigh upon you, but a -conversation that I had with my uncle previous to his departure renders -some explanation necessary before we meet. Explanation! You may -possibly say, What can Elizabeth have to explain? If you really say -this, my questions are answered and all my doubts satisfied. But you -are distant from me, and it is possible that you may dread and yet be -pleased with this explanation; and in a probability of this being the -case, I dare not any longer postpone writing what, during your absence, -I have often wished to express to you but have never had the courage to -begin. - -"You well know, Victor, that our union had been the favourite plan of -your parents ever since our infancy. We were told this when young, and -taught to look forward to it as an event that would certainly take -place. We were affectionate playfellows during childhood, and, I -believe, dear and valued friends to one another as we grew older. But -as brother and sister often entertain a lively affection towards each -other without desiring a more intimate union, may not such also be our -case? Tell me, dearest Victor. Answer me, I conjure you by our mutual -happiness, with simple truth--Do you not love another? - -"You have travelled; you have spent several years of your life at -Ingolstadt; and I confess to you, my friend, that when I saw you last -autumn so unhappy, flying to solitude from the society of every -creature, I could not help supposing that you might regret our -connection and believe yourself bound in honour to fulfil the wishes of -your parents, although they opposed themselves to your inclinations. -But this is false reasoning. I confess to you, my friend, that I love -you and that in my airy dreams of futurity you have been my constant -friend and companion. But it is your happiness I desire as well as my -own when I declare to you that our marriage would render me eternally -miserable unless it were the dictate of your own free choice. Even now -I weep to think that, borne down as you are by the cruellest -misfortunes, you may stifle, by the word 'honour,' all hope of that -love and happiness which would alone restore you to yourself. I, who -have so disinterested an affection for you, may increase your miseries -tenfold by being an obstacle to your wishes. Ah! Victor, be assured -that your cousin and playmate has too sincere a love for you not to be -made miserable by this supposition. Be happy, my friend; and if you -obey me in this one request, remain satisfied that nothing on earth -will have the power to interrupt my tranquillity. - -"Do not let this letter disturb you; do not answer tomorrow, or the -next day, or even until you come, if it will give you pain. My uncle -will send me news of your health, and if I see but one smile on your -lips when we meet, occasioned by this or any other exertion of mine, I -shall need no other happiness. - - "Elizabeth Lavenza - - - "Geneva, May 18th, 17--" - - -This letter revived in my memory what I had before forgotten, the -threat of the fiend--"I WILL BE WITH YOU ON YOUR WEDDING-NIGHT!" Such -was my sentence, and on that night would the daemon employ every art to -destroy me and tear me from the glimpse of happiness which promised -partly to console my sufferings. On that night he had determined to -consummate his crimes by my death. Well, be it so; a deadly struggle -would then assuredly take place, in which if he were victorious I -should be at peace and his power over me be at an end. If he were -vanquished, I should be a free man. Alas! What freedom? Such as the -peasant enjoys when his family have been massacred before his eyes, his -cottage burnt, his lands laid waste, and he is turned adrift, homeless, -penniless, and alone, but free. Such would be my liberty except that in -my Elizabeth I possessed a treasure, alas, balanced by those horrors of -remorse and guilt which would pursue me until death. - -Sweet and beloved Elizabeth! I read and reread her letter, and some -softened feelings stole into my heart and dared to whisper paradisiacal -dreams of love and joy; but the apple was already eaten, and the -angel's arm bared to drive me from all hope. Yet I would die to make -her happy. If the monster executed his threat, death was inevitable; -yet, again, I considered whether my marriage would hasten my fate. My -destruction might indeed arrive a few months sooner, but if my torturer -should suspect that I postponed it, influenced by his menaces, he would -surely find other and perhaps more dreadful means of revenge. - -He had vowed TO BE WITH ME ON MY WEDDING-NIGHT, yet he did not consider -that threat as binding him to peace in the meantime, for as if to show -me that he was not yet satiated with blood, he had murdered Clerval -immediately after the enunciation of his threats. I resolved, -therefore, that if my immediate union with my cousin would conduce -either to hers or my father's happiness, my adversary's designs against -my life should not retard it a single hour. - -In this state of mind I wrote to Elizabeth. My letter was calm and -affectionate. "I fear, my beloved girl," I said, "little happiness -remains for us on earth; yet all that I may one day enjoy is centred in -you. Chase away your idle fears; to you alone do I consecrate my life -and my endeavours for contentment. I have one secret, Elizabeth, a -dreadful one; when revealed to you, it will chill your frame with -horror, and then, far from being surprised at my misery, you will only -wonder that I survive what I have endured. I will confide this tale of -misery and terror to you the day after our marriage shall take place, -for, my sweet cousin, there must be perfect confidence between us. But -until then, I conjure you, do not mention or allude to it. This I most -earnestly entreat, and I know you will comply." - -In about a week after the arrival of Elizabeth's letter we returned to -Geneva. The sweet girl welcomed me with warm affection, yet tears were -in her eyes as she beheld my emaciated frame and feverish cheeks. I -saw a change in her also. She was thinner and had lost much of that -heavenly vivacity that had before charmed me; but her gentleness and -soft looks of compassion made her a more fit companion for one blasted -and miserable as I was. The tranquillity which I now enjoyed did not -endure. Memory brought madness with it, and when I thought of what had -passed, a real insanity possessed me; sometimes I was furious and burnt -with rage, sometimes low and despondent. I neither spoke nor looked at -anyone, but sat motionless, bewildered by the multitude of miseries -that overcame me. - -Elizabeth alone had the power to draw me from these fits; her gentle -voice would soothe me when transported by passion and inspire me with -human feelings when sunk in torpor. She wept with me and for me. When -reason returned, she would remonstrate and endeavour to inspire me with -resignation. Ah! It is well for the unfortunate to be resigned, but -for the guilty there is no peace. The agonies of remorse poison the -luxury there is otherwise sometimes found in indulging the excess of -grief. Soon after my arrival my father spoke of my immediate marriage -with Elizabeth. I remained silent. - -"Have you, then, some other attachment?" - -"None on earth. I love Elizabeth and look forward to our union with -delight. Let the day therefore be fixed; and on it I will consecrate -myself, in life or death, to the happiness of my cousin." - -"My dear Victor, do not speak thus. Heavy misfortunes have befallen -us, but let us only cling closer to what remains and transfer our love -for those whom we have lost to those who yet live. Our circle will be -small but bound close by the ties of affection and mutual misfortune. -And when time shall have softened your despair, new and dear objects of -care will be born to replace those of whom we have been so cruelly -deprived." - -Such were the lessons of my father. But to me the remembrance of the -threat returned; nor can you wonder that, omnipotent as the fiend had -yet been in his deeds of blood, I should almost regard him as -invincible, and that when he had pronounced the words "I SHALL BE WITH -YOU ON YOUR WEDDING-NIGHT," I should regard the threatened fate as -unavoidable. But death was no evil to me if the loss of Elizabeth were -balanced with it, and I therefore, with a contented and even cheerful -countenance, agreed with my father that if my cousin would consent, the -ceremony should take place in ten days, and thus put, as I imagined, -the seal to my fate. - -Great God! If for one instant I had thought what might be the hellish -intention of my fiendish adversary, I would rather have banished myself -forever from my native country and wandered a friendless outcast over -the earth than have consented to this miserable marriage. But, as if -possessed of magic powers, the monster had blinded me to his real -intentions; and when I thought that I had prepared only my own death, I -hastened that of a far dearer victim. - -As the period fixed for our marriage drew nearer, whether from -cowardice or a prophetic feeling, I felt my heart sink within me. But -I concealed my feelings by an appearance of hilarity that brought -smiles and joy to the countenance of my father, but hardly deceived the -ever-watchful and nicer eye of Elizabeth. She looked forward to our -union with placid contentment, not unmingled with a little fear, which -past misfortunes had impressed, that what now appeared certain and -tangible happiness might soon dissipate into an airy dream and leave no -trace but deep and everlasting regret. Preparations were made for the -event, congratulatory visits were received, and all wore a smiling -appearance. I shut up, as well as I could, in my own heart the anxiety -that preyed there and entered with seeming earnestness into the plans -of my father, although they might only serve as the decorations of my -tragedy. Through my father's exertions a part of the inheritance of -Elizabeth had been restored to her by the Austrian government. A small -possession on the shores of Como belonged to her. It was agreed that, -immediately after our union, we should proceed to Villa Lavenza and -spend our first days of happiness beside the beautiful lake near which -it stood. - -In the meantime I took every precaution to defend my person in case the -fiend should openly attack me. I carried pistols and a dagger -constantly about me and was ever on the watch to prevent artifice, and -by these means gained a greater degree of tranquillity. Indeed, as the -period approached, the threat appeared more as a delusion, not to be -regarded as worthy to disturb my peace, while the happiness I hoped for -in my marriage wore a greater appearance of certainty as the day fixed -for its solemnization drew nearer and I heard it continually spoken of -as an occurrence which no accident could possibly prevent. - -Elizabeth seemed happy; my tranquil demeanour contributed greatly to -calm her mind. But on the day that was to fulfil my wishes and my -destiny, she was melancholy, and a presentiment of evil pervaded her; -and perhaps also she thought of the dreadful secret which I had -promised to reveal to her on the following day. My father was in the -meantime overjoyed and in the bustle of preparation only recognized in -the melancholy of his niece the diffidence of a bride. - -After the ceremony was performed a large party assembled at my -father's, but it was agreed that Elizabeth and I should commence our -journey by water, sleeping that night at Evian and continuing our -voyage on the following day. The day was fair, the wind favourable; -all smiled on our nuptial embarkation. - -Those were the last moments of my life during which I enjoyed the -feeling of happiness. We passed rapidly along; the sun was hot, but we -were sheltered from its rays by a kind of canopy while we enjoyed the -beauty of the scene, sometimes on one side of the lake, where we saw -Mont Saleve, the pleasant banks of Montalegre, and at a distance, -surmounting all, the beautiful Mont Blanc and the assemblage of snowy -mountains that in vain endeavour to emulate her; sometimes coasting the -opposite banks, we saw the mighty Jura opposing its dark side to the -ambition that would quit its native country, and an almost -insurmountable barrier to the invader who should wish to enslave it. - -I took the hand of Elizabeth. "You are sorrowful, my love. Ah! If -you knew what I have suffered and what I may yet endure, you would -endeavour to let me taste the quiet and freedom from despair that this -one day at least permits me to enjoy." - -"Be happy, my dear Victor," replied Elizabeth; "there is, I hope, -nothing to distress you; and be assured that if a lively joy is not -painted in my face, my heart is contented. Something whispers to me -not to depend too much on the prospect that is opened before us, but I -will not listen to such a sinister voice. Observe how fast we move -along and how the clouds, which sometimes obscure and sometimes rise -above the dome of Mont Blanc, render this scene of beauty still more -interesting. Look also at the innumerable fish that are swimming in -the clear waters, where we can distinguish every pebble that lies at -the bottom. What a divine day! How happy and serene all nature -appears!" - -Thus Elizabeth endeavoured to divert her thoughts and mine from all -reflection upon melancholy subjects. But her temper was fluctuating; -joy for a few instants shone in her eyes, but it continually gave place -to distraction and reverie. - -The sun sank lower in the heavens; we passed the river Drance and -observed its path through the chasms of the higher and the glens of the -lower hills. The Alps here come closer to the lake, and we approached -the amphitheatre of mountains which forms its eastern boundary. The -spire of Evian shone under the woods that surrounded it and the range -of mountain above mountain by which it was overhung. - -The wind, which had hitherto carried us along with amazing rapidity, -sank at sunset to a light breeze; the soft air just ruffled the water -and caused a pleasant motion among the trees as we approached the -shore, from which it wafted the most delightful scent of flowers and -hay. The sun sank beneath the horizon as we landed, and as I touched -the shore I felt those cares and fears revive which soon were to clasp -me and cling to me forever. - - - -Chapter 23 - -It was eight o'clock when we landed; we walked for a short time on the -shore, enjoying the transitory light, and then retired to the inn and -contemplated the lovely scene of waters, woods, and mountains, obscured -in darkness, yet still displaying their black outlines. - -The wind, which had fallen in the south, now rose with great violence -in the west. The moon had reached her summit in the heavens and was -beginning to descend; the clouds swept across it swifter than the -flight of the vulture and dimmed her rays, while the lake reflected the -scene of the busy heavens, rendered still busier by the restless waves -that were beginning to rise. Suddenly a heavy storm of rain descended. - -I had been calm during the day, but so soon as night obscured the -shapes of objects, a thousand fears arose in my mind. I was anxious -and watchful, while my right hand grasped a pistol which was hidden in -my bosom; every sound terrified me, but I resolved that I would sell my -life dearly and not shrink from the conflict until my own life or that -of my adversary was extinguished. Elizabeth observed my agitation for -some time in timid and fearful silence, but there was something in my -glance which communicated terror to her, and trembling, she asked, -"What is it that agitates you, my dear Victor? What is it you fear?" - -"Oh! Peace, peace, my love," replied I; "this night, and all will be -safe; but this night is dreadful, very dreadful." - -I passed an hour in this state of mind, when suddenly I reflected how -fearful the combat which I momentarily expected would be to my wife, -and I earnestly entreated her to retire, resolving not to join her -until I had obtained some knowledge as to the situation of my enemy. - -She left me, and I continued some time walking up and down the passages -of the house and inspecting every corner that might afford a retreat to -my adversary. But I discovered no trace of him and was beginning to -conjecture that some fortunate chance had intervened to prevent the -execution of his menaces when suddenly I heard a shrill and dreadful -scream. It came from the room into which Elizabeth had retired. As I -heard it, the whole truth rushed into my mind, my arms dropped, the -motion of every muscle and fibre was suspended; I could feel the blood -trickling in my veins and tingling in the extremities of my limbs. This -state lasted but for an instant; the scream was repeated, and I rushed -into the room. Great God! Why did I not then expire! Why am I here -to relate the destruction of the best hope and the purest creature on -earth? She was there, lifeless and inanimate, thrown across the bed, -her head hanging down and her pale and distorted features half covered -by her hair. Everywhere I turn I see the same figure--her bloodless -arms and relaxed form flung by the murderer on its bridal bier. Could -I behold this and live? Alas! Life is obstinate and clings closest -where it is most hated. For a moment only did I lose recollection; I -fell senseless on the ground. - -When I recovered I found myself surrounded by the people of the inn; -their countenances expressed a breathless terror, but the horror of -others appeared only as a mockery, a shadow of the feelings that -oppressed me. I escaped from them to the room where lay the body of -Elizabeth, my love, my wife, so lately living, so dear, so worthy. She -had been moved from the posture in which I had first beheld her, and -now, as she lay, her head upon her arm and a handkerchief thrown across -her face and neck, I might have supposed her asleep. I rushed towards -her and embraced her with ardour, but the deadly languor and coldness -of the limbs told me that what I now held in my arms had ceased to be -the Elizabeth whom I had loved and cherished. The murderous mark of -the fiend's grasp was on her neck, and the breath had ceased to issue -from her lips. While I still hung over her in the agony of despair, I -happened to look up. The windows of the room had before been darkened, -and I felt a kind of panic on seeing the pale yellow light of the moon -illuminate the chamber. The shutters had been thrown back, and with a -sensation of horror not to be described, I saw at the open window a -figure the most hideous and abhorred. A grin was on the face of the -monster; he seemed to jeer, as with his fiendish finger he pointed -towards the corpse of my wife. I rushed towards the window, and -drawing a pistol from my bosom, fired; but he eluded me, leaped from -his station, and running with the swiftness of lightning, plunged into -the lake. - -The report of the pistol brought a crowd into the room. I pointed to -the spot where he had disappeared, and we followed the track with -boats; nets were cast, but in vain. After passing several hours, we -returned hopeless, most of my companions believing it to have been a -form conjured up by my fancy. After having landed, they proceeded to -search the country, parties going in different directions among the -woods and vines. - -I attempted to accompany them and proceeded a short distance from the -house, but my head whirled round, my steps were like those of a drunken -man, I fell at last in a state of utter exhaustion; a film covered my -eyes, and my skin was parched with the heat of fever. In this state I -was carried back and placed on a bed, hardly conscious of what had -happened; my eyes wandered round the room as if to seek something that -I had lost. - -After an interval I arose, and as if by instinct, crawled into the room -where the corpse of my beloved lay. There were women weeping around; I -hung over it and joined my sad tears to theirs; all this time no -distinct idea presented itself to my mind, but my thoughts rambled to -various subjects, reflecting confusedly on my misfortunes and their -cause. I was bewildered, in a cloud of wonder and horror. The death -of William, the execution of Justine, the murder of Clerval, and lastly -of my wife; even at that moment I knew not that my only remaining -friends were safe from the malignity of the fiend; my father even now -might be writhing under his grasp, and Ernest might be dead at his -feet. This idea made me shudder and recalled me to action. I started -up and resolved to return to Geneva with all possible speed. - -There were no horses to be procured, and I must return by the lake; but -the wind was unfavourable, and the rain fell in torrents. However, it -was hardly morning, and I might reasonably hope to arrive by night. I -hired men to row and took an oar myself, for I had always experienced -relief from mental torment in bodily exercise. But the overflowing -misery I now felt, and the excess of agitation that I endured rendered -me incapable of any exertion. I threw down the oar, and leaning my -head upon my hands, gave way to every gloomy idea that arose. If I -looked up, I saw scenes which were familiar to me in my happier time -and which I had contemplated but the day before in the company of her -who was now but a shadow and a recollection. Tears streamed from my -eyes. The rain had ceased for a moment, and I saw the fish play in the -waters as they had done a few hours before; they had then been observed -by Elizabeth. Nothing is so painful to the human mind as a great and -sudden change. The sun might shine or the clouds might lower, but -nothing could appear to me as it had done the day before. A fiend had -snatched from me every hope of future happiness; no creature had ever -been so miserable as I was; so frightful an event is single in the -history of man. But why should I dwell upon the incidents that followed -this last overwhelming event? Mine has been a tale of horrors; I have -reached their acme, and what I must now relate can but be tedious to -you. Know that, one by one, my friends were snatched away; I was left -desolate. My own strength is exhausted, and I must tell, in a few -words, what remains of my hideous narration. I arrived at Geneva. My -father and Ernest yet lived, but the former sunk under the tidings that -I bore. I see him now, excellent and venerable old man! His eyes -wandered in vacancy, for they had lost their charm and their -delight--his Elizabeth, his more than daughter, whom he doted on with -all that affection which a man feels, who in the decline of life, -having few affections, clings more earnestly to those that remain. -Cursed, cursed be the fiend that brought misery on his grey hairs and -doomed him to waste in wretchedness! He could not live under the -horrors that were accumulated around him; the springs of existence -suddenly gave way; he was unable to rise from his bed, and in a few -days he died in my arms. - -What then became of me? I know not; I lost sensation, and chains and -darkness were the only objects that pressed upon me. Sometimes, -indeed, I dreamt that I wandered in flowery meadows and pleasant vales -with the friends of my youth, but I awoke and found myself in a -dungeon. Melancholy followed, but by degrees I gained a clear -conception of my miseries and situation and was then released from my -prison. For they had called me mad, and during many months, as I -understood, a solitary cell had been my habitation. - -Liberty, however, had been a useless gift to me, had I not, as I -awakened to reason, at the same time awakened to revenge. As the -memory of past misfortunes pressed upon me, I began to reflect on their -cause--the monster whom I had created, the miserable daemon whom I had -sent abroad into the world for my destruction. I was possessed by a -maddening rage when I thought of him, and desired and ardently prayed -that I might have him within my grasp to wreak a great and signal -revenge on his cursed head. - -Nor did my hate long confine itself to useless wishes; I began to -reflect on the best means of securing him; and for this purpose, about -a month after my release, I repaired to a criminal judge in the town -and told him that I had an accusation to make, that I knew the -destroyer of my family, and that I required him to exert his whole -authority for the apprehension of the murderer. The magistrate -listened to me with attention and kindness. - -"Be assured, sir," said he, "no pains or exertions on my part shall be -spared to discover the villain." - -"I thank you," replied I; "listen, therefore, to the deposition that I -have to make. It is indeed a tale so strange that I should fear you -would not credit it were there not something in truth which, however -wonderful, forces conviction. The story is too connected to be -mistaken for a dream, and I have no motive for falsehood." My manner as -I thus addressed him was impressive but calm; I had formed in my own -heart a resolution to pursue my destroyer to death, and this purpose -quieted my agony and for an interval reconciled me to life. I now -related my history briefly but with firmness and precision, marking the -dates with accuracy and never deviating into invective or exclamation. - -The magistrate appeared at first perfectly incredulous, but as I -continued he became more attentive and interested; I saw him sometimes -shudder with horror; at others a lively surprise, unmingled with -disbelief, was painted on his countenance. When I had concluded my -narration I said, "This is the being whom I accuse and for whose -seizure and punishment I call upon you to exert your whole power. It -is your duty as a magistrate, and I believe and hope that your feelings -as a man will not revolt from the execution of those functions on this -occasion." This address caused a considerable change in the -physiognomy of my own auditor. He had heard my story with that half -kind of belief that is given to a tale of spirits and supernatural -events; but when he was called upon to act officially in consequence, -the whole tide of his incredulity returned. He, however, answered -mildly, "I would willingly afford you every aid in your pursuit, but -the creature of whom you speak appears to have powers which would put -all my exertions to defiance. Who can follow an animal which can -traverse the sea of ice and inhabit caves and dens where no man would -venture to intrude? Besides, some months have elapsed since the -commission of his crimes, and no one can conjecture to what place he -has wandered or what region he may now inhabit." - -"I do not doubt that he hovers near the spot which I inhabit, and if he -has indeed taken refuge in the Alps, he may be hunted like the chamois -and destroyed as a beast of prey. But I perceive your thoughts; you do -not credit my narrative and do not intend to pursue my enemy with the -punishment which is his desert." As I spoke, rage sparkled in my eyes; -the magistrate was intimidated. "You are mistaken," said he. "I will -exert myself, and if it is in my power to seize the monster, be assured -that he shall suffer punishment proportionate to his crimes. But I -fear, from what you have yourself described to be his properties, that -this will prove impracticable; and thus, while every proper measure is -pursued, you should make up your mind to disappointment." - -"That cannot be; but all that I can say will be of little avail. My -revenge is of no moment to you; yet, while I allow it to be a vice, I -confess that it is the devouring and only passion of my soul. My rage -is unspeakable when I reflect that the murderer, whom I have turned -loose upon society, still exists. You refuse my just demand; I have -but one resource, and I devote myself, either in my life or death, to -his destruction." - -I trembled with excess of agitation as I said this; there was a frenzy -in my manner, and something, I doubt not, of that haughty fierceness -which the martyrs of old are said to have possessed. But to a Genevan -magistrate, whose mind was occupied by far other ideas than those of -devotion and heroism, this elevation of mind had much the appearance of -madness. He endeavoured to soothe me as a nurse does a child and -reverted to my tale as the effects of delirium. - -"Man," I cried, "how ignorant art thou in thy pride of wisdom! Cease; -you know not what it is you say." - -I broke from the house angry and disturbed and retired to meditate on -some other mode of action. - - - -Chapter 24 - -My present situation was one in which all voluntary thought was -swallowed up and lost. I was hurried away by fury; revenge alone -endowed me with strength and composure; it moulded my feelings and -allowed me to be calculating and calm at periods when otherwise -delirium or death would have been my portion. - -My first resolution was to quit Geneva forever; my country, which, when -I was happy and beloved, was dear to me, now, in my adversity, became -hateful. I provided myself with a sum of money, together with a few -jewels which had belonged to my mother, and departed. And now my -wanderings began which are to cease but with life. I have traversed a -vast portion of the earth and have endured all the hardships which -travellers in deserts and barbarous countries are wont to meet. How I -have lived I hardly know; many times have I stretched my failing limbs -upon the sandy plain and prayed for death. But revenge kept me alive; -I dared not die and leave my adversary in being. - -When I quitted Geneva my first labour was to gain some clue by which I -might trace the steps of my fiendish enemy. But my plan was unsettled, -and I wandered many hours round the confines of the town, uncertain -what path I should pursue. As night approached I found myself at the -entrance of the cemetery where William, Elizabeth, and my father -reposed. I entered it and approached the tomb which marked their -graves. Everything was silent except the leaves of the trees, which -were gently agitated by the wind; the night was nearly dark, and the -scene would have been solemn and affecting even to an uninterested -observer. The spirits of the departed seemed to flit around and to -cast a shadow, which was felt but not seen, around the head of the -mourner. - -The deep grief which this scene had at first excited quickly gave way -to rage and despair. They were dead, and I lived; their murderer also -lived, and to destroy him I must drag out my weary existence. I knelt -on the grass and kissed the earth and with quivering lips exclaimed, -"By the sacred earth on which I kneel, by the shades that wander near -me, by the deep and eternal grief that I feel, I swear; and by thee, O -Night, and the spirits that preside over thee, to pursue the daemon who -caused this misery, until he or I shall perish in mortal conflict. For -this purpose I will preserve my life; to execute this dear revenge will -I again behold the sun and tread the green herbage of earth, which -otherwise should vanish from my eyes forever. And I call on you, -spirits of the dead, and on you, wandering ministers of vengeance, to -aid and conduct me in my work. Let the cursed and hellish monster -drink deep of agony; let him feel the despair that now torments me." I -had begun my adjuration with solemnity and an awe which almost assured -me that the shades of my murdered friends heard and approved my -devotion, but the furies possessed me as I concluded, and rage choked -my utterance. - -I was answered through the stillness of night by a loud and fiendish -laugh. It rang on my ears long and heavily; the mountains re-echoed -it, and I felt as if all hell surrounded me with mockery and laughter. -Surely in that moment I should have been possessed by frenzy and have -destroyed my miserable existence but that my vow was heard and that I -was reserved for vengeance. The laughter died away, when a well-known -and abhorred voice, apparently close to my ear, addressed me in an -audible whisper, "I am satisfied, miserable wretch! You have -determined to live, and I am satisfied." - -I darted towards the spot from which the sound proceeded, but the devil -eluded my grasp. Suddenly the broad disk of the moon arose and shone -full upon his ghastly and distorted shape as he fled with more than -mortal speed. - -I pursued him, and for many months this has been my task. Guided by a -slight clue, I followed the windings of the Rhone, but vainly. The -blue Mediterranean appeared, and by a strange chance, I saw the fiend -enter by night and hide himself in a vessel bound for the Black Sea. I -took my passage in the same ship, but he escaped, I know not how. - -Amidst the wilds of Tartary and Russia, although he still evaded me, I -have ever followed in his track. Sometimes the peasants, scared by -this horrid apparition, informed me of his path; sometimes he himself, -who feared that if I lost all trace of him I should despair and die, -left some mark to guide me. The snows descended on my head, and I saw -the print of his huge step on the white plain. To you first entering -on life, to whom care is new and agony unknown, how can you understand -what I have felt and still feel? Cold, want, and fatigue were the -least pains which I was destined to endure; I was cursed by some devil -and carried about with me my eternal hell; yet still a spirit of good -followed and directed my steps and when I most murmured would suddenly -extricate me from seemingly insurmountable difficulties. Sometimes, -when nature, overcome by hunger, sank under the exhaustion, a repast -was prepared for me in the desert that restored and inspirited me. The -fare was, indeed, coarse, such as the peasants of the country ate, but -I will not doubt that it was set there by the spirits that I had -invoked to aid me. Often, when all was dry, the heavens cloudless, and -I was parched by thirst, a slight cloud would bedim the sky, shed the -few drops that revived me, and vanish. - -I followed, when I could, the courses of the rivers; but the daemon -generally avoided these, as it was here that the population of the -country chiefly collected. In other places human beings were seldom -seen, and I generally subsisted on the wild animals that crossed my -path. I had money with me and gained the friendship of the villagers -by distributing it; or I brought with me some food that I had killed, -which, after taking a small part, I always presented to those who had -provided me with fire and utensils for cooking. - -My life, as it passed thus, was indeed hateful to me, and it was during -sleep alone that I could taste joy. O blessed sleep! Often, when most -miserable, I sank to repose, and my dreams lulled me even to rapture. -The spirits that guarded me had provided these moments, or rather -hours, of happiness that I might retain strength to fulfil my -pilgrimage. Deprived of this respite, I should have sunk under my -hardships. During the day I was sustained and inspirited by the hope -of night, for in sleep I saw my friends, my wife, and my beloved -country; again I saw the benevolent countenance of my father, heard the -silver tones of my Elizabeth's voice, and beheld Clerval enjoying -health and youth. Often, when wearied by a toilsome march, I persuaded -myself that I was dreaming until night should come and that I should -then enjoy reality in the arms of my dearest friends. What agonizing -fondness did I feel for them! How did I cling to their dear forms, as -sometimes they haunted even my waking hours, and persuade myself that -they still lived! At such moments vengeance, that burned within me, -died in my heart, and I pursued my path towards the destruction of the -daemon more as a task enjoined by heaven, as the mechanical impulse of -some power of which I was unconscious, than as the ardent desire of my -soul. What his feelings were whom I pursued I cannot know. Sometimes, -indeed, he left marks in writing on the barks of the trees or cut in -stone that guided me and instigated my fury. "My reign is not yet -over"--these words were legible in one of these inscriptions--"you -live, and my power is complete. Follow me; I seek the everlasting ices -of the north, where you will feel the misery of cold and frost, to -which I am impassive. You will find near this place, if you follow not -too tardily, a dead hare; eat and be refreshed. Come on, my enemy; we -have yet to wrestle for our lives, but many hard and miserable hours -must you endure until that period shall arrive." - -Scoffing devil! Again do I vow vengeance; again do I devote thee, -miserable fiend, to torture and death. Never will I give up my search -until he or I perish; and then with what ecstasy shall I join my -Elizabeth and my departed friends, who even now prepare for me the -reward of my tedious toil and horrible pilgrimage! - -As I still pursued my journey to the northward, the snows thickened and -the cold increased in a degree almost too severe to support. The -peasants were shut up in their hovels, and only a few of the most hardy -ventured forth to seize the animals whom starvation had forced from -their hiding-places to seek for prey. The rivers were covered with -ice, and no fish could be procured; and thus I was cut off from my -chief article of maintenance. The triumph of my enemy increased with -the difficulty of my labours. One inscription that he left was in -these words: "Prepare! Your toils only begin; wrap yourself in furs -and provide food, for we shall soon enter upon a journey where your -sufferings will satisfy my everlasting hatred." - -My courage and perseverance were invigorated by these scoffing words; I -resolved not to fail in my purpose, and calling on heaven to support -me, I continued with unabated fervour to traverse immense deserts, -until the ocean appeared at a distance and formed the utmost boundary -of the horizon. Oh! How unlike it was to the blue seasons of the -south! Covered with ice, it was only to be distinguished from land by -its superior wildness and ruggedness. The Greeks wept for joy when -they beheld the Mediterranean from the hills of Asia, and hailed with -rapture the boundary of their toils. I did not weep, but I knelt down -and with a full heart thanked my guiding spirit for conducting me in -safety to the place where I hoped, notwithstanding my adversary's gibe, -to meet and grapple with him. - -Some weeks before this period I had procured a sledge and dogs and thus -traversed the snows with inconceivable speed. I know not whether the -fiend possessed the same advantages, but I found that, as before I had -daily lost ground in the pursuit, I now gained on him, so much so that -when I first saw the ocean he was but one day's journey in advance, and -I hoped to intercept him before he should reach the beach. With new -courage, therefore, I pressed on, and in two days arrived at a wretched -hamlet on the seashore. I inquired of the inhabitants concerning the -fiend and gained accurate information. A gigantic monster, they said, -had arrived the night before, armed with a gun and many pistols, -putting to flight the inhabitants of a solitary cottage through fear of -his terrific appearance. He had carried off their store of winter -food, and placing it in a sledge, to draw which he had seized on a -numerous drove of trained dogs, he had harnessed them, and the same -night, to the joy of the horror-struck villagers, had pursued his -journey across the sea in a direction that led to no land; and they -conjectured that he must speedily be destroyed by the breaking of the -ice or frozen by the eternal frosts. - -On hearing this information I suffered a temporary access of despair. -He had escaped me, and I must commence a destructive and almost endless -journey across the mountainous ices of the ocean, amidst cold that few -of the inhabitants could long endure and which I, the native of a -genial and sunny climate, could not hope to survive. Yet at the idea -that the fiend should live and be triumphant, my rage and vengeance -returned, and like a mighty tide, overwhelmed every other feeling. -After a slight repose, during which the spirits of the dead hovered -round and instigated me to toil and revenge, I prepared for my journey. -I exchanged my land-sledge for one fashioned for the inequalities of -the frozen ocean, and purchasing a plentiful stock of provisions, I -departed from land. - -I cannot guess how many days have passed since then, but I have endured -misery which nothing but the eternal sentiment of a just retribution -burning within my heart could have enabled me to support. Immense and -rugged mountains of ice often barred up my passage, and I often heard -the thunder of the ground sea, which threatened my destruction. But -again the frost came and made the paths of the sea secure. - -By the quantity of provision which I had consumed, I should guess that -I had passed three weeks in this journey; and the continual protraction -of hope, returning back upon the heart, often wrung bitter drops of -despondency and grief from my eyes. Despair had indeed almost secured -her prey, and I should soon have sunk beneath this misery. Once, after -the poor animals that conveyed me had with incredible toil gained the -summit of a sloping ice mountain, and one, sinking under his fatigue, -died, I viewed the expanse before me with anguish, when suddenly my eye -caught a dark speck upon the dusky plain. I strained my sight to -discover what it could be and uttered a wild cry of ecstasy when I -distinguished a sledge and the distorted proportions of a well-known -form within. Oh! With what a burning gush did hope revisit my heart! -Warm tears filled my eyes, which I hastily wiped away, that they might -not intercept the view I had of the daemon; but still my sight was -dimmed by the burning drops, until, giving way to the emotions that -oppressed me, I wept aloud. - -But this was not the time for delay; I disencumbered the dogs of their -dead companion, gave them a plentiful portion of food, and after an -hour's rest, which was absolutely necessary, and yet which was bitterly -irksome to me, I continued my route. The sledge was still visible, nor -did I again lose sight of it except at the moments when for a short -time some ice-rock concealed it with its intervening crags. I indeed -perceptibly gained on it, and when, after nearly two days' journey, I -beheld my enemy at no more than a mile distant, my heart bounded within -me. - -But now, when I appeared almost within grasp of my foe, my hopes were -suddenly extinguished, and I lost all trace of him more utterly than I -had ever done before. A ground sea was heard; the thunder of its -progress, as the waters rolled and swelled beneath me, became every -moment more ominous and terrific. I pressed on, but in vain. The wind -arose; the sea roared; and, as with the mighty shock of an earthquake, -it split and cracked with a tremendous and overwhelming sound. The -work was soon finished; in a few minutes a tumultuous sea rolled -between me and my enemy, and I was left drifting on a scattered piece -of ice that was continually lessening and thus preparing for me a -hideous death. In this manner many appalling hours passed; several of -my dogs died, and I myself was about to sink under the accumulation of -distress when I saw your vessel riding at anchor and holding forth to -me hopes of succour and life. I had no conception that vessels ever -came so far north and was astounded at the sight. I quickly destroyed -part of my sledge to construct oars, and by these means was enabled, -with infinite fatigue, to move my ice raft in the direction of your -ship. I had determined, if you were going southwards, still to trust -myself to the mercy of the seas rather than abandon my purpose. I -hoped to induce you to grant me a boat with which I could pursue my -enemy. But your direction was northwards. You took me on board when -my vigour was exhausted, and I should soon have sunk under my -multiplied hardships into a death which I still dread, for my task is -unfulfilled. - -Oh! When will my guiding spirit, in conducting me to the daemon, allow -me the rest I so much desire; or must I die, and he yet live? If I do, -swear to me, Walton, that he shall not escape, that you will seek him -and satisfy my vengeance in his death. And do I dare to ask of you to -undertake my pilgrimage, to endure the hardships that I have undergone? -No; I am not so selfish. Yet, when I am dead, if he should appear, if -the ministers of vengeance should conduct him to you, swear that he -shall not live--swear that he shall not triumph over my accumulated -woes and survive to add to the list of his dark crimes. He is eloquent -and persuasive, and once his words had even power over my heart; but -trust him not. His soul is as hellish as his form, full of treachery -and fiend-like malice. Hear him not; call on the names of William, -Justine, Clerval, Elizabeth, my father, and of the wretched Victor, and -thrust your sword into his heart. I will hover near and direct the -steel aright. - - - Walton, in continuation. - - - - August 26th, 17-- - - -You have read this strange and terrific story, Margaret; and do you not -feel your blood congeal with horror, like that which even now curdles -mine? Sometimes, seized with sudden agony, he could not continue his -tale; at others, his voice broken, yet piercing, uttered with -difficulty the words so replete with anguish. His fine and lovely eyes -were now lighted up with indignation, now subdued to downcast sorrow -and quenched in infinite wretchedness. Sometimes he commanded his -countenance and tones and related the most horrible incidents with a -tranquil voice, suppressing every mark of agitation; then, like a -volcano bursting forth, his face would suddenly change to an expression -of the wildest rage as he shrieked out imprecations on his persecutor. - -His tale is connected and told with an appearance of the simplest -truth, yet I own to you that the letters of Felix and Safie, which he -showed me, and the apparition of the monster seen from our ship, -brought to me a greater conviction of the truth of his narrative than -his asseverations, however earnest and connected. Such a monster has, -then, really existence! I cannot doubt it, yet I am lost in surprise -and admiration. Sometimes I endeavoured to gain from Frankenstein the -particulars of his creature's formation, but on this point he was -impenetrable. "Are you mad, my friend?" said he. "Or whither does your -senseless curiosity lead you? Would you also create for yourself and -the world a demoniacal enemy? Peace, peace! Learn my miseries and do -not seek to increase your own." Frankenstein discovered that I made -notes concerning his history; he asked to see them and then himself -corrected and augmented them in many places, but principally in giving -the life and spirit to the conversations he held with his enemy. "Since -you have preserved my narration," said he, "I would not that a -mutilated one should go down to posterity." - -Thus has a week passed away, while I have listened to the strangest -tale that ever imagination formed. My thoughts and every feeling of my -soul have been drunk up by the interest for my guest which this tale -and his own elevated and gentle manners have created. I wish to soothe -him, yet can I counsel one so infinitely miserable, so destitute of -every hope of consolation, to live? Oh, no! The only joy that he can -now know will be when he composes his shattered spirit to peace and -death. Yet he enjoys one comfort, the offspring of solitude and -delirium; he believes that when in dreams he holds converse with his -friends and derives from that communion consolation for his miseries or -excitements to his vengeance, that they are not the creations of his -fancy, but the beings themselves who visit him from the regions of a -remote world. This faith gives a solemnity to his reveries that render -them to me almost as imposing and interesting as truth. - -Our conversations are not always confined to his own history and -misfortunes. On every point of general literature he displays -unbounded knowledge and a quick and piercing apprehension. His -eloquence is forcible and touching; nor can I hear him, when he relates -a pathetic incident or endeavours to move the passions of pity or love, -without tears. What a glorious creature must he have been in the days -of his prosperity, when he is thus noble and godlike in ruin! He seems -to feel his own worth and the greatness of his fall. - -"When younger," said he, "I believed myself destined for some great -enterprise. My feelings are profound, but I possessed a coolness of -judgment that fitted me for illustrious achievements. This sentiment -of the worth of my nature supported me when others would have been -oppressed, for I deemed it criminal to throw away in useless grief -those talents that might be useful to my fellow creatures. When I -reflected on the work I had completed, no less a one than the creation -of a sensitive and rational animal, I could not rank myself with the -herd of common projectors. But this thought, which supported me in the -commencement of my career, now serves only to plunge me lower in the -dust. All my speculations and hopes are as nothing, and like the -archangel who aspired to omnipotence, I am chained in an eternal hell. -My imagination was vivid, yet my powers of analysis and application -were intense; by the union of these qualities I conceived the idea and -executed the creation of a man. Even now I cannot recollect without -passion my reveries while the work was incomplete. I trod heaven in my -thoughts, now exulting in my powers, now burning with the idea of their -effects. From my infancy I was imbued with high hopes and a lofty -ambition; but how am I sunk! Oh! My friend, if you had known me as I -once was, you would not recognize me in this state of degradation. -Despondency rarely visited my heart; a high destiny seemed to bear me -on, until I fell, never, never again to rise." Must I then lose this -admirable being? I have longed for a friend; I have sought one who -would sympathize with and love me. Behold, on these desert seas I have -found such a one, but I fear I have gained him only to know his value -and lose him. I would reconcile him to life, but he repulses the idea. - -"I thank you, Walton," he said, "for your kind intentions towards so -miserable a wretch; but when you speak of new ties and fresh -affections, think you that any can replace those who are gone? Can any -man be to me as Clerval was, or any woman another Elizabeth? Even -where the affections are not strongly moved by any superior excellence, -the companions of our childhood always possess a certain power over our -minds which hardly any later friend can obtain. They know our -infantine dispositions, which, however they may be afterwards modified, -are never eradicated; and they can judge of our actions with more -certain conclusions as to the integrity of our motives. A sister or a -brother can never, unless indeed such symptoms have been shown early, -suspect the other of fraud or false dealing, when another friend, -however strongly he may be attached, may, in spite of himself, be -contemplated with suspicion. But I enjoyed friends, dear not only -through habit and association, but from their own merits; and wherever -I am, the soothing voice of my Elizabeth and the conversation of -Clerval will be ever whispered in my ear. They are dead, and but one -feeling in such a solitude can persuade me to preserve my life. If I -were engaged in any high undertaking or design, fraught with extensive -utility to my fellow creatures, then could I live to fulfil it. But -such is not my destiny; I must pursue and destroy the being to whom I -gave existence; then my lot on earth will be fulfilled and I may die." - - - - -September 2nd - -My beloved Sister, - -I write to you, encompassed by peril and ignorant whether I am ever -doomed to see again dear England and the dearer friends that inhabit -it. I am surrounded by mountains of ice which admit of no escape and -threaten every moment to crush my vessel. The brave fellows whom I -have persuaded to be my companions look towards me for aid, but I have -none to bestow. There is something terribly appalling in our -situation, yet my courage and hopes do not desert me. Yet it is -terrible to reflect that the lives of all these men are endangered -through me. If we are lost, my mad schemes are the cause. - -And what, Margaret, will be the state of your mind? You will not hear -of my destruction, and you will anxiously await my return. Years will -pass, and you will have visitings of despair and yet be tortured by -hope. Oh! My beloved sister, the sickening failing of your heart-felt -expectations is, in prospect, more terrible to me than my own death. - -But you have a husband and lovely children; you may be happy. Heaven -bless you and make you so! - -My unfortunate guest regards me with the tenderest compassion. He -endeavours to fill me with hope and talks as if life were a possession -which he valued. He reminds me how often the same accidents have -happened to other navigators who have attempted this sea, and in spite -of myself, he fills me with cheerful auguries. Even the sailors feel -the power of his eloquence; when he speaks, they no longer despair; he -rouses their energies, and while they hear his voice they believe these -vast mountains of ice are mole-hills which will vanish before the -resolutions of man. These feelings are transitory; each day of -expectation delayed fills them with fear, and I almost dread a mutiny -caused by this despair. - - - -September 5th - - -A scene has just passed of such uncommon interest that, although it is -highly probable that these papers may never reach you, yet I cannot -forbear recording it. - -We are still surrounded by mountains of ice, still in imminent danger -of being crushed in their conflict. The cold is excessive, and many of -my unfortunate comrades have already found a grave amidst this scene of -desolation. Frankenstein has daily declined in health; a feverish fire -still glimmers in his eyes, but he is exhausted, and when suddenly -roused to any exertion, he speedily sinks again into apparent -lifelessness. - -I mentioned in my last letter the fears I entertained of a mutiny. -This morning, as I sat watching the wan countenance of my friend--his -eyes half closed and his limbs hanging listlessly--I was roused by half -a dozen of the sailors, who demanded admission into the cabin. They -entered, and their leader addressed me. He told me that he and his -companions had been chosen by the other sailors to come in deputation -to me to make me a requisition which, in justice, I could not refuse. -We were immured in ice and should probably never escape, but they -feared that if, as was possible, the ice should dissipate and a free -passage be opened, I should be rash enough to continue my voyage and -lead them into fresh dangers, after they might happily have surmounted -this. They insisted, therefore, that I should engage with a solemn -promise that if the vessel should be freed I would instantly direct my -course southwards. - -This speech troubled me. I had not despaired, nor had I yet conceived -the idea of returning if set free. Yet could I, in justice, or even in -possibility, refuse this demand? I hesitated before I answered, when -Frankenstein, who had at first been silent, and indeed appeared hardly -to have force enough to attend, now roused himself; his eyes sparkled, -and his cheeks flushed with momentary vigour. Turning towards the men, -he said, "What do you mean? What do you demand of your captain? Are -you, then, so easily turned from your design? Did you not call this a -glorious expedition? - -"And wherefore was it glorious? Not because the way was smooth and -placid as a southern sea, but because it was full of dangers and -terror, because at every new incident your fortitude was to be called -forth and your courage exhibited, because danger and death surrounded -it, and these you were to brave and overcome. For this was it a -glorious, for this was it an honourable undertaking. You were -hereafter to be hailed as the benefactors of your species, your names -adored as belonging to brave men who encountered death for honour and -the benefit of mankind. And now, behold, with the first imagination of -danger, or, if you will, the first mighty and terrific trial of your -courage, you shrink away and are content to be handed down as men who -had not strength enough to endure cold and peril; and so, poor souls, -they were chilly and returned to their warm firesides. Why, that -requires not this preparation; ye need not have come thus far and -dragged your captain to the shame of a defeat merely to prove -yourselves cowards. Oh! Be men, or be more than men. Be steady to -your purposes and firm as a rock. This ice is not made of such stuff as -your hearts may be; it is mutable and cannot withstand you if you say -that it shall not. Do not return to your families with the stigma of -disgrace marked on your brows. Return as heroes who have fought and -conquered and who know not what it is to turn their backs on the foe." -He spoke this with a voice so modulated to the different feelings -expressed in his speech, with an eye so full of lofty design and -heroism, that can you wonder that these men were moved? They looked at -one another and were unable to reply. I spoke; I told them to retire -and consider of what had been said, that I would not lead them farther -north if they strenuously desired the contrary, but that I hoped that, -with reflection, their courage would return. They retired and I turned -towards my friend, but he was sunk in languor and almost deprived of -life. - -How all this will terminate, I know not, but I had rather die than -return shamefully, my purpose unfulfilled. Yet I fear such will be my -fate; the men, unsupported by ideas of glory and honour, can never -willingly continue to endure their present hardships. - - - -September 7th - - -The die is cast; I have consented to return if we are not destroyed. -Thus are my hopes blasted by cowardice and indecision; I come back -ignorant and disappointed. It requires more philosophy than I possess -to bear this injustice with patience. - - - -September 12th - - -It is past; I am returning to England. I have lost my hopes of utility -and glory; I have lost my friend. But I will endeavour to detail these -bitter circumstances to you, my dear sister; and while I am wafted -towards England and towards you, I will not despond. - -September 9th, the ice began to move, and roarings like thunder were -heard at a distance as the islands split and cracked in every -direction. We were in the most imminent peril, but as we could only -remain passive, my chief attention was occupied by my unfortunate guest -whose illness increased in such a degree that he was entirely confined -to his bed. The ice cracked behind us and was driven with force -towards the north; a breeze sprang from the west, and on the 11th the -passage towards the south became perfectly free. When the sailors saw -this and that their return to their native country was apparently -assured, a shout of tumultuous joy broke from them, loud and -long-continued. Frankenstein, who was dozing, awoke and asked the -cause of the tumult. "They shout," I said, "because they will soon -return to England." - -"Do you, then, really return?" - -"Alas! Yes; I cannot withstand their demands. I cannot lead them -unwillingly to danger, and I must return." - -"Do so, if you will; but I will not. You may give up your purpose, but -mine is assigned to me by heaven, and I dare not. I am weak, but -surely the spirits who assist my vengeance will endow me with -sufficient strength." Saying this, he endeavoured to spring from the -bed, but the exertion was too great for him; he fell back and fainted. - -It was long before he was restored, and I often thought that life was -entirely extinct. At length he opened his eyes; he breathed with -difficulty and was unable to speak. The surgeon gave him a composing -draught and ordered us to leave him undisturbed. In the meantime he -told me that my friend had certainly not many hours to live. - -His sentence was pronounced, and I could only grieve and be patient. I -sat by his bed, watching him; his eyes were closed, and I thought he -slept; but presently he called to me in a feeble voice, and bidding me -come near, said, "Alas! The strength I relied on is gone; I feel that -I shall soon die, and he, my enemy and persecutor, may still be in -being. Think not, Walton, that in the last moments of my existence I -feel that burning hatred and ardent desire of revenge I once expressed; -but I feel myself justified in desiring the death of my adversary. -During these last days I have been occupied in examining my past -conduct; nor do I find it blamable. In a fit of enthusiastic madness I -created a rational creature and was bound towards him to assure, as far -as was in my power, his happiness and well-being. - -"This was my duty, but there was another still paramount to that. My -duties towards the beings of my own species had greater claims to my -attention because they included a greater proportion of happiness or -misery. Urged by this view, I refused, and I did right in refusing, to -create a companion for the first creature. He showed unparalleled -malignity and selfishness in evil; he destroyed my friends; he devoted -to destruction beings who possessed exquisite sensations, happiness, -and wisdom; nor do I know where this thirst for vengeance may end. -Miserable himself that he may render no other wretched, he ought to -die. The task of his destruction was mine, but I have failed. When -actuated by selfish and vicious motives, I asked you to undertake my -unfinished work, and I renew this request now, when I am only induced -by reason and virtue. - -"Yet I cannot ask you to renounce your country and friends to fulfil -this task; and now that you are returning to England, you will have -little chance of meeting with him. But the consideration of these -points, and the well balancing of what you may esteem your duties, I -leave to you; my judgment and ideas are already disturbed by the near -approach of death. I dare not ask you to do what I think right, for I -may still be misled by passion. - -"That he should live to be an instrument of mischief disturbs me; in -other respects, this hour, when I momentarily expect my release, is the -only happy one which I have enjoyed for several years. The forms of -the beloved dead flit before me, and I hasten to their arms. Farewell, -Walton! Seek happiness in tranquillity and avoid ambition, even if it -be only the apparently innocent one of distinguishing yourself in -science and discoveries. Yet why do I say this? I have myself been -blasted in these hopes, yet another may succeed." - -His voice became fainter as he spoke, and at length, exhausted by his -effort, he sank into silence. About half an hour afterwards he -attempted again to speak but was unable; he pressed my hand feebly, and -his eyes closed forever, while the irradiation of a gentle smile passed -away from his lips. - -Margaret, what comment can I make on the untimely extinction of this -glorious spirit? What can I say that will enable you to understand the -depth of my sorrow? All that I should express would be inadequate and -feeble. My tears flow; my mind is overshadowed by a cloud of -disappointment. But I journey towards England, and I may there find -consolation. - -I am interrupted. What do these sounds portend? It is midnight; the -breeze blows fairly, and the watch on deck scarcely stir. Again there -is a sound as of a human voice, but hoarser; it comes from the cabin -where the remains of Frankenstein still lie. I must arise and examine. -Good night, my sister. - -Great God! what a scene has just taken place! I am yet dizzy with the -remembrance of it. I hardly know whether I shall have the power to -detail it; yet the tale which I have recorded would be incomplete -without this final and wonderful catastrophe. I entered the cabin where -lay the remains of my ill-fated and admirable friend. Over him hung a -form which I cannot find words to describe--gigantic in stature, yet -uncouth and distorted in its proportions. As he hung over the coffin, -his face was concealed by long locks of ragged hair; but one vast hand -was extended, in colour and apparent texture like that of a mummy. When -he heard the sound of my approach, he ceased to utter exclamations of -grief and horror and sprung towards the window. Never did I behold a -vision so horrible as his face, of such loathsome yet appalling -hideousness. I shut my eyes involuntarily and endeavoured to recollect -what were my duties with regard to this destroyer. I called on him to -stay. - -He paused, looking on me with wonder, and again turning towards the -lifeless form of his creator, he seemed to forget my presence, and -every feature and gesture seemed instigated by the wildest rage of some -uncontrollable passion. - -"That is also my victim!" he exclaimed. "In his murder my crimes are -consummated; the miserable series of my being is wound to its close! -Oh, Frankenstein! Generous and self-devoted being! What does it avail -that I now ask thee to pardon me? I, who irretrievably destroyed thee -by destroying all thou lovedst. Alas! He is cold, he cannot answer -me." His voice seemed suffocated, and my first impulses, which had -suggested to me the duty of obeying the dying request of my friend in -destroying his enemy, were now suspended by a mixture of curiosity and -compassion. I approached this tremendous being; I dared not again -raise my eyes to his face, there was something so scaring and unearthly -in his ugliness. I attempted to speak, but the words died away on my -lips. The monster continued to utter wild and incoherent -self-reproaches. At length I gathered resolution to address him in a -pause of the tempest of his passion. - -"Your repentance," I said, "is now superfluous. If you had listened to -the voice of conscience and heeded the stings of remorse before you had -urged your diabolical vengeance to this extremity, Frankenstein would -yet have lived." - -"And do you dream?" said the daemon. "Do you think that I was then -dead to agony and remorse? He," he continued, pointing to the corpse, -"he suffered not in the consummation of the deed. Oh! Not the -ten-thousandth portion of the anguish that was mine during the -lingering detail of its execution. A frightful selfishness hurried me -on, while my heart was poisoned with remorse. Think you that the -groans of Clerval were music to my ears? My heart was fashioned to be -susceptible of love and sympathy, and when wrenched by misery to vice -and hatred, it did not endure the violence of the change without -torture such as you cannot even imagine. - -"After the murder of Clerval I returned to Switzerland, heart-broken -and overcome. I pitied Frankenstein; my pity amounted to horror; I -abhorred myself. But when I discovered that he, the author at once of -my existence and of its unspeakable torments, dared to hope for -happiness, that while he accumulated wretchedness and despair upon me -he sought his own enjoyment in feelings and passions from the -indulgence of which I was forever barred, then impotent envy and bitter -indignation filled me with an insatiable thirst for vengeance. I -recollected my threat and resolved that it should be accomplished. I -knew that I was preparing for myself a deadly torture, but I was the -slave, not the master, of an impulse which I detested yet could not -disobey. Yet when she died! Nay, then I was not miserable. I had -cast off all feeling, subdued all anguish, to riot in the excess of my -despair. Evil thenceforth became my good. Urged thus far, I had no -choice but to adapt my nature to an element which I had willingly -chosen. The completion of my demoniacal design became an insatiable -passion. And now it is ended; there is my last victim!" - -I was at first touched by the expressions of his misery; yet, when I -called to mind what Frankenstein had said of his powers of eloquence -and persuasion, and when I again cast my eyes on the lifeless form of -my friend, indignation was rekindled within me. "Wretch!" I said. "It -is well that you come here to whine over the desolation that you have -made. You throw a torch into a pile of buildings, and when they are -consumed, you sit among the ruins and lament the fall. Hypocritical -fiend! If he whom you mourn still lived, still would he be the object, -again would he become the prey, of your accursed vengeance. It is not -pity that you feel; you lament only because the victim of your -malignity is withdrawn from your power." - -"Oh, it is not thus--not thus," interrupted the being. "Yet such must -be the impression conveyed to you by what appears to be the purport of -my actions. Yet I seek not a fellow feeling in my misery. No sympathy -may I ever find. When I first sought it, it was the love of virtue, -the feelings of happiness and affection with which my whole being -overflowed, that I wished to be participated. But now that virtue has -become to me a shadow, and that happiness and affection are turned into -bitter and loathing despair, in what should I seek for sympathy? I am -content to suffer alone while my sufferings shall endure; when I die, I -am well satisfied that abhorrence and opprobrium should load my memory. -Once my fancy was soothed with dreams of virtue, of fame, and of -enjoyment. Once I falsely hoped to meet with beings who, pardoning my -outward form, would love me for the excellent qualities which I was -capable of unfolding. I was nourished with high thoughts of honour and -devotion. But now crime has degraded me beneath the meanest animal. No -guilt, no mischief, no malignity, no misery, can be found comparable to -mine. When I run over the frightful catalogue of my sins, I cannot -believe that I am the same creature whose thoughts were once filled -with sublime and transcendent visions of the beauty and the majesty of -goodness. But it is even so; the fallen angel becomes a malignant -devil. Yet even that enemy of God and man had friends and associates -in his desolation; I am alone. - -"You, who call Frankenstein your friend, seem to have a knowledge of my -crimes and his misfortunes. But in the detail which he gave you of them -he could not sum up the hours and months of misery which I endured -wasting in impotent passions. For while I destroyed his hopes, I did -not satisfy my own desires. They were forever ardent and craving; still -I desired love and fellowship, and I was still spurned. Was there no -injustice in this? Am I to be thought the only criminal, when all -humankind sinned against me? Why do you not hate Felix, who drove his -friend from his door with contumely? Why do you not execrate the rustic -who sought to destroy the saviour of his child? Nay, these are virtuous -and immaculate beings! I, the miserable and the abandoned, am an -abortion, to be spurned at, and kicked, and trampled on. Even now my -blood boils at the recollection of this injustice. - -"But it is true that I am a wretch. I have murdered the lovely and the -helpless; I have strangled the innocent as they slept and grasped to -death his throat who never injured me or any other living thing. I -have devoted my creator, the select specimen of all that is worthy of -love and admiration among men, to misery; I have pursued him even to -that irremediable ruin. - -"There he lies, white and cold in death. You hate me, but your -abhorrence cannot equal that with which I regard myself. I look on the -hands which executed the deed; I think on the heart in which the -imagination of it was conceived and long for the moment when these -hands will meet my eyes, when that imagination will haunt my thoughts -no more. - -"Fear not that I shall be the instrument of future mischief. My work -is nearly complete. Neither yours nor any man's death is needed to -consummate the series of my being and accomplish that which must be -done, but it requires my own. Do not think that I shall be slow to -perform this sacrifice. I shall quit your vessel on the ice raft which -brought me thither and shall seek the most northern extremity of the -globe; I shall collect my funeral pile and consume to ashes this -miserable frame, that its remains may afford no light to any curious -and unhallowed wretch who would create such another as I have been. I -shall die. I shall no longer feel the agonies which now consume me or -be the prey of feelings unsatisfied, yet unquenched. He is dead who -called me into being; and when I shall be no more, the very remembrance -of us both will speedily vanish. I shall no longer see the sun or -stars or feel the winds play on my cheeks. - -"Light, feeling, and sense will pass away; and in this condition must I -find my happiness. Some years ago, when the images which this world -affords first opened upon me, when I felt the cheering warmth of summer -and heard the rustling of the leaves and the warbling of the birds, and -these were all to me, I should have wept to die; now it is my only -consolation. Polluted by crimes and torn by the bitterest remorse, -where can I find rest but in death? - -"Farewell! I leave you, and in you the last of humankind whom these -eyes will ever behold. Farewell, Frankenstein! If thou wert yet alive -and yet cherished a desire of revenge against me, it would be better -satiated in my life than in my destruction. But it was not so; thou -didst seek my extinction, that I might not cause greater wretchedness; -and if yet, in some mode unknown to me, thou hadst not ceased to think -and feel, thou wouldst not desire against me a vengeance greater than -that which I feel. Blasted as thou wert, my agony was still superior to -thine, for the bitter sting of remorse will not cease to rankle in my -wounds until death shall close them forever. - -"But soon," he cried with sad and solemn enthusiasm, "I shall die, and -what I now feel be no longer felt. Soon these burning miseries will be -extinct. I shall ascend my funeral pile triumphantly and exult in the -agony of the torturing flames. The light of that conflagration will -fade away; my ashes will be swept into the sea by the winds. My spirit -will sleep in peace, or if it thinks, it will not surely think thus. -Farewell." - -He sprang from the cabin window as he said this, upon the ice raft -which lay close to the vessel. He was soon borne away by the waves and -lost in darkness and distance. - - - - - - - - - - -End of the Project Gutenberg EBook of Frankenstein, by -Mary Wollstonecraft (Godwin) Shelley - -*** END OF THIS PROJECT GUTENBERG EBOOK FRANKENSTEIN *** - -***** This file should be named 84.txt or 84.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/8/84/ - -Produced by Judith Boss, Christy Phillips, Lynn Hanninen, -and David Meltzer. HTML version by Al Haines. - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.net - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/IntListLottery/IntListLottery.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/IntListLottery/IntListLottery.pde deleted file mode 100644 index de89108..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/IntListLottery/IntListLottery.pde +++ /dev/null @@ -1,99 +0,0 @@ -/** - * IntList Lottery example - * by Daniel Shiffman. - * - * This example demonstrates an IntList can be used to store a list of numbers. - * While an array of integers serves a similar purpose it is of fixed size. The - * An IntList can easily have values added or deleted and it can also be - * shuffled and sorted. For lists of floats or Strings, you can use FloatList - * and StringList. For lists of objects, use ArrayList. - * - * In this example, three lists of integers are created. One is a pool of numbers - * that is shuffled and picked randomly from. One is the list of "picked" numbers. - * And one is a lottery "ticket" which includes 5 numbers that are trying to be matched. - */ - -// Three lists of integers -IntList lottery; -IntList results; -IntList ticket; - -void setup() { - size(640, 360); - frameRate(30); - // Create empy lists - lottery = new IntList(); - results = new IntList(); - ticket = new IntList(); - - - // Add 20 integers in order to the lottery list - for (int i = 0; i < 20; i++) { - lottery.append(i); - } - - // Pick five numbers from the lottery list to go into the Ticket list - for (int i = 0; i < 5; i++) { - int index = int(random(lottery.size())); - ticket.append(lottery.get(index)); - } -} - -void draw() { - background(51); - - // The shuffle() method randomly shuffles the order of the values in the list - lottery.shuffle(); - - // Call a method that will display the integers in the list at an x,y location - showList(lottery, 16, 48); - showList(results, 16, 100); - showList(ticket, 16, 140); - - - // This loop checks if the picked numbers (results) - // match the ticket numbers - for (int i = 0; i < results.size(); i++) { - // Are the integers equal? - if (results.get(i) == ticket.get(i)) { - fill(0, 255, 0, 100); // if so green - } else { - fill(255, 0, 0, 100); // if not red - } - ellipse(16+i*32, 140, 24, 24); - } - - - // One every 30 frames we pick a new lottery number to go in results - if (frameCount % 30 == 0) { - if (results.size() < 5) { - // Get the first value in the lottery list and remove it - int val = lottery.remove(0); - // Put it in the results - results.append(val); - } else { - // Ok we picked five numbers, let's reset - for (int i = 0; i < results.size(); i++) { - // Put the picked results back into the lottery - lottery.append(results.get(i)); - } - // Clear the results and start over - results.clear(); - } - } -} - -// Draw a list of numbers starting at an x,y location -void showList(IntList list, float x, float y) { - for (int i = 0; i < list.size(); i++) { - // Use get() to pull a value from the list at the specified index - int val = list.get(i); - stroke(255); - noFill(); - ellipse(x+i*32, y, 24, 24); - textAlign(CENTER); - fill(255); - text(val, x+i*32, y+6); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/Bubble.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/Bubble.pde deleted file mode 100644 index 3a7b9b7..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/Bubble.pde +++ /dev/null @@ -1,40 +0,0 @@ -// A Bubble class - -class Bubble { - float x,y; - float diameter; - String name; - - boolean over = false; - - // Create the Bubble - Bubble(float x_, float y_, float diameter_, String s) { - x = x_; - y = y_; - diameter = diameter_; - name = s; - } - - // CHecking if mouse is over the Bubble - void rollover(float px, float py) { - float d = dist(px,py,x,y); - if (d < diameter/2) { - over = true; - } else { - over = false; - } - } - - // Display the Bubble - void display() { - stroke(0); - strokeWeight(2); - noFill(); - ellipse(x,y,diameter,diameter); - if (over) { - fill(0); - textAlign(CENTER); - text(name,x,y+diameter/2+20); - } - } -} diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/LoadSaveJSON.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/LoadSaveJSON.pde deleted file mode 100644 index b402763..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/LoadSaveJSON.pde +++ /dev/null @@ -1,111 +0,0 @@ -/** - * Loading JSON Data - * by Daniel Shiffman. - * - * This example demonstrates how to use loadJSON() - * to retrieve data from a JSON file and make objects - * from that data. - * - * Here is what the JSON looks like (partial): - * - { - "bubbles": [ - { - "position": { - "x": 160, - "y": 103 - }, - "diameter": 43.19838, - "label": "Happy" - }, - { - "position": { - "x": 372, - "y": 137 - }, - "diameter": 52.42526, - "label": "Sad" - } - ] - } - */ - -// An Array of Bubble objects -Bubble[] bubbles; -// A JSON object -JSONObject json; - -void setup() { - size(640, 360); - loadData(); -} - -void draw() { - background(255); - // Display all bubbles - for (Bubble b : bubbles) { - b.display(); - b.rollover(mouseX, mouseY); - } - // - textAlign(LEFT); - fill(0); - text("Click to add bubbles.", 10, height-10); -} - void loadData() { - // Load JSON file - // Temporary full path until path problem resolved. - json = loadJSONObject("data.json"); - - JSONArray bubbleData = json.getJSONArray("bubbles"); - - // The size of the array of Bubble objects is determined by the total XML elements named "bubble" - bubbles = new Bubble[bubbleData.size()]; - - for (int i = 0; i < bubbleData.size(); i++) { - // Get each object in the array - JSONObject bubble = bubbleData.getJSONObject(i); - // Get a position object - JSONObject position = bubble.getJSONObject("position"); - // Get x,y from position - int x = position.getInt("x"); - int y = position.getInt("y"); - - // Get diamter and label - float diameter = bubble.getFloat("diameter"); - String label = bubble.getString("label"); - - // Put object in array - bubbles[i] = new Bubble(x, y, diameter, label); - } -} - - void mousePressed() { - // Create a new JSON bubble object - JSONObject newBubble = new JSONObject(); - - // Create a new JSON position object - JSONObject position = new JSONObject(); - position.setInt("x", mouseX); - position.setInt("y", mouseY); - - // Add position to bubble - newBubble.setJSONObject("position", position); - - // Add diamater and label to bubble - newBubble.setFloat("diameter", random(40, 80)); - newBubble.setString("label", "New label"); - - // Append the new JSON bubble object to the array - JSONArray bubbleData = json.getJSONArray("bubbles"); - bubbleData.append(newBubble); - - if (bubbleData.size() > 10) { - bubbleData.remove(0); - } - - // Save new data - saveJSONObject(json,"data/data.json"); - loadData(); -} - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/data/data.json b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/data/data.json deleted file mode 100644 index bcb0079..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveJSON/data/data.json +++ /dev/null @@ -1,36 +0,0 @@ -{ - "bubbles": [ - { - "position": { - "x": 160, - "y": 103 - }, - "diameter": 43.19838, - "label": "Happy" - }, - { - "position": { - "x": 372, - "y": 137 - }, - "diameter": 52.42526, - "label": "Sad" - }, - { - "position": { - "x": 273, - "y": 235 - }, - "diameter": 61.14072, - "label": "Joyous" - }, - { - "position": { - "x": 121, - "y": 179 - }, - "diameter": 44.758068, - "label": "Melancholy" - } - ] -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/Bubble.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/Bubble.pde deleted file mode 100644 index 3a7b9b7..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/Bubble.pde +++ /dev/null @@ -1,40 +0,0 @@ -// A Bubble class - -class Bubble { - float x,y; - float diameter; - String name; - - boolean over = false; - - // Create the Bubble - Bubble(float x_, float y_, float diameter_, String s) { - x = x_; - y = y_; - diameter = diameter_; - name = s; - } - - // CHecking if mouse is over the Bubble - void rollover(float px, float py) { - float d = dist(px,py,x,y); - if (d < diameter/2) { - over = true; - } else { - over = false; - } - } - - // Display the Bubble - void display() { - stroke(0); - strokeWeight(2); - noFill(); - ellipse(x,y,diameter,diameter); - if (over) { - fill(0); - textAlign(CENTER); - text(name,x,y+diameter/2+20); - } - } -} diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/LoadSaveTable.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/LoadSaveTable.pde deleted file mode 100644 index 3baeb9a..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/LoadSaveTable.pde +++ /dev/null @@ -1,83 +0,0 @@ -/** - * Loading Tabular Data - * by Daniel Shiffman. - * - * This example demonstrates how to use loadTable() - * to retrieve data from a CSV file and make objects - * from that data. - * - * Here is what the CSV looks like: - * - x,y,diameter,name - 160,103,43.19838,Happy - 372,137,52.42526,Sad - 273,235,61.14072,Joyous - 121,179,44.758068,Melancholy - */ - -// An Array of Bubble objects -Bubble[] bubbles; -// A Table object -Table table; - -void setup() { - size(640, 360); - loadData(); -} - -void draw() { - background(255); - // Display all bubbles - for (Bubble b : bubbles) { - b.display(); - b.rollover(mouseX, mouseY); - } - - textAlign(LEFT); - fill(0); - text("Click to add bubbles.", 10, height-10); -} - -void loadData() { - // Load CSV file into a Table object - // "header" option indicates the file has a header row - table = loadTable("data.csv", "header"); - - // The size of the array of Bubble objects is determined by the total number of rows in the CSV - bubbles = new Bubble[table.getRowCount()]; - - // You can access iterate over all the rows in a table - int rowCount = 0; - for (TableRow row : table.rows()) { - // You can access the fields via their column name (or index) - float x = row.getFloat("x"); - float y = row.getFloat("y"); - float d = row.getFloat("diameter"); - String n = row.getString("name"); - // Make a Bubble object out of the data read - bubbles[rowCount] = new Bubble(x, y, d, n); - rowCount++; - } -} - -void mousePressed() { - // Create a new row - TableRow row = table.addRow(); - // Set the values of that row - row.setFloat("x", mouseX); - row.setFloat("y", mouseY); - row.setFloat("diameter", random(40, 80)); - row.setString("name", "Blah"); - - // If the table has more than 10 rows - if (table.getRowCount() > 10) { - // Delete the oldest row - table.removeRow(0); - } - - // Writing the CSV back to the same file - saveTable(table, "data/data.csv"); - // And reloading it - loadData(); -} - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/data/data.csv b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/data/data.csv deleted file mode 100644 index 88ac4c1..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveTable/data/data.csv +++ /dev/null @@ -1,5 +0,0 @@ -x,y,diameter,name -160,103,43.19838,Happy -372,137,52.42526,Sad -273,235,61.14072,Joyous -121,179,44.758068,Melancholy \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/Bubble.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/Bubble.pde deleted file mode 100644 index 3a7b9b7..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/Bubble.pde +++ /dev/null @@ -1,40 +0,0 @@ -// A Bubble class - -class Bubble { - float x,y; - float diameter; - String name; - - boolean over = false; - - // Create the Bubble - Bubble(float x_, float y_, float diameter_, String s) { - x = x_; - y = y_; - diameter = diameter_; - name = s; - } - - // CHecking if mouse is over the Bubble - void rollover(float px, float py) { - float d = dist(px,py,x,y); - if (d < diameter/2) { - over = true; - } else { - over = false; - } - } - - // Display the Bubble - void display() { - stroke(0); - strokeWeight(2); - noFill(); - ellipse(x,y,diameter,diameter); - if (over) { - fill(0); - textAlign(CENTER); - text(name,x,y+diameter/2+20); - } - } -} diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/LoadSaveXML.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/LoadSaveXML.pde deleted file mode 100644 index b8a1d99..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/LoadSaveXML.pde +++ /dev/null @@ -1,118 +0,0 @@ -/** - * Loading XML Data - * by Daniel Shiffman. - * - * This example demonstrates how to use loadXML() - * to retrieve data from an XML file and make objects - * from that data. - * - * Here is what the XML looks like: - * - - - - - 43.19838 - - - - - 52.42526 - - - - */ - -// An Array of Bubble objects -Bubble[] bubbles; -// A Table object -XML xml; - -void setup() { - size(640, 360); - loadData(); -} - -void draw() { - background(255); - // Display all bubbles - for (Bubble b : bubbles) { - b.display(); - b.rollover(mouseX, mouseY); - } - - textAlign(LEFT); - fill(0); - text("Click to add bubbles.", 10, height-10); -} - -void loadData() { - // Load XML file - xml = loadXML("data.xml"); - // Get all the child nodes named "bubble" - XML[] children = xml.getChildren("bubble"); - - // The size of the array of Bubble objects is determined by the total XML elements named "bubble" - bubbles = new Bubble[children.length]; - - for (int i = 0; i < bubbles.length; i++) { - - // The position element has two attributes: x and y - XML positionElement = children[i].getChild("position"); - // Note how with attributes we can get an integer or float via getInt() and getFloat() - float x = positionElement.getInt("x"); - float y = positionElement.getInt("y"); - - // The diameter is the content of the child named "diamater" - XML diameterElement = children[i].getChild("diameter"); - // Note how with the content of an XML node, we retrieve via getIntContent() and getFloatContent() - float diameter = diameterElement.getFloatContent(); - - // The label is the content of the child named "label" - XML labelElement = children[i].getChild("label"); - String label = labelElement.getContent(); - - // Make a Bubble object out of the data read - bubbles[i] = new Bubble(x, y, diameter, label); - } - -} - -// Still need to work on adding and deleting - -void mousePressed() { - - // Create a new XML bubble element - XML bubble = xml.addChild("bubble"); - - // Set the poisition element - XML position = bubble.addChild("position"); - // Here we can set attributes as integers directly - position.setInt("x",mouseX); - position.setInt("y",mouseY); - - // Set the diameter element - XML diameter = bubble.addChild("diameter"); - // Here for a node's content, we have to convert to a String - diameter.setFloatContent(random(40,80)); - - // Set a label - XML label = bubble.addChild("label"); - label.setContent("New label"); - - - // Here we are removing the oldest bubble if there are more than 10 - XML[] children = xml.getChildren("bubble"); - // If the XML file has more than 10 bubble elements - if (children.length > 10) { - // Delete the first one - xml.removeChild(children[0]); - } - - // Save a new XML file - saveXML(xml,"data/data.xml"); - - // reload the new data - loadData(); -} - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/data/data.xml b/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/data/data.xml deleted file mode 100644 index 24bbf2a..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/LoadSaveXML/data/data.xml +++ /dev/null @@ -1,23 +0,0 @@ - - - - - 43.19838 - - - - - 52.42526 - - - - - 61.14072 - - - - - 44.758068 - - - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/Regex/Regex.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/Regex/Regex.pde deleted file mode 100644 index 608549a..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/Regex/Regex.pde +++ /dev/null @@ -1,56 +0,0 @@ -/** - * Regular Expression example - * by Daniel Shiffman. - * - * This example demonstrates how to use matchAll() to create - * a list of all matches of a given regex. - * - * Here we'll load the raw HTML from a URL and search for any - * links - */ - -// Our source url -String url = "http://processing.org"; -// We'll store the results in an array -String[] links; - -void setup() { - size(640, 360); - // Load the links - links = loadLinks(url); -} - -void draw() { - background(0); - // Display the raw links - fill(255); - for (int i = 0; i < links.length; i++) { - text(links[i],10,16+i*16); - } -} - -String[] loadLinks(String s) { - // Load the raw HTML - String[] lines = loadStrings(s); - // Put it in one big string - String html = join(lines,"\n"); - - // A wacky regex for matching a URL - String regex = "<\\s*a\\s+href\\s*=\\s*\"(.*?)\""; - // The matches are in a two dimensional array - // The first dimension is all matches - // The second dimension is the groups - String[][] matches = matchAll(html, regex); - - // An array for the results - String[] results = new String[matches.length]; - - // We want group 1 for each result - for (int i = 0; i < results.length; i++) { - results[i] = matches[i][1]; - } - - // Return the results - return results; -} - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/Threads/Threads.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/Threads/Threads.pde deleted file mode 100644 index f7714a1..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/Threads/Threads.pde +++ /dev/null @@ -1,108 +0,0 @@ -/** - * Thread function example - * by Daniel Shiffman. - * - * This example demonstrates how to use thread() to spawn - * a process that happens outside of the main animation thread. - * - * When thread() is called, the draw() loop will continue while - * the code inside the function passed to thread() will operate - * in the background. - * - */ - -// This sketch will load data from all of these URLs in a separate thread -String[] urls = { - "http://processing.org", - "http://www.processing.org/exhibition/", - "http://www.processing.org/reference/", - "http://www.processing.org/reference/libraries", - "http://www.processing.org/reference/tools", - "http://www.processing.org/reference/environment", - "http://www.processing.org/learning/", - "http://www.processing.org/learning/basics/", - "http://www.processing.org/learning/topics/", - "http://www.processing.org/learning/gettingstarted/", - "http://www.processing.org/download/", - "http://www.processing.org/shop/", - "http://www.processing.org/about/" -}; - -// This will keep track of whether the thread is finished -boolean finished = false; -// And how far along -float percent = 0; - -// A variable to keep all the data loaded -String allData; - -void setup() { - size(640, 360); - // Spawn the thread! - thread("loadData"); -} - -void draw() { - background(0); - - // If we're not finished draw a "loading bar" - // This is so that we can see the progress of the thread - // This would not be necessary in a sketch where you wanted to load data in the background - // and hide this from the user, allowing the draw() loop to simply continue - if (!finished) { - stroke(255); - noFill(); - rect(width/2-150, height/2, 300, 10); - fill(255); - // The size of the rectangle is mapped to the percentage completed - float w = map(percent, 0, 1, 0, 300); - rect(width/2-150, height/2, w, 10); - textSize(16); - textAlign(CENTER); - fill(255); - text("Loading", width/2, height/2+30); - } - else { - // The thread is complete! - textAlign(CENTER); - textSize(24); - fill(255); - text("Finished loading. Click the mouse to load again.", width/2, height/2); - } -} - -void mousePressed() { - thread("loadData"); -} - -void loadData() { - // The thread is not completed - finished = false; - // Reset the data to empty - allData = ""; - - // Look at each URL - // This example is doing some highly arbitrary things just to make it take longer - // If you had a lot of data parsing you needed to do, this can all happen in the background - for (int i = 0; i < urls.length; i++) { - String[] lines = loadStrings(urls[i]); - // Demonstrating some arbitrary text splitting, joining, and sorting to make the thread take longer - String allTxt = join(lines, " "); - String[] words = splitTokens(allTxt, "\t+\n <>=\\-!@#$%^&*(),.;:/?\"\'"); - for (int j = 0; j < words.length; j++) { - words[j] = words[j].trim(); - words[j] = words[j].toLowerCase(); - } - words = sort(words); - allData += join(words, " "); - percent = float(i)/urls.length; - } - - String[] words = split(allData," "); - words = sort(words); - allData = join(words, " "); - - // The thread is completed! - finished = true; -} - diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/XMLYahooWeather.pde b/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/XMLYahooWeather.pde deleted file mode 100644 index 7f1d904..0000000 --- a/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/XMLYahooWeather.pde +++ /dev/null @@ -1,52 +0,0 @@ -/** - * Loading XML Data - * by Daniel Shiffman. - * - * This example demonstrates how to use loadXML() - * to retrieve data from an XML document via a URL - */ - -// We're going to store the temperature -int temperature = 0; -// We're going to store text about the weather -String weather = ""; - - -// Yahoo weather uses something called A WOEID (Where On Earth IDentifier) -// https://en.wikipedia.org/wiki/WOEID -// This is the WOEID for zip code 10003 -String zip = "10003"; -String woeid = "12761335"; - -PFont font; - -void setup() { - size(600, 360); - - font = createFont("Merriweather-Light.ttf", 28); - textFont(font); - - // The URL for the XML document - String url = "http://query.yahooapis.com/v1/public/yql?format=xml&q=select+*+from+weather.forecast+where+woeid=" + woeid + "+and+u='F'"; - - // Load the XML document - XML xml = loadXML(url); - - // Grab the element we want - XML forecast = xml.getChild("results/channel/item/yweather:forecast"); - - // Get the attributes we want - temperature = forecast.getInt("high"); - weather = forecast.getString("text"); -} - -void draw() { - background(255); - fill(0); - - // Display all the stuff we want to display - text("Zip: " + zip, width*0.15, height*0.33); - text("Today’s high: " + temperature + "°F", width*0.15, height*0.5); - text("Forecast: " + weather, width*0.15, height*0.66); - -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/data/Merriweather-Light.ttf b/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/data/Merriweather-Light.ttf deleted file mode 100644 index 7b7731a..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/data/Merriweather-Light.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/data/SourceCodePro-Regular.ttf b/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/data/SourceCodePro-Regular.ttf deleted file mode 100644 index b2cff92..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Advanced Data/XMLYahooWeather/data/SourceCodePro-Regular.ttf and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Animation/AnimatedSprite/AnimatedSprite.pde b/tools/Java/modes/java/examples/Topics/Animation/AnimatedSprite/AnimatedSprite.pde deleted file mode 100644 index 17d560c..0000000 --- a/tools/Java/modes/java/examples/Topics/Animation/AnimatedSprite/AnimatedSprite.pde +++ /dev/null @@ -1,39 +0,0 @@ -/** - * Animated Sprite (Shifty + Teddy) - * by James Paterson. - * - * Press the mouse button to change animations. - * Demonstrates loading, displaying, and animating GIF images. - * It would be easy to write a program to display - * animated GIFs, but would not allow as much control over - * the display sequence and rate of display. - */ - -Animation animation1, animation2; - -float xpos; -float ypos; -float drag = 30.0; - -void setup() { - size(640, 360); - background(255, 204, 0); - frameRate(24); - animation1 = new Animation("PT_Shifty_", 38); - animation2 = new Animation("PT_Teddy_", 60); - ypos = height * 0.25; -} - -void draw() { - float dx = mouseX - xpos; - xpos = xpos + dx/drag; - - // Display the sprite at the position xpos, ypos - if (mousePressed) { - background(153, 153, 0); - animation1.display(xpos-animation1.getWidth()/2, ypos); - } else { - background(255, 204, 0); - animation2.display(xpos-animation1.getWidth()/2, ypos); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Animation/AnimatedSprite/Animation.pde b/tools/Java/modes/java/examples/Topics/Animation/AnimatedSprite/Animation.pde deleted file mode 100644 index 6c98ef2..0000000 --- a/tools/Java/modes/java/examples/Topics/Animation/AnimatedSprite/Animation.pde +++ /dev/null @@ -1,27 +0,0 @@ -// Class for animating a sequence of GIFs - -class Animation { - PImage[] images; - int imageCount; - int frame; - - Animation(String imagePrefix, int count) { - imageCount = count; - images = new PImage[imageCount]; - - for (int i = 0; i < imageCount; i++) { - // Use nf() to number format 'i' into four digits - String filename = imagePrefix + nf(i, 4) + ".gif"; - images[i] = loadImage(filename); - } - } - - void display(float xpos, float ypos) { - frame = (frame+1) % imageCount; - image(images[frame], xpos, ypos); - } - - int getWidth() { - return images[0].width; - } -} diff --git 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/dev/null @@ -1,51 +0,0 @@ -/** - * Sequential - * by James Paterson. - * - * Displaying a sequence of images creates the illusion of motion. - * Twelve images are loaded and each is displayed individually in a loop. - */ - -int numFrames = 12; // The number of frames in the animation -int currentFrame = 0; -PImage[] images = new PImage[numFrames]; - -void setup() { - size(640, 360); - frameRate(24); - - images[0] = loadImage("PT_anim0000.gif"); - images[1] = loadImage("PT_anim0001.gif"); - images[2] = loadImage("PT_anim0002.gif"); - images[3] = loadImage("PT_anim0003.gif"); - images[4] = loadImage("PT_anim0004.gif"); - images[5] = loadImage("PT_anim0005.gif"); - images[6] = loadImage("PT_anim0006.gif"); - images[7] = loadImage("PT_anim0007.gif"); - images[8] = loadImage("PT_anim0008.gif"); - images[9] = loadImage("PT_anim0009.gif"); - images[10] = loadImage("PT_anim0010.gif"); - images[11] = loadImage("PT_anim0011.gif"); - - // If you don't want to load each image separately - // and you know how many frames you have, you - // can create the filenames as the program runs. - // The nf() command does number formatting, which will - // ensure that the number is (in this case) 4 digits. - //for (int i = 0; i < numFrames; i++) { - // String imageName = "PT_anim" + nf(i, 4) + ".gif"; - // images[i] = loadImage(imageName); - //} -} - -void draw() { - background(0); - currentFrame = (currentFrame+1) % numFrames; // Use % to cycle through frames - int offset = 0; - for (int x = -100; x < width; x += images[0].width) { - image(images[(currentFrame+offset) % numFrames], x, -20); - offset+=2; - image(images[(currentFrame+offset) % numFrames], x, height/2); - offset+=2; - } -} diff --git a/tools/Java/modes/java/examples/Topics/Animation/Sequential/data/PT_anim0000.gif b/tools/Java/modes/java/examples/Topics/Animation/Sequential/data/PT_anim0000.gif deleted file mode 100644 index b0e3f04..0000000 Binary files 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Automata/GameOfLife/GameOfLife.pde b/tools/Java/modes/java/examples/Topics/Cellular Automata/GameOfLife/GameOfLife.pde deleted file mode 100644 index 659e2fc..0000000 --- a/tools/Java/modes/java/examples/Topics/Cellular Automata/GameOfLife/GameOfLife.pde +++ /dev/null @@ -1,180 +0,0 @@ -/** - * Game of Life - * by Joan Soler-Adillon. - * - * Press SPACE BAR to pause and change the cell's values - * with the mouse. On pause, click to activate/deactivate - * cells. Press 'R' to randomly reset the cells' grid. - * Press 'C' to clear the cells' grid. The original Game - * of Life was created by John Conway in 1970. - */ - -// Size of cells -int cellSize = 5; - -// How likely for a cell to be alive at start (in percentage) -float probabilityOfAliveAtStart = 15; - -// Variables for timer -int interval = 100; -int lastRecordedTime = 0; - -// Colors for active/inactive cells -color alive = color(0, 200, 0); -color dead = color(0); - -// Array of cells -int[][] cells; -// Buffer to record the state of the cells and use this -// while changing the others in the interations -int[][] cellsBuffer; - -// Pause -boolean pause = false; - -void setup() { - size (640, 360); - - // Instantiate arrays - cells = new int[width/cellSize][height/cellSize]; - cellsBuffer = new int[width/cellSize][height/cellSize]; - - // This stroke will draw the background grid - stroke(48); - - noSmooth(); - - // Initialization of cells - for (int x=0; x probabilityOfAliveAtStart) { - state = 0; - } - else { - state = 1; - } - cells[x][y] = int(state); // Save state of each cell - } - } - // Fill in black in case cells don't cover all the windows - background(0); -} - - -void draw() { - - //Draw grid - for (int x=0; xinterval) { - if (!pause) { - iteration(); - lastRecordedTime = millis(); - } - } - - // Create new cells manually on pause - if (pause && mousePressed) { - // Map and avoid out of bound errors - int xCellOver = int(map(mouseX, 0, width, 0, width/cellSize)); - xCellOver = constrain(xCellOver, 0, width/cellSize-1); - int yCellOver = int(map(mouseY, 0, height, 0, height/cellSize)); - yCellOver = constrain(yCellOver, 0, height/cellSize-1); - - // Check against cells in buffer - if (cellsBuffer[xCellOver][yCellOver]==1) { // Cell is alive - cells[xCellOver][yCellOver]=0; // Kill - fill(dead); // Fill with kill color - } - else { // Cell is dead - cells[xCellOver][yCellOver]=1; // Make alive - fill(alive); // Fill alive color - } - } - else if (pause && !mousePressed) { // And then save to buffer once mouse goes up - // Save cells to buffer (so we opeate with one array keeping the other intact) - for (int x=0; x=0)&&(xx=0)&&(yy 3) { - cells[x][y] = 0; // Die unless it has 2 or 3 neighbours - } - } - else { // The cell is dead: make it live if necessary - if (neighbours == 3 ) { - cells[x][y] = 1; // Only if it has 3 neighbours - } - } // End of if - } // End of y loop - } // End of x loop -} // End of function - -void keyPressed() { - if (key=='r' || key == 'R') { - // Restart: reinitialization of cells - for (int x=0; x probabilityOfAliveAtStart) { - state = 0; - } - else { - state = 1; - } - cells[x][y] = int(state); // Save state of each cell - } - } - } - if (key==' ') { // On/off of pause - pause = !pause; - } - if (key=='c' || key == 'C') { // Clear all - for (int x=0; x width - 1) { - x-=width; - } - while(y < 0) { - y+=height; - } - while(y > height - 1) { - y-=height; - } - - // Cell instructions - if (w.getpix(x + 1, y) == black) { - move(0, 1); - } else if (w.getpix(x, y - 1) != black && w.getpix(x, y + 1) != black) { - move((int)random(9) - 4, (int)random(9) - 4); - } - } - - // Will move the cell (dx, dy) units if that space is empty - void move(int dx, int dy) { - if (w.getpix(x + dx, y + dy) == black) { - w.setpix(x + dx, y + dy, w.getpix(x, y)); - w.setpix(x, y, color(0)); - x += dx; - y += dy; - } - } -} - -// The World class simply provides two functions, get and set, which access the -// display in the same way as getPixel and setPixel. The only difference is that -// the World class's get and set do screen wraparound ("toroidal coordinates"). -class World { - - void setpix(int x, int y, int c) { - while(x < 0) x+=width; - while(x > width - 1) x-=width; - while(y < 0) y+=height; - while(y > height - 1) y-=height; - set(x, y, c); - } - - color getpix(int x, int y) { - while(x < 0) x+=width; - while(x > width - 1) x-=width; - while(y < 0) y+=height; - while(y > height - 1) y-=height; - return get(x, y); - } -} - -void mousePressed() { - numcells = 0; - reset(); -} - diff --git a/tools/Java/modes/java/examples/Topics/Cellular Automata/Spore2/Spore2.pde b/tools/Java/modes/java/examples/Topics/Cellular Automata/Spore2/Spore2.pde deleted file mode 100644 index 3ed57d1..0000000 --- a/tools/Java/modes/java/examples/Topics/Cellular Automata/Spore2/Spore2.pde +++ /dev/null @@ -1,169 +0,0 @@ -/** - * Spore 2 - * by Mike Davis. - * - * A short program for alife experiments. Click in the window to restart. - * Each cell is represented by a pixel on the display as well as an entry in - * the array 'cells'. Each cell has a run() method, which performs actions - * based on the cell's surroundings. Cells run one at a time (to avoid conflicts - * like wanting to move to the same space) and in random order. - */ - -World w; -int maxcells = 8000; -int numcells; -Cell[] cells = new Cell[maxcells]; -color spore1, spore2, spore3, spore4; -color black = color(0, 0, 0); -// set lower for smoother animation, higher for faster simulation -int runs_per_loop = 10000; - -void setup() -{ - size(640, 360); - frameRate(24); - reset(); -} - -void reset() { - clearScreen(); - w = new World(); - spore1 = color(128, 172, 255); - spore2 = color(64, 128, 255); - spore3 = color(255, 128, 172); - spore4 = color(255, 64, 128); - numcells = 0; - seed(); -} - -void seed() -{ - // Add cells at random places - for (int i = 0; i < maxcells; i++) - { - int cX = int(random(width)); - int cY = int(random(height)); - int c; - float r = random(1); - if (r < 0.25) c = spore1; - else if (r < 0.5) c = spore2; - else if (r < 0.75) c = spore3; - else c = spore4; - if (w.getpix(cX, cY) == black) - { - w.setpix(cX, cY, c); - cells[numcells] = new Cell(cX, cY); - numcells++; - } - } -} - -void draw() { - // Run cells in random order - for (int i = 0; i < runs_per_loop; i++) { - int selected = min((int)random(numcells), numcells - 1); - cells[selected].run(); - } -} - -void clearScreen() { - background(0); -} - -class Cell { - int x, y; - Cell(int xin, int yin) { - x = xin; - y = yin; - } - - // Perform action based on surroundings - void run() { - // Fix cell coordinates - while(x < 0) { - x+=width; - } - while(x > width - 1) { - x-=width; - } - while(y < 0) { - y+=height; - } - while(y > height - 1) { - y-=height; - } - - // Cell instructions - int myColor = w.getpix(x, y); - if (myColor == spore1) { - if (w.getpix(x - 1, y + 1) == black && w.getpix(x + 1, y + 1) == black && w.getpix(x, y + 1) == black) move(0, 1); - else if (w.getpix(x - 1, y) == spore2 && w.getpix(x - 1, y - 1) != black) move(0, -1); - else if (w.getpix(x - 1, y) == spore2 && w.getpix(x - 1, y - 1) == black) move(-1, -1); - else if (w.getpix(x + 1, y) == spore1 && w.getpix(x + 1, y - 1) != black) move(0, -1); - else if (w.getpix(x + 1, y) == spore1 && w.getpix(x + 1, y - 1) == black) move(1, -1); - else move((int)random(3) - 1, 0); - } else if (myColor == spore2) { - if (w.getpix(x - 1, y + 1) == black && w.getpix(x + 1, y + 1) == black && w.getpix(x, y + 1) == black) move(0, 1); - else if (w.getpix(x + 1, y) == spore1 && w.getpix(x + 1, y - 1) != black) move(0, -1); - else if (w.getpix(x + 1, y) == spore1 && w.getpix(x + 1, y - 1) == black) move(1, -1); - else if (w.getpix(x - 1, y) == spore2 && w.getpix(x - 1, y - 1) != black) move(0, -1); - else if (w.getpix(x - 1, y) == spore2 && w.getpix(x - 1, y - 1) == black) move(-1, -1); - else move((int)random(3) - 1, 0); - } - else if (myColor == spore3) - { - if (w.getpix(x - 1, y - 1) == black && w.getpix(x + 1, y - 1) == black && w.getpix(x, y - 1) == black) move(0, -1); - else if (w.getpix(x - 1, y) == spore4 && w.getpix(x - 1, y + 1) != black) move(0, 1); - else if (w.getpix(x - 1, y) == spore4 && w.getpix(x - 1, y + 1) == black) move(-1, 1); - else if (w.getpix(x + 1, y) == spore3 && w.getpix(x + 1, y + 1) != black) move(0, 1); - else if (w.getpix(x + 1, y) == spore3 && w.getpix(x + 1, y + 1) == black) move(1, 1); - else move((int)random(3) - 1, 0); - } - else if (myColor == spore4) - { - if (w.getpix(x - 1, y - 1) == black && w.getpix(x + 1, y - 1) == black && w.getpix(x, y - 1) == black) move(0, -1); - else if (w.getpix(x + 1, y) == spore3 && w.getpix(x + 1, y + 1) != black) move(0, 1); - else if (w.getpix(x + 1, y) == spore3 && w.getpix(x + 1, y + 1) == black) move(1, 1); - else if (w.getpix(x - 1, y) == spore4 && w.getpix(x - 1, y + 1) != black) move(0, 1); - else if (w.getpix(x - 1, y) == spore4 && w.getpix(x - 1, y + 1) == black) move(-1, 1); - else move((int)random(3) - 1, 0); - } - } - - // Will move the cell (dx, dy) units if that space is empty - void move(int dx, int dy) { - if (w.getpix(x + dx, y + dy) == black) { - w.setpix(x + dx, y + dy, w.getpix(x, y)); - w.setpix(x, y, color(0)); - x += dx; - y += dy; - } - } -} - -// The World class simply provides two functions, get and set, which access the -// display in the same way as getPixel and setPixel. The only difference is that -// the World class's get and set do screen wraparound ("toroidal coordinates"). -class World { - - void setpix(int x, int y, int c) { - while(x < 0) x+=width; - while(x > width - 1) x-=width; - while(y < 0) y+=height; - while(y > height - 1) y-=height; - set(x, y, c); - } - - color getpix(int x, int y) { - while(x < 0) x+=width; - while(x > width - 1) x-=width; - while(y < 0) y+=height; - while(y > height - 1) y-=height; - return get(x, y); - } -} - -void mousePressed() { - reset(); -} - diff --git a/tools/Java/modes/java/examples/Topics/Cellular Automata/Wolfram/CA.pde b/tools/Java/modes/java/examples/Topics/Cellular Automata/Wolfram/CA.pde deleted file mode 100644 index 5078737..0000000 --- a/tools/Java/modes/java/examples/Topics/Cellular Automata/Wolfram/CA.pde +++ /dev/null @@ -1,98 +0,0 @@ -class CA { - - int[] cells; // An array of 0s and 1s - int generation; // How many generations? - int scl; // How many pixels wide/high is each cell? - - int[] rules; // Array to store the rules, for example {0,1,1,0,1,1,0,1} - - CA(int[] r) { - rules = r; - scl = 1; - cells = new int[width/scl]; - restart(); - } - - // Set the rules of the CA - void setRules(int[] r) { - rules = r; - } - - // Make a random ruleset - void randomize() { - for (int i = 0; i < 8; i++) { - rules[i] = int(random(2)); - } - } - - // Reset to generation 0 - void restart() { - for (int i = 0; i < cells.length; i++) { - cells[i] = 0; - } - // We arbitrarily start with just the middle - // cell having a state of "1" - cells[cells.length/2] = 1; - generation = 0; - } - - // The process of creating the new generation - void generate() { - // First we create an empty array for the new values - int[] nextgen = new int[cells.length]; - // For every spot, determine new state by examing current - // state, and neighbor states - // Ignore edges that only have one neighor - for (int i = 1; i < cells.length-1; i++) { - int left = cells[i-1]; // Left neighbor state - int me = cells[i]; // Current state - int right = cells[i+1]; // Right neighbor state - // Compute next generation state based on ruleset - nextgen[i] = executeRules(left,me,right); - } - // Copy the array into current value - for (int i = 1; i < cells.length-1; i++) { - cells[i] = nextgen[i]; - } - //cells = (int[]) nextgen.clone(); - generation++; - } - - // This is the easy part, just draw the cells, - // fill 255 for '1', fill 0 for '0' - void render() { - for (int i = 0; i < cells.length; i++) { - if (cells[i] == 1) { - fill(255); - } else { - fill(0); - } - noStroke(); - rect(i*scl,generation*scl, scl,scl); - } - } - - // Implementing the Wolfram rules - // Could be improved and made more concise, - // but here we can explicitly see what is going on for each case - int executeRules (int a, int b, int c) { - if (a == 1 && b == 1 && c == 1) { return rules[0]; } - if (a == 1 && b == 1 && c == 0) { return rules[1]; } - if (a == 1 && b == 0 && c == 1) { return rules[2]; } - if (a == 1 && b == 0 && c == 0) { return rules[3]; } - if (a == 0 && b == 1 && c == 1) { return rules[4]; } - if (a == 0 && b == 1 && c == 0) { return rules[5]; } - if (a == 0 && b == 0 && c == 1) { return rules[6]; } - if (a == 0 && b == 0 && c == 0) { return rules[7]; } - return 0; - } - - // The CA is done if it reaches the bottom of the screen - boolean finished() { - if (generation > height/scl) { - return true; - } else { - return false; - } - } -} diff --git a/tools/Java/modes/java/examples/Topics/Cellular Automata/Wolfram/Wolfram.pde b/tools/Java/modes/java/examples/Topics/Cellular Automata/Wolfram/Wolfram.pde deleted file mode 100644 index 569622e..0000000 --- a/tools/Java/modes/java/examples/Topics/Cellular Automata/Wolfram/Wolfram.pde +++ /dev/null @@ -1,37 +0,0 @@ -/** - * Wolfram Cellular Automata - * by Daniel Shiffman. - * - * Simple demonstration of a Wolfram's 1-dimensional - * cellular automata. When the system reaches bottom - * of the window, it restarts with a new ruleset. - * Mouse click restarts as well. - */ - -CA ca; // An instance object to the cellular automata - -void setup() { - size(640, 360); - int[] ruleset = {0,1,0,1,1,0,1,0}; // An initial rule system - ca = new CA(ruleset); // Initialize CA - background(0); -} - -void draw() { - ca.render(); // Draw the CA - ca.generate(); // Generate the next level - - // If we're done, clear the screen, - // pick a new ruleset and restart - if (ca.finished()) { - background(0); - ca.randomize(); - ca.restart(); - } -} - -void mousePressed() { - background(0); - ca.randomize(); - ca.restart(); -} diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/BeginEndContour/BeginEndContour.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/BeginEndContour/BeginEndContour.pde deleted file mode 100644 index be959b9..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/BeginEndContour/BeginEndContour.pde +++ /dev/null @@ -1,43 +0,0 @@ -/** - * BeginEndContour - * - * How to cut a shape out of another using beginContour() and endContour() - */ - -PShape s; - -void setup() { - size(640, 360, P2D); - - // Make a shape - s = createShape(); - s.beginShape(); - s.fill(0); - s.stroke(255); - s.strokeWeight(2); - // Exterior part of shape - s.vertex(-100,-100); - s.vertex(100,-100); - s.vertex(100,100); - s.vertex(-100,100); - - // Interior part of shape - s.beginContour(); - s.vertex(-10,-10); - s.vertex(-10,10); - s.vertex(10,10); - s.vertex(10,-10); - s.endContour(); - - // Finishing off shape - s.endShape(CLOSE); -} - -void draw() { - background(52); - // Display shape - translate(width/2, height/2); - // Shapes can be rotated - s.rotate(0.01); - shape(s); -} diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/GroupPShape/GroupPShape.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/GroupPShape/GroupPShape.pde deleted file mode 100644 index caa88c1..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/GroupPShape/GroupPShape.pde +++ /dev/null @@ -1,67 +0,0 @@ -/** - * GroupPShape - * - * How to group multiple PShapes into one PShape - */ - - -// A PShape that will group PShapes -PShape group; - -void setup() { - size(640, 360, P2D); - - // Create the shape as a group - group = createShape(GROUP); - - // Make a polygon PShape - PShape star = createShape(); - star.beginShape(); - star.noFill(); - star.stroke(255); - star.vertex(0, -50); - star.vertex(14, -20); - star.vertex(47, -15); - star.vertex(23, 7); - star.vertex(29, 40); - star.vertex(0, 25); - star.vertex(-29, 40); - star.vertex(-23, 7); - star.vertex(-47, -15); - star.vertex(-14, -20); - star.endShape(CLOSE); - - // Make a path PShape - PShape path = createShape(); - path.beginShape(); - path.noFill(); - path.stroke(255); - for (float a = -PI; a < 0; a += 0.1) { - float r = random(60, 70); - path.vertex(r*cos(a), r*sin(a)); - } - path.endShape(); - - // Make a primitive (Rectangle) PShape - PShape rectangle = createShape(RECT,-10,-10,20,20); - rectangle.setFill(false); - rectangle.setStroke(color(255)); - - // Add them all to the group - group.addChild(star); - group.addChild(path); - group.addChild(rectangle); -} - -void draw() { - // We can access them individually via the group PShape - PShape rectangle = group.getChild(2); - // Shapes can be rotated - rectangle.rotate(0.1); - - background(52); - // Display the group PShape - translate(mouseX, mouseY); - shape(group); -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/Particle.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/Particle.pde deleted file mode 100644 index ccccb65..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/Particle.pde +++ /dev/null @@ -1,82 +0,0 @@ -// An individual Particle - -class Particle { - - // Velocity - PVector center; - PVector velocity; - // Lifespane is tied to alpha - float lifespan; - - // The particle PShape - PShape part; - // The particle size - float partSize; - - // A single force - PVector gravity = new PVector(0, 0.1); - - Particle() { - partSize = random(10, 60); - // The particle is a textured quad - part = createShape(); - part.beginShape(QUAD); - part.noStroke(); - part.texture(sprite); - part.normal(0, 0, 1); - part.vertex(-partSize/2, -partSize/2, 0, 0); - part.vertex(+partSize/2, -partSize/2, sprite.width, 0); - part.vertex(+partSize/2, +partSize/2, sprite.width, sprite.height); - part.vertex(-partSize/2, +partSize/2, 0, sprite.height); - part.endShape(); - - // Initialize center vector - center = new PVector(); - - // Set the particle starting location - rebirth(width/2, height/2); - } - - PShape getShape() { - return part; - } - - void rebirth(float x, float y) { - float a = random(TWO_PI); - float speed = random(0.5, 4); - // A velocity with random angle and magnitude - velocity = PVector.fromAngle(a); - velocity.mult(speed); - // Set lifespan - lifespan = 255; - // Set location using translate - part.resetMatrix(); - part.translate(x, y); - - // Update center vector - center.set(x, y, 0); - } - - // Is it off the screen, or its lifespan is over? - boolean isDead() { - if (center.x > width || center.x < 0 || - center.y > height || center.y < 0 || lifespan < 0) { - return true; - } - else { - return false; - } - } - - void update() { - // Decrease life - lifespan = lifespan - 1; - // Apply gravity - velocity.add(gravity); - part.setTint(color(255, lifespan)); - // Move the particle according to its velocity - part.translate(velocity.x, velocity.y); - // and also update the center - center.add(velocity); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/ParticleSystem.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/ParticleSystem.pde deleted file mode 100644 index e221504..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/ParticleSystem.pde +++ /dev/null @@ -1,43 +0,0 @@ -// The Particle System - -class ParticleSystem { - // It's just an ArrayList of particle objects - ArrayList particles; - - // The PShape to group all the particle PShapes - PShape particleShape; - - ParticleSystem(int n) { - particles = new ArrayList(); - // The PShape is a group - particleShape = createShape(GROUP); - - // Make all the Particles - for (int i = 0; i < n; i++) { - Particle p = new Particle(); - particles.add(p); - // Each particle's PShape gets added to the System PShape - particleShape.addChild(p.getShape()); - } - } - - void update() { - for (Particle p : particles) { - p.update(); - } - } - - void setEmitter(float x, float y) { - for (Particle p : particles) { - // Each particle gets reborn at the emitter location - if (p.isDead()) { - p.rebirth(x, y); - } - } - } - - void display() { - shape(particleShape); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/ParticleSystemPShape.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/ParticleSystemPShape.pde deleted file mode 100644 index 479e4e1..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/ParticleSystemPShape.pde +++ /dev/null @@ -1,41 +0,0 @@ -/** - * ParticleSystemPShape - * - * A particle system optimized for drawing using PShape - */ - -// Particle System object -ParticleSystem ps; -// A PImage for particle's texture -PImage sprite; - -void setup() { - size(640, 360, P2D); - // Load the image - sprite = loadImage("sprite.png"); - // A new particle system with 10,000 particles - ps = new ParticleSystem(10000); - - // Writing to the depth buffer is disabled to avoid rendering - // artifacts due to the fact that the particles are semi-transparent - // but not z-sorted. - hint(DISABLE_DEPTH_MASK); - -} - -void draw () { - background(0); - // Update and display system - ps.update(); - ps.display(); - - // Set the particle system's emitter location to the mouse - ps.setEmitter(mouseX,mouseY); - - // Display frame rate - fill(255); - textSize(16); - text("Frame rate: " + int(frameRate),10,20); - -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/data/sprite.png b/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/data/sprite.png deleted file mode 100644 index cc0f45c..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Create Shapes/ParticleSystemPShape/data/sprite.png and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PathPShape/PathPShape.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PathPShape/PathPShape.pde deleted file mode 100644 index dbb4bff..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PathPShape/PathPShape.pde +++ /dev/null @@ -1,38 +0,0 @@ -/** - * PathPShape - * - * A simple path using PShape - */ - -// A PShape object -PShape path; - -void setup() { - size(640, 360, P2D); - - // Create the shape - path = createShape(); - path.beginShape(); - // Set fill and stroke - path.noFill(); - path.stroke(255); - path.strokeWeight(2); - - float x = 0; - // Calculate the path as a sine wave - for (float a = 0; a < TWO_PI; a+=0.1) { - path.vertex(x,sin(a)*100); - x+= 5; - } - // The path is complete - path.endShape(); - -} - -void draw() { - background(51); - // Draw the path at the mouse location - translate(mouseX, mouseY); - shape(path); -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShape/PolygonPShape.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShape/PolygonPShape.pde deleted file mode 100644 index abf36ed..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShape/PolygonPShape.pde +++ /dev/null @@ -1,42 +0,0 @@ - -/** - * PrimitivePShape. - * - * Using a PShape to display a custom polygon. - */ - -// The PShape object -PShape star; - -void setup() { - size(640, 360, P2D); - - // First create the shape - star = createShape(); - star.beginShape(); - // You can set fill and stroke - star.fill(102); - star.stroke(255); - star.strokeWeight(2); - // Here, we are hardcoding a series of vertices - star.vertex(0, -50); - star.vertex(14, -20); - star.vertex(47, -15); - star.vertex(23, 7); - star.vertex(29, 40); - star.vertex(0, 25); - star.vertex(-29, 40); - star.vertex(-23, 7); - star.vertex(-47, -15); - star.vertex(-14, -20); - star.endShape(CLOSE); -} - -void draw() { - background(51); - // We can use translate to move the PShape - translate(mouseX, mouseY); - // Display the shape - shape(star); -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP/PolygonPShapeOOP.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP/PolygonPShapeOOP.pde deleted file mode 100644 index 44b600e..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP/PolygonPShapeOOP.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * PolygonPShapeOOP. - * - * Wrapping a PShape inside a custom class - */ - - -// A Star object -Star s1, s2; - -void setup() { - size(640, 360, P2D); - - // Make a new Star - s1 = new Star(); - s2 = new Star(); - -} - -void draw() { - background(51); - - s1.display(); // Display the first star - s1.move(); // Move the first star - - s2.display(); // Display the second star - s2.move(); // Move the second star - -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP/Star.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP/Star.pde deleted file mode 100644 index d75d445..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP/Star.pde +++ /dev/null @@ -1,52 +0,0 @@ -// A class to describe a Star shape - -class Star { - - // The PShape object - PShape s; - // The location where we will draw the shape - float x, y; - float speed; - - Star() { - x = random(100, width-100); - y = random(100, height-100); - speed = random(0.5, 3); - // First create the shape - s = createShape(); - s.beginShape(); - // You can set fill and stroke - s.fill(255, 204); - s.noStroke(); - // Here, we are hardcoding a series of vertices - s.vertex(0, -50); - s.vertex(14, -20); - s.vertex(47, -15); - s.vertex(23, 7); - s.vertex(29, 40); - s.vertex(0, 25); - s.vertex(-29, 40); - s.vertex(-23, 7); - s.vertex(-47, -15); - s.vertex(-14, -20); - // The shape is complete - s.endShape(CLOSE); - } - - void move() { - // Demonstrating some simple motion - x += speed; - if (x > width+100) { - x = -100; - } - } - - void display() { - // Locating and drawing the shape - pushMatrix(); - translate(x, y); - shape(s); - popMatrix(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP2/Polygon.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP2/Polygon.pde deleted file mode 100644 index f5bfac3..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP2/Polygon.pde +++ /dev/null @@ -1,34 +0,0 @@ -// A class to describe a Polygon (with a PShape) - -class Polygon { - // The PShape object - PShape s; - // The location where we will draw the shape - float x, y; - // Variable for simple motion - float speed; - - Polygon(PShape s_) { - x = random(width); - y = random(-500, -100); - s = s_; - speed = random(2, 6); - } - - // Simple motion - void move() { - y += speed; - if (y > height+100) { - y = -100; - } - } - - // Draw the object - void display() { - pushMatrix(); - translate(x, y); - shape(s); - popMatrix(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP2/PolygonPShapeOOP2.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP2/PolygonPShapeOOP2.pde deleted file mode 100644 index ea3e30c..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP2/PolygonPShapeOOP2.pde +++ /dev/null @@ -1,53 +0,0 @@ -/** - * PolygonPShapeOOP. - * - * Wrapping a PShape inside a custom class - * and demonstrating how we can have a multiple objects each - * using the same PShape. - */ - - -// A list of objects -ArrayList polygons; - -void setup() { - size(640, 360, P2D); - - // Make a PShape - PShape star = createShape(); - star.beginShape(); - star.noStroke(); - star.fill(0, 127); - star.vertex(0, -50); - star.vertex(14, -20); - star.vertex(47, -15); - star.vertex(23, 7); - star.vertex(29, 40); - star.vertex(0, 25); - star.vertex(-29, 40); - star.vertex(-23, 7); - star.vertex(-47, -15); - star.vertex(-14, -20); - star.endShape(CLOSE); - - // Make an ArrayList - polygons = new ArrayList(); - - // Add a bunch of objects to the ArrayList - // Pass in reference to the PShape - // We coud make polygons with different PShapes - for (int i = 0; i < 25; i++) { - polygons.add(new Polygon(star)); - } -} - -void draw() { - background(255); - - // Display and move them all - for (Polygon poly : polygons) { - poly.display(); - poly.move(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP3/Polygon.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP3/Polygon.pde deleted file mode 100644 index e775fb4..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP3/Polygon.pde +++ /dev/null @@ -1,34 +0,0 @@ -// A class to describe a Polygon (with a PShape) - -class Polygon { - // The PShape object - PShape s; - // The location where we will draw the shape - float x, y; - // Variable for simple motion - float speed; - - Polygon(PShape s_) { - x = random(width); - y = random(-500, -100); - s = s_; - speed = random(2, 6); - } - - // Simple motion - void move() { - y+=speed; - if (y > height+100) { - y = -100; - } - } - - // Draw the object - void display() { - pushMatrix(); - translate(x, y); - shape(s); - popMatrix(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP3/PolygonPShapeOOP3.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP3/PolygonPShapeOOP3.pde deleted file mode 100644 index 854deb0..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PolygonPShapeOOP3/PolygonPShapeOOP3.pde +++ /dev/null @@ -1,60 +0,0 @@ -/** - * PolygonPShapeOOP. - * - * Wrapping a PShape inside a custom class - * and demonstrating how we can have a multiple objects each - * using the same PShape. - */ - - -// A list of objects -ArrayList polygons; - -// Three possible shapes -PShape[] shapes = new PShape[3]; - -void setup() { - size(640, 360, P2D); - - shapes[0] = createShape(ELLIPSE,0,0,100,100); - shapes[0].setFill(color(255, 127)); - shapes[0].setStroke(false); - shapes[1] = createShape(RECT,0,0,100,100); - shapes[1].setFill(color(255, 127)); - shapes[1].setStroke(false); - shapes[2] = createShape(); - shapes[2].beginShape(); - shapes[2].fill(0, 127); - shapes[2].noStroke(); - shapes[2].vertex(0, -50); - shapes[2].vertex(14, -20); - shapes[2].vertex(47, -15); - shapes[2].vertex(23, 7); - shapes[2].vertex(29, 40); - shapes[2].vertex(0, 25); - shapes[2].vertex(-29, 40); - shapes[2].vertex(-23, 7); - shapes[2].vertex(-47, -15); - shapes[2].vertex(-14, -20); - shapes[2].endShape(CLOSE); - - // Make an ArrayList - polygons = new ArrayList(); - - for (int i = 0; i < 25; i++) { - int selection = int(random(shapes.length)); // Pick a random index - Polygon p = new Polygon(shapes[selection]); // Use corresponding PShape to create Polygon - polygons.add(p); - } -} - -void draw() { - background(102); - - // Display and move them all - for (Polygon poly : polygons) { - poly.display(); - poly.move(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/PrimitivePShape/PrimitivePShape.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/PrimitivePShape/PrimitivePShape.pde deleted file mode 100644 index 7b8e663..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/PrimitivePShape/PrimitivePShape.pde +++ /dev/null @@ -1,27 +0,0 @@ -/** - * PrimitivePShape. - * - * Using a PShape to display a primitive shape (in this case, ellipse). - */ - - -// The PShape object -PShape circle; - -void setup() { - size(640, 360, P2D); - // Creating the PShape as an ellipse - circle = createShape(ELLIPSE, 0, 0, 100, 50); -} - -void draw() { - background(51); - // We can dynamically set the stroke and fill of the shape - circle.setStroke(color(255)); - circle.setStrokeWeight(4); - circle.setFill(color(map(mouseX, 0, width, 0, 255))); - // We can use translate to move the PShape - translate(mouseX, mouseY); - // Drawing the PShape - shape(circle); -} diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/WigglePShape/WigglePShape.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/WigglePShape/WigglePShape.pde deleted file mode 100644 index 0ed8744..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/WigglePShape/WigglePShape.pde +++ /dev/null @@ -1,22 +0,0 @@ -/** - * WigglePShape. - * - * How to move the individual vertices of a PShape - */ - - -// A "Wiggler" object -Wiggler w; - -void setup() { - size(640, 360, P2D); - w = new Wiggler(); -} - -void draw() { - background(255); - w.display(); - w.wiggle(); -} - - diff --git a/tools/Java/modes/java/examples/Topics/Create Shapes/WigglePShape/Wiggler.pde b/tools/Java/modes/java/examples/Topics/Create Shapes/WigglePShape/Wiggler.pde deleted file mode 100644 index be4d798..0000000 --- a/tools/Java/modes/java/examples/Topics/Create Shapes/WigglePShape/Wiggler.pde +++ /dev/null @@ -1,67 +0,0 @@ -// An object that wraps the PShape - -class Wiggler { - - // The PShape to be "wiggled" - PShape s; - // Its location - float x, y; - - // For 2D Perlin noise - float yoff = 0; - - // We are using an ArrayList to keep a duplicate copy - // of vertices original locations. - ArrayList original; - - Wiggler() { - x = width/2; - y = height/2; - - // The "original" locations of the vertices make up a circle - original = new ArrayList(); - for (float a = 0; a < TWO_PI; a+=0.2) { - PVector v = PVector.fromAngle(a); - v.mult(100); - original.add(v); - } - - // Now make the PShape with those vertices - s = createShape(); - s.beginShape(); - s.fill(127); - s.stroke(0); - s.strokeWeight(2); - for (PVector v : original) { - s.vertex(v.x, v.y); - } - s.endShape(CLOSE); - } - - void wiggle() { - float xoff = 0; - // Apply an offset to each vertex - for (int i = 0; i < s.getVertexCount(); i++) { - // Calculate a new vertex location based on noise around "original" location - PVector pos = original.get(i); - float a = TWO_PI*noise(xoff,yoff); - PVector r = PVector.fromAngle(a); - r.mult(4); - r.add(pos); - // Set the location of each vertex to the new one - s.setVertex(i, r.x, r.y); - // increment perlin noise x value - xoff+= 0.5; - } - // Increment perlin noise y value - yoff += 0.02; - } - - void display() { - pushMatrix(); - translate(x, y); - shape(s); - popMatrix(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Curves/ArcLengthParametrization/ArcLengthParametrization.pde b/tools/Java/modes/java/examples/Topics/Curves/ArcLengthParametrization/ArcLengthParametrization.pde deleted file mode 100644 index eca9da9..0000000 --- a/tools/Java/modes/java/examples/Topics/Curves/ArcLengthParametrization/ArcLengthParametrization.pde +++ /dev/null @@ -1,158 +0,0 @@ -/* - Arc Length parametrization of curves by Jakub Valtar - - This example shows how to divide a curve into segments - of an equal length and how to move along the curve with - constant speed. - - To demonstrate the technique, a cubic Bézier curve is used. - However, this technique is applicable to any kind of - parametric curve. -*/ - -BezierCurve curve; - -PVector[] points; -PVector[] equidistantPoints; - -float t = 0.0; -float tStep = 0.004; - -final int POINT_COUNT = 80; - -int borderSize = 40; - -void setup() { - size(640, 360, P2D); - - frameRate(60); - smooth(8); - textAlign(CENTER); - textSize(16); - strokeWeight(2); - - PVector a = new PVector( 0, 300); - PVector b = new PVector( 440, 0); - PVector c = new PVector(-200, 0); - PVector d = new PVector( 240, 300); - - curve = new BezierCurve(a, b, c, d); - - points = curve.points(POINT_COUNT); - equidistantPoints = curve.equidistantPoints(POINT_COUNT); -} - - -void draw() { - - // Show static value when mouse is pressed, animate otherwise - if (mousePressed) { - int a = constrain(mouseX, borderSize, width - borderSize); - t = map(a, borderSize, width - borderSize, 0.0, 1.0); - } else { - t += tStep; - if (t > 1.0) t = 0.0; - } - - background(255); - - - // draw curve and circle using standard parametrization - pushMatrix(); - translate(borderSize, -50); - - labelStyle(); - text("STANDARD\nPARAMETRIZATION", 120, 310); - - curveStyle(); - beginShape(LINES); - for (int i = 0; i < points.length - 1; i += 2) { - vertex(points[i].x, points[i].y); - vertex(points[i+1].x, points[i+1].y); - } - endShape(); - - circleStyle(); - PVector pos1 = curve.pointAtParameter(t); - ellipse(pos1.x, pos1.y, 12, 12); - - popMatrix(); - - - // draw curve and circle using arc length parametrization - pushMatrix(); - translate(width/2 + borderSize, -50); - - labelStyle(); - text("ARC LENGTH\nPARAMETRIZATION", 120, 310); - - curveStyle(); - beginShape(LINES); - for (int i = 0; i < equidistantPoints.length - 1; i += 2) { - vertex(equidistantPoints[i].x, equidistantPoints[i].y); - vertex(equidistantPoints[i+1].x, equidistantPoints[i+1].y); - } - endShape(); - - circleStyle(); - PVector pos2 = curve.pointAtFraction(t); - ellipse(pos2.x, pos2.y, 12, 12); - - popMatrix(); - - - // draw seek bar - pushMatrix(); - translate(borderSize, height - 45); - - int barLength = width - 2 * borderSize; - - barBgStyle(); - line(0, 0, barLength, 0); - line(barLength, -5, barLength, 5); - - barStyle(); - line(0, -5, 0, 5); - line(0, 0, t * barLength, 0); - - barLabelStyle(); - text(nf(t, 0, 2), barLength/2, 25); - popMatrix(); - -} - - -// Styles ----- - -void curveStyle() { - stroke(170); - noFill(); -} - -void labelStyle() { - noStroke(); - fill(120); -} - -void circleStyle() { - noStroke(); - fill(0); -} - -void barBgStyle() { - stroke(220); - noFill(); -} - -void barStyle() { - stroke(50); - noFill(); -} - -void barLabelStyle() { - noStroke(); - fill(120); -} - - - diff --git a/tools/Java/modes/java/examples/Topics/Curves/ArcLengthParametrization/BezierCurve.pde b/tools/Java/modes/java/examples/Topics/Curves/ArcLengthParametrization/BezierCurve.pde deleted file mode 100644 index 299ba81..0000000 --- a/tools/Java/modes/java/examples/Topics/Curves/ArcLengthParametrization/BezierCurve.pde +++ /dev/null @@ -1,192 +0,0 @@ -/* - This class represents a cubic Bézier curve. - - getPointAtParameter() method works the same as bezierPoint(). - - Points returned from this method are closer to each other - at places where the curve bends and farther apart where the - curve runs straight. - - On the orther hand, getPointAtFraction() and getPointAtLength() - return points at fixed distances. This is useful in many scenarios: - you may want to move an object along the curve at some speed - or you may want to draw dashed Bézier curves. -*/ - - -class BezierCurve { - - private final int SEGMENT_COUNT = 100; - - private PVector v0, v1, v2, v3; - - private float arcLengths[] = new float[SEGMENT_COUNT + 1]; // there are n segments between n+1 points - - private float curveLength; - - - BezierCurve(PVector a, PVector b, PVector c, PVector d) { - v0 = a.get(); // curve begins here - v1 = b.get(); - v2 = c.get(); - v3 = d.get(); // curve ends here - - // The idea here is to make a handy look up table, which contains - // parameter values with their arc lengths along the curve. Later, - // when we want a point at some arc length, we can go through our - // table, pick the place where the point is going to be located and - // interpolate the value of parameter from two surrounding parameters - // in our table. - - // we will keep current length along the curve here - float arcLength = 0; - - PVector prev = new PVector(); - prev.set(v0); - - // i goes from 0 to SEGMENT_COUNT - for (int i = 0; i <= SEGMENT_COUNT; i++) { - - // map index from range (0, SEGMENT_COUNT) to parameter in range (0.0, 1.0) - float t = (float) i / SEGMENT_COUNT; - - // get point on the curve at this parameter value - PVector point = pointAtParameter(t); - - // get distance from previous point - float distanceFromPrev = PVector.dist(prev, point); - - // add arc length of last segment to total length - arcLength += distanceFromPrev; - - // save current arc length to the look up table - arcLengths[i] = arcLength; - - // keep this point to compute length of next segment - prev.set(point); - } - - // Here we have sum of all segment lengths, which should be - // very close to the actual length of the curve. The more - // segments we use, the more accurate it becomes. - curveLength = arcLength; - } - - - // Returns the length of this curve - float length() { - return curveLength; - } - - - // Returns a point along the curve at a specified parameter value. - PVector pointAtParameter(float t) { - PVector result = new PVector(); - result.x = bezierPoint(v0.x, v1.x, v2.x, v3.x, t); - result.y = bezierPoint(v0.y, v1.y, v2.y, v3.y, t); - result.z = bezierPoint(v0.z, v1.z, v2.z, v3.z, t); - return result; - } - - - - // Returns a point at a fraction of curve's length. - // Example: pointAtFraction(0.25) returns point at one quarter of curve's length. - PVector pointAtFraction(float r) { - float wantedLength = curveLength * r; - return pointAtLength(wantedLength); - } - - - // Returns a point at a specified arc length along the curve. - PVector pointAtLength(float wantedLength) { - wantedLength = constrain(wantedLength, 0.0, curveLength); - - // look up the length in our look up table - int index = java.util.Arrays.binarySearch(arcLengths, wantedLength); - - float mappedIndex; - - if (index < 0) { - // if the index is negative, exact length is not in the table, - // but it tells us where it should be in the table - // see https://docs.oracle.com/javase/8/docs/api/java/util/Arrays.html#binarySearch-float:A-float- - - // interpolate two surrounding indexes - int nextIndex = -(index + 1); - int prevIndex = nextIndex - 1; - float prevLength = arcLengths[prevIndex]; - float nextLength = arcLengths[nextIndex]; - mappedIndex = map(wantedLength, prevLength, nextLength, prevIndex, nextIndex); - - } else { - // wanted length is in the table, we know the index right away - mappedIndex = index; - } - - // map index from range (0, SEGMENT_COUNT) to parameter in range (0.0, 1.0) - float parameter = mappedIndex / SEGMENT_COUNT; - - return pointAtParameter(parameter); - } - - - // Returns an array of equidistant point on the curve - PVector[] equidistantPoints(int howMany) { - - PVector[] resultPoints = new PVector[howMany]; - - // we already know the beginning and the end of the curve - resultPoints[0] = v0.get(); - resultPoints[howMany - 1] = v3.get(); - - int arcLengthIndex = 1; - for (int i = 1; i < howMany - 1; i++) { - - // compute wanted arc length - float fraction = (float) i / (howMany - 1); - float wantedLength = fraction * curveLength; - - // move through the look up table until we find greater length - while (wantedLength > arcLengths[arcLengthIndex] && arcLengthIndex < arcLengths.length) { - arcLengthIndex++; - } - - // interpolate two surrounding indexes - int nextIndex = arcLengthIndex; - int prevIndex = arcLengthIndex - 1; - float prevLength = arcLengths[prevIndex]; - float nextLength = arcLengths[nextIndex]; - float mappedIndex = map(wantedLength, prevLength, nextLength, prevIndex, nextIndex); - - // map index from range (0, SEGMENT_COUNT) to parameter in range (0.0, 1.0) - float parameter = mappedIndex / SEGMENT_COUNT; - - resultPoints[i] = pointAtParameter(parameter); - } - - return resultPoints; - } - - - // Returns an array of points on the curve. - PVector[] points(int howMany) { - - PVector[] resultPoints = new PVector[howMany]; - - // we already know the first and the last point of the curve - resultPoints[0] = v0.get(); - resultPoints[howMany - 1] = v3.get(); - - for (int i = 1; i < howMany - 1; i++) { - - // map index to parameter in range (0.0, 1.0) - float parameter = (float) i / (howMany - 1); - - resultPoints[i] = pointAtParameter(parameter); - } - - return resultPoints; - } - -} diff --git a/tools/Java/modes/java/examples/Topics/Drawing/ContinuousLines/ContinuousLines.pde b/tools/Java/modes/java/examples/Topics/Drawing/ContinuousLines/ContinuousLines.pde deleted file mode 100644 index a9e36e0..0000000 --- a/tools/Java/modes/java/examples/Topics/Drawing/ContinuousLines/ContinuousLines.pde +++ /dev/null @@ -1,17 +0,0 @@ -/** - * Continuous Lines. - * - * Click and drag the mouse to draw a line. - */ - -void setup() { - size(640, 360); - background(102); -} - -void draw() { - stroke(255); - if (mousePressed == true) { - line(mouseX, mouseY, pmouseX, pmouseY); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Drawing/Pattern/Pattern.pde b/tools/Java/modes/java/examples/Topics/Drawing/Pattern/Pattern.pde deleted file mode 100644 index 39c16cd..0000000 --- a/tools/Java/modes/java/examples/Topics/Drawing/Pattern/Pattern.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * Patterns. - * - * Move the cursor over the image to draw with a software tool - * which responds to the speed of the mouse. - */ - -void setup() { - size(640, 360); - background(102); -} - -void draw() { - // Call the variableEllipse() method and send it the - // parameters for the current mouse position - // and the previous mouse position - variableEllipse(mouseX, mouseY, pmouseX, pmouseY); -} - - -// The simple method variableEllipse() was created specifically -// for this program. It calculates the speed of the mouse -// and draws a small ellipse if the mouse is moving slowly -// and draws a large ellipse if the mouse is moving quickly - -void variableEllipse(int x, int y, int px, int py) { - float speed = abs(x-px) + abs(y-py); - stroke(speed); - ellipse(x, y, speed, speed); -} diff --git a/tools/Java/modes/java/examples/Topics/Drawing/Pulses/Pulses.pde b/tools/Java/modes/java/examples/Topics/Drawing/Pulses/Pulses.pde deleted file mode 100644 index 0051ec7..0000000 --- a/tools/Java/modes/java/examples/Topics/Drawing/Pulses/Pulses.pde +++ /dev/null @@ -1,32 +0,0 @@ -/** - * Pulses. - * - * Software drawing instruments can follow a rhythm or abide by rules independent - * of drawn gestures. This is a form of collaborative drawing in which the draftsperson - * controls some aspects of the image and the software controls others. - */ - -int angle = 0; - -void setup() { - size(640, 360); - background(102); - noStroke(); - fill(0, 102); -} - -void draw() { - // Draw only when mouse is pressed - if (mousePressed == true) { - angle += 5; - float val = cos(radians(angle)) * 12.0; - for (int a = 0; a < 360; a += 75) { - float xoff = cos(radians(a)) * val; - float yoff = sin(radians(a)) * val; - fill(0); - ellipse(mouseX + xoff, mouseY + yoff, val, val); - } - fill(255); - ellipse(mouseX, mouseY, 2, 2); - } -} diff --git a/tools/Java/modes/java/examples/Topics/File IO/DirectoryList/DirectoryList.pde b/tools/Java/modes/java/examples/Topics/File IO/DirectoryList/DirectoryList.pde deleted file mode 100644 index 80568a5..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/DirectoryList/DirectoryList.pde +++ /dev/null @@ -1,104 +0,0 @@ -/** - * Listing files in directories and subdirectories - * by Daniel Shiffman. - * - * This example has three functions:
- * 1) List the names of files in a directory
- * 2) List the names along with metadata (size, lastModified)
- * of files in a directory
- * 3) List the names along with metadata (size, lastModified)
- * of files in a directory and all subdirectories (using recursion) - */ - -import java.util.Date; - -void setup() { - - // Using just the path of this sketch to demonstrate, - // but you can list any directory you like. - String path = sketchPath(); - - println("Listing all filenames in a directory: "); - String[] filenames = listFileNames(path); - printArray(filenames); - - println("\nListing info about all files in a directory: "); - File[] files = listFiles(path); - for (int i = 0; i < files.length; i++) { - File f = files[i]; - println("Name: " + f.getName()); - println("Is directory: " + f.isDirectory()); - println("Size: " + f.length()); - String lastModified = new Date(f.lastModified()).toString(); - println("Last Modified: " + lastModified); - println("-----------------------"); - } - - println("\nListing info about all files in a directory and all subdirectories: "); - ArrayList allFiles = listFilesRecursive(path); - - for (File f : allFiles) { - println("Name: " + f.getName()); - println("Full path: " + f.getAbsolutePath()); - println("Is directory: " + f.isDirectory()); - println("Size: " + f.length()); - String lastModified = new Date(f.lastModified()).toString(); - println("Last Modified: " + lastModified); - println("-----------------------"); - } - - noLoop(); -} - -// Nothing is drawn in this program and the draw() doesn't loop because -// of the noLoop() in setup() -void draw() { -} - -// This function returns all the files in a directory as an array of Strings -String[] listFileNames(String dir) { - File file = new File(dir); - if (file.isDirectory()) { - String names[] = file.list(); - return names; - } else { - // If it's not a directory - return null; - } -} - -// This function returns all the files in a directory as an array of File objects -// This is useful if you want more info about the file -File[] listFiles(String dir) { - File file = new File(dir); - if (file.isDirectory()) { - File[] files = file.listFiles(); - return files; - } else { - // If it's not a directory - return null; - } -} - -// Function to get a list of all files in a directory and all subdirectories -ArrayList listFilesRecursive(String dir) { - ArrayList fileList = new ArrayList(); - recurseDir(fileList, dir); - return fileList; -} - -// Recursive function to traverse subdirectories -void recurseDir(ArrayList a, String dir) { - File file = new File(dir); - if (file.isDirectory()) { - // If you want to include directories in the list - a.add(file); - File[] subfiles = file.listFiles(); - for (int i = 0; i < subfiles.length; i++) { - // Call this function on all files in this directory - recurseDir(a, subfiles[i].getAbsolutePath()); - } - } else { - a.add(file); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/File IO/LoadFile1/LoadFile1.pde b/tools/Java/modes/java/examples/Topics/File IO/LoadFile1/LoadFile1.pde deleted file mode 100644 index b6fdd21..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/LoadFile1/LoadFile1.pde +++ /dev/null @@ -1,31 +0,0 @@ -/** - * LoadFile 1 - * - * Loads a text file that contains two numbers separated by a tab ('\t'). - * A new pair of numbers is loaded each frame and used to draw a point on the screen. - */ - -String[] lines; -int index = 0; - -void setup() { - size(640, 360); - background(0); - stroke(255); - frameRate(12); - lines = loadStrings("positions.txt"); -} - -void draw() { - if (index < lines.length) { - String[] pieces = split(lines[index], '\t'); - if (pieces.length == 2) { - // Scale the coordinates to match the size of the sketch window - float x = map(float(pieces[0]),0,100,0,width); - float y = map(float(pieces[1]),0,100,0,height); - point(x, y); - } - // Go to the next line for the next run through draw() - index = index + 1; - } -} diff --git a/tools/Java/modes/java/examples/Topics/File IO/LoadFile1/data/positions.txt b/tools/Java/modes/java/examples/Topics/File IO/LoadFile1/data/positions.txt deleted file mode 100644 index 3b8ff2e..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/LoadFile1/data/positions.txt +++ /dev/null @@ -1,206 +0,0 @@ -70 35 -69 35 -68 39 -67 42 -66 47 -64 51 -64 54 -63 57 -60 60 -58 64 -51 69 -48 72 -44 73 -39 75 -35 75 -30 75 -25 75 -21 75 -17 73 -13 69 -12 66 -11 61 -11 57 -10 49 -10 45 -10 38 -12 32 -13 29 -16 23 -20 19 -24 16 -27 15 -31 13 -33 13 -37 13 -40 15 -42 16 -45 19 -46 21 -47 24 -48 26 -48 29 -48 33 -47 39 -43 45 -42 47 -38 50 -35 51 -32 51 -30 51 -27 50 -27 50 -26 46 -26 41 -29 36 -30 34 -31 33 -31 33 -32 33 -33 33 -34 33 -34 33 -35 33 -37 33 -39 33 -42 32 -44 31 -46 29 -48 29 -49 27 -52 24 -53 23 -57 19 -61 16 -63 14 -67 13 -69 12 -69 12 -77 11 -77 11 -80 11 -86 16 -90 21 -93 25 -95 29 -95 32 -95 33 -95 37 -94 41 -93 44 -92 46 -91 49 -89 51 -87 55 -85 59 -82 62 -80 64 -79 67 -77 69 -74 71 -68 72 -65 73 -63 73 -62 73 -60 72 -58 69 -57 67 -57 66 -56 60 -56 56 -56 54 -58 49 -60 47 -62 47 -63 47 -67 48 -70 52 -73 55 -74 57 -74 58 -74 60 -74 62 -73 65 -70 68 -67 69 -65 70 -63 70 -62 70 -60 68 -57 65 -55 64 -50 62 -46 61 -40 60 -38 60 -36 60 -32 61 -30 62 -27 64 -26 68 -25 71 -25 77 -25 81 -26 84 -28 86 -31 87 -33 88 -36 88 -39 86 -41 85 -43 83 -44 81 -45 76 -45 74 -45 71 -40 67 -37 65 -34 63 -33 61 -33 61 -32 60 -33 49 -37 45 -41 41 -45 39 -47 38 -51 37 -54 37 -58 38 -61 41 -63 44 -65 46 -66 49 -66 51 -67 55 -67 58 -67 60 -66 62 -64 65 -63 66 -61 67 -60 68 -58 68 -55 69 -54 69 -51 69 -48 69 -46 68 -45 66 -44 65 -44 63 -44 61 -44 59 -44 56 -44 55 -45 53 -47 52 -49 50 -50 48 -51 47 -52 46 -54 46 -55 45 -55 45 -56 44 -57 44 diff --git a/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/LoadFile2.pde b/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/LoadFile2.pde deleted file mode 100644 index 75bfa35..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/LoadFile2.pde +++ /dev/null @@ -1,56 +0,0 @@ -/** - * LoadFile 2 - * - * This example loads a data file about cars. Each element is separated - * with a tab and corresponds to a different aspect of each car. The file stores - * the miles per gallon, cylinders, displacement, etc., for more than 400 different - * makes and models. Press a mouse button to advance to the next group of entries. - */ - -Record[] records; -String[] lines; -int recordCount; -PFont body; -int num = 9; // Display this many entries on each screen. -int startingEntry = 0; // Display from this entry number - -void setup() { - size(640, 360); - fill(255); - noLoop(); - - body = loadFont("TheSans-Plain-12.vlw"); - textFont(body); - textSize(20); - - lines = loadStrings("cars2.tsv"); - records = new Record[lines.length]; - for (int i = 0; i < lines.length; i++) { - String[] pieces = split(lines[i], TAB); // Load data into array - if (pieces.length == 9) { - records[recordCount] = new Record(pieces); - recordCount++; - } - } - if (recordCount != records.length) { - records = (Record[]) subset(records, 0, recordCount); - } -} - -void draw() { - background(0); - for (int i = 0; i < num; i++) { - int thisEntry = startingEntry + i; - if (thisEntry < recordCount) { - text(thisEntry + " > " + records[thisEntry].name, 20, 20 + i*20); - } - } -} - -void mousePressed() { - startingEntry += num; - if (startingEntry > records.length) { - startingEntry = 0; // go back to the beginning - } - redraw(); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/Record.pde b/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/Record.pde deleted file mode 100644 index 2cc836a..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/Record.pde +++ /dev/null @@ -1,23 +0,0 @@ -class Record { - String name; - float mpg; - int cylinders; - float displacement; - float horsepower; - float weight; - float acceleration; - int year; - float origin; - - public Record(String[] pieces) { - name = pieces[0]; - mpg = float(pieces[1]); - cylinders = int(pieces[2]); - displacement = float(pieces[3]); - horsepower = float(pieces[4]); - weight = float(pieces[5]); - acceleration = float(pieces[6]); - year = int(pieces[7]); - origin = float(pieces[8]); - } -} diff --git a/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/data/TheSans-Plain-12.vlw b/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/data/TheSans-Plain-12.vlw deleted file mode 100644 index 4fcefba..0000000 Binary files a/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/data/TheSans-Plain-12.vlw and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/data/cars2.tsv b/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/data/cars2.tsv deleted file mode 100644 index 7f658bf..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/LoadFile2/data/cars2.tsv +++ /dev/null @@ -1,406 +0,0 @@ -chevrolet chevelle malibu 18 8 307 130 3504 12 70 1 -buick skylark 320 15 8 350 165 3693 11.5 70 1 -plymouth satellite 18 8 318 150 3436 11 70 1 -amc rebel sst 16 8 304 150 3433 12 70 1 -ford torino 17 8 302 140 3449 10.5 70 1 -ford galaxie 500 15 8 429 198 4341 10 70 1 -chevrolet impala 14 8 454 220 4354 9 70 1 -plymouth fury iii 14 8 440 215 4312 8.5 70 1 -pontiac catalina 14 8 455 225 4425 10 70 1 -amc ambassador dpl 15 8 390 190 3850 8.5 70 1 -citroen ds-21 pallas NA 4 133 115 3090 17.5 70 2 -chevrolet chevelle concours (sw) NA 8 350 165 4142 11.5 70 1 -ford torino (sw) NA 8 351 153 4034 11 70 1 -plymouth satellite (sw) NA 8 383 175 4166 10.5 70 1 -amc rebel sst (sw) NA 8 360 175 3850 11 70 1 -dodge challenger se 15 8 383 170 3563 10 70 1 -plymouth 'cuda 340 14 8 340 160 3609 8 70 1 -ford mustang boss 302 NA 8 302 140 3353 8 70 1 -chevrolet monte carlo 15 8 400 150 3761 9.5 70 1 -buick estate wagon (sw) 14 8 455 225 3086 10 70 1 -toyota corona mark ii 24 4 113 95 2372 15 70 3 -plymouth duster 22 6 198 95 2833 15.5 70 1 -amc hornet 18 6 199 97 2774 15.5 70 1 -ford maverick 21 6 200 85 2587 16 70 1 -datsun pl510 27 4 97 88 2130 14.5 70 3 -volkswagen 1131 deluxe sedan 26 4 97 46 1835 20.5 70 2 -peugeot 504 25 4 110 87 2672 17.5 70 2 -audi 100 ls 24 4 107 90 2430 14.5 70 2 -saab 99e 25 4 104 95 2375 17.5 70 2 -bmw 2002 26 4 121 113 2234 12.5 70 2 -amc gremlin 21 6 199 90 2648 15 70 1 -ford f250 10 8 360 215 4615 14 70 1 -chevy c20 10 8 307 200 4376 15 70 1 -dodge d200 11 8 318 210 4382 13.5 70 1 -hi 1200d 9 8 304 193 4732 18.5 70 1 -datsun pl510 27 4 97 88 2130 14.5 71 3 -chevrolet vega 2300 28 4 140 90 2264 15.5 71 1 -toyota corona 25 4 113 95 2228 14 71 3 -ford pinto 25 4 98 NA 2046 19 71 1 -volkswagen super beetle 117 NA 4 97 48 1978 20 71 2 -amc gremlin 19 6 232 100 2634 13 71 1 -plymouth satellite custom 16 6 225 105 3439 15.5 71 1 -chevrolet chevelle malibu 17 6 250 100 3329 15.5 71 1 -ford torino 500 19 6 250 88 3302 15.5 71 1 -amc matador 18 6 232 100 3288 15.5 71 1 -chevrolet impala 14 8 350 165 4209 12 71 1 -pontiac catalina brougham 14 8 400 175 4464 11.5 71 1 -ford galaxie 500 14 8 351 153 4154 13.5 71 1 -plymouth fury iii 14 8 318 150 4096 13 71 1 -dodge monaco (sw) 12 8 383 180 4955 11.5 71 1 -ford country squire (sw) 13 8 400 170 4746 12 71 1 -pontiac safari (sw) 13 8 400 175 5140 12 71 1 -amc hornet sportabout (sw) 18 6 258 110 2962 13.5 71 1 -chevrolet vega (sw) 22 4 140 72 2408 19 71 1 -pontiac firebird 19 6 250 100 3282 15 71 1 -ford mustang 18 6 250 88 3139 14.5 71 1 -mercury capri 2000 23 4 122 86 2220 14 71 1 -opel 1900 28 4 116 90 2123 14 71 2 -peugeot 304 30 4 79 70 2074 19.5 71 2 -fiat 124b 30 4 88 76 2065 14.5 71 2 -toyota corolla 1200 31 4 71 65 1773 19 71 3 -datsun 1200 35 4 72 69 1613 18 71 3 -volkswagen model 111 27 4 97 60 1834 19 71 2 -plymouth cricket 26 4 91 70 1955 20.5 71 1 -toyota corona hardtop 24 4 113 95 2278 15.5 72 3 -dodge colt hardtop 25 4 97.5 80 2126 17 72 1 -volkswagen type 3 23 4 97 54 2254 23.5 72 2 -chevrolet vega 20 4 140 90 2408 19.5 72 1 -ford pinto runabout 21 4 122 86 2226 16.5 72 1 -chevrolet impala 13 8 350 165 4274 12 72 1 -pontiac catalina 14 8 400 175 4385 12 72 1 -plymouth fury iii 15 8 318 150 4135 13.5 72 1 -ford galaxie 500 14 8 351 153 4129 13 72 1 -amc ambassador sst 17 8 304 150 3672 11.5 72 1 -mercury marquis 11 8 429 208 4633 11 72 1 -buick lesabre custom 13 8 350 155 4502 13.5 72 1 -oldsmobile delta 88 royale 12 8 350 160 4456 13.5 72 1 -chrysler newport royal 13 8 400 190 4422 12.5 72 1 -mazda rx2 coupe 19 3 70 97 2330 13.5 72 3 -amc matador (sw) 15 8 304 150 3892 12.5 72 1 -chevrolet chevelle concours (sw) 13 8 307 130 4098 14 72 1 -ford gran torino (sw) 13 8 302 140 4294 16 72 1 -plymouth satellite custom (sw) 14 8 318 150 4077 14 72 1 -volvo 145e (sw) 18 4 121 112 2933 14.5 72 2 -volkswagen 411 (sw) 22 4 121 76 2511 18 72 2 -peugeot 504 (sw) 21 4 120 87 2979 19.5 72 2 -renault 12 (sw) 26 4 96 69 2189 18 72 2 -ford pinto (sw) 22 4 122 86 2395 16 72 1 -datsun 510 (sw) 28 4 97 92 2288 17 72 3 -toyouta corona mark ii (sw) 23 4 120 97 2506 14.5 72 3 -dodge colt (sw) 28 4 98 80 2164 15 72 1 -toyota corolla 1600 (sw) 27 4 97 88 2100 16.5 72 3 -buick century 350 13 8 350 175 4100 13 73 1 -amc matador 14 8 304 150 3672 11.5 73 1 -chevrolet malibu 13 8 350 145 3988 13 73 1 -ford gran torino 14 8 302 137 4042 14.5 73 1 -dodge coronet custom 15 8 318 150 3777 12.5 73 1 -mercury marquis brougham 12 8 429 198 4952 11.5 73 1 -chevrolet caprice classic 13 8 400 150 4464 12 73 1 -ford ltd 13 8 351 158 4363 13 73 1 -plymouth fury gran sedan 14 8 318 150 4237 14.5 73 1 -chrysler new yorker brougham 13 8 440 215 4735 11 73 1 -buick electra 225 custom 12 8 455 225 4951 11 73 1 -amc ambassador brougham 13 8 360 175 3821 11 73 1 -plymouth valiant 18 6 225 105 3121 16.5 73 1 -chevrolet nova custom 16 6 250 100 3278 18 73 1 -amc hornet 18 6 232 100 2945 16 73 1 -ford maverick 18 6 250 88 3021 16.5 73 1 -plymouth duster 23 6 198 95 2904 16 73 1 -volkswagen super beetle 26 4 97 46 1950 21 73 2 -chevrolet impala 11 8 400 150 4997 14 73 1 -ford country 12 8 400 167 4906 12.5 73 1 -plymouth custom suburb 13 8 360 170 4654 13 73 1 -oldsmobile vista cruiser 12 8 350 180 4499 12.5 73 1 -amc gremlin 18 6 232 100 2789 15 73 1 -toyota carina 20 4 97 88 2279 19 73 3 -chevrolet vega 21 4 140 72 2401 19.5 73 1 -datsun 610 22 4 108 94 2379 16.5 73 3 -maxda rx3 18 3 70 90 2124 13.5 73 3 -ford pinto 19 4 122 85 2310 18.5 73 1 -mercury capri v6 21 6 155 107 2472 14 73 1 -fiat 124 sport coupe 26 4 98 90 2265 15.5 73 2 -chevrolet monte carlo s 15 8 350 145 4082 13 73 1 -pontiac grand prix 16 8 400 230 4278 9.5 73 1 -fiat 128 29 4 68 49 1867 19.5 73 2 -opel manta 24 4 116 75 2158 15.5 73 2 -audi 100ls 20 4 114 91 2582 14 73 2 -volvo 144ea 19 4 121 112 2868 15.5 73 2 -dodge dart custom 15 8 318 150 3399 11 73 1 -saab 99le 24 4 121 110 2660 14 73 2 -toyota mark ii 20 6 156 122 2807 13.5 73 3 -oldsmobile omega 11 8 350 180 3664 11 73 1 -plymouth duster 20 6 198 95 3102 16.5 74 1 -ford maverick 21 6 200 NA 2875 17 74 1 -amc hornet 19 6 232 100 2901 16 74 1 -chevrolet nova 15 6 250 100 3336 17 74 1 -datsun b210 31 4 79 67 1950 19 74 3 -ford pinto 26 4 122 80 2451 16.5 74 1 -toyota corolla 1200 32 4 71 65 1836 21 74 3 -chevrolet vega 25 4 140 75 2542 17 74 1 -chevrolet chevelle malibu classic 16 6 250 100 3781 17 74 1 -amc matador 16 6 258 110 3632 18 74 1 -plymouth satellite sebring 18 6 225 105 3613 16.5 74 1 -ford gran torino 16 8 302 140 4141 14 74 1 -buick century luxus (sw) 13 8 350 150 4699 14.5 74 1 -dodge coronet custom (sw) 14 8 318 150 4457 13.5 74 1 -ford gran torino (sw) 14 8 302 140 4638 16 74 1 -amc matador (sw) 14 8 304 150 4257 15.5 74 1 -audi fox 29 4 98 83 2219 16.5 74 2 -volkswagen dasher 26 4 79 67 1963 15.5 74 2 -opel manta 26 4 97 78 2300 14.5 74 2 -toyota corona 31 4 76 52 1649 16.5 74 3 -datsun 710 32 4 83 61 2003 19 74 3 -dodge colt 28 4 90 75 2125 14.5 74 1 -fiat 128 24 4 90 75 2108 15.5 74 2 -fiat 124 tc 26 4 116 75 2246 14 74 2 -honda civic 24 4 120 97 2489 15 74 3 -subaru 26 4 108 93 2391 15.5 74 3 -fiat x1.9 31 4 79 67 2000 16 74 2 -plymouth valiant custom 19 6 225 95 3264 16 75 1 -chevrolet nova 18 6 250 105 3459 16 75 1 -mercury monarch 15 6 250 72 3432 21 75 1 -ford maverick 15 6 250 72 3158 19.5 75 1 -pontiac catalina 16 8 400 170 4668 11.5 75 1 -chevrolet bel air 15 8 350 145 4440 14 75 1 -plymouth grand fury 16 8 318 150 4498 14.5 75 1 -ford ltd 14 8 351 148 4657 13.5 75 1 -buick century 17 6 231 110 3907 21 75 1 -chevroelt chevelle malibu 16 6 250 105 3897 18.5 75 1 -amc matador 15 6 258 110 3730 19 75 1 -plymouth fury 18 6 225 95 3785 19 75 1 -buick skyhawk 21 6 231 110 3039 15 75 1 -chevrolet monza 2+2 20 8 262 110 3221 13.5 75 1 -ford mustang ii 13 8 302 129 3169 12 75 1 -toyota corolla 29 4 97 75 2171 16 75 3 -ford pinto 23 4 140 83 2639 17 75 1 -amc gremlin 20 6 232 100 2914 16 75 1 -pontiac astro 23 4 140 78 2592 18.5 75 1 -toyota corona 24 4 134 96 2702 13.5 75 3 -volkswagen dasher 25 4 90 71 2223 16.5 75 2 -datsun 710 24 4 119 97 2545 17 75 3 -ford pinto 18 6 171 97 2984 14.5 75 1 -volkswagen rabbit 29 4 90 70 1937 14 75 2 -amc pacer 19 6 232 90 3211 17 75 1 -audi 100ls 23 4 115 95 2694 15 75 2 -peugeot 504 23 4 120 88 2957 17 75 2 -volvo 244dl 22 4 121 98 2945 14.5 75 2 -saab 99le 25 4 121 115 2671 13.5 75 2 -honda civic cvcc 33 4 91 53 1795 17.5 75 3 -fiat 131 28 4 107 86 2464 15.5 76 2 -opel 1900 25 4 116 81 2220 16.9 76 2 -capri ii 25 4 140 92 2572 14.9 76 1 -dodge colt 26 4 98 79 2255 17.7 76 1 -renault 12tl 27 4 101 83 2202 15.3 76 2 -chevrolet chevelle malibu classic 17.5 8 305 140 4215 13 76 1 -dodge coronet brougham 16 8 318 150 4190 13 76 1 -amc matador 15.5 8 304 120 3962 13.9 76 1 -ford gran torino 14.5 8 351 152 4215 12.8 76 1 -plymouth valiant 22 6 225 100 3233 15.4 76 1 -chevrolet nova 22 6 250 105 3353 14.5 76 1 -ford maverick 24 6 200 81 3012 17.6 76 1 -amc hornet 22.5 6 232 90 3085 17.6 76 1 -chevrolet chevette 29 4 85 52 2035 22.2 76 1 -chevrolet woody 24.5 4 98 60 2164 22.1 76 1 -vw rabbit 29 4 90 70 1937 14.2 76 2 -honda civic 33 4 91 53 1795 17.4 76 3 -dodge aspen se 20 6 225 100 3651 17.7 76 1 -ford granada ghia 18 6 250 78 3574 21 76 1 -pontiac ventura sj 18.5 6 250 110 3645 16.2 76 1 -amc pacer d/l 17.5 6 258 95 3193 17.8 76 1 -volkswagen rabbit 29.5 4 97 71 1825 12.2 76 2 -datsun b-210 32 4 85 70 1990 17 76 3 -toyota corolla 28 4 97 75 2155 16.4 76 3 -ford pinto 26.5 4 140 72 2565 13.6 76 1 -volvo 245 20 4 130 102 3150 15.7 76 2 -plymouth volare premier v8 13 8 318 150 3940 13.2 76 1 -peugeot 504 19 4 120 88 3270 21.9 76 2 -toyota mark ii 19 6 156 108 2930 15.5 76 3 -mercedes-benz 280s 16.5 6 168 120 3820 16.7 76 2 -cadillac seville 16.5 8 350 180 4380 12.1 76 1 -chevy c10 13 8 350 145 4055 12 76 1 -ford f108 13 8 302 130 3870 15 76 1 -dodge d100 13 8 318 150 3755 14 76 1 -honda accord cvcc 31.5 4 98 68 2045 18.5 77 3 -buick opel isuzu deluxe 30 4 111 80 2155 14.8 77 1 -renault 5 gtl 36 4 79 58 1825 18.6 77 2 -plymouth arrow gs 25.5 4 122 96 2300 15.5 77 1 -datsun f-10 hatchback 33.5 4 85 70 1945 16.8 77 3 -chevrolet caprice classic 17.5 8 305 145 3880 12.5 77 1 -oldsmobile cutlass supreme 17 8 260 110 4060 19 77 1 -dodge monaco brougham 15.5 8 318 145 4140 13.7 77 1 -mercury cougar brougham 15 8 302 130 4295 14.9 77 1 -chevrolet concours 17.5 6 250 110 3520 16.4 77 1 -buick skylark 20.5 6 231 105 3425 16.9 77 1 -plymouth volare custom 19 6 225 100 3630 17.7 77 1 -ford granada 18.5 6 250 98 3525 19 77 1 -pontiac grand prix lj 16 8 400 180 4220 11.1 77 1 -chevrolet monte carlo landau 15.5 8 350 170 4165 11.4 77 1 -chrysler cordoba 15.5 8 400 190 4325 12.2 77 1 -ford thunderbird 16 8 351 149 4335 14.5 77 1 -volkswagen rabbit custom 29 4 97 78 1940 14.5 77 2 -pontiac sunbird coupe 24.5 4 151 88 2740 16 77 1 -toyota corolla liftback 26 4 97 75 2265 18.2 77 3 -ford mustang ii 2+2 25.5 4 140 89 2755 15.8 77 1 -chevrolet chevette 30.5 4 98 63 2051 17 77 1 -dodge colt m/m 33.5 4 98 83 2075 15.9 77 1 -subaru dl 30 4 97 67 1985 16.4 77 3 -volkswagen dasher 30.5 4 97 78 2190 14.1 77 2 -datsun 810 22 6 146 97 2815 14.5 77 3 -bmw 320i 21.5 4 121 110 2600 12.8 77 2 -mazda rx-4 21.5 3 80 110 2720 13.5 77 3 -volkswagen rabbit custom diesel 43.1 4 90 48 1985 21.5 78 2 -ford fiesta 36.1 4 98 66 1800 14.4 78 1 -mazda glc deluxe 32.8 4 78 52 1985 19.4 78 3 -datsun b210 gx 39.4 4 85 70 2070 18.6 78 3 -honda civic cvcc 36.1 4 91 60 1800 16.4 78 3 -oldsmobile cutlass salon brougham 19.9 8 260 110 3365 15.5 78 1 -dodge diplomat 19.4 8 318 140 3735 13.2 78 1 -mercury monarch ghia 20.2 8 302 139 3570 12.8 78 1 -pontiac phoenix lj 19.2 6 231 105 3535 19.2 78 1 -chevrolet malibu 20.5 6 200 95 3155 18.2 78 1 -ford fairmont (auto) 20.2 6 200 85 2965 15.8 78 1 -ford fairmont (man) 25.1 4 140 88 2720 15.4 78 1 -plymouth volare 20.5 6 225 100 3430 17.2 78 1 -amc concord 19.4 6 232 90 3210 17.2 78 1 -buick century special 20.6 6 231 105 3380 15.8 78 1 -mercury zephyr 20.8 6 200 85 3070 16.7 78 1 -dodge aspen 18.6 6 225 110 3620 18.7 78 1 -amc concord d/l 18.1 6 258 120 3410 15.1 78 1 -chevrolet monte carlo landau 19.2 8 305 145 3425 13.2 78 1 -buick regal sport coupe (turbo) 17.7 6 231 165 3445 13.4 78 1 -ford futura 18.1 8 302 139 3205 11.2 78 1 -dodge magnum xe 17.5 8 318 140 4080 13.7 78 1 -chevrolet chevette 30 4 98 68 2155 16.5 78 1 -toyota corona 27.5 4 134 95 2560 14.2 78 3 -datsun 510 27.2 4 119 97 2300 14.7 78 3 -dodge omni 30.9 4 105 75 2230 14.5 78 1 -toyota celica gt liftback 21.1 4 134 95 2515 14.8 78 3 -plymouth sapporo 23.2 4 156 105 2745 16.7 78 1 -oldsmobile starfire sx 23.8 4 151 85 2855 17.6 78 1 -datsun 200-sx 23.9 4 119 97 2405 14.9 78 3 -audi 5000 20.3 5 131 103 2830 15.9 78 2 -volvo 264gl 17 6 163 125 3140 13.6 78 2 -saab 99gle 21.6 4 121 115 2795 15.7 78 2 -peugeot 604sl 16.2 6 163 133 3410 15.8 78 2 -volkswagen scirocco 31.5 4 89 71 1990 14.9 78 2 -honda accord lx 29.5 4 98 68 2135 16.6 78 3 -pontiac lemans v6 21.5 6 231 115 3245 15.4 79 1 -mercury zephyr 6 19.8 6 200 85 2990 18.2 79 1 -ford fairmont 4 22.3 4 140 88 2890 17.3 79 1 -amc concord dl 6 20.2 6 232 90 3265 18.2 79 1 -dodge aspen 6 20.6 6 225 110 3360 16.6 79 1 -chevrolet caprice classic 17 8 305 130 3840 15.4 79 1 -ford ltd landau 17.6 8 302 129 3725 13.4 79 1 -mercury grand marquis 16.5 8 351 138 3955 13.2 79 1 -dodge st. regis 18.2 8 318 135 3830 15.2 79 1 -buick estate wagon (sw) 16.9 8 350 155 4360 14.9 79 1 -ford country squire (sw) 15.5 8 351 142 4054 14.3 79 1 -chevrolet malibu classic (sw) 19.2 8 267 125 3605 15 79 1 -chrysler lebaron town @ country (sw) 18.5 8 360 150 3940 13 79 1 -vw rabbit custom 31.9 4 89 71 1925 14 79 2 -maxda glc deluxe 34.1 4 86 65 1975 15.2 79 3 -dodge colt hatchback custom 35.7 4 98 80 1915 14.4 79 1 -amc spirit dl 27.4 4 121 80 2670 15 79 1 -mercedes benz 300d 25.4 5 183 77 3530 20.1 79 2 -cadillac eldorado 23 8 350 125 3900 17.4 79 1 -peugeot 504 27.2 4 141 71 3190 24.8 79 2 -oldsmobile cutlass salon brougham 23.9 8 260 90 3420 22.2 79 1 -plymouth horizon 34.2 4 105 70 2200 13.2 79 1 -plymouth horizon tc3 34.5 4 105 70 2150 14.9 79 1 -datsun 210 31.8 4 85 65 2020 19.2 79 3 -fiat strada custom 37.3 4 91 69 2130 14.7 79 2 -buick skylark limited 28.4 4 151 90 2670 16 79 1 -chevrolet citation 28.8 6 173 115 2595 11.3 79 1 -oldsmobile omega brougham 26.8 6 173 115 2700 12.9 79 1 -pontiac phoenix 33.5 4 151 90 2556 13.2 79 1 -vw rabbit 41.5 4 98 76 2144 14.7 80 2 -toyota corolla tercel 38.1 4 89 60 1968 18.8 80 3 -chevrolet chevette 32.1 4 98 70 2120 15.5 80 1 -datsun 310 37.2 4 86 65 2019 16.4 80 3 -chevrolet citation 28 4 151 90 2678 16.5 80 1 -ford fairmont 26.4 4 140 88 2870 18.1 80 1 -amc concord 24.3 4 151 90 3003 20.1 80 1 -dodge aspen 19.1 6 225 90 3381 18.7 80 1 -audi 4000 34.3 4 97 78 2188 15.8 80 2 -toyota corona liftback 29.8 4 134 90 2711 15.5 80 3 -mazda 626 31.3 4 120 75 2542 17.5 80 3 -datsun 510 hatchback 37 4 119 92 2434 15 80 3 -toyota corolla 32.2 4 108 75 2265 15.2 80 3 -mazda glc 46.6 4 86 65 2110 17.9 80 3 -dodge colt 27.9 4 156 105 2800 14.4 80 1 -datsun 210 40.8 4 85 65 2110 19.2 80 3 -vw rabbit c (diesel) 44.3 4 90 48 2085 21.7 80 2 -vw dasher (diesel) 43.4 4 90 48 2335 23.7 80 2 -audi 5000s (diesel) 36.4 5 121 67 2950 19.9 80 2 -mercedes-benz 240d 30 4 146 67 3250 21.8 80 2 -honda civic 1500 gl 44.6 4 91 67 1850 13.8 80 3 -renault lecar deluxe 40.9 4 85 NA 1835 17.3 80 2 -subaru dl 33.8 4 97 67 2145 18 80 3 -vokswagen rabbit 29.8 4 89 62 1845 15.3 80 2 -datsun 280-zx 32.7 6 168 132 2910 11.4 80 3 -mazda rx-7 gs 23.7 3 70 100 2420 12.5 80 3 -triumph tr7 coupe 35 4 122 88 2500 15.1 80 2 -ford mustang cobra 23.6 4 140 NA 2905 14.3 80 1 -honda accord 32.4 4 107 72 2290 17 80 3 -plymouth reliant 27.2 4 135 84 2490 15.7 81 1 -buick skylark 26.6 4 151 84 2635 16.4 81 1 -dodge aries wagon (sw) 25.8 4 156 92 2620 14.4 81 1 -chevrolet citation 23.5 6 173 110 2725 12.6 81 1 -plymouth reliant 30 4 135 84 2385 12.9 81 1 -toyota starlet 39.1 4 79 58 1755 16.9 81 3 -plymouth champ 39 4 86 64 1875 16.4 81 1 -honda civic 1300 35.1 4 81 60 1760 16.1 81 3 -subaru 32.3 4 97 67 2065 17.8 81 3 -datsun 210 mpg 37 4 85 65 1975 19.4 81 3 -toyota tercel 37.7 4 89 62 2050 17.3 81 3 -mazda glc 4 34.1 4 91 68 1985 16 81 3 -plymouth horizon 4 34.7 4 105 63 2215 14.9 81 1 -ford escort 4w 34.4 4 98 65 2045 16.2 81 1 -ford escort 2h 29.9 4 98 65 2380 20.7 81 1 -volkswagen jetta 33 4 105 74 2190 14.2 81 2 -renault 18i 34.5 4 100 NA 2320 15.8 81 2 -honda prelude 33.7 4 107 75 2210 14.4 81 3 -toyota corolla 32.4 4 108 75 2350 16.8 81 3 -datsun 200sx 32.9 4 119 100 2615 14.8 81 3 -mazda 626 31.6 4 120 74 2635 18.3 81 3 -peugeot 505s turbo diesel 28.1 4 141 80 3230 20.4 81 2 -saab 900s NA 4 121 110 2800 15.4 81 2 -volvo diesel 30.7 6 145 76 3160 19.6 81 2 -toyota cressida 25.4 6 168 116 2900 12.6 81 3 -datsun 810 maxima 24.2 6 146 120 2930 13.8 81 3 -buick century 22.4 6 231 110 3415 15.8 81 1 -oldsmobile cutlass ls 26.6 8 350 105 3725 19 81 1 -ford granada gl 20.2 6 200 88 3060 17.1 81 1 -chrysler lebaron salon 17.6 6 225 85 3465 16.6 81 1 -chevrolet cavalier 28 4 112 88 2605 19.6 82 1 -chevrolet cavalier wagon 27 4 112 88 2640 18.6 82 1 -chevrolet cavalier 2-door 34 4 112 88 2395 18 82 1 -pontiac j2000 se hatchback 31 4 112 85 2575 16.2 82 1 -dodge aries se 29 4 135 84 2525 16 82 1 -pontiac phoenix 27 4 151 90 2735 18 82 1 -ford fairmont futura 24 4 140 92 2865 16.4 82 1 -amc concord dl 23 4 151 NA 3035 20.5 82 1 -volkswagen rabbit l 36 4 105 74 1980 15.3 82 2 -mazda glc custom l 37 4 91 68 2025 18.2 82 3 -mazda glc custom 31 4 91 68 1970 17.6 82 3 -plymouth horizon miser 38 4 105 63 2125 14.7 82 1 -mercury lynx l 36 4 98 70 2125 17.3 82 1 -nissan stanza xe 36 4 120 88 2160 14.5 82 3 -honda accord 36 4 107 75 2205 14.5 82 3 -toyota corolla 34 4 108 70 2245 16.9 82 3 -honda civic 38 4 91 67 1965 15 82 3 -honda civic (auto) 32 4 91 67 1965 15.7 82 3 -datsun 310 gx 38 4 91 67 1995 16.2 82 3 -buick century limited 25 6 181 110 2945 16.4 82 1 -oldsmobile cutlass ciera (diesel) 38 6 262 85 3015 17 82 1 -chrysler lebaron medallion 26 4 156 92 2585 14.5 82 1 -ford granada l 22 6 232 112 2835 14.7 82 1 -toyota celica gt 32 4 144 96 2665 13.9 82 3 -dodge charger 2.2 36 4 135 84 2370 13 82 1 -chevrolet camaro 27 4 151 90 2950 17.3 82 1 -ford mustang gl 27 4 140 86 2790 15.6 82 1 -vw pickup 44 4 97 52 2130 24.6 82 2 -dodge rampage 32 4 135 84 2295 11.6 82 1 -ford ranger 28 4 120 79 2625 18.6 82 1 -chevy s-10 31 4 119 82 2720 19.4 82 1 \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/File IO/SaveFile1/SaveFile1.pde b/tools/Java/modes/java/examples/Topics/File IO/SaveFile1/SaveFile1.pde deleted file mode 100644 index d8f61b3..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/SaveFile1/SaveFile1.pde +++ /dev/null @@ -1,47 +0,0 @@ -/** - * SaveFile 1 - * - * Saving files is a useful way to store data so it can be viewed after a - * program has stopped running. The saveStrings() function writes an array - * of strings to a file, with each string written to a new line. This file - * is saved to the sketch's folder. - */ - -int[] x = new int[0]; -int[] y = new int[0]; - -void setup() -{ - size(640, 360); -} - -void draw() -{ - background(204); - stroke(0); - noFill(); - beginShape(); - for (int i = 0; i < x.length; i++) { - vertex(x[i], y[i]); - } - endShape(); - // Show the next segment to be added - if (x.length >= 1) { - stroke(255); - line(mouseX, mouseY, x[x.length-1], y[x.length-1]); - } -} - -void mousePressed() { // Click to add a line segment - x = append(x, mouseX); - y = append(y, mouseY); -} - -void keyPressed() { // Press a key to save the data - String[] lines = new String[x.length]; - for (int i = 0; i < x.length; i++) { - lines[i] = x[i] + "\t" + y[i]; - } - saveStrings("lines.txt", lines); - exit(); // Stop the program -} diff --git a/tools/Java/modes/java/examples/Topics/File IO/SaveFile2/SaveFile2.pde b/tools/Java/modes/java/examples/Topics/File IO/SaveFile2/SaveFile2.pde deleted file mode 100644 index f0075b6..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/SaveFile2/SaveFile2.pde +++ /dev/null @@ -1,33 +0,0 @@ -/** - * SaveFile 2 - * - * This file a PrintWriter object to write data continuously to a file - * while the mouse is pressed. When a key is pressed, the file closes - * itself and the program is stopped. - */ - -PrintWriter output; - -void setup() -{ - size(640, 360); - // Create a new file in the sketch directory - output = createWriter("positions.txt"); - frameRate(12); -} - -void draw() -{ - if (mousePressed) { - point(mouseX, mouseY); - // Write the coordinate to a file with a - // "\t" (TAB character) between each entry - output.println(mouseX + "\t" + mouseY); - } -} - -void keyPressed() { // Press a key to save the data - output.flush(); // Write the remaining data - output.close(); // Finish the file - exit(); // Stop the program -} diff --git a/tools/Java/modes/java/examples/Topics/File IO/SaveFrames/SaveFrames.pde b/tools/Java/modes/java/examples/Topics/File IO/SaveFrames/SaveFrames.pde deleted file mode 100644 index f1365d8..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/SaveFrames/SaveFrames.pde +++ /dev/null @@ -1,68 +0,0 @@ -/** - * Save Frames - * by Daniel Shiffman. - * - * This example demonstrates how to use saveFrame() to render - * out an image sequence that you can assemble into a movie - * using the MovieMaker tool. - */ - -// A boolean to track whether we are recording are not -boolean recording = false; - -void setup() { - size(640, 360); -} - -void draw() { - background(0); - - // An arbitrary oscillating rotating animation - // so that we have something to render - for (float a = 0; a < TWO_PI; a+= 0.2) { - pushMatrix(); - translate(width/2, height/2); - rotate(a+sin(frameCount*0.004*a)); - stroke(255); - line(-100, 0, 100, 0); - popMatrix(); - } - - // If we are recording call saveFrame! - // The number signs (#) indicate to Processing to - // number the files automatically - if (recording) { - saveFrame("output/frames####.png"); - } - - // Let's draw some stuff to tell us what is happening - // It's important to note that none of this will show up in the - // rendered files b/c it is drawn *after* saveFrame() - textAlign(CENTER); - fill(255); - if (!recording) { - text("Press r to start recording.", width/2, height-24); - } - else { - text("Press r to stop recording.", width/2, height-24); - } - - // A red dot for when we are recording - stroke(255); - if (recording) { - fill(255, 0, 0); - } else { - noFill(); - } - ellipse(width/2, height-48, 16, 16); -} - -void keyPressed() { - - // If we press r, start or stop recording! - if (key == 'r' || key == 'R') { - recording = !recording; - } -} - - diff --git a/tools/Java/modes/java/examples/Topics/File IO/SaveOneImage/SaveOneImage.pde b/tools/Java/modes/java/examples/Topics/File IO/SaveOneImage/SaveOneImage.pde deleted file mode 100644 index dfb68d8..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/SaveOneImage/SaveOneImage.pde +++ /dev/null @@ -1,22 +0,0 @@ -/** - * Save One Image - * - * The save() function allows you to save an image from the - * display window. In this example, save() is run when a mouse - * button is pressed. The image "line.tif" is saved to the - * same folder as the sketch's program file. - */ - -void setup() { - size(640, 360); -} - -void draw() { - background(204); - line(0, 0, mouseX, height); - line(width, 0, 0, mouseY); -} - -void mousePressed() { - save("line.tif"); -} diff --git a/tools/Java/modes/java/examples/Topics/File IO/TileImages/TileImages.pde b/tools/Java/modes/java/examples/Topics/File IO/TileImages/TileImages.pde deleted file mode 100644 index d577e27..0000000 --- a/tools/Java/modes/java/examples/Topics/File IO/TileImages/TileImages.pde +++ /dev/null @@ -1,37 +0,0 @@ -/** - * Tile Images - * - * Draws an image larger than the screen, and saves the image as six tiles. - * The scaleValue variable sets amount of scaling: 1 is 100%, 2 is 200%, etc. - */ - -int scaleValue = 3; // Multiplication factor -int xoffset = 0; // x-axis offset -int yoffset = 0; // y-axis offset - -void setup() { - size(600, 600); - stroke(0, 100); -} - -void draw() { - background(204); - scale(scaleValue); - translate(xoffset * (-width / scaleValue), yoffset * (-height / scaleValue)); - line(10, 150, 500, 50); - line(0, 600, 600, 0); - save("lines-" + yoffset + "-" + xoffset + ".png"); - setOffset(); -} - -void setOffset() { - xoffset++; - if (xoffset == scaleValue) { - xoffset = 0; - yoffset++; - if (yoffset == scaleValue) { - println("Tiles saved."); - exit(); - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/Koch.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/Koch.pde deleted file mode 100644 index 4299f06..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/Koch.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * Koch Curve - * by Daniel Shiffman. - * - * Renders a simple fractal, the Koch snowflake. - * Each recursive level is drawn in sequence. - */ - - -KochFractal k; - -void setup() { - size(640, 360); - frameRate(1); // Animate slowly - k = new KochFractal(); -} - -void draw() { - background(0); - // Draws the snowflake! - k.render(); - // Iterate - k.nextLevel(); - // Let's not do it more than 5 times. . . - if (k.getCount() > 5) { - k.restart(); - } -} - - diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/KochFractal.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/KochFractal.pde deleted file mode 100644 index 22f8f9c..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/KochFractal.pde +++ /dev/null @@ -1,67 +0,0 @@ -// Koch Curve -// A class to manage the list of line segments in the snowflake pattern - -class KochFractal { - PVector start; // A PVector for the start - PVector end; // A PVector for the end - ArrayList lines; // A list to keep track of all the lines - int count; - - KochFractal() { - start = new PVector(0,height-20); - end = new PVector(width,height-20); - lines = new ArrayList(); - restart(); - } - - void nextLevel() { - // For every line that is in the arraylist - // create 4 more lines in a new arraylist - lines = iterate(lines); - count++; - } - - void restart() { - count = 0; // Reset count - lines.clear(); // Empty the array list - lines.add(new KochLine(start,end)); // Add the initial line (from one end PVector to the other) - } - - int getCount() { - return count; - } - - // This is easy, just draw all the lines - void render() { - for(KochLine l : lines) { - l.display(); - } - } - - // This is where the **MAGIC** happens - // Step 1: Create an empty arraylist - // Step 2: For every line currently in the arraylist - // - calculate 4 line segments based on Koch algorithm - // - add all 4 line segments into the new arraylist - // Step 3: Return the new arraylist and it becomes the list of line segments for the structure - - // As we do this over and over again, each line gets broken into 4 lines, which gets broken into 4 lines, and so on. . . - ArrayList iterate(ArrayList before) { - ArrayList now = new ArrayList(); // Create emtpy list - for(KochLine l : before) { - // Calculate 5 koch PVectors (done for us by the line object) - PVector a = l.start(); - PVector b = l.kochleft(); - PVector c = l.kochmiddle(); - PVector d = l.kochright(); - PVector e = l.end(); - // Make line segments between all the PVectors and add them - now.add(new KochLine(a,b)); - now.add(new KochLine(b,c)); - now.add(new KochLine(c,d)); - now.add(new KochLine(d,e)); - } - return now; - } - -} diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/KochLine.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/KochLine.pde deleted file mode 100644 index f7aa9da..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Koch/KochLine.pde +++ /dev/null @@ -1,64 +0,0 @@ -// The Nature of Code -// Daniel Shiffman -// http://natureofcode.com - -// Koch Curve -// A class to describe one line segment in the fractal -// Includes methods to calculate midPVectors along the line according to the Koch algorithm - -class KochLine { - - // Two PVectors, - // a is the "left" PVector and - // b is the "right PVector - PVector a; - PVector b; - - KochLine(PVector start, PVector end) { - a = start.copy(); - b = end.copy(); - } - - void display() { - stroke(255); - line(a.x, a.y, b.x, b.y); - } - - PVector start() { - return a.copy(); - } - - PVector end() { - return b.copy(); - } - - // This is easy, just 1/3 of the way - PVector kochleft() { - PVector v = PVector.sub(b, a); - v.div(3); - v.add(a); - return v; - } - - // More complicated, have to use a little trig to figure out where this PVector is! - PVector kochmiddle() { - PVector v = PVector.sub(b, a); - v.div(3); - - PVector p = a.copy(); - p.add(v); - - v.rotate(-radians(60)); - p.add(v); - - return p; - } - - // Easy, just 2/3 of the way - PVector kochright() { - PVector v = PVector.sub(a, b); - v.div(3); - v.add(b); - return v; - } -} diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Mandelbrot/Mandelbrot.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Mandelbrot/Mandelbrot.pde deleted file mode 100644 index 58a3b3d..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Mandelbrot/Mandelbrot.pde +++ /dev/null @@ -1,86 +0,0 @@ -/** - * The Mandelbrot Set - * by Daniel Shiffman. - * (slight modification by l8l) - * - * Simple rendering of the Mandelbrot set. - */ - -size(640, 360); -noLoop(); -background(255); - -// Establish a range of values on the complex plane -// A different range will allow us to "zoom" in or out on the fractal - -// It all starts with the width, try higher or lower values -float w = 4; -float h = (w * height) / width; - -// Start at negative half the width and height -float xmin = -w/2; -float ymin = -h/2; - -// Make sure we can write to the pixels[] array. -// Only need to do this once since we don't do any other drawing. -loadPixels(); - -// Maximum number of iterations for each point on the complex plane -int maxiterations = 100; - -// x goes from xmin to xmax -float xmax = xmin + w; -// y goes from ymin to ymax -float ymax = ymin + h; - -// Calculate amount we increment x,y for each pixel -float dx = (xmax - xmin) / (width); -float dy = (ymax - ymin) / (height); - -// Start y -float y = ymin; -for (int j = 0; j < height; j++) { - // Start x - float x = xmin; - for (int i = 0; i < width; i++) { - - // Now we test, as we iterate z = z^2 + c does z tend towards infinity? - float a = x; - float b = y; - int n = 0; - float max = 4.0; // Infinity in our finite world is simple, let's just consider it 4 - float absOld = 0.0; - float convergeNumber = maxiterations; // this will change if the while loop breaks due to non-convergence - while (n < maxiterations) { - // We suppose z = a+ib - float aa = a * a; - float bb = b * b; - float abs = sqrt(aa + bb); - if (abs > max) { // |z| = sqrt(a^2+b^2) - // Now measure how much we exceeded the maximum: - float diffToLast = (float) (abs - absOld); - float diffToMax = (float) (max - absOld); - convergeNumber = n + diffToMax/diffToLast; - break; // Bail - } - float twoab = 2.0 * a * b; - a = aa - bb + x; // this operation corresponds to z -> z^2+c where z=a+ib c=(x,y) - b = twoab + y; - n++; - absOld = abs; - } - - // We color each pixel based on how long it takes to get to infinity - // If we never got there, let's pick the color black - if (n == maxiterations) { - pixels[i+j*width] = color(0); - } else { - // Gosh, we could make fancy colors here if we wanted - float norm = map(convergeNumber, 0, maxiterations, 0, 1); - pixels[i+j*width] = color(map(sqrt(norm), 0, 1, 0, 255)); - } - x += dx; - } - y += dy; -} -updatePixels(); diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/LSystem.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/LSystem.pde deleted file mode 100644 index 10e694d..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/LSystem.pde +++ /dev/null @@ -1,76 +0,0 @@ -class LSystem -{ - int steps = 0; - - String axiom; - String rule; - String production; - - float startLength; - float drawLength; - float theta; - - int generations; - - LSystem() { - axiom = "F"; - rule = "F+F-F"; - startLength = 90.0; - theta = radians(120.0); - reset(); - } - - void reset() { - production = axiom; - drawLength = startLength; - generations = 0; - } - - int getAge() { - return generations; - } - - void render() { - translate(width/2, height/2); - steps += 5; - if (steps > production.length()) { - steps = production.length(); - } - for (int i = 0; i < steps; i++) { - char step = production.charAt(i); - if (step == 'F') { - rect(0, 0, -drawLength, -drawLength); - noFill(); - translate(0, -drawLength); - } - else if (step == '+') { - rotate(theta); - } - else if (step == '-') { - rotate(-theta); - } - else if (step == '[') { - pushMatrix(); - } - else if (step == ']') { - popMatrix(); - } - } - } - - void simulate(int gen) { - while (getAge() < gen) { - production = iterate(production, rule); - } - } - - String iterate(String prod_, String rule_) { - drawLength = drawLength * 0.6; - generations++; - String newProduction = prod_; - newProduction = newProduction.replaceAll("F", rule_); - return newProduction; - } -} - - diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/PenroseSnowflake.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/PenroseSnowflake.pde deleted file mode 100644 index f3ebeae..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/PenroseSnowflake.pde +++ /dev/null @@ -1,23 +0,0 @@ -/** - * Penrose Snowflake L-System - * by Geraldine Sarmiento. - * - * This example was based on Patrick Dwyer's L-System class. - */ - -PenroseSnowflakeLSystem ps; - -void setup() { - size(640, 360); - stroke(255); - noFill(); - ps = new PenroseSnowflakeLSystem(); - ps.simulate(4); -} - -void draw() { - background(0); - ps.render(); -} - - diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/PenroseSnowflakeLSystem.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/PenroseSnowflakeLSystem.pde deleted file mode 100644 index df1f775..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseSnowflake/PenroseSnowflakeLSystem.pde +++ /dev/null @@ -1,100 +0,0 @@ -class PenroseSnowflakeLSystem extends LSystem { - - String ruleF; - - PenroseSnowflakeLSystem() { - axiom = "F3-F3-F3-F3-F"; - ruleF = "F3-F3-F45-F++F3-F"; - startLength = 450.0; - theta = radians(18); - reset(); - } - - void useRule(String r_) { - rule = r_; - } - - void useAxiom(String a_) { - axiom = a_; - } - - void useLength(float l_) { - startLength = l_; - } - - void useTheta(float t_) { - theta = radians(t_); - } - - void reset() { - production = axiom; - drawLength = startLength; - generations = 0; - } - - int getAge() { - return generations; - } - - void render() { - translate(width, height); - int repeats = 1; - - steps += 3; - if (steps > production.length()) { - steps = production.length(); - } - - for (int i = 0; i < steps; i++) { - char step = production.charAt(i); - if (step == 'F') { - for (int j = 0; j < repeats; j++) { - line(0,0,0, -drawLength); - translate(0, -drawLength); - } - repeats = 1; - } - else if (step == '+') { - for (int j = 0; j < repeats; j++) { - rotate(theta); - } - repeats = 1; - } - else if (step == '-') { - for (int j =0; j < repeats; j++) { - rotate(-theta); - } - repeats = 1; - } - else if (step == '[') { - pushMatrix(); - } - else if (step == ']') { - popMatrix(); - } - else if ( (step >= 48) && (step <= 57) ) { - repeats += step - 48; - } - } - } - - - String iterate(String prod_, String rule_) { - String newProduction = ""; - for (int i = 0; i < prod_.length(); i++) { - char step = production.charAt(i); - if (step == 'F') { - newProduction = newProduction + ruleF; - } - else { - if (step != 'F') { - newProduction = newProduction + step; - } - } - } - drawLength = drawLength * 0.4; - generations++; - return newProduction; - } - -} diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/LSystem.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/LSystem.pde deleted file mode 100644 index 8f00dda..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/LSystem.pde +++ /dev/null @@ -1,74 +0,0 @@ -class LSystem -{ - int steps = 0; - - String axiom; - String rule; - String production; - - float startLength; - float drawLength; - float theta; - - int generations; - - LSystem() { - axiom = "F"; - rule = "F+F-F"; - startLength = 190.0; - theta = radians(120.0); - reset(); - } - - void reset() { - production = axiom; - drawLength = startLength; - generations = 0; - } - - int getAge() { - return generations; - } - - void render() { - translate(width/2, height/2); - steps += 5; - if (steps > production.length()) { - steps = production.length(); - } - for (int i = 0; i < steps; i++) { - char step = production.charAt(i); - if (step == 'F') { - rect(0, 0, -drawLength, -drawLength); - noFill(); - translate(0, -drawLength); - } - else if (step == '+') { - rotate(theta); - } - else if (step == '-') { - rotate(-theta); - } - else if (step == '[') { - pushMatrix(); - } - else if (step == ']') { - popMatrix(); - } - } - } - - void simulate(int gen) { - while (getAge() < gen) { - production = iterate(production, rule); - } - } - - String iterate(String prod_, String rule_) { - drawLength = drawLength * 0.6; - generations++; - String newProduction = prod_; - newProduction = newProduction.replaceAll("F", rule_); - return newProduction; - } -} diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/PenroseLSystem.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/PenroseLSystem.pde deleted file mode 100644 index 16a7f1c..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/PenroseLSystem.pde +++ /dev/null @@ -1,128 +0,0 @@ -class PenroseLSystem extends LSystem { - - int steps = 0; - float somestep = 0.1; - String ruleW; - String ruleX; - String ruleY; - String ruleZ; - - PenroseLSystem() { - axiom = "[X]++[X]++[X]++[X]++[X]"; - ruleW = "YF++ZF4-XF[-YF4-WF]++"; - ruleX = "+YF--ZF[3-WF--XF]+"; - ruleY = "-WF++XF[+++YF++ZF]-"; - ruleZ = "--YF++++WF[+ZF++++XF]--XF"; - startLength = 460.0; - theta = radians(36); - reset(); - } - - void useRule(String r_) { - rule = r_; - } - - void useAxiom(String a_) { - axiom = a_; - } - - void useLength(float l_) { - startLength = l_; - } - - void useTheta(float t_) { - theta = radians(t_); - } - - void reset() { - production = axiom; - drawLength = startLength; - generations = 0; - } - - int getAge() { - return generations; - } - - void render() { - translate(width/2, height/2); - int pushes = 0; - int repeats = 1; - steps += 12; - if (steps > production.length()) { - steps = production.length(); - } - - for (int i = 0; i < steps; i++) { - char step = production.charAt(i); - if (step == 'F') { - stroke(255, 60); - for (int j = 0; j < repeats; j++) { - line(0, 0, 0, -drawLength); - noFill(); - translate(0, -drawLength); - } - repeats = 1; - } - else if (step == '+') { - for (int j = 0; j < repeats; j++) { - rotate(theta); - } - repeats = 1; - } - else if (step == '-') { - for (int j =0; j < repeats; j++) { - rotate(-theta); - } - repeats = 1; - } - else if (step == '[') { - pushes++; - pushMatrix(); - } - else if (step == ']') { - popMatrix(); - pushes--; - } - else if ( (step >= 48) && (step <= 57) ) { - repeats = (int)step - 48; - } - } - - // Unpush if we need too - while (pushes > 0) { - popMatrix(); - pushes--; - } - } - - String iterate(String prod_, String rule_) { - String newProduction = ""; - for (int i = 0; i < prod_.length(); i++) { - char step = production.charAt(i); - if (step == 'W') { - newProduction = newProduction + ruleW; - } - else if (step == 'X') { - newProduction = newProduction + ruleX; - } - else if (step == 'Y') { - newProduction = newProduction + ruleY; - } - else if (step == 'Z') { - newProduction = newProduction + ruleZ; - } - else { - if (step != 'F') { - newProduction = newProduction + step; - } - } - } - - drawLength = drawLength * 0.5; - generations++; - return newProduction; - } - -} - diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/PenroseTile.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/PenroseTile.pde deleted file mode 100644 index e2edf6b..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/PenroseTile/PenroseTile.pde +++ /dev/null @@ -1,25 +0,0 @@ -/** - * Penrose Tile L-System - * by Geraldine Sarmiento. - * - * This example was based on Patrick Dwyer's L-System class. - */ - -PenroseLSystem ds; - -void setup() { - size(640, 360); - ds = new PenroseLSystem(); - ds.simulate(4); -} - -void draw() { - background(0); - ds.render(); -} - - - - - - diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/LSystem.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/LSystem.pde deleted file mode 100644 index 2adcabc..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/LSystem.pde +++ /dev/null @@ -1,76 +0,0 @@ -class LSystem { - - int steps = 0; - - String axiom; - String rule; - String production; - - float startLength; - float drawLength; - float theta; - - int generations; - - LSystem() { - - axiom = "F"; - rule = "F+F-F"; - startLength = 90.0; - theta = radians(120.0); - reset(); - } - - void reset() { - production = axiom; - drawLength = startLength; - generations = 0; - } - - int getAge() { - return generations; - } - - void render() { - translate(width/2, height/2); - steps += 5; - if (steps > production.length()) { - steps = production.length(); - } - for (int i = 0; i < steps; i++) { - char step = production.charAt(i); - if (step == 'F') { - rect(0, 0, -drawLength, -drawLength); - noFill(); - translate(0, -drawLength); - } - else if (step == '+') { - rotate(theta); - } - else if (step == '-') { - rotate(-theta); - } - else if (step == '[') { - pushMatrix(); - } - else if (step == ']') { - popMatrix(); - } - } - } - - void simulate(int gen) { - while (getAge() < gen) { - production = iterate(production, rule); - } - } - - String iterate(String prod_, String rule_) { - drawLength = drawLength * 0.6; - generations++; - String newProduction = prod_; - newProduction = newProduction.replaceAll("F", rule_); - return newProduction; - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/Pentigree.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/Pentigree.pde deleted file mode 100644 index 95e684b..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/Pentigree.pde +++ /dev/null @@ -1,21 +0,0 @@ -/** - * Pentigree L-System - * by Geraldine Sarmiento. - * - * This example was based on Patrick Dwyer's L-System class. - */ - - -PentigreeLSystem ps; - -void setup() { - size(640, 360); - ps = new PentigreeLSystem(); - ps.simulate(3); -} - -void draw() { - background(0); - ps.render(); -} - diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/PentigreeLSystem.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/PentigreeLSystem.pde deleted file mode 100644 index a377c01..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Pentigree/PentigreeLSystem.pde +++ /dev/null @@ -1,71 +0,0 @@ -class PentigreeLSystem extends LSystem { - - int steps = 0; - float somestep = 0.1; - float xoff = 0.01; - - PentigreeLSystem() { - axiom = "F-F-F-F-F"; - rule = "F-F++F+F-F-F"; - startLength = 60.0; - theta = radians(72); - reset(); - } - - void useRule(String r_) { - rule = r_; - } - - void useAxiom(String a_) { - axiom = a_; - } - - void useLength(float l_) { - startLength = l_; - } - - void useTheta(float t_) { - theta = radians(t_); - } - - void reset() { - production = axiom; - drawLength = startLength; - generations = 0; - } - - int getAge() { - return generations; - } - - void render() { - translate(width/4, height/2); - steps += 3; - if (steps > production.length()) { - steps = production.length(); - } - - for (int i = 0; i < steps; i++) { - char step = production.charAt(i); - if (step == 'F') { - noFill(); - stroke(255); - line(0, 0, 0, -drawLength); - translate(0, -drawLength); - } - else if (step == '+') { - rotate(theta); - } - else if (step == '-') { - rotate(-theta); - } - else if (step == '[') { - pushMatrix(); - } - else if (step == ']') { - popMatrix(); - } - } - } - -} diff --git a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Tree/Tree.pde b/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Tree/Tree.pde deleted file mode 100644 index aafb310..0000000 --- a/tools/Java/modes/java/examples/Topics/Fractals and L-Systems/Tree/Tree.pde +++ /dev/null @@ -1,60 +0,0 @@ -/** - * Recursive Tree - * by Daniel Shiffman. - * - * Renders a simple tree-like structure via recursion. - * The branching angle is calculated as a function of - * the horizontal mouse location. Move the mouse left - * and right to change the angle. - */ - -float theta; - -void setup() { - size(640, 360); -} - -void draw() { - background(0); - frameRate(30); - stroke(255); - // Let's pick an angle 0 to 90 degrees based on the mouse position - float a = (mouseX / (float) width) * 90f; - // Convert it to radians - theta = radians(a); - // Start the tree from the bottom of the screen - translate(width/2,height); - // Draw a line 120 pixels - line(0,0,0,-120); - // Move to the end of that line - translate(0,-120); - // Start the recursive branching! - branch(120); - -} - -void branch(float h) { - // Each branch will be 2/3rds the size of the previous one - h *= 0.66; - - // All recursive functions must have an exit condition!!!! - // Here, ours is when the length of the branch is 2 pixels or less - if (h > 2) { - pushMatrix(); // Save the current state of transformation (i.e. where are we now) - rotate(theta); // Rotate by theta - line(0, 0, 0, -h); // Draw the branch - translate(0, -h); // Move to the end of the branch - branch(h); // Ok, now call myself to draw two new branches!! - popMatrix(); // Whenever we get back here, we "pop" in order to restore the previous matrix state - - // Repeat the same thing, only branch off to the "left" this time! - pushMatrix(); - rotate(-theta); - line(0, 0, 0, -h); - translate(0, -h); - branch(h); - popMatrix(); - } -} - - diff --git a/tools/Java/modes/java/examples/Topics/GUI/Button/Button.pde b/tools/Java/modes/java/examples/Topics/GUI/Button/Button.pde deleted file mode 100644 index 041bb59..0000000 --- a/tools/Java/modes/java/examples/Topics/GUI/Button/Button.pde +++ /dev/null @@ -1,93 +0,0 @@ -/** - * Button. - * - * Click on one of the colored shapes in the - * center of the image to change the color of - * the background. - */ - -int rectX, rectY; // Position of square button -int circleX, circleY; // Position of circle button -int rectSize = 90; // Diameter of rect -int circleSize = 93; // Diameter of circle -color rectColor, circleColor, baseColor; -color rectHighlight, circleHighlight; -color currentColor; -boolean rectOver = false; -boolean circleOver = false; - -void setup() { - size(640, 360); - rectColor = color(0); - rectHighlight = color(51); - circleColor = color(255); - circleHighlight = color(204); - baseColor = color(102); - currentColor = baseColor; - circleX = width/2+circleSize/2+10; - circleY = height/2; - rectX = width/2-rectSize-10; - rectY = height/2-rectSize/2; - ellipseMode(CENTER); -} - -void draw() { - update(mouseX, mouseY); - background(currentColor); - - if (rectOver) { - fill(rectHighlight); - } else { - fill(rectColor); - } - stroke(255); - rect(rectX, rectY, rectSize, rectSize); - - if (circleOver) { - fill(circleHighlight); - } else { - fill(circleColor); - } - stroke(0); - ellipse(circleX, circleY, circleSize, circleSize); -} - -void update(int x, int y) { - if ( overCircle(circleX, circleY, circleSize) ) { - circleOver = true; - rectOver = false; - } else if ( overRect(rectX, rectY, rectSize, rectSize) ) { - rectOver = true; - circleOver = false; - } else { - circleOver = rectOver = false; - } -} - -void mousePressed() { - if (circleOver) { - currentColor = circleColor; - } - if (rectOver) { - currentColor = rectColor; - } -} - -boolean overRect(int x, int y, int width, int height) { - if (mouseX >= x && mouseX <= x+width && - mouseY >= y && mouseY <= y+height) { - return true; - } else { - return false; - } -} - -boolean overCircle(int x, int y, int diameter) { - float disX = x - mouseX; - float disY = y - mouseY; - if (sqrt(sq(disX) + sq(disY)) < diameter/2 ) { - return true; - } else { - return false; - } -} diff --git a/tools/Java/modes/java/examples/Topics/GUI/Handles/Handles.pde b/tools/Java/modes/java/examples/Topics/GUI/Handles/Handles.pde deleted file mode 100644 index ef781dd..0000000 --- a/tools/Java/modes/java/examples/Topics/GUI/Handles/Handles.pde +++ /dev/null @@ -1,141 +0,0 @@ -/** - * Handles. - * - * Click and drag the white boxes to change their position. - */ - -Handle[] handles; - -//True if a mouse button has just been pressed while no other button was. -boolean firstMousePress = false; - -void setup() { - size(640, 360); - int num = height/15; - handles = new Handle[num]; - int hsize = 10; - for (int i = 0; i < handles.length; i++) { - handles[i] = new Handle(width/2, 10+i*15, 50-hsize/2, 10, handles); - } -} - -void draw() { - background(153); - - for (int i = 0; i < handles.length; i++) { - handles[i].update(); - handles[i].display(); - } - - fill(0); - rect(0, 0, width/2, height); - - //After it has been used in the sketch, set it back to false - if (firstMousePress) { - firstMousePress = false; - } -} - - -void mousePressed() { - if (!firstMousePress) { - firstMousePress = true; - } -} - -void mouseReleased() { - for (int i = 0; i < handles.length; i++) { - handles[i].releaseEvent(); - } -} - -class Handle { - - int x, y; - int boxx, boxy; - int stretch; - int size; - boolean over; - boolean press; - boolean locked = false; - boolean otherslocked = false; - Handle[] others; - - Handle(int ix, int iy, int il, int is, Handle[] o) { - x = ix; - y = iy; - stretch = il; - size = is; - boxx = x+stretch - size/2; - boxy = y - size/2; - others = o; - } - - void update() { - boxx = x+stretch; - boxy = y - size/2; - - for (int i=0; i= x && mouseX <= x+width && - mouseY >= y && mouseY <= y+height) { - return true; - } else { - return false; - } -} - -int lock(int val, int minv, int maxv) { - return min(max(val, minv), maxv); -} diff --git a/tools/Java/modes/java/examples/Topics/GUI/Rollover/Rollover.pde b/tools/Java/modes/java/examples/Topics/GUI/Rollover/Rollover.pde deleted file mode 100644 index a7e3f27..0000000 --- a/tools/Java/modes/java/examples/Topics/GUI/Rollover/Rollover.pde +++ /dev/null @@ -1,82 +0,0 @@ -/** - * Rollover. - * - * Roll over the colored squares in the center of the image - * to change the color of the outside rectangle. - */ - - -int rectX, rectY; // Position of square button -int circleX, circleY; // Position of circle button -int rectSize = 90; // Diameter of rect -int circleSize = 93; // Diameter of circle - -color rectColor; -color circleColor; -color baseColor; - -boolean rectOver = false; -boolean circleOver = false; - -void setup() { - size(640, 360); - rectColor = color(0); - circleColor = color(255); - baseColor = color(102); - circleX = width/2+circleSize/2+10; - circleY = height/2; - rectX = width/2-rectSize-10; - rectY = height/2-rectSize/2; - ellipseMode(CENTER); -} - -void draw() { - update(mouseX, mouseY); - - noStroke(); - if (rectOver) { - background(rectColor); - } else if (circleOver) { - background(circleColor); - } else { - background(baseColor); - } - - stroke(255); - fill(rectColor); - rect(rectX, rectY, rectSize, rectSize); - stroke(0); - fill(circleColor); - ellipse(circleX, circleY, circleSize, circleSize); -} - -void update(int x, int y) { - if( overCircle(circleX, circleY, circleSize) ) { - circleOver = true; - rectOver = false; - } else if ( overRect(rectX, rectY, rectSize, rectSize) ) { - rectOver = true; - circleOver = false; - } else { - circleOver = rectOver = false; - } -} - -boolean overRect(int x, int y, int width, int height) { - if (mouseX >= x && mouseX <= x+width && - mouseY >= y && mouseY <= y+height) { - return true; - } else { - return false; - } -} - -boolean overCircle(int x, int y, int diameter) { - float disX = x - mouseX; - float disY = y - mouseY; - if(sqrt(sq(disX) + sq(disY)) < diameter/2 ) { - return true; - } else { - return false; - } -} diff --git a/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/Scrollbar.pde b/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/Scrollbar.pde deleted file mode 100644 index f5a6c3c..0000000 --- a/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/Scrollbar.pde +++ /dev/null @@ -1,133 +0,0 @@ -/** - * Scrollbar. - * - * Move the scrollbars left and right to change the positions of the images. - */ - -//True if a mouse button was pressed while no other button was. -boolean firstMousePress = false; -HScrollbar hs1, hs2; // Two scrollbars -PImage img1, img2; // Two images to load - -void setup() { - size(640, 360); - noStroke(); - - hs1 = new HScrollbar(0, height/2-8, width, 16, 16); - hs2 = new HScrollbar(0, height/2+8, width, 16, 16); - - // Load images - img1 = loadImage("seedTop.jpg"); - img2 = loadImage("seedBottom.jpg"); -} - -void draw() { - background(255); - - // Get the position of the img1 scrollbar - // and convert to a value to display the img1 image - float img1Pos = hs1.getPos()-width/2; - fill(255); - image(img1, width/2-img1.width/2 + img1Pos*1.5, 0); - - // Get the position of the img2 scrollbar - // and convert to a value to display the img2 image - float img2Pos = hs2.getPos()-width/2; - fill(255); - image(img2, width/2-img2.width/2 + img2Pos*1.5, height/2); - - hs1.update(); - hs2.update(); - hs1.display(); - hs2.display(); - - stroke(0); - line(0, height/2, width, height/2); - - //After it has been used in the sketch, set it back to false - if (firstMousePress) { - firstMousePress = false; - } -} - -void mousePressed() { - if (!firstMousePress) { - firstMousePress = true; - } -} - -class HScrollbar { - int swidth, sheight; // width and height of bar - float xpos, ypos; // x and y position of bar - float spos, newspos; // x position of slider - float sposMin, sposMax; // max and min values of slider - int loose; // how loose/heavy - boolean over; // is the mouse over the slider? - boolean locked; - float ratio; - - HScrollbar (float xp, float yp, int sw, int sh, int l) { - swidth = sw; - sheight = sh; - int widthtoheight = sw - sh; - ratio = (float)sw / (float)widthtoheight; - xpos = xp; - ypos = yp-sheight/2; - spos = xpos + swidth/2 - sheight/2; - newspos = spos; - sposMin = xpos; - sposMax = xpos + swidth - sheight; - loose = l; - } - - void update() { - if (overEvent()) { - over = true; - } else { - over = false; - } - if (firstMousePress && over) { - locked = true; - } - if (!mousePressed) { - locked = false; - } - if (locked) { - newspos = constrain(mouseX-sheight/2, sposMin, sposMax); - } - if (abs(newspos - spos) > 1) { - spos = spos + (newspos-spos)/loose; - } - } - - float constrain(float val, float minv, float maxv) { - return min(max(val, minv), maxv); - } - - boolean overEvent() { - if (mouseX > xpos && mouseX < xpos+swidth && - mouseY > ypos && mouseY < ypos+sheight) { - return true; - } else { - return false; - } - } - - void display() { - noStroke(); - fill(204); - rect(xpos, ypos, swidth, sheight); - if (over || locked) { - fill(0, 0, 0); - } else { - fill(102, 102, 102); - } - rect(spos, ypos, sheight, sheight); - } - - float getPos() { - // Convert spos to be values between - // 0 and the total width of the scrollbar - return spos * ratio; - } -} diff --git a/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/data/seedBottom.jpg b/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/data/seedBottom.jpg deleted file mode 100644 index 9e754df..0000000 Binary files a/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/data/seedBottom.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/data/seedTop.jpg b/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/data/seedTop.jpg deleted file mode 100644 index c7c0e50..0000000 Binary files a/tools/Java/modes/java/examples/Topics/GUI/Scrollbar/data/seedTop.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Dimension3D.pde b/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Dimension3D.pde deleted file mode 100644 index 90c9499..0000000 --- a/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Dimension3D.pde +++ /dev/null @@ -1,10 +0,0 @@ -class Dimension3D{ - float w, h, d; - - Dimension3D(float w, float h, float d){ - this.w=w; - this.h=h; - this.d=d; - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Icosahedra.pde b/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Icosahedra.pde deleted file mode 100644 index 0c046b7..0000000 --- a/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Icosahedra.pde +++ /dev/null @@ -1,52 +0,0 @@ -/** - * I Like Icosahedra - * by Ira Greenberg. - * - * This example plots icosahedra. The Icosahdron is a regular - * polyhedron composed of twenty equalateral triangles. - */ - -Icosahedron ico1; -Icosahedron ico2; -Icosahedron ico3; - -void setup(){ - size(640, 360, P3D); - ico1 = new Icosahedron(75); - ico2 = new Icosahedron(75); - ico3 = new Icosahedron(75); -} - -void draw(){ - background(0); - lights(); - translate(width/2, height/2); - - pushMatrix(); - translate(-width/3.5, 0); - rotateX(frameCount*PI/185); - rotateY(frameCount*PI/-200); - stroke(170, 0, 0); - noFill(); - ico1.create(); - popMatrix(); - - pushMatrix(); - rotateX(frameCount*PI/200); - rotateY(frameCount*PI/300); - stroke(150, 0, 180); - fill(170, 170, 0); - ico2.create(); - popMatrix(); - - pushMatrix(); - translate(width/3.5, 0); - rotateX(frameCount*PI/-200); - rotateY(frameCount*PI/200); - noStroke(); - fill(0, 0, 185); - ico3.create(); - popMatrix(); -} - - diff --git a/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Icosahedron.pde b/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Icosahedron.pde deleted file mode 100644 index 3a7f894..0000000 --- a/tools/Java/modes/java/examples/Topics/Geometry/Icosahedra/Icosahedron.pde +++ /dev/null @@ -1,159 +0,0 @@ -class Icosahedron extends Shape3D{ - - // icosahedron - PVector topPoint; - PVector[] topPent = new PVector[5]; - PVector bottomPoint; - PVector[] bottomPent = new PVector[5]; - float angle = 0, radius = 150; - float triDist; - float triHt; - float a, b, c; - - // constructor - Icosahedron(float radius){ - this.radius = radius; - init(); - } - - Icosahedron(PVector v, float radius){ - super(v); - this.radius = radius; - init(); - } - - // calculate geometry - void init(){ - c = dist(cos(0)*radius, sin(0)*radius, cos(radians(72))*radius, sin(radians(72))*radius); - b = radius; - a = (float)(Math.sqrt(((c*c)-(b*b)))); - - triHt = (float)(Math.sqrt((c*c)-((c/2)*(c/2)))); - - for (int i=0; i 0.01) { - xmag -= diff/4.0; - } - - diff = ymag-newYmag; - if (abs(diff) > 0.01) { - ymag -= diff/4.0; - } - - rotateX(-ymag); - rotateY(-xmag); - - scale(90); - beginShape(QUADS); - - fill(0, 1, 1); vertex(-1, 1, 1); - fill(1, 1, 1); vertex( 1, 1, 1); - fill(1, 0, 1); vertex( 1, -1, 1); - fill(0, 0, 1); vertex(-1, -1, 1); - - fill(1, 1, 1); vertex( 1, 1, 1); - fill(1, 1, 0); vertex( 1, 1, -1); - fill(1, 0, 0); vertex( 1, -1, -1); - fill(1, 0, 1); vertex( 1, -1, 1); - - fill(1, 1, 0); vertex( 1, 1, -1); - fill(0, 1, 0); vertex(-1, 1, -1); - fill(0, 0, 0); vertex(-1, -1, -1); - fill(1, 0, 0); vertex( 1, -1, -1); - - fill(0, 1, 0); vertex(-1, 1, -1); - fill(0, 1, 1); vertex(-1, 1, 1); - fill(0, 0, 1); vertex(-1, -1, 1); - fill(0, 0, 0); vertex(-1, -1, -1); - - fill(0, 1, 0); vertex(-1, 1, -1); - fill(1, 1, 0); vertex( 1, 1, -1); - fill(1, 1, 1); vertex( 1, 1, 1); - fill(0, 1, 1); vertex(-1, 1, 1); - - fill(0, 0, 0); vertex(-1, -1, -1); - fill(1, 0, 0); vertex( 1, -1, -1); - fill(1, 0, 1); vertex( 1, -1, 1); - fill(0, 0, 1); vertex(-1, -1, 1); - - endShape(); - - popMatrix(); -} diff --git a/tools/Java/modes/java/examples/Topics/Geometry/ShapeTransform/ShapeTransform.pde b/tools/Java/modes/java/examples/Topics/Geometry/ShapeTransform/ShapeTransform.pde deleted file mode 100644 index c779a3a..0000000 --- a/tools/Java/modes/java/examples/Topics/Geometry/ShapeTransform/ShapeTransform.pde +++ /dev/null @@ -1,116 +0,0 @@ -/** - * Shape Transform - * by Ira Greenberg. - * - * Illustrates the geometric relationship - * between Cube, Pyramid, Cone and - * Cylinder 3D primitives. - * - * Instructions:
- * Up Arrow - increases points
- * Down Arrow - decreases points
- * 'p' key toggles between cube/pyramid
- */ - -int pts = 4; -float angle = 0; -float radius = 99; -float cylinderLength = 95; - -//vertices -PVector vertices[][]; -boolean isPyramid = false; - -float angleInc; - -void setup(){ - size(640, 360, P3D); - noStroke(); - angleInc = PI/300.0; -} - -void draw(){ - background(170, 95, 95); - lights(); - fill(255, 200, 200); - translate(width/2, height/2); - rotateX(frameCount * angleInc); - rotateY(frameCount * angleInc); - rotateZ(frameCount * angleInc); - - // initialize vertex arrays - vertices = new PVector[2][pts+1]; - - // fill arrays - for (int i = 0; i < 2; i++){ - angle = 0; - for(int j = 0; j <= pts; j++){ - vertices[i][j] = new PVector(); - if (isPyramid){ - if (i==1){ - vertices[i][j].x = 0; - vertices[i][j].y = 0; - } - else { - vertices[i][j].x = cos(radians(angle)) * radius; - vertices[i][j].y = sin(radians(angle)) * radius; - } - } - else { - vertices[i][j].x = cos(radians(angle)) * radius; - vertices[i][j].y = sin(radians(angle)) * radius; - } - vertices[i][j].z = cylinderLength; - // the .0 after the 360 is critical - angle += 360.0/pts; - } - cylinderLength *= -1; - } - - // draw cylinder tube - beginShape(QUAD_STRIP); - for(int j = 0; j <= pts; j++){ - vertex(vertices[0][j].x, vertices[0][j].y, vertices[0][j].z); - vertex(vertices[1][j].x, vertices[1][j].y, vertices[1][j].z); - } - endShape(); - - //draw cylinder ends - for (int i = 0; i < 2; i++){ - beginShape(); - for(int j = 0; j < pts; j++){ - vertex(vertices[i][j].x, vertices[i][j].y, vertices[i][j].z); - } - endShape(CLOSE); - } -} - - -/* - up/down arrow keys control - polygon detail. - */ -void keyPressed(){ - if(key == CODED) { - // pts - if (keyCode == UP) { - if (pts < 90){ - pts++; - } - } - else if (keyCode == DOWN) { - if (pts > 4){ - pts--; - } - } - } - if (key =='p'){ - if (isPyramid){ - isPyramid = false; - } - else { - isPyramid = true; - } - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Geometry/SpaceJunk/Cube.pde b/tools/Java/modes/java/examples/Topics/Geometry/SpaceJunk/Cube.pde deleted file mode 100644 index 121b33f..0000000 --- a/tools/Java/modes/java/examples/Topics/Geometry/SpaceJunk/Cube.pde +++ /dev/null @@ -1,67 +0,0 @@ - -class Cube { - - // Properties - int w, h, d; - int shiftX, shiftY, shiftZ; - - // Constructor - Cube(int w, int h, int d, int shiftX, int shiftY, int shiftZ){ - this.w = w; - this.h = h; - this.d = d; - this.shiftX = shiftX; - this.shiftY = shiftY; - this.shiftZ = shiftZ; - } - - // Main cube drawing method, which looks - // more confusing than it really is. It's - // just a bunch of rectangles drawn for - // each cube face - void drawCube(){ - beginShape(QUADS); - // Front face - vertex(-w/2 + shiftX, -h/2 + shiftY, -d/2 + shiftZ); - vertex(w + shiftX, -h/2 + shiftY, -d/2 + shiftZ); - vertex(w + shiftX, h + shiftY, -d/2 + shiftZ); - vertex(-w/2 + shiftX, h + shiftY, -d/2 + shiftZ); - - // Back face - vertex(-w/2 + shiftX, -h/2 + shiftY, d + shiftZ); - vertex(w + shiftX, -h/2 + shiftY, d + shiftZ); - vertex(w + shiftX, h + shiftY, d + shiftZ); - vertex(-w/2 + shiftX, h + shiftY, d + shiftZ); - - // Left face - vertex(-w/2 + shiftX, -h/2 + shiftY, -d/2 + shiftZ); - vertex(-w/2 + shiftX, -h/2 + shiftY, d + shiftZ); - vertex(-w/2 + shiftX, h + shiftY, d + shiftZ); - vertex(-w/2 + shiftX, h + shiftY, -d/2 + shiftZ); - - // Right face - vertex(w + shiftX, -h/2 + shiftY, -d/2 + shiftZ); - vertex(w + shiftX, -h/2 + shiftY, d + shiftZ); - vertex(w + shiftX, h + shiftY, d + shiftZ); - vertex(w + shiftX, h + shiftY, -d/2 + shiftZ); - - // Top face - vertex(-w/2 + shiftX, -h/2 + shiftY, -d/2 + shiftZ); - vertex(w + shiftX, -h/2 + shiftY, -d/2 + shiftZ); - vertex(w + shiftX, -h/2 + shiftY, d + shiftZ); - vertex(-w/2 + shiftX, -h/2 + shiftY, d + shiftZ); - - // Bottom face - vertex(-w/2 + shiftX, h + shiftY, -d/2 + shiftZ); - vertex(w + shiftX, h + shiftY, -d/2 + shiftZ); - vertex(w + shiftX, h + shiftY, d + shiftZ); - vertex(-w/2 + shiftX, h + shiftY, d + shiftZ); - - endShape(); - - // Add some rotation to each box for pizazz. - rotateY(radians(1)); - rotateX(radians(1)); - rotateZ(radians(1)); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Geometry/SpaceJunk/SpaceJunk.pde b/tools/Java/modes/java/examples/Topics/Geometry/SpaceJunk/SpaceJunk.pde deleted file mode 100644 index d13b5dc..0000000 --- a/tools/Java/modes/java/examples/Topics/Geometry/SpaceJunk/SpaceJunk.pde +++ /dev/null @@ -1,61 +0,0 @@ -/** - * Space Junk - * by Ira Greenberg (zoom suggestion by Danny Greenberg). - * - * Rotating cubes in space using a custom Cube class. - * Color controlled by light sources. Move the mouse left - * and right to zoom. - */ - -// Used for oveall rotation -float angle; - -// Cube count-lower/raise to test performance -int limit = 500; - -// Array for all cubes -Cube[] cubes = new Cube[limit]; - -void setup() { - size(640, 360, P3D); - background(0); - noStroke(); - - // Instantiate cubes, passing in random vals for size and postion - for (int i = 0; i < cubes.length; i++){ - cubes[i] = new Cube(int(random(-10, 10)), int(random(-10, 10)), - int(random(-10, 10)), int(random(-140, 140)), - int(random(-140, 140)), int(random(-140, 140))); - } -} - -void draw(){ - background(0); - fill(200); - - // Set up some different colored lights - pointLight(51, 102, 255, 65, 60, 100); - pointLight(200, 40, 60, -65, -60, -150); - - // Raise overall light in scene - ambientLight(70, 70, 10); - - // Center geometry in display windwow. - // you can changlee 3rd argument ('0') - // to move block group closer(+) / further(-) - translate(width/2, height/2, -200 + mouseX * 0.65); - - // Rotate around y and x axes - rotateY(radians(angle)); - rotateX(radians(angle)); - - // Draw cubes - for (int i = 0; i < cubes.length; i++){ - cubes[i].drawCube(); - } - - // Used in rotate function calls above - angle += 0.2; -} - - diff --git a/tools/Java/modes/java/examples/Topics/Geometry/Toroid/Toroid.pde b/tools/Java/modes/java/examples/Topics/Geometry/Toroid/Toroid.pde deleted file mode 100644 index f79a8d1..0000000 --- a/tools/Java/modes/java/examples/Topics/Geometry/Toroid/Toroid.pde +++ /dev/null @@ -1,182 +0,0 @@ -/** - * Interactive Toroid - * by Ira Greenberg. - * - * Illustrates the geometric relationship between Toroid, Sphere, and Helix - * 3D primitives, as well as lathing principal. - * - * Instructions:
- * UP arrow key pts++
- * DOWN arrow key pts--
- * LEFT arrow key segments--
- * RIGHT arrow key segments++
- * 'a' key toroid radius--
- * 's' key toroid radius++
- * 'z' key initial polygon radius--
- * 'x' key initial polygon radius++
- * 'w' key toggle wireframe/solid shading
- * 'h' key toggle sphere/helix
- */ - -int pts = 40; -float angle = 0; -float radius = 60.0; - -// lathe segments -int segments = 60; -float latheAngle = 0; -float latheRadius = 100.0; - -//vertices -PVector vertices[], vertices2[]; - -// for shaded or wireframe rendering -boolean isWireFrame = false; - -// for optional helix -boolean isHelix = false; -float helixOffset = 5.0; - -void setup(){ - size(640, 360, P3D); -} - -void draw(){ - background(50, 64, 42); - // basic lighting setup - lights(); - // 2 rendering styles - // wireframe or solid - if (isWireFrame){ - stroke(255, 255, 150); - noFill(); - } - else { - noStroke(); - fill(150, 195, 125); - } - //center and spin toroid - translate(width/2, height/2, -100); - - rotateX(frameCount*PI/150); - rotateY(frameCount*PI/170); - rotateZ(frameCount*PI/90); - - // initialize point arrays - vertices = new PVector[pts+1]; - vertices2 = new PVector[pts+1]; - - // fill arrays - for(int i=0; i<=pts; i++){ - vertices[i] = new PVector(); - vertices2[i] = new PVector(); - vertices[i].x = latheRadius + sin(radians(angle))*radius; - if (isHelix){ - vertices[i].z = cos(radians(angle))*radius-(helixOffset* - segments)/2; - } - else{ - vertices[i].z = cos(radians(angle))*radius; - } - angle+=360.0/pts; - } - - // draw toroid - latheAngle = 0; - for(int i=0; i<=segments; i++){ - beginShape(QUAD_STRIP); - for(int j=0; j<=pts; j++){ - if (i>0){ - vertex(vertices2[j].x, vertices2[j].y, vertices2[j].z); - } - vertices2[j].x = cos(radians(latheAngle))*vertices[j].x; - vertices2[j].y = sin(radians(latheAngle))*vertices[j].x; - vertices2[j].z = vertices[j].z; - // optional helix offset - if (isHelix){ - vertices[j].z+=helixOffset; - } - vertex(vertices2[j].x, vertices2[j].y, vertices2[j].z); - } - // create extra rotation for helix - if (isHelix){ - latheAngle+=720.0/segments; - } - else { - latheAngle+=360.0/segments; - } - endShape(); - } -} - -/* - left/right arrow keys control ellipse detail - up/down arrow keys control segment detail. - 'a','s' keys control lathe radius - 'z','x' keys control ellipse radius - 'w' key toggles between wireframe and solid - 'h' key toggles between toroid and helix - */ -void keyPressed(){ - if(key == CODED) { - // pts - if (keyCode == UP) { - if (pts<40){ - pts++; - } - } - else if (keyCode == DOWN) { - if (pts>3){ - pts--; - } - } - // extrusion length - if (keyCode == LEFT) { - if (segments>3){ - segments--; - } - } - else if (keyCode == RIGHT) { - if (segments<80){ - segments++; - } - } - } - // lathe radius - if (key =='a'){ - if (latheRadius>0){ - latheRadius--; - } - } - else if (key == 's'){ - latheRadius++; - } - // ellipse radius - if (key =='z'){ - if (radius>10){ - radius--; - } - } - else if (key == 'x'){ - radius++; - } - // wireframe - if (key =='w'){ - if (isWireFrame){ - isWireFrame=false; - } - else { - isWireFrame=true; - } - } - // helix - if (key =='h'){ - if (isHelix){ - isHelix=false; - } - else { - isHelix=true; - } - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Geometry/Vertices/Vertices.pde b/tools/Java/modes/java/examples/Topics/Geometry/Vertices/Vertices.pde deleted file mode 100644 index 5609ff9..0000000 --- a/tools/Java/modes/java/examples/Topics/Geometry/Vertices/Vertices.pde +++ /dev/null @@ -1,67 +0,0 @@ -/** - * Vertices - * by Simon Greenwold. - * - * Draw a cylinder centered on the y-axis, going down - * from y=0 to y=height. The radius at the top can be - * different from the radius at the bottom, and the - * number of sides drawn is variable. - */ - -void setup() { - size(640, 360, P3D); -} - -void draw() { - background(0); - lights(); - translate(width / 2, height / 2); - rotateY(map(mouseX, 0, width, 0, PI)); - rotateZ(map(mouseY, 0, height, 0, -PI)); - noStroke(); - fill(255, 255, 255); - translate(0, -40, 0); - drawCylinder(10, 180, 200, 16); // Draw a mix between a cylinder and a cone - //drawCylinder(70, 70, 120, 64); // Draw a cylinder - //drawCylinder(0, 180, 200, 4); // Draw a pyramid -} - -void drawCylinder(float topRadius, float bottomRadius, float tall, int sides) { - float angle = 0; - float angleIncrement = TWO_PI / sides; - beginShape(QUAD_STRIP); - for (int i = 0; i < sides + 1; ++i) { - vertex(topRadius*cos(angle), 0, topRadius*sin(angle)); - vertex(bottomRadius*cos(angle), tall, bottomRadius*sin(angle)); - angle += angleIncrement; - } - endShape(); - - // If it is not a cone, draw the circular top cap - if (topRadius != 0) { - angle = 0; - beginShape(TRIANGLE_FAN); - - // Center point - vertex(0, 0, 0); - for (int i = 0; i < sides + 1; i++) { - vertex(topRadius * cos(angle), 0, topRadius * sin(angle)); - angle += angleIncrement; - } - endShape(); - } - - // If it is not a cone, draw the circular bottom cap - if (bottomRadius != 0) { - angle = 0; - beginShape(TRIANGLE_FAN); - - // Center point - vertex(0, tall, 0); - for (int i = 0; i < sides + 1; i++) { - vertex(bottomRadius * cos(angle), tall, bottomRadius * sin(angle)); - angle += angleIncrement; - } - endShape(); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Blending/Blending.pde b/tools/Java/modes/java/examples/Topics/Image Processing/Blending/Blending.pde deleted file mode 100644 index 6cdb250..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/Blending/Blending.pde +++ /dev/null @@ -1,83 +0,0 @@ -/** - * Blending - * by Andres Colubri. - * - * Images can be blended using one of the 10 blending modes - * (currently available only in P2D and P3). - * Click to go to cycle through the modes. - */ - -// NOTE: THIS EXAMPLE IS IN PROGRESS -- REAS - -PImage img1, img2; -int selMode = REPLACE; -String name = "REPLACE"; -int picAlpha = 255; - -void setup() { - size(640, 360, P3D); - img1 = loadImage("layer1.jpg"); - img2 = loadImage("layer2.jpg"); - noStroke(); -} - -void draw() { - - picAlpha = int(map(mouseX, 0, width, 0, 255)); - - background(0); - - tint(255, 255); - image(img1, 0, 0); - - blendMode(selMode); - tint(255, picAlpha); - image(img2, 0, 0); - - blendMode(REPLACE); - fill(255); - rect(0, 0, 94, 22); - fill(0); - text(name, 10, 15); -} - -void mousePressed() { - - if (selMode == REPLACE) { - selMode = BLEND; - name = "BLEND"; - } else if (selMode == BLEND) { - selMode = ADD; - name = "ADD"; - } else if (selMode == ADD) { - selMode = SUBTRACT; - name = "SUBTRACT"; - } else if (selMode == SUBTRACT) { - selMode = LIGHTEST; - name = "LIGHTEST"; - } else if (selMode == LIGHTEST) { - selMode = DARKEST; - name = "DARKEST"; - } else if (selMode == DARKEST) { - selMode = DIFFERENCE; - name = "DIFFERENCE"; - } else if (selMode == DIFFERENCE) { - selMode = EXCLUSION; - name = "EXCLUSION"; - } else if (selMode == EXCLUSION) { - selMode = MULTIPLY; - name = "MULTIPLY"; - } else if (selMode == MULTIPLY) { - selMode = SCREEN; - name = "SCREEN"; - } else if (selMode == SCREEN) { - selMode = REPLACE; - name = "REPLACE"; - } -} - -void mouseDragged() { - if (height - 50 < mouseY) { - picAlpha = int(map(mouseX, 0, width, 0, 255)); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Blending/data/layer1.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Blending/data/layer1.jpg deleted file mode 100644 index b2dc711..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Blending/data/layer1.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Blending/data/layer2.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Blending/data/layer2.jpg deleted file mode 100644 index f8a6229..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Blending/data/layer2.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Blur/Blur.pde b/tools/Java/modes/java/examples/Topics/Image Processing/Blur/Blur.pde deleted file mode 100644 index 4db3e61..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/Blur/Blur.pde +++ /dev/null @@ -1,85 +0,0 @@ -/** - * Blur. - * - * This program analyzes every pixel in an image and blends it with the - * neighboring pixels to blur the image. - * - * This is an example of an "image convolution" using a kernel (small matrix) - * to analyze and transform a pixel based on the values of its neighbors. - * - * Image blur is also called a "low-pass filter". Pixels of low frequency - * change (similar brightness as neighbors) are left mostly unchanged, while - * those with high frequency change (sharply different values) are smoothed - * out. - * - * The kernel here is a Box Blur, in which all components are equally valued. - * Another common blur is "Gaussian Blur", in which pixels nearer the center - * of the kernel have more weight than those further away. - * - * An example 3x3 Gaussian kernel might be: [ 1 2 1 ] - * 1/16 * [ 2 4 2 ] - * [ 1 2 1 ] - * - * An example 5x5 kernel, which creates a greater blur effect: - * [ 1 4 6 4 1 ] - * [ 4 16 24 16 4 ] - * 1/256 * [ 6 24 36 24 6 ] - * [ 4 16 24 16 4 ] - * [ 1 4 6 4 1 ] - */ - -float v = 1.0 / 9.0; -float[][] kernel = {{ v, v, v }, - { v, v, v }, - { v, v, v }}; - -PImage img; - -void setup() { - size(640, 360); - img = loadImage("moon.jpg"); // Load the original image - noLoop(); -} - -void draw() { - image(img, 0, 0); // Displays the image from point (0,0) - img.loadPixels(); - - // Create an opaque image of the same size as the original - PImage blurImg = createImage(img.width, img.height, RGB); - - // Loop through every pixel in the image - for (int y = 1; y < img.height-1; y++) { // Skip top and bottom edges - for (int x = 1; x < img.width-1; x++) { // Skip left and right edges - float sumRed = 0; // Kernel sums for this pixel - float sumGreen = 0; - float sumBlue = 0; - for (int ky = -1; ky <= 1; ky++) { - for (int kx = -1; kx <= 1; kx++) { - // Calculate the adjacent pixel for this kernel point - int pos = (y + ky)*img.width + (x + kx); - - // Process each channel separately, Red first. - float valRed = red(img.pixels[pos]); - // Multiply adjacent pixels based on the kernel values - sumRed += kernel[ky+1][kx+1] * valRed; - - // Green - float valGreen = green(img.pixels[pos]); - sumGreen += kernel[ky+1][kx+1] * valGreen; - - // Blue - float valBlue = blue(img.pixels[pos]); - sumBlue += kernel[ky+1][kx+1] * valBlue; - } - } - // For this pixel in the new image, set the output value - // based on the sum from the kernel - blurImg.pixels[y*blurImg.width + x] = color(sumRed, sumGreen, sumBlue); - } - } - // State that there are changes to blurImg.pixels[] - blurImg.updatePixels(); - - image(blurImg, width/2, 0); // Draw the new image -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Blur/data/moon.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Blur/data/moon.jpg deleted file mode 100644 index 0544742..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Blur/data/moon.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/BrightnessPixels/BrightnessPixels.pde b/tools/Java/modes/java/examples/Topics/Image Processing/BrightnessPixels/BrightnessPixels.pde deleted file mode 100644 index 95a55b7..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/BrightnessPixels/BrightnessPixels.pde +++ /dev/null @@ -1,49 +0,0 @@ -/** - * Brightness Pixels - * by Daniel Shiffman. - * - * This program adjusts the brightness of a part of the image by - * calculating the distance of each pixel to the mouse. - */ - -PImage img; - -void setup() { - size(640, 360); - frameRate(30); - img = loadImage("moon-wide.jpg"); - img.loadPixels(); - // Only need to load the pixels[] array once, because we're only - // manipulating pixels[] inside draw(), not drawing shapes. - loadPixels(); -} - -void draw() { - for (int x = 0; x < img.width; x++) { - for (int y = 0; y < img.height; y++ ) { - // Calculate the 1D location from a 2D grid - int loc = x + y*img.width; - // Get the R,G,B values from image - float r,g,b; - r = red (img.pixels[loc]); - //g = green (img.pixels[loc]); - //b = blue (img.pixels[loc]); - // Calculate an amount to change brightness based on proximity to the mouse - float maxdist = 50;//dist(0,0,width,height); - float d = dist(x, y, mouseX, mouseY); - float adjustbrightness = 255*(maxdist-d)/maxdist; - r += adjustbrightness; - //g += adjustbrightness; - //b += adjustbrightness; - // Constrain RGB to make sure they are within 0-255 color range - r = constrain(r, 0, 255); - //g = constrain(g, 0, 255); - //b = constrain(b, 0, 255); - // Make a new color and set pixel in the window - //color c = color(r, g, b); - color c = color(r); - pixels[y*width + x] = c; - } - } - updatePixels(); -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/BrightnessPixels/data/moon-wide.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/BrightnessPixels/data/moon-wide.jpg deleted file mode 100644 index 8e51a17..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/BrightnessPixels/data/moon-wide.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Convolution/Convolution.pde b/tools/Java/modes/java/examples/Topics/Image Processing/Convolution/Convolution.pde deleted file mode 100644 index 2295c91..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/Convolution/Convolution.pde +++ /dev/null @@ -1,148 +0,0 @@ -/** - * Convolution - * by Daniel Shiffman. - * - * Applies a convolution matrix to a portion of an image. Move mouse to - * apply filter to different parts of the image. Click mouse to cycle - * through different effects (kernels). - */ - -PImage img; -int effect = 0; -int w = 120; - -// It's possible to convolve the image with many different -// matrices to produce different effects. Here are some -// example kernels to try. -float[][] identity = { { 0, 0, 0 }, - { 0, 1, 0 }, - { 0, 0, 0 } }; - -float[][] darken = { { 0, 0, 0 }, - { 0, 0.5, 0 }, - { 0, 0, 0 } }; - -float[][] lighten = { { 0, 0, 0 }, - { 0, 2, 0 }, - { 0, 0, 0 } }; - -float[][] sharpen = { { 0, -1, 0 }, - { -1, 5, -1 }, - { 0, -1, 0 } }; - -float[][] sharpen2 = { { -1, -1, -1 }, - { -1, 9, -1 }, - { -1, -1, -1 } }; - -float[][] box_blur = { { 1.0/9.0, 1.0/9.0, 1.0/9.0 }, - { 1.0/9.0, 1.0/9.0, 1.0/9.0 }, - { 1.0/9.0, 1.0/9.0, 1.0/9.0 } }; - -float[][] edge_det = { { 0, 1, 0 }, - { 1, -4, 1 }, - { 0, 1, 0 } }; - -float[][] emboss = { { -2, -1, 0 }, - { -1, 1, 1 }, - { 0, 1, 2 } }; - -// collect the kernels and names into arrays for our program -float[][][] kernels = { - identity, - darken, - lighten, - sharpen, - sharpen2, - box_blur, - edge_det, - emboss -}; - -String[] effect_names = { - "Identity (no change)", - "Darken", - "Lighten", - "Sharpen", - "Sharpen More", - "Box Blur", - "Edge Detect", - "Emboss" -}; - -// -void setup() { - size(640, 360); - img = loadImage("moon-wide.jpg"); - - noLoop(); -} - -// Clicking the mouse advances to the next effect -void mousePressed() { - effect++; - if (effect >= effect_names.length) effect = 0; - - redraw(); -} - -// Moving the mouse triggers a screen redraw -void mouseMoved() { - redraw(); -} -void mouseDragged() { - redraw(); -} - -void draw() { - // We're only going to process a portion of the image - // so let's set the whole image as the background first - image(img, 0, 0); - - // Calculate the small rectangle we will process - int xstart = constrain(mouseX - w/2, 0, img.width); - int ystart = constrain(mouseY - w/2, 0, img.height); - int xend = constrain(mouseX + w/2, 0, img.width); - int yend = constrain(mouseY + w/2, 0, img.height); - int matrixsize = 3; - loadPixels(); - // Begin our loop for every pixel in the smaller image - for (int x = xstart; x < xend; x++) { - for (int y = ystart; y < yend; y++ ) { - color c = convolution(x, y, kernels[effect], matrixsize, img); - int loc = x + y*img.width; - pixels[loc] = c; - } - } - updatePixels(); - - textSize(24); - text(effect_names[effect], 4, 24); -} - -color convolution(int x, int y, float[][] matrix, int matrixsize, PImage img) -{ - float rtotal = 0.0; - float gtotal = 0.0; - float btotal = 0.0; - int offset = matrixsize / 2; - for (int i = 0; i < matrixsize; i++){ - for (int j= 0; j < matrixsize; j++){ - // What pixel are we testing - int xloc = x+i-offset; - int yloc = y+j-offset; - int loc = xloc + img.width*yloc; - // Make sure we haven't walked off our image, we could do better here - loc = constrain(loc,0,img.pixels.length-1); - // Calculate the convolution - rtotal += (red(img.pixels[loc]) * matrix[i][j]); - gtotal += (green(img.pixels[loc]) * matrix[i][j]); - btotal += (blue(img.pixels[loc]) * matrix[i][j]); - } - } - // Make sure RGB is within range - rtotal = constrain(rtotal, 0, 255); - gtotal = constrain(gtotal, 0, 255); - btotal = constrain(btotal, 0, 255); - // Return the resulting color - return color(rtotal, gtotal, btotal); -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Convolution/data/moon-wide.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Convolution/data/moon-wide.jpg deleted file mode 100644 index 8e51a17..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Convolution/data/moon-wide.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/EdgeDetection/EdgeDetection.pde b/tools/Java/modes/java/examples/Topics/Image Processing/EdgeDetection/EdgeDetection.pde deleted file mode 100644 index 32fd34a..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/EdgeDetection/EdgeDetection.pde +++ /dev/null @@ -1,74 +0,0 @@ -/** - * Edge Detection. - * - * This program analyzes every pixel in an image and compares it with thee - * neighboring pixels to identify edges. - * - * This is an example of an "image convolution" using a kernel (small matrix) - * to analyze and transform a pixel based on the values of its neighbors. - * - * This kernel describes a "Laplacian Edge Detector". It is effective, - * but sensitive to noise. One common enhancement is to add a Gaussian - * blur to the source image first, as in - * grayImg.filter(BLUR); - * to reduce impact of noise on the output. The combination is often called - * "Laplace of Gaussian", or "LoG" for short. - * - * For weaker detection effect, try this kernel: [ 0 -1 0 ] - * [ -1 4 -1 ] - * [ 0 -1 0 ] - */ - -float[][] kernel = {{ -1, -1, -1}, - { -1, 8, -1}, - { -1, -1, -1}}; - -PImage img; - -void setup() { - size(640, 360); - img = loadImage("moon.jpg"); // Load the original image - noLoop(); -} - -void draw() { - image(img, 0, 0); // Displays the image from point (0,0) - img.loadPixels(); - - // Edge detection should be done on a grayscale image. - // Create a copy of the source image, and convert to gray. - PImage grayImg = img.copy(); - grayImg.filter(GRAY); - // grayImg.filter(BLUR); - - // Create an opaque image of the same size as the original - PImage edgeImg = createImage(grayImg.width, grayImg.height, RGB); - - // Loop through every pixel in the image - for (int y = 1; y < grayImg.height-1; y++) { // Skip top and bottom edges - for (int x = 1; x < grayImg.width-1; x++) { // Skip left and right edges - // Output of this filter is shown as offset from 50% gray. - // This preserves transitions from low (dark) to high (light) value. - // Starting from zero will show only high edges on black instead. - float sum = 128; - for (int ky = -1; ky <= 1; ky++) { - for (int kx = -1; kx <= 1; kx++) { - // Calculate the adjacent pixel for this kernel point - int pos = (y + ky)*grayImg.width + (x + kx); - - // Image is grayscale, red/green/blue are identical - float val = blue(grayImg.pixels[pos]); - // Multiply adjacent pixels based on the kernel values - sum += kernel[ky+1][kx+1] * val; - } - } - // For this pixel in the new image, set the output value - // based on the sum from the kernel - edgeImg.pixels[y*edgeImg.width + x] = color(sum); - } - } - // State that there are changes to edgeImg.pixels[] - edgeImg.updatePixels(); - - image(edgeImg, width/2, 0); // Draw the new image -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/EdgeDetection/data/moon.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/EdgeDetection/data/moon.jpg deleted file mode 100644 index 0544742..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/EdgeDetection/data/moon.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Explode/Explode.pde b/tools/Java/modes/java/examples/Topics/Image Processing/Explode/Explode.pde deleted file mode 100644 index 2d77b31..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/Explode/Explode.pde +++ /dev/null @@ -1,43 +0,0 @@ -/** - * Explode - * by Daniel Shiffman. - * - * Mouse horizontal location controls breaking apart of image and - * Maps pixels from a 2D image into 3D space. Pixel brightness controls - * translation along z axis. - */ - -PImage img; // The source image -int cellsize = 2; // Dimensions of each cell in the grid -int columns, rows; // Number of columns and rows in our system - -void setup() { - size(640, 360, P3D); - img = loadImage("eames.jpg"); // Load the image - columns = img.width / cellsize; // Calculate # of columns - rows = img.height / cellsize; // Calculate # of rows -} - -void draw() { - background(0); - // Begin loop for columns - for ( int i = 0; i < columns; i++) { - // Begin loop for rows - for ( int j = 0; j < rows; j++) { - int x = i*cellsize + cellsize/2; // x position - int y = j*cellsize + cellsize/2; // y position - int loc = x + y*img.width; // Pixel array location - color c = img.pixels[loc]; // Grab the color - // Calculate a z position as a function of mouseX and pixel brightness - float z = (mouseX / float(width)) * brightness(img.pixels[loc]) - 20.0; - // Translate to the location, set fill and stroke, and draw the rect - pushMatrix(); - translate(x + 200, y + 100, z); - fill(c, 204); - noStroke(); - rectMode(CENTER); - rect(0, 0, cellsize, cellsize); - popMatrix(); - } - } -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Explode/data/eames.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Explode/data/eames.jpg deleted file mode 100644 index c89377e..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Explode/data/eames.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Extrusion/Extrusion.pde b/tools/Java/modes/java/examples/Topics/Image Processing/Extrusion/Extrusion.pde deleted file mode 100644 index 7d3520d..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/Extrusion/Extrusion.pde +++ /dev/null @@ -1,49 +0,0 @@ -/** - * Extrusion. - * - * Converts a flat image into spatial data points and rotates the points - * around the center. - */ - -PImage a; -boolean onetime = true; -int[][] aPixels; -int[][] values; -float angle; - -void setup() { - size(640, 360, P3D); - - aPixels = new int[width][height]; - values = new int[width][height]; - noFill(); - - // Load the image into a new array - // Extract the values and store in an array - a = loadImage("ystone08.jpg"); - a.loadPixels(); - for (int i = 0; i < a.height; i++) { - for (int j = 0; j < a.width; j++) { - aPixels[j][i] = a.pixels[i*a.width + j]; - values[j][i] = int(blue(aPixels[j][i])); - } - } -} - -void draw() { - background(0); - translate(width/2, height/2, -height/2); - scale(2.0); - - // Update and constrain the angle - angle += 0.005; - rotateY(angle); - - // Display the image mass - for (int i = 0; i < a.height; i += 4) { - for (int j = 0; j < a.width; j += 4) { - stroke(values[j][i], 255); - line(j-a.width/2, i-a.height/2, -values[j][i], j-a.width/2, i-a.height/2, -values[j][i]-10); - } - } -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Extrusion/data/ystone08.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Extrusion/data/ystone08.jpg deleted file mode 100644 index 5428ada..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Extrusion/data/ystone08.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Histogram/Histogram.pde b/tools/Java/modes/java/examples/Topics/Image Processing/Histogram/Histogram.pde deleted file mode 100644 index 09d55b8..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/Histogram/Histogram.pde +++ /dev/null @@ -1,41 +0,0 @@ -/** - * Histogram. - * - * Calculates the histogram of an image. - * A histogram is the frequency distribution - * of the gray levels with the number of pure black values - * displayed on the left and number of pure white values on the right. - * - * Note that this sketch will behave differently on Android, - * since most images will no longer be full 24-bit color. - */ - -size(640, 360); - -// Load an image from the data directory -// Load a different image by modifying the comments -PImage img = loadImage("frontier.jpg"); -image(img, 0, 0); -int[] hist = new int[256]; - -// Calculate the histogram -for (int i = 0; i < img.width; i++) { - for (int j = 0; j < img.height; j++) { - int bright = int(brightness(get(i, j))); - hist[bright]++; - } -} - -// Find the largest value in the histogram -int histMax = max(hist); - -stroke(255); -// Draw half of the histogram (skip every second value) -for (int i = 0; i < img.width; i += 2) { - // Map i (from 0..img.width) to a location in the histogram (0..255) - int which = int(map(i, 0, img.width, 0, 255)); - // Convert the histogram value to a location between - // the bottom and the top of the picture - int y = int(map(hist[which], 0, histMax, img.height, 0)); - line(i, img.height, i, y); -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Histogram/data/frontier.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Histogram/data/frontier.jpg deleted file mode 100644 index d6a3341..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Histogram/data/frontier.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/LinearImage/LinearImage.pde b/tools/Java/modes/java/examples/Topics/Image Processing/LinearImage/LinearImage.pde deleted file mode 100644 index 72b841b..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/LinearImage/LinearImage.pde +++ /dev/null @@ -1,44 +0,0 @@ -/** - * Linear Image. - * - * Click and drag mouse up and down to control the signal. - * Press and hold any key to watch the scanning. - */ - -PImage img; -int direction = 1; - -float signal; - -void setup() { - size(640, 360); - stroke(255); - img = loadImage("sea.jpg"); - img.loadPixels(); - loadPixels(); -} - -void draw() { - if (signal > img.height-1 || signal < 0) { - direction = direction * -1; - } - if (mousePressed == true) { - signal = abs(mouseY % img.height); - } - else { - signal += (0.3*direction); - } - - if (keyPressed == true) { - set(0, 0, img); - line(0, signal, img.width, signal); - } - else { - int signalOffset = int(signal)*img.width; - for (int y = 0; y < img.height; y++) { - arrayCopy(img.pixels, signalOffset, pixels, y*width, img.width); - } - updatePixels(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/LinearImage/data/sea.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/LinearImage/data/sea.jpg deleted file mode 100644 index f7e251d..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/LinearImage/data/sea.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/PixelArray/PixelArray.pde b/tools/Java/modes/java/examples/Topics/Image Processing/PixelArray/PixelArray.pde deleted file mode 100644 index 92b9e2b..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/PixelArray/PixelArray.pde +++ /dev/null @@ -1,46 +0,0 @@ -/** - * Pixel Array. - * - * Click and drag the mouse up and down to control the signal and - * press and hold any key to see the current pixel being read. - * This program sequentially reads the color of every pixel of an image - * and displays this color to fill the window. - */ - -PImage img; -int direction = 1; -float signal; - -void setup() { - size(640, 360); - noFill(); - stroke(255); - frameRate(30); - img = loadImage("sea.jpg"); -} - -void draw() { - if (signal > img.width*img.height-1 || signal < 0) { - direction = direction * -1; - } - - if (mousePressed) { - int mx = constrain(mouseX, 0, img.width-1); - int my = constrain(mouseY, 0, img.height-1); - signal = my*img.width + mx; - } else { - signal += 0.33*direction; - } - - int sx = int(signal) % img.width; - int sy = int(signal) / img.width; - - if (keyPressed) { - set(0, 0, img); // fast way to draw an image - point(sx, sy); - rect(sx - 5, sy - 5, 10, 10); - } else { - color c = img.get(sx, sy); - background(c); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/PixelArray/data/sea.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/PixelArray/data/sea.jpg deleted file mode 100644 index f7e251d..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/PixelArray/data/sea.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Sharpen/Sharpen.pde b/tools/Java/modes/java/examples/Topics/Image Processing/Sharpen/Sharpen.pde deleted file mode 100644 index 2d7171f..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/Sharpen/Sharpen.pde +++ /dev/null @@ -1,81 +0,0 @@ -/** - * Sharpen. - * - * This program analyzes every pixel in an image and contrasts it with the - * neighboring pixels to sharpen the image. - * - * This is an example of an "image convolution" using a kernel (small matrix) - * to analyze and transform a pixel based on the values of its neighbors. - * - * Sharpening is also called a "high-pass filter". Pixels of high frequency - * change (very differnt from neighbors) are left mostly unchanged, while - * those with low frequency change (similar value as neighbors) are modified - * greatly to increase contrast. - * - * The kernel here is a "high-boost filter", which is essentially the result - * of subtracting low-contrast (blurred) areas from the source image - leaving - * only the higher contrast sharp portions. - * A more advanced version is "unsharp masking", which allows greater control - * over the blur radius and sharpening amounts. - * - * For less severe sharpening, try this kernel: [ 0 -1 0 ] - * [ -1 5 -1 ] - * [ 0 -1 0 ] - * - * For greater sharpening, try increasing the value of the center pixel. - */ - -float[][] kernel = {{ -1, -1, -1}, - { -1, 9, -1}, - { -1, -1, -1}}; - -PImage img; - -void setup() { - size(640, 360); - img = loadImage("moon.jpg"); // Load the original image - noLoop(); -} - -void draw() { - image(img, 0, 0); // Displays the image from point (0,0) - img.loadPixels(); - - // Create an opaque image of the same size as the original - PImage sharpImg = createImage(img.width, img.height, RGB); - - // Loop through every pixel in the image - for (int y = 1; y < img.height-1; y++) { // Skip top and bottom edges - for (int x = 1; x < img.width-1; x++) { // Skip left and right edges - float sumRed = 0; // Kernel sums for this pixel - float sumGreen = 0; - float sumBlue = 0; - for (int ky = -1; ky <= 1; ky++) { - for (int kx = -1; kx <= 1; kx++) { - // Calculate the adjacent pixel for this kernel point - int pos = (y + ky)*img.width + (x + kx); - - // Process each channel separately, Red first. - float valRed = red(img.pixels[pos]); - // Multiply adjacent pixels based on the kernel values - sumRed += kernel[ky+1][kx+1] * valRed; - - // Green - float valGreen = green(img.pixels[pos]); - sumGreen += kernel[ky+1][kx+1] * valGreen; - - // Blue - float valBlue = blue(img.pixels[pos]); - sumBlue += kernel[ky+1][kx+1] * valBlue; - } - } - // For this pixel in the new image, set the output value - // based on the sum from the kernel - sharpImg.pixels[y*sharpImg.width + x] = color(sumRed, sumGreen, sumBlue); - } - } - // State that there are changes to sharpImg.pixels[] - sharpImg.updatePixels(); - - image(sharpImg, width/2, 0); // Draw the new image -} diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Sharpen/data/moon.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Sharpen/data/moon.jpg deleted file mode 100644 index 0544742..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Sharpen/data/moon.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Zoom/Zoom.pde b/tools/Java/modes/java/examples/Topics/Image Processing/Zoom/Zoom.pde deleted file mode 100644 index 492f9f1..0000000 --- a/tools/Java/modes/java/examples/Topics/Image Processing/Zoom/Zoom.pde +++ /dev/null @@ -1,67 +0,0 @@ -/** - * Zoom. - * - * Move the cursor over the image to alter its position. Click and press - * the mouse to zoom. This program displays a series of lines with their - * heights corresponding to a color value read from an image. - */ - -PImage img; -int[][] imgPixels; -float sval = 1.0; -float nmx, nmy; -int res = 5; - -void setup() { - size(640, 360, P3D); - noFill(); - stroke(255); - img = loadImage("ystone08.jpg"); - imgPixels = new int[img.width][img.height]; - for (int i = 0; i < img.height; i++) { - for (int j = 0; j < img.width; j++) { - imgPixels[j][i] = img.get(j, i); - } - } -} - -void draw() { - background(0); - - nmx += (mouseX-nmx)/20; - nmy += (mouseY-nmy)/20; - - if(mousePressed) { - sval += 0.005; - } - else { - sval -= 0.01; - } - - sval = constrain(sval, 1.0, 2.0); - - translate(width/2 + nmx * sval-100, height/2 + nmy*sval - 100, -50); - scale(sval); - rotateZ(PI/9 - sval + 1.0); - rotateX(PI/sval/8 - 0.125); - rotateY(sval/8 - 0.125); - - translate(-width/2, -height/2, 0); - - for (int i = 0; i < img.height; i += res) { - for (int j = 0; j < img.width; j += res) { - float rr = red(imgPixels[j][i]); - float gg = green(imgPixels[j][i]); - float bb = blue(imgPixels[j][i]); - float tt = rr+gg+bb; - stroke(rr, gg, gg); - line(i, j, tt/10-20, i, j, tt/10 ); - } - } -} - - - - - - diff --git a/tools/Java/modes/java/examples/Topics/Image Processing/Zoom/data/ystone08.jpg b/tools/Java/modes/java/examples/Topics/Image Processing/Zoom/data/ystone08.jpg deleted file mode 100644 index 5428ada..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Image Processing/Zoom/data/ystone08.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Interaction/Follow1/Follow1.pde b/tools/Java/modes/java/examples/Topics/Interaction/Follow1/Follow1.pde deleted file mode 100644 index 7ba78c6..0000000 --- a/tools/Java/modes/java/examples/Topics/Interaction/Follow1/Follow1.pde +++ /dev/null @@ -1,38 +0,0 @@ -/** - * Follow 1 - * based on code from Keith Peters. - * - * A line segment is pushed and pulled by the cursor. - */ - -float x = 100; -float y = 100; -float angle1 = 0.0; -float segLength = 50; - -void setup() { - size(640, 360); - strokeWeight(20.0); - stroke(255, 100); -} - -void draw() { - background(0); - - float dx = mouseX - x; - float dy = mouseY - y; - angle1 = atan2(dy, dx); - x = mouseX - (cos(angle1) * segLength); - y = mouseY - (sin(angle1) * segLength); - - segment(x, y, angle1); - ellipse(x, y, 20, 20); -} - -void segment(float x, float y, float a) { - pushMatrix(); - translate(x, y); - rotate(a); - line(0, 0, segLength, 0); - popMatrix(); -} diff --git a/tools/Java/modes/java/examples/Topics/Interaction/Follow2/Follow2.pde b/tools/Java/modes/java/examples/Topics/Interaction/Follow2/Follow2.pde deleted file mode 100644 index aeafe11..0000000 --- a/tools/Java/modes/java/examples/Topics/Interaction/Follow2/Follow2.pde +++ /dev/null @@ -1,41 +0,0 @@ -/** - * Follow 2 - * based on code from Keith Peters. - * - * A two-segmented arm follows the cursor position. The relative - * angle between the segments is calculated with atan2() and the - * position calculated with sin() and cos(). - */ - -float[] x = new float[2]; -float[] y = new float[2]; -float segLength = 50; - -void setup() { - size(640, 360); - strokeWeight(20.0); - stroke(255, 100); -} - -void draw() { - background(0); - dragSegment(0, mouseX, mouseY); - dragSegment(1, x[0], y[0]); -} - -void dragSegment(int i, float xin, float yin) { - float dx = xin - x[i]; - float dy = yin - y[i]; - float angle = atan2(dy, dx); - x[i] = xin - cos(angle) * segLength; - y[i] = yin - sin(angle) * segLength; - segment(x[i], y[i], angle); -} - -void segment(float x, float y, float a) { - pushMatrix(); - translate(x, y); - rotate(a); - line(0, 0, segLength, 0); - popMatrix(); -} diff --git a/tools/Java/modes/java/examples/Topics/Interaction/Follow3/Follow3.pde b/tools/Java/modes/java/examples/Topics/Interaction/Follow3/Follow3.pde deleted file mode 100644 index 5df62c4..0000000 --- a/tools/Java/modes/java/examples/Topics/Interaction/Follow3/Follow3.pde +++ /dev/null @@ -1,43 +0,0 @@ -/** - * Follow 3 - * based on code from Keith Peters. - * - * A segmented line follows the mouse. The relative angle from - * each segment to the next is calculated with atan2() and the - * position of the next is calculated with sin() and cos(). - */ - -float[] x = new float[20]; -float[] y = new float[20]; -float segLength = 18; - -void setup() { - size(640, 360); - strokeWeight(9); - stroke(255, 100); -} - -void draw() { - background(0); - dragSegment(0, mouseX, mouseY); - for(int i=0; i=1; i--) { - positionSegment(i, i-1); - } - for(int i=0; i width-25 || ballX < 25) { - ballXDirection *= -1; - } - if(ballY > height-25 || ballY < 25) { - ballYDirection *= -1; - } - ellipse(ballX, ballY, 30, 30); - - reachSegment(0, ballX, ballY); - for(int i=1; i=1; i--) { - positionSegment(i, i-1); - } - for(int i=0; i width-rad || xpos < rad) { - xdirection *= -1; - } - if (ypos > height-rad || ypos < rad) { - ydirection *= -1; - } - - // Draw the shape - ellipse(xpos, ypos, rad, rad); -} diff --git a/tools/Java/modes/java/examples/Topics/Motion/BouncyBubbles/BouncyBubbles.pde b/tools/Java/modes/java/examples/Topics/Motion/BouncyBubbles/BouncyBubbles.pde deleted file mode 100644 index cabe9f0..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/BouncyBubbles/BouncyBubbles.pde +++ /dev/null @@ -1,95 +0,0 @@ -/** - * Bouncy Bubbles - * based on code from Keith Peters. - * - * Multiple-object collision. - */ - - -int numBalls = 12; -float spring = 0.05; -float gravity = 0.03; -float friction = -0.9; -Ball[] balls = new Ball[numBalls]; - -void setup() { - size(640, 360); - for (int i = 0; i < numBalls; i++) { - balls[i] = new Ball(random(width), random(height), random(30, 70), i, balls); - } - noStroke(); - fill(255, 204); -} - -void draw() { - background(0); - for (Ball ball : balls) { - ball.collide(); - ball.move(); - ball.display(); - } -} - -class Ball { - - float x, y; - float diameter; - float vx = 0; - float vy = 0; - int id; - Ball[] others; - - Ball(float xin, float yin, float din, int idin, Ball[] oin) { - x = xin; - y = yin; - diameter = din; - id = idin; - others = oin; - } - - void collide() { - for (int i = id + 1; i < numBalls; i++) { - float dx = others[i].x - x; - float dy = others[i].y - y; - float distance = sqrt(dx*dx + dy*dy); - float minDist = others[i].diameter/2 + diameter/2; - if (distance < minDist) { - float angle = atan2(dy, dx); - float targetX = x + cos(angle) * minDist; - float targetY = y + sin(angle) * minDist; - float ax = (targetX - others[i].x) * spring; - float ay = (targetY - others[i].y) * spring; - vx -= ax; - vy -= ay; - others[i].vx += ax; - others[i].vy += ay; - } - } - } - - void move() { - vy += gravity; - x += vx; - y += vy; - if (x + diameter/2 > width) { - x = width - diameter/2; - vx *= friction; - } - else if (x - diameter/2 < 0) { - x = diameter/2; - vx *= friction; - } - if (y + diameter/2 > height) { - y = height - diameter/2; - vy *= friction; - } - else if (y - diameter/2 < 0) { - y = diameter/2; - vy *= friction; - } - } - - void display() { - ellipse(x, y, diameter, diameter); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Motion/Brownian/Brownian.pde b/tools/Java/modes/java/examples/Topics/Motion/Brownian/Brownian.pde deleted file mode 100644 index 7f8daf9..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/Brownian/Brownian.pde +++ /dev/null @@ -1,48 +0,0 @@ -/** - * Brownian motion. - * - * Recording random movement as a continuous line. - */ - -int num = 2000; -int range = 6; - -float[] ax = new float[num]; -float[] ay = new float[num]; - - -void setup() -{ - size(640, 360); - for(int i = 0; i < num; i++) { - ax[i] = width/2; - ay[i] = height/2; - } - frameRate(30); -} - -void draw() -{ - background(51); - - // Shift all elements 1 place to the left - for(int i = 1; i < num; i++) { - ax[i-1] = ax[i]; - ay[i-1] = ay[i]; - } - - // Put a new value at the end of the array - ax[num-1] += random(-range, range); - ay[num-1] += random(-range, range); - - // Constrain all points to the screen - ax[num-1] = constrain(ax[num-1], 0, width); - ay[num-1] = constrain(ay[num-1], 0, height); - - // Draw a line connecting the points - for(int i=1; i width-radius) { - position.x = width-radius; - velocity.x *= -1; - } else if (position.x < radius) { - position.x = radius; - velocity.x *= -1; - } else if (position.y > height-radius) { - position.y = height-radius; - velocity.y *= -1; - } else if (position.y < radius) { - position.y = radius; - velocity.y *= -1; - } - } - - void checkCollision(Ball other) { - - // Get distances between the balls components - PVector distanceVect = PVector.sub(other.position, position); - - // Calculate magnitude of the vector separating the balls - float distanceVectMag = distanceVect.mag(); - - // Minimum distance before they are touching - float minDistance = radius + other.radius; - - if (distanceVectMag < minDistance) { - float distanceCorrection = (minDistance-distanceVectMag)/2.0; - PVector d = distanceVect.copy(); - PVector correctionVector = d.normalize().mult(distanceCorrection); - other.position.add(correctionVector); - position.sub(correctionVector); - - // get angle of distanceVect - float theta = distanceVect.heading(); - // precalculate trig values - float sine = sin(theta); - float cosine = cos(theta); - - /* bTemp will hold rotated ball positions. You - just need to worry about bTemp[1] position*/ - PVector[] bTemp = { - new PVector(), new PVector() - }; - - /* this ball's position is relative to the other - so you can use the vector between them (bVect) as the - reference point in the rotation expressions. - bTemp[0].position.x and bTemp[0].position.y will initialize - automatically to 0.0, which is what you want - since b[1] will rotate around b[0] */ - bTemp[1].x = cosine * distanceVect.x + sine * distanceVect.y; - bTemp[1].y = cosine * distanceVect.y - sine * distanceVect.x; - - // rotate Temporary velocities - PVector[] vTemp = { - new PVector(), new PVector() - }; - - vTemp[0].x = cosine * velocity.x + sine * velocity.y; - vTemp[0].y = cosine * velocity.y - sine * velocity.x; - vTemp[1].x = cosine * other.velocity.x + sine * other.velocity.y; - vTemp[1].y = cosine * other.velocity.y - sine * other.velocity.x; - - /* Now that velocities are rotated, you can use 1D - conservation of momentum equations to calculate - the final velocity along the x-axis. */ - PVector[] vFinal = { - new PVector(), new PVector() - }; - - // final rotated velocity for b[0] - vFinal[0].x = ((m - other.m) * vTemp[0].x + 2 * other.m * vTemp[1].x) / (m + other.m); - vFinal[0].y = vTemp[0].y; - - // final rotated velocity for b[0] - vFinal[1].x = ((other.m - m) * vTemp[1].x + 2 * m * vTemp[0].x) / (m + other.m); - vFinal[1].y = vTemp[1].y; - - // hack to avoid clumping - bTemp[0].x += vFinal[0].x; - bTemp[1].x += vFinal[1].x; - - /* Rotate ball positions and velocities back - Reverse signs in trig expressions to rotate - in the opposite direction */ - // rotate balls - PVector[] bFinal = { - new PVector(), new PVector() - }; - - bFinal[0].x = cosine * bTemp[0].x - sine * bTemp[0].y; - bFinal[0].y = cosine * bTemp[0].y + sine * bTemp[0].x; - bFinal[1].x = cosine * bTemp[1].x - sine * bTemp[1].y; - bFinal[1].y = cosine * bTemp[1].y + sine * bTemp[1].x; - - // update balls to screen position - other.position.x = position.x + bFinal[1].x; - other.position.y = position.y + bFinal[1].y; - - position.add(bFinal[0]); - - // update velocities - velocity.x = cosine * vFinal[0].x - sine * vFinal[0].y; - velocity.y = cosine * vFinal[0].y + sine * vFinal[0].x; - other.velocity.x = cosine * vFinal[1].x - sine * vFinal[1].y; - other.velocity.y = cosine * vFinal[1].y + sine * vFinal[1].x; - } - } - - void display() { - noStroke(); - fill(204); - ellipse(position.x, position.y, radius*2, radius*2); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Motion/CircleCollision/CircleCollision.pde b/tools/Java/modes/java/examples/Topics/Motion/CircleCollision/CircleCollision.pde deleted file mode 100644 index 05e2a35..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/CircleCollision/CircleCollision.pde +++ /dev/null @@ -1,32 +0,0 @@ -/** - * Circle Collision with Swapping Velocities - * by Ira Greenberg. - * - * Based on Keith Peter's Solution in - * Foundation Actionscript Animation: Making Things Move! - */ - -Ball[] balls = { - new Ball(100, 400, 20), - new Ball(700, 400, 80) -}; - -void setup() { - size(640, 360); -} - -void draw() { - background(51); - - for (Ball b : balls) { - b.update(); - b.display(); - b.checkBoundaryCollision(); - } - - balls[0].checkCollision(balls[1]); -} - - - - diff --git a/tools/Java/modes/java/examples/Topics/Motion/CubesWithinCube/Cube.pde b/tools/Java/modes/java/examples/Topics/Motion/CubesWithinCube/Cube.pde deleted file mode 100644 index 1907227..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/CubesWithinCube/Cube.pde +++ /dev/null @@ -1,114 +0,0 @@ - -// Custom Cube Class - -class Cube { - // Position, velocity vectors - PVector position; - PVector velocity; - // Also using PVector to hold rotation values for 3 axes - PVector rotation; - - // Vertices of the cube - PVector[] vertices = new PVector[24]; - // width, height, depth - float w, h, d; - - // colors for faces of cube - color[] quadBG = new color[6]; - - Cube(float w, float h, float d) { - this.w = w; - this.h = h; - this.d = d; - - // Colors are hardcoded - quadBG[0] = color(0); - quadBG[1] = color(51); - quadBG[2] = color(102); - quadBG[3] = color(153); - quadBG[4] = color(204); - quadBG[5] = color(255); - - // Start in center - position = new PVector(); - // Random velocity vector - velocity = PVector.random3D(); - // Random rotation - rotation = new PVector(random(40, 100), random(40, 100), random(40, 100)); - - // cube composed of 6 quads - //front - vertices[0] = new PVector(-w/2, -h/2, d/2); - vertices[1] = new PVector(w/2, -h/2, d/2); - vertices[2] = new PVector(w/2, h/2, d/2); - vertices[3] = new PVector(-w/2, h/2, d/2); - //left - vertices[4] = new PVector(-w/2, -h/2, d/2); - vertices[5] = new PVector(-w/2, -h/2, -d/2); - vertices[6] = new PVector(-w/2, h/2, -d/2); - vertices[7] = new PVector(-w/2, h/2, d/2); - //right - vertices[8] = new PVector(w/2, -h/2, d/2); - vertices[9] = new PVector(w/2, -h/2, -d/2); - vertices[10] = new PVector(w/2, h/2, -d/2); - vertices[11] = new PVector(w/2, h/2, d/2); - //back - vertices[12] = new PVector(-w/2, -h/2, -d/2); - vertices[13] = new PVector(w/2, -h/2, -d/2); - vertices[14] = new PVector(w/2, h/2, -d/2); - vertices[15] = new PVector(-w/2, h/2, -d/2); - //top - vertices[16] = new PVector(-w/2, -h/2, d/2); - vertices[17] = new PVector(-w/2, -h/2, -d/2); - vertices[18] = new PVector(w/2, -h/2, -d/2); - vertices[19] = new PVector(w/2, -h/2, d/2); - //bottom - vertices[20] = new PVector(-w/2, h/2, d/2); - vertices[21] = new PVector(-w/2, h/2, -d/2); - vertices[22] = new PVector(w/2, h/2, -d/2); - vertices[23] = new PVector(w/2, h/2, d/2); - } - - // Cube shape itself - void drawCube() { - // Draw cube - for (int i=0; i<6; i++) { - fill(quadBG[i]); - beginShape(QUADS); - for (int j=0; j<4; j++) { - vertex(vertices[j+4*i].x, vertices[j+4*i].y, vertices[j+4*i].z); - } - endShape(); - } - } - - // Update location - void update() { - position.add(velocity); - - // Check wall collisions - if (position.x > bounds/2 || position.x < -bounds/2) { - velocity.x*=-1; - } - if (position.y > bounds/2 || position.y < -bounds/2) { - velocity.y*=-1; - } - if (position.z > bounds/2 || position.z < -bounds/2) { - velocity.z*=-1; - } - } - - - // Display method - void display() { - pushMatrix(); - translate(position.x, position.y, position.z); - rotateX(frameCount*PI/rotation.x); - rotateY(frameCount*PI/rotation.y); - rotateZ(frameCount*PI/rotation.z); - noStroke(); - drawCube(); // Farm out shape to another method - popMatrix(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Motion/CubesWithinCube/CubesWithinCube.pde b/tools/Java/modes/java/examples/Topics/Motion/CubesWithinCube/CubesWithinCube.pde deleted file mode 100644 index 2259ecd..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/CubesWithinCube/CubesWithinCube.pde +++ /dev/null @@ -1,50 +0,0 @@ -/** - * Cubes Contained Within a Cube - * by Ira Greenberg. - * - * Collision detection against all - * outer cube's surfaces. - */ - -// 20 little internal cubes -Cube[] cubies = new Cube[20]; - -// Size of outer cube -float bounds = 300; - -void setup() { - size(640, 360, P3D); - - for (int i = 0; i < cubies.length; i++) { - // Cubies are randomly sized - float cubieSize = random(5, 15); - cubies[i] = new Cube(cubieSize, cubieSize, cubieSize); - } - -} - -void draw() { - background(50); - lights(); - - // Center in display window - translate(width/2, height/2, -130); - - // Rotate everything, including external large cube - rotateX(frameCount * 0.001); - rotateY(frameCount * 0.002); - rotateZ(frameCount * 0.001); - stroke(255); - - - // Outer transparent cube, just using box() method - noFill(); - box(bounds); - - // Move and rotate cubies - for (Cube c : cubies) { - c.update(); - c.display(); - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Motion/Linear/Linear.pde b/tools/Java/modes/java/examples/Topics/Motion/Linear/Linear.pde deleted file mode 100644 index 914055b..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/Linear/Linear.pde +++ /dev/null @@ -1,25 +0,0 @@ -/** - * Linear Motion. - * - * Changing a variable to create a moving line. - * When the line moves off the edge of the window, - * the variable is set to 0, which places the line - * back at the bottom of the screen. - */ - -float a; - -void setup() { - size(640, 360); - stroke(255); - a = height/2; -} - -void draw() { - background(51); - line(0, a, width, a); - a = a - 0.5; - if (a < 0) { - a = height; - } -} diff --git a/tools/Java/modes/java/examples/Topics/Motion/Morph/Morph.pde b/tools/Java/modes/java/examples/Topics/Motion/Morph/Morph.pde deleted file mode 100644 index e34fbad..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/Morph/Morph.pde +++ /dev/null @@ -1,95 +0,0 @@ -/** - * Morph. - * - * Changing one shape into another by interpolating - * vertices from one to another - */ - -// Two ArrayLists to store the vertices for two shapes -// This example assumes that each shape will have the same -// number of vertices, i.e. the size of each ArrayList will be the same -ArrayList circle = new ArrayList(); -ArrayList square = new ArrayList(); - -// An ArrayList for a third set of vertices, the ones we will be drawing -// in the window -ArrayList morph = new ArrayList(); - -// This boolean variable will control if we are morphing to a circle or square -boolean state = false; - -void setup() { - size(640, 360); - - // Create a circle using vectors pointing from center - for (int angle = 0; angle < 360; angle += 9) { - // Note we are not starting from 0 in order to match the - // path of a circle. - PVector v = PVector.fromAngle(radians(angle-135)); - v.mult(100); - circle.add(v); - // Let's fill out morph ArrayList with blank PVectors while we are at it - morph.add(new PVector()); - } - - // A square is a bunch of vertices along straight lines - // Top of square - for (int x = -50; x < 50; x += 10) { - square.add(new PVector(x, -50)); - } - // Right side - for (int y = -50; y < 50; y += 10) { - square.add(new PVector(50, y)); - } - // Bottom - for (int x = 50; x > -50; x -= 10) { - square.add(new PVector(x, 50)); - } - // Left side - for (int y = 50; y > -50; y -= 10) { - square.add(new PVector(-50, y)); - } -} - -void draw() { - background(51); - - // We will keep how far the vertices are from their target - float totalDistance = 0; - - // Look at each vertex - for (int i = 0; i < circle.size(); i++) { - PVector v1; - // Are we lerping to the circle or square? - if (state) { - v1 = circle.get(i); - } - else { - v1 = square.get(i); - } - // Get the vertex we will draw - PVector v2 = morph.get(i); - // Lerp to the target - v2.lerp(v1, 0.1); - // Check how far we are from target - totalDistance += PVector.dist(v1, v2); - } - - // If all the vertices are close, switch shape - if (totalDistance < 0.1) { - state = !state; - } - - // Draw relative to center - translate(width/2, height/2); - strokeWeight(4); - // Draw a polygon that makes up all the vertices - beginShape(); - noFill(); - stroke(255); - for (PVector v : morph) { - vertex(v.x, v.y); - } - endShape(CLOSE); -} - diff --git a/tools/Java/modes/java/examples/Topics/Motion/MovingOnCurves/MovingOnCurves.pde b/tools/Java/modes/java/examples/Topics/Motion/MovingOnCurves/MovingOnCurves.pde deleted file mode 100644 index b2022ad..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/MovingOnCurves/MovingOnCurves.pde +++ /dev/null @@ -1,47 +0,0 @@ -/** - * Moving On Curves. - * - * In this example, the circles moves along the curve y = x^4. - * Click the mouse to have it move to a new position. - */ - -float beginX = 20.0; // Initial x-coordinate -float beginY = 10.0; // Initial y-coordinate -float endX = 570.0; // Final x-coordinate -float endY = 320.0; // Final y-coordinate -float distX; // X-axis distance to move -float distY; // Y-axis distance to move -float exponent = 4; // Determines the curve -float x = 0.0; // Current x-coordinate -float y = 0.0; // Current y-coordinate -float step = 0.01; // Size of each step along the path -float pct = 0.0; // Percentage traveled (0.0 to 1.0) - -void setup() { - size(640, 360); - noStroke(); - distX = endX - beginX; - distY = endY - beginY; -} - -void draw() { - fill(0, 2); - rect(0, 0, width, height); - pct += step; - if (pct < 1.0) { - x = beginX + (pct * distX); - y = beginY + (pow(pct, exponent) * distY); - } - fill(255); - ellipse(x, y, 20, 20); -} - -void mousePressed() { - pct = 0.0; - beginX = x; - beginY = y; - endX = mouseX; - endY = mouseY; - distX = endX - beginX; - distY = endY - beginY; -} diff --git a/tools/Java/modes/java/examples/Topics/Motion/Reflection1/Reflection1.pde b/tools/Java/modes/java/examples/Topics/Motion/Reflection1/Reflection1.pde deleted file mode 100644 index a6bc607..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/Reflection1/Reflection1.pde +++ /dev/null @@ -1,124 +0,0 @@ -/** - * Non-orthogonal Reflection - * by Ira Greenberg. - * - * Based on the equation (R = 2N(N*L)-L) where R is the - * reflection vector, N is the normal, and L is the incident - * vector. - */ - -// Position of left hand side of floor -PVector base1; -// Position of right hand side of floor -PVector base2; -// Length of floor -float baseLength; - -// An array of subpoints along the floor path -PVector[] coords; - -// Variables related to moving ball -PVector position; -PVector velocity; -float r = 6; -float speed = 3.5; - -void setup() { - size(640, 360); - - fill(128); - base1 = new PVector(0, height-150); - base2 = new PVector(width, height); - createGround(); - - // start ellipse at middle top of screen - position = new PVector(width/2, 0); - - // calculate initial random velocity - velocity = PVector.random2D(); - velocity.mult(speed); -} - -void draw() { - // draw background - fill(0, 12); - noStroke(); - rect(0, 0, width, height); - - // draw base - fill(200); - quad(base1.x, base1.y, base2.x, base2.y, base2.x, height, 0, height); - - // calculate base top normal - PVector baseDelta = PVector.sub(base2, base1); - baseDelta.normalize(); - PVector normal = new PVector(-baseDelta.y, baseDelta.x); - - // draw ellipse - noStroke(); - fill(255); - ellipse(position.x, position.y, r*2, r*2); - - // move elipse - position.add(velocity); - - // normalized incidence vector - PVector incidence = PVector.mult(velocity, -1); - incidence.normalize(); - - // detect and handle collision - for (int i=0; i width-r) { - position.x = width-r; - velocity.x *= -1; - } - // left - if (position.x < r) { - position.x = r; - velocity.x *= -1; - } - // top - if (position.y < r) { - position.y = r; - velocity.y *= -1; - // randomize base top - base1.y = random(height-100, height); - base2.y = random(height-100, height); - createGround(); - } -} - - -// Calculate variables for the ground -void createGround() { - // calculate length of base top - baseLength = PVector.dist(base1, base2); - - // fill base top coordinate array - coords = new PVector[ceil(baseLength)]; - for (int i=0; i width-r) { - position.x = width-r; - velocity.x *= -damping; - } - else if (position.x < r) { - position.x = r; - velocity.x *= -damping; - } - } - - void checkGroundCollision(Ground groundSegment) { - - // Get difference between orb and ground - float deltaX = position.x - groundSegment.x; - float deltaY = position.y - groundSegment.y; - - // Precalculate trig values - float cosine = cos(groundSegment.rot); - float sine = sin(groundSegment.rot); - - /* Rotate ground and velocity to allow - orthogonal collision calculations */ - float groundXTemp = cosine * deltaX + sine * deltaY; - float groundYTemp = cosine * deltaY - sine * deltaX; - float velocityXTemp = cosine * velocity.x + sine * velocity.y; - float velocityYTemp = cosine * velocity.y - sine * velocity.x; - - /* Ground collision - check for surface - collision and also that orb is within - left/rights bounds of ground segment */ - if (groundYTemp > -r && - position.x > groundSegment.x1 && - position.x < groundSegment.x2 ) { - // keep orb from going into ground - groundYTemp = -r; - // bounce and slow down orb - velocityYTemp *= -1.0; - velocityYTemp *= damping; - } - - // Reset ground, velocity and orb - deltaX = cosine * groundXTemp - sine * groundYTemp; - deltaY = cosine * groundYTemp + sine * groundXTemp; - velocity.x = cosine * velocityXTemp - sine * velocityYTemp; - velocity.y = cosine * velocityYTemp + sine * velocityXTemp; - position.x = groundSegment.x + deltaX; - position.y = groundSegment.y + deltaY; - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Motion/Reflection2/Reflection2.pde b/tools/Java/modes/java/examples/Topics/Motion/Reflection2/Reflection2.pde deleted file mode 100644 index d227e73..0000000 --- a/tools/Java/modes/java/examples/Topics/Motion/Reflection2/Reflection2.pde +++ /dev/null @@ -1,75 +0,0 @@ -/** - * Non-orthogonal Collision with Multiple Ground Segments - * by Ira Greenberg. - * - * Based on Keith Peter's Solution in - * Foundation Actionscript Animation: Making Things Move! - */ - -Orb orb; - -PVector gravity = new PVector(0,0.05); -// The ground is an array of "Ground" objects -int segments = 40; -Ground[] ground = new Ground[segments]; - -void setup(){ - size(640, 360); - // An orb object that will fall and bounce around - orb = new Orb(50, 50, 3); - - // Calculate ground peak heights - float[] peakHeights = new float[segments+1]; - for (int i=0; i 0.5) { - gl_FragColor = live; - } else { - gl_FragColor = blue; - } - } else { - float sum = 0.; - sum += texture2D(ppixels, position + pixel * vec2(-1., -1.)).g; - sum += texture2D(ppixels, position + pixel * vec2(-1., 0.)).g; - sum += texture2D(ppixels, position + pixel * vec2(-1., 1.)).g; - sum += texture2D(ppixels, position + pixel * vec2(1., -1.)).g; - sum += texture2D(ppixels, position + pixel * vec2(1., 0.)).g; - sum += texture2D(ppixels, position + pixel * vec2(1., 1.)).g; - sum += texture2D(ppixels, position + pixel * vec2(0., -1.)).g; - sum += texture2D(ppixels, position + pixel * vec2(0., 1.)).g; - vec4 me = texture2D(ppixels, position); - - if (me.g <= 0.1) { - if ((sum >= 2.9) && (sum <= 3.1)) { - gl_FragColor = live; - } else if (me.b > 0.004) { - gl_FragColor = vec4(0., 0., max(me.b - 0.004, 0.25), 0.); - } else { - gl_FragColor = dead; - } - } else { - if ((sum >= 1.9) && (sum <= 3.1)) { - gl_FragColor = live; - } else { - gl_FragColor = blue; - } - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/CustomBlend.pde b/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/CustomBlend.pde deleted file mode 100644 index c6fb40b..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/CustomBlend.pde +++ /dev/null @@ -1,110 +0,0 @@ -/** - * Custom Blend - * - * The OpenGL-based renderers (P2D and P3D) only support some of the - * blending modes available in the default renderer. The reason for this - * is that the blend equations in OpenGL allow for combinations of the - * form dest_factor * dest_color + src_factor * src_color of the source and - * destination colors (see this page http://www.opengl.org/wiki/Blending - * for an extensive discussion of blending in OpenGL). - * Complex blending modes typically available in photo editing tools, - * like hard light or dodge, cannot be modeled with those equations. - * However, we can implement virtually any blending math directly in the - * fragment shader. - * - * This example shows how custom blend shaders can be loaded and used in - * Processing. - * For detailed information on how to implement Photoshop-like blending modes, - * check the following pages (a bit old but still useful): - * http://www.pegtop.net/delphi/articles/blendmodes/index.htm - * http://mouaif.wordpress.com/2009/01/05/photoshop-math-with-glsl-shaders/ - * - */ - -PImage destImage; -PImage srcImage; -PShader dodge; -PShader burn; -PShader overlay; -PShader difference; - -void setup() { - size(640, 360, P2D); - destImage = loadImage("leaves.jpg"); - srcImage = loadImage("moonwalk.jpg"); - - initShaders(); -} - -void draw() { - background(0); - - shader(dodge); - drawOutput(0, 0, width/2, height/2); - shader(burn); - drawOutput(width/2, 0, width/2, height/2); - shader(overlay); - drawOutput(0, height/2, width/2, height/2); - shader(difference); - drawOutput(width/2, height/2, width/2, height/2); - - noLoop(); -} - -void initShaders() { - dodge = loadShader("dodge.glsl"); - burn = loadShader("burn.glsl"); - overlay = loadShader("overlay.glsl"); - difference = loadShader("difference.glsl"); - - // The names destination and source come from the OpenGL terminology: - // destination from the image already in the framebuffer, or "base layer", - // and source for the image that will be blended into the framebuffer, or - // "blend layer": - dodge.set("destSampler", destImage); - dodge.set("srcSampler", srcImage); - burn.set("destSampler", destImage); - burn.set("srcSampler", srcImage); - overlay.set("destSampler", destImage); - overlay.set("srcSampler", srcImage); - difference.set("destSampler", destImage); - difference.set("srcSampler", srcImage); - - // We set the sizes of de st and src images, and the rectangular areas - // from the images that we will use for blending: - dodge.set("destSize", 640, 360); - dodge.set("destRect", 100, 50, 200, 200); - burn.set("destSize", 640, 360); - burn.set("destRect", 100, 50, 200, 200); - overlay.set("destSize", 640, 360); - overlay.set("destRect", 100, 50, 200, 200); - difference.set("destSize", 640, 360); - difference.set("destRect", 100, 50, 200, 200); - - dodge.set("srcSize", 640, 360); - dodge.set("srcRect", 0, 0, 640, 360); - burn.set("srcSize", 640, 360); - burn.set("srcRect", 0, 0, 640, 360); - overlay.set("srcSize", 640, 360); - overlay.set("srcRect", 0, 0, 640, 360); - difference.set("srcSize", 640, 360); - difference.set("srcRect", 0, 0, 640, 360); -} - -void drawOutput(float x, float y, float w, float h) { - pushMatrix(); - translate(x, y); - noStroke(); - beginShape(QUAD); - // Although we are not associating a texture to - // this shape, the uv coordinates will be stored - // anyways so they can be used in the fragment - // shader to access the destination and source - // images. - vertex(0, 0, 0, 0); - vertex(w, 0, 1, 0); - vertex(w, h, 1, 1); - vertex(0, h, 0, 1); - endShape(); - popMatrix(); -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/burn.glsl b/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/burn.glsl deleted file mode 100644 index 0d090a6..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/burn.glsl +++ /dev/null @@ -1,22 +0,0 @@ -uniform sampler2D destSampler; -uniform sampler2D srcSampler; - -uniform ivec2 destSize; -uniform ivec4 destRect; - -uniform ivec2 srcSize; -uniform ivec4 srcRect; - -varying vec4 vertTexCoord; - -void main() { - vec2 st = vertTexCoord.st; - - vec2 dest = vec2(destRect.xy) / vec2(destSize) + st * vec2(destRect.zw) / vec2(destSize); - vec2 src = vec2(srcRect.xy) / vec2(srcSize) + st * vec2(srcRect.zw) / vec2(srcSize); - - vec3 destColor = texture2D(destSampler, dest).rgb; - vec3 srcColor = texture2D(srcSampler, src).rgb; - - gl_FragColor = vec4(1.0 - (1.0 - destColor) / srcColor, 1.0); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/difference.glsl b/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/difference.glsl deleted file mode 100644 index 7f0040a..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/difference.glsl +++ /dev/null @@ -1,22 +0,0 @@ -uniform sampler2D destSampler; -uniform sampler2D srcSampler; - -uniform ivec2 destSize; -uniform ivec4 destRect; - -uniform ivec2 srcSize; -uniform ivec4 srcRect; - -varying vec4 vertTexCoord; - -void main() { - vec2 st = vertTexCoord.st; - - vec2 dest = vec2(destRect.xy) / vec2(destSize) + st * vec2(destRect.zw) / vec2(destSize); - vec2 src = vec2(srcRect.xy) / vec2(srcSize) + st * vec2(srcRect.zw) / vec2(srcSize); - - vec3 destColor = texture2D(destSampler, dest).rgb; - vec3 srcColor = texture2D(srcSampler, src).rgb; - - gl_FragColor = vec4(abs(srcColor - destColor), 1.0); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/dodge.glsl b/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/dodge.glsl deleted file mode 100644 index 115dbaa..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/dodge.glsl +++ /dev/null @@ -1,22 +0,0 @@ -uniform sampler2D destSampler; -uniform sampler2D srcSampler; - -uniform ivec2 destSize; -uniform ivec4 destRect; - -uniform ivec2 srcSize; -uniform ivec4 srcRect; - -varying vec4 vertTexCoord; - -void main() { - vec2 st = vertTexCoord.st; - - vec2 dest = vec2(destRect.xy) / vec2(destSize) + st * vec2(destRect.zw) / vec2(destSize); - vec2 src = vec2(srcRect.xy) / vec2(srcSize) + st * vec2(srcRect.zw) / vec2(srcSize); - - vec3 destColor = texture2D(destSampler, dest).rgb; - vec3 srcColor = texture2D(srcSampler, src).rgb; - - gl_FragColor = vec4(destColor / (1.0 - srcColor), 1.0); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/leaves.jpg b/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/leaves.jpg deleted file mode 100644 index 72c86a0..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/leaves.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/moonwalk.jpg b/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/moonwalk.jpg deleted file mode 100644 index 793781a..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/moonwalk.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/overlay.glsl b/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/overlay.glsl deleted file mode 100644 index f7d28ef..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/CustomBlend/data/overlay.glsl +++ /dev/null @@ -1,28 +0,0 @@ -uniform sampler2D destSampler; -uniform sampler2D srcSampler; - -uniform ivec2 destSize; -uniform ivec4 destRect; - -uniform ivec2 srcSize; -uniform ivec4 srcRect; - -varying vec4 vertTexCoord; - -void main() { - vec2 st = vertTexCoord.st; - - vec2 dest = vec2(destRect.xy) / vec2(destSize) + st * vec2(destRect.zw) / vec2(destSize); - vec2 src = vec2(srcRect.xy) / vec2(srcSize) + st * vec2(srcRect.zw) / vec2(srcSize); - - vec3 destColor = texture2D(destSampler, dest).rgb; - vec3 srcColor = texture2D(srcSampler, src).rgb; - - float luminance = dot(vec3(0.2126, 0.7152, 0.0722), destColor); - - if (luminance < 0.5) { - gl_FragColor = vec4(2.0 * destColor * srcColor, 1.0); - } else { - gl_FragColor = vec4(1.0 - 2.0 * (1.0 - destColor) * (1.0 - srcColor), 1); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Deform/Deform.pde b/tools/Java/modes/java/examples/Topics/Shaders/Deform/Deform.pde deleted file mode 100644 index b47cfc3..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/Deform/Deform.pde +++ /dev/null @@ -1,29 +0,0 @@ -/** - * Deform. - * - * A GLSL version of the oldschool 2D deformation effect, by Inigo Quilez. - * Ported from the webGL version available in ShaderToy: - * http://www.iquilezles.org/apps/shadertoy/ - * (Look for Deform under the Plane Deformations Presets) - * - */ - -PImage tex; -PShader deform; - -void setup() { - size(640, 360, P2D); - - textureWrap(REPEAT); - tex = loadImage("tex1.jpg"); - - deform = loadShader("deform.glsl"); - deform.set("resolution", float(width), float(height)); -} - -void draw() { - deform.set("time", millis() / 1000.0); - deform.set("mouse", float(mouseX), float(mouseY)); - shader(deform); - image(tex, 0, 0, width, height); -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Deform/data/deform.glsl b/tools/Java/modes/java/examples/Topics/Shaders/Deform/data/deform.glsl deleted file mode 100644 index 0c69cfd..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/Deform/data/deform.glsl +++ /dev/null @@ -1,31 +0,0 @@ -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -#define PROCESSING_TEXTURE_SHADER - -uniform sampler2D texture; - -uniform float time; -uniform vec2 resolution; -uniform vec2 mouse; - -void main(void) { - vec2 p = -1.0 + 2.0 * gl_FragCoord.xy / resolution.xy; - vec2 m = -1.0 + 2.0 * mouse.xy / resolution.xy; - - float a1 = atan(p.y - m.y, p.x - m.x); - float r1 = sqrt(dot(p - m, p - m)); - float a2 = atan(p.y + m.y, p.x + m.x); - float r2 = sqrt(dot(p + m, p + m)); - - vec2 uv; - uv.x = 0.2 * time + (r1 - r2) * 0.25; - uv.y = sin(2.0 * (a1 - a2)); - - float w = r1 * r2 * 0.8; - vec3 col = texture2D(texture, 0.5 - 0.495 * uv).xyz; - - gl_FragColor = vec4(col / (0.1 + w), 1.0); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Deform/data/tex1.jpg b/tools/Java/modes/java/examples/Topics/Shaders/Deform/data/tex1.jpg deleted file mode 100644 index 432e859..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Shaders/Deform/data/tex1.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/CubeMapUtils.pde b/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/CubeMapUtils.pde deleted file mode 100644 index 8a82b75..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/CubeMapUtils.pde +++ /dev/null @@ -1,98 +0,0 @@ -void initCubeMap() { - sphereDetail(50); - domeSphere = createShape(SPHERE, height/2.0f); - domeSphere.rotateX(HALF_PI); - domeSphere.setStroke(false); - - PGL pgl = beginPGL(); - - envMapTextureID = IntBuffer.allocate(1); - pgl.genTextures(1, envMapTextureID); - pgl.bindTexture(PGL.TEXTURE_CUBE_MAP, envMapTextureID.get(0)); - pgl.texParameteri(PGL.TEXTURE_CUBE_MAP, PGL.TEXTURE_WRAP_S, PGL.CLAMP_TO_EDGE); - pgl.texParameteri(PGL.TEXTURE_CUBE_MAP, PGL.TEXTURE_WRAP_T, PGL.CLAMP_TO_EDGE); - pgl.texParameteri(PGL.TEXTURE_CUBE_MAP, PGL.TEXTURE_WRAP_R, PGL.CLAMP_TO_EDGE); - pgl.texParameteri(PGL.TEXTURE_CUBE_MAP, PGL.TEXTURE_MIN_FILTER, PGL.NEAREST); - pgl.texParameteri(PGL.TEXTURE_CUBE_MAP, PGL.TEXTURE_MAG_FILTER, PGL.NEAREST); - for (int i = PGL.TEXTURE_CUBE_MAP_POSITIVE_X; i < PGL.TEXTURE_CUBE_MAP_POSITIVE_X + 6; i++) { - pgl.texImage2D(i, 0, PGL.RGBA8, envMapSize, envMapSize, 0, PGL.RGBA, PGL.UNSIGNED_BYTE, null); - } - - // Init fbo, rbo - fbo = IntBuffer.allocate(1); - rbo = IntBuffer.allocate(1); - pgl.genFramebuffers(1, fbo); - pgl.bindFramebuffer(PGL.FRAMEBUFFER, fbo.get(0)); - pgl.framebufferTexture2D(PGL.FRAMEBUFFER, PGL.COLOR_ATTACHMENT0, PGL.TEXTURE_CUBE_MAP_POSITIVE_X, envMapTextureID.get(0), 0); - - pgl.genRenderbuffers(1, rbo); - pgl.bindRenderbuffer(PGL.RENDERBUFFER, rbo.get(0)); - pgl.renderbufferStorage(PGL.RENDERBUFFER, PGL.DEPTH_COMPONENT24, envMapSize, envMapSize); - - // Attach depth buffer to FBO - pgl.framebufferRenderbuffer(PGL.FRAMEBUFFER, PGL.DEPTH_ATTACHMENT, PGL.RENDERBUFFER, rbo.get(0)); - - endPGL(); - - // Load cubemap shader. - cubemapShader = loadShader("cubemapfrag.glsl", "cubemapvert.glsl"); - cubemapShader.set("cubemap", 1); -} - -void drawCubeMap() { - PGL pgl = beginPGL(); - pgl.activeTexture(PGL.TEXTURE1); - pgl.enable(PGL.TEXTURE_CUBE_MAP); - pgl.bindTexture(PGL.TEXTURE_CUBE_MAP, envMapTextureID.get(0)); - regenerateEnvMap(pgl); - endPGL(); - - drawDomeMaster(); - - pgl.bindTexture(PGL.TEXTURE_CUBE_MAP, 0); -} - -void drawDomeMaster() { - camera(); - ortho(); - resetMatrix(); - shader(cubemapShader); - shape(domeSphere); - resetShader(); -} - -// Called to regenerate the envmap -void regenerateEnvMap(PGL pgl) { - // bind fbo - pgl.bindFramebuffer(PGL.FRAMEBUFFER, fbo.get(0)); - - // generate 6 views from origin(0, 0, 0) - pgl.viewport(0, 0, envMapSize, envMapSize); - perspective(90.0f * DEG_TO_RAD, 1.0f, 1.0f, 1025.0f); - for (int face = PGL.TEXTURE_CUBE_MAP_POSITIVE_X; face < - PGL.TEXTURE_CUBE_MAP_NEGATIVE_Z; face++) { - resetMatrix(); - - if (face == PGL.TEXTURE_CUBE_MAP_POSITIVE_X) { - camera(0.0f, 0.0f, 0.0f, 1.0f, 0.0f, 0.0f, 0.0f, -1.0f, 0.0f); - } else if (face == PGL.TEXTURE_CUBE_MAP_NEGATIVE_X) { - camera(0.0f, 0.0f, 0.0f, -1.0f, 0.0f, 0.0f, 0.0f, -1.0f, 0.0f); - } else if (face == PGL.TEXTURE_CUBE_MAP_POSITIVE_Y) { - camera(0.0f, 0.0f, 0.0f, 0.0f, -1.0f, 0.0f, 0.0f, 0.0f, -1.0f); - } else if (face == PGL.TEXTURE_CUBE_MAP_NEGATIVE_Y) { - camera(0.0f, 0.0f, 0.0f, 0.0f, 1.0f, 0.0f, 0.0f, 0.0f, 1.0f); - } else if (face == PGL.TEXTURE_CUBE_MAP_POSITIVE_Z) { - camera(0.0f, 0.0f, 0.0f, 0.0f, 0.0f, 1.0f, 0.0f, -1.0f, 0.0f); - } - - scale(-1, 1, -1); - translate(-width * 0.5f, -height * 0.5f, -500); - - pgl.framebufferTexture2D(PGL.FRAMEBUFFER, PGL.COLOR_ATTACHMENT0, face, envMapTextureID.get(0), 0); - - drawScene(); // Draw objects in the scene - flush(); // Make sure that the geometry in the scene is pushed to the GPU - noLights(); // Disabling lights to avoid adding many times - pgl.framebufferTexture2D(PGL.FRAMEBUFFER, PGL.COLOR_ATTACHMENT0, face, 0, 0); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/DomeProjection.pde b/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/DomeProjection.pde deleted file mode 100644 index 863133e..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/DomeProjection.pde +++ /dev/null @@ -1,54 +0,0 @@ -/** - * DomeProjection - * - * This sketch uses use environmental mapping to render the output - * on a full spherical dome. - * - * Based on the FullDomeTemplate code from Christopher Warnow: - * https://github.com/mphasize/FullDome - * - * Note: This example needs desktop-class graphics to function. - * - */ - -import java.nio.IntBuffer; - -PShader cubemapShader; -PShape domeSphere; - -IntBuffer fbo; -IntBuffer rbo; -IntBuffer envMapTextureID; - -int envMapSize = 1024; - -void setup() { - size(640, 640, P3D); - initCubeMap(); -} - -void draw() { - background(0); - drawCubeMap(); -} - -void drawScene() { - background(0); - - stroke(255, 0, 0); - strokeWeight(2); - for (int i = -width; i < 2 * width; i += 50) { - line(i, -height, -100, i, 2 *height, -100); - } - for (int i = -height; i < 2 * height; i += 50) { - line(-width, i, -100, 2 * width, i, -100); - } - - lights(); - noStroke(); - translate(mouseX, mouseY, 200); - rotateX(frameCount * 0.01); - rotateY(frameCount * 0.01); - box(100); -} - diff --git a/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/data/cubemapfrag.glsl b/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/data/cubemapfrag.glsl deleted file mode 100644 index 0d47ce1..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/data/cubemapfrag.glsl +++ /dev/null @@ -1 +0,0 @@ -uniform samplerCube cubemap; varying vec3 reflectDir; void main() { vec3 color = vec3(textureCube(cubemap, reflectDir)); gl_FragColor = vec4(color, 1.0); } \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/data/cubemapvert.glsl b/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/data/cubemapvert.glsl deleted file mode 100644 index 1d96e9b..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/DomeProjection/data/cubemapvert.glsl +++ /dev/null @@ -1 +0,0 @@ -uniform mat4 transform; uniform mat4 modelview; uniform mat3 normalMatrix; attribute vec4 vertex; attribute vec3 normal; varying vec3 reflectDir; void main() { gl_Position = transform * vertex; vec3 ecNormal = normalize(normalMatrix * normal); // Vertex in eye coordinates vec3 ecVertex = vec3(modelview * vertex); // Normal vector in eye coordinates vec3 eyeDir = ecVertex.xyz; reflectDir = reflect(eyeDir, ecNormal); } \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/EdgeDetect.pde b/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/EdgeDetect.pde deleted file mode 100644 index db61751..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/EdgeDetect.pde +++ /dev/null @@ -1,31 +0,0 @@ -/** - * Edge Detection - * - * Change the default shader to apply a simple, custom edge detection filter. - * - * Press the mouse to switch between the custom and default shader. - */ - -PShader edges; -PImage img; -boolean enabled = true; - -void setup() { - size(640, 360, P2D); - img = loadImage("leaves.jpg"); - edges = loadShader("edges.glsl"); -} - -void draw() { - if (enabled == true) { - shader(edges); - } - image(img, 0, 0); -} - -void mousePressed() { - enabled = !enabled; - if (!enabled == true) { - resetShader(); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/data/edges.glsl b/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/data/edges.glsl deleted file mode 100644 index 62109e3..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/data/edges.glsl +++ /dev/null @@ -1,40 +0,0 @@ -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -#define PROCESSING_TEXTURE_SHADER - -uniform sampler2D texture; -uniform vec2 texOffset; - -varying vec4 vertColor; -varying vec4 vertTexCoord; - -void main(void) { - // Grouping texcoord variables in order to make it work in the GMA 950. See post #13 - // in this thread: - // http://www.idevgames.com/forums/thread-3467.html - vec2 tc0 = vertTexCoord.st + vec2(-texOffset.s, -texOffset.t); - vec2 tc1 = vertTexCoord.st + vec2( 0.0, -texOffset.t); - vec2 tc2 = vertTexCoord.st + vec2(+texOffset.s, -texOffset.t); - vec2 tc3 = vertTexCoord.st + vec2(-texOffset.s, 0.0); - vec2 tc4 = vertTexCoord.st + vec2( 0.0, 0.0); - vec2 tc5 = vertTexCoord.st + vec2(+texOffset.s, 0.0); - vec2 tc6 = vertTexCoord.st + vec2(-texOffset.s, +texOffset.t); - vec2 tc7 = vertTexCoord.st + vec2( 0.0, +texOffset.t); - vec2 tc8 = vertTexCoord.st + vec2(+texOffset.s, +texOffset.t); - - vec4 col0 = texture2D(texture, tc0); - vec4 col1 = texture2D(texture, tc1); - vec4 col2 = texture2D(texture, tc2); - vec4 col3 = texture2D(texture, tc3); - vec4 col4 = texture2D(texture, tc4); - vec4 col5 = texture2D(texture, tc5); - vec4 col6 = texture2D(texture, tc6); - vec4 col7 = texture2D(texture, tc7); - vec4 col8 = texture2D(texture, tc8); - - vec4 sum = 8.0 * col4 - (col0 + col1 + col2 + col3 + col5 + col6 + col7 + col8); - gl_FragColor = vec4(sum.rgb, 1.0) * vertColor; -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/data/leaves.jpg b/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/data/leaves.jpg deleted file mode 100644 index 72c86a0..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Shaders/EdgeDetect/data/leaves.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Shaders/EdgeFilter/EdgeFilter.pde b/tools/Java/modes/java/examples/Topics/Shaders/EdgeFilter/EdgeFilter.pde deleted file mode 100644 index 845a9fb..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/EdgeFilter/EdgeFilter.pde +++ /dev/null @@ -1,42 +0,0 @@ -/** - * Edge Filter - * - * Apply a custom shader to the filter() function to affect the geometry drawn to the screen. - * - * Press the mouse to turn the filter on and off. - */ - - PShader edges; -boolean applyFilter = true; - -void setup() { - size(640, 360, P3D); - edges = loadShader("edges.glsl"); - noStroke(); -} - -void draw() { - background(0); - lights(); - - translate(width/2, height/2); - pushMatrix(); - rotateX(frameCount * 0.01); - rotateY(frameCount * 0.01); - box(120); - popMatrix(); - - if (applyFilter == true) { - filter(edges); - } - - // The sphere doesn't have the edge detection applied - // on it because it is drawn after filter() is called. - rotateY(frameCount * 0.02); - translate(150, 0); - sphere(40); -} - -void mousePressed() { - applyFilter = !applyFilter; -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/EdgeFilter/data/edges.glsl b/tools/Java/modes/java/examples/Topics/Shaders/EdgeFilter/data/edges.glsl deleted file mode 100644 index 62109e3..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/EdgeFilter/data/edges.glsl +++ /dev/null @@ -1,40 +0,0 @@ -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -#define PROCESSING_TEXTURE_SHADER - -uniform sampler2D texture; -uniform vec2 texOffset; - -varying vec4 vertColor; -varying vec4 vertTexCoord; - -void main(void) { - // Grouping texcoord variables in order to make it work in the GMA 950. See post #13 - // in this thread: - // http://www.idevgames.com/forums/thread-3467.html - vec2 tc0 = vertTexCoord.st + vec2(-texOffset.s, -texOffset.t); - vec2 tc1 = vertTexCoord.st + vec2( 0.0, -texOffset.t); - vec2 tc2 = vertTexCoord.st + vec2(+texOffset.s, -texOffset.t); - vec2 tc3 = vertTexCoord.st + vec2(-texOffset.s, 0.0); - vec2 tc4 = vertTexCoord.st + vec2( 0.0, 0.0); - vec2 tc5 = vertTexCoord.st + vec2(+texOffset.s, 0.0); - vec2 tc6 = vertTexCoord.st + vec2(-texOffset.s, +texOffset.t); - vec2 tc7 = vertTexCoord.st + vec2( 0.0, +texOffset.t); - vec2 tc8 = vertTexCoord.st + vec2(+texOffset.s, +texOffset.t); - - vec4 col0 = texture2D(texture, tc0); - vec4 col1 = texture2D(texture, tc1); - vec4 col2 = texture2D(texture, tc2); - vec4 col3 = texture2D(texture, tc3); - vec4 col4 = texture2D(texture, tc4); - vec4 col5 = texture2D(texture, tc5); - vec4 col6 = texture2D(texture, tc6); - vec4 col7 = texture2D(texture, tc7); - vec4 col8 = texture2D(texture, tc8); - - vec4 sum = 8.0 * col4 - (col0 + col1 + col2 + col3 + col5 + col6 + col7 + col8); - gl_FragColor = vec4(sum.rgb, 1.0) * vertColor; -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/GlossyFishEye.pde b/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/GlossyFishEye.pde deleted file mode 100644 index 075913a..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/GlossyFishEye.pde +++ /dev/null @@ -1,72 +0,0 @@ -/** - * Glossy Fish Eye - * - * A fish-eye shader is used on the main surface and - * a glossy specular reflection shader is used on the - * offscreen canvas. - */ - -PShader fisheye; -PShader glossy; -PGraphics canvas; -PImage img; -PShape ball; - -boolean useFishEye = true; - -void setup() { - size(640, 640, P3D); - canvas = createGraphics(width, height, P3D); - - fisheye = loadShader("FishEye.glsl"); - fisheye.set("aperture", 180.0); - - glossy = loadShader("GlossyFrag.glsl", "GlossyVert.glsl"); - glossy.set("AmbientColour", 0.0, 0.0, 0.0); - glossy.set("DiffuseColour", 0.9, 0.2, 0.2); - glossy.set("SpecularColour", 1.0, 1.0, 1.0); - glossy.set("AmbientIntensity", 1.0); - glossy.set("DiffuseIntensity", 1.0); - glossy.set("SpecularIntensity", 0.7); - glossy.set("Roughness", 0.7); - glossy.set("Sharpness", 0.0); - - ball = createShape(SPHERE, 50); - ball.setStroke(false); -} - -void draw() { - canvas.beginDraw(); - canvas.shader(glossy); - canvas.noStroke(); - canvas.background(0); - canvas.pushMatrix(); - canvas.rotateY(frameCount * 0.01); - canvas.pointLight(204, 204, 204, 1000, 1000, 1000); - canvas.popMatrix(); - for (float x = 0; x < canvas.width + 100; x += 100) { - for (float y = 0; y < canvas.height + 100; y += 100) { - for (float z = 0; z < 400; z += 100) { - canvas.pushMatrix(); - canvas.translate(x, y, -z); - canvas.shape(ball); - canvas.popMatrix(); - } - } - } - canvas.endDraw(); - - if (useFishEye == true) { - shader(fisheye); - } - image(canvas, 0, 0, width, height); -} - -void mousePressed() { - if (useFishEye) { - useFishEye = false; - resetShader(); - } else { - useFishEye = true; - } -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/FishEye.glsl b/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/FishEye.glsl deleted file mode 100644 index 9865603..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/FishEye.glsl +++ /dev/null @@ -1,59 +0,0 @@ -// Inspired by the "Angular Fisheye à la Bourke" sketch from -// Jonathan Cremieux, as shown in the OpenProcessing website: -// http://openprocessing.org/visuals/?visualID=12140 -// Using the inverse transform of the angular fisheye as -// explained in Paul Bourke's website: -// http://paulbourke.net/miscellaneous/domefisheye/fisheye/ - -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -#define PROCESSING_TEXTURE_SHADER - -uniform sampler2D texture; -uniform mat4 texMatrix; - -varying vec4 vertColor; -varying vec4 vertTexCoord; - -uniform float aperture; - -const float PI = 3.1415926535; - -void main(void) { - float apertureHalf = 0.5 * aperture * (PI / 180.0); - - // This factor ajusts the coordinates in the case that - // the aperture angle is less than 180 degrees, in which - // case the area displayed is not the entire half-sphere. - float maxFactor = sin(apertureHalf); - - // The st factor takes into account the situation when non-pot - // textures are not supported, so that the maximum texture - // coordinate to cover the entire image might not be 1. - vec2 stFactor = vec2(1.0 / abs(texMatrix[0][0]), 1.0 / abs(texMatrix[1][1])); - vec2 pos = (2.0 * vertTexCoord.st * stFactor - 1.0); - - float l = length(pos); - if (l > 1.0) { - gl_FragColor = vec4(0, 0, 0, 1); - } else { - float x = maxFactor * pos.x; - float y = maxFactor * pos.y; - - float n = length(vec2(x, y)); - - float z = sqrt(1.0 - n * n); - - float r = atan(n, z) / PI; - - float phi = atan(y, x); - - float u = r * cos(phi) + 0.5; - float v = r * sin(phi) + 0.5; - - gl_FragColor = texture2D(texture, vec2(u, v) / stFactor) * vertColor; - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/GlossyFrag.glsl b/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/GlossyFrag.glsl deleted file mode 100644 index 239b292..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/GlossyFrag.glsl +++ /dev/null @@ -1,44 +0,0 @@ -// Copyright (C) 2007 Dave Griffiths -// Copyright (C) 2007 Dave Griffiths -// Licence: GPLv2 (see COPYING) -// Fluxus Shader Library -// --------------------- -// Glossy Specular Reflection Shader -// A more controllable version of blinn shading, -// Useful for ceramic or fluids - from Advanced -// Renderman, thanks to Larry Gritz - -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -uniform vec3 AmbientColour; -uniform vec3 DiffuseColour; -uniform vec3 SpecularColour; -uniform float AmbientIntensity; -uniform float DiffuseIntensity; -uniform float SpecularIntensity; -uniform float Roughness; -uniform float Sharpness; - -varying vec3 N; -varying vec3 P; -varying vec3 V; -varying vec3 L; - -void main() { - float w = 0.18*(1.0-Sharpness); - - vec3 l = normalize(L); - vec3 n = normalize(N); - vec3 v = normalize(V); - vec3 h = normalize(l+v); - - float diffuse = dot(l,n); - float specular = smoothstep(0.72-w,0.72+w,pow(max(0.0,dot(n,h)),1.0/Roughness)); - - gl_FragColor = vec4(AmbientColour*AmbientIntensity + - DiffuseColour*diffuse*DiffuseIntensity + - SpecularColour*specular*SpecularIntensity,1); -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/GlossyVert.glsl b/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/GlossyVert.glsl deleted file mode 100644 index ee06523..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/GlossyFishEye/data/GlossyVert.glsl +++ /dev/null @@ -1,33 +0,0 @@ -// Copyright (C) 2007 Dave Griffiths -// Licence: GPLv2 (see COPYING) -// Fluxus Shader Library -// --------------------- -// Glossy Specular Reflection Shader -// A more controllable version of blinn shading, -// Useful for ceramic or fluids - from Advanced -// Renderman, thanks to Larry Gritz - -#define PROCESSING_LIGHT_SHADER - -uniform mat4 modelview; -uniform mat4 transform; -uniform mat3 normalMatrix; - -uniform vec4 lightPosition[8]; - -attribute vec4 vertex; -attribute vec3 normal; - -varying vec3 N; -varying vec3 P; -varying vec3 V; -varying vec3 L; - -void main() { - N = normalize(normalMatrix * normal); - P = vertex.xyz; - V = -vec3(modelview * vertex); - L = vec3(modelview * (lightPosition[0] - vertex)); - gl_Position = transform * vertex; -} - diff --git a/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/ImageMask.pde b/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/ImageMask.pde deleted file mode 100644 index 4a30e76..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/ImageMask.pde +++ /dev/null @@ -1,34 +0,0 @@ -/** - * Image Mask - * - * Move the mouse to reveal the image through the dynamic mask. - */ - -PShader maskShader; -PImage srcImage; -PGraphics maskImage; - -void setup() { - size(640, 360, P2D); - srcImage = loadImage("leaves.jpg"); - maskImage = createGraphics(srcImage.width, srcImage.height, P2D); - maskImage.noSmooth(); - maskShader = loadShader("mask.glsl"); - maskShader.set("mask", maskImage); - background(255); -} - -void draw() { - maskImage.beginDraw(); - maskImage.background(0); - if (mouseX != 0 && mouseY != 0) { - maskImage.noStroke(); - maskImage.fill(255, 0, 0); - maskImage.ellipse(mouseX, mouseY, 50, 50); - } - maskImage.endDraw(); - - shader(maskShader); - image(srcImage, 0, 0, width, height); -} - diff --git a/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/data/leaves.jpg b/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/data/leaves.jpg deleted file mode 100644 index 1ec4d01..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/data/leaves.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/data/mask.glsl b/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/data/mask.glsl deleted file mode 100644 index 006219d..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/ImageMask/data/mask.glsl +++ /dev/null @@ -1,19 +0,0 @@ -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -#define PROCESSING_TEXTURE_SHADER - -uniform sampler2D texture; -uniform sampler2D mask; - -uniform vec2 texOffset; -varying vec4 vertColor; -varying vec4 vertTexCoord; - -void main() { - vec4 texColor = texture2D(texture, vertTexCoord.st).rgba; - vec4 maskColor = texture2D(mask, vec2(vertTexCoord.s, 1.0 - vertTexCoord.t)).rgba; - gl_FragColor = mix(texColor, vec4(0, 0, 0, 0), 1.0 - maskColor.r); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/InfiniteTiles.pde b/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/InfiniteTiles.pde deleted file mode 100644 index ae0af48..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/InfiniteTiles.pde +++ /dev/null @@ -1,26 +0,0 @@ -//------------------------------------------------------------- -// Display endless moving background using a tile texture. -// Contributed by martiSteiger -//------------------------------------------------------------- - -PImage tileTexture; -PShader tileShader; - -void setup() { - size(640, 480, P2D); - textureWrap(REPEAT); - tileTexture = loadImage("penrose.jpg"); - loadTileShader(); -} - -void loadTileShader() { - tileShader = loadShader("scroller.glsl"); - tileShader.set("resolution", float(width), float(height)); - tileShader.set("tileImage", tileTexture); -} - -void draw() { - tileShader.set("time", millis() / 1000.0); - shader(tileShader); - rect(0, 0, width, height); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/data/penrose.jpg b/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/data/penrose.jpg deleted file mode 100644 index 94e1060..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/data/penrose.jpg and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/data/scroller.glsl b/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/data/scroller.glsl deleted file mode 100644 index 0717bea..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/InfiniteTiles/data/scroller.glsl +++ /dev/null @@ -1,17 +0,0 @@ -//--------------------------------------------------------- -// Display endless moving background using a tile texture. -// Contributed by martiSteiger -//--------------------------------------------------------- - -uniform float time; -uniform vec2 resolution; -uniform sampler2D tileImage; - -#define TILES_COUNT_X 4.0 - -void main() { - vec2 pos = gl_FragCoord.xy - vec2(4.0 * time); - vec2 p = (resolution - TILES_COUNT_X * pos) / resolution.x; - vec3 col = texture2D (tileImage, p).xyz; - gl_FragColor = vec4 (col, 1.0); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Landscape/Landscape.pde b/tools/Java/modes/java/examples/Topics/Shaders/Landscape/Landscape.pde deleted file mode 100644 index a373709..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/Landscape/Landscape.pde +++ /dev/null @@ -1,31 +0,0 @@ -/** - * Elevated - * https://www.shadertoy.com/view/MdX3Rr by inigo quilez - * Created by inigo quilez - iq/2013 - * License Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. - * Processing port by Raphaël de Courville. - */ - -PShader landscape; - -void setup() { - size(640, 360, P2D); - noStroke(); - - // This GLSL code shows how to use shaders from - // shadertoy in Processing with minimal changes. - landscape = loadShader("landscape.glsl"); - landscape.set("resolution", float(width), float(height)); -} - -void draw() { - background(0); - - landscape.set("time", millis() / 1000.0); - shader(landscape); - rect(0, 0, width, height); - - if (frameCount % 10 == 0) { // every 10th frame - println("frame: " + frameCount + " - fps: " + frameRate); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Landscape/data/landscape.glsl b/tools/Java/modes/java/examples/Topics/Shaders/Landscape/data/landscape.glsl deleted file mode 100644 index b334641..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/Landscape/data/landscape.glsl +++ /dev/null @@ -1,352 +0,0 @@ -// Elevated shader -// https://www.shadertoy.com/view/MdX3Rr by inigo quilez - -// Created by inigo quilez - iq/2013 -// License Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. - -// Processing port by Raphaël de Courville. - -#ifdef GL_ES -precision highp float; -#endif - -// Type of shader expected by Processing -#define PROCESSING_COLOR_SHADER - -// Processing specific input -uniform float time; -uniform vec2 resolution; -uniform vec2 mouse; - -// Layer between Processing and Shadertoy uniforms -vec3 iResolution = vec3(resolution,0.0); -float iGlobalTime = time; -vec4 iMouse = vec4(mouse,0.0,0.0); // zw would normally be the click status - -// ------- Below is the unmodified Shadertoy code ---------- -// Created by inigo quilez - iq/2013 -// License Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. - -//stereo thanks to Croqueteer -//#define STEREO - -mat3 m = mat3( 0.00, 0.80, 0.60, - -0.80, 0.36, -0.48, - -0.60, -0.48, 0.64 ); - -float hash( float n ) -{ - return fract(sin(n)*43758.5453123); -} - - -float noise( in vec3 x ) -{ - vec3 p = floor(x); - vec3 f = fract(x); - - f = f*f*(3.0-2.0*f); - - float n = p.x + p.y*57.0 + 113.0*p.z; - - float res = mix(mix(mix( hash(n+ 0.0), hash(n+ 1.0),f.x), - mix( hash(n+ 57.0), hash(n+ 58.0),f.x),f.y), - mix(mix( hash(n+113.0), hash(n+114.0),f.x), - mix( hash(n+170.0), hash(n+171.0),f.x),f.y),f.z); - return res; -} - - - - -vec3 noised( in vec2 x ) -{ - vec2 p = floor(x); - vec2 f = fract(x); - - vec2 u = f*f*(3.0-2.0*f); - - float n = p.x + p.y*57.0; - - float a = hash(n+ 0.0); - float b = hash(n+ 1.0); - float c = hash(n+ 57.0); - float d = hash(n+ 58.0); - return vec3(a+(b-a)*u.x+(c-a)*u.y+(a-b-c+d)*u.x*u.y, - 30.0*f*f*(f*(f-2.0)+1.0)*(vec2(b-a,c-a)+(a-b-c+d)*u.yx)); - -} - -float noise( in vec2 x ) -{ - vec2 p = floor(x); - vec2 f = fract(x); - - f = f*f*(3.0-2.0*f); - - float n = p.x + p.y*57.0; - - float res = mix(mix( hash(n+ 0.0), hash(n+ 1.0),f.x), - mix( hash(n+ 57.0), hash(n+ 58.0),f.x),f.y); - - return res; -} - -float fbm( vec3 p ) -{ - float f = 0.0; - - f += 0.5000*noise( p ); p = m*p*2.02; - f += 0.2500*noise( p ); p = m*p*2.03; - f += 0.1250*noise( p ); p = m*p*2.01; - f += 0.0625*noise( p ); - - return f/0.9375; -} - -mat2 m2 = mat2(1.6,-1.2,1.2,1.6); - -float fbm( vec2 p ) -{ - float f = 0.0; - - f += 0.5000*noise( p ); p = m2*p*2.02; - f += 0.2500*noise( p ); p = m2*p*2.03; - f += 0.1250*noise( p ); p = m2*p*2.01; - f += 0.0625*noise( p ); - - return f/0.9375; -} - -float terrain( in vec2 x ) -{ - vec2 p = x*0.003; - float a = 0.0; - float b = 1.0; - vec2 d = vec2(0.0); - for(int i=0;i<5; i++) - { - vec3 n = noised(p); - d += n.yz; - a += b*n.x/(1.0+dot(d,d)); - b *= 0.5; - p=mat2(1.6,-1.2,1.2,1.6)*p; - } - - return 140.0*a; -} - -float terrain2( in vec2 x ) -{ - vec2 p = x*0.003; - float a = 0.0; - float b = 1.0; - vec2 d = vec2(0.0); - for(int i=0;i<14; i++) - { - vec3 n = noised(p); - d += n.yz; - a += b*n.x/(1.0+dot(d,d)); - b *= 0.5; - p=m2*p; - } - - return 140.0*a; -} - - -float map( in vec3 p ) -{ - float h = terrain(p.xz); - - float ss = 0.03; - float hh = h*ss; - float fh = fract(hh); - float ih = floor(hh); - fh = mix( sqrt(fh), fh, smoothstep(50.0,140.0,h) ); - h = (ih+fh)/ss; - - return p.y - h; -} - -float map2( in vec3 p ) -{ - float h = terrain2(p.xz); - - - float ss = 0.03; - float hh = h*ss; - float fh = fract(hh); - float ih = floor(hh); - fh = mix( sqrt(fh), fh, smoothstep(50.0,140.0,h) ); - h = (ih+fh)/ss; - - return p.y - h; -} - -bool jinteresct(in vec3 rO, in vec3 rD, out float resT ) -{ - float h = 0.0; - float t = 0.0; - for( int j=0; j<120; j++ ) - { - //if( t>2000.0 ) break; - - vec3 p = rO + t*rD; -if( p.y>300.0 ) break; - h = map( p ); - - if( h<0.1 ) - { - resT = t; - return true; - } - t += max(0.1,0.5*h); - - } - - if( h<5.0 ) - { - resT = t; - return true; - } - return false; -} - -float sinteresct(in vec3 rO, in vec3 rD ) -{ - float res = 1.0; - float t = 0.0; - for( int j=0; j<50; j++ ) - { - //if( t>1000.0 ) break; - vec3 p = rO + t*rD; - - float h = map( p ); - - if( h<0.1 ) - { - return 0.0; - } - res = min( res, 16.0*h/t ); - t += h; - - } - - return clamp( res, 0.0, 1.0 ); -} - -vec3 calcNormal( in vec3 pos, float t ) -{ - float e = 0.001; - e = 0.001*t; - vec3 eps = vec3(e,0.0,0.0); - vec3 nor; - nor.x = map2(pos+eps.xyy) - map2(pos-eps.xyy); - nor.y = map2(pos+eps.yxy) - map2(pos-eps.yxy); - nor.z = map2(pos+eps.yyx) - map2(pos-eps.yyx); - return normalize(nor); -} - -vec3 camPath( float time ) -{ - vec2 p = 600.0*vec2( cos(1.4+0.37*time), - cos(3.2+0.31*time) ); - - return vec3( p.x, 0.0, p.y ); -} - -void main(void) -{ - vec2 xy = -1.0 + 2.0*gl_FragCoord.xy / iResolution.xy; - - vec2 s = xy*vec2(1.75,1.0); - - #ifdef STEREO - float isCyan = mod(gl_FragCoord.x + mod(gl_FragCoord.y,2.0),2.0); - #endif - - float time = iGlobalTime*.15; - - vec3 light1 = normalize( vec3( 0.4, 0.22, 0.6 ) ); - vec3 light2 = vec3( -0.707, 0.000, -0.707 ); - - - vec3 campos = camPath( time ); - vec3 camtar = camPath( time + 3.0 ); - campos.y = terrain( campos.xz ) + 15.0; - camtar.y = campos.y*0.5; - - float roll = 0.1*cos(0.1*time); - vec3 cw = normalize(camtar-campos); - vec3 cp = vec3(sin(roll), cos(roll),0.0); - vec3 cu = normalize(cross(cw,cp)); - vec3 cv = normalize(cross(cu,cw)); - vec3 rd = normalize( s.x*cu + s.y*cv + 1.6*cw ); - - #ifdef STEREO - campos += 2.0*cu*isCyan; // move camera to the right - the rd vector is still good - #endif - - float sundot = clamp(dot(rd,light1),0.0,1.0); - vec3 col; - float t; - if( !jinteresct(campos,rd,t) ) - { - col = 0.9*vec3(0.97,.99,1.0)*(1.0-0.3*rd.y); - col += 0.2*vec3(0.8,0.7,0.5)*pow( sundot, 4.0 ); - } - else - { - vec3 pos = campos + t*rd; - - vec3 nor = calcNormal( pos, t ); - - float dif1 = clamp( dot( light1, nor ), 0.0, 1.0 ); - float dif2 = clamp( 0.2 + 0.8*dot( light2, nor ), 0.0, 1.0 ); - float sh = 1.0; - if( dif1>0.001 ) - sh = sinteresct(pos+light1*20.0,light1); - - vec3 dif1v = vec3(dif1); - dif1v *= vec3( sh, sh*sh*0.5+0.5*sh, sh*sh ); - - float r = noise( 7.0*pos.xz ); - - col = (r*0.25+0.75)*0.9*mix( vec3(0.10,0.05,0.03), vec3(0.13,0.10,0.08), clamp(terrain2( vec2(pos.x,pos.y*48.0))/200.0,0.0,1.0) ); - col = mix( col, 0.17*vec3(0.5,.23,0.04)*(0.50+0.50*r),smoothstep(0.70,0.9,nor.y) ); - col = mix( col, 0.10*vec3(0.2,.30,0.00)*(0.25+0.75*r),smoothstep(0.95,1.0,nor.y) ); - col *= 0.75; - // snow - #if 1 - float h = smoothstep(55.0,80.0,pos.y + 25.0*fbm(0.01*pos.xz) ); - float e = smoothstep(1.0-0.5*h,1.0-0.1*h,nor.y); - float o = 0.3 + 0.7*smoothstep(0.0,0.1,nor.x+h*h); - float s = h*e*o; - s = smoothstep( 0.1, 0.9, s ); - col = mix( col, 0.4*vec3(0.6,0.65,0.7), s ); - #endif - - - vec3 brdf = 2.0*vec3(0.17,0.19,0.20)*clamp(nor.y,0.0,1.0); - brdf += 6.0*vec3(1.00,0.95,0.80)*dif1v; - brdf += 2.0*vec3(0.20,0.20,0.20)*dif2; - - col *= brdf; - - float fo = 1.0-exp(-pow(0.0015*t,1.5)); - vec3 fco = vec3(0.7) + 0.6*vec3(0.8,0.7,0.5)*pow( sundot, 4.0 ); - col = mix( col, fco, fo ); - } - - col = sqrt(col); - - vec2 uv = xy*0.5+0.5; - col *= 0.7 + 0.3*pow(16.0*uv.x*uv.y*(1.0-uv.x)*(1.0-uv.y),0.1); - - #ifdef STEREO - col *= vec3( isCyan, 1.0-isCyan, 1.0-isCyan ); - #endif - - gl_FragColor=vec4(col,1.0); -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Monjori/Monjori.pde b/tools/Java/modes/java/examples/Topics/Shaders/Monjori/Monjori.pde deleted file mode 100644 index 8ff7ca4..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/Monjori/Monjori.pde +++ /dev/null @@ -1,31 +0,0 @@ -/** - * Monjori. - * - * GLSL version of the 1k intro Monjori from the demoscene - * (http://www.pouet.net/prod.php?which=52761) - * Ported from the webGL version available in ShaderToy: - * http://www.iquilezles.org/apps/shadertoy/ - * (Look for Monjori under the Plane Deformations Presets) - */ - -PShader monjori; - -void setup() { - size(640, 360, P2D); - noStroke(); - - monjori = loadShader("monjori.glsl"); - monjori.set("resolution", float(width), float(height)); -} - -void draw() { - monjori.set("time", millis() / 1000.0); - - shader(monjori); - // This kind of effects are entirely implemented in the - // fragment shader, they only need a quad covering the - // entire view area so every pixel is pushed through the - // shader. - rect(0, 0, width, height); -} - diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Monjori/data/monjori.glsl b/tools/Java/modes/java/examples/Topics/Shaders/Monjori/data/monjori.glsl deleted file mode 100644 index 96e53f6..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/Monjori/data/monjori.glsl +++ /dev/null @@ -1,30 +0,0 @@ -#define PROCESSING_COLOR_SHADER - -uniform vec2 resolution; -uniform float time; - -void main(void) { - vec2 p = -1.0 + 2.0 * gl_FragCoord.xy / resolution.xy; - float a = time*40.0; - float d,e,f,g=1.0/40.0,h,i,r,q; - e=400.0*(p.x*0.5+0.5); - f=400.0*(p.y*0.5+0.5); - i=200.0+sin(e*g+a/150.0)*20.0; - d=200.0+cos(f*g/2.0)*18.0+cos(e*g)*7.0; - r=sqrt(pow(i-e,2.0)+pow(d-f,2.0)); - q=f/r; - e=(r*cos(q))-a/2.0;f=(r*sin(q))-a/2.0; - d=sin(e*g)*176.0+sin(e*g)*164.0+r; - h=((f+d)+a/2.0)*g; - i=cos(h+r*p.x/1.3)*(e+e+a)+cos(q*g*6.0)*(r+h/3.0); - h=sin(f*g)*144.0-sin(e*g)*212.0*p.x; - h=(h+(f-e)*q+sin(r-(a+h)/7.0)*10.0+i/4.0)*g; - i+=cos(h*2.3*sin(a/350.0-q))*184.0*sin(q-(r*4.3+a/12.0)*g)+tan(r*g+h)*184.0*cos(r*g+h); - i=mod(i/5.6,256.0)/64.0; - if(i<0.0) i+=4.0; - if(i>=2.0) i=4.0-i; - d=r/350.0; - d+=sin(d*d*8.0)*0.52; - f=(sin(a*g)+1.0)/2.0; - gl_FragColor=vec4(vec3(f*i/1.6,i/2.0+d/13.0,i)*d*p.x+vec3(i/1.3+d/8.0,i/2.0+d/18.0,i)*d*(1.0-p.x),1.0); -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Nebula/Nebula.pde b/tools/Java/modes/java/examples/Topics/Shaders/Nebula/Nebula.pde deleted file mode 100644 index c8b0923..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/Nebula/Nebula.pde +++ /dev/null @@ -1,27 +0,0 @@ -/** - * Nebula. - * - * From CoffeeBreakStudios.com (CBS) - * Ported from the webGL version in GLSL Sandbox: - * http://glsl.heroku.com/e#3265.2 - */ - -PShader nebula; - -void setup() { - size(640, 360, P2D); - noStroke(); - - nebula = loadShader("nebula.glsl"); - nebula.set("resolution", float(width), float(height)); -} - -void draw() { - nebula.set("time", millis() / 500.0); - shader(nebula); - // This kind of raymarching effects are entirely implemented in the - // fragment shader, they only need a quad covering the entire view - // area so every pixel is pushed through the shader. - rect(0, 0, width, height); -} - diff --git a/tools/Java/modes/java/examples/Topics/Shaders/Nebula/data/nebula.glsl b/tools/Java/modes/java/examples/Topics/Shaders/Nebula/data/nebula.glsl deleted file mode 100644 index 11717c9..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/Nebula/data/nebula.glsl +++ /dev/null @@ -1,111 +0,0 @@ -#define PROCESSING_COLOR_SHADER - -uniform float time; -uniform vec2 resolution; - -// NEBULA - CoffeeBreakStudios.com (CBS) -// Work in progress... -// -// 3148.26: Switched from classic to simplex noise -// 3148.27: Reduced number of stars -// 3249.0: Switched to fast computed 3D noise. Less quality but ~ 2x faster -// 3249.5: Removed use of random number generator to gain performance -// 3265.0: Added rotation: glsl.heroku.com/e#3005.1 - -//Utility functions - -vec3 fade(vec3 t) { - return vec3(1.0,1.0,1.0);//t*t*t*(t*(t*6.0-15.0)+10.0); -} - -vec2 rotate(vec2 point, float rads) { - float cs = cos(rads); - float sn = sin(rads); - return point * mat2(cs, -sn, sn, cs); -} - -vec4 randomizer4(const vec4 x) -{ - vec4 z = mod(x, vec4(5612.0)); - z = mod(z, vec4(3.1415927 * 2.0)); - return(fract(cos(z) * vec4(56812.5453))); -} - -// Fast computed noise -// http://www.gamedev.net/topic/502913-fast-computed-noise/ - -const float A = 1.0; -const float B = 57.0; -const float C = 113.0; -const vec3 ABC = vec3(A, B, C); -const vec4 A3 = vec4(0, B, C, C+B); -const vec4 A4 = vec4(A, A+B, C+A, C+A+B); - -float cnoise4(const in vec3 xx) -{ - vec3 x = mod(xx + 32768.0, 65536.0); - vec3 ix = floor(x); - vec3 fx = fract(x); - vec3 wx = fx*fx*(3.0-2.0*fx); - float nn = dot(ix, ABC); - - vec4 N1 = nn + A3; - vec4 N2 = nn + A4; - vec4 R1 = randomizer4(N1); - vec4 R2 = randomizer4(N2); - vec4 R = mix(R1, R2, wx.x); - float re = mix(mix(R.x, R.y, wx.y), mix(R.z, R.w, wx.y), wx.z); - - return 1.0 - 2.0 * re; -} -float surface3 ( vec3 coord, float frequency ) { - - float n = 0.0; - - n += 1.0 * abs( cnoise4( coord * frequency ) ); - n += 0.5 * abs( cnoise4( coord * frequency * 2.0 ) ); - n += 0.25 * abs( cnoise4( coord * frequency * 4.0 ) ); - n += 0.125 * abs( cnoise4( coord * frequency * 8.0 ) ); - n += 0.0625 * abs( cnoise4( coord * frequency * 16.0 ) ); - - return n; -} - -void main( void ) { - float rads = radians(time*3.15); - vec2 position = gl_FragCoord.xy / resolution.xy; - position += rotate(position, rads); - float n = surface3(vec3(position*sin(time*0.1), time * 0.05)*mat3(1,0,0,0,.8,.6,0,-.6,.8),0.9); - float n2 = surface3(vec3(position*cos(time*0.1), time * 0.04)*mat3(1,0,0,0,.8,.6,0,-.6,.8),0.8); - float lum = length(n); - float lum2 = length(n2); - - vec3 tc = pow(vec3(1.0-lum),vec3(sin(position.x)+cos(time)+4.0,8.0+sin(time)+4.0,8.0)); - vec3 tc2 = pow(vec3(1.1-lum2),vec3(5.0,position.y+cos(time)+7.0,sin(position.x)+sin(time)+2.0)); - vec3 curr_color = (tc*0.8) + (tc2*0.5); - - - //Let's draw some stars - - float scale = sin(0.3 * time) + 5.0; - vec2 position2 = (((gl_FragCoord.xy / resolution) - 0.5) * scale); - float gradient = 0.0; - vec3 color = vec3(0.0); - float fade = 0.0; - float z = 0.0; - vec2 centered_coord = position2 - vec2(sin(time*0.1),sin(time*0.1)); - centered_coord = rotate(centered_coord, rads); - - for (float i=1.0; i<=60.0; i++) - { - vec2 star_pos = vec2(sin(i) * 250.0, sin(i*i*i) * 250.0); - float z = mod(i*i - 10.0*time, 256.0); - float fade = (256.0 - z) /256.0; - vec2 blob_coord = star_pos / z; - gradient += ((fade / 384.0) / pow(length(centered_coord - blob_coord), 1.5)) * ( fade); - } - - curr_color += gradient; - - gl_FragColor = vec4(curr_color, 1.0); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/SepBlur/SepBlur.pde b/tools/Java/modes/java/examples/Topics/Shaders/SepBlur/SepBlur.pde deleted file mode 100644 index e9e61a1..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/SepBlur/SepBlur.pde +++ /dev/null @@ -1,68 +0,0 @@ -/** - * Separate Blur Shader - * - * This blur shader works by applying two successive passes, one horizontal - * and the other vertical. - * - * Press the mouse to switch between the custom and default shader. - */ - -PShader blur; -PGraphics src; -PGraphics pass1, pass2; - -void setup() { - size(640, 360, P2D); - - blur = loadShader("blur.glsl"); - blur.set("blurSize", 9); - blur.set("sigma", 5.0f); - - src = createGraphics(width, height, P2D); - - pass1 = createGraphics(width, height, P2D); - pass1.noSmooth(); - - pass2 = createGraphics(width, height, P2D); - pass2.noSmooth(); -} - -void draw() { - src.beginDraw(); - src.background(0); - src.fill(255); - src.ellipse(width/2, height/2, 100, 100); - src.endDraw(); - - // Applying the blur shader along the vertical direction - blur.set("horizontalPass", 0); - pass1.beginDraw(); - pass1.shader(blur); - pass1.image(src, 0, 0); - pass1.endDraw(); - - // Applying the blur shader along the horizontal direction - blur.set("horizontalPass", 1); - pass2.beginDraw(); - pass2.shader(blur); - pass2.image(pass1, 0, 0); - pass2.endDraw(); - - image(pass2, 0, 0); -} - -void keyPressed() { - if (key == '9') { - blur.set("blurSize", 9); - blur.set("sigma", 5.0); - } else if (key == '7') { - blur.set("blurSize", 7); - blur.set("sigma", 3.0); - } else if (key == '5') { - blur.set("blurSize", 5); - blur.set("sigma", 2.0); - } else if (key == '3') { - blur.set("blurSize", 5); - blur.set("sigma", 1.0); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Shaders/SepBlur/data/blur.glsl b/tools/Java/modes/java/examples/Topics/Shaders/SepBlur/data/blur.glsl deleted file mode 100644 index 1b15094..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/SepBlur/data/blur.glsl +++ /dev/null @@ -1,59 +0,0 @@ -// Adapted from: -// http://callumhay.blogspot.com/2010/09/gaussian-blur-shader-glsl.html - -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -#define PROCESSING_TEXTURE_SHADER - -uniform sampler2D texture; - -// The inverse of the texture dimensions along X and Y -uniform vec2 texOffset; - -varying vec4 vertColor; -varying vec4 vertTexCoord; - -uniform int blurSize; -uniform int horizontalPass; // 0 or 1 to indicate vertical or horizontal pass -uniform float sigma; // The sigma value for the gaussian function: higher value means more blur - // A good value for 9x9 is around 3 to 5 - // A good value for 7x7 is around 2.5 to 4 - // A good value for 5x5 is around 2 to 3.5 - // ... play around with this based on what you need :) - -const float pi = 3.14159265; - -void main() { - float numBlurPixelsPerSide = float(blurSize / 2); - - vec2 blurMultiplyVec = 0 < horizontalPass ? vec2(1.0, 0.0) : vec2(0.0, 1.0); - - // Incremental Gaussian Coefficent Calculation (See GPU Gems 3 pp. 877 - 889) - vec3 incrementalGaussian; - incrementalGaussian.x = 1.0 / (sqrt(2.0 * pi) * sigma); - incrementalGaussian.y = exp(-0.5 / (sigma * sigma)); - incrementalGaussian.z = incrementalGaussian.y * incrementalGaussian.y; - - vec4 avgValue = vec4(0.0, 0.0, 0.0, 0.0); - float coefficientSum = 0.0; - - // Take the central sample first... - avgValue += texture2D(texture, vertTexCoord.st) * incrementalGaussian.x; - coefficientSum += incrementalGaussian.x; - incrementalGaussian.xy *= incrementalGaussian.yz; - - // Go through the remaining 8 vertical samples (4 on each side of the center) - for (float i = 1.0; i <= numBlurPixelsPerSide; i++) { - avgValue += texture2D(texture, vertTexCoord.st - i * texOffset * - blurMultiplyVec) * incrementalGaussian.x; - avgValue += texture2D(texture, vertTexCoord.st + i * texOffset * - blurMultiplyVec) * incrementalGaussian.x; - coefficientSum += 2.0 * incrementalGaussian.x; - incrementalGaussian.xy *= incrementalGaussian.yz; - } - - gl_FragColor = avgValue / coefficientSum; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/ToonShading.pde b/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/ToonShading.pde deleted file mode 100644 index 644a74c..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/ToonShading.pde +++ /dev/null @@ -1,43 +0,0 @@ -/** - * Toon Shading. - * - * Example showing the use of a custom lighting shader in order - * to apply a "toon" effect on the scene. Based on the glsl tutorial - * from lighthouse 3D: - * http://www.lighthouse3d.com/tutorials/glsl-tutorial/toon-shader-version-ii/ - */ - -PShader toon; -boolean shaderEnabled = true; - -void setup() { - size(640, 360, P3D); - noStroke(); - fill(204); - toon = loadShader("ToonFrag.glsl", "ToonVert.glsl"); -} - -void draw() { - if (shaderEnabled == true) { - shader(toon); - } - - noStroke(); - background(0); - float dirY = (mouseY / float(height) - 0.5) * 2; - float dirX = (mouseX / float(width) - 0.5) * 2; - directionalLight(204, 204, 204, -dirX, -dirY, -1); - translate(width/2, height/2); - sphere(120); -} - -void mousePressed() { - if (shaderEnabled) { - shaderEnabled = false; - resetShader(); - } - else { - shaderEnabled = true; - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/data/ToonFrag.glsl b/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/data/ToonFrag.glsl deleted file mode 100644 index 054bb0d..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/data/ToonFrag.glsl +++ /dev/null @@ -1,25 +0,0 @@ -#ifdef GL_ES -precision mediump float; -precision mediump int; -#endif - -varying vec3 vertNormal; -varying vec3 vertLightDir; - -void main() { - float intensity; - vec4 color; - intensity = max(0.0, dot(vertLightDir, vertNormal)); - - if (intensity > 0.95) { - color = vec4(1.0, 0.5, 0.5, 1.0); - } else if (intensity > 0.5) { - color = vec4(0.6, 0.3, 0.3, 1.0); - } else if (intensity > 0.25) { - color = vec4(0.4, 0.2, 0.2, 1.0); - } else { - color = vec4(0.2, 0.1, 0.1, 1.0); - } - - gl_FragColor = color; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/data/ToonVert.glsl b/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/data/ToonVert.glsl deleted file mode 100644 index 01b77b2..0000000 --- a/tools/Java/modes/java/examples/Topics/Shaders/ToonShading/data/ToonVert.glsl +++ /dev/null @@ -1,31 +0,0 @@ -// Toon shader using per-pixel lighting. Based on the glsl -// tutorial from lighthouse 3D: -// http://www.lighthouse3d.com/tutorials/glsl-tutorial/toon-shader-version-ii/ - -#define PROCESSING_LIGHT_SHADER - -uniform mat4 modelview; -uniform mat4 transform; -uniform mat3 normalMatrix; - -uniform vec3 lightNormal[8]; - -attribute vec4 vertex; -attribute vec3 normal; - -varying vec3 vertNormal; -varying vec3 vertLightDir; - -void main() { - // Vertex in clip coordinates - gl_Position = transform * vertex; - - // Normal vector in eye coordinates is passed - // to the fragment shader - vertNormal = normalize(normalMatrix * normal); - - // Assuming that there is only one directional light. - // Its normal vector is passed to the fragment shader - // in order to perform per-pixel lighting calculation. - vertLightDir = -lightNormal[0]; -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Boid.pde b/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Boid.pde deleted file mode 100644 index fbcc177..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Boid.pde +++ /dev/null @@ -1,202 +0,0 @@ -// The Boid class - -class Boid { - - PVector position; - PVector velocity; - PVector acceleration; - float r; - float maxforce; // Maximum steering force - float maxspeed; // Maximum speed - - Boid(float x, float y) { - acceleration = new PVector(0, 0); - - // This is a new PVector method not yet implemented in JS - // velocity = PVector.random2D(); - - // Leaving the code temporarily this way so that this example runs in JS - float angle = random(TWO_PI); - velocity = new PVector(cos(angle), sin(angle)); - - position = new PVector(x, y); - r = 2.0; - maxspeed = 2; - maxforce = 0.03; - } - - void run(ArrayList boids) { - flock(boids); - update(); - borders(); - render(); - } - - void applyForce(PVector force) { - // We could add mass here if we want A = F / M - acceleration.add(force); - } - - // We accumulate a new acceleration each time based on three rules - void flock(ArrayList boids) { - PVector sep = separate(boids); // Separation - PVector ali = align(boids); // Alignment - PVector coh = cohesion(boids); // Cohesion - // Arbitrarily weight these forces - sep.mult(1.5); - ali.mult(1.0); - coh.mult(1.0); - // Add the force vectors to acceleration - applyForce(sep); - applyForce(ali); - applyForce(coh); - } - - // Method to update position - void update() { - // Update velocity - velocity.add(acceleration); - // Limit speed - velocity.limit(maxspeed); - position.add(velocity); - // Reset accelertion to 0 each cycle - acceleration.mult(0); - } - - // A method that calculates and applies a steering force towards a target - // STEER = DESIRED MINUS VELOCITY - PVector seek(PVector target) { - PVector desired = PVector.sub(target, position); // A vector pointing from the position to the target - // Scale to maximum speed - desired.normalize(); - desired.mult(maxspeed); - - // Above two lines of code below could be condensed with new PVector setMag() method - // Not using this method until Processing.js catches up - // desired.setMag(maxspeed); - - // Steering = Desired minus Velocity - PVector steer = PVector.sub(desired, velocity); - steer.limit(maxforce); // Limit to maximum steering force - return steer; - } - - void render() { - // Draw a triangle rotated in the direction of velocity - float theta = velocity.heading2D() + radians(90); - // heading2D() above is now heading() but leaving old syntax until Processing.js catches up - - fill(200, 100); - stroke(255); - pushMatrix(); - translate(position.x, position.y); - rotate(theta); - beginShape(TRIANGLES); - vertex(0, -r*2); - vertex(-r, r*2); - vertex(r, r*2); - endShape(); - popMatrix(); - } - - // Wraparound - void borders() { - if (position.x < -r) position.x = width+r; - if (position.y < -r) position.y = height+r; - if (position.x > width+r) position.x = -r; - if (position.y > height+r) position.y = -r; - } - - // Separation - // Method checks for nearby boids and steers away - PVector separate (ArrayList boids) { - float desiredseparation = 25.0f; - PVector steer = new PVector(0, 0, 0); - int count = 0; - // For every boid in the system, check if it's too close - for (Boid other : boids) { - float d = PVector.dist(position, other.position); - // If the distance is greater than 0 and less than an arbitrary amount (0 when you are yourself) - if ((d > 0) && (d < desiredseparation)) { - // Calculate vector pointing away from neighbor - PVector diff = PVector.sub(position, other.position); - diff.normalize(); - diff.div(d); // Weight by distance - steer.add(diff); - count++; // Keep track of how many - } - } - // Average -- divide by how many - if (count > 0) { - steer.div((float)count); - } - - // As long as the vector is greater than 0 - if (steer.mag() > 0) { - // First two lines of code below could be condensed with new PVector setMag() method - // Not using this method until Processing.js catches up - // steer.setMag(maxspeed); - - // Implement Reynolds: Steering = Desired - Velocity - steer.normalize(); - steer.mult(maxspeed); - steer.sub(velocity); - steer.limit(maxforce); - } - return steer; - } - - // Alignment - // For every nearby boid in the system, calculate the average velocity - PVector align (ArrayList boids) { - float neighbordist = 50; - PVector sum = new PVector(0, 0); - int count = 0; - for (Boid other : boids) { - float d = PVector.dist(position, other.position); - if ((d > 0) && (d < neighbordist)) { - sum.add(other.velocity); - count++; - } - } - if (count > 0) { - sum.div((float)count); - // First two lines of code below could be condensed with new PVector setMag() method - // Not using this method until Processing.js catches up - // sum.setMag(maxspeed); - - // Implement Reynolds: Steering = Desired - Velocity - sum.normalize(); - sum.mult(maxspeed); - PVector steer = PVector.sub(sum, velocity); - steer.limit(maxforce); - return steer; - } - else { - return new PVector(0, 0); - } - } - - // Cohesion - // For the average position (i.e. center) of all nearby boids, calculate steering vector towards that position - PVector cohesion (ArrayList boids) { - float neighbordist = 50; - PVector sum = new PVector(0, 0); // Start with empty vector to accumulate all positions - int count = 0; - for (Boid other : boids) { - float d = PVector.dist(position, other.position); - if ((d > 0) && (d < neighbordist)) { - sum.add(other.position); // Add position - count++; - } - } - if (count > 0) { - sum.div(count); - return seek(sum); // Steer towards the position - } - else { - return new PVector(0, 0); - } - } -} - diff --git a/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Flock.pde b/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Flock.pde deleted file mode 100644 index cea728a..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Flock.pde +++ /dev/null @@ -1,21 +0,0 @@ -// The Flock (a list of Boid objects) - -class Flock { - ArrayList boids; // An ArrayList for all the boids - - Flock() { - boids = new ArrayList(); // Initialize the ArrayList - } - - void run() { - for (Boid b : boids) { - b.run(boids); // Passing the entire list of boids to each boid individually - } - } - - void addBoid(Boid b) { - boids.add(b); - } - -} - diff --git a/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Flocking.pde b/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Flocking.pde deleted file mode 100644 index ac73022..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/Flocking/Flocking.pde +++ /dev/null @@ -1,31 +0,0 @@ -/** - * Flocking - * by Daniel Shiffman. - * - * An implementation of Craig Reynold's Boids program to simulate - * the flocking behavior of birds. Each boid steers itself based on - * rules of avoidance, alignment, and coherence. - * - * Click the mouse to add a new boid. - */ - -Flock flock; - -void setup() { - size(640, 360); - flock = new Flock(); - // Add an initial set of boids into the system - for (int i = 0; i < 150; i++) { - flock.addBoid(new Boid(width/2,height/2)); - } -} - -void draw() { - background(50); - flock.run(); -} - -// Add a new boid into the System -void mousePressed() { - flock.addBoid(new Boid(mouseX,mouseY)); -} diff --git a/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/ForcesWithVectors.pde b/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/ForcesWithVectors.pde deleted file mode 100644 index 2654587..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/ForcesWithVectors.pde +++ /dev/null @@ -1,63 +0,0 @@ -/** - * Forces (Gravity and Fluid Resistence) with Vectors - * by Daniel Shiffman. - * - * Demonstration of multiple forces acting on bodies. - * Bodies experience gravity continuously and fluid - * resistance when in "water". - */ - -// Five moving bodies -Mover[] movers = new Mover[10]; - -// Liquid -Liquid liquid; - -void setup() { - size(640, 360); - reset(); - // Create liquid object - liquid = new Liquid(0, height/2, width, height/2, 0.1); -} - -void draw() { - background(0); - - // Draw water - liquid.display(); - - for (Mover mover : movers) { - - // Is the Mover in the liquid? - if (liquid.contains(mover)) { - // Calculate drag force - PVector drag = liquid.drag(mover); - // Apply drag force to Mover - mover.applyForce(drag); - } - - // Gravity is scaled by mass here! - PVector gravity = new PVector(0, 0.1*mover.mass); - // Apply gravity - mover.applyForce(gravity); - - // Update and display - mover.update(); - mover.display(); - mover.checkEdges(); - } - - fill(255); - text("click mouse to reset", 10, 30); -} - -void mousePressed() { - reset(); -} - -// Restart all the Mover objects randomly -void reset() { - for (int i = 0; i < movers.length; i++) { - movers[i] = new Mover(random(0.5, 3), 40+i*70, 0); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/Liquid.pde b/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/Liquid.pde deleted file mode 100644 index e59c9cf..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/Liquid.pde +++ /dev/null @@ -1,55 +0,0 @@ -/** - * Forces (Gravity and Fluid Resistence) with Vectors - * by Daniel Shiffman. - * - * Demonstration of multiple force acting on bodies (Mover class) - * Bodies experience gravity continuously - * Bodies experience fluid resistance when in "water" - */ - -class Liquid { - - // Liquid is a rectangle - float x, y, w, h; - // Coefficient of drag - float c; - - Liquid(float x_, float y_, float w_, float h_, float c_) { - x = x_; - y = y_; - w = w_; - h = h_; - c = c_; - } - - // Is the Mover in the Liquid? - boolean contains(Mover m) { - PVector l = m.position; - if (l.x > x && l.x < x + w && l.y > y && l.y < y + h) { - return true; - } else { - return false; - } - } - - // Calculate drag force - PVector drag(Mover m) { - // Magnitude is coefficient * speed squared - float speed = m.velocity.mag(); - float dragMagnitude = c * speed * speed; - - // Direction is inverse of velocity - PVector drag = m.velocity.copy(); - drag.mult(-1); - - // Scale according to magnitude - drag.setMag(dragMagnitude); - return drag; - } - - void display() { - noStroke(); - fill(127); - rect(x, y, w, h); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/Mover.pde b/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/Mover.pde deleted file mode 100644 index d385e07..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/ForcesWithVectors/Mover.pde +++ /dev/null @@ -1,60 +0,0 @@ -/** - * Forces (Gravity and Fluid Resistence) with Vectors - * by Daniel Shiffman. - * - * Demonstration of multiple force acting on bodies (Mover class) - * Bodies experience gravity continuously - * Bodies experience fluid resistance when in "water" - */ - -class Mover { - - // position, velocity, and acceleration - PVector position; - PVector velocity; - PVector acceleration; - - // Mass is tied to size - float mass; - - Mover(float m, float x, float y) { - mass = m; - position = new PVector(x, y); - velocity = new PVector(0, 0); - acceleration = new PVector(0, 0); - } - - // Newton's 2nd law: F = M * A - // or A = F / M - void applyForce(PVector force) { - // Divide by mass - PVector f = PVector.div(force, mass); - // Accumulate all forces in acceleration - acceleration.add(f); - } - - void update() { - // Velocity changes according to acceleration - velocity.add(acceleration); - // position changes by velocity - position.add(velocity); - // We must clear acceleration each frame - acceleration.mult(0); - } - - // Draw Mover - void display() { - stroke(255); - strokeWeight(2); - fill(255, 200); - ellipse(position.x, position.y, mass*16, mass*16); - } - - // Bounce off bottom of window - void checkEdges() { - if (position.y > height) { - velocity.y *= -0.9; // A little dampening when hitting the bottom - position.y = height; - } - } -} diff --git a/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/GravitationalAttraction3D.pde b/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/GravitationalAttraction3D.pde deleted file mode 100644 index 44ac4b4..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/GravitationalAttraction3D.pde +++ /dev/null @@ -1,60 +0,0 @@ -/** - * Gravitational Attraction (3D) - * by Daniel Shiffman. - * - * Simulating gravitational attraction - * G ---> universal gravitational constant - * m1 --> mass of object #1 - * m2 --> mass of object #2 - * d ---> distance between objects - * F = (G*m1*m2)/(d*d) - * - * For the basics of working with PVector, see - * http://processing.org/learning/pvector/ - * as well as examples in Topics/Vectors/ - * - */ - -// A bunch of planets -Planet[] planets = new Planet[10]; -// One sun (note sun is not attracted to planets (violation of Newton's 3rd Law) -Sun s; - -// An angle to rotate around the scene -float angle = 0; - -void setup() { - size(640, 360, P3D); - // Some random planets - for (int i = 0; i < planets.length; i++) { - planets[i] = new Planet(random(0.1, 2), random(-width/2, width/2), random(-height/2, height/2), random(-100, 100)); - } - // A single sun - s = new Sun(); -} - -void draw() { - background(0); - // Setup the scene - sphereDetail(8); - lights(); - translate(width/2, height/2); - rotateY(angle); - - - // Display the Sun - s.display(); - - // All the Planets - for (Planet planet : planets) { - // Sun attracts Planets - PVector force = s.attract(planet); - planet.applyForce(force); - // Update and draw Planets - planet.update(); - planet.display(); - } - - // Rotate around the scene - angle += 0.003; -} diff --git a/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/Planet.pde b/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/Planet.pde deleted file mode 100644 index ec93bde..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/Planet.pde +++ /dev/null @@ -1,43 +0,0 @@ -// Gravitational Attraction (3D) -// Daniel Shiffman - -// A class for an orbiting Planet - -class Planet { - - // Basic physics model (position, velocity, acceleration, mass) - PVector position; - PVector velocity; - PVector acceleration; - float mass; - - Planet(float m, float x, float y, float z) { - mass = m; - position = new PVector(x, y, z); - velocity = new PVector(1, 0); // Arbitrary starting velocity - acceleration = new PVector(0, 0); - } - - // Newton's 2nd Law (F = M*A) applied - void applyForce(PVector force) { - PVector f = PVector.div(force, mass); - acceleration.add(f); - } - - // Our motion algorithm (aka Euler Integration) - void update() { - velocity.add(acceleration); // Velocity changes according to acceleration - position.add(velocity); // position changes according to velocity - acceleration.mult(0); - } - - // Draw the Planet - void display() { - noStroke(); - fill(255); - pushMatrix(); - translate(position.x, position.y, position.z); - sphere(mass*8); - popMatrix(); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/Sun.pde b/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/Sun.pde deleted file mode 100644 index b8ea259..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/GravitationalAttraction3D/Sun.pde +++ /dev/null @@ -1,36 +0,0 @@ -// Gravitational Attraction (3D) -// Daniel Shiffman - -// A class for an attractive body in our world - -class Sun { - float mass; // Mass, tied to size - PVector position; // position - float G; // Universal gravitational constant (arbitrary value) - - Sun() { - position = new PVector(0, 0); - mass = 20; - G = 0.4; - } - - - PVector attract(Planet m) { - PVector force = PVector.sub(position, m.position); // Calculate direction of force - float d = force.mag(); // Distance between objects - d = constrain(d, 5.0, 25.0); // Limiting the distance to eliminate "extreme" results for very close or very far objects - float strength = (G * mass * m.mass) / (d * d); // Calculate gravitional force magnitude - force.setMag(strength); // Get force vector --> magnitude * direction - return force; - } - - // Draw Sun - void display() { - stroke(255); - noFill(); - pushMatrix(); - translate(position.x, position.y, position.z); - sphere(mass*2); - popMatrix(); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/CrazyParticle.pde b/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/CrazyParticle.pde deleted file mode 100644 index f18d04e..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/CrazyParticle.pde +++ /dev/null @@ -1,39 +0,0 @@ -// A subclass of Particle - -class CrazyParticle extends Particle { - - // Just adding one new variable to a CrazyParticle - // It inherits all other fields from "Particle", and we don't have to retype them! - float theta; - - // The CrazyParticle constructor can call the parent class (super class) constructor - CrazyParticle(PVector l) { - // "super" means do everything from the constructor in Particle - super(l); - // One more line of code to deal with the new variable, theta - theta = 0.0; - } - - // Notice we don't have the method run() here; it is inherited from Particle - - // This update() method overrides the parent class update() method - void update() { - super.update(); - // Increment rotation based on horizontal velocity - float theta_vel = (velocity.x * velocity.mag()) / 10.0f; - theta += theta_vel; - } - - // This display() method overrides the parent class display() method - void display() { - // Render the ellipse just like in a regular particle - super.display(); - // Then add a rotating line - pushMatrix(); - translate(position.x, position.y); - rotate(theta); - stroke(255, lifespan); - line(0, 0, 25, 0); - popMatrix(); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/MultipleParticleSystems.pde b/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/MultipleParticleSystems.pde deleted file mode 100644 index 1d3d9f3..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/MultipleParticleSystems.pde +++ /dev/null @@ -1,35 +0,0 @@ -/** - * Multiple Particle Systems - * by Daniel Shiffman. - * - * Click the mouse to generate a burst of particles - * at mouse position. - * - * Each burst is one instance of a particle system - * with Particles and CrazyParticles (a subclass of Particle). - * Note use of Inheritance and Polymorphism. - */ - -ArrayList systems; - -void setup() { - size(640, 360); - systems = new ArrayList(); -} - -void draw() { - background(0); - for (ParticleSystem ps : systems) { - ps.run(); - ps.addParticle(); - } - if (systems.isEmpty()) { - fill(255); - textAlign(CENTER); - text("click mouse to add particle systems", width/2, height/2); - } -} - -void mousePressed() { - systems.add(new ParticleSystem(1, new PVector(mouseX, mouseY))); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/Particle.pde b/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/Particle.pde deleted file mode 100644 index a3d0b87..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/Particle.pde +++ /dev/null @@ -1,39 +0,0 @@ -// A simple Particle class - -class Particle { - PVector position; - PVector velocity; - PVector acceleration; - float lifespan; - - Particle(PVector l) { - acceleration = new PVector(0, 0.05); - velocity = new PVector(random(-1, 1), random(-2, 0)); - position = l.copy(); - lifespan = 255.0; - } - - void run() { - update(); - display(); - } - - // Method to update position - void update() { - velocity.add(acceleration); - position.add(velocity); - lifespan -= 2.0; - } - - // Method to display - void display() { - stroke(255, lifespan); - fill(255, lifespan); - ellipse(position.x, position.y, 8, 8); - } - - // Is the particle still useful? - boolean isDead() { - return (lifespan < 0.0); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/ParticleSystem.pde b/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/ParticleSystem.pde deleted file mode 100644 index 8db8462..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/MultipleParticleSystems/ParticleSystem.pde +++ /dev/null @@ -1,48 +0,0 @@ -// An ArrayList is used to manage the list of Particles - -class ParticleSystem { - - ArrayList particles; // An arraylist for all the particles - PVector origin; // An origin point for where particles are birthed - - ParticleSystem(int num, PVector v) { - particles = new ArrayList(); // Initialize the arraylist - origin = v.copy(); // Store the origin point - for (int i = 0; i < num; i++) { - particles.add(new Particle(origin)); // Add "num" amount of particles to the arraylist - } - } - - - void run() { - // Cycle through the ArrayList backwards, because we are deleting while iterating - for (int i = particles.size()-1; i >= 0; i--) { - Particle p = particles.get(i); - p.run(); - if (p.isDead()) { - particles.remove(i); - } - } - } - - void addParticle() { - Particle p; - // Add either a Particle or CrazyParticle to the system - if (int(random(0, 2)) == 0) { - p = new Particle(origin); - } - else { - p = new CrazyParticle(origin); - } - particles.add(p); - } - - void addParticle(Particle p) { - particles.add(p); - } - - // A method to test if the particle system still has particles - boolean dead() { - return particles.isEmpty(); - } -} diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/Particle.pde b/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/Particle.pde deleted file mode 100644 index 6d949c7..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/Particle.pde +++ /dev/null @@ -1,43 +0,0 @@ -// A simple Particle class - -class Particle { - PVector position; - PVector velocity; - PVector acceleration; - float lifespan; - - Particle(PVector l) { - acceleration = new PVector(0, 0.05); - velocity = new PVector(random(-1, 1), random(-2, 0)); - position = l.copy(); - lifespan = 255.0; - } - - void run() { - update(); - display(); - } - - // Method to update position - void update() { - velocity.add(acceleration); - position.add(velocity); - lifespan -= 1.0; - } - - // Method to display - void display() { - stroke(255, lifespan); - fill(255, lifespan); - ellipse(position.x, position.y, 8, 8); - } - - // Is the particle still useful? - boolean isDead() { - if (lifespan < 0.0) { - return true; - } else { - return false; - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/ParticleSystem.pde b/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/ParticleSystem.pde deleted file mode 100644 index 94a528a..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/ParticleSystem.pde +++ /dev/null @@ -1,26 +0,0 @@ -// A class to describe a group of Particles -// An ArrayList is used to manage the list of Particles - -class ParticleSystem { - ArrayList particles; - PVector origin; - - ParticleSystem(PVector position) { - origin = position.copy(); - particles = new ArrayList(); - } - - void addParticle() { - particles.add(new Particle(origin)); - } - - void run() { - for (int i = particles.size()-1; i >= 0; i--) { - Particle p = particles.get(i); - p.run(); - if (p.isDead()) { - particles.remove(i); - } - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/SimpleParticleSystem.pde b/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/SimpleParticleSystem.pde deleted file mode 100644 index abfeb7c..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/SimpleParticleSystem/SimpleParticleSystem.pde +++ /dev/null @@ -1,22 +0,0 @@ -/** - * Simple Particle System - * by Daniel Shiffman. - * - * Particles are generated each cycle through draw(), - * fall with gravity, and fade out over time. - * A ParticleSystem object manages a variable size (ArrayList) - * list of particles. - */ - -ParticleSystem ps; - -void setup() { - size(640, 360); - ps = new ParticleSystem(new PVector(width/2, 50)); -} - -void draw() { - background(0); - ps.addParticle(); - ps.run(); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/Particle.pde b/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/Particle.pde deleted file mode 100644 index a0948b4..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/Particle.pde +++ /dev/null @@ -1,59 +0,0 @@ - -// A simple Particle class, renders the particle as an image - -class Particle { - PVector loc; - PVector vel; - PVector acc; - float lifespan; - PImage img; - - Particle(PVector l, PImage img_) { - acc = new PVector(0, 0); - float vx = randomGaussian()*0.3; - float vy = randomGaussian()*0.3 - 1.0; - vel = new PVector(vx, vy); - loc = l.copy(); - lifespan = 100.0; - img = img_; - } - - void run() { - update(); - render(); - } - - // Method to apply a force vector to the Particle object - // Note we are ignoring "mass" here - void applyForce(PVector f) { - acc.add(f); - } - - // Method to update position - void update() { - vel.add(acc); - loc.add(vel); - lifespan -= 2.5; - acc.mult(0); // clear Acceleration - } - - // Method to display - void render() { - imageMode(CENTER); - tint(255, lifespan); - image(img, loc.x, loc.y); - // Drawing a circle instead - // fill(255,lifespan); - // noStroke(); - // ellipse(loc.x,loc.y,img.width,img.height); - } - - // Is the particle still useful? - boolean isDead() { - if (lifespan <= 0.0) { - return true; - } else { - return false; - } - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/ParticleSystem.pde b/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/ParticleSystem.pde deleted file mode 100644 index ba77243..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/ParticleSystem.pde +++ /dev/null @@ -1,40 +0,0 @@ -// A class to describe a group of Particles -// An ArrayList is used to manage the list of Particles - -class ParticleSystem { - - ArrayList particles; // An arraylist for all the particles - PVector origin; // An origin point for where particles are birthed - PImage img; - - ParticleSystem(int num, PVector v, PImage img_) { - particles = new ArrayList(); // Initialize the arraylist - origin = v.copy(); // Store the origin point - img = img_; - for (int i = 0; i < num; i++) { - particles.add(new Particle(origin, img)); // Add "num" amount of particles to the arraylist - } - } - - void run() { - for (int i = particles.size()-1; i >= 0; i--) { - Particle p = particles.get(i); - p.run(); - if (p.isDead()) { - particles.remove(i); - } - } - } - - // Method to add a force vector to all particles currently in the system - void applyForce(PVector dir) { - // Enhanced loop!!! - for (Particle p : particles) { - p.applyForce(dir); - } - } - - void addParticle() { - particles.add(new Particle(origin, img)); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/SmokeParticleSystem.pde b/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/SmokeParticleSystem.pde deleted file mode 100644 index 3b1e51f..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/SmokeParticleSystem.pde +++ /dev/null @@ -1,49 +0,0 @@ -/** - * Smoke Particle System - * by Daniel Shiffman. - * - * A basic smoke effect using a particle system. Each particle - * is rendered as an alpha masked image. - */ - -ParticleSystem ps; - -void setup() { - size(640, 360); - PImage img = loadImage("texture.png"); - ps = new ParticleSystem(0, new PVector(width/2, height-60), img); -} - -void draw() { - background(0); - - // Calculate a "wind" force based on mouse horizontal position - float dx = map(mouseX, 0, width, -0.2, 0.2); - PVector wind = new PVector(dx, 0); - ps.applyForce(wind); - ps.run(); - for (int i = 0; i < 2; i++) { - ps.addParticle(); - } - - // Draw an arrow representing the wind force - drawVector(wind, new PVector(width/2, 50, 0), 500); -} - -// Renders a vector object 'v' as an arrow and a position 'loc' -void drawVector(PVector v, PVector loc, float scayl) { - pushMatrix(); - float arrowsize = 4; - // Translate to position to render vector - translate(loc.x, loc.y); - stroke(255); - // Call vector heading function to get direction (note that pointing up is a heading of 0) and rotate - rotate(v.heading()); - // Calculate length of vector & scale it to be bigger or smaller if necessary - float len = v.mag()*scayl; - // Draw three lines to make an arrow (draw pointing up since we've rotate to the proper direction) - line(0, 0, len, 0); - line(len, 0, len-arrowsize, +arrowsize/2); - line(len, 0, len-arrowsize, -arrowsize/2); - popMatrix(); -} \ No newline at end of file diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/data/texture.gif b/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/data/texture.gif deleted file mode 100644 index 17e84e8..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/data/texture.gif and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/data/texture.png b/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/data/texture.png deleted file mode 100644 index 0852c88..0000000 Binary files a/tools/Java/modes/java/examples/Topics/Simulate/SmokeParticleSystem/data/texture.png and /dev/null differ diff --git a/tools/Java/modes/java/examples/Topics/Simulate/SoftBody/SoftBody.pde b/tools/Java/modes/java/examples/Topics/Simulate/SoftBody/SoftBody.pde deleted file mode 100644 index e3d0d26..0000000 --- a/tools/Java/modes/java/examples/Topics/Simulate/SoftBody/SoftBody.pde +++ /dev/null @@ -1,98 +0,0 @@ -/** - * Soft Body - * by Ira Greenberg. - * - * Softbody dynamics simulation using curveVertex() and curveTightness(). - */ - -// center point -float centerX = 0, centerY = 0; - -float radius = 45, rotAngle = -90; -float accelX, accelY; -float springing = .0009, damping = .98; - -//corner nodes -int nodes = 5; -float nodeStartX[] = new float[nodes]; -float nodeStartY[] = new float[nodes]; -float[]nodeX = new float[nodes]; -float[]nodeY = new float[nodes]; -float[]angle = new float[nodes]; -float[]frequency = new float[nodes]; - -// soft-body dynamics -float organicConstant = 1; - -void setup() { - size(640, 360); - //center shape in window - centerX = width/2; - centerY = height/2; - // iniitalize frequencies for corner nodes - for (int i=0; i width) || (location.x < 0)) { - velocity.x = velocity.x * -1; - } - if (location.y > height) { - // We're reducing velocity ever so slightly - // when it hits the bottom of the window - velocity.y = velocity.y * -0.95; - location.y = height; - } - - // Display circle at location vector - stroke(255); - strokeWeight(2); - fill(127); - ellipse(location.x,location.y,48,48); -} - - diff --git a/tools/Java/modes/java/examples/Topics/Vectors/VectorMath/VectorMath.pde b/tools/Java/modes/java/examples/Topics/Vectors/VectorMath/VectorMath.pde deleted file mode 100644 index 6110e3e..0000000 --- a/tools/Java/modes/java/examples/Topics/Vectors/VectorMath/VectorMath.pde +++ /dev/null @@ -1,39 +0,0 @@ -/** - * Vector - * by Daniel Shiffman. - * - * Demonstration of some basic vector math: subtraction, - * normalization, scaling. Normalizing a vector sets - * its length to 1. - */ - -void setup() { - size(640,360); -} - -void draw() { - background(0); - - // A vector that points to the mouse location - PVector mouse = new PVector(mouseX,mouseY); - - // A vector that points to the center of the window - PVector center = new PVector(width/2,height/2); - - // Subtract center from mouse which results in a - // vector that points from center to mouse - mouse.sub(center); - - // Normalize the vector - mouse.normalize(); - - // Multiply its length by 150 (Scaling its length) - mouse.mult(150); - - translate(width/2,height/2); - // Draw the resulting vector - stroke(255); - strokeWeight(4); - line(0,0,mouse.x,mouse.y); - -} diff --git a/tools/Java/modes/java/keywords.txt b/tools/Java/modes/java/keywords.txt deleted file mode 100644 index bf02b74..0000000 --- a/tools/Java/modes/java/keywords.txt +++ /dev/null @@ -1,942 +0,0 @@ -# WELCOME TO KEYWORDS.TXT, THE FILE THAT DETERMINES -# THE COLOR CODING AND REFERENCE LINKS WITHIN THE -# PROCESSING DEVELOPMENT ENVIRONMENT (PDE) - -# THE TEXT THAT FOLLOWS IS FROM keywords_base.txt -# IN THE PROCESSING-WEBSITE REPO. IF YOU WANT TO MAKE A CHANGE, -# DO IT THERE, DO NOT EDIT THE keywords.txt FILE DIRECTLY. - -# For an explanation of these tags, see Token.java -# trunk/processing/app/src/processing/app/syntax/Token.java - -ADD LITERAL2 blend_ -ALIGN_CENTER LITERAL2 -ALIGN_LEFT LITERAL2 -ALIGN_RIGHT LITERAL2 -ALPHA LITERAL2 -ALPHA_MASK LITERAL2 -ALT LITERAL2 -AMBIENT LITERAL2 -ARC LITERAL2 createShape_ -ARROW LITERAL2 cursor_ -ARGB LITERAL2 -BACKSPACE LITERAL2 keyCode -BASELINE LITERAL2 textAlign_ -BEVEL LITERAL2 strokeJoin_ -BLEND LITERAL2 blend_ -BLUE_MASK LITERAL2 -BLUR LITERAL2 filter_ -BOTTOM LITERAL2 textAlign_ -BOX LITERAL2 createShape_ -BURN LITERAL2 blend_ -CENTER LITERAL2 -CHATTER LITERAL2 -CHORD LITERAL2 arc_ -CLAMP LITERAL2 -CLICK LITERAL2 -CLOSE LITERAL2 -CMYK LITERAL2 -CODED LITERAL2 key -COMPLAINT LITERAL2 -COMPOSITE LITERAL2 -COMPONENT LITERAL2 -CONCAVE_POLYGON LITERAL2 -CONTROL LITERAL2 -CONVEX_POLYGON LITERAL2 -CORNER LITERAL2 textAlign_ -CORNERS LITERAL2 -CROSS LITERAL2 cursor_ -CUSTOM LITERAL2 -DARKEST LITERAL2 blend_ -DEGREES LITERAL2 -DEG_TO_RAD LITERAL2 -DELETE LITERAL2 -DIAMETER LITERAL2 -DIFFERENCE LITERAL2 blend_ -DIFFUSE LITERAL2 -DILATE LITERAL2 filter_ -DIRECTIONAL LITERAL2 -DISABLE_ACCURATE_2D LITERAL2 -DISABLE_DEPTH_MASK LITERAL2 -DISABLE_DEPTH_SORT LITERAL2 -DISABLE_DEPTH_TEST LITERAL2 -DISABLE_NATIVE_FONTS LITERAL2 -DISABLE_OPENGL_ERRORS LITERAL2 -DISABLE_PURE_STROKE LITERAL2 -DISABLE_TEXTURE_MIPMAPS LITERAL2 -DISABLE_TRANSFORM_CACHE LITERAL2 -DISABLE_STROKE_PERSPECTIVE LITERAL2 -DISABLED LITERAL2 -DODGE LITERAL2 blend_ -DOWN LITERAL2 keyCode -DRAG LITERAL2 -DXF LITERAL2 size_ -ELLIPSE LITERAL2 createShape_ -ENABLE_ACCURATE_2D LITERAL2 -ENABLE_DEPTH_MASK LITERAL2 -ENABLE_DEPTH_SORT LITERAL2 -ENABLE_DEPTH_TEST LITERAL2 -ENABLE_NATIVE_FONTS LITERAL2 -ENABLE_OPENGL_ERRORS LITERAL2 -ENABLE_PURE_STROKE LITERAL2 -ENABLE_TEXTURE_MIPMAPS LITERAL2 -ENABLE_TRANSFORM_CACHE LITERAL2 -ENABLE_STROKE_PERSPECTIVE LITERAL2 -ENTER LITERAL2 keyCode -EPSILON LITERAL2 -ERODE LITERAL2 filter_ -ESC LITERAL2 keyCode -EXCLUSION LITERAL2 blend_ -EXIT LITERAL2 -FX2D LITERAL2 size_ -GIF LITERAL2 -GRAY LITERAL2 filter_ -GREEN_MASK LITERAL2 -GROUP LITERAL2 -HALF LITERAL2 -HAND LITERAL2 cursor_ -HARD_LIGHT LITERAL2 blend_ -HINT_COUNT LITERAL2 -HSB LITERAL2 colorMode_ -IMAGE LITERAL2 textureMode_ -INVERT LITERAL2 filter_ -JAVA2D LITERAL2 size_ -JPEG LITERAL2 -LEFT LITERAL2 keyCode -LIGHTEST LITERAL2 blend_ -LINE LITERAL2 createShape_ -LINES LITERAL2 beginShape_ -LINUX LITERAL2 -MACOSX LITERAL2 -MAX_FLOAT LITERAL2 -MAX_INT LITERAL2 -MIN_FLOAT LITERAL2 -MIN_INT LITERAL2 -MITER LITERAL2 stokeJoin_ -MODEL LITERAL2 textMode_ -MOVE LITERAL2 cursor_ -MULTIPLY LITERAL2 blend_ -NORMAL LITERAL2 -NORMALIZED LITERAL2 textureMode_ -NO_DEPTH_TEST LITERAL2 -NTSC LITERAL2 -ONE LITERAL2 -OPAQUE LITERAL2 filter_ -OPEN LITERAL2 -ORTHOGRAPHIC LITERAL2 -OVERLAY LITERAL2 blend_ -PAL LITERAL2 -PDF LITERAL2 size_ -P2D LITERAL2 size_ -P3D LITERAL2 size_ -PERSPECTIVE LITERAL2 -PIE LITERAL2 -PIXEL_CENTER LITERAL2 -POINT LITERAL2 -POINTS LITERAL2 -POSTERIZE LITERAL2 filter_ -PRESS LITERAL2 -PROBLEM LITERAL2 -PROJECT LITERAL2 strokeCap_ -QUAD LITERAL2 createShape_ -QUAD_STRIP LITERAL2 beginShape_ -QUADS LITERAL2 beginShape_ -RAD_TO_DEG LITERAL2 -RADIUS LITERAL2 -RADIANS LITERAL2 -RECT LITERAL2 -RED_MASK LITERAL2 -RELEASE LITERAL2 -REPEAT LITERAL2 -REPLACE LITERAL2 -RETURN LITERAL2 -RGB LITERAL2 colorMode_ -RIGHT LITERAL2 keyCode -ROUND LITERAL2 strokeCap_ -SCREEN LITERAL2 blend_ -SECAM LITERAL2 -SHAPE LITERAL2 textMode_ -SHIFT LITERAL2 -SPAN LITERAL2 fullScreen_ -SPECULAR LITERAL2 -SPHERE LITERAL2 createShape_ -SOFT_LIGHT LITERAL2 blend_ -SQUARE LITERAL2 strokeCap_ -SUBTRACT LITERAL2 blend_ -SVG LITERAL2 -SVIDEO LITERAL2 -TAB LITERAL2 keyCode -TARGA LITERAL2 -TEXT LITERAL2 cursor_ -TFF LITERAL2 -THIRD_PI LITERAL2 -THRESHOLD LITERAL2 filter_ -TIFF LITERAL2 -TOP LITERAL2 textAlign_ -TRIANGLE LITERAL2 createShape_ -TRIANGLE_FAN LITERAL2 beginShape_ -TRIANGLES LITERAL2 beginShape_ -TRIANGLE_STRIP LITERAL2 beginShape_ -TUNER LITERAL2 -TWO LITERAL2 -UP LITERAL2 keyCode -WAIT LITERAL2 cursor_ -WHITESPACE LITERAL2 - - -# Java keywords (void, import, , etc.) - -abstract KEYWORD1 -break KEYWORD1 break -class KEYWORD1 class -continue KEYWORD1 continue -default KEYWORD1 default -enum KEYWORD1 -extends KEYWORD1 extends -false KEYWORD1 false -final KEYWORD1 final -finally KEYWORD1 -implements KEYWORD1 implements -import KEYWORD1 import -instanceof KEYWORD1 -interface KEYWORD1 -native KEYWORD1 -new KEYWORD1 new -null KEYWORD1 null -package KEYWORD1 -private KEYWORD1 private -protected KEYWORD1 -public KEYWORD1 public -static KEYWORD1 static -strictfp KEYWORD1 -throws KEYWORD1 -transient KEYWORD1 -true KEYWORD1 true -void KEYWORD1 void -volatile KEYWORD1 - - -# Java keywords that can be followed by a parenthesis - -assert KEYWORD6 -case KEYWORD6 case -return KEYWORD6 return -super KEYWORD6 super -this KEYWORD6 this -throw KEYWORD6 - - -# Datatypes - -Array KEYWORD5 Array -ArrayList KEYWORD5 ArrayList -Boolean KEYWORD5 -Byte KEYWORD5 -BufferedReader KEYWORD5 BufferedReader -Character KEYWORD5 -Class KEYWORD5 class -Float KEYWORD5 -Integer KEYWORD5 -HashMap KEYWORD5 HashMap -PrintWriter KEYWORD5 PrintWriter -String KEYWORD5 String -StringBuffer KEYWORD5 -StringBuilder KEYWORD5 -Thread KEYWORD5 -boolean KEYWORD5 boolean -byte KEYWORD5 byte -char KEYWORD5 char -color KEYWORD5 color_datatype -double KEYWORD5 double -float KEYWORD5 float -int KEYWORD5 int -long KEYWORD5 long -var KEYWORD5 - - -# Flow structures - -catch KEYWORD3 catch -do KEYWORD3 -for KEYWORD3 for -if KEYWORD3 if -else KEYWORD3 else -switch KEYWORD3 switch -synchronized KEYWORD3 -while KEYWORD3 while -try KEYWORD3 try - -catch FUNCTION3 catch -do FUNCTION3 -for FUNCTION3 for -if FUNCTION3 if -#else FUNCTION3 else -switch FUNCTION3 switch -synchronized FUNCTION3 -while FUNCTION3 while -#try FUNCTION3 try - - -# These items are a part of Processing but, but pages don't generate - -boolean FUNCTION1 booleanconvert_ -byte FUNCTION1 byteconvert_ -cache FUNCTION2 -char FUNCTION1 charconvert_ -start FUNCTION1 -stop FUNCTION1 -breakShape FUNCTION1 -createPath FUNCTION1 -float FUNCTION1 floatconvert_ -int FUNCTION1 intconvert_ -str FUNCTION1 strconvert_ -loadMatrix FUNCTION1 -parseBoolean FUNCTION1 -parseByte FUNCTION1 -parseChar FUNCTION1 -parseFloat FUNCTION1 -parseInt FUNCTION1 -saveFile FUNCTION1 -savePath FUNCTION1 -sketchFile FUNCTION1 -sketchPath FUNCTION1 - -readLine FUNCTION2 BufferedReader_readLine_ -close FUNCTION2 PrintWriter_close_ -flush FUNCTION2 PrintWriter_flush_ -print FUNCTION2 PrintWriter_print_ -println FUNCTION2 PrintWriter_println_ -charAt FUNCTION2 String_charAt_ -equals FUNCTION2 String_equals_ -indexOf FUNCTION2 String_indexOf_ -length FUNCTION2 String_length_ -substring FUNCTION2 String_substring_ -toLowerCase FUNCTION2 String_toLowerCase_ -toUpperCase FUNCTION2 String_toUpperCase_ - -getDouble FUNCTION2 -getLong FUNCTION2 -getColumnTitles FUNCTION2 -getColumnTypes FUNCTION2 -getColumnType FUNCTION2 -setDouble FUNCTION2 -setLong FUNCTION2 - -length KEYWORD2 String - - -# Operators are without KEYWORDS - -+= addassign -+ addition -[] arrayaccess -= assign -& bitwiseAND -| bitwiseOR -, comma -// comment -? conditional -{} curlybraces --- decrement -/ divide -/= divideassign -/** doccomment -. dot -== equality -> greaterthan ->= greaterthanorequalto -++ increment -!= inequality -<< leftshift -< lessthan -<= lessthanorequalto -&& logicalAND -! logicalNOT -|| logicalOR -- minus -% modulo -/* multilinecomment -* multiply -*= multiplyassign -() parentheses ->> rightshift -; semicolon --= subtractassign - - -# Suppressed from Generate to avoid conflicts with -# variables inside methods - -width KEYWORD4 width_ -height KEYWORD4 height_ - -ArrayList FUNCTION1 ArrayList -HashMap FUNCTION1 HashMap - - -# THE TEXT ABOVE IS HAND-WRITTEN AND FOUND IN THE FILE -# "keywords_base.txt" in processing/processing-website -# -# THE TEXT BELOW IS AUTO-GENERATED -# -# SO -# PLEASE -# DON'T -# TOUCH -# IT - - -abs FUNCTION1 abs_ -acos FUNCTION1 acos_ -alpha FUNCTION1 alpha_ -ambient FUNCTION1 ambient_ -ambientLight FUNCTION1 ambientLight_ -append FUNCTION1 append_ -applyMatrix FUNCTION1 applyMatrix_ -arc FUNCTION1 arc_ -arrayCopy FUNCTION1 arrayCopy_ -asin FUNCTION1 asin_ -atan FUNCTION1 atan_ -atan2 FUNCTION1 atan2_ -background FUNCTION1 background_ -beginCamera FUNCTION1 beginCamera_ -beginContour FUNCTION1 beginContour_ -beginRaw FUNCTION1 beginRaw_ -beginRecord FUNCTION1 beginRecord_ -beginShape FUNCTION1 beginShape_ -bezier FUNCTION1 bezier_ -bezierDetail FUNCTION1 bezierDetail_ -bezierPoint FUNCTION1 bezierPoint_ -bezierTangent FUNCTION1 bezierTangent_ -bezierVertex FUNCTION1 bezierVertex_ -binary FUNCTION1 binary_ -blend FUNCTION1 blend_ -blendMode FUNCTION1 blendMode_ -blue FUNCTION1 blue_ -box FUNCTION1 box_ -brightness FUNCTION1 brightness_ -camera FUNCTION1 camera_ -ceil FUNCTION1 ceil_ -circle FUNCTION1 circle_ -clear FUNCTION1 clear_ -clip FUNCTION1 clip_ -color FUNCTION1 color_ -colorMode FUNCTION1 colorMode_ -concat FUNCTION1 concat_ -constrain FUNCTION1 constrain_ -copy FUNCTION1 copy_ -cos FUNCTION1 cos_ -createFont FUNCTION1 createFont_ -createGraphics FUNCTION1 createGraphics_ -createImage FUNCTION1 createImage_ -createInput FUNCTION1 createInput_ -createOutput FUNCTION1 createOutput_ -createReader FUNCTION1 createReader_ -createShape FUNCTION1 createShape_ -createWriter FUNCTION1 createWriter_ -cursor FUNCTION1 cursor_ -curve FUNCTION1 curve_ -curveDetail FUNCTION1 curveDetail_ -curvePoint FUNCTION1 curvePoint_ -curveTangent FUNCTION1 curveTangent_ -curveTightness FUNCTION1 curveTightness_ -curveVertex FUNCTION1 curveVertex_ -day FUNCTION1 day_ -degrees FUNCTION1 degrees_ -delay FUNCTION1 delay_ -directionalLight FUNCTION1 directionalLight_ -displayDensity FUNCTION1 displayDensity_ -displayHeight KEYWORD4 displayHeight -displayWidth KEYWORD4 displayWidth -dist FUNCTION1 dist_ -draw FUNCTION4 draw -ellipse FUNCTION1 ellipse_ -ellipseMode FUNCTION1 ellipseMode_ -emissive FUNCTION1 emissive_ -endCamera FUNCTION1 endCamera_ -endContour FUNCTION1 endContour_ -endRaw FUNCTION1 endRaw_ -endRecord FUNCTION1 endRecord_ -endShape FUNCTION1 endShape_ -exit FUNCTION1 exit_ -exp FUNCTION1 exp_ -expand FUNCTION1 expand_ -fill FUNCTION1 fill_ -filter FUNCTION1 filter_ -FloatDict KEYWORD5 FloatDict -add FUNCTION2 FloatDict_add_ -clear FUNCTION2 FloatDict_clear_ -div FUNCTION2 FloatDict_div_ -get FUNCTION2 FloatDict_get_ -hasKey FUNCTION2 FloatDict_hasKey_ -keyArray FUNCTION2 FloatDict_keyArray_ -keys FUNCTION2 FloatDict_keys_ -maxIndex FUNCTION2 FloatDict_maxIndex_ -minIndex FUNCTION2 FloatDict_minIndex_ -mult FUNCTION2 FloatDict_mult_ -remove FUNCTION2 FloatDict_remove_ -set FUNCTION2 FloatDict_set_ -size FUNCTION2 FloatDict_size_ -sortKeys FUNCTION2 FloatDict_sortKeys_ -sortKeysReverse FUNCTION2 FloatDict_sortKeysReverse_ -sortValues FUNCTION2 FloatDict_sortValues_ -sortValuesReverse FUNCTION2 FloatDict_sortValuesReverse_ -sub FUNCTION2 FloatDict_sub_ -valueArray FUNCTION2 FloatDict_valueArray_ -values FUNCTION2 FloatDict_values_ -FloatList KEYWORD5 FloatList -add FUNCTION2 FloatList_add_ -append FUNCTION2 FloatList_append_ -array FUNCTION2 FloatList_array_ -clear FUNCTION2 FloatList_clear_ -div FUNCTION2 FloatList_div_ -get FUNCTION2 FloatList_get_ -hasValue FUNCTION2 FloatList_hasValue_ -max FUNCTION2 FloatList_max_ -min FUNCTION2 FloatList_min_ -mult FUNCTION2 FloatList_mult_ -remove FUNCTION2 FloatList_remove_ -reverse FUNCTION2 FloatList_reverse_ -set FUNCTION2 FloatList_set_ -shuffle FUNCTION2 FloatList_shuffle_ -size FUNCTION2 FloatList_size_ -sort FUNCTION2 FloatList_sort_ -sortReverse FUNCTION2 FloatList_sortReverse_ -sub FUNCTION2 FloatList_sub_ -floor FUNCTION1 floor_ -focused KEYWORD4 focused -frameCount KEYWORD4 frameCount -frameRate KEYWORD4 frameRate -frameRate FUNCTION1 frameRate_ -frustum FUNCTION1 frustum_ -fullScreen FUNCTION1 fullScreen_ -get FUNCTION1 get_ -green FUNCTION1 green_ -HALF_PI KEYWORD4 HALF_PI -hex FUNCTION1 hex_ -hint FUNCTION1 hint_ -hour FUNCTION1 hour_ -hue FUNCTION1 hue_ -image FUNCTION1 image_ -imageMode FUNCTION1 imageMode_ -IntDict KEYWORD5 IntDict -add FUNCTION2 IntDict_add_ -clear FUNCTION2 IntDict_clear_ -div FUNCTION2 IntDict_div_ -get FUNCTION2 IntDict_get_ -hasKey FUNCTION2 IntDict_hasKey_ -increment FUNCTION2 IntDict_increment_ -keyArray FUNCTION2 IntDict_keyArray_ -keys FUNCTION2 IntDict_keys_ -mult FUNCTION2 IntDict_mult_ -remove FUNCTION2 IntDict_remove_ -set FUNCTION2 IntDict_set_ -size FUNCTION2 IntDict_size_ -sortKeys FUNCTION2 IntDict_sortKeys_ -sortKeysReverse FUNCTION2 IntDict_sortKeysReverse_ -sortValues FUNCTION2 IntDict_sortValues_ -sortValuesReverse FUNCTION2 IntDict_sortValuesReverse_ -sub FUNCTION2 IntDict_sub_ -valueArray FUNCTION2 IntDict_valueArray_ -values FUNCTION2 IntDict_values_ -IntList KEYWORD5 IntList -add FUNCTION2 IntList_add_ -append FUNCTION2 IntList_append_ -array FUNCTION2 IntList_array_ -clear FUNCTION2 IntList_clear_ -div FUNCTION2 IntList_div_ -get FUNCTION2 IntList_get_ -hasValue FUNCTION2 IntList_hasValue_ -increment FUNCTION2 IntList_increment_ -max FUNCTION2 IntList_max_ -min FUNCTION2 IntList_min_ -mult FUNCTION2 IntList_mult_ -remove FUNCTION2 IntList_remove_ -reverse FUNCTION2 IntList_reverse_ -set FUNCTION2 IntList_set_ -shuffle FUNCTION2 IntList_shuffle_ -size FUNCTION2 IntList_size_ -sort FUNCTION2 IntList_sort_ -sortReverse FUNCTION2 IntList_sortReverse_ -sub FUNCTION2 IntList_sub_ -join FUNCTION1 join_ -JSONArray KEYWORD5 JSONArray -append FUNCTION2 JSONArray_append_ -getBoolean FUNCTION2 JSONArray_getBoolean_ -getFloat FUNCTION2 JSONArray_getFloat_ -getInt FUNCTION2 JSONArray_getInt_ -getIntArray FUNCTION2 JSONArray_getIntArray_ -getJSONArray FUNCTION2 JSONArray_getJSONArray_ -getJSONObject FUNCTION2 JSONArray_getJSONObject_ -getString FUNCTION2 JSONArray_getString_ -getStringArray FUNCTION2 JSONArray_getStringArray_ -isNull FUNCTION2 JSONArray_isNull_ -remove FUNCTION2 JSONArray_remove_ -setBoolean FUNCTION2 JSONArray_setBoolean_ -setFloat FUNCTION2 JSONArray_setFloat_ -setInt FUNCTION2 JSONArray_setInt_ -setJSONArray FUNCTION2 JSONArray_setJSONArray_ -setJSONObject FUNCTION2 JSONArray_setJSONObject_ -setString FUNCTION2 JSONArray_setString_ -size FUNCTION2 JSONArray_size_ -JSONObject KEYWORD5 JSONObject -getBoolean FUNCTION2 JSONObject_getBoolean_ -getFloat FUNCTION2 JSONObject_getFloat_ -getInt FUNCTION2 JSONObject_getInt_ -getJSONArray FUNCTION2 JSONObject_getJSONArray_ -getJSONObject FUNCTION2 JSONObject_getJSONObject_ -getString FUNCTION2 JSONObject_getString_ -isNull FUNCTION2 JSONObject_isNull_ -setBoolean FUNCTION2 JSONObject_setBoolean_ -setFloat FUNCTION2 JSONObject_setFloat_ -setInt FUNCTION2 JSONObject_setInt_ -setJSONArray FUNCTION2 JSONObject_setJSONArray_ -setJSONObject FUNCTION2 JSONObject_setJSONObject_ -setString FUNCTION2 JSONObject_setString_ -key KEYWORD4 key -keyCode KEYWORD4 keyCode -keyPressed KEYWORD4 keyPressed -keyPressed FUNCTION4 keyPressed -keyReleased FUNCTION4 keyReleased -keyTyped FUNCTION4 keyTyped -launch FUNCTION1 launch_ -lerp FUNCTION1 lerp_ -lerpColor FUNCTION1 lerpColor_ -lightFalloff FUNCTION1 lightFalloff_ -lights FUNCTION1 lights_ -lightSpecular FUNCTION1 lightSpecular_ -line FUNCTION1 line_ -loadBytes FUNCTION1 loadBytes_ -loadFont FUNCTION1 loadFont_ -loadImage FUNCTION1 loadImage_ -loadJSONArray FUNCTION1 loadJSONArray_ -loadJSONObject FUNCTION1 loadJSONObject_ -loadPixels FUNCTION1 loadPixels_ -loadShader FUNCTION1 loadShader_ -loadShape FUNCTION1 loadShape_ -loadStrings FUNCTION1 loadStrings_ -loadTable FUNCTION1 loadTable_ -loadXML FUNCTION1 loadXML_ -log FUNCTION1 log_ -loop FUNCTION1 loop_ -mag FUNCTION1 mag_ -map FUNCTION1 map_ -mask FUNCTION1 mask_ -match FUNCTION1 match_ -matchAll FUNCTION1 matchAll_ -max FUNCTION1 max_ -millis FUNCTION1 millis_ -min FUNCTION1 min_ -minute FUNCTION1 minute_ -modelX FUNCTION1 modelX_ -modelY FUNCTION1 modelY_ -modelZ FUNCTION1 modelZ_ -month FUNCTION1 month_ -mouseButton KEYWORD4 mouseButton -mouseClicked FUNCTION4 mouseClicked -mouseDragged FUNCTION4 mouseDragged -mouseMoved FUNCTION4 mouseMoved -mousePressed KEYWORD4 mousePressed -mousePressed FUNCTION4 mousePressed -mouseReleased FUNCTION4 mouseReleased -mouseWheel FUNCTION4 mouseWheel -mouseX KEYWORD4 mouseX -mouseY KEYWORD4 mouseY -nf FUNCTION1 nf_ -nfc FUNCTION1 nfc_ -nfp FUNCTION1 nfp_ -nfs FUNCTION1 nfs_ -noClip FUNCTION1 noClip_ -noCursor FUNCTION1 noCursor_ -noFill FUNCTION1 noFill_ -noise FUNCTION1 noise_ -noiseDetail FUNCTION1 noiseDetail_ -noiseSeed FUNCTION1 noiseSeed_ -noLights FUNCTION1 noLights_ -noLoop FUNCTION1 noLoop_ -norm FUNCTION1 norm_ -normal FUNCTION1 normal_ -noSmooth FUNCTION1 noSmooth_ -noStroke FUNCTION1 noStroke_ -noTint FUNCTION1 noTint_ -ortho FUNCTION1 ortho_ -parseJSONArray FUNCTION1 parseJSONArray_ -parseJSONObject FUNCTION1 parseJSONObject_ -parseXML FUNCTION1 parseXML_ -perspective FUNCTION1 perspective_ -PFont KEYWORD5 PFont -list FUNCTION2 PFont_list_ -PGraphics KEYWORD5 PGraphics -beginDraw FUNCTION2 PGraphics_beginDraw_ -endDraw FUNCTION2 PGraphics_endDraw_ -PI KEYWORD4 PI -PImage KEYWORD5 PImage -blend FUNCTION2 PImage_blend_ -blendColor FUNCTION2 PImage_blendColor_ -copy FUNCTION2 PImage_copy_ -filter FUNCTION2 PImage_filter_ -get FUNCTION2 PImage_get_ -loadPixels FUNCTION2 PImage_loadPixels_ -mask FUNCTION2 PImage_mask_ -pixels KEYWORD2 PImage_pixels -resize FUNCTION2 PImage_resize_ -save FUNCTION2 PImage_save_ -set FUNCTION2 PImage_set_ -updatePixels FUNCTION2 PImage_updatePixels_ -pixelDensity FUNCTION1 pixelDensity_ -pixelHeight KEYWORD4 pixelHeight -pixels KEYWORD4 pixels -pixelWidth KEYWORD4 pixelWidth -pmouseX KEYWORD4 pmouseX -pmouseY KEYWORD4 pmouseY -point FUNCTION1 point_ -pointLight FUNCTION1 pointLight_ -pop FUNCTION1 pop_ -popMatrix FUNCTION1 popMatrix_ -popStyle FUNCTION1 popStyle_ -pow FUNCTION1 pow_ -print FUNCTION1 print_ -printArray FUNCTION1 printArray_ -printCamera FUNCTION1 printCamera_ -println FUNCTION1 println_ -printMatrix FUNCTION1 printMatrix_ -printProjection FUNCTION1 printProjection_ -PShader KEYWORD5 PShader -set FUNCTION2 PShader_set_ -PShape KEYWORD5 PShape -addChild FUNCTION2 PShape_addChild_ -beginContour FUNCTION2 PShape_beginContour_ -beginShape FUNCTION2 PShape_beginShape_ -disableStyle FUNCTION2 PShape_disableStyle_ -enableStyle FUNCTION2 PShape_enableStyle_ -endContour FUNCTION2 PShape_endContour_ -endShape FUNCTION2 PShape_endShape_ -getChild FUNCTION2 PShape_getChild_ -getChildCount FUNCTION2 PShape_getChildCount_ -getVertex FUNCTION2 PShape_getVertex_ -getVertexCount FUNCTION2 PShape_getVertexCount_ -isVisible FUNCTION2 PShape_isVisible_ -resetMatrix FUNCTION2 PShape_resetMatrix_ -rotate FUNCTION2 PShape_rotate_ -rotateX FUNCTION2 PShape_rotateX_ -rotateY FUNCTION2 PShape_rotateY_ -rotateZ FUNCTION2 PShape_rotateZ_ -scale FUNCTION2 PShape_scale_ -setFill FUNCTION2 PShape_setFill_ -setStroke FUNCTION2 PShape_setStroke_ -setVertex FUNCTION2 PShape_setVertex_ -setVisible FUNCTION2 PShape_setVisible_ -translate FUNCTION2 PShape_translate_ -push FUNCTION1 push_ -pushMatrix FUNCTION1 pushMatrix_ -pushStyle FUNCTION1 pushStyle_ -PVector KEYWORD5 PVector -add FUNCTION2 PVector_add_ -angleBetween FUNCTION2 PVector_angleBetween_ -array FUNCTION2 PVector_array_ -copy FUNCTION2 PVector_copy_ -cross FUNCTION2 PVector_cross_ -dist FUNCTION2 PVector_dist_ -div FUNCTION2 PVector_div_ -dot FUNCTION2 PVector_dot_ -fromAngle FUNCTION2 PVector_fromAngle_ -heading FUNCTION2 PVector_heading_ -lerp FUNCTION2 PVector_lerp_ -limit FUNCTION2 PVector_limit_ -mag FUNCTION2 PVector_mag_ -magSq FUNCTION2 PVector_magSq_ -mult FUNCTION2 PVector_mult_ -normalize FUNCTION2 PVector_normalize_ -random2D FUNCTION2 PVector_random2D_ -random3D FUNCTION2 PVector_random3D_ -rotate FUNCTION2 PVector_rotate_ -set FUNCTION2 PVector_set_ -setMag FUNCTION2 PVector_setMag_ -sub FUNCTION2 PVector_sub_ -quad FUNCTION1 quad_ -quadraticVertex FUNCTION1 quadraticVertex_ -QUARTER_PI KEYWORD4 QUARTER_PI -radians FUNCTION1 radians_ -random FUNCTION1 random_ -randomGaussian FUNCTION1 randomGaussian_ -randomSeed FUNCTION1 randomSeed_ -rect FUNCTION1 rect_ -rectMode FUNCTION1 rectMode_ -red FUNCTION1 red_ -redraw FUNCTION1 redraw_ -requestImage FUNCTION1 requestImage_ -resetMatrix FUNCTION1 resetMatrix_ -resetShader FUNCTION1 resetShader_ -reverse FUNCTION1 reverse_ -rotate FUNCTION1 rotate_ -rotateX FUNCTION1 rotateX_ -rotateY FUNCTION1 rotateY_ -rotateZ FUNCTION1 rotateZ_ -round FUNCTION1 round_ -saturation FUNCTION1 saturation_ -save FUNCTION1 save_ -saveBytes FUNCTION1 saveBytes_ -saveFrame FUNCTION1 saveFrame_ -saveJSONArray FUNCTION1 saveJSONArray_ -saveJSONObject FUNCTION1 saveJSONObject_ -saveStream FUNCTION1 saveStream_ -saveStrings FUNCTION1 saveStrings_ -saveTable FUNCTION1 saveTable_ -saveXML FUNCTION1 saveXML_ -scale FUNCTION1 scale_ -screenX FUNCTION1 screenX_ -screenY FUNCTION1 screenY_ -screenZ FUNCTION1 screenZ_ -second FUNCTION1 second_ -selectFolder FUNCTION1 selectFolder_ -selectInput FUNCTION1 selectInput_ -selectOutput FUNCTION1 selectOutput_ -set FUNCTION1 set_ -setLocation FUNCTION1 setLocation_ -setResizable FUNCTION1 setResizable_ -settings FUNCTION4 settings -setTitle FUNCTION1 setTitle_ -setup FUNCTION4 setup -shader FUNCTION1 shader_ -shape FUNCTION1 shape_ -shapeMode FUNCTION1 shapeMode_ -shearX FUNCTION1 shearX_ -shearY FUNCTION1 shearY_ -shininess FUNCTION1 shininess_ -shorten FUNCTION1 shorten_ -sin FUNCTION1 sin_ -size FUNCTION1 size_ -smooth FUNCTION1 smooth_ -sort FUNCTION1 sort_ -specular FUNCTION1 specular_ -sphere FUNCTION1 sphere_ -sphereDetail FUNCTION1 sphereDetail_ -splice FUNCTION1 splice_ -split FUNCTION1 split_ -splitTokens FUNCTION1 splitTokens_ -spotLight FUNCTION1 spotLight_ -sq FUNCTION1 sq_ -sqrt FUNCTION1 sqrt_ -square FUNCTION1 square_ -StringDict KEYWORD5 StringDict -clear FUNCTION2 StringDict_clear_ -get FUNCTION2 StringDict_get_ -hasKey FUNCTION2 StringDict_hasKey_ -keyArray FUNCTION2 StringDict_keyArray_ -keys FUNCTION2 StringDict_keys_ -remove FUNCTION2 StringDict_remove_ -set FUNCTION2 StringDict_set_ -size FUNCTION2 StringDict_size_ -sortKeys FUNCTION2 StringDict_sortKeys_ -sortKeysReverse FUNCTION2 StringDict_sortKeysReverse_ -sortValues FUNCTION2 StringDict_sortValues_ -sortValuesReverse FUNCTION2 StringDict_sortValuesReverse_ -valueArray FUNCTION2 StringDict_valueArray_ -values FUNCTION2 StringDict_values_ -StringList KEYWORD5 StringList -append FUNCTION2 StringList_append_ -array FUNCTION2 StringList_array_ -clear FUNCTION2 StringList_clear_ -get FUNCTION2 StringList_get_ -hasValue FUNCTION2 StringList_hasValue_ -lower FUNCTION2 StringList_lower_ -remove FUNCTION2 StringList_remove_ -reverse FUNCTION2 StringList_reverse_ -set FUNCTION2 StringList_set_ -shuffle FUNCTION2 StringList_shuffle_ -size FUNCTION2 StringList_size_ -sort FUNCTION2 StringList_sort_ -sortReverse FUNCTION2 StringList_sortReverse_ -upper FUNCTION2 StringList_upper_ -stroke FUNCTION1 stroke_ -strokeCap FUNCTION1 strokeCap_ -strokeJoin FUNCTION1 strokeJoin_ -strokeWeight FUNCTION1 strokeWeight_ -subset FUNCTION1 subset_ -Table KEYWORD5 Table -addColumn FUNCTION2 Table_addColumn_ -addRow FUNCTION2 Table_addRow_ -clearRows FUNCTION2 Table_clearRows_ -findRow FUNCTION2 Table_findRow_ -findRows FUNCTION2 Table_findRows_ -getColumnCount FUNCTION2 Table_getColumnCount_ -getFloat FUNCTION2 Table_getFloat_ -getInt FUNCTION2 Table_getInt_ -getRow FUNCTION2 Table_getRow_ -getRowCount FUNCTION2 Table_getRowCount_ -getString FUNCTION2 Table_getString_ -getStringColumn FUNCTION2 Table_getStringColumn_ -matchRow FUNCTION2 Table_matchRow_ -matchRowIterator FUNCTION2 Table_matchRowIterator_ -matchRows FUNCTION2 Table_matchRows_ -removeColumn FUNCTION2 Table_removeColumn_ -removeRow FUNCTION2 Table_removeRow_ -removeTokens FUNCTION2 Table_removeTokens_ -rows FUNCTION2 Table_rows_ -setFloat FUNCTION2 Table_setFloat_ -setInt FUNCTION2 Table_setInt_ -setString FUNCTION2 Table_setString_ -sort FUNCTION2 Table_sort_ -trim FUNCTION2 Table_trim_ -TableRow KEYWORD5 TableRow -getColumnCount FUNCTION2 TableRow_getColumnCount_ -getColumnTitle FUNCTION2 TableRow_getColumnTitle_ -getFloat FUNCTION2 TableRow_getFloat_ -getInt FUNCTION2 TableRow_getInt_ -getString FUNCTION2 TableRow_getString_ -setFloat FUNCTION2 TableRow_setFloat_ -setInt FUNCTION2 TableRow_setInt_ -setString FUNCTION2 TableRow_setString_ -tan FUNCTION1 tan_ -TAU KEYWORD4 TAU -text FUNCTION1 text_ -textAlign FUNCTION1 textAlign_ -textAscent FUNCTION1 textAscent_ -textDescent FUNCTION1 textDescent_ -textFont FUNCTION1 textFont_ -textLeading FUNCTION1 textLeading_ -textMode FUNCTION1 textMode_ -textSize FUNCTION1 textSize_ -texture FUNCTION1 texture_ -textureMode FUNCTION1 textureMode_ -textureWrap FUNCTION1 textureWrap_ -textWidth FUNCTION1 textWidth_ -thread FUNCTION1 thread_ -tint FUNCTION1 tint_ -translate FUNCTION1 translate_ -triangle FUNCTION1 triangle_ -trim FUNCTION1 trim_ -TWO_PI KEYWORD4 TWO_PI -unbinary FUNCTION1 unbinary_ -unhex FUNCTION1 unhex_ -updatePixels FUNCTION1 updatePixels_ -vertex FUNCTION1 vertex_ -XML KEYWORD5 XML -addChild FUNCTION2 XML_addChild_ -format FUNCTION2 XML_format_ -getAttributeCount FUNCTION2 XML_getAttributeCount_ -getChild FUNCTION2 XML_getChild_ -getChildCount FUNCTION2 XML_getChildCount_ -getChildren FUNCTION2 XML_getChildren_ -getContent FUNCTION2 XML_getContent_ -getFloat FUNCTION2 XML_getFloat_ -getFloatContent FUNCTION2 XML_getFloatContent_ -getInt FUNCTION2 XML_getInt_ -getIntContent FUNCTION2 XML_getIntContent_ -getName FUNCTION2 XML_getName_ -getParent FUNCTION2 XML_getParent_ -getString FUNCTION2 XML_getString_ -hasAttribute FUNCTION2 XML_hasAttribute_ -hasChildren FUNCTION2 XML_hasChildren_ -listAttributes FUNCTION2 XML_listAttributes_ -listChildren FUNCTION2 XML_listChildren_ -parse FUNCTION2 XML_parse_ -removeChild FUNCTION2 XML_removeChild_ -setContent FUNCTION2 XML_setContent_ -setFloat FUNCTION2 XML_setFloat_ -setInt FUNCTION2 XML_setInt_ -setLong FUNCTION2 XML_setLong_ -setName FUNCTION2 XML_setName_ -setString FUNCTION2 XML_setString_ -toString FUNCTION2 XML_toString_ -year FUNCTION1 year_ diff --git a/tools/Java/modes/java/libraries/dxf/examples/SimpleExport/SimpleExport.pde b/tools/Java/modes/java/libraries/dxf/examples/SimpleExport/SimpleExport.pde deleted file mode 100644 index 43c6c0d..0000000 --- a/tools/Java/modes/java/libraries/dxf/examples/SimpleExport/SimpleExport.pde +++ /dev/null @@ -1,48 +0,0 @@ -/** - * Simple DXF Export - * by Simon Greenwold. - * - * Press the 'R' key to export a DXF file. - */ - - -import processing.dxf.*; -boolean record = false; - -void setup() { - size(400, 400, P3D); - noStroke(); - sphereDetail(12); -} - -void draw() { - if (record == true) { - beginRaw(DXF, "output.dxf"); // Start recording to the file - } - lights(); - background(0); - translate(width / 3, height / 3, -200); - rotateZ(map(mouseY, 0, height, 0, PI)); - rotateY(map(mouseX, 0, width, 0, HALF_PI)); - for (int y = -2; y < 2; y++) { - for (int x = -2; x < 2; x++) { - for (int z = -2; z < 2; z++) { - pushMatrix(); - translate(120*x, 120*y, -120*z); - sphere(30); - popMatrix(); - } - } - } - if (record == true) { - endRaw(); - record = false; // Stop recording to the file - } -} - -void keyPressed() { - if (key == 'R' || key == 'r') { // Press R to save the file - record = true; - } -} - diff --git a/tools/Java/modes/java/libraries/dxf/library.properties b/tools/Java/modes/java/libraries/dxf/library.properties deleted file mode 100644 index ba57e88..0000000 --- a/tools/Java/modes/java/libraries/dxf/library.properties +++ /dev/null @@ -1,2 +0,0 @@ -name = DXF Export -version = 1 diff --git a/tools/Java/modes/java/libraries/dxf/library/dxf.jar b/tools/Java/modes/java/libraries/dxf/library/dxf.jar deleted file mode 100644 index e99558c..0000000 Binary files a/tools/Java/modes/java/libraries/dxf/library/dxf.jar and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/ADS1X15.pde b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/ADS1X15.pde deleted file mode 100644 index 91caaf9..0000000 --- a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/ADS1X15.pde +++ /dev/null @@ -1,107 +0,0 @@ -import processing.io.I2C; - -// ADS1015 and ADS1115 are Analog-to-Digital converters using I2C -// they have four channels and 12 and 16 bits of resolution respectively -// datasheets: http://www.ti.com/lit/ds/symlink/ads1015.pdf -// http://www.ti.com/lit/ds/symlink/ads1115.pdf - -class ADS1015 extends ADS1X15 { - ADS1015(String dev, int address) { - super(dev, address); - bitShift = 4; - conversionDelay = 1; - } - - // returns a number between -1.0 and 1.0 - float analogRead(int channel) { - return readSingleEnded(channel) / 2047.0; - } -} - -class ADS1115 extends ADS1X15 { - ADS1115(String dev, int address) { - super(dev, address); - bitShift = 0; - conversionDelay = 8; - } - - // returns a number between -1.0 and 1.0 - float analogRead(int channel) { - return readSingleEnded(channel) / 32767.0; - } -} - - -class ADS1X15 extends I2C { - int address; - int bitShift; // bits to shift the result to the right - int conversionDelay; // in ms - int channel; // last channel used - int range; // see below - - // possible voltage ranges - static final int INTERNAL_6V144 = 0; // +/- 6.144V - static final int INTERNAL_4V096 = 1; // +/- 4.096V (library default) - static final int INTERNAL_2V048 = 2; // +/- 2.048V - static final int INTERNAL_1V024 = 3; // +/- 1.024V - static final int INTERNAL_0V512 = 4; // +/- 0.512V - static final int INTERNAL_0V256 = 5; // +/- 0.256V - - ADS1X15(String dev, int address) { - super(dev); - this.address = address; - this.channel = -1; - this.range = INTERNAL_4V096; - } - - // be careful not to make the input voltage exceed VCC + 0.3V - // this is regardless of the selected input range - void analogReference(int type) { - if (type < 0 || 7 < type) { - throw new RuntimeException("Invalid range setting"); - } - range = type; - } - - int readSingleEnded(int channel) { - if (channel < 0 || 3 < channel) { - System.err.println("The channel needs to be from 0 to 3"); - throw new IllegalArgumentException("Unexpected channel"); - } - - if (channel != this.channel) { - int config = 0x0183; // start with the default value from datasheet - config &= ~0x100; // enable continuous readings - config |= (range << 9); // set selected range (gain) - config |= (1 << 14) | (channel << 12); // set single-ended and channel - config |= (1 << 15); // start a single conversion - writeRegister(0x01, config); // write to the configuration register at 0x01 - - // when the channel switched we need to wait for the upcoming - // conversion to finish - delay(conversionDelay); - - // save the channel so that we don't need to do the same for - // subsequent reads from the same channel - this.channel = channel; - } - - return readS16(0x00) >> bitShift; // read from the conversion register at 0x00 - // the ADS1015 will have its 12-bit result in the upper bits, shift those right by four - } - - protected void writeRegister(int register, int value) { - beginTransmission(address); - write(register); - write(value >> 8); - write(value & 0xFF); - endTransmission(); - } - - protected int readS16(int register) { - beginTransmission(address); - write(register); - byte[] in = read(2); - return (in[0] << 8) | in[1]; - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/AnalogDigital_I2C_ADS1X15.pde b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/AnalogDigital_I2C_ADS1X15.pde deleted file mode 100644 index 31e5cec..0000000 --- a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/AnalogDigital_I2C_ADS1X15.pde +++ /dev/null @@ -1,38 +0,0 @@ -import processing.io.*; -ADS1015 adc; -// or, alternatively: -// ADS1115 adc; - -// see setup.png in the sketch folder for wiring details - -void setup() { - //printArray(I2C.list()); - - adc = new ADS1015("i2c-1", 0x48); - //adc = new ADS1115("i2c-1", 0x48); - - // this sets the measuring range to +/- 4.096 Volts - // other ranges supported by this chip: - // INTERNAL_6V144, INTERNAL_2V048, INTERNAL_1V024, - // INTERNAL_0V512, INTERNAL_0V256 - adc.analogReference(ADS1X15.INTERNAL_4V096); - - // Important: do not attempt to measure voltages higher than - // the supply voltage (VCC) + 0.3V, meaning that 3.6V is the - // absolut maximum voltage on the Raspberry Pi. This is - // irrespective of the analogReference() setting above. -} - -void draw() { - // this will return a number between 0 and 1 - // (as long as your voltage is positive) - float measured = adc.analogRead(0); - - // multiply with the selected range to get the absolut voltage - float volts = measured * 4.096; - println("Analog Input 0 is " + volts + "V"); - - background(255); - fill(measured * 255); - ellipse(width/2, height/2, width * 0.75, width * 0.75); -} diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/setup.png b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/setup.png deleted file mode 100644 index f57950d..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_I2C_ADS1X15/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/AnalogDigital_SPI_MCP3001.pde b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/AnalogDigital_SPI_MCP3001.pde deleted file mode 100644 index fd7e49d..0000000 --- a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/AnalogDigital_SPI_MCP3001.pde +++ /dev/null @@ -1,20 +0,0 @@ -import processing.io.*; -MCP3001 adc; - -// see setup.png in the sketch folder for wiring details - -void setup() { - //printArray(SPI.list()); - adc = new MCP3001(SPI.list()[0]); -} - -void draw() { - // this will return a number between 0 and 1 - float measured = adc.analogRead(); - - // multiply with the supply voltage to get an absolute value - float volts = 3.3 * measured; - println("Analog Input is " + volts + "V"); - - background(measured * 255); -} diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/MCP3001.pde b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/MCP3001.pde deleted file mode 100644 index 2ffecad..0000000 --- a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/MCP3001.pde +++ /dev/null @@ -1,23 +0,0 @@ -import processing.io.SPI; - -// MCP3001 is a Analog-to-Digital converter using SPI -// datasheet: http://ww1.microchip.com/downloads/en/DeviceDoc/21293C.pdf - -class MCP3001 extends SPI { - - MCP3001(String dev) { - super(dev); - settings(500000, SPI.MSBFIRST, SPI.MODE0); - } - - // returns a number between 0.0 and 1.0 - float analogRead() { - // dummy write, actual values don't matter - byte[] out = { 0, 0 }; - byte[] in = transfer(out); - // some input bit shifting according to the datasheet p. 16 - int val = ((in[0] & 0x1f) << 5) | ((in[1] & 0xf8) >> 3); - // val is between 0 and 1023 - return val/1023.0; - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/setup.png b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/setup.png deleted file mode 100644 index c52f67f..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3001/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/AnalogDigital_SPI_MCP3008.pde b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/AnalogDigital_SPI_MCP3008.pde deleted file mode 100644 index 2e3ea41..0000000 --- a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/AnalogDigital_SPI_MCP3008.pde +++ /dev/null @@ -1,22 +0,0 @@ -import processing.io.*; -MCP3008 adc; - -// see setup.png in the sketch folder for wiring details - -void setup() { - //printArray(SPI.list()); - adc = new MCP3008(SPI.list()[0]); -} - -void draw() { - // this will return a number between 0 and 1 - float measured = adc.analogRead(0); - - // multiply with the supply voltage to get an absolute value - float volts = 3.3 * measured; - println("Analog Input 0 is " + volts + "V"); - - background(255); - fill(measured * 255); - ellipse(width/2, height/2, width * 0.75, width * 0.75); -} diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/MCP3008.pde b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/MCP3008.pde deleted file mode 100644 index 1c003d9..0000000 --- a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/MCP3008.pde +++ /dev/null @@ -1,28 +0,0 @@ -import processing.io.SPI; - -// MCP3008 is a Analog-to-Digital converter using SPI -// other than the MCP3001, this has 8 input channels -// datasheet: http://ww1.microchip.com/downloads/en/DeviceDoc/21295d.pdf - -class MCP3008 extends SPI { - - MCP3008(String dev) { - super(dev); - settings(500000, SPI.MSBFIRST, SPI.MODE0); - } - - // returns a number between 0.0 and 1.0 - float analogRead(int channel) { - if (channel < 0 || 7 < channel) { - System.err.println("The channel needs to be from 0 to 7"); - throw new IllegalArgumentException("Unexpected channel"); - } - byte[] out = { 0, 0, 0 }; - // encode the channel number in the first byte - out[0] = (byte)(0x18 | channel); - byte[] in = transfer(out); - int val = ((in[1] & 0x03) << 8) | (in[2] & 0xff); - // val is between 0 and 1023 - return val/1023.0; - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/setup.png b/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/setup.png deleted file mode 100644 index 92d1b69..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/AnalogDigital_SPI_MCP3008/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/Compass_I2C_HMC6352.pde b/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/Compass_I2C_HMC6352.pde deleted file mode 100644 index 921fe47..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/Compass_I2C_HMC6352.pde +++ /dev/null @@ -1,19 +0,0 @@ -import processing.io.*; -HMC6352 compass; - -// see setup.png in the sketch folder for wiring details - -void setup() { - // the module's I2C address can be changed by modifying values in its EEPROM - // 0x21 is however the default address - - //printArray(I2C.list()); - compass = new HMC6352("i2c-1", 0x21); -} - -void draw() { - background(255); - float deg = compass.heading(); - println(deg + " degrees"); - line(width/2, height/2, width/2+sin(radians(deg))*width/2, height/2-cos(radians(deg))*height/2); -} diff --git a/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/HMC6352.pde b/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/HMC6352.pde deleted file mode 100644 index ff925ac..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/HMC6352.pde +++ /dev/null @@ -1,38 +0,0 @@ -import processing.io.I2C; - -// HMC6352 is a digital compass using I2C -// datasheet: https://www.sparkfun.com/datasheets/Components/HMC6352.pdf - -class HMC6352 extends I2C { - int address; - - HMC6352(String dev, int address) { - super(dev); - this.address = address; - setHeadingMode(); - } - - void setHeadingMode() { - beginTransmission(address); - // command byte for writing to EEPROM - write(0x77); - // address of the output data control byte - write(0x4e); - // give us the plain heading - write(0x00); - endTransmission(); - } - - float heading() { - beginTransmission(address); - // command byte for reading the data - write(0x41); - byte[] in = read(2); - endTransmission(); - // put bytes together to tenth of degrees - // & 0xff makes sure the byte is not interpreted as a negative value - int deg = (in[0] & 0xff) << 8 | (in[1] & 0xff); - // return degrees - return deg / 10.0; - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/setup.png b/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/setup.png deleted file mode 100644 index 2e322cb..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/Compass_I2C_HMC6352/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/DigitalAnalog_I2C_MCP4725/DigitalAnalog_I2C_MCP4725.pde b/tools/Java/modes/java/libraries/io/examples/DigitalAnalog_I2C_MCP4725/DigitalAnalog_I2C_MCP4725.pde deleted file mode 100644 index 2c69dae..0000000 --- a/tools/Java/modes/java/libraries/io/examples/DigitalAnalog_I2C_MCP4725/DigitalAnalog_I2C_MCP4725.pde +++ /dev/null @@ -1,12 +0,0 @@ -import processing.io.*; -MCP4725 dac; - -void setup() { - //printArray(I2C.list()); - dac = new MCP4725(I2C.list()[0], 0x60); -} - -void draw() { - background(map(mouseX, 0, width, 0, 255)); - dac.setAnalog(map(mouseX, 0, width, 0.0, 1.0)); -} diff --git a/tools/Java/modes/java/libraries/io/examples/DigitalAnalog_I2C_MCP4725/MCP4725.pde b/tools/Java/modes/java/libraries/io/examples/DigitalAnalog_I2C_MCP4725/MCP4725.pde deleted file mode 100644 index 67c5017..0000000 --- a/tools/Java/modes/java/libraries/io/examples/DigitalAnalog_I2C_MCP4725/MCP4725.pde +++ /dev/null @@ -1,27 +0,0 @@ -import processing.io.I2C; - -// MCP4725 is a Digital-to-Analog converter using I2C -// datasheet: http://ww1.microchip.com/downloads/en/DeviceDoc/22039d.pdf - -class MCP4725 extends I2C { - int address; - - // there can be more than one device connected to the bus - // as long as they have different addresses - MCP4725(String dev, int address) { - super(dev); - this.address = address; - } - - // outputs voltages from 0V to the supply voltage - // (works with 3.3V and 5V) - void setAnalog(float fac) { - fac = constrain(fac, 0.0, 1.0); - // convert to 12 bit value - int val = int(4095 * fac); - beginTransmission(address); - write(val >> 8); - write(val & 255); - endTransmission(); - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Display_I2C_SSD1306/Display_I2C_SSD1306.pde b/tools/Java/modes/java/libraries/io/examples/Display_I2C_SSD1306/Display_I2C_SSD1306.pde deleted file mode 100644 index e16e654..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Display_I2C_SSD1306/Display_I2C_SSD1306.pde +++ /dev/null @@ -1,22 +0,0 @@ -import processing.io.*; - -// 0.96" 128x64 OLED display ("SKU 346540") -SSD1306 oled; - -void setup() { - size(128, 64); - - // the display can be set to one of these two addresses: 0x3c (default) or 0x3d - // (they might be listed as 0x7a and 0x7b on the circuit board) - - // you might need to use a different interface on other SBCs - oled = new SSD1306("i2c-1", 0x3c); -} - -void draw() { - background(0); - stroke(255); - line(0, 0, 127, 63); - line(0, 63, 127, 0); - oled.sendImage(get()); -} diff --git a/tools/Java/modes/java/libraries/io/examples/Display_I2C_SSD1306/SSD1306.pde b/tools/Java/modes/java/libraries/io/examples/Display_I2C_SSD1306/SSD1306.pde deleted file mode 100644 index dee79a0..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Display_I2C_SSD1306/SSD1306.pde +++ /dev/null @@ -1,118 +0,0 @@ -import processing.io.I2C; - -// SSD1306 is a small, inexpensive 128x64 pixels monochrome OLED display -// available online as "0.96" 128x64 OLED display", SKU 346540 -// or from Adafruit -// datasheet: https://www.adafruit.com/datasheets/SSD1306.pdf - -class SSD1306 extends I2C { - int address; - - // there can be more than one device connected to the bus - // as long as they have different addresses - SSD1306(String dev, int address) { - super(dev); - this.address = address; - init(); - } - - protected void init() { - writeCommand(0xae); // turn display off - writeCommand(0xa8, 0x3f); // set multiplex ratio to the highest setting - writeCommand(0x8d, 0x14); // enable charge pump - writeCommand(0x20, 0x00); // set memory addressing mode to horizontal - writeCommand(0xd5, 0x80); // set display clock divide ratio & oscillator frequency to default - writeCommand(0xd3, 0x00); // no display offset - writeCommand(0x40 | 0x00); // set default display start line - - // use the following two lines to flip the display - writeCommand(0xa0 | 0x01); // set segment re-map - writeCommand(0xc8); // set COM output scan direction - - writeCommand(0xda, 0x12); // set COM pins hardware configuration - writeCommand(0xd9, 0xf1); // set pre-charge period to 241x DCLK - writeCommand(0xdB, 0x40); // set VCOMH deselect level - writeCommand(0xa4); // display RAM content (not all-on) - writeCommand(0xa6); // set normal (not-inverted) display - - // set this since we don't have access to the OLED's reset pins (?) - writeCommand(0x21, 0, 127); // set column address - writeCommand(0x22, 0, 7); // set page address - - writeCommand(0x81, 0xcf); // set contrast - writeCommand(0x2e); // deactivate scroll - writeCommand(0xaf); // turn display on - } - - void invert(boolean inverted) { - if (inverted) { - writeCommand(0xa7); - } else { - writeCommand(0xa6); - } - } - - void sendImage(PImage img) { - sendImage(img, 0, 0); - } - - void sendImage(PImage img, int startX, int startY) { - byte[] frame = new byte[1024]; - img.loadPixels(); - for (int y=startY; y < height && y-startY < 64; y++) { - for (int x=startX; x < width && x-startX < 128; x++) { - if (128 <= brightness(img.pixels[y*img.width+x])) { - // this isn't the normal (scanline) mapping, but 8 pixels below each other at a time - // white pixels have their bit turned on - frame[x + (y/8)*128] |= (1 << (y % 8)); - } - } - } - sendFramebuffer(frame); - } - - void sendFramebuffer(byte[] buf) { - if (buf.length != 1024) { - System.err.println("The framebuffer should be 1024 bytes long, with one bit per pixel"); - throw new IllegalArgumentException("Unexpected buffer size"); - } - - writeCommand(0x00 | 0x0); // set start address - writeCommand(0x10 | 0x0); // set higher column start address - writeCommand(0x40 | 0x0); // set start line - - // send the frame buffer as 16 byte long packets - for (int i=0; i < buf.length/16; i++) { - super.beginTransmission(address); - super.write(0x40); // indicates data write - for (int j=0; j < 16; j++) { - super.write(buf[i*16+j]); - } - super.endTransmission(); - } - } - - protected void writeCommand(int arg1) { - super.beginTransmission(address); - super.write(0x00); // indicates command write - super.write(arg1); - super.endTransmission(); - } - - protected void writeCommand(int arg1, int arg2) { - super.beginTransmission(address); - super.write(0x00); - super.write(arg1); - super.write(arg2); - super.endTransmission(); - } - - protected void writeCommand(int arg1, int arg2, int arg3) { - super.beginTransmission(address); - super.write(0x00); - super.write(arg1); - super.write(arg2); - super.write(arg3); - super.endTransmission(); - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/BME280.pde b/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/BME280.pde deleted file mode 100644 index 572e6d7..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/BME280.pde +++ /dev/null @@ -1,407 +0,0 @@ -import processing.io.I2C; - -// BME280 is an integrated environmental sensor -// It can measure temperature, pressure and humidity -// datasheet: https://cdn-shop.adafruit.com/datasheets/BST-BME280_DS001-10.pdf -// code contributed by @OlivierLD - -public class BME280 extends I2C { - - public final static int BME280_I2CADDR = 0x77; // this is the default I2C address - public final static int DEFAULT_ADDR = BME280_I2CADDR; - - // Operating Modes - public final static int BME280_OSAMPLE_1 = 1; - public final static int BME280_OSAMPLE_2 = 2; - public final static int BME280_OSAMPLE_4 = 3; - public final static int BME280_OSAMPLE_8 = 4; - public final static int BME280_OSAMPLE_16 = 5; - - // BME280 Registers - public final static int BME280_REGISTER_DIG_T1 = 0x88; // Trimming parameter registers - public final static int BME280_REGISTER_DIG_T2 = 0x8A; - public final static int BME280_REGISTER_DIG_T3 = 0x8C; - - public final static int BME280_REGISTER_DIG_P1 = 0x8E; - public final static int BME280_REGISTER_DIG_P2 = 0x90; - public final static int BME280_REGISTER_DIG_P3 = 0x92; - public final static int BME280_REGISTER_DIG_P4 = 0x94; - public final static int BME280_REGISTER_DIG_P5 = 0x96; - public final static int BME280_REGISTER_DIG_P6 = 0x98; - public final static int BME280_REGISTER_DIG_P7 = 0x9A; - public final static int BME280_REGISTER_DIG_P8 = 0x9C; - public final static int BME280_REGISTER_DIG_P9 = 0x9E; - - public final static int BME280_REGISTER_DIG_H1 = 0xA1; - public final static int BME280_REGISTER_DIG_H2 = 0xE1; - public final static int BME280_REGISTER_DIG_H3 = 0xE3; - public final static int BME280_REGISTER_DIG_H4 = 0xE4; - public final static int BME280_REGISTER_DIG_H5 = 0xE5; - public final static int BME280_REGISTER_DIG_H6 = 0xE6; - public final static int BME280_REGISTER_DIG_H7 = 0xE7; - - public final static int BME280_REGISTER_CHIPID = 0xD0; - public final static int BME280_REGISTER_VERSION = 0xD1; - public final static int BME280_REGISTER_SOFTRESET = 0xE0; - - public final static int BME280_REGISTER_CONTROL_HUM = 0xF2; - public final static int BME280_REGISTER_CONTROL = 0xF4; - public final static int BME280_REGISTER_CONFIG = 0xF5; - public final static int BME280_REGISTER_PRESSURE_DATA = 0xF7; - public final static int BME280_REGISTER_TEMP_DATA = 0xFA; - public final static int BME280_REGISTER_HUMIDITY_DATA = 0xFD; - - private int dig_T1 = 0; - private int dig_T2 = 0; - private int dig_T3 = 0; - - private int dig_P1 = 0; - private int dig_P2 = 0; - private int dig_P3 = 0; - private int dig_P4 = 0; - private int dig_P5 = 0; - private int dig_P6 = 0; - private int dig_P7 = 0; - private int dig_P8 = 0; - private int dig_P9 = 0; - - private int dig_H1 = 0; - private int dig_H2 = 0; - private int dig_H3 = 0; - private int dig_H4 = 0; - private int dig_H5 = 0; - private int dig_H6 = 0; - - private float tFine = 0.0f; - - private int address; - private int mode = BME280_OSAMPLE_8; - private float standardSeaLevelPressure = 101325.0f; // in Pa (1013.25 hPa) - - protected float temp = 0.0f; // most recent sensor readings, set by update() - protected float press = 0.0f; - protected float hum = 0.0f; - - - public BME280(String dev) { - this(dev, DEFAULT_ADDR); - } - - public BME280(String dev, int address) { - super(dev); - this.address = address; - - // Soft reset - command(BME280_REGISTER_SOFTRESET, (byte)0xB6); - // Wait for the chip to wake up - delay(300); - - try { - readCalibrationData(); - // showCalibrationData(); - } catch (Exception ex) { - ex.printStackTrace(); - } - - command(BME280_REGISTER_CONTROL, (byte)0x3F); - tFine = 0.0f; - } - - - /** - * Read and update all sensors values - */ - public void update() { - // The order used to read the data is important! - // 1.temperature, 2.pressure (analog to altitude), 3.humidity. - - try { - temp = readTemperature(); - } catch (Exception ex) { - System.err.println(ex.getMessage()); - ex.printStackTrace(); - } - - try { - press = readPressure(); - } catch (Exception ex) { - System.err.println(ex.getMessage()); - ex.printStackTrace(); - } - - try { - hum = readHumidity(); - } catch (Exception ex) { - System.err.println(ex.getMessage()); - ex.printStackTrace(); - } - } - - /** - * Returns the temperature in degrees celsius - */ - public float temperature() { - return temp; - } - - /** - * Returns the pressure in Pa - */ - public float pressure() { - return press; - } - - /** - * Returns the altitude in meters - * @param pressure as returned by pressure() - */ - public float altitude(float pressure) { - double altitude = 0.0; - if (standardSeaLevelPressure != 0) { - altitude = 44330.0 * (1.0 - Math.pow(pressure / standardSeaLevelPressure, 0.1903)); - } - return (float)altitude; - } - - /** - * Returns the altitude in meters - * @param pressure as returned by pressure() in Pa - * @param temperature as returned by temperature() in Celcius - */ - public float altitude(float pressure, float temperature) { - double altitude = 0.0; - if (standardSeaLevelPressure != 0) { - altitude = ((Math.pow(standardSeaLevelPressure / pressure, 1 / 5.257) - 1) * (temperature + 273.25)) / 0.0065; - } - return (float)altitude; - } - - /** - * Returns the humidity in percent - */ - public float humidity() { - return hum; - } - - /** - * Set the standard sea level pressure used for calculating altitude() - * Defaults to 101325 Pa (1013.25 hPa) - */ - public void setStandardSeaLevelPressure(float pressure) { - standardSeaLevelPressure = pressure; - } - - - protected float readTemperature() { - // Returns the compensated temperature in degrees celcius - float UT = readRawTemp(); - float var1 = 0.0f; - float var2 = 0.0f; - float temp = 0.0f; - - // Read raw temp before aligning it with the calibration values - var1 = (UT / 16384.0f - dig_T1 / 1024.0f) * (float) dig_T2; - var2 = ((UT / 131072.0f - dig_T1 / 8192.0f) * (UT / 131072.0f - dig_T1 / 8192.0f)) * (float) dig_T3; - tFine = (int) (var1 + var2); - temp = (var1 + var2) / 5120.0f; - // println("DBG: Calibrated temperature = " + temp + " C"); - return temp; - } - - protected float readPressure() { - // Returns the compensated pressure in Pascal - int adc = readRawPressure(); - // println("ADC:" + adc + ", tFine:" + tFine); - float var1 = (tFine / 2.0f) - 64000.0f; - float var2 = var1 * var1 * (dig_P6 / 32768.0f); - var2 = var2 + var1 * dig_P5 * 2.0f; - var2 = (var2 / 4.0f) + (dig_P4 * 65536.0f); - var1 = (dig_P3 * var1 * var1 / 524288.0f + dig_P2 * var1) / 524288.0f; - var1 = (1.0f + var1 / 32768.0f) * dig_P1; - if (var1 == 0f) { - return 0.0f; - } - float p = 1048576.0f - adc; - p = ((p - var2 / 4096.0f) * 6250.0f) / var1; - var1 = dig_P9 * p * p / 2147483648.0f; - var2 = p * dig_P8 / 32768.0f; - p = p + (var1 + var2 + dig_P7) / 16.0f; - // println("DBG: Pressure = " + p + " Pa"); - return p; - } - - protected float readHumidity() { - // Returns the compensated humidity in percent - int adc = readRawHumidity(); - float h = tFine - 76800.0f; - h = (adc - (dig_H4 * 64.0f + dig_H5 / 16384.8f * h)) * - (dig_H2 / 65536.0f * (1.0f + dig_H6 / 67108864.0f * h * (1.0f + dig_H3 / 67108864.0f * h))); - h = h * (1.0f - dig_H1 * h / 524288.0f); - if (h > 100) { - h = 100; - } else if (h < 0) { - h = 0; - } - // println("DBG: Humidity = " + h); - return h; - } - - - private void readCalibrationData() { - // Reads the calibration data from the IC - dig_T1 = readU16LE(BME280_REGISTER_DIG_T1); - dig_T2 = readS16LE(BME280_REGISTER_DIG_T2); - dig_T3 = readS16LE(BME280_REGISTER_DIG_T3); - - dig_P1 = readU16LE(BME280_REGISTER_DIG_P1); - dig_P2 = readS16LE(BME280_REGISTER_DIG_P2); - dig_P3 = readS16LE(BME280_REGISTER_DIG_P3); - dig_P4 = readS16LE(BME280_REGISTER_DIG_P4); - dig_P5 = readS16LE(BME280_REGISTER_DIG_P5); - dig_P6 = readS16LE(BME280_REGISTER_DIG_P6); - dig_P7 = readS16LE(BME280_REGISTER_DIG_P7); - dig_P8 = readS16LE(BME280_REGISTER_DIG_P8); - dig_P9 = readS16LE(BME280_REGISTER_DIG_P9); - - dig_H1 = readU8(BME280_REGISTER_DIG_H1); - dig_H2 = readS16LE(BME280_REGISTER_DIG_H2); - dig_H3 = readU8(BME280_REGISTER_DIG_H3); - dig_H6 = readS8(BME280_REGISTER_DIG_H7); - - int h4 = readS8(BME280_REGISTER_DIG_H4); - h4 = (h4 << 24) >> 20; - dig_H4 = h4 | (readU8(BME280_REGISTER_DIG_H5) & 0x0F); - - int h5 = readS8(BME280_REGISTER_DIG_H6); - h5 = (h5 << 24) >> 20; - dig_H5 = h5 | (readU8(BME280_REGISTER_DIG_H5) >> 4 & 0x0F); - } - - private String displayRegister(int reg) { - return String.format("0x%s (%d)", lpad(Integer.toHexString(reg & 0xFFFF).toUpperCase(), 4, "0"), reg); - } - - private void showCalibrationData() { - // Displays the calibration values for debugging purposes - println("======================"); - println("DBG: T1 = " + displayRegister(dig_T1)); - println("DBG: T2 = " + displayRegister(dig_T2)); - println("DBG: T3 = " + displayRegister(dig_T3)); - println("----------------------"); - println("DBG: P1 = " + displayRegister(dig_P1)); - println("DBG: P2 = " + displayRegister(dig_P2)); - println("DBG: P3 = " + displayRegister(dig_P3)); - println("DBG: P4 = " + displayRegister(dig_P4)); - println("DBG: P5 = " + displayRegister(dig_P5)); - println("DBG: P6 = " + displayRegister(dig_P6)); - println("DBG: P7 = " + displayRegister(dig_P7)); - println("DBG: P8 = " + displayRegister(dig_P8)); - println("DBG: P9 = " + displayRegister(dig_P9)); - println("----------------------"); - println("DBG: H1 = " + displayRegister(dig_H1)); - println("DBG: H2 = " + displayRegister(dig_H2)); - println("DBG: H3 = " + displayRegister(dig_H3)); - println("DBG: H4 = " + displayRegister(dig_H4)); - println("DBG: H5 = " + displayRegister(dig_H5)); - println("DBG: H6 = " + displayRegister(dig_H6)); - println("======================"); - } - - private void command(int reg, byte val) { - super.beginTransmission(address); - super.write(reg); - super.write(val); - super.endTransmission(); - } - - private int readRawTemp() { - // Returns the raw (uncompensated) temperature - int meas = mode; - // println(String.format("readRawTemp: 1 - meas=%d", meas)); - command(BME280_REGISTER_CONTROL_HUM, (byte) meas); // HUM ? - meas = mode << 5 | mode << 2 | 1; - // println(String.format("readRawTemp: 2 - meas=%d", meas)); - command(BME280_REGISTER_CONTROL, (byte) meas); - - double sleepTime = 0.00125 + 0.0023 * (1 << mode); - sleepTime = sleepTime + 0.0023 * (1 << mode) + 0.000575; - sleepTime = sleepTime + 0.0023 * (1 << mode) + 0.000575; - delay((int)Math.round(sleepTime * 1000)); - int msb = readU8(BME280_REGISTER_TEMP_DATA); - int lsb = readU8(BME280_REGISTER_TEMP_DATA + 1); - int xlsb = readU8(BME280_REGISTER_TEMP_DATA + 2); - int raw = ((msb << 16) | (lsb << 8) | xlsb) >> 4; - // println("DBG: Raw Temp: " + (raw & 0xFFFF) + ", " + raw + String.format(", msb: 0x%04X lsb: 0x%04X xlsb: 0x%04X", msb, lsb, xlsb)); - return raw; - } - - private int readRawPressure() { - // Returns the raw (uncompensated) pressure - int msb = readU8(BME280_REGISTER_PRESSURE_DATA); - int lsb = readU8(BME280_REGISTER_PRESSURE_DATA + 1); - int xlsb = readU8(BME280_REGISTER_PRESSURE_DATA + 2); - int raw = ((msb << 16) | (lsb << 8) | xlsb) >> 4; - // println("DBG: Raw Press: " + (raw & 0xFFFF) + ", " + raw + String.format(", msb: 0x%04X lsb: 0x%04X xlsb: 0x%04X", msb, lsb, xlsb)); - return raw; - } - - private int readRawHumidity() { - // Returns the raw (uncompensated) humidity - int msb = readU8(BME280_REGISTER_HUMIDITY_DATA); - int lsb = readU8(BME280_REGISTER_HUMIDITY_DATA + 1); - int raw = (msb << 8) | lsb; - return raw; - } - - private int readU16LE(int register) { - super.beginTransmission(address); - super.write((byte)register); - byte[] ba = super.read(2); - super.endTransmission(); - return ((ba[1] & 0xFF) << 8) + (ba[0] & 0xFF); // Little Endian - } - - private int readS16LE(int register) { - super.beginTransmission(address); - super.write((byte)register); - byte[] ba = super.read(2); - super.endTransmission(); - - int lo = ba[0] & 0xFF; - int hi = ba[1] & 0xFF; - if (hi > 127) - hi -= 256; - return (hi << 8) + lo; // Little Endian - } - - private int readU8(int register) { - super.beginTransmission(address); - super.write(register); - byte[] ba = super.read(1); - super.endTransmission(); - return (int)(ba[0] & 0xFF); - } - - private int readS8(int register) { - int val = readU8(register); - if (val > 127) - val -= 256; - return val; - } - - private String rpad(String s, int len, String pad) { - String str = s; - while (str.length() < len) { - str += pad; - } - return str; - } - - private String lpad(String s, int len, String pad) { - String str = s; - while (str.length() < len) { - str = pad + str; - } - return str; - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/Environment_I2C_BME280.pde b/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/Environment_I2C_BME280.pde deleted file mode 100644 index a5ec806..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/Environment_I2C_BME280.pde +++ /dev/null @@ -1,29 +0,0 @@ -import processing.io.*; -BME280 bme280; - -// see setup.png in the sketch folder for wiring details - -void setup() { - size(720, 320); - textSize(72); - - //printArray(I2C.list()); - bme280 = new BME280("i2c-1", 0x77); -} - -void draw() { - background(0); - stroke(255); - - bme280.update(); - float temp = bme280.temperature(); - float hum = bme280.humidity(); - float press = bme280.pressure(); - text(String.format("Temp: %.02f\272C", temp), 10, 75); - text(String.format("Hum: %.02f %%", hum), 10, 150); - text(String.format("Press: %.02f hPa", press / 100f), 10, 225); - - // pressure can be used to calculate the altitude like so - float alt = bme280.altitude(press, temp); - text(String.format("Alt: %.02f m", alt), 10, 300); -} diff --git a/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/setup.png b/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/setup.png deleted file mode 100644 index cb37a3a..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/Environment_I2C_BME280/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/Interrupt/Interrupt.pde b/tools/Java/modes/java/libraries/io/examples/Interrupt/Interrupt.pde deleted file mode 100644 index 15bdc4c..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Interrupt/Interrupt.pde +++ /dev/null @@ -1,25 +0,0 @@ -import processing.io.*; -color bgcolor = 0; - -// GPIO numbers refer to different phyiscal pins on various boards -// On the Raspberry Pi GPIO 4 is physical pin 7 on the header -// see setup.png in the sketch folder for wiring details - -void setup() { - GPIO.pinMode(4, GPIO.INPUT); - GPIO.attachInterrupt(4, this, "pinEvent", GPIO.RISING); -} - -void draw() { - background(bgcolor); -} - -// this function will be called whenever GPIO 4 is brought from LOW to HIGH -void pinEvent(int pin) { - println("Received interrupt"); - if (bgcolor == 0) { - bgcolor = color(255); - } else { - bgcolor = color(0); - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Interrupt/setup.png b/tools/Java/modes/java/libraries/io/examples/Interrupt/setup.png deleted file mode 100644 index eb0a003..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/Interrupt/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/LedCounter/LedCounter.pde b/tools/Java/modes/java/libraries/io/examples/LedCounter/LedCounter.pde deleted file mode 100644 index 3cd440b..0000000 --- a/tools/Java/modes/java/libraries/io/examples/LedCounter/LedCounter.pde +++ /dev/null @@ -1,39 +0,0 @@ -import processing.io.*; -LED leds[]; - -// the Raspberry Pi has two build-in LEDs we can control -// led0 (green) and led1 (red) - -void setup() { - String available[] = LED.list(); - print("Available: "); - println(available); - - // create an object for each LED and store it in an array - leds = new LED[available.length]; - for (int i=0; i < available.length; i++) { - leds[i] = new LED(available[i]); - } - - frameRate(1); -} - -void draw() { - // make the LEDs count in binary - for (int i=0; i < leds.length; i++) { - if ((frameCount & (1 << i)) != 0) { - leds[i].brightness(1.0); - } else { - leds[i].brightness(0.0); - } - } - println(frameCount); -} - -void keyPressed() { - // cleanup - for (int i=0; i < leds.length; i++) { - leds[i].close(); - } - exit(); -} diff --git a/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/Light_I2C_TSL2561.pde b/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/Light_I2C_TSL2561.pde deleted file mode 100644 index c6c9a28..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/Light_I2C_TSL2561.pde +++ /dev/null @@ -1,27 +0,0 @@ -import processing.io.*; -TSL2561 sensor; - -// see setup.png in the sketch folder for wiring details - -// this variable will contain the measured brightness -// Lux (lx) is the unit of illuminance -float lux; - -void setup() { - size(700, 100); - textSize(72); - //printArray(I2C.list()); - sensor = new TSL2561("i2c-1", 0x39); -} - -void draw() { - background(0); - stroke(255); - lux = sensor.lux(); - text(String.format("Light: %.02f Lux", lux), 10, 75); -} - -void dispose() { - // turn the sensor off - sensor.stop(); -} diff --git a/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/TSL2561.pde b/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/TSL2561.pde deleted file mode 100644 index 775b9d0..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/TSL2561.pde +++ /dev/null @@ -1,187 +0,0 @@ -import processing.io.I2C; - -// TSL2561 is light sensor using I2C -// datasheet: https://cdn-shop.adafruit.com/datasheets/TSL2561.pdf -// code contributed by @OlivierLD - -public class TSL2561 extends I2C { - - public final static int TSL2561_ADDRESS = 0x39; - - public final static int TSL2561_ADDRESS_LOW = 0x29; - public final static int TSL2561_ADDRESS_FLOAT = 0x39; - public final static int TSL2561_ADDRESS_HIGH = 0x49; - - public final static int TSL2561_COMMAND_BIT = 0x80; - public final static int TSL2561_WORD_BIT = 0x20; - public final static int TSL2561_CONTROL_POWERON = 0x03; - public final static int TSL2561_CONTROL_POWEROFF = 0x00; - - public final static int TSL2561_REGISTER_CONTROL = 0x00; - public final static int TSL2561_REGISTER_TIMING = 0x01; - public final static int TSL2561_REGISTER_CHAN0_LOW = 0x0C; - public final static int TSL2561_REGISTER_CHAN0_HIGH = 0x0D; - public final static int TSL2561_REGISTER_CHAN1_LOW = 0x0E; - public final static int TSL2561_REGISTER_CHAN1_HIGH = 0x0F; - public final static int TSL2561_REGISTER_ID = 0x0A; - - public final static int TSL2561_GAIN_1X = 0x00; - public final static int TSL2561_GAIN_16X = 0x10; - - public final static int TSL2561_INTEGRATIONTIME_13MS = 0x00; // rather 13.7ms - public final static int TSL2561_INTEGRATIONTIME_101MS = 0x01; - public final static int TSL2561_INTEGRATIONTIME_402MS = 0x02; - - public final static double TSL2561_LUX_K1C = 0.130; // (0x0043) // 0.130 * 2^RATIO_SCALE - public final static double TSL2561_LUX_B1C = 0.0315; // (0x0204) // 0.0315 * 2^LUX_SCALE - public final static double TSL2561_LUX_M1C = 0.0262; // (0x01ad) // 0.0262 * 2^LUX_SCALE - public final static double TSL2561_LUX_K2C = 0.260; // (0x0085) // 0.260 * 2^RATIO_SCALE - public final static double TSL2561_LUX_B2C = 0.0337; // (0x0228) // 0.0337 * 2^LUX_SCALE - public final static double TSL2561_LUX_M2C = 0.0430; // (0x02c1) // 0.0430 * 2^LUX_SCALE - public final static double TSL2561_LUX_K3C = 0.390; // (0x00c8) // 0.390 * 2^RATIO_SCALE - public final static double TSL2561_LUX_B3C = 0.0363; // (0x0253) // 0.0363 * 2^LUX_SCALE - public final static double TSL2561_LUX_M3C = 0.0529; // (0x0363) // 0.0529 * 2^LUX_SCALE - public final static double TSL2561_LUX_K4C = 0.520; // (0x010a) // 0.520 * 2^RATIO_SCALE - public final static double TSL2561_LUX_B4C = 0.0392; // (0x0282) // 0.0392 * 2^LUX_SCALE - public final static double TSL2561_LUX_M4C = 0.0605; // (0x03df) // 0.0605 * 2^LUX_SCALE - public final static double TSL2561_LUX_K5C = 0.65; // (0x014d) // 0.65 * 2^RATIO_SCALE - public final static double TSL2561_LUX_B5C = 0.0229; // (0x0177) // 0.0229 * 2^LUX_SCALE - public final static double TSL2561_LUX_M5C = 0.0291; // (0x01dd) // 0.0291 * 2^LUX_SCALE - public final static double TSL2561_LUX_K6C = 0.80; // (0x019a) // 0.80 * 2^RATIO_SCALE - public final static double TSL2561_LUX_B6C = 0.0157; // (0x0101) // 0.0157 * 2^LUX_SCALE - public final static double TSL2561_LUX_M6C = 0.0180; // (0x0127) // 0.0180 * 2^LUX_SCALE - public final static double TSL2561_LUX_K7C = 1.3; // (0x029a) // 1.3 * 2^RATIO_SCALE - public final static double TSL2561_LUX_B7C = 0.00338; // (0x0037) // 0.00338 * 2^LUX_SCALE - public final static double TSL2561_LUX_M7C = 0.00260; // (0x002b) // 0.00260 * 2^LUX_SCALE - public final static double TSL2561_LUX_K8C = 1.3; // (0x029a) // 1.3 * 2^RATIO_SCALE - public final static double TSL2561_LUX_B8C = 0.000; // (0x0000) // 0.000 * 2^LUX_SCALE - public final static double TSL2561_LUX_M8C = 0.000; // (0x0000) // 0.000 * 2^LUX_SCALE - - private int gain = TSL2561_GAIN_1X; - private int integration = TSL2561_INTEGRATIONTIME_402MS; - private int pause = 800; - - private int address; - - - public TSL2561(String dev) { - this(dev, TSL2561_ADDRESS); - } - - public TSL2561(String dev, int address) { - super(dev); - this.address = address; - start(); - } - - public void start() { - command(TSL2561_COMMAND_BIT, (byte) TSL2561_CONTROL_POWERON); - } - - public void stop() { - command(TSL2561_COMMAND_BIT, (byte) TSL2561_CONTROL_POWEROFF); - } - - public void setGain() { - setGain(TSL2561_GAIN_1X); - } - - public void setGain(int gain) { - setGain(gain, TSL2561_INTEGRATIONTIME_402MS); - } - - public void setGain(int gain, int integration) { - if (gain != TSL2561_GAIN_1X && gain != TSL2561_GAIN_16X) { - throw new IllegalArgumentException("Invalid gain value"); - } - if (gain != this.gain || integration != this.integration) { - command(TSL2561_COMMAND_BIT | TSL2561_REGISTER_TIMING, (byte) (gain | integration)); - //println("Setting low gain"); - this.gain = gain; - this.integration = integration; - delay(pause); // pause for integration (pause must be bigger than integration time) - } - } - - /** - * Read visible+IR diode from the I2C device - */ - public int readFull() { - int reg = TSL2561_COMMAND_BIT | TSL2561_REGISTER_CHAN0_LOW; - return readU16(reg); - } - - /** - * Read IR only diode from the I2C device - */ - public int readIR() { - int reg = TSL2561_COMMAND_BIT | TSL2561_REGISTER_CHAN1_LOW; - return readU16(reg); - } - - /** - * Device lux range 0.1 - 40,000+ - * see https://learn.adafruit.com/tsl2561/overview - */ - public float lux() { - int ambient = this.readFull(); - int ir = this.readIR(); - - //println("IR Result: " + ir); - //println("Ambient Result: " + ambient); - - if (ambient >= 0xffff || ir >= 0xffff) { - throw new RuntimeException("Gain too high, values exceed range"); - } - double ratio = (ir / (float) ambient); - - /* - * For the values below, see https://github.com/adafruit/_TSL2561/blob/master/_TSL2561_U.h - */ - float lux = 0.0f; - if ((ratio >= 0) && (ratio <= TSL2561_LUX_K4C)) { - lux = (float)((TSL2561_LUX_B1C * ambient) - (0.0593 * ambient * (Math.pow(ratio, 1.4)))); - } else if (ratio <= TSL2561_LUX_K5C) { - lux = (float)((TSL2561_LUX_B5C * ambient) - (TSL2561_LUX_M5C * ir)); - } else if (ratio <= TSL2561_LUX_K6C) { - lux = (float)((TSL2561_LUX_B6C * ambient) - (TSL2561_LUX_M6C * ir)); - } else if (ratio <= TSL2561_LUX_K7C) { - lux = (float)((TSL2561_LUX_B7C * ambient) - (TSL2561_LUX_M7C * ir)); - } else if (ratio > TSL2561_LUX_K8C) { - lux = 0.0f; - } - return lux; - } - - - private void command(int register, byte value) { - beginTransmission(address); - write(register); - write(value); - endTransmission(); - } - - private int readU8(int register) { - beginTransmission(this.address); - write(register); - byte[] ba = read(1); - endTransmission(); - return (int)(ba[0] & 0xFF); - } - - private int readU16(int register) { - int lo = readU8(register); - int hi = readU8(register + 1); - int result = (hi << 8) + lo; // Big Endian - //println("(U16) I2C: Device " + toHex(TSL2561_ADDRESS) + " returned " + toHex(result) + " from reg " + toHex(register)); - return result; - } - - private String toHex(int i) { - String s = Integer.toString(i, 16).toUpperCase(); - while (s.length() % 2 != 0) { - s = "0" + s; - } - return "0x" + s; - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/setup.png b/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/setup.png deleted file mode 100644 index a0b33fe..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/Light_I2C_TSL2561/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/PCA9685.pde b/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/PCA9685.pde deleted file mode 100644 index 67ea815..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/PCA9685.pde +++ /dev/null @@ -1,148 +0,0 @@ -import processing.io.I2C; - -// PCA9685 is a 16-channel servo/PWM driver -// datasheet: https://cdn-shop.adafruit.com/datasheets/PCA9685.pdf -// code contributed by @OlivierLD - -public class PCA9685 extends I2C { - public final static int PCA9685_ADDRESS = 0x40; - - // registers used - public final static int MODE1 = 0x00; - public final static int PRESCALE = 0xFE; - public final static int LED0_ON_L = 0x06; - public final static int LED0_ON_H = 0x07; - public final static int LED0_OFF_L = 0x08; - public final static int LED0_OFF_H = 0x09; - - private int address; - private int freq = 200; // 200 Hz default frequency (after power-up) - private boolean hasFreqSet = false; // whether a different frequency has been set - private int minPulses[] = new int[16]; - private int maxPulses[] = new int[16]; - - - public PCA9685(String dev) { - this(dev, PCA9685_ADDRESS); - } - public PCA9685(String dev, int address) { - super(dev); - this.address = address; - // reset device - command(MODE1, (byte) 0x00); - } - - - public void attach(int channel) { - // same as on Arduino - attach(channel, 544, 2400); - } - - public void attach(int channel, int minPulse, int maxPulse) { - if (channel < 0 || 15 < channel) { - throw new IllegalArgumentException("Channel must be between 0 and 15"); - } - minPulses[channel] = minPulse; - maxPulses[channel] = maxPulse; - - // set the PWM frequency to be the same as on Arduino - if (!hasFreqSet) { - frequency(50); - } - } - - public void write(int channel, float angle) { - if (channel < 0 || 15 < channel) { - throw new IllegalArgumentException("Channel must be between 0 and 15"); - } - if (angle < 0 || 180 < angle) { - throw new IllegalArgumentException("Angle must be between 0 and 180"); - } - int us = (int)(minPulses[channel] + (angle/180.0) * (maxPulses[channel]-minPulses[channel])); - - double pulseLength = 1000000; // 1s = 1,000,000 us per pulse - pulseLength /= freq; // 40..1000 Hz - pulseLength /= 4096; // 12 bits of resolution - int pulse = us; - pulse /= pulseLength; - // println(pulseLength + " us per bit, pulse:" + pulse); - pwm(channel, 0, pulse); - } - - public boolean attached(int channel) { - if (channel < 0 || 15 < channel) { - return false; - } - return (maxPulses[channel] != 0) ? true : false; - } - - public void detach(int channel) { - pwm(channel, 0, 0); - minPulses[channel] = 0; - maxPulses[channel] = 0; - } - - - /** - * @param freq 40..1000 Hz - */ - public void frequency(int freq) { - this.freq = freq; - float preScaleVal = 25000000.0f; // 25MHz - preScaleVal /= 4096.0; // 4096: 12-bit - preScaleVal /= freq; - preScaleVal -= 1.0; - // println("Setting PWM frequency to " + freq + " Hz"); - // println("Estimated pre-scale: " + preScaleVal); - double preScale = Math.floor(preScaleVal + 0.5); - // println("Final pre-scale: " + preScale); - byte oldmode = (byte) readU8(MODE1); - byte newmode = (byte) ((oldmode & 0x7F) | 0x10); // sleep - command(MODE1, newmode); // go to sleep - command(PRESCALE, (byte) (Math.floor(preScale))); - command(MODE1, oldmode); - delay(5); - command(MODE1, (byte) (oldmode | 0x80)); - hasFreqSet = true; - } - - /** - * @param channel 0..15 - * @param on cycle offset to turn output on (0..4095) - * @param off cycle offset to turn output off again (0..4095) - */ - public void pwm(int channel, int on, int off) { - if (channel < 0 || 15 < channel) { - throw new IllegalArgumentException("Channel must be between 0 and 15"); - } - if (on < 0 || 4095 < on) { - throw new IllegalArgumentException("On must be between 0 and 4095"); - } - if (off < 0 || 4095 < off) { - throw new IllegalArgumentException("Off must be between 0 and 4095"); - } - if (off < on) { - throw new IllegalArgumentException("Off must be greater than On"); - } - command(LED0_ON_L + 4 * channel, (byte) (on & 0xFF)); - command(LED0_ON_H + 4 * channel, (byte) (on >> 8)); - command(LED0_OFF_L + 4 * channel, (byte) (off & 0xFF)); - command(LED0_OFF_H + 4 * channel, (byte) (off >> 8)); - } - - - private void command(int register, byte value) { - beginTransmission(address); - write(register); - write(value); - endTransmission(); - } - - private byte readU8(int register) { - beginTransmission(address); - write(register); - byte[] ba = read(1); - endTransmission(); - return (byte)(ba[0] & 0xFF); - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/Servo_I2C_PCA9685.pde b/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/Servo_I2C_PCA9685.pde deleted file mode 100644 index ede995b..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/Servo_I2C_PCA9685.pde +++ /dev/null @@ -1,41 +0,0 @@ -import processing.io.*; -PCA9685 servos; - -// see setup.png in the sketch folder for wiring details - -void setup() { - size(400, 300); - //printArray(I2C.list()); - servos = new PCA9685("i2c-1", 0x40); - - // different servo motors will vary in the pulse width they expect - // the lines below set the pulse width for 0 degrees to 544 microseconds (μs) - // and the pulse width for 180 degrees to 2400 microseconds - // these values match the defaults of the Servo library on Arduino - // but you might need to modify this for your particular servo still - servos.attach(0, 544, 2400); - servos.attach(1, 544, 2400); -} - -void draw() { - background(0); - stroke(255); - strokeWeight(3); - - // we don't go right to the edge to prevent - // making the servo unhappy - float angle = 90 + sin(frameCount / 100.0)*85; - servos.write(0, angle); - float y = map(angle, 0, 180, 0, height); - line(0, y, width/2, y); - - angle = 90 + cos(frameCount / 100.0)*85; - servos.write(1, 90 + cos(frameCount / 100.0)*85); - y = map(angle, 0, 180, 0, height); - line(width/2, y, width, y); -} - -void dispose() { - servos.detach(0); - servos.detach(1); -} diff --git a/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/setup.png b/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/setup.png deleted file mode 100644 index 77b0b74..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/Servo_I2C_PCA9685/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleI2C/SimpleI2C.pde b/tools/Java/modes/java/libraries/io/examples/SimpleI2C/SimpleI2C.pde deleted file mode 100644 index 75a5bac..0000000 --- a/tools/Java/modes/java/libraries/io/examples/SimpleI2C/SimpleI2C.pde +++ /dev/null @@ -1,30 +0,0 @@ -import processing.io.*; -I2C i2c; - -// MCP4725 is a Digital-to-Analog converter using I2C -// datasheet: http://ww1.microchip.com/downloads/en/DeviceDoc/22039d.pdf - -// also see DigitalAnalog_I2C_MCP4725 for how to write the -// same sketch in an object-oriented way - -void setup() { - //printArray(I2C.list()); - i2c = new I2C(I2C.list()[0]); -} - -void draw() { - background(map(mouseX, 0, width, 0, 255)); - setAnalog(map(mouseX, 0, width, 0.0, 1.0)); -} - -// outputs voltages from 0V to the supply voltage -// (works with 3.3V and 5V) -void setAnalog(float fac) { - fac = constrain(fac, 0.0, 1.0); - // convert to 12 bit value - int val = int(4095 * fac); - i2c.beginTransmission(0x60); - i2c.write(val >> 8); - i2c.write(val & 255); - i2c.endTransmission(); -} diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleInput/SimpleInput.pde b/tools/Java/modes/java/libraries/io/examples/SimpleInput/SimpleInput.pde deleted file mode 100644 index 5b6f568..0000000 --- a/tools/Java/modes/java/libraries/io/examples/SimpleInput/SimpleInput.pde +++ /dev/null @@ -1,24 +0,0 @@ -import processing.io.*; - -// GPIO numbers refer to different phyiscal pins on various boards -// On the Raspberry Pi GPIO 4 is physical pin 7 on the header -// see setup.png in the sketch folder for wiring details - -void setup() { - // INPUT_PULLUP enables the built-in pull-up resistor for this pin - // left alone, the pin will read as HIGH - // connected to ground (via e.g. a button or switch) it will read LOW - GPIO.pinMode(4, GPIO.INPUT_PULLUP); -} - -void draw() { - if (GPIO.digitalRead(4) == GPIO.LOW) { - // button is pressed - fill(255); - } else { - // button is not pressed - fill(204); - } - stroke(255); - ellipse(width/2, height/2, width*0.75, height*0.75); -} diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleInput/setup.png b/tools/Java/modes/java/libraries/io/examples/SimpleInput/setup.png deleted file mode 100644 index eb0a003..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/SimpleInput/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleOutput/SimpleOutput.pde b/tools/Java/modes/java/libraries/io/examples/SimpleOutput/SimpleOutput.pde deleted file mode 100644 index af5e05d..0000000 --- a/tools/Java/modes/java/libraries/io/examples/SimpleOutput/SimpleOutput.pde +++ /dev/null @@ -1,25 +0,0 @@ -import processing.io.*; -boolean ledOn = false; - -// GPIO numbers refer to different phyiscal pins on various boards -// On the Raspberry Pi GPIO 4 is physical pin 7 on the header -// see setup.png in the sketch folder for wiring details - -void setup() { - GPIO.pinMode(4, GPIO.OUTPUT); - frameRate(0.5); -} - -void draw() { - // make the LED blink - ledOn = !ledOn; - if (ledOn) { - GPIO.digitalWrite(4, GPIO.LOW); - fill(204); - } else { - GPIO.digitalWrite(4, GPIO.HIGH); - fill(255); - } - stroke(255); - ellipse(width/2, height/2, width*0.75, height*0.75); -} diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleOutput/setup.png b/tools/Java/modes/java/libraries/io/examples/SimpleOutput/setup.png deleted file mode 100644 index 8438aba..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/SimpleOutput/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleResistorSensor/SimpleResistorSensor.pde b/tools/Java/modes/java/libraries/io/examples/SimpleResistorSensor/SimpleResistorSensor.pde deleted file mode 100644 index 874b699..0000000 --- a/tools/Java/modes/java/libraries/io/examples/SimpleResistorSensor/SimpleResistorSensor.pde +++ /dev/null @@ -1,56 +0,0 @@ -import processing.io.*; - -// using a capacitor that gets charged and discharged, while -// measuring the time it takes, is an inexpensive way to -// read the value of an (analog) resistive sensor, such as -// a photocell -// kudos to ladyada for the original tutorial - -// see setup.png in the sketch folder for wiring details - -int max = 0; -int min = 9999; - -void setup() { -} - -void draw() { - int val = sensorRead(4); - println(val); - - // track largest and smallest reading, to get a sense - // how we compare - if (max < val) { - max = val; - } - if (val < min) { - min = val; - } - - // convert current reading into a number between 0.0 and 1.0 - float frac = map(val, min, max, 0.0, 1.0); - - background(255 * frac); -} - -int sensorRead(int pin) { - // discharge the capacitor - GPIO.pinMode(pin, GPIO.OUTPUT); - GPIO.digitalWrite(pin, GPIO.LOW); - delay(100); - // now the capacitor should be empty - - // measure the time takes to fill it - // up to ~ 1.4V again - GPIO.pinMode(pin, GPIO.INPUT); - int start = millis(); - while (GPIO.digitalRead(pin) == GPIO.LOW) { - // wait - } - - // return the time elapsed - // this will vary based on the value of the - // resistive sensor (lower resistance will - // make the capacitor charge faster) - return millis() - start; -} diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleResistorSensor/setup.png b/tools/Java/modes/java/libraries/io/examples/SimpleResistorSensor/setup.png deleted file mode 100644 index bcad945..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/SimpleResistorSensor/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleSPI/SimpleSPI.pde b/tools/Java/modes/java/libraries/io/examples/SimpleSPI/SimpleSPI.pde deleted file mode 100644 index a1b4e2b..0000000 --- a/tools/Java/modes/java/libraries/io/examples/SimpleSPI/SimpleSPI.pde +++ /dev/null @@ -1,25 +0,0 @@ -import processing.io.*; -SPI spi; - -// MCP3001 is a Analog-to-Digital converter using SPI -// datasheet: http://ww1.microchip.com/downloads/en/DeviceDoc/21293C.pdf -// see setup.png in the sketch folder for wiring details - -// also see AnalogDigital_SPI_MCP3001 for how to write the -// same sketch in an object-oriented way - -void setup() { - //printArray(SPI.list()); - spi = new SPI(SPI.list()[0]); - spi.settings(500000, SPI.MSBFIRST, SPI.MODE0); -} - -void draw() { - // dummy write, actual values don't matter - byte[] out = { 0, 0 }; - byte[] in = spi.transfer(out); - // some input bit shifting according to the datasheet p. 16 - int val = ((in[0] & 0x1f) << 5) | ((in[1] & 0xf8) >> 3); - // val is between 0 and 1023 - background(map(val, 0, 1023, 0, 255)); -} diff --git a/tools/Java/modes/java/libraries/io/examples/SimpleSPI/setup.png b/tools/Java/modes/java/libraries/io/examples/SimpleSPI/setup.png deleted file mode 100644 index c52f67f..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/SimpleSPI/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/SoftwareServoSweep.pde b/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/SoftwareServoSweep.pde deleted file mode 100644 index a09d52a..0000000 --- a/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/SoftwareServoSweep.pde +++ /dev/null @@ -1,34 +0,0 @@ -import processing.io.*; - -// see setup.png in the sketch folder for wiring details -// for more reliable operation it is recommended to power -// the servo from an external power source, see setup_better.png - -SoftwareServo servo1; -SoftwareServo servo2; - -void setup() { - size(400, 300); - servo1 = new SoftwareServo(this); - servo1.attach(17); - servo2 = new SoftwareServo(this); - servo2.attach(4); -} - -void draw() { - background(0); - stroke(255); - strokeWeight(3); - - // we don't go right to the edge to prevent - // making the servo unhappy - float angle = 90 + sin(frameCount / 100.0)*85; - servo1.write(angle); - float y = map(angle, 0, 180, 0, height); - line(0, y, width/2, y); - - angle = 90 + cos(frameCount / 100.0)*85; - servo2.write(90 + cos(frameCount / 100.0)*85); - y = map(angle, 0, 180, 0, height); - line(width/2, y, width, y); -} diff --git a/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/setup.png b/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/setup.png deleted file mode 100644 index 2370f37..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/setup_better.png b/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/setup_better.png deleted file mode 100644 index 7931e0d..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/SoftwareServoSweep/setup_better.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/MPR121.pde b/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/MPR121.pde deleted file mode 100644 index 0ef0238..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/MPR121.pde +++ /dev/null @@ -1,112 +0,0 @@ -import processing.io.I2C; - -// MPR121 is a capacitive-touch sensor controller with 12 channels -// datasheet: https://www.nxp.com/docs/en/data-sheet/MPR121.pdf - -class MPR121 extends I2C { - int address; - int touched; - - // registers used (there are more) - static final int EFD0LB = 0x04; // ELE0 Electrode Filtered Data LSB - static final int E0TTH = 0x41; // ELE0 Touch Threshold - static final int E0RTH = 0x42; // ELE0 Release Threshold - static final int E0BV = 0x1e; // ELE0 Baseline Value - static final int MHDR = 0x2b; // MHD Rising - static final int NHDR = 0x2c; // NHD Amount Rising - static final int NCLR = 0x2d; // NCL Rising - static final int MHDF = 0x2f; // MHD Falling - static final int NHDF = 0x30; // NHD Amount Falling - static final int NCLF = 0x31; // NCL Falling - static final int CDT = 0x5d; // Filter/Global CDT Configuration - static final int ECR = 0x5e; // Electrode Configuration - static final int SRST = 0x80; // Soft Reset - - // there can be more than one device connected to the bus - // as long as they have different addresses - // possible addresses: 0x5a (default) - 0x5d - MPR121(String dev, int address) { - super(dev); - this.address = address; - reset(); - } - - void update() { - beginTransmission(address); - write(0x00); - byte[] in = read(2); - // & 0xff makes sure the byte is not interpreted as a negative value - touched = (in[1] & 0xff) << 8 | (in[0] & 0xff); - } - - boolean touched(int channel) { - if (channel < 0 || 11 < channel) { - return false; - } - if ((touched & (1 << channel)) != 0) { - return true; - } else { - return false; - } - } - - void threshold(int touch, int release) { - for (int i=0; i < 12; i++) { - threshold(touch, release, i); - } - } - - void threshold(int touch, int release, int channel) { - if (channel < 0 || 11 < channel) { - return; - } - touch = constrain(touch, 0, 255); - release = constrain(release, 0, 255); - writeRegister(E0TTH + 2*channel, touch); - writeRegister(E0RTH + 2*channel, release); - } - - int analogRead(int channel) { - if (channel < 0 || 11 < channel) { - return 0; - } - beginTransmission(address); - write(EFD0LB + 2*channel); - byte[] in = read(2); - return (in[1] & 0xff) << 8 | (in[0] & 0xff); - } - - int analogReadBaseline(int channel) { - if (channel < 0 || 11 < channel) { - return 0; - } - beginTransmission(address); - write(E0BV + channel); - byte[] in = read(1); - return (in[0] & 0xff) << 2; - } - - void reset() { - writeRegister(SRST, 0x63); - delay(1); - threshold(12, 6); - // set baseline filtering control registers (see p. 12) - writeRegister(MHDR, 0x01); - writeRegister(NHDR, 0x01); - writeRegister(NCLR, 0x0e); - writeRegister(MHDF, 0x01); - writeRegister(NHDF, 0x05); - writeRegister(NCLF, 0x01); - // change sample interval to 1ms period from default 16ms - writeRegister(CDT, 0x20); - // start sampling - writeRegister(ECR, 0x8f); - } - - void writeRegister(int register, int value) { - beginTransmission(address); - write(register); - write(value); - endTransmission(); - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/Touch_I2C_MPR121.pde b/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/Touch_I2C_MPR121.pde deleted file mode 100644 index 58f69ad..0000000 --- a/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/Touch_I2C_MPR121.pde +++ /dev/null @@ -1,26 +0,0 @@ -import processing.io.*; -MPR121 touch; - -// see setup.png in the sketch folder for wiring details - -void setup() { - size(600, 200); - //printArray(I2C.list()); - touch = new MPR121("i2c-1", 0x5a); -} - -void draw() { - background(204); - noStroke(); - - touch.update(); - - for (int i=0; i < 12; i++) { - if (touch.touched(i)) { - fill(255, 0, 0); - } else { - fill(255, 255, 255); - } - ellipse((width/12) * (i+0.5), height/2, 20, 20); - } -} diff --git a/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/setup.png b/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/setup.png deleted file mode 100644 index 65bb7a0..0000000 Binary files a/tools/Java/modes/java/libraries/io/examples/Touch_I2C_MPR121/setup.png and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/library.properties b/tools/Java/modes/java/libraries/io/library.properties deleted file mode 100644 index 519c341..0000000 --- a/tools/Java/modes/java/libraries/io/library.properties +++ /dev/null @@ -1,9 +0,0 @@ -name = Hardware I/O -authors = The Processing Foundation -url = http://processing.org/reference/libraries/io/index.html -categories = Hardware -sentence = Access peripherals on the Raspberry Pi and other Linux-based computers. -paragraph = For other platforms, this is solely provided in order to build and export sketches that require processing.io. -version = 1 -prettyVersion = 1 -minRevision = 247 diff --git a/tools/Java/modes/java/libraries/io/library/export.txt b/tools/Java/modes/java/libraries/io/library/export.txt deleted file mode 100644 index 4626bbf..0000000 --- a/tools/Java/modes/java/libraries/io/library/export.txt +++ /dev/null @@ -1 +0,0 @@ -name = Hardware I/O for Raspberry Pi and other Linux-based computers diff --git a/tools/Java/modes/java/libraries/io/library/linux-arm64/libprocessing-io.so b/tools/Java/modes/java/libraries/io/library/linux-arm64/libprocessing-io.so deleted file mode 100644 index 9659c68..0000000 Binary files a/tools/Java/modes/java/libraries/io/library/linux-arm64/libprocessing-io.so and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/library/linux-armv6hf/libprocessing-io.so b/tools/Java/modes/java/libraries/io/library/linux-armv6hf/libprocessing-io.so deleted file mode 100644 index 9d272c4..0000000 Binary files a/tools/Java/modes/java/libraries/io/library/linux-armv6hf/libprocessing-io.so and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/library/linux32/libprocessing-io.so b/tools/Java/modes/java/libraries/io/library/linux32/libprocessing-io.so deleted file mode 100644 index acc2bd6..0000000 Binary files a/tools/Java/modes/java/libraries/io/library/linux32/libprocessing-io.so and /dev/null differ diff --git a/tools/Java/modes/java/libraries/io/library/linux64/libprocessing-io.so b/tools/Java/modes/java/libraries/io/library/linux64/libprocessing-io.so deleted file mode 100644 index 4c2d715..0000000 Binary files a/tools/Java/modes/java/libraries/io/library/linux64/libprocessing-io.so and /dev/null differ diff --git a/tools/Java/modes/java/libraries/net/examples/ChatServer/ChatServer.pde b/tools/Java/modes/java/libraries/net/examples/ChatServer/ChatServer.pde deleted file mode 100644 index 796f301..0000000 --- a/tools/Java/modes/java/libraries/net/examples/ChatServer/ChatServer.pde +++ /dev/null @@ -1,52 +0,0 @@ -/** - * Chat Server - * by Tom Igoe. - * - * Press the mouse to stop the server. - */ - - -import processing.net.*; - -int port = 10002; -boolean myServerRunning = true; -int bgColor = 0; -int direction = 1; -int textLine = 60; - -Server myServer; - -void setup() -{ - size(400, 400); - textFont(createFont("SanSerif", 16)); - myServer = new Server(this, port); // Starts a myServer on port 10002 - background(0); -} - -void mousePressed() -{ - // If the mouse clicked the myServer stops - myServer.stop(); - myServerRunning = false; -} - -void draw() -{ - if (myServerRunning == true) - { - text("server", 15, 45); - Client thisClient = myServer.available(); - if (thisClient != null) { - if (thisClient.available() > 0) { - text("mesage from: " + thisClient.ip() + " : " + thisClient.readString(), 15, textLine); - textLine = textLine + 35; - } - } - } - else - { - text("server", 15, 45); - text("stopped", 15, 65); - } -} diff --git a/tools/Java/modes/java/libraries/net/examples/ChatServer/data/ScalaSans-Caps-32.vlw b/tools/Java/modes/java/libraries/net/examples/ChatServer/data/ScalaSans-Caps-32.vlw deleted file mode 100644 index f92b469..0000000 Binary files a/tools/Java/modes/java/libraries/net/examples/ChatServer/data/ScalaSans-Caps-32.vlw and /dev/null differ diff --git a/tools/Java/modes/java/libraries/net/examples/HTTPClient/HTTPClient.pde b/tools/Java/modes/java/libraries/net/examples/HTTPClient/HTTPClient.pde deleted file mode 100644 index b1267a2..0000000 --- a/tools/Java/modes/java/libraries/net/examples/HTTPClient/HTTPClient.pde +++ /dev/null @@ -1,34 +0,0 @@ -/** - * HTTP Client. - * - * Starts a network client that connects to a server on port 80, - * sends an HTTP 1.0 GET request, and prints the results. - * - * Note that this code is not necessary for simple HTTP GET request: - * Simply calling loadStrings("http://www.processing.org") would do - * the same thing as (and more efficiently than) this example. - * This example is for people who might want to do something more - * complicated later. - */ - - -import processing.net.*; - -Client c; -String data; - -void setup() { - size(200, 200); - background(50); - fill(200); - c = new Client(this, "www.ucla.edu", 80); // Connect to server on port 80 - c.write("GET / HTTP/1.0\r\n"); // Use the HTTP "GET" command to ask for a Web page - c.write("\r\n"); -} - -void draw() { - if (c.available() > 0) { // If there's incoming data from the client... - data = c.readString(); // ...then grab it and print it - println(data); - } -} \ No newline at end of file diff --git a/tools/Java/modes/java/libraries/net/examples/SharedCanvasClient/SharedCanvasClient.pde b/tools/Java/modes/java/libraries/net/examples/SharedCanvasClient/SharedCanvasClient.pde deleted file mode 100644 index ac6d09e..0000000 --- a/tools/Java/modes/java/libraries/net/examples/SharedCanvasClient/SharedCanvasClient.pde +++ /dev/null @@ -1,46 +0,0 @@ -/** - * Shared Drawing Canvas (Client) - * by Alexander R. Galloway. - * - * The Processing Client class is instantiated by specifying a remote - * address and port number to which the socket connection should be made. - * Once the connection is made, the client may read (or write) data to the server. - * Before running this program, start the Shared Drawing Canvas (Server) program. - */ - - -import processing.net.*; - -Client c; -String input; -int data[]; - -void setup() -{ - size(450, 255); - background(204); - stroke(0); - frameRate(5); // Slow it down a little - // Connect to the server's IP address and port - c = new Client(this, "127.0.0.1", 12345); // Replace with your server's IP and port -} - -void draw() -{ - if (mousePressed == true) { - // Draw our line - stroke(255); - line(pmouseX, pmouseY, mouseX, mouseY); - // Send mouse coords to other person - c.write(pmouseX + " " + pmouseY + " " + mouseX + " " + mouseY + "\n"); - } - // Receive data from server - if (c.available() > 0) { - input = c.readString(); - input = input.substring(0, input.indexOf("\n")); // Only up to the newline - data = int(split(input, ' ')); // Split values into an array - // Draw line using received coords - stroke(0); - line(data[0], data[1], data[2], data[3]); - } -} diff --git a/tools/Java/modes/java/libraries/net/examples/SharedCanvasServer/SharedCanvasServer.pde b/tools/Java/modes/java/libraries/net/examples/SharedCanvasServer/SharedCanvasServer.pde deleted file mode 100644 index 31b22d7..0000000 --- a/tools/Java/modes/java/libraries/net/examples/SharedCanvasServer/SharedCanvasServer.pde +++ /dev/null @@ -1,50 +0,0 @@ -/** - * Shared Drawing Canvas (Server) - * by Alexander R. Galloway. - * - * A server that shares a drawing canvas between two computers. - * In order to open a socket connection, a server must select a - * port on which to listen for incoming clients and through which - * to communicate. Once the socket is established, a client may - * connect to the server and send or receive commands and data. - * Get this program running and then start the Shared Drawing - * Canvas (Client) program so see how they interact. - */ - - -import processing.net.*; - -Server s; -Client c; -String input; -int data[]; - -void setup() -{ - size(450, 255); - background(204); - stroke(0); - frameRate(5); // Slow it down a little - s = new Server(this, 12345); // Start a simple server on a port -} - -void draw() -{ - if (mousePressed == true) { - // Draw our line - stroke(255); - line(pmouseX, pmouseY, mouseX, mouseY); - // Send mouse coords to other person - s.write(pmouseX + " " + pmouseY + " " + mouseX + " " + mouseY + "\n"); - } - // Receive data from client - c = s.available(); - if (c != null) { - input = c.readString(); - input = input.substring(0, input.indexOf("\n")); // Only up to the newline - data = int(split(input, ' ')); // Split values into an array - // Draw line using received coords - stroke(0); - line(data[0], data[1], data[2], data[3]); - } -} diff --git a/tools/Java/modes/java/libraries/net/library.properties b/tools/Java/modes/java/libraries/net/library.properties deleted file mode 100644 index 529897e..0000000 --- a/tools/Java/modes/java/libraries/net/library.properties +++ /dev/null @@ -1,2 +0,0 @@ -name = Network -version = 1 diff --git a/tools/Java/modes/java/libraries/net/library/net.jar b/tools/Java/modes/java/libraries/net/library/net.jar deleted file mode 100644 index 84e3d3d..0000000 Binary files a/tools/Java/modes/java/libraries/net/library/net.jar and /dev/null differ diff --git a/tools/Java/modes/java/libraries/pdf/examples/Complex3D/Complex3D.pde b/tools/Java/modes/java/libraries/pdf/examples/Complex3D/Complex3D.pde deleted file mode 100644 index 6687403..0000000 --- a/tools/Java/modes/java/libraries/pdf/examples/Complex3D/Complex3D.pde +++ /dev/null @@ -1,194 +0,0 @@ -/** - * PDF Complex - * by Marius Watz (workshop.evolutionzone.com). - * - * Example using PDF to output complex 3D geometry for print. - * Press "s" to save a PDF. -*/ - - -import processing.opengl.*; -import processing.pdf.*; - -// Trig lookup tables borrowed from Toxi. Cryptic but effective -float sinLUT[]; -float cosLUT[]; -float SINCOS_PRECISION=1.0; -int SINCOS_LENGTH= int((360.0/SINCOS_PRECISION)); - -// System data -boolean dosave=false; -int num; -float pt[]; -int style[]; - - -void setup() { - size(600, 600, OPENGL); - frameRate(24); - background(255); - - // Fill the tables - sinLUT=new float[SINCOS_LENGTH]; - cosLUT=new float[SINCOS_LENGTH]; - for (int i = 0; i < SINCOS_LENGTH; i++) { - sinLUT[i]= (float)Math.sin(i*DEG_TO_RAD*SINCOS_PRECISION); - cosLUT[i]= (float)Math.cos(i*DEG_TO_RAD*SINCOS_PRECISION); - } - - num = 150; - pt = new float[6*num]; // rotx, roty, deg, rad, w, speed - style = new int[2*num]; // color, render style - - // Set up arc shapes - int index=0; - float prob; - for (int i=0; i90) pt[index]=(int)random(8,27)*10; - - pt[index++] = int(random(2,50)*5); // Radius. Space them out nicely - - pt[index++] = random(4,32); // Width of band - if(random(100)>90) pt[index]=random(40,60); // Width of band - - pt[index++] = radians(random(5,30))/5; // Speed of rotation - - // get colors - prob = random(100); - if(prob<30) style[i*2]=colorBlended(random(1), 255,0,100, 255,0,0, 210); - else if(prob<70) style[i*2]=colorBlended(random(1), 0,153,255, 170,225,255, 210); - else if(prob<90) style[i*2]=colorBlended(random(1), 200,255,0, 150,255,0, 210); - else style[i*2]=color(255,255,255, 220); - - if(prob<50) style[i*2]=colorBlended(random(1), 200,255,0, 50,120,0, 210); - else if(prob<90) style[i*2]=colorBlended(random(1), 255,100,0, 255,255,0, 210); - else style[i*2]=color(255,255,255, 220); - - style[i*2+1]=(int)(random(100))%3; - } -} - -void draw() { - - if(dosave) { - // set up PGraphicsPDF for use with beginRaw() - PGraphicsPDF pdf = (PGraphicsPDF)beginRaw(PDF, "pdf_complex_out.pdf"); - - // set default Illustrator stroke styles and paint background rect. - pdf.strokeJoin(MITER); - pdf.strokeCap(SQUARE); - pdf.fill(0); - pdf.noStroke(); - pdf.rect(0,0, width,height); - } - - background(0); - - int index=0; - translate(width/2,height/2,0); - rotateX(PI/6); - rotateY(PI/6); - - for (int i=0; iShow Sketch Folder." - */ - - -import processing.pdf.*; - -void setup() -{ - size(2000, 2000, PDF, "Line.pdf"); -} - -void draw() -{ - background(255); - stroke(0, 20); - strokeWeight(20.0); - line(200, 0, width/2, height); - - exit(); // Quit the program -} - - - - diff --git a/tools/Java/modes/java/libraries/pdf/examples/ManyPDFs/ManyPDFs.pde b/tools/Java/modes/java/libraries/pdf/examples/ManyPDFs/ManyPDFs.pde deleted file mode 100644 index 83ef3fc..0000000 --- a/tools/Java/modes/java/libraries/pdf/examples/ManyPDFs/ManyPDFs.pde +++ /dev/null @@ -1,38 +0,0 @@ -/** - * Many PDFs. - * - * Saves one PDF file each each frame while the mouse is pressed. - * When the mouse is released, the PDF creation stops. - */ - - -import processing.pdf.*; - -boolean savePDF = false; - -void setup() { - size(600, 600); - frameRate(24); -} - -void draw() { - if(savePDF == true) { - beginRecord(PDF, "lines" + frameCount + ".pdf"); - } - background(255); - stroke(0, 20); - strokeWeight(20.0); - line(mouseX, 0, width-mouseY, height); - if(savePDF == true) { - endRecord(); - } -} - -void mousePressed() { - savePDF = true; -} - -void mouseReleased() { - savePDF = false; -} - diff --git a/tools/Java/modes/java/libraries/pdf/examples/ManyPages/ManyPages.pde b/tools/Java/modes/java/libraries/pdf/examples/ManyPages/ManyPages.pde deleted file mode 100644 index 776a4f0..0000000 --- a/tools/Java/modes/java/libraries/pdf/examples/ManyPages/ManyPages.pde +++ /dev/null @@ -1,30 +0,0 @@ -/** - * Many Pages. - * - * Saves a new page into a PDF file each loop through draw(). - * Pressing the mouse finishes writing the file and exits the program. - */ - - -import processing.pdf.*; - -PGraphicsPDF pdf; - -void setup() { - size(600, 600); - frameRate(4); - pdf = (PGraphicsPDF)beginRecord(PDF, "Lines.pdf"); -} - -void draw() { - background(255); - stroke(0, 20); - strokeWeight(20.0); - line(mouseX, 0, width-mouseY, height); - pdf.nextPage(); -} - -void mousePressed() { - endRecord(); - exit(); -} diff --git a/tools/Java/modes/java/libraries/pdf/examples/MousePress/MousePress.pde b/tools/Java/modes/java/libraries/pdf/examples/MousePress/MousePress.pde deleted file mode 100644 index b2970de..0000000 --- a/tools/Java/modes/java/libraries/pdf/examples/MousePress/MousePress.pde +++ /dev/null @@ -1,37 +0,0 @@ - /** - * Mouse Press. - * - * Saves one PDF of the contents of the display window - * each time the mouse is pressed. - */ - - -import processing.pdf.*; - -boolean saveOneFrame = false; - -void setup() { - size(600, 600); - frameRate(24); -} - -void draw() { - if(saveOneFrame == true) { - beginRecord(PDF, "Line.pdf"); - } - - background(255); - stroke(0, 20); - strokeWeight(20.0); - line(mouseX, 0, width-mouseY, height); - - if(saveOneFrame == true) { - endRecord(); - saveOneFrame = false; - } -} - -void mousePressed() { - saveOneFrame = true; -} - diff --git a/tools/Java/modes/java/libraries/pdf/examples/MultipleFrames/MultipleFrames.pde b/tools/Java/modes/java/libraries/pdf/examples/MultipleFrames/MultipleFrames.pde deleted file mode 100644 index 95651ed..0000000 --- a/tools/Java/modes/java/libraries/pdf/examples/MultipleFrames/MultipleFrames.pde +++ /dev/null @@ -1,33 +0,0 @@ -/** - * Multiple Frames. - * - * Saves one PDF document of many frames drawn to the screen. - * Starts the file when the mouse is pressed and end the file - * when the mouse is released. - */ - - -import processing.pdf.*; - -void setup() { - size(600, 600); - frameRate(24); - background(255); -} - -void draw() { - stroke(0, 20); - strokeWeight(20.0); - line(mouseX, 0, width-mouseY, height); -} - -void mousePressed() { - beginRecord(PDF, "Lines.pdf"); - background(255); -} - -void mouseReleased() { - endRecord(); - background(255); -} - diff --git a/tools/Java/modes/java/libraries/pdf/examples/OneFrame/OneFrame.pde b/tools/Java/modes/java/libraries/pdf/examples/OneFrame/OneFrame.pde deleted file mode 100644 index cb6fbce..0000000 --- a/tools/Java/modes/java/libraries/pdf/examples/OneFrame/OneFrame.pde +++ /dev/null @@ -1,23 +0,0 @@ -/** - * One Frame. - * - * Saves one PDF with the contents of the display window. - * Because this example uses beginRecord, the image is shown - * on the display window and is saved to the file. -*/ - - -import processing.pdf.*; - -size(600, 600); - -beginRecord(PDF, "line.pdf"); - -background(255); -stroke(0, 20); -strokeWeight(20.0); -line(200, 0, 400, height); - -endRecord(); - - diff --git a/tools/Java/modes/java/libraries/pdf/examples/RandomBook/RandomBook.pde b/tools/Java/modes/java/libraries/pdf/examples/RandomBook/RandomBook.pde deleted file mode 100644 index 0ca8e01..0000000 --- a/tools/Java/modes/java/libraries/pdf/examples/RandomBook/RandomBook.pde +++ /dev/null @@ -1,45 +0,0 @@ -/** - * RandomBook - * - * Creates a 768 page book of random lines. - */ - -import processing.pdf.*; - -PGraphicsPDF pdf; - -void setup() { - size(594, 842); - // randomSeed(0); // Uncomment to make the same book each time - pdf = (PGraphicsPDF)beginRecord(PDF, "RandomBook.pdf"); - beginRecord(pdf); -} - -void draw() { - background(255); - - for (int i=0; i<100; i++) { - float r = random(1.0); - if(r < 0.2) { - stroke(255); - } else { - stroke(0); - } - float sw = pow(random(1.0), 12); - strokeWeight(sw * 260); - float x1 = random(-200, -100); - float x2 = random(width+100, width+200); - float y1 = random(-100, height+100); - float y2 = random(-100, height+100); - line(x1, y1, x2, y2); - } - - if(frameCount == 768) { - endRecord(); - exit(); // Quit - } else { - pdf.nextPage(); // Tell it to go to the next page - } -} - - diff --git a/tools/Java/modes/java/libraries/pdf/library.properties b/tools/Java/modes/java/libraries/pdf/library.properties deleted file mode 100644 index 8b43d81..0000000 --- a/tools/Java/modes/java/libraries/pdf/library.properties +++ /dev/null @@ -1,2 +0,0 @@ -name = PDF Export -version = 1 diff --git a/tools/Java/modes/java/libraries/pdf/library/itext.jar b/tools/Java/modes/java/libraries/pdf/library/itext.jar deleted file mode 100644 index fa20df3..0000000 Binary files a/tools/Java/modes/java/libraries/pdf/library/itext.jar and /dev/null differ diff --git a/tools/Java/modes/java/libraries/pdf/library/pdf.jar b/tools/Java/modes/java/libraries/pdf/library/pdf.jar deleted file mode 100644 index f4ce0ca..0000000 Binary files a/tools/Java/modes/java/libraries/pdf/library/pdf.jar and /dev/null differ diff --git a/tools/Java/modes/java/libraries/serial/examples/SerialCallResponse/SerialCallResponse.pde b/tools/Java/modes/java/libraries/serial/examples/SerialCallResponse/SerialCallResponse.pde deleted file mode 100644 index 627b27a..0000000 --- a/tools/Java/modes/java/libraries/serial/examples/SerialCallResponse/SerialCallResponse.pde +++ /dev/null @@ -1,150 +0,0 @@ -/** - * Serial Call-Response - * by Tom Igoe. - * - * Sends a byte out the serial port, and reads 3 bytes in. - * Sets foregound color, xpos, and ypos of a circle onstage - * using the values returned from the serial port. - * Thanks to Daniel Shiffman and Greg Shakar for the improvements. - * - * Note: This sketch assumes that the device on the other end of the serial - * port is going to send a single byte of value 65 (ASCII A) on startup. - * The sketch waits for that byte, then sends an ASCII A whenever - * it wants more data. - */ - - -import processing.serial.*; - -int bgcolor; // Background color -int fgcolor; // Fill color -Serial myPort; // The serial port -int[] serialInArray = new int[3]; // Where we'll put what we receive -int serialCount = 0; // A count of how many bytes we receive -int xpos, ypos; // Starting position of the ball -boolean firstContact = false; // Whether we've heard from the microcontroller - -void setup() { - size(256, 256); // Stage size - noStroke(); // No border on the next thing drawn - - // Set the starting position of the ball (middle of the stage) - xpos = width/2; - ypos = height/2; - - // Print a list of the serial ports, for debugging purposes: - printArray(Serial.list()); - - // I know that the first port in the serial list on my mac - // is always my FTDI adaptor, so I open Serial.list()[0]. - // On Windows machines, this generally opens COM1. - // Open whatever port is the one you're using. - String portName = Serial.list()[0]; - myPort = new Serial(this, portName, 9600); -} - -void draw() { - background(bgcolor); - fill(fgcolor); - // Draw the shape - ellipse(xpos, ypos, 20, 20); -} - -void serialEvent(Serial myPort) { - // read a byte from the serial port: - int inByte = myPort.read(); - // if this is the first byte received, and it's an A, - // clear the serial buffer and note that you've - // had first contact from the microcontroller. - // Otherwise, add the incoming byte to the array: - if (firstContact == false) { - if (inByte == 'A') { - myPort.clear(); // clear the serial port buffer - firstContact = true; // you've had first contact from the microcontroller - myPort.write('A'); // ask for more - } - } - else { - // Add the latest byte from the serial port to array: - serialInArray[serialCount] = inByte; - serialCount++; - - // If we have 3 bytes: - if (serialCount > 2 ) { - xpos = serialInArray[0]; - ypos = serialInArray[1]; - fgcolor = serialInArray[2]; - - // print the values (for debugging purposes only): - println(xpos + "\t" + ypos + "\t" + fgcolor); - - // Send a capital A to request new sensor readings: - myPort.write('A'); - // Reset serialCount: - serialCount = 0; - } - } -} - - -/* - -// Serial Call and Response -// by Tom Igoe -// Language: Wiring/Arduino - -// This program sends an ASCII A (byte of value 65) on startup -// and repeats that until it gets some data in. -// Then it waits for a byte in the serial port, and -// sends three sensor values whenever it gets a byte in. - -// Thanks to Greg Shakar for the improvements - -// Created 26 Sept. 2005 -// Updated 18 April 2008 - - -int firstSensor = 0; // first analog sensor -int secondSensor = 0; // second analog sensor -int thirdSensor = 0; // digital sensor -int inByte = 0; // incoming serial byte - -void setup() -{ - // start serial port at 9600 bps: - Serial.begin(9600); - pinMode(2, INPUT); // digital sensor is on digital pin 2 - establishContact(); // send a byte to establish contact until Processing responds -} - -void loop() -{ - // if we get a valid byte, read analog ins: - if (Serial.available() > 0) { - // get incoming byte: - inByte = Serial.read(); - // read first analog input, divide by 4 to make the range 0-255: - firstSensor = analogRead(0)/4; - // delay 10ms to let the ADC recover: - delay(10); - // read second analog input, divide by 4 to make the range 0-255: - secondSensor = analogRead(1)/4; - // read switch, multiply by 155 and add 100 - // so that you're sending 100 or 255: - thirdSensor = 100 + (155 * digitalRead(2)); - // send sensor values: - Serial.write(firstSensor); - Serial.write(secondSensor); - Serial.write(thirdSensor); - } -} - -void establishContact() { - while (Serial.available() <= 0) { - Serial.write('A'); // send a capital A - delay(300); - } -} - - -*/ diff --git a/tools/Java/modes/java/libraries/serial/examples/SerialDuplex/SerialDuplex.pde b/tools/Java/modes/java/libraries/serial/examples/SerialDuplex/SerialDuplex.pde deleted file mode 100644 index 38dc2f2..0000000 --- a/tools/Java/modes/java/libraries/serial/examples/SerialDuplex/SerialDuplex.pde +++ /dev/null @@ -1,50 +0,0 @@ -/** - * Serial Duplex - * by Tom Igoe. - * - * Sends a byte out the serial port when you type a key - * listens for bytes received, and displays their value. - * This is just a quick application for testing serial data - * in both directions. - */ - - -import processing.serial.*; - -Serial myPort; // The serial port -int whichKey = -1; // Variable to hold keystoke values -int inByte = -1; // Incoming serial data - -void setup() { - size(400, 300); - // create a font with the third font available to the system: - PFont myFont = createFont(PFont.list()[2], 14); - textFont(myFont); - - // List all the available serial ports: - printArray(Serial.list()); - - // I know that the first port in the serial list on my mac - // is always my FTDI adaptor, so I open Serial.list()[0]. - // In Windows, this usually opens COM1. - // Open whatever port is the one you're using. - String portName = Serial.list()[0]; - myPort = new Serial(this, portName, 9600); -} - -void draw() { - background(0); - text("Last Received: " + inByte, 10, 130); - text("Last Sent: " + whichKey, 10, 100); -} - -void serialEvent(Serial myPort) { - inByte = myPort.read(); -} - -void keyPressed() { - // Send the keystroke out: - myPort.write(key); - whichKey = key; -} - diff --git a/tools/Java/modes/java/libraries/serial/examples/SerialDuplex/data/CourierNewPSMT-24.vlw b/tools/Java/modes/java/libraries/serial/examples/SerialDuplex/data/CourierNewPSMT-24.vlw deleted file mode 100644 index c72ddd7..0000000 Binary files a/tools/Java/modes/java/libraries/serial/examples/SerialDuplex/data/CourierNewPSMT-24.vlw and /dev/null differ diff --git a/tools/Java/modes/java/libraries/serial/examples/SerialMultiple/SerialMultiple.pde b/tools/Java/modes/java/libraries/serial/examples/SerialMultiple/SerialMultiple.pde deleted file mode 100644 index 0646a4d..0000000 --- a/tools/Java/modes/java/libraries/serial/examples/SerialMultiple/SerialMultiple.pde +++ /dev/null @@ -1,86 +0,0 @@ -/** - * Many Serial Ports - * - * Read data from the multiple Serial Ports - */ - - -import processing.serial.*; - -Serial[] myPorts = new Serial[2]; // Create a list of objects from Serial class -int[] dataIn = new int[2]; // a list to hold data from the serial ports - -void setup() { - size(400, 300); - // print a list of the serial ports: - printArray(Serial.list()); - // On my machine, the first and third ports in the list - // were the serial ports that my microcontrollers were - // attached to. - // Open whatever ports ares the ones you're using. - -// get the ports' names: - String portOne = Serial.list()[0]; - String portTwo = Serial.list()[2]; - // open the ports: - myPorts[0] = new Serial(this, portOne, 9600); - myPorts[1] = new Serial(this, portTwo, 9600); -} - - -void draw() { - // clear the screen: - background(0); - // use the latest byte from port 0 for the first circle - fill(dataIn[0]); - ellipse(width/3, height/2, 40, 40); - // use the latest byte from port 1 for the second circle - fill(dataIn[1]); - ellipse(2*width/3, height/2, 40, 40); -} - -/** - * When SerialEvent is generated, it'll also give you - * the port that generated it. Check that against a list - * of the ports you know you opened to find out where - * the data came from -*/ -void serialEvent(Serial thisPort) { - // variable to hold the number of the port: - int portNumber = -1; - - // iterate over the list of ports opened, and match the - // one that generated this event: - for (int p = 0; p < myPorts.length; p++) { - if (thisPort == myPorts[p]) { - portNumber = p; - } - } - // read a byte from the port: - int inByte = thisPort.read(); - // put it in the list that holds the latest data from each port: - dataIn[portNumber] = inByte; - // tell us who sent what: - println("Got " + inByte + " from serial port " + portNumber); -} - -/* -The following Wiring/Arduino code runs on both microcontrollers that -were used to send data to this sketch: - -void setup() -{ - // start serial port at 9600 bps: - Serial.begin(9600); -} - -void loop() { - // read analog input, divide by 4 to make the range 0-255: - int analogValue = analogRead(0)/4; - Serial.write(analogValue); - // pause for 10 milliseconds: - delay(10); -} - - -*/ diff --git a/tools/Java/modes/java/libraries/serial/examples/SimpleRead/SimpleRead.pde b/tools/Java/modes/java/libraries/serial/examples/SimpleRead/SimpleRead.pde deleted file mode 100644 index 856da8f..0000000 --- a/tools/Java/modes/java/libraries/serial/examples/SimpleRead/SimpleRead.pde +++ /dev/null @@ -1,64 +0,0 @@ -/** - * Simple Read - * - * Read data from the serial port and change the color of a rectangle - * when a switch connected to a Wiring or Arduino board is pressed and released. - * This example works with the Wiring / Arduino program that follows below. - */ - - -import processing.serial.*; - -Serial myPort; // Create object from Serial class -int val; // Data received from the serial port - -void setup() -{ - size(200, 200); - // I know that the first port in the serial list on my mac - // is always my FTDI adaptor, so I open Serial.list()[0]. - // On Windows machines, this generally opens COM1. - // Open whatever port is the one you're using. - String portName = Serial.list()[0]; - myPort = new Serial(this, portName, 9600); -} - -void draw() -{ - if ( myPort.available() > 0) { // If data is available, - val = myPort.read(); // read it and store it in val - } - background(255); // Set background to white - if (val == 0) { // If the serial value is 0, - fill(0); // set fill to black - } - else { // If the serial value is not 0, - fill(204); // set fill to light gray - } - rect(50, 50, 100, 100); -} - - - -/* - -// Wiring / Arduino Code -// Code for sensing a switch status and writing the value to the serial port. - -int switchPin = 4; // Switch connected to pin 4 - -void setup() { - pinMode(switchPin, INPUT); // Set pin 0 as an input - Serial.begin(9600); // Start serial communication at 9600 bps -} - -void loop() { - if (digitalRead(switchPin) == HIGH) { // If switch is ON, - Serial.write(1); // send 1 to Processing - } else { // If the switch is not ON, - Serial.write(0); // send 0 to Processing - } - delay(100); // Wait 100 milliseconds -} - -*/ diff --git a/tools/Java/modes/java/libraries/serial/examples/SimpleWrite/SimpleWrite.pde b/tools/Java/modes/java/libraries/serial/examples/SimpleWrite/SimpleWrite.pde deleted file mode 100644 index c7d98c6..0000000 --- a/tools/Java/modes/java/libraries/serial/examples/SimpleWrite/SimpleWrite.pde +++ /dev/null @@ -1,67 +0,0 @@ -/** - * Simple Write. - * - * Check if the mouse is over a rectangle and writes the status to the serial port. - * This example works with the Wiring / Arduino program that follows below. - */ - - -import processing.serial.*; - -Serial myPort; // Create object from Serial class -int val; // Data received from the serial port - -void setup() -{ - size(200, 200); - // I know that the first port in the serial list on my mac - // is always my FTDI adaptor, so I open Serial.list()[0]. - // On Windows machines, this generally opens COM1. - // Open whatever port is the one you're using. - String portName = Serial.list()[0]; - myPort = new Serial(this, portName, 9600); -} - -void draw() { - background(255); - if (mouseOverRect() == true) { // If mouse is over square, - fill(204); // change color and - myPort.write('H'); // send an H to indicate mouse is over square - } - else { // If mouse is not over square, - fill(0); // change color and - myPort.write('L'); // send an L otherwise - } - rect(50, 50, 100, 100); // Draw a square -} - -boolean mouseOverRect() { // Test if mouse is over square - return ((mouseX >= 50) && (mouseX <= 150) && (mouseY >= 50) && (mouseY <= 150)); -} - - -/* - // Wiring/Arduino code: - // Read data from the serial and turn ON or OFF a light depending on the value - - char val; // Data received from the serial port - int ledPin = 4; // Set the pin to digital I/O 4 - - void setup() { - pinMode(ledPin, OUTPUT); // Set pin as OUTPUT - Serial.begin(9600); // Start serial communication at 9600 bps - } - - void loop() { - while (Serial.available()) { // If data is available to read, - val = Serial.read(); // read it and store it in val - } - if (val == 'H') { // If H was received - digitalWrite(ledPin, HIGH); // turn the LED on - } else { - digitalWrite(ledPin, LOW); // Otherwise turn it OFF - } - delay(100); // Wait 100 milliseconds for next reading - } - - */ diff --git a/tools/Java/modes/java/libraries/serial/library.properties b/tools/Java/modes/java/libraries/serial/library.properties deleted file mode 100644 index 6e7b5db..0000000 --- a/tools/Java/modes/java/libraries/serial/library.properties +++ /dev/null @@ -1,3 +0,0 @@ -name = Serial -version = 1 - diff --git a/tools/Java/modes/java/libraries/serial/library/jssc.txt b/tools/Java/modes/java/libraries/serial/library/jssc.txt deleted file mode 100644 index db5177a..0000000 --- a/tools/Java/modes/java/libraries/serial/library/jssc.txt +++ /dev/null @@ -1,6 +0,0 @@ -This is using a modified version of Java Simple Serial Connector by Alexey Sokolov. See https://github.com/gohai/java-simple-serial-connector and https://github.com/sampottinger/jssc for details on the modifications to support Processing. - -To compile the C++ portion of the library on OS X: -g++ -shared [or: -dynamiclib?] -arch i386 -arch x86_64 -I/System/Library/Frameworks/IOKit.framework/Versions/A/Headers -I$JAVA_HOME/include -I$JAVA_HOME/include/darwin -framework IOKit -framework CoreFoundation -o libjSSC-2.6.jnilib jssc.cpp - -Update 2022-10-18: Upstream java-native/jssc now packages all of the libs in a fat jar. diff --git a/tools/Java/modes/java/libraries/serial/library/serial.jar b/tools/Java/modes/java/libraries/serial/library/serial.jar deleted file mode 100644 index 65a2afe..0000000 Binary files a/tools/Java/modes/java/libraries/serial/library/serial.jar and /dev/null differ diff --git a/tools/Java/modes/java/libraries/svg/library.properties b/tools/Java/modes/java/libraries/svg/library.properties deleted file mode 100644 index 605d84f..0000000 --- a/tools/Java/modes/java/libraries/svg/library.properties +++ /dev/null @@ -1,2 +0,0 @@ -name = SVG Export -version = 1 diff --git a/tools/Java/modes/java/libraries/svg/library/LICENSE b/tools/Java/modes/java/libraries/svg/library/LICENSE deleted file mode 100644 index 3e4e3d0..0000000 --- a/tools/Java/modes/java/libraries/svg/library/LICENSE +++ /dev/null @@ -1,201 +0,0 @@ - Apache License - Version 2.0, January 2004 - http://www.apache.org/licenses/ - - TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION - - 1. 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However, in accepting such obligations, You may act only - on Your own behalf and on Your sole responsibility, not on behalf - of any other Contributor, and only if You agree to indemnify, - defend, and hold each Contributor harmless for any liability - incurred by, or claims asserted against, such Contributor by reason - of your accepting any such warranty or additional liability. - - END OF TERMS AND CONDITIONS - - APPENDIX: How to apply the Apache License to your work. - - To apply the Apache License to your work, attach the following - boilerplate notice, with the fields enclosed by brackets "[]" - replaced with your own identifying information. (Don't include - the brackets!) The text should be enclosed in the appropriate - comment syntax for the file format. We also recommend that a - file or class name and description of purpose be included on the - same "printed page" as the copyright notice for easier - identification within third-party archives. - - Copyright [yyyy] [name of copyright owner] - - Licensed under the Apache License, Version 2.0 (the "License"); - you may not use this file except in compliance with the License. - You may obtain a copy of the License at - - http://www.apache.org/licenses/LICENSE-2.0 - - Unless required by applicable law or agreed to in writing, software - distributed under the License is distributed on an "AS IS" BASIS, - WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. - See the License for the specific language governing permissions and - limitations under the License. \ No newline at end of file diff --git a/tools/Java/modes/java/libraries/svg/library/batik.jar b/tools/Java/modes/java/libraries/svg/library/batik.jar deleted file mode 100644 index be3f489..0000000 Binary files a/tools/Java/modes/java/libraries/svg/library/batik.jar and /dev/null differ diff --git a/tools/Java/modes/java/libraries/svg/library/svg.jar b/tools/Java/modes/java/libraries/svg/library/svg.jar deleted file mode 100644 index 5f01b89..0000000 Binary files a/tools/Java/modes/java/libraries/svg/library/svg.jar and /dev/null differ diff --git a/tools/Java/modes/java/mode/.options b/tools/Java/modes/java/mode/.options deleted file mode 100644 index d558214..0000000 --- a/tools/Java/modes/java/mode/.options +++ /dev/null @@ -1,133 +0,0 @@ -# Turn on debug tracing for org.eclipse.jdt.core plugin -org.eclipse.jdt.core/debug=false - -# Reports buffer manager activity -org.eclipse.jdt.core/debug/buffermanager=false - -# Reports java builder activity : nature of build, built state reading, indictment process -org.eclipse.jdt.core/debug/builder=false - -# Reports java builder stats -org.eclipse.jdt.core/debug/builder/stats=false - -# Reports compiler activity -org.eclipse.jdt.core/debug/compiler=false - -# Reports codeassist completion activity : recovered unit, inferred completions -org.eclipse.jdt.core/debug/completion=false - -# Reports classpath variable initialization, and classpath container resolution -org.eclipse.jdt.core/debug/cpresolution=false - -# Reports internals of classpath variable initialization, and classpath container resolution (to be used on the JDT/Core team request only) -org.eclipse.jdt.core/debug/cpresolution/advanced=false - -# Reports failures during classpath variable initialization, and classpath container resolution -org.eclipse.jdt.core/debug/cpresolution/failure=false - -# Reports bad node nesting in DOM AST (for interactive usage) -org.eclipse.jdt.core/debug/dom/ast=false - -# Throws an exception in case of bad node nesting in DOM AST (enabled in tests) -org.eclipse.jdt.core/debug/dom/ast/throw=false - -# Reports type errors when using ASTRewrite (throws exceptions; not enabled by default, since some non-typesafe operations are fine in practice) -org.eclipse.jdt.core/debug/dom/rewrite=false - -# Report type hierarchy connections, refreshes and deltas -org.eclipse.jdt.core/debug/hierarchy=false - -# Reports background indexer activity: indexing, saving index file, index queries -org.eclipse.jdt.core/debug/indexmanager=false - -# Reports internals of indexer activity (to be used on the JDT/Core team request only) -org.eclipse.jdt.core/debug/indexmanager/advanced=false - -# Print notified Java element deltas -org.eclipse.jdt.core/debug/javadelta=false -org.eclipse.jdt.core/debug/javadelta/verbose=false - -# Reports various Java model activities -org.eclipse.jdt.core/debug/javamodel=false - -# Reports Java model elements opening/closing -org.eclipse.jdt.core/debug/javamodel/cache=false - -# Reports changes in the Java classpath and classpath resolution -org.eclipse.jdt.core/debug/javamodel/classpath=false - -# Reports all insertions and removals from the java model cache -org.eclipse.jdt.core/debug/javamodel/insertions=false - -# Records information about the invalid archive cache -org.eclipse.jdt.core/debug/javamodel/invalid_archives=false - -# Runs self-diagnostics on the free space lists. This is expensive and will slow down indexing. -org.eclipse.jdt.core/debug/index/freespacetest=false - -# Controls the amount of memory used by the traceback log, in megabytes (suggested size = 1024). -# If nonzero, the index will print out detailed traceback information when corruption is detected. -org.eclipse.jdt.core/debug/index/logsizemegs=0 - -# Logs every time a page is allocated, flushed, or inserted/removed from the page cache (very verbose) -org.eclipse.jdt.core/debug/index/pagecache=false - -# Prints information about when the indexer runs and what files are being indexed -org.eclipse.jdt.core/debug/index/indexer=false - -# Prints a line whenever a class is added to or removed from the index -org.eclipse.jdt.core/debug/index/insertions=false - -# Prints diagnostic information about index database locks -org.eclipse.jdt.core/debug/index/locks=false - -# Prints a message whenever the indexer is scheduled. Useful for tracking race conditions in the unit tests. -org.eclipse.jdt.core/debug/index/scheduling=false - -# Prints statistics about database memory usage -org.eclipse.jdt.core/debug/index/space=false - -# Performs self-testing during indexing by reading back every class and comparing it with the original .class file -org.eclipse.jdt.core/debug/index/selftest=false - -# Prints statistics about indexing time -org.eclipse.jdt.core/debug/index/timing=false - -# Reports post actions addition/run -org.eclipse.jdt.core/debug/postaction=false - -# Reports name resolution activity -org.eclipse.jdt.core/debug/resolution=false - -# Reports java search activity -org.eclipse.jdt.core/debug/search=false - -# Reports source mapper activity -org.eclipse.jdt.core/debug/sourcemapper=false - -# Reports code formatter activity -org.eclipse.jdt.core/debug/formatter=false - -# Reports open on selection activity : recovered unit, inferred selection -org.eclipse.jdt.core/debug/selection=false - -# Reports access to zip and jar files through the Java model -org.eclipse.jdt.core/debug/zipaccess=false - -# Reports the time to perform code completion. -org.eclipse.jdt.core/perf/completion=300 - -# Reports the time to perform code selection. -org.eclipse.jdt.core/perf/selection=300 - -# Reports the time to process a java element delta. -org.eclipse.jdt.core/perf/javadeltalistener=500 - -# Reports the time to perform an initialization of a classpath variable. -org.eclipse.jdt.core/perf/variableinitializer=5000 - -# Reports the time to perform an initialization of a classpath container. -org.eclipse.jdt.core/perf/containerinitializer=5000 - -# Reports the time to perform a reconcile operation. -org.eclipse.jdt.core/perf/reconcile=1000 diff --git a/tools/Java/modes/java/mode/JavaMode.jar b/tools/Java/modes/java/mode/JavaMode.jar deleted file mode 100644 index cd0a62c..0000000 Binary files a/tools/Java/modes/java/mode/JavaMode.jar and /dev/null differ diff --git a/tools/Java/modes/java/mode/about.html b/tools/Java/modes/java/mode/about.html deleted file mode 100644 index f0810d1..0000000 --- a/tools/Java/modes/java/mode/about.html +++ /dev/null @@ -1,42 +0,0 @@ - - - - -About - - -

About This Content

- -

November 30, 2017

-

License

- -

- The Eclipse Foundation makes available all content in this plug-in - ("Content"). Unless otherwise indicated below, the Content - is provided to you under the terms and conditions of the Eclipse - Public License Version 2.0 ("EPL"). A copy of the EPL is - available at http://www.eclipse.org/legal/epl-2.0. - For purposes of the EPL, "Program" will mean the Content. -

- -

- If you did not receive this Content directly from the Eclipse - Foundation, the Content is being redistributed by another party - ("Redistributor") and different terms and conditions may - apply to your use of any object code in the Content. Check the - Redistributor's license that was provided with the Content. If no such - license exists, contact the Redistributor. Unless otherwise indicated - below, the terms and conditions of the EPL still apply to any source - code in the Content and such source code may be obtained at http://www.eclipse.org. -

- - -

Disassembler

-

This plug-in contains a bytecode disassembler ("Disassembler") that can produce a listing of the Java assembler mnemonics ("Assembler Mnemonics") for a Java method. If you -use the Disassembler to view the Assembler Mnemonics for a method, you should ensure that doing so will not violate the terms of any licenses that apply to your use of that method, as -such licenses may not permit you to reverse engineer, decompile, or disassemble method bytecodes.

- - - \ No newline at end of file diff --git a/tools/Java/modes/java/mode/antlr-4.7.2-complete.jar b/tools/Java/modes/java/mode/antlr-4.7.2-complete.jar deleted file mode 100644 index 073c215..0000000 Binary files a/tools/Java/modes/java/mode/antlr-4.7.2-complete.jar and /dev/null differ diff --git a/tools/Java/modes/java/mode/antlr-src.zip b/tools/Java/modes/java/mode/antlr-src.zip deleted file mode 100644 index cfeca34..0000000 Binary files a/tools/Java/modes/java/mode/antlr-src.zip and /dev/null differ diff --git a/tools/Java/modes/java/mode/classpath-explorer-1.0.jar b/tools/Java/modes/java/mode/classpath-explorer-1.0.jar deleted file mode 100644 index 335e43c..0000000 Binary files a/tools/Java/modes/java/mode/classpath-explorer-1.0.jar and /dev/null differ diff --git a/tools/Java/modes/java/mode/com.ibm.icu.jar b/tools/Java/modes/java/mode/com.ibm.icu.jar deleted file mode 100644 index dc5e130..0000000 Binary files a/tools/Java/modes/java/mode/com.ibm.icu.jar and /dev/null differ 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b/tools/Java/modes/java/mode/plugin.properties deleted file mode 100644 index 7611e97..0000000 --- a/tools/Java/modes/java/mode/plugin.properties +++ /dev/null @@ -1,34 +0,0 @@ -############################################################################### -# Copyright (c) 2000, 2014 IBM Corporation and others. -# -# This program and the accompanying materials -# are made available under the terms of the Eclipse Public License 2.0 -# which accompanies this distribution, and is available at -# https://www.eclipse.org/legal/epl-2.0/ -# -# SPDX-License-Identifier: EPL-2.0 -# -# Contributors: -# IBM Corporation - initial API and implementation -# Harry Terkelsen (het@google.com) - Bug 449262 - Allow the use of third-party Java formatters -############################################################################### -providerName=Eclipse.org -pluginName=Java Development Tools Core -javaNatureName=Java -javaBuilderName=Java Builder -javaProblemName=Java Problem -buildPathProblemName=Build Path Problem -transientJavaProblemName=Transient Java Problem -classpathVariableInitializersName=Classpath Variable Initializers -classpathContainerInitializersName=Classpath Container Initializers -codeFormattersName=Source Code Formatters -compilationParticipantsName=Compilation Participants -annotationProcessorManagerName=Java 6 Annotation Processor Manager -javaTaskName=Java Task -javaPropertiesName=Java Properties File -javaSourceName=Java Source File -javaClassName=Java Class File -jarManifestName=JAR Manifest File -traceComponentLabel=JDT Core -javaFormatterName=Java Formatter -defaultJavaFormatterName=Eclipse [built-in] diff --git a/tools/Java/modes/java/mode/plugin.xml b/tools/Java/modes/java/mode/plugin.xml deleted file mode 100644 index 315397d..0000000 --- a/tools/Java/modes/java/mode/plugin.xml +++ /dev/null @@ -1,313 +0,0 @@ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - diff --git a/tools/Java/modes/java/mode/readme.txt b/tools/Java/modes/java/mode/readme.txt deleted file mode 100644 index 29d51b2..0000000 --- a/tools/Java/modes/java/mode/readme.txt +++ /dev/null @@ -1,49 +0,0 @@ -Packages from Eclipse 4.5.2: -http://download.eclipse.org/eclipse/downloads/ - -File listing at: -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/?d - -The jdtCompilerAdapter.jar is extracted from org.eclipse.jdt.core.jar to provide -the JDTCompilerAdapter class, which is the Ant task for the JDT compiler. -The jdi.jar and jdimodel.jar files are unpacked from org.eclipse.jdt.debug.jar. - -This Mode does not use ecj.jar from the original Java mode, because its files are contained in the JARs below. - -For 3.0 alpha 11, the signature files were removed from oorg.eclipse.jdt.core.jar to fix a signing conflict with Android Mode and Ant. -https://github.com/processing/processing/pull/3324 - -. . . - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/com.ibm.icu_54.1.1.v201501272100.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.core.contenttype_3.5.0.v20150421-2214.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.core.jobs_3.7.0.v20150330-2103.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.core.resources_3.10.1.v20150725-1910.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.core.runtime_3.11.1.v20150903-1804.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.equinox.common_3.7.0.v20150402-1709.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.equinox.preferences_3.5.300.v20150408-1437.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.jdt.core_3.11.2.v20160128-0629.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.osgi_3.10.102.v20160118-1700.jar - -http://download.eclipse.org/eclipse/updates/4.5/R-4.5.2-201602121500/plugins/org.eclipse.text_3.5.400.v20150505-1044.jar - -. . . - -Updated 19 January 2015 to fix Java 8 support. The previous versions gave an "Annotation processing got disabled, since it requires a 1.6 compliant JVM" error. - -Updated 21 March 2016 to newest version (from R-4.4.1-201409250400 to R-4.5.2-201602121500) as part of updating Java Mode - -Finally, the archive site contains additional jars for the 4.5.2 release, including the JDT Core Batch Compiler (ECJ): -http://archive.eclipse.org/eclipse/downloads/drops4/R-4.5.2-201602121500/ - -. . . - -Updated the org.eclipse libs. For eclipse projects, please see https://www.eclipse.org/legal/epl-2.0/ for licensing. diff --git a/tools/Java/modes/java/theme/completion/class.svg b/tools/Java/modes/java/theme/completion/class.svg deleted file mode 100644 index e67048b..0000000 --- a/tools/Java/modes/java/theme/completion/class.svg +++ /dev/null @@ -1,6 +0,0 @@ - - - - - - diff --git a/tools/Java/modes/java/theme/completion/field.svg b/tools/Java/modes/java/theme/completion/field.svg deleted file mode 100644 index 60e3f87..0000000 --- a/tools/Java/modes/java/theme/completion/field.svg +++ /dev/null @@ -1,6 +0,0 @@ - - - - - - diff --git a/tools/Java/modes/java/theme/completion/local.svg b/tools/Java/modes/java/theme/completion/local.svg deleted file mode 100644 index 05c54a3..0000000 --- a/tools/Java/modes/java/theme/completion/local.svg +++ /dev/null @@ -1,6 +0,0 @@ - - - - - - diff --git a/tools/Java/modes/java/theme/completion/method.svg b/tools/Java/modes/java/theme/completion/method.svg deleted file mode 100644 index a124da9..0000000 --- a/tools/Java/modes/java/theme/completion/method.svg +++ /dev/null @@ -1,6 +0,0 @@ - - - - - - diff --git a/tools/Java/modes/java/theme/variables/array.svg b/tools/Java/modes/java/theme/variables/array.svg deleted file mode 100644 index a0aa0b5..0000000 --- a/tools/Java/modes/java/theme/variables/array.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/boolean.svg b/tools/Java/modes/java/theme/variables/boolean.svg deleted file mode 100644 index cc606e1..0000000 --- a/tools/Java/modes/java/theme/variables/boolean.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/byte.svg b/tools/Java/modes/java/theme/variables/byte.svg deleted file mode 100644 index 91f4e8e..0000000 --- a/tools/Java/modes/java/theme/variables/byte.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/char.svg b/tools/Java/modes/java/theme/variables/char.svg deleted file mode 100644 index c2877c3..0000000 --- a/tools/Java/modes/java/theme/variables/char.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/double.svg b/tools/Java/modes/java/theme/variables/double.svg deleted file mode 100644 index d448f4e..0000000 --- a/tools/Java/modes/java/theme/variables/double.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/float.svg b/tools/Java/modes/java/theme/variables/float.svg deleted file mode 100644 index 5ae8f61..0000000 --- a/tools/Java/modes/java/theme/variables/float.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/integer.svg b/tools/Java/modes/java/theme/variables/integer.svg deleted file mode 100644 index e96e43b..0000000 --- a/tools/Java/modes/java/theme/variables/integer.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/long.svg b/tools/Java/modes/java/theme/variables/long.svg deleted file mode 100644 index a37a783..0000000 --- a/tools/Java/modes/java/theme/variables/long.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/object.svg b/tools/Java/modes/java/theme/variables/object.svg deleted file mode 100644 index e59c849..0000000 --- a/tools/Java/modes/java/theme/variables/object.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/short.svg b/tools/Java/modes/java/theme/variables/short.svg deleted file mode 100644 index 6f6d486..0000000 --- a/tools/Java/modes/java/theme/variables/short.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/modes/java/theme/variables/string.svg b/tools/Java/modes/java/theme/variables/string.svg deleted file mode 100644 index 44f75d2..0000000 --- a/tools/Java/modes/java/theme/variables/string.svg +++ /dev/null @@ -1,4 +0,0 @@ - - - - diff --git a/tools/Java/pde.jar b/tools/Java/pde.jar deleted file mode 100644 index 3d4ee82..0000000 Binary files a/tools/Java/pde.jar and /dev/null differ diff --git a/tools/Java/revisions.md b/tools/Java/revisions.md deleted file mode 100644 index 4ba256b..0000000 --- a/tools/Java/revisions.md +++ /dev/null @@ -1,1502 +0,0 @@ -# Processing 4.3 - -*Revision 1293 – 26 July 2023* - -This release incorporates several contributed fixes (see below) and a few additional bug fixes and changes. The icons have ben updated a bit so that Processing is less likely to be confused with Visual Studio Code when seen in the dock or task bar, and the splash screen colors and layout have design tweaks as well. - -* Update documentation and process for updating language files for localization [722](https://github.com/processing/processing4/issues/722) - -* Inherit dark mode from system settings on macOS [699](https://github.com/processing/processing4/issues/699) - -* Use calculated text height instead of OS ascent for better vertical centering. *Note: this may cause some sketches to look slightly different if textAlign(..., CENTER) is being used.* [739](https://github.com/processing/processing4/issues/739) - -* Bumped Java to 17.0.8+7. - -* Fix `NullPointerException` when `background()` exceeds color range when writing PDF [740](https://github.com/processing/processing4/issues/740) - - -## Contributions - -* Updated icons and splash screen colors from @fathompaul. - -* Register pde:// browser protocol for .pdez and .pdex files on Linux from @lala-lala-lori [674](https://github.com/processing/processing4/issues/674), [696](https://github.com/processing/processing4/pull/696) - -* Syntax error highlighting placement / width incorrect from @sampottinger [714](https://github.com/processing/processing4/issues/714), [715](https://github.com/processing/processing4/pull/715) - -* Better comment/uncomment key shortcut for French systems from @ThinkDumbIndustries [625](https://github.com/processing/processing4/issues/625), [660](https://github.com/processing/processing4/pull/660) - -* Fix tweak mode issue with hex codes including transparency from @sampottinger [720](https://github.com/processing/processing4/issues/720), [721](https://github.com/processing/processing4/pull/721) - -* LSP feature/declaration support from @Efratror [676](https://github.com/processing/processing4/issues/676), [678](https://github.com/processing/processing4/pull/678) - -* Also reference support for Language Server Protocol from @Efratror [684](https://github.com/processing/processing4/issues/684), [690](https://github.com/processing/processing4/pull/690) - -* Updates to the Spanish and Catalan translations from @trikaphundo [744](https://github.com/processing/processing4/issues/744), [746](https://github.com/processing/processing4/pull/746), [743](https://github.com/processing/processing4/issues/743), [745](https://github.com/processing/processing4/pull/745) - -* Debugger was listing immediate array dimension last, fix from @WillRabois04 [606](https://github.com/processing/processing4/issues/606), [729](https://github.com/processing/processing4/pull/729) - -* Second `beginDraw()` / `endDraw()` call clears `PGraphics` object when created w/ `P2D` [641](https://github.com/processing/processing4/issues/641), [728](https://github.com/processing/processing4/pull/728) - - -# Processing 4.2 - -*Revision 1292 – 20 February 2023* - -Impress your friends with new `pde://` protocol handlers! With Processing 4.2, you can link to `.pdex` and `.pdez` files to immediately run and install libraries and sketches. How it works: - -* Linking to `pde://processing.org/somesketch.pdez` in the browser will download `somesketch.pdez` and load it into the editor. It also works for files, for instance `pde:///Users/ada/Desktop/somesketch.pdez` will open an archive found on the Desktop. - -* This also works for contributions (Libraries, Modes, Tools) archived as `.pdex` files. - -Both file types are simply a renamed `.zip` file. So to create sketches in `.pdez` format, use Tools → Archive Sketch, and replace the `.zip` with `.pdez`. - -This is implemented for macOS and Windows ([#559](https://github.com/processing/processing4/issues/559)), based on [this article](https://web.archive.org/web/20210601082308/https://support.shotgunsoftware.com/hc/en-us/articles/219031308-How-to-launch-external-applications-using-custom-protocols-rock-instead-of-http-?mobile_site=true) which appears to be from @pboucher. Thank you! We still need help with implementing and testing it on Linux ([#674](https://github.com/processing/processing4/issues/674)). We would also like to add a warning dialog when opening files this way ([#560](https://github.com/processing/processing4/issues/560)). - -In addition to the protocol handlers, there are a number of fixes in this release, especially for Windows users (and soon, for Python users). - - -## Windows users, we still love you - -* The `.pde`, `.pdex`, and `.pdez` icons now work on Windows! - -* Exporting projects to Windows resulted in “cannot find Java” errors, now fixed. [#667](https://github.com/processing/processing4/issues/667) - - -## Snake people, we love you too - -* Several internal changes have been made to better support future releases of [Python Mode](https://github.com/jdf/processing.py/tree/processing4). Fingers crossed that we'll be able to launch some of this soon. - - -## And still we fix the bugs - -* Fix encoding problem in “has been resized from 100?100 to 116?100 by the window manager” messages when using OpenGL. - -* `fullScreen(P2D)` not using the full screen when Windows display is scaled to fractional sizes. [#514](https://github.com/processing/processing4/issues/514). - -* `Table.getString()` raises stack overflow when column type set to `double`. [#671](https://github.com/processing/processing4/issues/671) - -* Added support chained decimals during SVG Parsing (contribution from @bsapozhnikov) [#515](https://github.com/processing/processing4/issues/515), [#659](https://github.com/processing/processing4/pull/659) - -* Applications were being exported to the wrong folder. [#601](https://github.com/processing/processing4/issues/601) - -* Fixed more `/tmp` folder problems on Linux. [#666](https://github.com/processing/processing4/issues/666) - - -# Processing 4.1.3 - -*Revision 1291 – 9 February 2023* - -Rollup of bug fixes from the past few weeks. Mostly in the Contributions Manager, several others too. - - -## bug fixin' - -* Lots of work on the Contributions Manager to deal with concurrency issues (and myriad problems revealed in the process). [#640](https://github.com/processing/processing4/issues/640) - -* Preferences were not saved when closing Processing under certain circumstances. [#608](https://github.com/processing/processing4/issues/608) - - -## community contributin' - -* Fix typos in French translation. [#661](https://github.com/processing/processing4/pull/661) - -* Improved documentation for `lerpColor()` function. [#655](https://github.com/processing/processing4/pull/655) - - -## house cleanin' - -* Warn users about multiple libraries with the same name. - -* Tool tips for errors and warnings not picking up correct colors from the theme. Also made fixes for the margins and border of the popup. - -* Many more updates to the contribs wiki - - -## internal changin' - -* Update to JDK 17.0.6+10 from [Adoptium](https://adoptium.net/) - -* Set all `build.xml` files to use Java 17. Also fix several that still had tabs instead of spaces. - -* Add `exports` to the library parameters. - -* Fix inversion of `handleSaveAs()` (regression from [earlier](https://github.com/processing/processing4/commit/aef561a8eb8fa894c5a22c611279a5092e2dbb28)) - - -# Processing 4.1.2 - -*Revision 1290 – 16 January 2023* - -Happy [Martin Luther King Jr. day](https://en.wikipedia.org/wiki/Martin_Luther_King_Jr._Day)! - - -## Contributions Manager - -The majority of the work for this release went into cleaning up and fixing the Contributions Manager. (What you see when importing Libraries, managing Modes, etc.) Please, please, please help us out and give it a lot of testing. This is old, messy, and important code that is easy to break in major ways. If you have trouble with it, please file an issue! - -* The “Manage Modes…” menu item was opening an empty window. [#613](https://github.com/processing/processing4/issues/613) - -* Fix `Cannot invoke "javax.swing.JProgressBar.setVisible(boolean)" because "this.progressBar" is null` error when using Update All. [#618](https://github.com/processing/processing4/issues/618) - -* Libraries from the Foundation (i.e. Video, Sound, and JavaFX) will now be reported properly on the [stats page](https://download.processing.org/stats/). - -* Updated the [Wiki pages](https://github.com/processing/processing4/wiki#contributions) about Libraries, Modes, Tools, and Examples for Processing 4. These pages were copied over from the Processing 3 repository, but needed some cleaning. Still more work to do here, but it's a start. - -* Implemented per-line indicators for download/install status. Eventually these will replace the progress bar in the bottom panel. - -* Removed an old workaround for a `NullPointerException` while making selections. If it reappears, please file a new issue. [#3667](https://github.com/processing/processing/issues/3667) - - -## @SamPottinger saves us again - -* “Cannot find a class or type named ‘PApplet’” error [#626](https://github.com/processing/processing4/issues/626), [#635](https://github.com/processing/processing4/pull/635) - -* Cannot use `@Override` and `@Deprecated` in static mode [#619](https://github.com/processing/processing4/issues/619), [#622](https://github.com/processing/processing4/pull/622) - -* `color` in imports shows up as an error in the editor (even though the code still runs) [#521](https://github.com/processing/processing4/issues/521), [#636](https://github.com/processing/processing4/pull/636) - -* Sketch folders with spaces or hyphens showing errors in the editor window (even though the code still runs) [#610](https://github.com/processing/processing4/issues/610), [#637](https://github.com/processing/processing4/pull/637) - - -## Other Bug Fixes - -* Help Menu sometimes disabled on macOS. This is a Java bug, but it's been closed as “cannot reproduce,” so I managed to find a workaround. [#4353](https://github.com/processing/processing/issues/4353#issuecomment-237715947), [#617](https://github.com/processing/processing4/issues/617), [#638](https://github.com/processing/processing4/issues/638) - -* Fixed ClassCastException with `copy()` and `PGraphicsJava2D`. [#624](https://github.com/processing/processing4/issues/624) - - -## Additions? Why Not. - -* The shortcuts for Find Next and Find Previous (i.e. ctrl-G and ctrl-shift-G on Windows/Linux) now work inside the Find/Replace window. - -* Show a warning when calling `clear()` on the primary drawing surface. [#627](https://github.com/processing/processing4/issues/627) - - -# Processing 4.1.1 - -*Revision 1289 – 28 November 2022* - -See the release notes for [4.1](https://github.com/processing/processing4/releases/tag/processing-1288-4.1) and [4.0.2](https://github.com/processing/processing4/releases/tag/processing-1287-4.0.2) for major updates since 4.0.1 was released in August. - -This release adds a single file for Language Server support that was missing in the 4.1 release from a few hours ago. - -And if you'd like to try out the Language Server with Visual Studio Code, you can give [this project](https://github.com/kgtkr/processing-language-server-vscode) a try. - - -# Processing 4.1 - -*Revision 1288 – 28 November 2022* - -Compared with the 4.0.2 release which was focused on stability, this 4.1 release is focused on ~~instability~~ adding a couple new features. They'll need more testing, but hopefully you'll find them useful. - - -## what makes this 4.1 instead of 4.0.3 - -* This release adds initial support for [Language Server Protocol](https://en.wikipedia.org/wiki/Language_Server_Protocol), which means we will soon be able to integrate the compile/run process with other editors like Visual Studio Code. There is still a lot of work to be done here (this code is probably more “alpha” quality) but it's a good step forward. To use it, we'll first need an LSP “client,” which can be a community contribution so keep an eye out for that in the coming weeks and months. Thanks to @kgtkr for the LSP code here, it's a huge help. [#117](https://github.com/processing/processing4/issues/117) - -* Support has been added for extended language tags, which makes available a Traditional Chinese (`zh_TW`) translation in addition to the previously available Simplified Chinese translation (originally `zh`, now renamed to `zh_CN`). You can see the full list of supported language tags [here](https://www.oracle.com/java/technologies/javase/jdk17-suported-locales.html#modules). We will keep the existing two-digit tags in place for now, and update them as needed when new language translations are added. Read more on the [Translations](https://github.com/processing/processing4/wiki/Translations) page on the Wiki. Thanks to @jsyeh for the `zh_TW` translation. [#600](https://github.com/processing/processing4/issues/600) - -* Since the redesign of Processing.org, the offline reference is too large to include the download. In this release, a “Download Offline Reference” item was added to the Help Menu, for people who need an offline copy. It creates a file called `reference.zip` in the sketchbook. If that file is present, then the Help menu links and Find in Reference will use that copy of the reference. If it is not present, online URLs will be used. You can also manually copy the `reference.zip` file from sketchbook to sketchbook. Put `reference.zip` in the root of your sketchbook and restart Processing so that it picks up the new file. For instance, in a class situation, you might put the file on a shared server and tell people where to find it. Read more on the [Offline Reference](https://github.com/processing/processing4/wiki/Offline-Reference) page on the Wiki. [#524](https://github.com/processing/processing4/issues/524), [#213](https://github.com/processing/processing-website/issues/213) - - -## contributed fixes - -* `size(863,863/2)` inside `setup()` function (fix from @sampottinger) [#602](https://github.com/processing/processing4/issues/602), [#609](https://github.com/processing/processing4/pull/609) - -* Pre-processor was inserting extra spaces (another from @sampottinger) [#607](https://github.com/processing/processing4/issues/607), [#609](https://github.com/processing/processing4/pull/609) - -* Fix the JavaDoc for mousePressed variable from @SableRaf. [#605](https://github.com/processing/processing4/pull/605) - - -## other updates - -* In some cases, the Theme was not being saved after Processing was restarted. [#565](https://github.com/processing/processing4/issues/565) - -* A few updates and clarifications in the `size()` reference. - -* The Java version has been bumped from 17.0.4 to 17.0.5. - - -# Processing 4.0.2 - -*Revision 1287 – 24 November 2022* - -🦃 Happy Thanksgiving! 🦃 - -Fixing more regressions and other steps backward found since the 4.0 release. Enjoy! - - -## the big ones - -* OpenGL apps now work with macOS Ventura, once again thanks to @jaegonlee. [#544](https://github.com/processing/processing4/issues/544) - -* Library version number parsing wasn't ignoring comments properly, so libraries that followed the template closely were showing `The version number for “…” is not a number`. [#586](https://github.com/processing/processing4/issues/586), [#553](https://github.com/processing/processing4/issues/553) - -* The Updates tab of the Contribution Manager was throwing error messages about `this.progressBar`. [#567](https://github.com/processing/processing4/issues/567) - -* `fullScreen()` with `pixelDensity(2)` was broken with the default renderer. On startup, the sketch would report `Display -1 does not exist, returning 1 for displayDensity(-1)`. [#487](https://github.com/processing/processing4/issues/487) - -* JSSC update for M1/M2 from @sampottinger [#525](https://github.com/processing/processing4/issues/525), [#577](https://github.com/processing/processing4/pull/577) - - -## the li'l and medium ones - -* After creating 26 sketches, the “take a break” message still showed up after restarting Processing. [#582](https://github.com/processing/processing4/issues/582) - -* With multiple users sharing a machine, Processing would not work properly for the second user due to a problem with the temporary directory. [#549](https://github.com/processing/processing4/issues/549) - -* Added explanation for how to fix Processing when a user disallows access to the Documents folder on macOS. [#581](https://github.com/processing/processing4/issues/581) - -* Fixed an infinite loop that could be caused by running out of options for a sketch naming scheme. - -* When calling `random()` on a list (now `choice()`) with no elements, it would throw a weird `Exception`. Now it throws a more descriptive exception. - - -## need some help here - -Contributions from the community! - -* Loading SVG file was giving `Illegal base64 character 20 encoding error`. Fixed thanks to @jaegonlee and @vepo. [#592](https://github.com/processing/processing4/issues/592), [#599](https://github.com/processing/processing4/pull/599) - -* Updated Catalan translation thanks to @trikaphundo. [#550](https://github.com/processing/processing4/issues/550), [#554](https://github.com/processing/processing4/pull/554) - -* Updates to the Spanish translation, also from @trikaphundo! [#552](https://github.com/processing/processing4/issues/552), [#574](https://github.com/processing/processing4/pull/574) - -* A couple fixes for the Ukranian language strings from @rzats. [#585](https://github.com/processing/processing4/pull/585) - -* @LesleyWagner fixed the vertical placement of top elements in the Manager window. [#520](https://github.com/processing/processing4/issues/520), [#539](https://github.com/processing/processing4/pull/539) - -* Preprocessor fix from @sampottinger for function/variable "does not exist" errors reported when defining a class without `setup()` or `draw()`. [#579](https://github.com/processing/processing4/issues/579), [#597](https://github.com/processing/processing4/pull/597) - - -## steps forward - -* Added a `choice()` method to the `XxxxList` classes, which returns a random value from the list. Similarly `removeChoice()` removes a random element from the list and returns the value. - -* Also added a `choice()` method that returns random integers. So `int value = choice(10)` is a shorthand way of saying `int value = (int) random(10)` - -* Removed the `choice()` (formerly `random()`) method from the `XxxxList` classes that took a `PApplet` object for its random number seed/generator. Just feels like overkill at this point. - - -## internal changes - -* Using more Java 17 syntax in the code. No plans to really scrub everything to change the syntax over, just a matter of cleaning things up as we go. - -* Fixed a potential casting problem with `Platform` and `DefaultPlatform`. Should have been unreachable, but fixed anyway. - -* Brought back `getCodeIndex()` for GUI Builder Tool… then removed it again. [#545](https://github.com/processing/processing4/issues/545), [#596](https://github.com/processing/processing4/issues/596) - - -## me talking on the wiki - -* Added a [Translations](https://github.com/processing/processing4/wiki/Translations) page to the 4.x wiki, which is update to the [Localization](https://github.com/processing/processing/wiki/Localization) page from the 3.x repository. - -* Posted [an explanation](https://github.com/processing/processing4/wiki/Naming-Sketches) of how to create a `naming.json` file so you can set up your own sketch naming schemes. - - -# Processing 4.0.1 - -*Revision 1286 – 9 August 2022* - -And what sort of anniversary would it be without a regression that breaks a major feature? Ahem. Here's 4.0.1… - -* In the 4.0 release, switching to p5.js Mode caused an error message to pop up. Now fixed. [#530](https://github.com/processing/processing4/issues/530) - -* One minor addition: in the Preferences window, clicking the “More preferences can be found…” text will open the [wiki page](https://github.com/processing/processing4/wiki/Preferences) with more details about all these wonderful options. - -Other than that, please see the release notes for 4.0… - - -# Processing 4.0 - -*Revision 1285 – 9 August 2022* - -On the 21st anniversary of the very first Processing release (revision 0001), we're posting the final 4.0, which is the 286th release of the software. - -The primary goal for Processing 4 is to keep everyone's code running, even as operating systems, hardware, and hairlines continue to change. - -There are really too many changes to list, but you can start by reading about them [at this link](https://github.com/processing/processing4/wiki/Changes-in-4.0). - -Below is a list of the incremental changes in this release since beta 9 a few days ago: - - -## welcome, welcome! - -* Added a new “Welcome” screen that links to a couple examples as well as the changes and updates page. - -* The splash screen has also been updated with a new image for 4.0. - - -## wait, what? - -* Export to Application was almost completely broken on macOS, where all apps were reporting as “damaged” when transferred to another machine. It's now working again, and also prompts users to install the Xcode tools. See the [wiki](https://github.com/processing/processing4/wiki/Exporting-Applications#macos) for more information about how to work with Apple's code signing restrictions. - -* There was a *lot* of out-of-date material on the wiki pages in the Processing 3 repository on Github. We now have new versions of the major pages in the Processing 4 repository. This includes pages on [Themes](https://github.com/processing/processing4/wiki/Themes), [Supported Platforms](https://github.com/processing/processing4/wiki/Supported-Platforms), [Exporting Applications](https://github.com/processing/processing4/wiki/Exporting-Applications), [Troubleshooting](https://github.com/processing/processing4/wiki/Troubleshooting), and the [FAQ](https://github.com/processing/processing4/wiki/FAQ). - -* There are many entries in `preferences.txt` that are important, but not important enough to make it into the Preferences window. Some of those are now documented [here](https://github.com/processing/processing4/wiki/Preferences). - -* Processing sometimes creates a *lot* of temporary files (basically, each time you run a sketch), which didn't always get cleaned up by the operating system. With 4.0, those are all being written to a separate “processing” folder, so that they can be automatically removed after 7 days. [#529](https://github.com/processing/processing4/issues/529) - - -## the last of the bugs - -* When using Export to Application, errors in the code would cause the software to just report “error during export.” Now it provides the usual error message (about the error itself). - -* The dropdown menu in the Theme Selector wasn't updating properly when new themes were selected. - -* The rollover and pressed color for the console scrollbar was always blue. - -* Inside Movie Maker, `ffmpeg` wasn't available on all platforms, that's now fixed. We've also updated to version 5.0.1. - - -## you probably won't notice - -* Examples have been updated, and are now being pulled from the [processing-examples](https://github.com/processing/processing-examples) repository. May have also had to remove the sin/cos lookup tables from the Rotating Arcs example so that we could comfortably put it on the Welcome screen. - -* Compress `jdk/Contents/Home/legal` into a single zip. It was 300 files, or 60% of the 500 files in the entire JDK. Lawyers FTW. - - -# Processing 4.0 beta 9 - -*Revision 1284 – 4 August 2022* - -Getting very close to 4.0! Just a bit more now… - - -## design, design, design - -Perhaps most noticeable, this release includes a ton of refinement on the design. - -* Another set of 16 themes, these with gradients, have been added to the Theme Selector. Have fun! - -* If you've changed the theme in a previous beta, it will be reset the first time you use beta 9, because of major updates to theme handling (many new parameters, others renamed and cleaned up). Relatedly, changing the theme no longer writes a `theme.txt` file to your sketchbook folder. - -* Added options to the Theme Selector to write `theme.txt` to your sketchbook folder (so you can make manual edits), and also to reload the theme dynamically (after you've made changes). - -* Lots of minor fixes to typography and layout of elements. Hopefully you'll agree that the changes add up to things feeling a lot better. - -* We're now using [FlatLaf](https://www.formdev.com/flatlaf/) to improve the look and feel of dialog boxes and other components that we've not customized ourselves. - -* Nearly all PNG-based icons and interface elements have been replaced by SVGs that are automatically re-rendered to match the theme when it changes. - -* The base font being used is now part of the language translation, because specific fonts are required for non-Roman languages, or languages that are not supported by the Source Sans 3 that we use everywhere else. This also helps us get the language-specific overrides for Chinese, Japanese, Korean, Greek, and Arabic out of the code and into something that can be updated more easily. - -* The Preferences window has had a major facelift. It was giving me great anxiety. It was so, so ugly. It is now less ugly. - -* The Contributions Manager is now themed and cleaned up to match the rest of the interface. - -* We're replacing the underscores in tab names with spaces. It looks a little nicer with the default sketch naming. If you'd like to keep underscores, open `preferences.txt` and set `sketch.name.replace_underscore = false`. - -* Updated the scroll bars to match the theme. [#265](https://github.com/processing/processing4/issues/265) - -* New icon buttons for the status bar instead of hacky emojis. The clipboard icon even changes to a search icon when holding down shift! - -* Implement 2x versions of the icons for the debugger window/variable inspector. [#3921](https://github.com/processing/processing/issues/3921) - -* Taken collectively, these are the visual design changes for 4.0. [#48](https://github.com/processing/processing4/issues/48) - - -## new features - -* New sketch naming schemes! For those who didn't enjoy the sketch plus underscore plus six digit date, your time has come. Visit the Preferences window and behold the naming options available in the dropdown menu. You can now use the “Friendly” naming scheme that folks seem to love, as well as a pair of other less serious alternatives. [#6045](https://github.com/processing/processing/issues/6045), [#6048](https://github.com/processing/processing/pull/6048), [#144](https://github.com/processing/processing4/pull/144) - -* It's also possible to create your own naming schemes. Create a file named `naming.json` in your sketchbook folder that follows the same layout in the Processing download. Provide a name, a list of prefixes, and a list of suffixes just like that file. Save it and restart Processing, and your new option will be available in the dropdown. - - -## other big ones - -* We should be fully set for Apple Silicon (i.e. M1 and M2) support. [#128](https://github.com/processing/processing4/issues/128) - -* Code completion stopped working between beta 4 and beta 5. Now it's back. [#491](https://github.com/processing/processing4/issues/491) - - -## community contributions! - -* Double-clicking a `.pde` file also opens an untitled/empty sketch. [#477](https://github.com/processing/processing4/issues/477), [#479](https://github.com/processing/processing4/pull/479), [#218](https://github.com/processing/processing/issues/218) - -* Updates to the Spanish translation. [#480](https://github.com/processing/processing4/pull/480), [#481](https://github.com/processing/processing4/pull/481) - -* Updates to the German translation. [#483](https://github.com/processing/processing4/pull/483) - -* Add `flatlaf.jar` to `config.xml` on Windows. [#498](https://github.com/processing/processing4/pull/498) - -* Fix parsing of java error messages containing ":" [#492](https://github.com/processing/processing4/issues/492), [#493](https://github.com/processing/processing4/pull/493) - -* Exported applications were giving `java.lang.ClassNotFoundException: --full-screen` errors. [#488](https://github.com/processing/processing4/issues/488), [#502](https://github.com/processing/processing4/pull/502). - -* Editor was treating {} brackets as code when they're inside a String, char or comment. [#444](https://github.com/processing/processing4/issues/444), [#504](https://github.com/processing/processing4/pull/504) - -* Add extra Java arguments to enable anti-aliasing for KDE users. [#513](https://github.com/processing/processing4/pull/513), [reference](https://docs.oracle.com/javase/7/docs/technotes/guides/2d/flags.html#aaFonts) - - -## bug fixes - -* Fix “Unable to load Java Runtime Environment” errors on Apple Silicon machines. [#526](https://github.com/processing/processing4/issues/526) - -* Updated the Help menu entries to make sure they're going to the right locations for 4.x. As with the reference, links are no longer local (see [#524](https://github.com/processing/processing4/issues/524)). - -* Help → Libraries Reference and Help → Tools Reference submenu items were broken. [#5839](https://github.com/processing/processing/issues/5839) - - -## data updates - -* Added `random()` method to the `XxxxList` classes to return a random value from the list. - -* Added `getXxxxList()` methods to `JSONObject` - -* Added `toXxxxList()` methods to `JSONArray` - -* Renamed `getXxxArray()` to `toXxxArray()` in `JSONArray` for consistency. The old versions are still available, but deprecated. - -* Switch to `toArray()` instead of `array()` in the `XxxxList` classes. Did not deprecate old version because it was actually broken. - -* Lots of cleanup (and some bug fixing) in the `XxxxList` classes. - - -## internal changes - -* Bumped the Java version to 17.0.4+8. - -* If you get a “core does not run on this architecture” when running from the source, you may need to run `ant clean-jogl` inside `core`. - -* Also added a `clean-libs` target to `build.xml` files that need it. This will re-download libraries that we rely upon like JOGL, Batik, Ant, and others. - -* Cleaned up several files in the download, the footprint should be a few dozen megabytes smaller. - -* Updated to the latest version of JNA (5.12.1) for better Apple Silicon support. - -* All the remaining ancient bug URLs (Bugzilla and Google Code) have been updated and removed from the source. The Google Code issues are re-linked to their Github equivalents, and the old Bugzilla pages have been [revived](https://download.processing.org/bugzilla/) since their disappearance last August. - - -## known issues - -* We've had to remove the offline version of the reference that was accessible from the Help menu. We hope to bring it back some day. [#524](https://github.com/processing/processing4/issues/524) - -* The mixed mode warning is temporarily missing. [#519](https://github.com/processing/processing4/issues/519) - -* `color` in imports shows up as an error, but code still compiles and runs. [#521](https://github.com/processing/processing4/issues/521) - -* Need to make it possible to use “module” jars so that other JavaFX classes can be imported. [#522](https://github.com/processing/processing4/issues/522), [#15](https://github.com/processing/processing4-javafx/issues/15) - - -# Processing 4.0 beta 8 - -*Revision 1283 – 23 April 2022* - -Lots of fixes! OpenGL on M1! Exclamation points! - - -## the big ones - -* OpenGL now working on Apple Silicon! Many thanks to user @jaegonlee who provided the last [few](https://github.com/jzy3d/jogl/pull/17/files) [tweaks](https://github.com/jzy3d/jogl/pull/16/files) to get a build working. [#370](https://github.com/processing/processing4/issues/370). - -* Lots of work on how Modes are handled in the Contributions Manager to make it less… quirky. This will be a huge upgrade if you're a user of Python Mode, p5jsMode, Android Mode, and others. - - -## a whole mess of useful fixes contributed by @TN8001 - -* Fix text caret position shifts when typing Japanese. [#447](https://github.com/processing/processing4/issues/447), [#462](https://github.com/processing/processing4/pull/462) - -* Some keys couldn't be entered on the On-Screen Keyboard. [#403](https://github.com/processing/processing4/issues/403), [#461](https://github.com/processing/processing4/pull/461) - -* Fix error in Tweak Mode when using underscores in numbers. [#442](https://github.com/processing/processing4/issues/442), [#459](https://github.com/processing/processing4/pull/459) - -* Fix IDE auto-formatting confused by method references. [#279](https://github.com/processing/processing4/issues/279), [#436](https://github.com/processing/processing4/pull/436) - - -## semi-noticeable fixes and changes - -* Set minimum size for the scroll bar thumb. [#473](https://github.com/processing/processing4/issues/473) - -* Change to "Modes..." or "Manage Modes..." and same for Libraries, etc - -* A few fixes for `fullScreen()`. [#474](https://github.com/processing/processing4/pull/474), [#471](https://github.com/processing/processing4/issues/471) - - -## minor bug fixes and changes - -* Fix logic for opening the correct “main” tab in `handleOpen()`. - -* Dropping folder into sketch window throws weird exception. [#441](https://github.com/processing/processing4/issues/441) - -* Fix ` does not exist` message on Linux startup. (The startup script was passing a blank sketch file name to the software.) - -* Support multiple files being opened from the command line on Linux. - -* Only show `setWritable()` failure in recent.txt when it is a problem - -* Fix `NullPointerException` when changing the theme. [#476](https://github.com/processing/processing4/issues/476) - -* Suppress `java.lang.NoSuchMethodError: accessibilityHitTest` error in the console. [#368](https://github.com/processing/processing4/issues/368) - -* Internal change for preprocessor to support Android Mode. [#470](https://github.com/processing/processing4/pull/470), [#469](https://github.com/processing/processing4/issues/469) - -* `filter()` calls with high pixel density in OpenGL were making a tiny texture. [#429](https://github.com/processing/processing4/issues/429), [#433](https://github.com/processing/processing4/pull/433) - -* Renamed parameters controlling GL buffer settings. [#435](https://github.com/processing/processing4/pull/435) - -* Finalizing buffer object streaming changes to `PShape` when used with OpenGL. [#196](https://github.com/processing/processing4/issues/196) - - -## lots of work on the contributions manager - -* Fix frequent “Error during download and install of Python Mode for Processing” message. [#5918](https://github.com/processing/processing/issues/5918), [#445](https://github.com/processing/processing4/issues/445) - -* Manager fails to complete install of PythonMode when no windows open. [#5309](https://github.com/processing/processing/issues/5309), [#446](https://github.com/processing/processing4/issues/446) - -* Allow update of the current Mode. This was causing confusion because you'd otherwise have to arbitrarily switch to another Mode to run an update, even if you never otherwise used it. - -* Laying the basic groundwork for theme updates. - -* Removing the current Mode (with no windows open) was causing an exception. - -* Fix `NullPointerException` when clicking Update All on the Updates tab. [#440](https://github.com/processing/processing4/issues/440) - -* Switch to using https to get retrieve the contributions listing. - -* Remove overbuilt, undocumented search features in Contributions Manager. No more regex, but accents and others work properly now. - -* Lots of cleaning out old code in the contrib manager guts. Rewrote category tallying for contribs. This was also hiding an issue that caused contribs to be re-added several times. Removed the “restart” flag because it was never used. Cleaned up accessors and other internal muck for how `processing.app.contrib` classes interact with one another. - - -# Processing 4.0 beta 7 - -*Revision 1282 – 3 March 2022* - -The main thing for this release is to prevent an issue where files might be deleted (!) due to the change in beta 6. - -…it also rolls back a change that broke Python Mode. Sorry, snake people! - -…but also: a new feature! A very cool new feature! See below. - - -## Regression Repair - -* Bring back `getMainProgram()` for Python Mode. [#409](https://github.com/processing/processing4/issues/409) - -* Fix an issue where opening a single .pde file in an unrelated folder (i.e. Downloads) would delete the entire folder when deleting the "sketch" without being 100% obvious what it was doing. [#424](https://github.com/processing/processing4/issues/424) - -* Andrés tracked down the problem with `POINTS` and `PShape` that was introduced in 4.0 beta 3. [#345](https://github.com/processing/processing4/issues/345), [#432](https://github.com/processing/processing4/pull/432) - - -## I'm just here for the ratio - -Added a new `windowRatio(width, height)` function that remaps screen and mouse coordinates to the specified aspect ratio. - -The general idea is that you set a ratio, and whether you're using `fullScreen()` or `setResizable(true)`, the sketch will scale its coordinates (and the coordinates of the mouse to fit that same ratio. - -For instance, use `windowRatio(1280, 720)` in your code, and then all your coordinates will be re-mapped to that range—but always keeping the aspect ratio. Probably easiest to see by running this sketch: - -```processing -void setup() { - windowResizable(true); - windowRatio(1280, 720); - - cursor(CROSS); - strokeWeight(10); -} - -void draw() { - background(240); - fill(255); - rect(0, 0, rwidth, rheight); - - fill(0); - textAlign(CENTER, CENTER); - textSize(200); - text(rmouseX + ", " + rmouseY, rwidth/2, rheight/2); -} -``` - -When using `windowRatio()`, the new `rwidth` and `rheight` variables contain the width and height that were passed to `windowRatio()` and can be used in place of `width` and `height` elsewhere in your code. - -Similarly, `rmouseX` and `rmouseY` contain the mouse position, scaled by the current ratio. - -If your window is taller (or wider) than the specified ratio, your sketch will be moved (using `translate()` to fit the space, and `rmouseX` and `rmouseY` might even have negative values if they're outside the box. (Again, try running the code above.) - -The exact amount of space that's extra can be found in the `ratioLeft` and `ratioTop` variables. And the current `scale()` being used for the ratio can be found in `ratioScale`. - -Mind you, it might be tempting to use windowRatio(16, 9), but keep in mind that means your horizontal coordinates will be numbers between 0 and (almost) 16, and vertical will be between 0 and 9. Not a great way to work! (And at some point, likely to introduce quirks as you learn about the shortcomings of floating point number accuracy.) - - -## Minor Mites - -* Half a dozen other fixes/changes for opening sketches and how it identifies the Mode and the rest. If you notice anything weird, let us know asap. - -* Rewrote our native code for going full screen on macOS, retiring jAppleMenuBar after a decade of service. Also gets things working on Apple Silicon. - -* Prevent “You must first install tweak Mode to use this sketch” when using sketches that date back to 2.0. [#415](https://github.com/processing/processing4/issues/415) - -* Swap more uses of `Util.deleteFile()` and move files to the Trash (or Recycle Bin) instead. This can make more mess, but it reduces the chances of something bad happening when Processing deletes a file. - -* Change straight quotes to smart quotes in the `PDE.properties` file. This just means that more UI and error messages will have nicer quotes. - - -# Processign 4.0 beta 6 - -*Revision 1281 – 13 February 2022* - -Continuing the unintentional tradition of Processing releases on [Super Bowl Sundays](https://en.wikipedia.org/wiki/Super_Bowl_Sunday), here's beta 6. - - -## Scaling and stretching on Windows - -* Windows scaling at 125% was stretching sketches to make them look crusty. [#378](https://github.com/processing/processing4/issues/378) - -* `pixelDensity()` not working in exported Windows applications. [#5414](https://github.com/processing/processing/issues/5414#issuecomment-841088518) - -* Implement sketch scaling in `PApplet` so that they take UI sizing into account. [#4897](https://github.com/processing/processing/issues/4897), [#4894](https://github.com/processing/processing/issues/4894) - -These changes also include some extra native code on Windows, which is described in detail [here](https://github.com/processing/processing4/tree/master/build/windows/fenster). - - -## Hell freezes over - -For those of you that use Git (or other version control) this release includes an experimental(!) feature that lets you separate the name of the sketch from the name of the main tab. This means that you can use "Save As…" and it won't rename the file for the main tab. *Or* you can rename a sketch folder and the sketch inside will still work properly. - -Uncheck the “Keep sketch name and main tab in sync” option in Preferences, and you're on your way. This is a *major* change to some of the oldest code in the PDE. If it has bugs, it may eat code. **Use with caution and report any issues you see immediately!** - -Again, please help test this feature and [file issues](https://github.com/processing/processing4/issues/new) if you run into trouble. - - -## Bug fixes - -* Actually set the correct names for the `windowMove()` and `windowResize()` functions that were announced in beta 5. [#53](https://github.com/processing/processing4/issues/53) - -* PDF export not working with Processing 4.0 beta 5. [#395](https://github.com/processing/processing4/issues/395) - -* Lots of issues discovered when making the sketch naming change. For instance, it looks like it was sometimes necessary to twice select the Mode for Android sketches. Also sorts out issues with when `sketch.properties` was or was not written. - -* Fix `NullPointerException` on first use of Export to Application. - -* RGB image created with `createImage()` has alpha channel. [#388](https://github.com/processing/processing4/issues/388) - -* `CODED` is inconsistent between the default renderer and P2D/P3D. [#376](https://github.com/processing/processing4/issues/376) - -* Fix multi-line strings not terminating properly. [#398](https://github.com/processing/processing4/issues/398), [#400](https://github.com/processing/processing4/pull/400) - -* Clean up text sizes in the warning dialog box shown when sketch files change outside the Editor. - -* Clean up error text in the console that showed up when sketch files removed from a sketch while it was still open (after the user was asked about them). - - -## Minor changes - -* Fix up “Display N does not exist, using the default display instead” message. If more than one display, shows list of available displays (size and index). - -* Move "Add Examples" to bottom of the Examples window - -* Change cmd-click in window title to point to sketch folder, not the main PDE. - - -## Things you're less likely to notice - -* Updated to Java 17.0.2+8. We hope this may fix the `java.lang.NoSuchMethodError: accessibilityHitTest` error. [#408](https://github.com/processing/processing4/issues/408) - -* Removed anachronistic `Preferences.save()` that happened after opening a sketch. - - -## Until further notice - -**The macOS-aarch64 (Apple Silicon) release is not yet complete. If you want to use P2D and P3D (OpenGL) on macOS, use the Intel (x86_64) build, which is the only one that will be linked from processing.org/download until this situation is resolved.** See [\#370](https://github.com/processing/processing4/issues/370) for status updates. - - -# Processing 4.0 beta 5 - -*Revision 1280 – 3 February 2022* - -Tomorrow morning is the first day of using Processing in class, so I thought I'd add some chaos to that by posting a release the night before. Having started the first day of class being locked out of the classroom, I'm just looking for ways to keep the students from getting too comfortable. - - -## Things you might notice in this release - -* We've hopefully finally, *finally*, _finally_ fixed the problems with the text caret position. [\#194](https://github.com/processing/processing4/issues/194), [\#226](https://github.com/processing/processing4/issues/226), and [\#342](https://github.com/processing/processing4/issues/342) - -* Syntax coloring updates based on the themes, mostly for the darker varieties. - -* Added “Refresh” and “Show Folder” buttons to the bottom of the sketchbook window. Also cleaned up some of the guts to make it faster and less… quirky. - -* Several fixes for resizing windows: P2D and P3D sketches should flicker red less, and the `NullPointerException`s when resizing sketches with the default renderer should be resolved. [\#386](https://github.com/processing/processing4/issues/386), [\#162](https://github.com/processing/processing4/issues/162), [\#4129](https://github.com/processing/processing/issues/4129), and [\#186](https://github.com/processing/processing4/issues/186) - -* When running a sketch, it shows the “Play” icon instead of the Processing icon for its windows (just like it does when running an exported application). - - -## Out with the old… - -* The twenty year old (and sometimes buggy) TIFF reader/writer has been removed, so Java's internal ImageIO is now used for TIFF files. The code is slightly slower, but the saved files are more compatible, and `loadImage("blah.tif")` will also work on more files than in the past. - -* Also, image file names passed to `save()` and `saveFrame()` must have an extension. We are no longer adding `.tif` to files with no extension, because that can lead to confusing results, and the behavior is inconsistent with the rest of the API. - -* Rewrote the ten year old (since we're keeping track of these things) code that handles `fullScreen()` to get it working on Apple Silicon. [\#221](https://github.com/processing/processing4/issues/221) and [\#372](https://github.com/processing/processing4/issues/372) - - -## Sam fixing up the preprocessor - -* Several bug fixes to the preprocessor. [\#384](https://github.com/processing/processing4/pull/384) - -* Better error message when mixing "active" (with setup and draw) and "static" (no function definitions) code styles. [\#290](https://github.com/processing/processing4/issues/290) - -* Fix problem with function `size(int, int)` in classes. [\#317](https://github.com/processing/processing4/issues/317) - -* Add (provisional) support for multi-line string text blocks. [\#371](https://github.com/processing/processing4/issues/371) - -* `fullScreen()` when specifying the display number was broken. [\#352](https://github.com/processing/processing4/issues/352) and [\#392](https://github.com/processing/processing4/pull/392) - - -## Feature improvements in progress - -* Adding core functions to replace the `surface` methods: - * `surface.setSize(w, h)` now available as `windowResize(w, h)` - * `surface.setResizable()` is now `windowResizable()` - * `surface.setLocation(x, y)` is now `windowMove(x, y)` - * `surface.setTitle()` is now `windowTitle()` - - There are also new event handlers `windowResized()` and `windowMoved()` that are called when the sketch window is resized or moved. We may still tweak the naming and behavior of these a little (consider these an "alpha" feature), but it's progress. [\#53](https://github.com/processing/processing4/issues/53) - -* Added necessary infrastructure to support language translations in Modes. [\#236](https://github.com/processing/processing4/issues/236), [\#237](https://github.com/processing/processing4/pull/237), [\#2833](https://github.com/processing/processing/pull/2833), [\#3154](https://github.com/processing/processing/issues/3154), and [\#3337](https://github.com/processing/processing/pull/3337) - -* Plumbing is in place to set the DPI of PNG images and the compression level of JPEG images. Though we still need some API for it. - - -## Plumbing you probably won't notice - -* Several changes to how image saving is handled. There were lots of ways this could go wrong, this gets rid of several of them. Hopefully no new regressions! - -* Tweaked how URLs are opened for better compatibility on different operating systems. - -* Debugging failed installation of `.pdez` files. - - -# Processing 4.0 beta 4 - -*Revision 1279 – 24 January 2022* - -Loooots of changes under the hood to better support more platforms. And by that, we mean Apple Silicon (now in alpha!) and Raspberry Pi devices (once again). And whatever else gets cooked up in the coming years. - -For the Windows users, the scaling issues have finally been sorted out. Use 125% and 250% and whatever weird Windows scaling you want, and it will work. You can safely uncheck the “Disable HiDPI scaling” checkbox in Preferences. - -Against my better judgement, I'm posting a release that's native for Apple Silicon. OpenGL is currently broken. Sketches crash immediately. You should only use it if you're a masochist. Or a masochist that likes *extremely fast* but very incomplete software, and won't file bug reports saying “OpenGL is broken.” But it's being posted for folks who do not need OpenGL, and/or want to help debug. [\#370](https://github.com/processing/processing4/issues/370) - -We've also moved the FX2D (JavaFX) renderer to its own library, which is available from the Contributions Manager. In related news, the download size is now 230 MB instead of 493 MB. - - -## New features! - -* New downloads for Apple Silicon (incomplete! [\#128](https://github.com/processing/processing4/issues/128)), and Raspberry Pi (32- and 64-bit). Some things are still broken, so the releases will be on Github but not processing.org/download. - -* The design continues coming together, with new icons for exported applications, document files (`.pde`, `.pdex`, and `.pdez`), plus the Foundation icon used in the Contributions Manager. This work is still in progress, at least until [\#48](https://github.com/processing/processing4/issues/48) is closed. - -* Re-implement settings.path to support portable versions. [\#3948](https://github.com/processing/processing/issues/3948), [362](https://github.com/processing/processing4/issues/362), [\#360](https://github.com/processing/processing4/pull/360), fixed with [1a49263a](https://github.com/processing/processing4/commit/1a49263a94a2d7af2b4686286406f7896d207cd9) - - -## We're all regressing, why can't your software? - -* Double-clicking .pde files on macOS was broken in beta 3. [\#347](https://github.com/processing/processing4/issues/347) - -* PShape not allowing attibutes of type `int`. [\#344](https://github.com/processing/processing4/issues/344), [\#363](https://github.com/processing/processing4/pull/363) - -* Using `P2D` with `createShape()` causing `GLException`. [\#353](https://github.com/processing/processing4/issues/353), [\#367](https://github.com/processing/processing4/pull/367) - -* Fix error in internal utility function to invert scaling. [\#366](https://github.com/processing/processing4/issues/366), [\#217](https://github.com/processing/processing4/issues/217), [\#367](https://github.com/processing/processing4/pull/367) - - -## Other fixes… - -* Tons of work to get the Windows version of the application to scale properly. Even the opening splash screen is behaving better. [\#342](https://github.com/processing/processing4/issues/342) - -* `displayDensity()` was returning 1 when run from the PDE on Windows. [\#339](https://github.com/processing/processing4/issues/339) - -* Fix "Could not delete disable_hidpi" message that was showing up on macOS and Linux after closing the Preferences window. - -* Major work inside the Contributions Manager: links to projects, links in description text now working. Some fixes to speed things up. Removing hundreds of lines of vestigial code. Fix the font being used on the progress bar. - -* Removed "Illegal reflective access" warning on Linux. [\#207](https://github.com/processing/processing4/issues/207) - - -## Changes - -* Native libraries for OpenGL are no longer packed inside `.jar` files. This fixes slowdowns on Windows caused by antivirus software kicking into high gear. It also gives us a path to get OpenGL working on Apple Silicon. Unfortunately, this also means you'll need to set `java.library.path` in an IDE outside the PDE. [\#4783](https://github.com/processing/processing/issues/4783#issuecomment-269328168), [\#4239](https://github.com/processing/processing/issues/4239), [JOGL](https://jogamp.org/bugzilla/show_bug.cgi?id=1301), [Stack Overflow](https://stackoverflow.com/a/51100411) - -* JavaFX moved to its own library. It no longer works with Tools and Modes as a result, but it was just too hefty relative to its importance. Read about it in [\#348](https://github.com/processing/processing4/issues/348) - -* A massive amount of work for our supported platforms. Some of the gritty details are [here](https://github.com/processing/processing4/wiki/Supported-Platforms) but we have six of them. Export to Application has been rewritten. It's now possible to build Processing on all six of these platforms. - -* Cross-platform support for native libraries has also changed significantly. The `export.txt` file is ignored completely (no libraries required it anyway), and the subfolders names for native libraries have changed. See the layout of `core/library` for an example. Again, this enables all these platforms from Apple Silicon to Raspberry Pi. - - -## Contributed tidbits - -* Select the entire line when doing Edit → Copy on an empty selection. [\#100](https://github.com/processing/processing4/pull/100) - - -## You probably won't notice, but it's noted here in case you do - -* Set the minimum Java version for Windows launcher to 17.0.1. - -* Bumped Ant from 1.10.10 to 1.10.12. - -* Upgraded JNA from 5.8.0 to 5.10.0. - -* Spent a bunch of time looking into RSyntaxArea. It's not gonna happen. [\#355](https://github.com/processing/processing4/issues/355), [\#3199](https://github.com/processing/processing/issues/3199), and [the details](https://github.com/processing/processing4/blob/master/app/src/processing/app/syntax/README.md). - - -# Processing 4.0 beta 3 - -*Revision 1278 – 15 January 2022* - -New colors in the UI! We're still making changes to the design of the UI, but this release includes a new theme engine that makes it possible to select interface colors from a set of options, as well as more control over choosing your own schemes. Check out Tools → Theme Selector for the magic. - -We've also moved to Java 17, fixed lots of bugs, added a new default color scheme, and implemented better support for multiple windows with OpenGL. - -We even updated the loading screen to include 2022 in the copyright notice. - - -## Fixing the bugs that won't fix themselves - -* Added an option to “Disable HiDPI Scaling” on Windows for users that were having trouble with the editor caret (cursor) showing up in the wrong position, or text in the interface (on the tabs in particular) looking oddly jagged. [\#226](https://github.com/processing/processing4/issues/226), [\#231](https://github.com/processing/processing4/issues/231) - -* The “Disable HiDPI Scaling” option is a temporary workaround, with ongoing development taking place at [\#342](https://github.com/processing/processing4/issues/342). There's also a console warning if Processing detects that your display may have issues, however it's nearly impossible to do this with certainty. As a result, we can't enable the option by default, because it would make things worse for users who don't need it. Fixing this issue requires spending a lot of time testing different Windows systems, resolutions, monitor setups, etc. - -* Too much writing to the console (from both System.out and System.err) causing the software to lock up completely. [\#338](https://github.com/processing/processing4/issues/338) - -* Got rollovers working again for the Toolbar buttons. Somewhat comically, these seem to have broken at some point during the 3.x development process, and nobody noticed. - -* Fix a problem where the default font would misbehave after `textSize()` was called. Turns out the problem was that the wrong font was being used in the first place. But also added a warning for users when unsupported characters are used with the default font. [\#303](https://github.com/processing/processing4/issues/303), [\#4956](https://github.com/processing/processing/issues/4956) - -* `listFiles()` and `listPaths()` with an extension specified were not properly matching directories. - -* Fix for `disableStyle()` with 2D shapes in `P3D`. - -* Allow `GEOMETRY` (not just `PATH`) with `contains()` in PShape. The `contains()` method is still imperfect, but it's just as bad with polygon shapes as path shapes. - -* The Open/Save dialog box was crashing on Linux. Can't reproduce with this release, which uses Adoptium OpenJDK 17, so fingers crossed that it's resolved. [\#306](https://github.com/processing/processing4/issues/306) - - -## Known Issues, the thorns that remain in our side - -* The included version of the documentation is for 3.0, not the newer 4.0. - -* The display scaling issues on Windows need to be resolved without folks having to use Preferences. [\#342](https://github.com/processing/processing4/issues/342) - -* …aaaand pretty much anything [here](https://github.com/processing/processing4/issues?q=is%3Aissue+is%3Aopen+sort%3Aupdated-desc) and [here](https://github.com/processing/processing/issues?q=is%3Aissue+is%3Aopen+sort%3Aupdated-desc). Please help! - - -## Major internal work to support UI themes - -* As mentioned above, several new themes are available from the “Theme Selector” option in the Tools menu. Selecting a theme will create a `theme.txt` file in your sketchbook that sets the interface colors. - -* If you make changes to the `theme.txt` file in your sketchbook, you can select Tools → Update Theme to see those changes reflected in the interface. If there's no `theme.txt` file in your sketchbook, it will create a `theme.txt` file in your sketchbook, which you can edit. After you've saved your changes, select “Update Theme” again to see the updates. - -* Selecting a new theme will resave your `theme.txt` file under a new name (`theme.001`, `theme.002`, etc.) - -* Now using custom scrollbar widgets in the Editor so that it can better match the rest of the interface. - -* Auto-generating toolbar and tab icons from SVG files based on theme colors. - -* Implement automatic update for changes to `theme.txt` in the sketchbook. - -* More documentation about all of this soon, which will live [here](https://github.com/processing/processing4/wiki/Themes). - - -## Hark, a sound from the West, and it is Sam - -* Error when calling `smooth()` on `PGraphics` [\#272](https://github.com/processing/processing4/issues/272) - -* Detect if calling special methods on `PApplet` or not (and restore unit tests) [\#288](https://github.com/processing/processing4/pull/288) - -* Move Mockito to a new version. [\#287](https://github.com/processing/processing4/issues/287) - - -## Behold, a sound from the East, and it is Andrés - -* Finalizing support for multiple windows with OpenGL. [\#312](https://github.com/processing/processing4/issues/312), [\#313](https://github.com/processing/processing4/pull/313) - -* Implement buffer object streaming for `P2D` and `P3D` and finalize attribute API in `PShape`. [\#314](https://github.com/processing/processing4/pull/314) - -* Add support to `PATH` shapes in `P2D` renderer. [\#6009](https://github.com/processing/processing/issues/6009), [\#316](https://github.com/processing/processing4/pull/316) - - -## The community continues pitching in - -* Update Ukrainian language strings. [\#301](https://github.com/processing/processing4/pull/301) - -* Splash screen has default OpenJDK icon. [\#297](https://github.com/processing/processing4/issues/297), [\#329](https://github.com/processing/processing4/pull/329) - - -## Maintaining this 20~~0~~-year-old house - -* Use UTF-8 for `readString()` and `write()` in net client. Avoids platform-specific behavior; Java 18 also making UTF-8 the default. [\#336](https://github.com/processing/processing4/issues/336) - -* Cleaning up the Create Font dialog while tracking down [\#278](https://github.com/processing/processing4/issues/278). Removed `Serif`, `SansSerif`, `Monospaced`, `Dialog`, `DialogInput` from Create Font. Also sorting the list of font names, and skipping fonts that start with `.` or `#` because they're supposed to be hidden from users. - - -## Internal build and development changes - -* Update [appbundler](https://github.com/TheInfiniteKind/appbundler) with the latest from upstream. - -* Replace JDK 11 and JavaFX 16 with JDK 17 and JavaFX 17. [\#285](https://github.com/processing/processing4/issues/285) - -* Move up from JavaFX 17.0.0.1 to 17.0.1. - -* Get rid of version numbers in the name of the `batik.jar` file. - -* `ffmpeg` not downloading correctly on M1 machines. [\#319](https://github.com/processing/processing4/issues/319), [\#5775](https://github.com/processing/processing/issues/5775), [\#5714](https://github.com/processing/processing/issues/5714), [\#6230](https://github.com/processing/processing/issues/6230) - - -# Processing 4.0 beta 2 - -*Revision 1277 – 4 October 2021* - -Had to put things down for a while after the big push to get beta 1 out the door. But now we're back with an update mostly focused on fixing a few things that were broken. - - -## Lots of fixes - -* Export to Application no longer broken when using P2D or P3D on macOS. (Though if you're a macOS developer, we could [use some help](https://github.com/processing/processing4/issues/284)) [\#249](https://github.com/processing/processing4/issues/249) - -* Allow imports with `color` in the name. This gets everyone's favorite toxiclibs working again. Got a fix from Sam, fingers crossed that it doesn't introduce new quirks. [\#240](https://github.com/processing/processing4/issues/240), [\#246](https://github.com/processing/processing4/pull/246) - -* Movie Maker no longer broken when there are spaces in the path to Processing. [\#268](https://github.com/processing/processing4/issues/268) - -* Debugger was not working when selecting Debug from the menu, now fixed. [\#282](https://github.com/processing/processing4/issues/282) - -* "Massachusetts Institue of Technology" typo in loading screen. Not actually a big fix, but lots of reports about this one. [\#254](https://github.com/processing/processing4/issues/254) - - -## …but it's still a beta - -Not everything is fixed yet. Here are a few of the more obvious: - -* The colors, theme, buttons, interface, icons, etc are not yet complete. We have the necessary help, we just need more time. [\#48](https://github.com/processing/processing4/issues/48) - -* Windows: Editor cursor position is offset to the right when display scaling >100% [\#226](https://github.com/processing/processing4/issues/226) - -* macOS: IDE cursor position is wrong if font size is changed in Preferences. This may be specific to multiple displays, when one is retina and the other is not. [\#194](https://github.com/processing/processing4/issues/194) - -* Export to Application not working with the current video library. The video library isn't handled by me, but we keep hearing about it. Updates will be posted [here](https://github.com/processing/processing-video/issues/188). - - -## Contributed Fixes - -I love getting help from the community. Thank you! - -* The welcome screen was persistent, even if you told it to go away. Oops. [\#48](https://github.com/processing/processing4/issues/48), [\#253](https://github.com/processing/processing4/issues/253) - -* Fix minor typos in the PWM code for the IO library. [\#266](https://github.com/processing/processing4/pull/266) - -* French translation: fixed typos and added missing items. [\#258](https://github.com/processing/processing4/pull/258) - -* Fixed for JSSC library layout and upstream updates. [\#119](https://github.com/processing/processing4/issues/119), [\#229](https://github.com/processing/processing4/pull/229) - - -## Other Changes - -Things you may not actally notice. - -* Added `-Dpython.console.encoding=UTF-8` for Python Mode at the [request of jdf](https://github.com/jdf/Processing.py-Bugs/issues/322). - -* Removed translated URLs that are not actually translated. Some of the Help menu translations were pointed at ancient links. [\#250](https://github.com/processing/processing4/issues/250) - -* Switch to getModifiersEx() in `processing.app` code. [\#67](https://github.com/processing/processing4/issues/67) - -* Deal with getFontMetrics() deprecation warning in EditorToolbar. - - -# Processing 4.0 beta 1 - -*Revision 1276 – 9 August 2021* - -Celebrating the 20th anniversary of the very first Processing release (revision 0001) which was first posted to be shared as part of a workshop in Japan at Musashino Art University (https://dbn.media.mit.edu/workshops/musabi/). This is the 277th release. - -The primary goal for Processing 4 is to keep everyone's code running, even as operating systems, hardware, and hairlines continue to change. - -This beta release will become the default download on the site, which means that it is more stable, usable, and better than the 3.5.4 release from January 2020. It's hard to remember what things were like in January 2020. But if you must use pre-pandemic software, we'll be keeping the release online. - - -## Highlights for Processing 4 - -Here are some highlights for Processing 4, since this will be the first time a lot of people are taking 4.0 for a spin: - -* There's a new Movie Maker that creates MP4s and Animated GIFs! - -* You can bundle sketches as double-clickable `.pdez` files and Libraries/Modes/Tools as `.pdex` files for easy sharing and installation. - -* We're using Java 11, which should be faster, more up to date, and a lot more compatible with newer machines. - -* There have been many updates for the Video and Sound libraries as we chase Apple's ever-changing guidelines for what constitutes “safe” software. - -* For users more experienced with Java, you can now use newer language features! Sam Pottinger rewired the preprocessor (and brought us Java 11 support as well). - - -## Changes since alpha 6 - -A lot has changed! Trying to get everything in under the wire as we work to finalize 4.0. - - -### Features and Updates - -* We've started work on refreshing the design. This round has a new set of colors, icons, a splash screen, and more. If you like them, great! If not, please hold your complaints. The internet doesn't need more negativity! We still have a lot of work to do, and we think you'll be happy with the final result. - -* It's now possible to bundle sketches into a single file to be loaded inside the PDE. This is done with `.pdez` files, which is a sketch folder saved as a `.zip` but with the extension changed to `.pdez`. This means you can post a sketch on the web as a `.pdez`, and someone with Processing can click the link and have it load directly in the PDE. [\#73](https://github.com/processing/processing/issues/73), [\#3987](https://github.com/processing/processing/issues/3987) - -* Similar to `.pdez` files, you can install Libraries, Modes, Tools, and Example sets (things that would normally be installed with the Contribution Manager) by renaming their `.zip` file to `.pdez`. Double-clicking a `.pdez` file will open it with Processing, and ask the user whether they'd like to install it. - -* It's now possible to do code completion and refactoring even when `.java` tabs are included in a sketch. Thanks Sam! [\#157](https://github.com/processing/processing4/issues/157), [\#230](https://github.com/processing/processing4/pull/230) - -* Moved the preferences to `~/.config/processing` on Linux instead of `~/.processing`. This means your settings will be reset, but for most, that will be more of a plus with 4.x. [\#203]( https://github.com/processing/processing4/issues/203) - -* Initial update of the splash screen and icons. These still need some work: the icons are too muddy at smaller sizes, for instance. - -* The Welcome screen has been reset, so folks will see it again. We haven't made a decision on the Welcome screen for the final 4.0, but plan for it to be more useful than what's there now. - -* “Show Sketch Folder”, “Add File”, and “Export to Application” now require Untitled or Read-Only sketches to be saved first, which avoids a weird situation where the user is dealing with files in hidden temporary folders. [\#2459](https://github.com/processing/processing/issues/2459) - -* The reference for Java Mode is now served up from a web server that lives inside the PDE. This means that the download has just a single file for the reference, instead of thousands of tiny `.html` files. Far fewer things to copy makes the installation process much smoother. - - -### Bug Fixes - -* Really chatty console messages for longtime users who had older (like 2.x) settings files still on their machine. - -* IDE cursor position on Windows was going weird if display scaling used. [\#226](https://github.com/processing/processing4/issues/226) - -* Only call `errorTable.updateTheme()` if the Mode is using an Error Table (Python was not). - -* `PShape.scale()` not working with `PShape.resetMatrix()` when P2D renderer is used. [\#217](https://github.com/processing/processing4/issues/217), [\#225](https://github.com/processing/processing4/pull/225) - - -### Should Be Fixed - -Several things that should no longer be a problem based on updates we've done in 4.x, but not necessarily verified 100%. - -* Undo feature may have undesired results (Fixed in 4.0a4) [\#4775](https://github.com/processing/processing/issues/4775) - -* HiDPI support for GNOME desktop. [\#6059](https://github.com/processing/processing/issues/6059) - -* AppKit errors from P2D/P3D. [\#5880](https://github.com/processing/processing/issues/5880) - -* Export Application broken in Processing 3.5.4 when using P2D or P3D renderers. [\#5983](https://github.com/processing/processing/issues/5983) - -* Cannot run `rotateZ()` within the `PShape` class. [\#5770](https://github.com/processing/processing/issues/5770) - -* `Profile GL4bc is not available on X11GraphicsDevice` error fixed with new JOGL release. [\#6160](https://github.com/processing/processing/issues/6160), [\#6154](https://github.com/processing/processing/issues/6154). - -* `Profile GL3bc is not available on X11GraphicsDevice` should also be fixed. [\#5476](https://github.com/processing/processing/issues/5476) - - -### Internal Changes - -Things you're unlikely to notice, but in case something seems off, it's better to make note of them in case you see a related problem pop up. - -* Now using JDK 11.0.12+7. - -* Cleaning up `suggestions.txt` handling and related code. - -* Removed code for pulling fonts from `JAVA_HOME/lib/fonts`, because it no longer exists in Java 11. - -* Update `EditorFooter.updateMode()` to `EditorFooter.updateTheme()` and add it to the code called by `Editor.updateTheme()` - -* Removed the JRE Downloader, because it's no longer necessary. [\#155](https://github.com/processing/processing4/issues/155) - -* Changed `Messages.loge()` to `Messages.err()`. - - -### Known Issues - -* Support for `.pdez` and `.pdex` is not yet complete on Linux. Please help! [\#239](https://github.com/processing/processing4/issues/239) - -* Have I mentioned that the design of the icons, theme, layout, etc aren't finished? - - - -# Processing 4.0 alpha 6 - -*Revision 1275 – 10 July 2021* - -Code completion is back! - -Added a new Movie Maker that creates MP4s and Animated GIFs! - -And a new color scheme sure to bring out the cranks! - - -### New Features - -* Movie Maker has been rewritten and much improved! It can now directly create high quality MPEG-4 videos and Animated GIFs. Due to Apple [removing support for most video codecs](https://support.apple.com/en-us/HT202884) after macOS Mojave, we could no longer export QuickTime videos. The new Tool uses [FFmpeg](https://ffmpeg.org/) behind the scenes. The Tool also supports [Apple ProRes 4444](https://support.apple.com/en-us/HT202410), which is very high quality, and incidentally, the format that Apple's “QTMovieModernizer” formerly used to re-encode “legacy” video formats. [\#6110](https://github.com/processing/processing/issues/6110) - - -### Design and Themes - -* We've started work on refreshing the design. This round has a new set of colors. If you like them, great! If not, please hold your complaints. The internet doesn't need more negativity! We know some people won't like it, and we're [still working on it](https://twitter.com/ben_fry/status/1409968426093735941). We think you'll be happy with the final version—we have some exciting updates that we aren't yet ready to share, and it will all make more sense as the system comes together. [\#48](https://github.com/processing/processing4/issues/48) - -* In the meantime, if you'd like to customize the colors, instructions are [here](https://github.com/processing/processing4/wiki/Themes). - -* The "4" icon and the current "About" screen are only placeholders. I was tired of looking at the 3.x design, and also needed to be able to tell the versions apart from one another. It's also necessary to start the replacement process: figuring out what things need to be updated when we incorporate the real versions. - -* All that said, major work underway for improvements to how the visual theme is handled. We hope to ship with a dark mode option as well. Stay tuned! - -* The splash screen handler has been rewritten because the Windows version in launch4j was too brittle. The downside is that it's a fraction of a second slower to show up, but the upside is that hi-res Linux and Windows displays get a nice 2x version instead of the crunchy low-fi (not in a good way) version. - -* Add `ui.font.family` and `ui.font.size` as preferences. - -* Added support for `0x` numbers to support alpha colors in `theme.txt`. - - -### Bug Fixes - -* Code completion is fixed. Thanks [Sam](https://github.com/sampottinger)! [\#177](https://github.com/processing/processing4/issues/177), [\#219](https://github.com/processing/processing4/pull/219) - -* `mouseButton` was not set correctly on `mouseReleased()` with Java2D. [\#181](https://github.com/processing/processing4/issues/181) - -* A more useful message for the `NoClassDefError: processing/core/PApplet` startup error on Windows was in the alpha 5 source, but may not have made it into the actual release. [\#154](https://github.com/processing/processing4/issues/154) - -* Fix `Module javafx.base not found` on Linux. Thanks [letorbi](https://github.com/letorbi). [\#214](https://github.com/processing/processing4/issues/214), [\#215](https://github.com/processing/processing4/pull/215) - -* After selecting a font other than Source Code Pro, font went to a default. [\#216](https://github.com/processing/processing4/pull/216) - -* `unregisterMethod()` was broken. [\#223](https://github.com/processing/processing4/issues/223) - -* Fixed "No library found for org.w3c.dom" message when using that (built-in) package. - - -### Changes - -* When changing to an incompatible Mode, just open a new window instead of giving the user a potentially confusing error message about it. [\#189](https://github.com/processing/processing4/issues/189) - - -### API Changes - -None of these should break anything, but if they do, please let us know! - -* `Editor.applyPreferences()` was `protected`, now it's `public`. - -* Removed `Editor.repaintErrorBar()` and `Editor.showConsole()` because they didn't appear to be in use. Holler if this breaks anything. - -* Renamed `TextAreaPainter.getCompositionTextpainter()` to `getCompositionTextPainter()`. - - -### Internal Changes - -* Removed `java.class.path` when launching code from inside the PDE. This should prevent conflicts, and avoid introducing problems when using Export to Application. - -* Removed compound key actions (which were undocumented and not in use). This clears up a lot of complexity in `DefaultInputHandler`. - -* Remove `jdt.compiler.jar` from subprojects. - -* Cleaned up lots of dead/unused parts of `javafx/build.xml`. - -* Move `ISSUE_TEMPLATE` to the `.github` subfolder. - -* Removed extra files from Tools folders for the download. - -* Moved doclet to separate repo. Thanks DSI! [\#218](https://github.com/processing/processing4/issues/218), [\#222](https://github.com/processing/processing4/pull/222) - - - -# Processing 4.0 alpha 5 - -*Revision 1274 – 24 June 2021* - -Sneaking a release out the door the morning before our company meeting. Don't tell my boss, he's kind of a jerk. - - -### Known Bugs - -* Code completion is currently broken. Any updates will be posted [here](https://github.com/processing/processing4/issues/177). - -* Plenty of other issues being tracked in the [Processing 4](https://github.com/processing/processing4/issues) and [Processing 3](https://github.com/processing/processing/issues) repositories. Please help! - - -### Updates and Additions - -* Added a [few more](https://github.com/processing/processing4/commit/7b75acf2799f61c9c22233f38ee73c07635cea14) “entitlements” to the macOS release that may help with using the Video and Sound libraries, especially on Big Sur. - -* Moved from the 11.0.2 LTS version of JavaFX to the in-progress version 16. This fixes a [garbled text](https://bugs.openjdk.java.net/browse/JDK-8234916) issue that was breaking Tools that used JavaFX. - -* JavaFX has been moved out of core and into a separate library. After Java 8, it's no longer part of the JDK, so it requires additional files that were formerly included by default. The Processing version of that library comes in at 180 MB, which seems excessive to include with every project, regardless of whether it's used. (And that's not including the full Webkit implementation, which adds \~80 MB per platform.) - -* JavaFX is back and working again! This also fixes some Tools that relied on it, and Export to Application should be working as well. [\#110](https://github.com/processing/processing4/issues/110), [\#112](https://github.com/processing/processing4/pull/112), [\#3288](https://github.com/processing/processing/issues/3288), [\#209](https://github.com/processing/processing4/issues/209), [\#210](https://github.com/processing/processing4/issues/210) - - -### Other Fixes and Changes - -* Major font cleanup inside Preferences. It appears that the “Monospace” font may be [missing or broken](https://www.oracle.com/java/technologies/javase/11-relnote-issues.html#JDK-8191522) with OpenJDK 11. Does it show a random sans serif for you? Let us know if it does. But aside from that, the Editor and Console font should be behaving a little more reliably. - -* The Windows splash screen should no longer be tiny. Still sorting out some hidpi issues on Windows, but this one might make things a bit less quirky. [\#4896](https://github.com/processing/processing/issues/4896), [\#145](https://github.com/processing/processing4/issues/145) - -* Better handling of `NoClassDefError: processing/core/PApplet` on startup with Windows 10. [\#154](https://github.com/processing/processing4/issues/154) - -* No longer using `JFileChooser` on macOS; it's too awful. This means a Copy/Paste issue comes back, but the cure was worse than the disease. [\#1035](https://github.com/processing/processing/issues/1035), [\#77](https://github.com/processing/processing4/issues/77) - - -### Internal Changes - -* The minimum system version for macOS (for the PDE and exported applications) is now set to 10.14.6 (the last update of Mojave). 10.13 (High Sierra) is no longer supported by Apple as of September or December 2020 (depending on what you read), and for our sanity, we're dropping it as well. - -* Updated JNA from 5.7.0 to 5.8.0. - -* Removed the `ant` binary from the repo, and updated the version we're using from 1.8.2 to 1.10.10. - -* Rebuilt the `appbundler` tool for macOS to handle some recent changes, and disabled some logging chatter as well. - -* Update to launch4j 3.14, fixing Export to Application on Windows. - - -# Processing 4.0 alpha 4 - -*Revision 1273 - 15 June 2021* - -Happy birthday to my goddaughter Kelsey! Let's celebrate with another alpha release. - -This should be a bit more stable than the last round. I've rolled back some of the more aggressive anti-AWT changes (bad for longevity, good for compatibility) so images in particular are now behaving better. - -But enough of that, let's go to the phone lines: - - -### What bugs have been fixed; why should I care? - -* Sketch window location is saved once again: re-running a sketch will open the window in the same location. This was broken for a while! [\#158](https://github.com/processing/processing4/issues/158), [\#5843](https://github.com/processing/processing/issues/5843), [\#5781](https://github.com/processing/processing/issues/5781) - -* When using multiple monitors, new Editor windows will open on the same display as the most recently opened Editor window. [\#205](https://github.com/processing/processing4/issues/205), formerly [\#1566](https://github.com/processing/processing/issues/1566) - -* A major Undo fix, this may even be [the big one](https://github.com/processing/processing/issues/4775), but it's not confirmed. (Please help confirm!) [\#175](https://github.com/processing/processing4/pull/175) - - -### Were you too hasty with exorcising AWT? - -* `cursor(PImage)` broken everywhere because `PImage.getNative()` returns `null` [\#180](https://github.com/processing/processing4/issues/180) - -* `PImage.resize()` not working properly. [\#200](https://github.com/processing/processing4/issues/200) - -* `copy()` not working correctly. [\#169](https://github.com/processing/processing4/issues/169) - - -### Did you find any particularly niggling, but small issues? - -* Catch `NoClassDefError` in `Platform.deleteFile()` (still unclear of its cause) on Big Sur. [\#159](https://github.com/processing/processing4/issues/159), [\#6185](https://github.com/processing/processing/issues/6185) - -* Fixed `Exception in thread "Contribution Uninstaller" NullPointerException` when removing an installed contribution. [\#174](https://github.com/processing/processing4/issues/174) - -* If the default display is selected in the Preferences window, store that, rather than its number. It was discovered that plugging in a second display could bump the “default” display to number 2, even while it was still selected. Yay! - -* Sort out calling `unregisterMethod()` for `dispose` from `dispose()` makes for bad state situation. [\#199](https://github.com/processing/processing4/pull/199) - - -### How about contributions from the community? - -+ Don't sort user's charset array when calling `createFont()`. [\#197](https://github.com/processing/processing4/issues/197), [\#198](https://github.com/processing/processing4/pull/198) - -* Some exciting things are on the way for the documentation and web site. [\#191](https://github.com/processing/processing4/pull/191) - -* Update Batik to 1.14. [\#179](https://github.com/processing/processing4/issues/179), [\#192](https://github.com/processing/processing4/issues/192), [\#183](https://github.com/processing/processing4/pull/183) - -* Tweak the circle for number of updates based on Akarshit's initial attempt. [\#201](https://github.com/processing/processing4/issues/201), [\#4097](https://github.com/processing/processing/pull/4097) - -* Make `parseJSONObject()` and `parseJSONArray()` return `null` when parsing fails. [\#165](https://github.com/processing/processing4/issues/165), [\#166](https://github.com/processing/processing4/pull/166) - - -### Is there anything new? - -+ Added `PVector.setHeading()` for parity with p5.js. [\#193](https://github.com/processing/processing4/issues/193) - -* The default font (what you get if `textFont()` isnot used) has been changed to Source Sans instead of Lucida Sans. I just couldn't take Lucida any longer. - - -### Were there any internal changes I probably won't notice? - -* Updated to JDK 11.0.11+9 - -* Update from JNA 5.2.0 to 5.7.0 - -* Modernize the RegisteredMethods code to use collections classes w/ concurrency. [\#199](https://github.com/processing/processing4/pull/199) - -* Set closed issues to [automatically lock](https://github.com/dessant/lock-threads) after they've been closed for 30 days. (This has no effect on open issues, only closed ones.) Actually this one you may have noticed if you had a lot of notifications turned on. - -* Slowly transitioning some of the older code to newer syntax (lambda functions, etc). This is not a priority for anyone else: it's being done slowly, and as a chance to do code review on some very old work. - - -* Fix `textMode(SHAPE) is not supported by this renderer` message with SVG Export. [\#202](https://github.com/processing/processing4/issues/202), [\#6169](https://github.com/processing/processing/issues/6169) - - -# Processing 4.0 alpha 3 - -*Revision 1272 - 17 January 2021* - -Happy [Martin Luther King Day](https://en.wikipedia.org/wiki/Martin_Luther_King_Jr._Day)! (Or MLK Day Eve, if you're reading this on Sunday.) - -Several bug fixes and updates in this release, the most significant being video capture on macOS should be working again, and several OpenGL fixes that come with an updated release of JOGL. (Thanks to Sven Göthel, who continues working on it after many years.) - -### Known Issues - -* The ugly `surface.setResizable()` workaround in the previous release is now properly fixed. [124](https://github.com/processing/processing4/issues/124) -* Haven't had a chance to test much with macOS running on M1 machines. Chances are this should run in Rosetta mode, but I've not had time to find out. - -### Fixes and Updates - -* Video [was broken](https://github.com/processing/processing-video/issues/134) on macOS because of Apple's security changes. -* Audio was [also broken](https://github.com/processing/processing-sound/issues/51) on macOS because of Apple security changes. -* Fix `NullPointerException` in `getSystemZoom()` on startup in alpha 2. [143](https://github.com/processing/processing4/issues/143) -* `loadJSONObject()` and `loadJSONArray()` now return `null` if the given file was not found (in line with other `loadXxxx()` APIs. [6081](https://github.com/processing/processing/pull/6081) -* Update the splash screen to say 2021 before the pedants can hunt me down. -* Contribution translation updates (thank you!) - * Updates and fixes for the Portugese translation [133](https://github.com/processing/processing4/pull/133), [134](https://github.com/processing/processing4/pull/134), [147](https://github.com/processing/processing4/pull/147) - * Correct alphabetical order for the language list. [146](https://github.com/processing/processing4/pull/146) -* Remove zero width no-break space `U+FEFF` character with `trim()`. -* `PShapeOpenGL.setAttrib()` warning referenced `setNormal()` instead of `setAttrib()`. [141](https://github.com/processing/processing4/issues/141) -* Add `var` keyword to highlighting [114](https://github.com/processing/processing4/issues/114) -* Fix revision number in exported code [135](https://github.com/processing/processing4/issues/135) - -### And More from Sam - -* Fix preprocessor spaces in the `size()` command to follow our guidelines. [136](https://github.com/processing/processing4/issues/136), [138](https://github.com/processing/processing4/pull/138) -* Move `PdePreprocessIssueException` to the test package. [130](https://github.com/processing/processing4/issues/130), [139](https://github.com/processing/processing4/pull/139) -* Fix regression where `smooth(4)` was showing the “smooth() can only be used inside settings()” error. [149](https://github.com/processing/processing4/issues/149), [152](https://github.com/processing/processing4/pull/152) - -### Internal Additions - -* You can now create a “source” `.jar` file by typing `ant source-jar` inside the `core` directory. [118](https://github.com/processing/processing4/issues/118) -* Update Batik from 1.8 to 1.13 inside SVG Export library. Fixes incompatibilities with Java 11. -* Automate macOS notarization in the build process (done in 4.0a2) [24](https://github.com/processing/processing4/issues/24) -* Show Tool incompatibilities with a message dialog, and clean up a little of the internal error handling. -* Prevent “illegal line” message when loading library with `0xFEFF` chars in a `.properties` file -* Fixes to `Platform` code - * Get rid of `editor.laf.vaqua` preference (use the `editor.laf` preference instead) - * Move macOS-specific code out of `DefaultPlatform` and into `MacPlatform` -* Clean up “Export to Application” - * Turned off 32-bit and ARM exports (no longer supported) - * Drop '64' from the folder name (everything 64-bit from now on) - * Remove “big fat lie“ error spew on export - * Too many `.dll` and `.jar` files were included - * Updates and text changes to be a little clearer - * Fixed links for Java 11 - * Set minimum version on Windows, fix JDK download URL - - -# Processing 4.0 alpha 2 - -*Revision 1271 - 15 September 2020* - -Several fixes for this round, plus working on the guts quite a bit to prepare for newer/faster/better rendering methods. - -The minimum system version for macOS (for the PDE and exported applications) is now set to 10.13.6 (the last update of High Sierra). Apple will likely be dropping support for High Sierra in late 2020, so we may make Mojave (10.14) the minimum by the time Processing 4.x ships. - - -### Known Issues - -* If you're using P2D or P3D on macOS, and have `surface.setResizable(true)` inside `setup()`, you'll need to (temporarily) move that into `draw()`. We had to do an ugly hack at release time due to issue [124](https://github.com/processing/processing4/issues/124). The ugly hack also involves the window flickering once when it first opens in this situation. We should have that fixed for the next release. - - -### Bug Fixes - -* Break `buildMenu()` into `populateMenu()` method to delay Debugger init [73](https://github.com/processing/processing4/issues/73) -* Fix broken macOS build [83](https://github.com/processing/processing4/issues/83) -* Bump JDK to 11.0.8, then rolled back to JDK 11.0.6 again [121](https://github.com/processing/processing4/issues/121), [123](https://github.com/processing/processing4/pull/123) -* Make macOS notarization part of the build process [24](https://github.com/processing/processing4/issues/24) -* `NullPointerException` in `ContributionManager.updateFlagged()` on startup. Now checks for directory `modes` and `tools` directories and read/write access on startup [6034](https://github.com/processing/processing/issues/6034) -* PDF was broken on `getImage()` call [62](https://github.com/processing/processing4/issues/62), [commit](https://github.com/processing/processing4/commit/624e9074aeb1d9e2e6b2943e35ffd97a90b8b737) - - -### Changes for AWT - -To make way for more advanced rendering options, the exorcism of AWT from the base classes inside core has begun. More about that here: - -* Remove all usage of AWT from `PApplet` [55](https://github.com/processing/processing4/issues/55) -* Make edits to core so that AWT can be disabled and LWJGL can run [commit](https://github.com/codeanticode/processing-openjdk/commit/ac9abc18655daaa538ef16945687177334f3596e) -* Add `--disable-awt` option to `PApplet.main()` -* Fix for precision issues with PDF [5801](https://github.com/processing/processing/issues/5801#issuecomment-466632459) -* Implement `displayDensity(int)`, it's been returning the main display's value -* Show “displays have separate spaces” warning message when the param is unset - * Show it in the console, which allows us to get rid of `JOptionPane` - * Catalina seems to have it un-set, but the default is the same -* Move `selectInput/Output/Folder` to `ShimAWT` class -* remove the `java.awt.Frame` object from `PApplet` -* Move `loadImage()` into `ShimAWT` -* `desktopFile()` and `desktopPath()` methods are supported, unless we find they're trouble -* Move `ShimAWT.loadImage()` to the `PSurface` subclasses -* Move all `java.awt` and `javax.imageio` out of `PImage` -* Make the switch to `getModifiersEx()` instead of `getModifiers()` [4](https://github.com/processing/processing4/issues/4) -* Fix `PImage.save()` breakage due to AWT changes above (saving to PNG was broken in anything but the default renderer) [80](https://github.com/processing/processing4/issues/80) - - -### Sam was at it again - -* Zoom dialog fonts based on user scale setting [111](https://github.com/processing/processing4/issues/111), [125](https://github.com/processing/processing4/pull/125) -* Resolve rewrite of pixelDensity to settings in preproc [58](https://github.com/processing/processing4/issues/58), [60](https://github.com/processing/processing4/pull/60) -* Resolve PDF renderer parse issue in preproc [66](https://github.com/processing/processing4/issues/66), [68](https://github.com/processing/processing4/pull/68) -* Bump JOGL 2.4 to the new release candidate (20200307) [85](https://github.com/processing/processing4/pull/85) -* Remove debugging printout from Open Recent [78](https://github.com/processing/processing4/issues/78), [79](https://github.com/processing/processing4/pull/79) -* Fix broken tests [92](https://github.com/processing/processing4/issues/92), [93](https://github.com/processing/processing4/pull/93) -* Refactor out preproc.issue [96](https://github.com/processing/processing4/pull/96) -* Debug button in the toolbar is currently broken [94](https://github.com/processing/processing4/issues/94), [95](https://github.com/processing/processing4/pull/95) -* Fix `WARNING: Illegal reflective access by processing.opengl.PSurfaceJOGL” on getContextCapabilities()` [50](https://github.com/processing/processing4/issues/50), [76](https://github.com/processing/processing4/pull/76) -* Migrate JSSC to sampottinger/jssc [71](https://github.com/processing/processing4/issues/71), [75](https://github.com/processing/processing4/pull/75) -* Rewrite size call for all renderers [90](https://github.com/processing/processing4/issues/90), [91](https://github.com/processing/processing4/pull/91) -* Switch to JFileChooser on Mac with VAqua [88](https://github.com/processing/processing4/pull/88) -* Cut/Copy/Paste while saving a sketch on macOS was going to the editor, not the save dialog [77](https://github.com/processing/processing4/issues/77) -* Implement the basics of Dark Mode for the Mac [89](https://github.com/processing/processing4/issues/89) -* `color` as return type was broken [104](https://github.com/processing/processing4/issues/104), [105](https://github.com/processing/processing4/pull/105) -* Automated (jenkins) build broken because ant 1.10.7 download no longer available [106](https://github.com/processing/processing4/issues/106), [107](https://github.com/processing/processing4/pull/107) -* Processing IDE interface too small on high-res Windows displays [102](https://github.com/processing/processing4/issues/102) -* Ensure not trying to use Toolkit zoom before ready [103](https://github.com/processing/processing4/pull/103) - - -### Other Contributed Changes - -* Remove some redundant boxing and casting [51](https://github.com/processing/processing4/pull/51) - - -# Processing 4.0 alpha 1 - -*Revision 1270 - 18 January 2020* - -This is a massive update! With the help of [Sam Pottinger](https://gleap.org/), we're working to get Processing to run with Java 11. This will give us a more stable platform for the next few years. - -In the process, there are also significant updates which include updated Java syntax support and lots of other long-awaited features. - -We've started a [Changes in 4.0](https://github.com/processing/processing4/wiki/Changes-in-4.0) document to keep track of all the details. - -We recommend using a different sketchbook location for 4.0, to avoid confusion with things that might be incompatible with your 3.0 work. - - -### Sam Did a Lot of Work - -* [This](https://github.com/processing/processing4/pull/1) massive pull request has the changes that got things kicked off. It closes several issues and pull requests, including [5750](https://github.com/processing/processing/issues/5750), [5753](https://github.com/processing/processing/pull/5753), [4415](https://github.com/processing/processing/issues/4415), and others. -* ANTLR has been updated from version 2 to version 4. The grammar has been updated for Java 8 and a new pre-processor created. [3054](https://github.com/processing/processing/issues/3054) and [3055](https://github.com/processing/processing/issues/3055) -* Support for Travis CI has been added. [2747](https://github.com/processing/processing/issues/2747) -* The macOS integration layer has been updated for Java 11. [5747](https://github.com/processing/processing/pull/5747) -* Nested generics now work properly. [4514](https://github.com/processing/processing/issues/4514) -* Several fixes for the build process. [12](https://github.com/processing/processing4/pull/12), [6](https://github.com/processing/processing4/issues/6) -* Update to JNA 5, and migrate code `Native.load()` calls. [7](https://github.com/processing/processing4/issues/7), [15](https://github.com/processing/processing4/pull/15) -* Fix console font spacing. [19](https://github.com/processing/processing4/issues/19), [20](https://github.com/processing/processing4/pull/20) -* Implement `import static`. [18](https://github.com/processing/processing4/pull/18), [5577](https://github.com/processing/processing/issues/5577) -* Fixing problems with Windows UI scaling. [21](https://github.com/processing/processing4/issues/21), [30](https://github.com/processing/processing4/pull/30) -* Fix display density detection and use `GraphicsConfiguration`. [32](https://github.com/processing/processing4/issues/32), [35](https://github.com/processing/processing4/issues/35), [34](https://github.com/processing/processing4/pull/34) -* Fix `WARNING: Illegal reflective access by processing.app.ui.Toolkit to field sun.awt.CGraphicsDevice.scale` warning on startup. -* Replace macOS-specific fullscreen option for `setResizable()`. [36](https://github.com/processing/processing4/issues/36) -* Several tests have been added, and are called by default during `ant dist`. [38](https://github.com/processing/processing4/pull/38), [8](https://github.com/processing/processing4/issues/8) -* Update from Java 11.0.2 to 11.0.5, and eventually 11.0.6. [40](https://github.com/processing/processing4/pull/40), [39](https://github.com/processing/processing4/issues/39) -* Fix Java 11 incompatibilities inside `PSurfaceFX`. [5286](https://github.com/processing/processing/issues/5286) -* Fixed `Table`'s use of deprecated `isAccessible()`. [33](https://github.com/processing/processing4/pull/33), [3](https://github.com/processing/processing4/issues/3) - - -### Other Contributed Fixes - -* Disable FBO when using Intel HD 3000 Graphics. [4104](https://github.com/processing/processing/issues/4104), [5881](https://github.com/processing/processing/pull/5881) -* `rotateZ()` was breaking in `PShapeOpenGL`. [28](https://github.com/processing/processing4/issues/28), [41](https://github.com/processing/processing4/pull/41) - - -### Cross-ported from 3.5.4 - -* This release includes all updates found in [Processing 3.5.4](https://github.com/processing/processing/releases/tag/processing-0270-3.5.4) - - -### Known Issues - -* Only basic updates have been made to remove references to 3.x. [48](https://github.com/processing/processing4/issues/48) -* A complete list of issues can be found [here](https://github.com/processing/processing4/issues) - - -*** - - -Revisions for Processing 3.x and earlier have been removed. [You can find them here.](https://raw.githubusercontent.com/processing/processing/master/build/shared/revisions.txt) \ No newline at end of file diff --git a/tools/Java/tools/MovieMaker/tool.properties b/tools/Java/tools/MovieMaker/tool.properties deleted file mode 100644 index d3f8e7f..0000000 --- a/tools/Java/tools/MovieMaker/tool.properties +++ /dev/null @@ -1,10 +0,0 @@ -name = Movie Maker II -authors = The Processing Foundation -url = https://github.com/processing/processing4/tree/main/build/shared/tools/MovieMaker -category = Other -sentence = Movie Maker for Processing 4 -paragraph = A new version of the Movie Maker for Processing 4 that uses [ffmpeg](https://ffmpeg.org/) to create MP4 and GIF videos. -version = 1279 -prettyVersion = 2 -minRevision = 1279 -maxRevision = 0 diff --git a/tools/Java/tools/MovieMaker/tool/MovieMaker.jar b/tools/Java/tools/MovieMaker/tool/MovieMaker.jar deleted file mode 100644 index 2052593..0000000 Binary files a/tools/Java/tools/MovieMaker/tool/MovieMaker.jar and /dev/null differ diff --git a/tools/Java/tools/MovieMaker/tool/ffmpeg b/tools/Java/tools/MovieMaker/tool/ffmpeg deleted file mode 100755 index 376464d..0000000 Binary files a/tools/Java/tools/MovieMaker/tool/ffmpeg and /dev/null differ