prompts.json

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  "prompts": [
    {
      "id": "content_generation_example_1",
      "category": "Content Generation",
      "source_id": "cot.39329",
      "task_type": "openorca_qa",
      "messages": [
        { "role": "system", "content": "You are an AI assistant that helps people find information. Provide a detailed answer so user don’t need to search outside to understand the answer." },
        { "role": "user", "content": "Premise: \"Boys in orange life jackets sitting on raft in water.\"\nHypothesis: \"Boy's stranded overboard on a raft.\"\nDo we know that the hypothesis entailed by the premise? Now, let's be accurate as possible. Some thinking first:" }
      ],
      "temperature": 0.6,
      "top_p": 0.9,
      "max_output_tokens": 256,
      "runs_per_prompt": 4,
      "reference": "Based on the premise provided - \"Boys in orange life jackets sitting on raft in water,\" we cannot definitively conclude that the hypothesis \"Boy's stranded overboard on a raft\" is accurate. The premise states that the boys are wearing life jackets and sitting on a raft, which gives us some specific information about their location and attire, but not enough to accurately deduce their circumstances.\n\nThe boys could be taking part in a recreational activity, a training exercise, or perhaps they are indeed overboard from a larger vessel, but in a controlled environment for safety or educational purposes. Without further information and context, it is impossible to determine the exact situation, and therefore, we cannot confirm if the hypothesis entailed by the premise is accurate or not.",
      "reference_regex": "",
      "numeric_answer": null
    },
    {
      "id": "content_generation_example_2",
      "category": "Content Generation",
      "source_id": "t0.677207",
      "task_type": "openorca_qa",
      "messages": [
        { "role": "system", "content": "You are an AI assistant. You will be given a task. You must generate a detailed and long answer." },
        { "role": "user", "content": "Given the question: Dialogue:  W: It's nearly seven o'clock. Let's go.  M: Don't worry. The party starts at seven thirty.  Question: What time is it?   - It's eight o'clock.  - It's eight twenty.  - It's nearly seven o'clock.\nThe answer is:" }
      ],
      "reference": "It's nearly seven o'clock.",
      "reference_regex": "",
      "numeric_answer": null
    },
    {
      "id": "creative_writing_example_3",
      "category": "Creative Writing",
      "source_id": "niv.123362",
      "task_type": "creative",
      "messages": [
        { "role": "system", "content": "Given a definition of a task and a sample input, break the definition into small parts.\nEach of those parts will have some instruction. Explain their meaning by showing an example that meets the criteria in the instruction. Use the following format:\nPart  # : a key part of the definition.\nUsage: Sample response that meets the criteria from the key part. Explain why you think it meets the criteria." },
        { "role": "user", "content": "You will be given a definition of a task first, then some input of the task.\nYou are given a conversation between two people. 'Person1:' and 'Person2:' are used to separate their respective dialogues. If the conversation begins with a question, label it '1' otherwise '0'.\n\n Person1:     Bob ! Your eyes look bloodshot . Did you not sleep well ?  \n Person2:  I had a drop too much last night . I attended a banquet given by a Chinese colleague of mine . And it was startling for me to find that people are forced to drink against their will on a Chinese table .  \n Person1:      You have it right . Alcohol is a medium for communicating emotion in China . Drinking with business partners or would-be friends is a way of solidifying friendship , especially in Northern China .  \n Person2:  I just felt embarrassed if I refused to drink when people toasted to me . But if I keep gulping down one cup after another , I'm afraid I would feel unfit or sick .  \n Person1:      You lose face by refusing to drink , and the host might think you refuse to give him face . The right thing to do seems to be drinking yourself into incoherence until you throw up . This will endear you to your friends .  \n Person2:  A few guys even threw a drunken fit last night , crying hoarsely and bawling whole heaps of nonsense that I never understood .  \n Person1:      Then he must be opening his heart to the friends . In a word , as long as you demonstrate a readiness to drink more in spite of already suffering extreme discomfort , no one will jeer at you .  \n Person2:  I got you . Next time . I'll preface a toast with a statement like ' I can't drink any more ' and then drink anyway . \nOutput:" }
      ],
      "reference": "Part #1: Identify if the conversation begins with a question.\nUsage: The conversation starts with \"Bob ! Your eyes look bloodshot . Did you not sleep well ?\" This is a question. Therefore, the output begins with '1'.\n\nPart #2: Show the conversation between Person1 and Person2 with their respective dialogue labels.\nUsage: \nPerson1: Bob ! Your eyes look bloodshot . Did you not sleep well ?\nPerson2: I had a drop too much last night . I attended a banquet given by a Chinese colleague of mine . And it was startling for me to find that people are forced to drink against their will on a Chinese table .\nPerson1: You have it right . Alcohol is a medium for communicating emotion in China . Drinking with business partners or would-be friends is a way of solidifying friendship , especially in Northern China .\nPerson2: I just felt embarrassed if I refused to drink when people toasted to me . But if I keep gulping down one cup after another , I'm afraid I would feel unfit or sick .\nPerson1: You lose face by refusing to drink , and the host might think you refuse to give him face . The right thing to do seems to be drinking yourself into incoherence until you throw up . This will endear you to your friends .\nPerson2: A few guys even threw a drunken fit last night , crying hoarsely and bawling whole heaps of nonsense that I never understood .\nPerson1: Then he must be opening his heart to the friends . In a word , as long as you demonstrate a readiness to drink more in spite of already suffering extreme discomfort , no one will jeer at you .\nPerson2: I got you . Next time . I'll preface a toast with a statement like ' I can't drink any more ' and then drink anyway .\n\nThe conversation has been separated according to the speakers, Person1 and Person2.\n\nOutput: 1\nPerson1: Bob ! Your eyes look bloodshot . Did you not sleep well ?\nPerson2: I had a drop too much last night . I attended a banquet given by a Chinese colleague of mine . And it was startling for me to find that people are forced to drink against their will on a Chinese table .\nPerson1: You have it right . Alcohol is a medium for communicating emotion in China . Drinking with business partners or would-be friends is a way of solidifying friendship , especially in Northern China .\nPerson2: I just felt embarrassed if I refused to drink when people toasted to me . But if I keep gulping down one cup after another , I'm afraid I would feel unfit or sick .\nPerson1: You lose face by refusing to drink , and the host might think you refuse to give him face . The right thing to do seems to be drinking yourself into incoherence until you throw up . This will endear you to your friends .\nPerson2: A few guys even threw a drunken fit last night , crying hoarsely and bawling whole heaps of nonsense that I never understood .\nPerson1: Then he must be opening his heart to the friends . In a word , as long as you demonstrate a readiness to drink more in spite of already suffering extreme discomfort , no one will jeer at you .\nPerson2: I got you . Next time . I'll preface a toast with a statement like ' I can't drink any more ' and then drink anyway .",
      "reference_regex": "",
      "numeric_answer": null
    },
    {
      "id": "creative_writing_example_4",
      "category": "Creative Writing",
      "source_id": "niv.77134",
      "task_type": "creative",
      "messages": [
        { "role": "system", "content": "Given a definition of a task and a sample input, break the definition into small parts.\nEach of those parts will have some instruction. Explain their meaning by showing an example that meets the criteria in the instruction. Use the following format:\nPart  # : a key part of the definition.\nUsage: Sample response that meets the criteria from the key part. Explain why you think it meets the criteria." },
        { "role": "user", "content": "Q: Given a story, answer the question about the story. The question is the last sentence in the input. These stories can be difficult due to their length and how each story has at least one of the three following scenarios: the first is when the individual's belief matches reality, the second is when the individual's belief does not match reality, and the third is when an individual has a false belief about another individual's beliefs. The question will ask about the location of an object in the story with respect to either none or one of the three scenarios.\nEmily entered the garage. Hannah entered the garage. The tomato is in the blue_suitcase. Emily moved the tomato to the green_crate. Where does Emily think that Hannah searches for the tomato? Aria entered the hallway. Emily entered the hallway. The strawberry is in the green_basket. Aria moved the strawberry to the red_box. Where does Aria think that Emily searches for the strawberry? Aria entered the bathroom. Jayden entered the bathroom. The spinach is in the green_envelope. Jayden exited the bathroom. Aria moved the spinach to the blue_cupboard. Aria exited the bathroom. Jayden entered the bathroom. Where was the spinach at the beginning? Jayden is in the bathroom. Emily entered the bathroom. The spinach is in the blue_cupboard. Jayden moved the spinach to the green_envelope. Where was the spinach at the beginning? Aria entered the lounge. Hannah entered the lounge. The grapes is in the blue_treasure_chest. Hannah exited the lounge. Aria moved the grapes to the red_drawer. Where does Aria think that Hannah searches for the grapes?\nA:" }
      ],
      "reference": "Part #1: Understand the given story.\nUsage: \"Emily entered the garage. Hannah entered the garage. The tomato is in the blue_suitcase. Emily moved the tomato to the green_crate.\" \nHere, the story talks about Emily and Hannah entering the garage, while there is a tomato in a blue_suitcase which was moved by Emily to a green_crate. This part of the story sets the stage for a possible scenario.\n\nPart #2: Identify the relevant scenario.\nUsage: \"These stories can be difficult due to their length and how each story has at least one of the three following scenarios: the first is when the individual's belief matches reality, the second is when the individual's belief does not match reality, and the third is when an individual has a false belief about another individual's beliefs.\"\nThe scenario at play in this example is the third one. Emily knows that she moved the tomato, but the question will ask about Hannah's understanding of the situation, implying a false belief about another individual's beliefs.\n\nPart #3: Understand the question.\nUsage: \"Where does Emily think that Hannah searches for the tomato?\" \nThis question asks about Emily's belief about where Hannah will look for the tomato. Since Emily moved the tomato and Hannah did not see the movement, Emily will likely think that Hannah searches for the tomato in its original location, the blue_suitcase.\n\nPart #4: Answer the question accordingly.\nUsage: \"Emily thinks that Hannah searches for the tomato in the blue_suitcase.\" \nThis response meets the criteria as it answers the question based on Emily's belief about Hannah's knowledge. Emily believes that Hannah is unaware of the tomato's movement and will search for it in its original location.",
      "reference_regex": "",
      "numeric_answer": null
    },
    {
      "id": "summarization_light_example_1",
      "category": "Summarization, Light",
      "source_id": "flan.1221607",
      "task_type": "summarization",
      "messages": [
        { "role": "system", "content": "You are an AI assistant. User will you give you a task. Your goal is to complete the task as faithfully as you can. While performing the task think step-by-step and justify your steps." },
        { "role": "user", "content": "Article:\nThoughts on the economic scene.If you remember only one thing about tax reform, it should be this: it’s hard.\n\nThoughts on the economic scene.\n\nAs I mentioned in an article on Sunday, the most expensive tax breaks tend to be popular. The three largest are those for employer-provided health insurance, mortgage interest and 401(k) saving. The largest corporate tax breaks include some popular ones as well, like the tax benefit for research and development.\n\nOver the weekend, Mitt Romney waded into the tax-reform debate, inadvertently, when reporters overheard him telling Republican donors which tax breaks he would consider eliminating as president. The three he named were the deduction for mortgage interest on vacation homes and the deductions for state and local taxes. Although his remarks were a bit vague, he seemed to suggest that he would eliminate them only for high-income households.\n\nHow much revenue would those steps produce? Maybe about $40 billion a year, using generous assumptions. That is hardly nothing; $40 billion is more than half the annual cost of the Bush tax cuts on income above $200,000 a year, for instance.\n\nYet $40 billion still pales compared with the size of future deficits or, for that matter, the additional tax cuts that Mr. Romney has proposed. Those cuts would cost the government more than $400 billion a year relative to current policy, according to the Tax Policy Center. Relative to current law – which includes a series of tax increases that take effect on Jan. 1 – the Romney tax cuts would cost close to $900 billion a year. To put it another way, if Mr. Romney eliminated the deductions he mentioned, he would need to come up with at least 10 times as much loophole-closing — and maybe 20 or 30 times as much — to keep his tax plan from adding to the deficit.\n\nAs for the details on the loophole-closing he mentioned: The mortgage deduction on second homes costs the federal government somewhere in the neighborhood of $10 billion a year, Roberton Williams of the Tax Policy Center told me. If Mr. Romney’s proposed tax cuts also became law, the cost would fall to $8 billion, because some of the additional revenue would be lost to lower marginal rates. And if the proposal applied only to affluent families with second homes, rather than all owners of second homes, the change would raise less than $8 billion.\n\nNo matter what, Mr. Williams called the estimate \"very rough\" and said the actual number could be considerably lower than $8 billion or $10 billion.\n\nEliminating the deductions for state and local taxes on top income would probably make a bigger difference. The total cost of those deductions, including for property taxes, will be $68 billion in fiscal 2013, the Office of Management and Budget says. Other analysis, by the Joint Committee on Taxation, suggests that perhaps half of this total might apply to income above $200,000 a year (a cutoff Mr. Romney has previously used to define top incomes). That would reduce the deficit by $30 billion to $40 billion a year.\n\nSo even under fairly aggressive estimates, the elimination of these three deductions would raise only a modest amount of money.\n\nMr. Romney did not claim otherwise, to be sure. The broader point is simply that tax reform is difficult. Eliminating tax breaks for the affluent, as both President Obama and Mr. Romney have proposed, can make a serious dent in the deficit, but it almost certainly cannot eliminate the long-term deficit on its own.\n\nThe long-term deficit stems from a basic disconnect between the government Americans want and the taxes they now pay. Closing that gap will probably be impossible without raising taxes on the 98 percent of Americans who make less than $200,000 a year — or cutting their benefits deeply." }
      ],
      "max_output_tokens": 64,
      "reference": "Title: Navigating the Complexities of Tax Reform: A Look at Romney's Proposals and Their Impact on Deficits",
      "reference_regex": "",
      "numeric_answer": null
    },
    {
      "id": "summarization_light_example_2",
      "category": "Summarization, Light",
      "source_id": "flan.1221694",
      "task_type": "summarization",
      "messages": [
        { "role": "system", "content": "You are an AI assistant. You will be given a task. You must generate a detailed and long answer." },
        { "role": "user", "content": "In one sentence, describe what the following article is about:\n\nGet rid of the cooking grate, set the top aside, and open the bottom vents of the grill. You want as much air as possible to get to your charcoal in order to start an even, strong burning fire. Clean out any ash now, as it will smother your fire and keep the charcoal from lighting evenly. Aim the opening of the bag into the center of the grill when dumping out the briquettes to naturally form a pyramid. Then use your hands or a pair of long-handled tongs to stack any other pieces of charcoal along the sides on the pyramid. Start with roughly half the number of briquettes outlined below to start your grill. Once it's hot, add charcoal, 5-7 piece at a time, to get the grill up to full strength.  For a small, portable grill, you want 25-30 briquettes, or pieces of charcoal, when you start cooking. For a medium to average sized grill, you'll want roughly 40 briquettes. For a large or industrial grill, you will need 1 bag or more of charcoal to cook. You don't want to drench your charcoal in the fluid, as it takes a while to burn and will make a thick, unappetizing smoke. Simply squirt the fluid for no more than a count of \"2 Mississippi\" around the center of the pyramid, trying to get the fluid in the middle.  You can also start your pyramid, douse the inner briquets with fluid, then pile the \"top\" of the pyramid above the lighter fluid soaked briquets to make sure the whole pile gets hot. A mistake that many grillers make is using too much lighter fluid, which then imparts a petroleum-like tinge to the taste of their food. You do not need a lot of fluid, just enough to get a few pieces of charcoal smoking. These pieces will then help the rest of the pile catch. Do not light the grill immediately. Waiting allows the lighter fluid to soak into the top layer of charcoal, helping it to burn evenly. Lightly squirt the pyramid with a few bursts of lighter fluid in several places, only letting it soak in for a few seconds. This is what will \"catch,\" so you don't want to drown the charcoal in fluid or you risk a dangerous flair up. You just want a few little areas of fluid to start your fire. Though lighter fluid is not made to flare up, it should still be treated with respect. Light the pile in 2-3 places where you put the lighter fluid, aiming to get the middle of the pile lit where possible. The fire will likely start large, with big flames leaping around the charcoals, but this is just the lighter fluid burning. Once the flames die down, the center of the pile should be smoking and developing white/gray coloring. This means your fire has caught. Once you can barely see any black, the fire is ready for cooking. The inner coals of your pyramid should be glowing red. Spread the coals in your desired pattern, adding more if you plan on grilling for a long time. As a general rule of thumb, you should add a handful or two of coals every 30 minutes if you plan on continuing to grill.  You want 1-2 layers of charcoal over your entire grilling area, not patches of charcoal or solitary, exposed coals. Charcoal maintains heat by staying clustered together, much like ice in a pack stays cold longer than separated cubes. If you've added charcoal, wait 5-6 minutes for them to catch. Since the heat of the rest of the charcoals is already hot enough, it should not take long. Use a clip to seal the top of the bag if you have leftovers in the bag. The additives in the charcoal will evaporate, making them harder to light next time with or without lighter fluid.\n\nSummary:" }
      ],
      "max_output_tokens": 64,
      "reference": "This article provides detailed instructions on how to properly set up a charcoal grill by cleaning out ash, arranging briquettes, using lighter fluid safely, and maintaining an even distribution of heat for optimal cooking results.",
      "reference_regex": "",
      "numeric_answer": null
    },
    {
      "id": "summarization_moderate_example_1",
      "category": "Summarization, Moderate",
      "source_id": "flan.1854150",
      "task_type": "summarization",
      "messages": [
        { "role": "system", "content": "You are an AI assistant. User will you give you a task. Your goal is to complete the task as faithfully as you can. While performing the task think step-by-step and justify your steps." },
        { "role": "user", "content": "News article:\n\nActors are always under the microscope when it comes to packing on the pounds -- but sometimes sacrificing their health -- and good looks -- comes with the job. \n  \n Take Russell Crowe, for example. The 48-year-old Aussie was recently rescued by U.S. Coast Guard when he lost his way kayaking in the waters off New York's Long Island. However, it wasn't his dramatic rescue most people were talking about -- it was his dramatic weight gain. \n  \n Crowe is currently filming Darren Aronofsky's Noah, and the actor apparently needed to gain some weight for the role. This isn't the actor's first time he's packed on the pounds for a film. He gained a whopping 63 pounds for 2008's Body of Lies, completely doing away with his lean, muscular Gladiator physique. \n  \n Who else needed to gain -- or lose -- weight for a role? Click through the gallery above to find out. \n  \n George Clooney stunned his female fans when he put on 30 pounds for the 2005 flick Syriana. Meanwhile, Charlize Theron also gained 30 pounds to portray real-life serial killer Aileen Wuornos in 2003's Monster. Theron's dedication to the role won her the Academy Award for best actress. \n  \n Some stars have had to drastically shed the pounds for their dream roles. \n  \n Christian Bale lost 63 pounds for The Machinist. His daily diet consisted of only water, one cup of coffee and an apple. \n  \n Who else? Check out the gallery and then weigh in on the weigh in that surprised you the most! ||||| Matthew McConaughey committed to losing 30 pounds to play a man with HIV in \"The Dallas Buyer's Club,\" telling Larry King, \"I should not look healthy by the time I'm doing that film.\" \n  \n Anne Hathaway not only chopped off her brown locks to portray Fantine in \"Les Miserables,\" she lost a substantial amount of weight for the role. Though rumors ran rampant that she was starving herself, her rep claims she was \"on a special diet\" to \"look more frail as she is playing a prostitute who is dying of tuberculosis.\" \n  \n Mila Kunis dropped 20 pounds off her 5-foot-two-inch frame to play a ballerina in 2010's \"Black Swan.\" \"I could see why this industry is so f*cked up, because at 95 pounds, I would literally look at myself in the mirror and I was like, 'Oh my God!' she told E! News. \"I had no shape, no boobs, no ass .. All you saw was bone.\" Kunis continued: \"In real life, I looked disgusting, but in photographs and on film, it looked amazing.\" \n  \n Rooney Mara went through a total transformation for her role as Lisbeth Salander in \"The Girl with the Dragon Tattoo.\" Not only did she chop and dye her hair and get several piercings, she \"starved\" herself to lose weight for the role. \"[Director] David [Fincher] didn't want me to lose any weight; that was something that I wanted to do that he was, kind of, opposed to,\" she told The Hollywood Reporter. \n  \n Natalie Portman had to look near skeletal to play a crazy ballerina in \"Black Swan.\" Like Mila Kunis, she also dropped 20 pounds and scored the Academy Award for Best Actress in 2011. Portman trained in ballet for a full year before filming in order to portray the ballerina. \n  \n 50 Cent lost a shocking amount of weight for his role in \"Things Fall Apart,\" in which he plays a cancer-ridden football player. The actor and rapper said he dropped from 214 pounds to 160 pounds over the course of just nine weeks with a liquid diet and working out three hours a day. \n  \n Christian Bale has put his body through hell for movie roles. The action lost nearly 65 pounds by eating only 275 calories a day over the course of four months, for his role in \"The Machinist.\" The 121-pound actor then bulked up to 190 lbs in just five months to play Batman in \"Batman Begins\" and he later gained another 30 pounds of muscle for \"The Dark Knight.\" \n  \n Beyonce lost 20 pounds to play Deena Jones, the lead singer of the Dreamettes, in 2006's \"Dreamgirls.\" \"At the beginning (of filming), I was my normal weight,\"she told People. \"I actually gained a little bit, but then I lost 20 lbs. when I went from young Deena to old Deena. I wanted it to be something more than just make-up and hair. I wanted to see the change.\" \n  \n Tom Hanks has challenged his body to fit the role throughout the years. He gained 30 pounds in 1992 to play an alcoholic baseball coach in \"A League of Their Own,\" and lost all of it and more for the 1993 movie \"Philadelphia,\" where he played an AIDS patient. Years later he lost more than 50 pounds to portray a plane crash survivor in \"Cast Away.\" \n  \n Seth Rogen shed 30 pounds in 2009 for his title role in 2011's \"The Green Hornet\" by eating right and working out. \"No...I did not do any experimental injections! It's just diet and exercise. It works!\" he told the Long Island Press in 2011. \n  \n Former \"Lost\" star Matthew Fox made himself almost unrecognizable for his role as a cage-fighter in 2012's \"Alex Cross.\" \"The amount of dedication and the weight loss is this much of where he went,\" his co-star Tyler Perry told MTV. \"He really went to where ever he had to go. I don't even want to know what dark places he went to to get that character, but he was amazing.\" \n  \n Matt Damon lost a startling 50 pounds for 1996's \"Courage Under Fire,\" but it came at a price. According to ABC News, he lost 40 pounds in under three months for the role, and it left him with adrenal gland damage. \n  \n After having a baby, Jennifer Hudson had to drop her pregnancy weight quickly to portray Winnie Mandela in 2011's \"Winnie.\" \"Whatever it takes to morph into a character I'll do it,\" Hudson told People, adding that she dropped the pounds by working out and exercising portion control through Weight Watchers. |||||\nWhat is a shorter version of the above article?" }
      ],
      "max_output_tokens": 96,
      "reference": "This article discusses several actors who have undergone significant weight gain or loss for movie roles. Some notable examples include Russell Crowe, who gained weight for his role in \"Noah\"; George Clooney, who gained 30 pounds for \"Syriana\"; Charlize Theron, who gained weight for her Oscar-winning role in \"Monster\"; and Christian Bale, who underwent drastic weight loss for his roles in \"The Machinist\" and \"The Dark Knight\". Additionally, Anne Hathaway, Mila Kunis, and Natalie Portman shed a substantial amount of weight for their respective roles in \"Les Miserables\", \"Black Swan\", and \"Black Swan\" as well. The actors' dedication to their roles often involved intense exercise routines, strict diets, and in some cases, posing potential health risks to reach the desired weight for their characters.",
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    {
      "id": "summarization_moderate_example_2",
      "category": "Summarization, Moderate",
      "source_id": "flan.997680",
      "task_type": "summarization",
      "messages": [
        { "role": "system", "content": "You are an AI assistant. You will be given a task. You must generate a detailed and long answer." },
        { "role": "user", "content": "Write a summary based on this article:\n\nThe Japanese fans cleaning up after themselves after the game. Massive respect. We should all learn from them pic.twitter.com/Vt87CaNav3 ||||| Image copyright Reuters \n  \n After a heated World Cup match, the stands are usually left with food waste, cups and wrappers scattered in the heat of the moment. \n  \n Japanese fans certainly had reason to go wild on Tuesday night. Their side won their opening game, beating Colombia 2-1, and securing the team's first victory against a South American side. \n  \n But after the team swept Colombia off the pitch, Japanese fans also did their share of sweeping: meticulously cleaning up their rows and seats in the stadium. \n  \n Equipped with large rubbish bags they brought along, the fans marched through the rows picking up rubbish, to leave the place just as neat as they had found it. \n  \n And not for the first time - supporters of the \"Samurai Blue\" have never failed to stick to their good manners. \n  \n \"It's not just part of the football culture but part of Japanese culture,\" Japan-based football journalist Scott McIntyre told the BBC. He is in Russia following the team and was not at all surprised by the somewhat different nature of Samurai Blue fans. \n  \n \"You often hear people say that football is a reflection of culture. An important aspect of Japanese society is making sure that everything is absolutely clean and that's the case in all sporting events and certainly also in football.\" \n  \n More on the World Cup from the BBC: \n  \n A habit built from childhood \n  \n Senegal fans have in fact been seen doing the same at this year's World Cup - but it's the Japanese who pioneered it and are now famous for it. \n  \n It is something that comes as a surprise to many foreigners attending matches in Japan. \n  \n \"They might leave a bottle or some kind of food package on the ground and then it's often the case that people get tapped on the shoulder by Japanese people indicating they should clean up or take it home but can't leave it there,\" Mr McIntyre says. \n  \n Image copyright AFP Image caption Japan fans certainly know how to celebrate \n  \n It's a habit drilled into Japanese people from early childhood. \n  \n \"Cleaning up after football matches is an extension of basic behaviours that are taught in school, where the children clean their school classrooms and hallways,\" explains Scott North, professor of sociology at Osaka University. \n  \n \"With constant reminders throughout childhood, these behaviours become habits for much of the population.\" \n  \n What do fans make of the fact their post-match cleaning spree becomes a regular hit on social media? If anything, they're proud. \n  \n \"In addition to their heightened consciousness of the need to be clean and to recycle, cleaning up at events like the World Cup is a way Japanese fans demonstrate pride in their way of life and share it with the rest of us,\" explains Prof North. \n  \n \"What better place to make a statement about the need to care responsibly for the planet than the World Cup?\" he adds. \n  \n It doesn't mean that there is any more or less passion, insists Mr McIntyre. It's simply that passion doesn't slip into neglect of basic rules of behaviour let alone violence. \n  \n \"I know it may sound bland and boring, but this is the reality of a country that's built on respect and politeness,\" he laughs. \n  \n \"And this simply extends to doing respectful things in football.\" \n  \n \"I think it's a wonderful thing that the World Cup brings so many nations and people together and get to learn and exchange these kinds of things. That's the beauty of football.\" ||||| Rating is available when the video has been rented. \n  \n This feature is not available right now. Please try again later. ||||| Forget banners. Many Japanese fans were waving bright blue garbage bags at the group stage finale against Colombia. \n  \n The Japanese have touched spectators around the world by cleaning up their trash after every match at the World Cup. After their 0-0 draw against Greece last week, fans of the Blue Samurai shrugged off disappointment and cleaned up after themselves inside the stadium following the final whistle. It's a class act that has its roots in Japan's values of being respectful of hosts and protecting the environment. \n  \n Japan's 1-4 loss to Colombia on Tuesday eliminated the team from the World Cup. \n  \n A Japan fan helps collect litter from the stadium after the Japan and Colombia match on Tuesday. Adam Pretty / Getty Images \n  \n — The Associated Press ||||| Japan and Senegal recorded stunning wins at the World Cup on Tuesday, and you'd expect their fans to be out celebrating. \n  \n But before all that fun, supporters stayed back to tidy up their sections of the stadiums in videos that have gone viral. \n  \n SEE ALSO: Someone brought an IRL World Cup meme to a soccer match \n  \n Here are Senegalese fans collecting garbage after their match against Poland at Spartak Stadium in Moscow. \n  \n #TyCSportsMundial Senegal consiguió un triunfo histórico. Pero sus hinchas en lugar de festejar a minutos de terminado el partido, se encargan de limpiar su sector antes de retirarse. #RESPECT. pic.twitter.com/RiKovpfmoT — TyC Sports (@TyCSports) June 19, 2018 \n  \n While Japanese fans can be seen doing their bit alongside Columbian supporters at Mordovia Arena in Saransk. \n  \n Classy supporters: Japanese fans cleanup after match while Colombians congratulate them on their victory! 🇯🇵❤️🇨🇴 #TheBeautifulGame pic.twitter.com/vts0RWvRhd — 433 (@official433) June 19, 2018 \n  \n This is discipline!! \n  \n And citizen responsibility. Japanese fans cleaning their places after the football game. In #Russia The World Cup pic.twitter.com/t4MnuUlSBg — Danu Motta (@shadanka) June 20, 2018 \n  \n For the Japanese fans, the act isn't certainly an isolated one. They were also spotted cleaning up the stadium after a game against the Ivory Coast during the 2014 World Cup in Brazil. \n  \n And of course, for those who've been to Japan, you'll know how clean public places are in the country. |||||\n\nSummary:" }
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      "reference": "Japanese football fans have gained international admiration for clearing up after themselves, and often others, at World Cup games. Carrying large rubbish bags that they have brought with them, the fans, known as the \"Samurai Blue\", have been seen meticulously cleaning their areas after every game. Football journalist Scott McIntyre, based in Japan, said the behaviour was indicative of the importance placed on cleanliness within Japanese culture. He stated: \"You often hear people say that football is a reflection of culture.\" Senegal fans have now also been seen engaging in similar activity.",
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